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<v Speaker 1>You see something's going to happen.

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<v Speaker 2>What's going to happen?

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<v Speaker 3>What?

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<v Speaker 4>Welcome to the Occult Rejects this episode. I got a

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<v Speaker 4>bunch of rejects with me tonight. I got JJ Vance,

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<v Speaker 4>not the vice president with me.

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<v Speaker 5>What is going on? So please let everybody know what

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<v Speaker 5>is your deal?

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<v Speaker 6>Nick, greeting, Sir, I appreciate the advice. As always, I'm

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<v Speaker 6>always excited to talk to some occult Rejects activities, especially

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<v Speaker 6>with head listen Ethan here. Greetings gents, right right, great

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<v Speaker 6>to join you again for a conversation. Looking forward to it.

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<v Speaker 6>JJ Vance not the vice president host of Operations gc D.

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<v Speaker 6>Despite what grock I tells you on Twister, I am

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<v Speaker 6>not the vice.

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<v Speaker 5>President said you'll Lion.

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<v Speaker 4>Thank you very much, Sarah, and your show notes will

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<v Speaker 4>be in the body of the links for the street

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<v Speaker 4>shows will be in the mode and Headless Giant, my man.

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<v Speaker 4>Please let everybody know what's going on with you, sir.

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<v Speaker 7>Thank you Nick. On the Headless Giant. You can find

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<v Speaker 7>me on YouTube and if you have an interesting occult

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<v Speaker 7>slash paranormal slash weird dream story that you want to

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<v Speaker 7>send me, you can send it to Headless Giant podcast

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<v Speaker 7>at gmail dot com and I will read those and

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<v Speaker 7>me and Nick will analyze them.

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<v Speaker 4>Well, yeah, definitely, yes, Please keep keep sending those emails

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<v Speaker 4>in and check out that show if you haven't. Just

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<v Speaker 4>for people who are listening, if you haven't listened to

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<v Speaker 4>it yet. We also include like symbolism and glyphs at

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<v Speaker 4>the beginning of the show, so it is actually informational

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<v Speaker 4>and I think it's really good, So check it out.

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<v Speaker 4>And last but not least, Ethan Indigo, what is going on,

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<v Speaker 4>my man?

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<v Speaker 5>Thank you very much for making it. Please let everybody know.

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<v Speaker 1>What you do.

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<v Speaker 2>Yeah.

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<v Speaker 8>Honored to be here. I love the show headless and

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<v Speaker 8>always honored to be discussing anything with you guys on

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<v Speaker 8>this topic is something that's really really outstanding, So I'm

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<v Speaker 8>excited to hear what you got to say. Ry and

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<v Speaker 8>Ethan Indigo. I'm on all the social media. I write

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<v Speaker 8>about the esoteric and exoteric as well, So glad to

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<v Speaker 8>be here.

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<v Speaker 1>Thank us.

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<v Speaker 4>Yes, and he did put out a new piece of

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<v Speaker 4>new piece of work and it's on his own his

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<v Speaker 4>own site and the Cold Research Institute, so go check

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<v Speaker 4>it out.

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<v Speaker 5>Thank you very much, Ethan.

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<v Speaker 4>And finally to the guest to the van of the hour,

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<v Speaker 4>next hour and a half, two hours, whatever it's going

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<v Speaker 4>to be. We got Rye from Codaega's Codex of Curiosities.

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<v Speaker 4>It's great to have you on again, man, it's always

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<v Speaker 4>a pleasure. Please let everybody know what you do.

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<v Speaker 2>Awesome man, I appreciate that. It's fantastic to be back.

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<v Speaker 3>You know, third times a charm, I guess you know,

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<v Speaker 3>once on the Friday night and two on regular show.

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<v Speaker 2>So yeah, my show, I host.

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<v Speaker 3>Codegus Codecs of Curiosities, and I interview guests from all

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<v Speaker 3>walks and you know, researchers and experiencers of all high strangeness,

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<v Speaker 3>whether it be ghost paranormal, UFOs, cryptids, Glitchen, the Matrix,

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<v Speaker 3>and researchers from historical lost past, you know, whether it

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<v Speaker 3>be the Nephilim, the Book of Enoch or the Ananaki.

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<v Speaker 3>It's it's all under all, under my umbrella.

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<v Speaker 2>That's about it.

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<v Speaker 3>So and I can be found exactly where you search

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<v Speaker 3>the name title code against Codex of Curiosities. You can

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<v Speaker 3>find me on everything TikTok, Insta, Facebook, Spotify, and YouTube.

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<v Speaker 4>That's it awesome, Thank you very much, and for yeah,

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<v Speaker 4>for the new listeners. If you happen to have quote

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<v Speaker 4>the uh An Rice vampire cult episode and you're into

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<v Speaker 4>vampire cults, go check out the show that we did

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<v Speaker 4>with Rye. We had a vampire what was that?

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<v Speaker 5>What was her name again?

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<v Speaker 2>There's something Magdalena?

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<v Speaker 4>Yes, yes, definitely check that one out. Uh yeah, So

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<v Speaker 4>all right, ry we got time slip? Yeah, what's the

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<v Speaker 4>deal with it?

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<v Speaker 1>Yeah?

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<v Speaker 3>Okay, So you know, I could do a show just

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<v Speaker 3>on telling you about experiences of time slips and possibly

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<v Speaker 3>time travel as well, which they're kind of they're almost

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<v Speaker 3>one and the same. But I thought we'd dive deeper

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<v Speaker 3>than that. Let's not just you know, scrape the surface.

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<v Speaker 3>Let's go deeper. So first, what I want to do

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<v Speaker 3>is I kind of want to give you guys a

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<v Speaker 3>little bit of a and for all who are listening,

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<v Speaker 3>a little bit of a lesson on possible you know,

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<v Speaker 3>like time itself. We're going to talk about time itself

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<v Speaker 3>and you know, time as an illusion, and then my

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<v Speaker 3>own analogy to maybe make it easier to understand what

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<v Speaker 3>we're talking about. Okay, So that is where we're going

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<v Speaker 3>to start, and then we're going to go from there.

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<v Speaker 3>And then I'm gonna I'm going to jump into some

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<v Speaker 3>some scenarios of time slips, and I want you guys to,

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<v Speaker 3>you know, think about what maybe is it? Is it

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<v Speaker 3>a time slip, is it in the matrix, or what exactly?

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<v Speaker 3>So you know, first of all I'm going to start

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<v Speaker 3>off with, is time as an illusion?

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<v Speaker 2>You know, do time.

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<v Speaker 3>Slips reveal the true nature of reality? And so many

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<v Speaker 3>physicists and philosophers have argued that time really isn't linear

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<v Speaker 3>as many of us believe it to be, you know,

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<v Speaker 3>not from like here in the past and we keep

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<v Speaker 3>going on in a straight line. But it's more emergent

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<v Speaker 3>property of our consciousness. Now that sounds confusing, right, So

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<v Speaker 3>what that means is that it might be something that

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<v Speaker 3>our consciousness actually creates, like a way our brain organizes

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<v Speaker 3>events to make sense of them. So imagine all the moments, past, present,

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<v Speaker 3>and future. They all are existing at the same time

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<v Speaker 3>like pages in a book. Okay, so your brain just

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<v Speaker 3>reads one page at a time. We can't read every

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<v Speaker 3>single page instantly. We have to read one at a time,

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<v Speaker 3>and so it feels like time is moving forward. So

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<v Speaker 3>when they say time is an emergent property of consciousness,

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<v Speaker 3>they mean time might only exist because.

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<v Speaker 2>We're here to experience it.

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<v Speaker 3>Without us, it's just one big cosmic Now, so without consciousness,

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<v Speaker 3>everything could be happening all at once.

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<v Speaker 2>Does that make sense? Like we we are?

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<v Speaker 5>Yeah, I was gonna say that does remind me of

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<v Speaker 5>a movie and yeah, two different.

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<v Speaker 1>Movies everything all at once or something somewhere.

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<v Speaker 5>Yes, it's a lot like that.

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<v Speaker 6>So our conscious had a Chinaman from Gun he's the

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<v Speaker 6>Chiaman kid.

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<v Speaker 3>Day exactly exactly. And he was also in Loki as well,

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<v Speaker 3>and that was all about it. That was all about

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<v Speaker 3>time travel as well.

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<v Speaker 6>Yeah, well, short Rounds made in quite a quite a comeback.

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<v Speaker 3>It seems like, hey, I believe so I think so.

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<v Speaker 3>I think he's going to be like your your next.

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<v Speaker 2>Uh hot thing right now?

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<v Speaker 3>So now, So if this is true, then time slips

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<v Speaker 3>themselves might occur when a person momentarily just steps out

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<v Speaker 3>of their usual perception of time and taps into a

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<v Speaker 3>different temporal layer. And what I'm going to get into

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<v Speaker 3>now is possible theories.

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<v Speaker 1>Three.

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<v Speaker 3>I'm going to bring up three possible theories about time.

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<v Speaker 3>So first, there's the block universe theory, as anybody.

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<v Speaker 2>Have heard of that.

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<v Speaker 1>No, actually, I haven't.

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<v Speaker 3>Okay, So that's Einstein okay, and Minkowski's idea as well,

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<v Speaker 3>which is past, president and future all exists simultaneously like frames.

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<v Speaker 2>In a reel.

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<v Speaker 3>Okay, so think of a of a movie reel. So

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<v Speaker 3>time slips might be moments when someone just skips to

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<v Speaker 3>a different frame they kind of jump ahead. Okay, Now, next,

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<v Speaker 3>and I'm going to go into these much deeper, but

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<v Speaker 3>I'm just going to start with just just tell you

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<v Speaker 3>about them. So next is Julian Barber's timeless fit, and

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<v Speaker 3>he suggests that time doesn't flow, only different now's exists.

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<v Speaker 2>And you're like, well, is this kind of similar to

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<v Speaker 2>what I just said?

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<v Speaker 3>No, So so what it is is, well, I'm gonna

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<v Speaker 3>get like I said, I'm going to get into that.

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<v Speaker 3>So at times it could be a glitch when someone

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<v Speaker 3>perceives another now instead of their usual one, And didn't

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<v Speaker 3>I just say that kind of But like I said,

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<v Speaker 3>I'm going to get into a little further. And then

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<v Speaker 3>the third one, of course, is our simulation hypothesis. So

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<v Speaker 3>we live in a similar simulation we live in the matrix.

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<v Speaker 2>So if we live.

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<v Speaker 3>In a simulation, time could be programmed. It could be

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<v Speaker 3>a program construct like timeslets may happen when something disrupts

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<v Speaker 3>or rewrites the code of the simulation, allowing us to

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<v Speaker 3>access another moment right now. If time is an illusion,

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<v Speaker 3>like I was saying, then we just perceive these jumps

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<v Speaker 3>in time are just possibly shifts in awareness between existing moments.

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<v Speaker 3>So the person isn't necessarily traveling through time, but merely

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<v Speaker 3>perceiving a different section of the film reo okay, or

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<v Speaker 3>simulation or like a photo.

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<v Speaker 2>Okay.

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<v Speaker 3>So now let's let let's go into the So time

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<v Speaker 3>feels real to us because we experience events in a past,

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<v Speaker 3>present future sequence.

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<v Speaker 2>That is how we perceive it.

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<v Speaker 3>But many many believe that it's just the reason why

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<v Speaker 3>we do this is because it's just a limitation of

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<v Speaker 3>our perception. And so I'm gonna go a little bit

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<v Speaker 3>further now into the block theory. So the block theory,

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<v Speaker 3>again I said, was like a like a film, and

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<v Speaker 3>so the past president in future all exists like frames

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<v Speaker 3>and a real.

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<v Speaker 2>Now there there.

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<v Speaker 3>It was also expanded, So that was the block theory

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<v Speaker 3>was Einstein, but Hermann Minkowski expanded on it and said,

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<v Speaker 3>there's no really special Now the president is just a

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<v Speaker 3>perspective and how we see it is not an.

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<v Speaker 2>Objective momment, okay.

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<v Speaker 3>And like I said, if a time is fixed structure,

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<v Speaker 3>like it is in a row like this, timeslins might

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<v Speaker 3>occur when something shifts a person's awareness to another frame.

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<v Speaker 2>So shifting awareness could possibly be.

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<v Speaker 3>A meditation of sorts, like you could be meditating and

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<v Speaker 3>getting higher consciousness, or it could be a severe type

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<v Speaker 3>of accident or incident where you jump forward or you

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<v Speaker 3>jump backwards. And this is this lends credence to when

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<v Speaker 3>people talk about glitches in the matrix. When some people

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<v Speaker 3>have had a like almost an accident where they're going

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<v Speaker 3>to get into an accident, and it's they swore they

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<v Speaker 3>got into the accident, and next thing they know, they're

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<v Speaker 3>driving the car. They might be in the past, or

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<v Speaker 3>they might be forward in time and they've just averted

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<v Speaker 3>it because their consciousness has done something to jump them

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<v Speaker 3>ahead or back. And and when this happens many times,

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<v Speaker 3>is that they're not fully in sync with the world

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<v Speaker 3>around them. They're slightly out of sync, okay, And when

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<v Speaker 3>that happens, it takes them a little bit to regain

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<v Speaker 3>back into that frequency.

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<v Speaker 2>And I'm going to get into that a little bit later.

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<v Speaker 2>As well. So that is this a little bit.

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<v Speaker 7>Like the video game concept of fps frames per second

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<v Speaker 7>because what they do is that when you're looking at

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<v Speaker 7>the video game, you get sixty frames per second. That's

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<v Speaker 7>how the character moves from one frame to the other.

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<v Speaker 7>So it's more like that model.

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<v Speaker 3>So that model especially is more like Julian Barber's timeless physics. Okay,

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<v Speaker 3>and what I'm gonna do is I'll jump to that

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<v Speaker 3>right away, but that frames per second is probably identical

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<v Speaker 3>to Julian Barber's timeless physics. Okay, so I'm just going

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<v Speaker 3>to finish off this one where now with this, but

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<v Speaker 3>you know what, let's just go to it. Let's let's

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<v Speaker 3>go to it. So that Julian Barber's timeless physics. So

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<v Speaker 3>there's no time only now. And what does that mean

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<v Speaker 3>is time doesn't flow, you know, Like I said, it's

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<v Speaker 3>an illusion created by memory and perception. So what we

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<v Speaker 3>think of past and future are just different configurations of

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<v Speaker 3>the universe.

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<v Speaker 2>But what does that mean?

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<v Speaker 3>So what that means is that every moment is a

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<v Speaker 3>self contained now like like think of it like a picture. Okay,

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<v Speaker 3>that the best way to explain this is is you

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<v Speaker 3>have all these pictures in a photo album, okay, and

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<v Speaker 3>each photo exists independently. Okay, so think of your frames

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<v Speaker 3>per second. Each photo exists independently. The movement from one

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<v Speaker 3>to another is an illusion that we were imposing this movement. Okay,

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<v Speaker 3>so we're kind of connecting that. So let's say we

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<v Speaker 3>get the frames per second extended up. Maybe it's like

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<v Speaker 3>one frame per second. Okay, So there's a little bit

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<v Speaker 3>of gap in there, and our consciousness connects that because

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<v Speaker 3>we impose this on it, we assume that time moves forward.

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<v Speaker 3>So each event is independent, and our consciousness builds a

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<v Speaker 3>bridge of sorts connecting these events.

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<v Speaker 2>Okay.

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<v Speaker 3>So these events could be exactly like you're saying, but

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<v Speaker 3>we are just bridging them, and it could be so

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<v Speaker 3>minute that we're not seeing the gaps, but our consciousness

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<v Speaker 3>fills that in. Does that make sense.

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<v Speaker 1>Now?

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<v Speaker 3>And I wanted to touch on something what I was

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<v Speaker 3>talking about previously is that my theory on the block

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<v Speaker 3>when I was talking about the block universe is my

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<v Speaker 3>own personal theory is that we have an anchor. We

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<v Speaker 3>have an anchor to this moment that we're stuck in

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<v Speaker 3>right now, which is our consciousness is anchored. You know,

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<v Speaker 3>be it by a frequency or like a silver cord.

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<v Speaker 3>So perhaps that we if we bump off of the

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<v Speaker 3>time that we're on right now, let's say we have

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<v Speaker 3>a time stup, we move into the past. Okay, think

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<v Speaker 3>of it like a bungee cord. It's going to bring

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<v Speaker 3>us back, it's going to bring you back. That's why

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<v Speaker 3>people have these experiences and then they return back because

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<v Speaker 3>we're always coming back. We're tuned into that frequency that

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<v Speaker 3>we're aligned with, possibly when we're born, so that frequency

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<v Speaker 3>is aligned at that moment made that moment of conception

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<v Speaker 3>that we are given that frequency, and this is what

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<v Speaker 3>we're always going to be on.

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<v Speaker 2>Now.

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<v Speaker 3>It doesn't mean that we can't jump realities left or right,

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<v Speaker 3>but it's saying that time let's say forward or backwards,

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<v Speaker 3>that we would perceive as we're always going to keep

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<v Speaker 3>coming back into the exact same point that we're in.

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<v Speaker 7>Okay, So instead of frames per second, you're talking about

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<v Speaker 7>sort of like self contained nows.

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<v Speaker 2>Yes, that's exactly it. That's a great way to say.

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<v Speaker 3>It's self contained nows and it's like this one and

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<v Speaker 3>this one and our consciousness can't it bridges the bridges.

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<v Speaker 7>Those gaps between the two.

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<v Speaker 3>Exactly actly, because if we try to, if we tried

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<v Speaker 3>to have like the seamless memory, like go back two years,

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<v Speaker 3>you try to have the seamless memory, you can't really

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<v Speaker 3>have that. You're like, well, I remember this event, and

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<v Speaker 3>I remember kind of what I did in that event,

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<v Speaker 3>and then what Oh, then I remember that night I

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<v Speaker 3>did this, and then I remember the next day I

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<v Speaker 3>did this. You know, it's kind of and we could say, well,

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<v Speaker 3>it's just our memory. We can't remember, is it, or

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<v Speaker 3>is it that we actually in during the exact moment,

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<v Speaker 3>we're kind of piece our consciousness is piecing that together,

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<v Speaker 3>and then when we look back, we don't have those

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<v Speaker 3>pieces there anymore. Our consciousness doesn't have to put those

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<v Speaker 3>false bridges in anymore, and we only remember those those

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<v Speaker 3>self contained memories.

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<v Speaker 1>Yeah, I mean it's an interesting time. I like it

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<v Speaker 1>for sure.

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<v Speaker 6>All right, we don't we define don't understand time rights

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<v Speaker 6>as much as science claims that.

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<v Speaker 3>Yeah, you completely correct on that way now. And so

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<v Speaker 3>so how would this so, if we're talking about these

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<v Speaker 3>these self contained things, how would that explain time slips?

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<v Speaker 2>So if if all moments exist independently.

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<v Speaker 3>A time stuff could happen when perhaps you accidentally switch

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<v Speaker 3>from one picture to another, but instead of progressing through

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00:16:16.279 --> 00:16:20.080
<v Speaker 3>their normal sequence, you kind of jump ahead on a frame,

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<v Speaker 3>or you fall backwards, or maybe someone else's photo album.

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<v Speaker 2>Maybe it's not your photolum, maybe it's someone else's.

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<v Speaker 3>So, which could also explain reports of people seeing historic

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<v Speaker 3>events play out as if they were as if it

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<v Speaker 3>was happening again in real time, and they can see

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<v Speaker 3>like these and it's not necessarily ghostly things happening, but

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<v Speaker 3>it actually looks real. And I'm going to bring up

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<v Speaker 3>one of those ones definitely. So they are simply observing

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<v Speaker 3>now another now that exists parallel to their own, just

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00:16:51.240 --> 00:16:54.080
<v Speaker 3>this other photo album that they're looking through, not their

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<v Speaker 3>own photo album, and then all of a sudden they

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<v Speaker 3>snap back. And I always believe our consciousness is what

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<v Speaker 3>a conscious This frequency is what brings us back every

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<v Speaker 3>single time.

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<v Speaker 6>Yeah, that's interesting. It sounds like when you're explaining that

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<v Speaker 6>to me, it sounds a lot like some ideas of

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<v Speaker 6>the undiscovered natures of quantum entanglement.

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<v Speaker 2>Uh huh, uh huh.

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<v Speaker 3>I was going to bring up quantum and tagle lit

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<v Speaker 3>because I think it's very important, but I will go

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<v Speaker 3>into a little bit because the double slit experiment really

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00:17:23.839 --> 00:17:27.920
<v Speaker 3>kind of proves that there's other now, other things are

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<v Speaker 3>existing at the same time. So right, and I will

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<v Speaker 3>and I will definitely get into that. So next we're

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<v Speaker 3>going to go into the simulation hypothesis, which is, what

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00:17:38.039 --> 00:17:42.079
<v Speaker 3>if we're living in this that some higher beings have

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<v Speaker 3>some advanced civilization. I think it was Nick Bostrom proposed

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00:17:47.359 --> 00:17:50.319
<v Speaker 3>the simulation theory where he suggests that a more advanced

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<v Speaker 3>civilization may have created this detailed, immersive simulation where time

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00:17:55.559 --> 00:17:59.559
<v Speaker 3>is an artificial construct. Right, and and some people get

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<v Speaker 3>very upset when you talk about simulation or matrix, you know,

339
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<v Speaker 3>they're like, I know, but this is as real as

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<v Speaker 3>it's going to be for us, no matter what, you know,

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<v Speaker 3>even even if it is a simulation.

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<v Speaker 2>You know, anything is just like what we're perceiving.

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<v Speaker 3>We're perceiving light and we're in putting it, you know,

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00:18:15.200 --> 00:18:17.000
<v Speaker 3>we're seeing it through our eyes and our eyes and

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00:18:17.039 --> 00:18:20.079
<v Speaker 3>are converting it into a message into our brain. So

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<v Speaker 3>what happens if we are a simulation or what happens

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00:18:22.720 --> 00:18:25.920
<v Speaker 3>if it's real? Exactly we're still perceiving the same thing. Okay,

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<v Speaker 3>So people get upset, It's okay. Can we still have

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<v Speaker 3>a creator? Can it literally be God?

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<v Speaker 2>Yes? Why not? Why not?

351
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<v Speaker 3>Could have God created a simulation be a lot easier

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<v Speaker 3>to take care of than an actual planet? You know,

353
00:18:39.079 --> 00:18:41.799
<v Speaker 3>it might be easier than he just programs his sun

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<v Speaker 3>to come in and the sun takes over and comes in.

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<v Speaker 2>Why not? It really can happen.

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<v Speaker 3>It doesn't change the fact that any of these events

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<v Speaker 3>did like didn't happen.

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<v Speaker 2>They did happen.

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<v Speaker 3>So one of the in time slops might occur in

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<v Speaker 3>this type of scenario if perhaps if the system renders

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00:19:03.720 --> 00:19:06.359
<v Speaker 3>the wrong version of reality. And I don't know if

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<v Speaker 3>if any of you have seen the movie. It was

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<v Speaker 3>like a B movie on Amazon Prime and it was

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00:19:13.839 --> 00:19:18.599
<v Speaker 3>called the Mandela Effect, and they talk about like they

365
00:19:19.319 --> 00:19:22.400
<v Speaker 3>the world is a quantum is ran by like quantum computers.

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<v Speaker 3>And if you don't, let's say, don't enter that building

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<v Speaker 3>across the street. It's not rendered inside because they're trying

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<v Speaker 3>to save data. And we you know, there's very few

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<v Speaker 3>of us who are actually the real beings that are

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<v Speaker 3>actually that would render this for us. So it's it's

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<v Speaker 3>an interesting thought that we are living in a simulation

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<v Speaker 3>in that quantum computing is what is actually creating this.

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<v Speaker 7>So that's one one thing about that. The idea in

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<v Speaker 7>that movie, the Mandala effect, was that there was this

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<v Speaker 7>quantum computer that was operating not only this reality, but

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<v Speaker 7>multiple reality. So with this idea of the simulation theory,

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00:20:06.000 --> 00:20:10.200
<v Speaker 7>it almost implies a multiple reality.

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<v Speaker 2>Multi universe. Yes.

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<v Speaker 3>Yeah, And that was a fantastic movie. I think that

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<v Speaker 3>was a movie that everybody should watch. I think it

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<v Speaker 3>was really really well done. I thought it was interesting.

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<v Speaker 2>And and.

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<v Speaker 3>It brings up a dream that maybe we should talk

384
00:20:25.720 --> 00:20:29.039
<v Speaker 3>on Headless Giant. I dream that I had that.

385
00:20:29.400 --> 00:20:31.279
<v Speaker 2>Two weeks before watching this movie.

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<v Speaker 3>I had a dream that you know when when they

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00:20:34.559 --> 00:20:36.759
<v Speaker 3>when he shuts down the quantum computer and everything kind

388
00:20:36.759 --> 00:20:40.400
<v Speaker 3>of goes like blank and dead. I had the exact

389
00:20:40.680 --> 00:20:43.079
<v Speaker 3>dream of that happening. And then two weeks later I

390
00:20:43.160 --> 00:20:45.160
<v Speaker 3>watched this or was it even two weeks later, I

391
00:20:45.200 --> 00:20:47.359
<v Speaker 3>don't know, But then I watched this movie and it happens,

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<v Speaker 3>and it was the scariest dream I've ever had, one

393
00:20:49.559 --> 00:20:51.079
<v Speaker 3>of the scariest dreams I've ever had in my life.

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<v Speaker 3>Like it was so real. It was as if like

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<v Speaker 3>the simulation was shutting down. It was rebooting and.

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<v Speaker 2>That was it. It was It was terrifying. But that's all

397
00:20:58.680 --> 00:20:59.400
<v Speaker 2>for another time.

398
00:21:00.880 --> 00:21:04.440
<v Speaker 3>Yeah, So another issue for these time slips and simulation

399
00:21:04.559 --> 00:21:10.599
<v Speaker 3>could be a person's consciousness, Uh you know maybe momentarily

400
00:21:10.720 --> 00:21:15.039
<v Speaker 3>accesses a different save state or of the simulation. So

401
00:21:15.400 --> 00:21:17.440
<v Speaker 3>maybe there was a past save that we kind of

402
00:21:17.519 --> 00:21:19.839
<v Speaker 3>jump into somehow we landed into that and we can

403
00:21:19.880 --> 00:21:23.359
<v Speaker 3>see that, or or maybe there's a glittering error in

404
00:21:23.400 --> 00:21:27.519
<v Speaker 3>the processing of time time data, so that that could

405
00:21:27.519 --> 00:21:33.480
<v Speaker 3>be a possibility. So now time slops could also happen

406
00:21:33.599 --> 00:21:38.519
<v Speaker 3>when the simulation maybe accidentally loads a different historical period

407
00:21:38.759 --> 00:21:42.359
<v Speaker 3>and causing the person to actually see it. You know,

408
00:21:42.440 --> 00:21:45.200
<v Speaker 3>when they people go to Gettysburg sometimes they see these

409
00:21:45.279 --> 00:21:47.759
<v Speaker 3>re enactments and they're like, what is what is going on?

