Speaker 1: All right, everybody, Welcome back to the Shirtley You Can't
Be Serious Podcast, Season two, Episode one. I'm Jack Dah.
I am so glad to be back. We've been gone
too long. We're comparing Slippery when Wet versus New Jersey
bon Jovi's Two Bigs South.
Speaker 2: You say that and I get chills. I'm just I'm
so excited about this. I'm ready to let it rock.
I'm ready to let it go because you can't stop a.
Speaker 1: Fire burning out of control. No, and I'm just I'm
hoping we're still wanted dead or.
Speaker 2: We did take two steel horses to this location tonight
to pods.
Speaker 1: So all right, Jason. Before we jump in, I want
to say thanks to our executive producer for this episode,
mister Jonathan Tweety. He entered in, gave us a Patreon subscription,
and he is the executive producer of our bon Jovie episode.
Speaker 2: Thanks Jonathan, we really appreciate you. If you would like
to be a Patreon and become an exclusive producer, go
to our Patreon page, click subscribe.
Speaker 1: And it's that easy that you just didn't subscribe. Now
pick your amount you can. You can be an executive
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start sending out prizes after that, so be sure and
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you can do to help out, we truly appreciate. And
if you can't do that, tell a friend, tell five friends,
tell ten friends, and we'll forgive you for not giving
us a five dollars a month. There's this place I
like to go. It's called the nineteen eighties. Let's do it,
let's go, let's see eighties.
Speaker 2: All right, so listen, dee, this is a massive battle
for me personally. Okay, okay, So there are a few
pillar albums in my life, right, So Thriller's one yes,
Hysteria is one yes, Slippery w and Wet and New Jersey.
That rounds out my big four pillars. Now, I've had
love affairs with fifty one, fifty and nineteen eighty four,
and you know, so these others, but these are my
four pillars. So today we're going to start the comparison
between two of my all time favorite albums.
Speaker 1: Yeah, well, I've mentioned it before. One of the songs
on one of these albums is the reason that I
started playing guitar, which is a huge, huge thing in
my life. So that's a big deal. We're excited about this. Yeah,
this is pretty awesome. This is amazing, and you know,
it's kind of interesting. It took a long time for
bon Jovi to get critical acclaim. You know, they were
always a popular band, and because they were a popular band,
there were haters out there and a lot of them
more critics. And to those folks, I just got to say,
screw you, man. You guys are missing out. Yeah. Yes,
it's it's enjoyable to listen to this music. It's also
enjoyable to bang your head to this music. This is
just kick butt, good, top down, turn it up music. Absolutely,
these guys have it all. They've got.
Speaker 2: They had looks, they had ability, they had great timing,
and they had great songs.
Speaker 1: Yeah.
Speaker 2: So I mean, we are going to have so much fun.
You want me to do my checklist. Let's run down
the checklist. Checklist before we dive in. Let's make sure
I've got everything I need. Okay, we got we got
the talk box YEP, we've got six pack in the radio,
We've got lipstick, plastic and paint, and we're gonna dance
the tango with a broomstick in our hand.
Speaker 1: Okay, okay, you ready, let's let it rock. Bon Jovi
slippery win way. Okay, So we've got to start at
the big and I'm not sure which beginning we start at,
but might as well start with John. His name is
the band name after all, right for sure. So interestingly,
bon Jovi is spelled differently than you might expect. It's
it is a complete word bo in gio v I
bon g o v. Because they're Italian.
Speaker 2: Definitely got some Italian in there.
Speaker 1: Yeah. And he was born to a couple of marines,
a man and a woman who met in the marine corps,
and then his mom went on to become a playboy bunny,
not in the magazines, but in the clubs, the Playboy restaurant.
She walked around with the little tuft tail and the
ears on and would wait on people like Dean Martin
and Frank Sinatra.
Speaker 2: Yeah, baby, no baby, Yeah yeah, I did a Google searched.
You can see her, and she's wearing her little little
ears and her little cottontail.
Speaker 1: Yeah yeah, so she looked good. She looked like a
nineteen sixties playboy money yeah wow.
Speaker 2: So former marine Yeah, God bless America.
Speaker 1: Yes. So when they got married, he was going to
do the standard. You know, I'm going to go become
a plumber. And she was like, you know, why don't
you become a hairdresser because I spend a lot of
money on my hair and it'd be nice if you
could do it. And he was like, okay, if you
want me to do that, I'll do that. And so
he became a hairdresser, which is probably why John has
some of the best hair over all. Right. So he
at some point they decide, listen, you got to learn
a musical instrument, and so at seven years old he
started playing the guitar. They took him to the guitar lessons.
