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Speaker 1: The lux Radio Theater brings you Roddy McDowell, George Brent,

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and Rita Johnson in My Friend Flicker, Ladies and Gentlemen,

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your producer, mister Cecil b the.

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Speaker 2: Mill readings from Hollywood. Ladies and Gentlemen. Among the grown

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ups of this world, there's usually something less than perfect understanding.

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But between boys and horses there's a deep and abiding

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sympathy that leaves no room for bickering. Not a word

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is spoken. There's a miracle of communication and a love

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of sugar, a pat on the head or a nuzzled sheet.

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I had a horse when I was a boy. When

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I heard what My Friend Flicker was about, I knew

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I'd like it, but I was not prepared for the

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deep emotional experience which the twentieth century Fox picture gives

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to all who see it. Roddy McDowell's find performance as

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the boy and Mary O'Hara's great story fit perfectly together,

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and tonight we've brought back an old favorite of yours.

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George Brent has Roddy's father, with Rita Johnson from the

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Picture cast as his mother. This drama has the power

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of simplicity. It's the story of a boy on a

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ranch and the outlaw horse who is his friend. Together

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they meet the joys and the pathos of their simple life,

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a life perhaps we all may end the I believe

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it plays like this which have given the Lux Radio

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Theater its reputation through the years, and earn the loyalty

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which you have given to this theater and to Lux toiletsat.

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You know, it takes about forty people to bring one

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of these plays to the microphone. In addition to the actors,

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there are the engineers, writers, music sound technicians, page hands,

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script girls, play readers, research experts and just plain handy

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man like me. All these people work all week so

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that you can have this hour of entertainment on Monday night.

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And you've certainly done your part, magnificent ply. You've given

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us many excellent suggestions, and we've given you a double feature,

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a fine play and a fine product, Lux tilettself. And

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here's the fine play right now. But the curtain goes

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up on the first act of My Friend Clicker, starring

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Roddy McDowell as Ken, George Brent as Rob, and Rita

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Johnson as Now Around the lower meadow, they plan the

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broodlayers and the goose Bar ranch, and then new folds around,

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then around again. There's the great Stallion Banner, his crowd

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mane flung out in the wind. And there did Lady Rocket,

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her eyes rimmed with white, as her graceful body sweeped

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through the high grass. And there are the foes running

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close beside their mothers, running because they're so new to

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the world and so happy to be in it, And

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because the morning sky is clear and the spring wind

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is fresh with the smell of pines from the mountains. Yes,

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this is the family of the stallion Banner. This is

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the life blood of the rank. Now toward the ranch

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house comes another horse. This one wears a saddle, but

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no rider. He runs free, his bridle whipping about his head.

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Speaker 3: What now healthy?

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Speaker 4: He comes to the ross?

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Speaker 2: What is nobody at see this?

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Speaker 5: Can poor?

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Speaker 3: Boy?

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Speaker 2: Here?

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Speaker 3: Boy?

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Speaker 5: Poor are.

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Speaker 2: Totch?

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Speaker 6: The boy?

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Speaker 5: Eas here?

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Speaker 2: Boy ey there? Boss?

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Speaker 3: What's the matter is that cigarette?

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Speaker 7: Yeah?

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Speaker 2: Boss?

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Speaker 5: She come back alone?

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Speaker 3: Ken riding bomb?

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Speaker 1: But yeah, now how did you quite Oh.

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Speaker 3: Gone that Chad? Look at this bribal snaps in half. Hop.

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Speaker 2: Ken's all right, Oh youngman's four light, Boss, He's used

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to it.

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Speaker 3: Well, there's always a chance of getting hurt. Saddle shorty,

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I'll better go see the boss. H Wait a minute,

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never mind, guess here he.

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Speaker 8: Comes now he is ripping.

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Speaker 6: I couldn't hear his leg.

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Speaker 3: Can Yes, sir, come here? Yes, ya you all right?

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Speaker 6: Sure, I'm all right. Just get money a little?

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Speaker 3: The cigarette toss you again?

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Speaker 6: Yes, sir? Did you did you hear her?

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Speaker 4: Gang?

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Speaker 1: Didn't?

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Speaker 3: Did you? Son?

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Speaker 6: Yes?

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Speaker 5: Sir?

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Speaker 3: My good heavens, Ken, and you are going to grow up?

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How many times have I told you not to tap

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your heels into it? And look at that bribal, the

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second one you've broken this week?

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Speaker 6: I'm sorry Dad? Well, Ken, did you find your saddle blanking?

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Speaker 2: What saddle?

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Speaker 3: Blanket?

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Speaker 6: This one? I I los down in the rain, Yes,

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the afternoon. Who was looking for it this morning?

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Speaker 4: Rod?

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Speaker 3: The saddle, I suppose, and forgot to sense it properly.

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Speaker 6: Yes, you wis, Look it's all hard. Will you keep quiet, Hudy?

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It got caught him some dog's work.

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Speaker 5: Ad him here?

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Speaker 3: The dog gone to skit for losing and busting and

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forgetting good. Never mind the excuses. There's your mother ringing

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for breakfast. Pull that horse out and come up to

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the house.

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Speaker 8: Yes, yes, already an email this morning?

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Speaker 6: Right over there? Less carry Oh.

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Speaker 3: He's coming cigarette tossed him again. I don't know what

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I'm going to do with that. Boy doesn't seem to

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pay any attention to what I tell him, always losing

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equipment or breaking it or spoiling it somewhere only gold

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enough to have his wits about him. Never seen such

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a young one for walking around with his head and

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the clouds. Wonder he doesn't flip over his feet.

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Speaker 2: Mom, Come on, eat a while now, alas.

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Speaker 3: Hen report cut? Well okay, and I suppose it won't

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surprise you know that you haven't been promoted. No, sir,

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And here maybe you'd like to see your mark Let

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him his breakfast, just as a matter of curiosity, Ken,

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how do you go about getting a zero in English

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forty in History seventeen? An arithmetic but a zero? Just

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as one man to another? What goes on in your head?

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Speaker 6: Well?

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Speaker 3: Haven't you got anything to say to yourself? Nothing?

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Speaker 2: Sir?

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Speaker 3: But what were you doing in that English exam? What

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were the questions you missed?

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Speaker 6: Who are supposed to write a composition?

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Speaker 3: Couldn't you think of anything? Yes?

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Speaker 6: I had it all plan. I was going to write

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the story of how you lost your pollo there, how

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that wild albino came down from the meadow one year

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and stow her from banner, and then how she came back,

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but her whole that year was white yaw bino blood,

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and how it was cast on every year. Then how

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Rocket was born and she was so beautiful in everything

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that she could never be broken because that wild blood

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was in her.

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Speaker 3: I was going to write all that, well, right, didn't you.

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Speaker 6: I I got to thinking. I said we had time.

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I said, we are just become on the school bell rang.

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Speaker 3: So you never even got started, No, sir, not a

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single word, yump, no more, just stay dreaming.

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Speaker 5: Uh, no doubt.

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Speaker 6: I was thinking about. But what about my coat?

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Speaker 3: You're cult. I haven't even got a cold.

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Speaker 6: Oh God, give me a coat, will you please.

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Speaker 3: You'll get a cold when you learn how to treat one.

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You're going to buck up, young man. I believe you

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don't try I do try down. Oh I don't see

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any proof of it. In the meantime, you'll spend an

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hour a day studying all the rest of the summer

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to make up your work. Come in, good morning, good morning,

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hell boys, that's for the day, good day to move

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the horses.

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Speaker 2: Gus, aye, yeah, it's time they were off the merrs.

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There's a storm cooping up in the south the best.

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Speaker 6: Can I help that?

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Speaker 3: I've got to get four of the older horses in

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shape for the rodeo. That means fool proof. No three

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year olds have to be broken. Can to them go

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any longer?

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Speaker 6: Cat?

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Speaker 5: I have proof them this year?

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Speaker 3: There wait, guns, No, it's help enough to move a

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hundred horses, precious blazers after a winter out without a

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kid taking along to make him nervous right out?

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Speaker 6: Gus, Yeah, boys, don't you another couple of colts?

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Speaker 2: You do?

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Speaker 3: No, I've had enough. Gotta get started.

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Speaker 4: Pancakes can no, thank you?

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Speaker 6: So Canny, you can ride any horse we've got on

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the ram. Why you're still set on having a cold, Oh, mother,

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it isn't just riding. I want a cold to be

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friends with me. If I had one, I make it

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the most wonderful horse in the world. I'd do it

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so to be good than any other horse on the ranch,

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and the fastest. I'd school it so it would follow

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me around wherever I went like a dog. Do you see, mother?

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I want a cold in my own all my own. Well,

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you're better weapons. God, you're studying kids. Get it over

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with edy g any way, what do you want, Hildy?

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Where are you going?

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Speaker 8: Kenny?

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Speaker 6: You're not going. I'm gonna watch dad bring in.

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Speaker 9: The horses, all right.

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Speaker 6: We can take the church tut mere than halfway coming back.

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Oh no, no, you better stay here. It's gonna be

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tough enough to bring in a hundred horses, all of

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them as precious lad as after winter out, without having

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a girl tagging along to make them nervous. I'm coming.

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Those horses ain't scared of me. We'll go on, Hildy,

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you better go back. I come if I want. My

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father's the fre we. My father is the owner of

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that runge and that sell well, my father's the faming

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and I can come.

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Speaker 5: A five one, all right, rock, don't let out fucking.

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Speaker 6: Down there see him. You gotta get back from the

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edge of that rock and step off and sly down

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in the nettow that won't slips. Look, hutie, see that

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big black daure that's banners. That one's rockers lightly. Little geez,

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she's beautiful, isn't she beautiful? You gotta get that.

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Speaker 10: That's all.

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Speaker 6: Do you see how Banna handles him. They have to

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do what he wants on hy he nips him. See, huddy,

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did you see one of them there's wanted to come

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up and run, but he made me get back.

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Speaker 11: He no, okay, then.

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Speaker 3: Walk them slowly on the way back and come here?

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What were you doing down here? Anyway?

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Speaker 6: I came to see the horses.

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Speaker 3: So you have to fall down the hill and start

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him into a stampede.

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Speaker 6: I I didn't mean to do it dead. I didn't

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need to skill.

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Speaker 3: You didn't mean you never mean anything? Do you get up?

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Speaker 6: I thought you're not a standing that last at night?

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And now a postmanat you? You'll catch you when you

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get home?

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Speaker 5: Of that?

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Speaker 4: Oh go away, you'll leave, ain't you coming?

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Speaker 6: I'll I'll be up lazy? What's that look, Julie? That's

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ye that you shouldn't be here. She must have come

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down from the home pasture. Jesus, look at it. Isn't

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she beautiful? Almost a white name, that's the albino blood.

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But she's like Banner too. Just got Banner, didn't can't

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you like Banner? Like the wind at myself?

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Speaker 1: Uh?

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Speaker 3: No more accounts for to night. I'm out on my feet.

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Speaker 6: Oh so so, I guess, oh you on the downs.

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Speaker 3: Well, I never had so many bills and less money

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to pay them with. I don't seem to be able

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to sell the horses of the Prophet's.

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Speaker 6: Good horses with good blood.

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Speaker 3: All but that I'll buy those trains. I've got a

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crazy speaking them. No, you're just trying to sell them.

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I wouldn't even get back the cost of regiment at

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the price anybody would offer. I'd rather shoot them. I

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would too if they weren't a dog gone fast. You know,

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I always hope to just get one decent coat out

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of that time.

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Speaker 6: Well, let's go to be rob m you've got a cruise.

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Speaker 3: That's the stunty pool this morning. You know he didn't

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need No, he doesn't deserve a cold.

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Speaker 6: Aren't you ever going to give him money?

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Speaker 3: Sure, I've been expectance. Maybe if he pays attention to

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his studies this summer. By the way, did he study today?

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Speaker 6: Well? He exposed himself to his voice.

