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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of The Saint.

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But first, I do want to encourage you. If you're

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enjoying this podcast, please follow us using your favorite podcast software.

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I also want to let you know that today's program

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is brought to you in part by the financial support

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of our listeners. You can support the show on a

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one time basis support dot com, Rightdetectives dot net and

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become one of our ongoing Patreon supporters for as little

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as two dollars per month. Just go to Patreon dot

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Great Detectives dot net. But here from June eighteenth, nineteen

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fifty is Sonata for a Slayer.

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Speaker 2: The Adventures of the Saint, starring Vincent Price. The Saint,

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based on character is created by Leslie Chatteris and none

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to millions from books, magazines, and motion pictures. A robin

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Hood of modern prime now comes to radio, starring Hollywood's

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brilliant and talented actor Vincent Price as the Saints.

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Speaker 3: A proof that the language of music is a truly

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universal one.

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Speaker 2: Mister Templar isn't.

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Speaker 3: The people gathered here there and the Gamwood from sings

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to sing? Would you not agree?

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Speaker 4: I would indeed, mister Aftor won't you join me?

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Speaker 3: Accept with pleasure?

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Speaker 4: Then you know me, mister Temple. And if you promise

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to keep the deep dark secret out, confess that I

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have bought tickets to Karnegie Hall from time to piano

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count it mostly and those performed by Laurett Opdor primarily.

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Speaker 2: Ah.

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Speaker 3: That is a pleasing compliment, mister Templar.

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Speaker 4: And annimal how I'd recognize the famous concert pianist like Lauretta.

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Speaker 2: Hack you, but the reverse is rather puzzling.

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Speaker 3: And then if you will keep the deep dug it's written,

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I shall confess. You were pointed out to me by

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a newspaper reporter seated at my table.

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Speaker 4: Explained half the compliment. But why did you come to

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my table?

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Speaker 3: Why did you come here to this nightclub called the

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Bird Kid, mister.

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Speaker 4: Findler, Well, I could say because it reminds one of

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the Black Hole of Calcutta, But the real reason was

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to hear the piano music of Johnny Crock.

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Speaker 3: Yes, precisely, as did I.

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Speaker 4: Dixie Land hepcat receiving recognition from a Carnegie Hall master.

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Speaker 3: Johnny Crawford was one my pupil, mister Templar. Oh, he

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had a magnicity technical grasp of classical music, but no

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artistic souls. He was a greatest appointment to me. Nevertheless,

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I do not wish to see Johnny Crawford's this. That

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is why I have come to you.

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Speaker 4: So now, that's rather ma Carb attached to an otherwise

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lighthearted evening. Murder is always macab and mister Templar, so

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it's to be death by violence, it is, and I

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shall tell you a great deal more about it at

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my home tomorrow morning.

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Speaker 3: Mister Templar, six thirty seven, receiver a drugs. I'm certain

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that you will be kind enough to be there.

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Speaker 4: That's the kind of certainty that causes horse players to

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go broke. Mister Afton.

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Speaker 3: Then let us say I'm playing a longshot, and I'm

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betting that among the saints and singers present years, you

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are numbered among the form one question, Yes, could you

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give me any idea to why someone should desire to remove?

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Speaker 4: Therefore, sir Johnny Crawford's from the ranks of the living.

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Speaker 3: Oh, I can do better than That's mister Templar, I

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can give you the name of the person who will

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be responsible. And that person a musical composer who has

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been dead for over a hundred years, Ludwig van Beethoven.

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Speaker 5: Yes, well, should I say thank you or slap your face?

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Speaker 4: What do you think ms?

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Speaker 6: Slaps have it?

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Speaker 5: What could I do for you?

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Speaker 4: You must be kidding.

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Speaker 5: And if you're here to see mister Astall, you must

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be signing Templar guilty. And you Nicky Clark, mister OPTAs secretary,

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Nickey Clark, Well won't you lope in?

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Speaker 4: Mister Templar, Oh, thanks, I could hardly refuse such an

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enthusiastic incertation. Well, well, rockmandingough prey luding the shops? Is

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that the master playing?

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Speaker 5: It's not Jimmy Duranty. The music rooms at the far

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end of the foyer, mister Optall is expecting you come

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with me.

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Speaker 4: Thanks, I'll take advantage gentification. Acknowledge what stay behind me

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and let me find.

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Speaker 5: Out first, mister Templary, that was.

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Speaker 4: No prelude in these sharp being played in here, Mickey,

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it was a prelude to murder.

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Speaker 5: To murder.

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Speaker 4: Where do those French doors lead.

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Speaker 5: To to the terrace?

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Speaker 4: Why see if it isn't too late to help miss

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dropt her while I well, it's nasty weather out anyway.

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Speaker 5: Aren't you going after him?

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Speaker 4: My halo wouldn't look too well on top of a shroud.

