Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's episode of The Saint.
But first, I do want to encourage you. If you're
enjoying this podcast, please follow us using your favorite podcast software.
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Great Detectives dot net. But here from June eighteenth, nineteen
fifty is Sonata for a Slayer.
Speaker 2: The Adventures of the Saint, starring Vincent Price. The Saint,
based on character is created by Leslie Chatteris and none
to millions from books, magazines, and motion pictures. A robin
Hood of modern prime now comes to radio, starring Hollywood's
brilliant and talented actor Vincent Price as the Saints.
Speaker 3: A proof that the language of music is a truly
universal one.
Speaker 2: Mister Templar isn't.
Speaker 3: The people gathered here there and the Gamwood from sings
to sing? Would you not agree?
Speaker 4: I would indeed, mister Aftor won't you join me?
Speaker 3: Accept with pleasure?
Speaker 4: Then you know me, mister Temple. And if you promise
to keep the deep dark secret out, confess that I
have bought tickets to Karnegie Hall from time to piano
count it mostly and those performed by Laurett Opdor primarily.
Speaker 2: Ah.
Speaker 3: That is a pleasing compliment, mister Templar.
Speaker 4: And annimal how I'd recognize the famous concert pianist like Lauretta.
Speaker 2: Hack you, but the reverse is rather puzzling.
Speaker 3: And then if you will keep the deep dug it's written,
I shall confess. You were pointed out to me by
a newspaper reporter seated at my table.
Speaker 4: Explained half the compliment. But why did you come to
my table?
Speaker 3: Why did you come here to this nightclub called the
Bird Kid, mister.
Speaker 4: Findler, Well, I could say because it reminds one of
the Black Hole of Calcutta, But the real reason was
to hear the piano music of Johnny Crock.
Speaker 3: Yes, precisely, as did I.
Speaker 4: Dixie Land hepcat receiving recognition from a Carnegie Hall master.
Speaker 3: Johnny Crawford was one my pupil, mister Templar. Oh, he
had a magnicity technical grasp of classical music, but no
artistic souls. He was a greatest appointment to me. Nevertheless,
I do not wish to see Johnny Crawford's this. That
is why I have come to you.
Speaker 4: So now, that's rather ma Carb attached to an otherwise
lighthearted evening. Murder is always macab and mister Templar, so
it's to be death by violence, it is, and I
shall tell you a great deal more about it at
my home tomorrow morning.
Speaker 3: Mister Templar, six thirty seven, receiver a drugs. I'm certain
that you will be kind enough to be there.
Speaker 4: That's the kind of certainty that causes horse players to
go broke. Mister Afton.
Speaker 3: Then let us say I'm playing a longshot, and I'm
betting that among the saints and singers present years, you
are numbered among the form one question, Yes, could you
give me any idea to why someone should desire to remove?
Speaker 4: Therefore, sir Johnny Crawford's from the ranks of the living.
Speaker 3: Oh, I can do better than That's mister Templar, I
can give you the name of the person who will
be responsible. And that person a musical composer who has
been dead for over a hundred years, Ludwig van Beethoven.
Speaker 5: Yes, well, should I say thank you or slap your face?
Speaker 4: What do you think ms?
Speaker 6: Slaps have it?
Speaker 5: What could I do for you?
Speaker 4: You must be kidding.
Speaker 5: And if you're here to see mister Astall, you must
be signing Templar guilty. And you Nicky Clark, mister OPTAs secretary,
Nickey Clark, Well won't you lope in?
Speaker 4: Mister Templar, Oh, thanks, I could hardly refuse such an
enthusiastic incertation. Well, well, rockmandingough prey luding the shops? Is
that the master playing?
Speaker 5: It's not Jimmy Duranty. The music rooms at the far
end of the foyer, mister Optall is expecting you come
with me.
Speaker 4: Thanks, I'll take advantage gentification. Acknowledge what stay behind me
and let me find.
Speaker 5: Out first, mister Templary, that was.
Speaker 4: No prelude in these sharp being played in here, Mickey,
it was a prelude to murder.
Speaker 5: To murder.
Speaker 4: Where do those French doors lead.
Speaker 5: To to the terrace?
Speaker 4: Why see if it isn't too late to help miss
dropt her while I well, it's nasty weather out anyway.
Speaker 5: Aren't you going after him?
Speaker 4: My halo wouldn't look too well on top of a shroud.
Where's the nearest telephone?
