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Speaker 1: You're listening to the Paranormal UK Radio Network, the best

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in paranormal talk radio in the UK and around the world.

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Speaker 2: There are more than one thousand paranormal events reported around

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the world every month. Most of them can be explained

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as natural phenomena, but about ten percent cannot. UFOs, ghosts, cryptids, monsters, coincidences,

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abductions of remote viewing Mothman, dog Man, Bigfoot and the

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Space Brothers, mysterious wounds, weeping statues, goes on high.

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Speaker 1: And voices beyond the grain.

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Speaker 2: All these things and more are revealed every week on

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Mac Maloney's Military X Files.

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Speaker 1: So join Mac and the rest of.

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Speaker 3: The game one one.

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Speaker 2: Switchy club Susan Kay and Uncle Ao Brandy X an

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Agent X as they delve into the ultimate mysteries of

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time and space. This is Mac Maloney's Military.

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Speaker 1: X Files and now here's.

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Speaker 3: Mac.

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Speaker 1: Well. Good evening, ED. I want to welcome to Macloney's

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Military Style show here on the Distant Thunda Radio Network,

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broadcasting live from the Stop and Gelli Restaurant, fifty five

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Wata Street, Newbyport, Massachusetts, Great Seafood Restaurant, Great Hamburger's, Gage

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Steak and Cheese Sammy and anything they do. What onions

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is to dine for? We're gonna shoe for you tonight

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a music show. We have a gang of people, so

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let me stop unintroducing them. Ook huh, girls, you've been

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feeling his so called.

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Speaker 4: Vibe for a week, the much overrated vibe.

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Speaker 1: Wow. So sit yourself down, start fanning yourself. Get your

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big box of clinics, the big box of wipes, your

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squeegee an you lube, because very famous one one is here.

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Speaker 4: Hello Baby, Hello Max, Hello, everybody, Welcome to the show.

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How's everybody feeling all right? Feeling all right? There's a

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good song? Who did that song?

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Speaker 1: Free?

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Speaker 4: That's one version? Feeling all right? Not feeling too good?

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Mass man, I should know that anyway, Yeah he did.

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Speaker 1: Everyone. If you need one more traffic, yeah, you need

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one more, you know, one more track for the album

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you record?

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Speaker 4: That feeling great?

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Speaker 1: How are you doing? They want?

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Speaker 4: How about them Celtics last night?

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Speaker 1: The Celtics. Yeah, well we're recording this on St. Patrick's Day.

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Speaker 4: People ask the people from out of town, say, why

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do you pronounce the name of your basketball team Celtics.

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Speaker 1: Like an s? Sound like the proper way to say

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it's a good question, I know. Anyway, one, thanks for

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being here, welcome your music. Fictionado they can use that

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word fact.

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Speaker 4: I'm looking at the top one hundred Billboard chart that

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was just released the other day of the most of

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the best mainstream rock songs. What what what what does

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mainstream mean? I don't know.

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Speaker 1: Well, let's introduce it. Someone here will tell us. Yeah.

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Also and uh mobile studio with us is producer, engineer,

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technical advise, a be murderer, Uncle, wow, the kiddies, pal

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howe now though, Hello, mac Hey, one, one hey, everybody.

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Speaker 4: Yeah.

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Speaker 5: It's funny every time I walk in here every Tuesday

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night and I say hi to back and then I,

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you know, I don't see one one during the week usually,

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but I usually go into the disaster of a week

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I've had and tell him everything's gone wrong, and he

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kind of just looks, shakes his head and goes, wow, okay,

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I'm listening to every word he has to say.

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Speaker 4: I'm doing stuff, look up wires.

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Speaker 5: And things together. That's bad, that's happened, and oh wow,

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yeah okay.

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Speaker 1: And at some point he says, okay, our hours up.

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I think I think he's gonna start charging with like

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a therapy, you know, like.

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Speaker 6: You know, h man arrive.

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Speaker 1: So, uh, well, what's the the update on the bees.

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I haven't had a chance to go over and check

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it out. Yeah, forty thousand of them about twenty feet

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away from you. You don't want to go walk over

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and see what's happening.

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Speaker 5: Well, I'm letting, I'm letting nature take its course at

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this point. I'm going to let the snow melt and

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see what goes on.

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Speaker 1: They're dead. Why don't you just say forty thousand?

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Speaker 5: Well, I'm I'm anticipating I'll be buying two packages of bees. Yeah, okay,

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it's been a rough winter. Yeah, okay, not your fault,

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no anyway, okay. Also with us is a security chief,

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International security chief, Willie Club Willie.

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Speaker 1: How are you Mac?

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Speaker 7: I'm doing fine. How you doing?

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Speaker 1: We'll see right? Excellent so far? Did you go to

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the parade as.

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Speaker 7: You know, it's a big day, yeah, green, so it's

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been a very lucky day for us.

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Speaker 1: Did you go to the parade where you went on

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the one million that went to South Boston?

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Speaker 7: No, I haven't been to the parade in many years.

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Speaker 1: Yeah, that's probably good. That's why that's a why his choice.

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Where did everybody park? Where did they park? Where do

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they know? Where they take the tea? Where would they stand?

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Where would they wow? Anyway? Anyway, thank you Willie for

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joining us. Also with us up there in North Carolina. No,

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down there in North Carolina. The best one of the

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Carolina is a good friend getting in position. Susan Kay,

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super fan, Susan Kay. She's working hard right now.

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Speaker 4: She's working right now.

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Speaker 1: But thanks for joining us. The blonde with the covette. Also,

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the pecking is going to get strange right now. Also

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with us is a good friend Kim Shay up there

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in Edmonton, Canada. Kim, Let's let's clamp for him, simply

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because he's Canadian. Yeah, no weather reason.

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Speaker 6: We're hanging in here for sure.

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Speaker 1: Guys.

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Speaker 8: How are you doing some somehow or another. We're doing great.

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Everybody looks great tonight. Everybody energized. I think the sun

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is spitting out some good juice, so testosterone levels are

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high and I'm feeling energized.

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Speaker 1: Yeah, that's good. Last week toll.

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Speaker 4: First, when I take a line from a Wang Chung,

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we all remember Wang Chung. Everybody have fun tonight. Everybody

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have fun tonight.

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Speaker 6: Good tune.

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Speaker 1: As their back there. Yeah, they faded after that. I

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saw Wang chung you did after after one song? What

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did they play?

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Speaker 4: Uh? It's they had a couple of covers. They get

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a couple of top dance tunes uh oh and a

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song from uh to Live and Die in l A.

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Speaker 1: That's really Oh that paid the bills anyway, So Kim,

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thanks for drinking you. You revealed last week, pleasure. You

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revealed last week that you were a male model at

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one point, right, Well, you know, we try, No, okay.

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Speaker 6: It was fun.

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Speaker 8: It was like more for an entertainment factor on myself,

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and okay, I think it had gone anywhere.

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Speaker 6: I think I would have scared the hell out of me.

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Speaker 1: So huh, like taking.

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Speaker 6: Pictures of you because you're supposed to be good lucking

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it sounds like a little bit.

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Speaker 8: It's like a little bit over the top for me.

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I'm a pretty humble guy. I wouldn't say ever, I

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would say those words to myself.

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Speaker 6: So well, let's just keep it real, right.

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Speaker 1: Right, did you get in direction and get a coke

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problem too?

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Speaker 6: Well, that's the other thing. No, one never did.

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Speaker 1: No, never thought that would get a big laugh. Probably

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not Okay, all right, let's move on also with us,

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and we're going to clap him too, he's not and

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we'll get a clatform area. Pete Felcony, Yeah, chairman of

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the Colney.

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Speaker 4: Hey Pete, good to see it.

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Speaker 1: Pete. How you doing pistat to be back? Yeah? Yeah, yeah,

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Now you're down in your abode. Where are you down

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the southeastern Massachusetts right close to central Massachusetts. I'm directly

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between Boston and Worcester, mass Oh okay, yeah, yeah.

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Speaker 2: Boston is about twenty three to the twenty three to

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the east and Worcester is about twenty one to the west.

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Speaker 1: Wow, okay, I love Worcester.

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Speaker 4: You do two ninety get off at the Worcester Centrum.

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Oh yeah, yeah, do my work get out.

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Speaker 1: So, Pete. So just tell us about your network. Now,

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it's mostly up in Maine, now, right, is that it?

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We have? We have three radio stations in Maine.

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Speaker 2: Yes, two of them are uh, sort of rented out

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at the moment that someone else run.

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Speaker 1: We own them, but someone else run them. And then

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we run one.

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Speaker 2: A little further in southern Maine, just about ten miles

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west of Kenny Bunkport.

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Speaker 1: Mate. Oh wow, wow, we're all the rich people though.

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Speaker 4: Interesting those are all fms.

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Speaker 1: Good match their combination AM and FM. Yes, okay, yeah,

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very cool. So Pete, we were commenting before we went

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on the year that you had the voice. You have

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the best radio voice like ever. You're on all of

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our ads and I've asked you this a million times.

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You did not go to school for that. This that

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developed as you made your way through the radio businesses.

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I think so just kind of picked it up.

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Speaker 2: I mean, I worked with guys that had, you know,

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unbelievable pipes in my career, and maybe that was the

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way to, you know, kind of emulate what they were.

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Speaker 1: Doing right right. But you know, it makes us all

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the rest of us sound really bad. Is there some

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way into stought? His voice? It's a robot.

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Speaker 4: The sound was a sound effects.

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Speaker 1: But make him hold one. Okay, thank you Pete for

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joining us. We appreciate it, my pleasure. Also with us.

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Also with us is a good friend Barry winning a

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ka dribbles the clown. Let's clap for him. You know why.

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We'll think of a reason. I'll text it to you.

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Oh boy, Mary, how are you all right?

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Speaker 3: Who could complain him? Up here in New Hampshire hopefully

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watching this snow go away.

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Speaker 1: Yeah yeah, okay, don't worry about it. So Barry is

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such a music and a beetle trivia guy. Really yeah

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that during the pandemic, we he and I had a

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beetle trivia runoff, okay, in which Lois Lane, who was

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a mutual friend. Let's say, I came up with some

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really difficult beatle questions, you know, not like what's Ringo's

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real name or anything like that, you know stuff that

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you know you if you're really into your know. And

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we we were tied thirty thirty. It was it was.

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It was blood thirsty, it really was. We're tied thirty

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of thirty.

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Speaker 4: There was ten bucks in each other.

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Speaker 1: It was my question and our power went out. Okay,

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And to this day he calls fix. Yeah, I was

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outside pulling the main that was ala. I was involved. Okay,

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all right, So Barry, thanks for dreamings.

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Speaker 3: Thank you.

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Speaker 1: Now we're going to go to our friend of Oz

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who was done in Mexico. Mister Dawson, mister Dawson, Hi, guys,

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we call you that, mister Dawson.

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Speaker 9: Dawson boyd. My first name is Dawson.

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Speaker 1: Okay, oh, cool. Okay, all right, great. I was going

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to say senior Dawson, but that'd be so anyway, Dawson. Okay,

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So you're going to join us with the music? Are

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you good at? Are you a music hit like Chimmis? Yeah?

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Speaker 9: I I played on and off in rock bands. Was

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pretty much most of my life. Wow, amateur and professional

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and more recent years I just get together with old

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rockers like myself and and jam and do that sort

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of thing.

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Speaker 10: When we lived in Arizona, there was there was a

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group of us went together once a week for three

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four hours and it was more structured and we we

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did some concerts around the Yuma area.

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Speaker 1: Yeah, yeah, what what did you play? By the way,

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what was your guitar?

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Speaker 9: And I sing really badly?

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Speaker 1: Really a most legata players do. Sing badly, is.

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Speaker 10: Like my My bass player used to say when I

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would when I would sing harmony, he turned to me

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and say, you like that better than singing?

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Speaker 9: Do you?

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Speaker 1: Bass plays? Always? Wise guy in the band over here?

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Speaker 9: Cruelty? Cruelty?

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Speaker 1: You know how bass play is? Uh? Well, what's the joke?

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All right, it's to get the joke. What the bass

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players used for a birth control? What the bass players

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use for birth control. That's their personalities. Alright, listening also

241
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joining us, what do you play bass? As a good

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friend Barbara with I'm gonna clamp for her too because

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she's she's an international singer songwriter. Right, Hello, boys and girl.

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Speaker 4: Did you go to the oscars the other night?

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Speaker 1: Were you there?

246
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Speaker 2: Didn't know?

247
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Speaker 11: It was not?

248
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Speaker 1: Oh no, okay, all right? Where are you right now?

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You're in Paris at this moment?

250
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Speaker 11: I'm in Madison, Wisconsin.

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Speaker 1: Okay, all right, beautiful.

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Speaker 4: Madison almost Paris, beautiful college in the close to parents,

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University of Wisconsin, Madison.

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Speaker 1: Yeah.

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Speaker 11: Well, lots of schools, yep. Lots of healthcare, yeah, lots

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of taxis.

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Speaker 1: Ya, lots of this week, lots of hippies. Well, there's

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a there's a did you hear this heat wave is

259
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going to hit the midst of the country and it's

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kind of go up to one hundred degrees in some

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of these places.

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Speaker 12: It's supposed to be seventy here by Saturday.

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Speaker 1: So that's weird for up there at this time of year.

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Speaker 13: Yeah.

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Speaker 1: Three feet yeah, yeah? Yeah? Oh well, okay, so anyway we're.

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Speaker 8: There today, heat waves coming your way, trust me. But

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is it's here already and it's in the north, so

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it's coming your way.

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Speaker 1: Yeah yeah, coming from Edmonton.

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Speaker 6: Yeah, unbelievable.

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Speaker 1: All right, anyway, okay, so we're going to talk about

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music tonight. We're just going to throw around, you know,

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just different stuff. And I just thought that we would

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start off by I'm sure everyone here has been to

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a live rock concert, you know, popular music coming to whatever.

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So this just real quick about what's your worst experience,

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what's the best band you saw and the worst band

278
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you saw? And I'll just start it off real quick.

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Remember being called simple Minds. Remember that I saw Oh yeah, okay,

280
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they were opening for the Pretender Pretender's because the lead

281
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singer simple Minds was marys Chrissy hind Right. We saw

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them one time when the Pretenders were at the top

283
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of their you know, their game. They had a lot

284
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of MTV hits and everything. Simple Minds came out and

285
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they're awful. I can't tell you how bad they were.

286
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I mean it was I don't know, I can't describe it.

287
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It's it was like a wall.

288
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Speaker 4: Of When I saw them, they were kind of a punky,

289
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the kind of they were a little bit poorer. Then

290
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they weren't smooth and with the don't You Forget About

291
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Me song, and they weren't smooth like that that it

292
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just came out that's rough.

293
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Speaker 7: Yeah.

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Speaker 1: Well they were just bad. And maybe it's the maybe

295
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it's the sound, I'm sure, but they just couldn't play.

296
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And maybe they were forced on, not forced on this

297
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tool because she was the you know, she was running it.

298
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The Pretenders were great, they were always really good live.

299
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But anyway, yees, so I start off with that one,

300
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what's your worst?

301
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Speaker 4: My worst?

302
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Speaker 1: Yeah? Uh? Simple?

303
00:17:14,480 --> 00:17:15,359
Speaker 4: I saw the Monkeys?

304
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Speaker 1: Oh did you see the Monkeys? Really?

305
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Speaker 4: I mean, I'm not saying it's the worst band. I'm

306
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just saying that it was the least entertaining because when

307
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they hit Boston Garden, Jimmy Hendrix was touring with them. Yeah, right,

308
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but unbeknownst to me, and I got this ticket like

309
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in my hand with my first girlfriend. It's like three

310
00:17:37,400 --> 00:17:40,319
dollars and fifty cents of it. This is way back

311
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and the Monkeys some local band and that was it. Okay, Yeah,

312
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and they didn't say lights her up? And I'm going

313
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what happened to Hendrix? I read in the Boston Globe

314
00:17:51,920 --> 00:17:55,720
go Ahead that Hendricks had left that tour like a

315
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few days ago.

316
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Speaker 1: Yeah, he took I think he played maybe three or

317
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four eight and you go, what am I doing here?

318
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And the monkeys?

319
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Speaker 4: Yeah, I mean I wasn't totally disappointed at the monkeys,

320
00:18:06,960 --> 00:18:09,359
but they didn't They had a band was a monkey.

321
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Speaker 1: They had a banded back of them. They had a band.

322
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Speaker 4: Allegedly, I don't know, but it looked like they were

323
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playing their instruments at that time.

324
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Speaker 1: I mean, that's how the Wrecking Crew get exposed because

325
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someone you'll follow Peter talk around a Time magazine reporter

326
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for a day and he shows up at the studio

327
00:18:26,880 --> 00:18:30,279
when the Wrecking Crew is renking cruise. These studio musicians

328
00:18:30,319 --> 00:18:31,759
in the lav we tied about all the time. That

329
00:18:31,839 --> 00:18:34,960
recorded like everything, I mean, every hit you know, they

330
00:18:35,000 --> 00:18:38,720
probably recorded it and instead of the real band recording it.

331
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And he came in, he said, I'm just here to sing,

332
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and the reporter is there and they reported on the

333
00:18:44,039 --> 00:18:47,920
Wrecking Crew, and that kind of exposed the Monkeys as

334
00:18:48,039 --> 00:18:50,000
not being able to play their own instruments. That show

335
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is only on for two years. I mean, when you

336
00:18:52,920 --> 00:18:55,319
think of it, it's still around when people know what

337
00:18:55,359 --> 00:18:57,359
it is, but they're rolling on for two years, which.

338
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Speaker 4: I don't really recall who held it against the Monkey's

339
00:19:00,200 --> 00:19:04,119
for not playing their own intments. It wasn't entirely not

340
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playing their own instments from the very very beginning that

341
00:19:06,519 --> 00:19:09,480
was true, but they really but by the time they

342
00:19:10,359 --> 00:19:14,480
was already a professional professional Mike Medsmiths.

343
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Speaker 5: Yeah, I don't think anyone held it against him. I think, yeah,

344
00:19:17,400 --> 00:19:20,000
back then that floated. They had the TV show and

345
00:19:20,079 --> 00:19:22,759
all the little kiddies loved him and it was yah.

346
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Speaker 1: I mean it was a dual thing because they had

347
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hit records and they had a hit TV show, and

348
00:19:27,000 --> 00:19:30,640
you know, how do that happened? You know, but it

349
00:19:30,680 --> 00:19:33,039
did affect them, and it affected their sales. And what

350
00:19:33,200 --> 00:19:35,359
happened was that then they said they had this Dawn

351
00:19:35,480 --> 00:19:39,920
Krishna was their manager, okay, and and you know he

352
00:19:40,000 --> 00:19:41,880
was a guy who was a manager for a lot

353
00:19:41,880 --> 00:19:45,039
of people. But he he put them together and he said,

354
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just you know, basically, do what I tell you, you know,

355
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and sing and you know, pretend like you can play

356
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and stuff like that. And then they get in a

357
00:19:51,880 --> 00:19:55,400
big fight with them, a big financial thing. He paid

358
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them off and then he started the Achies which the

359
00:19:59,400 --> 00:20:03,000
said just as many hits the as were a cartoon band,

360
00:20:03,440 --> 00:20:05,599
and he said, I did it because they didn't talk back.

361
00:20:08,200 --> 00:20:10,200
They did what they were told me shut up, Yeah right,

362
00:20:10,519 --> 00:20:13,359
and made them money. So well, I'll throw it to

363
00:20:13,400 --> 00:20:17,240
you if you must have seen some really doggy band somewhere.

364
00:20:21,880 --> 00:20:25,279
Speaker 5: One of the probably the worst I've seen was it

365
00:20:25,319 --> 00:20:28,880
was a band called the Dresden Dolls and they actually

366
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won the BCN Rock and Roll Roun.

367
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Speaker 3: They did. Really.

368
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Speaker 5: I've seen them quite a few times and I my

369
00:20:36,599 --> 00:20:38,440
niece was really into them and I would go with

370
00:20:38,480 --> 00:20:40,440
her and I've never heard they were They were pretty.

371
00:20:40,440 --> 00:20:42,519
I mean, I didn't dislike them. I actually got into

372
00:20:42,599 --> 00:20:44,960
some of the music. But we went into one show

373
00:20:45,000 --> 00:20:47,920
in Boston and where we were sitting is right where

374
00:20:47,960 --> 00:20:51,160
the stage lights were burning right into our retinas. They

375
00:20:51,160 --> 00:20:54,599
were aiming massive lightness and you couldn't get away from them,

376
00:20:55,240 --> 00:20:58,440
and you couldn't see because you would being blinded by

377
00:20:58,480 --> 00:21:01,480
the light. And that explains.

378
00:21:01,079 --> 00:21:03,599
Speaker 1: The Dresden Doll bumpa stickma, there you go.

379
00:21:03,960 --> 00:21:08,039
Speaker 5: Or another real quick was a I got dragged to

380
00:21:08,079 --> 00:21:13,519
a show that uh Cyndy Lauper was headlining, Wow, and

381
00:21:13,559 --> 00:21:19,559
it had a lot of interesting the other shows with her. Yes,

382
00:21:20,279 --> 00:21:22,839
and on one side of the stage they actually had

383
00:21:23,799 --> 00:21:26,400
a tent week could go in and be made into

384
00:21:26,440 --> 00:21:29,119
a drag queen. Oh cool. Yeah, And my niece is

385
00:21:29,119 --> 00:21:30,960
sitting there going, God, go in there, and I'm like,

386
00:21:31,000 --> 00:21:32,920
what are you crazy? Go ahead, So you went in?

387
00:21:33,000 --> 00:21:33,599
What happened?

388
00:21:33,599 --> 00:21:33,640
Speaker 3: No?

389
00:21:33,759 --> 00:21:34,160
Speaker 1: I didn't.

390
00:21:34,799 --> 00:21:37,359
Speaker 5: I'm like, did you see me driving home after this

391
00:21:37,640 --> 00:21:40,240
and get pulled over by the cops and I mean,

392
00:21:40,839 --> 00:21:41,759
and a drag queen.

393
00:21:42,240 --> 00:21:45,920
Speaker 1: I'm like, not happening. It's not going to be the

394
00:21:45,920 --> 00:21:49,119
first time the cops sees it, I know, but me

395
00:21:49,119 --> 00:21:50,799
the first time I was involved.

396
00:21:50,839 --> 00:21:56,279
Speaker 4: But all right, dolls, oh wow, I mean, I have

397
00:21:56,319 --> 00:22:00,839
all got pars and it's still they're still playing that

398
00:22:00,960 --> 00:22:02,680
from Boston formed in two thousand.

399
00:22:04,279 --> 00:22:07,400
Speaker 1: Anyway, Okay, so let's just do it to camp just

400
00:22:07,400 --> 00:22:11,200
for the hell of it. The worst the worst class

401
00:22:11,279 --> 00:22:12,079
you ever saw.