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Where's the nearest telephone?

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Speaker 5: Telephone?

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Speaker 4: I know this comes as a great surprise, Mickey, but

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the police are rather fussy about these things.

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Speaker 5: Oh, yes, of course the telephone's right up. He's not dead.

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He's trying to play something. He's trying to.

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Speaker 4: Actor. It's Simon Templar, who shut you? Do you know

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who shot you?

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Speaker 5: Talk?

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Speaker 4: But he's trying to play opto Can you hear me?

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It's Temple who shot your man? Who?

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Speaker 1: It's a Templer?

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Speaker 4: He is nicky this time, it's for sure.

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Speaker 5: What was he trying to say? Is he died justin murder?

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Speaker 4: One thing I've learned in this drab, weary life, my dear,

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is never the second guess a dead man. Hey, what's

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this caught under the music rack? It looks like a

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couple of tying bits of paper You thereby when you're

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a for a cub and Mickey.

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Speaker 5: Well, I recognize at top of miss Templar personal notepaper

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used by mister Optall.

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Speaker 4: Who is Paul Paul?

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Speaker 5: Oh, paula Gage, mister Odo's concert manager.

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Speaker 4: Why the name Paul is the only written word left

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on the page. We might have a slightly better lead

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on his second bit of proach.

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Speaker 5: Well, it's part of a music man.

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Speaker 4: Is yeah, and an old one too, judging by the

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condition of the paper and the signature attached there too.

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Ludvig van Beethoven Beto MM, the popular tune smith who

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left this mortal cloak one hundred years ago? Do you

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think it's possible that the old boy came back?

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Speaker 3: Oh?

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Speaker 4: You sure you want to come along with me on

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this little joint.

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Speaker 5: Mickey Laurence Aupdahl was a swell boss and a wonderful guy.

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There is anything I can do to help you get

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the man who killed him.

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Speaker 3: I'm going to do it.

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Speaker 4: And all the time I thought it was my personality

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that intrigued him. Well, let's hope I am not as

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disappointed by a mister Opto's concert manager, Paul the Gage.

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I still can't believe it.

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Speaker 7: Mister Templar, Laurence Aupto dead murdered? Oh why would anyone

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want a murder?

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Speaker 4: My doctor that was going to be my question, mister Gage,

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you don't suppose it was because he was going to

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tell me who wanted to marry Johnny Crawford, do you

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Johnny Crawford? Yeah, who is he? No, you obviously don't

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suppose any other suggestions. I'm starting.

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Speaker 7: It's a templar, but I'm so stunned by this news.

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Ladys was going to play for me this very evening.

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Speaker 5: And I'm not aware that mister Aptahl had a concert date.

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Speaker 7: For this evening, mister be game, or it wasn't a

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concert engagement, Miss Clark.

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Speaker 4: By a stroke of.

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Speaker 7: Good fortune, I come into possession of an original musical

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manuscript of Beethoven's Piano Vanosa, and.

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Speaker 4: Lady, would you say Beethoven?

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Speaker 7: Yes, it's it's an original that's never been published. It

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was known to exist, but with last and roup do

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they published in eighteen twenty four and it never turned

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up again until just recently.

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Speaker 5: I must be where the fortune, Missy the gauge.

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Speaker 4: Well, it is quite valuable.

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Speaker 7: Yes, I'm going to offer it for sale to a

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small group of collectors and caught an out of the evening.

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Speaker 4: Lawrets had agreed to play it for me. But you

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wouldn't happen to have this manuscript here? Would you for it? Yes,

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it's in my stay. Do you mind if we take

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a look at it.

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Speaker 7: Well, of course I'll have it for you in Dustinal

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say the remarkable.

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Speaker 4: Document seems to know question it to its authenticity, and

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that always helped. How did you happen to get hold

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of it?

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Speaker 7: A refugee from Vienna brought it to this country some

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years ago, just discovered it among some more family positions

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he brought along with him.

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Speaker 4: I don't know how it got there. I'm selling it

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for him. There you go a please handle it carefully,

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mister Templer, quite old and fad yours would probably care

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quite easily. That wouldn't be an apology for the fact

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that it's torn right now?

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Speaker 7: When it's gone, why, I'm not certainly I.

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Speaker 4: Understand the missing signature should supply the missing meaning missing signatures?

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You mean that? Oh?

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Speaker 3: Good heavens.

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Speaker 4: Well, you really had me worried for a moment, mister Templar.

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But as you can see, this manuscript is in perfect condition.

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There's the original signature Loodwig Beethoven.

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Speaker 3: He's right on.

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Speaker 4: Exactly what I was going to say. Nikki, thanks for

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your trouble, mister the Gage. Sorry I bothered you.

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Speaker 7: Not a question of bothering me, mister Keimpler, I'm I'm

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merely puzzled. I don't understand what a Betos.