Speaker 5: Telephone?
Speaker 4: I know this comes as a great surprise, Mickey, but
the police are rather fussy about these things.
Speaker 5: Oh, yes, of course the telephone's right up. He's not dead.
He's trying to play something. He's trying to.
Speaker 4: Actor. It's Simon Templar, who shut you? Do you know
who shot you?
Speaker 5: Talk?
Speaker 4: But he's trying to play opto Can you hear me?
It's Temple who shot your man? Who?
Speaker 1: It's a Templer?
Speaker 4: He is nicky this time, it's for sure.
Speaker 5: What was he trying to say? Is he died justin murder?
Speaker 4: One thing I've learned in this drab, weary life, my dear,
is never the second guess a dead man. Hey, what's
this caught under the music rack? It looks like a
couple of tying bits of paper You thereby when you're
a for a cub and Mickey.
Speaker 5: Well, I recognize at top of miss Templar personal notepaper
used by mister Optall.
Speaker 4: Who is Paul Paul?
Speaker 5: Oh, paula Gage, mister Odo's concert manager.
Speaker 4: Why the name Paul is the only written word left
on the page. We might have a slightly better lead
on his second bit of proach.
Speaker 5: Well, it's part of a music man.
Speaker 4: Is yeah, and an old one too, judging by the
condition of the paper and the signature attached there too.
Ludvig van Beethoven Beto MM, the popular tune smith who
left this mortal cloak one hundred years ago? Do you
think it's possible that the old boy came back?
Speaker 3: Oh?
Speaker 4: You sure you want to come along with me on
this little joint.
Speaker 5: Mickey Laurence Aupdahl was a swell boss and a wonderful guy.
There is anything I can do to help you get
the man who killed him.
Speaker 3: I'm going to do it.
Speaker 4: And all the time I thought it was my personality
that intrigued him. Well, let's hope I am not as
disappointed by a mister Opto's concert manager, Paul the Gage.
I still can't believe it.
Speaker 7: Mister Templar, Laurence Aupto dead murdered? Oh why would anyone
want a murder?
Speaker 4: My doctor that was going to be my question, mister Gage,
you don't suppose it was because he was going to
tell me who wanted to marry Johnny Crawford, do you
Johnny Crawford? Yeah, who is he? No, you obviously don't
suppose any other suggestions. I'm starting.
Speaker 7: It's a templar, but I'm so stunned by this news.
Ladys was going to play for me this very evening.
Speaker 5: And I'm not aware that mister Aptahl had a concert date.
Speaker 7: For this evening, mister be game, or it wasn't a
concert engagement, Miss Clark.
Speaker 4: By a stroke of.
Speaker 7: Good fortune, I come into possession of an original musical
manuscript of Beethoven's Piano Vanosa, and.
Speaker 4: Lady, would you say Beethoven?
Speaker 7: Yes, it's it's an original that's never been published. It
was known to exist, but with last and roup do
they published in eighteen twenty four and it never turned
up again until just recently.
Speaker 5: I must be where the fortune, Missy the gauge.
Speaker 4: Well, it is quite valuable.
Speaker 7: Yes, I'm going to offer it for sale to a
small group of collectors and caught an out of the evening.
Speaker 4: Lawrets had agreed to play it for me. But you
wouldn't happen to have this manuscript here? Would you for it? Yes,
it's in my stay. Do you mind if we take
a look at it.
Speaker 7: Well, of course I'll have it for you in Dustinal
say the remarkable.
Speaker 4: Document seems to know question it to its authenticity, and
that always helped. How did you happen to get hold
of it?
Speaker 7: A refugee from Vienna brought it to this country some
years ago, just discovered it among some more family positions
he brought along with him.
Speaker 4: I don't know how it got there. I'm selling it
for him. There you go a please handle it carefully,
mister Templer, quite old and fad yours would probably care
quite easily. That wouldn't be an apology for the fact
that it's torn right now?
Speaker 7: When it's gone, why, I'm not certainly I.
Speaker 4: Understand the missing signature should supply the missing meaning missing signatures?
You mean that? Oh?
Speaker 3: Good heavens.
Speaker 4: Well, you really had me worried for a moment, mister Templar.
But as you can see, this manuscript is in perfect condition.
There's the original signature Loodwig Beethoven.
Speaker 3: He's right on.
Speaker 4: Exactly what I was going to say. Nikki, thanks for
your trouble, mister the Gage. Sorry I bothered you.
