WEBVTT 1 00:00:14.160 --> 00:00:25.679 The Chicago Motor Club presents the Wayside Theater. Welcome to 2 00:00:25.719 --> 00:00:29.679 the Wayside Theater, ladies and gentlemen, your Sunday evening headquarters 3 00:00:29.719 --> 00:00:34.439 for half hour plays comedy, romance or mystery. It's not 4 00:00:34.560 --> 00:00:38.359 surprising that your host, the Chicago Motor Club, should sponsor 5 00:00:38.399 --> 00:00:41.880 a program of dramatic interest, because that thirty two year 6 00:00:41.920 --> 00:00:45.840 old organization is more than familiar with drama, real life 7 00:00:45.920 --> 00:00:50.119 drama with plenty of action, the drama of servicing seventy 8 00:00:50.159 --> 00:00:53.399 eight thousand member families who depend on the club for 9 00:00:53.479 --> 00:00:57.759 the solution of their motoring problems. You see, friends, the 10 00:00:57.840 --> 00:01:01.920 Chicago Motor Club is a past master, changing those problems 11 00:01:01.960 --> 00:01:06.040 into permanent motoring pleasures. Why don't you find out how 12 00:01:06.040 --> 00:01:08.159 it's done. All you have to do is ask for 13 00:01:08.200 --> 00:01:12.400 the club's free booklet explaining why those fortunate member families 14 00:01:12.519 --> 00:01:15.439 actually spend less to own and drive their cars. 15 00:01:16.120 --> 00:01:18.840 That booklet is yours, without charge or obligation. 16 00:01:19.640 --> 00:01:22.239 If you live in Illinois or Indiana, just send your 17 00:01:22.319 --> 00:01:25.920 name and address to the Chicago Motor Club, Chicago or 18 00:01:25.959 --> 00:01:30.799 its nearest branch office in Chicago, simply called Franklin one eight, 19 00:01:30.920 --> 00:01:44.799 one eighth and the Quicker the Better and Now, Ladies 20 00:01:44.799 --> 00:01:47.760 and gentlemen, The Wayside Theater presents the first act of 21 00:01:47.840 --> 00:01:48.599 tonight's play. 22 00:01:49.200 --> 00:01:50.959 Lily Brown leaves. 23 00:02:03.599 --> 00:02:04.040 Marlow. 24 00:02:04.280 --> 00:02:06.079 Uh, Lily, where's the morning paper. 25 00:02:05.959 --> 00:02:09.240 Right by your plato? Thatt ain't your breakfast? Don't miss tomorrow? 26 00:02:09.319 --> 00:02:10.319 Oh yes, yes it is. 27 00:02:12.159 --> 00:02:13.080 Hm. 28 00:02:13.199 --> 00:02:18.759 Crystal Toothpaste Company announces a contest for radio scriptwriters. Only 29 00:02:18.840 --> 00:02:22.360 one member of each family may submit a script. First 30 00:02:22.479 --> 00:02:28.479 prize one thousand dollars er Lily, When missus Marlowe comes down, 31 00:02:28.599 --> 00:02:30.759 you just tell her you don't know where the paper is, 32 00:02:30.800 --> 00:02:31.039 will you? 33 00:02:31.439 --> 00:02:33.800 Yeah, sir, but you better go and eat your breakfast 34 00:02:33.800 --> 00:02:34.800 before it get cold. 35 00:02:34.919 --> 00:02:35.840 Yes, good morning? 36 00:02:35.879 --> 00:02:37.000 Did uh morning? 37 00:02:37.159 --> 00:02:40.360 Good morning, Lily morning. Will you bring me the morning paper? Please? 38 00:02:40.680 --> 00:02:42.879 Man the paper? The morning paper? 39 00:02:43.199 --> 00:02:43.439 Uh? 40 00:02:43.639 --> 00:02:47.199 Rick, the paper boy forgot it again this morning, yas ma'am. 41 00:02:47.199 --> 00:02:48.520 He shall give them killing. 42 00:02:48.759 --> 00:02:51.680 Well, call the paper office and heave him, said the 43 00:02:51.960 --> 00:02:53.879 marlow what's that behind your back? 44 00:02:54.039 --> 00:02:56.280 Huh? Oh that well, I guess that. 45 00:02:56.439 --> 00:02:59.159 You guess nothing. It's the morning paper and you know it. 46 00:02:59.240 --> 00:02:59.719 Give it to me. 47 00:03:00.680 --> 00:03:01.680 I'm not finished with it. 48 00:03:01.759 --> 00:03:03.159 You give me that paper. 