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Speaker 4: Manuscript might have to do with the murderer. Lord it up,

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and that's the reason I'm sorry. I bothered you, mister

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the Gauge. Now neither of I.

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Speaker 5: Oh, thanks Heaven, the police are gone. I don't think

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I could have returned here, dropped all this.

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Speaker 4: I'm not too happy about homicidal surroundings myself.

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Speaker 5: Mickey, Well, then why I come back at all?

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Speaker 4: I find myself with an ungovernable impulse to indulge in

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musical composition, and I more of that later. Nikki, it

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would appear we have an unexpected eavesdropper, unexpect Oh oh,

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don't start up if you don't mind. I just assume

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the farther away I am from lethal weapons, the better

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I like it.

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Speaker 5: That is a gun in his hand.

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Speaker 4: Genius automatic pistol species caliber forty five.

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Speaker 8: That's very scientific, chump, Well you better hand over that paper.

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Don't play coy chum the paper You took him up

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to those music?

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Speaker 4: Oh that I'm sorry but I'm saving autographs. Never had

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one of Beethoven's before?

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Speaker 8: Bet you never had your tummy blasted by a forty

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five slug before?

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Speaker 4: A true true? I think I better take that jum.

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You killed him? Shut up?

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Speaker 7: He said you killed him?

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Speaker 4: You kill me? Said he shut up? Did I stand back?

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When I look at that paper?

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Speaker 8: Should be somewhord Yeah, inside pucket, Thanks chump.

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Speaker 5: Pretty braved with a gun, aren't you?

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Speaker 4: Yeah?

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Speaker 8: I retired in the music business. From where I sit,

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it don't look too well. Be Hello, baby.

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Speaker 5: Son, Simon, Please answer me? Are you all right? An

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you please?

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Speaker 4: I must speak to my barber about this.

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Speaker 5: Simon.

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Speaker 4: Somehow the patting and massage I get after a shave

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doesn't give me anything like the sensation i'm getting now.

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Speaker 5: You're all right?

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Speaker 4: Well, I will be when the boy's operating the trip

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hammers on my skull knock off at five o'clock.

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Speaker 5: Why didn't you let me know? Why did you lie

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there playing possum like that?

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Speaker 4: I doubt that a possum would appreciate the lovely picture

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you made as you bent over me. But as for me, well,

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I was in no hurry to wake up. What happened

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to chum.

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Speaker 5: He departed with your prize autographs after creasing your skull

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with a bullet and threatening me with the same.

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Speaker 4: Lovable soul, isn't he? My only consolation is that his

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aim is far worse than even intentions.

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Speaker 5: Simon, for pizza, come across. So far, I don't understand

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a thing.

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Speaker 4: Which puts us boat in the same boat. And speaking

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of boats, come along, Mickey, we've got an appointment with one.

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Speaker 5: How nice? Any particular kind?

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Speaker 4: Oh yeah, a very particular kind of fairy boat that's

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going to take us across the bet of Coronado.

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Speaker 5: Simon, this is the fairy boat is.

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Speaker 3: Like a ghost ship.

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Speaker 4: Oh now, don't tell me that a little fog is

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getting you down, nicky.

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Speaker 3: H little fog.

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Speaker 5: It's so thick we can't even see the rail from here.

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Why are you so insistent on getting over to Coronada

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to night?

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Speaker 4: All the gauge is selling a Beethoven manuscript to a

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bunch of collectors. They remember one of my more famous

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punches tells me that among those peasants should be a

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guy for whom capital punishment was.

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Speaker 5: Invented better than the two hunters you had on that torn.

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Speaker 4: MANUSCRIPTA what Is it time the lounge be here? Eh? Yes, right,

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it should be if Piannist is a former pupil of

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the Lara top Dog now holding forward for the dingy

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dive called the bird Cage Diamond.

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Speaker 5: You mean Johnny Crawford.

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Speaker 4: And if it isn't, he should sue for plagiarism. That's

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his personal theme song. Johnny Crawford A board. This very bold.

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Speaker 5: Now, why would he be going to Coronado?

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Speaker 4: That's a good question, Nikki. Suppose we asked Johnny for

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the answer the order the lounge should be somewhere over here.

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Speaker 5: Maybe it is, but it looks like you have to

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navigate by radar find it.

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Speaker 4: Somebody's coming out on deck. Now I would have to

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do it. I'm done. Everything's going to be okay. I

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hope you're right, Jensen.

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Speaker 6: I've got the creeps for fair.

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Speaker 4: Never mind it. We won't get excited. We've got the signature.

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We know the difference. Now I know it, Jensen. Maybe

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someone else does too.

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Speaker 2: Oh forget it, Johnny, I'll make you the bird kidding

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what it's all over?

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Speaker 4: A bird cage?

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Speaker 6: Johnny Crawford at the bird cage?

