Speaker 1: The lux Radio Theater brings you Roddy McDowell, George Brent,
and Rita Johnson in My Friend Flicker, Ladies and Gentlemen,
your producer, mister Cecil b the.
Speaker 2: Mill readings from Hollywood. Ladies and Gentlemen. Among the grown
ups of this world, there's usually something less than perfect understanding.
But between boys and horses there's a deep and abiding
sympathy that leaves no room for bickering. Not a word
is spoken. There's a miracle of communication and a love
of sugar, a pat on the head or a nuzzled sheet.
I had a horse when I was a boy. When
I heard what My Friend Flicker was about, I knew
I'd like it, but I was not prepared for the
deep emotional experience which the twentieth century Fox picture gives
to all who see it. Roddy McDowell's find performance as
the boy and Mary O'Hara's great story fit perfectly together,
and tonight we've brought back an old favorite of yours.
George Brent has Roddy's father, with Rita Johnson from the
Picture cast as his mother. This drama has the power
of simplicity. It's the story of a boy on a
ranch and the outlaw horse who is his friend. Together
they meet the joys and the pathos of their simple life,
a life perhaps we all may end the I believe
it plays like this which have given the Lux Radio
Theater its reputation through the years, and earn the loyalty
which you have given to this theater and to Lux toiletsat.
You know, it takes about forty people to bring one
of these plays to the microphone. In addition to the actors,
there are the engineers, writers, music sound technicians, page hands,
script girls, play readers, research experts and just plain handy
man like me. All these people work all week so
that you can have this hour of entertainment on Monday night.
And you've certainly done your part, magnificent ply. You've given
us many excellent suggestions, and we've given you a double feature,
a fine play and a fine product, Lux tilettself. And
here's the fine play right now. But the curtain goes
up on the first act of My Friend Clicker, starring
Roddy McDowell as Ken, George Brent as Rob, and Rita
Johnson as Now Around the lower meadow, they plan the
broodlayers and the goose Bar ranch, and then new folds around,
then around again. There's the great Stallion Banner, his crowd
mane flung out in the wind. And there did Lady Rocket,
her eyes rimmed with white, as her graceful body sweeped
through the high grass. And there are the foes running
close beside their mothers, running because they're so new to
the world and so happy to be in it, And
because the morning sky is clear and the spring wind
is fresh with the smell of pines from the mountains. Yes,
this is the family of the stallion Banner. This is
the life blood of the rank. Now toward the ranch
house comes another horse. This one wears a saddle, but
no rider. He runs free, his bridle whipping about his head.
Speaker 3: What now healthy?
Speaker 4: He comes to the ross?
Speaker 2: What is nobody at see this?
Speaker 5: Can poor?
Speaker 3: Boy?
Speaker 2: Here?
Speaker 3: Boy?
Speaker 5: Poor are.
Speaker 2: Totch?
Speaker 6: The boy?
Speaker 5: Eas here?
Speaker 2: Boy ey there? Boss?
Speaker 3: What's the matter is that cigarette?
Speaker 7: Yeah?
Speaker 2: Boss?
Speaker 5: She come back alone?
Speaker 3: Ken riding bomb?
Speaker 1: But yeah, now how did you quite Oh.
Speaker 3: Gone that Chad? Look at this bribal snaps in half. Hop.
Speaker 2: Ken's all right, Oh youngman's four light, Boss, He's used
to it.
Speaker 3: Well, there's always a chance of getting hurt. Saddle shorty,
I'll better go see the boss. H Wait a minute,
never mind, guess here he.
Speaker 8: Comes now he is ripping.
Speaker 6: I couldn't hear his leg.
Speaker 3: Can Yes, sir, come here? Yes, ya you all right?
Speaker 6: Sure, I'm all right. Just get money a little?
Speaker 3: The cigarette toss you again?
Speaker 6: Yes, sir? Did you did you hear her?
Speaker 4: Gang?
Speaker 1: Didn't?
Speaker 3: Did you? Son?
Speaker 6: Yes?
Speaker 5: Sir?
Speaker 3: My good heavens, Ken, and you are going to grow up?
How many times have I told you not to tap
your heels into it? And look at that bribal, the
second one you've broken this week?
Speaker 6: I'm sorry Dad? Well, Ken, did you find your saddle blanking?
Speaker 2: What saddle?
Speaker 3: Blanket?
Speaker 6: This one? I I los down in the rain, Yes,
the afternoon. Who was looking for it this morning?
Speaker 4: Rod?
Speaker 3: The saddle, I suppose, and forgot to sense it properly.
Speaker 6: Yes, you wis, Look it's all hard. Will you keep quiet, Hudy?
It got caught him some dog's work.
Speaker 5: Ad him here?
Speaker 3: The dog gone to skit for losing and busting and
forgetting good. Never mind the excuses. There's your mother ringing
for breakfast. Pull that horse out and come up to
the house.
Speaker 8: Yes, yes, already an email this morning?
Speaker 6: Right over there? Less carry Oh.
Speaker 3: He's coming cigarette tossed him again. I don't know what
I'm going to do with that. Boy doesn't seem to
pay any attention to what I tell him, always losing
equipment or breaking it or spoiling it somewhere only gold
enough to have his wits about him. Never seen such
a young one for walking around with his head and
the clouds. Wonder he doesn't flip over his feet.
Speaker 2: Mom, Come on, eat a while now, alas.
Speaker 3: Hen report cut? Well okay, and I suppose it won't
surprise you know that you haven't been promoted. No, sir,
And here maybe you'd like to see your mark Let
him his breakfast, just as a matter of curiosity, Ken,
how do you go about getting a zero in English
forty in History seventeen? An arithmetic but a zero? Just
as one man to another? What goes on in your head?
Speaker 6: Well?
Speaker 3: Haven't you got anything to say to yourself? Nothing?
Speaker 2: Sir?
Speaker 3: But what were you doing in that English exam? What
were the questions you missed?
Speaker 6: Who are supposed to write a composition?
Speaker 3: Couldn't you think of anything? Yes?
Speaker 6: I had it all plan. I was going to write
the story of how you lost your pollo there, how
that wild albino came down from the meadow one year
and stow her from banner, and then how she came back,
but her whole that year was white yaw bino blood,
and how it was cast on every year. Then how
Rocket was born and she was so beautiful in everything
that she could never be broken because that wild blood
was in her.
Speaker 3: I was going to write all that, well, right, didn't you.
Speaker 6: I I got to thinking. I said we had time.
I said, we are just become on the school bell rang.
Speaker 3: So you never even got started, No, sir, not a
single word, yump, no more, just stay dreaming.
