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Speaker 1: A fiery horse with the speed of light, a cloud

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of dust, and.

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Speaker 2: A hardy, high old silver.

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Speaker 3: The Lone Ranger.

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Speaker 4: The.

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Speaker 1: Mass rider of the Plaines, realized that the coming of

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the railroad would be a great event for the Western

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United States. Without thought of reward, he helped the engineers

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overcome the obstacles that stood in their way, the greed

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of men and the ruthlessness of nature. With his aid,

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the great project was completed, and the West took another

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step towards civilization. Return with us now to those thrilling

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days of yesteryear. From out of the past, come the

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thundering hoop feats of the great horse Silver. The Lone

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Ranger rides again on silver.

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Speaker 5: We're heading for this some waking force.

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Speaker 1: Jim Webster was in charge of the construction camp not

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far from the town of Big Bend. Our story opens

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an hour before daybreak. Bart Fleming enters the overseers tent,

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and grasping Jim's shoulders, shakes him roughly.

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Speaker 2: Wake up to Jim, Wake up with you?

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Speaker 4: Wake up to what's the ladder?

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Speaker 2: This isn't daybreak here?

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Speaker 4: Let me sleep a little longer.

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Speaker 6: You can't sleep, Get up, I'll tell you there's the

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dickens of a time going on.

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Speaker 4: What's the matter, what's the matter?

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Speaker 2: Are you awake?

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Speaker 7: I'm away?

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Speaker 4: Tell me Bart, what's the trouble?

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Speaker 2: Thubble up plenty?

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Speaker 4: You know lask like one of the boys was took sick, Yes,

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sort of a fever.

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Speaker 7: That's right.

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Speaker 6: There's three more sick tonight. And don't tell it how many.

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Speaker 4: More before this day is over? What's the cause of it?

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Speaker 2: Don't ask me?

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Speaker 6: You come and talk to those men.

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Speaker 4: Where's that medicine, kid? It's gone gone, button blazes, God

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tried to find it.

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Speaker 6: I was in here an hour ago with the ladder

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and looking for it.

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Speaker 4: It's it's just disappeared. Bark. What do you make of that?

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To take the medicine kid? No one's allowed to touch

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it but you and me.

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Speaker 2: I know that.

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Speaker 6: We'll put your boots on and come with me. The

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boys open here the cooked ten.

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Speaker 2: I'll be with you in just a second.

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Speaker 4: Con't found it.

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Speaker 8: I figured we'd have the tracks as far as Big

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Ben when I rode in town to make my next report.

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Speaker 6: You'll have a hard time doing it with four men

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on the sick list anymore.

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Speaker 4: Get laid up.

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Speaker 8: We can't do it there. I'm ready, won't bother the

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lace the boot. Let's go have a look at those men.

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Speaker 6: They're growing in self, and lawful behavior should say, yeah,

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just like it one last night?

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Speaker 4: How's he we look at the others for it.

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Speaker 6: I'll tell you about Slim Dwindle later.

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Speaker 8: Tell me now, well, if you've got to have it,

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slim died, what it's the truth? I didn't think it

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was as bad as that it is. You know what

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this job means, Bart, I know, I know what a

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big chance of our lives if we finished that contract

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on time. And if we don't finish the contract on time,

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you know what that means.

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Speaker 6: Company loses it. And there's plenty of important money in

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the east.

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Speaker 2: We would like to see our company lose it.

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Speaker 4: I know.

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Speaker 8: But our main concern right now is the men in

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that ten. Do any of the others know about it?

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Speaker 2: Not yet? They'll know about it the breakfast time, though.

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You can't keep it from him.

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Speaker 6: Lucky thing.

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Speaker 4: All three of the boys was in the same tim

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No one else in there. No here we are.

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Speaker 2: A right you he's an engine.

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Speaker 4: What are you doing here?

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Speaker 2: Here?

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Speaker 4: Me?

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Speaker 6: I don't give a hang who you are? Get away

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from those men they're alien.

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Speaker 9: Me know that them plenty sick?

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Speaker 4: How'd you get here? Where you're from? What are you

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doing there?

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Speaker 9: Me fix some men?

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Speaker 6: One fix them already, Come on, engine, get.

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Speaker 9: Until not go unto here? Fella's grown?

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Speaker 4: Are they?

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Speaker 2: Are? They dead?

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Speaker 7: No?

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Speaker 9: Them not dead?

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Speaker 2: It they're quiet now that right?

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Speaker 9: Them sleep?

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Speaker 4: Where'd you come from?

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Speaker 10: That?

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Speaker 9: Not matter? You get plenty of cold water?

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Speaker 2: What do you do for them? Men?

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Speaker 9: Me give me engine, medicine? Make them well soon?

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Speaker 4: Do you mean to say you just passed by here

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and heard them groaning?

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Speaker 9: Not right?

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Speaker 4: Do you know what's wrong with them?

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Speaker 9: Them? Got fever?

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Speaker 4: What caused that fever?

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Speaker 9: Maybe? Bad water?

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Speaker 2: Bad water?

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Speaker 6: They've had the same water we've been drinking.

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Speaker 11: Anything me not know that? You get cold water? Now,

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keep cold cloth on head.

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Speaker 8: But I like the Indian style, he seems to nobody's

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talking about. We're going to do what he says. One

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man's dead already, And if the Indian can save these

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three and then the others that get sick.