410
00:21:47.839 --> 00:21:50.839
<v Speaker 3>Or they see these other soldiers coming up dressed from

411
00:21:51.000 --> 00:21:51.680
<v Speaker 3>another time.

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00:21:51.960 --> 00:21:52.519
<v Speaker 2>It could be.

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<v Speaker 3>That this group of soldiers were were loaded into this

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<v Speaker 3>time period.

415
00:21:58.400 --> 00:22:01.039
<v Speaker 2>And it also could be intentional.

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00:22:01.319 --> 00:22:06.759
<v Speaker 3>Okay, so a person, if we're talking the simulation, maybe

417
00:22:06.880 --> 00:22:11.559
<v Speaker 3>someone aims able to access will say like developer tools,

418
00:22:11.720 --> 00:22:15.000
<v Speaker 3>or they're allowed to replay different moments of the past

419
00:22:15.039 --> 00:22:18.480
<v Speaker 3>like a god mode so to speak. Who knows, I'm

420
00:22:18.519 --> 00:22:20.519
<v Speaker 3>just throwing these ideas out there.

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00:22:21.720 --> 00:22:24.799
<v Speaker 7>Well, there seems to be this idea that there's a

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00:22:24.920 --> 00:22:28.640
<v Speaker 7>different form of energy that is taking place on the

423
00:22:28.720 --> 00:22:32.799
<v Speaker 7>level of time, that's that's different from gravity, that's different

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00:22:32.839 --> 00:22:36.960
<v Speaker 7>from these other physical forces that maybe is playing in

425
00:22:37.000 --> 00:22:41.119
<v Speaker 7>the background. Yeah, and so it's it's like when you're

426
00:22:41.160 --> 00:22:44.680
<v Speaker 7>accessing the background information, and I think information is very

427
00:22:44.759 --> 00:22:47.640
<v Speaker 7>key here because what we're talking about is this information

428
00:22:47.839 --> 00:22:52.559
<v Speaker 7>theory as it relates to time, and when that other

429
00:22:52.799 --> 00:22:55.720
<v Speaker 7>information is access that's when you sort of start to

430
00:22:55.720 --> 00:22:58.440
<v Speaker 7>play the loop again. And so it's sort of like

431
00:22:58.880 --> 00:23:02.279
<v Speaker 7>maybe not all from is there to render that image,

432
00:23:02.720 --> 00:23:04.960
<v Speaker 7>so you get sort of an outline, or you get

433
00:23:05.000 --> 00:23:07.480
<v Speaker 7>sort of like this spectral phenomenon.

434
00:23:08.519 --> 00:23:12.319
<v Speaker 3>And that could also play into like some places have

435
00:23:12.440 --> 00:23:16.279
<v Speaker 3>like natural weak points. So I would say where there's

436
00:23:16.319 --> 00:23:18.559
<v Speaker 3>like bleeding, I think that's kind of what you're like,

437
00:23:18.599 --> 00:23:20.599
<v Speaker 3>some of the some of the stuff bleeds over, so

438
00:23:21.240 --> 00:23:23.400
<v Speaker 3>and we go into time being an illusion again, that

439
00:23:23.480 --> 00:23:26.680
<v Speaker 3>might be exactly what we're seeing is these weak points

440
00:23:26.720 --> 00:23:31.680
<v Speaker 3>within certain areas like these possibly in these crossovers of

441
00:23:31.720 --> 00:23:34.720
<v Speaker 3>these lay lines or these tulure currents or something along

442
00:23:34.759 --> 00:23:42.279
<v Speaker 3>that line. So I think that's quite a realistic I

443
00:23:42.319 --> 00:23:44.559
<v Speaker 3>think it's just realistic that it could happen that way.

444
00:23:45.880 --> 00:23:49.200
<v Speaker 7>If you were to overlay all of these different models

445
00:23:49.240 --> 00:23:51.119
<v Speaker 7>on top of each other. Yeah, that's what you actually

446
00:23:51.160 --> 00:23:53.559
<v Speaker 7>get closer to the truth. But it's very hard to

447
00:23:53.599 --> 00:23:54.200
<v Speaker 7>picture that.

448
00:23:54.640 --> 00:23:58.319
<v Speaker 3>It's extremely hard to picture it. And that's a great

449
00:23:58.319 --> 00:24:01.440
<v Speaker 3>segue into what I'm going to be talking about kind

450
00:24:01.480 --> 00:24:04.039
<v Speaker 3>of coming up. So I made an analogy. This is

451
00:24:04.079 --> 00:24:07.160
<v Speaker 3>my own personal analogy, my own personal take, because I'm like,

452
00:24:07.559 --> 00:24:11.440
<v Speaker 3>a lot of this is difficult to take in. You're like, Okay, okay,

453
00:24:11.480 --> 00:24:15.720
<v Speaker 3>that sounds interesting, But what's a way to look at

454
00:24:15.720 --> 00:24:18.680
<v Speaker 3>it that maybe we'll all understand and hopefully the younger

455
00:24:18.720 --> 00:24:22.880
<v Speaker 3>generation will understand this as for us older generation, I'm

456
00:24:22.920 --> 00:24:27.519
<v Speaker 3>going into well maybe the younger generation with vinyl records, Okay,

457
00:24:27.599 --> 00:24:32.519
<v Speaker 3>so everybody members LPs right now. That is what I'm

458
00:24:32.519 --> 00:24:35.200
<v Speaker 3>going to do this through. So I call this my

459
00:24:35.319 --> 00:24:38.880
<v Speaker 3>vinyl record analogy, and skipping through time could be more

460
00:24:38.960 --> 00:24:42.720
<v Speaker 3>kin to in this context to like block theory. So

461
00:24:44.000 --> 00:24:48.559
<v Speaker 3>imagine time is a vinyl record, okay, and you have

462
00:24:48.640 --> 00:24:51.960
<v Speaker 3>it on the record player, and your consciousness is the

463
00:24:52.000 --> 00:24:55.799
<v Speaker 3>needle on the record player. Okay, you started out it's

464
00:24:55.839 --> 00:25:00.640
<v Speaker 3>your birth. So the entire album, and let me finish

465
00:25:00.640 --> 00:25:03.279
<v Speaker 3>this before because at first it kind of like takes

466
00:25:03.279 --> 00:25:05.240
<v Speaker 3>you off guard of it. So the entire album, Past,

467
00:25:05.279 --> 00:25:08.759
<v Speaker 3>President and Future is already etched out. It's already there,

468
00:25:08.839 --> 00:25:11.039
<v Speaker 3>laid out for you. It's all in the grooves. It

469
00:25:11.119 --> 00:25:14.920
<v Speaker 3>exists all at once in our needle. Our consciousness just

470
00:25:15.279 --> 00:25:18.240
<v Speaker 3>plays through the grooves in a sequential order, which is

471
00:25:18.319 --> 00:25:23.839
<v Speaker 3>creating this illusion of flowing time. All the grooves, which

472
00:25:24.000 --> 00:25:26.000
<v Speaker 3>you know, all the grooves as well could be caught.

473
00:25:26.160 --> 00:25:29.359
<v Speaker 3>Could be more of like like frequencies or time periods

474
00:25:29.359 --> 00:25:32.240
<v Speaker 3>that already exist and we just moved through them in

475
00:25:32.279 --> 00:25:37.880
<v Speaker 3>a set sequence unless something disrupts the flow. Okay, and

476
00:25:38.400 --> 00:25:41.519
<v Speaker 3>some people will not like that theory because they're like, well,

477
00:25:41.880 --> 00:25:44.680
<v Speaker 3>I have free choice. Yep, yep, we do. We do,

478
00:25:45.440 --> 00:25:49.519
<v Speaker 3>but to an extent, I believe to an extent. So now,

479
00:25:50.240 --> 00:25:54.519
<v Speaker 3>let's say someone shakes the record player a sudden shifting consciousness,

480
00:25:54.640 --> 00:25:59.680
<v Speaker 3>so to speak, an environmental trigger, perhaps electromagnetic fields, or

481
00:25:59.839 --> 00:26:04.079
<v Speaker 3>even a physical anomaly, the needle might skip to a

482
00:26:04.119 --> 00:26:09.200
<v Speaker 3>different groove, and that can explain time slips. Okay, a

483
00:26:09.240 --> 00:26:12.880
<v Speaker 3>momentary shift where a person finally finds themselves in a

484
00:26:12.880 --> 00:26:15.920
<v Speaker 3>different era, or it could be a deja vu where

485
00:26:16.160 --> 00:26:20.119
<v Speaker 3>the needle skips and replays the same groove, making it

486
00:26:20.160 --> 00:26:23.480
<v Speaker 3>feel like you know, when you're like, I've experienced this before,

487
00:26:23.759 --> 00:26:27.440
<v Speaker 3>you know, And so it could be that you were ahead,

488
00:26:27.480 --> 00:26:29.799
<v Speaker 3>but now you skip back one slot and now you're

489
00:26:29.880 --> 00:26:30.839
<v Speaker 3>kind of catching up again.

490
00:26:30.920 --> 00:26:31.119
<v Speaker 1>Now.

491
00:26:31.279 --> 00:26:33.960
<v Speaker 3>It also could be premonitions. While people have premonitions, if

492
00:26:33.960 --> 00:26:37.680
<v Speaker 3>the needle momentarily jumps forward and then comes right back,

493
00:26:37.960 --> 00:26:40.440
<v Speaker 3>you might have a glipse of the future, maybe an

494
00:26:40.440 --> 00:26:44.640
<v Speaker 3>idea of what's going to happen. So now, an example

495
00:26:44.680 --> 00:26:47.200
<v Speaker 3>would be, you know, someone's walking down a street and

496
00:26:47.240 --> 00:26:50.920
<v Speaker 3>they finally and they suddenly find themselves in a version

497
00:26:50.960 --> 00:26:54.960
<v Speaker 3>of the same place from fifty sixty years ago. And

498
00:26:55.039 --> 00:26:58.839
<v Speaker 3>it could be the record youedo might have just briefly

499
00:26:58.880 --> 00:27:02.359
<v Speaker 3>skipped to an earlier part of the song and then

500
00:27:02.400 --> 00:27:04.839
<v Speaker 3>it just returns back. When I talked about that frequency,

501
00:27:04.880 --> 00:27:07.720
<v Speaker 3>that elastic bringing us back into the time that we're

502
00:27:07.759 --> 00:27:11.319
<v Speaker 3>supposed to be now, also when we talked about some

503
00:27:11.359 --> 00:27:15.440
<v Speaker 3>of these bleeding over, it could be some of these

504
00:27:15.839 --> 00:27:18.680
<v Speaker 3>places might be worn out, like a section of the record,

505
00:27:18.720 --> 00:27:20.599
<v Speaker 3>you know, when it would kind of skip a little bit.

506
00:27:20.599 --> 00:27:25.359
<v Speaker 3>Where the grooves are damaged or altered, there's higher incidences

507
00:27:25.400 --> 00:27:28.240
<v Speaker 3>of time anomalies and which could also be caused by

508
00:27:28.799 --> 00:27:33.079
<v Speaker 3>local fluctuations and gravity or magneticism.

509
00:27:33.519 --> 00:27:35.319
<v Speaker 2>It could be any of that.

510
00:27:35.519 --> 00:27:40.880
<v Speaker 3>So certain places like that have electromagnetic hotspots, like Sedona

511
00:27:41.960 --> 00:27:45.279
<v Speaker 3>skin Walker Ranch is a big one that has electromagnetic

512
00:27:45.319 --> 00:27:50.920
<v Speaker 3>hot spots. So these places have high frequency magnetic anomalies,

513
00:27:51.000 --> 00:27:55.720
<v Speaker 3>so that these locations do coincide with reports of you know,

514
00:27:55.839 --> 00:28:01.079
<v Speaker 3>time distorations, apparitions like ghosts or glimpses past events or

515
00:28:01.680 --> 00:28:03.839
<v Speaker 3>and a lot of times they have lost time experiences,

516
00:28:03.839 --> 00:28:07.119
<v Speaker 3>so that could play into this worn out section of

517
00:28:07.119 --> 00:28:07.480
<v Speaker 3>the record.

518
00:28:07.519 --> 00:28:12.519
<v Speaker 7>Now, also, I was just actually investigating an area that

519
00:28:12.720 --> 00:28:15.279
<v Speaker 7>seems to be in that same sort of groove. So

520
00:28:15.839 --> 00:28:19.279
<v Speaker 7>I was listening to this one podcast called Sasquatch Chronicles,

521
00:28:19.799 --> 00:28:22.759
<v Speaker 7>and this guy was talking about his ghost experience at

522
00:28:22.799 --> 00:28:27.279
<v Speaker 7>a place called Columbia Mansion. Now, this Columbia Mansion has

523
00:28:27.359 --> 00:28:31.119
<v Speaker 7>been destroyed for decades and decades, but him and his

524
00:28:31.160 --> 00:28:34.640
<v Speaker 7>friends went out to this place and they were looking

525
00:28:34.680 --> 00:28:37.680
<v Speaker 7>for Columbia Mansion and the baby grave. I didn't find

526
00:28:37.720 --> 00:28:40.160
<v Speaker 7>the mansion, but I found the grave of this baby

527
00:28:40.200 --> 00:28:43.880
<v Speaker 7>where they heard this screaming from. Now. He said that

528
00:28:43.960 --> 00:28:46.640
<v Speaker 7>when they first showed up at this place, they saw

529
00:28:46.680 --> 00:28:50.279
<v Speaker 7>this huge wrought iron gate and they could just barely

530
00:28:50.319 --> 00:28:52.119
<v Speaker 7>slip through it. And they went up to the lady

531
00:28:52.160 --> 00:28:55.359
<v Speaker 7>who was living there, and they started asking her questions,

532
00:28:55.400 --> 00:28:57.519
<v Speaker 7>like how do we get out of this place because

533
00:28:57.559 --> 00:29:01.680
<v Speaker 7>they were kind of lost. Now, she said, what's up

534
00:29:01.720 --> 00:29:03.720
<v Speaker 7>with their clothing? And then they just noticed that she

535
00:29:03.839 --> 00:29:06.559
<v Speaker 7>was holding a candle. She wasn't actually holding any sort

536
00:29:06.559 --> 00:29:08.920
<v Speaker 7>of electric light. They noticed that the lights on the

537
00:29:08.920 --> 00:29:11.759
<v Speaker 7>outside of the gate they were gas lights, and then

538
00:29:11.799 --> 00:29:14.440
<v Speaker 7>they drove off. She was talking about some sort of

539
00:29:14.839 --> 00:29:18.920
<v Speaker 7>carriageway or something and she didn't know what a highway was,

540
00:29:19.440 --> 00:29:21.880
<v Speaker 7>and so they drove off. They're looking around through these

541
00:29:21.920 --> 00:29:24.160
<v Speaker 7>woods some more, and then as they drove back, they

542
00:29:24.240 --> 00:29:29.000
<v Speaker 7>noticed that this Columbia mansion was in complete ruins and

543
00:29:29.279 --> 00:29:32.440
<v Speaker 7>the fence was laying down on the ground. So it

544
00:29:32.440 --> 00:29:34.759
<v Speaker 7>could have been a time slip, like you were talking about,

545
00:29:36.400 --> 00:29:37.960
<v Speaker 7>one of the reasons why I went out there.

546
00:29:39.119 --> 00:29:40.240
<v Speaker 2>That is cool.

547
00:29:40.319 --> 00:29:44.680
<v Speaker 3>That is interesting now because because there will be a

548
00:29:44.680 --> 00:29:47.640
<v Speaker 3>story that I talk about that has that type of

549
00:29:48.960 --> 00:29:51.480
<v Speaker 3>that story type as well, And I'm going to get

550
00:29:51.480 --> 00:29:54.519
<v Speaker 3>to that. So that is I find those ones really

551
00:29:54.519 --> 00:29:59.000
<v Speaker 3>interesting where you're able to interact with people from the past.

552
00:29:59.039 --> 00:30:01.839
<v Speaker 3>It's not just like the this thing playing out like

553
00:30:01.960 --> 00:30:05.000
<v Speaker 3>we call like a residual haunting, whereasigual haunting kind of repeats.

554
00:30:05.000 --> 00:30:07.680
<v Speaker 3>It's like a it's like the records on skip. You know,

555
00:30:07.720 --> 00:30:10.599
<v Speaker 3>there's one record, this other person's record is on skip

556
00:30:10.599 --> 00:30:12.680
<v Speaker 3>and you just keep playing over and over and over again,

557
00:30:12.720 --> 00:30:14.759
<v Speaker 3>and you kind of see it. You see this ghostly

558
00:30:14.799 --> 00:30:18.240
<v Speaker 3>apparition kind of going on. So that's that's interesting. And

559
00:30:18.359 --> 00:30:21.039
<v Speaker 3>there is actually one specific one and another one that

560
00:30:21.119 --> 00:30:24.200
<v Speaker 3>is slightly like that as well. So that could be

561
00:30:24.559 --> 00:30:28.920
<v Speaker 3>like you saying, this electrocmagnetic hotspot or gravitational distortions kind

562
00:30:28.920 --> 00:30:32.519
<v Speaker 3>of play into that as well. So Einstein's general relativity

563
00:30:32.599 --> 00:30:36.680
<v Speaker 3>states that strong gravitational fields can warp space time, and

564
00:30:36.759 --> 00:30:39.680
<v Speaker 3>we know that from if anybody's ever watched Interstellar, we've

565
00:30:39.720 --> 00:30:45.240
<v Speaker 3>all learned that. So there's also areas with underground mass

566
00:30:45.279 --> 00:30:50.960
<v Speaker 3>concentrations like dense minerals or waterflow they have time diholation

567
00:30:51.039 --> 00:30:54.759
<v Speaker 3>could occur, and such as large quartz deposits, which they

568
00:30:54.839 --> 00:30:59.039
<v Speaker 3>have in Gettysburn, So that that's something to consider as well.

569
00:31:01.079 --> 00:31:03.640
<v Speaker 3>So let's let's move ahead a little bit.

570
00:31:03.680 --> 00:31:06.640
<v Speaker 2>So some I'm gonna say this, so.

571
00:31:08.160 --> 00:31:11.440
<v Speaker 3>It's like, okay, So in certain places they have fluctuating

572
00:31:11.480 --> 00:31:15.720
<v Speaker 3>magnetic or gravitational conditions, they might act like a scratch

573
00:31:15.839 --> 00:31:18.400
<v Speaker 3>like we're saying, or warp grooves in the records, causing

574
00:31:18.400 --> 00:31:22.359
<v Speaker 3>people's perceptions to jump between these moments in time exactly

575
00:31:22.400 --> 00:31:25.480
<v Speaker 3>like you were saying, where they were interacting with someone else.

576
00:31:25.960 --> 00:31:29.400
<v Speaker 3>So such as like you know these haunted locations, if certain,

577
00:31:29.599 --> 00:31:32.319
<v Speaker 3>if they have scratches in the fabric of time, the

578
00:31:32.359 --> 00:31:35.799
<v Speaker 3>needle might frequently slip into these pass crews. Maybe you

579
00:31:35.839 --> 00:31:40.079
<v Speaker 3>pass through a specific area that is this right time,

580
00:31:40.440 --> 00:31:43.599
<v Speaker 3>right place, and you're able to see these people or

581
00:31:43.640 --> 00:31:47.920
<v Speaker 3>ghosts or hear echoes of past events. Now time loops

582
00:31:49.160 --> 00:31:51.359
<v Speaker 3>like Groundhoulig Day of sorts is kind of maybe like

583
00:31:51.400 --> 00:31:53.519
<v Speaker 3>a deep scratch in the record that can cause a

584
00:31:53.559 --> 00:31:57.079
<v Speaker 3>needle to to stick on a loop and that person

585
00:31:57.119 --> 00:32:02.039
<v Speaker 3>will keep repeatedly experiencing the same event, like And that's

586
00:32:02.039 --> 00:32:04.640
<v Speaker 3>when I was talking about these ghosts that are caught

587
00:32:04.680 --> 00:32:08.240
<v Speaker 3>in we call residual hauntings where they just keep repeating

588
00:32:08.279 --> 00:32:10.279
<v Speaker 3>the same thing over and over again. It just might

589
00:32:10.319 --> 00:32:13.559
<v Speaker 3>be the residual energy, not the actual person. But it's

590
00:32:13.680 --> 00:32:15.880
<v Speaker 3>it's that it happened so often and it was so

591
00:32:16.319 --> 00:32:17.799
<v Speaker 3>ingrained in there that it just got stuck.

592
00:32:17.839 --> 00:32:20.200
<v Speaker 2>That energy got stuck in there.

593
00:32:20.240 --> 00:32:25.039
<v Speaker 3>Also, places like the Bermuda Triangle is well known for

594
00:32:25.119 --> 00:32:29.880
<v Speaker 3>time distortions. Could that be through gravitational or could it

595
00:32:29.920 --> 00:32:35.160
<v Speaker 3>be through you know, like underground mass concentration of like

596
00:32:35.279 --> 00:32:39.759
<v Speaker 3>dense minerals or quarts of something like that. There's rumors

597
00:32:39.759 --> 00:32:42.039
<v Speaker 3>that it that it could be that that's what it

598
00:32:42.079 --> 00:32:48.640
<v Speaker 3>could be. Okay, So now we're to go to quantum superposition. Okay,

599
00:32:48.759 --> 00:32:51.000
<v Speaker 3>So and this is so the core idea of quantum

600
00:32:51.039 --> 00:32:55.240
<v Speaker 3>superposition is the idea that particles like electrons or photons

601
00:32:55.279 --> 00:32:59.559
<v Speaker 3>can exist in multiple states or locations at the same time,

602
00:33:00.079 --> 00:33:05.000
<v Speaker 3>but only until they're observed. So they can exist in

603
00:33:05.000 --> 00:33:09.319
<v Speaker 3>all these different locations, but once they're observed, they are measured,

604
00:33:09.559 --> 00:33:11.680
<v Speaker 3>they collapse into one definite state.

605
00:33:11.960 --> 00:33:12.319
<v Speaker 2>Okay.

606
00:33:12.359 --> 00:33:16.160
<v Speaker 3>So that if those of you don't know the double

607
00:33:16.160 --> 00:33:18.680
<v Speaker 3>slit experiment, I'm sure many people know that, which is

608
00:33:20.000 --> 00:33:23.319
<v Speaker 3>one of my favorite experiments ever because it just really

609
00:33:23.480 --> 00:33:28.319
<v Speaker 3>throws a wrench and everyday physics and just every day relatively,

610
00:33:28.640 --> 00:33:31.759
<v Speaker 3>so you fire. What they did was fire a single

611
00:33:31.799 --> 00:33:36.200
<v Speaker 3>particle at two slits, okay, and it behaves like it's

612
00:33:36.200 --> 00:33:40.000
<v Speaker 3>going through both slits. So this particle splits apart, it

613
00:33:40.039 --> 00:33:42.319
<v Speaker 3>kind of like slits apart goes, so it's going through

614
00:33:42.319 --> 00:33:45.880
<v Speaker 3>two locations and it creates a wave like interface pattern.

615
00:33:45.960 --> 00:33:49.559
<v Speaker 3>So it was kind of doing this. When it hit

616
00:33:49.640 --> 00:33:51.799
<v Speaker 3>the wall behind it, it was showing up in this

617
00:33:51.839 --> 00:33:55.519
<v Speaker 3>really weird formation. It shouldn't be doing that, and this

618
00:33:55.640 --> 00:33:58.599
<v Speaker 3>is when people were not looking at it, okay, But

619
00:33:58.839 --> 00:34:01.920
<v Speaker 3>the moment it was observed, the wave that it was

620
00:34:01.960 --> 00:34:05.400
<v Speaker 3>going through just collapses and it picks just one slit,

621
00:34:05.480 --> 00:34:08.159
<v Speaker 3>so there's no interference. So if you shot it through,

622
00:34:08.159 --> 00:34:09.880
<v Speaker 3>if you're shooting at these two slits, you would think

623
00:34:09.880 --> 00:34:11.880
<v Speaker 3>you'd have one line on the other side and one

624
00:34:11.880 --> 00:34:13.880
<v Speaker 3>line on the other but it wasn't. When it When

625
00:34:13.880 --> 00:34:15.360
<v Speaker 3>they were shooting at these two slits and no one

626
00:34:15.440 --> 00:34:18.400
<v Speaker 3>was watching, they were just doing this crazy.

627
00:34:18.440 --> 00:34:19.519
<v Speaker 2>They're appearing both through.

628
00:34:19.559 --> 00:34:21.400
<v Speaker 3>They were going through bow slits and then they were

629
00:34:21.440 --> 00:34:24.440
<v Speaker 3>appearing on the other side in this abstract kind of

630
00:34:25.280 --> 00:34:27.199
<v Speaker 3>a way because they were interfering with each other as

631
00:34:27.280 --> 00:34:31.679
<v Speaker 3>after they passed through but they shouldn't do that, and

632
00:34:31.719 --> 00:34:35.519
<v Speaker 3>when we observe them, so the observer creates reality, which

633
00:34:35.559 --> 00:34:38.400
<v Speaker 3>is huge, which really takes us back to our consciousness

634
00:34:38.440 --> 00:34:42.000
<v Speaker 3>when when I say at the beginning that everything is

635
00:34:42.079 --> 00:34:44.239
<v Speaker 3>kind of just happening all at the same time, it

636
00:34:44.320 --> 00:34:48.480
<v Speaker 3>really is. Until our consciousness comes into play and we

637
00:34:48.559 --> 00:34:53.280
<v Speaker 3>watch it, we give it reality. The observer creates reality.

638
00:34:53.639 --> 00:34:58.280
<v Speaker 7>Okay, well it it brings up the topic of potential

639
00:34:58.599 --> 00:35:03.960
<v Speaker 7>versus kinetic energy, so that kinetic energy is something that's

640
00:35:04.000 --> 00:35:08.320
<v Speaker 7>being expended, and that potential energy would be that waveform,

641
00:35:08.880 --> 00:35:12.719
<v Speaker 7>which is that before it becomes that particle after it's

642
00:35:12.719 --> 00:35:15.719
<v Speaker 7>been observed. Again, they're dealing with photons, so you can

643
00:35:15.800 --> 00:35:18.800
<v Speaker 7>see as it's going through those double slits. It makes

644
00:35:18.840 --> 00:35:23.639
<v Speaker 7>this wide variety of markings based off of like waves

645
00:35:23.639 --> 00:35:26.079
<v Speaker 7>in the ocean as it's going through. But once you

646
00:35:26.519 --> 00:35:31.840
<v Speaker 7>use instruments to try and measure the photon as passing

647
00:35:31.880 --> 00:35:36.239
<v Speaker 7>through there, it narrows down to two slits. So it's

648
00:35:36.239 --> 00:35:40.280
<v Speaker 7>the potential versus the kinetic right there, and that sort of.