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Speaker 3: Yeah, I know nothing I say makes any impressions to

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see that.

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Speaker 6: It's hard on having a cold of his own. He

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can't think of another thing.

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Speaker 3: But that's all backwards. You don't bribe children to their due.

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Speaker 6: It's not a bribe.

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Speaker 3: No, what would you call it?

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Speaker 6: Oh, I just have a feeling that Ken isn't going

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to sell anything off, and it's time he did. Maybe

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a little thing like this for during the tricks.

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Speaker 3: If that isn't a little thing that doesn't easy to

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break in school of cold, I'm not going to have

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one of my good horses spoil. But that boy's carelessul Rob.

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Speaker 6: It's important. He's got to succeed a sumpt what he needs.

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Speaker 3: What he needs is to snap out of it, if.

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Speaker 1: You want it that way.

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Speaker 6: But I was going to say, is he needs to

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grow up a little bit?

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Speaker 3: All having his own colts make him grow up?

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Speaker 6: I use something of his own responsibility.

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Speaker 12: He got something real and flesh and blood that he

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cared about more than all those things he goes to

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me about.

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Speaker 3: Well, wait, don't go now. I I'd like to get

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kind of cold. I'd I'd like to get closer to

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the boys somehow. But every time I got all set

274
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for a get together session with him, he oh, he

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hands me a facer like I.

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Speaker 6: Think you called to day, Rob, didn't you ever want

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anything more than anything else.

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Speaker 3: In the room. Yes, just one thing and I have it.

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Speaker 6: You know?

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Speaker 11: Oh you do one?

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Speaker 6: You say you do? Good morning?

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Speaker 3: Mom had her dad money.

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Speaker 6: Money, can't sit down? Oh Gus was in love. M

284
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He tells me rocke a break got away from the

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home hospital last night.

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Speaker 3: She dad, You think she.

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Speaker 6: Set a close over here.

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Speaker 3: Well, there wasn't one with her yesterday. I would have

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to chase all over the range looking for her.

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Speaker 6: I'll find your dad, all right.

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Speaker 3: I'll go with you. By the way, son, I'm going

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to take back an order I gave you yesterday. You

293
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can forget that I have studied.

294
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Speaker 4: Huh oh, thanks, dad, can I'm.

295
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Speaker 3: Going to give you a coat, A coat, a cold

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00:14:13,679 --> 00:14:17,080
of my own. I'll give it to you a week

297
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from today. I'll give you time to look them all

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00:14:19,240 --> 00:14:20,639
over and make your own choice.

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Speaker 6: You mean I can have any coat on the range?

300
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Speaker 8: Yes, a year.

301
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Speaker 3: That's right. You're ready to leave in ten minutes? Cold

302
00:14:28,279 --> 00:14:29,080
of my own.

303
00:14:30,519 --> 00:14:32,679
Speaker 6: Jesus. Maybe I can have the.

304
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Speaker 4: One I saw yesterday.

305
00:14:44,919 --> 00:14:47,919
Speaker 3: Any sign of a guess over here to look for

306
00:14:48,000 --> 00:14:51,799
a grain? No, stay with me. Then you may think

307
00:14:51,799 --> 00:14:53,879
it's funny my giving you a colt, And what you

308
00:14:53,960 --> 00:14:56,919
deserve is a good hiding, plunking all your exams and

309
00:14:56,919 --> 00:14:59,559
then calling that stunt yesterday. But I don't want you

310
00:14:59,600 --> 00:15:02,440
to think I'm you walk. I haven't gone south. Don't

311
00:15:02,440 --> 00:15:04,879
get that into your head. I expect just as much

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00:15:04,879 --> 00:15:07,440
of you now as I ever did. This isn't any

313
00:15:07,519 --> 00:15:11,679
reward because you haven't won any reward. It's uh, well,

314
00:15:11,759 --> 00:15:14,759
it's a partnership. One of these days, I'm going to

315
00:15:14,840 --> 00:15:17,080
need your help. I have to be trained, so you'll

316
00:15:17,080 --> 00:15:21,000
know how to give it. Every man needs training, can disten?

317
00:15:22,080 --> 00:15:24,879
I got mine at west Point. You are going to

318
00:15:24,919 --> 00:15:27,279
train a colt. I'll give you a little help just

319
00:15:27,360 --> 00:15:30,279
for first breaking. You will have to train it, and

320
00:15:30,399 --> 00:15:34,039
it'll train you. Yes, you know, Ken, You and your

321
00:15:34,080 --> 00:15:35,639
mother may have to take care of this ranch without

322
00:15:35,679 --> 00:15:36,200
me pretty soon.

323
00:15:36,399 --> 00:15:38,320
Speaker 6: Why dad, will you be hell?

324
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Speaker 3: I may go back into the army any day, now, sir,

325
00:15:40,879 --> 00:15:44,039
you understand, don't you. Yeah, So I'm counting on you

326
00:15:44,120 --> 00:15:46,240
to make a good pony out of that coat and

327
00:15:46,399 --> 00:15:47,480
let it make a man out of you.

328
00:15:47,960 --> 00:15:48,679
Speaker 11: Yes, I'll.

329
00:15:50,120 --> 00:15:50,919
Speaker 5: Hold here, Eader.

330
00:15:51,039 --> 00:15:53,720
Speaker 3: Well, I'm not surprised I wrote all over this grove yesterday,

331
00:15:53,720 --> 00:15:55,240
and I'm sure I didn't leave any colts behind.

332
00:15:56,000 --> 00:15:57,639
Speaker 1: Decide to rock it out a colt, you wouldn't have

333
00:15:57,720 --> 00:15:57,960
left it.

334
00:15:58,120 --> 00:16:01,039
Speaker 6: But I saw in the middle yesterday he got separated

335
00:16:01,080 --> 00:16:04,000
from that bunch of stampede. It was a beautiful soul.

336
00:16:04,240 --> 00:16:06,320
Philly with a cream name tail.

337
00:16:06,279 --> 00:16:09,679
Speaker 3: Cream name sounds like that yeeling of rockets rockets.

338
00:16:09,879 --> 00:16:12,559
Speaker 2: Yeah, Philly is sired by barrel last spring.

339
00:16:13,120 --> 00:16:14,919
Speaker 3: That's what was the matter with Rocket last night?

340
00:16:15,240 --> 00:16:17,159
Speaker 2: She missed a little Phillium went back after her.

341
00:16:17,279 --> 00:16:19,159
Speaker 3: Yes, since she did lose a colt, it'd very likely

342
00:16:19,200 --> 00:16:23,000
console herself with a heeling. She's local that rocket. Well,

343
00:16:23,120 --> 00:16:24,559
we should pick up a track around here.

344
00:16:27,320 --> 00:16:29,960
Speaker 5: Hey, well there's a track all right.

345
00:16:30,279 --> 00:16:31,120
Speaker 2: What do you need a horse?

346
00:16:31,120 --> 00:16:34,440
Speaker 3: See right here, that's a cat boss. Yeah, it's a

347
00:16:34,519 --> 00:16:35,480
mountain line all right.

348
00:16:35,720 --> 00:16:37,000
Speaker 5: Yah, did want Gee?

349
00:16:37,240 --> 00:16:38,440
Speaker 3: We have not had one of them around here for

350
00:16:38,480 --> 00:16:40,639
a long time. That's a good thing. We got the

351
00:16:40,639 --> 00:16:41,879
bruce mares out of here yesterday.

352
00:16:42,120 --> 00:16:43,440
Speaker 1: Yeah, that's what happened.

353
00:16:43,519 --> 00:16:47,279
Speaker 2: The cat got rockets hole when guys, tracts not very fresh.

354
00:16:47,960 --> 00:16:50,360
Maybe two tasehold two days.

355
00:16:50,799 --> 00:16:52,840
Speaker 6: Then it couldn't be. It couldn't be the one I

356
00:16:52,919 --> 00:16:53,480
saw yesterday.

357
00:16:53,559 --> 00:16:57,320
Speaker 3: Could no, of course not you saw yeeling yesterday. Guys,

358
00:16:57,360 --> 00:16:58,720
we better keep an eye after that cat.

359
00:16:59,039 --> 00:17:01,360
Speaker 1: Yeh, boss, I go up around cast her off with

360
00:17:01,440 --> 00:17:02,159
a gun one day.

361
00:17:03,000 --> 00:17:04,359
Speaker 6: She is, Dad, there's Rockers.

362
00:17:04,519 --> 00:17:06,000
Speaker 3: Yeah, that's the yearling with her too.

363
00:17:06,119 --> 00:17:08,079
Speaker 6: Here he gool look at that till you one, Dad,

364
00:17:08,240 --> 00:17:08,839
She's almost to.

365
00:17:08,880 --> 00:17:10,319
Speaker 1: Pass us off, he sure is.

366
00:17:10,880 --> 00:17:12,359
Speaker 2: What's the pretty little flicker?

367
00:17:12,480 --> 00:17:12,799
Speaker 1: She is?

368
00:17:13,319 --> 00:17:15,279
Speaker 6: Flickers? What does that mean?

369
00:17:15,359 --> 00:17:20,480
Speaker 3: That sweeties for little girl lacor that's what i'd cool,

370
00:17:21,799 --> 00:17:22,720
my cool.

371
00:17:22,920 --> 00:17:25,240
Speaker 6: Your cold, Yes, sir, that's the one I want.

372
00:17:25,559 --> 00:17:28,880
Speaker 3: Rocket's Philly. Yes, sir, well, I certainly hope you'll make

373
00:17:28,920 --> 00:17:31,160
a wiser decision than that. You know how I feel

374
00:17:31,160 --> 00:17:34,119
about Rocket. That whole line of horses, she's well, the

375
00:17:34,240 --> 00:17:36,559
worst horses I've got. There's not one among them with

376
00:17:36,559 --> 00:17:38,920
any real sense. The mayors are headias from the stallions

377
00:17:38,920 --> 00:17:42,079
of out flaws. They're untamable. Nobody's ever been able to

378
00:17:42,119 --> 00:17:44,240
paint them. You want a horse will be a friendly,

379
00:17:44,319 --> 00:17:47,079
don't you? Yes, sir, You'll never make a friender to

380
00:17:47,160 --> 00:17:49,440
that Philly. No fence in the world will have a holder.

381
00:17:50,000 --> 00:17:54,480
Never change your mind. No, I want her, Dad, okay, ken,

382
00:17:54,559 --> 00:17:56,839
I promise you could make your own choice, But remember

383
00:17:57,240 --> 00:17:59,240
Rocket's local and ten to one the colt is too.

384
00:18:00,559 --> 00:18:02,559
Speaker 6: She may not be then as her father.

385
00:18:02,640 --> 00:18:04,960
Speaker 3: All right, all right, that's up to you. We'll bring

386
00:18:05,000 --> 00:18:05,720
her in the next day.

387
00:18:15,720 --> 00:18:16,759
Speaker 5: That's what I stop by for.

388
00:18:16,960 --> 00:18:17,160
Speaker 7: Rob.

389
00:18:17,279 --> 00:18:19,519
Speaker 3: I thought you might have something fast I could use. Well,

390
00:18:19,519 --> 00:18:22,359
I told you last fall about Rocket. Not interested, Charlie.

391
00:18:22,359 --> 00:18:24,160
With all your race horses, you haven't got anything like

392
00:18:24,319 --> 00:18:26,759
Rocket that she devout and out run any enemy you've

393
00:18:26,759 --> 00:18:29,039
ever seen before. You're crazy. Wouldn't like to make a

394
00:18:29,079 --> 00:18:29,920
little bet on that, would you?

395
00:18:30,039 --> 00:18:30,240
Speaker 2: Hello?

396
00:18:30,920 --> 00:18:33,160
Speaker 3: Well? Hello, no, no, don't get out?

397
00:18:33,720 --> 00:18:35,440
Speaker 6: Well what are you two talking about?

398
00:18:35,559 --> 00:18:35,839
Speaker 5: Rocket?