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Speaker 4: What are you kicking about? It's a living in it

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for sure, but you so will all be in a

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heavy sugar.

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Speaker 5: I just you wait, gone, Son, hidden in the fog?

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Who were they?

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Speaker 4: Didn't you recognize one of the voices? It was the

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friendly one who tried to part my hair with a

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forty five? What was it all about? That's the second

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question I have to ask. Crawford. You wait here, Mickey,

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Hobby right back.

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Speaker 3: Simon, you can't gone.

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Speaker 4: Oh, don't worry about that. I'll keep my fingers crossing

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Cobby seeing there is Simon.

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Speaker 5: I can't stay here alone. I'm allergic to pog Oh

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you crazy for I can't even see you. So Simon, Son,

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what was that?

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Speaker 3: What happened?

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Speaker 4: Simon?

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Speaker 2: Oh?

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Speaker 4: No, Silon, I haven't anything, frankly, no, I'm dance my headaches.

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I've swallowed liberal quantities of sea water, which I found

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much too salty. And I have a terrific y end

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to play the piano.

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Speaker 6: To play.

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Speaker 4: Oh no, not nicky, my dear. Any psychiatrist will warn

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you of the dangers of inhibiting a creative verge. I

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think I'd better get into that lounge and get this

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one out of my system. Me children make a grave mistake.

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Mickey by not paying attention to music lessons. Now, if

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i'd only listened to Professor Heinrich Wertzow.

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Speaker 5: If you'd only listen to me, Jensen or Crawford, whoever

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00:18:17,720 --> 00:18:19,880
it was, wouldn't have hit you on the head, and

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you'd be rational now rather than non compassmentedg.

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Speaker 4: Or you shouldn't speak so harshly of whoever it was,

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Nicky when he tossed me into the briny. For some reason,

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I thought of music, piano music, and I think I've

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got something I could only find the right I think you.

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Speaker 5: Should try to find that psychiatrist you mentioned earlier. More

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attention to your noodle and less to noodley my result.

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Speaker 4: Micky, you've jumped to a big, fat and incorrect conclusion.

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Listen to this.

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Speaker 5: Hardly what i'd call a musical two or four.

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Speaker 4: Nicky, you're not listening. I'll give you one more chance.

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There sounds for you.

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00:19:03,960 --> 00:19:06,720
Speaker 5: To you not in the least. But then I didn't

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00:19:06,720 --> 00:19:10,359
take lessons with Professor Heinrich Wisdom, which might attunt for that.

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00:19:11,960 --> 00:19:16,160
Wait a minute, that phrase, she isn't definitely lot ofto

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00:19:16,279 --> 00:19:17,519
to all played justify dime.

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00:19:17,640 --> 00:19:20,240
Speaker 4: You see, you should have studied under Professor Wertzel, he

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00:19:20,279 --> 00:19:22,680
would have given you a hundred in musical identifications.

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00:19:23,000 --> 00:19:25,480
Speaker 5: No, you're not trying to tell me that that little

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00:19:25,559 --> 00:19:27,319
musical phrase means something.

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Speaker 4: Simon, I've seen being coronat at six. Yeah, that should

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00:19:31,599 --> 00:19:34,200
give me about two hours to prove its meaning. To you.

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00:19:34,599 --> 00:19:36,799
Speaker 5: It sounds like a rather complicated procedure.

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00:19:36,519 --> 00:19:38,759
Speaker 4: Or the procedure itself will be simple, but first I

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00:19:38,799 --> 00:19:40,759
have to clutter it up with a call to Lieutenant's

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00:19:40,759 --> 00:19:44,240
Flann again and a little visit to the public library.

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Speaker 5: I can only say, Simon, that I trust to pass

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00:19:59,799 --> 00:20:02,400
our and a half in that library was more entertaining

345
00:20:02,440 --> 00:20:03,240
to you than it was to me.

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00:20:03,440 --> 00:20:05,519
Speaker 4: Oh it was, NICKI it was. You'd be surprised at

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00:20:05,519 --> 00:20:08,559
the amount of interesting information one can garner in the library.

348
00:20:08,759 --> 00:20:11,079
Speaker 5: Maybe I wouldn't be so surprised if you'd share some

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of it with me.

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00:20:12,039 --> 00:20:15,119
Speaker 4: Well, I learned a very interesting tidbit that Ludwig van

351
00:20:15,240 --> 00:20:20,079
Beethoven lived from seventeen seventy to eighteen twenty seven, that

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00:20:20,240 --> 00:20:23,119
he wrote nine symphonies amazing, that he had a sketch

353
00:20:23,160 --> 00:20:26,240
book containing a mass in C sharp, a piano sonata,

354
00:20:26,319 --> 00:20:29,359
a few goune Bach and if that's all.

355
00:20:29,240 --> 00:20:30,799
Speaker 5: You can tell me about an hour and a half

356
00:20:30,799 --> 00:20:31,720
a wasted.