649
00:35:40.320 --> 00:35:44.440
<v Speaker 3>Example exactly, and reality itself is kind of like a

650
00:35:45.119 --> 00:35:48.840
<v Speaker 3>i don't know, like a quantum smoothie where all possibilities

651
00:35:49.079 --> 00:35:55.639
<v Speaker 3>exist everything all at once right now, until you observe

652
00:35:55.719 --> 00:35:58.880
<v Speaker 3>it or you measure it, and that's when it collapses

653
00:35:59.119 --> 00:36:03.000
<v Speaker 3>into one version, which can which that that can open

654
00:36:03.079 --> 00:36:06.159
<v Speaker 3>up so many other possibilities, such as, you know, cryptids,

655
00:36:06.159 --> 00:36:09.119
<v Speaker 3>why can't we find cryptids? Well, they're not being observed

656
00:36:09.199 --> 00:36:12.199
<v Speaker 3>right like what once you if you are there at

657
00:36:12.239 --> 00:36:14.840
<v Speaker 3>the moment where you actually are watching where one is

658
00:36:14.880 --> 00:36:17.960
<v Speaker 3>passing through in another reality, perhaps if you're there to

659
00:36:18.000 --> 00:36:20.159
<v Speaker 3>observe it, that's why you see it or UFO or

660
00:36:20.239 --> 00:36:24.000
<v Speaker 3>shadow beings, they're they're kind of like perhaps in these

661
00:36:24.079 --> 00:36:29.039
<v Speaker 3>overlapping realities, and it's only visible when our frequency or

662
00:36:29.239 --> 00:36:32.079
<v Speaker 3>observation lines up with theirs.

663
00:36:32.559 --> 00:36:33.239
<v Speaker 2>So as it's.

664
00:36:33.079 --> 00:36:36.840
<v Speaker 3>Spooky or maybe it's fun. So I don't know, it's

665
00:36:36.880 --> 00:36:39.480
<v Speaker 3>kind of a little bit of everything. So it's I've

666
00:36:39.519 --> 00:36:41.960
<v Speaker 3>often said as well that you know, our realities are

667
00:36:42.000 --> 00:36:43.480
<v Speaker 3>like the Russian nesting dolls.

668
00:36:43.960 --> 00:36:46.480
<v Speaker 2>But I'm going to get into that a little.

669
00:36:46.280 --> 00:36:49.280
<v Speaker 3>Bit right now, where we're kind of stacked on top

670
00:36:49.320 --> 00:36:49.840
<v Speaker 3>of each other.

671
00:36:50.000 --> 00:36:53.079
<v Speaker 6>Okay, So I got a question for you right in

672
00:36:53.119 --> 00:36:55.159
<v Speaker 6>regards to the Devil's Side experiment.

673
00:36:55.199 --> 00:36:56.920
<v Speaker 1>There in the spooky nature of it, that is what

674
00:36:57.000 --> 00:36:59.920
<v Speaker 1>Einstein called it, right, spooky spooky physics.

675
00:37:00.280 --> 00:37:00.639
<v Speaker 2>Yeah.

676
00:37:00.760 --> 00:37:03.000
<v Speaker 6>He would later agree with with Neils Bore before he

677
00:37:03.039 --> 00:37:06.880
<v Speaker 6>would die, despite disagreeing with him prior to that. Neil's

678
00:37:06.920 --> 00:37:12.239
<v Speaker 6>Bore being the physicist behind the Copenhurt, the Copenhagen interpretation

679
00:37:12.760 --> 00:37:15.440
<v Speaker 6>of quantum physics, because why do you think it is

680
00:37:15.440 --> 00:37:19.400
<v Speaker 6>that modern day science folks shun this quote unquote interpretation?

681
00:37:22.159 --> 00:37:23.840
<v Speaker 2>Oh are you sorry? Are you asking me? Why do

682
00:37:23.880 --> 00:37:24.760
<v Speaker 2>I think modern day?

683
00:37:25.679 --> 00:37:27.679
<v Speaker 1>Yeah? What you know?

684
00:37:27.719 --> 00:37:32.320
<v Speaker 6>Because like I've had lengthy conversations with numerous science folks

685
00:37:32.400 --> 00:37:36.840
<v Speaker 6>across various spectrums of philosophy to engineering and whatnot, etc.

686
00:37:37.119 --> 00:37:39.800
<v Speaker 1>And what none. They're all todd this is bullshit, you

687
00:37:39.840 --> 00:37:40.239
<v Speaker 1>know what I mean?

688
00:37:41.239 --> 00:37:43.519
<v Speaker 3>Because why would you Because if you were taught that

689
00:37:43.639 --> 00:37:48.760
<v Speaker 3>it's real, then everything else you're basing your your science

690
00:37:48.800 --> 00:37:52.599
<v Speaker 3>on is kind of like shaky legs almost. You know

691
00:37:52.679 --> 00:37:55.679
<v Speaker 3>you don't, but like they believe that.

692
00:37:55.679 --> 00:37:57.880
<v Speaker 6>Right before in the philosopher's right, even the guys that

693
00:37:57.880 --> 00:37:59.920
<v Speaker 6>are doing in theory, right they're even signed up for

694
00:38:00.039 --> 00:38:00.880
<v Speaker 6>this program, weren't.

695
00:38:01.719 --> 00:38:07.519
<v Speaker 3>Yeah, it's it's if you say it doesn't exist, then

696
00:38:07.880 --> 00:38:10.239
<v Speaker 3>you are over here, okay, and you're saying this is

697
00:38:10.280 --> 00:38:12.360
<v Speaker 3>the only thing that exists. If you're saying, yes, it

698
00:38:12.400 --> 00:38:15.840
<v Speaker 3>does happen, but it exists because we watch, Like when

699
00:38:15.880 --> 00:38:19.519
<v Speaker 3>we watch it, we create our reality. Well, I'm still

700
00:38:19.559 --> 00:38:21.960
<v Speaker 3>saying that both can be true. So the sense is

701
00:38:22.000 --> 00:38:24.920
<v Speaker 3>that I can observe this, and I mean I can

702
00:38:25.039 --> 00:38:26.599
<v Speaker 3>observe this and it's going to do something crazy. But

703
00:38:26.599 --> 00:38:29.280
<v Speaker 3>as soon as I observe it, then it becomes real

704
00:38:29.400 --> 00:38:33.360
<v Speaker 3>for us. Well, you can still base everything on that,

705
00:38:33.440 --> 00:38:36.360
<v Speaker 3>you can still build on that. It's just it it

706
00:38:36.400 --> 00:38:39.519
<v Speaker 3>opens the doors for so many more ideas that there's

707
00:38:39.519 --> 00:38:41.639
<v Speaker 3>so much more out there, and it kind of takes

708
00:38:41.719 --> 00:38:43.320
<v Speaker 3>us back to like the I know, we're talking about

709
00:38:43.320 --> 00:38:45.480
<v Speaker 3>the Dark Ages earlier, you know, where we're not allowed

710
00:38:45.480 --> 00:38:48.440
<v Speaker 3>to question things. We're set in this way. You know,

711
00:38:48.480 --> 00:38:51.480
<v Speaker 3>we're set to know that the Egyptians build the pyramids

712
00:38:51.840 --> 00:38:54.840
<v Speaker 3>to bury the kings in and that was their tombs,

713
00:38:54.920 --> 00:38:57.760
<v Speaker 3>and and we can't look at anything else because that

714
00:38:57.880 --> 00:39:01.519
<v Speaker 3>is what we've taught everybody. It it's ego. One of

715
00:39:01.519 --> 00:39:05.840
<v Speaker 3>the biggest things is egos. People can't step backwards and say, okay, yeah,

716
00:39:05.840 --> 00:39:08.719
<v Speaker 3>that's not right and we need to look at it differently.

717
00:39:09.079 --> 00:39:12.039
<v Speaker 3>Oh that's you know, my even though three or four

718
00:39:12.079 --> 00:39:15.400
<v Speaker 3>teachers taught me this. I now understand that that's not

719
00:39:15.639 --> 00:39:17.840
<v Speaker 3>that's not right, and I need to step back. And

720
00:39:18.280 --> 00:39:20.960
<v Speaker 3>I was one of those teachers, so I need to say, yeah,

721
00:39:21.000 --> 00:39:21.559
<v Speaker 3>I was wrong.

722
00:39:21.599 --> 00:39:23.360
<v Speaker 2>Many people. Just the biggest thing is ego.

723
00:39:23.400 --> 00:39:26.760
<v Speaker 3>People can't admit that they're wrong and continue with it,

724
00:39:26.800 --> 00:39:31.079
<v Speaker 3>because if they admit that they're wrong, then fundamentally everything

725
00:39:31.079 --> 00:39:34.199
<v Speaker 3>else that they've been teaching is quite possibly wrong as well.

726
00:39:34.679 --> 00:39:36.840
<v Speaker 2>Oh yeah, but but is it too Oh.

727
00:39:36.760 --> 00:39:38.360
<v Speaker 1>For sure, I was, I was, you know, I agree

728
00:39:38.400 --> 00:39:38.960
<v Speaker 1>with you, for sure.

729
00:39:38.960 --> 00:39:41.440
<v Speaker 6>I also think there was something more of, you know,

730
00:39:41.480 --> 00:39:43.679
<v Speaker 6>the lid kind of popped off from the situation, and

731
00:39:44.239 --> 00:39:46.639
<v Speaker 6>someone made a call like we got we gotta, you know,

732
00:39:46.960 --> 00:39:49.639
<v Speaker 6>put a stab to this back in nineteen thirty two

733
00:39:49.719 --> 00:39:50.760
<v Speaker 6>or whatever whenever.

734
00:39:50.440 --> 00:39:51.599
<v Speaker 1>The conference was.

735
00:39:51.840 --> 00:39:53.199
<v Speaker 6>We got to put a stab to this because we

736
00:39:53.239 --> 00:39:55.519
<v Speaker 6>can't put the toothpaste back in, you know, into the tube,

737
00:39:55.519 --> 00:39:56.039
<v Speaker 6>you know what I mean?

738
00:39:56.480 --> 00:40:00.800
<v Speaker 3>Yeah, exactly, And quite possibly there's there are people who

739
00:40:00.800 --> 00:40:03.760
<v Speaker 3>know this, but they're not letting letting it out right.

740
00:40:03.960 --> 00:40:06.679
<v Speaker 3>Maybe they know some little bit a little bit more

741
00:40:07.280 --> 00:40:08.800
<v Speaker 3>and they have an advantage because of this.

742
00:40:09.559 --> 00:40:14.480
<v Speaker 8>For sure, if I'm add onto that, I believe the

743
00:40:14.599 --> 00:40:20.320
<v Speaker 8>exact term that Einstein used was spooky action at a distance,

744
00:40:21.000 --> 00:40:25.639
<v Speaker 8>So it kind of implies the reason why they were,

745
00:40:26.000 --> 00:40:30.360
<v Speaker 8>or even we were averse to it because it is

746
00:40:30.679 --> 00:40:35.719
<v Speaker 8>so non material, it's intangible, and yet it's an action,

747
00:40:36.159 --> 00:40:41.440
<v Speaker 8>it's happened, happening. I wanted to mention an Einstein quote

748
00:40:41.519 --> 00:40:47.800
<v Speaker 8>too that really beckons to this whole idea of simulation

749
00:40:48.000 --> 00:40:53.480
<v Speaker 8>and just the confounding nature of time and reality. He

750
00:40:53.960 --> 00:40:59.480
<v Speaker 8>said reality is an illusion, I albeit a persistent one,

751
00:41:00.119 --> 00:41:03.320
<v Speaker 8>which I think just really kind of encapsulates so much

752
00:41:03.320 --> 00:41:08.000
<v Speaker 8>of this thought, so much of the ideas that you're sharing,

753
00:41:08.920 --> 00:41:14.679
<v Speaker 8>and I wanted to share too, just for consideration. Space

754
00:41:15.000 --> 00:41:20.760
<v Speaker 8>and time are the only things, if they are things,

755
00:41:20.920 --> 00:41:25.440
<v Speaker 8>if you will, that can't be destroyed, right, so that

756
00:41:25.599 --> 00:41:29.719
<v Speaker 8>has this kind of interweaving quantum thing going on with

757
00:41:30.119 --> 00:41:30.960
<v Speaker 8>space and time.

758
00:41:31.559 --> 00:41:32.360
<v Speaker 7>I just wanted to.

759
00:41:33.719 --> 00:41:36.199
<v Speaker 2>And energy as well. Definitely.

760
00:41:37.519 --> 00:41:41.119
<v Speaker 7>Well, I think this goes into a lot of nixed

761
00:41:41.320 --> 00:41:49.000
<v Speaker 7>personal experience because science as a discipline is all located

762
00:41:49.079 --> 00:41:53.159
<v Speaker 7>in the amount of sensory cortex of the brain, right,

763
00:41:53.239 --> 00:41:57.000
<v Speaker 7>which would be that strip that goes right across that

764
00:41:57.119 --> 00:42:01.719
<v Speaker 7>middle core tex that you you depicted in those psychology

765
00:42:01.719 --> 00:42:06.239
<v Speaker 7>classes as the sensory homunculous, right, So you have to

766
00:42:06.320 --> 00:42:09.880
<v Speaker 7>have the ability to see, touch, taste, and smell it

767
00:42:10.280 --> 00:42:13.480
<v Speaker 7>for it to be considered science. And they're using instruments

768
00:42:13.599 --> 00:42:17.320
<v Speaker 7>and calibrating their instruments against their observations for them to

769
00:42:17.360 --> 00:42:20.039
<v Speaker 7>be able to see it. Now, if you've shut off

770
00:42:20.400 --> 00:42:24.239
<v Speaker 7>all of your senses, it takes you to a different place,

771
00:42:24.320 --> 00:42:28.000
<v Speaker 7>which is what Nick has done crossing the Abyss. He's

772
00:42:28.320 --> 00:42:31.400
<v Speaker 7>shutting off all of the senses. And then once you've

773
00:42:31.400 --> 00:42:33.960
<v Speaker 7>shut off all of the senses, then you're left with

774
00:42:34.000 --> 00:42:39.840
<v Speaker 7>what's left. And that is something different than what we're

775
00:42:39.960 --> 00:42:42.880
<v Speaker 7>used to dealing with in these hard sciences, and it's

776
00:42:42.920 --> 00:42:45.559
<v Speaker 7>not something they're willing to look at. So the entire

777
00:42:45.599 --> 00:42:48.400
<v Speaker 7>institution of science is based off of that strip going

778
00:42:48.440 --> 00:42:51.320
<v Speaker 7>across your head and not the rest of the brain,

779
00:42:51.599 --> 00:42:55.280
<v Speaker 7>which is still existing even when you've shut that off.

780
00:42:56.119 --> 00:42:58.000
<v Speaker 3>Well, like a great way to go do that is

781
00:42:58.039 --> 00:43:03.079
<v Speaker 3>a sensory deprivation chamber. Those are fantastic. I've done that,

782
00:43:03.119 --> 00:43:04.400
<v Speaker 3>I've done that multiple times.

783
00:43:04.440 --> 00:43:05.840
<v Speaker 5>I definitely suggest those things.

784
00:43:06.639 --> 00:43:10.880
<v Speaker 3>Yes, Yeah, a friend of mine actually owned a business

785
00:43:10.880 --> 00:43:13.159
<v Speaker 3>where they had all these chambers chambers, so we we

786
00:43:13.199 --> 00:43:15.239
<v Speaker 3>would always go after hours and go in there.

787
00:43:15.239 --> 00:43:17.079
<v Speaker 2>So that was that's cool.

788
00:43:17.360 --> 00:43:19.440
<v Speaker 4>You know something else I wanted to bring up before

789
00:43:19.679 --> 00:43:21.280
<v Speaker 4>it was something that was probably stuck in my head

790
00:43:21.280 --> 00:43:23.519
<v Speaker 4>for ten minutes. I was like, I can't forget to

791
00:43:23.519 --> 00:43:25.199
<v Speaker 4>say this, Neil Degrice.

792
00:43:25.440 --> 00:43:27.119
<v Speaker 5>Whatever is that? Tyson, dude? Whatever?

793
00:43:27.360 --> 00:43:28.239
<v Speaker 2>Neilson.

794
00:43:28.400 --> 00:43:31.000
<v Speaker 4>Yeah, he did say this, and I was like, God, damn,

795
00:43:31.079 --> 00:43:32.559
<v Speaker 4>this is the only thing I think I ever heard

796
00:43:32.639 --> 00:43:35.199
<v Speaker 4>him say that was worth listening to. He was going

797
00:43:35.199 --> 00:43:37.599
<v Speaker 4>on about like the whole matrix idea, which I do

798
00:43:37.679 --> 00:43:40.280
<v Speaker 4>think is quite possible, and he said, maybe the reason

799
00:43:40.320 --> 00:43:43.159
<v Speaker 4>we can't go past the speed of light is because

800
00:43:43.199 --> 00:43:45.559
<v Speaker 4>then we'll be going past the speed of the program

801
00:43:45.639 --> 00:43:46.960
<v Speaker 4>writing the matrix.

802
00:43:46.800 --> 00:43:47.679
<v Speaker 5>And that's impossible.

803
00:43:48.800 --> 00:43:50.760
<v Speaker 4>I was like, cool, all the fuck up, man, I

804
00:43:50.840 --> 00:43:52.840
<v Speaker 4>was like, oh, he said something kind of like worth

805
00:43:52.880 --> 00:43:53.280
<v Speaker 4>listening to.

806
00:43:54.239 --> 00:43:57.079
<v Speaker 3>Well, I do believe he is a little smart. I

807
00:43:57.079 --> 00:43:58.320
<v Speaker 3>do believe that.

808
00:43:57.800 --> 00:44:00.400
<v Speaker 2>I think he's a paid actor, though I think that's

809
00:44:00.719 --> 00:44:02.280
<v Speaker 2>one percent.

810
00:44:02.960 --> 00:44:05.840
<v Speaker 3>Yes, yeah, I think it's a shill, but I do

811
00:44:05.880 --> 00:44:08.079
<v Speaker 3>believe that he does come up with some good stuff.

812
00:44:09.079 --> 00:44:10.239
<v Speaker 5>Yeah, yeah, I had to say that.

813
00:44:12.280 --> 00:44:15.679
<v Speaker 8>I wonder what you think about maybe a contrast to

814
00:44:15.800 --> 00:44:23.400
<v Speaker 8>the simulation potential of a reality that's impacted by simulations

815
00:44:23.559 --> 00:44:26.960
<v Speaker 8>or or I mean I think and that's you know,

816
00:44:27.559 --> 00:44:30.159
<v Speaker 8>this whole idea, it's kind of too scary or too

817
00:44:30.199 --> 00:44:35.480
<v Speaker 8>spooky to contemplate, as as for you know, the vortexes

818
00:44:35.519 --> 00:44:39.679
<v Speaker 8>and these spots of power and where space and time

819
00:44:39.800 --> 00:44:43.920
<v Speaker 8>seem to intersect or something. But maybe there's forces that

820
00:44:43.960 --> 00:44:48.280
<v Speaker 8>are that didn't create a simulation but are impacting reality

821
00:44:48.320 --> 00:44:51.400
<v Speaker 8>in some way. I know, that's it's a crazy question.

822
00:44:53.559 --> 00:44:57.320
<v Speaker 3>Like how is it how are these one certain locations

823
00:44:57.360 --> 00:45:01.519
<v Speaker 3>like more powerful than others, or or like these crossover points.

824
00:45:03.280 --> 00:45:04.800
<v Speaker 2>Or I mean, I.

825
00:45:04.760 --> 00:45:07.880
<v Speaker 8>Mean more like in the sense where if there was

826
00:45:08.679 --> 00:45:14.960
<v Speaker 8>a superior being that created a simulation being one possibility,

827
00:45:15.320 --> 00:45:18.559
<v Speaker 8>what about the possibility that there's some kind of other

828
00:45:18.800 --> 00:45:23.639
<v Speaker 8>superior beings that are impacting reality in a sense. So

829
00:45:23.719 --> 00:45:28.840
<v Speaker 8>it's kind of like the simulation, but a little not totality.

830
00:45:27.840 --> 00:45:29.960
<v Speaker 3>Like like people who've got cheat codes and they're they're

831
00:45:30.039 --> 00:45:32.079
<v Speaker 3>kind of coming in these these other not not the

832
00:45:32.119 --> 00:45:34.920
<v Speaker 3>actual developer, but maybe other players who've come in with

833
00:45:35.000 --> 00:45:38.719
<v Speaker 3>cheat codes and they're able to override that. That's like,

834
00:45:38.880 --> 00:45:40.760
<v Speaker 3>if we want to go into simulation theory, I still

835
00:45:40.800 --> 00:45:43.039
<v Speaker 3>believe everything else existed, such as like the fall into

836
00:45:43.079 --> 00:45:45.760
<v Speaker 3>what not. The Watchers, those would be those types of

837
00:45:45.760 --> 00:45:49.119
<v Speaker 3>people who have come down with these extra abilities, you know,

838
00:45:49.239 --> 00:45:52.719
<v Speaker 3>these these cheat codes or soda, you know.

839
00:45:53.119 --> 00:45:55.480
<v Speaker 6>And even those stories we have of the Watchers are

840
00:45:55.480 --> 00:45:58.079
<v Speaker 6>really just kind of ancient alien cargo cold sales of

841
00:45:58.199 --> 00:45:59.840
<v Speaker 6>some trying to describe some act.

842
00:46:00.760 --> 00:46:03.199
<v Speaker 3>Yeah, yeah, because they didn't know how to how to

843
00:46:03.239 --> 00:46:06.519
<v Speaker 3>describe it, so you describe it through magic. But magic

844
00:46:06.559 --> 00:46:09.800
<v Speaker 3>and science technically are pretty damn close. We just separated

845
00:46:09.840 --> 00:46:14.800
<v Speaker 3>it in the past, like couple hundred years for sure. Yes,

846
00:46:15.400 --> 00:46:20.239
<v Speaker 3>And so when we're also talking about, uh, this being

847
00:46:20.280 --> 00:46:22.880
<v Speaker 3>a matrix, and some people are kind of you really

848
00:46:22.920 --> 00:46:25.960
<v Speaker 3>should look up. I think it's a Is it Danny

849
00:46:26.000 --> 00:46:31.159
<v Speaker 3>Gohler who talks about the who used d MT and

850
00:46:32.079 --> 00:46:33.800
<v Speaker 3>lasers to actually see code?

851
00:46:35.519 --> 00:46:36.960
<v Speaker 2>I don't know, have you guys? Have you guys?

852
00:46:37.119 --> 00:46:39.639
<v Speaker 8>I saw that? That is fascinating. And it keeps on

853
00:46:39.760 --> 00:46:43.039
<v Speaker 8>being from what I see anyway online, it keeps on

854
00:46:43.400 --> 00:46:47.880
<v Speaker 8>being repeated and by people who are as real astonished.

855
00:46:47.440 --> 00:46:50.840
<v Speaker 3>By like hundreds Now it's not just and and and

856
00:46:50.960 --> 00:46:53.119
<v Speaker 3>some people are let in not knowing what they're going

857
00:46:53.159 --> 00:46:55.639
<v Speaker 3>to see. So it's kind of like a I don't

858
00:46:55.679 --> 00:46:58.039
<v Speaker 3>want to say, a blind experiment, but here you go.

859
00:46:58.159 --> 00:47:00.400
<v Speaker 3>We're not going to lead you on and know what.

860
00:47:00.360 --> 00:47:01.159
<v Speaker 2>You're going to expect.

861
00:47:01.159 --> 00:47:05.000
<v Speaker 3>And a lot of them have described this running code

862
00:47:05.159 --> 00:47:09.920
<v Speaker 3>and that there is this code of sorts exactly exactly.

863
00:47:10.719 --> 00:47:15.239
<v Speaker 3>It's pretty interesting. And the gentleman there, he actually talks

864
00:47:15.280 --> 00:47:17.880
<v Speaker 3>about see he was able to see the matrix. He

865
00:47:17.920 --> 00:47:24.159
<v Speaker 3>was able to see things being designed and built accordingly,

866
00:47:25.039 --> 00:47:28.599
<v Speaker 3>and things changed as well, like streets being changed instantaneously,

867
00:47:28.719 --> 00:47:31.039
<v Speaker 3>and he says it was like he thought he was

868
00:47:31.079 --> 00:47:33.519
<v Speaker 3>prepared for that, but he said even after he saw that,

869
00:47:33.960 --> 00:47:37.679
<v Speaker 3>it was extremely shocking as well. It kind of reminds

870
00:47:37.719 --> 00:47:40.239
<v Speaker 3>me a little bit of the movie. And I love

871
00:47:40.280 --> 00:47:42.559
<v Speaker 3>relating things to movies. I think there's a lot of

872
00:47:43.639 --> 00:47:46.000
<v Speaker 3>some of it it's soft disclosure. Some of it is

873
00:47:46.119 --> 00:47:48.559
<v Speaker 3>just people are tapping in and they don't really you

874
00:47:48.599 --> 00:47:52.239
<v Speaker 3>know that they're writing these movies or these books. It's

875
00:47:52.280 --> 00:47:54.760
<v Speaker 3>because they have access. They don't know, they have subconscious

876
00:47:54.760 --> 00:47:56.719
<v Speaker 3>access to what is really going on. So such as

877
00:47:56.760 --> 00:47:59.599
<v Speaker 3>the movie called Dark City, where they're able to they

878
00:47:59.599 --> 00:48:00.320
<v Speaker 3>call it cubing.

879
00:48:00.320 --> 00:48:01.280
<v Speaker 2>I believe it's called cubing.

880
00:48:01.440 --> 00:48:03.679
<v Speaker 3>Were they able to change the city outlook and the

881
00:48:04.760 --> 00:48:07.199
<v Speaker 3>way the cities are and then they changed memories of

882
00:48:07.239 --> 00:48:10.519
<v Speaker 3>people and it's really really interesting.

883
00:48:11.280 --> 00:48:13.880
<v Speaker 7>Well they called it tuning, but.

884
00:48:14.119 --> 00:48:17.679
<v Speaker 3>It was tuning. I thought it was cubing. But yes,

885
00:48:17.719 --> 00:48:19.360
<v Speaker 3>they're able to cube. I think they're able to cube

886
00:48:19.360 --> 00:48:20.480
<v Speaker 3>it it's tuning, yes.

887
00:48:20.880 --> 00:48:23.800
<v Speaker 7>Yeah, right, And I think I think there's a real

888
00:48:23.840 --> 00:48:27.639
<v Speaker 7>big crossover between this idea of the Archons, the Watchers,

889
00:48:28.360 --> 00:48:32.440
<v Speaker 7>dark City, the idea that there are these things existing

890
00:48:32.599 --> 00:48:36.760
<v Speaker 7>outside of phase. Right, so as we fade through those

891
00:48:36.760 --> 00:48:41.280
<v Speaker 7>different layers as they described, they would be existing outside

892
00:48:41.280 --> 00:48:45.320
<v Speaker 7>of those layers looking in. And I think Nick's experience

893
00:48:45.360 --> 00:48:50.400
<v Speaker 7>where he's like slowing down these sort of film reels

894
00:48:51.000 --> 00:48:54.840
<v Speaker 7>in his personal experience, it's sort of like, hey, maybe

895
00:48:54.960 --> 00:48:57.679
<v Speaker 7>what if I just step back outside of this thing

896
00:48:57.719 --> 00:49:00.400
<v Speaker 7>and I don't use my senses, I use my mind

897
00:49:00.519 --> 00:49:03.519
<v Speaker 7>instead of all these other things that are interacting with me.