399
00:18:36,519 --> 00:18:36,680
Speaker 6: You know?

400
00:18:36,960 --> 00:18:38,759
Speaker 3: If I could get a mayor that could really run

401
00:18:38,839 --> 00:18:41,160
without training, that's Rocket. She'd make a fortune for you.

402
00:18:41,400 --> 00:18:42,119
If he's a breaker.

403
00:18:42,599 --> 00:18:42,960
Speaker 1: I got a.

404
00:18:43,000 --> 00:18:46,000
Speaker 2: Broncho buster who can break any horse that has ever fooled.

405
00:18:46,200 --> 00:18:48,119
Speaker 3: And you can do it if she's worth breaking. If

406
00:18:48,160 --> 00:18:50,000
she worked it, didn't I just tell you how much

407
00:18:50,000 --> 00:18:52,759
do you want for her? Five hundred? You gotta stop watch? No,

408
00:18:53,000 --> 00:18:55,799
but I've got a speedometer. She's down the lower pasture.

409
00:18:56,279 --> 00:18:57,920
Get her out on the road there and chase along

410
00:18:57,960 --> 00:18:59,920
after in the car like the block her that way?

411
00:19:00,119 --> 00:19:00,480
Speaker 2: All right?

412
00:19:00,599 --> 00:19:13,319
Speaker 3: Come on, what do you say, Johnny?

413
00:19:13,359 --> 00:19:13,960
Speaker 2: Three guns?

414
00:19:14,000 --> 00:19:16,200
Speaker 3: She's like a locomotive. Does she always run like that

415
00:19:16,279 --> 00:19:17,039
with a nose.

416
00:19:16,799 --> 00:19:17,119
Speaker 2: In the air.

417
00:19:17,279 --> 00:19:20,119
Speaker 3: Yeah, she's a stargaz Look at that phenomena. Thirty miles

418
00:19:20,200 --> 00:19:21,079
cash our boss.

419
00:19:20,920 --> 00:19:25,000
Speaker 5: Yeah, righting rocket two six three?

420
00:19:25,119 --> 00:19:28,599
Speaker 2: She does study five hom fire, certain jumps.

421
00:19:29,519 --> 00:19:30,000
Speaker 3: What do you say?

422
00:19:30,079 --> 00:19:32,079
Speaker 5: It's a deal if you deliver? Heard of my range?

423
00:19:32,119 --> 00:19:32,640
Speaker 6: Sounding wind?

424
00:19:32,720 --> 00:19:34,319
Speaker 3: And but just how you're gonna do?

425
00:19:34,400 --> 00:19:36,240
Speaker 2: That's my ladd is anybody's scared? You leave?

426
00:19:36,319 --> 00:19:38,640
Speaker 3: That's a meal. I heard my truck this afternoon.

427
00:19:49,519 --> 00:19:50,160
Speaker 5: Heaving her boss.

428
00:19:50,200 --> 00:19:53,640
Speaker 3: Get in here, get in the downs just coming through,

429
00:19:54,400 --> 00:19:55,480
Get up, get up?

430
00:19:55,519 --> 00:19:56,160
Speaker 5: What's your boss?

431
00:19:56,359 --> 00:19:56,480
Speaker 6: There?

432
00:19:56,559 --> 00:19:57,400
Speaker 2: She is trus the gate?

433
00:19:59,000 --> 00:20:00,599
Speaker 6: Wow, yeah, rocks.

434
00:20:01,000 --> 00:20:04,279
Speaker 3: All right, get on that truck. Don't swing that trailer

435
00:20:04,359 --> 00:20:07,119
on the curves. Remember Charlie expects her delivered in good shape,

436
00:20:07,160 --> 00:20:10,119
and don't skin her up. All right, get her out

437
00:20:10,119 --> 00:20:17,720
of here. Well that's that now?

438
00:20:18,119 --> 00:20:21,359
Speaker 6: You mean that's five hundred dollars looking in mighty Handyes,

439
00:20:21,359 --> 00:20:21,599
won't it?

440
00:20:21,839 --> 00:20:24,519
Speaker 3: I guess we can use it. Five hundred dollars and

441
00:20:24,640 --> 00:20:25,519
rocket off the ranch.

442
00:20:26,079 --> 00:20:32,839
Speaker 6: Oh what happened with that? Look, kenny rocket? She was

443
00:20:32,880 --> 00:20:35,519
in the trailer and then she read Upice, go in

444
00:20:35,599 --> 00:20:37,200
the house, dear, go inside.

445
00:20:37,279 --> 00:20:38,519
Speaker 5: Deer back the tray off there.

446
00:20:39,200 --> 00:20:40,759
Speaker 3: I'll be right back to help you with her horse.

447
00:20:41,960 --> 00:20:43,880
She's finished and she read up. She hit her head

448
00:20:43,880 --> 00:20:46,000
on the gate down there. She's dead. Oh, poor rock Well,

449
00:20:46,039 --> 00:20:47,519
that's one thing I can still do. I can get

450
00:20:47,599 --> 00:20:49,039
rid of every Alpine a horse in the ranch. And

451
00:20:49,039 --> 00:20:50,640
I'm going to Williams.

452
00:20:50,720 --> 00:20:53,279
Speaker 6: William they're too good for William.

453
00:20:53,000 --> 00:20:54,680
Speaker 3: Let me buy his horses, isn't he if he buys.

454
00:20:54,480 --> 00:20:56,640
Speaker 6: Any kinders horses and he doesn't pay anything.

455
00:20:56,400 --> 00:21:00,200
Speaker 3: Whatever he pays his good enough. Hello, Hello Williams, this

456
00:21:00,319 --> 00:21:03,000
is Rob McLaughlin. Look, Williams. I've got a load of

457
00:21:03,039 --> 00:21:05,960
horses for you. Yeah, those are finals Rockets, whole tribe,

458
00:21:06,880 --> 00:21:10,839
all right, all right, at your own price? Good. Yeah,

459
00:21:10,880 --> 00:21:13,000
there are nine of them. Wait a minute, there may

460
00:21:13,039 --> 00:21:17,519
be ten. Ken come here, I'm going to give you

461
00:21:17,559 --> 00:21:19,640
a chance to do a sensible thing. I want you

462
00:21:19,720 --> 00:21:21,640
to choose another cult and let meself flicker to mister

463
00:21:21,640 --> 00:21:24,160
Williams or the rest of those jadheads for your safe

464
00:21:24,160 --> 00:21:25,759
I'm asking you to do this as well as mine.

465
00:21:26,960 --> 00:21:28,759
What's the use of having another rocket on your hands?

466
00:21:28,799 --> 00:21:29,960
This is Jesse what happened to her?

467
00:21:30,160 --> 00:21:32,279
Speaker 4: But I'm going to change but you can't.

468
00:21:32,319 --> 00:21:33,119
Speaker 3: It's impossible.

469
00:21:33,240 --> 00:21:34,920
Speaker 6: Sometimes bad horses get changed.

470
00:21:35,079 --> 00:21:36,400
Speaker 3: You don't want a local horse, do you?

471
00:21:36,880 --> 00:21:41,119
Speaker 6: I want slicker? Look at me, dead please, she's nine.

472
00:21:41,160 --> 00:21:44,279
You gaze it to me and I want her.

473
00:21:44,359 --> 00:21:50,519
Speaker 3: Dad, I want slicker, all right, Sorry to keep you waiting, Williams.

474
00:21:51,039 --> 00:21:53,839
I thought there was one more, but they're only lying.

475
00:22:13,079 --> 00:22:15,000
Speaker 1: In a few minutes, mister de Mill and our stars

476
00:22:15,079 --> 00:22:18,720
George Brent, Roddy McDowell and Rita Johnson will return an

477
00:22:18,799 --> 00:22:23,480
act two of My Friend Flicker. And now let's try

478
00:22:23,519 --> 00:22:25,440
to catch up with a busy lady who has quite

479
00:22:25,440 --> 00:22:31,960
an unusual job. There it goes the whistle. It means

480
00:22:32,039 --> 00:22:36,319
the end of the daytime shift at Central Aircraft. Miss Emory, Oh,

481
00:22:36,400 --> 00:22:38,519
miss Emory, won't you let us have a few minutes?

482
00:22:38,880 --> 00:22:41,000
Speaker 6: Two of the most are got a line of girls

483
00:22:41,079 --> 00:22:41,759
waiting for me.

484
00:22:41,960 --> 00:22:44,039
Speaker 1: Miss Emory. Did you ever think when you got your

485
00:22:44,160 --> 00:22:47,000
nurse's cap that someday you'd also be beauty adviser at

486
00:22:47,000 --> 00:22:48,160
a great airplane factory?

487
00:22:48,599 --> 00:22:51,519
Speaker 10: Hardly, mister Kennedy, because no one ever thought a few

488
00:22:51,640 --> 00:22:54,599
years ago that beauty council and factory work would go together.

489
00:22:55,160 --> 00:22:57,640
But practical, hard headed management.

490
00:22:57,279 --> 00:22:58,640
Speaker 6: Has found that it takes well.

491
00:22:59,079 --> 00:22:59,680
Speaker 1: Tell us why.

492
00:23:00,559 --> 00:23:03,759
Speaker 10: Well, to put it briefly, executives have been discovering that

493
00:23:03,799 --> 00:23:05,599
when spirits are high, work is good.

494
00:23:06,319 --> 00:23:08,720
Speaker 6: Of course, every woman knows that when she looks for best,

495
00:23:08,799 --> 00:23:11,519
she's likely to be feeling her best and so doing

496
00:23:11,599 --> 00:23:14,480
her best. That's why we urge the girls to take

497
00:23:14,519 --> 00:23:17,000
good care of their hands, their hair, and their skins.

498
00:23:17,519 --> 00:23:20,079
Even suggests right nail polished helps morale.

499
00:23:20,200 --> 00:23:22,920
Speaker 1: You know, yes, I can see that it would. What

500
00:23:23,039 --> 00:23:26,200
do you tell the girls about complexion care, Miss Hemory, Well, we.

501
00:23:26,279 --> 00:23:28,519
Speaker 10: Tell them there's no one thing that contributes more to

502
00:23:28,640 --> 00:23:31,480
a girl's good looks than a smooth, lovely skin.

503
00:23:31,839 --> 00:23:33,400
Speaker 1: Do you make a practical suggestion?

504
00:23:33,720 --> 00:23:36,920
Speaker 10: Yes, we stress regular care. No skipping beauty care at

505
00:23:36,960 --> 00:23:40,079
bedtime just because you're tired. A complexion care must be

506
00:23:40,160 --> 00:23:42,319
gentle too, one you can't depend on.

507
00:23:42,680 --> 00:23:44,440
Speaker 1: Well, that sounds as though you were going to mention

508
00:23:44,599 --> 00:23:46,119
Luck's toilet soap any minute now.

509
00:23:46,480 --> 00:23:48,480
Speaker 10: Well, it just happens that my own beauty care it

510
00:23:48,599 --> 00:23:50,480
is Luck's toilet soap, mister Kennedy.

511
00:23:50,599 --> 00:23:51,720
Speaker 6: I've used it for years.

512
00:23:52,000 --> 00:23:54,559
Speaker 1: Well, I'm sure of one thing, miss Emory, that gorgeous

513
00:23:54,599 --> 00:23:57,119
lux complexion of yours must have quite an influence with

514
00:23:57,200 --> 00:23:59,319
the girls in backing up what you tell them.

515
00:23:59,359 --> 00:24:00,519
Speaker 6: Oh, thank you, miss to Kennedy.

516
00:24:00,960 --> 00:24:03,319
Speaker 10: As a matter of fact, Lu's Toilet Soap is a

517
00:24:03,400 --> 00:24:05,920
great favorite at the planet. So many of the girls

518
00:24:06,000 --> 00:24:09,400
find that regular active Lati facials gives them real beauty help.