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Speaker 6: Jim he said the water they had been drinking was bad.

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If that's the case, every man in camp's likely to

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come down with a fever.

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Speaker 4: We'll find out about that later on. The main thing

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now is to get these men fixed up. You tell

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us what to do, Tato, and we'll do it.

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Speaker 1: The following day, Jim Webster rode into the town of

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Green Flats, where the western office of the construction company

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was located.

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Speaker 4: He made his report to Fydix Gibbons.

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Speaker 10: Try and excuse yourself and not carrying the tracks the

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Big Pin, but saying your men was took sick.

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Speaker 4: There's more to us than that, mister Gibbons. One of

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them died.

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Speaker 10: I don't care how many men die. The tracks should

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be in Big Pen by today, ain't there. We're behind

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the schedule. That's bad, mighty.

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Speaker 8: Badounded Gibbons, you are a big glad We've got the

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men back on their feet and the abill go to work.

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There's something mighty funny about those men.

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Speaker 2: What do you mean, I'll tell.

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Speaker 4: You what I mean.

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Speaker 8: Someone drew water from a spring that everyone knew was

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unsafe for drinking.

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Speaker 6: It seems to me, if you're in charge of the work,

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you are a check the water.

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Speaker 2: And food they get.

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Speaker 4: I can't be every place at once.

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Speaker 8: The water they generally use is all right, but someone

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filled the canteens from that bad spring.

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Speaker 10: Trying to pass the blame. I suppose the next thing

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you'll tell me is that someone done on a purpose

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just to hammer your work.

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Speaker 4: I wouldn't be surprised at that either. But don't mean

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a lot of that Maryland coming to get the job,

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and that's what they'll do if we don't finish on time.

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Speaker 2: Yes, that's just what they'll do. And if we don't

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finish on time, you're the one to blame.

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Speaker 7: I'll take the blame.

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Speaker 10: You don't take the blame, all right. What's more, if

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we fail, you don't draw a set of pay for

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no part.

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Speaker 2: Of the job.

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Speaker 4: You've got nothing to say about that.

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Speaker 8: You'll see about that, mister, Well, get out of here

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you want to hear the rest of it.

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Speaker 2: Not interested.

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Speaker 10: The only thing I'm interested in is seeing this job

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done on schedule. Excuse is alibis, explanations, they don't mean

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a thing to me. The fact stands the job ain't done.

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We lose the contract, all right.

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Speaker 8: But I thought you might be interested, annoying that my

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suspicions were backed up at the fact that someone throw

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my medicine kids.

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Speaker 2: Hey, coach, I'm not interested.

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Speaker 4: You might if you knew we owe an end in

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some money Indian. You heard me, He said.

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Speaker 8: He'd hang around the can till I got back. I

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didn't tell him i'd pay him, but.

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Speaker 4: Our own plenty. He knew what was wrong with those

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men and how to cure it.

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Speaker 2: You mean to say they had fever in their cure already.

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Speaker 8: No, they're not cured, but they're better and they're going

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to get well. The important thing is no more taken sick.

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Speaker 10: We've got no allowance for Indians to go around trying

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to cure a fever.

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Speaker 8: I should have known better than to expect this office

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to pay for a thing like that.

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Speaker 4: But it's all right. I'll pay it out of my

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own pocket, and gladly i'll be here next week.

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Speaker 2: You see that that job goes along and scheduled.

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Speaker 1: I'm doing the best any man can do.

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Speaker 4: Oh yes, miss Morley, a minute, I want to speak

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to you.

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Speaker 12: Yes, yes, sure, maybe I shouldn't say anything about it,

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but there's something I think you ought to know.

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Speaker 4: What's that?

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Speaker 12: Working here in this office, I hear and see quite

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a bit.

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Speaker 4: I'll bet you do. I don't see how you get

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along with Gibbons, though.

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Speaker 12: He's a hard man to work for. I'll admit that

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has anything gone wrong on the job.

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Speaker 8: The four of the men came down with fever, and

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one of them died and didn't cured the other three

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and told us what the trouble was.

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Speaker 12: Hi, is there any chance that someone might have made

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them sick on purpose?

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Speaker 4: Why do you ask that is there?

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Speaker 8: I had a suspicion there might be someone stole my medicine.

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Speaker 12: Kid, Jim, watch out for things?

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Speaker 4: What do you mean, miss Molly?

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Speaker 12: I can't tell you any more than that, Hey, Molly,

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we sir, what are you doing here?

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Speaker 8: I might ask the same thing of you, Sneed? What

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are you doing here in town? You're supposed to be

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back on the job.

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Speaker 7: Yeah, well, you ain't nothing to say about me no more.

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Speaker 2: What do you don't mean?

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Speaker 13: I'm taking orders from Gibbons himself from now on. Shavvy

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he sent for me. I'm going in to see him

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right now.

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Speaker 11: I des buy that man.

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Speaker 4: Sneed's about the ugliest fellow we have on the job.

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Speaker 12: Didn't you know he was coming to town today? No,

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mister Gibbons said word to him direct.

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Speaker 4: Why didn't he send word to me?

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Speaker 12: I don't know, Jim, but just remember what I told

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you I can't say any more than that. Just watch

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out for yourself. There's something mighty funny going on.