898
00:49:05.440 --> 00:49:08.440
<v Speaker 4>I think you almost like choose like a different, different

899
00:49:08.559 --> 00:49:09.960
<v Speaker 4>sensus to entertainment stuff.

900
00:49:11.840 --> 00:49:14.840
<v Speaker 8>It reminds me of the complexity of all This reminds

901
00:49:14.880 --> 00:49:18.960
<v Speaker 8>me of something I believe Steiner proposed that on each

902
00:49:19.159 --> 00:49:24.320
<v Speaker 8>planet there were several different dimensions.

903
00:49:23.440 --> 00:49:27.199
<v Speaker 9>Of beings in life, and you know, we could only

904
00:49:27.280 --> 00:49:30.800
<v Speaker 9>see one on each planet type of thing, which is

905
00:49:30.880 --> 00:49:34.039
<v Speaker 9>just I mean, it's outstanding to consider, but I mean

906
00:49:34.880 --> 00:49:37.039
<v Speaker 9>just kind of relates to all this potential.

907
00:49:37.880 --> 00:49:38.719
<v Speaker 1>I like those ideas.

908
00:49:38.800 --> 00:49:41.159
<v Speaker 6>E think because our senses, especially our sense of you know,

909
00:49:41.159 --> 00:49:43.119
<v Speaker 6>what we can see in the visible life specium is

910
00:49:43.159 --> 00:49:43.960
<v Speaker 6>pretty terrible.

911
00:49:44.119 --> 00:49:47.000
<v Speaker 3>Oh it's less than a percent. It's less than a

912
00:49:47.079 --> 00:49:50.960
<v Speaker 3>percent of what we can actually see. And perhaps we're

913
00:49:50.960 --> 00:49:54.440
<v Speaker 3>designed like that because if we could actually see everything,

914
00:49:54.920 --> 00:49:56.760
<v Speaker 3>we will go bananas, We go bonkers.

915
00:49:57.400 --> 00:50:01.760
<v Speaker 7>It implies, it applies that there's somebody keeping the drums,

916
00:50:01.800 --> 00:50:04.719
<v Speaker 7>you know, keeping the beat, and that's what everybody's on,

917
00:50:04.920 --> 00:50:06.920
<v Speaker 7>is keeping that beat. But what if you just go

918
00:50:07.039 --> 00:50:09.440
<v Speaker 7>outside of that beat and then you could see the

919
00:50:09.480 --> 00:50:10.760
<v Speaker 7>system for what it really is.

920
00:50:11.519 --> 00:50:11.760
<v Speaker 2>Hmmm.

921
00:50:12.559 --> 00:50:15.039
<v Speaker 4>Sometimes I wonder if that's what that movie bird Cage

922
00:50:15.159 --> 00:50:15.880
<v Speaker 4>is kind of about.

923
00:50:16.320 --> 00:50:18.000
<v Speaker 5>I know, those people are going crazy when they were

924
00:50:18.039 --> 00:50:18.400
<v Speaker 5>seeing that.

925
00:50:18.599 --> 00:50:20.400
<v Speaker 4>It was like almost like they'd see these gin or

926
00:50:20.400 --> 00:50:22.360
<v Speaker 4>something coming of these demons, and they'd go nuts and

927
00:50:22.360 --> 00:50:22.840
<v Speaker 4>either kill.

928
00:50:22.760 --> 00:50:24.840
<v Speaker 5>Themselves or kill others. I was like, what if people

929
00:50:24.920 --> 00:50:25.880
<v Speaker 5>actually were able.

930
00:50:25.679 --> 00:50:29.119
<v Speaker 4>To start seeing more with their eyes what's in existence

931
00:50:30.119 --> 00:50:33.280
<v Speaker 4>and they didn't know what was going on? Could people

932
00:50:33.320 --> 00:50:34.159
<v Speaker 4>start freaking out?

933
00:50:35.280 --> 00:50:40.480
<v Speaker 8>They would probably become a non communicating autist. They'd be stunned,

934
00:50:40.719 --> 00:50:44.119
<v Speaker 8>just like as that what was it headless? What is

935
00:50:44.119 --> 00:50:46.440
<v Speaker 8>it called the.

936
00:50:45.480 --> 00:50:46.719
<v Speaker 7>The telepathy tapes.

937
00:50:48.119 --> 00:50:49.960
<v Speaker 2>I've heard about those, I haven't gotten into them yet.

938
00:50:51.840 --> 00:50:54.840
<v Speaker 7>Well, it's the same idea. They don't have control over

939
00:50:54.880 --> 00:50:59.079
<v Speaker 7>their sensory strip, right, and so when they're finally able

940
00:50:59.199 --> 00:51:04.800
<v Speaker 7>to commute using this typing method, they're not associating with

941
00:51:04.880 --> 00:51:08.079
<v Speaker 7>their body at all, right, and so they've got a

942
00:51:08.119 --> 00:51:11.159
<v Speaker 7>different experience that allows them to sort of connect on

943
00:51:11.199 --> 00:51:15.880
<v Speaker 7>a different level that now other people are like, no, no,

944
00:51:15.960 --> 00:51:18.280
<v Speaker 7>you're in your body, and they don't even realize that

945
00:51:18.320 --> 00:51:21.679
<v Speaker 7>the arms that are flailing around and that the incidents

946
00:51:21.719 --> 00:51:24.800
<v Speaker 7>that are happening are actually associated to them at all.

947
00:51:25.840 --> 00:51:26.639
<v Speaker 2>It's fascinating.

948
00:51:27.360 --> 00:51:32.519
<v Speaker 3>So there's like this disassociation between mental or consciousness and

949
00:51:33.039 --> 00:51:34.679
<v Speaker 3>physical and the body.

950
00:51:34.760 --> 00:51:35.000
<v Speaker 7>Yep.

951
00:51:36.400 --> 00:51:41.239
<v Speaker 8>I believe one of the youngsters in the telepathy tapes,

952
00:51:42.159 --> 00:51:45.840
<v Speaker 8>as he's developing and getting older, he would come home

953
00:51:45.880 --> 00:51:51.760
<v Speaker 8>from his classes or school and he was still having problems,

954
00:51:51.800 --> 00:51:55.000
<v Speaker 8>but becoming more in tune with himself. But he would

955
00:51:55.039 --> 00:51:58.360
<v Speaker 8>cover himself in pillows so that he could turn off,

956
00:51:59.000 --> 00:52:03.039
<v Speaker 8>and that's where he could connect that any and I

957
00:52:03.079 --> 00:52:07.639
<v Speaker 8>think he actually that he literally said himself, was that

958
00:52:07.639 --> 00:52:11.239
<v Speaker 8>that's where I could turn off and go into this

959
00:52:11.599 --> 00:52:12.800
<v Speaker 8>other dimension if you.

960
00:52:12.840 --> 00:52:17.239
<v Speaker 6>All have this the psychic place wow, that I'm not from.

961
00:52:17.280 --> 00:52:19.400
<v Speaker 6>I'm not familiar with the telepathy tapes. I mean I'm

962
00:52:19.599 --> 00:52:22.480
<v Speaker 6>vaguely familiar with it, but I figure alway for season

963
00:52:22.559 --> 00:52:24.559
<v Speaker 6>two when they take the kids to Vegas to count

964
00:52:24.599 --> 00:52:28.079
<v Speaker 6>blackjack with some with some cash.

965
00:52:28.440 --> 00:52:31.360
<v Speaker 3>Now do you guys mind if I keep going, I'm

966
00:52:31.360 --> 00:52:34.280
<v Speaker 3>almost I'm almost done. I'm almost done my scientific kind

967
00:52:34.280 --> 00:52:38.320
<v Speaker 3>of analogy. So back to the record, right, So, I

968
00:52:38.320 --> 00:52:39.840
<v Speaker 3>I was saying, everything is like record, so I want

969
00:52:39.840 --> 00:52:44.239
<v Speaker 3>to go into Now I said that we our groove,

970
00:52:44.320 --> 00:52:47.679
<v Speaker 3>our our our past, our president of future is already predetermined.

971
00:52:47.719 --> 00:52:51.320
<v Speaker 3>But I want to bring into the many world's theory,

972
00:52:51.360 --> 00:52:54.039
<v Speaker 3>which you ever at the third brought in right, so,

973
00:52:54.800 --> 00:52:58.639
<v Speaker 3>which which means that every decision that we make creates

974
00:52:58.719 --> 00:53:02.400
<v Speaker 3>a branching all alternate reality, every single decision. So my

975
00:53:02.519 --> 00:53:06.079
<v Speaker 3>decision to come on today, maybe I had another decision

976
00:53:06.119 --> 00:53:08.280
<v Speaker 3>where I declined and I go a different route, so

977
00:53:08.320 --> 00:53:11.159
<v Speaker 3>that that's a whole new other reality. So so like

978
00:53:11.199 --> 00:53:13.400
<v Speaker 3>what it is is like a new record and a

979
00:53:13.559 --> 00:53:18.679
<v Speaker 3>massive collection. So all these records are stacked upon each other,

980
00:53:19.119 --> 00:53:22.599
<v Speaker 3>and your needle, your consciousness is just on the one

981
00:53:24.679 --> 00:53:26.599
<v Speaker 3>where there could be an event though, where the neeble

982
00:53:26.920 --> 00:53:31.360
<v Speaker 3>jumps to another record or that's stacked above it or

983
00:53:31.400 --> 00:53:34.119
<v Speaker 3>below the existing one, which could start to explain a

984
00:53:34.119 --> 00:53:40.159
<v Speaker 3>little bit of alternate timelines or Mandela effect. Now, now

985
00:53:40.199 --> 00:53:44.039
<v Speaker 3>you could possibly have two records that have grooves that

986
00:53:44.639 --> 00:53:48.639
<v Speaker 3>or frequencies that are nearly identical. And this might be

987
00:53:48.760 --> 00:53:50.360
<v Speaker 3>and this is more along the lines of like your

988
00:53:50.400 --> 00:53:53.079
<v Speaker 3>Mandela effect, where just a small skip, you might skip

989
00:53:53.079 --> 00:53:54.639
<v Speaker 3>from one to the other. So maybe you do make

990
00:53:54.679 --> 00:53:56.559
<v Speaker 3>a choice, We're going to jump to that other record,

991
00:53:56.800 --> 00:54:00.119
<v Speaker 3>but that's that big choice that that skipped the So

992
00:54:00.679 --> 00:54:03.440
<v Speaker 3>there might be some minor reality shifts, maybe like a

993
00:54:03.519 --> 00:54:06.840
<v Speaker 3>word in a famous quote is different or a product

994
00:54:06.880 --> 00:54:08.599
<v Speaker 3>logo you guys remember is differently.

995
00:54:09.920 --> 00:54:11.199
<v Speaker 2>So that is so.

996
00:54:11.199 --> 00:54:13.920
<v Speaker 3>I just believe that these are just these multiple records

997
00:54:14.440 --> 00:54:17.800
<v Speaker 3>that are all there. They're all there, and our frequency,

998
00:54:17.840 --> 00:54:20.119
<v Speaker 3>we're still at that one point in our frequency, which

999
00:54:20.159 --> 00:54:23.320
<v Speaker 3>is we call that our time are now, and we

1000
00:54:23.360 --> 00:54:26.280
<v Speaker 3>could jump to a different reality, but we're still going

1001
00:54:26.360 --> 00:54:29.039
<v Speaker 3>to be in that now. And maybe we're going to

1002
00:54:29.119 --> 00:54:31.199
<v Speaker 3>jump backwards a little bit, but we're always going to

1003
00:54:31.239 --> 00:54:35.000
<v Speaker 3>be brought back to our now through that silver cord

1004
00:54:35.119 --> 00:54:38.079
<v Speaker 3>or that consciousness, that that rubber band or that bungee

1005
00:54:38.079 --> 00:54:42.000
<v Speaker 3>cord is going to bring us back. Now, what else

1006
00:54:42.039 --> 00:54:44.960
<v Speaker 3>could there be so it so there could be like

1007
00:54:45.039 --> 00:54:48.320
<v Speaker 3>a momentary shift in consciousness that could result in some

1008
00:54:48.880 --> 00:54:53.239
<v Speaker 3>briefly experiencing reality where history played out a slightly different. Now,

1009
00:54:53.639 --> 00:54:56.280
<v Speaker 3>I know you were talking about earlier. I can't remember, Nick,

1010
00:54:56.280 --> 00:55:01.239
<v Speaker 3>if you were saying about time dilation and maybe altered perception.

1011
00:55:01.440 --> 00:55:03.800
<v Speaker 3>And the way I would explain that is like a

1012
00:55:03.920 --> 00:55:07.239
<v Speaker 3>record could be played, and again I'm just going back

1013
00:55:07.239 --> 00:55:09.840
<v Speaker 3>to records. Records can be played at different speeds like

1014
00:55:09.880 --> 00:55:12.679
<v Speaker 3>thirty three and a third, forty five or seventy eight rpm,

1015
00:55:12.719 --> 00:55:17.280
<v Speaker 3>which affects how we perceive the audio or experiencing the event,

1016
00:55:17.760 --> 00:55:21.400
<v Speaker 3>So it could be slower or faster, and that we

1017
00:55:21.480 --> 00:55:26.760
<v Speaker 3>relate to quite possibly, how quite possibly, or consciousness or

1018
00:55:26.800 --> 00:55:29.199
<v Speaker 3>physics could have could affect how time is.

1019
00:55:29.199 --> 00:55:32.159
<v Speaker 2>Perceived, which which would take us into.

1020
00:55:32.159 --> 00:55:37.400
<v Speaker 3>Like relativity relativity and time dilation where Einstein special relativity

1021
00:55:37.400 --> 00:55:40.199
<v Speaker 3>says that time slows down when we're approaching high speeds are,

1022
00:55:40.320 --> 00:55:43.360
<v Speaker 3>like I said, strong gravitational fields such as like the

1023
00:55:43.880 --> 00:55:46.840
<v Speaker 3>and I've talked about this before, so Astronauv's maybe on

1024
00:55:46.880 --> 00:55:50.000
<v Speaker 3>the ISS. They aid they do age slightly slower than

1025
00:55:50.039 --> 00:55:52.599
<v Speaker 3>people on Earth due to this effect. When that's all

1026
00:55:52.639 --> 00:55:54.400
<v Speaker 3>other topics we want to talk if space is real

1027
00:55:54.400 --> 00:55:58.320
<v Speaker 3>and whatnot, but that's a whole other, whole other episode.

1028
00:55:58.639 --> 00:56:02.719
<v Speaker 1>But time definitely dilates on Earth there too, though, because

1029
00:56:02.760 --> 00:56:05.239
<v Speaker 1>everyone who's had their adrenaline pump, And that's.

1030
00:56:05.719 --> 00:56:08.840
<v Speaker 3>Exactly what I was going to exactly what I was

1031
00:56:08.840 --> 00:56:12.559
<v Speaker 3>going to say. So it could be the brain processes

1032
00:56:12.719 --> 00:56:16.880
<v Speaker 3>sensory inputs at different speeds depending on stress, drugs, or

1033
00:56:16.920 --> 00:56:19.840
<v Speaker 3>altered states. So adrenaline surg just like you're saying, so,

1034
00:56:19.840 --> 00:56:23.280
<v Speaker 3>such as during an accident, when that can increase the

1035
00:56:23.320 --> 00:56:25.519
<v Speaker 3>frame the frame rate or perception.

1036
00:56:25.239 --> 00:56:27.760
<v Speaker 2>Meaning that time slows.

1037
00:56:28.639 --> 00:56:31.800
<v Speaker 3>So many times when people have near death experiences or NDEs,

1038
00:56:31.880 --> 00:56:35.440
<v Speaker 3>many people report that the time slows down and through

1039
00:56:35.639 --> 00:56:38.360
<v Speaker 3>these during these life threatening moments, they could be like

1040
00:56:38.400 --> 00:56:41.480
<v Speaker 3>slowing the record speed. How they say I saw my

1041
00:56:41.519 --> 00:56:43.800
<v Speaker 3>life flash before me, or they're making a second feel

1042
00:56:43.840 --> 00:56:47.519
<v Speaker 3>like an eternity when everything's just going so slow exactly

1043
00:56:47.599 --> 00:56:51.039
<v Speaker 3>so it's it's definitely this adrenaline or this uh, the

1044
00:56:51.079 --> 00:56:55.840
<v Speaker 3>stress can do that now, also psychedelics, it can affect

1045
00:56:55.880 --> 00:56:56.920
<v Speaker 3>our time perception.

1046
00:56:57.360 --> 00:57:01.159
<v Speaker 2>So d MT or mushrooms uh can.

1047
00:57:01.039 --> 00:57:05.679
<v Speaker 3>Affect the our default mode network or which is the

1048
00:57:05.760 --> 00:57:08.920
<v Speaker 3>d M d M N of the brain, causing either

1049
00:57:09.440 --> 00:57:11.519
<v Speaker 3>you know, the time loops and needless be stuck in

1050
00:57:11.559 --> 00:57:15.559
<v Speaker 3>a groove or expanding time perception of hours.

1051
00:57:16.760 --> 00:57:21.360
<v Speaker 2>Like minutes into hours. So we could just keep Yeah, So.

1052
00:57:21.760 --> 00:57:23.880
<v Speaker 6>What are your thoughts on the natural production of d

1053
00:57:24.000 --> 00:57:25.320
<v Speaker 6>MT that may interject their right?

1054
00:57:26.159 --> 00:57:28.599
<v Speaker 3>Well, I I believe that we need that to keep

1055
00:57:28.679 --> 00:57:31.360
<v Speaker 3>us in sync with our frequency right now, you know

1056
00:57:31.440 --> 00:57:35.480
<v Speaker 3>it it. I think it kind of helps us keep

1057
00:57:35.800 --> 00:57:39.800
<v Speaker 3>our time flow to a natural a natural point, right.

1058
00:57:40.519 --> 00:57:43.000
<v Speaker 2>I think it allows us to actually be able to.

1059
00:57:44.360 --> 00:57:46.559
<v Speaker 3>It allows us if we can fully access the d

1060
00:57:46.639 --> 00:57:50.599
<v Speaker 3>MT that we have that's naturally produced, Like I know,

1061
00:57:50.639 --> 00:57:52.880
<v Speaker 3>we produce it, but I don't think we fully take

1062
00:57:52.920 --> 00:57:53.760
<v Speaker 3>advantage of it.

1063
00:57:54.639 --> 00:57:56.719
<v Speaker 2>I think that, Yeah, I can't.

1064
00:57:56.800 --> 00:57:58.519
<v Speaker 6>I can't disagree with you on that one, sir. That

1065
00:57:58.559 --> 00:58:00.480
<v Speaker 6>sounds that sounds about what I'm thinking. I wonder if

1066
00:58:00.519 --> 00:58:03.599
<v Speaker 6>it's often the driving force behind this whole experience of

1067
00:58:03.639 --> 00:58:04.679
<v Speaker 6>time that you're describing.

1068
00:58:05.320 --> 00:58:09.159
<v Speaker 3>Yeah, I feel though that us as humans have been

1069
00:58:09.280 --> 00:58:10.760
<v Speaker 3>and I'm not sure if I mentioned this on the

1070
00:58:10.800 --> 00:58:16.480
<v Speaker 3>show before, have been governed. I think that we used

1071
00:58:16.519 --> 00:58:19.000
<v Speaker 3>to have a lot more abilities, and we're kind of

1072
00:58:19.000 --> 00:58:20.280
<v Speaker 3>like how you put a governor in a car so

1073
00:58:20.320 --> 00:58:23.079
<v Speaker 3>they can't exceed a certain speed. I believe that humans

1074
00:58:23.280 --> 00:58:25.760
<v Speaker 3>in a general have been governed, whether we've been governed

1075
00:58:25.800 --> 00:58:28.079
<v Speaker 3>by a creator, whether we've been governed by like this

1076
00:58:28.239 --> 00:58:31.920
<v Speaker 3>ruling class, or maybe all the above is to limit

1077
00:58:32.079 --> 00:58:35.280
<v Speaker 3>our ability, or our knowledge, or our wisdom or our

1078
00:58:36.079 --> 00:58:39.719
<v Speaker 3>or anything. I feel that we are and the DMT.

1079
00:58:39.920 --> 00:58:42.440
<v Speaker 3>I believe that we naturally create. I think.

1080
00:58:43.920 --> 00:58:45.199
<v Speaker 2>Maybe there are certain people who.

1081
00:58:45.119 --> 00:58:47.920
<v Speaker 3>Can access it better, such as like certain shamans, you know,

1082
00:58:48.000 --> 00:58:50.320
<v Speaker 3>when they go into a meditative state, you know, a

1083
00:58:50.400 --> 00:58:53.840
<v Speaker 3>drumming meditation, they're able to access the upper and lower worlds.

1084
00:58:54.599 --> 00:58:56.599
<v Speaker 3>I know some of them use drugs as well.

1085
00:58:56.719 --> 00:58:57.840
<v Speaker 2>Not all of them use.

1086
00:58:57.800 --> 00:59:00.000
<v Speaker 3>Drugs though, and maybe perhaps that they're able to act

1087
00:59:00.119 --> 00:59:02.679
<v Speaker 3>says that natural stream of DMT.

1088
00:59:03.280 --> 00:59:10.039
<v Speaker 7>Well, if I could slightly modify your analogy, what if

1089
00:59:10.079 --> 00:59:15.519
<v Speaker 7>we're building the master instead of just playing a record,

1090
00:59:15.639 --> 00:59:18.440
<v Speaker 7>so each record has to go through the process of

1091
00:59:18.480 --> 00:59:21.639
<v Speaker 7>having these grooves cut into it, and so as we're

1092
00:59:21.639 --> 00:59:25.119
<v Speaker 7>going around that track, we're actually cutting the grooves and

1093
00:59:25.159 --> 00:59:29.400
<v Speaker 7>we're actually making those songs around that thing as it's

1094
00:59:29.440 --> 00:59:35.159
<v Speaker 7>being perceived. Well, you have to wonder if people are

1095
00:59:35.159 --> 00:59:38.639
<v Speaker 7>on a different beat, a different time scale, those are

1096
00:59:38.679 --> 00:59:42.320
<v Speaker 7>going to be different grooves cut into that record. And

1097
00:59:42.400 --> 00:59:45.320
<v Speaker 7>so if that's the case, then you could say culture

1098
00:59:45.559 --> 00:59:50.079
<v Speaker 7>is really driving the different perceptions of time scales that

1099
00:59:50.159 --> 00:59:52.559
<v Speaker 7>are being cut into those grooves. As we're living our

1100
00:59:52.599 --> 00:59:57.880
<v Speaker 7>lives through this sort of plane of reality. And when

1101
00:59:57.880 --> 01:00:04.360
<v Speaker 7>you've separated yourself from that sensory perception, you're sort of

1102
01:00:04.400 --> 01:00:08.679
<v Speaker 7>picking up that needle and so now you're perceiving a

1103
01:00:08.679 --> 01:00:09.880
<v Speaker 7>whole different reality.

1104
01:00:12.519 --> 01:00:12.719
<v Speaker 1>Right.

1105
01:00:12.800 --> 01:00:15.400
<v Speaker 7>And then let's say you're just taking that needle and

1106
01:00:15.440 --> 01:00:17.679
<v Speaker 7>you're just throwing it across the room, and you're going.

1107
01:00:17.480 --> 01:00:23.519
<v Speaker 1>On, don't do that, you know, But I mean, that's

1108
01:00:24.079 --> 01:00:24.559
<v Speaker 1>one of the.

1109
01:00:24.480 --> 01:00:27.320
<v Speaker 7>Issues that's going on. Maybe that's what death is. We're

1110
01:00:27.360 --> 01:00:29.760
<v Speaker 7>just picking off our needle and throwing it to a

1111
01:00:29.760 --> 01:00:30.480
<v Speaker 7>different record.

1112
01:00:30.559 --> 01:00:33.280
<v Speaker 6>You know, what's feeling all these operations you're describing with

1113
01:00:33.320 --> 01:00:34.239
<v Speaker 6>these needles.

1114
01:00:33.880 --> 01:00:36.280
<v Speaker 1>In the spinning and the crews in the production.

1115
01:00:37.039 --> 01:00:39.440
<v Speaker 7>I think the spinning is a big part of it too,

1116
01:00:39.480 --> 01:00:42.280
<v Speaker 7>because a lot of what we perceive and a lot

1117
01:00:42.280 --> 01:00:45.800
<v Speaker 7>of what we feel is comes down to torsion physics,

1118
01:00:46.320 --> 01:00:49.480
<v Speaker 7>you know, and the torsion physics we see produced all

1119
01:00:49.519 --> 01:00:53.280
<v Speaker 7>around us naturally, Like what causes a tornado to spin?

1120
01:00:53.800 --> 01:00:58.599
<v Speaker 7>You know? These are ideas of pressure differential and how

1121
01:00:58.639 --> 01:01:04.079
<v Speaker 7>these things interact gm metrically that really have the basis

1122
01:01:04.119 --> 01:01:06.719
<v Speaker 7>for why these things are acting the way they are.

1123
01:01:07.000 --> 01:01:10.719
<v Speaker 7>But when you I've heard so many different uh people

1124
01:01:10.760 --> 01:01:16.000
<v Speaker 7>who have near death experiences that see a tornado above

1125
01:01:16.039 --> 01:01:19.400
<v Speaker 7>people's heads after they leave sort of the planet. They're like,

1126
01:01:19.480 --> 01:01:22.599
<v Speaker 7>all these different tornadoes are taking place, Well, what's going

1127
01:01:22.639 --> 01:01:24.800
<v Speaker 7>on with that? I think there's some kind of torsion

1128
01:01:24.880 --> 01:01:29.320
<v Speaker 7>physics that's allowing humans to interact on this reality that

1129
01:01:29.360 --> 01:01:31.719
<v Speaker 7>we haven't really covered the geometry of.

1130
01:01:33.719 --> 01:01:36.880
<v Speaker 6>About that, that's probably true, and seeing all these geometric

1131
01:01:36.920 --> 01:01:39.360
<v Speaker 6>shapes and whatnot, But I'll get back to what's fueling

1132
01:01:39.400 --> 01:01:41.880
<v Speaker 6>that experience. I think it's the same thing that's fueling

1133
01:01:42.239 --> 01:01:45.039
<v Speaker 6>our experience in relative to time, and what I think

1134
01:01:45.119 --> 01:01:48.000
<v Speaker 6>largely fuels our dream state is the natural production of

1135
01:01:48.079 --> 01:01:48.400
<v Speaker 6>d MT.

1136
01:01:50.679 --> 01:01:53.400
<v Speaker 7>Well, again, like all these we're all.

1137
01:01:53.320 --> 01:01:54.840
<v Speaker 1>Tripping basically throughout all this.