49 00:03:02.840 --> 00:03:03.800 I'm not finished with it. 50 00:03:03.840 --> 00:03:05.560 Do you want me to start throwing things. 51 00:03:05.719 --> 00:03:08.520 Oh here, there, that's your old paper. 52 00:03:08.759 --> 00:03:09.840 What did you tear out of it? 53 00:03:10.039 --> 00:03:11.520 Just a little item I wanted to keep? 54 00:03:11.719 --> 00:03:12.479 Let me see it. 55 00:03:12.599 --> 00:03:14.759 I won't do it. Can I have any private life 56 00:03:14.800 --> 00:03:15.439 of my own at all? 57 00:03:15.560 --> 00:03:18.280 You let me see that piece of paper there? 58 00:03:18.360 --> 00:03:20.039 Now, now you've tipped the table over. 59 00:03:20.319 --> 00:03:23.680 So, just as I thought, it's about the crystal tooth 60 00:03:23.719 --> 00:03:25.360 based radioscript contest. 61 00:03:25.400 --> 00:03:26.879 Well what if it is given here? 62 00:03:27.000 --> 00:03:30.639 Only one member of each family submitiscript? First prize one 63 00:03:30.719 --> 00:03:35.319 thousand dollars. So holding out on me, zeb mollow. 64 00:03:35.439 --> 00:03:36.360 I'll look here, Julie. 65 00:03:36.360 --> 00:03:38.000 When you married me, you said I could make the 66 00:03:38.039 --> 00:03:39.919 living for this family, and then you lay off writing. 67 00:03:39.960 --> 00:03:41.560 And that was before I knew what a bum writer 68 00:03:41.759 --> 00:03:44.639 you were. Well you're no better, you'll see. I'm going 69 00:03:44.680 --> 00:03:45.560 to win that content. 70 00:03:45.639 --> 00:03:48.240 You can't. The rules say only one member of each 71 00:03:48.240 --> 00:03:48.960 family mander. 72 00:03:49.080 --> 00:03:50.879 Well I'm going to be that member. 73 00:03:50.840 --> 00:03:54.039 Now, Please, Julie, don't spoil my chances for winning this prize. 74 00:03:54.240 --> 00:03:56.120 We need the money, I'll say, we do. 75 00:03:56.400 --> 00:04:11.199 I'm going to win that prize and buy a new coat. 76 00:04:12.759 --> 00:04:20.519 Oh darn it, anyway, go away? Oh well, what is it, Lily? 77 00:04:21.120 --> 00:04:22.680 Can I meet the bed man? 78 00:04:23.199 --> 00:04:30.480 Yes? I guess, so go ahead, Uh, Lily, if you 79 00:04:30.600 --> 00:04:32.519 were a woman in love with a man and that 80 00:04:32.600 --> 00:04:36.199 man deserted you for another woman, what would you do? 81 00:04:36.399 --> 00:04:38.279 I'd just beat the stumping out of him. 82 00:04:38.480 --> 00:04:42.040 Yeah, I would too, But we can't very well put 83 00:04:42.040 --> 00:04:43.480 that in a radio script. 84 00:04:43.160 --> 00:04:46.519 And no man I read, we can't, Lily. 85 00:04:47.399 --> 00:04:49.160 Have you done mister Marlowe's room yet? 86 00:04:49.360 --> 00:04:49.439 No? 87 00:04:49.680 --> 00:04:51.920 Man he's writing in there, isn't he? 88 00:04:52.040 --> 00:04:55.639 Yes, ma'am, Lily, would you like to have that red 89 00:04:55.759 --> 00:04:56.600 dress of mine? 90 00:04:56.920 --> 00:04:56.959 What? 91 00:04:57.399 --> 00:04:59.560 Dog god shaw wound? O? 92 00:04:59.639 --> 00:04:59.879 Linle? 93 00:05:01.480 --> 00:05:03.439 You go into mister Marlow's room now and kind of 94 00:05:03.480 --> 00:05:05.560 get into conversation with him and find out what he's 95 00:05:05.560 --> 00:05:08.720 writing about. Then come back and tell me, and you 96 00:05:08.839 --> 00:05:10.040 get the red dress. 97 00:05:10.519 --> 00:05:12.639 Hm. That red dress is mighty. 