519
00:24:09,720 --> 00:24:12,519
Speaker 1: Thank you very much, miss Hemory. It's true that not

520
00:24:12,680 --> 00:24:16,039
only nine out of ten screen stars, but women everywhere

521
00:24:16,319 --> 00:24:19,200
find that this famous white soap does give skin the

522
00:24:19,359 --> 00:24:23,200
gentle protecting care it bought at hand. Now here's a

523
00:24:23,240 --> 00:24:29,400
shopping suggestion, Lot's Toilet Soap, Hollywood's Beauty Soap tomorrow. We

524
00:24:29,559 --> 00:24:35,200
pause now for station identification. This is the Columbia Broadcasting System.

525
00:24:58,160 --> 00:25:01,440
Speaker 2: Act two of My Friend Flicker, Towering George Brent as

526
00:25:01,559 --> 00:25:05,880
Rob Roddy McDowell as Ken, and Rita Johnson as Nell.

527
00:25:20,759 --> 00:25:22,000
Speaker 6: Here now.

528
00:25:27,559 --> 00:25:31,079
Speaker 2: Flicker has lost the freedom of the pasture. She's learning

529
00:25:31,160 --> 00:25:33,960
now that the dear friend of man, she must submit

530
00:25:34,079 --> 00:25:36,680
to the flash of a rope around her neck and

531
00:25:36,799 --> 00:25:40,839
the high bars of the corral. The clicker's blood is

532
00:25:40,920 --> 00:25:44,039
out of the wild albino, the breeding of the open

533
00:25:44,160 --> 00:25:44,920
ferry lan.

534
00:25:47,759 --> 00:25:50,680
Speaker 3: Yo, entering of the stable, sat stand by the door

535
00:25:51,039 --> 00:25:51,400
you get.

536
00:25:51,319 --> 00:25:52,279
Speaker 5: Then voted after.

537
00:25:55,079 --> 00:25:55,920
Speaker 4: You got in the stable.

538
00:25:56,039 --> 00:25:57,440
Speaker 2: Down watch it GOTJB.

539
00:25:58,079 --> 00:26:02,960
Speaker 3: Now get that door closed. Yeah that's fair.

540
00:26:03,279 --> 00:26:05,480
Speaker 5: Show us a vialline. Boss, I'm local.

541
00:26:05,599 --> 00:26:07,559
Speaker 3: Let belief leaver her in there to think it over.

542
00:26:08,279 --> 00:26:09,200
Speaker 5: Hey, she's pretty bad.

543
00:26:09,359 --> 00:26:10,359
Speaker 2: He's around the side there.

544
00:26:10,960 --> 00:26:13,200
Speaker 3: She's coming through the side window, Boss, get around that quick.

545
00:26:13,319 --> 00:26:14,880
Speaker 5: There she goes right through the glass.

546
00:26:15,839 --> 00:26:17,319
Speaker 3: Down Watch around the bard wire.

547
00:26:17,480 --> 00:26:19,480
Speaker 5: Head her away if you can't get back. She's going

548
00:26:19,559 --> 00:26:21,240
right for the friend's horse is ending like.

549
00:26:21,240 --> 00:26:26,799
Speaker 3: Her mother's to go right through that wire, run right

550
00:26:26,839 --> 00:26:27,759
into it. Come on, gut.

551
00:26:31,160 --> 00:26:32,359
Speaker 5: Easy woo.

552
00:26:33,160 --> 00:26:35,039
Speaker 1: Got you apply us kim, Yeah.

553
00:26:35,559 --> 00:26:36,359
Speaker 9: Hold her leg there.

554
00:26:38,640 --> 00:26:39,880
Speaker 3: You sniff that wire?

555
00:26:40,039 --> 00:26:43,039
Speaker 5: Him gonna silver opp governments.

556
00:26:44,839 --> 00:26:45,799
Speaker 3: He's turned the best he can.

557
00:26:46,000 --> 00:26:47,160
Speaker 2: She's cut trick the dead.

558
00:26:47,240 --> 00:26:47,519
Speaker 3: Boss.

559
00:26:48,160 --> 00:26:49,079
Speaker 1: I don't think she's.

560
00:26:48,960 --> 00:26:51,960
Speaker 3: Pulled out of it. Maybe it's just as well. Hadman

561
00:26:52,000 --> 00:26:54,400
this way, it would have been another local horse. Isn't

562
00:26:54,400 --> 00:26:55,519
worth a bullet it takes to shoot it?

563
00:26:55,880 --> 00:27:11,240
Speaker 6: Oh, kenny eased to do?

564
00:27:11,799 --> 00:27:14,160
Speaker 11: I'm not hungry, Mom, Please say.

565
00:27:14,680 --> 00:27:15,279
Speaker 5: Do I have to?

566
00:27:15,519 --> 00:27:17,920
Speaker 3: You heard what your mother said, But what's better?

567
00:27:19,039 --> 00:27:20,960
Speaker 6: I don't? Maybe I could go down and see how

568
00:27:21,039 --> 00:27:21,319
she is.

569
00:27:21,480 --> 00:27:24,079
Speaker 3: Your mother said to a week you can't do her

570
00:27:24,119 --> 00:27:26,039
any good. Doesn't ten for the rent out of fens

571
00:27:26,039 --> 00:27:28,240
and with mental I'm doing her cut She snapped out

572
00:27:28,240 --> 00:27:29,240
of it, just got water and out.

573
00:27:29,359 --> 00:27:29,519
Speaker 2: Rob.

574
00:27:29,640 --> 00:27:30,720
Speaker 4: Let him go all right?

575
00:27:30,880 --> 00:27:32,839
Speaker 3: All right, so I go ahead go on.

576
00:27:40,480 --> 00:27:45,240
Speaker 6: That little has he heard a lot? Listen. I didn't

577
00:27:45,279 --> 00:27:47,880
mean to hurt you. You just wanted you to be mine,

578
00:27:48,240 --> 00:27:50,480
and and that means you have to get to noon.

579
00:27:51,240 --> 00:27:53,759
That's why we walked to his little so you could

580
00:27:53,799 --> 00:27:56,279
be friends. I'll save you with you as much as

581
00:27:56,279 --> 00:27:59,440
I tend. I'll come here every morning, at every night,

582
00:28:00,119 --> 00:28:05,920
every day, asks you get get well, flickered, please be

583
00:28:06,039 --> 00:28:07,920
all right, please.

584
00:28:07,680 --> 00:28:16,079
Speaker 8: Flicker well past ten?

585
00:28:16,440 --> 00:28:17,799
Speaker 10: Yes the head Rob?

586
00:28:18,200 --> 00:28:21,119
Speaker 6: Mm hm, Rob, I should be a little nice little.

587
00:28:21,480 --> 00:28:23,799
Speaker 3: Why he's done against everything I told him to do,

588
00:28:24,319 --> 00:28:28,039
taking that wild albino, insisting on keeping it crazy.

589
00:28:28,440 --> 00:28:30,720
Speaker 6: Well, it's been hard on him too. He's all broken

590
00:28:30,839 --> 00:28:31,759
up worrying about it.

591
00:28:31,880 --> 00:28:34,319
Speaker 3: Oh so am I I'm burned up. What's it all for?

592
00:28:34,960 --> 00:28:36,400
She's going to have a horse to train? Why didn't

593
00:28:36,440 --> 00:28:38,279
you take a decent one? And I would have thought

594
00:28:38,319 --> 00:28:40,920
of something? Made a man of him? What can he

595
00:28:41,000 --> 00:28:42,160
do with this poor little Phillips?

596
00:28:42,319 --> 00:28:45,880
Speaker 6: Give you you see all that is changing.

597
00:28:46,000 --> 00:28:49,319
Speaker 3: He's gloomy, learning what set under a tree all day

598
00:28:49,359 --> 00:28:50,640
and moan over no.

599
00:28:52,400 --> 00:28:53,119
Speaker 6: Learning to fat.

600
00:28:53,480 --> 00:28:54,960
Speaker 3: I haven't noticed him saving any.

601
00:28:54,839 --> 00:28:57,920
Speaker 6: Fact, we will if you just watch for it.

602
00:29:10,759 --> 00:29:14,720
Speaker 3: Let's well, watch your sat chip for about this morning.

603
00:29:14,799 --> 00:29:16,039
Speaker 6: Slick up, she's better?

604
00:29:16,279 --> 00:29:17,160
Speaker 3: Oh, coming along?

605
00:29:17,240 --> 00:29:20,000
Speaker 6: Well, it's almost well. It's that you're all healed up

606
00:29:20,000 --> 00:29:21,000
and she's eating like a horse.

607
00:29:22,000 --> 00:29:22,119
Speaker 5: Oh.

608
00:29:24,400 --> 00:29:26,759
Speaker 3: We going to have a pleasant summer after all. But

609
00:29:26,920 --> 00:29:28,480
she doesn't turn out to be another rocket. Oh I

610
00:29:28,599 --> 00:29:30,799
hope we'll find that Atmona. Put a holder on her.

611
00:29:32,240 --> 00:29:34,720
Speaker 6: I'm sorry, what kind of matters is there? I'm sorry?

612
00:29:34,839 --> 00:29:36,200
Good morning more, I'm morning dad.

613
00:29:36,160 --> 00:29:36,559
Speaker 3: Morning again?

614
00:29:36,759 --> 00:29:37,440
Speaker 13: Coffee rock.

615
00:29:37,720 --> 00:29:40,839
Speaker 3: Thanks. Then, now that flick is better, I want you

616
00:29:40,920 --> 00:29:43,039
to remember that you have some mother do Oh yes,

617
00:29:43,440 --> 00:29:45,000
you didn't give some of your time to her cold,

618
00:29:45,160 --> 00:29:45,799
but not all of it.

619
00:29:45,960 --> 00:29:49,759
Speaker 6: Oh I will dad? Oh dad, mm could you come

620
00:29:49,799 --> 00:29:51,519
down and look at splicker this morning and see how

621
00:29:51,599 --> 00:29:51,880
she is?

622
00:29:52,319 --> 00:29:54,839
Speaker 3: Oh? Well, highness butt, you're getting near her, Well.

623
00:29:54,920 --> 00:29:57,160
Speaker 6: Not too close. She's still a little stread. But you'll

624
00:29:57,200 --> 00:29:58,559
let you look at us on the other side.

625
00:29:58,359 --> 00:29:58,839
Speaker 10: Of the fence.

626
00:29:59,039 --> 00:30:02,799
Speaker 3: I stick of her. Okay, we'll go down after breakfast.

627
00:30:02,839 --> 00:30:03,640
And give her the once over.

628
00:30:03,799 --> 00:30:12,160
Speaker 6: Oh y, yes she is dad, Good morning, flicker, Alice, slice,

629
00:30:12,440 --> 00:30:14,400
that's coming down, Lucas you she'll be a good girl

630
00:30:14,440 --> 00:30:15,279
and don't run away.

631
00:30:15,799 --> 00:30:18,240
Speaker 3: Well he does look good fine, ken.

632
00:30:18,400 --> 00:30:20,400
Speaker 6: Yes, sir, that's her all heeled out except for the

633
00:30:20,480 --> 00:30:22,640
one on the right front leg and it's almost well.

634
00:30:22,839 --> 00:30:28,200
I think she's you dead. Do you think she's local?

635
00:30:28,599 --> 00:30:30,319
Speaker 3: I have scorn her by the way she's behaved ever

636
00:30:30,359 --> 00:30:33,079
since she was born, but we've never seen her acceptance.

637
00:30:33,119 --> 00:30:33,759
We're scared out of her.

638
00:30:33,759 --> 00:30:35,640
Speaker 6: Witch whoever you horse looks wild and the eye would

639
00:30:35,640 --> 00:30:37,400
have TELI by she trying to go through that sense

640
00:30:37,440 --> 00:30:38,359
and she knew she shouldn't.

641
00:30:38,480 --> 00:30:40,559
Speaker 3: Yes, well, we'll forgive her that. One point is will

642
00:30:40,599 --> 00:30:41,920
she learn? Can she learn?