Speaker 7: Not a question of bothering me, mister Keimpler, I'm I'm
merely puzzled. I don't understand what a Betos.
Speaker 4: Manuscript might have to do with the murderer. Lord it up,
and that's the reason I'm sorry. I bothered you, mister
the Gauge. Now neither of I.
Speaker 5: Oh, thanks Heaven, the police are gone. I don't think
I could have returned here, dropped all this.
Speaker 4: I'm not too happy about homicidal surroundings myself.
Speaker 5: Mickey, Well, then why I come back at all?
Speaker 4: I find myself with an ungovernable impulse to indulge in
musical composition, and I more of that later. Nikki, it
would appear we have an unexpected eavesdropper, unexpect Oh oh,
don't start up if you don't mind. I just assume
the farther away I am from lethal weapons, the better
I like it.
Speaker 5: That is a gun in his hand.
Speaker 4: Genius automatic pistol species caliber forty five.
Speaker 8: That's very scientific, chump, Well you better hand over that paper.
Don't play coy chum the paper You took him up
to those music?
Speaker 4: Oh that I'm sorry but I'm saving autographs. Never had
one of Beethoven's before?
Speaker 8: Bet you never had your tummy blasted by a forty
five slug before?
Speaker 4: A true true? I think I better take that jum.
You killed him? Shut up?
Speaker 7: He said you killed him?
Speaker 4: You kill me? Said he shut up? Did I stand back?
When I look at that paper?
Speaker 8: Should be somewhord Yeah, inside pucket, Thanks chump.
Speaker 5: Pretty braved with a gun, aren't you?
Speaker 4: Yeah?
Speaker 8: I retired in the music business. From where I sit,
it don't look too well. Be Hello, baby.
Speaker 5: Son, Simon, Please answer me? Are you all right? An
you please?
Speaker 4: I must speak to my barber about this.
Speaker 5: Simon.
Speaker 4: Somehow the patting and massage I get after a shave
doesn't give me anything like the sensation i'm getting now.
Speaker 5: You're all right?
Speaker 4: Well, I will be when the boy's operating the trip
hammers on my skull knock off at five o'clock.
Speaker 5: Why didn't you let me know? Why did you lie
there playing possum like that?
Speaker 4: I doubt that a possum would appreciate the lovely picture
you made as you bent over me. But as for me, well,
I was in no hurry to wake up. What happened
to chum.
Speaker 5: He departed with your prize autographs after creasing your skull
with a bullet and threatening me with the same.
Speaker 4: Lovable soul, isn't he? My only consolation is that his
aim is far worse than even intentions.
Speaker 5: Simon, for pizza, come across. So far, I don't understand
a thing.
Speaker 4: Which puts us boat in the same boat. And speaking
of boats, come along, Mickey, we've got an appointment with one.
Speaker 5: How nice? Any particular kind?
Speaker 4: Oh yeah, a very particular kind of fairy boat that's
going to take us across the bet of Coronado.
Speaker 5: Simon, this is the fairy boat is.
Speaker 3: Like a ghost ship.
Speaker 4: Oh now, don't tell me that a little fog is
getting you down, nicky.
Speaker 3: H little fog.
Speaker 5: It's so thick we can't even see the rail from here.
Why are you so insistent on getting over to Coronada
to night?
Speaker 4: All the gauge is selling a Beethoven manuscript to a
bunch of collectors. They remember one of my more famous
punches tells me that among those peasants should be a
guy for whom capital punishment was.
Speaker 5: Invented better than the two hunters you had on that torn.
Speaker 4: MANUSCRIPTA what Is it time the lounge be here? Eh? Yes, right,
it should be if Piannist is a former pupil of
the Lara top Dog now holding forward for the dingy
dive called the bird Cage Diamond.
Speaker 5: You mean Johnny Crawford.
Speaker 4: And if it isn't, he should sue for plagiarism. That's
his personal theme song. Johnny Crawford A board. This very bold.
Speaker 5: Now, why would he be going to Coronado?
Speaker 4: That's a good question, Nikki. Suppose we asked Johnny for
the answer the order the lounge should be somewhere over here.
Speaker 5: Maybe it is, but it looks like you have to
navigate by radar find it.
Speaker 4: Somebody's coming out on deck. Now I would have to
do it. I'm done. Everything's going to be okay. I
hope you're right, Jensen.