Speaker 5: Uh, no doubt.
Speaker 6: I was thinking about. But what about my coat?
Speaker 3: You're cult. I haven't even got a cold.
Speaker 6: Oh God, give me a coat, will you please.
Speaker 3: You'll get a cold when you learn how to treat one.
You're going to buck up, young man. I believe you
don't try I do try down. Oh I don't see
any proof of it. In the meantime, you'll spend an
hour a day studying all the rest of the summer
to make up your work. Come in, good morning, good morning,
hell boys, that's for the day, good day to move
the horses.
Speaker 2: Gus, aye, yeah, it's time they were off the merrs.
There's a storm cooping up in the south the best.
Speaker 6: Can I help that?
Speaker 3: I've got to get four of the older horses in
shape for the rodeo. That means fool proof. No three
year olds have to be broken. Can to them go
any longer?
Speaker 6: Cat?
Speaker 5: I have proof them this year?
Speaker 3: There wait, guns, No, it's help enough to move a
hundred horses, precious blazers after a winter out without a
kid taking along to make him nervous right out?
Speaker 6: Gus, Yeah, boys, don't you another couple of colts?
Speaker 2: You do?
Speaker 3: No, I've had enough. Gotta get started.
Speaker 4: Pancakes can no, thank you?
Speaker 6: So Canny, you can ride any horse we've got on
the ram. Why you're still set on having a cold, Oh, mother,
it isn't just riding. I want a cold to be
friends with me. If I had one, I make it
the most wonderful horse in the world. I'd do it
so to be good than any other horse on the ranch,
and the fastest. I'd school it so it would follow
me around wherever I went like a dog. Do you see, mother?
I want a cold in my own all my own. Well,
you're better weapons. God, you're studying kids. Get it over
with edy g any way, what do you want, Hildy?
Where are you going?
Speaker 8: Kenny?
Speaker 6: You're not going. I'm gonna watch dad bring in.
Speaker 9: The horses, all right.
Speaker 6: We can take the church tut mere than halfway coming back.
Oh no, no, you better stay here. It's gonna be
tough enough to bring in a hundred horses, all of
them as precious lad as after winter out, without having
a girl tagging along to make them nervous. I'm coming.
Those horses ain't scared of me. We'll go on, Hildy,
you better go back. I come if I want. My
father's the fre we. My father is the owner of
that runge and that sell well, my father's the faming
and I can come.
Speaker 5: A five one, all right, rock, don't let out fucking.
Speaker 6: Down there see him. You gotta get back from the
edge of that rock and step off and sly down
in the nettow that won't slips. Look, hutie, see that
big black daure that's banners. That one's rockers lightly. Little geez,
she's beautiful, isn't she beautiful? You gotta get that.
Speaker 10: That's all.
Speaker 6: Do you see how Banna handles him. They have to
do what he wants on hy he nips him. See, huddy,
did you see one of them there's wanted to come
up and run, but he made me get back.
Speaker 11: He no, okay, then.
Speaker 3: Walk them slowly on the way back and come here?
What were you doing down here? Anyway?
Speaker 6: I came to see the horses.
Speaker 3: So you have to fall down the hill and start
him into a stampede.
Speaker 6: I I didn't mean to do it dead. I didn't
need to skill.
Speaker 3: You didn't mean you never mean anything? Do you get up?
Speaker 6: I thought you're not a standing that last at night?
And now a postmanat you? You'll catch you when you
get home?
Speaker 5: Of that?
Speaker 4: Oh go away, you'll leave, ain't you coming?
Speaker 6: I'll I'll be up lazy? What's that look, Julie? That's
ye that you shouldn't be here. She must have come
down from the home pasture. Jesus, look at it. Isn't
she beautiful? Almost a white name, that's the albino blood.
But she's like Banner too. Just got Banner, didn't can't
you like Banner? Like the wind at myself?
Speaker 1: Uh?
Speaker 3: No more accounts for to night. I'm out on my feet.
Speaker 6: Oh so so, I guess, oh you on the downs.
Speaker 3: Well, I never had so many bills and less money
to pay them with. I don't seem to be able
to sell the horses of the Prophet's.
Speaker 6: Good horses with good blood.
Speaker 3: All but that I'll buy those trains. I've got a
crazy speaking them. No, you're just trying to sell them.
I wouldn't even get back the cost of regiment at
the price anybody would offer. I'd rather shoot them. I
would too if they weren't a dog gone fast. You know,
I always hope to just get one decent coat out
of that time.
Speaker 6: Well, let's go to be rob m you've got a cruise.
Speaker 3: That's the stunty pool this morning. You know he didn't
need No, he doesn't deserve a cold.
Speaker 6: Aren't you ever going to give him money?
Speaker 3: Sure, I've been expectance. Maybe if he pays attention to
his studies this summer. By the way, did he study today?
Speaker 6: Well? He exposed himself to his voice.
Speaker 3: Yeah, I know nothing I say makes any impressions to
see that.
Speaker 6: It's hard on having a cold of his own. He
can't think of another thing.
Speaker 3: But that's all backwards. You don't bribe children to their due.
Speaker 6: It's not a bribe.
Speaker 3: No, what would you call it?
Speaker 6: Oh, I just have a feeling that Ken isn't going
to sell anything off, and it's time he did. Maybe
a little thing like this for during the tricks.
Speaker 3: If that isn't a little thing that doesn't easy to
break in school of cold, I'm not going to have
one of my good horses spoil. But that boy's carelessul Rob.
Speaker 6: It's important. He's got to succeed a sumpt what he needs.
Speaker 3: What he needs is to snap out of it, if.
Speaker 1: You want it that way.
Speaker 6: But I was going to say, is he needs to
grow up a little bit?
Speaker 3: All having his own colts make him grow up?
Speaker 6: I use something of his own responsibility.
Speaker 12: He got something real and flesh and blood that he
cared about more than all those things he goes to
me about.
Speaker 3: Well, wait, don't go now. I I'd like to get
kind of cold. I'd I'd like to get closer to
the boys somehow. But every time I got all set
for a get together session with him, he oh, he
hands me a facer like I.
Speaker 6: Think you called to day, Rob, didn't you ever want
anything more than anything else.
Speaker 3: In the room. Yes, just one thing and I have it.
Speaker 6: You know?
Speaker 11: Oh you do one?
Speaker 6: You say you do? Good morning?
Speaker 3: Mom had her dad money.
Speaker 6: Money, can't sit down? Oh Gus was in love. M
He tells me rocke a break got away from the
home hospital last night.
Speaker 3: She dad, You think she.
Speaker 6: Set a close over here.