He started playing the guitar, and he said that it
was like at the guitar shop and the old man
had a pipe and would nod off and it was done.
No no, no, no, no no, And you know, he
was just not interested at seven. And after a few
weeks of lessons, he was told to clean up, and
so his way of cleaning up was to chunk the
guitar down into the basement just to hear it clang.
And so it took several years till he was thirteen
before he picked the guitar back up again. And as
it happened, a gentleman moved across the street who was
like a session musician, but his name was Al Paranello. Well,
just so that you know, bon Jovi, it has special
little pins that are like in the shape of the
Superman logo that if you go long enough with the
band like crew or band member whatever. It's a very
honorary thing and it takes a lot of time to
get it. And John when Al died, he took his
off and put it in the casket with Al. That's
how important it was he was to him. And so
he started taking lessons from him, and instead of the scales,
he's like, I'm gonna teach you how to play House
of the Rising Sun, which I loved because that was
like the first song my dad taught me how to
play on the guitar. I'm sure it's the first song
for a whole lot of folks, right, And so he
teaches shows him how to play it. He says, come
back next week. Comes back the next week, he still
know how to play it. He's like, okay, well come
back next week. I need you to know it. Comes
back the next week, he still doesn't know it. He says, listen,
I don't have time to around with you. Okay, I
got kids. If you're going to do this, do it.
If not, don't waste my time. Come back here next
week and you don't know what we're done. And John
was like, that was the exact kick in the butt
that I needed. And I worked the entire week and
made sure that I knew it by the time I
went back. So while he's trying to make it in
high school and trying to put these you know, trying
to do something with these bands, he'll go and play
at clubs during the week and play until the wee
hours of the morning, and then come to school the
next day, you know, play all three go to school
at eight and one night, while he's playing, a guy
in the back named Bruce Springsteen decides to come and
join him on stage. How cool is that if you're
a high school kid, seventeen year old kid and the
boss says, hey, can I come up and with you?
Uh duh? Yeah? Yeah? And he was one of John's idols,
I mean yeah.
Speaker 2: John talks about how it was it was Bruce Springsteen,
it was Southside Johnny it was Jay GAW's band. I mean,
those guys were who he looked up to musically. Yeah,
and hey, Bruce Wingstein, my idol. You want to play
with me?
Speaker 1: Absolutely, let's go. Yeah. And he had a couple of
buddies who also took guitar lessons from this guy. And
one of those buddies name was Dave skid Row. You
got it, yep.
Speaker 2: We talked about him last, Paul Ye. Dave and John
were good buddies. Later on, John got a job at
the radio station and he was being a gopher and
he would sleep floors and he would go get dry
cleaning and this and that. So he brought his buddy
Dave Sabo up to the to the place and Dave's like,
that's Ozzy Osbourne right there, right Jagger, that's mc jagger.
Speaker 1: Yeah. He's like, duh, why would you not want to
work here? You know? Right? Yeah. So that guy that
owned the radio station was a second cousin of John's.
His name was Tony bun Jovi, and the radio station
was called the Power Station, and it was a place
where obviously a lot of big names were coming. A
Sting has an album called fifty seventh and ninth, which
is named after the intersection that he would cross walking
to that studio. All right, yeah, so he's working for
his cousin as a gopher in this station, goes to
get coffee, goes to make bets for people, doing whatever
he can during the day, and then he had a
long bus ride. He would spend his bus ride writing songs,
and then he would get home at night and play practice. Right,
and at some point he puts together a song. He
puts together several songs, but he's really excited about this
song called Runaway, Runaway. But now a lot of people
think this is his first professional recording, but it's not
breaking on. Let's go, I would get this tray question.
His first professional recording actually occurred a couple of years earlier,
when a small movie called Star Wars was recording a
Christmas album and they were recording a song called R
two D two we Wish you a Merry Christmas, and
Tony at the recording station says, hey, my cousin over here,
he'd be good to sing that song for you, And
so John bon Jovi's first professional record is on Christmas
and the Stars, the Star Wars Christmas album, and here is.