643
00:30:42,200 --> 00:30:45,079
Speaker 6: And we he's got to find that out, won't we.

644
00:30:45,680 --> 00:30:49,200
I mean, if she is local, maybe I'll never get

645
00:30:49,240 --> 00:30:49,640
a train.

646
00:30:49,880 --> 00:30:52,960
Speaker 3: Of course not. And there's no maybe about it. Son,

647
00:30:53,000 --> 00:30:55,200
one of I've been telling you all these weeks. Didn't

648
00:30:55,200 --> 00:30:58,880
you understand? What did you think local men sort.

649
00:30:58,720 --> 00:31:00,839
Speaker 6: Of schoolfe your wild so hard to handle?

650
00:31:01,240 --> 00:31:04,319
Speaker 3: Oh no, it's much more serious than that. That can

651
00:31:04,359 --> 00:31:07,160
be insanitive among animals, and bad blood can carry it

652
00:31:07,240 --> 00:31:10,000
on that ol bino brother isn't safe for anything you

653
00:31:10,079 --> 00:31:10,240
to have.

654
00:31:10,440 --> 00:31:12,480
Speaker 6: But you said maybe it's just because she's being stared.

655
00:31:12,640 --> 00:31:14,839
Speaker 3: Well, that's right. You won't really know until we see

656
00:31:14,839 --> 00:31:16,559
how she responds to training bad.

657
00:31:16,920 --> 00:31:17,880
Speaker 6: How can I tray her?

658
00:31:19,039 --> 00:31:20,759
Speaker 3: All you can do is try to win her confidence,

659
00:31:21,519 --> 00:31:24,039
you know, son, If you take everything away from the

660
00:31:24,079 --> 00:31:29,039
living creature, freedom, friends, it's calm, habits and happiness, it'll

661
00:31:29,079 --> 00:31:31,079
turn and sheer need and desperation of the one thing

662
00:31:31,160 --> 00:31:33,359
that's left in this case, that's you.

663
00:31:33,759 --> 00:31:33,799
Speaker 6: Me.

664
00:31:34,599 --> 00:31:37,680
Speaker 3: Yes, if you're her whole life? Now to make her life?

665
00:31:37,960 --> 00:31:39,799
Speaker 6: Oh, I will, dad, I will.

666
00:31:40,079 --> 00:31:42,759
Speaker 3: Give her love and companionship and software.

667
00:31:43,000 --> 00:31:43,960
Speaker 6: Would you understands me?

668
00:31:44,519 --> 00:31:47,400
Speaker 3: Course? The horse can tell you a lot of things too,

669
00:31:47,839 --> 00:31:50,640
if you watch and expect it to be sensible and smart.

670
00:31:51,680 --> 00:31:54,720
Pay attention to all the little signs where it moves

671
00:31:54,759 --> 00:31:57,759
its body, the ears, the eyes, and the whinnies.

672
00:31:57,960 --> 00:31:59,920
Speaker 6: That's the way you're talking, that's right.

673
00:32:00,519 --> 00:32:03,839
Speaker 3: There's the nay of terror, scream of rage. But when

674
00:32:03,880 --> 00:32:06,319
you have nervous impatience is a nicker of long or

675
00:32:06,400 --> 00:32:10,240
hunger or friendliness. You learn its language and it will

676
00:32:10,319 --> 00:32:14,920
learn yours, and never forget Horses understand everything you say

677
00:32:14,960 --> 00:32:15,200
to him?

678
00:32:15,519 --> 00:32:20,480
Speaker 6: Everything dead, everything you mean? You mean if they're not local?

679
00:32:21,079 --> 00:32:35,039
Speaker 13: Yes, Ken, all right, I know you're hungry for your oats,

680
00:32:35,079 --> 00:32:36,440
but I'm having as last as I can.

681
00:32:37,240 --> 00:32:38,839
Speaker 6: There there, you are coming.

682
00:32:38,640 --> 00:32:38,960
Speaker 5: To get it.

683
00:32:40,680 --> 00:32:43,839
Speaker 6: Good, isn't it? Flicker a flicker? You do understand me?

684
00:32:44,000 --> 00:32:46,599
Don't you eat it? Also, you'll be big and strong

685
00:32:46,640 --> 00:32:49,559
eyed Banner. You know you've got a very smart father. Flicker.

686
00:32:49,640 --> 00:32:51,839
Speaker 7: You've gotta forget all your wild ways and you just

687
00:32:52,079 --> 00:32:55,000
like him to flickers.

688
00:32:55,119 --> 00:32:58,440
Speaker 6: Can people's talk, that's all you know, but understands everything

689
00:32:58,480 --> 00:33:01,960
I say. What's more, you'll expect me are cool? Or

690
00:33:02,000 --> 00:33:03,880
maybe you don't know, but of course we've got a

691
00:33:03,960 --> 00:33:06,359
language all their owns. There's a nay of terror, a

692
00:33:06,480 --> 00:33:09,400
scream of rage, the winning of nervous impatience, the nickero

693
00:33:09,519 --> 00:33:14,000
of lions. See there's a nicer of hunger. M can

694
00:33:14,599 --> 00:33:16,559
what can can you whittle?

695
00:33:16,599 --> 00:33:16,960
Speaker 11: Who he is?

696
00:33:17,200 --> 00:33:30,200
Speaker 6: Oh? Go away, he'll be mom in the kitchen can

697
00:33:30,759 --> 00:33:35,200
Oh h oh, that's think a mine? Care want to

698
00:33:35,200 --> 00:33:36,160
speak to me about something?

699
00:33:36,519 --> 00:33:36,720
Speaker 5: Yes?

700
00:33:36,880 --> 00:33:37,119
Speaker 8: Mom?

701
00:33:38,240 --> 00:33:43,400
Speaker 6: Well Mom, did you ever want anything? Terribly? Know? Does

702
00:33:43,440 --> 00:33:44,480
everyone wants something?

703
00:33:44,559 --> 00:33:44,799
Speaker 1: Dick?

704
00:33:45,200 --> 00:33:48,599
Speaker 6: But you're grown up. You're married. You've got that in me?

705
00:33:49,279 --> 00:33:54,279
Why you're finished that I shouldn't still be wandering?

706
00:33:54,680 --> 00:33:54,960
Speaker 2: Did I?

707
00:33:56,599 --> 00:34:02,039
Speaker 6: But people do care, everyone always, Mom, don't you ever

708
00:34:02,119 --> 00:34:07,559
get really finished? I wonder maybe sometimes for a minute

709
00:34:07,599 --> 00:34:10,079
or two. What did you want now?

710
00:34:10,199 --> 00:34:10,400
Speaker 11: Ken?

711
00:34:10,679 --> 00:34:10,800
Speaker 1: Oh?

712
00:34:10,960 --> 00:34:13,840
Speaker 6: Mom? I want figure to be all right? Not local?

713
00:34:14,119 --> 00:34:16,239
Perhaps she is in local, Dear. We don't know yet

714
00:34:16,320 --> 00:34:21,159
for sure. But if she is, Ken wanting won't change it.

715
00:34:21,639 --> 00:34:23,880
If she is, it'll look bad for her, won't. Well,

716
00:34:23,920 --> 00:34:25,440
let's see what happens when we try to hold the

717
00:34:25,480 --> 00:34:27,440
break up. So she had to be hold of rope. Mom,

718
00:34:27,920 --> 00:34:30,800
it's got to find out, don't you suppose so? But

719
00:34:31,559 --> 00:34:33,960
but what if she won't get us? She loves you,

720
00:34:34,239 --> 00:34:37,159
doesn't she? Oh? Yes, I'm sure she does it. Well,

721
00:34:37,239 --> 00:34:39,400
that show she's intelligent. Oh does it, mam?

722
00:34:39,480 --> 00:34:42,320
Speaker 12: Well, it's just the way of putting away fear, don't

723
00:34:42,320 --> 00:34:46,079
you understand, Ken? But if you find love, if a

724
00:34:46,119 --> 00:34:48,679
person or an animal finds love, it's the same as

725
00:34:48,719 --> 00:34:54,360
finding safety. It's comfort and friendliness and help. Everyone longs fine.

726
00:34:55,280 --> 00:34:58,079
And the Flicker's found it yet doesn't have sense enough

727
00:34:58,119 --> 00:35:00,880
to know she's founded, and goes and being crazy and

728
00:35:00,960 --> 00:35:01,800
silly with beer.

729
00:35:01,880 --> 00:35:04,519
Speaker 6: Then then then she'd be local.

730
00:35:05,519 --> 00:35:08,880
Speaker 2: Yes, God, getting the hand of tomorrow.

731
00:35:08,960 --> 00:35:09,840
Speaker 5: Guys show up boss.

732
00:35:11,199 --> 00:35:13,199
Speaker 3: Now, I'm hiring some hands for the next week or so.

733
00:35:13,760 --> 00:35:15,440
They'll eat a lot good.

734
00:35:15,519 --> 00:35:18,880
Speaker 6: Hello, Dad, I've been thinking, don't you think it's a

735
00:35:18,920 --> 00:35:21,360
good time that? But we hold a broke fliquor?

736
00:35:22,119 --> 00:35:22,480
Speaker 3: What's that?

737
00:35:23,440 --> 00:35:25,039
Speaker 6: I think we ought to find out?

738
00:35:25,119 --> 00:35:27,760
Speaker 3: Now you know what it means? Ken, Yes, I know.

739
00:35:28,480 --> 00:35:31,679
Speaker 6: It'll prove whether or not whether I can have a trainer.

740
00:35:32,800 --> 00:35:35,000
Speaker 3: I'll leave it to you, sir. When do you want

741
00:35:35,039 --> 00:35:35,320
to try?

742
00:35:35,800 --> 00:35:36,000
Speaker 4: Well?

743
00:35:36,559 --> 00:35:38,639
Speaker 6: I thought I thought today.

744
00:35:50,719 --> 00:35:52,800
Speaker 3: All right, go all over here, Ken, Yes.

745
00:35:52,719 --> 00:35:57,239
Speaker 1: Sir, letter lad, have your rope read it him, just

746
00:35:57,360 --> 00:35:57,719
in case.

747
00:35:57,840 --> 00:36:02,840
Speaker 6: I'll say she's turning she comes, dad, See yeah, all right.

748
00:36:03,639 --> 00:36:05,360
Speaker 3: I'll put your band down around her neck and tied

749
00:36:05,400 --> 00:36:08,519
in a loose snot go ahead like like this.

750
00:36:09,079 --> 00:36:11,639
Speaker 6: That's it, easy, flicker, easy.

751
00:36:12,119 --> 00:36:14,400
Speaker 3: I'll take your belt off, step it through the band

752
00:36:14,440 --> 00:36:16,960
on her. That's it. I'll take a hold of the

753
00:36:17,000 --> 00:36:18,000
belt and lead her around.

754
00:36:19,199 --> 00:36:26,199
Speaker 14: Go on, yes, come on, flicker, come on girl, that's right, flicker,

755
00:36:26,679 --> 00:36:30,280
sweepy nerves don't be all rightopy.

756
00:36:29,280 --> 00:36:32,079
Speaker 5: Nerves, all right, and I'll bring her back, Yes, sir,

757
00:36:32,719 --> 00:36:34,599
This week flicker, ask the girl.

758
00:36:35,320 --> 00:36:38,840
Speaker 3: Yes, d well Son, i'd call that hold of broken.

759
00:36:39,000 --> 00:36:40,400
Speaker 6: But it gets a hold to Dad.

760
00:36:40,760 --> 00:36:43,800
Speaker 3: Followed your son. She walked along with him without fair.

761
00:36:44,480 --> 00:36:47,280
Speaker 6: That's not but but how did she get hold of broke?

762
00:36:47,360 --> 00:36:49,840
Speaker 3: Dad? That's the way we break horses on the goose,

763
00:36:49,880 --> 00:36:53,440
by her arms. You figure it out for yourself. Come on, guys,

764
00:36:53,480 --> 00:36:54,480
let's get out. Doesn't see me?