Speaker 3: Well, there wasn't one with her yesterday. I would have
to chase all over the range looking for her.
Speaker 6: I'll find your dad, all right.
Speaker 3: I'll go with you. By the way, son, I'm going
to take back an order I gave you yesterday. You
can forget that I have studied.
Speaker 4: Huh oh, thanks, dad, can I'm.
Speaker 3: Going to give you a coat, A coat, a cold
of my own. I'll give it to you a week
from today. I'll give you time to look them all
over and make your own choice.
Speaker 6: You mean I can have any coat on the range?
Speaker 8: Yes, a year.
Speaker 3: That's right. You're ready to leave in ten minutes? Cold
of my own.
Speaker 6: Jesus. Maybe I can have the.
Speaker 4: One I saw yesterday.
Speaker 3: Any sign of a guess over here to look for
a grain? No, stay with me. Then you may think
it's funny my giving you a colt, And what you
deserve is a good hiding, plunking all your exams and
then calling that stunt yesterday. But I don't want you
to think I'm you walk. I haven't gone south. Don't
get that into your head. I expect just as much
of you now as I ever did. This isn't any
reward because you haven't won any reward. It's uh, well,
it's a partnership. One of these days, I'm going to
need your help. I have to be trained, so you'll
know how to give it. Every man needs training, can disten?
I got mine at west Point. You are going to
train a colt. I'll give you a little help just
for first breaking. You will have to train it, and
it'll train you. Yes, you know, Ken, You and your
mother may have to take care of this ranch without
me pretty soon.
Speaker 6: Why dad, will you be hell?
Speaker 3: I may go back into the army any day, now, sir,
you understand, don't you. Yeah, So I'm counting on you
to make a good pony out of that coat and
let it make a man out of you.
Speaker 11: Yes, I'll.
Speaker 5: Hold here, Eader.
Speaker 3: Well, I'm not surprised I wrote all over this grove yesterday,
and I'm sure I didn't leave any colts behind.
Speaker 1: Decide to rock it out a colt, you wouldn't have
left it.
Speaker 6: But I saw in the middle yesterday he got separated
from that bunch of stampede. It was a beautiful soul.
Philly with a cream name tail.
Speaker 3: Cream name sounds like that yeeling of rockets rockets.
Speaker 2: Yeah, Philly is sired by barrel last spring.
Speaker 3: That's what was the matter with Rocket last night?
Speaker 2: She missed a little Phillium went back after her.
Speaker 3: Yes, since she did lose a colt, it'd very likely
console herself with a heeling. She's local that rocket. Well,
we should pick up a track around here.
Speaker 5: Hey, well there's a track all right.
Speaker 2: What do you need a horse?
Speaker 3: See right here, that's a cat boss. Yeah, it's a
mountain line all right.
Speaker 5: Yah, did want Gee?
Speaker 3: We have not had one of them around here for
a long time. That's a good thing. We got the
bruce mares out of here yesterday.
Speaker 1: Yeah, that's what happened.
Speaker 2: The cat got rockets hole when guys, tracts not very fresh.
Maybe two tasehold two days.
Speaker 6: Then it couldn't be. It couldn't be the one I
saw yesterday.
Speaker 3: Could no, of course not you saw yeeling yesterday. Guys,
we better keep an eye after that cat.
Speaker 1: Yeh, boss, I go up around cast her off with
a gun one day.
Speaker 6: She is, Dad, there's Rockers.
Speaker 3: Yeah, that's the yearling with her too.
Speaker 6: Here he gool look at that till you one, Dad,
She's almost to.
Speaker 1: Pass us off, he sure is.
Speaker 2: What's the pretty little flicker?
Speaker 1: She is?
Speaker 6: Flickers? What does that mean?
Speaker 3: That sweeties for little girl lacor that's what i'd cool,
my cool.
Speaker 6: Your cold, Yes, sir, that's the one I want.
Speaker 3: Rocket's Philly. Yes, sir, well, I certainly hope you'll make
a wiser decision than that. You know how I feel
about Rocket. That whole line of horses, she's well, the
worst horses I've got. There's not one among them with
any real sense. The mayors are headias from the stallions
of out flaws. They're untamable. Nobody's ever been able to
paint them. You want a horse will be a friendly,
don't you? Yes, sir, You'll never make a friender to
that Philly. No fence in the world will have a holder.
Never change your mind. No, I want her, Dad, okay, ken,
I promise you could make your own choice, But remember
Rocket's local and ten to one the colt is too.
Speaker 6: She may not be then as her father.
Speaker 3: All right, all right, that's up to you. We'll bring
her in the next day.
Speaker 5: That's what I stop by for.
Speaker 7: Rob.
Speaker 3: I thought you might have something fast I could use. Well,
I told you last fall about Rocket. Not interested, Charlie.
With all your race horses, you haven't got anything like
Rocket that she devout and out run any enemy you've
ever seen before. You're crazy. Wouldn't like to make a
little bet on that, would you?
Speaker 2: Hello?
Speaker 3: Well? Hello, no, no, don't get out?
Speaker 6: Well what are you two talking about?
Speaker 5: Rocket?
Speaker 6: You know?
Speaker 3: If I could get a mayor that could really run
without training, that's Rocket. She'd make a fortune for you.
If he's a breaker.
Speaker 1: I got a.
Speaker 2: Broncho buster who can break any horse that has ever fooled.
Speaker 3: And you can do it if she's worth breaking. If
she worked it, didn't I just tell you how much
do you want for her? Five hundred? You gotta stop watch? No,
but I've got a speedometer. She's down the lower pasture.
Get her out on the road there and chase along
after in the car like the block her that way?
Speaker 2: All right?
Speaker 3: Come on, what do you say, Johnny?
Speaker 2: Three guns?
Speaker 3: She's like a locomotive. Does she always run like that
with a nose.
Speaker 2: In the air.
Speaker 3: Yeah, she's a stargaz Look at that phenomena. Thirty miles
cash our boss.
Speaker 5: Yeah, righting rocket two six three?
Speaker 2: She does study five hom fire, certain jumps.
Speaker 3: What do you say?
Speaker 5: It's a deal if you deliver? Heard of my range?
Speaker 6: Sounding wind?
Speaker 3: And but just how you're gonna do?
Speaker 2: That's my ladd is anybody's scared? You leave?
Speaker 3: That's a meal. I heard my truck this afternoon.
Speaker 5: Heaving her boss.
Speaker 3: Get in here, get in the downs just coming through,
Get up, get up?
Speaker 5: What's your boss?
Speaker 6: There?
Speaker 2: She is trus the gate?