357
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Speaker 4: Time, will not quite I could mention the fact that

358
00:20:34,400 --> 00:20:37,240
one of the more incorrect books on Beethoven was written

359
00:20:37,319 --> 00:20:39,200
by a John Masefield Crawford.

360
00:20:39,480 --> 00:20:43,279
Speaker 5: What difference is it make who wrote it? Oh, John

361
00:20:43,359 --> 00:20:48,880
mayfiel crofton? Could that be our Johnny Crawford? By any check?

362
00:20:49,119 --> 00:20:52,400
Could be an authority on theo.

363
00:20:52,240 --> 00:20:55,279
Speaker 4: A poor one, but an authority. So what of this?

364
00:20:56,440 --> 00:20:58,680
We're going to make a bit on a Beethoven manuscript

365
00:20:58,759 --> 00:21:00,880
and don't be too surprised as if we win it,

366
00:21:01,359 --> 00:21:18,079
and a murderer as well. To begin, you couldn't answer

367
00:21:18,119 --> 00:21:19,559
better timing from a metronome.

368
00:21:21,039 --> 00:21:26,000
Speaker 7: Quiet, reason, Quiet, This was to be a very happy occasion, gentleman,

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00:21:26,039 --> 00:21:28,799
as you all know. But we were to present here

370
00:21:28,839 --> 00:21:32,200
tonight in the original, authentic and pisitive unknown manuscript of

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00:21:32,200 --> 00:21:36,559
a piano Snopa by Faith Roven in honor of the occasion,

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00:21:36,599 --> 00:21:38,119
I prevailed by my dear friend Laury.

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00:21:38,160 --> 00:21:40,319
Speaker 4: It's up to to be the first to play the scenopa.

374
00:21:41,559 --> 00:21:44,880
Speaker 7: Unfortunately, as most of you now know, he has met

375
00:21:44,960 --> 00:21:48,839
with the tragic against. In deference to lardest memory, I

376
00:21:48,839 --> 00:21:51,720
have not thought another pianist the substitute for him. I

377
00:21:51,759 --> 00:21:54,880
am certain you all share my feelings, and so.

378
00:21:54,880 --> 00:21:57,400
Speaker 4: I'd be very happy to play this tonatipor you, mister

379
00:21:57,440 --> 00:21:58,319
the Gage.

380
00:21:58,400 --> 00:21:59,160
Speaker 6: Are you crazy?

381
00:22:00,319 --> 00:22:02,119
Speaker 7: I'm not certain I quite understand the meaning of this

382
00:22:02,200 --> 00:22:03,160
Interruptionist Temple.

383
00:22:03,200 --> 00:22:06,599
Speaker 4: I wouldn't let that botany missed the gauge. Now as

384
00:22:06,599 --> 00:22:08,000
soon as I reached that piano.

385
00:22:09,920 --> 00:22:10,240
Speaker 6: M h.

386
00:22:13,839 --> 00:22:16,960
Speaker 4: Well, really, mister Templer, It's quite simple, mister de Gauge.

387
00:22:17,000 --> 00:22:20,319
I'm going to substitute for Lawrence optor you. Well, I

388
00:22:20,519 --> 00:22:23,039
didn't know that you were a pianist. Temple, sure one

389
00:22:23,079 --> 00:22:29,759
of the best. Listen to this, mister Temple.

390
00:22:30,319 --> 00:22:32,519
Speaker 7: There can only be two explanations for this this out

391
00:22:32,599 --> 00:22:33,880
greatest accent on your part.

392
00:22:34,240 --> 00:22:35,359
Speaker 4: You're either drunk or mad.

393
00:22:35,799 --> 00:22:37,200
Speaker 7: I shall have to ask you to leave this all

394
00:22:37,240 --> 00:22:37,480
at once.

395
00:22:37,559 --> 00:22:39,480
Speaker 4: Now, surely, mister Degage, you wouldn't want me to leave

396
00:22:39,559 --> 00:22:42,480
so soon, not before I've told these gentlemen that Beethoven

397
00:22:42,519 --> 00:22:45,440
never wrote the music on that manuscript you have for sale.

398
00:22:45,960 --> 00:22:49,440
Beethoven never wrote manuscript is a fake. No such Pianos

399
00:22:49,440 --> 00:22:51,920
Sonata was ever written by Beethoven or lost on its

400
00:22:51,920 --> 00:22:52,720
way to the publish it.

401
00:22:53,960 --> 00:22:56,480
Speaker 7: The record of that snota is in Beethoven's own sketch.