1138
01:01:56.639 --> 01:01:58.760
<v Speaker 6>That's why you're seeing all those hexagonal shapes and these

1139
01:01:58.840 --> 01:02:01.719
<v Speaker 6>tornadoes and stuff in these during these near death experiences

1140
01:02:01.840 --> 01:02:04.920
<v Speaker 6>or these these flat these are recycling of all your life,

1141
01:02:04.960 --> 01:02:07.000
<v Speaker 6>you know, life cycle of moments and whatnot in this

1142
01:02:07.920 --> 01:02:10.840
<v Speaker 6>you know picture format is rise described here. You know,

1143
01:02:11.280 --> 01:02:13.199
<v Speaker 6>all these things I think are fueled by that d

1144
01:02:13.320 --> 01:02:16.559
<v Speaker 6>MT experience that we don't quite understand the natural production

1145
01:02:16.639 --> 01:02:18.960
<v Speaker 6>of it. But yeah, it is basically a trip, right,

1146
01:02:18.920 --> 01:02:20.280
<v Speaker 6>and you're basically hallucinating.

1147
01:02:21.000 --> 01:02:24.800
<v Speaker 7>There are these these dead giveaways when you're in a

1148
01:02:24.880 --> 01:02:27.719
<v Speaker 7>dream and when you're outside of a dream, right. One

1149
01:02:27.760 --> 01:02:29.960
<v Speaker 7>of them is that numbers don't seem to work the

1150
01:02:30.000 --> 01:02:33.880
<v Speaker 7>same way in dreams that they do in our waking reality.

1151
01:02:34.320 --> 01:02:37.679
<v Speaker 7>So when you're looking at a dream, it's it's just

1152
01:02:37.800 --> 01:02:39.920
<v Speaker 7>not giving you the same kind of information when you're

1153
01:02:39.920 --> 01:02:42.400
<v Speaker 7>trying to read something, it's not giving you the same

1154
01:02:42.440 --> 01:02:45.639
<v Speaker 7>information in the dream. So I think there's like this

1155
01:02:45.840 --> 01:02:50.360
<v Speaker 7>offset that comes with different molecules and different things that

1156
01:02:50.519 --> 01:02:53.440
<v Speaker 7>sort of skip a little bit. Now, we spend you know,

1157
01:02:53.480 --> 01:02:57.920
<v Speaker 7>a third of our lives asleep, So what's happening there

1158
01:02:58.440 --> 01:03:01.440
<v Speaker 7>in terms of the real relationship with the body and

1159
01:03:01.559 --> 01:03:05.840
<v Speaker 7>consciousness hasn't really fully been explained. But I think there's

1160
01:03:05.840 --> 01:03:09.280
<v Speaker 7>a geometric component to it that causes that sort of

1161
01:03:09.280 --> 01:03:10.239
<v Speaker 7>offset to occur.

1162
01:03:11.880 --> 01:03:13.519
<v Speaker 6>Oh, for sure it has. Well, you're right, it hasn't

1163
01:03:13.519 --> 01:03:16.159
<v Speaker 6>been effectively explained. And there was a guy circa about

1164
01:03:16.159 --> 01:03:18.559
<v Speaker 6>one hundred years ago. I really like his theory. He

1165
01:03:18.599 --> 01:03:22.159
<v Speaker 6>wrote a pamphlet freedy like SIRCA, They're headless. He read

1166
01:03:22.199 --> 01:03:24.840
<v Speaker 6>a pamphlet. He was a British Arab not aical engineer

1167
01:03:24.960 --> 01:03:26.079
<v Speaker 6>named J. W.

1168
01:03:26.360 --> 01:03:29.599
<v Speaker 1>Dunn. He wrote a you know, a small pamphlet called.

1169
01:03:31.119 --> 01:03:34.760
<v Speaker 6>An Experiment in Time, and he basically, you know, based

1170
01:03:34.840 --> 01:03:37.920
<v Speaker 6>upon his own experiences and journals, he was theorizing that,

1171
01:03:38.639 --> 01:03:40.719
<v Speaker 6>you know, when we're in our dream state. He didn't

1172
01:03:40.760 --> 01:03:43.199
<v Speaker 6>know hing about DMT, but when we're in our dream state,

1173
01:03:43.320 --> 01:03:46.719
<v Speaker 6>that our you know, our dream, our conscious you know,

1174
01:03:46.880 --> 01:03:49.559
<v Speaker 6>conscious self works not in this linear space and time

1175
01:03:49.599 --> 01:03:52.239
<v Speaker 6>as we were mentioning earlier, but more so in the

1176
01:03:52.400 --> 01:03:55.199
<v Speaker 6>in the concept of as you were describing, RAI, everything

1177
01:03:55.239 --> 01:03:58.400
<v Speaker 6>is right now, our consciousness can act us everything. We

1178
01:03:58.480 --> 01:04:01.679
<v Speaker 6>just perceived these things lineally as we're awake. So in

1179
01:04:01.679 --> 01:04:04.400
<v Speaker 6>that regard, he started unpacking his dream state and see

1180
01:04:04.519 --> 01:04:07.079
<v Speaker 6>things he was seeing in there and realizing that he's

1181
01:04:07.119 --> 01:04:10.519
<v Speaker 6>not predicting the future of these premonitions. He's just his

1182
01:04:10.679 --> 01:04:13.679
<v Speaker 6>consciousness can remember the future because it's already existed in

1183
01:04:13.679 --> 01:04:14.360
<v Speaker 6>his dream state.

1184
01:04:15.960 --> 01:04:18.840
<v Speaker 2>Yeah, that's something I thought of as well. Oh sorry,

1185
01:04:18.840 --> 01:04:19.760
<v Speaker 2>go ahead, Ethan.

1186
01:04:20.039 --> 01:04:20.519
<v Speaker 7>Oh thank you.

1187
01:04:20.639 --> 01:04:20.760
<v Speaker 9>Right.

1188
01:04:20.840 --> 01:04:24.880
<v Speaker 8>I was going to say, as far as the experience

1189
01:04:24.960 --> 01:04:29.559
<v Speaker 8>of deja vu, what if it is like that in

1190
01:04:29.599 --> 01:04:33.880
<v Speaker 8>the sense that right in it scientifically it takes a

1191
01:04:33.960 --> 01:04:36.960
<v Speaker 8>fraction of time, but it takes a bit of time

1192
01:04:37.199 --> 01:04:41.239
<v Speaker 8>for the light to come into our eyes and be

1193
01:04:42.440 --> 01:04:46.960
<v Speaker 8>digested and understood by the mind. What if our consciousness

1194
01:04:47.719 --> 01:04:54.400
<v Speaker 8>is also distinct from this playing of the time space

1195
01:04:54.800 --> 01:04:59.199
<v Speaker 8>record player, and every once in a while deja vu

1196
01:04:59.360 --> 01:05:03.920
<v Speaker 8>is when we're actually more present, were actually the only

1197
01:05:04.000 --> 01:05:06.159
<v Speaker 8>time we might be present, and the rest of the

1198
01:05:06.199 --> 01:05:10.239
<v Speaker 8>time we're observing what has already played out via some

1199
01:05:10.320 --> 01:05:16.320
<v Speaker 8>fraction of time or elongated time between our experiencer and

1200
01:05:17.519 --> 01:05:23.280
<v Speaker 8>our consciousness. And I believe scientists point out that kids

1201
01:05:23.440 --> 01:05:28.440
<v Speaker 8>up until we're eight is basically like a light acid

1202
01:05:28.519 --> 01:05:31.400
<v Speaker 8>trip with the chemicals that we're on.

1203
01:05:31.679 --> 01:05:36.079
<v Speaker 6>Yeah, so I'll take a couple of doses of that, please, Ethan.

1204
01:05:38.079 --> 01:05:39.440
<v Speaker 7>Given by childhood back.

1205
01:05:40.400 --> 01:05:42.039
<v Speaker 6>So there's a guy that's actually written about a lot

1206
01:05:42.079 --> 01:05:44.360
<v Speaker 6>of these ideas, just as you described Deja vu Ethan.

1207
01:05:44.639 --> 01:05:46.559
<v Speaker 6>There's a fellow that's trying to put the science behind

1208
01:05:46.559 --> 01:05:49.679
<v Speaker 6>the stuff in some books named Anthony Peak. He describes

1209
01:05:49.760 --> 01:05:52.679
<v Speaker 6>you familiar with some of his work, Anthony Peak. Now

1210
01:05:52.760 --> 01:05:55.920
<v Speaker 6>he describes I'm not a biologist, and I'm also not

1211
01:05:55.960 --> 01:05:59.400
<v Speaker 6>the vice president, but he describes this whole process of

1212
01:05:59.440 --> 01:06:02.880
<v Speaker 6>micro two and the brain and light and all sorts

1213
01:06:02.920 --> 01:06:05.039
<v Speaker 6>of stuff that I don't understand, but he makes it

1214
01:06:05.079 --> 01:06:07.360
<v Speaker 6>sound real nice. But I like a lot of his

1215
01:06:07.440 --> 01:06:11.679
<v Speaker 6>ideas in philosophy. Speaking is relative to you know, to time,

1216
01:06:11.719 --> 01:06:13.440
<v Speaker 6>and he's read a couple of books on that, and

1217
01:06:13.480 --> 01:06:15.159
<v Speaker 6>then a couple of books on dream state stuff, and

1218
01:06:15.920 --> 01:06:17.480
<v Speaker 6>you know, a couple of books on He's got a

1219
01:06:17.519 --> 01:06:21.079
<v Speaker 6>general thesis of you know, we've all done this before,

1220
01:06:21.239 --> 01:06:23.320
<v Speaker 6>whether you know, you're just reliving the past over and

1221
01:06:23.360 --> 01:06:27.000
<v Speaker 6>over again, groundhog Day style, as you mentioned dry. In fact,

1222
01:06:27.079 --> 01:06:29.480
<v Speaker 6>the screenwriter for Groundhog Day read this dude's book and

1223
01:06:30.440 --> 01:06:31.400
<v Speaker 6>you know, absolutely loved it.

1224
01:06:31.440 --> 01:06:35.960
<v Speaker 3>Apparently fantastic. Okay, I got one. I'm just going to

1225
01:06:36.000 --> 01:06:37.599
<v Speaker 3>finish this off, and then we're going to move on

1226
01:06:37.679 --> 01:06:42.679
<v Speaker 3>to We're going to move on to my time slips story.

1227
01:06:42.760 --> 01:06:45.000
<v Speaker 3>So I'm going to finish this off here. So what

1228
01:06:45.039 --> 01:06:46.239
<v Speaker 3>it is is.

1229
01:06:48.159 --> 01:06:48.679
<v Speaker 2>How go I say?

1230
01:06:48.719 --> 01:06:51.199
<v Speaker 3>Is so yeah, So again I was talking about the

1231
01:06:51.760 --> 01:06:55.840
<v Speaker 3>speeding up and slowing, so you know, we said that

1232
01:06:55.880 --> 01:06:58.440
<v Speaker 3>like during any type of major event such as a

1233
01:06:58.480 --> 01:07:02.239
<v Speaker 3>car crash, it's just to records slowing down. Now, now,

1234
01:07:02.280 --> 01:07:04.199
<v Speaker 3>after all that's all done, I'm going to move into

1235
01:07:04.599 --> 01:07:08.400
<v Speaker 3>the consciousness. So, as I mentioned before, and this is

1236
01:07:08.400 --> 01:07:11.280
<v Speaker 3>going to wrap everything up, is that what holds us

1237
01:07:11.320 --> 01:07:14.039
<v Speaker 3>in the place of space and time, which is let's

1238
01:07:14.079 --> 01:07:17.039
<v Speaker 3>say the arm of the record player, which is the consciousness,

1239
01:07:17.079 --> 01:07:19.039
<v Speaker 3>which is the key to time perception.

1240
01:07:19.480 --> 01:07:20.800
<v Speaker 2>This is our anchor.

1241
01:07:21.079 --> 01:07:23.679
<v Speaker 3>Okay, and I know we mentioned anchor much earlier, so I

1242
01:07:23.719 --> 01:07:26.840
<v Speaker 3>want to mention anchor. But this consciousness is our anchor.

1243
01:07:26.880 --> 01:07:28.960
<v Speaker 3>So in a record player, there's the arm that holds

1244
01:07:28.960 --> 01:07:32.320
<v Speaker 3>the needle in place, and this could represent our perception

1245
01:07:32.400 --> 01:07:35.639
<v Speaker 3>and awareness. And if we could learn how to control

1246
01:07:35.679 --> 01:07:40.159
<v Speaker 3>the arm, we might be able to move the needle intentiously, intentionally,

1247
01:07:40.920 --> 01:07:43.960
<v Speaker 3>which is like conscious time travel. So you lift the

1248
01:07:44.000 --> 01:07:47.320
<v Speaker 3>needle observe all of time at once, which could be

1249
01:07:47.719 --> 01:07:52.239
<v Speaker 3>people of a higher state of consciousness, which could be

1250
01:07:52.280 --> 01:07:57.519
<v Speaker 3>you know, like monks practicing meditation. Now you also adjust

1251
01:07:57.559 --> 01:07:59.480
<v Speaker 3>the weight of the arm to make the needle less

1252
01:07:59.519 --> 01:08:04.039
<v Speaker 3>prone to accidental skips, which could be mental and environmental stability,

1253
01:08:04.119 --> 01:08:07.119
<v Speaker 3>so where you're more in tune with everything and you're

1254
01:08:07.119 --> 01:08:09.480
<v Speaker 3>not going to have these jumps in and out. It

1255
01:08:09.519 --> 01:08:12.280
<v Speaker 3>could be you know, you working on that. So like

1256
01:08:12.320 --> 01:08:17.479
<v Speaker 3>you know, mystic monks and practitioners of altered state, like

1257
01:08:17.520 --> 01:08:21.000
<v Speaker 3>those in the CIA's Gateway Process, claim to have seen

1258
01:08:21.159 --> 01:08:24.680
<v Speaker 3>past and future events, which could be like lifting the

1259
01:08:24.720 --> 01:08:27.319
<v Speaker 3>needle up, like I said, to view the entire record

1260
01:08:27.680 --> 01:08:31.199
<v Speaker 3>instead of just being stuck in the one groove and

1261
01:08:32.000 --> 01:08:34.640
<v Speaker 3>and just to touch on it. So the Gateway Process,

1262
01:08:34.720 --> 01:08:38.600
<v Speaker 3>which was declassified in eighty three, that was focused on

1263
01:08:38.640 --> 01:08:41.960
<v Speaker 3>training to get our consciousness to move beyond time and space.

1264
01:08:42.039 --> 01:08:44.720
<v Speaker 3>So as we know at the brain is more and

1265
01:08:44.800 --> 01:08:48.359
<v Speaker 3>less is more or less naturally limited to playing that

1266
01:08:48.479 --> 01:08:51.600
<v Speaker 3>one groove at a time, but quite possibly with the

1267
01:08:51.680 --> 01:08:55.399
<v Speaker 3>right techniques, we could lift the needle up and explore

1268
01:08:55.560 --> 01:08:58.920
<v Speaker 3>all of time freely. So the Monro Institute worked with

1269
01:08:58.960 --> 01:09:04.560
<v Speaker 3>the CIA to explore consciousness expansion techniques, teaching individuals to

1270
01:09:04.640 --> 01:09:08.199
<v Speaker 3>detach from from awareness, from time and space. They use

1271
01:09:08.319 --> 01:09:13.239
<v Speaker 3>binearial beats and altered states, suggesting that the mind we

1272
01:09:13.319 --> 01:09:16.119
<v Speaker 3>could literally lift the needle and perceive all at time,

1273
01:09:16.279 --> 01:09:21.199
<v Speaker 3>all the time at once, So.

1274
01:09:21.159 --> 01:09:22.239
<v Speaker 7>It'll be a lot of perception.

1275
01:09:23.079 --> 01:09:28.159
<v Speaker 3>Yes, yeah, exactly, So that is pretty much my like

1276
01:09:28.239 --> 01:09:32.560
<v Speaker 3>my final thoughts would be the record player model of

1277
01:09:32.680 --> 01:09:36.439
<v Speaker 3>time that aligns with you know, modern physics, neurology, and

1278
01:09:36.520 --> 01:09:40.279
<v Speaker 3>quantum mechanics. So if consciousness plays a role in time perception,

1279
01:09:40.880 --> 01:09:43.119
<v Speaker 3>then intentional techniques.

1280
01:09:42.720 --> 01:09:44.359
<v Speaker 2>Or external forces such as.

1281
01:09:45.760 --> 01:09:51.159
<v Speaker 3>Electromagneticism, gravity, altra states could momentarily shift our needle, leading

1282
01:09:51.159 --> 01:09:52.079
<v Speaker 3>to real.

1283
01:09:51.880 --> 01:09:54.039
<v Speaker 2>Experiences of the past or future.

1284
01:09:54.640 --> 01:09:57.199
<v Speaker 3>So it's quite possibly that we'd be able to tune

1285
01:09:57.239 --> 01:10:02.119
<v Speaker 3>our frequency to shift backwards or forwards, and it's much

1286
01:10:02.119 --> 01:10:04.920
<v Speaker 3>more commentation. It seems it's much more easier to shift backwards.

1287
01:10:04.960 --> 01:10:07.399
<v Speaker 3>So like you're saying, like we're cutting our new record,

1288
01:10:07.439 --> 01:10:11.000
<v Speaker 3>we're cutting that prime record. Maybe it is because the

1289
01:10:11.439 --> 01:10:15.319
<v Speaker 3>future doesn't exist. Maybe because everybody talks about these backward

1290
01:10:15.399 --> 01:10:16.640
<v Speaker 3>shifting kind of thing, we're.

1291
01:10:16.479 --> 01:10:18.880
<v Speaker 2>Able to move or slip into the bass.

1292
01:10:19.520 --> 01:10:22.720
<v Speaker 3>Maybe there's a possibility that we literally only have now

1293
01:10:22.760 --> 01:10:23.359
<v Speaker 3>in the past.

1294
01:10:23.640 --> 01:10:25.800
<v Speaker 2>But I do believe that future exists as well.

1295
01:10:26.680 --> 01:10:29.840
<v Speaker 7>It's that wave. There's a wave going on in the future,

1296
01:10:29.880 --> 01:10:31.760
<v Speaker 7>and I think you can influence that wave a lot

1297
01:10:31.800 --> 01:10:34.960
<v Speaker 7>easier than people perceive it to be. And we've sort

1298
01:10:34.960 --> 01:10:37.399
<v Speaker 7>of been, you know, stuck in the idea that everything

1299
01:10:37.479 --> 01:10:40.960
<v Speaker 7>is inevitable. But it's still a wave. It's just potential.

1300
01:10:42.560 --> 01:10:44.039
<v Speaker 2>I agree. I agree.

1301
01:10:44.079 --> 01:10:46.199
<v Speaker 3>Now, all right, so we want to we can go

1302
01:10:46.239 --> 01:10:50.560
<v Speaker 3>into I can give I've got five cases to talk about.

1303
01:10:51.680 --> 01:10:53.600
<v Speaker 2>Shouldn't take as long? Shouldn't shouldn't take an hour?

1304
01:10:53.600 --> 01:10:55.680
<v Speaker 3>Should be about forty minutes, I would say, But it

1305
01:10:55.680 --> 01:10:56.680
<v Speaker 3>depends on how much we talk.

1306
01:10:56.760 --> 01:10:59.000
<v Speaker 5>So all right, go for it.

1307
01:10:59.039 --> 01:11:01.119
<v Speaker 2>So you look, let me know when we're starting.

1308
01:11:01.359 --> 01:11:01.720
<v Speaker 5>Let's go.

1309
01:11:02.039 --> 01:11:07.439
<v Speaker 3>We're good, Oh, right on, Okay, So now after we've

1310
01:11:07.479 --> 01:11:09.680
<v Speaker 3>done all that, I'm going to jump into.

1311
01:11:11.119 --> 01:11:12.520
<v Speaker 1>Sometimes slipping.

1312
01:11:13.000 --> 01:11:17.960
<v Speaker 3>Yeah, we're time slipping, man, we're time yep. And so

1313
01:11:18.000 --> 01:11:20.439
<v Speaker 3>I got I'm going to talk about five here, and

1314
01:11:21.399 --> 01:11:23.479
<v Speaker 3>we're going to talk about the first one, which is

1315
01:11:23.520 --> 01:11:28.680
<v Speaker 3>the most infamous, one of my probably favorite and there's

1316
01:11:28.760 --> 01:11:32.960
<v Speaker 3>so many possibilities to this, which is the Philadelphia experiment.

1317
01:11:33.560 --> 01:11:37.880
<v Speaker 3>Now this is I don't even know where to classify

1318
01:11:37.960 --> 01:11:40.880
<v Speaker 3>this really so For those who don't know, Phildelphi experiment

1319
01:11:41.319 --> 01:11:47.520
<v Speaker 3>is it was probably the most notorious or alleged case

1320
01:11:47.680 --> 01:11:50.560
<v Speaker 3>of a time slip. So this happened during World War Two.

1321
01:11:51.039 --> 01:11:56.439
<v Speaker 3>The US Navy reportedly conducted an experiment in October of

1322
01:11:56.800 --> 01:12:01.560
<v Speaker 3>nineteen forty three, and it was a board the USS Eldridge. Now,

1323
01:12:01.880 --> 01:12:05.359
<v Speaker 3>what they were attempting to do was to render the

1324
01:12:05.479 --> 01:12:10.279
<v Speaker 3>ship invisible to enemy radar. Now, according to the story,

1325
01:12:10.319 --> 01:12:17.680
<v Speaker 3>the experiment not only achieved radar invisibility, but it achieved

1326
01:12:17.720 --> 01:12:24.760
<v Speaker 3>invisibility right there in person, but also accidentally transported the ship.

1327
01:12:24.479 --> 01:12:26.520
<v Speaker 2>And its crew through time.

1328
01:12:26.920 --> 01:12:33.039
<v Speaker 3>Okay, so this is all allegedly and now witnesses claim

1329
01:12:33.119 --> 01:12:37.000
<v Speaker 3>that the ship disappeared from its dock in Philadelphia and

1330
01:12:37.279 --> 01:12:41.960
<v Speaker 3>reappeared minutes later in Norfolk, Virginia, which is over two

1331
01:12:42.039 --> 01:12:46.199
<v Speaker 3>hundred miles away. So some reports suggested that the ship

1332
01:12:46.279 --> 01:12:51.600
<v Speaker 3>was briefly visible in the distant future as well, possibly

1333
01:12:51.880 --> 01:12:57.560
<v Speaker 3>glimpsing advanced technologies or unrecognizable world, before returning back to

1334
01:12:57.760 --> 01:13:02.760
<v Speaker 3>nineteen forty three. So the consequence is of this re horrific.

1335
01:13:02.840 --> 01:13:06.319
<v Speaker 3>So some of the sailors were said to be fused

1336
01:13:06.479 --> 01:13:10.399
<v Speaker 3>into the ship's hull some were driven insane by the

1337
01:13:10.520 --> 01:13:18.439
<v Speaker 3>experience or left disorientated and unable to function. So now, intriguingly,

1338
01:13:18.640 --> 01:13:22.720
<v Speaker 3>some former sailors have claimed to remember fragments of the experiment,

1339
01:13:23.000 --> 01:13:26.920
<v Speaker 3>and they're saying that there was these unnatural sensations and

1340
01:13:27.199 --> 01:13:32.319
<v Speaker 3>unexplainable shifts in their surroundings, which adds a chilling.

1341
01:13:32.079 --> 01:13:33.640
<v Speaker 2>Layer of credibility.

1342
01:13:33.680 --> 01:13:37.600
<v Speaker 3>Now, these accounts aligned with the speculation that the experiment

1343
01:13:37.760 --> 01:13:42.399
<v Speaker 3>inadvertently unlocked a gateway to an alternate timeline or to

1344
01:13:42.640 --> 01:13:48.079
<v Speaker 3>the future. Now, in nineteen eighty four, there was I

1345
01:13:48.760 --> 01:13:50.600
<v Speaker 3>know it's an older movie, but there was a movie

1346
01:13:50.600 --> 01:13:54.840
<v Speaker 3>called The Philadelphia Experiment which dramatized the whole thing and

1347
01:13:55.079 --> 01:13:58.760
<v Speaker 3>introduced the idea of a government conspiracy to control time

1348
01:13:58.880 --> 01:13:59.520
<v Speaker 3>and space.

1349
01:14:00.119 --> 01:14:01.880
<v Speaker 2>And while the movie.

1350
01:14:01.640 --> 01:14:05.920
<v Speaker 3>Did embellish on certain elements, it did cement the story's

1351
01:14:05.960 --> 01:14:10.920
<v Speaker 3>place and popular culture, which you know it was it

1352
01:14:11.000 --> 01:14:14.840
<v Speaker 3>a glimpse of humanity's potential future or was it a

1353
01:14:15.439 --> 01:14:18.880
<v Speaker 3>just a warning that these dangers of tampering with the

1354
01:14:18.920 --> 01:14:19.760
<v Speaker 3>fabric of reality.

1355
01:14:19.840 --> 01:14:21.399
<v Speaker 2>So that's what the movie kind of did.

1356
01:14:21.439 --> 01:14:26.760
<v Speaker 3>Now, what was thought was that this ship actually phased

1357
01:14:26.800 --> 01:14:31.800
<v Speaker 3>in and out, okay, and it was with a large

1358
01:14:31.800 --> 01:14:34.960
<v Speaker 3>amount of electricity, they were able to shift this ship

1359
01:14:35.079 --> 01:14:42.840
<v Speaker 3>into a wormhole. That is what potentially happened and shifting

1360
01:14:42.880 --> 01:14:44.960
<v Speaker 3>in and out of reality. I believe the ship and

1361
01:14:45.000 --> 01:14:47.880
<v Speaker 3>the sailors were both shifting out of different there were

1362
01:14:47.920 --> 01:14:51.079
<v Speaker 3>in different frequencies, different realities, and that is why some

1363
01:14:51.119 --> 01:14:54.319
<v Speaker 3>of the sailors actually fused into the boat because they

1364
01:14:54.319 --> 01:14:57.199
<v Speaker 3>were slipping in and through and when it returned back

1365
01:14:57.319 --> 01:15:00.680
<v Speaker 3>into the time that it should have been forty three,

1366
01:15:01.840 --> 01:15:07.079
<v Speaker 3>they both materialized and some were inside partly inside the ship.

1367
01:15:07.600 --> 01:15:12.239
<v Speaker 3>So that is that is the Philadelphia experiment. Now, what

1368
01:15:12.359 --> 01:15:15.199
<v Speaker 3>do do you guys have any like theories on the

1369
01:15:15.199 --> 01:15:18.720
<v Speaker 3>Philadelphia experiment? What do you guys think? I know Einstein

1370
01:15:18.880 --> 01:15:21.319
<v Speaker 3>and Tesla were both involved with this. To what extent,

1371
01:15:21.439 --> 01:15:24.000
<v Speaker 3>I'm not one hundred percent sure. That's something I need

1372
01:15:24.039 --> 01:15:27.079
<v Speaker 3>to look further into, but I believe that they both

1373
01:15:27.720 --> 01:15:29.960
<v Speaker 3>played a part in this experiment.