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Speaker 4: Thanks, I'll be on the lookout. I I hope i'll

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see you next time. I come to tell Miss Molly.

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Speaker 12: I hope so too. Divide him, But I could only

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tell him more, if I could only find out more.

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Speaker 2: Baldy step in here.

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Speaker 10: Yes, mister Gibbons, bally open the safe and get one

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hundred dollars.

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Speaker 2: Mister sneed one hundred dollars. You heard me, do what you.

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Speaker 7: Told my fault Gibbons of the fever idea fell true.

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Speaker 10: The dog need no excuses, need no excuses. I thought

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we might set the job back by following your suggestion,

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but we didn't. All right, well, try another scheme.

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Speaker 7: You're really going to give me one hundred dollars.

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Speaker 10: One hundred now, the rest of what I promised you

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when you fulfilled your part of the agreement.

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Speaker 2: That job has to be fixed on fall down.

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Speaker 7: Not far enough.

245
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Speaker 10: Jim Webster could make up the work he's lost so far.

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We've got to keep him from fulfilling the contract. There's

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five thousand dollars in it.

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Speaker 7: Just who's paying all that case?

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Speaker 2: It's none of your business.

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Speaker 10: But I'll tell you it's the company that'll get the

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contract that the company I represent falls down.

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Speaker 7: So you saw the double crows.

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Speaker 2: A man has to make a living white hand these days. Listen.

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Speaker 10: No matter how hard those men work, they can't work

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without supplies. Of course, not all right, supplies are coming

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through next week on the work train. Yeah, the supplies

257
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are supposed to meet the working crew at Big Bend Creek.

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Speaker 7: Sure, I know that. The boys.

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Speaker 13: You're supposed to get the tracks there this week and

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wait there'll the trains come up to meet him. The

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train will have the supplies to build a bridge and

262
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carry the tracks beyond the creek.

263
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Speaker 7: That's it the way I figure. They'll have the tracks

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to the creek by Monday night.

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Speaker 2: The train should pass Rock Center to night. You can

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get there by hard riding.

267
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Speaker 7: Yeah, I can make it easy if the train don't

268
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come too early.

269
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Speaker 2: The trains do at midnight, maybe half an hour earlier.

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Speaker 7: Late.

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Speaker 2: You can't tell about that. But I won't be there

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before eleven.

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Speaker 14: It has to cross a bridge there, savvy, go on, boss,

274
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I'm a listening. If something happens to that bridge, the

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supplies won't reach Big Bend.

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Speaker 7: Gibbons, that's all you gotta tell me. I'll get started

277
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soon as I get that cave.

278
00:12:13,360 --> 00:12:15,840
Speaker 1: Jim Webster rode away from Green Fats in the direction

279
00:12:15,919 --> 00:12:18,080
of the camp Beca, his mind filled with what Gibbons

280
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had said and the warning Molly had given him.

281
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Speaker 4: Tonto met him on the trail.

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Speaker 2: Hey you color, uh.

283
00:12:26,320 --> 00:12:30,679
Speaker 4: Oh there, oh you your Toto.

284
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Speaker 9: Right you go back now, Colors, get.

285
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Speaker 4: Well, Indian, you say the lives of a lot of men.

286
00:12:37,840 --> 00:12:39,440
Speaker 8: I don't know how many others would have been given

287
00:12:39,440 --> 00:12:41,279
that bad water if you hadn't found out about it.

288
00:12:41,440 --> 00:12:43,720
That's all right, It isn't all right until I show

289
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my appreciation.

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Speaker 9: I don't have much with me, but I Tonto not

291
00:12:47,320 --> 00:12:48,120
wants money.

292
00:12:48,279 --> 00:12:49,159
Speaker 2: Where are you going now?

293
00:12:49,720 --> 00:12:51,600
Speaker 9: Me go meet friends?

294
00:12:51,679 --> 00:12:53,799
Speaker 4: Well, look here, I we should come back to the

295
00:12:53,840 --> 00:12:54,360
camp with me.

296
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Speaker 9: You do not need Tonto now.

297
00:12:56,519 --> 00:12:57,080
Speaker 7: But we're might.

298
00:12:57,600 --> 00:12:59,399
Speaker 4: There's likely to be a lot more trouble before this

299
00:12:59,480 --> 00:13:01,519
job is done. You seem to have a way of

300
00:13:01,559 --> 00:13:03,600
helping us out. I'll give you a job.

301
00:13:03,759 --> 00:13:05,000
Speaker 9: What other trouble?

302
00:13:05,279 --> 00:13:06,720
Speaker 4: I don't know. That's what bothers me.

303
00:13:07,399 --> 00:13:09,679
Speaker 8: I have half a suspicion that Gibbons, the man in

304
00:13:09,679 --> 00:13:11,679
the office in town is double crossing our company?

305
00:13:11,799 --> 00:13:13,080
Speaker 9: Why you think that?

306
00:13:13,519 --> 00:13:16,639
Speaker 8: Nothing I can point out in particular, but I'd like

307
00:13:16,679 --> 00:13:18,000
to have you sort of keep an eye on a

308
00:13:18,000 --> 00:13:18,919
fellow named Sneez.

309
00:13:19,039 --> 00:13:23,759
Speaker 11: Oh aunt, No Sneid you do mum hm him toler

310
00:13:24,039 --> 00:13:26,000
mate footprint near bad water?