Speaker 6: Wow, yeah, rocks.
Speaker 3: All right, get on that truck. Don't swing that trailer
on the curves. Remember Charlie expects her delivered in good shape,
and don't skin her up. All right, get her out
of here. Well that's that now?
Speaker 6: You mean that's five hundred dollars looking in mighty Handyes,
won't it?
Speaker 3: I guess we can use it. Five hundred dollars and
rocket off the ranch.
Speaker 6: Oh what happened with that? Look, kenny rocket? She was
in the trailer and then she read Upice, go in
the house, dear, go inside.
Speaker 5: Deer back the tray off there.
Speaker 3: I'll be right back to help you with her horse.
She's finished and she read up. She hit her head
on the gate down there. She's dead. Oh, poor rock Well,
that's one thing I can still do. I can get
rid of every Alpine a horse in the ranch. And
I'm going to Williams.
Speaker 6: William they're too good for William.
Speaker 3: Let me buy his horses, isn't he if he buys.
Speaker 6: Any kinders horses and he doesn't pay anything.
Speaker 3: Whatever he pays his good enough. Hello, Hello Williams, this
is Rob McLaughlin. Look, Williams. I've got a load of
horses for you. Yeah, those are finals Rockets, whole tribe,
all right, all right, at your own price? Good. Yeah,
there are nine of them. Wait a minute, there may
be ten. Ken come here, I'm going to give you
a chance to do a sensible thing. I want you
to choose another cult and let meself flicker to mister
Williams or the rest of those jadheads for your safe
I'm asking you to do this as well as mine.
What's the use of having another rocket on your hands?
This is Jesse what happened to her?
Speaker 4: But I'm going to change but you can't.
Speaker 3: It's impossible.
Speaker 6: Sometimes bad horses get changed.
Speaker 3: You don't want a local horse, do you?
Speaker 6: I want slicker? Look at me, dead please, she's nine.
You gaze it to me and I want her.
Speaker 3: Dad, I want slicker, all right, Sorry to keep you waiting, Williams.
I thought there was one more, but they're only lying.
Speaker 1: In a few minutes, mister de Mill and our stars
George Brent, Roddy McDowell and Rita Johnson will return an
act two of My Friend Flicker. And now let's try
to catch up with a busy lady who has quite
an unusual job. There it goes the whistle. It means
the end of the daytime shift at Central Aircraft. Miss Emory, Oh,
miss Emory, won't you let us have a few minutes?
Speaker 6: Two of the most are got a line of girls
waiting for me.
Speaker 1: Miss Emory. Did you ever think when you got your
nurse's cap that someday you'd also be beauty adviser at
a great airplane factory?
Speaker 10: Hardly, mister Kennedy, because no one ever thought a few
years ago that beauty council and factory work would go together.
But practical, hard headed management.
Speaker 6: Has found that it takes well.
Speaker 1: Tell us why.
Speaker 10: Well, to put it briefly, executives have been discovering that
when spirits are high, work is good.
Speaker 6: Of course, every woman knows that when she looks for best,
she's likely to be feeling her best and so doing
her best. That's why we urge the girls to take
good care of their hands, their hair, and their skins.
Even suggests right nail polished helps morale.
Speaker 1: You know, yes, I can see that it would. What
do you tell the girls about complexion care, Miss Hemory, Well, we.
Speaker 10: Tell them there's no one thing that contributes more to
a girl's good looks than a smooth, lovely skin.
Speaker 1: Do you make a practical suggestion?
Speaker 10: Yes, we stress regular care. No skipping beauty care at
bedtime just because you're tired. A complexion care must be
gentle too, one you can't depend on.
Speaker 1: Well, that sounds as though you were going to mention
Luck's toilet soap any minute now.
Speaker 10: Well, it just happens that my own beauty care it
is Luck's toilet soap, mister Kennedy.
Speaker 6: I've used it for years.
Speaker 1: Well, I'm sure of one thing, miss Emory, that gorgeous
lux complexion of yours must have quite an influence with
the girls in backing up what you tell them.
Speaker 6: Oh, thank you, miss to Kennedy.
Speaker 10: As a matter of fact, Lu's Toilet Soap is a
great favorite at the planet. So many of the girls
find that regular active Lati facials gives them real beauty help.
Speaker 1: Thank you very much, miss Hemory. It's true that not
only nine out of ten screen stars, but women everywhere
find that this famous white soap does give skin the
gentle protecting care it bought at hand. Now here's a
shopping suggestion, Lot's Toilet Soap, Hollywood's Beauty Soap tomorrow. We
pause now for station identification. This is the Columbia Broadcasting System.
Speaker 2: Act two of My Friend Flicker, Towering George Brent as
Rob Roddy McDowell as Ken, and Rita Johnson as Nell.
Speaker 6: Here now.
Speaker 2: Flicker has lost the freedom of the pasture. She's learning
now that the dear friend of man, she must submit
to the flash of a rope around her neck and
the high bars of the corral. The clicker's blood is
out of the wild albino, the breeding of the open
ferry lan.
Speaker 3: Yo, entering of the stable, sat stand by the door
you get.
Speaker 5: Then voted after.
Speaker 4: You got in the stable.
Speaker 2: Down watch it GOTJB.
Speaker 3: Now get that door closed. Yeah that's fair.
Speaker 5: Show us a vialline. Boss, I'm local.
Speaker 3: Let belief leaver her in there to think it over.
Speaker 5: Hey, she's pretty bad.
Speaker 2: He's around the side there.
Speaker 3: She's coming through the side window, Boss, get around that quick.
Speaker 5: There she goes right through the glass.
Speaker 3: Down Watch around the bard wire.
Speaker 5: Head her away if you can't get back. She's going
right for the friend's horse is ending like.
Speaker 3: Her mother's to go right through that wire, run right
into it. Come on, gut.
Speaker 5: Easy woo.
Speaker 1: Got you apply us kim, Yeah.
Speaker 9: Hold her leg there.
Speaker 3: You sniff that wire?
Speaker 5: Him gonna silver opp governments.
Speaker 3: He's turned the best he can.
Speaker 2: She's cut trick the dead.
Speaker 3: Boss.
Speaker 1: I don't think she's.
Speaker 3: Pulled out of it. Maybe it's just as well. Hadman
this way, it would have been another local horse. Isn't
worth a bullet it takes to shoot it?
Speaker 6: Oh, kenny eased to do?
Speaker 11: I'm not hungry, Mom, Please say.
Speaker 5: Do I have to?
Speaker 3: You heard what your mother said, But what's better?
Speaker 6: I don't? Maybe I could go down and see how
she is.