765
00:36:55,039 --> 00:36:59,159
Speaker 6: Mom? Did you see she's not local? She's not local?

766
00:36:59,480 --> 00:37:11,079
Speaker 4: Oh, hello, Gus Kenny.

767
00:37:11,800 --> 00:37:14,079
Speaker 2: I think maybe you got to come to the pasture

768
00:37:14,159 --> 00:37:14,519
right away.

769
00:37:14,719 --> 00:37:15,960
Speaker 6: What's philosophy? Is a flicker?

770
00:37:16,400 --> 00:37:16,599
Speaker 3: Yeah?

771
00:37:17,400 --> 00:37:20,079
Speaker 2: The leg from the barb wire. I think maybe she

772
00:37:20,199 --> 00:37:20,880
got infection?

773
00:37:21,280 --> 00:37:22,400
Speaker 6: Infection? Is it bad?

774
00:37:22,800 --> 00:37:25,719
Speaker 2: He's lying down? I think maybe it is very bad?

775
00:37:34,119 --> 00:37:36,800
Speaker 3: All that him? I gotta get that hay in before tonight. Okay,

776
00:37:37,360 --> 00:37:40,599
rain in the air force? Yeah, going to storm god Son.

777
00:37:40,960 --> 00:37:41,840
Speaker 6: I'd about to talk to you.

778
00:37:42,199 --> 00:37:43,480
Speaker 3: What about er Tim?

779
00:37:43,719 --> 00:37:44,599
Speaker 6: What's about flicker?

780
00:37:44,920 --> 00:37:46,840
Speaker 3: Flicker? For the love of Mike? And can't you say?

781
00:37:46,840 --> 00:37:49,480
I'm busy? This is no time to be worrying about that. Philly.

782
00:37:49,679 --> 00:37:52,119
Speaker 6: I'm sorry, Dad, I didn't know you were just a moment.

783
00:37:53,079 --> 00:37:55,119
Speaker 3: What does that sound? Is flicker?

784
00:37:55,199 --> 00:37:58,360
Speaker 6: Worse? Oh? Dad, she's so sick. Will you come down

785
00:37:58,440 --> 00:38:00,000
and see her, maybe you can do something.

786
00:38:00,960 --> 00:38:02,719
Speaker 3: All right, I'll come and have a look at her.

787
00:38:03,159 --> 00:38:16,800
Keep it going here, Ken, Monday.

788
00:38:10,920 --> 00:38:11,440
Speaker 11: She is dead.

789
00:38:12,119 --> 00:38:12,880
Speaker 6: She's lying down.

790
00:38:12,960 --> 00:38:16,000
Speaker 3: Agad, what's happened to her? She's been getting left then

791
00:38:16,880 --> 00:38:17,800
I can count every rid.

792
00:38:17,960 --> 00:38:20,000
Speaker 2: I'm afraid she ain't going to pull out of her boss.

793
00:38:19,840 --> 00:38:22,559
Speaker 3: Full out of it. She's dead already. How long has

794
00:38:22,599 --> 00:38:23,079
you been like this?

795
00:38:23,320 --> 00:38:26,039
Speaker 6: She's been going down first the last few days, mister Fever.

796
00:38:26,480 --> 00:38:27,320
Speaker 2: It's burning her up.

797
00:38:27,480 --> 00:38:30,159
Speaker 6: She's going to die dead. She's dying less we do something.

798
00:38:30,360 --> 00:38:33,280
Speaker 3: I'm afraid it's too late. Ken. We we'll have to

799
00:38:33,280 --> 00:38:34,519
put her out of her misery dead.

800
00:38:35,800 --> 00:38:38,360
Speaker 6: Oh, no, doubt we can. We can't do that.

801
00:38:38,800 --> 00:38:41,760
Speaker 3: I'm sorry, Ken, but it doesn't fair to an animal

802
00:38:41,800 --> 00:38:44,920
to let it suffer like this. Look at her, she's

803
00:38:45,039 --> 00:38:52,519
burning up what she can hardly breathe. Oh, Gus, you

804
00:38:52,639 --> 00:38:54,800
know what to do. There's a gun in the shed.

805
00:38:55,599 --> 00:38:57,599
And take a time when Ken is not around.

806
00:38:58,239 --> 00:39:00,320
Speaker 6: Oh la oh.

807
00:39:19,000 --> 00:39:22,840
Speaker 1: After a brief intermission, mister Demill presents Roddy McDowell, George Brent,

808
00:39:23,000 --> 00:39:26,559
and Rita Johnson in Act three of My Friend Flicker

809
00:39:27,840 --> 00:39:30,519
Now here's Sally, and uh, look at me a little

810
00:39:30,559 --> 00:39:31,239
puzzled too.

811
00:39:31,800 --> 00:39:33,920
Speaker 7: Mister Kennedy, I've got a letter here from my young

812
00:39:34,000 --> 00:39:37,599
cousin Joe in the army, and well, I can't understand.

813
00:39:37,280 --> 00:39:38,280
Speaker 6: A word of this sentence.

814
00:39:38,559 --> 00:39:39,840
Speaker 3: Read it, Sally, Maybe I.

815
00:39:39,840 --> 00:39:42,920
Speaker 6: Can help you, he says within the limph line.

816
00:39:42,960 --> 00:39:46,480
Speaker 7: This week, Sally, I'm okay now, though the doc slit

817
00:39:46,559 --> 00:39:50,639
me some shutters and sent me passing for my snoor sack.

818
00:39:50,880 --> 00:39:53,840
Speaker 1: At slimentary, My dear Sally, it means Joe was at

819
00:39:53,880 --> 00:39:56,440
sick call. The doctor gave him some sleeping pills and

820
00:39:56,599 --> 00:39:58,559
sent him to bed anymore.

821
00:39:59,159 --> 00:40:02,559
Speaker 7: Yes, he goes on, say, the eagle flew yesterday, which

822
00:40:02,639 --> 00:40:04,760
gives me enough pocket letters to go to town.

823
00:40:04,880 --> 00:40:07,639
Speaker 6: Someday. I'll have to get slipped up with a chili

824
00:40:07,719 --> 00:40:12,519
bowl first. And goodness, mister Kennedy, you'd better translate that.

825
00:40:13,199 --> 00:40:15,880
Speaker 1: He means yesterday it was pay day, and so he

826
00:40:15,920 --> 00:40:18,719
has enough paper money to go to town, but first

827
00:40:18,800 --> 00:40:19,800
he has to get her hair cut.

828
00:40:20,280 --> 00:40:22,920
Speaker 7: Well, now, at lasts I'm coming to something I can understand,

829
00:40:23,559 --> 00:40:26,519
he says, And say, when it comes to flicking up,

830
00:40:27,000 --> 00:40:30,159
that passage of luck soap you sent me is Okay, boy,

831
00:40:30,239 --> 00:40:32,400
the latter's wonderful, a kind of man like.

832
00:40:32,840 --> 00:40:35,159
Speaker 1: He might even have said, luck soap slicks a man

833
00:40:35,280 --> 00:40:37,960
up by the numbers. That's army talked too, Sally, And

834
00:40:38,000 --> 00:40:41,960
it means with precision and deficiency. Sally, it looks as

835
00:40:41,960 --> 00:40:44,119
though that present of yours made a hit in any language.

836
00:40:44,599 --> 00:40:47,039
Speaker 7: Well, mister Kennedy, I've always noticed that's the men in

837
00:40:47,119 --> 00:40:49,880
our family enjoy using luck soap just as much as

838
00:40:49,920 --> 00:40:50,159
I do.

839
00:40:50,440 --> 00:40:53,559
Speaker 1: Sure, Sally, why not men like a little luxury too,

840
00:40:54,400 --> 00:40:57,079
A bath with that rich, creamy luck soap letter that

841
00:40:57,119 --> 00:40:58,800
makes them I headn't feel like a million?

842
00:40:59,199 --> 00:41:01,960
Speaker 7: Did you know, mister cake Kennedy, Mu's toilet soap is

843
00:41:02,000 --> 00:41:03,960
a desk cellar in all branches of the.

844
00:41:04,000 --> 00:41:06,639
Speaker 1: Service, Yes, Sally, and there are lots of good reasons

845
00:41:06,719 --> 00:41:10,480
for it. For one thing, lux toilet soap costs so little,

846
00:41:10,920 --> 00:41:14,079
and being hard milled, it lasts such a long time.

847
00:41:14,360 --> 00:41:16,960
You can use it right down to the last thin sliver.

848
00:41:17,400 --> 00:41:20,039
The most important of all, men go for that rich,

849
00:41:20,159 --> 00:41:22,960
active ladder that gets off the day's dust and grime

850
00:41:23,079 --> 00:41:27,840
with neatness and dispatch, does it gently too, Yees, Saley

851
00:41:27,960 --> 00:41:30,039
has a soap for face and hands, and as a

852
00:41:30,119 --> 00:41:33,599
bath soap too. Lux has everything, yes.

853
00:41:33,480 --> 00:41:35,239
Speaker 6: And it's nice to know it's one of those little

854
00:41:35,320 --> 00:41:36,840
everyday luxuries we can.

855
00:41:36,880 --> 00:41:40,599
Speaker 1: All afford, right Sally, So here's our tip to women everywhere.

856
00:41:41,119 --> 00:41:43,880
Let all the family enjoy using this fine white soap.

857
00:41:44,039 --> 00:41:48,480
And remember lux toilet soap is hard milled, it lasts,

858
00:41:49,079 --> 00:41:53,880
and it's easy on your budget. Now, our producer, mister

859
00:41:53,960 --> 00:41:56,119
de Middle, after the play.

860
00:41:56,000 --> 00:41:59,679
Speaker 2: We'll have a chat with our stars and a surprise

861
00:41:59,760 --> 00:42:03,199
de star. Now the third act of My Friend Flicker,

862
00:42:03,679 --> 00:42:18,639
starring Roddy McDowell, George Brent and Rita Johnson. In the

863
00:42:18,719 --> 00:42:22,480
morning before came as awake, a rifle shot will bring

864
00:42:22,559 --> 00:42:26,039
an end to Flicker's sufferings. Now, on the quiet of

865
00:42:26,079 --> 00:42:29,239
the night, the boy steals silently from the house down

866
00:42:29,280 --> 00:42:33,599
to the pasture to whispery last goodbye to his friends.

867
00:42:34,360 --> 00:42:40,159
The Flicker is not there, will I ser Then at

868
00:42:40,239 --> 00:42:43,400
last he finds her. Flicker has stumbled to the streams,

869
00:42:44,079 --> 00:42:46,480
and she lies there on her side, her head in

870
00:42:46,559 --> 00:42:47,119
the water.

871
00:42:49,920 --> 00:42:51,519
Speaker 6: Much sleser.

872
00:42:52,239 --> 00:42:55,920
Speaker 2: There's a spark of life still burning in us all night.

873
00:42:56,039 --> 00:42:59,480
The boy crouches beside her in the icy current. His

874
00:42:59,639 --> 00:43:02,559
young eyes. I was cradling her head, holding it clear

875
00:43:02,639 --> 00:43:07,639
of the threem, whispering words of comfort, hiding off death.

876
00:43:08,679 --> 00:43:11,719
In the morning, the boy is close to death himself.

877
00:43:13,599 --> 00:43:17,000
Speaker 3: Well, gottor even one of these pills.

878
00:43:17,079 --> 00:43:19,400
Speaker 1: Every hour, I'll call the feeling again to night.

879
00:43:19,679 --> 00:43:21,000
Speaker 3: He's a pretty sick boy, isn't it.

880
00:43:21,320 --> 00:43:24,079
Speaker 2: He's very sick, Robert, what happened to him?

881
00:43:25,039 --> 00:43:26,760
Speaker 6: He went down to see his colt last night and

882
00:43:26,920 --> 00:43:29,800
she was rowing in the steam that sound in there

883
00:43:29,840 --> 00:43:34,400
this morning. You don't know how long, perhaps all night?