311
00:13:26,240 --> 00:13:28,279
Speaker 4: Is that so? Why didn't you tell me?

312
00:13:28,399 --> 00:13:28,600
Speaker 15: Mmm?

313
00:13:28,919 --> 00:13:32,360
Speaker 9: Me not know if him make mistake.

314
00:13:32,559 --> 00:13:35,679
Speaker 8: Or fits in with other things? By thunder, I'll bet

315
00:13:35,720 --> 00:13:38,279
Snead and Gibbons are working against us. There's been a

316
00:13:38,279 --> 00:13:40,919
lot of small things and seeing sneed in that office.

317
00:13:41,360 --> 00:13:44,080
Look here, tanto, m you've got to come back. I'll

318
00:13:44,080 --> 00:13:46,519
tell you what you do. You wait right here. Snee

319
00:13:46,559 --> 00:13:49,000
shall be riding back along this way pretty soon. You

320
00:13:49,080 --> 00:13:51,159
wait here he comes by that did him get past?

321
00:13:51,519 --> 00:13:53,120
Then come after him and keep an eye on him.

322
00:13:53,559 --> 00:13:54,120
Speaker 4: Maybe you can.

323
00:13:54,120 --> 00:13:56,639
Speaker 7: Get proof he's the one that's been plotting against us.

324
00:13:57,080 --> 00:14:00,919
Speaker 9: Other men helped Tonto.

325
00:14:00,080 --> 00:14:03,279
Speaker 4: What other man? Oh you mean my friend Bart.

326
00:14:03,200 --> 00:14:09,320
Speaker 11: No unto friends who unto go get him uncle? Help

327
00:14:09,399 --> 00:14:10,720
you get him up.

328
00:14:10,960 --> 00:14:11,279
Speaker 2: Shut.

329
00:14:26,080 --> 00:14:28,279
Speaker 1: The curtain falls on the first act of our selling

330
00:14:28,360 --> 00:14:32,240
Lone Ranger drama. Before the next exciting scenes, please permit

331
00:14:32,360 --> 00:14:56,480
us to pause for just a few moments now to

332
00:14:56,720 --> 00:14:59,879
continue our story, Tonto road to meet the lone Ranger

333
00:14:59,879 --> 00:15:02,679
and taught him about Jim Webster's suspicions and the sudden

334
00:15:02,720 --> 00:15:05,320
attack of fever in the camp. Was nearly dark when

335
00:15:05,360 --> 00:15:07,360
he'd finished, and the masked man said hello.

336
00:15:07,399 --> 00:15:09,240
Speaker 15: From once you tell me, it seems almost certain that

337
00:15:09,240 --> 00:15:11,559
this man Gibbons is planning to keep the railroad crew

338
00:15:11,600 --> 00:15:13,440
from carrying out their contract on time.

339
00:15:13,600 --> 00:15:16,120
Speaker 9: And that what web to Color think the new Talla

340
00:15:16,279 --> 00:15:17,360
Tonto think shame?

341
00:15:17,679 --> 00:15:19,720
Speaker 15: But how can we learn the truth. There's a hundred

342
00:15:19,799 --> 00:15:22,440
things they could do that right, Perhaps sneed won't even

343
00:15:22,480 --> 00:15:24,600
be involved. From I try and trail them and find

344
00:15:24,600 --> 00:15:25,840
that we were watching the wrong men.

345
00:15:26,720 --> 00:15:27,600
Speaker 9: Tonto got id.

346
00:15:27,879 --> 00:15:28,399
Speaker 2: What is it?

347
00:15:28,519 --> 00:15:30,039
Speaker 9: One color? No scheme?

348
00:15:30,080 --> 00:15:30,759
Speaker 2: Who Coller?

349
00:15:30,879 --> 00:15:31,960
Speaker 9: Who makes scheme?

350
00:15:32,080 --> 00:15:32,519
Speaker 2: Gibbons?

351
00:15:32,600 --> 00:15:33,279
Speaker 9: Huh?

352
00:15:33,519 --> 00:15:35,679
Speaker 11: Maybe we go make them talk? Huh, it's the only

353
00:15:35,720 --> 00:15:38,720
thing we can make him talk. Maybe we cry, here's

354
00:15:38,759 --> 00:15:42,039
over you go? Yes, wait, what's a matter of Tundle,

355
00:15:42,360 --> 00:15:44,240
Maybe you wait here?

356
00:15:44,759 --> 00:15:47,440
Speaker 9: Let Tanto go alone. What do you mean, Tonto make

357
00:15:47,519 --> 00:15:47,960
them talk?

358
00:15:48,039 --> 00:15:48,639
Speaker 15: No tatah.

359
00:15:49,480 --> 00:15:49,639
Speaker 2: Yeah.

360
00:15:49,679 --> 00:15:51,799
Speaker 15: In the case of this sort, that man is scheming

361
00:15:51,799 --> 00:15:54,399
to destroy the railroad. They planned to have men given

362
00:15:54,399 --> 00:15:56,879
bad water. He deserves almost anything.

363
00:15:58,039 --> 00:16:00,639
Speaker 9: Right that why Tonto go alone?

364
00:16:00,799 --> 00:16:02,480
Speaker 2: That's just why you're not going alone.