Here's a sample of John bon Jovi singing R two
D two we wish you a merry Christmas. You know
lesson we don't go back to the Winter Stars. We
know that unity's big. That is so freaking awesome. Man,
I don't know that I would say awesome. It's a
little it's a little strange. It doesn't sound like the
Bonjob we know and love, but it is pretty crazy
to hear that. Are you ready for this? Yes? I
have this album. Oh my god, I have this album.
You own it.
Speaker 2: I own this album, this record like you had the
Open Well. I was a Star Wars freak, Yes, so
I had everything I can get my hands on Star Wars. Wise,
I didn't become a Bonjob freak until later. It just
happened that world's collided and I looked on.
Speaker 1: Like, hey, I got this record. Oh my gosh.
Speaker 2: There's another song on I think called what do you
Buy a Wookie When He's already got a comb.
Speaker 1: Or something like that. That was like my favorite song
growing up. So it's fantastic. That is fantastic. So it
wasn't the runaway hit that Runaway became, and neither was
Runaway when it first came out. He was very excited
about it. He was singular focused. He had he knew
what he wanted, and that was what he was pursuing
with all of his effort. And so he was sending
out this demo of Runaway to all of these radio
stations and wasn't getting any where. And he thinks to himself,
you know who's the loneliest guy in the music industry.
It's the DJ right right, because he's just there in
a room by himself, talking to a microphone, pretending he's
talking to the world. And so he goes to this
station called WAAP the Apple and he walks in and
it's a very new station and they don't even have
a receptionist yet. And so he walks in and the
DJ's in the booth like talking to the microphone, looking
at him, like what the heck, what are you doing here?
He's like, I just you know, I've got this music.
I was wondering if you would listen to it and
maybe play it on the radio. And so the guy
listens to Runaway and he's kind of impressed, and he
shows it to the station director and the station director's
kind of impressed. And not only do they want to
play it on the radio, but they want to put
it on an LP that they're making of local, homegrown
music that then happens to get distributed because they're a
chain radio station. It distributed to all of these sister
radio stations around the country. I heard John when he
talked about this. He went to the DJ.
Speaker 2: First of all, he had the hustle and the drive
and the ambition and the guts to go up to
this guy and say, look, play this. It's really good.
When he said, he said, listen, if you'll play this
three and a half minutes from now, you'll realize standing
in front of you is.
Speaker 1: A rock star.
Speaker 2: And you know what, he was right, Yeah, I mean
I can say that and that wouldn't be true, but
when he said it, it was true.
Speaker 1: Yeah. Absolutely. And when it started to get the airplay,
suddenly all of those record companies that he had been
getting getting turned down by were now giving him calls.
Ended up going with the record label Mercury, and they said,
all right, we need to we need to put together
this song, we need to put together an album. And
so he puts together a band that's supposed to be
together for three weeks, right, when Runaway comes out. He
doesn't have a band, he doesn't have management, he doesn't
have a record label. He's just a guy with a
great song. You know. He didn't play all the music himself.
He did have some guys playing the music for him,
but it wasn't his band. But here's who it was.
The guitarist was Tim Pierce, who played with Rick Springfield
and several other huge names. Wow. The keyboardist was Roy Britton,
who was a member of the East Street Band with
Bruce Springsteen and several I mean they call him the Professor.
He's a big name. The bassist was Hugh McDonald who
is now the bassist for Bon Jovie. I mean, he
had a top notch crew on that first first single
recording that he had, but they weren't his band. He
needed to have a band, and so he called up
Dave Brian. David Brian was born David Brian Roschbaum. He
got tired of spelling out his last name, so he
changed He shorted it down to David Brian. He was
a keyboardist for John before Runaway became a big hit.
They were in a band together called the Atlantic City
Expressway that was one of about three bands that John had.
There was one called Rais, there was one called The Rest.
When John gets this record deal, he calls up David
Brian and he's like, hey, I need a band. Come
be my keyboardist. And Dave's like, okay, well, I'm pre
med at Rutgers University and I've got a four point
zero and I realized that I wanted to be in
the music industry, but I just got into Juilliard. But yeah,
sure I'll go. I'll go tour the country with you
and make next to nothing. Sure, let's give this rock
band thing a dry. He did bet on himself, Yeah,
and it ended up working out. So David Bryan calls
Alec john Such, who's a bass player, says hey, we're
putting this band together. Come be a part of it.
Alec john Such had been in a band called Phantom's
Opera with Tico Torres, and Tiko Torres is older than
the rest of the guys, and so when he gets
the call and listens to John bon Jovi's song, he's thinking,
I think this is it. I think I'm finally going
to make it. And his wife's like, no, we have
a house, we have things that need to be taken
care of. And he's like, I just I believe that
this is going to be great. And she says, I
believe I'm going to leave you yea, And that's where
she went. Wonder how she feels.