884
00:43:35,000 --> 00:43:35,400
Speaker 3: I see.

885
00:43:36,679 --> 00:43:38,840
Speaker 1: Well, you'd better have this preciption filled right away.

886
00:43:38,920 --> 00:43:40,519
Speaker 3: I'll take him the time and bring it right back

887
00:43:40,760 --> 00:43:45,519
some one. No, don't worries on him. He'll be all right.

888
00:43:45,599 --> 00:43:59,280
Speaker 6: I'll read rob start what.

889
00:44:00,039 --> 00:44:01,320
Speaker 5: Oh there, sir, it's me.

890
00:44:02,440 --> 00:44:06,519
Speaker 2: I was a little boy, and oh, oh, little fella.

891
00:44:07,559 --> 00:44:10,480
Speaker 6: Does is flicker dead?

892
00:44:11,199 --> 00:44:13,760
Speaker 2: No, missus, Kim and me. He fixed her up in

893
00:44:13,800 --> 00:44:17,440
a blanket slings. She can't stand alone, but she thanks

894
00:44:17,440 --> 00:44:18,679
the bucket of water like a good one.

895
00:44:19,199 --> 00:44:22,280
Speaker 6: Did Did God say you didn't have to shoot it?

896
00:44:23,000 --> 00:44:25,639
Speaker 2: No, missus, But I just couldn't do it when I

897
00:44:25,719 --> 00:44:28,320
found him like that this morning, Celium.

898
00:44:27,880 --> 00:44:28,760
Speaker 3: The little boy I know.

899
00:44:30,519 --> 00:44:31,239
Speaker 2: I know what you mean.

900
00:44:31,920 --> 00:44:35,639
Speaker 3: He's the plenty strength. Yet he could live. Maybe she could.

901
00:44:37,519 --> 00:44:40,480
Speaker 6: Sometimes I think that miracles can still happened.

902
00:44:41,199 --> 00:44:43,559
Speaker 1: It was the cold water washing the fever out of us,

903
00:44:44,639 --> 00:44:45,519
but there was more than that.

904
00:44:46,760 --> 00:44:50,760
Speaker 2: It was ten given her courage all night, that little

905
00:44:50,800 --> 00:44:55,719
fella sitting by her and saying, hold on, Flicker, I'm here, richer,

906
00:44:56,360 --> 00:45:01,280
the two of us together, h coming up, missus, big one.

907
00:45:02,079 --> 00:45:02,719
I'll stay here.

908
00:45:02,760 --> 00:45:03,800
Speaker 5: I guess maybe you need me.

909
00:45:03,960 --> 00:45:04,239
Speaker 2: Thank you?

910
00:45:16,159 --> 00:45:18,199
Speaker 6: Oh well, I thought you'd never get made.

911
00:45:18,039 --> 00:45:19,920
Speaker 3: It as fast as I could have road washed out,

912
00:45:20,400 --> 00:45:22,159
I had to go the long way. How is it?

913
00:45:22,199 --> 00:45:23,599
Speaker 6: He seems a little better. He's domestic.

914
00:45:23,719 --> 00:45:24,880
Speaker 3: Oh good, here's the medicine.

915
00:45:24,880 --> 00:45:25,760
Speaker 6: I'll give it to the meta way.

916
00:45:26,800 --> 00:45:28,199
Speaker 3: Oh, I guess, because you know I.

917
00:45:28,880 --> 00:45:29,960
Speaker 2: Oh, I just couldn't.

918
00:45:30,480 --> 00:45:32,760
Speaker 3: I gave the ore. You had plenty of time. Yes,

919
00:45:32,840 --> 00:45:34,440
couldn't do it. Where's the rifle?

920
00:45:35,559 --> 00:45:36,440
Speaker 2: I left it in the bunk.

921
00:45:36,519 --> 00:45:37,960
Speaker 3: I'll go and get it. I'll do it myself.

922
00:45:38,039 --> 00:45:41,239
Speaker 6: Oh Rob, please, do you know she's alive? You thinks

923
00:45:41,239 --> 00:45:43,480
she'll get well? Given something to.

924
00:45:43,559 --> 00:45:45,320
Speaker 3: Hope for, it would have been a lot better that

925
00:45:45,400 --> 00:45:48,039
poor little filler was shot weeks ago. It's been nothing

926
00:45:48,079 --> 00:45:50,239
but trouble and misery for all of it. Do what

927
00:45:50,320 --> 00:45:51,000
it's done to Ken.

928
00:45:51,360 --> 00:45:52,159
Speaker 6: I wish you wouldn't go.

929
00:45:52,599 --> 00:45:55,000
Speaker 3: You needn't know. You hear the shot, the stormers think

930
00:45:55,039 --> 00:45:55,360
it's done.

931
00:45:55,519 --> 00:45:57,599
Speaker 6: No, no, you'll know it's the rifle.

932
00:45:57,920 --> 00:46:00,199
Speaker 3: I know's no use starting stick anim.

933
00:46:12,480 --> 00:46:17,639
Speaker 6: Fsa by flicker, don't I flicker? Please, I'll stay follow up,

934
00:46:18,239 --> 00:46:18,920
I'll copy.

935
00:46:19,079 --> 00:46:20,480
Speaker 4: So just so happened?

936
00:46:21,039 --> 00:46:27,760
Speaker 6: Help me? Someone whom you so happy? It's all right, job,

937
00:46:28,800 --> 00:46:34,519
it's all right, but you're just dreaming there. I'm here, dear,

938
00:46:36,440 --> 00:46:37,039
it's raining.

939
00:46:38,239 --> 00:46:42,679
Speaker 12: She's down the past the rain word dog flickers, been

940
00:46:42,760 --> 00:46:44,400
up and thunderstones all of her life.

941
00:46:45,159 --> 00:46:49,360
Speaker 6: That was That's how I heard. Befo your aunt yet

942
00:46:51,599 --> 00:46:53,920
and then anyone out?

943
00:46:54,000 --> 00:46:54,159
Speaker 5: Then?

944
00:46:56,519 --> 00:47:04,599
Speaker 6: Yeah, downs so caring. I noticed she's sick. She's so sick.

945
00:47:05,119 --> 00:47:08,480
She counted out on him. You mustn't let the stuff.

946
00:47:08,679 --> 00:47:19,119
Maybe she'll get there. It could happen. Then, Remember what

947
00:47:19,320 --> 00:47:25,239
you said. It was something you wanted awfully bad, gifty?

948
00:47:26,760 --> 00:47:29,920
What was it? I've wanted it ever since a few

949
00:47:30,039 --> 00:47:31,159
years after you were born.

950
00:47:32,239 --> 00:47:32,800
Speaker 3: What was it?

951
00:47:32,960 --> 00:47:38,719
Speaker 6: No? It was a little girl kid. Oh, we wanted

952
00:47:39,079 --> 00:47:41,400
the same thing, didn't me.

953
00:47:42,519 --> 00:47:42,960
Speaker 9: How do you know.

954
00:47:44,920 --> 00:47:50,199
Speaker 6: Do you know what little girl would be? I'm sweetlick

955
00:47:51,800 --> 00:47:59,320
little oh kidding, kiddy, nice, no doubting, it was no, no,

956
00:47:59,480 --> 00:48:01,840
it was son. It was dumb with.

957
00:48:05,599 --> 00:48:05,800
Speaker 8: Yes.

958
00:48:21,480 --> 00:48:24,639
Speaker 11: Rob oh yeah, yeah?

959
00:48:24,920 --> 00:48:26,639
Speaker 5: Oh ah?

960
00:48:26,719 --> 00:48:26,800
Speaker 6: Rob?

961
00:48:26,960 --> 00:48:27,880
Speaker 3: You all right? Sure?

962
00:48:28,559 --> 00:48:32,280
Speaker 6: Why Ken's asleep and guesses rhythm? I got worried about you?

963
00:48:34,599 --> 00:48:39,079
Is that slicker? Yep? Right? Why I heard a shot?

964
00:48:39,400 --> 00:48:41,679
Speaker 3: There's a mountain lion, I said a crack at him.

965
00:48:41,719 --> 00:48:42,280
Speaker 5: Did you get him?

966
00:48:42,800 --> 00:48:42,840
Speaker 6: No?

967
00:48:43,360 --> 00:48:44,480
Speaker 3: But I will before morning.

968
00:48:44,719 --> 00:48:49,119
Speaker 6: But quite about flickers? He said, you were going to I.

969
00:48:49,199 --> 00:48:52,199
Speaker 3: Know, I know, but I couldn't do it. But down

970
00:48:52,239 --> 00:48:53,760
little fool wants to die. You will have to do

971
00:48:53,880 --> 00:48:54,519
it by yourself.

972
00:48:56,880 --> 00:48:59,960
Speaker 6: Oh, Ken heard the shot?

973
00:49:00,800 --> 00:49:02,239
Speaker 3: Yeah? How'd he take it?

974
00:49:02,519 --> 00:49:02,719
Speaker 6: Well?

975
00:49:02,800 --> 00:49:03,199
Speaker 3: He took it?

976
00:49:04,159 --> 00:49:06,559
Speaker 6: Is a question it didn't send the bell.

977
00:49:07,239 --> 00:49:08,880
Speaker 3: If he wakes up and asks, I don't think you'd

978
00:49:08,880 --> 00:49:11,519
better tell him she's still alive. She may be dead

979
00:49:11,559 --> 00:49:15,079
by morning. Wouldn't surprise me. He's accepted at death now.

980
00:49:15,840 --> 00:49:17,920
If he knows she's still alive, he'll be all upsetting it.

981
00:49:18,880 --> 00:49:19,639
Speaker 6: I will tell him.

982
00:49:20,119 --> 00:49:21,960
Speaker 3: You better get along up to the house. But a

983
00:49:22,039 --> 00:49:24,039
cat's still around. I don't want to be wandering around

984
00:49:24,079 --> 00:49:24,400
in the dark.

985
00:49:24,480 --> 00:49:25,400
Speaker 6: Are you going to stay here?

986
00:49:25,960 --> 00:49:27,679
Speaker 3: That's fully tied up like that. The cat will propped

987
00:49:27,760 --> 00:49:31,199
them back. Can't believe it? God, God, go along? Well

988
00:49:31,280 --> 00:49:31,840
I don't God.

989
00:49:31,960 --> 00:49:34,599
Speaker 6: Look over here in the tree.

990
00:49:36,559 --> 00:49:37,920
Speaker 3: All right, don't move.

991
00:49:38,119 --> 00:49:40,280
Speaker 6: I can see his eyes rop quiet.

992
00:49:40,920 --> 00:49:44,920
Speaker 3: If we move, he'll spring all right, I've got a

993
00:49:45,000 --> 00:49:45,519
sight on him.

994
00:49:45,559 --> 00:49:45,679
Speaker 5: Now.

995
00:49:49,599 --> 00:50:06,400
Speaker 3: That's Kinney, easy, quicker, easy girl. That cat won't bother him. Now, well,

996
00:50:06,440 --> 00:50:08,519
young fellow, how's it feel to be out again?

997
00:50:08,639 --> 00:50:11,079
Speaker 6: Find dad? He's still a little cheggy in the legs off.

998
00:50:11,280 --> 00:50:13,320
Speaker 3: You have to stop a see down a minute to go,

999
00:50:13,400 --> 00:50:16,960
young fellows, I'll carry you for a while. Dead, the

1000
00:50:17,039 --> 00:50:19,079
doctor said the walk, didn't he? Well, we'll walk.

1001
00:50:19,599 --> 00:50:21,119
Speaker 6: Where are we going? Oh?

1002
00:50:21,320 --> 00:50:23,400
Speaker 3: I thought we'd take a look down the home pasture.

1003
00:50:23,840 --> 00:50:25,280
I've got the yearlings in there again.