98 00:05:12.759 --> 00:05:15.959 Put him as Marlow. But uh, go on, Lily, I'll 99 00:05:16.000 --> 00:05:17.399 throw in that jewel purse too. 100 00:05:17.680 --> 00:05:20.600 Oh lordy, well I'll try. 101 00:05:34.519 --> 00:05:37.879 Oh, Lily, quit fooling around with that dustcloth and come 102 00:05:37.920 --> 00:05:42.199 over here a minute. Hey, yeah, listen, Lily er, what 103 00:05:42.360 --> 00:05:46.079 would you do if you were a woman in love 104 00:05:46.120 --> 00:05:49.600 with a man and that man deserted you for another woman? 105 00:05:49.759 --> 00:05:52.839 Now? What, well, Lily, what's the matter? 106 00:05:53.000 --> 00:05:57.439 Uh n nothing, son, nothing, uh uh leave me scene now, 107 00:05:58.120 --> 00:05:59.959 why I beat up that man? 108 00:06:00.079 --> 00:06:00.879 That's what I do. 109 00:06:01.079 --> 00:06:03.040 Yeah, just but I can't put that in a radio script. 110 00:06:03.160 --> 00:06:04.720 And yes, I know you can't. 111 00:06:04.800 --> 00:06:06.600 That's just what miss Marlowe's thing. 112 00:06:07.120 --> 00:06:12.360 What I I mean, I imagine that's what Miss Marlowe 113 00:06:12.360 --> 00:06:14.959 would do if you was to go messing around with 114 00:06:15.079 --> 00:06:15.720 another woman. 115 00:06:15.879 --> 00:06:20.920 Yeah, uhh yes, yes, I guess she'd try that alright here, Uh, Lily, 116 00:06:21.759 --> 00:06:23.439 how'd you like to make ten dollars? 117 00:06:23.720 --> 00:06:27.279 Ten dollars? Yeah, shows I would, sir. 118 00:06:27.399 --> 00:06:30.439 Well and listen, Lily, Yeah, you go into missus Marlow's 119 00:06:30.480 --> 00:06:33.360 room and try to find out what she's writing about. 120 00:06:33.519 --> 00:06:36.360 Uh, well, I don't know, so she kind of cross 121 00:06:36.480 --> 00:06:37.480 is dimr. 122 00:06:37.319 --> 00:06:40.519 Oh go on now, Lily, Uh, I'll make it fifteen dollars. 123 00:06:40.920 --> 00:06:43.000 Well, yeah, I'll try sole. 124 00:06:54.800 --> 00:06:56.279 Well, what did you find out? 125 00:06:56.519 --> 00:06:59.240 Well, ma'am, you know what's funny thing? What do you say? Lily? 126 00:06:59.360 --> 00:07:00.519 Tell me what happened? 127 00:07:00.879 --> 00:07:03.399 And he felt the very same thing you did. 128 00:07:03.680 --> 00:07:06.519 What would I do if the man I loved two 129 00:07:06.720 --> 00:07:09.720 timey and I told him, just like I told you, 130 00:07:09.800 --> 00:07:10.160 I'd be. 131 00:07:10.279 --> 00:07:12.120 A strong He said the same thing. 132 00:07:12.319 --> 00:07:14.959 He asked, ma'am. He says, what would I do it. 133 00:07:15.160 --> 00:07:18.399 So he's using my idea? Is he he can't think 134 00:07:18.399 --> 00:07:19.759 of one? Is one of his own? 135 00:07:19.759 --> 00:07:21.160 What do you mean one of his own? 136 00:07:21.560 --> 00:07:23.959 Step Molla, Were you listening outside my door? 137 00:07:24.079 --> 00:07:24.759 Yes? I was. 138 00:07:24.839 --> 00:07:27.040 I thought something was screwy about the way Lily acted. 139 00:07:27.439 --> 00:07:29.439 So you bribed her to find out what I was 140 00:07:29.480 --> 00:07:30.040 writing about? 141 00:07:30.040 --> 00:07:30.279 Did you? 142 00:07:31.120 --> 00:07:33.079 Oh, I'm leaving no such a thing? 143 00:07:33.199 --> 00:07:34.800 Why I did? Head? 144 00:07:34.879 --> 00:07:36.800 Well, what if I did? What do you mean by 145 00:07:36.879 --> 00:07:38.879 using my pot your plot? Yes? 146 00:07:39.000 --> 00:07:41.680 My part probably never even occurred to you until Lily 147 00:07:41.759 --> 00:07:42.879 came in and told you about it. 148 00:07:42.920 --> 00:07:45.120 Is that? So how do I know what? You were 149 00:07:45.160 --> 00:07:48.040 listening outside the door when I was beginning to create 150 00:07:48.120 --> 00:07:51.000 this idea. You were probably out there all the time, 151 00:07:51.040 --> 00:07:52.800 you you weaves dropper. 152 00:07:53.519 --> 00:07:54.680 Oh listen, Julie. 