402
00:22:12,960 --> 00:22:15,960
Speaker 8: I think when I was thinking about that, and I'm like, man,

403
00:22:16,759 --> 00:22:18,000
there's not too many you.

404
00:22:17,960 --> 00:22:21,759
Speaker 6: Know that are bad, right? Some are? I mean I was.

405
00:22:21,839 --> 00:22:24,079
Speaker 8: I think I mentioned yes, but that was only because

406
00:22:24,079 --> 00:22:26,400
they got kind of stopped at the border and couldn't

407
00:22:26,400 --> 00:22:26,960
make it here.

408
00:22:27,039 --> 00:22:28,839
Speaker 6: But we were all pretty ticked.

409
00:22:28,599 --> 00:22:29,839
Speaker 1: Off, so they didn't play at all.

410
00:22:29,960 --> 00:22:32,279
Speaker 6: I think, no, they didn't come and play.

411
00:22:32,400 --> 00:22:33,880
Speaker 8: So it was kind of like and we were looking

412
00:22:33,880 --> 00:22:36,440
forward to it, that was going to be a but whatever.

413
00:22:36,519 --> 00:22:39,960
I think that the Stampeders back in the day, Alberta

414
00:22:40,000 --> 00:22:44,400
had its first like weekend outdoor concert in the Central

415
00:22:44,440 --> 00:22:46,880
in Central Alberta and it was.

416
00:22:46,839 --> 00:22:47,640
Speaker 6: A gong show.

417
00:22:47,920 --> 00:22:51,680
Speaker 8: And I can remember the Stampeters playing there and it was.

418
00:22:51,799 --> 00:22:56,279
Speaker 6: Just get out of here, and I please leave. I can't.

419
00:22:56,319 --> 00:23:00,599
I couldn't leave quick enough. But you know, I think

420
00:23:00,599 --> 00:23:01,440
that's probably both.

421
00:23:01,640 --> 00:23:03,960
Speaker 8: But there was other factors to the other than the

422
00:23:04,039 --> 00:23:06,160
music that caused it to be so crappy.

423
00:23:06,240 --> 00:23:09,000
Speaker 1: But you know, I'm going to go to Pete because

424
00:23:09,039 --> 00:23:12,839
Pete has probably seen welcome and all of us put together.

425
00:23:13,480 --> 00:23:16,400
Speaker 2: Yeah, I mean scores and being in the business, the

426
00:23:16,480 --> 00:23:20,799
radio business seen you know, one hundred shows. My very

427
00:23:20,839 --> 00:23:25,440
first show and Dawson and Kim can relate to this.

428
00:23:25,599 --> 00:23:28,519
The first show I ever saw. I skipped my junior

429
00:23:28,559 --> 00:23:37,279
prom to see the Guess Who? Yeah, excellent this year maybe,

430
00:23:37,400 --> 00:23:40,400
And so my first one show was the Guess Who.

431
00:23:40,480 --> 00:23:43,680
My last show, which was what a year and a

432
00:23:43,720 --> 00:23:47,720
half ago, The Rolling Stones, Yeah, awesome.

433
00:23:48,960 --> 00:23:49,799
Speaker 1: I don't know.

434
00:23:49,920 --> 00:23:52,200
Speaker 2: I can't say the best show because I've seen so

435
00:23:52,240 --> 00:23:55,839
many of them and some great, great shows, But one

436
00:23:55,880 --> 00:23:59,400
that that I didn't particularly care for was E l O.

437
00:23:59,880 --> 00:24:03,480
Speaker 1: And that's because they were so loud. It was unbelievable.

438
00:24:03,519 --> 00:24:03,759
Speaker 3: Really.

439
00:24:03,839 --> 00:24:04,079
Speaker 1: Yeah.

440
00:24:04,480 --> 00:24:06,680
Speaker 2: They ever came out of a concert where my head

441
00:24:06,799 --> 00:24:10,480
was ringing like all night and yeah, the next day

442
00:24:10,880 --> 00:24:12,279
they were just so loud.

443
00:24:12,359 --> 00:24:15,559
Speaker 1: What year was that? What year was that? Would you say, pete?

444
00:24:16,240 --> 00:24:17,240
Speaker 9: Uh?

445
00:24:17,279 --> 00:24:21,440
Speaker 1: That would have been late the late seventies, early okay,

446
00:24:21,440 --> 00:24:23,200
when they yeah, when they were hitting, Yeah, when they

447
00:24:23,240 --> 00:24:28,200
were hit yep. Yeah, wow, Okay, that's interesting. Yeah, because

448
00:24:28,240 --> 00:24:30,319
all they were was a rock band, and they would

449
00:24:30,359 --> 00:24:34,680
like the three stringplayers from the London philhar Monic or something.

450
00:24:34,720 --> 00:24:37,599
They would, yeah, a tool with them, you know, and

451
00:24:38,200 --> 00:24:41,880
so they basically put live stream music onto rock and

452
00:24:41,920 --> 00:24:44,759
roll music. It was good. Their songs are great. Yeah,

453
00:24:45,000 --> 00:24:46,519
it would have been great if it wasn't it wasn't

454
00:24:46,519 --> 00:24:49,200
so loud. Yeah, very lucky.

455
00:24:49,359 --> 00:24:52,119
Speaker 4: Yeah, if you have have you or anybody you know

456
00:24:52,839 --> 00:24:56,359
Warren ear plus it shows took.

457
00:24:56,200 --> 00:25:00,759
Speaker 1: Concert I never have. I've seen people wearing them, but

458
00:25:01,079 --> 00:25:02,160
I never did.

459
00:25:02,240 --> 00:25:02,759
Speaker 4: I didn't either.

460
00:25:03,000 --> 00:25:05,640
Speaker 1: What's the point though, Well, I know it's because it's

461
00:25:05,640 --> 00:25:06,119
so loud.

462
00:25:07,200 --> 00:25:10,440
Speaker 5: My hearing is my hearing now was junk, and it

463
00:25:10,480 --> 00:25:13,240
would be that much worse even if the outdoor concerts

464
00:25:13,240 --> 00:25:18,400
and new report. Yeah right, they're so loud outdoors. I'll

465
00:25:18,400 --> 00:25:20,519
put your plugs in, especially if it's a band I'm

466
00:25:20,519 --> 00:25:23,519
not crazy about. I'm not going to destroy my act.

467
00:25:24,519 --> 00:25:27,759
Speaker 4: The union that I was in, I had to give

468
00:25:27,759 --> 00:25:34,039
you ear plugs for every six o'clock boom. Coffee over there,

469
00:25:34,079 --> 00:25:35,119
ear plugs over here?

470
00:25:35,519 --> 00:25:36,799
Speaker 1: Wow, interest.

471
00:25:37,200 --> 00:25:40,400
Speaker 4: And you don't have to wear them, yes, you just

472
00:25:40,559 --> 00:25:42,119
you have them sealed in the plastic.

473
00:25:44,039 --> 00:25:45,599
Speaker 1: Let me throw this the club. So I'm going to

474
00:25:45,640 --> 00:25:48,079
ask club the same question. He's going to say Fabian

475
00:25:48,279 --> 00:25:48,960
was bad or.

476
00:25:51,279 --> 00:25:53,920
Speaker 7: You know. Growing up, you know, I was big into

477
00:25:54,000 --> 00:25:55,279
rock and I still am today.

478
00:25:55,400 --> 00:25:57,480
Speaker 1: Go ahead, But as far as rock.

479
00:25:57,359 --> 00:26:00,559
Speaker 7: Concerts, when I was younger, we spent a lot of

480
00:26:00,559 --> 00:26:04,279
time at clubs, dance clubs, so we listened to a

481
00:26:04,319 --> 00:26:08,079
lot of local bands. So that's what I did instead

482
00:26:08,079 --> 00:26:11,160
of rock concerts. But as I got older, I got

483
00:26:11,200 --> 00:26:15,039
into other things. For example, the worst concert I ever

484
00:26:15,079 --> 00:26:19,680
went to for a popular singer was Celine Dion in

485
00:26:19,759 --> 00:26:20,559
Las Vegas.

486
00:26:22,079 --> 00:26:24,160
Speaker 1: First of all, he's in Las Vegas. Second, he goes

487
00:26:25,319 --> 00:26:26,640
at Seasons.

488
00:26:26,720 --> 00:26:29,799
Speaker 7: She had her own show at that time, and she

489
00:26:29,920 --> 00:26:32,480
got out there. You know, we spent imagine how much

490
00:26:32,480 --> 00:26:34,880
money you spent for one of those. But I remember

491
00:26:34,920 --> 00:26:37,359
going out there and there was a group of us

492
00:26:37,440 --> 00:26:40,039
and she was like boored.

493
00:26:40,359 --> 00:26:42,000
Speaker 1: She was like a robot.

494
00:26:42,480 --> 00:26:45,720
Speaker 7: She went out on the stage, didn't interact at all

495
00:26:45,759 --> 00:26:48,559
with the audience, sang the songs.

496
00:26:48,079 --> 00:26:48,960
Speaker 1: Just like a robot.

497
00:26:50,200 --> 00:26:55,000
Speaker 7: So obviously that was the most disappointing because of her

498
00:26:55,160 --> 00:26:57,480
way she was. Even her sound wasn't that good, and

499
00:26:57,519 --> 00:26:59,559
she was still fairly good at that time.

500
00:27:01,079 --> 00:27:04,160
Speaker 4: Some health issues, uh that.

501
00:27:04,640 --> 00:27:06,920
Speaker 7: This was before that, and her husband was still alive

502
00:27:07,759 --> 00:27:10,759
and she had just gotten the gig at Caesars. So

503
00:27:10,799 --> 00:27:13,119
I think she had a big head of something and

504
00:27:13,160 --> 00:27:16,799
didn't want to overdo it. But but anyways, my favorite

505
00:27:16,920 --> 00:27:19,319
concert was Frank Sinatra.

506
00:27:19,759 --> 00:27:21,720
Speaker 1: Wow you saw Franks.

507
00:27:23,000 --> 00:27:23,240
Speaker 2: Yeah.

508
00:27:23,440 --> 00:27:26,039
Speaker 7: We we went to his concert at the Music Hall,

509
00:27:26,079 --> 00:27:28,359
believe it or not in Boston, and.

510
00:27:29,920 --> 00:27:32,720
Speaker 1: Great place to see him, Jesus really.

511
00:27:32,519 --> 00:27:35,640
Speaker 7: Yeah, And I'll tell you, near the end of his time,

512
00:27:35,680 --> 00:27:38,960
but he still had it. Ye really felt we got

513
00:27:38,960 --> 00:27:40,160
our money's worth with him.

514
00:27:40,319 --> 00:27:41,359
Speaker 1: Yeah, yeah, yeah.

515
00:27:41,480 --> 00:27:43,960
Speaker 7: So as far as my faves, you know, those are

516
00:27:44,000 --> 00:27:47,400
the two again, you know, the rock stuff. Loved all that,

517
00:27:47,680 --> 00:27:51,640
but never really invested in going to rock concerts. I

518
00:27:51,720 --> 00:27:54,920
love listening to it, but yeah, yeah, more like you know,

519
00:27:54,960 --> 00:27:57,720
my other favorite one for years was this Will Put

520
00:27:57,720 --> 00:28:02,720
You to Sleep Johnny Mathis. When I met my wife.

521
00:28:02,920 --> 00:28:08,559
That was our first date at Blintstrops and w j.

522
00:28:11,000 --> 00:28:15,839
Speaker 4: Oh, sure he was every years village called it right, Yeah, yeah,

523
00:28:16,039 --> 00:28:21,720
no is a separate place it was, Yeah, the village was.

524
00:28:21,599 --> 00:28:22,680
Speaker 7: More near Dorchester.

525
00:28:22,799 --> 00:28:24,079
Speaker 1: I think that was wow.

526
00:28:24,440 --> 00:28:27,480
Speaker 7: Anyways, that was the kind of style that that I like,

527
00:28:27,559 --> 00:28:30,240
particularly going out with the ladies. And sure, you know,

528
00:28:31,240 --> 00:28:34,440
a little different type of thing, but so I felt

529
00:28:35,559 --> 00:28:38,559
the more professionals I I like.

530
00:28:38,559 --> 00:28:40,480
Speaker 1: Petta say.

531
00:28:40,559 --> 00:28:43,839
Speaker 7: I saw Johnny Mathis one other time at the Villages

532
00:28:43,880 --> 00:28:47,960
in Florida about seven years ago, and he was about

533
00:28:48,000 --> 00:28:49,319
eighty years old.

534
00:28:51,160 --> 00:28:52,799
Speaker 1: That was awful, It was painful.

535
00:28:53,759 --> 00:28:56,599
Speaker 7: Then he was pissed off because we didn't he didn't

536
00:28:56,599 --> 00:29:00,799
ever sell out, so he was complaining to his producer

537
00:29:00,880 --> 00:29:04,799
or over there an audi term and like you go

538
00:29:04,839 --> 00:29:08,640
to in a in a movie theater. Yeah, and he

539
00:29:08,680 --> 00:29:13,240
got there in an attitude and wow, but anyways, I

540
00:29:13,640 --> 00:29:16,920
love music. I love concerts, but never got to take

541
00:29:16,960 --> 00:29:19,279
in too many of the rock concert things.

542
00:29:19,400 --> 00:29:23,480
Speaker 1: You know. The comedian Shacky Green, Shaky Green. Okay, did

543
00:29:23,480 --> 00:29:26,039
you ever hear the story how Frank Sainata saved his life?

544
00:29:28,599 --> 00:29:31,359
So Shakey says that TV. He's a comedian, right, Yeah,

545
00:29:31,440 --> 00:29:34,240
he was in Vegas and three guys are beating the

546
00:29:34,240 --> 00:29:39,519
hell out of him, and Frank said, that's enough. Think

547
00:29:39,559 --> 00:29:43,759
about it. Anyway, that went over like a I thought

548
00:29:43,759 --> 00:29:50,119
that laugh apparently, but not anyway. We'll sweeten that up

549
00:29:50,200 --> 00:29:53,039
later maybe, So Barry Winning, we'll go to you, and

550
00:29:53,079 --> 00:29:56,000
then we'll go to NASA, and then we'll go to Barbara. Barry,

551
00:29:56,359 --> 00:29:57,720
what's get to everybody?

552
00:29:57,720 --> 00:29:58,400
Speaker 4: The show will be over.

553
00:29:58,519 --> 00:30:02,240
Speaker 1: That's was going. That's the whole idea.

554
00:30:02,519 --> 00:30:05,599
Speaker 3: All right, So this isn't actually a band. This is

555
00:30:05,640 --> 00:30:09,839
a singer. We saw I don't know about ten years

556
00:30:09,920 --> 00:30:14,200
or so, we saw Leon Redbone up here. So Leon

557
00:30:14,319 --> 00:30:18,160
Redbone had this mysterious background. Nobody knew where he came from,

558
00:30:18,319 --> 00:30:20,799
nobody knew how old he was. But I can tell

559
00:30:20,880 --> 00:30:26,920
you the night I saw him, everyone knew he was crabby.

560
00:30:26,920 --> 00:30:31,799
He was unhappy with the sound, which he constantly bitched

561
00:30:31,839 --> 00:30:36,079
about between each song, and at some point you let

562
00:30:36,160 --> 00:30:40,640
things go because well, he's supposed to be entertaining people.

563
00:30:41,880 --> 00:30:45,680
So you know, I liked it. I liked his records,

564
00:30:46,279 --> 00:30:49,839
but I had no use for him as an entertainer.

565
00:30:50,119 --> 00:30:52,759
Speaker 1: He was a guy. He did a beer commercial years ago.

566
00:30:53,400 --> 00:30:57,279
He has a very low voice, always were pining glasses

567
00:30:57,359 --> 00:31:01,119
and the white suit, and had on a funny songs.

568
00:31:01,200 --> 00:31:04,960
I guess wow, Leanne Redbone interesting, okay.

569
00:31:04,680 --> 00:31:06,799
Speaker 3: Right under the bus he goes Mac.

570
00:31:06,759 --> 00:31:11,440
Speaker 1: Really okay, all right, wow l Dawson, please tell us

571
00:31:11,559 --> 00:31:12,920
your worst.

572
00:31:13,839 --> 00:31:16,240
Speaker 10: I was, and it was a few of my henchmen

573
00:31:16,720 --> 00:31:20,240
in Vancouver back in nineteen eighty and we decided on

574
00:31:20,279 --> 00:31:24,000
a whim just to go to the Pacific Colisseum and

575
00:31:24,559 --> 00:31:29,599
see Fluwood Mac. And the warm up band was some

576
00:31:29,720 --> 00:31:32,920
guy I've never heard of before, and he was he

577
00:31:33,039 --> 00:31:36,400
was very good, but the crowd was so rude they

578
00:31:36,519 --> 00:31:42,000
kept booing him and chanting, stomp on their feet, bring

579
00:31:42,039 --> 00:31:45,880
on Fleetwood Mac. And it turns out later that this

580
00:31:45,920 --> 00:31:50,559
warm up guy was Christopher Cross. Oh really yeah, and

581
00:31:50,680 --> 00:31:54,119
he was he was very good. Fleetwood Mac were I

582
00:31:54,200 --> 00:31:59,880
think probably the peak of their anger at each other.

583
00:32:00,319 --> 00:32:04,920
There between their furlandering and uh, all of that, and

584
00:32:04,960 --> 00:32:11,440
they were promoting their album Tusk. The sound was so

585
00:32:12,200 --> 00:32:14,799
after hearing Christopher Cross sounding it's coming up from a

586
00:32:14,920 --> 00:32:18,519
very expensive stereo, went to fluid Mac sounding like a

587
00:32:18,519 --> 00:32:22,519
bunch of guys who had never played live before in

588
00:32:22,559 --> 00:32:26,160
their lives. The bass was just a rumbling mess. The

589
00:32:26,279 --> 00:32:33,359
drums were not crisp and clean, and uh.

590
00:32:32,160 --> 00:32:33,240
Speaker 9: I guess we're disappointment.

591
00:32:33,279 --> 00:32:36,039
Speaker 10: I've seen a lot of worst bands, but that was

592
00:32:36,079 --> 00:32:39,640
the most disappointed because I expected much more from a

593
00:32:39,680 --> 00:32:41,359
band with their rich history.

594
00:32:41,279 --> 00:32:45,640
Speaker 4: Especially coming off of Rumors which was huge.

595
00:32:45,880 --> 00:32:48,839
Speaker 1: So like you would think you would have the best

596
00:32:48,920 --> 00:32:49,920
sound in the world.

597
00:32:50,000 --> 00:32:51,839
Speaker 4: The best producer, they had the best everybody.

598
00:32:52,079 --> 00:32:55,119
Speaker 1: Wow. Interesting and then CHRISTA Cross he goes on to

599
00:32:55,960 --> 00:32:59,039
win Grammys and big because he had of his uh.

600
00:32:59,200 --> 00:33:01,599
Speaker 9: Yeah, that was the year that he won Best Album.

601
00:33:01,839 --> 00:33:03,720
Speaker 1: Yeah, Songs of the Mute. He put a lot of

602
00:33:03,799 --> 00:33:08,400
song in movies, which is you know the Pathway to

603
00:33:08,440 --> 00:33:10,039
Gold for sure. Wow.

604
00:33:10,359 --> 00:33:12,519
Speaker 9: He did the theme song from Arthur.

605
00:33:12,880 --> 00:33:17,759
Speaker 1: Yeah a yeah. Yeah, So Barbara, we save you, philosoph

606
00:33:17,759 --> 00:33:20,079
because you probably have a lot he doesn't know anything

607
00:33:20,119 --> 00:33:20,640
about music.

608
00:33:21,200 --> 00:33:24,559
Speaker 12: No, No, I'm well, first of all, I've had that

609
00:33:24,680 --> 00:33:26,680
Christopher Cross treatment.

610
00:33:26,880 --> 00:33:30,160
Speaker 11: When I opened for Chuck Berry. Chuck, Yeah, they didn't

611
00:33:30,200 --> 00:33:32,400
want to see me. They really didn't want to see me.

612
00:33:32,559 --> 00:33:35,400
Speaker 1: Let's put out in context. She opened for Chuck Berry. Okay,

613
00:33:35,440 --> 00:33:37,880
so Chuck, you met Chuck. You know Chuck. You're a

614
00:33:37,880 --> 00:33:38,680
friend of Chuck's.

615
00:33:38,799 --> 00:33:40,920
Speaker 11: Yeah, yeah, we're really good friend.

616
00:33:41,000 --> 00:33:41,960
Speaker 1: Okay.

617
00:33:42,119 --> 00:33:44,039
Speaker 12: No, I opened up farm and all I want to

618
00:33:44,039 --> 00:33:46,599
see was but you know, I haven't had a lot

619
00:33:46,640 --> 00:33:51,599
of bad experiences, but two come to mind, especially after

620
00:33:51,640 --> 00:33:54,960
this Sleean Deon story. Yes, but the first one was

621
00:33:55,319 --> 00:33:56,279
Jerry Jeff Walker.

622
00:33:56,920 --> 00:33:58,640
Speaker 1: Oh yeah, he was sorry writer.

623
00:33:59,359 --> 00:34:03,200
Speaker 12: And sometime in the seventies, who can remember exactly when,

624
00:34:03,240 --> 00:34:06,640
and in Austin, and I was me and the band

625
00:34:06,680 --> 00:34:09,960
were opening for him in the last Gonzo band, And

626
00:34:11,480 --> 00:34:13,400
I don't know how he even got on stage. He

627
00:34:13,480 --> 00:34:14,159
was so drunk.

628
00:34:14,360 --> 00:34:16,440
Speaker 1: Really yeah, that kind of wow.

629
00:34:16,719 --> 00:34:21,079
Speaker 4: He was in a band called Circus Maximus. He was Yeah,

630
00:34:21,119 --> 00:34:22,519
that was a good that was a good record.

631
00:34:22,840 --> 00:34:26,159
Speaker 1: He he did he write Uh he didn't write bo Django,

632
00:34:26,320 --> 00:34:27,639
did he Yeah?

633
00:34:28,639 --> 00:34:29,199
Speaker 9: Yes he did.

634
00:34:29,400 --> 00:34:32,679
Speaker 1: Yeah, Okay, I mean that's that's that's just an iconic song.

635
00:34:32,760 --> 00:34:32,960
Speaker 3: You know.

636
00:34:33,239 --> 00:34:35,920
Speaker 1: He was the guy, he was.

637
00:34:35,840 --> 00:34:39,039
Speaker 12: So drunk he could barely even sit on the chair

638
00:34:39,239 --> 00:34:42,440
much listening. It was very just very embarrassing. But the

639
00:34:42,440 --> 00:34:45,079
other one, like the Celine Dion thing, was a couple

640
00:34:45,119 --> 00:34:48,159
of years ago. I went to a Diana Crawl concert

641
00:34:48,280 --> 00:34:53,280
in Elvis. Wife, yeah, and I love her, I loved

642
00:34:53,280 --> 00:34:56,760
her for years, and it was the same thing.