Speaker 6: I've got the creeps for fair.
Speaker 4: Never mind it. We won't get excited. We've got the signature.
We know the difference. Now I know it, Jensen. Maybe
someone else does too.
Speaker 2: Oh forget it, Johnny, I'll make you the bird kidding
what it's all over?
Speaker 4: A bird cage?
Speaker 6: Johnny Crawford at the bird cage?
Speaker 4: What are you kicking about? It's a living in it
for sure, but you so will all be in a
heavy sugar.
Speaker 5: I just you wait, gone, Son, hidden in the fog?
Who were they?
Speaker 4: Didn't you recognize one of the voices? It was the
friendly one who tried to part my hair with a
forty five? What was it all about? That's the second
question I have to ask. Crawford. You wait here, Mickey,
Hobby right back.
Speaker 3: Simon, you can't gone.
Speaker 4: Oh, don't worry about that. I'll keep my fingers crossing
Cobby seeing there is Simon.
Speaker 5: I can't stay here alone. I'm allergic to pog Oh
you crazy for I can't even see you. So Simon, Son,
what was that?
Speaker 3: What happened?
Speaker 4: Simon?
Speaker 2: Oh?
Speaker 4: No, Silon, I haven't anything, frankly, no, I'm dance my headaches.
I've swallowed liberal quantities of sea water, which I found
much too salty. And I have a terrific y end
to play the piano.
Speaker 6: To play.
Speaker 4: Oh no, not nicky, my dear. Any psychiatrist will warn
you of the dangers of inhibiting a creative verge. I
think I'd better get into that lounge and get this
one out of my system. Me children make a grave mistake.
Mickey by not paying attention to music lessons. Now, if
i'd only listened to Professor Heinrich Wertzow.
Speaker 5: If you'd only listen to me, Jensen or Crawford, whoever
it was, wouldn't have hit you on the head, and
you'd be rational now rather than non compassmentedg.
Speaker 4: Or you shouldn't speak so harshly of whoever it was,
Nicky when he tossed me into the briny. For some reason,
I thought of music, piano music, and I think I've
got something I could only find the right I think you.
Speaker 5: Should try to find that psychiatrist you mentioned earlier. More
attention to your noodle and less to noodley my result.
Speaker 4: Micky, you've jumped to a big, fat and incorrect conclusion.
Listen to this.
Speaker 5: Hardly what i'd call a musical two or four.
Speaker 4: Nicky, you're not listening. I'll give you one more chance.
There sounds for you.
Speaker 5: To you not in the least. But then I didn't
take lessons with Professor Heinrich Wisdom, which might attunt for that.
Wait a minute, that phrase, she isn't definitely lot ofto
to all played justify dime.
Speaker 4: You see, you should have studied under Professor Wertzel, he
would have given you a hundred in musical identifications.
Speaker 5: No, you're not trying to tell me that that little
musical phrase means something.
Speaker 4: Simon, I've seen being coronat at six. Yeah, that should
give me about two hours to prove its meaning. To you.
Speaker 5: It sounds like a rather complicated procedure.
Speaker 4: Or the procedure itself will be simple, but first I
have to clutter it up with a call to Lieutenant's
Flann again and a little visit to the public library.
Speaker 5: I can only say, Simon, that I trust to pass
our and a half in that library was more entertaining
to you than it was to me.
Speaker 4: Oh it was, NICKI it was. You'd be surprised at
the amount of interesting information one can garner in the library.
Speaker 5: Maybe I wouldn't be so surprised if you'd share some
of it with me.
Speaker 4: Well, I learned a very interesting tidbit that Ludwig van
Beethoven lived from seventeen seventy to eighteen twenty seven, that
he wrote nine symphonies amazing, that he had a sketch
book containing a mass in C sharp, a piano sonata,
a few goune Bach and if that's all.
Speaker 5: You can tell me about an hour and a half
a wasted.
Speaker 4: Time, will not quite I could mention the fact that
one of the more incorrect books on Beethoven was written
by a John Masefield Crawford.
Speaker 5: What difference is it make who wrote it? Oh, John
mayfiel crofton? Could that be our Johnny Crawford? By any check?
Could be an authority on theo.
Speaker 4: A poor one, but an authority. So what of this?
We're going to make a bit on a Beethoven manuscript
and don't be too surprised as if we win it,
and a murderer as well. To begin, you couldn't answer
better timing from a metronome.