1374
01:15:30.479 --> 01:15:37.479
<v Speaker 7>So if we're gonna summarize the technology used, yes, I

1375
01:15:37.520 --> 01:15:43.039
<v Speaker 7>think it's important to note that Tesla was somehow involved

1376
01:15:43.760 --> 01:15:49.479
<v Speaker 7>in this process, and he had two inventions that would

1377
01:15:49.560 --> 01:15:54.359
<v Speaker 7>probably come into play, which would be his Tesla coil, right,

1378
01:15:54.399 --> 01:15:59.520
<v Speaker 7>which you can modulate the frequency to create actually different

1379
01:15:59.600 --> 01:16:02.840
<v Speaker 7>sounds coming from a tesla coil based upon the frequencies

1380
01:16:02.880 --> 01:16:06.079
<v Speaker 7>that it emits. And also he had what they called

1381
01:16:06.119 --> 01:16:11.960
<v Speaker 7>the earthquake device, which was just a oscillating vibratory thing

1382
01:16:12.119 --> 01:16:15.800
<v Speaker 7>that would create a type of vibration that could be

1383
01:16:15.880 --> 01:16:21.600
<v Speaker 7>used as a resonator with the structure around it. So

1384
01:16:21.760 --> 01:16:25.600
<v Speaker 7>if you use the resonant frequency of this ship, right

1385
01:16:25.680 --> 01:16:29.600
<v Speaker 7>which every object has a resident frequency, and then you

1386
01:16:30.039 --> 01:16:38.359
<v Speaker 7>use a similar or some kind of a electromagnetically resonant

1387
01:16:38.439 --> 01:16:42.399
<v Speaker 7>frequency to that base resonance, then what you're going to

1388
01:16:42.479 --> 01:16:46.079
<v Speaker 7>do is you're going to create a phase distortion because

1389
01:16:46.119 --> 01:16:48.960
<v Speaker 7>all of those molecules and all of the stuff on

1390
01:16:49.000 --> 01:16:53.319
<v Speaker 7>that ship is now going to be vibrating at a

1391
01:16:53.319 --> 01:16:58.479
<v Speaker 7>at a harmonic that can then be influenced. So you

1392
01:16:58.520 --> 01:17:01.199
<v Speaker 7>throw these things together and you don't know what you're doing.

1393
01:17:01.840 --> 01:17:04.800
<v Speaker 7>You might create invisibility based off of the fact that

1394
01:17:04.800 --> 01:17:08.800
<v Speaker 7>there are no more molecules there. They would shift out

1395
01:17:08.800 --> 01:17:12.800
<v Speaker 7>a phase. So if that was the goal of the experiment,

1396
01:17:12.880 --> 01:17:15.880
<v Speaker 7>I think it was a monumental failure because you're not

1397
01:17:16.079 --> 01:17:19.920
<v Speaker 7>just making it invisible, you're making it no longer applicable

1398
01:17:19.960 --> 01:17:22.039
<v Speaker 7>to this sort of time perception.

1399
01:17:22.720 --> 01:17:23.239
<v Speaker 2>It's true.

1400
01:17:23.359 --> 01:17:27.600
<v Speaker 3>Yeah, And and Tesla was involved with the Navy with

1401
01:17:27.800 --> 01:17:32.359
<v Speaker 3>conducting experiments in electromagnetic field manipulation, so there is a

1402
01:17:32.520 --> 01:17:38.640
<v Speaker 3>high probability that he was involved with the Philadelphia experiment,

1403
01:17:38.680 --> 01:17:41.279
<v Speaker 3>you know, because he was working with wireless energy, like

1404
01:17:41.319 --> 01:17:44.439
<v Speaker 3>you said, with his Tesla coils and scaler fields and

1405
01:17:44.479 --> 01:17:46.239
<v Speaker 3>of course resonant frequencies as well.

1406
01:17:48.359 --> 01:17:50.800
<v Speaker 6>And to your point earlier about references the movies there, ry,

1407
01:17:50.920 --> 01:17:54.399
<v Speaker 6>I believe Christopher Nolan kind of instilled these Tesla legends

1408
01:17:54.439 --> 01:17:57.800
<v Speaker 6>in his film The Prestige, where he's Tesla. He's using

1409
01:17:57.800 --> 01:18:02.039
<v Speaker 6>his technology to you know, transport objects, physical objects from

1410
01:18:02.039 --> 01:18:03.039
<v Speaker 6>one location to another.

1411
01:18:03.319 --> 01:18:05.560
<v Speaker 3>You know, I haven't seen that movie yet. Everybody's like,

1412
01:18:05.840 --> 01:18:09.399
<v Speaker 3>why haven't you seen I gotta I gotta watch it.

1413
01:18:09.720 --> 01:18:11.560
<v Speaker 3>I have it, I have it, I haven't watched it.

1414
01:18:11.560 --> 01:18:13.680
<v Speaker 3>So I'm gonna make sure I make a note that

1415
01:18:13.720 --> 01:18:14.560
<v Speaker 3>I need to do that.

1416
01:18:15.279 --> 01:18:17.479
<v Speaker 1>Yeah, especially you're in to the Tesla stuff, because that's

1417
01:18:17.479 --> 01:18:18.079
<v Speaker 1>a big part.

1418
01:18:17.920 --> 01:18:19.720
<v Speaker 6>Of the whole plotline. Like I just pointed out, and

1419
01:18:20.159 --> 01:18:23.319
<v Speaker 6>David Belli plays Tesla. That's a bit odd, But I'm

1420
01:18:23.359 --> 01:18:25.640
<v Speaker 6>a big fan on the Tesla storyline and technology, and

1421
01:18:25.920 --> 01:18:27.880
<v Speaker 6>you know what we don't understand about it still today.

1422
01:18:27.920 --> 01:18:30.039
<v Speaker 6>And you know, I used to go to up Los

1423
01:18:30.079 --> 01:18:32.119
<v Speaker 6>Angeles a lot for business, and that's I believe the

1424
01:18:32.159 --> 01:18:36.000
<v Speaker 6>only functioning Tesla Coil still available to public, to public.

1425
01:18:35.800 --> 01:18:38.760
<v Speaker 2>View, to public, to the public, Yeah, to public.

1426
01:18:38.840 --> 01:18:41.359
<v Speaker 1>Yeah, in Los Angeles.

1427
01:18:42.199 --> 01:18:47.520
<v Speaker 8>I didn't get this question from Q, but I wonder

1428
01:18:48.199 --> 01:18:52.079
<v Speaker 8>what was Trump's uncle or whatever the guy is.

1429
01:18:52.000 --> 01:18:55.880
<v Speaker 7>From m I T I wonder what he was John Trump.

1430
01:18:56.640 --> 01:19:02.399
<v Speaker 8>And also I know it's silly, but that whole Baron

1431
01:19:03.000 --> 01:19:06.760
<v Speaker 8>Time Traveler book is awful spooky.

1432
01:19:07.359 --> 01:19:08.720
<v Speaker 1>What do you what do you think of that?

1433
01:19:09.079 --> 01:19:10.600
<v Speaker 2>Extremely spooky?

1434
01:19:10.760 --> 01:19:15.960
<v Speaker 3>Are are the Trump's trime time Travelers or which very

1435
01:19:16.039 --> 01:19:20.680
<v Speaker 3>much could be because the his mentor, Baron Trump's mentor

1436
01:19:21.000 --> 01:19:25.279
<v Speaker 3>was Dawn was the Dawn, right, They called him the Dawn.

1437
01:19:25.399 --> 01:19:28.159
<v Speaker 3>So it's uh, that is one book that I have

1438
01:19:28.399 --> 01:19:30.399
<v Speaker 3>again have not dove into. I know a little bit

1439
01:19:30.439 --> 01:19:30.760
<v Speaker 3>about it.

1440
01:19:30.760 --> 01:19:33.039
<v Speaker 8>And he was from Madison Avenue, I.

1441
01:19:32.960 --> 01:19:36.079
<v Speaker 3>Believe, yeah, he from He had a hotel on Madison Avenue.

1442
01:19:36.079 --> 01:19:38.680
<v Speaker 3>He lived on Madison Avenue. And that also led to

1443
01:19:38.880 --> 01:19:40.560
<v Speaker 3>the Last President as well.

1444
01:19:40.600 --> 01:19:41.800
<v Speaker 2>They they wrote a book.

1445
01:19:41.800 --> 01:19:44.399
<v Speaker 3>He also wrote a book called The Last President with

1446
01:19:45.039 --> 01:19:48.800
<v Speaker 3>Trump being the last President. So that's it's a lot

1447
01:19:48.800 --> 01:19:51.359
<v Speaker 3>of unrest which goes goes down with it.

1448
01:19:51.399 --> 01:19:52.880
<v Speaker 2>So who knows, you know?

1449
01:19:53.119 --> 01:19:57.319
<v Speaker 3>Is now I often think, is is it a possibility

1450
01:19:57.319 --> 01:19:59.560
<v Speaker 3>as a time traveler, or is it a possibility that

1451
01:20:00.199 --> 01:20:04.399
<v Speaker 3>he's really knowledgeable about things that are out there and

1452
01:20:04.600 --> 01:20:09.239
<v Speaker 3>uses that to his advantage? You know, like, let's us

1453
01:20:09.279 --> 01:20:12.800
<v Speaker 3>say he because this book has been around for I

1454
01:20:12.840 --> 01:20:14.920
<v Speaker 3>don't know since what the eighteen hundreds or something like that,

1455
01:20:15.239 --> 01:20:18.920
<v Speaker 3>maybe he he saw it. He named his child after

1456
01:20:18.960 --> 01:20:22.000
<v Speaker 3>that book for that very reason, you know, is that

1457
01:20:22.079 --> 01:20:24.279
<v Speaker 3>a possibility? It could be. It could be that he

1458
01:20:24.399 --> 01:20:27.560
<v Speaker 3>is quite astute and aware of the going on.

1459
01:20:28.000 --> 01:20:31.159
<v Speaker 6>And maybe maybe the same time though right see the

1460
01:20:31.199 --> 01:20:33.920
<v Speaker 6>book the book was named and Baron was named having

1461
01:20:33.920 --> 01:20:35.840
<v Speaker 6>at the same time, it could be.

1462
01:20:37.800 --> 01:20:39.399
<v Speaker 1>I feel think there's a lot more to this John G.

1463
01:20:39.520 --> 01:20:40.319
<v Speaker 1>Trump situation.

1464
01:20:40.439 --> 01:20:44.399
<v Speaker 6>He was the most notable physics professor in MIT history,

1465
01:20:44.880 --> 01:20:47.800
<v Speaker 6>and he was deeply involved in black projects during World

1466
01:20:47.840 --> 01:20:50.319
<v Speaker 6>War Two, not the least of which was getting his

1467
01:20:50.359 --> 01:20:51.600
<v Speaker 6>hands on Tesla technology.

1468
01:20:51.600 --> 01:20:53.359
<v Speaker 1>And again the fact we have one.

1469
01:20:53.279 --> 01:20:55.640
<v Speaker 6>Tesla coil for folks to go, so they should tell

1470
01:20:55.680 --> 01:20:57.880
<v Speaker 6>the story of we don't know shit about whatever Tesla

1471
01:20:57.960 --> 01:20:58.319
<v Speaker 6>was into.

1472
01:20:59.199 --> 01:21:02.279
<v Speaker 2>Yeah, well, we're not we're not allowed to know the

1473
01:21:02.359 --> 01:21:02.760
<v Speaker 2>kind of shit.

1474
01:21:03.039 --> 01:21:06.039
<v Speaker 3>So yeah, because allegedly when he went in to collect

1475
01:21:06.319 --> 01:21:10.560
<v Speaker 3>Tesla's boxes or crates, you know, there was well I'm

1476
01:21:10.560 --> 01:21:12.439
<v Speaker 3>just saying, I can't remember the numbers, like forty eight

1477
01:21:12.439 --> 01:21:15.800
<v Speaker 3>crates and then he returned like forty three crates and said,

1478
01:21:15.840 --> 01:21:18.600
<v Speaker 3>there's nothing of notable value in any of this.

1479
01:21:18.720 --> 01:21:21.159
<v Speaker 2>Like hmm, so where's the rest of it?

1480
01:21:21.520 --> 01:21:24.279
<v Speaker 7>You know, it brings it brings to mind the idea

1481
01:21:24.399 --> 01:21:29.359
<v Speaker 7>of what these these people have called the jump rooms, right,

1482
01:21:29.520 --> 01:21:31.880
<v Speaker 7>and so what they talk about is the ability to

1483
01:21:32.000 --> 01:21:35.079
<v Speaker 7>see between these different timelines and to see back into

1484
01:21:35.119 --> 01:21:40.960
<v Speaker 7>the past based off of these uh, you know, Tesla

1485
01:21:41.039 --> 01:21:44.479
<v Speaker 7>technologies that were taken. And then you look at the

1486
01:21:44.520 --> 01:21:50.159
<v Speaker 7>idea of this Trump phenomenon and how Baron Trump and

1487
01:21:50.199 --> 01:21:52.960
<v Speaker 7>all the rest of these characters are found in these books,

1488
01:21:52.960 --> 01:21:55.800
<v Speaker 7>and it's like maybe they were looking into a slightly

1489
01:21:55.840 --> 01:22:01.399
<v Speaker 7>different potential future or maybe other other parts that they

1490
01:22:01.439 --> 01:22:05.600
<v Speaker 7>didn't necessarily get to put together. And so maybe authors

1491
01:22:05.640 --> 01:22:09.119
<v Speaker 7>were watching at this you know jump room, watching these

1492
01:22:09.279 --> 01:22:13.359
<v Speaker 7>different futures play out, writing it down and making novels

1493
01:22:13.359 --> 01:22:16.399
<v Speaker 7>out of it. You know, you never know, because once

1494
01:22:16.439 --> 01:22:22.239
<v Speaker 7>you started the sort of process of expecting potential futures.

1495
01:22:23.039 --> 01:22:25.600
<v Speaker 7>You could get some of these images and maybe not

1496
01:22:25.680 --> 01:22:26.479
<v Speaker 7>all of them.

1497
01:22:26.720 --> 01:22:29.600
<v Speaker 2>Sure, well, isn't that what profits are like?

1498
01:22:29.640 --> 01:22:31.800
<v Speaker 3>You know, we have we have profits from you know,

1499
01:22:32.319 --> 01:22:35.119
<v Speaker 3>times of old, and now we don't have any more profits?

1500
01:22:35.960 --> 01:22:38.039
<v Speaker 2>Is that possible? Or maybe we do? They just write

1501
01:22:38.079 --> 01:22:38.600
<v Speaker 2>books about it.

1502
01:22:38.600 --> 01:22:41.359
<v Speaker 1>Don't tell the Mormons that, sir, they got a profit.

1503
01:22:42.079 --> 01:22:42.560
<v Speaker 1>There we go.

1504
01:22:43.800 --> 01:22:46.479
<v Speaker 2>We got to talk about that, JJ. We got to talk.

1505
01:22:46.359 --> 01:22:51.319
<v Speaker 5>About those Mormons, alright, right, next one, yes.

1506
01:22:51.159 --> 01:22:52.279
<v Speaker 2>Yes, all right.

1507
01:22:52.319 --> 01:22:54.359
<v Speaker 3>So the next one we're going to jump into, of course,

1508
01:22:54.720 --> 01:22:58.279
<v Speaker 3>is one that actually this is a time slip area

1509
01:22:58.319 --> 01:23:00.840
<v Speaker 3>that that is extremely common. When we talked about those

1510
01:23:00.880 --> 01:23:04.720
<v Speaker 3>weak points, maybe like the record is worn down, it's

1511
01:23:04.800 --> 01:23:08.720
<v Speaker 3>in this spot. It's in Liverpool, England, on Bold Street.

1512
01:23:09.000 --> 01:23:10.640
<v Speaker 3>I don't know if you guys ever heard about Bold

1513
01:23:10.640 --> 01:23:15.479
<v Speaker 3>Street in Liverpool. It is known for these time slips

1514
01:23:15.520 --> 01:23:20.239
<v Speaker 3>happening so often. So this happened in ninety six. A

1515
01:23:20.279 --> 01:23:24.800
<v Speaker 3>man named Frank was out shopping with his wife. They

1516
01:23:25.479 --> 01:23:28.119
<v Speaker 3>parted the ways and you know, because you don't want

1517
01:23:28.119 --> 01:23:29.800
<v Speaker 3>to go shopping with your wife all the time, she

1518
01:23:29.880 --> 01:23:31.359
<v Speaker 3>goes to her stores and you're like, well, I'm going

1519
01:23:31.399 --> 01:23:33.319
<v Speaker 3>to go to check out a bookstore or something like that.

1520
01:23:33.399 --> 01:23:36.119
<v Speaker 3>So Frank was walking around, and he said that he

1521
01:23:36.239 --> 01:23:39.640
<v Speaker 3>noticed like the atmosphere was starting to change around him.

1522
01:23:39.640 --> 01:23:43.760
<v Speaker 3>He said that the air seemed heavier, and the noise

1523
01:23:43.760 --> 01:23:46.079
<v Speaker 3>of modern traffic kind of was like fading away.

1524
01:23:46.119 --> 01:23:47.720
<v Speaker 2>It was like he was walking through with some sort

1525
01:23:47.760 --> 01:23:48.159
<v Speaker 2>of fog.

1526
01:23:48.560 --> 01:23:51.600
<v Speaker 3>So when he looked around, he realized that, like, this

1527
01:23:51.640 --> 01:23:54.279
<v Speaker 3>ain't nineteen ninety anymore, and he says the cars were

1528
01:23:54.760 --> 01:23:57.880
<v Speaker 3>all older, they looked like the fifties, and the streets,

1529
01:23:57.880 --> 01:24:01.479
<v Speaker 3>he said, were much quieter. Ops around him had changed

1530
01:24:01.520 --> 01:24:04.279
<v Speaker 3>as well. So instead of like this modern bookstore that

1531
01:24:04.359 --> 01:24:09.279
<v Speaker 3>he was going into, he saw one called Crips, which

1532
01:24:09.600 --> 01:24:12.399
<v Speaker 3>he's able later to confirm on that one and not

1533
01:24:12.479 --> 01:24:16.079
<v Speaker 3>the Gang Cryps, but c r i Ps.

1534
01:24:16.159 --> 01:24:18.319
<v Speaker 2>Yes, let's let's clear that up.

1535
01:24:18.359 --> 01:24:22.640
<v Speaker 3>So Frank walked further and he was feeling like, I

1536
01:24:22.680 --> 01:24:25.760
<v Speaker 3>don't belong in this area or this time. So he

1537
01:24:26.359 --> 01:24:31.119
<v Speaker 3>inadvertently interacted with the shopkeeper, he said, who seemed entirely

1538
01:24:31.239 --> 01:24:35.199
<v Speaker 3>unaware of anything out of the ordinary, and which kind

1539
01:24:35.239 --> 01:24:39.840
<v Speaker 3>of further cemented this experience. It was just authentic. And

1540
01:24:40.319 --> 01:24:43.399
<v Speaker 3>he says, though as soon as the experience started. It

1541
01:24:43.520 --> 01:24:45.720
<v Speaker 3>just kind of he said, he found himself. It just

1542
01:24:45.760 --> 01:24:49.119
<v Speaker 3>kind of like all faded and went back into the presence.

1543
01:24:49.159 --> 01:24:52.840
<v Speaker 3>So his consciousness brought him back, his his silver cord

1544
01:24:52.880 --> 01:24:56.239
<v Speaker 3>or his his bungee cord brought him back into this time.

1545
01:24:56.279 --> 01:25:00.840
<v Speaker 3>He says he was driven by curiosity about this, so

1546
01:25:00.920 --> 01:25:04.840
<v Speaker 3>he started researching records and photographs from the fifties, and

1547
01:25:05.520 --> 01:25:10.319
<v Speaker 3>he was able to match everything up, even like the

1548
01:25:10.439 --> 01:25:12.560
<v Speaker 3>exact location of that that shop he.

1549
01:25:12.600 --> 01:25:13.319
<v Speaker 2>Went in Crips.

1550
01:25:13.640 --> 01:25:17.279
<v Speaker 3>He it was, it was there, and so everything aligned

1551
01:25:17.319 --> 01:25:22.239
<v Speaker 3>with these historical archives, and so it really gave weight,

1552
01:25:22.560 --> 01:25:24.399
<v Speaker 3>lent weight to his story. You know a lot of

1553
01:25:24.399 --> 01:25:27.079
<v Speaker 3>people just have these anecdotal evidence, but he was able to,

1554
01:25:27.439 --> 01:25:29.720
<v Speaker 3>you know, give these descriptions of the stores and then

1555
01:25:29.720 --> 01:25:32.199
<v Speaker 3>he was able to find them as well. So it

1556
01:25:32.479 --> 01:25:36.720
<v Speaker 3>really looked like this type of temporal shift that he had,

1557
01:25:36.760 --> 01:25:39.840
<v Speaker 3>so this would definitely be a time slip. So this

1558
01:25:40.039 --> 01:25:41.800
<v Speaker 3>was and this was, like I said, this wasn't an

1559
01:25:42.079 --> 01:25:45.800
<v Speaker 3>isolated incident on Bold Street. A lot of people that

1560
01:25:45.880 --> 01:25:49.239
<v Speaker 3>they call us the temporal hotspots. So but why is

1561
01:25:49.279 --> 01:25:51.600
<v Speaker 3>this Is this a place where there's a lot of crossover.

1562
01:25:51.680 --> 01:25:53.760
<v Speaker 3>Is this a place where those grooves aren't as thick.

1563
01:25:55.640 --> 01:25:57.800
<v Speaker 3>Is it just this crossover of these times, this one

1564
01:25:57.840 --> 01:26:02.079
<v Speaker 3>specific point, is there a high concentration of minerals or

1565
01:26:02.199 --> 01:26:04.840
<v Speaker 3>is it electromagnetic interferences there?

1566
01:26:06.039 --> 01:26:07.880
<v Speaker 2>Not sure on that location.

1567
01:26:07.960 --> 01:26:10.159
<v Speaker 6>I have a suggestion for you there right, I'm not

1568
01:26:10.199 --> 01:26:14.520
<v Speaker 6>sure about specifically on bolts for this precise location. However,

1569
01:26:15.000 --> 01:26:18.119
<v Speaker 6>years ago I did a relative comparison of Liverpool, Ohio

1570
01:26:18.199 --> 01:26:20.680
<v Speaker 6>and Liverpool, England and the many mounds that these two

1571
01:26:20.720 --> 01:26:21.560
<v Speaker 6>cities were built upon.

1572
01:26:23.279 --> 01:26:24.680
<v Speaker 2>Oh that's that.

1573
01:26:24.680 --> 01:26:26.520
<v Speaker 3>That adds a lot more credence to it, you know,

1574
01:26:26.560 --> 01:26:28.439
<v Speaker 3>at the mounds and stuff like that, because a lot

1575
01:26:28.479 --> 01:26:30.880
<v Speaker 3>of times they're built on lay lines and these tow

1576
01:26:30.880 --> 01:26:35.039
<v Speaker 3>alerc currents. And I had a previous guest Walter Bosley,

1577
01:26:35.079 --> 01:26:42.199
<v Speaker 3>where he talks about a carousel on a tuluric point

1578
01:26:42.279 --> 01:26:45.159
<v Speaker 3>like a cross on the thirty third parallel, which was

1579
01:26:45.359 --> 01:26:49.319
<v Speaker 3>in Disneyland, and he talks about how they developed it,

1580
01:26:49.800 --> 01:26:52.399
<v Speaker 3>not necessarily as a time travel per se, but it

1581
01:26:52.520 --> 01:26:56.600
<v Speaker 3>was to create this euphoric energy in that area. So

1582
01:26:56.600 --> 01:26:58.159
<v Speaker 3>when you go in there, you kind of lose sense

1583
01:26:58.199 --> 01:27:00.840
<v Speaker 3>of time and place and you just really enjoy yourself.

1584
01:27:02.000 --> 01:27:02.680
<v Speaker 2>Oh for sure.

1585
01:27:02.720 --> 01:27:04.880
<v Speaker 1>And I think that I'm familiar with his theories on that.

1586
01:27:04.920 --> 01:27:07.439
<v Speaker 6>There's a lot to be said there because years ago,

1587
01:27:07.720 --> 01:27:10.520
<v Speaker 6>when I first started getting to the mounds, I thought

1588
01:27:10.560 --> 01:27:12.399
<v Speaker 6>of these ideas of them being nodes.

1589
01:27:12.159 --> 01:27:13.359
<v Speaker 1>Right along these lay lines.

1590
01:27:13.960 --> 01:27:17.000
<v Speaker 6>And there are many adena sites that I checked out

1591
01:27:17.000 --> 01:27:20.119
<v Speaker 6>in Ohio that was able to find, you know, comparative

1592
01:27:20.159 --> 01:27:23.119
<v Speaker 6>analysis from the US Geological Survey. They did studies and

1593
01:27:23.159 --> 01:27:25.520
<v Speaker 6>show there are different energy patterns at those sites.

1594
01:27:26.600 --> 01:27:31.439
<v Speaker 7>One thing about that JJ something that just occurred to me.

1595
01:27:31.720 --> 01:27:35.119
<v Speaker 7>So do you remember the movie Jurassic Park.

1596
01:27:34.960 --> 01:27:38.880
<v Speaker 1>Where the being facetious there? Of course I remember Drassic Park.

1597
01:27:39.359 --> 01:27:44.840
<v Speaker 7>Well, okay, the chaos mathematician is talking about how the

1598
01:27:44.960 --> 01:27:49.920
<v Speaker 7>water will turn on the hand. Do you remember that

1599
01:27:49.960 --> 01:27:54.760
<v Speaker 7>part where he's hitting on that lady, right, so he's

1600
01:27:54.840 --> 01:27:57.800
<v Speaker 7>hidden on her and showing her that the water is

1601
01:27:57.880 --> 01:28:00.640
<v Speaker 7>coming off in different directions even though he left it

1602
01:28:00.680 --> 01:28:02.920
<v Speaker 7>on the same spot. Well, what if those bends in

1603
01:28:02.960 --> 01:28:09.159
<v Speaker 7>the river represent these different ways that water can turn

1604
01:28:09.720 --> 01:28:13.159
<v Speaker 7>based off of this chaos principle? And where do you

1605
01:28:13.279 --> 01:28:19.239
<v Speaker 7>find the mounds accept at these bends in the river? Right?

1606
01:28:19.279 --> 01:28:22.880
<v Speaker 1>And so by concentration there you go.

1607
01:28:22.920 --> 01:28:26.560
<v Speaker 7>What they're trying to do is they're trying to encapsulate

1608
01:28:26.640 --> 01:28:29.880
<v Speaker 7>that sort of chaos energy. And what ends up happening

1609
01:28:30.000 --> 01:28:34.880
<v Speaker 7>is other towns are built on direct currents coming from

1610
01:28:34.920 --> 01:28:38.279
<v Speaker 7>those bends in the river based upon the idea that

1611
01:28:38.319 --> 01:28:43.479
<v Speaker 7>these rivers contain the memory. Right, so water containing memory

1612
01:28:43.560 --> 01:28:46.079
<v Speaker 7>is not something that's new, but it's something that is

1613
01:28:46.680 --> 01:28:50.479
<v Speaker 7>very very old. And the idea of these water places,

1614
01:28:50.560 --> 01:28:52.600
<v Speaker 7>just like you were talking about when it comes to

1615
01:28:52.640 --> 01:28:58.520
<v Speaker 7>these residual hauntings, these water bends represent a change in

1616
01:28:58.600 --> 01:29:02.800
<v Speaker 7>that chaotic energy that then you can harness using these

1617
01:29:02.840 --> 01:29:03.560
<v Speaker 7>mountain sides.