643
00:34:57,000 --> 00:34:59,199
Speaker 11: She came out, she didn't talk.

644
00:34:59,000 --> 00:35:03,159
Speaker 12: To us, really really, he was bored the song. And

645
00:35:03,199 --> 00:35:06,519
there's nothing worse, Well, it could be worse, but when

646
00:35:06,559 --> 00:35:10,119
you have really great players, yep, who are just bored

647
00:35:10,119 --> 00:35:12,639
to tears and don't really care and don't have any passion,

648
00:35:12,679 --> 00:35:14,920
and you know, right at one one.

649
00:35:14,760 --> 00:35:16,679
Speaker 11: Hour and fifty nine minutes, just.

650
00:35:16,719 --> 00:35:20,599
Speaker 1: Got up and left. Yeah. Well, you know, I've always

651
00:35:20,840 --> 00:35:23,639
I've always wanted this question, and I keep wondering it

652
00:35:23,719 --> 00:35:26,039
is that? So if you have a band, let's say,

653
00:35:26,159 --> 00:35:29,639
let's take the Rolling Stones for an example. Okay, do

654
00:35:29,760 --> 00:35:33,199
they like the song Satisfaction? Do you know what I mean?

655
00:35:33,679 --> 00:35:36,239
Are they just so f and sick of playing it?

656
00:35:37,480 --> 00:35:39,599
That you know? But but yet they come out We

657
00:35:39,679 --> 00:35:41,480
saw him. That was going to be my best content

658
00:35:41,559 --> 00:35:45,320
I've ever seen was The Stones in ninety twenty nineteen.

659
00:35:45,320 --> 00:35:49,679
Wherever we went, yeah, because the enthusiasm. They can't be

660
00:35:49,800 --> 00:35:52,320
faking that enthusiasm because you know, they run them down.

661
00:35:52,360 --> 00:35:55,000
They're reading Roganized, run them down the stage and playing

662
00:35:55,039 --> 00:35:57,880
and singing, and you say, can you fake that for

663
00:35:57,920 --> 00:35:58,199
a song?

664
00:35:58,320 --> 00:36:01,119
Speaker 4: What's good? Yeah, that's what's good about satisfaction. It's a

665
00:36:01,159 --> 00:36:01,960
great encore.

666
00:36:05,320 --> 00:36:08,159
Speaker 10: You never lose your enthusiasm for kicking money to the

667
00:36:08,199 --> 00:36:09,280
bank and a wheelbarrow.

668
00:36:09,480 --> 00:36:16,800
Speaker 1: Yeah that's true. Wow. Yeah, but so Bob, it just

669
00:36:16,840 --> 00:36:20,159
real quick. So didn't Chuck Berry give you CPR or something?

670
00:36:20,199 --> 00:36:22,480
Didn't you faint in front of him or something? What

671
00:36:22,639 --> 00:36:24,000
was that story?

672
00:36:24,239 --> 00:36:25,159
Speaker 11: No? No, I was.

673
00:36:25,280 --> 00:36:29,199
Speaker 12: I was doing a little yoga in the dressing room, okay,

674
00:36:29,400 --> 00:36:31,559
and he came and he looked at me, he goes

675
00:36:32,559 --> 00:36:34,800
you okay, so.

676
00:36:34,719 --> 00:36:36,840
Speaker 4: He gave your mouth to mouth anyway just in case.

677
00:36:37,960 --> 00:36:40,599
Speaker 12: No, you know, he had that scam going on where

678
00:36:40,840 --> 00:36:44,719
in the contract they had a very specific kind of

679
00:36:44,800 --> 00:36:48,760
amplifier and was too bamp like something really hard to find.

680
00:36:48,800 --> 00:36:52,400
Speaker 11: And then he hires right the people in town, local

681
00:36:52,880 --> 00:36:53,880
the band every town.

682
00:36:53,920 --> 00:36:55,920
Speaker 12: He hires the band because he doesn't know Chuck Berry's

683
00:36:55,920 --> 00:37:01,559
songs and generally the promoters can't get the amp and

684
00:37:01,639 --> 00:37:05,760
so they substitute something they think is good and that

685
00:37:05,840 --> 00:37:07,280
gives him out.

686
00:37:07,599 --> 00:37:07,880
Speaker 1: Two.

687
00:37:08,000 --> 00:37:10,280
Speaker 12: And he did this at this show where he said,

688
00:37:11,320 --> 00:37:15,400
you've broken the contract. And if I don't see however

689
00:37:15,480 --> 00:37:18,920
much dollars sitting on the amp when I go out

690
00:37:19,039 --> 00:37:21,719
to play, I'm going to walk right around and walk

691
00:37:21,719 --> 00:37:22,280
out the door.

692
00:37:22,400 --> 00:37:26,280
Speaker 1: Yeah, yeah, that was Chuck, so he would Bruce Springsteen writes,

693
00:37:26,719 --> 00:37:29,480
talks about it your way back when he they hired

694
00:37:29,559 --> 00:37:32,239
him to back up check Berry and you know this

695
00:37:32,280 --> 00:37:34,880
is before you get famous and all the other is

696
00:37:34,880 --> 00:37:37,840
you know Chuck Berry songs. Yeah, you know. So Chuck

697
00:37:37,880 --> 00:37:41,519
comes in, no playlist, nothing, It drives up in his car,

698
00:37:42,039 --> 00:37:44,199
you know, five minutes before the show's supposed to stop,

699
00:37:44,239 --> 00:37:46,480
put the guitar, run and goes out and plays and go, Chuck,

700
00:37:46,519 --> 00:37:48,199
what's on? Yeah? You know them?

701
00:37:48,199 --> 00:37:49,400
Speaker 3: You know what key? Oh? You know?

702
00:37:49,559 --> 00:37:51,480
Speaker 4: You know and just what we don't even bother tell

703
00:37:51,559 --> 00:37:53,880
him the key. They just got to hear it, okay,

704
00:37:54,039 --> 00:37:55,840
And you know why Chuck witions you know what key

705
00:37:55,840 --> 00:37:56,079
it is?

706
00:37:56,079 --> 00:37:57,679
Speaker 1: You know why he went to prison? Shall we talk

707
00:37:57,760 --> 00:37:58,119
about it?

708
00:37:59,280 --> 00:38:02,400
Speaker 11: Why was a good friend?

709
00:38:02,400 --> 00:38:04,840
Speaker 1: Though? Tell me why was laughing? He knows the story

710
00:38:04,960 --> 00:38:10,079
because Chuck had a problem where he would put cameras

711
00:38:10,119 --> 00:38:12,679
in women's bathrooms and.

712
00:38:12,800 --> 00:38:13,960
Speaker 11: It was one of my friends.

713
00:38:14,039 --> 00:38:20,079
Speaker 1: Yeah, and take videos and pictures and so on. And

714
00:38:20,079 --> 00:38:22,599
then when they arrested him, he had like a five

715
00:38:22,920 --> 00:38:27,119
hour tape that he had recorded that he had edited himself,

716
00:38:27,480 --> 00:38:30,079
and there was like four thousand people on it. You know,

717
00:38:30,199 --> 00:38:32,800
just at the moment, at the moment, at the moment,

718
00:38:34,320 --> 00:38:37,400
maybe could you know, maybe they'll release it.

719
00:38:38,679 --> 00:38:41,599
Speaker 5: Tina Turner was supposed to be another one who she

720
00:38:41,719 --> 00:38:45,280
wanted to get paid cash up front, and she put

721
00:38:45,320 --> 00:38:49,039
it in her purse and the purse was alongside her.

722
00:38:49,440 --> 00:38:56,599
Speaker 1: She didn't know that was Aretha Franklin story. I'm glad

723
00:38:56,599 --> 00:38:56,960
it wasn't.

724
00:38:57,000 --> 00:38:59,000
Speaker 4: Tina was one of the best consert ices.

725
00:38:59,039 --> 00:39:03,480
Speaker 2: Okay, so it was all right, Yeah, private dance Tina Turner.

726
00:39:04,119 --> 00:39:07,719
I did meet at a at a reception that they had,

727
00:39:07,800 --> 00:39:10,760
and she was the nicest person, really, came and sat

728
00:39:10,880 --> 00:39:12,960
next to each one of us. There were about twenty

729
00:39:13,079 --> 00:39:16,039
radio guys there. Wow, she made a point to come

730
00:39:16,079 --> 00:39:18,000
sit next to each one of us and have a

731
00:39:18,000 --> 00:39:18,800
little conversation.

732
00:39:19,760 --> 00:39:21,920
Speaker 1: That's all you got to do really in a way, right,

733
00:39:22,079 --> 00:39:24,639
just to be nice. That was great, But the Aretha

734
00:39:24,679 --> 00:39:26,760
Franklin thing. Yeah, she she.

735
00:39:27,960 --> 00:39:30,519
Speaker 2: I was sitting next to the promoter of the show

736
00:39:31,119 --> 00:39:32,920
we were and we were in like the first to

737
00:39:33,000 --> 00:39:36,920
second row, and she walked out with this giant pocketbook

738
00:39:36,960 --> 00:39:39,199
and put it right on the top of the piano.

739
00:39:39,719 --> 00:39:41,079
Speaker 1: And I love it.

740
00:39:41,320 --> 00:39:45,199
Speaker 2: There's the money I just gave her about twenty minutes ago.

741
00:39:45,440 --> 00:39:48,480
She never let it leave her sight because she'd gotten

742
00:39:48,559 --> 00:39:49,199
ripped off.

743
00:39:49,320 --> 00:39:51,880
Speaker 1: Been ripped off for years, probably was full of cubic

744
00:39:52,000 --> 00:39:57,320
dollars that stayed with her. Yeah, wow, that was That's crazy.

745
00:39:57,440 --> 00:40:00,679
So allright, so should we go round again or should

746
00:40:00,679 --> 00:40:03,719
we take a break out. I'm looking at you. Let's

747
00:40:03,719 --> 00:40:06,039
go around again, go around again? Okay, all right, so

748
00:40:06,280 --> 00:40:08,400
I'll just start. Really we went around to everybody, right,

749
00:40:09,199 --> 00:40:11,320
and Susan's working, so I will just say, you know

750
00:40:11,400 --> 00:40:16,320
the best for me, it really is one A and

751
00:40:16,360 --> 00:40:18,840
one B. When we saw the stones with it eighteen

752
00:40:18,920 --> 00:40:22,239
or nineteen down to the Jealous Stadium.

753
00:40:22,119 --> 00:40:24,480
Speaker 4: Just before well just at the beginning of the pandemic,

754
00:40:24,559 --> 00:40:26,360
it must have been nineteen. Then maybe I could swing

755
00:40:26,519 --> 00:40:27,039
nineteen ye.

756
00:40:27,280 --> 00:40:29,519
Speaker 1: And I wouldn't have gone, but one one talked me

757
00:40:29,559 --> 00:40:31,920
into it, that Donna Gillette they had a postponed for

758
00:40:31,960 --> 00:40:33,880
a couple of months and we wind up going and

759
00:40:33,920 --> 00:40:36,119
we had it was a really crazy time that night,

760
00:40:36,280 --> 00:40:39,320
you know, for other reasons, but I just want to

761
00:40:39,320 --> 00:40:42,159
see if the hype was real. That was it, you know,

762
00:40:42,280 --> 00:40:45,079
because they've been around for so long and it just

763
00:40:45,119 --> 00:40:47,400
seemed like a lot of hype and stuff and they

764
00:40:47,440 --> 00:40:49,920
just started playing. I turned into one one twenty seconds

765
00:40:49,960 --> 00:40:53,280
in said they're great, great, and they had a great

766
00:40:53,360 --> 00:40:57,000
sound system, you know what I mean. Everything was just wow,

767
00:40:57,079 --> 00:40:59,960
this is the They were just really, really, really good.

768
00:41:00,119 --> 00:41:02,960
Charlie Charlie was still there last tour. You felt it

769
00:41:03,079 --> 00:41:05,920
right off the beginning. They were really good. I could

770
00:41:05,960 --> 00:41:09,159
not fault them for anything. They were just very good.

771
00:41:09,199 --> 00:41:12,119
The second one was I saw The Who John and

772
00:41:12,239 --> 00:41:17,239
Twistle's last tour were down in Great Woods, and I

773
00:41:17,280 --> 00:41:19,519
was dragged to that too because someone said, you know,

774
00:41:19,800 --> 00:41:23,039
it's the Who, but they get a one section they

775
00:41:23,119 --> 00:41:25,039
get into the keyboard guy, and I think it was

776
00:41:25,119 --> 00:41:27,239
like the Who Show, or you know, I thought it

777
00:41:27,280 --> 00:41:30,400
was more of a great But they were great. They

778
00:41:30,400 --> 00:41:34,159
were They were fantastic. They really were. And Zach Zach

779
00:41:34,199 --> 00:41:37,960
Starker was the drummer just in the way they worked

780
00:41:38,039 --> 00:41:40,440
the crowd was just, you know what, the difference. They'd

781
00:41:40,480 --> 00:41:43,880
come out and they you know what's his name? The

782
00:41:43,920 --> 00:41:46,239
two of them went out Townsend and robbed the Altrey

783
00:41:46,239 --> 00:41:49,079
come out and they would sing behind blue Eyes and

784
00:41:49,159 --> 00:41:52,679
halfway is in the band would had snuck out onto

785
00:41:52,679 --> 00:41:55,280
the stage. The lights were down and when they hit that,

786
00:41:55,400 --> 00:41:57,760
the whole you know, the lights come on, they're playing,

787
00:41:58,159 --> 00:42:02,320
girls are lifting their shirts and it was insane. It

788
00:42:02,360 --> 00:42:05,360
was insane. Yeah, So they were really good just for show,

789
00:42:06,440 --> 00:42:08,000
just for show, they were fantastic.

790
00:42:08,119 --> 00:42:11,480
Speaker 4: Yeah, really were. You know, a lot goes into that

791
00:42:12,159 --> 00:42:15,519
those performances like that, especially those those bits where you

792
00:42:15,559 --> 00:42:18,199
really want to get the crowd involved and it's yep,

793
00:42:18,480 --> 00:42:22,280
it's it's it's it's show business. Let's face it, it's music,

794
00:42:22,280 --> 00:42:24,880
it's rock and roll, it's show business. It's the whole works.

795
00:42:25,320 --> 00:42:28,840
And I don't know if the who maps the maps

796
00:42:28,880 --> 00:42:32,199
their show out like the Rolling Stones do.

797
00:42:32,519 --> 00:42:34,480
Speaker 1: I think they're both the same. When I saw them,

798
00:42:34,519 --> 00:42:37,960
they were just they knew the highs and the lows perfectly,

799
00:42:38,039 --> 00:42:41,400
you know, And yeah they were they were. I was

800
00:42:41,480 --> 00:42:44,079
just both of those bands, you know, were just so

801
00:42:44,280 --> 00:42:47,440
really good and good and and you didn't feel cheated,

802
00:42:47,519 --> 00:42:49,280
you didn't feel you know, you just felt like it

803
00:42:49,360 --> 00:42:52,599
was a real, a real huge experience. Or was for me.

804
00:42:52,960 --> 00:42:55,199
Speaker 4: Now when I saw the Rolling Stones and work the

805
00:42:55,239 --> 00:42:58,519
show for Steel Wheels and Voodoo Lounge, you had this

806
00:42:58,840 --> 00:43:03,320
enormous stage right at the fifty yard line, going all

807
00:43:03,320 --> 00:43:05,840
the way back into the end zone and taking up

808
00:43:05,880 --> 00:43:10,039
the whole width of the of the at the theater.

809
00:43:10,280 --> 00:43:11,199
Speaker 1: Why do it small?

810
00:43:12,440 --> 00:43:15,199
Speaker 4: You got to take up some space, Yeah, oh yeah, okay,

811
00:43:15,360 --> 00:43:17,519
you gotta you gotta be able to work, work the crowd,

812
00:43:17,559 --> 00:43:21,159
work the show, use use the tunes to pick up

813
00:43:21,199 --> 00:43:25,440
the pace. And yeah, Mick Jagger does that. Yeah, he's

814
00:43:25,760 --> 00:43:28,960
occupies every square into that stage. And the other guy's

815
00:43:29,000 --> 00:43:32,760
kind of warned around a little bit too, but not

816
00:43:32,920 --> 00:43:34,800
as much as Mick. You nobody can pick up with Mick.

817
00:43:34,920 --> 00:43:38,280
Speaker 1: Well, he's the he's the ultimate rock front guy, you know.

818
00:43:38,400 --> 00:43:40,920
I mean, when when you go to see him, you can't,

819
00:43:41,000 --> 00:43:42,840
you know, you can't take your eyes off him. You

820
00:43:43,000 --> 00:43:45,280
just say that about actresses, but you know, he's he's

821
00:43:45,360 --> 00:43:48,119
always in motion. He's he knows how to keep it going.

822
00:43:48,280 --> 00:43:51,960
You know, was that the was that the tour that

823
00:43:52,039 --> 00:43:55,320
you licked Keith's guitar, then you lick his guitar.

824
00:43:55,440 --> 00:43:58,280
Speaker 4: I didn't lock it. I was just carrying on. I

825
00:43:58,320 --> 00:44:01,760
was told you spoke least two guitars for Keith give

826
00:44:01,880 --> 00:44:06,960
up to stage right, whereas the guitar teckers up there. Yeah, okay.

827
00:44:07,760 --> 00:44:10,639
Did you know what I didn't do is wash my

828
00:44:10,719 --> 00:44:14,719
hands for a week? That I believe and all? Did

829
00:44:14,719 --> 00:44:17,960
you have a great content you went to You're gonna?

830
00:44:18,719 --> 00:44:22,119
Are you going with your was that?

831
00:44:23,000 --> 00:44:28,599
Speaker 1: Are you? What's your best? Wanting? Your besconsin.

832
00:44:29,760 --> 00:44:31,880
Speaker 4: Her name has come up a lot to Tina Turner

833
00:44:31,920 --> 00:44:36,599
as because after Ko before private Dancer tour at the

834
00:44:36,679 --> 00:44:39,360
after Right up in Portland, Maine. If you have the

835
00:44:39,400 --> 00:44:44,679
name of that auditorium up there, Yeah, yeah, answer.

836
00:44:45,440 --> 00:44:48,119
Speaker 1: Well, she was a big MTV star. I know it's

837
00:44:48,199 --> 00:44:51,440
really strange, but you know, after Ike left it was

838
00:44:51,519 --> 00:44:53,480
just her. She was huge. And you know who they

839
00:44:53,599 --> 00:45:00,480
backup being talking about a trivia question. Wow, it was

840
00:45:00,519 --> 00:45:03,159
a British band. I'll bet you I can't remember the

841
00:45:03,239 --> 00:45:06,400
name they did, Fix The Fix. Yeah, The Fix was

842
00:45:06,440 --> 00:45:09,360
a British new wave band and they turned out to

843
00:45:09,400 --> 00:45:10,119
be for a back.

844
00:45:10,360 --> 00:45:13,639
Speaker 4: Well, two guys were guitar players, which was playing.

845
00:45:13,360 --> 00:45:15,320
Speaker 1: But what's the connect? Where's the connection there?

846
00:45:17,239 --> 00:45:19,840
Speaker 4: They met? They met in the recording studio one time.

847
00:45:20,440 --> 00:45:22,920
She was cutting some tracks from another album, and I

848
00:45:22,920 --> 00:45:26,119
think they were able to know how the musicians cross

849
00:45:26,239 --> 00:45:27,840
paths and right, yeah, studios.

850
00:45:28,039 --> 00:45:30,159
Speaker 1: But I hate to say, there wasn't any black American

851
00:45:30,360 --> 00:45:37,519
unbelievable musicians that would take that gig, you know. Anyway? Yeah, interesting,

852
00:45:38,199 --> 00:45:39,480
al what was your best one?

853
00:45:40,800 --> 00:45:46,800
Speaker 5: My best would be my first and it was total

854
00:45:46,840 --> 00:45:49,880
happens stance. I was in high school.

855
00:45:50,000 --> 00:45:55,239
Speaker 1: Okay, this wasn't This isn't your first sex experience before? Okay?

856
00:45:56,079 --> 00:45:56,280
Speaker 2: Is that?

857
00:45:56,400 --> 00:45:59,320
Speaker 1: The next question depends on how.

858
00:45:59,360 --> 00:46:03,639
Speaker 5: Line the show. I was in high school. There were

859
00:46:03,639 --> 00:46:06,760
a lot of University of Lowell students renting houses around

860
00:46:07,079 --> 00:46:10,840
my house. So I had twenty big brothers and sisters

861
00:46:11,079 --> 00:46:15,280
who whenever I needed drugs or alcohol, our motorcycle to use.

862
00:46:15,719 --> 00:46:19,280
So anyway one of them gets thrown out of our

863
00:46:19,360 --> 00:46:23,360
high school. He was selling tickets to a concert coming

864
00:46:23,400 --> 00:46:25,960
up at the University of Lowe and there was a

865
00:46:26,000 --> 00:46:31,119
general admission sitting on the floor in nineteen seventy one.

866
00:46:32,599 --> 00:46:35,480
It was Jethro Tull and they were just doing the

867
00:46:35,480 --> 00:46:37,719
Akrol tour. Oh really yeah, yeah, cool?

868
00:46:37,840 --> 00:46:39,119
Speaker 1: And I sat.

869
00:46:40,800 --> 00:46:44,280
Speaker 5: In my homeroom. I mean, they were probably five towns

870
00:46:44,320 --> 00:46:47,880
around us. People wanted tickets. The guy that got thrown

871
00:46:47,880 --> 00:46:49,480
out of school, who lived across the street from me,

872
00:46:49,800 --> 00:46:52,800
he gave me one hundred tickets and said, we'll get

873
00:46:52,840 --> 00:46:56,400
the word out. You've got them, you know. And I

874
00:46:56,920 --> 00:46:59,599
would go into my homeroom for like the next week

875
00:46:59,599 --> 00:47:02,440
and they'd be twenty people out in the hallway looking

876
00:47:02,480 --> 00:47:04,840
for me. And they thought the teacher thought I was

877
00:47:04,880 --> 00:47:07,960
a drug dealer or something. So I'm selling tickets and

878
00:47:07,960 --> 00:47:10,199
I didn't make a dime, you know, so that they

879
00:47:10,239 --> 00:47:15,239
gave me two tickets as my reward. And so when

880
00:47:15,280 --> 00:47:17,960
I went, we walked into the gym. They brought us

881
00:47:18,119 --> 00:47:21,440
right to the front and we sat.

882
00:47:21,159 --> 00:47:22,920
Speaker 1: Fifteen feet from the stay down.