153 00:07:55.319 --> 00:07:57.959 I don't care about the plot. You can use it 154 00:07:58.000 --> 00:08:00.959 if you want to. But the fact that you would 155 00:08:00.959 --> 00:08:04.319 deliberately bribe someone to find out what I was doing, 156 00:08:05.199 --> 00:08:09.120 the fact that you'd be well dishonest about this thing, 157 00:08:10.519 --> 00:08:11.839 it hurts me more than I. 158 00:08:11.800 --> 00:08:12.279 Can tell you. 159 00:08:12.800 --> 00:08:17.199 Oh, Zeba, I'm sorry. It was a mean trick. 160 00:08:17.560 --> 00:08:20.120 It's just that I thought I could trust you, Julian. 161 00:08:21.240 --> 00:08:26.600 Now, well, I don't know oh, zeb please forgive me. 162 00:08:27.319 --> 00:08:30.000 I'll never do anything like that again, honestly. 163 00:08:30.720 --> 00:08:32.320 Can I finish this room now? 164 00:08:33.120 --> 00:08:34.919 Yes, Lily, come in, Doug. 165 00:08:34.960 --> 00:08:36.960 I'll still get that dressing course, ma'am? 166 00:08:37.480 --> 00:08:38.480 Yes, I guess so. 167 00:08:38.759 --> 00:08:41.399 And does I still get that? Fifteen dollars mister Marlow? 168 00:08:41.559 --> 00:08:43.000 Fifteen dollars for what? 169 00:08:43.240 --> 00:08:45.799 Uh? Lily, never mind now, I'll talk to you about 170 00:08:45.799 --> 00:08:46.559 that some other time. 171 00:08:46.639 --> 00:08:48.080 Fifteen dollars for what? 172 00:08:48.399 --> 00:08:50.519 Will you give me a dress and purse to find 173 00:08:50.559 --> 00:08:52.120 out what mister Marlow. 174 00:08:51.919 --> 00:08:52.559 Is writing at? 175 00:08:53.159 --> 00:08:55.679 He give me fifteen dollars to find out what you 176 00:08:55.879 --> 00:08:58.679 is right now? And you both writing the same thing. 177 00:09:02.080 --> 00:09:05.360 So I'm low, so I'm dishonest, so you can't trust 178 00:09:05.399 --> 00:09:07.639 not let me explain it. So I'm the kind that 179 00:09:07.720 --> 00:09:10.639 stoop surpriving am I will you just wait that Mallow? 180 00:09:10.799 --> 00:09:14.919 You're going to find out what competition is you? You cheat. 181 00:09:21.440 --> 00:09:25.200 The man? Lily Brown lead comes to a close. 182 00:09:30.799 --> 00:09:33.039 Have any of you, ladies and gentlemen, ever been in 183 00:09:33.120 --> 00:09:36.279 a well, I'm going to change that question. Friends, I'm 184 00:09:36.279 --> 00:09:39.000 going to ask you if you've ever witnessed a serious 185 00:09:39.039 --> 00:09:42.919 automobile accident at any rate. You've seen pictures of accidents 186 00:09:42.919 --> 00:09:45.240 and you've certainly read about them. 187 00:09:45.279 --> 00:09:46.200 You're well aware of. 188 00:09:46.159 --> 00:09:49.120 The fact that only time can heal the sorrow and 189 00:09:49.240 --> 00:09:53.320 heartbreak of motor fatalities. They happen daily, and families are 190 00:09:53.320 --> 00:09:56.559 faced with the tragic problem of money lack of money 191 00:09:56.559 --> 00:09:59.600 in many instances. I wonder if you know that a 192 00:09:59.639 --> 00:10:03.240 member in the Chicago Motor Club includes a personal accident 193 00:10:03.279 --> 00:10:07.399 policy at no extra cost, a policy that provides a 194 00:10:07.440 --> 00:10:12.039 benefit of from one thousand to fifteen hundred dollars according 195 00:10:12.080 --> 00:10:15.000 to how long you've been a member. Think what that 196 00:10:15.120 --> 00:10:17.759 means to families who were left with the desperate worry 197 00:10:17.799 --> 00:10:22.320 of making every penny count. That generous personal accident policy 198 00:10:22.360 --> 00:10:26.519 at no extra cost remember calls for immediate payment if 199 00:10:26.559 --> 00:10:29.879 a member is killed by a car while walking or driving, 200 00:10:30.480 --> 00:10:34.080 or while riding in a car driven by another. But 201 00:10:34.159 --> 00:10:39.279 this remarkable service is only one of many that assure protection, security, 202 00:10:39.320 --> 00:10:39.960 and peace of. 203 00:10:39.960 --> 00:10:42.000 Mind for Chicago Motor Club members. 