Speaker 7: Quiet, reason, Quiet, This was to be a very happy occasion, gentleman,
as you all know. But we were to present here
tonight in the original, authentic and pisitive unknown manuscript of
a piano Snopa by Faith Roven in honor of the occasion,
I prevailed by my dear friend Laury.
Speaker 4: It's up to to be the first to play the scenopa.
Speaker 7: Unfortunately, as most of you now know, he has met
with the tragic against. In deference to lardest memory, I
have not thought another pianist the substitute for him. I
am certain you all share my feelings, and so.
Speaker 4: I'd be very happy to play this tonatipor you, mister
the Gage.
Speaker 6: Are you crazy?
Speaker 7: I'm not certain I quite understand the meaning of this
Interruptionist Temple.
Speaker 4: I wouldn't let that botany missed the gauge. Now as
soon as I reached that piano.
Speaker 6: M h.
Speaker 4: Well, really, mister Templer, It's quite simple, mister de Gauge.
I'm going to substitute for Lawrence optor you. Well, I
didn't know that you were a pianist. Temple, sure one
of the best. Listen to this, mister Temple.
Speaker 7: There can only be two explanations for this this out
greatest accent on your part.
Speaker 4: You're either drunk or mad.
Speaker 7: I shall have to ask you to leave this all
at once.
Speaker 4: Now, surely, mister Degage, you wouldn't want me to leave
so soon, not before I've told these gentlemen that Beethoven
never wrote the music on that manuscript you have for sale.
Beethoven never wrote manuscript is a fake. No such Pianos
Sonata was ever written by Beethoven or lost on its
way to the publish it.
Speaker 7: The record of that snota is in Beethoven's own sketch.
Speaker 4: I'll admit that a piano sonata is noted in the sketchbook. Yes,
but if the person who forged this manuscript had looked
far enough, he'd have learned that the original was written
for four hands as a duet, not for two. I
believe this manuscript is a forgery written by our former
so called expert named Johnny Crawford. What if this is so?
Speaker 8: Is it?
Speaker 4: Do you have any proof? Mister Templer Laurenzopdov's death is
proof enough. He discovered the forgery, but then he made
a grave mistake. He thought Crawford's life would be in
danger to prevent the knowledge from coming out, But it
was his own life that was taken sin. Then it
was Crawford killed him. OPTU told me who killed him?
Mister d gage Ottum. He couldn't talk, but he could play,
and he played six notes. These notes. Those notes fell
the name of the murderer, a name that will be
verified by his accomplices when they're picked up by the police.
For the edification of those who never studied under Professor
Heinrich Wodzill, the notes you have a hang it on me,
such alding the game foxibility. Now what was that you
were saying, mister the Gage, I'm to think of her,
so he is. And look at the time, just eight o'clock.
I told you you'd have your answer for two hours
for night.
Speaker 5: Then the whole idea was the Gauges from the start,
and Johnny Crawford and Jensen were working for him.
Speaker 4: Nicky, why don't you stop your intellect from taking over
for your emotions, sion.
Speaker 5: Then Crawford must have forged the manuscript. He was a
good enough pianist and a semi authority on Beethoven to
do it. But how did mister Aptal come into it?
Speaker 4: You know they say that both rides are wonderful therapy
in cases of inhibited romance.
Speaker 5: Of course Crawford was his pupil. How bet he got
cold seat and showed mister Opdall a copy of the manuscript,
and mister the Gauge got wind of it, killed mister
Updall and made off of the copies. The only part
of it was torn off of the music.
Speaker 4: Rack. Uh, this blessed fog, it makes everything so warm
and cold.
Speaker 5: It must have been the idea of a second manuscript
that tipped you off. Huh, particularly when Jensen was so
anxious to get the torn signature.
Speaker 4: I wonder if you'd still feel like slapping my face.
Speaker 5: And of course I finally got what you meant about
those six notes, mister updaph played. They were the gauge spellings,
the gauge nicky.
Speaker 4: When are you going to stop being logical? Oh son?
Speaker 2: Right now, you have been listening to another adventure of
the Saints, the robin Hood of modern Crimes, And now
here is our star Vincent Price, Ladies and gentlemen, One
of the four Horsemen is still riding across Europe, scarring
the bodies and spirits of millions with brutal whos.