365
00:16:02,559 --> 00:16:24,840
Speaker 16: Come on, ranger, where's Phillip s Gibbons?

366
00:16:24,879 --> 00:16:25,039
Speaker 2: Now?

367
00:16:25,279 --> 00:16:27,320
Speaker 17: Huh oh Gibbons?

368
00:16:28,440 --> 00:16:30,679
Speaker 4: You mean mister Gibbons. Yes, I'm reckon.

369
00:16:30,759 --> 00:16:31,480
Speaker 2: He'll be the bed.

370
00:16:31,919 --> 00:16:33,919
Speaker 17: It's most nine o'clock and he goes to.

371
00:16:33,879 --> 00:16:34,600
Speaker 2: Bed mighty early.

372
00:16:35,200 --> 00:16:38,200
Speaker 17: He ain't given to what he calls wasting time in

373
00:16:38,279 --> 00:16:42,639
the cafes. Now take me. I can't Jesus any wasted

374
00:16:42,720 --> 00:16:43,480
time for a man.

375
00:16:43,600 --> 00:16:44,440
Speaker 2: Where does he live?

376
00:16:44,679 --> 00:16:46,159
Speaker 17: Huh oh?

377
00:16:46,360 --> 00:16:46,639
Speaker 12: Live?

378
00:16:47,440 --> 00:16:47,600
Speaker 7: Why?

379
00:16:47,679 --> 00:16:49,879
Speaker 17: He hunted all over town and he got the cheapest

380
00:16:49,919 --> 00:16:53,360
room he can find, boards with more ash well, even

381
00:16:53,440 --> 00:16:55,039
then he beat her down two bucks a week.

382
00:16:55,159 --> 00:16:56,279
Speaker 2: Where's the house? Now?

383
00:16:56,360 --> 00:16:59,080
Speaker 17: You go straight ahead to the last house in the road.

384
00:16:59,720 --> 00:17:03,159
Then keep going. It's just beyond set off by itself

385
00:17:03,200 --> 00:17:07,160
from the other, Hey, leap from catfish? Is that a

386
00:17:07,200 --> 00:17:09,839
mask on your face? I can't see so good in

387
00:17:09,880 --> 00:17:10,200
the dark.

388
00:17:10,359 --> 00:17:13,599
Speaker 2: Yes, it's a mass.

389
00:17:34,160 --> 00:17:35,799
Speaker 15: And then we left the horses back in the room.

390
00:17:36,200 --> 00:17:37,920
After we can talk to missus ashwell.

391
00:17:37,599 --> 00:17:40,039
Speaker 11: Before we see Gibbons and you tell her not to

392
00:17:40,119 --> 00:17:41,799
be a praying Yes, you'll have to stay with.

393
00:17:41,759 --> 00:17:42,480
Speaker 4: Her to m.

394
00:17:49,359 --> 00:17:54,519
Speaker 15: We want to see him. Well, what, don't be afraid

395
00:17:54,559 --> 00:17:55,880
of me? I want to speak to mister Gibbons.

396
00:17:55,960 --> 00:17:57,359
Speaker 4: He's gone to bed, I know, but.

397
00:17:57,359 --> 00:17:59,680
Speaker 15: I'm gonna see him anyway. But don't be afraid of me.

398
00:18:00,079 --> 00:18:01,039
I think that man's a crook.

399
00:18:01,160 --> 00:18:01,960
Speaker 2: I want to find out.

400
00:18:02,160 --> 00:18:03,559
Speaker 6: Well, what are you of mine?

401
00:18:03,599 --> 00:18:04,240
Speaker 4: Where's his room?

402
00:18:04,480 --> 00:18:05,200
Speaker 17: End of the hole?

403
00:18:05,240 --> 00:18:07,480
Speaker 9: But you see you want to talk to you.

404
00:18:07,599 --> 00:18:11,720
Speaker 14: No, I can't stand for this sort of place, to say.

405
00:18:11,599 --> 00:18:13,440
Speaker 7: The most high handed christed I.

406
00:18:13,680 --> 00:18:21,799
Speaker 2: Can't see nothing like this, all right, Gibbons, wakem up? Hey,

407
00:18:22,319 --> 00:18:25,400
say here? What's the here? You in your feet? Who's

408
00:18:25,400 --> 00:18:27,880
in here? Strike a light? What you hold me out

409
00:18:27,880 --> 00:18:28,119
of bed?

410
00:18:28,119 --> 00:18:28,240
Speaker 18: For it?

411
00:18:28,319 --> 00:18:30,000
Speaker 2: When I ask you where sneed? When? What he's going to do?

412
00:18:30,559 --> 00:18:32,880
I don't know about it? Hey, now look.

413
00:18:32,759 --> 00:18:34,599
Speaker 15: Here, Gibbons. I'm not here to waste time. I want

414
00:18:34,599 --> 00:18:35,680
to know what you're going to do to try and

415
00:18:35,680 --> 00:18:36,440
smash that railroad?

416
00:18:36,440 --> 00:18:38,839
Speaker 2: Who squeal? Im you over? Going to tell me? Get

417
00:18:38,880 --> 00:18:40,359
on your floor? They call my heart?

418
00:18:40,480 --> 00:18:41,160
Speaker 6: You hurt.