Speaker 3: Your mother said to a week you can't do her
any good. Doesn't ten for the rent out of fens
and with mental I'm doing her cut She snapped out
of it, just got water and out.
Speaker 2: Rob.
Speaker 4: Let him go all right?
Speaker 3: All right, so I go ahead go on.
Speaker 6: That little has he heard a lot? Listen. I didn't
mean to hurt you. You just wanted you to be mine,
and and that means you have to get to noon.
That's why we walked to his little so you could
be friends. I'll save you with you as much as
I tend. I'll come here every morning, at every night,
every day, asks you get get well, flickered, please be
all right, please.
Speaker 8: Flicker well past ten?
Speaker 10: Yes the head Rob?
Speaker 6: Mm hm, Rob, I should be a little nice little.
Speaker 3: Why he's done against everything I told him to do,
taking that wild albino, insisting on keeping it crazy.
Speaker 6: Well, it's been hard on him too. He's all broken
up worrying about it.
Speaker 3: Oh so am I I'm burned up. What's it all for?
She's going to have a horse to train? Why didn't
you take a decent one? And I would have thought
of something? Made a man of him? What can he
do with this poor little Phillips?
Speaker 6: Give you you see all that is changing.
Speaker 3: He's gloomy, learning what set under a tree all day
and moan over no.
Speaker 6: Learning to fat.
Speaker 3: I haven't noticed him saving any.
Speaker 6: Fact, we will if you just watch for it.
Speaker 3: Let's well, watch your sat chip for about this morning.
Speaker 6: Slick up, she's better?
Speaker 3: Oh, coming along?
Speaker 6: Well, it's almost well. It's that you're all healed up
and she's eating like a horse.
Speaker 5: Oh.
Speaker 3: We going to have a pleasant summer after all. But
she doesn't turn out to be another rocket. Oh I
hope we'll find that Atmona. Put a holder on her.
Speaker 6: I'm sorry, what kind of matters is there? I'm sorry?
Good morning more, I'm morning dad.
Speaker 3: Morning again?
Speaker 13: Coffee rock.
Speaker 3: Thanks. Then, now that flick is better, I want you
to remember that you have some mother do Oh yes,
you didn't give some of your time to her cold,
but not all of it.
Speaker 6: Oh I will dad? Oh dad, mm could you come
down and look at splicker this morning and see how
she is?
Speaker 3: Oh? Well, highness butt, you're getting near her, Well.
Speaker 6: Not too close. She's still a little stread. But you'll
let you look at us on the other side.
Speaker 10: Of the fence.
Speaker 3: I stick of her. Okay, we'll go down after breakfast.
And give her the once over.
Speaker 6: Oh y, yes she is dad, Good morning, flicker, Alice, slice,
that's coming down, Lucas you she'll be a good girl
and don't run away.
Speaker 3: Well he does look good fine, ken.
Speaker 6: Yes, sir, that's her all heeled out except for the
one on the right front leg and it's almost well.
I think she's you dead. Do you think she's local?
Speaker 3: I have scorn her by the way she's behaved ever
since she was born, but we've never seen her acceptance.
We're scared out of her.
Speaker 6: Witch whoever you horse looks wild and the eye would
have TELI by she trying to go through that sense
and she knew she shouldn't.
Speaker 3: Yes, well, we'll forgive her that. One point is will
she learn? Can she learn?
Speaker 6: And we he's got to find that out, won't we.
I mean, if she is local, maybe I'll never get
a train.
Speaker 3: Of course not. And there's no maybe about it. Son,
one of I've been telling you all these weeks. Didn't
you understand? What did you think local men sort.
Speaker 6: Of schoolfe your wild so hard to handle?
Speaker 3: Oh no, it's much more serious than that. That can
be insanitive among animals, and bad blood can carry it
on that ol bino brother isn't safe for anything you
to have.
Speaker 6: But you said maybe it's just because she's being stared.
Speaker 3: Well, that's right. You won't really know until we see
how she responds to training bad.
Speaker 6: How can I tray her?
Speaker 3: All you can do is try to win her confidence,
you know, son, If you take everything away from the
living creature, freedom, friends, it's calm, habits and happiness, it'll
turn and sheer need and desperation of the one thing
that's left in this case, that's you.
Speaker 6: Me.
Speaker 3: Yes, if you're her whole life? Now to make her life?
Speaker 6: Oh, I will, dad, I will.
Speaker 3: Give her love and companionship and software.
Speaker 6: Would you understands me?
Speaker 3: Course? The horse can tell you a lot of things too,
if you watch and expect it to be sensible and smart.
Pay attention to all the little signs where it moves
its body, the ears, the eyes, and the whinnies.
Speaker 6: That's the way you're talking, that's right.
Speaker 3: There's the nay of terror, scream of rage. But when
you have nervous impatience is a nicker of long or
hunger or friendliness. You learn its language and it will
learn yours, and never forget Horses understand everything you say
to him?
Speaker 6: Everything dead, everything you mean? You mean if they're not local?
Speaker 13: Yes, Ken, all right, I know you're hungry for your oats,
but I'm having as last as I can.
Speaker 6: There there, you are coming.
Speaker 5: To get it.
Speaker 6: Good, isn't it? Flicker a flicker? You do understand me?
Don't you eat it? Also, you'll be big and strong
eyed Banner. You know you've got a very smart father. Flicker.
Speaker 7: You've gotta forget all your wild ways and you just
like him to flickers.
Speaker 6: Can people's talk, that's all you know, but understands everything
I say. What's more, you'll expect me are cool? Or
maybe you don't know, but of course we've got a
language all their owns. There's a nay of terror, a
scream of rage, the winning of nervous impatience, the nickero
of lions. See there's a nicer of hunger. M can
what can can you whittle?
Speaker 11: Who he is?
Speaker 6: Oh? Go away, he'll be mom in the kitchen can
Oh h oh, that's think a mine? Care want to
speak to me about something?
Speaker 5: Yes?
Speaker 8: Mom?
Speaker 6: Well Mom, did you ever want anything? Terribly? Know? Does
everyone wants something?
Speaker 1: Dick?
Speaker 6: But you're grown up. You're married. You've got that in me?
Why you're finished that I shouldn't still be wandering?
Speaker 2: Did I?
Speaker 6: But people do care, everyone always, Mom, don't you ever
get really finished? I wonder maybe sometimes for a minute
or two. What did you want now?
Speaker 11: Ken?
Speaker 1: Oh?
Speaker 6: Mom? I want figure to be all right? Not local?
Perhaps she is in local, Dear. We don't know yet
for sure. But if she is, Ken wanting won't change it.