Speaker 4: His name is Hunger, and his victims are Allegiance. Their
cries for help are sounding right outside our door. Despite
increased supplies of certain foods and improved crop conditions, Europe's
need for more food is urgent and immediate. Americans can
help now by sending food packages to Europe's hungry ones
through the auspices of Care, a non profit humanitarian organization.
Care spelled c a r E stands for co operative
for American remittances to Europe. It is composed of the
country's twenty six top welfare agencies, all operating to drive
the specter of hunger from Europe. You can aid in
this work by sending a ten dollar remittance to Care
New York. A twenty one and a half pound food
package will then be sent to any designated person in
fifteen countries, or if you wish, Care will select a recipient.
Smaller food packages are available for lesser amounts. The address
again is Care New York. Remember they still need Care.
This is Vincent Price inviting you to join us again
next week at this same time for another exciting adventure
of the Saint. Good Night.
Speaker 2: Tonight's script of The Saint was written by Sydney Marshall.
Our cast included Alice Frost, Fritz Feld, Ted Osborne, Tony
Barrett and George Needs. The music was composed and conducted
by Von Dexter. The Saint, based on characters created by
Leslie chatteris as a James L. Safier production and is
directed by Helen mac Vincent Price is soon to be
seen in the Universal International Picture Curtain Call at Cactus Creek.
All you Saint fans will be glad to know that
the Saint comic books are on sale at all News Fans,
you're an author, Doug Gourlay. Monday Night brings you two
great adventure mystery programs side by side.
Speaker 4: On most NBC stations.
Speaker 2: You will hear Night Be the Man, Top Secret. Lovely
Alona Massey stars in Top Secret, the story of s.
C and I's during the Last War. They showed a
Cue and Hair Tomorrow Night for Night See and Top
Secret next Sam Spade, then Summer Symphony on MBC.
Speaker 1: Welcome Back. An enjoyable episode, and one thing I did
like was the dying clue. And what I liked is
that there was actually some logic to it. You know,
when you get into this whole idea that you have
in classic mysteries about dying clues, the thing that usually
makes the most sense is when it turns out they
were faked by the killer, because what it ends up
meaning otherwise is that as their lifeblood was ebbing out
and they were passing from this world, they came up
and constructed this elaborate puzzle that's very involved and difficult
and unlikely to be solved. Here, it makes perfect sense.
The man who's dying knows that the Saint is there.
Because of the shot, he is unable to speak or
find the strength to form words, but he is a
musician and can still play these simple notes, which he
then does, and it makes sense. I totally buy that
as a dying clue. One thing that is kind of
interesting here is Alice Frost featuring in the Cask. Vencent
Price lived in Hollywood, and that's where the Saint originated.
So I wonder if Alice Frost had some project that
took her to Hollywood for a while. Of course, she
was still playing Missus North on the radio, and probably
Missus North could have sold this even faster than The Saint.
All right, Well, now it's time to thank our Patreon
supporter of the day, and I want to go ahead
and think book Geek twenty eight Patreon supporter since December
twenty twenty one, currently supporting the podcast at the shawmus
level of four dollars or more per month. Thanks so
much for your support, book Geek twenty eight, and we
will be back next Monday with another episode of The Saint.
But join us back here tomorrow for the big story where.
Speaker 6: He's been playing me all day about him who is him?
Missus wil hired hands Chuck Snyders. My husband had a
silly idea that Chuck and I were too friendly. That's
why fired. He stopped off at Ross's Bars for beer.
Always calms him down. Today he got worse. You went
directly home from there, that's right, and I went to bed.
What about your kids? They were all right, They were
sleep when we got home. I wasn't sleeping more half
an hour when I woke up. Suddenly there he was standing,
all dressed with a gun in his hand. I screamed
and ran. He fired at me and missed. I ran
outside into the fields, and then I heard some more shots.
I ran back, didn't see him, so I ran to
the kid's room and I saw Linda was shot. I
grabbed her and ran for the car. Go as fast
as I could at the hospital because.
Speaker 4: She was just up to your boy Paul.
Speaker 8: Weren't you worried about him too?
Speaker 6: He loved Paul more than anything. I didn't believe he
would ever hurt him.
Speaker 3: He killed my boy. O.
Speaker 1: You'll be with us then in the meantime. Send your
comments to Box thirteen at Great Detectives dot net. Follow
us on Twitter, Radio Detectives and check us out on Instagram, Instagram,
dot com, slash Great detectives from Boise, Idaho. This is
your host, Adam Graham, sign and all