883
00:47:23,119 --> 00:47:25,159
Speaker 5: And he came down and when the show started and

884
00:47:25,199 --> 00:47:32,159
answers and walked out alone with a small three legged stool,

885
00:47:32,840 --> 00:47:35,800
sat down, picked up his flute and started doing My God,

886
00:47:36,239 --> 00:47:38,639
really yeah, I was I could have I could have,

887
00:47:38,719 --> 00:47:41,960
like you almost touched her, yeah, And it was when

888
00:47:42,039 --> 00:47:44,559
the band kicked in, like you said, he threw the

889
00:47:44,599 --> 00:47:47,159
flute up in the air, he kicked the stool out

890
00:47:47,159 --> 00:47:50,039
into the audience, which flew by. Yeah okay, and when

891
00:47:50,079 --> 00:47:52,239
the lights come on he was standing there holding the

892
00:47:52,280 --> 00:47:55,920
flute above his head and the place went crazy.

893
00:47:56,000 --> 00:47:59,519
Speaker 1: It was it was like a religious moment. They were

894
00:47:59,519 --> 00:48:02,079
a great live I saw them four or five times.

895
00:48:02,400 --> 00:48:05,239
Speaker 4: Everybody I know that just thinks about Aqua Lung and

896
00:48:05,360 --> 00:48:08,519
uh yeah, good record, great great record.

897
00:48:08,599 --> 00:48:11,760
Speaker 1: I just real, real, real, real, real, real quick. So

898
00:48:11,800 --> 00:48:13,480
we went to go see them, and this this is

899
00:48:13,559 --> 00:48:16,079
nineteen seventy the Music Hall in Boston and the opening

900
00:48:16,079 --> 00:48:19,239
act was t Rex, right, so we had heard of them,

901
00:48:19,480 --> 00:48:21,679
but you know, we're with it to see jeth Hotels

902
00:48:21,719 --> 00:48:26,119
the aqualong To. So we go in and the guy

903
00:48:26,159 --> 00:48:30,360
comes out and says, h sorry, t Rex had passport problems.

904
00:48:30,440 --> 00:48:32,119
You can't get out of England. So we're going to

905
00:48:32,199 --> 00:48:34,480
have this band on the first time they've ever played

906
00:48:34,480 --> 00:48:38,719
in America, mat the Hoopo right, So we go, wha

907
00:48:39,119 --> 00:48:41,880
hope these guys come out and they are in you know,

908
00:48:41,920 --> 00:48:45,639
the platform shoes and a glam like you and freaking believe.

909
00:48:45,679 --> 00:48:48,880
Ian Hunt was the keyboard player and Mick Ronson was

910
00:48:48,920 --> 00:48:51,199
the guitar player, and they come on the work with

911
00:48:51,280 --> 00:48:55,599
Davie Right, David Bowie's protegees. Basically, thanks Ameunt. They had

912
00:48:55,679 --> 00:48:58,079
like they had to hit out all the young dudes.

913
00:48:58,159 --> 00:48:59,199
They had another song.

914
00:48:59,320 --> 00:49:01,320
Speaker 4: They did it better than Bowie did, right, and then the.

915
00:49:01,280 --> 00:49:03,199
Speaker 1: Rest of them they played, you know, maybe four or

916
00:49:03,239 --> 00:49:05,760
five other songs, and the place goes nuts. The place

917
00:49:05,800 --> 00:49:08,880
goes nuts, and they go and they they say thanks, thanks,

918
00:49:08,880 --> 00:49:11,360
and they make them come out for another run. Corps.

919
00:49:11,679 --> 00:49:13,639
This is when you played two shows a night. The

920
00:49:13,719 --> 00:49:16,719
music okay, and the guy comes out and he says,

921
00:49:16,880 --> 00:49:19,199
we don't know any more songs, you know, I mean,

922
00:49:19,239 --> 00:49:21,800
this is we haven't been together that long. So he

923
00:49:21,840 --> 00:49:25,159
played like three or four Elvis songs, which was really crazy.

924
00:49:25,639 --> 00:49:28,599
The band goes up, pulls his Fa fisa agen off

925
00:49:28,639 --> 00:49:31,639
the stage and brings it into the crowd. The cops

926
00:49:31,639 --> 00:49:33,920
come in. John Garabedian is trying.

927
00:49:33,679 --> 00:49:39,199
Speaker 4: To everybody remember that name, Pete and John Garabedian.

928
00:49:39,400 --> 00:49:42,000
Speaker 1: Finally they clear. It was almost like a riot, and

929
00:49:42,159 --> 00:49:44,880
in the answering is out, he's pissed right and just

930
00:49:44,920 --> 00:49:47,239
goes you know, if your kids don't clear, we're you know,

931
00:49:47,360 --> 00:49:50,440
clear the front, we're gonna leave and stuff. So finally cleared,

932
00:49:50,519 --> 00:49:54,159
he comes out and they play aqualong beginning to end

933
00:49:54,440 --> 00:49:58,199
no perfect perfect, and afterwards he goes per second number,

934
00:49:59,199 --> 00:50:00,880
boom boom.

935
00:50:00,880 --> 00:50:03,599
Speaker 4: Speaking of second number, You've got to go back a

936
00:50:03,639 --> 00:50:08,400
couple of records to the album called stand Up, which

937
00:50:08,440 --> 00:50:12,000
had an amazing the vinyl has an amazing stand up

938
00:50:12,039 --> 00:50:15,280
graphical cardboard thing that pops up when you open the gate.

939
00:50:15,440 --> 00:50:16,719
Speaker 1: You were so bluesy back then.

940
00:50:16,800 --> 00:50:22,639
Speaker 4: Yeah, yeah, follow up a benefit benefit This was stand Up. Great,

941
00:50:22,719 --> 00:50:27,480
great records. I smoked more weed with those records going unbelievable.

942
00:50:27,519 --> 00:50:31,079
Speaker 1: I just don't listen to this anyway. Okay, So Pete,

943
00:50:31,079 --> 00:50:33,800
I'm going to go to you. What was your best? Pete? Pete?

944
00:50:35,599 --> 00:50:40,400
Speaker 2: I again, so many shows. I don't know that I

945
00:50:40,440 --> 00:50:43,519
can I can pick one that How about your favorite?

946
00:50:43,559 --> 00:50:48,519
Speaker 1: Though? I mean, you just I don't know.

947
00:50:48,639 --> 00:50:50,920
Speaker 2: I mean I got some stories connected with a couple

948
00:50:50,960 --> 00:50:54,480
of shows because I was lucky to a lot of

949
00:50:54,480 --> 00:50:57,800
these shows were compliments of the of the record company.

950
00:50:58,079 --> 00:51:02,559
Speaker 1: And uh it was ahead of an A C. D

951
00:51:02,760 --> 00:51:04,559
C show up in Portland.

952
00:51:05,199 --> 00:51:08,119
Speaker 2: The record guy says to me, listen, we're gonna go

953
00:51:08,159 --> 00:51:12,199
to dinner before the show, and we got somebody from

954
00:51:12,239 --> 00:51:14,079
the band that that's going to be joining us. And

955
00:51:14,159 --> 00:51:16,719
let's see, the lead singer is Angus Young? Is that

956
00:51:16,760 --> 00:51:18,840
who the he's the guitar player.

957
00:51:19,239 --> 00:51:23,000
Speaker 1: He's the lead singer of the guitar player. Angus was

958
00:51:23,000 --> 00:51:27,239
the guitar player. They had a they had original singer,

959
00:51:28,000 --> 00:51:32,119
Bon Scott died. Yeah, bon Scott was the original singer.

960
00:51:32,119 --> 00:51:34,840
And then they get that guy, the little guy with.

961
00:51:36,320 --> 00:51:43,639
Speaker 2: He hat the all the time yally go ahead. He

962
00:51:44,400 --> 00:51:48,000
went to dinner with the record guy and I and

963
00:51:48,000 --> 00:51:50,320
and the guy from the band and his wife and

964
00:51:50,400 --> 00:51:53,519
two little kids, and it was a very nice, mellow,

965
00:51:53,679 --> 00:51:57,400
laid back and you know, had a great time. And

966
00:51:57,440 --> 00:51:59,079
we had to get back because they had to do

967
00:51:59,159 --> 00:52:03,119
the show. And he comes out and the same guy

968
00:52:03,199 --> 00:52:05,119
that I was just sitting with having it just a

969
00:52:05,199 --> 00:52:12,480
normal conversation, you know, is screaming. Not the persona that

970
00:52:12,719 --> 00:52:16,519
that we got out of him while we were at dinner.

971
00:52:16,760 --> 00:52:18,639
Speaker 1: I mean, he just you know how it is, you know,

972
00:52:19,119 --> 00:52:24,920
Brian Brian Johnson, Yeah, yeah, he has that voice that

973
00:52:24,960 --> 00:52:27,679
he could. Yeah, he sings it very very high and

974
00:52:28,280 --> 00:52:31,559
crackly in a way. But talking about a huge band,

975
00:52:31,599 --> 00:52:34,719
I mean, those guys are the think of the richest

976
00:52:34,760 --> 00:52:37,960
guys in Australia. I don't know that I can pick

977
00:52:38,079 --> 00:52:40,639
out one in particular. I mean, the.

978
00:52:40,559 --> 00:52:43,679
Speaker 2: Most recent show I told you guys was The Rolling

979
00:52:43,679 --> 00:52:46,880
Stones about a year and a half ago, and and

980
00:52:46,920 --> 00:52:48,119
that was a great show.

981
00:52:48,159 --> 00:52:49,840
Speaker 1: And I don't know whether it's because I hadn't been

982
00:52:49,840 --> 00:52:50,519
to a show.

983
00:52:50,280 --> 00:52:52,679
Speaker 2: In a while, or I'm a fan or what, but

984
00:52:53,039 --> 00:52:55,119
that definitely was one of the better shows.

985
00:52:55,880 --> 00:52:58,800
Speaker 1: Well when you saw when your friend jumped up on

986
00:52:58,840 --> 00:53:01,440
the stage when Jimmy hen was playing, remember that, shy

987
00:53:02,320 --> 00:53:04,440
did you tell that quick? That was back?

988
00:53:04,880 --> 00:53:09,400
Speaker 2: That was about nineteen sixty eight or so. This guy

989
00:53:09,440 --> 00:53:12,880
that we hung around with all summer, his parents were away,

990
00:53:13,199 --> 00:53:15,599
so he had his house open and we were there

991
00:53:15,639 --> 00:53:18,920
every day and it was party, party, party, and.

992
00:53:19,079 --> 00:53:23,239
Speaker 1: What a bad idea? Go ahead? Became our leader, you know,

993
00:53:23,320 --> 00:53:24,239
he was he was.

994
00:53:24,159 --> 00:53:27,960
Speaker 2: So so everybody thought he was so cool and everything.

995
00:53:28,320 --> 00:53:34,599
So we go to see Jimmy Hendrix is playing in

996
00:53:34,719 --> 00:53:38,840
Framingham at the Carousel, which was a big tent that

997
00:53:38,880 --> 00:53:40,199
they put up in a gravel pit.

998
00:53:40,559 --> 00:53:43,679
Speaker 1: A kid shows there and we didn't have tickets.

999
00:53:43,679 --> 00:53:46,840
Speaker 2: We sat on the hill outside the tent so we

1000
00:53:46,840 --> 00:53:49,800
could at least hear the music. Well, when Jimmy came on,

1001
00:53:49,920 --> 00:53:52,400
we all kind of stormed the tent and stood up

1002
00:53:52,440 --> 00:53:55,679
behind the back row. And this guy, this guy that

1003
00:53:55,719 --> 00:53:59,320
we called our leader, all of a sudden jumps out,

1004
00:54:00,039 --> 00:54:03,239
runs down the aisle, up onto the stage, puts his

1005
00:54:03,360 --> 00:54:07,360
hands out and goes play fire Jimmy, and Jimmy goes,

1006
00:54:07,440 --> 00:54:10,559
you got it, brother slaps his hands and then breaks.

1007
00:54:10,239 --> 00:54:12,719
Speaker 1: Into you know, dude, and.

1008
00:54:12,760 --> 00:54:17,519
Speaker 2: We're like, he is, He's got that's our leader all summer.

1009
00:54:17,639 --> 00:54:21,559
Speaker 1: I can't believe it. He actually telling Jimmy what to do. Yeah, yeah, yep.

1010
00:54:23,400 --> 00:54:25,400
I just saw this the other day. Something pointed it.

1011
00:54:25,440 --> 00:54:27,960
That was when you see pictures of Hendricks before he

1012
00:54:27,960 --> 00:54:31,159
starts a song, he counts down the frets on his

1013
00:54:31,199 --> 00:54:33,159
guitar to see if he's playing in the right key.

1014
00:54:33,920 --> 00:54:36,360
You ever seen that? I mean I saw it, you know,

1015
00:54:36,480 --> 00:54:38,960
and he's going he doesn't know what key he's playing.

1016
00:54:38,960 --> 00:54:42,440
And this guy is an unbelievable guitar player. So anyway,

1017
00:54:42,559 --> 00:54:45,559
so why don't we take a break now, okay, because

1018
00:54:45,559 --> 00:54:48,000
we have a little technical thing. You're listening to a

1019
00:54:48,079 --> 00:54:52,039
music show here on mc maloney's musical X Files. On

1020
00:54:52,159 --> 00:54:55,000
the Distant Thunder Radio Network. We'll take a quick break.

1021
00:54:55,000 --> 00:54:57,119
We're here with the gang, and we'll be right back

1022
00:54:57,199 --> 00:55:03,280
after this. Hey everyone, we're here with Chris Billi is

1023
00:55:03,320 --> 00:55:06,360
senior producer and engineer at the very famous Bristol Recruiting

1024
00:55:06,440 --> 00:55:10,360
Studios in Boston. Hey Chris, Hey Mac. Now, Bristol's got

1025
00:55:10,360 --> 00:55:12,639
this program that's always fascinating to me. Now, let me

1026
00:55:12,639 --> 00:55:15,000
see if I got this right. You can take something

1027
00:55:15,039 --> 00:55:17,400
as simple as someone singing into their phone and turned

1028
00:55:17,440 --> 00:55:19,519
it into a fully produced song. Is that right?

1029
00:55:19,960 --> 00:55:22,440
Speaker 14: Yeah, that's pretty much it. You send us your demo,

1030
00:55:22,559 --> 00:55:24,400
could be a ben, could be you and a guitar.

1031
00:55:24,559 --> 00:55:25,320
Speaker 13: We'll build it up.

1032
00:55:25,840 --> 00:55:28,639
Speaker 14: We'll work on the vocals, add instruments, maybe bring in

1033
00:55:28,639 --> 00:55:32,320
some session players, whatever it takes to make it sound finished, professional,

1034
00:55:32,559 --> 00:55:34,519
like something you'd actually hear on Spotify.

1035
00:55:35,400 --> 00:55:37,119
Speaker 1: Yeah. And the cool thing is you don't even have

1036
00:55:37,159 --> 00:55:38,599
to go to Boston to do it right.

1037
00:55:39,079 --> 00:55:40,280
Speaker 13: Nope, it's all virtual.

1038
00:55:40,360 --> 00:55:40,519
Speaker 3: Now.

1039
00:55:40,920 --> 00:55:43,719
Speaker 14: We trade files, jump on Zoom and build it together

1040
00:55:43,800 --> 00:55:46,159
lay by layer, kind of like baking, and just keep

1041
00:55:46,199 --> 00:55:47,679
adding the good stuff until it's right.

1042
00:55:48,360 --> 00:55:50,480
Speaker 1: Well that's nice, but what about the cost.

1043
00:55:51,119 --> 00:55:53,679
Speaker 14: It really depends on the project. But we talk everything

1044
00:55:53,719 --> 00:55:56,519
through before we start. It's meant to be accessible no

1045
00:55:56,519 --> 00:56:00,119
matter what kind of music you're doing, rock, pop, even musicals.

1046
00:56:00,360 --> 00:56:02,000
Speaker 1: Wait a minute, you've done musicals.

1047
00:56:02,119 --> 00:56:03,880
Speaker 13: Oh yeah, we've done musicals.

1048
00:56:03,920 --> 00:56:06,840
Speaker 1: Really okay, well, I love it. So if someone's got

1049
00:56:06,840 --> 00:56:08,760
a demo and wants to take it to the next level,

1050
00:56:08,800 --> 00:56:09,360
what should they do?

1051
00:56:09,719 --> 00:56:12,599
Speaker 14: Just head the Bristol Studios dot com and look for recording.

1052
00:56:12,800 --> 00:56:14,199
Speaker 13: We'd love to hear what you're working on.

1053
00:56:20,440 --> 00:56:27,000
Speaker 9: Mm hmmm, slumber what slumber?

1054
00:56:30,920 --> 00:56:31,480
Speaker 6: Hey, sister?

1055
00:56:33,280 --> 00:56:44,760
Speaker 1: Oh okay, welcome back to maclaloney's mid treks Now show

1056
00:56:44,760 --> 00:56:47,480
Here in the distant Thunder Radio Network. This is maclhoney. Well,

1057
00:56:47,519 --> 00:56:49,800
what a show we have a few tonight. It's actually

1058
00:56:49,840 --> 00:56:53,480
mclaloney's musical X Files. We're doing the Whole Music show tonight.

1059
00:56:53,480 --> 00:56:55,719
We've got a real gang of people and I'm going

1060
00:56:55,760 --> 00:56:58,480
to very very quick thing introduce them girls one one

1061
00:56:58,519 --> 00:56:58,880
this year.

1062
00:57:00,159 --> 00:57:02,599
Speaker 4: Girls. Hello, everybody, welcome back to the show. We have

1063
00:57:02,639 --> 00:57:05,119
a good time kind of rambling a lot tonight though.

1064
00:57:05,480 --> 00:57:07,119
Really he must be the beer.

1065
00:57:06,960 --> 00:57:12,440
Speaker 1: More than usual. Yeah, okay in the Gilson g Gils

1066
00:57:12,840 --> 00:57:17,280
club is here club? How are you? Yeah?

1067
00:57:17,320 --> 00:57:20,480
Speaker 7: This is one of my faves. I love music shows.

1068
00:57:20,880 --> 00:57:24,079
Speaker 1: We do too. Also with us is Susan Kay, Susan

1069
00:57:24,159 --> 00:57:27,320
k down there in North Carolina off the job. How

1070
00:57:27,320 --> 00:57:28,039
are you, Susan.

1071
00:57:29,320 --> 00:57:30,400
Speaker 15: I'm relieved.

1072
00:57:31,440 --> 00:57:31,840
Speaker 1: It's good.

1073
00:57:32,519 --> 00:57:34,639
Speaker 9: I'm happy to be here. It's nice to see everybody.

1074
00:57:34,679 --> 00:57:35,440
Speaker 1: Good to see you.

1075
00:57:35,519 --> 00:57:36,519
Speaker 4: Nice to see you, Susan.

1076
00:57:36,800 --> 00:57:39,559
Speaker 1: You're a music head too, aren't you. Who's your favorite band?

1077
00:57:39,840 --> 00:57:43,679
What's your favorite band? So?

1078
00:57:43,760 --> 00:57:44,440
Speaker 15: My favorite?

1079
00:57:44,679 --> 00:57:44,760
Speaker 1: So?

1080
00:57:44,840 --> 00:57:46,880
Speaker 15: I loved Stevie ray Vaughn who passed.

1081
00:57:46,880 --> 00:57:48,719
Speaker 1: Oh well, oh yeah yeah it was great.

1082
00:57:50,000 --> 00:57:54,480
Speaker 15: But currently so I'm fond of Matchbox twenty. That's a

1083
00:57:54,519 --> 00:57:55,280
newer band.

1084
00:57:55,760 --> 00:57:59,960
Speaker 1: Really okay, all right, okay, but you can still stay.

1085
00:57:59,719 --> 00:58:02,920
Speaker 15: On the dire straight Streets were great?

1086
00:58:02,960 --> 00:58:05,519
Speaker 1: Yeah, I saw them live, man, they were they were

1087
00:58:05,599 --> 00:58:09,280
really really good live Dia Straits. What jazz did you

1088
00:58:09,320 --> 00:58:09,840
think of them?

1089
00:58:09,840 --> 00:58:13,280
Speaker 15: Who's sang on Leanders? Sitting outside?

1090
00:58:13,360 --> 00:58:13,800
Speaker 1: I can't.

1091
00:58:15,960 --> 00:58:18,639
Speaker 15: I don't know who was that in the summertime?

1092
00:58:22,119 --> 00:58:24,840
Speaker 1: Uh? In the know? You got me on that one,

1093
00:58:24,880 --> 00:58:28,679
Johnny Mathis, do you back in Avondale?

1094
00:58:29,079 --> 00:58:33,880
Speaker 15: Oh it's.

1095
00:58:34,159 --> 00:58:36,480
Speaker 1: Yeah, yeah, yeah, yeah.

1096
00:58:36,559 --> 00:58:38,360
Speaker 4: I mean who talks about Abendale these days?

1097
00:58:38,400 --> 00:58:41,519
Speaker 1: We could do a whole show, don't you don't really?

1098
00:58:41,559 --> 00:58:43,199
Speaker 4: People talking about body stuff?

1099
00:58:43,480 --> 00:58:45,800
Speaker 15: One of my favorites. But I like Stevie ray Vaughn,

1100
00:58:46,000 --> 00:58:47,480
Billy Idol, things like that.

1101
00:58:47,519 --> 00:58:50,239
Speaker 1: It's it's a miss miss Mash Susan.

1102
00:58:50,280 --> 00:58:52,559
Speaker 4: You know I met Tevie Ravon right. I told you

1103
00:58:52,599 --> 00:58:56,119
that story. Stop, I'll tell you some other time. I

1104
00:58:56,119 --> 00:58:58,639
don't want to hog the show. There was, met him,

1105
00:58:58,639 --> 00:59:02,039
talk to him a month later. Was killed the Wisconsin Yeah,

1106
00:59:02,119 --> 00:59:02,960
and I worked the show.

1107
00:59:03,199 --> 00:59:05,800
Speaker 1: I was worked. I showed him about three months before

1108
00:59:05,800 --> 00:59:06,119
he died.

1109
00:59:06,320 --> 00:59:09,719
Speaker 4: He was empowering the Passion tour. Joe Cocker and Steve

1110
00:59:09,760 --> 00:59:11,119
ray Vaughan were co headlining.

1111
00:59:11,599 --> 00:59:14,079
Speaker 1: He could play the guitar, Like you say, he wasn't

1112
00:59:14,079 --> 00:59:16,760
that old, he said, how goosebumps just thinking about Yeah,

1113
00:59:16,760 --> 00:59:19,400
he was really good right, still listening to it.

1114
00:59:19,480 --> 00:59:22,519
Speaker 15: I I just something about him. He's so unique.

1115
00:59:22,559 --> 00:59:27,000
Speaker 1: I love Steve Berry Bonds also with us is checking

1116
00:59:27,039 --> 00:59:32,280
his latest and pooling right now. As Kitties fell out.

1117
00:59:32,159 --> 00:59:35,159
Speaker 5: I back at one one and everyone well, I just

1118
00:59:35,400 --> 00:59:38,760
happened to look up there is a c D available

1119
00:59:38,800 --> 00:59:40,719
of the first concert.