If she is, it'll look bad for her, won't. Well,
let's see what happens when we try to hold the
break up. So she had to be hold of rope. Mom,
it's got to find out, don't you suppose so? But
but what if she won't get us? She loves you,
doesn't she? Oh? Yes, I'm sure she does it. Well,
that show she's intelligent. Oh does it, mam?
Speaker 12: Well, it's just the way of putting away fear, don't
you understand, Ken? But if you find love, if a
person or an animal finds love, it's the same as
finding safety. It's comfort and friendliness and help. Everyone longs fine.
And the Flicker's found it yet doesn't have sense enough
to know she's founded, and goes and being crazy and
silly with beer.
Speaker 6: Then then then she'd be local.
Speaker 2: Yes, God, getting the hand of tomorrow.
Speaker 5: Guys show up boss.
Speaker 3: Now, I'm hiring some hands for the next week or so.
They'll eat a lot good.
Speaker 6: Hello, Dad, I've been thinking, don't you think it's a
good time that? But we hold a broke fliquor?
Speaker 3: What's that?
Speaker 6: I think we ought to find out?
Speaker 3: Now you know what it means? Ken, Yes, I know.
Speaker 6: It'll prove whether or not whether I can have a trainer.
Speaker 3: I'll leave it to you, sir. When do you want
to try?
Speaker 4: Well?
Speaker 6: I thought I thought today.
Speaker 3: All right, go all over here, Ken, Yes.
Speaker 1: Sir, letter lad, have your rope read it him, just
in case.
Speaker 6: I'll say she's turning she comes, dad, See yeah, all right.
Speaker 3: I'll put your band down around her neck and tied
in a loose snot go ahead like like this.
Speaker 6: That's it, easy, flicker, easy.
Speaker 3: I'll take your belt off, step it through the band
on her. That's it. I'll take a hold of the
belt and lead her around.
Speaker 14: Go on, yes, come on, flicker, come on girl, that's right, flicker,
sweepy nerves don't be all rightopy.
Speaker 5: Nerves, all right, and I'll bring her back, Yes, sir,
This week flicker, ask the girl.
Speaker 3: Yes, d well Son, i'd call that hold of broken.
Speaker 6: But it gets a hold to Dad.
Speaker 3: Followed your son. She walked along with him without fair.
Speaker 6: That's not but but how did she get hold of broke?
Speaker 3: Dad? That's the way we break horses on the goose,
by her arms. You figure it out for yourself. Come on, guys,
let's get out. Doesn't see me?
Speaker 6: Mom? Did you see she's not local? She's not local?
Speaker 4: Oh, hello, Gus Kenny.
Speaker 2: I think maybe you got to come to the pasture
right away.
Speaker 6: What's philosophy? Is a flicker?
Speaker 3: Yeah?
Speaker 2: The leg from the barb wire. I think maybe she
got infection?
Speaker 6: Infection? Is it bad?
Speaker 2: He's lying down? I think maybe it is very bad?
Speaker 3: All that him? I gotta get that hay in before tonight. Okay,
rain in the air force? Yeah, going to storm god Son.
Speaker 6: I'd about to talk to you.
Speaker 3: What about er Tim?
Speaker 6: What's about flicker?
Speaker 3: Flicker? For the love of Mike? And can't you say?
I'm busy? This is no time to be worrying about that. Philly.
Speaker 6: I'm sorry, Dad, I didn't know you were just a moment.
Speaker 3: What does that sound? Is flicker?
Speaker 6: Worse? Oh? Dad, she's so sick. Will you come down
and see her, maybe you can do something.
Speaker 3: All right, I'll come and have a look at her.
Keep it going here, Ken, Monday.
Speaker 11: She is dead.
Speaker 6: She's lying down.
Speaker 3: Agad, what's happened to her? She's been getting left then
I can count every rid.
Speaker 2: I'm afraid she ain't going to pull out of her boss.
Speaker 3: Full out of it. She's dead already. How long has
you been like this?
Speaker 6: She's been going down first the last few days, mister Fever.
Speaker 2: It's burning her up.
Speaker 6: She's going to die dead. She's dying less we do something.
Speaker 3: I'm afraid it's too late. Ken. We we'll have to
put her out of her misery dead.
Speaker 6: Oh, no, doubt we can. We can't do that.
Speaker 3: I'm sorry, Ken, but it doesn't fair to an animal
to let it suffer like this. Look at her, she's
burning up what she can hardly breathe. Oh, Gus, you
know what to do. There's a gun in the shed.
And take a time when Ken is not around.
Speaker 6: Oh la oh.
Speaker 1: After a brief intermission, mister Demill presents Roddy McDowell, George Brent,
and Rita Johnson in Act three of My Friend Flicker
Now here's Sally, and uh, look at me a little
puzzled too.
Speaker 7: Mister Kennedy, I've got a letter here from my young
cousin Joe in the army, and well, I can't understand.
Speaker 6: A word of this sentence.
Speaker 3: Read it, Sally, Maybe I.
Speaker 6: Can help you, he says within the limph line.
Speaker 7: This week, Sally, I'm okay now, though the doc slit
me some shutters and sent me passing for my snoor sack.
Speaker 1: At slimentary, My dear Sally, it means Joe was at
sick call. The doctor gave him some sleeping pills and
sent him to bed anymore.
Speaker 7: Yes, he goes on, say, the eagle flew yesterday, which
gives me enough pocket letters to go to town.
Speaker 6: Someday. I'll have to get slipped up with a chili
bowl first. And goodness, mister Kennedy, you'd better translate that.
Speaker 1: He means yesterday it was pay day, and so he
has enough paper money to go to town, but first
he has to get her hair cut.
Speaker 7: Well, now, at lasts I'm coming to something I can understand,
he says, And say, when it comes to flicking up,
that passage of luck soap you sent me is Okay, boy,
the latter's wonderful, a kind of man like.
Speaker 1: He might even have said, luck soap slicks a man
up by the numbers. That's army talked too, Sally, And
it means with precision and deficiency. Sally, it looks as
though that present of yours made a hit in any language.
Speaker 7: Well, mister Kennedy, I've always noticed that's the men in
our family enjoy using luck soap just as much as
I do.
Speaker 1: Sure, Sally, why not men like a little luxury too,
A bath with that rich, creamy luck soap letter that
makes them I headn't feel like a million?
Speaker 7: Did you know, mister cake Kennedy, Mu's toilet soap is
a desk cellar in all branches of the.
Speaker 1: Service, Yes, Sally, and there are lots of good reasons
for it. For one thing, lux toilet soap costs so little,
and being hard milled, it lasts such a long time.