204 00:10:42.919 --> 00:10:44.679 Is it any wonder that I urge you, in all 205 00:10:44.759 --> 00:10:49.000 sincerity to read the club's valuable free booklet. And here's 206 00:10:49.039 --> 00:10:52.039 the easiest and quickest possible way to ask for that booklet. 207 00:10:52.080 --> 00:10:54.840 This very evening, between the second and third acts of 208 00:10:54.879 --> 00:10:57.919 to night's play. We're going to substitute a musical intermission 209 00:10:57.919 --> 00:11:00.840 for our regular announcement. I don't miss a moment of 210 00:11:00.879 --> 00:11:02.960 the play, and you will have ample time to write 211 00:11:03.039 --> 00:11:05.200 down your name and address and have it all ready 212 00:11:05.200 --> 00:11:08.639 to mail to the Chicago Motor Club, Chicago or its 213 00:11:08.639 --> 00:11:09.840 nearest branch office. 214 00:11:10.200 --> 00:11:12.120 If you live in Chicago, you can. 215 00:11:12.080 --> 00:11:14.960 Use the time to call Franklin one eight, one eight 216 00:11:15.320 --> 00:11:38.919 and ask for your free booklet. And now, ladies and gentlemen, 217 00:11:39.039 --> 00:11:42.080 the second act of Lily Brown leaves. 218 00:11:54.519 --> 00:11:59.639 Oh hello, ed, hello, Why aren't you up? Why I'm 219 00:11:59.679 --> 00:11:59.879 going to? 220 00:12:00.679 --> 00:12:01.080 Oh? 221 00:12:01.600 --> 00:12:03.559 Uh, where's Lily? I wanna tell her I won't be 222 00:12:03.600 --> 00:12:04.200 here for dinner? 223 00:12:04.639 --> 00:12:05.159 Or you won't? 224 00:12:05.440 --> 00:12:08.080 No, I won't, And wouldn't you like to know where 225 00:12:08.080 --> 00:12:08.600 I'm going? 226 00:12:08.679 --> 00:12:13.159 Though not particularly? Oh uh? When you find Lily, tell 227 00:12:13.159 --> 00:12:14.960 her that I won't be here for dinner either. 228 00:12:15.200 --> 00:12:18.919 Oh all right, you don't need to think I'm going 229 00:12:18.960 --> 00:12:20.159 to ask you where you're going. 230 00:12:20.559 --> 00:12:22.440 I wouldn't tell you, my sweet. 231 00:12:23.360 --> 00:12:26.919 Well, I don't wanna know. How's the script coming along? 232 00:12:27.080 --> 00:12:30.840 Ooh fine, fine, it's almost finished, is it? Yes? Don't 233 00:12:30.879 --> 00:12:33.320 tell me you're still dabbling around up there on the typewriter. 234 00:12:34.000 --> 00:12:36.799 H you won't call her dabbling when I win the prize? 235 00:12:37.039 --> 00:12:41.200 Oh? No, perhaps dodd Well, I guess I'll go up. 236 00:12:41.159 --> 00:12:44.639 And dress, run along, and uh, don't wait up for me, dear. 237 00:12:44.879 --> 00:12:47.720 Oh, you'll probably be in long before I am. Don't 238 00:12:47.720 --> 00:12:48.559 you wait up for me? 239 00:12:48.919 --> 00:12:51.200 Huh going out? 240 00:12:51.279 --> 00:12:51.600 You see? 241 00:12:52.200 --> 00:12:59.799 I wonder what he's up to? Oh, where's lily? Lily exactly? Uh, Lily, 242 00:12:59.840 --> 00:13:02.360 I won't be here for dinner, and neither will mister Morrow. 243 00:13:03.039 --> 00:13:03.159 Uh. 244 00:13:03.679 --> 00:13:06.440 Accidentally, you don't happen to know where he's going, do you? No? 245 00:13:06.720 --> 00:13:06.919 Man? 246 00:13:07.399 --> 00:13:09.000 How much did he pay you not to tell me? 247 00:13:09.200 --> 00:13:09.840 Two dollars? 