1120
00:59:40,760 --> 00:59:44,880
Speaker 1: I went to shut the playlist and you know you're

1121
00:59:44,880 --> 00:59:46,039
getting a piece of that too.

1122
00:59:46,519 --> 00:59:50,360
Speaker 5: It's sixteen. I might buy I might buy the CD

1123
00:59:50,519 --> 00:59:52,639
or that Yeah, they were a good bit and Jeff

1124
00:59:52,679 --> 00:59:53,920
Hotel was excellently.

1125
00:59:55,199 --> 00:59:55,360
Speaker 3: Well.

1126
00:59:57,920 --> 01:00:01,280
Speaker 5: I was in the cars. I wasn't like I didn't

1127
01:00:01,320 --> 01:00:04,119
have stereos in them, all right, I would unhooked them.

1128
01:00:04,280 --> 01:00:05,920
I remember that you.

1129
01:00:05,960 --> 01:00:08,480
Speaker 1: Got to set the webbers behind your head three inches.

1130
01:00:08,639 --> 01:00:11,360
What differences? You're not going to hear anything but the

1131
01:00:11,440 --> 01:00:12,239
howl webers.

1132
01:00:12,280 --> 01:00:16,119
Speaker 4: I upgraded my AM stereo Mustang AM only Mustang to

1133
01:00:16,280 --> 01:00:19,960
a Craig Pioneer f M with eight track.

1134
01:00:20,199 --> 01:00:22,159
Speaker 1: Wow under dash.

1135
01:00:22,679 --> 01:00:24,119
Speaker 4: That was the beauty I wish I had that.

1136
01:00:24,400 --> 01:00:26,840
Speaker 1: I used to used to ride around with my transits

1137
01:00:26,880 --> 01:00:30,559
to radio uptim. Yeah, also with US is Kim? Say

1138
01:00:30,679 --> 01:00:31,760
up there in Edmonton, Kim?

1139
01:00:31,800 --> 01:00:32,280
Speaker 3: How are you doing?

1140
01:00:32,400 --> 01:00:33,000
Speaker 6: Folks?

1141
01:00:33,360 --> 01:00:34,360
Speaker 1: Everything?

1142
01:00:34,840 --> 01:00:38,159
Speaker 6: Glad to be here for track one? One track?

1143
01:00:39,039 --> 01:00:43,480
Speaker 4: I had a few of them. The guy who invented

1144
01:00:43,519 --> 01:00:47,360
the plane.

1145
01:00:46,519 --> 01:00:48,360
Speaker 6: I was talking to his Sunday.

1146
01:00:48,639 --> 01:00:51,880
Speaker 1: Yeah, he's the sun is insane. But anyway, the the

1147
01:00:51,960 --> 01:00:54,480
eight track was when you listen to engineers, they said

1148
01:00:54,480 --> 01:00:57,480
that was actually the best sounding because the tape was

1149
01:00:57,519 --> 01:00:59,559
the widest, you know, when they went down the cassettes.

1150
01:00:59,800 --> 01:01:00,440
The only so.

1151
01:01:00,440 --> 01:01:06,719
Speaker 4: Much the eight track format, well, the continuous loop architecture

1152
01:01:06,840 --> 01:01:11,400
of the cartridge was big in radio stations right feet

1153
01:01:12,079 --> 01:01:14,679
the station, the station I worked in in Conchor, Newhampshire

1154
01:01:14,719 --> 01:01:20,320
WXL had a cotton machine, robotic cylindrical thing yep that

1155
01:01:21,239 --> 01:01:26,480
we the playlist was was was triggered by a tape,

1156
01:01:27,440 --> 01:01:30,039
a real the real tape would run and trigger these

1157
01:01:30,079 --> 01:01:33,960
two machines and play one of the cottridges in this

1158
01:01:34,079 --> 01:01:40,000
drum of like about six contridge. Yeah.

1159
01:01:40,079 --> 01:01:43,440
Speaker 1: Yeah, that was the early automation. We had the same

1160
01:01:43,480 --> 01:01:46,599
thing on an AM station the falcony head of the

1161
01:01:47,000 --> 01:01:50,119
huge falcony entertainment infire. But like when we were up

1162
01:01:51,280 --> 01:01:53,679
x X, I mean what was what did was that

1163
01:01:53,760 --> 01:01:56,280
the computer play? Because that would play all all twenty

1164
01:01:56,280 --> 01:01:58,480
four hours a day. We were in the building where

1165
01:01:58,480 --> 01:02:01,880
no one was there allegedly, So was was that all

1166
01:02:01,920 --> 01:02:03,440
just on computer at that point? Yeah?

1167
01:02:03,480 --> 01:02:07,880
Speaker 2: Today it's all on a PC. You know, you just

1168
01:02:07,960 --> 01:02:11,119
have to uh, you know, program the thing in a

1169
01:02:11,119 --> 01:02:11,719
way it goes.

1170
01:02:12,000 --> 01:02:14,039
Speaker 1: So when you had those but the big tapes, how

1171
01:02:14,079 --> 01:02:16,360
would you know, I mean, would they obviously have a

1172
01:02:16,400 --> 01:02:19,960
playlist and would you with the DJ TUK live.

1173
01:02:19,719 --> 01:02:24,280
Speaker 2: In between those songs. It depends, but yes you could.

1174
01:02:25,000 --> 01:02:27,840
But the carousel, the car carousel.

1175
01:02:27,440 --> 01:02:29,559
Speaker 1: Thing that one one was talking about.

1176
01:02:29,639 --> 01:02:33,039
Speaker 2: Obviously, we had one actually at that station where that

1177
01:02:33,119 --> 01:02:37,000
you guys were at Exeter. Uh, the AM station downstairs

1178
01:02:37,119 --> 01:02:38,760
used to have one of those. And the thing would

1179
01:02:38,840 --> 01:02:43,079
just uh it was programmed in through a computer and

1180
01:02:43,119 --> 01:02:45,480
it would pick it would turn the carousel had two

1181
01:02:45,599 --> 01:02:49,280
tech carousels, and turn them around to pick the.

1182
01:02:48,880 --> 01:02:52,719
Speaker 1: Tape car throughs that it wanted to play. Yeah, wow, yeah, yeah,

1183
01:02:52,760 --> 01:02:52,960
I know.

1184
01:02:53,480 --> 01:02:55,800
Speaker 5: At the place up in Exeter, we were in a

1185
01:02:55,840 --> 01:02:59,280
small studio on the side and there was the main

1186
01:02:59,360 --> 01:03:02,119
studio that had all of the equipment running and it

1187
01:03:02,199 --> 01:03:05,079
was a radio station running six feet away from us.

1188
01:03:05,559 --> 01:03:08,000
And you know, you'd walk in there sometimes and just look.

1189
01:03:09,039 --> 01:03:11,719
You know, you don't touch anything because God forbid. Yeah

1190
01:03:11,920 --> 01:03:14,639
touch something, you destroy it, or you know, you shut

1191
01:03:14,639 --> 01:03:16,639
the radio station down. But it'd be weird to go

1192
01:03:16,719 --> 01:03:18,920
in there. Yeah, it was very impressive to walk in

1193
01:03:19,679 --> 01:03:21,800
and you'd see the thing clicking and doing anything. They

1194
01:03:21,840 --> 01:03:25,639
could hear it. It was inserting commercials. The person was

1195
01:03:25,639 --> 01:03:28,239
saying what's coming next, It would do the song, it

1196
01:03:28,239 --> 01:03:31,400
would do a commercial and there was nobody in the building.

1197
01:03:31,519 --> 01:03:33,920
Speaker 1: You think you think there was at least two people there.

1198
01:03:34,119 --> 01:03:36,039
It was weird to be up there at night and

1199
01:03:36,079 --> 01:03:39,199
by yourself, which I you know, did many times, and

1200
01:03:39,239 --> 01:03:40,920
it was like there was a whole gang of people

1201
01:03:41,000 --> 01:03:43,280
next door and there's no one in there. In fact,

1202
01:03:43,320 --> 01:03:45,880
I always thought there was. You'd see like shadows and

1203
01:03:45,880 --> 01:03:47,719
stuff and that creepy place.

1204
01:03:48,039 --> 01:03:50,000
Speaker 4: And he showed me one time to sell the fun

1205
01:03:50,039 --> 01:03:51,280
out of being a djil.

1206
01:03:50,960 --> 01:03:54,159
Speaker 5: How to shut but the monitors that were in the studio,

1207
01:03:54,639 --> 01:03:57,280
like the whole building, you could hear the station. But

1208
01:03:57,559 --> 01:04:01,280
he showed me one time how to turn down those

1209
01:04:01,320 --> 01:04:06,639
speakers because there were times when it would play commercials

1210
01:04:07,320 --> 01:04:09,920
and they would be loud and the other stuff was

1211
01:04:09,920 --> 01:04:12,159
coming from somewhere else or whatever. They say, Well, if

1212
01:04:12,159 --> 01:04:13,599
those are too loud, just come in here and turn

1213
01:04:13,639 --> 01:04:17,480
these two faders down. And I'm like, I'm scared to

1214
01:04:17,480 --> 01:04:19,639
touch the thing. I was afraid to go into that room.

1215
01:04:20,719 --> 01:04:23,800
Speaker 1: Anyway. Let me get the deuce. I'm just going to

1216
01:04:23,880 --> 01:04:26,239
win to just go a good friend Dawson down there

1217
01:04:26,280 --> 01:04:27,840
in Mexico. Dawson, how are you.

1218
01:04:28,519 --> 01:04:29,239
Speaker 9: I'm doing fine.

1219
01:04:29,360 --> 01:04:33,440
Speaker 10: And this kind of a cooler day here today, but

1220
01:04:33,599 --> 01:04:37,880
been getting around third degree today it's like twenty five,

1221
01:04:38,000 --> 01:04:38,800
so it's.

1222
01:04:38,639 --> 01:04:39,440
Speaker 9: A little cooler.

1223
01:04:40,039 --> 01:04:44,119
Speaker 10: Anyway, I did get back to our subject. I've seen

1224
01:04:44,199 --> 01:04:48,119
quite a few concerts that I loved, but one stands

1225
01:04:48,119 --> 01:04:52,519
head and shoulders above the rest went Al Stewart.

1226
01:04:52,360 --> 01:04:53,000
Speaker 1: Al Stuart.

1227
01:04:53,079 --> 01:04:58,599
Speaker 10: Yeah, playing in a very very small club in Ebonton.

1228
01:04:59,079 --> 01:05:00,880
Speaker 9: He had his full life nine piece band.

1229
01:05:01,000 --> 01:05:04,840
Speaker 10: His longtime collaborator Peter Wood, who co wrote Here of

1230
01:05:04,920 --> 01:05:09,599
the Cat was playing piano, and it was maybe maybe

1231
01:05:09,599 --> 01:05:13,280
two hundred and fifty people in the club. And not

1232
01:05:13,320 --> 01:05:19,719
only was the musicianship immaculate and the sound perfect, he is,

1233
01:05:19,960 --> 01:05:28,679
without a doubt, the best rock on tour, extraordinary. Between songs,

1234
01:05:28,679 --> 01:05:33,119
he told histories of songs. It was personable. He was

1235
01:05:34,239 --> 01:05:37,679
just really a very easy person to like a lot.

1236
01:05:37,800 --> 01:05:41,000
Speaker 1: Yes Scotch. You know when he started out, he was

1237
01:05:41,119 --> 01:05:44,599
he lived in a like a hostel, like a youth

1238
01:05:44,920 --> 01:05:48,079
hostel in London, you know that that kind of catered

1239
01:05:48,119 --> 01:05:51,079
to artists and stuff like that. In His roommate was

1240
01:05:51,119 --> 01:05:51,840
Paul Simon.

1241
01:05:52,519 --> 01:05:55,159
Speaker 10: Yeah, I remember that story.

1242
01:05:55,280 --> 01:05:57,559
Speaker 1: They knew each other and in a way I don't know,

1243
01:05:57,719 --> 01:06:00,800
I mean they both wrote kind of hysterical songs and everything.

1244
01:06:00,800 --> 01:06:04,079
But great player, and he always had a lot of

1245
01:06:04,119 --> 01:06:06,880
really good musicians with him. Too. Al Stewart was always

1246
01:06:06,920 --> 01:06:07,599
really good.

1247
01:06:08,239 --> 01:06:14,920
Speaker 10: The story about Paul Simon. Many years later, al Stewart

1248
01:06:15,000 --> 01:06:20,960
would say how he really learned about the work involved

1249
01:06:20,960 --> 01:06:24,840
in writing music from listening to Paul Simon work.

1250
01:06:25,599 --> 01:06:30,159
Speaker 9: All night long. Yes, yeahs and on the other side

1251
01:06:30,159 --> 01:06:31,440
of the very thin wall.

1252
01:06:31,400 --> 01:06:34,480
Speaker 1: Right, yeah. Yeah, it's like the Eagles had the same story,

1253
01:06:34,480 --> 01:06:38,920
because the Eagles were Linda Ronstad's backup band. Okay, so

1254
01:06:38,960 --> 01:06:43,400
she got them like a home in la I suppose

1255
01:06:43,440 --> 01:06:46,960
in Laurel Canyon now at this point, and they said,

1256
01:06:47,079 --> 01:06:49,119
and she said, don't worry, there's a guy in the basement,

1257
01:06:49,159 --> 01:06:52,559
but yeah, he'll be fine, you know, And and all

1258
01:06:52,599 --> 01:06:54,920
he would play the same song for weeks and weeks

1259
01:06:54,920 --> 01:06:56,360
and finally said, we're going to get out and talk

1260
01:06:56,440 --> 01:07:00,360
to this guy. Right, and it was Jackson Brown. He's

1261
01:07:00,360 --> 01:07:03,199
playing back to my Eyes, you know. Wasn't that greater

1262
01:07:03,320 --> 01:07:05,639
musicians where you just play it over and over and

1263
01:07:05,679 --> 01:07:09,800
over and over until they told him to stop. But anyway, yeah, okay,

1264
01:07:09,800 --> 01:07:11,800
that's cool. You know, Dawnson looks a little bit like

1265
01:07:11,840 --> 01:07:14,079
Phil Collins, don't you think so? A little bit?

1266
01:07:16,800 --> 01:07:19,800
Speaker 10: I guess I'll pick that as a as a compliment

1267
01:07:20,199 --> 01:07:23,159
my rapidly expanding forehead.

1268
01:07:23,360 --> 01:07:26,920
Speaker 1: Yeah, okay, all right. It never hit the symbols. Phil

1269
01:07:27,000 --> 01:07:31,960
Collins never hits the symbols anyway, but we have them here.

1270
01:07:32,039 --> 01:07:34,559
So Barry, I'm going to go to you only because

1271
01:07:34,599 --> 01:07:37,119
you're one I can see right now? What was your

1272
01:07:37,159 --> 01:07:41,119
best one? Your your your favorite performance is not your own?

1273
01:07:41,159 --> 01:07:42,440
Now someone else have band?

1274
01:07:42,719 --> 01:07:45,679
Speaker 3: Okay, well, thanks to Dawson, I'm going to go with

1275
01:07:45,840 --> 01:07:49,519
a band that was playing in a smaller venue. Not

1276
01:07:49,679 --> 01:07:53,840
everybody knows New Jersey's the Smithereens.

1277
01:07:53,960 --> 01:07:55,519
Speaker 1: Oh yeah I do, I do.

1278
01:07:55,719 --> 01:07:58,079
Speaker 3: But they put on a really nice show.

1279
01:07:58,159 --> 01:08:00,159
Speaker 1: A girl like here yep and.

1280
01:08:00,480 --> 01:08:03,599
Speaker 3: Uh with a girl like you, blood and roses behind

1281
01:08:03,639 --> 01:08:04,679
the Walls of Sleep.

1282
01:08:04,760 --> 01:08:06,639
Speaker 1: They're a powerful band. Yeah, very possible.

1283
01:08:06,679 --> 01:08:09,400
Speaker 3: And I got them. I got to see them in

1284
01:08:09,440 --> 01:08:13,679
twenty eleven and they they wrote a song called Sorry,

1285
01:08:13,800 --> 01:08:17,159
which was also really good. But my favorite part was

1286
01:08:17,319 --> 01:08:21,800
after the concert they were talking around the merch table

1287
01:08:22,079 --> 01:08:25,680
and Jim Babcheck, the guitarist, had a couple of kids

1288
01:08:25,720 --> 01:08:28,560
in college, and that's what we were talking about.

1289
01:08:29,359 --> 01:08:29,560
Speaker 13: Huh.

1290
01:08:30,199 --> 01:08:32,319
Speaker 3: Yeah, So I have a I have a whole bunch

1291
01:08:32,399 --> 01:08:34,640
of their albums. They were my favorites yep.

1292
01:08:34,760 --> 01:08:37,720
Speaker 1: Kind of beatleish, loud, beatleish ish ish. You know they

1293
01:08:37,720 --> 01:08:38,119
were good.

1294
01:08:38,239 --> 01:08:41,560
Speaker 3: Oh yeah, also very influenced by The Who as well.

1295
01:08:41,920 --> 01:08:44,760
Speaker 1: Yep, yep. A lot of good power chords. Yeah, a

1296
01:08:44,800 --> 01:08:46,119
lot of power chords exactly.

1297
01:08:46,199 --> 01:08:48,079
Speaker 4: I worked one of their shows at the University of

1298
01:08:48,079 --> 01:08:52,279
New Hampshire, of all places in my yu and h

1299
01:08:53,239 --> 01:08:54,439
there were nobodies back then.

1300
01:08:54,960 --> 01:09:00,840
Speaker 1: So yeah, right, kind of go to So, Susan, what's

1301
01:09:00,840 --> 01:09:04,840
your did you tell us your worst concert? Get Susan?

1302
01:09:05,239 --> 01:09:07,319
Is that that cat? Is that? Then?

1303
01:09:07,840 --> 01:09:14,439
Speaker 15: I haven't seen her all day?

1304
01:09:14,920 --> 01:09:17,399
Speaker 1: That particular cat is a friend of the show, friend

1305
01:09:17,399 --> 01:09:22,000
of lake is attracted my voice. And there's a joke

1306
01:09:22,039 --> 01:09:25,239
in this somewhere, But I'm not going to see. What's

1307
01:09:25,279 --> 01:09:28,439
the worst You've ever seen? Susan? Is there any so I.

1308
01:09:28,359 --> 01:09:32,039
Speaker 16: Can tell you a funny story of the worst I've

1309
01:09:32,159 --> 01:09:37,119
never seen? So I paid three hundred and three dollars

1310
01:09:37,159 --> 01:09:40,640
like thirty years ago to be in like the seventh

1311
01:09:40,760 --> 01:09:44,479
row to see Sting when I was in Fort Lauderdale.

1312
01:09:44,239 --> 01:09:46,000
Speaker 1: Ding Okay, yep, go ahead.

1313
01:09:47,000 --> 01:09:51,560
Speaker 16: The day of the concert he canceled, which I only

1314
01:09:51,640 --> 01:09:53,039
heard when because.

1315
01:09:52,760 --> 01:09:54,319
Speaker 3: I happened to hear it on the radio.

1316
01:09:54,880 --> 01:09:55,039
Speaker 1: Yep.

1317
01:09:55,560 --> 01:09:59,000
Speaker 15: And the next day on the front page of the

1318
01:09:59,079 --> 01:10:10,039
Miami Herald, they had his picture and they wrote stink.

1319
01:10:08,479 --> 01:10:12,520
Speaker 1: Wow he he yeah, yeah, yeah, I mean he's.

1320
01:10:12,399 --> 01:10:15,119
Speaker 4: A interpretation of the song fields of Gold.

1321
01:10:15,359 --> 01:10:16,479
Speaker 1: Yeah.

1322
01:10:16,760 --> 01:10:17,800
Speaker 4: Gives me goosebumps.

1323
01:10:17,800 --> 01:10:20,439
Speaker 1: He didn't write then, Yeah, he didn't write Fields a goal.

1324
01:10:21,000 --> 01:10:23,880
I mean, he's a good songwriter, good bass player. The

1325
01:10:23,920 --> 01:10:26,960
Police were a great band. Superman. I'm reading Andy Summer's

1326
01:10:27,000 --> 01:10:30,600
book now and it's crazy, but you know, he's someone

1327
01:10:30,600 --> 01:10:37,640
who has the rockstar ego, you know, and the band

1328
01:10:37,680 --> 01:10:41,920
Huh did you see him in June Terrible? Yeah, he

1329
01:10:42,000 --> 01:10:45,960
was in Frankenstein. He was in a Frankistan, which was awful.

1330
01:10:45,960 --> 01:10:50,399
I was rooting for the freaking monster. He was terrible, terrible, terrible.

1331
01:10:51,560 --> 01:10:54,720
He's not an actor, but he's written some great songs.

1332
01:10:55,520 --> 01:10:57,880
He's a I think he's a great bass player. A

1333
01:10:57,920 --> 01:10:59,880
lot of people don't think he's that good, but you know,

1334
01:11:00,279 --> 01:11:02,479
the great and concent. I saw them in concert. I

1335
01:11:02,520 --> 01:11:04,720
saw them and the Go Gos open from them. Go

1336
01:11:04,720 --> 01:11:07,560
Gos are actually pretty good for you know, this is

1337
01:11:07,560 --> 01:11:11,119
the early eighties. But yes, thing but he definitely has

1338
01:11:11,159 --> 01:11:14,560
that attitude. There's no doubt about it. You know, I'm

1339
01:11:14,560 --> 01:11:16,479
just gonna throw it to Pete for saying, Pete, who's

1340
01:11:16,479 --> 01:11:19,600
the worst celebrity you ever marked? The celebrity that really

1341
01:11:20,000 --> 01:11:22,359
rubbed you the wrong way? And I don't mean that physical,

1342
01:11:25,319 --> 01:11:27,560
I don't. I don't know.

1343
01:11:29,439 --> 01:11:33,000
Speaker 2: A backstage thing that wasn't very pleasant was with the

1344
01:11:33,199 --> 01:11:33,960
zz Top.

1345
01:11:34,079 --> 01:11:37,199
Speaker 1: Those guys were not really yeah, I remember it.

1346
01:11:37,239 --> 01:11:42,800
Speaker 2: They were not very friendly, weren't really happy to meet anybody.

1347
01:11:43,199 --> 01:11:45,359
Speaker 1: And they have the beards and everything. They have the

1348
01:11:45,399 --> 01:11:46,640
beards and then and then.

1349
01:11:46,560 --> 01:11:49,560
Speaker 2: Oh yeah yeah, yeah, yeah, they just they just seemed

1350
01:11:49,560 --> 01:11:51,800
like they were in pain to have people come backstage.

1351
01:11:52,079 --> 01:11:55,600
Speaker 1: Okay, maybe they were, but you know how they shouted off.

1352
01:11:55,640 --> 01:11:58,279
You know, the zz Top started off faking as if

1353
01:11:58,319 --> 01:12:03,399
they were the uh, what's what's the British the zombies.