Speaker 2: That she feels pretty sad about that decision.
Speaker 1: Yes, So Tico Torres not only had he played with
the marvel Attes, and not only had he played with
Chuck Berry, but when Kiss got rid of Peter Chris,
they he was one of the guys on the shortlist
to be the drummer for me. He went out an
audition for him. Wow, just didn't make it. So Tico's in,
Alec john Such is in, Dave Bryan is in, and
their guitarist is, as you mentioned, Dave Sabo from skid Row. Yes,
although yet yes right, And so Dave Sabo was never
really like a member of the band per se.
Speaker 2: It was just just kind of helped out with the
touring of Runaway, right. And so Alec John Sutch had
also been in a band with this guy called Richie Sambora.
Speaker 1: He had been around, I mean, he had his own
independent record label. He had played with several big names.
He had signed a couple of different times. His bands
had signed a couple of different times, just hadn't gotten
there yet, like it was just not quite there. Then
he did this tour as the opening act for Joe
Cocker and then eighty two when Kiss and as Freely
part Ways. Yes, he goes in auditions for Kiss to
be their guitarist. So weird, right, Yeah, he's pretty close. Yeah,
two of the guys from bon Jovi tried to replace
two of the guys from Kiss and we're not successful,
Thank goodness for that. Yeah, And so Richie Sambor comes back.
Alec John Sutch is like, hey man, you got to
come listen to this band that I'm playing with. They're phenomenal.
And Richie's like okay. He goes and he sees them
and he said it was magic. And after the show
he goes up to John he says, Hi, I'm your
new guitarist.
Speaker 2: Yeah. I heard him talking about this, he said when
he watched John run around the stage, He's like, yep,
that kid's star.
Speaker 1: Yeah. And so John was like, okay, you know, let's
see you know what you can do or whatever. And
so he's like, come out, you know, we'll play together.
She hired you know these five songs, right, know these
five songs. And so he Richie comes to the studio
or wherever it is they're practicing. He gets there on
time late, He works with the band while John is arriving.
And when John gets there, they're already tight and play
for him, and he's like, well, get sure in, I
guess you're in. Oh my gosh.
Speaker 2: Just the incredible opportunity and the timeliness of this. And
John bon Jovi and Richie Simbur are a songwriting duo
that gave us these great songs.
Speaker 1: Yeah. Absolutely.
Speaker 2: Doc McGee comes to him and says, do you have management?
Speaker 1: No, I don't. As a reminder, doc McGee is the
guy who managed Motley Crue.
Speaker 2: Molly Crue Kissed the Scorpions.
Speaker 1: Right, But but bon Jovi was pretty early on in this.
He early he had Motley Crue. He had Motley Crue
and that was about it. At that point, he's on
his way up with Motley Crue.
Speaker 2: So Motley Cruz happening, and he goes to bon Jovi
and he says, I want to image you guys, and
I want to make you the biggest band in the world.
Speaker 1: Right, And so this just just to kind of lay
the foundation for another story that might get told. Also
around this time, about January of nineteen eighty two, Doc
McGee meets a guy named Steve Kaylish in the Kayaneman
Islands who is known as the last Gentleman Smuggler. We'll
get into all that maybe later on, but for now,
it's just a seed, a little teaser, if you will.
And so they go into the studio to record their
first album, which obviously must include Runaway. They named the
album bon Jovi, which you know they're they're doing the
full Van Halen, right, let's name the let's name the
band after me, and let's go ahead and name the
first album after me too, Yep, And it does. Okay,
Runaway cracks the top forty thirty nine, I think is
as high as a guy. That would be a crack.
That's a crack. That is a tiny little crack in
the top forty. And so they're touring, opening up for
other bands, and they after a while they do a
second album called seventy eight hundred Degrees Fahrenheit. They really
don't know who they are at this point. And if
you've watched any of the videos that they have for
any of these songs, they're so cringey. I think they
might be more cringey than those deaf Leopard by Romania videos. Watch.
Speaker 2: I watched one the other day. I think it was
it was one of the songs on seventy eight hundred.
I think it was Only Lonely a pre terminator. Linda
Hamilton is the girl that he's in love with in
the video.