419
00:18:41,000 --> 00:18:42,799
Speaker 15: I do more than hurt if you don't talk. I'm

420
00:18:42,799 --> 00:18:44,880
not gonna beat around the bush. And little use from

421
00:18:44,880 --> 00:18:46,359
man who tries to kill men with fever.

422
00:18:46,519 --> 00:18:49,200
Speaker 10: If sneeze squeal it I mean, I mean, I don't

423
00:18:49,200 --> 00:18:49,599
know nothing.

424
00:18:49,680 --> 00:18:51,799
Speaker 2: You came through this to me the law. Now I'm

425
00:18:51,880 --> 00:18:52,240
the law.

426
00:18:52,640 --> 00:18:55,119
Speaker 15: It admitted Sneed might have squealed. Where is Sneed? Oh wait,

427
00:18:55,480 --> 00:18:56,640
let's talk about where is Sneed?

428
00:18:56,640 --> 00:18:59,319
Speaker 2: What's he doing? You're going to talk, I'll talk. Don't

429
00:18:59,400 --> 00:18:59,720
hurt me.

430
00:19:00,240 --> 00:19:02,920
Speaker 18: Quick Red Rock the midnight, the rest of a top

431
00:19:03,000 --> 00:19:21,400
fresh stream got the riders never before come on.

432
00:19:39,720 --> 00:19:41,599
Speaker 1: Like a sprink of white flame. The green horse Silver

433
00:19:41,680 --> 00:19:43,839
raced across the open country for the bridge at Red Rock.

434
00:19:44,000 --> 00:19:45,920
Tother w and scarf worked quickly out distant, but the

435
00:19:45,920 --> 00:19:47,200
Indian kept riding hard.

436
00:19:47,799 --> 00:19:52,839
Speaker 5: Get him up, he hides, press blow, get him up.

437
00:19:58,440 --> 00:20:00,480
Speaker 1: The lone ranger was far ahead, in spite of the

438
00:20:00,559 --> 00:20:02,119
rough ground, where on this step would have meant death

439
00:20:02,160 --> 00:20:04,359
for both horse and rider. Silver's hoops feed out of

440
00:20:04,400 --> 00:20:10,400
savage tattoo, the white mane and tail of the great

441
00:20:10,400 --> 00:20:12,720
horse life straight out the brim of the mask man's hat,

442
00:20:12,759 --> 00:20:15,240
fattened back against the high crown at the wind, pressed

443
00:20:15,240 --> 00:20:15,920
hard against the.

444
00:20:16,000 --> 00:20:17,160
Speaker 5: Romon overboard face.

445
00:20:17,200 --> 00:20:20,559
Speaker 19: Fairly time the fain, moie, we won't make it. Stretch

446
00:20:20,599 --> 00:20:24,079
out Silver col big old Silver.

447
00:20:24,599 --> 00:20:24,839
Speaker 5: Oh.

448
00:20:28,000 --> 00:20:29,440
Speaker 1: Then at the distance there was a sound that give

449
00:20:29,440 --> 00:20:31,720
Holm this morning to train with running ahead of schedule.

450
00:20:32,640 --> 00:20:35,559
Speaker 5: There's a train silver right now. The killer's cutting away.

451
00:20:35,599 --> 00:20:39,319
Speaker 19: The support of that fridge passes Hilvert faster first or

452
00:20:39,440 --> 00:20:39,920
old boy.

453
00:20:40,720 --> 00:20:42,720
Speaker 1: It was a hopeless race, but the lone ranger would

454
00:20:42,720 --> 00:20:45,160
not admit defeats. With each breath he heard silver to

455
00:20:45,200 --> 00:20:47,400
greater speed. He saw the headlights of the train. He

456
00:20:47,480 --> 00:20:48,960
knew there was no chance to stop it before it

457
00:20:49,039 --> 00:20:51,599
reached that bridge. He saw it thunder close, saw the

458
00:20:51,599 --> 00:21:26,160
bridge and bulblief in the train's lights, and then.

459
00:21:23,720 --> 00:21:27,200
Speaker 15: No hopeful These two men Matt right sneed the killer

460
00:21:27,240 --> 00:21:30,000
has escaped. There's only one small thing for which we

461
00:21:30,039 --> 00:21:34,319
can be thankful that the train held only supplies, no passengers,

462
00:21:35,319 --> 00:21:36,519
fireman and the engineer.

463
00:21:37,000 --> 00:21:37,480
Speaker 2: Too bad.

464
00:21:38,640 --> 00:21:40,759
Speaker 15: We won't have much of a case against Gibbons either.

465
00:21:41,400 --> 00:21:43,839
No way to prove that he hired Snee direct this train.

466
00:21:44,359 --> 00:21:48,279
What we do for Webster dollar? I don't know how

467
00:21:48,319 --> 00:21:51,000
anything can be done? How to supplies on this train

468
00:21:51,039 --> 00:21:53,200
can't be carried overland? A big bend where they needed

469
00:21:53,599 --> 00:21:58,079
that right? Want that someone alive under the wreckage?

470
00:21:59,200 --> 00:22:03,920
Speaker 2: This way? Help me? Where are you here? I got cat? Wait?

471
00:22:04,279 --> 00:22:05,160
Will get you out of that.