1354
01:12:03,720 --> 01:12:06,479
So they claimed that they were the zombies and they

1355
01:12:06,520 --> 01:12:08,960
did a tour as if they were the zombies, and

1356
01:12:09,000 --> 01:12:12,119
they spoken bad English accents and stuff, and then they

1357
01:12:12,119 --> 01:12:16,720
got their own recording contract the check.

1358
01:12:18,800 --> 01:12:18,880
Speaker 2: Ye.

1359
01:12:21,199 --> 01:12:22,000
Speaker 1: I was just going to say.

1360
01:12:22,039 --> 01:12:25,840
Speaker 2: Another guy that showed his bad mood. I don't know

1361
01:12:25,840 --> 01:12:29,359
if you remember the artist Adam Ant Oh my god, yes,

1362
01:12:30,000 --> 01:12:32,920
Well he was doing a show up in Portland. It

1363
01:12:33,039 --> 01:12:35,439
was a show for a radio station. A friend of

1364
01:12:35,479 --> 01:12:38,119
mine was the program director at the radio station invited

1365
01:12:38,119 --> 01:12:42,239
me up. So, uh, the adam ant wasn't singing with

1366
01:12:42,279 --> 01:12:44,760
a band or anything. He was singing two tracks and

1367
01:12:44,960 --> 01:12:49,239
uh had a reel of a reel of tape. And

1368
01:12:49,319 --> 01:12:52,479
so they get up on stage and they introduced him

1369
01:12:52,520 --> 01:12:54,399
and he comes running out on the stage to do

1370
01:12:54,439 --> 01:12:56,760
his thing, and they start the tape and the tape

1371
01:12:56,840 --> 01:13:04,079
is on backwards. Cool the music starts, you know, yeah man, yeah,

1372
01:13:04,439 --> 01:13:07,600
and uh he was. He threw the microphone down on

1373
01:13:07,640 --> 01:13:09,720
the stage and he ran off and went into the

1374
01:13:09,800 --> 01:13:12,359
dressing room and shut the door and wouldn't come back out.

1375
01:13:12,479 --> 01:13:17,239
Speaker 1: Okay, yes, you don't drink, don't smoke? What yeah?

1376
01:13:17,279 --> 01:13:19,119
Speaker 6: Yeah, yeah, yeah, there you go right on.

1377
01:13:19,800 --> 01:13:22,760
Speaker 2: But in uh, you know, in the radio language, we

1378
01:13:22,800 --> 01:13:25,439
would we would are recording language, you would say it

1379
01:13:25,479 --> 01:13:26,960
was it was tails out.

1380
01:13:29,159 --> 01:13:30,279
Speaker 1: Us the wrong way.

1381
01:13:30,520 --> 01:13:33,479
Speaker 2: And uh they started it and he's ready to sing

1382
01:13:33,520 --> 01:13:36,840
and it's backwards and oh he was was not talking

1383
01:13:36,840 --> 01:13:38,479
about a flash of the pan that guy.

1384
01:13:38,560 --> 01:13:44,119
Speaker 1: Yeah, but it's still throwing it turns on Bobara. Do

1385
01:13:44,159 --> 01:13:45,920
you you must have a real good one, right?

1386
01:13:46,680 --> 01:13:50,760
Speaker 12: I think I have the best one, go ahead. I

1387
01:13:50,800 --> 01:13:53,199
can't know if it was eighty four, eighty five.

1388
01:13:54,119 --> 01:14:00,800
Speaker 1: Prince oh yeah, time, yeah, really yeah, I've seen him.

1389
01:14:01,319 --> 01:14:04,720
Speaker 12: He ruined me for everybody else. Oh my god, Prince

1390
01:14:05,159 --> 01:14:07,159
and then the Time of course, Oh my god.

1391
01:14:07,119 --> 01:14:10,560
Speaker 1: Yep, his band Cheah, Yep, he was. Prince was such

1392
01:14:10,680 --> 01:14:15,039
an unbelievable guitar player. But he didn't play guitar a lot,

1393
01:14:15,279 --> 01:14:17,720
you know. I mean he was great, but a lot

1394
01:14:17,760 --> 01:14:18,920
of every played he was awesome.

1395
01:14:18,920 --> 01:14:22,560
Speaker 4: And it's funny he's never really talked about it like that.

1396
01:14:22,920 --> 01:14:25,399
What's the top five guitar players a top ten guitar

1397
01:14:25,399 --> 01:14:27,000
players show?

1398
01:14:27,840 --> 01:14:30,319
Speaker 1: Right? But he could play. Man. There's there's a tape

1399
01:14:30,319 --> 01:14:34,319
of him playing at the George Harrison tribute concert. He

1400
01:14:34,359 --> 01:14:37,079
comes out and he plays that and he's like, you

1401
01:14:37,239 --> 01:14:40,000
got to be kidding me, dude. I mean, he he's

1402
01:14:40,199 --> 01:14:43,000
just incredible. He's incredible, and the rest of the band

1403
01:14:43,119 --> 01:14:45,319
is like looking at him and oh man, this guy,

1404
01:14:45,439 --> 01:14:47,079
you know we can and his.

1405
01:14:47,119 --> 01:14:51,560
Speaker 12: Moves yeah yeah, I mean, oh my god, yeah yeah great.

1406
01:14:51,640 --> 01:14:56,640
And his famous halftime show in the rain oh.

1407
01:14:57,000 --> 01:14:59,880
Speaker 1: Yep, yep, yeah, yeah, he was really good.

1408
01:15:00,439 --> 01:15:06,359
Speaker 4: There's another artist that succumbed to the medical situation that

1409
01:15:06,439 --> 01:15:07,039
he had.

1410
01:15:08,560 --> 01:15:12,319
Speaker 12: Right after jumping off speakers and big fat heels.

1411
01:15:13,079 --> 01:15:14,760
Speaker 1: Yeah right, he had his heels are too long.

1412
01:15:15,159 --> 01:15:19,319
Speaker 4: It's bad enough to have an injury, but to be

1413
01:15:19,359 --> 01:15:24,319
poorly treated well with with knock and over. Yeah, I

1414
01:15:24,359 --> 01:15:25,840
don't think it was of his doing.

1415
01:15:25,600 --> 01:15:28,439
Speaker 1: Though, Tom Petty, same thing, Tom Petty.

1416
01:15:28,720 --> 01:15:31,439
Speaker 3: Know I was about to talk about Tom. I mean

1417
01:15:31,520 --> 01:15:35,159
that just so awful. He just wasn't going to deal

1418
01:15:35,199 --> 01:15:38,920
with it until the tour was over, and by then he.

1419
01:15:38,720 --> 01:15:41,199
Speaker 1: Was He broke a hip. He broke his hip, and

1420
01:15:41,239 --> 01:15:42,840
then he had to head a go outen tool like

1421
01:15:42,880 --> 01:15:45,560
two weeks later. So he just got loaded with painkillers

1422
01:15:46,159 --> 01:15:49,479
and did the tour and then he died shortly afterwards.

1423
01:15:49,520 --> 01:15:52,880
You know, it was a mess afswards.

1424
01:15:52,600 --> 01:15:57,159
Speaker 5: And how many how many musicians died young by crashes

1425
01:15:57,199 --> 01:15:58,520
of airplanes?

1426
01:15:58,600 --> 01:15:59,000
Speaker 1: Cars?

1427
01:15:59,000 --> 01:16:02,800
Speaker 5: Oh yeah, yeah, you know Harry Chapin, Yep, it was

1428
01:16:02,840 --> 01:16:05,239
a co crash. Yeah, I mean I saw him a

1429
01:16:05,279 --> 01:16:08,600
couple of probably a couple of weeks before he died.

1430
01:16:08,840 --> 01:16:10,760
Speaker 1: Big the Big Bopper and those guys.

1431
01:16:10,840 --> 01:16:11,039
Speaker 3: You know.

1432
01:16:11,239 --> 01:16:14,359
Speaker 1: The day the music died. Stevie ray Vaughn died in

1433
01:16:14,359 --> 01:16:19,239
a helicopter crash. That's amazing. Those little those little airplanes

1434
01:16:19,640 --> 01:16:24,119
Linen Skinning hit that story, big crash. Okay, they crashed

1435
01:16:24,159 --> 01:16:26,039
and one of the survivors he can't walk, so he

1436
01:16:26,199 --> 01:16:31,039
crawls two miles, reaches the farm and the farmer shoots him.

1437
01:16:31,640 --> 01:16:33,680
Said he's breaking into the farm. Yeah.

1438
01:16:33,760 --> 01:16:34,680
Speaker 3: The drummer.

1439
01:16:38,520 --> 01:16:42,560
Speaker 1: Eat a peach. Yeah, both both the bass player and

1440
01:16:43,960 --> 01:16:47,840
Dwayne Almond died on motorcycles almost the same place. Almost

1441
01:16:47,840 --> 01:16:51,119
a year later. I saw them at Watkins Gone after

1442
01:16:52,359 --> 01:16:54,720
Greg Almond died. They were great once again, they were

1443
01:16:54,800 --> 01:16:58,640
very jazz. I heard it was one seven fifty killed

1444
01:16:58,800 --> 01:16:59,319
that he was on.

1445
01:16:59,399 --> 01:17:02,119
Speaker 5: You know, you know, you were think it would be Harley,

1446
01:17:02,199 --> 01:17:05,119
but yeah, he was driving hont of that kind. Yeah,

1447
01:17:05,119 --> 01:17:07,560
I believe. I don't know that for a fact, but

1448
01:17:07,680 --> 01:17:09,800
I would have to check it out. And then Greg

1449
01:17:09,800 --> 01:17:11,840
Golman he carries on with the band. The band was

1450
01:17:11,880 --> 01:17:14,399
great because they got instead of another guitar player, they

1451
01:17:14,399 --> 01:17:16,840
got Chuck Lovell. It was like one of the greatest

1452
01:17:16,960 --> 01:17:20,159
you know, rock guitar pianists ever. He plays with the

1453
01:17:20,159 --> 01:17:24,560
Stones like for fifty years, really really good. And Greg

1454
01:17:24,560 --> 01:17:28,359
Almond was a really good I mean yeah, Greg Gormond

1455
01:17:28,399 --> 01:17:31,479
was the guitar player who's the Greg was. He was

1456
01:17:31,520 --> 01:17:34,119
a great keyboard player and he's a great guitar player too.

1457
01:17:34,159 --> 01:17:36,920
It's weird that he could play both. And he has

1458
01:17:36,960 --> 01:17:39,840
that famous story real quick about how his brother Dwayne

1459
01:17:39,880 --> 01:17:42,520
got out of the draft and so they said to

1460
01:17:43,199 --> 01:17:45,680
now he was going to get drafted, Greg Gorman was.

1461
01:17:45,720 --> 01:17:47,520
So the brother said, listen.

1462
01:17:47,479 --> 01:17:50,600
Speaker 1: Shoot yourself in the foot, and you know, the day

1463
01:17:50,640 --> 01:17:53,479
before you go for your you know you'll never So

1464
01:17:53,520 --> 01:17:56,600
he goes, okay. So they have a party and he says,

1465
01:17:56,640 --> 01:17:58,560
but you have to shoot yourself in the foot at

1466
01:17:58,800 --> 01:18:00,920
just the right place through the bones. You know, you

1467
01:18:00,920 --> 01:18:02,560
don't want to go through the bones, just go through

1468
01:18:02,920 --> 01:18:05,680
the fleshy pop between the bones. So they put a

1469
01:18:05,760 --> 01:18:10,199
tagging on his marks. Right, so they get drawn sharp

1470
01:18:10,479 --> 01:18:13,600
something right exactly, they get draped a boom, he shoots

1471
01:18:13,640 --> 01:18:16,079
himself in the foot. They rushed him to the emergency

1472
01:18:16,159 --> 01:18:19,680
room and the doctors looking at him, he said, what happened?

1473
01:18:19,800 --> 01:18:21,359
He says, I shot my foot? What were you doing

1474
01:18:21,600 --> 01:18:23,359
in my gun? He says, how come there's a target

1475
01:18:23,439 --> 01:18:27,960
on your shoe? But he got out of it. Yeah,

1476
01:18:28,079 --> 01:18:32,159
wow wow, yeah, So who else? Who haven't I asked,

1477
01:18:32,439 --> 01:18:37,399
they've seen that it can't have views the best of

1478
01:18:37,399 --> 01:18:39,239
the worst. Yeah, sure, well I.

1479
01:18:39,199 --> 01:18:40,840
Speaker 8: Said my worst, but I mean the best. I think,

1480
01:18:40,880 --> 01:18:43,039
you know, there's so many good ones, but I mean, honestly,

1481
01:18:43,359 --> 01:18:45,600
when I go through it, honestly, like I kind of

1482
01:18:45,680 --> 01:18:48,000
roved back to Sunny Terry and Brownie McGee.

1483
01:18:48,399 --> 01:18:48,840
Speaker 6: A friend of.

1484
01:18:48,840 --> 01:18:51,159
Speaker 8: Mine took it to me there when I was in

1485
01:18:51,319 --> 01:18:54,840
high school. Yeah, I was in high school and it's

1486
01:18:54,880 --> 01:18:57,279
still in my head, Like, I mean, I can't shake

1487
01:18:57,359 --> 01:18:59,640
that concert. It was such an amazing thing to see

1488
01:18:59,640 --> 01:19:02,720
those guys play together. And I thank him to this

1489
01:19:02,800 --> 01:19:04,720
day that he took me to it, because he was like, wow,

1490
01:19:05,319 --> 01:19:08,359
some of the founders of blues A. Just listen to

1491
01:19:08,720 --> 01:19:09,960
Sid Viser too is cool.

1492
01:19:10,000 --> 01:19:10,880
Speaker 6: That was a good one too.

1493
01:19:10,960 --> 01:19:15,399
Speaker 8: But yeah, I don't know Jethro, but you know, I

1494
01:19:15,439 --> 01:19:17,920
was gonna say though, like somebody told me a long

1495
01:19:17,960 --> 01:19:19,520
time ago, and I bet you one one can go

1496
01:19:19,560 --> 01:19:21,239
with this one was that if you ever go to

1497
01:19:21,279 --> 01:19:23,840
a concert and you're on the floor, just get up

1498
01:19:23,840 --> 01:19:26,640
and walk over to the sound guys and just down

1499
01:19:26,680 --> 01:19:30,239
there stand there, because that that will be the best.

1500
01:19:30,720 --> 01:19:33,439
Speaker 4: If you're good, if you if you're a good guy,

1501
01:19:33,479 --> 01:19:35,600
they'll fight you up on that riser so you can

1502
01:19:37,399 --> 01:19:39,880
watch the show from there, which is a good vantage point.

1503
01:19:40,399 --> 01:19:42,840
They try and they try and keep people. You got

1504
01:19:42,880 --> 01:19:45,279
to know somebody on the Rise of though try and

1505
01:19:45,319 --> 01:19:47,960
keep people out of that area. But my daughter, my

1506
01:19:48,039 --> 01:19:51,720
daughter was watching me do a Counting Crows concert in Worcester.

1507
01:19:52,279 --> 01:19:55,399
She was she was the the artist is going to

1508
01:19:56,359 --> 01:19:59,119
draw the band and draw me working hard setting up

1509
01:19:59,119 --> 01:20:04,000
that show. And they had just gotten off the Stones

1510
01:20:04,079 --> 01:20:08,399
Voodoo Lounge tour, and the guys that were doing the

1511
01:20:08,439 --> 01:20:13,880
house sound invited Allison to be on the riser, but

1512
01:20:13,960 --> 01:20:15,720
she didn't. She didn't want to do it because they

1513
01:20:15,760 --> 01:20:18,439
were they were having a mash pit. I said, a

1514
01:20:18,640 --> 01:20:24,079
wash pit with counting crows. That doesn't there was a

1515
01:20:24,159 --> 01:20:26,239
mosh pit with counting crows real quick.

1516
01:20:26,279 --> 01:20:28,439
Speaker 5: I just looked it up and Dane Duane died on

1517
01:20:28,479 --> 01:20:32,000
a Harley, So yeah, okay, that's a good story. Anyway.

1518
01:20:32,760 --> 01:20:35,560
The weirdest, the weirdest show I went to was.

1519
01:20:38,159 --> 01:20:39,640
Speaker 1: This way. You lived up in upstate and you know,

1520
01:20:39,640 --> 01:20:41,359
like someone said, hey, you want to go see Eric

1521
01:20:41,399 --> 01:20:44,199
Burden the Burden of the Animals, And at the time

1522
01:20:44,319 --> 01:20:46,640
the animals were on the same level as the Stones

1523
01:20:46,640 --> 01:20:49,319
and the Beatles. They were just as famous. But this

1524
01:20:49,399 --> 01:20:51,920
is many years later. So I okay, you know, So

1525
01:20:52,000 --> 01:20:55,199
we go into this club that's not it's not bigger

1526
01:20:55,199 --> 01:20:57,840
than the room we're in right now, okay. And that's

1527
01:20:57,960 --> 01:21:01,399
Eric Burden and it's Brian Auga from Ryan Augusts, Oblivion

1528
01:21:01,439 --> 01:21:06,479
Express and the Trinity. And he was a jazz b

1529
01:21:06,600 --> 01:21:09,920
three hmmon player and the backup band was the band

1530
01:21:09,960 --> 01:21:16,680
that did Green Eyed Lady Sugar Lagow. So we go

1531
01:21:16,800 --> 01:21:19,600
in and we got we got comp tickets. This guy

1532
01:21:19,640 --> 01:21:23,479
knew was the record you go for the Albany newspaper.

1533
01:21:24,319 --> 01:21:27,840
There was probably twenty five people there. Maybe it was

1534
01:21:27,840 --> 01:21:31,079
called Fria Tux Pub. Okay, it's one of the best

1535
01:21:31,119 --> 01:21:33,720
conscience I've ever seen. I'm telling you it was a

1536
01:21:34,039 --> 01:21:37,279
first of all, Eric Burden was such an entertainer. Were

1537
01:21:37,279 --> 01:21:40,079
talking about entertainers tonight, how to engage you on. He

1538
01:21:40,119 --> 01:21:42,279
didn't care that there were ten people there, you know,

1539
01:21:42,319 --> 01:21:44,640
he was We went to go see him after the

1540
01:21:44,680 --> 01:21:48,399
show and the addressing was literally the Janetor's room with

1541
01:21:48,479 --> 01:21:51,279
the mop on the stack. Okay, on this guy knows

1542
01:21:51,319 --> 01:21:53,560
the Stones, he knows the Beatles, but he was still

1543
01:21:53,880 --> 01:21:56,760
he was still doing it. They were really really good,

1544
01:21:56,760 --> 01:21:59,600
and Kim says, a triudin conscious stick in your mind.

1545
01:21:59,640 --> 01:22:02,000
That kind it sticks in my mind, you know. We

1546
01:22:02,079 --> 01:22:05,760
went to laugh. But it was amazing. It was amazing because.

1547
01:22:05,560 --> 01:22:08,800
Speaker 4: Animals had a repertoire that was really different from everybody else.

1548
01:22:08,840 --> 01:22:10,079
I mean the Stones that they.

1549
01:22:10,560 --> 01:22:12,760
Speaker 1: Were real blues animals, Like, yeah, all the.

1550
01:22:13,199 --> 01:22:15,680
Speaker 4: Have the yardbirds doing, they're kind of more of a

1551
01:22:15,720 --> 01:22:20,960
pumped up bluesy stuff. But the animals, yeah, they were.

1552
01:22:21,039 --> 01:22:23,880
They were just almost as fab as the Beatles. Basically

1553
01:22:23,920 --> 01:22:25,880
they were big. They were big, yeah, and they had

1554
01:22:25,880 --> 01:22:27,640
as money. You know, they had a lot of hits

1555
01:22:27,680 --> 01:22:30,039
and they were the best best animal song. What is it,

1556
01:22:30,560 --> 01:22:32,039
top number one animal song.

1557
01:22:33,800 --> 01:22:34,520
Speaker 1: House of the Rising.

1558
01:22:37,359 --> 01:22:40,000
Speaker 3: I like, don't let me be misunderstood.

1559
01:22:40,119 --> 01:22:41,920
Speaker 4: Yeah yeah, yeah, I love that.

1560
01:22:43,840 --> 01:22:47,199
Speaker 1: You know. In the go Ahead Pete, I was gonna say,

1561
01:22:47,239 --> 01:22:49,840
and we get to get out of this place. Oh yeah,

1562
01:22:49,920 --> 01:22:54,960
yeah yeah yeah. So in the Beatles song I Am

1563
01:22:55,000 --> 01:22:57,960
the lawrus right in the chorus they say, I am

1564
01:22:58,000 --> 01:22:59,640
the egg Man, you were the egg Man. I am

1565
01:22:59,640 --> 01:23:02,800
the Wall. You know the Eggman is Eric Burden. You

1566
01:23:02,840 --> 01:23:06,920
know the story, so he took off, you know, at

1567
01:23:06,960 --> 01:23:09,880
the height of their fame. He was on vacation in

1568
01:23:09,960 --> 01:23:13,720
Jamaica and he ran into a lady of the night,

1569
01:23:13,800 --> 01:23:22,000
as they say, and before she could reach maximum ecstasy,

1570
01:23:23,119 --> 01:23:25,199
she had to break an egg on his hair, on

1571
01:23:25,279 --> 01:23:28,479
his head. Okay, it's a weird fetish, I know, but

1572
01:23:28,680 --> 01:23:31,680
she would have to break an egg and then she

1573
01:23:31,760 --> 01:23:35,119
would be her fetisher his I think both of them

1574
01:23:35,159 --> 01:23:38,119
at this point now know. So John Lennon found out.

1575
01:23:38,000 --> 01:23:40,439
Speaker 4: About it, That's what they expression egging me on.

1576
01:23:40,600 --> 01:23:48,960
Speaker 1: Yeah this that too. But he was the Wow I

1577
01:23:49,039 --> 01:23:53,319
never heard? Yeah, yeah, yeah, I've heard. He's the egg

1578
01:23:53,399 --> 01:23:57,199
Man a fact. Google it right now, go ahead. I

1579
01:23:57,239 --> 01:24:00,279
knew a guy that they called butter boy because you

1580
01:24:00,479 --> 01:24:04,920
use butter but okay, well wasn't he? Should you really

1581
01:24:04,960 --> 01:24:08,199
bring them up? Now? Wow? Okay, one is read on

1582
01:24:08,319 --> 01:24:11,920
that now. So Barbara, listen, you've performed in front of

1583
01:24:11,960 --> 01:24:13,800
you know, audiences and so on. Do you ever get

1584
01:24:13,920 --> 01:24:17,479
stage fright? Because I'd be petrified to go out, and.

1585
01:24:19,399 --> 01:24:21,920
Speaker 12: You know, I think I had stage fright the very

1586
01:24:21,960 --> 01:24:27,479
first time I played. I was seventeen, doing an open stage,

1587
01:24:28,039 --> 01:24:31,039
and I was so scared and I was playing.