248 00:13:10.120 --> 00:13:11.799 Uh? 249 00:13:12.000 --> 00:13:15.679 So he is going someplace he doesn't want me to 250 00:13:15.720 --> 00:13:18.399 know about. Clee, you got to tell me? No, man, 251 00:13:18.519 --> 00:13:19.639 I'll give you three dollars. 252 00:13:19.840 --> 00:13:23.120 No, ma'n, I'm sticking to one price on this deed. 253 00:13:23.759 --> 00:13:26.480 He pay me two dollars not to tell you where 254 00:13:26.600 --> 00:13:29.480 he going, and you pay me two dollars for me 255 00:13:29.639 --> 00:13:32.159 not to tell him that you is going out with that? 256 00:13:32.320 --> 00:13:35.840 And mister Walters, who owned a crystal toothpaste. 257 00:13:35.320 --> 00:13:35.639 Come in. 258 00:13:35.799 --> 00:13:38.759 I ain't raising or loring that priss for neither one 259 00:13:38.799 --> 00:13:39.200 of 'em. 260 00:13:39.279 --> 00:13:45.240 Oh, Lily, after all, I've done for you. Yeah, well, anyway, 261 00:13:45.320 --> 00:13:47.840 see that he doesn't find out about this mister Walter's business, 262 00:13:47.840 --> 00:13:50.080 so you won't get your two dollars and you'll lose 263 00:13:50.120 --> 00:13:50.639 your job. 264 00:14:04.919 --> 00:14:07.000 Mine was awfully nice of you to come. 265 00:14:07.279 --> 00:14:09.799 I was only too happy too, but it was at 266 00:14:09.840 --> 00:14:12.320 the difficult keeping all this from my husband. 267 00:14:12.759 --> 00:14:15.320 Yes, but think what a nice surprise it'll be for him. 268 00:14:15.639 --> 00:14:18.799 You see, I specialize in writing feature stories about the 269 00:14:18.799 --> 00:14:21.759 lives of famous men, and well we find that the 270 00:14:21.840 --> 00:14:23.879 wives really know so much more about the men than 271 00:14:23.919 --> 00:14:24.759 they do themselves. 272 00:14:24.879 --> 00:14:26.399 But it seems so strange. 273 00:14:26.519 --> 00:14:29.240 It's coming to a night lock as well. I uh, 274 00:14:29.919 --> 00:14:32.080 I think better in a place like this, you see. 275 00:14:32.399 --> 00:14:35.960 I mean the music, the noise and all. Well, it 276 00:14:36.000 --> 00:14:39.679 helps me to concentrate. Do you understand, Well. 277 00:14:39.720 --> 00:14:44.360 Not quite, but I know that writers are unusual people. 278 00:14:45.600 --> 00:14:48.200 Well, now let's get started on your husband. Now tell 279 00:14:48.200 --> 00:14:55.960 me all about So. 280 00:14:57.600 --> 00:15:00.000 I decided the person to come to was you. 281 00:15:00.279 --> 00:15:05.399 Well, and that's very flattering, my dear, as I really 282 00:15:05.440 --> 00:15:06.320 haven't done much. 283 00:15:06.440 --> 00:15:07.600 Oh yes you have. 284 00:15:07.879 --> 00:15:11.559 You're really a very famous man. I was terribly thrilled 285 00:15:11.559 --> 00:15:13.559 when my paper gave me your name as an assignment 286 00:15:13.600 --> 00:15:14.639 for a feature story. 287 00:15:14.919 --> 00:15:20.960 What paper did you say you worked for the Daily Star? Strange, 288 00:15:21.080 --> 00:15:25.320 I've never noticed this famous men column you mentioned. 289 00:15:25.519 --> 00:15:29.480 Well, it's just a new feature, I see. 290 00:15:29.679 --> 00:15:33.159 And do you always bring your famous men to a 291 00:15:33.440 --> 00:15:34.799 nightclub to interview them? 292 00:15:35.000 --> 00:15:35.159 Oh? 293 00:15:35.559 --> 00:15:38.879 Well yes usually, you see, we feel they're doing a 294 00:15:38.919 --> 00:15:41.639 somewhat of a favor and we like to entertain them 295 00:15:41.679 --> 00:15:42.039 a little. 296 00:15:42.559 --> 00:15:45.960 Well, I had the dickens of a time getting away 297 00:15:46.039 --> 00:15:46.879 from my wife. 298 00:15:47.639 --> 00:15:49.240 I don't think she would have understood. 