1618
01:29:06.640 --> 01:29:09.039
<v Speaker 2>Interesting, interesting theory.

1619
01:29:09.920 --> 01:29:10.640
<v Speaker 7>Very interesting.

1620
01:29:10.720 --> 01:29:15.479
<v Speaker 8>And don't they find that rivers, even though they seem chaotic,

1621
01:29:15.600 --> 01:29:21.119
<v Speaker 8>they actually all rivers have a certain mathematical system to them.

1622
01:29:21.359 --> 01:29:27.960
<v Speaker 7>That's the same that chaos chaos mathematics. Yeah.

1623
01:29:28.039 --> 01:29:32.840
<v Speaker 3>Cool, Now, I we had talked to you had talked

1624
01:29:32.880 --> 01:29:37.800
<v Speaker 3>earlier about the people who went to that hotel. Right,

1625
01:29:37.960 --> 01:29:40.079
<v Speaker 3>they went or to that inn and there was the

1626
01:29:40.159 --> 01:29:41.600
<v Speaker 3>lady there, and then they came back and she was

1627
01:29:41.640 --> 01:29:44.319
<v Speaker 3>not there, right, it was all gone. So this this

1628
01:29:44.439 --> 01:29:46.399
<v Speaker 3>next story is the one that I wanted to mention

1629
01:29:46.520 --> 01:29:49.279
<v Speaker 3>that was very similar to that, and it's called they

1630
01:29:49.720 --> 01:29:51.159
<v Speaker 3>nicknamed it the Vanishing Hotel.

1631
01:29:51.199 --> 01:29:51.880
<v Speaker 2>In France.

1632
01:29:52.079 --> 01:29:55.720
<v Speaker 3>Okay, so this this happened in seventy nine where two

1633
01:29:55.760 --> 01:29:58.479
<v Speaker 3>British couples were traveling through France and they decided to

1634
01:29:58.560 --> 01:30:02.960
<v Speaker 3>stop for the night. They saw this nice, quaint, old

1635
01:30:02.960 --> 01:30:06.680
<v Speaker 3>fashioned hotel. But they did realize that it kind of

1636
01:30:06.720 --> 01:30:11.279
<v Speaker 3>seemed to be like frozen in time. It didn't it

1637
01:30:11.399 --> 01:30:13.680
<v Speaker 3>wasn't right for the time period that they were in.

1638
01:30:13.720 --> 01:30:16.479
<v Speaker 3>Though they was charming. The hotel was charming, but it

1639
01:30:16.520 --> 01:30:20.279
<v Speaker 3>was very rustic, like the keys were wood instead of

1640
01:30:20.319 --> 01:30:24.000
<v Speaker 3>like modern metal ones, and the staff were all dressed

1641
01:30:24.000 --> 01:30:26.840
<v Speaker 3>in like this clothing that was kind of from the

1642
01:30:26.920 --> 01:30:28.239
<v Speaker 3>early twentieth century.

1643
01:30:28.279 --> 01:30:28.479
<v Speaker 2>Now.

1644
01:30:28.920 --> 01:30:33.119
<v Speaker 3>The rooms also lacked modern conveniences, like they didn't have

1645
01:30:33.199 --> 01:30:35.640
<v Speaker 3>phones or electric lighting.

1646
01:30:36.000 --> 01:30:40.640
<v Speaker 2>But both couples was like, they liked it. It was nice,

1647
01:30:40.680 --> 01:30:43.760
<v Speaker 2>and they said that the.

1648
01:30:42.600 --> 01:30:45.600
<v Speaker 3>Things were really really cheap there, which which kind of

1649
01:30:45.640 --> 01:30:47.800
<v Speaker 3>adds a little strange at justs like how do they

1650
01:30:47.840 --> 01:30:52.119
<v Speaker 3>pay for it? But so that was their stay and

1651
01:30:52.680 --> 01:30:54.680
<v Speaker 3>they continued on their journey and they said when they

1652
01:30:54.760 --> 01:30:57.239
<v Speaker 3>returned back to the hotel and their way back, because

1653
01:30:57.239 --> 01:30:58.880
<v Speaker 3>they're like, I like this, let's stay there.

1654
01:30:59.000 --> 01:31:01.119
<v Speaker 2>They were unable to find it.

1655
01:31:01.680 --> 01:31:04.840
<v Speaker 3>They were on the same route and they found no

1656
01:31:04.960 --> 01:31:08.279
<v Speaker 3>trace of the building or any of the locals. None

1657
01:31:08.279 --> 01:31:10.880
<v Speaker 3>of the locals had even heard of it, which which

1658
01:31:10.960 --> 01:31:13.920
<v Speaker 3>really added a lot of mystery to this. And they

1659
01:31:13.960 --> 01:31:18.079
<v Speaker 3>they had pictures, so they went and got their pictures developed,

1660
01:31:18.119 --> 01:31:21.359
<v Speaker 3>and when they saw it, the pictures were.

1661
01:31:21.319 --> 01:31:24.039
<v Speaker 2>Blank, as if like nothing was there.

1662
01:31:24.039 --> 01:31:25.760
<v Speaker 3>It was like all white, Like they got the pictures

1663
01:31:25.800 --> 01:31:29.359
<v Speaker 3>developed and there was just nothing on their pictures. They said,

1664
01:31:29.399 --> 01:31:34.079
<v Speaker 3>like they had these interactions with the staff. They said

1665
01:31:34.119 --> 01:31:36.920
<v Speaker 3>that they kind of talked with an old dialleck. But

1666
01:31:37.199 --> 01:31:40.920
<v Speaker 3>again they just assumed everything was that's that's just how

1667
01:31:40.920 --> 01:31:45.439
<v Speaker 3>it was supposed to be. They Yeah, so it kind

1668
01:31:45.439 --> 01:31:48.439
<v Speaker 3>of sees it seems that like they found a place

1669
01:31:49.000 --> 01:31:51.960
<v Speaker 3>that crossed over. They either crossed over or this place

1670
01:31:52.199 --> 01:31:56.000
<v Speaker 3>jumped forward and and and they had like this the slip.

1671
01:31:56.319 --> 01:31:58.279
<v Speaker 3>Was it a time slip of them or was it

1672
01:31:58.319 --> 01:32:01.800
<v Speaker 3>a time slip of the hotel? So it's and it's

1673
01:32:02.000 --> 01:32:04.279
<v Speaker 3>some people have said that, oh, this is just a hoax,

1674
01:32:04.479 --> 01:32:07.800
<v Speaker 3>or they misremembered the event. I hate that when that happens,

1675
01:32:07.800 --> 01:32:12.039
<v Speaker 3>But they they completely described it.

1676
01:32:12.039 --> 01:32:16.479
<v Speaker 2>They stuck to this saying that no, this is what happened.

1677
01:32:16.479 --> 01:32:19.880
<v Speaker 3>They did not they did not like you know, they

1678
01:32:19.920 --> 01:32:23.880
<v Speaker 3>never retracted their statements, they never changed that they said

1679
01:32:23.920 --> 01:32:26.439
<v Speaker 3>this is exactly what happened. And so you have multiple people,

1680
01:32:26.439 --> 01:32:29.600
<v Speaker 3>they had four people, because there's two couples that claimed

1681
01:32:29.640 --> 01:32:32.680
<v Speaker 3>this all happened. So it's really really interesting, you know,

1682
01:32:32.840 --> 01:32:36.119
<v Speaker 3>was it was it the location.

1683
01:32:36.239 --> 01:32:38.239
<v Speaker 2>Or was it the people or was it both?

1684
01:32:41.119 --> 01:32:45.800
<v Speaker 7>Well, I think there's a lot of interesting stories exactly

1685
01:32:45.960 --> 01:32:49.520
<v Speaker 7>like this where people exit a portal, right, like a

1686
01:32:49.680 --> 01:32:54.439
<v Speaker 7>door or some other sort of edifice, where they're walking

1687
01:32:54.479 --> 01:32:58.319
<v Speaker 7>out into something that is then totally different from the

1688
01:32:58.359 --> 01:33:01.920
<v Speaker 7>world that they're walking you know, from, And I think

1689
01:33:02.640 --> 01:33:06.760
<v Speaker 7>you know, there's this account on Instagram where she's constantly

1690
01:33:06.800 --> 01:33:09.680
<v Speaker 7>taking these stories about glitches and the matrix.

1691
01:33:10.279 --> 01:33:13.439
<v Speaker 2>At anti matrix or something like that. Yeah.

1692
01:33:13.560 --> 01:33:18.680
<v Speaker 7>Right, But the idea there is that somehow between one

1693
01:33:18.800 --> 01:33:23.199
<v Speaker 7>layer and another, these different choices that you make, just

1694
01:33:23.239 --> 01:33:29.560
<v Speaker 7>like you were talking about these branching multiple timeline ideas,

1695
01:33:29.920 --> 01:33:33.560
<v Speaker 7>will take you to a different place and you really

1696
01:33:33.600 --> 01:33:38.119
<v Speaker 7>necessarily note was there before? And sometimes this actually goes

1697
01:33:38.119 --> 01:33:41.960
<v Speaker 7>into a lot of this NPC theory too, these philosophical

1698
01:33:42.079 --> 01:33:46.600
<v Speaker 7>zombie is that maybe the potential exists for this thing

1699
01:33:46.640 --> 01:33:51.319
<v Speaker 7>to be something else, but the characters there aren't really

1700
01:33:51.359 --> 01:33:54.560
<v Speaker 7>on the same level as the humans that we know

1701
01:33:54.720 --> 01:33:58.079
<v Speaker 7>and interact with. It goes back to the simulation theory.

1702
01:33:58.159 --> 01:34:01.000
<v Speaker 7>So what if there are people out there who are

1703
01:34:01.039 --> 01:34:04.359
<v Speaker 7>these sort of like pre humans And that takes me

1704
01:34:04.439 --> 01:34:06.199
<v Speaker 7>to uh, I don't know if you guys have seen

1705
01:34:06.239 --> 01:34:09.640
<v Speaker 7>the Langaliers by uh, what's his name?

1706
01:34:09.840 --> 01:34:13.119
<v Speaker 1>Uh, the guy that kills John Lennon.

1707
01:34:13.319 --> 01:34:14.920
<v Speaker 7>The guy that killed John Lennon.

1708
01:34:15.000 --> 01:34:17.520
<v Speaker 3>That's right, Sorry, I thought it was so you said

1709
01:34:17.520 --> 01:34:19.560
<v Speaker 3>the Langaliers. Wasn't that Stephen King.

1710
01:34:20.119 --> 01:34:21.399
<v Speaker 7>The guy that killed John Lennon.

1711
01:34:21.439 --> 01:34:28.039
<v Speaker 6>That's there's a guy that drives a bus around America

1712
01:34:28.159 --> 01:34:31.279
<v Speaker 6>claiming that that Stephen King murdered Gentlenen.

1713
01:34:31.600 --> 01:34:34.399
<v Speaker 2>Okay, now, now I got you. Now I got you.

1714
01:34:34.479 --> 01:34:39.680
<v Speaker 7>So in the Langoliers, there's this idea of pre time,

1715
01:34:40.199 --> 01:34:44.520
<v Speaker 7>pre now and then post now, and then this post

1716
01:34:44.640 --> 01:34:48.680
<v Speaker 7>now period has to be recycled by these creatures he

1717
01:34:48.800 --> 01:34:52.720
<v Speaker 7>called the Langaliers, which is really interesting that he chose

1718
01:34:52.760 --> 01:34:57.479
<v Speaker 7>the name Langalires because in the Upper Midwest, no, no,

1719
01:34:57.560 --> 01:35:01.600
<v Speaker 7>this is the New England there they have this idea

1720
01:35:01.840 --> 01:35:05.640
<v Speaker 7>that the Langaliers are like these miners and you'll hear

1721
01:35:05.760 --> 01:35:11.319
<v Speaker 7>them under the ground, pounding away, taking minerals from under

1722
01:35:11.319 --> 01:35:15.520
<v Speaker 7>the ground, right, And so this idea of the langaliars

1723
01:35:15.680 --> 01:35:20.840
<v Speaker 7>being this force that recycles time. After the now has passed,

1724
01:35:21.159 --> 01:35:23.600
<v Speaker 7>then they come in and then they eat all of

1725
01:35:23.640 --> 01:35:26.600
<v Speaker 7>the different pieces. And if you're stuck in the later

1726
01:35:26.840 --> 01:35:30.479
<v Speaker 7>instead of the now, then you will be, you know,

1727
01:35:30.600 --> 01:35:33.920
<v Speaker 7>consumed along with the rest of that material too. Well,

1728
01:35:34.479 --> 01:35:39.159
<v Speaker 7>there's this idea that maybe we're constantly being recycled, and

1729
01:35:39.199 --> 01:35:42.000
<v Speaker 7>that would make sense if you're thinking about a multiple

1730
01:35:42.680 --> 01:35:46.439
<v Speaker 7>universe model. After things have happened the way that they've happened,

1731
01:35:46.920 --> 01:35:49.640
<v Speaker 7>somebody's got to get rid of the refuse, somebody's got

1732
01:35:49.680 --> 01:35:51.520
<v Speaker 7>to get rid of all this other stuff. And if

1733
01:35:51.560 --> 01:35:57.079
<v Speaker 7>you think about maybe biological theories about multi dimensional beings,

1734
01:35:57.600 --> 01:36:00.560
<v Speaker 7>why wouldn't that be a thing, Because you know, we're

1735
01:36:00.560 --> 01:36:03.319
<v Speaker 7>not existing on single planes ourselves. It's sort of like

1736
01:36:03.359 --> 01:36:07.520
<v Speaker 7>a non local consciousness. Why wouldn't there be other things

1737
01:36:07.560 --> 01:36:10.720
<v Speaker 7>that exist on multiple levels only without our perception because

1738
01:36:10.720 --> 01:36:11.640
<v Speaker 7>we're always living in.

1739
01:36:11.600 --> 01:36:13.239
<v Speaker 2>The now now now.

1740
01:36:13.640 --> 01:36:15.960
<v Speaker 3>I like the theory of the langeliers in the sense

1741
01:36:16.039 --> 01:36:19.039
<v Speaker 3>of this post time in pre time where you can

1742
01:36:19.119 --> 01:36:21.920
<v Speaker 3>kind of be out of sync with the actual frequency

1743
01:36:21.960 --> 01:36:25.279
<v Speaker 3>that it should be on. But if we say that

1744
01:36:25.359 --> 01:36:28.119
<v Speaker 3>the past is being consumed, then we should never be

1745
01:36:28.119 --> 01:36:32.119
<v Speaker 3>able to travel into the past itself. But this being

1746
01:36:32.239 --> 01:36:34.439
<v Speaker 3>out of sinc I think it's I think it explains

1747
01:36:34.439 --> 01:36:37.399
<v Speaker 3>a lot of things. I think it's quite possible that

1748
01:36:37.479 --> 01:36:39.359
<v Speaker 3>many people that we could be out of sync and

1749
01:36:39.359 --> 01:36:41.159
<v Speaker 3>then we kind of like line back up and we

1750
01:36:41.239 --> 01:36:43.560
<v Speaker 3>come back into sync, which is back into the consciousness

1751
01:36:43.600 --> 01:36:45.720
<v Speaker 3>where I talked about that before. Now I'm going to

1752
01:36:45.800 --> 01:36:48.119
<v Speaker 3>I'm gonna head onto the next one because I don't

1753
01:36:48.119 --> 01:36:49.880
<v Speaker 3>want to keep you guys too long, which is the

1754
01:36:49.920 --> 01:36:54.000
<v Speaker 3>time slip soldier from Scotland in the fifties. So in

1755
01:36:54.039 --> 01:36:57.600
<v Speaker 3>the fifties there was a soldier stationed in Scotland and

1756
01:36:57.600 --> 01:37:00.920
<v Speaker 3>he had an experience that haunted him for the rest

1757
01:37:00.960 --> 01:37:03.960
<v Speaker 3>of his life. He said that walking alone one evening

1758
01:37:04.039 --> 01:37:07.960
<v Speaker 3>he heard this, he kind of found himself in a

1759
01:37:08.199 --> 01:37:11.640
<v Speaker 3>chaotic battlefield. He says, the terrain was unfamiliar and the

1760
01:37:11.680 --> 01:37:15.319
<v Speaker 3>soldiers around him were wearing uniforms that he didn't recognize.

1761
01:37:15.319 --> 01:37:19.000
<v Speaker 3>He said he could hear sounds of explosions and on gunfire,

1762
01:37:19.119 --> 01:37:22.800
<v Speaker 3>which was overwhelming, and he says before he could fully

1763
01:37:22.880 --> 01:37:27.439
<v Speaker 3>process what was happening, everything just kind of dissolved, so

1764
01:37:27.479 --> 01:37:30.039
<v Speaker 3>he kind of came back into his frequency again. He

1765
01:37:30.079 --> 01:37:34.359
<v Speaker 3>came back into his proper timeline, so he was disorientated,

1766
01:37:34.479 --> 01:37:37.239
<v Speaker 3>and he was back on this quiet road where he

1767
01:37:37.239 --> 01:37:40.560
<v Speaker 3>had started. He said that the transition was so abrupt

1768
01:37:40.640 --> 01:37:43.479
<v Speaker 3>that it says he felt like he was awaking from.

1769
01:37:43.359 --> 01:37:46.199
<v Speaker 2>A vivid dream. Yet he swear he.

1770
01:37:46.119 --> 01:37:48.439
<v Speaker 3>Could still hear the sounds of battle in his mind,

1771
01:37:48.560 --> 01:37:50.359
<v Speaker 3>like I swear to God, I could still hear this,

1772
01:37:50.439 --> 01:37:52.840
<v Speaker 3>so it wasn't just a hallucination.

1773
01:37:53.039 --> 01:37:54.600
<v Speaker 2>So he ended up.

1774
01:37:55.439 --> 01:37:59.920
<v Speaker 3>He went and found himself a historian, and he meticulously

1775
01:38:00.399 --> 01:38:04.600
<v Speaker 3>described the uniforms, the weapons, and even what the terrain

1776
01:38:04.720 --> 01:38:10.000
<v Speaker 3>looked like. And the historian was able to confirm that

1777
01:38:10.039 --> 01:38:16.119
<v Speaker 3>these details matched the Battle of Culloden, which was in

1778
01:38:16.199 --> 01:38:20.560
<v Speaker 3>seventeen forty six. So he was able to match it

1779
01:38:20.640 --> 01:38:23.560
<v Speaker 3>down because of the Tartan patterns and the weaponry used

1780
01:38:23.600 --> 01:38:26.039
<v Speaker 3>in that hit clash. So that's how precise he was

1781
01:38:26.079 --> 01:38:27.119
<v Speaker 3>able to do it, and so they were able to

1782
01:38:27.159 --> 01:38:29.479
<v Speaker 3>say this is when it was. So he says that

1783
01:38:29.960 --> 01:38:34.000
<v Speaker 3>he just had to look in further into this, So

1784
01:38:34.479 --> 01:38:37.920
<v Speaker 3>he dove in so much so he was he was

1785
01:38:38.520 --> 01:38:40.680
<v Speaker 3>so he knew that that was it so the battle

1786
01:38:40.720 --> 01:38:44.439
<v Speaker 3>colored in seventeen forty six. So he started studying maps

1787
01:38:45.479 --> 01:38:48.279
<v Speaker 3>and first time accounts from the era, so he could

1788
01:38:48.520 --> 01:38:55.039
<v Speaker 3>actually place the exact location and the battlefield, so where

1789
01:38:55.079 --> 01:38:57.399
<v Speaker 3>he was, because he didn't just transport. It wasn't like

1790
01:38:58.319 --> 01:39:02.159
<v Speaker 3>he transported to that exact location that he was in. Originally,

1791
01:39:02.399 --> 01:39:04.960
<v Speaker 3>he transported to a different place, so not like the

1792
01:39:04.960 --> 01:39:08.319
<v Speaker 3>previous one where he was walking on in Liverpool and

1793
01:39:08.359 --> 01:39:10.439
<v Speaker 3>he was just was in the same the same spot.

1794
01:39:10.479 --> 01:39:14.239
<v Speaker 3>I believe that was in Bold Street, So he moved

1795
01:39:14.239 --> 01:39:17.319
<v Speaker 3>to a different place. So he was able to remember

1796
01:39:17.439 --> 01:39:21.079
<v Speaker 3>these landmarks and he was able to find the exact

1797
01:39:21.399 --> 01:39:22.479
<v Speaker 3>spot where he.

1798
01:39:22.600 --> 01:39:25.520
<v Speaker 2>Was and this exact battle.

1799
01:39:25.760 --> 01:39:29.359
<v Speaker 3>So he says there was like a possible connection between

1800
01:39:29.399 --> 01:39:31.640
<v Speaker 3>his experience and the energy of the site.

1801
01:39:32.159 --> 01:39:34.640
<v Speaker 2>So it really lent credence.

1802
01:39:34.199 --> 01:39:38.399
<v Speaker 3>To his belief that he stepped back into that critical

1803
01:39:38.479 --> 01:39:42.479
<v Speaker 3>moment in history. So it was it was very very interesting,

1804
01:39:42.479 --> 01:39:45.840
<v Speaker 3>and so he also claimed that like he never changed

1805
01:39:45.880 --> 01:39:48.880
<v Speaker 3>his story, and he was able to prove it, you know,

1806
01:39:49.079 --> 01:39:53.560
<v Speaker 3>by by describing everything and by finding the actual location

1807
01:39:53.680 --> 01:39:56.920
<v Speaker 3>of where he went back, which is amazing.

1808
01:39:58.039 --> 01:40:01.720
<v Speaker 7>Well that brings up the Army of the Twelve Monkeys.

1809
01:40:01.800 --> 01:40:03.880
<v Speaker 7>I don't know if you guys have ever seen Twelve Monkeys,

1810
01:40:04.039 --> 01:40:08.159
<v Speaker 7>that movie is a trip, right, But there's also real

1811
01:40:08.199 --> 01:40:13.760
<v Speaker 7>life examples of the twelve Monkeys type phenomenon. If you

1812
01:40:13.840 --> 01:40:19.079
<v Speaker 7>look back, there's a case of a Spanish conquistador. Shortly

1813
01:40:19.159 --> 01:40:24.760
<v Speaker 7>after they conquered all of to Note Sheet Land, there

1814
01:40:24.880 --> 01:40:28.800
<v Speaker 7>was this conquistador who fell asleep on duty and woke

1815
01:40:28.920 --> 01:40:33.359
<v Speaker 7>up in Spain. So he was right there, he was

1816
01:40:33.399 --> 01:40:36.079
<v Speaker 7>on duty. He leaned up against the pillar and then

1817
01:40:36.119 --> 01:40:39.319
<v Speaker 7>he woke up back in Spain. And they had no

1818
01:40:39.600 --> 01:40:43.000
<v Speaker 7>idea how he could have done that. There's no way

1819
01:40:43.039 --> 01:40:44.920
<v Speaker 7>he could have made it across the Atlantic like that.

1820
01:40:45.039 --> 01:40:48.359
<v Speaker 7>But it's so strange that you would have that sort

1821
01:40:48.359 --> 01:40:53.119
<v Speaker 7>of time space variance between there and there, and you know,

1822
01:40:53.479 --> 01:40:56.960
<v Speaker 7>it's a historical example of well there must have been

1823
01:40:56.960 --> 01:40:57.960
<v Speaker 7>a time slip, you know.

1824
01:40:58.640 --> 01:41:00.119
<v Speaker 3>Was it a time slip or was it just to

1825
01:41:00.119 --> 01:41:02.800
<v Speaker 3>a location slip? You know, like I wonder if there

1826
01:41:02.800 --> 01:41:04.399
<v Speaker 3>was any time difference in that, or if it was

1827
01:41:04.520 --> 01:41:05.640
<v Speaker 3>just location.

1828
01:41:06.119 --> 01:41:09.479
<v Speaker 7>Time and space true.

1829
01:41:09.880 --> 01:41:10.279
<v Speaker 2>True.

1830
01:41:10.640 --> 01:41:13.199
<v Speaker 3>Wow, All right, guys, I'm gonna I'm gonna do the

1831
01:41:13.319 --> 01:41:16.840
<v Speaker 3>last one, which I really this is probably my second favorite,

1832
01:41:16.840 --> 01:41:20.399
<v Speaker 3>which is the Vanishing Train in Italy, which was in

1833
01:41:20.520 --> 01:41:25.520
<v Speaker 3>nineteen eleven. So this this train was carrying passengers and

1834
01:41:25.560 --> 01:41:29.319
<v Speaker 3>it disappeared while traveling through a tunnel, maybe a portal

1835
01:41:29.720 --> 01:41:34.439
<v Speaker 3>near Lombardy, Italy. So the train was part of the

1836
01:41:34.560 --> 01:41:38.000
<v Speaker 3>Zenetti rail line and it entered a tunnel, but it

1837
01:41:38.439 --> 01:41:43.119
<v Speaker 3>reportedly never emerged. Now, rescue teams found no trace of

1838
01:41:43.159 --> 01:41:47.399
<v Speaker 3>the train or its passengers, and years later a few

1839
01:41:47.439 --> 01:41:52.640
<v Speaker 3>survivors reportedly surfaced with crazy, bizarre and chilling claims. They

1840
01:41:52.880 --> 01:41:56.039
<v Speaker 3>said that they they described the train entered the tunnel

1841
01:41:56.359 --> 01:42:00.760
<v Speaker 3>and there was this intense white light that goes everything

1842
01:42:00.800 --> 01:42:03.720
<v Speaker 3>around them. And this light, they said, just wasn't bright.

1843
01:42:03.800 --> 01:42:07.640
<v Speaker 3>It felt like it was alive and it was surrounding

1844
01:42:07.800 --> 01:42:15.600
<v Speaker 3>and isolating them in this void. And when these passengers

1845
01:42:15.640 --> 01:42:19.560
<v Speaker 3>said that they regained awareness, they found themselves standing outside

1846
01:42:19.600 --> 01:42:23.079
<v Speaker 3>the tunnel and they said it was and this is

1847
01:42:23.159 --> 01:42:25.039
<v Speaker 3>kind of like the Langeleiers.

1848
01:42:25.880 --> 01:42:28.439
<v Speaker 2>So they said that everything was.