472
00:22:05,559 --> 00:22:12,599
Speaker 10: Give me handfo a you sneed sleeve the man who's

473
00:22:12,599 --> 00:22:13,240
a blame for this?

474
00:22:13,640 --> 00:22:14,880
Speaker 7: I got what was coming to me.

475
00:22:15,279 --> 00:22:16,680
Speaker 2: Here's that dirty cuss given me.

476
00:22:17,279 --> 00:22:20,160
Speaker 4: Hired someone to shoot me so I couldn't collect.

477
00:22:20,400 --> 00:22:23,400
Speaker 6: We get you out to tontole that right?

478
00:22:23,480 --> 00:22:26,960
Speaker 9: Who is the se com Thundercloud? Good friend?

479
00:22:27,119 --> 00:22:27,599
Speaker 17: That's right?

480
00:22:28,119 --> 00:22:29,920
Speaker 7: Me see bad man cut.

481
00:22:29,640 --> 00:22:32,440
Speaker 2: Bridge we shoot you want sent to kill him? No,

482
00:22:32,599 --> 00:22:34,000
me can't try.

483
00:22:35,160 --> 00:22:36,960
Speaker 15: You've got to get Snead out of here.

484
00:22:41,759 --> 00:22:43,759
Speaker 2: I don't think he's badly hurt. The bullet just raised

485
00:22:43,799 --> 00:22:46,519
his leg. He was lucky enough have been killed.

486
00:22:47,119 --> 00:22:48,400
Speaker 9: That's plenty bad.

487
00:22:49,000 --> 00:22:50,720
Speaker 15: Do what you can to fix his wound and injury

488
00:22:50,759 --> 00:22:53,480
his hotter. There's no worse than way to get all

489
00:22:53,480 --> 00:22:57,319
these supplies to Big Ben. Now, perhaps we can wait.

490
00:22:57,680 --> 00:23:00,319
What matter Sneeth thought that he was fired at someone

491
00:23:00,359 --> 00:23:03,440
sent by Gibbons. H He might try to involve Gibbons

492
00:23:03,440 --> 00:23:06,720
by telling everything to get revenge at right. He would

493
00:23:06,799 --> 00:23:08,599
do that, and then it could be proved that Gibbons

494
00:23:08,640 --> 00:23:09,720
purposely delayed the work.

495
00:23:10,279 --> 00:23:10,880
Speaker 2: Might say that.

496
00:23:10,920 --> 00:23:12,960
Speaker 15: Contract when the job isn't finished on schedule.

497
00:23:13,119 --> 00:23:16,480
Speaker 4: Few good friends, he thunderclouds. They have done a great

498
00:23:16,519 --> 00:23:19,279
service to the white people. You say, not get load

499
00:23:19,400 --> 00:23:20,240
to big things.

500
00:23:20,599 --> 00:23:21,400
Speaker 2: You can't do that.

501
00:23:21,720 --> 00:23:23,720
Speaker 7: Maybe Chief thunder Cloud help.

502
00:23:48,160 --> 00:23:50,759
Speaker 1: On Monday, Jim Webster and his loyal crew had laid

503
00:23:50,759 --> 00:23:52,960
the tracks as far as Big Bend, but the supply

504
00:23:53,119 --> 00:23:55,839
train had not arrived yet. Heuesday morning, the men found

505
00:23:55,880 --> 00:23:57,480
themselves without any work to do.

506
00:23:58,279 --> 00:24:01,599
Speaker 6: They sat and still redrive me call me too, Bart.

507
00:24:01,839 --> 00:24:03,160
Speaker 8: We might be able to do some work with the

508
00:24:03,200 --> 00:24:04,559
rails on the other side of the river if we

509
00:24:04,559 --> 00:24:05,799
could get the bridge built.

510
00:24:06,039 --> 00:24:07,799
Speaker 4: Everything we need for the bridge is on that blame

511
00:24:07,880 --> 00:24:08,599
supply train.

512
00:24:09,119 --> 00:24:09,880
Speaker 2: Who's that coming?

513
00:24:10,279 --> 00:24:11,039
Speaker 7: Why is Molly?

514
00:24:11,640 --> 00:24:12,440
Speaker 4: I mean miss Molly?

515
00:24:12,480 --> 00:24:13,200
Speaker 2: Who she's him?

516
00:24:13,319 --> 00:24:15,599
Speaker 4: The girl in Gibbons's office. She hinted that I should

517
00:24:15,599 --> 00:24:17,440
be on guard. That's why I asked the end in

518
00:24:17,440 --> 00:24:18,799
the help. But I guess he's held down on us.

519
00:24:18,799 --> 00:24:19,559
Speaker 2: What's she coming here for?

520
00:24:19,759 --> 00:24:22,440
Speaker 4: Don't ask me, miss Molly.

521
00:24:23,599 --> 00:24:24,519
Speaker 12: Jim had heard the news.

522
00:24:24,559 --> 00:24:26,759
Speaker 4: What news The supply train fell to the bridge of

523
00:24:26,839 --> 00:24:27,279
Red Rock.

524
00:24:27,359 --> 00:24:27,720
Speaker 2: Correct.

525
00:24:27,880 --> 00:24:29,599
Speaker 7: Yes, and givens Hire sneed to do it.

526
00:24:29,799 --> 00:24:31,200
Speaker 4: Molly, Are you dead sure of that?