299 00:15:49.440 --> 00:15:53.200 Oh I'm sure she would have. H Now, mister Wallers, 300 00:15:53.240 --> 00:15:56.240 tell me. Aren't you sponsoring some sort of a scriptwriting 301 00:15:56.320 --> 00:15:58.120 contest for your toothpaste? Oh? 302 00:15:58.159 --> 00:15:59.919 Why yes, I am. 303 00:16:00.200 --> 00:16:04.559 Oh I think that's terribly interesting. Now, just what kind 304 00:16:04.639 --> 00:16:07.720 of a script do you yourself prefer for your radio program? 305 00:16:08.440 --> 00:16:14.360 Well, I appre look look over there, there's my wife 306 00:16:14.360 --> 00:16:15.919 with that radio is doing. 307 00:16:16.159 --> 00:16:20.039 Hey, wait a minute, do you two know each other? 308 00:16:20.240 --> 00:16:21.919 Deb speak up? Don't make me do. 309 00:16:21.919 --> 00:16:24.080 The talking I never saw before in my life. 310 00:16:24.320 --> 00:16:27.799 Zeb. Well, why he's my husband, mister Walters. And if 311 00:16:27.840 --> 00:16:32.480 your wife has alienated his affections, I'll sue you. 312 00:16:32.480 --> 00:16:33.399 You'll sue me. 313 00:16:33.799 --> 00:16:38.120 Why Emma, did this young man start to ask you questions. 314 00:16:37.720 --> 00:16:39.600 About the crystal radio script context. 315 00:16:39.600 --> 00:16:42.679 Why, yes he did. I thought it a little strange. 316 00:16:42.720 --> 00:16:45.840 But just as I thought, I see the whole thing now, 317 00:16:46.039 --> 00:16:48.559 this pair of swindlers is trying to get first hand 318 00:16:48.639 --> 00:16:52.639 information on our radio context hull. Well you're not very clever, 319 00:16:52.799 --> 00:16:53.360 young lady. 320 00:16:53.720 --> 00:16:54.279 How long am I? 321 00:17:06.880 --> 00:17:10.039 Well you certainly fixed things up? Fine? 322 00:17:10.160 --> 00:17:11.200 Oh shut up? 323 00:17:11.240 --> 00:17:13.960 What about you if you'd only had the sense to 324 00:17:13.960 --> 00:17:15.240 pretend that you didn't know me? 325 00:17:15.440 --> 00:17:17.960 Oh you should have seen yourself sitting there with that 326 00:17:18.039 --> 00:17:21.759 old woman and the smirk you had on your face. Well, 327 00:17:22.319 --> 00:17:23.680 why she's old enough to be. 328 00:17:23.680 --> 00:17:26.079 Your mother as well. You were acting pretty freish with 329 00:17:26.119 --> 00:17:27.319 old man Waller's yourself. 330 00:17:27.440 --> 00:17:29.720 Well, at least he would have paid the bill. I 331 00:17:29.720 --> 00:17:34.200 wouldn't be out here washing dishes if we hadn't seen you. Incidentally, 332 00:17:34.319 --> 00:17:36.200 just how were you going to pay your bill? 333 00:17:36.680 --> 00:17:37.759 I was going to charge it? 334 00:17:38.000 --> 00:17:41.039 Well, why don't you charge both bills? Then? What are 335 00:17:41.039 --> 00:17:42.640 we doing out here washing dishes? Then? 336 00:17:42.680 --> 00:17:44.640 Well, the manager wouldn't trust me after all the commotion 337 00:17:44.720 --> 00:17:47.279 we caused, and you ought to have enough money for 338 00:17:47.319 --> 00:17:47.599 that bill. 339 00:17:47.640 --> 00:17:49.880 Anyway, where's your household money for this week? 340 00:17:50.200 --> 00:17:54.680 Why I gave it all the Liian bribes Oh my 341 00:17:54.960 --> 00:17:55.680 feet hurt. 342 00:17:56.079 --> 00:17:59.799 Well, goodness, what are y'all doing your washing? 343 00:18:00.079 --> 00:18:01.200 Is? Lily? 344 00:18:01.920 --> 00:18:03.079 What are you doing here? 345 00:18:03.279 --> 00:18:06.599 My boyfriend Sam, he the poty here. I come down 346 00:18:06.599 --> 00:18:08.000 to meet him every night. 347 00:18:08.400 --> 00:18:11.200 See, Lily, have you got twelve dollars? 