1849
01:42:28.479 --> 01:42:31.800
<v Speaker 3>Silent and devoid, like there was nothing and there was

1850
01:42:31.840 --> 01:42:35.760
<v Speaker 3>the train wasn't there, other passengers weren't there. They said,

1851
01:42:35.760 --> 01:42:40.399
<v Speaker 3>they felt very disorientated and just unsettled. So that would

1852
01:42:40.399 --> 01:42:43.920
<v Speaker 3>be like adding to the enigma that their memories of

1853
01:42:43.960 --> 01:42:49.880
<v Speaker 3>the event were fragmented and the white lights somehow interfered

1854
01:42:49.920 --> 01:42:52.680
<v Speaker 3>with their ability to fully comprehend what happened, so they

1855
01:42:52.680 --> 01:42:57.800
<v Speaker 3>have like these loss of time time loss. So I

1856
01:42:57.840 --> 01:43:01.159
<v Speaker 3>think this really ties in a little bit with the

1857
01:43:01.239 --> 01:43:03.279
<v Speaker 3>Langoliers kind of like because there was only a certain

1858
01:43:03.319 --> 01:43:06.319
<v Speaker 3>amount of passengers that had fallen asleep on the on

1859
01:43:06.359 --> 01:43:08.880
<v Speaker 3>the plane, mind you, that they're the ones that traveled

1860
01:43:09.720 --> 01:43:13.560
<v Speaker 3>out of sync. Now even strange is that this there's

1861
01:43:13.800 --> 01:43:18.760
<v Speaker 3>reoccurring reports of this train has been cited in various

1862
01:43:18.800 --> 01:43:23.119
<v Speaker 3>locations across Europe and also as far away as Mexico.

1863
01:43:23.399 --> 01:43:27.279
<v Speaker 3>So when you're talking about like that Conquisador, you know,

1864
01:43:27.359 --> 01:43:29.880
<v Speaker 3>leaning up, falling asleep and being transported back to Spain,

1865
01:43:30.199 --> 01:43:32.680
<v Speaker 3>well this is kind of along that lines as well.

1866
01:43:32.720 --> 01:43:36.680
<v Speaker 3>So witnesses always describe it as like this old fashioned

1867
01:43:36.720 --> 01:43:42.600
<v Speaker 3>locomotive with silent and the passengers are just blankly staring out.

1868
01:43:43.119 --> 01:43:45.880
<v Speaker 2>Maybe they're just stuck, they're stuck in time, and they.

1869
01:43:45.720 --> 01:43:51.279
<v Speaker 3>Said this this apparition just appears and just vanishes just

1870
01:43:51.279 --> 01:43:57.159
<v Speaker 3>as suddenly, just you know, just leaving uneasiness.

1871
01:43:57.239 --> 01:43:59.119
<v Speaker 2>People just feel uneasy when they see it.

1872
01:43:59.199 --> 01:44:03.560
<v Speaker 3>So could be a spectral echo of this train or

1873
01:44:03.640 --> 01:44:06.359
<v Speaker 3>is it trapped somewhere out of time and it's just

1874
01:44:06.439 --> 01:44:10.079
<v Speaker 3>bleeding into our reality every now and then, So who

1875
01:44:10.520 --> 01:44:14.000
<v Speaker 3>knows what that's coming. So this could be like and

1876
01:44:14.079 --> 01:44:16.560
<v Speaker 3>like you said when you talked about the Langeleers before,

1877
01:44:16.840 --> 01:44:19.439
<v Speaker 3>that's why this one was. I'm like, oh yeah, wait

1878
01:44:19.479 --> 01:44:21.199
<v Speaker 3>till we get to this one. So it's very kind

1879
01:44:21.199 --> 01:44:23.680
<v Speaker 3>of similar of that where they're just out of sync

1880
01:44:23.800 --> 01:44:27.680
<v Speaker 3>and they're they're just behind time. I believe they're they're

1881
01:44:27.720 --> 01:44:31.199
<v Speaker 3>just just in the past there. So it's it's really

1882
01:44:31.479 --> 01:44:33.479
<v Speaker 3>really interesting. I like that one as well.

1883
01:44:34.760 --> 01:44:39.319
<v Speaker 7>Phase is so important and once that that drummer takes

1884
01:44:39.359 --> 01:44:42.479
<v Speaker 7>you off of beat, you never know what's going to happen.

1885
01:44:43.039 --> 01:44:47.319
<v Speaker 2>Nope, no, not at all, not at all. That's exactly

1886
01:44:47.359 --> 01:44:47.560
<v Speaker 2>you know.

1887
01:44:47.760 --> 01:44:50.439
<v Speaker 3>And when our consciousness somehow gets or the frequency that

1888
01:44:50.439 --> 01:44:56.399
<v Speaker 3>we're tuned into somehow gets changed, or or something is

1889
01:44:55.960 --> 01:44:59.680
<v Speaker 3>is uh like covering it or or or misdirecting it

1890
01:44:59.840 --> 01:45:04.479
<v Speaker 3>or trying to make it all visible. Yeah, yeah, and

1891
01:45:04.760 --> 01:45:08.319
<v Speaker 3>perhaps they're stuck in this altered state of consciousness for

1892
01:45:08.439 --> 01:45:12.560
<v Speaker 3>a second and for us it's one hundred years, fifty years,

1893
01:45:12.880 --> 01:45:15.079
<v Speaker 3>you know, could be anything like that, and it just

1894
01:45:15.359 --> 01:45:17.319
<v Speaker 3>sure for them could be a second for us, could

1895
01:45:17.359 --> 01:45:17.880
<v Speaker 3>be years.

1896
01:45:20.039 --> 01:45:22.600
<v Speaker 2>So that there are my stories.

1897
01:45:22.680 --> 01:45:25.560
<v Speaker 3>Those are kind of my that's my time slip and

1898
01:45:25.720 --> 01:45:30.520
<v Speaker 3>time travel. So you know, I do you believe that

1899
01:45:30.560 --> 01:45:31.920
<v Speaker 3>these time slips are genuine?

1900
01:45:32.159 --> 01:45:32.600
<v Speaker 2>I do.

1901
01:45:33.560 --> 01:45:39.479
<v Speaker 3>I really believe it's I think that we don't understand

1902
01:45:39.479 --> 01:45:41.840
<v Speaker 3>time yet. We're trying to. We're trying so hard to.

1903
01:45:42.680 --> 01:45:45.720
<v Speaker 3>But some people are just stuck with with their blinders on,

1904
01:45:45.800 --> 01:45:49.119
<v Speaker 3>and they just focus in on the mundane task I

1905
01:45:49.119 --> 01:45:50.880
<v Speaker 3>got to get up, go to work, do this other thing,

1906
01:45:51.159 --> 01:45:53.399
<v Speaker 3>when there's so much more for us out there to

1907
01:45:53.520 --> 01:45:57.960
<v Speaker 3>see and to perceive and to try to break free of.

1908
01:46:00.000 --> 01:46:02.960
<v Speaker 7>Well, I think that weight is really important, because you're

1909
01:46:03.000 --> 01:46:06.760
<v Speaker 7>saying like almost like, as you've got these blinders on,

1910
01:46:06.880 --> 01:46:10.960
<v Speaker 7>it adds to the weight of not willing to see

1911
01:46:10.960 --> 01:46:15.520
<v Speaker 7>these things. So you're almost more susceptible to being influenced

1912
01:46:15.520 --> 01:46:19.279
<v Speaker 7>by these time slips if you're not able to understand, Hey,

1913
01:46:19.880 --> 01:46:22.880
<v Speaker 7>other people have been through this. All I have to

1914
01:46:22.920 --> 01:46:25.439
<v Speaker 7>do is keep my eyes on the prize and we'll

1915
01:46:25.479 --> 01:46:28.479
<v Speaker 7>be back to normal. So a lot of people might

1916
01:46:28.520 --> 01:46:31.520
<v Speaker 7>be fucking with things in the past that they really

1917
01:46:31.600 --> 01:46:32.680
<v Speaker 7>shouldn't be fucking with.

1918
01:46:33.680 --> 01:46:35.840
<v Speaker 3>Yeah, and we're talking about the weight, though it could

1919
01:46:35.880 --> 01:46:39.479
<v Speaker 3>also be like those people that are you know, they're stuck,

1920
01:46:39.600 --> 01:46:42.800
<v Speaker 3>like not stuck, but they're really solidly planted into this

1921
01:46:43.000 --> 01:46:47.000
<v Speaker 3>time and they're not moving anywhere. And you know, when

1922
01:46:47.000 --> 01:46:50.039
<v Speaker 3>you got people getting high, you know, whether you take

1923
01:46:50.079 --> 01:46:52.920
<v Speaker 3>DMT or any type of other thing, you're you're rising

1924
01:46:52.960 --> 01:46:55.880
<v Speaker 3>above and you're able to perceive more than what you

1925
01:46:55.920 --> 01:46:59.359
<v Speaker 3>should be seeing because you're not weight, you're not heavy.

1926
01:47:03.319 --> 01:47:08.319
<v Speaker 7>What we end up doing is we end up thinking

1927
01:47:08.399 --> 01:47:11.359
<v Speaker 7>that our senses are the things that are supposed to

1928
01:47:11.359 --> 01:47:13.960
<v Speaker 7>be guiding us. But in these time slip scenarios, what

1929
01:47:14.000 --> 01:47:18.000
<v Speaker 7>we should be doing is using our cognitive abilities instead

1930
01:47:18.039 --> 01:47:22.199
<v Speaker 7>of thinking about what are my eyes telling? Yeah, because

1931
01:47:22.880 --> 01:47:25.800
<v Speaker 7>if we're not doing that, we might end up I mean,

1932
01:47:25.960 --> 01:47:29.039
<v Speaker 7>look at all these different events that have been changed,

1933
01:47:29.079 --> 01:47:31.840
<v Speaker 7>like the Barren Stein Bears and all these other things.

1934
01:47:32.439 --> 01:47:37.079
<v Speaker 7>What if that's because of cosmic weather activities.

1935
01:47:37.840 --> 01:47:41.840
<v Speaker 3>Yeah, electromagnetic electromagnetic activities that have bounced us over to

1936
01:47:41.920 --> 01:47:45.760
<v Speaker 3>another timeline where it is the Barren Stain Bears instead

1937
01:47:45.760 --> 01:47:49.359
<v Speaker 3>of the Barren Steam Bears, or is Jiffy and you

1938
01:47:49.399 --> 01:47:52.000
<v Speaker 3>know or whatever else you wanted to be a fruit

1939
01:47:52.039 --> 01:47:54.520
<v Speaker 3>of loom with the cornucopia or not. You know, it

1940
01:47:54.560 --> 01:47:59.600
<v Speaker 3>could be that we're getting bounced around by high electromagnetic frequencies,

1941
01:47:59.720 --> 01:48:01.880
<v Speaker 3>or SERN just ended the world and we had to

1942
01:48:01.880 --> 01:48:05.920
<v Speaker 3>actually jump over into a new timeline, right.

1943
01:48:06.079 --> 01:48:09.800
<v Speaker 7>You never know. I've got a short email. If you

1944
01:48:09.840 --> 01:48:12.039
<v Speaker 7>don't mind, I can throw that out there and then

1945
01:48:12.079 --> 01:48:18.039
<v Speaker 7>we can wrap it up. So this is from Jamie Ellis.

1946
01:48:18.159 --> 01:48:20.960
<v Speaker 7>I love the show very much, particularly the mail bag.

1947
01:48:21.640 --> 01:48:24.640
<v Speaker 7>I have what feels like a very mundane story from childhood,

1948
01:48:24.640 --> 01:48:27.399
<v Speaker 7>but my experiences was so profound I forgot about it

1949
01:48:27.399 --> 01:48:31.800
<v Speaker 7>for nearly twenty years. This was until I started looking

1950
01:48:31.920 --> 01:48:34.920
<v Speaker 7>into out of body experiences, when a year or two

1951
01:48:34.960 --> 01:48:40.680
<v Speaker 7>into my research, I suddenly remembered it, and not like

1952
01:48:40.800 --> 01:48:45.119
<v Speaker 7>remembering a joke or a trinket someone gave you. Once

1953
01:48:45.840 --> 01:48:47.960
<v Speaker 7>I was there and I could feel it and see

1954
01:48:48.000 --> 01:48:51.439
<v Speaker 7>it again, the seed from my experience. I need to

1955
01:48:51.479 --> 01:48:53.920
<v Speaker 7>tell you. I lived in a small coal miners town

1956
01:48:54.159 --> 01:48:56.960
<v Speaker 7>south of England. I'd lived in this house my whole

1957
01:48:56.960 --> 01:49:00.199
<v Speaker 7>life at the point guessing I was ten or twelve.

1958
01:49:00.479 --> 01:49:04.199
<v Speaker 7>My bedroom was at the back of the house, such

1959
01:49:04.279 --> 01:49:06.840
<v Speaker 7>that as I left the room I would need to

1960
01:49:06.880 --> 01:49:09.840
<v Speaker 7>turn one hundred and eighty degrees to the left on

1961
01:49:09.920 --> 01:49:12.880
<v Speaker 7>the landing to be looking down the stairs. At the

1962
01:49:12.880 --> 01:49:15.800
<v Speaker 7>bottom of the stairs, the steps went through a ninety

1963
01:49:15.840 --> 01:49:19.279
<v Speaker 7>degree turn to the left to go towards the living room,

1964
01:49:19.399 --> 01:49:24.560
<v Speaker 7>which I had, which had a closed door. This particular morning,

1965
01:49:24.800 --> 01:49:28.600
<v Speaker 7>as I woke up, I remember feeling this very subtle

1966
01:49:28.640 --> 01:49:33.520
<v Speaker 7>odd sensation that I could not place. Without thinking about

1967
01:49:33.520 --> 01:49:36.239
<v Speaker 7>the sensation, I left my bedroom and for a brief

1968
01:49:36.279 --> 01:49:39.159
<v Speaker 7>moment I paused and stood on the landing. At this point,

1969
01:49:39.239 --> 01:49:43.520
<v Speaker 7>two things struck me. One the feeling of the hot

1970
01:49:43.560 --> 01:49:47.479
<v Speaker 7>summer morning sunlight on my face and body coming from

1971
01:49:47.760 --> 01:49:52.159
<v Speaker 7>the front bedroom opposite me. Two, the warmth of the

1972
01:49:52.239 --> 01:49:55.600
<v Speaker 7>now hot sunlit carpet on the soles of my feet.

1973
01:49:56.039 --> 01:49:58.960
<v Speaker 7>At that time, I thought nothing of these sensations, as

1974
01:49:59.000 --> 01:50:01.880
<v Speaker 7>they seemed perfectly normal. However, as I turned the one

1975
01:50:01.960 --> 01:50:04.920
<v Speaker 7>hundred and eighty degree to go down the stairs, there

1976
01:50:05.560 --> 01:50:10.159
<v Speaker 7>was me. My body sat at the bottom of the

1977
01:50:10.279 --> 01:50:14.199
<v Speaker 7>stairs on my bumb how I often descended the stairs

1978
01:50:14.239 --> 01:50:16.720
<v Speaker 7>as a child about to go through the door to

1979
01:50:16.840 --> 01:50:19.600
<v Speaker 7>the living room. As I looked at myself at the

1980
01:50:19.640 --> 01:50:23.880
<v Speaker 7>bottom of the stairs, corporeal me seemed to notice my

1981
01:50:24.079 --> 01:50:27.920
<v Speaker 7>conscious self where I felt like I was witnessing reality

1982
01:50:28.000 --> 01:50:31.840
<v Speaker 7>from the top of the stairs and turned around to look.

1983
01:50:32.720 --> 01:50:36.279
<v Speaker 7>I looked into my own eyes. I locked eyes with

1984
01:50:36.439 --> 01:50:40.560
<v Speaker 7>myself for a moment. Unfortunately, this is the end of

1985
01:50:40.560 --> 01:50:42.760
<v Speaker 7>my memory. I have tried for a long time to

1986
01:50:42.840 --> 01:50:47.000
<v Speaker 7>recall a resolution to the scenario, but I don't seem

1987
01:50:47.039 --> 01:50:49.880
<v Speaker 7>to be able to. In my childhood, i'd put this

1988
01:50:50.000 --> 01:50:53.600
<v Speaker 7>all down to a strange tree. But how it struck

1989
01:50:53.640 --> 01:50:57.000
<v Speaker 7>me later in life, with such visceral memory of feeling

1990
01:50:57.079 --> 01:51:02.359
<v Speaker 7>and sensation, it tells me it was no dream.

1991
01:51:02.560 --> 01:51:06.800
<v Speaker 3>That's interesting, especially especially able to lock eyes. I think

1992
01:51:06.880 --> 01:51:09.439
<v Speaker 3>that to make that eye contact, because we talked about eyes.

1993
01:51:10.359 --> 01:51:13.119
<v Speaker 3>I think it's very important, you know, our perceiving reality,

1994
01:51:13.359 --> 01:51:17.079
<v Speaker 3>and she was able to lock eyes with herself.

1995
01:51:18.439 --> 01:51:20.279
<v Speaker 2>What was it? Was it a time slip or was

1996
01:51:20.319 --> 01:51:23.600
<v Speaker 2>it a doping ganger or what was it screeving?

1997
01:51:24.359 --> 01:51:27.279
<v Speaker 7>It seems it seems like a time slip, but it

1998
01:51:27.279 --> 01:51:32.239
<v Speaker 7>could be that doppelganger because she's not remembering perceiving herself

1999
01:51:32.520 --> 01:51:36.560
<v Speaker 7>from her former self, So there's this sort of out

2000
01:51:36.560 --> 01:51:38.520
<v Speaker 7>of phase reality right there.

2001
01:51:39.000 --> 01:51:42.279
<v Speaker 3>Yeah, Or is her from another reality crossing over into

2002
01:51:42.319 --> 01:51:48.399
<v Speaker 3>that reality and seeing that so many questions no answers.

2003
01:51:48.920 --> 01:51:52.439
<v Speaker 3>One answer. Wherever you get one answer, it's like ten

2004
01:51:52.479 --> 01:51:54.239
<v Speaker 3>more questions. That's the way it always goes.

2005
01:51:56.760 --> 01:51:59.359
<v Speaker 7>Absolutely well.

2006
01:51:59.399 --> 01:52:01.359
<v Speaker 4>I definitely think I think there's something up with some

2007
01:52:01.399 --> 01:52:04.439
<v Speaker 4>of these stories, for sure. I'm sure there's something there.

2008
01:52:04.479 --> 01:52:11.359
<v Speaker 4>There's something legit, you know. Very interesting, yeah, very interesting stuff.

2009
01:52:11.399 --> 01:52:13.640
<v Speaker 5>Thank you very much. Man. That was well put together.

2010
01:52:13.680 --> 01:52:16.680
<v Speaker 5>That was a lot of information. Wasn't actually expecting all that.

2011
01:52:18.159 --> 01:52:18.600
<v Speaker 2>What's that?

2012
01:52:18.680 --> 01:52:21.319
<v Speaker 5>Sorry, I wasn't expecting all that. Actually, that was a lot, I.

2013
01:52:22.920 --> 01:52:23.359
<v Speaker 1>Know, I know.

2014
01:52:23.439 --> 01:52:25.880
<v Speaker 3>I didn't want it to be basic. I wanted it

2015
01:52:25.920 --> 01:52:28.399
<v Speaker 3>to be a little in depth, and I might have

2016
01:52:28.439 --> 01:52:29.560
<v Speaker 3>went a little too in depth.

2017
01:52:29.560 --> 01:52:33.199
<v Speaker 5>But that was great. That was great, all right, cool cool? Yeah, oh,

2018
01:52:33.279 --> 01:52:35.119
<v Speaker 5>thank you very much. Really appreciate it.

2019
01:52:36.079 --> 01:52:39.119
<v Speaker 4>Please let everybody else know again where they can find

2020
01:52:39.159 --> 01:52:40.199
<v Speaker 4>all your stuff, right.

2021
01:52:41.239 --> 01:52:46.760
<v Speaker 3>I'm on Spotify, YouTube, Apple, Twitter formally known or x

2022
01:52:46.840 --> 01:52:51.479
<v Speaker 3>formally known as Twitter, wherever, Instagram, Facebook, you know, just

2023
01:52:51.520 --> 01:52:54.239
<v Speaker 3>look at the name there, Ry, I'm sorry, the code

2024
01:52:54.319 --> 01:52:58.079
<v Speaker 3>got code gas Codex of curiosities and hit me up,

2025
01:52:58.199 --> 01:53:00.720
<v Speaker 3>check it out and subscribe.

2026
01:53:00.880 --> 01:53:01.439
<v Speaker 2>That's about it.

2027
01:53:01.960 --> 01:53:03.640
<v Speaker 5>You have a link tree or something with all your

2028
01:53:03.640 --> 01:53:04.319
<v Speaker 5>stuff on I do?

2029
01:53:04.479 --> 01:53:05.680
<v Speaker 2>I do compire that to you?

2030
01:53:06.159 --> 01:53:07.680
<v Speaker 5>Yes, I'll put that in the show links.

2031
01:53:07.720 --> 01:53:10.439
<v Speaker 4>And uh, aren't you supposed to be going on Headless's

2032
01:53:10.439 --> 01:53:11.600
<v Speaker 4>show eventually too soon?

2033
01:53:12.479 --> 01:53:15.399
<v Speaker 3>Yes, yes, we're supposed to do that last week, but

2034
01:53:15.720 --> 01:53:17.079
<v Speaker 3>we had a little bit of a little bit of

2035
01:53:17.119 --> 01:53:18.840
<v Speaker 3>an issue, so we're postponing.

2036
01:53:18.960 --> 01:53:20.079
<v Speaker 2>We're doing it again. Yeah.

2037
01:53:20.199 --> 01:53:21.960
<v Speaker 5>Oh awesome, man, awesome. I look forward to that.

2038
01:53:22.760 --> 01:53:23.800
<v Speaker 2>Great too, we too.

2039
01:53:23.920 --> 01:53:25.319
<v Speaker 3>I don't know if we're gonna talk dreams or what

2040
01:53:25.319 --> 01:53:28.399
<v Speaker 3>we're gonna talk about, because I could feel a year's

2041
01:53:28.479 --> 01:53:30.399
<v Speaker 3>worth of content with dreams.

2042
01:53:30.760 --> 01:53:34.760
<v Speaker 4>Yeah, yeah, that'd be great for that show. Awesome again,

2043
01:53:34.800 --> 01:53:37.119
<v Speaker 4>Thank you very much, bro. You you really really brought

2044
01:53:37.159 --> 01:53:37.720
<v Speaker 4>a lot.

2045
01:53:38.359 --> 01:53:41.079
<v Speaker 5>A lot to the table, you know, stuff to appreciate that.

2046
01:53:41.359 --> 01:53:45.039
<v Speaker 2>Yeah, I appreciate the I appreciate that you appreciate it.

2047
01:53:45.159 --> 01:53:46.680
<v Speaker 5>Yeah. Cool.

2048
01:53:46.760 --> 01:53:50.119
<v Speaker 4>Cool, And then real quick, I'll let everybody else replug

2049
01:53:50.119 --> 01:53:51.399
<v Speaker 4>the stuff again real fast.

2050
01:53:51.520 --> 01:53:53.680
<v Speaker 5>JJ Vance. Let everybody know where they can find your work.

2051
01:53:53.520 --> 01:53:57.199
<v Speaker 1>Please, JJ Vance.

2052
01:53:57.399 --> 01:54:01.920
<v Speaker 6>Host of Operations GCD, the Vice President plaks again. Nick

2053
01:54:02.319 --> 01:54:06.279
<v Speaker 6>Headle us Ethan always good times, ry, always great conversation.

2054
01:54:06.399 --> 01:54:09.960
<v Speaker 6>Sar really really enjoyed this one. And for your analogy

2055
01:54:10.119 --> 01:54:12.760
<v Speaker 6>with the record, perhaps I can recommend you efforts The

2056
01:54:12.800 --> 01:54:18.000
<v Speaker 6>third son his band The Eels, the post grunge British

2057
01:54:18.119 --> 01:54:20.680
<v Speaker 6>rock band. His son is the least singer of that band.

2058
01:54:23.079 --> 01:54:26.720
<v Speaker 4>Thank you, good Times, Yes very much, Thank you very

2059
01:54:26.800 --> 01:54:29.640
<v Speaker 4>much to Jay and I want to head Less Giant, sir.

2060
01:54:31.119 --> 01:54:34.000
<v Speaker 7>Thank you. So this is a great episode. I love

2061
01:54:34.119 --> 01:54:38.199
<v Speaker 7>talking about time. It's so relevant. If you want to

2062
01:54:38.239 --> 01:54:43.760
<v Speaker 7>send me your weird stories about paranormal about any sort

2063
01:54:43.760 --> 01:54:46.760
<v Speaker 7>of experiences you've had that just don't seem in place

2064
01:54:46.800 --> 01:54:49.119
<v Speaker 7>with the rest of your life, send it to me

2065
01:54:49.319 --> 01:54:52.920
<v Speaker 7>at the Headless shiret podcast at gmail dot com and

2066
01:54:53.039 --> 01:54:55.000
<v Speaker 7>I will read them and me and Nick will go

2067
01:54:55.119 --> 01:55:00.720
<v Speaker 7>over it. So and also, guys, time is something to ponder,

2068
01:55:01.079 --> 01:55:04.119
<v Speaker 7>This is something to experience, you know, I mean, these

2069
01:55:04.119 --> 01:55:07.800
<v Speaker 7>are very important things. Even if we're inside of a simulation,

2070
01:55:08.399 --> 01:55:11.840
<v Speaker 7>you should really review this stuff because it's very important

2071
01:55:11.880 --> 01:55:14.319
<v Speaker 7>to not only you but all the rest of us.

2072
01:55:14.359 --> 01:55:18.119
<v Speaker 7>We can we can find a way through this stuff.

2073
01:55:18.640 --> 01:55:19.960
<v Speaker 7>So let us know.

2074
01:55:21.079 --> 01:55:25.600
<v Speaker 4>Well said yes, and definitely please email him some stuff.

2075
01:55:25.840 --> 01:55:26.479
<v Speaker 5>Appreciate it.

2076
01:55:27.000 --> 01:55:29.079
<v Speaker 1>And last week last week.

2077
01:55:31.199 --> 01:55:34.520
<v Speaker 7>Good last week cookie monster, Bigfoot.

2078
01:55:35.720 --> 01:55:38.239
<v Speaker 5>And what was that rainbow trout or something.

2079
01:55:38.600 --> 01:55:41.119
<v Speaker 1>Possibly possibly some wildlife crimes.

2080
01:55:43.000 --> 01:55:44.079
<v Speaker 7>You're going to jail.

2081
01:55:46.720 --> 01:55:49.199
<v Speaker 5>Last week not least ethan indigo, my man.

2082
01:55:49.279 --> 01:55:52.560
<v Speaker 8>Please let everybody know thank you so much for involving

2083
01:55:52.640 --> 01:55:55.920
<v Speaker 8>me with us, and thank you guys for all your ideas. Right,

2084
01:55:56.079 --> 01:56:01.079
<v Speaker 8>that was an epic presentation. I'm on the usual social

2085
01:56:01.159 --> 01:56:05.239
<v Speaker 8>media so I always appreciate communication and thank you for that.

2086
01:56:05.880 --> 01:56:08.159
<v Speaker 5>Of course, and all his links will be on the

2087
01:56:08.159 --> 01:56:09.039
<v Speaker 5>bottom as well.

2088
01:56:09.560 --> 01:56:12.399
<v Speaker 4>And that is the end of another recult Rejects and

2089
01:56:12.479 --> 01:56:15.000
<v Speaker 4>until the next one, everybody be well.

2090
01:56:15.119 --> 01:56:15.359
<v Speaker 5>Later