You can use it right down to the last thin sliver.
The most important of all, men go for that rich,
active ladder that gets off the day's dust and grime
with neatness and dispatch, does it gently too, Yees, Saley
has a soap for face and hands, and as a
bath soap too. Lux has everything, yes.
Speaker 6: And it's nice to know it's one of those little
everyday luxuries we can.
Speaker 1: All afford, right Sally, So here's our tip to women everywhere.
Let all the family enjoy using this fine white soap.
And remember lux toilet soap is hard milled, it lasts,
and it's easy on your budget. Now, our producer, mister
de Middle, after the play.
Speaker 2: We'll have a chat with our stars and a surprise
de star. Now the third act of My Friend Flicker,
starring Roddy McDowell, George Brent and Rita Johnson. In the
morning before came as awake, a rifle shot will bring
an end to Flicker's sufferings. Now, on the quiet of
the night, the boy steals silently from the house down
to the pasture to whispery last goodbye to his friends.
The Flicker is not there, will I ser Then at
last he finds her. Flicker has stumbled to the streams,
and she lies there on her side, her head in
the water.
Speaker 6: Much sleser.
Speaker 2: There's a spark of life still burning in us all night.
The boy crouches beside her in the icy current. His
young eyes. I was cradling her head, holding it clear
of the threem, whispering words of comfort, hiding off death.
In the morning, the boy is close to death himself.
Speaker 3: Well, gottor even one of these pills.
Speaker 1: Every hour, I'll call the feeling again to night.
Speaker 3: He's a pretty sick boy, isn't it.
Speaker 2: He's very sick, Robert, what happened to him?
Speaker 6: He went down to see his colt last night and
she was rowing in the steam that sound in there
this morning. You don't know how long, perhaps all night?
Speaker 3: I see.
Speaker 1: Well, you'd better have this preciption filled right away.
Speaker 3: I'll take him the time and bring it right back
some one. No, don't worries on him. He'll be all right.
Speaker 6: I'll read rob start what.
Speaker 5: Oh there, sir, it's me.
Speaker 2: I was a little boy, and oh, oh, little fella.
Speaker 6: Does is flicker dead?
Speaker 2: No, missus, Kim and me. He fixed her up in
a blanket slings. She can't stand alone, but she thanks
the bucket of water like a good one.
Speaker 6: Did Did God say you didn't have to shoot it?
Speaker 2: No, missus, But I just couldn't do it when I
found him like that this morning, Celium.
Speaker 3: The little boy I know.
Speaker 2: I know what you mean.
Speaker 3: He's the plenty strength. Yet he could live. Maybe she could.
Speaker 6: Sometimes I think that miracles can still happened.
Speaker 1: It was the cold water washing the fever out of us,
but there was more than that.
Speaker 2: It was ten given her courage all night, that little
fella sitting by her and saying, hold on, Flicker, I'm here, richer,
the two of us together, h coming up, missus, big one.
I'll stay here.
Speaker 5: I guess maybe you need me.
Speaker 2: Thank you?
Speaker 6: Oh well, I thought you'd never get made.
Speaker 3: It as fast as I could have road washed out,
I had to go the long way. How is it?
Speaker 6: He seems a little better. He's domestic.
Speaker 3: Oh good, here's the medicine.
Speaker 6: I'll give it to the meta way.
Speaker 3: Oh, I guess, because you know I.
Speaker 2: Oh, I just couldn't.
Speaker 3: I gave the ore. You had plenty of time. Yes,
couldn't do it. Where's the rifle?
Speaker 2: I left it in the bunk.
Speaker 3: I'll go and get it. I'll do it myself.
Speaker 6: Oh Rob, please, do you know she's alive? You thinks
she'll get well? Given something to.
Speaker 3: Hope for, it would have been a lot better that
poor little filler was shot weeks ago. It's been nothing
but trouble and misery for all of it. Do what
it's done to Ken.
Speaker 6: I wish you wouldn't go.
Speaker 3: You needn't know. You hear the shot, the stormers think
it's done.
Speaker 6: No, no, you'll know it's the rifle.
Speaker 3: I know's no use starting stick anim.
Speaker 6: Fsa by flicker, don't I flicker? Please, I'll stay follow up,
I'll copy.
Speaker 4: So just so happened?
Speaker 6: Help me? Someone whom you so happy? It's all right, job,
it's all right, but you're just dreaming there. I'm here, dear,
it's raining.
Speaker 12: She's down the past the rain word dog flickers, been
up and thunderstones all of her life.
Speaker 6: That was That's how I heard. Befo your aunt yet
and then anyone out?
Speaker 5: Then?
Speaker 6: Yeah, downs so caring. I noticed she's sick. She's so sick.
She counted out on him. You mustn't let the stuff.
Maybe she'll get there. It could happen. Then, Remember what
you said. It was something you wanted awfully bad, gifty?
What was it? I've wanted it ever since a few
years after you were born.
Speaker 3: What was it?
Speaker 6: No? It was a little girl kid. Oh, we wanted
the same thing, didn't me.
Speaker 9: How do you know.
Speaker 6: Do you know what little girl would be? I'm sweetlick
little oh kidding, kiddy, nice, no doubting, it was no, no,
it was son. It was dumb with.
Speaker 8: Yes.
Speaker 11: Rob oh yeah, yeah?
Speaker 5: Oh ah?
Speaker 6: Rob?
Speaker 3: You all right? Sure?
Speaker 6: Why Ken's asleep and guesses rhythm? I got worried about you?
Is that slicker? Yep? Right? Why I heard a shot?
Speaker 3: There's a mountain lion, I said a crack at him.
Speaker 5: Did you get him?
Speaker 6: No?
Speaker 3: But I will before morning.
Speaker 6: But quite about flickers? He said, you were going to I.
Speaker 3: Know, I know, but I couldn't do it. But down
little fool wants to die. You will have to do
it by yourself.
Speaker 6: Oh, Ken heard the shot?
Speaker 3: Yeah? How'd he take it?
Speaker 6: Well?
Speaker 3: He took it?
Speaker 6: Is a question it didn't send the bell.
Speaker 3: If he wakes up and asks, I don't think you'd
better tell him she's still alive. She may be dead
by morning. Wouldn't surprise me. He's accepted at death now.
If he knows she's still alive, he'll be all upsetting it.
Speaker 6: I will tell him.
Speaker 3: You better get along up to the house. But a
cat's still around. I don't want to be wandering around
in the dark.
Speaker 6: Are you going to stay here?
Speaker 3: That's fully tied up like that. The cat will propped
them back. Can't believe it? God, God, go along? Well
I don't God.