Speaker 1: Oh my word, how about that. That's crazy. So when
they get done touring, they realize we're paying more money
to our crew than we are to ourselves.
Speaker 2: The only guy in the band who had his own
house was Tico Torres, right, everybody else lived with mom
and dad.
Speaker 1: Yeah, I'm a rock star. And they come on a
TV I'm living to my mom's basement. Yeah, they go
back and live with mom and dad and so Richie
Sambora's parents worked during the day, both of them, and
so John would come over to his house in the morning.
They would go down to the and they start working
on songs, and John gives him this idea for a
song that kind of has this relationship to touring, similar
to a cowboy writing into town, taking your money, taking
your women, and getting out of town before you know
what's happened and gives him the layout and Richie Sambora
walks this little line down the guitar neck and John's like,
that's it, man, that is exactly what it needs to be.
And that was going to be the original name, or
that was the original name of Slippery when Wet. They
were going to call the album Wanted Dead or Alive.
I think that's a cool name. Oh yeah.
Speaker 2: They actually took publicity pictures where they all kind of
grew their beards out and they had they looked like
young guys. I mean, that's they look like the poster
of young guys. But calling the album Wanted Dead or Alive,
I don't think would have been a hindrance at all.
Speaker 1: I mean. Now, so he and Richie are writing songs
together and Richie's parents' basement, and they decide they want
to recruit somebody to help them write hits because we're
about to do album number three and if album three
doesn't make them, it's going to break them, Yeah, because
if you don't hit it on album three, the record
company is going to be done with you. And so
they recruit this gentleman named Desmond Child. So Desmond Child
at the time that they say, come write some songs
with us. What's he got on his list?
Speaker 2: Okay, So he came up with the song I Was
Made for Loving You, which Kiss did, which was for
Kiss fans.
Speaker 1: They know this.
Speaker 2: It's like the disco Kiss. Yeah, he introduced disco to Kiss.
But it was a successful song. But the song that
John really liked, John and Richie liked that to want
to work with Desmond was a song called Heaven's on
Fire by Kiss.
Speaker 1: So Desmond Child drives out to New Jersey, driving to
Richie sam Bori's house, sees this wooden plank house out
next to a swamp. You can see the smokestacks from
the factory down the road. And he's like, what am
I getting myself into? A rock star lives here? Yeah? Right,
And so he goes down to the basement and they
started talking and he says, you know, I really think
a great name for a song would be you give
Love a Bad Name? And John goes shot through the
heart and You're to blame. And then John, Richie and
Desmond all at the same time go you give Love
a Bad Name? And it was magic. Yep.
Speaker 2: John stole that shot through the Heart. That was a
song from his first album Yeah, called Shot through the Heart.
Speaker 1: Yeah.
Speaker 2: Okay, So they said down and in this writing session
with Desmond Child, they write you give Love a bad Name.
Speaker 1: Yep.
Speaker 2: They also write a song called without Love I Die
for You. Oh, and they also wrote this little song
you might have heard called living on a Prayer.
Speaker 1: I think is that on Slippery One? I think? Okay
it is.
Speaker 2: So anyway, Desmond Child comes. They write four songs that
make the album, and so they start working on songs.
One of the songs I know, John and Rishie wrote
in the Basement You talked About One and Dead Are Alive.
They also wrote the song never Say Goodbye. So they're
gathering songs and the record company says, well, it's time
to record the album. We want you away from New York, right,
So we're going to fly you to Vancouver.
Speaker 1: Right. Well, they they both Richie and John both really
liked the album lover Boy by Lover Boy, and John
also really liked the album Without Love, which was by
a heavy metal band called Black and Blue. And so
they said, this is our guy, this is our producer.
So he says, I want you guys to come up
here to me in Canada and we're going to record
up here. You got the World's Fair going on over there.
You've got this place called the Number five Orange Strip Club.
So they get up there, they start laying down tracks
and they go, you know, they get done at ten
or eleven at night, and they're like, oh, this is early, fairly,
let's go to the strip club. And so they go
with Doc McGee and they're all at the strip club
and this woman literally, Now, of course, why wouldn't we
on our very first episode of season two, why wouldn't
we start talking about strippers. Why wouldn't we we have to,
I mean stripper music. We Okay, So this woman comes
sliding from the ceiling, comes sliding down a pole, then
goes and gets in the shower, soaps herself up, and
Doc McGee goes, you know, I always thought a good
name for a song or an album would be slippery
when wet and their tongues are hanging out of their
mouths and they're going, yeah, that sounds great, Yeah, whatever
you say, yeah sounds good. That is that's how they
got the name of the album. Yeah, that's where slippery
when it came from. YEP, and for most Folks who
have seen the album cover, you would think, oh, this
is a road sign kind of thing. Well, that's not
the original album cover. Let's talk about the original album. Okay.