1588
01:24:31,079 --> 01:24:33,960
Speaker 11: You know, you play an upright piano, and it's.

1589
01:24:34,000 --> 01:24:38,560
Speaker 12: Perpendicular to the audience, yep. And so you kind of

1590
01:24:38,680 --> 01:24:42,000
just look at the piano. If you have a stage fright,

1591
01:24:42,039 --> 01:24:45,640
you're not like twisting your body around. And I played

1592
01:24:45,640 --> 01:24:49,520
this song and I got done and there was just silence,

1593
01:24:50,960 --> 01:24:54,800
and I thought, oh, okay, what am I you know,

1594
01:24:55,319 --> 01:24:57,800
Oh I must be horrible, And then you know, slowly

1595
01:24:57,800 --> 01:25:01,760
there was this yep, another place went crazy enough.

1596
01:25:02,039 --> 01:25:05,119
Speaker 11: So but yeah, not often.

1597
01:25:06,239 --> 01:25:11,239
Speaker 1: Yeah. I Matt Maley, who was the bass player for

1598
01:25:11,319 --> 01:25:13,119
Counting Crows, is a friend of the show, and he's

1599
01:25:13,159 --> 01:25:16,119
been on a number of times. And you will go

1600
01:25:16,199 --> 01:25:18,960
on YouTube and you see pictures of Counting Crows when

1601
01:25:18,960 --> 01:25:21,760
they were at the top of the game. They played

1602
01:25:21,760 --> 01:25:25,159
the fifty sixty thousand people. And I would say to him,

1603
01:25:25,399 --> 01:25:28,119
doesn't it bother you just to go? He says, you know,

1604
01:25:28,239 --> 01:25:30,840
and it's kind of really insight. He says, it's a show,

1605
01:25:31,199 --> 01:25:32,840
you know what I mean. We go out and play

1606
01:25:32,840 --> 01:25:36,319
our show, whether it's ten people fifty thousand people, we

1607
01:25:36,439 --> 01:25:38,720
play our show, you know. And that's that's another thing

1608
01:25:38,720 --> 01:25:41,199
he said. After fourteen years he was in the band

1609
01:25:41,239 --> 01:25:43,920
fourteen years. He goes, after a while, you don't know

1610
01:25:43,920 --> 01:25:45,960
if you're in Paris, you don't know. If you're in London,

1611
01:25:45,960 --> 01:25:49,439
you don't know where you are, and you're making money,

1612
01:25:49,439 --> 01:25:51,920
but you know you miss your kids, you're away from

1613
01:25:51,960 --> 01:25:52,840
the house you bought.

1614
01:25:53,800 --> 01:25:56,960
Speaker 4: I think Keith Richards said in his book that he

1615
01:25:57,520 --> 01:25:59,760
said second only to the Bible, as he would say,

1616
01:26:00,399 --> 01:26:03,720
a gig is a gig, didn't matter.

1617
01:26:03,840 --> 01:26:07,199
Speaker 12: I think though, that the bigger audiences, at least, I

1618
01:26:07,199 --> 01:26:11,439
felt like you're so disconnected from them. It's it's easy

1619
01:26:11,680 --> 01:26:15,119
just to it's a blanket of people, as opposed to

1620
01:26:15,159 --> 01:26:18,640
ten twenty five, you know, in a tight room and

1621
01:26:18,680 --> 01:26:22,359
you're looking right at him. That was that was more nervous,

1622
01:26:22,399 --> 01:26:23,319
nerve wracking for me.

1623
01:26:23,800 --> 01:26:25,439
Speaker 4: I'll have to admit right on the show that I

1624
01:26:25,479 --> 01:26:28,439
did watch the Taylor Swift documentary.

1625
01:26:27,760 --> 01:26:31,239
Speaker 1: Wow okay, wany hang on, purely out of curiosity.

1626
01:26:31,239 --> 01:26:32,760
Speaker 4: But I liked it. I liked her when she was

1627
01:26:32,800 --> 01:26:35,239
a country artist. I got a couple of one of

1628
01:26:35,279 --> 01:26:38,159
my customers burned two CDs of like her first two

1629
01:26:38,840 --> 01:26:42,159
country tinged albums, Go ahead, Yes, And we were talking

1630
01:26:42,159 --> 01:26:44,840
about Taylor Swift on that service call. It's like a

1631
01:26:44,840 --> 01:26:45,880
service call I did for you.

1632
01:26:46,079 --> 01:26:50,840
Speaker 1: Okay, okay, all right.

1633
01:26:47,159 --> 01:26:47,239
Speaker 2: We.

1634
01:26:49,960 --> 01:26:52,479
Speaker 4: Moved that's right, we moved away from the PC and

1635
01:26:52,600 --> 01:26:54,760
onto a music conversations.

1636
01:26:55,159 --> 01:26:57,840
Speaker 1: Okay, but well that's that's how I that's how I

1637
01:26:57,920 --> 01:27:01,800
met you. Right, he came down one is recommended to

1638
01:27:01,840 --> 01:27:03,880
me by my neighbor. He comes down to let's say,

1639
01:27:04,079 --> 01:27:09,359
sanitize my computer. And it takes you fifteen minutes maybe

1640
01:27:09,399 --> 01:27:12,840
of that half hour, No, it did. And then we

1641
01:27:12,960 --> 01:27:15,479
then we talked for Keith Richards for two hours. I

1642
01:27:15,520 --> 01:27:18,479
get his bills for two freaking hours.

1643
01:27:19,159 --> 01:27:20,079
Speaker 4: You got no respect.

1644
01:27:20,159 --> 01:27:25,560
Speaker 1: I gotta pay him to talk to him. So, yeah,

1645
01:27:25,600 --> 01:27:29,439
that's true. So I think of other bands I've seen.

1646
01:27:29,520 --> 01:27:32,359
I mean I've seen you know, I've seen yes a

1647
01:27:32,399 --> 01:27:34,640
bunch of times, seeing Jethro Tull a bunch of times.

1648
01:27:34,720 --> 01:27:37,399
Dia Straits really impressed me, you know when they were

1649
01:27:37,479 --> 01:27:40,319
kind of the head of the powers saw in Albany,

1650
01:27:40,399 --> 01:27:44,319
and they were they were moved jazz band. Incredible musicians,

1651
01:27:44,359 --> 01:27:47,000
just incredible. I'm talking about playing note for note, but

1652
01:27:47,079 --> 01:27:50,119
even kind of making the making the song sounded a

1653
01:27:50,159 --> 01:27:52,800
little different like the Police. I saw the police, like

1654
01:27:52,800 --> 01:27:55,239
I said, the go go's open for him. This is

1655
01:27:55,279 --> 01:27:59,680
Boston God. And they played all the songs one one beat,

1656
01:28:00,079 --> 01:28:04,000
you know, one measure faster. Okay, they played everything faster

1657
01:28:04,640 --> 01:28:07,079
and pete. Isn't it an old radio thing that you

1658
01:28:07,079 --> 01:28:09,239
would you put on the song, but you would turn

1659
01:28:09,279 --> 01:28:12,359
on a little bit faster than forty five r pm

1660
01:28:12,439 --> 01:28:15,159
to make the sound more a little more exciting. Yeah.

1661
01:28:15,199 --> 01:28:19,520
Speaker 2: A lot of uh, a lot of stations did that

1662
01:28:19,720 --> 01:28:22,119
just to yeah, make it sound more upbeat, like the

1663
01:28:22,159 --> 01:28:24,720
whole just to keep the momentum going.

1664
01:28:24,800 --> 01:28:28,279
Speaker 5: Now, when I was a kid, go you can figure

1665
01:28:28,800 --> 01:28:32,399
different bands. Remember seeing Bob Seger one time at time,

1666
01:28:33,680 --> 01:28:37,880
like the music hall or something small, small venue, yeah, place,

1667
01:28:37,960 --> 01:28:43,239
Harry Chapin, Harry chap stuff like that. Those were really small,

1668
01:28:43,600 --> 01:28:45,119
yeah right, yeah, yeah.

1669
01:28:45,760 --> 01:28:51,359
Speaker 4: America remember America? Oh yeah, yeah, that place in Danvers.

1670
01:28:51,560 --> 01:28:55,640
Uh something on the green.

1671
01:28:55,680 --> 01:28:58,399
Speaker 1: What is that, Lenny's, Lenny's on the Green, Lenny's on

1672
01:28:58,439 --> 01:29:01,079
the Green. Yeah, really, horse with no name. That was

1673
01:29:01,760 --> 01:29:05,920
famous Dan's place too, Lenny's on the Turnpike, and it

1674
01:29:06,000 --> 01:29:07,640
was Tavern on the Green up at the top of

1675
01:29:07,680 --> 01:29:08,039
That's right.

1676
01:29:08,079 --> 01:29:10,239
Speaker 4: It was one of those on the somethings, Lenny's on

1677
01:29:10,279 --> 01:29:10,760
the something.

1678
01:29:11,560 --> 01:29:14,479
Speaker 1: Yeah, America, America, Well, now I just came up. I

1679
01:29:14,560 --> 01:29:18,000
just thought of another really bad concert I saw, and

1680
01:29:18,000 --> 01:29:21,159
he's gonna laugh at this. It was Pete Best playing

1681
01:29:21,199 --> 01:29:25,319
at the Topsfield Fair. Pete Best really yeah, really so

1682
01:29:25,479 --> 01:29:28,279
Lewis and I when we find out, I said Lois, well,

1683
01:29:28,359 --> 01:29:30,840
we got to get tickets. This place is gonna be mobbed, okay,

1684
01:29:31,000 --> 01:29:33,359
just to see Pete Best. Pete Best was the original

1685
01:29:33,479 --> 01:29:37,479
drummer for the Beatles, soil Ringo took his place. And

1686
01:29:37,560 --> 01:29:39,960
so we go and we are maybe one of a

1687
01:29:40,079 --> 01:29:42,880
hundred one hundred people there maybe, And it's a it's

1688
01:29:42,920 --> 01:29:45,479
a it's a venue for maybe was it a meet

1689
01:29:45,520 --> 01:29:48,159
and greet as well? No, no way, no, no. And

1690
01:29:48,439 --> 01:29:50,720
and from the first sign you can tell why the

1691
01:29:50,720 --> 01:29:53,159
Beatles got rid of him, because he's a terrible drummer.

1692
01:29:53,239 --> 01:29:55,880
He's just awful. And he had some Beatles, you know,

1693
01:29:56,319 --> 01:29:58,600
but he's Pete Best cover a bit. Well. Listen, we're

1694
01:29:58,720 --> 01:30:01,000
listening to him and the cow a moon right next

1695
01:30:01,039 --> 01:30:04,279
door and sells smells like Pashman or.

1696
01:30:04,359 --> 01:30:05,000
Speaker 4: I love the fair.

1697
01:30:05,119 --> 01:30:07,920
Speaker 1: Oh yeah, yeah, he used to. Now it's just a carnival.

1698
01:30:08,239 --> 01:30:10,600
But here's the horrible Yeah, top Field. I go there

1699
01:30:10,640 --> 01:30:13,840
for the food. Here's the people watching me. So here's

1700
01:30:13,880 --> 01:30:15,800
the thing. About Pete Best. So when they came out

1701
01:30:15,800 --> 01:30:19,239
with the anthology, which was now was it thirty years ago?

1702
01:30:19,319 --> 01:30:23,079
It was in the nineties, Okay, Yeah, they included six

1703
01:30:23,199 --> 01:30:25,239
songs that he played on and it was worth two

1704
01:30:25,279 --> 01:30:28,479
and a half million dollars to them. Okay, so he's

1705
01:30:28,800 --> 01:30:33,199
he's not wanting for money, that guy anymore. So is

1706
01:30:33,239 --> 01:30:35,359
the time we've gone around to everyone who's seen the

1707
01:30:35,359 --> 01:30:36,199
best and the worst?

1708
01:30:36,920 --> 01:30:40,720
Speaker 4: How about the best venues to see a concert.

1709
01:30:40,000 --> 01:30:41,560
Speaker 1: Music hall in Boston? For me?

1710
01:30:41,800 --> 01:30:44,640
Speaker 4: The now the Lang Center. Yeah, it's a great it's

1711
01:30:44,640 --> 01:30:47,960
an I saw yes at the Wang Center. There other incarnation.

1712
01:30:48,880 --> 01:30:51,600
If you ever go to that big tent in Boston

1713
01:30:51,760 --> 01:30:53,760
you hobicide. Yeah, it's not there anymore.

1714
01:30:53,880 --> 01:30:57,039
Speaker 1: I've seen a few and there. Yeah. I suck Kansas

1715
01:30:57,079 --> 01:31:00,720
there and play with Yes and yeah. It was all right,

1716
01:31:00,840 --> 01:31:03,039
you know, I was right down the water. But the

1717
01:31:03,079 --> 01:31:05,560
Boston Garden was the worst, the old Boston gotten.

1718
01:31:05,800 --> 01:31:07,640
Speaker 4: There was a lot of cool venues here back in

1719
01:31:07,640 --> 01:31:13,000
the sixties of the the uh the Boston Tea Party. Yeah,

1720
01:31:13,000 --> 01:31:16,399
I saw a lot of bands. The Commodore Ballroom, places

1721
01:31:16,439 --> 01:31:19,159
in Lowell, the rat.

1722
01:31:19,039 --> 01:31:25,119
Speaker 12: Scala, yeah, wow, First Avenue where First Avenue.

1723
01:31:24,880 --> 01:31:29,960
Speaker 11: Minneapolis, Minneapolis Avenue from famous venue. Yeah.

1724
01:31:30,000 --> 01:31:30,279
Speaker 1: Wow.

1725
01:31:30,760 --> 01:31:33,199
Speaker 4: I love it when places are famous because so many

1726
01:31:33,199 --> 01:31:40,520
people play there. You know, you play open for power yep. Power.

1727
01:31:40,760 --> 01:31:44,000
Speaker 1: Yeah, okay, only so much on the ground. They were great.

1728
01:31:44,079 --> 01:31:47,960
They were band, another great band. Yeah yeah, yep, super

1729
01:31:48,000 --> 01:31:55,880
dupervan wowgot the old Boston Garden. Yep. I saw them

1730
01:31:55,920 --> 01:32:01,119
once too, Yep, still around, still around there, good, Yes,

1731
01:32:01,600 --> 01:32:02,600
we saw them recently.

1732
01:32:02,640 --> 01:32:05,600
Speaker 7: They play with some of the other jazz bands up

1733
01:32:05,600 --> 01:32:07,760
in the cab at Theater in Beverly.

1734
01:32:08,239 --> 01:32:10,039
Speaker 1: Oh yeah, they had a cool place yep.

1735
01:32:10,479 --> 01:32:13,640
Speaker 7: Oh yeah. You know, my taste for jazz have evolved

1736
01:32:13,680 --> 01:32:16,039
over the last thirty years, and I like a lot

1737
01:32:16,079 --> 01:32:18,520
of the smooth jazz of what they call what the

1738
01:32:18,520 --> 01:32:21,119
fusion jazz, you know, spiral gyra.

1739
01:32:21,439 --> 01:32:25,079
Speaker 1: Yeah, wow, club stepping out, oh.

1740
01:32:25,079 --> 01:32:28,319
Speaker 7: Spiral job. We just saw them with them the last year.

1741
01:32:28,720 --> 01:32:32,079
Speaker 1: Yeah really, yeah, they were terrific. I'll tell you, great

1742
01:32:32,119 --> 01:32:33,039
jazz usion band.

1743
01:32:33,119 --> 01:32:37,319
Speaker 5: What about those cruises, those like the oldest cruises of

1744
01:32:37,399 --> 01:32:39,359
the blues cruises and yeah, you.

1745
01:32:39,359 --> 01:32:40,720
Speaker 1: Go out for a week, you know, I don't know

1746
01:32:40,960 --> 01:32:42,920
on a cruise. I just want to know because I

1747
01:32:42,960 --> 01:32:45,720
knew someone we were doing work with someone who actually

1748
01:32:46,760 --> 01:32:48,720
pott in one of those things. And the first one

1749
01:32:48,760 --> 01:32:53,720
was was a heavy metal cruise and they sold twenty

1750
01:32:53,760 --> 01:32:58,760
five hundred tickets to heavy metal fans, and then the

1751
01:32:58,800 --> 01:33:01,319
other twenty five hundred takes. It's where people who had

1752
01:33:01,359 --> 01:33:04,279
no idea they run a heavy metal cruise. Oh wow,

1753
01:33:04,399 --> 01:33:07,119
that went well. So this thing goes and they they

1754
01:33:07,159 --> 01:33:09,560
missed that, you know, they lose three people in Jamaica

1755
01:33:09,800 --> 01:33:13,119
right off the back, okay, uh and then when they

1756
01:33:13,119 --> 01:33:15,600
came when and then the second one was called Cruise

1757
01:33:16,359 --> 01:33:19,000
Cruise to the Edge, which was the yes one okay

1758
01:33:19,039 --> 01:33:21,520
that we were kind of involved in, and it was yes,

1759
01:33:21,680 --> 01:33:24,119
it was camel it was there was like at least

1760
01:33:24,159 --> 01:33:26,840
fifteen bands on that, okay. And like one of the

1761
01:33:26,840 --> 01:33:28,800
members of the Moody Blues are going, where are they

1762
01:33:28,840 --> 01:33:32,279
paying these guys? They must be paying and they helicopter in.

1763
01:33:32,359 --> 01:33:35,039
They don't stay on the you know, but what do

1764
01:33:35,079 --> 01:33:37,000
you what do you pay? And they say, what if

1765
01:33:37,039 --> 01:33:40,680
you take a cruise, you know, a musical cruise, you're

1766
01:33:40,720 --> 01:33:43,880
paying double what you would pay normally if you were

1767
01:33:43,960 --> 01:33:45,479
just going to Jamaica or whatever.

1768
01:33:45,479 --> 01:33:47,640
Speaker 5: I just found out and I had no idea. They

1769
01:33:47,720 --> 01:33:51,199
actually have Star Trek themed ones where they have stars

1770
01:33:51,239 --> 01:33:54,239
from the show. Yeah, on the bruise and come to

1771
01:33:54,319 --> 01:33:56,800
sit down and hobnob with you. You have to hobnob.

1772
01:33:56,880 --> 01:33:59,279
That's another thing you do. You if you're not like

1773
01:33:59,279 --> 01:34:01,479
the Moody Blues, you have to stay in the ship

1774
01:34:01,600 --> 01:34:05,039
and hobnob with the fans. That's part of the experience.

1775
01:34:05,279 --> 01:34:09,319
Like Captain Kirk was walking around. I'm ninety something years old,

1776
01:34:09,319 --> 01:34:12,159
He's walking around. How much money they paying. They got

1777
01:34:12,199 --> 01:34:14,239
to be paying on a million bucks to be up

1778
01:34:14,239 --> 01:34:17,319
the cruise at least, right, So there's a lot adults.

1779
01:34:17,359 --> 01:34:19,880
Speaker 1: There's a lot of foreigners on a cruise. I'm sure

1780
01:34:19,880 --> 01:34:22,279
they Yeah, yeah, they all are, you know with with

1781
01:34:22,399 --> 01:34:25,079
lou Graham and the it's big money. It's big money.

1782
01:34:25,239 --> 01:34:32,399
There was a tour they did one recently. It was like, oh,

1783
01:34:32,560 --> 01:34:36,640
you know the old, the old they were together. Yeah,

1784
01:34:36,720 --> 01:34:38,359
I saw that up at Hampton.

1785
01:34:38,079 --> 01:34:40,720
Speaker 4: Them but half of the most of the happy together

1786
01:34:40,760 --> 01:34:44,399
now that not even with us.

1787
01:34:44,479 --> 01:34:46,439
Speaker 1: We saw them last year and it was like we

1788
01:34:46,479 --> 01:34:49,479
were all excited because the association was there. They were terrible.

1789
01:34:49,920 --> 01:34:54,119
The Turtles had had one guy, that guy mock Calling.

1790
01:34:54,359 --> 01:34:56,560
He died like three months later and the lead singer

1791
01:34:56,640 --> 01:34:58,920
for the Turtles was the lead singer for the Achies

1792
01:34:58,960 --> 01:35:01,079
when he announced that I the lowest. We're out of

1793
01:35:01,119 --> 01:35:02,800
here and we left.

1794
01:35:03,439 --> 01:35:06,239
Speaker 4: We want authenticity, I don't care if you're dead or whatever.

1795
01:35:06,319 --> 01:35:06,880
We want.

1796
01:35:07,680 --> 01:35:09,880
Speaker 1: And it was in and the guy from Bad Thing

1797
01:35:10,039 --> 01:35:12,760
was there. He was awful. He died about six months later.

1798
01:35:12,840 --> 01:35:15,560
You know who the best remember of suicides all over

1799
01:35:15,560 --> 01:35:18,760
the place. The Bad Thing has a bit problem. The

1800
01:35:18,760 --> 01:35:22,399
best dr band was the Councils. The Councils came out

1801
01:35:22,399 --> 01:35:24,920
and they did their hits and they were really good,

1802
01:35:25,000 --> 01:35:26,960
you know, and then the restauran was like kind of

1803
01:35:27,000 --> 01:35:29,840
down the drain, and the Turtles were very, very disappointed.

1804
01:35:29,920 --> 01:35:32,079
So it was the association because you always think that

1805
01:35:32,119 --> 01:35:35,079
they're going to be you know, harmedies and yeah, no.

1806
01:35:35,880 --> 01:35:39,600
Plus it was in the beautiful Cain I love, which

1807
01:35:39,600 --> 01:35:40,199
you can't be for.

1808
01:35:40,600 --> 01:35:43,760
Speaker 4: I saw the doors there. I saw the doors there

1809
01:35:43,920 --> 01:35:45,000
nineteen sixty six.

1810
01:35:45,079 --> 01:35:46,079
Speaker 1: And still that.

1811
01:35:46,199 --> 01:35:51,359
Speaker 2: Last season for them, right now, right drawing they turned

1812
01:35:51,359 --> 01:35:51,920
down the Hampton.

1813
01:35:52,239 --> 01:35:55,199
Speaker 4: Yeah, wait a minute, is this season the last season

1814
01:35:55,239 --> 01:35:56,840
or is it next season the last season?

1815
01:35:56,920 --> 01:36:00,520
Speaker 1: I think this this summer is the last summer, the last. Really,

1816
01:36:01,319 --> 01:36:04,000
it's massive what they're going to build there. Yeah yeah,

1817
01:36:04,159 --> 01:36:07,600
I mean you talk about how many hundreds of condos.

1818
01:36:07,680 --> 01:36:11,359
This is the beach, New Hampshire, which is a very just.

1819
01:36:11,359 --> 01:36:14,439
Speaker 5: Right next to the Seabrook Nuclear power plant. We don't

1820
01:36:14,439 --> 01:36:16,680
mention that which you can't get away from.

1821
01:36:17,399 --> 01:36:20,000
Speaker 4: Yeah, well we got the sound system, we got the

1822
01:36:20,159 --> 01:36:24,039
alert sound system, sirens everywhere islands.