Speaker 6: Look over here in the tree.
Speaker 3: All right, don't move.
Speaker 6: I can see his eyes rop quiet.
Speaker 3: If we move, he'll spring all right, I've got a
sight on him.
Speaker 5: Now.
Speaker 3: That's Kinney, easy, quicker, easy girl. That cat won't bother him. Now, well,
young fellow, how's it feel to be out again?
Speaker 6: Find dad? He's still a little cheggy in the legs off.
Speaker 3: You have to stop a see down a minute to go,
young fellows, I'll carry you for a while. Dead, the
doctor said the walk, didn't he? Well, we'll walk.
Speaker 6: Where are we going? Oh?
Speaker 3: I thought we'd take a look down the home pasture.
I've got the yearlings in there again.
Speaker 1: Oh the yearlings sure.
Speaker 3: Still want the cold tones? Well you're gonna take one out?
Speaker 6: Anyone on the right, said, I don't want to pick
one out? Now?
Speaker 5: Why kid?
Speaker 6: See not? Now?
Speaker 3: Really are some beauties from that pack? Ken?
Speaker 4: Oh?
Speaker 6: See dead? Look kid for the best? Pretty? That one
over there? Why why mommy's like slicker? It is flicker?
Speaker 3: I thought I didn't share that. I couldn't that shop
was for the Mountain lion. I killed it, Oh Flicker.
Speaker 6: Fletcher, sir, it makes get your friends. Let her oh job.
Look she knows me, he oh slitter. She did get gentle,
didn't she dead?
Speaker 3: Gentle as a kitten. She's given us a lot of troublesome.
She's taught us a few things too important things your
responsibility and me that there is such a thing as hope,
beyond hope. And sometimes when things are their lower said,
all we need to do is have a little more love,
a little more patience, and a little more faith.
Speaker 6: Said, such more you saying?
Speaker 8: Now, I think so.
Speaker 6: And as she's asking that you can run again, go on, slitter, one.
Speaker 5: Flicker on.
Speaker 2: The curtain falls on My friends, Flicker and are very
good friends. George Brent, Broddy McDowell and Rita Johnson answer
your applause with a well earned curtain call.
Speaker 3: Thank you, c B. And I'd just like to say
that Roddy is the biggest troop of free size I've
ever seen.
Speaker 6: But your ambition, Roddy Thomas Johnson, I hope some day
to give a checker Janson of Hollywood.
Speaker 2: That's a pretty big ambition. Thank you, O meggot.
Speaker 6: Oh, I practice any time I can find a pigeon. Oh,
I mean apartment. I'd play it my dad before he
went to see with the merchant.
Speaker 3: Keep it that competition is good for the soul, Roddy.
Speaker 6: Yes, sir, sometimes it's good for the lungs too. Before
him was follow went in the navy. You and I
used to see who could hold his prest for the lungs.
You can find the score on the wall of his
old regiment. But the will it get it chaff with
soda or maybe a Sunday is Johnson. I'd like to
buy you one of my special Sundays. Sometimes I'd love it, Roddy.
What's it it? Well, you know those tumps they have
in the soda with a chocolate robbery and other stuff
at the home where you take out a dish of
ice scream and you put a squirt out of each company.
Speaker 3: Then you hold your breath for a good long time.
Speaker 6: It sounds a little complicated, Roddie. Now, I like simple thing.
I think that's why I'm so fond of rot soap.
You see, it's very easy complexions here. It doesn't take
much time, and that's important when you're busy.
Speaker 2: Now that soap is made for girls who are both
beautiful and busy readers. And believe me, things are going
to be beautifully busy around this microphone next week. What's
the Place av It's Philip Barry's sensational hit, The Philadelphia Story,
a two time hit, first time Broadway during a long
run and later as a Metro Golden Mayor picture. And
our stars will be well. I told you we'd have
a surprise guest tonight. It's one of next week's stars,
Robert Taylor.
Speaker 1: Hello, everyone, you've held back the most important.
Speaker 2: Part of a news CB. I guess, Bob means the
rest of our cast. We have three stars in the
Philadelphia Storry next week, Robert Taylor, Loretta Young, and Robert Young.
Speaker 1: Yes, Bob Young and I are both delighted at the
opportunity of working with Loretta. I think we're going to
have a swell time here next week.
Speaker 2: I was lucky for us. We thought you all during
a week off from pictures? What's your latest?
Speaker 1: Over Patrick Goldana, Bob called Batan Phoebe and there are
a lot of great fellows in it. George Murphy, Tommy Mitchell, Lloyd,
Nolan Lee, Bowman, Desi Arnez and the very promising you
comer named Bob Walker stories about an incident in the
Philippine campaigns involved thirteen men and not a single woman.
Speaker 2: As a novelty for pictures, the word batan will always
sand for something. I'm very noble in American history, so
I'm anxious to see what the pictures like. Incidentally, Bob,
how much longer will you.
Speaker 3: Be in Hollywood?
Speaker 1: Just a short time, TV, I have one picture to
finish which won't take long.
Speaker 2: And then, ladies and gentlemen, Bob enters the Navy aircar.
We wanted to have him here just once more before
he left. That will be next Monday Nights when we
present Robert Taylor, Loretta Young, and Robert Young in the
Philadelphia Story.
Speaker 3: Glad to be aboard TV, and I'm expecting a great show. Bob,
good night, Good to night, good night.
Speaker 2: We have to have the bab Hard Bontons, the makers
of Lux Pilot Club join me in inviting you to
be with it again. Next Monday Night, from the Lux
Radio Theater presents Robert Taylor, Loretta Young, and Robert Young
in the Philadelphia Story. That's all made the Marathane good
Night to you from Holley Word.
Speaker 1: Heard him Tonight's play where Leo Clarry is cut, Mary
lou Harrington is guilty, Fred McKay's Tim Norman Field as
mister Sargeants and Charles Seal as the Doctor. Our music
was directed by Louis Silvers. And this is your announcer
John M. Kennedy, reminding you to tune him next Monday
Night to hear Robert Taylor, Loretta Young and Robert Young
in the Philadelphia's story.
Speaker 9: Food rassling and shortages don't worry me. I make sure
my family gets enough vitamins and minerals. I just buy
BIMs and add them to my family's meals. You see,
vims I scientifically designed. She has makes meals complete.
Speaker 1: Right or BIMs give you all the essential vitamins and
all minerals commonly lacking. They are pleasant to taste too,
Chill loved them. Ask for BIM at your Druggets. B
I for vitamins, w MS for minerals BIM. This is
the Columbia Broadcasting System
Speaker 13: H