348 00:18:11.480 --> 00:18:11.640 Yeah? 349 00:18:12.119 --> 00:18:14.480 I sure have. I don't made a lot of extra 350 00:18:14.559 --> 00:18:15.079 this week. 351 00:18:15.400 --> 00:18:17.880 Well, uh, would you loan it to us, Lily so 352 00:18:17.920 --> 00:18:18.720 we can pay our bill? 353 00:18:19.200 --> 00:18:20.839 Well? I don't know. 354 00:18:21.119 --> 00:18:24.119 Oh, Lily, you've just got to My feet are killing me. 355 00:18:24.559 --> 00:18:27.079 Would y'all be willing to pay a lily in trail? 356 00:18:27.400 --> 00:18:27.599 Oh? 357 00:18:27.680 --> 00:18:29.839 Oh, Lily, you can have anything. You could have my 358 00:18:30.000 --> 00:18:32.759 new hat. Oh, only fork over the twelve dollars. 359 00:18:33.759 --> 00:18:37.799 I sure would like that new hat. When he has 360 00:18:37.839 --> 00:18:38.799 the twelve dollars. 361 00:18:38.839 --> 00:18:39.880 Oh, thanks, Lily. 362 00:18:40.279 --> 00:18:42.880 Occasuallye I'll take off that apron. We'll pay our bill 363 00:18:42.920 --> 00:18:44.359 and walk out of here like gentlefolks. 364 00:18:44.400 --> 00:18:46.960 Oh, zb I promise you I'm gonna stay at home 365 00:18:47.000 --> 00:18:50.000 and be a good wife. I've never been so tired 366 00:18:50.000 --> 00:18:50.960 in all my life. 367 00:18:51.119 --> 00:18:54.160 We miss see now I want to write down what 368 00:18:54.240 --> 00:18:58.119 y'all owes me. There's this twelve dollars and that dollar 369 00:18:58.200 --> 00:19:00.799 fifty for the keys I got for you to say noon, mister. 370 00:19:01.240 --> 00:19:03.839 Yes, well, okay, Lily, he is for what? 371 00:19:04.200 --> 00:19:04.559 Oh? 372 00:19:04.920 --> 00:19:05.720 Just some keys? 373 00:19:05.759 --> 00:19:08.200 Lily? Why did you ask me for the key to 374 00:19:08.240 --> 00:19:09.440 my desk this afternoon? 375 00:19:09.680 --> 00:19:11.759 Missus Mardel, I ain't got nothing to say. 376 00:19:11.680 --> 00:19:14.400 Zeb Mordel, Did you have extra keys made for my 377 00:19:14.480 --> 00:19:17.440 desk for me? Theb you did well of all the 378 00:19:17.599 --> 00:19:18.279 load tricks? 379 00:19:18.359 --> 00:19:18.559 Yeah? 380 00:19:18.599 --> 00:19:20.000 Well I got a good look at that script of 381 00:19:20.039 --> 00:19:22.400 yours anyway, two pages done? 382 00:19:22.519 --> 00:19:34.839 Oh you big bomb? Hey quick one stop there, you 383 00:19:35.000 --> 00:19:35.680 let it look at me? 384 00:19:35.839 --> 00:19:37.160 Yeah, I can throw a butcher knife. 385 00:19:39.279 --> 00:19:42.759 What this little trick of yours has about five dollars 386 00:19:42.759 --> 00:19:45.279 for your bill, So just get busy and I'll start 387 00:19:45.319 --> 00:19:45.880 wahing again. 388 00:19:46.000 --> 00:19:48.319 Oh but we have the twelve dollars for our bill. Man, 389 00:19:48.400 --> 00:19:52.720 when your bill is now seventeen dollars, Lily, have you 390 00:19:52.759 --> 00:19:53.839 got any more money? 391 00:19:54.079 --> 00:19:56.039 Now? About I have y'all run. 392 00:20:04.079 --> 00:20:07.799 The Magnas act of Melley Brown Leaves comes to twelve. 393 00:20:11.480 --> 00:20:14.160 Before we continue with the third act of tonight's play, 394 00:20:14.319 --> 00:20:17.079 we want you to take an important part in this program, 395 00:20:17.359 --> 00:20:20.400 the star part, really, and it can mean money in 396 00:20:20.440 --> 00:20:23.759 your pocket, as any Chicago Motor Club member will tell you. 397 00:20:24.359 --> 00:20:25.240 Now listen closely. 398 00:20:25.759 --> 00:20:28.759 The club wants you to read its valuable free booklet 399 00:20:29.000 --> 00:20:31.920 telling why club members spend less to own and drive 400 00:20:31.960 --> 00:20:34.759 their cars. Of course, you can't read it unless you 401 00:20:34.799 --> 00:20:37.160