1823
01:36:24,079 --> 01:36:26,439
Speaker 3: Those of us who live in New Hampshire, by the way,

1824
01:36:26,479 --> 01:36:30,159
we keep away from Hampton Beach because it's you know,

1825
01:36:30,199 --> 01:36:31,800
it's a huge tourist trap.

1826
01:36:34,560 --> 01:36:35,479
Speaker 11: I think I've been there.

1827
01:36:36,039 --> 01:36:39,359
Speaker 4: Well, I mean, but I've been there at the hotel

1828
01:36:40,720 --> 01:36:44,000
beaches Ashworth, Yes, yeah, the Ashworth.

1829
01:36:44,319 --> 01:36:46,920
Speaker 1: There's a lot of French Canadians. It's it's it's, you know,

1830
01:36:47,119 --> 01:36:49,600
kind of vacation for them coming down from the Not

1831
01:36:49,720 --> 01:36:51,720
that we don't love the Canadians, we do, but they're

1832
01:36:51,760 --> 01:36:53,159
French Canadians, you know what I mean.

1833
01:36:54,319 --> 01:36:59,760
Speaker 5: The guys wear these bathing suits that are yeah yes, wow, holy.

1834
01:36:59,520 --> 01:37:02,439
Speaker 1: Macro take that that large.

1835
01:37:02,479 --> 01:37:08,039
Speaker 5: You shouldn't be wearing something. Hampton used to be the

1836
01:37:08,039 --> 01:37:11,960
place just see and be seen. Oh yeah, we take

1837
01:37:12,000 --> 01:37:17,079
the yea right up barefoot, Yeah yeah.

1838
01:37:18,119 --> 01:37:24,439
Speaker 1: Naked, naked, naked blinks fried dough and man, fried dough

1839
01:37:24,479 --> 01:37:27,880
You kidding with that apple stuff on it? Yeah? Whatever

1840
01:37:27,920 --> 01:37:28,279
that is?

1841
01:37:28,520 --> 01:37:28,720
Speaker 3: Yeah?

1842
01:37:28,960 --> 01:37:31,039
Speaker 1: Yeah, well uh well.

1843
01:37:32,119 --> 01:37:33,760
Speaker 4: Barbara, did you have fried dough when you were at

1844
01:37:33,800 --> 01:37:34,640
the Ashworth as.

1845
01:37:34,560 --> 01:37:37,560
Speaker 12: You just walk down the street to I don't think

1846
01:37:37,600 --> 01:37:39,880
I was eating fried dough at the time.

1847
01:37:42,399 --> 01:37:44,680
Speaker 11: Wow, give up fried dough a while back.

1848
01:37:47,319 --> 01:37:47,640
Speaker 3: Links.

1849
01:37:47,920 --> 01:37:50,199
Speaker 4: You haven't eaten fried dough until they've had blinks fried

1850
01:37:50,239 --> 01:37:56,199
dough with fixing the coast with fix Yeah, but sugar

1851
01:37:56,319 --> 01:38:00,439
was it was part of it. But the apples sauce

1852
01:38:00,560 --> 01:38:01,039
kind of.

1853
01:38:02,840 --> 01:38:03,239
Speaker 3: Whatever.

1854
01:38:03,319 --> 01:38:08,199
Speaker 5: That was some kind of I'm Hampton Beach used to

1855
01:38:08,279 --> 01:38:13,119
go from maybe four police officers in the winter to

1856
01:38:13,199 --> 01:38:16,840
about one hundred in the summer. And it's a dry town.

1857
01:38:17,920 --> 01:38:21,000
And they would throw you in jail if you looked

1858
01:38:21,000 --> 01:38:21,319
at them.

1859
01:38:21,640 --> 01:38:23,600
Speaker 1: And what they would do is they would cuff you

1860
01:38:23,760 --> 01:38:27,239
and walk you through the crowd the walk of shame,

1861
01:38:27,399 --> 01:38:28,079
Walk of shame.

1862
01:38:28,359 --> 01:38:28,600
Speaker 3: Man.

1863
01:38:29,600 --> 01:38:31,680
Speaker 1: But wait a minute, the police station looks like the

1864
01:38:31,800 --> 01:38:34,000
rice dog that police that.

1865
01:38:34,000 --> 01:38:37,560
Speaker 4: Cruise must I cruised in my Mustang convertible Hampton Beach

1866
01:38:38,399 --> 01:38:43,319
day in and day out. Salisbury Beach, uh low hotspots,

1867
01:38:44,720 --> 01:38:50,760
but you get lost. Hampshire didn't have an open container

1868
01:38:50,840 --> 01:38:54,520
law for a while. You could be sitting there talking

1869
01:38:54,560 --> 01:38:59,000
to a cop with your can of bud on the windows.

1870
01:38:59,000 --> 01:39:01,520
Still hold it, officer, how's it going on? How you doing?

1871
01:39:01,520 --> 01:39:03,800
You guys doing okay? Yeah, he's okay.

1872
01:39:04,239 --> 01:39:08,239
Speaker 5: We'd be up at Hampton the bike there was no

1873
01:39:08,359 --> 01:39:13,479
helmet law and we'd be barefoot with a bathing suit on.

1874
01:39:13,840 --> 01:39:16,720
Go ahead on a motorcycle, riding up and down the

1875
01:39:16,840 --> 01:39:20,039
you know the strip did you have did you wear anywhere?

1876
01:39:20,199 --> 01:39:20,399
Speaker 1: You know?

1877
01:39:20,600 --> 01:39:24,319
Speaker 5: No, I'm you know I had the George you know,

1878
01:39:24,359 --> 01:39:25,520
the cut off jeans short?

1879
01:39:25,920 --> 01:39:26,279
Speaker 1: Yeah, j.

1880
01:39:30,279 --> 01:39:32,479
Speaker 4: What are those things the girls are wearing now? They're

1881
01:39:32,520 --> 01:39:36,079
like they're like yoga pants, but they're like yoga shorts

1882
01:39:36,159 --> 01:39:36,920
or something.

1883
01:39:38,199 --> 01:39:38,479
Speaker 1: Shorts.

1884
01:39:38,479 --> 01:39:40,159
Speaker 4: You're so tight and unbelievable.

1885
01:39:40,359 --> 01:39:43,159
Speaker 1: It's like, what is it not a different show?

1886
01:39:43,640 --> 01:39:44,199
Speaker 4: What is that?

1887
01:39:44,479 --> 01:39:44,960
Speaker 1: What is that.

1888
01:39:45,239 --> 01:39:46,600
Speaker 3: Different that I wear?

1889
01:39:48,840 --> 01:39:53,840
Speaker 12: No, listen, you get to be young in most situations

1890
01:39:54,039 --> 01:39:57,359
crime if you really look at the people wearing them.

1891
01:39:57,640 --> 01:40:00,760
Speaker 5: Really yeah, just go to Walmart. Look what they're wear

1892
01:40:00,760 --> 01:40:01,960
when they're on their pajamas.

1893
01:40:02,079 --> 01:40:03,920
Speaker 1: Is that a cat? Is that a cat on your

1894
01:40:04,800 --> 01:40:07,319
Oh that's a dog. I'm sorry, it looks like a cat. Well,

1895
01:40:07,359 --> 01:40:08,960
listen on that note where you have to bring the

1896
01:40:09,000 --> 01:40:11,479
ship into the station. Yeah, you know, we have so

1897
01:40:11,560 --> 01:40:13,439
much fun the ship into the dogs.

1898
01:40:13,359 --> 01:40:14,720
Speaker 15: Tell about music joke?

1899
01:40:14,840 --> 01:40:16,039
Speaker 1: Oh please do please?

1900
01:40:16,880 --> 01:40:17,239
Speaker 15: All right?

1901
01:40:17,439 --> 01:40:17,760
Speaker 6: Ready?

1902
01:40:20,079 --> 01:40:24,720
Speaker 15: What does the drummer name his twin daughters?

1903
01:40:25,880 --> 01:40:28,079
Speaker 1: What does a drummer name his twin daughters?

1904
01:40:28,159 --> 01:40:31,000
Speaker 15: Go and a one and a two?

1905
01:40:35,159 --> 01:40:36,359
Speaker 4: You had a Beatles trivia?

1906
01:40:36,680 --> 01:40:37,880
Speaker 1: I have a Beatles trivia question?

1907
01:40:38,039 --> 01:40:39,920
Speaker 4: Well, Beatles trivia question.

1908
01:40:40,199 --> 01:40:40,880
Speaker 1: Okay, ready, this.

1909
01:40:40,960 --> 01:40:43,520
Speaker 3: Is only we hold on. We've only waited two hours.

1910
01:40:43,760 --> 01:40:46,800
Speaker 1: This is a deep, deep dive and we it's it's

1911
01:40:46,840 --> 01:40:48,920
a question with no answer. I don't think we're going

1912
01:40:49,000 --> 01:40:55,760
to know the answer. Okay, ready, all right, shoe. How

1913
01:40:55,840 --> 01:40:57,560
many left handed beatles are there?

1914
01:41:00,920 --> 01:41:01,800
Speaker 4: They're all left handed?

1915
01:41:03,439 --> 01:41:06,840
Speaker 1: McCartney, isn't all of them have left hands? Very good?

1916
01:41:11,159 --> 01:41:12,560
Speaker 3: Was worth the price of admission.

1917
01:41:13,119 --> 01:41:15,079
Speaker 4: It's like how many people are dead in that cemetery?

1918
01:41:15,920 --> 01:41:18,039
Speaker 1: So two of them, two of them the left handed.

1919
01:41:18,119 --> 01:41:21,439
Ringo and Paul mccttney are left handed. Right. Do you

1920
01:41:21,560 --> 01:41:27,920
know the history of how Octopuses Gotten was written? I

1921
01:41:28,000 --> 01:41:32,119
think I might have told ring ring he left the band.

1922
01:41:32,239 --> 01:41:35,560
He was on Peter Cella's yacht and they were telling

1923
01:41:35,640 --> 01:41:38,359
him about the octopuses, and that's how he He says,

1924
01:41:38,399 --> 01:41:41,199
I brought my guitar with me, and he knows three

1925
01:41:41,319 --> 01:41:44,000
chords and he played there. Does he play a left

1926
01:41:44,039 --> 01:41:47,000
handed guitar? That's the question. How do you know?

1927
01:41:47,640 --> 01:41:49,439
Speaker 4: Because I've never seen him play a left handed Have

1928
01:41:49,479 --> 01:41:49,600
you have.

1929
01:41:49,600 --> 01:41:53,279
Speaker 5: Seen him play a guitar? How many left handed guitars

1930
01:41:53,279 --> 01:41:54,920
are floating around? If you don't, well, if you have

1931
01:41:55,000 --> 01:41:57,760
the beatles, you're gonna have a left handed He's not

1932
01:41:57,800 --> 01:42:00,880
a guitar player. So I would say it was they

1933
01:42:00,920 --> 01:42:03,079
could get their own jets. You know, they got a

1934
01:42:03,479 --> 01:42:07,159
six street the guitar. Everybody that I've ever known I

1935
01:42:07,279 --> 01:42:10,680
played guitar personally was right handed and they would hand

1936
01:42:10,760 --> 01:42:13,159
me a guitar and saya, yeah.

1937
01:42:13,560 --> 01:42:16,079
Speaker 1: Left handed Italian. And I'm like, I'm a left handed Italian.

1938
01:42:16,119 --> 01:42:19,520
This is gonna be a Whisney ordiate. I'm sorry, that's

1939
01:42:20,279 --> 01:42:24,159
my little brother. Okay, wow, okay, well that's what we

1940
01:42:24,239 --> 01:42:27,359
waited for. That's the that's the punchline. Wow, all right,

1941
01:42:27,359 --> 01:42:30,680
I don't go to thank everybody. Now, one more question, Dawson,

1942
01:42:30,680 --> 01:42:32,720
your league guitar player, what kind of guitar do you have?

1943
01:42:34,399 --> 01:42:36,520
Speaker 9: I got a few. I got a nineteen sixty nine

1944
01:42:37,039 --> 01:42:39,960
gold top less Paul Killed.

1945
01:42:44,359 --> 01:42:52,479
Speaker 10: Nineteen seventy six telecaster with the configuration of Jeff Beck's

1946
01:42:52,560 --> 01:42:55,079
one humbucker and one single goal I pick up.

1947
01:42:55,119 --> 01:42:57,359
Speaker 9: Those are my my go to electric guitars.

1948
01:42:57,520 --> 01:43:00,840
Speaker 1: Yeah, yeah, I'll bet so it your opinion. Who's the

1949
01:43:00,880 --> 01:43:04,039
best guitar player? I have five? Okay, Jeff Beck is

1950
01:43:04,119 --> 01:43:04,720
in the five.

1951
01:43:04,840 --> 01:43:08,159
Speaker 10: Yeah, I've got a bunch, but two I I feel

1952
01:43:08,439 --> 01:43:12,920
move me the most are probably Gary Moore, Jeff Beck

1953
01:43:13,000 --> 01:43:13,479
and Cardinals.

1954
01:43:13,520 --> 01:43:14,039
Speaker 9: Santana.

1955
01:43:14,399 --> 01:43:15,199
Speaker 1: Yeah, Santana.

1956
01:43:15,319 --> 01:43:15,520
Speaker 3: Yeah.

1957
01:43:16,159 --> 01:43:18,840
Speaker 1: I've seen Santana live a couple bunch of times. Man,

1958
01:43:18,880 --> 01:43:22,920
They're always good. They're just crazy good movie.

1959
01:43:23,840 --> 01:43:24,960
Speaker 4: I saw Santana once.

1960
01:43:25,199 --> 01:43:28,600
Speaker 1: Yeah. There they open for led Zeppelin really yeah, huh.

1961
01:43:28,840 --> 01:43:31,399
Speaker 4: I saw at the Bust and Tea sixty nine in Chicago.

1962
01:43:31,880 --> 01:43:33,800
Speaker 1: At the Bust and Teapot was probably about the size

1963
01:43:33,800 --> 01:43:35,760
of this room too, a little bit bigger. And I

1964
01:43:35,800 --> 01:43:38,279
saw them there so with b B King of all people.

1965
01:43:38,920 --> 01:43:43,600
Speaker 4: Oh wow, Santana has just gotten off their woodstock claim

1966
01:43:43,680 --> 01:43:46,359
to fame. Yeah, yep, and led Zeppelin two was just

1967
01:43:46,439 --> 01:43:47,960
about to be released when I saw them.

1968
01:43:48,239 --> 01:43:51,079
Speaker 1: The drummer was twenty years old. What's his name Michael

1969
01:43:52,199 --> 01:43:56,800
Michael Shreve and the player Anthony Dunbar was also like

1970
01:43:57,079 --> 01:43:58,560
just a very young guy and all of a sudden

1971
01:43:58,560 --> 01:44:01,000
they're playing a woodstock. All right, we got it. It's

1972
01:44:01,000 --> 01:44:04,399
time to say goodbye. Okay, so we're gonna say goodnight

1973
01:44:04,479 --> 01:44:08,000
to Dawson. First, let's gimm a clapp. He's a Canadian

1974
01:44:08,039 --> 01:44:14,720
in Mexico. Okay, south of the border down Mexico. Way

1975
01:44:15,119 --> 01:44:17,439
next time, play the tough for us. Okay. Those those

1976
01:44:17,520 --> 01:44:20,319
that that less Paul must be just the best man.

1977
01:44:20,439 --> 01:44:22,800
That thing is, I mean, those are iconic.

1978
01:44:23,039 --> 01:44:25,439
Speaker 4: I've got a Mary Ford guilely you know, do you

1979
01:44:25,520 --> 01:44:28,439
really know Paul? And Mary Ford is does she know

1980
01:44:28,560 --> 01:44:29,920
you have it? Crushing it?

1981
01:44:30,560 --> 01:44:33,880
Speaker 1: Yeah? Less fall and Mary four with the people first

1982
01:44:33,880 --> 01:44:36,399
people did double tracking. That was the thing that were

1983
01:44:36,439 --> 01:44:37,880
we able to High is the Moon?

1984
01:44:37,960 --> 01:44:39,560
Speaker 4: Great song? Let's play that. I think I got that

1985
01:44:39,640 --> 01:44:42,920
on forty five. Brought my forty five collection with me.

1986
01:44:42,960 --> 01:44:43,720
That would have take a while.

1987
01:44:43,880 --> 01:44:45,560
Speaker 1: He was in a tower accident where he was in

1988
01:44:45,680 --> 01:44:47,560
a ditch for a day and a half and when

1989
01:44:47,600 --> 01:44:50,479
they put his arm back together that he said, they

1990
01:44:50,560 --> 01:44:53,279
want to take it off, but he said, no, choose

1991
01:44:53,359 --> 01:44:55,000
it in the way that I can still hold the

1992
01:44:55,039 --> 01:45:00,199
pick and that's how he that's how he played in. Okay,

1993
01:45:00,279 --> 01:45:02,880
so Dawstin, thanks for joining us. Do we clap from this?

1994
01:45:03,000 --> 01:45:12,960
Clap from again? Yeah, thanks for having Canadian Mexican also. Okay, now, Barbara,

1995
01:45:13,159 --> 01:45:15,079
we're going to say goodbye to you. Thank you, Bob

1996
01:45:15,199 --> 01:45:19,000
for joining us in class. Thank you, thank you. Okay,

1997
01:45:20,479 --> 01:45:25,439
Camptain beach again soon and you're next time you write,

1998
01:45:25,439 --> 01:45:27,239
you got to do that sign that we love dancing

1999
01:45:27,319 --> 01:45:29,760
on them dancing on the beach. Yeah, really nice.

2000
01:45:29,640 --> 01:45:34,439
Speaker 6: Sign video video, Barbara. Oh, thank you, it's awesome.

2001
01:45:35,520 --> 01:45:37,880
Speaker 1: Thank you, Bobara. We really appreciate it. We'll talk to

2002
01:45:37,880 --> 01:45:41,600
you soon. Okay, bye Barbara. Okay, be careful of that weather.

2003
01:45:41,720 --> 01:45:42,039
Speaker 4: The weather.

2004
01:45:42,239 --> 01:45:46,680
Speaker 1: Yeah, yeah, it's gonna have a heat waves. Everything's gonna melt. Barry,

2005
01:45:46,800 --> 01:45:49,600
Thank you, Barry. Thank you for joining us. Very okay,

2006
01:45:49,840 --> 01:45:51,079
you're welcome, very much.

2007
01:45:51,199 --> 01:45:51,479
Speaker 3: Thank you.

2008
01:45:51,640 --> 01:45:56,000
Speaker 1: Mag Okay, we'll just have to have that beatle trivia

2009
01:45:56,079 --> 01:45:58,720
thing again, the thing you've accused me and many times

2010
01:45:58,760 --> 01:45:59,279
of treating it.

2011
01:45:59,640 --> 01:46:01,319
Speaker 3: Sure you can lose again you had?

2012
01:46:01,439 --> 01:46:05,920
Speaker 1: Oh wow, thanks, I know it.

2013
01:46:06,279 --> 01:46:09,239
Speaker 4: Thanks a lot. I'll hold the money this time. Talk

2014
01:46:09,279 --> 01:46:11,800
to you real soon. Okay, keep in touch.

2015
01:46:13,600 --> 01:46:14,119
Speaker 11: Absolutely.

2016
01:46:14,319 --> 01:46:16,159
Speaker 4: I want to hear some more taxi stories.

2017
01:46:16,800 --> 01:46:17,920
Speaker 11: Oh got good taxis.

2018
01:46:18,119 --> 01:46:22,319
Speaker 1: That's another show. Pete, thank you, Pete, Pistol. Pete was

2019
01:46:22,359 --> 01:46:26,079
gonna really clap for him, Pistol, because you got more

2020
01:46:26,119 --> 01:46:30,319
money than pleasure. Okay, come down and see us alive.

2021
01:46:30,399 --> 01:46:32,800
You're still getting your hair cut up at the place. Yeah,

2022
01:46:32,920 --> 01:46:36,000
right block away from water with a dog hump my

2023
01:46:36,079 --> 01:46:38,760
leg that time. You're down there, get your hair cut

2024
01:46:38,800 --> 01:46:41,399
in the dog freaking hump of my life for twenty minutes.

2025
01:46:43,640 --> 01:46:48,000
It was a female dog, so it wasn't weird. Female dog. Yeah, Okay,

2026
01:46:49,039 --> 01:46:51,119
thank you, Pete, thank you for joining us. We'll see

2027
01:46:51,119 --> 01:46:56,760
you real, thank you. Okay, Kim, thank you for joining us. Kim,

2028
01:46:56,840 --> 01:46:57,960
thank you, thank you.

2029
01:46:58,199 --> 01:46:58,840
Speaker 3: It was awesome.

2030
01:46:59,279 --> 01:47:00,920
Speaker 9: We're gonna clap joined it immensely.

2031
01:47:02,560 --> 01:47:06,039
Speaker 1: Thanks. We'll see you soon. Okay, club, thank you, club,

2032
01:47:06,520 --> 01:47:09,960
Thank you club, and we'll see you see we'll see

2033
01:47:09,960 --> 01:47:13,920
you very soon as it turns out. Okay. Oh, Susan,

2034
01:47:14,039 --> 01:47:16,079
thank you for joining us and for not having too

2035
01:47:16,119 --> 01:47:19,239
many cats on tonight. It looks beautiful as usual. What

2036
01:47:19,399 --> 01:47:22,239
is that is that the dog that is thunderstruck? Is

2037
01:47:22,279 --> 01:47:27,279
that his thunder ConA. Yeah, okay, does he get along

2038
01:47:27,319 --> 01:47:27,720
with the cat?

2039
01:47:28,840 --> 01:47:30,840
Speaker 15: It's always a pleasure and it was a great show.

2040
01:47:31,119 --> 01:47:32,840
Speaker 1: Well what are you doing to him now? What's going

2041
01:47:32,880 --> 01:47:38,079
on there? Okay? Okay, good to know.

2042
01:47:38,399 --> 01:47:40,439
Speaker 4: So is it bad weather coming in there in North Carolina?

2043
01:47:40,600 --> 01:47:41,920
Speaker 15: I feel funny.

2044
01:47:43,600 --> 01:47:48,000
Speaker 1: We're trying to be Thank you well, thanks for joining us.

2045
01:47:48,279 --> 01:47:50,239
Glad to be here. Thank you, thank you, thank you.

2046
01:47:51,319 --> 01:47:57,560
We'll clap it for al you know, I don't know

2047
01:47:57,640 --> 01:47:59,640
any about one one. Thank you for joining us. One

2048
01:48:00,159 --> 01:48:03,039
rock okay, and so this is our music show and

2049
01:48:03,159 --> 01:48:05,000
to you here is the next time on the regular show.

2050
01:48:05,039 --> 01:48:07,680
This is Mac to the entire gang saying be safe,

2051
01:48:07,760 --> 01:48:09,479
be happy, and bye bye.