1004
00:50:25,679 --> 00:50:27,559
Speaker 1: Oh the yearlings sure.

1005
00:50:28,159 --> 00:50:30,840
Speaker 3: Still want the cold tones? Well you're gonna take one out?

1006
00:50:31,239 --> 00:50:33,519
Speaker 6: Anyone on the right, said, I don't want to pick

1007
00:50:33,559 --> 00:50:34,039
one out? Now?

1008
00:50:34,199 --> 00:50:34,760
Speaker 5: Why kid?

1009
00:50:35,079 --> 00:50:35,880
Speaker 6: See not? Now?

1010
00:50:37,320 --> 00:50:39,440
Speaker 3: Really are some beauties from that pack? Ken?

1011
00:50:39,599 --> 00:50:39,719
Speaker 4: Oh?

1012
00:50:39,800 --> 00:50:43,639
Speaker 6: See dead? Look kid for the best? Pretty? That one

1013
00:50:43,719 --> 00:50:49,000
over there? Why why mommy's like slicker? It is flicker?

1014
00:50:51,440 --> 00:50:54,559
Speaker 3: I thought I didn't share that. I couldn't that shop

1015
00:50:54,719 --> 00:50:57,599
was for the Mountain lion. I killed it, Oh Flicker.

1016
00:50:58,039 --> 00:51:04,840
Speaker 6: Fletcher, sir, it makes get your friends. Let her oh job.

1017
00:51:04,920 --> 00:51:12,039
Look she knows me, he oh slitter. She did get gentle,

1018
00:51:12,199 --> 00:51:13,079
didn't she dead?

1019
00:51:13,440 --> 00:51:16,559
Speaker 3: Gentle as a kitten. She's given us a lot of troublesome.

1020
00:51:17,360 --> 00:51:21,519
She's taught us a few things too important things your

1021
00:51:21,639 --> 00:51:25,199
responsibility and me that there is such a thing as hope,

1022
00:51:25,559 --> 00:51:29,719
beyond hope. And sometimes when things are their lower said,

1023
00:51:30,760 --> 00:51:32,519
all we need to do is have a little more love,

1024
00:51:33,440 --> 00:51:36,639
a little more patience, and a little more faith.

1025
00:51:37,119 --> 00:51:39,880
Speaker 6: Said, such more you saying?

1026
00:51:40,000 --> 00:51:42,800
Speaker 8: Now, I think so.

1027
00:51:43,920 --> 00:51:49,880
Speaker 6: And as she's asking that you can run again, go on, slitter, one.

1028
00:51:49,880 --> 00:51:51,039
Speaker 5: Flicker on.

1029
00:52:08,239 --> 00:52:11,400
Speaker 2: The curtain falls on My friends, Flicker and are very

1030
00:52:11,440 --> 00:52:15,320
good friends. George Brent, Broddy McDowell and Rita Johnson answer

1031
00:52:15,360 --> 00:52:17,519
your applause with a well earned curtain call.

1032
00:52:17,760 --> 00:52:20,079
Speaker 3: Thank you, c B. And I'd just like to say

1033
00:52:20,159 --> 00:52:22,360
that Roddy is the biggest troop of free size I've

1034
00:52:22,400 --> 00:52:22,920
ever seen.

1035
00:52:23,199 --> 00:52:26,079
Speaker 6: But your ambition, Roddy Thomas Johnson, I hope some day

1036
00:52:26,079 --> 00:52:27,639
to give a checker Janson of Hollywood.

1037
00:52:30,639 --> 00:52:32,679
Speaker 2: That's a pretty big ambition. Thank you, O meggot.

1038
00:52:33,119 --> 00:52:35,199
Speaker 6: Oh, I practice any time I can find a pigeon. Oh,

1039
00:52:35,239 --> 00:52:37,559
I mean apartment. I'd play it my dad before he

1040
00:52:37,599 --> 00:52:38,599
went to see with the merchant.

1041
00:52:39,039 --> 00:52:41,440
Speaker 3: Keep it that competition is good for the soul, Roddy.

1042
00:52:41,440 --> 00:52:43,960
Speaker 6: Yes, sir, sometimes it's good for the lungs too. Before

1043
00:52:44,039 --> 00:52:45,679
him was follow went in the navy. You and I

1044
00:52:45,840 --> 00:52:47,559
used to see who could hold his prest for the lungs.

1045
00:52:47,880 --> 00:52:49,239
You can find the score on the wall of his

1046
00:52:49,320 --> 00:52:51,480
old regiment. But the will it get it chaff with

1047
00:52:51,599 --> 00:52:54,039
soda or maybe a Sunday is Johnson. I'd like to

1048
00:52:54,079 --> 00:52:57,480
buy you one of my special Sundays. Sometimes I'd love it, Roddy.

1049
00:52:57,559 --> 00:52:59,320
What's it it? Well, you know those tumps they have

1050
00:52:59,400 --> 00:53:02,000
in the soda with a chocolate robbery and other stuff

1051
00:53:02,039 --> 00:53:03,960
at the home where you take out a dish of

1052
00:53:04,000 --> 00:53:06,119
ice scream and you put a squirt out of each company.

1053
00:53:06,760 --> 00:53:09,159
Speaker 3: Then you hold your breath for a good long time.

1054
00:53:10,159 --> 00:53:13,480
Speaker 6: It sounds a little complicated, Roddie. Now, I like simple thing.

1055
00:53:14,199 --> 00:53:16,039
I think that's why I'm so fond of rot soap.

1056
00:53:16,400 --> 00:53:19,000
You see, it's very easy complexions here. It doesn't take

1057
00:53:19,119 --> 00:53:21,280
much time, and that's important when you're busy.

1058
00:53:21,760 --> 00:53:24,079
Speaker 2: Now that soap is made for girls who are both

1059
00:53:24,480 --> 00:53:27,519
beautiful and busy readers. And believe me, things are going

1060
00:53:27,559 --> 00:53:30,519
to be beautifully busy around this microphone next week. What's

1061
00:53:30,559 --> 00:53:35,960
the Place av It's Philip Barry's sensational hit, The Philadelphia Story,

1062
00:53:37,440 --> 00:53:40,159
a two time hit, first time Broadway during a long

1063
00:53:40,280 --> 00:53:44,000
run and later as a Metro Golden Mayor picture. And

1064
00:53:44,159 --> 00:53:48,400
our stars will be well. I told you we'd have

1065
00:53:48,440 --> 00:53:51,800
a surprise guest tonight. It's one of next week's stars,

1066
00:53:52,440 --> 00:53:53,280
Robert Taylor.

1067
00:54:02,920 --> 00:54:06,679
Speaker 1: Hello, everyone, you've held back the most important.

1068
00:54:06,320 --> 00:54:09,239
Speaker 2: Part of a news CB. I guess, Bob means the

1069
00:54:09,320 --> 00:54:11,800
rest of our cast. We have three stars in the

1070
00:54:11,840 --> 00:54:16,599
Philadelphia Storry next week, Robert Taylor, Loretta Young, and Robert Young.

1071
00:54:17,280 --> 00:54:24,039
Speaker 1: Yes, Bob Young and I are both delighted at the

1072
00:54:24,079 --> 00:54:26,800
opportunity of working with Loretta. I think we're going to

1073
00:54:26,880 --> 00:54:28,239
have a swell time here next week.

1074
00:54:28,440 --> 00:54:30,559
Speaker 2: I was lucky for us. We thought you all during

1075
00:54:30,639 --> 00:54:33,039
a week off from pictures? What's your latest?

1076
00:54:33,079 --> 00:54:36,960
Speaker 1: Over Patrick Goldana, Bob called Batan Phoebe and there are

1077
00:54:36,960 --> 00:54:40,519
a lot of great fellows in it. George Murphy, Tommy Mitchell, Lloyd,

1078
00:54:40,599 --> 00:54:44,400
Nolan Lee, Bowman, Desi Arnez and the very promising you

1079
00:54:44,519 --> 00:54:47,920
comer named Bob Walker stories about an incident in the

1080
00:54:47,960 --> 00:54:51,440
Philippine campaigns involved thirteen men and not a single woman.

1081
00:54:53,920 --> 00:54:59,280
Speaker 2: As a novelty for pictures, the word batan will always

1082
00:54:59,320 --> 00:55:02,599
sand for something. I'm very noble in American history, so

1083
00:55:02,760 --> 00:55:06,079
I'm anxious to see what the pictures like. Incidentally, Bob,

1084
00:55:06,639 --> 00:55:07,679
how much longer will you.

1085
00:55:07,760 --> 00:55:08,440
Speaker 3: Be in Hollywood?

1086
00:55:08,960 --> 00:55:11,199
Speaker 1: Just a short time, TV, I have one picture to

1087
00:55:11,239 --> 00:55:12,480
finish which won't take long.

1088
00:55:12,760 --> 00:55:16,320
Speaker 2: And then, ladies and gentlemen, Bob enters the Navy aircar.

1089
00:55:22,360 --> 00:55:24,920
We wanted to have him here just once more before

1090
00:55:24,920 --> 00:55:27,519
he left. That will be next Monday Nights when we

1091
00:55:27,639 --> 00:55:30,719
present Robert Taylor, Loretta Young, and Robert Young in the

1092
00:55:30,760 --> 00:55:31,719
Philadelphia Story.

1093
00:55:31,880 --> 00:55:34,679
Speaker 3: Glad to be aboard TV, and I'm expecting a great show. Bob,

1094
00:55:35,000 --> 00:55:37,159
good night, Good to night, good night.

1095
00:55:39,039 --> 00:55:47,880
Speaker 2: We have to have the bab Hard Bontons, the makers

1096
00:55:47,880 --> 00:55:50,360
of Lux Pilot Club join me in inviting you to

1097
00:55:50,440 --> 00:55:52,760
be with it again. Next Monday Night, from the Lux

1098
00:55:52,920 --> 00:55:57,000
Radio Theater presents Robert Taylor, Loretta Young, and Robert Young

1099
00:55:57,639 --> 00:56:01,679
in the Philadelphia Story. That's all made the Marathane good

1100
00:56:01,760 --> 00:56:05,119
Night to you from Holley Word.

1101
00:56:11,760 --> 00:56:14,719
Speaker 1: Heard him Tonight's play where Leo Clarry is cut, Mary

1102
00:56:14,800 --> 00:56:18,639
lou Harrington is guilty, Fred McKay's Tim Norman Field as

1103
00:56:18,679 --> 00:56:22,840
mister Sargeants and Charles Seal as the Doctor. Our music

1104
00:56:23,000 --> 00:56:26,440
was directed by Louis Silvers. And this is your announcer

1105
00:56:26,519 --> 00:56:28,920
John M. Kennedy, reminding you to tune him next Monday

1106
00:56:29,000 --> 00:56:32,719
Night to hear Robert Taylor, Loretta Young and Robert Young

1107
00:56:33,360 --> 00:56:35,000
in the Philadelphia's story.

1108
00:56:39,320 --> 00:56:42,599
Speaker 9: Food rassling and shortages don't worry me. I make sure

1109
00:56:42,679 --> 00:56:45,599
my family gets enough vitamins and minerals. I just buy

1110
00:56:45,760 --> 00:56:48,840
BIMs and add them to my family's meals. You see,

1111
00:56:49,119 --> 00:56:52,480
vims I scientifically designed. She has makes meals complete.

1112
00:56:52,840 --> 00:56:56,199
Speaker 1: Right or BIMs give you all the essential vitamins and

1113
00:56:56,400 --> 00:56:59,480
all minerals commonly lacking. They are pleasant to taste too,

1114
00:56:59,719 --> 00:57:04,079
Chill loved them. Ask for BIM at your Druggets. B

1115
00:57:04,280 --> 00:57:09,159
I for vitamins, w MS for minerals BIM. This is

1116
00:57:09,199 --> 00:57:10,960
the Columbia Broadcasting System

1117
00:57:12,960 --> 00:57:13,000
Speaker 13: H