Speaker 2: So after they had completed the songs, which we'll get
to here in a second, they came out with an
album cover where they went to the Jersey shore. They
gathered up some great looking girls. They took some pictures
to it with your boy, Mark Weiss, Yes, Mark Wis.
Speaker 1: Mark Weis whose wedding was where John bon Jovi's parents
discovered Sebastian Bach.
Speaker 2: Go back and listen to our Skid Versus Doctor Feel
Good episode.
Speaker 1: There you go.
Speaker 2: So they gathered up and they found this one girl.
Her name was Angela, and they liked Angela because she
was particularly busty. They gave her a Slippery when Wet shirt.
They cut it up.
Speaker 1: They took a close up of her.
Speaker 2: It's a you know, it's a it's a nineteen eighties
metal cover. She's you know, wet, wet and bursting at
the seams.
Speaker 1: Yeah. They put a pink.
Speaker 2: Trim around the edge of border that was supposed to
be like matching her lipstick. They called the album Slippery
When a Wet yeap, and when the record company saw it,
they're like, we cant this is another album you gave us.
We can't sell in Walmart. What are you doing to
us here? And John saw it, It's like pink, Why
is this pink crap on here? I'm a serious rocker.
I like the girl, but I can't have the pink.
So they grabbed these at the last second and they
pulled like they had printed like forty thousand of these.
Speaker 1: Yeah, well they and they got issued in Japan. They yes,
you can actually buy these on eBay right and it's
just fyi. Bon Jovi was a hit in Japan long
before they were a hit in the United States, so
it's way to go Japan, and you guys were on
the ball. So John says, look, this is I'm not
having this. Pull this right now.
Speaker 2: And so they go over to Mark Weise's house and
they're like, we got to come up with an album
cover right now. So they stretch out a garbage bag,
a black garbage bag laid on a table, spray it down,
and John writes with his finger slippery when Wet snapped
a couple of pictures, and that's the album cover you
see today brilliant.
Speaker 1: It works too. Yeah.
Speaker 2: So before we jump into the album, the producer of
this album, as you mentioned, was Bruce Fairbern. He had
this little engineer that was an up and coming guy.
Speaker 1: Yeah, might have heard of him. His name is Bob Rock.
Speaker 2: He produced Doctor Feel Good Yep. He then produced Metallica's
Black album.
Speaker 1: Right which he got because of Doctor fiel Good, which
he got because of Doctor Feel Good. We're hoping to
cover that later this year. Yeah.
Speaker 2: But yeah, he is a major, major producer. They just
caught him right before he broke big. So before we
dive into the songs, I have a really cool story
for you, okay. So they have thirty or so demo songs.
They had gone to Vancouver. They had demoed all these
songs that they had written in Richie's mother's basement. Right
around the corner from their studio was a little pizza place.
So they would go down to the pizza place and
there's all these teenagers would hang out there, and they thought,
you know what this if this is our audience, why
don't we ask them what they think? So they invited
this crew of teenagers back to the studio and they
played the demos for them, and the teenagers would make comments,
you know, hey, this is not too bad, and I
kind of like this one, and this is pretty good,
and there are songs.
Speaker 1: Actually I think what they said was it doesn't suck,
this doesn't suck, which.
Speaker 2: Sounds like our teenagers, right right, right. But John is
very clear and very public that some of the song
songs that made Slippery and Wet would not have been
there if it hadn't been for what they called the
Pizza Parlor Jury.
Speaker 1: One of those songs never say Goodbye, Living on a Prayer,
Living on a Prayer, Doc McGee said, but for the
Pizza Parlor Jury, living on a Prayer probably would not
have been on Slippery.
Speaker 2: We'll talk about that here in a second. John was
not as big a fan of this song.
Speaker 1: No, I know. All right, we ready to dive in.
Let's dive into this album. We got to start listening
to the music right now.
Speaker 3: Next week, aliphanger, Oh hang around, come back next week
we will dive in track by track Slippery when we.
Speaker 1: Love it, come back and see us. Tell your friends,
subscribe Patreon, Patreon, subscribe, five star review. Love you guys,
See you soon,