402
00:22:56,519 --> 00:22:59,480
Speaker 4: I'll admit that a piano sonata is noted in the sketchbook. Yes,

403
00:22:59,680 --> 00:23:02,240
but if the person who forged this manuscript had looked

404
00:23:02,240 --> 00:23:04,359
far enough, he'd have learned that the original was written

405
00:23:04,359 --> 00:23:07,640
for four hands as a duet, not for two. I

406
00:23:08,680 --> 00:23:12,000
believe this manuscript is a forgery written by our former

407
00:23:12,119 --> 00:23:15,799
so called expert named Johnny Crawford. What if this is so?

408
00:23:16,079 --> 00:23:16,279
Speaker 8: Is it?

409
00:23:17,039 --> 00:23:19,880
Speaker 4: Do you have any proof? Mister Templer Laurenzopdov's death is

410
00:23:19,960 --> 00:23:23,160
proof enough. He discovered the forgery, but then he made

411
00:23:23,200 --> 00:23:25,680
a grave mistake. He thought Crawford's life would be in

412
00:23:25,759 --> 00:23:28,480
danger to prevent the knowledge from coming out, But it

413
00:23:28,559 --> 00:23:31,359
was his own life that was taken sin. Then it

414
00:23:31,400 --> 00:23:34,400
was Crawford killed him. OPTU told me who killed him?

415
00:23:34,400 --> 00:23:38,440
Mister d gage Ottum. He couldn't talk, but he could play,

416
00:23:39,039 --> 00:23:46,960
and he played six notes. These notes. Those notes fell

417
00:23:47,039 --> 00:23:49,039
the name of the murderer, a name that will be

418
00:23:49,200 --> 00:23:51,960
verified by his accomplices when they're picked up by the police.

419
00:23:52,559 --> 00:23:55,119
For the edification of those who never studied under Professor

420
00:23:55,160 --> 00:23:57,319
Heinrich Wodzill, the notes you have a hang it on me,

421
00:24:02,880 --> 00:24:12,640
such alding the game foxibility. Now what was that you

422
00:24:12,640 --> 00:24:18,319
were saying, mister the Gage, I'm to think of her,

423
00:24:18,440 --> 00:24:21,039
so he is. And look at the time, just eight o'clock.

424
00:24:21,559 --> 00:24:23,559
I told you you'd have your answer for two hours

425
00:24:23,559 --> 00:24:23,920
for night.

426
00:24:36,759 --> 00:24:39,400
Speaker 5: Then the whole idea was the Gauges from the start,

427
00:24:39,799 --> 00:24:42,279
and Johnny Crawford and Jensen were working for him.

428
00:24:42,559 --> 00:24:46,599
Speaker 4: Nicky, why don't you stop your intellect from taking over

429
00:24:46,759 --> 00:24:48,359
for your emotions, sion.

430
00:24:49,319 --> 00:24:52,440
Speaker 5: Then Crawford must have forged the manuscript. He was a

431
00:24:52,440 --> 00:24:55,160
good enough pianist and a semi authority on Beethoven to

432
00:24:55,200 --> 00:24:58,079
do it. But how did mister Aptal come into it?

433
00:24:58,519 --> 00:25:02,160
Speaker 4: You know they say that both rides are wonderful therapy

434
00:25:02,200 --> 00:25:05,119
in cases of inhibited romance.

435
00:25:06,519 --> 00:25:10,279
Speaker 5: Of course Crawford was his pupil. How bet he got

436
00:25:10,319 --> 00:25:13,200
cold seat and showed mister Opdall a copy of the manuscript,

437
00:25:13,519 --> 00:25:16,200
and mister the Gauge got wind of it, killed mister

438
00:25:16,279 --> 00:25:18,799
Updall and made off of the copies. The only part

439
00:25:18,839 --> 00:25:20,079
of it was torn off of the music.

440
00:25:20,160 --> 00:25:24,240
Speaker 4: Rack. Uh, this blessed fog, it makes everything so warm

441
00:25:24,400 --> 00:25:25,039
and cold.

442
00:25:26,799 --> 00:25:29,519
Speaker 5: It must have been the idea of a second manuscript

443
00:25:29,559 --> 00:25:33,759
that tipped you off. Huh, particularly when Jensen was so

444
00:25:33,880 --> 00:25:36,000
anxious to get the torn signature.

445
00:25:36,559 --> 00:25:39,359
Speaker 4: I wonder if you'd still feel like slapping my face.

446
00:25:39,680 --> 00:25:44,359
Speaker 5: And of course I finally got what you meant about

447
00:25:44,359 --> 00:25:50,759
those six notes, mister updaph played. They were the gauge spellings,

448
00:25:51,400 --> 00:25:54,079
the gauge nicky.

449
00:25:54,640 --> 00:25:57,799
Speaker 4: When are you going to stop being logical? Oh son?

450
00:26:00,079 --> 00:26:19,920
Speaker 2: Right now, you have been listening to another adventure of

451
00:26:19,960 --> 00:26:24,119
the Saints, the robin Hood of modern Crimes, And now

452
00:26:24,160 --> 00:26:28,359
here is our star Vincent Price, Ladies and gentlemen, One

453
00:26:28,359 --> 00:26:32,240
of the four Horsemen is still riding across Europe, scarring

454
00:26:32,279 --> 00:26:35,559
the bodies and spirits of millions with brutal whos.