527
00:24:31,400 --> 00:24:33,920
Speaker 12: Cos I might just came from town. A masked man

528
00:24:34,000 --> 00:24:35,440
rode in with sneed he was wounded.

529
00:24:35,480 --> 00:24:37,960
Speaker 6: I'm going to tall, get my hands on his greasy neck.

530
00:24:38,079 --> 00:24:38,519
Speaker 4: You can't.

531
00:24:38,519 --> 00:24:39,599
Speaker 7: He's in jail, jail.

532
00:24:40,119 --> 00:24:42,200
Speaker 12: He thought Gibbons hired someone to shoot him, and he

533
00:24:42,240 --> 00:24:43,440
told everything to the sheriff.

534
00:24:43,759 --> 00:24:44,920
Speaker 7: You see, he thought he was dying.

535
00:24:45,000 --> 00:24:45,960
Speaker 4: Oh was he? No?

536
00:24:46,119 --> 00:24:47,079
Speaker 2: Who turned best?

537
00:24:47,119 --> 00:24:48,079
Speaker 4: But he thought he was who?

538
00:24:48,079 --> 00:24:48,920
Speaker 7: He told everything.

539
00:24:49,240 --> 00:24:51,640
Speaker 12: He showed the money Gibbons paid him, and the promise

540
00:24:51,680 --> 00:24:53,000
Gibbons wrote to pay him more.

541
00:24:53,200 --> 00:24:55,920
Speaker 4: What about Gibbons, he's in jail too. The mask man

542
00:24:56,000 --> 00:24:56,480
rode away.

543
00:24:56,640 --> 00:24:58,039
Speaker 12: He said that he was coming here, but he had

544
00:24:58,039 --> 00:24:58,880
someplace else.

545
00:24:58,680 --> 00:24:59,960
Speaker 6: To go first. Someone coming there.

546
00:25:00,480 --> 00:25:01,960
Speaker 7: That tim Nuts is white hard.

547
00:25:02,039 --> 00:25:03,720
Speaker 8: But the main thing is the job won't be done,

548
00:25:03,759 --> 00:25:05,279
can't be done, not on schedules.

549
00:25:07,200 --> 00:25:13,680
Speaker 2: Yes, Jim, which is Jim Webster right here? All the

550
00:25:13,680 --> 00:25:16,720
girls here. He told you about Gibbings and Sneade. Who

551
00:25:16,720 --> 00:25:18,559
are you? A friend of Toto's and.

552
00:25:18,519 --> 00:25:20,279
Speaker 4: A friend of ours? Where is Toto?

553
00:25:20,359 --> 00:25:22,160
Speaker 15: He and some Indians who helped us are bringing your

554
00:25:22,200 --> 00:25:23,799
supplies so you can go on with your work.

555
00:25:23,960 --> 00:25:24,720
Speaker 2: Why supplies?

556
00:25:24,960 --> 00:25:26,599
Speaker 4: But how can they the train wreck?

557
00:25:26,759 --> 00:25:29,079
Speaker 15: Yes, but a lot of those supplies were railroad ties,

558
00:25:29,400 --> 00:25:32,240
seasoned timbers for the bridge, things that float in water.

559
00:25:32,359 --> 00:25:34,880
You mean to say the Indians made rafts, loaded the

560
00:25:34,920 --> 00:25:37,440
iron and steel on them. River that flows past red

561
00:25:37,519 --> 00:25:39,519
rock circles and comes back past here.

562
00:25:40,039 --> 00:25:43,720
Speaker 2: The water's high, and the Indian Hewitt. Look upstream, there's

563
00:25:43,759 --> 00:25:46,160
the raft our supplies. Jim, there comes.

564
00:25:46,240 --> 00:25:48,920
Speaker 18: Everything you need is a miracle, a miracle, I tell

565
00:25:48,920 --> 00:25:49,240
you how.

566
00:25:49,240 --> 00:25:51,240
Speaker 2: We're all set, and snakes are in jail.

567
00:25:51,319 --> 00:25:53,400
Speaker 4: Boys, get going, meet those rafts.

568
00:25:53,480 --> 00:25:55,240
Speaker 2: Indians on board will be glad to help you.

569
00:25:55,359 --> 00:25:56,960
Speaker 4: So we are going to finish the job.

570
00:25:57,359 --> 00:25:58,680
Speaker 2: Boys, let's get working.

571
00:26:00,160 --> 00:26:04,359
Speaker 4: Wait, wait, he's gone, Jim.

572
00:26:04,440 --> 00:26:06,599
Speaker 12: The Lone Ranger doesn't wait for things.

573
00:26:06,599 --> 00:26:10,640
Speaker 8: The Lone Ranger. Well, miss Molly, he sure worked a miracle,

574
00:26:10,960 --> 00:26:12,039
that's all I can say.

575
00:26:12,319 --> 00:26:14,799
Speaker 12: It'll be a miracle. If you'll forget to call me

576
00:26:14,880 --> 00:26:17,680
miss Molly. My real friends call me Molly.

577
00:26:18,480 --> 00:27:04,200
Speaker 5: Molly say shot.

578
00:28:11,680 --> 00:28:14,119
Speaker 1: The story you have just heard is a copyrighted feature

579
00:28:14,119 --> 00:28:15,839
of The Lone Ranger, Incorporated.