455
00:26:36,039 --> 00:26:40,480
Speaker 4: His name is Hunger, and his victims are Allegiance. Their

456
00:26:40,519 --> 00:26:44,799
cries for help are sounding right outside our door. Despite

457
00:26:44,839 --> 00:26:49,480
increased supplies of certain foods and improved crop conditions, Europe's

458
00:26:49,480 --> 00:26:53,960
need for more food is urgent and immediate. Americans can

459
00:26:54,160 --> 00:26:57,920
help now by sending food packages to Europe's hungry ones

460
00:26:58,400 --> 00:27:02,839
through the auspices of Care, a non profit humanitarian organization.

461
00:27:03,720 --> 00:27:08,599
Care spelled c a r E stands for co operative

462
00:27:08,759 --> 00:27:12,920
for American remittances to Europe. It is composed of the

463
00:27:12,920 --> 00:27:17,480
country's twenty six top welfare agencies, all operating to drive

464
00:27:17,559 --> 00:27:20,440
the specter of hunger from Europe. You can aid in

465
00:27:20,480 --> 00:27:23,279
this work by sending a ten dollar remittance to Care

466
00:27:23,759 --> 00:27:26,640
New York. A twenty one and a half pound food

467
00:27:26,640 --> 00:27:29,720
package will then be sent to any designated person in

468
00:27:29,799 --> 00:27:34,160
fifteen countries, or if you wish, Care will select a recipient.

469
00:27:34,720 --> 00:27:38,640
Smaller food packages are available for lesser amounts. The address

470
00:27:38,680 --> 00:27:44,680
again is Care New York. Remember they still need Care.

471
00:27:45,680 --> 00:27:48,119
This is Vincent Price inviting you to join us again

472
00:27:48,160 --> 00:27:51,559
next week at this same time for another exciting adventure

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00:27:51,880 --> 00:27:53,480
of the Saint. Good Night.

474
00:28:11,720 --> 00:28:14,880
Speaker 2: Tonight's script of The Saint was written by Sydney Marshall.

475
00:28:15,279 --> 00:28:19,880
Our cast included Alice Frost, Fritz Feld, Ted Osborne, Tony

476
00:28:19,880 --> 00:28:23,759
Barrett and George Needs. The music was composed and conducted

477
00:28:23,759 --> 00:28:27,680
by Von Dexter. The Saint, based on characters created by

478
00:28:27,720 --> 00:28:31,400
Leslie chatteris as a James L. Safier production and is

479
00:28:31,480 --> 00:28:34,759
directed by Helen mac Vincent Price is soon to be

480
00:28:34,759 --> 00:28:38,839
seen in the Universal International Picture Curtain Call at Cactus Creek.

481
00:28:39,480 --> 00:28:41,440
All you Saint fans will be glad to know that

482
00:28:41,480 --> 00:28:44,480
the Saint comic books are on sale at all News Fans,

483
00:28:45,039 --> 00:28:49,720
you're an author, Doug Gourlay. Monday Night brings you two

484
00:28:49,759 --> 00:28:52,519
great adventure mystery programs side by side.

485
00:28:52,599 --> 00:28:54,599
Speaker 4: On most NBC stations.

486
00:28:54,359 --> 00:28:57,039
Speaker 2: You will hear Night Be the Man, Top Secret. Lovely

487
00:28:57,079 --> 00:29:00,079
Alona Massey stars in Top Secret, the story of s.

488
00:29:00,079 --> 00:29:02,400
C and I's during the Last War. They showed a

489
00:29:02,440 --> 00:29:05,799
Cue and Hair Tomorrow Night for Night See and Top

490
00:29:05,920 --> 00:29:17,720
Secret next Sam Spade, then Summer Symphony on MBC.

491
00:29:24,559 --> 00:29:29,039
Speaker 1: Welcome Back. An enjoyable episode, and one thing I did

492
00:29:29,440 --> 00:29:33,319
like was the dying clue. And what I liked is

493
00:29:33,319 --> 00:29:37,119
that there was actually some logic to it. You know,

494
00:29:37,200 --> 00:29:40,079
when you get into this whole idea that you have

495
00:29:40,960 --> 00:29:46,359
in classic mysteries about dying clues, the thing that usually

496
00:29:46,440 --> 00:29:49,279
makes the most sense is when it turns out they

497
00:29:49,279 --> 00:29:53,000
were faked by the killer, because what it ends up

498
00:29:53,160 --> 00:29:58,400
meaning otherwise is that as their lifeblood was ebbing out

499
00:29:58,920 --> 00:30:02,599
and they were passing from this world, they came up

500
00:30:02,759 --> 00:30:09,839
and constructed this elaborate puzzle that's very involved and difficult

501
00:30:09,920 --> 00:30:14,519
and unlikely to be solved. Here, it makes perfect sense.

502
00:30:16,160 --> 00:30:19,920
The man who's dying knows that the Saint is there.

503
00:30:20,640 --> 00:30:24,480
Because of the shot, he is unable to speak or

504
00:30:24,599 --> 00:30:29,319
find the strength to form words, but he is a

505
00:30:29,440 --> 00:30:33,519
musician and can still play these simple notes, which he

506
00:30:33,640 --> 00:30:38,400
then does, and it makes sense. I totally buy that

507
00:30:38,559 --> 00:30:42,079
as a dying clue. One thing that is kind of

508
00:30:42,119 --> 00:30:47,799
interesting here is Alice Frost featuring in the Cask. Vencent

509
00:30:47,920 --> 00:30:52,200
Price lived in Hollywood, and that's where the Saint originated.

510
00:30:52,319 --> 00:30:58,000
So I wonder if Alice Frost had some project that

511
00:30:58,160 --> 00:31:02,079
took her to Hollywood for a while. Of course, she

512
00:31:02,279 --> 00:31:06,119
was still playing Missus North on the radio, and probably

513
00:31:06,440 --> 00:31:10,200
Missus North could have sold this even faster than The Saint.

514
00:31:10,839 --> 00:31:14,160
All right, Well, now it's time to thank our Patreon

515
00:31:14,279 --> 00:31:17,279
supporter of the day, and I want to go ahead

516
00:31:17,279 --> 00:31:21,359
and think book Geek twenty eight Patreon supporter since December

517
00:31:21,440 --> 00:31:25,039
twenty twenty one, currently supporting the podcast at the shawmus

518
00:31:25,160 --> 00:31:27,759
level of four dollars or more per month. Thanks so

519
00:31:27,880 --> 00:31:31,160
much for your support, book Geek twenty eight, and we

520
00:31:31,200 --> 00:31:36,119
will be back next Monday with another episode of The Saint.

521
00:31:36,680 --> 00:31:41,400
But join us back here tomorrow for the big story where.

522
00:31:42,000 --> 00:31:46,440
Speaker 6: He's been playing me all day about him who is him?

523
00:31:46,559 --> 00:31:50,720
Missus wil hired hands Chuck Snyders. My husband had a

524
00:31:50,799 --> 00:31:54,160
silly idea that Chuck and I were too friendly. That's

525
00:31:54,160 --> 00:31:59,400
why fired. He stopped off at Ross's Bars for beer.

526
00:32:00,119 --> 00:32:03,559
Always calms him down. Today he got worse. You went

527
00:32:03,640 --> 00:32:06,680
directly home from there, that's right, and I went to bed.

528
00:32:06,839 --> 00:32:09,799
What about your kids? They were all right, They were

529
00:32:09,880 --> 00:32:13,279
sleep when we got home. I wasn't sleeping more half

530
00:32:13,279 --> 00:32:17,079
an hour when I woke up. Suddenly there he was standing,

531
00:32:17,160 --> 00:32:21,200
all dressed with a gun in his hand. I screamed

532
00:32:21,200 --> 00:32:25,039
and ran. He fired at me and missed. I ran

533
00:32:25,039 --> 00:32:28,319
outside into the fields, and then I heard some more shots.

534
00:32:28,839 --> 00:32:31,680
I ran back, didn't see him, so I ran to

535
00:32:31,720 --> 00:32:36,039
the kid's room and I saw Linda was shot. I

536
00:32:36,079 --> 00:32:38,519
grabbed her and ran for the car. Go as fast

537
00:32:38,519 --> 00:32:40,079
as I could at the hospital because.

538
00:32:39,880 --> 00:32:41,799
Speaker 4: She was just up to your boy Paul.

539
00:32:41,960 --> 00:32:43,359
Speaker 8: Weren't you worried about him too?

540
00:32:44,160 --> 00:32:46,960
Speaker 6: He loved Paul more than anything. I didn't believe he

541
00:32:46,960 --> 00:32:47,880
would ever hurt him.

542
00:32:49,400 --> 00:32:51,079
Speaker 3: He killed my boy. O.

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00:32:51,279 --> 00:32:53,880
Speaker 1: You'll be with us then in the meantime. Send your

544
00:32:53,920 --> 00:32:58,640
comments to Box thirteen at Great Detectives dot net. Follow

545
00:32:58,759 --> 00:33:04,039
us on Twitter, Radio Detectives and check us out on Instagram, Instagram,

546
00:33:04,119 --> 00:33:09,319
dot com, slash Great detectives from Boise, Idaho. This is

547
00:33:09,359 --> 00:33:11,960
your host, Adam Graham, sign and all