WEBVTT

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<v Speaker 1>Welcome to Wine Soundtrack USA. Listen to the passion with

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<v Speaker 1>which producers narrate their winery and their world team thirty

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<v Speaker 1>answers discover their stories, personalities and passions.

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<v Speaker 2>Hello, friends and listeners of Wine Soundtrack. This is Alison

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<v Speaker 2>Levine and today I'm in the tasting room of Royo

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<v Speaker 2>Sellers in the Livermore Valley with the partner and winemaker

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<v Speaker 2>John chip Rich. John, welcome to Wine Soundtrack and tell

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<v Speaker 2>us a little bit about Arroyo Sellers.

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<v Speaker 3>That's a pleasure having you here. Thank you. And Arroyo

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<v Speaker 3>Sellers were a small, very small winery founded by a

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<v Speaker 3>group of a family of friends, I think is the

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<v Speaker 3>best way of phrasing it. So there are actually ten

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<v Speaker 3>of us overall, their partners in the winery, and we

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<v Speaker 3>each bring something different to the operation. But we're a

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<v Speaker 3>group of people that met over twenty five years ago

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<v Speaker 3>and have done a lot of things together over the years.

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<v Speaker 3>A few years back, one of the partners decided that

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<v Speaker 3>it might be fun to open a winery. There was

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<v Speaker 3>a previous winery that we had been affiliated with. Unfortunately,

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<v Speaker 3>the owner of that one had passed away and so

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<v Speaker 3>it shut down, but it left an interest for all

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<v Speaker 3>of us. So the one gentleman Ron decided to open

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<v Speaker 3>up a new location here at Royal Sellers. And the

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<v Speaker 3>business started primarily as wine storage, but it was always

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<v Speaker 3>a vision to have a winery involved with it, and

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<v Speaker 3>we just grew from there.

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<v Speaker 2>And I love this because you said it's ten friends

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<v Speaker 2>or ten couple in friends, ten family and friends. So

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<v Speaker 2>and the fact is twenty five years and you're all

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<v Speaker 2>still friends, you're working together. Someone has really organized very

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<v Speaker 2>well and delineated who does what, So there's no resentment

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<v Speaker 2>that I did more. But so tell me you started

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<v Speaker 2>Arroyo Sellers in what year.

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<v Speaker 3>We started with the wine storage area in twenty eighteen.

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<v Speaker 3>We actually opened up the tasting room once before COVID

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<v Speaker 3>did wonderful.

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<v Speaker 2>But you're still here. And how many cases do you make?

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<v Speaker 3>We vary between five to seven hundred cases a year,

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<v Speaker 3>so relatively.

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<v Speaker 2>Modest, modest and small. And what do you focus on

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<v Speaker 2>grape wise?

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<v Speaker 3>We having fun with the grapes mainly. We actually do

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<v Speaker 3>a pretty broad range of wines. So we have several whites,

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<v Speaker 3>which we considered to be a heritage type for the

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<v Speaker 3>Livermore Valley. So Livermore was renowned for its southern hum Bloc.

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<v Speaker 3>Semion is another one that is quite good and one

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<v Speaker 3>day with the Chardonnay. So we have those, but we

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<v Speaker 3>also have another one of the heritage wines for Livermore Valley,

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<v Speaker 3>which is a petite row was something that was pioneered

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<v Speaker 3>through Concanon the Bordeaux grow here as well. And Cabernet

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<v Speaker 3>franc is another signature whine now for the Livermore Valley.

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<v Speaker 3>So we've been corporated dat into the portfolio as well.

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<v Speaker 2>Okay, so more white wines than reds.

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<v Speaker 3>No, it's actually a pretty healthy mix. So this year,

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<v Speaker 3>even though we only bottled seven in our cases, we

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<v Speaker 3>did produce sixteen different wines there, wow, four whites and

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<v Speaker 3>twelve rids.

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<v Speaker 2>Wow.

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<v Speaker 3>Wow.

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<v Speaker 2>And working with a lot of Bordeaux varieties in the

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<v Speaker 2>classics of them.

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<v Speaker 3>That is correct.

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<v Speaker 2>Okay? And are you do you own any vineyards or

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<v Speaker 2>just sourcing fruit? And if you're sourcing fruit, is it

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<v Speaker 2>just from Livermore Valley or do you expand out?

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<v Speaker 3>We source our fruit, so we're definitely not farmers. We

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<v Speaker 3>leave out to people who know what they're doing. We

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<v Speaker 3>buy almost exclusively from the Livermore and the majority of

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<v Speaker 3>the grapes actually come from within two and a half

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<v Speaker 3>miles of the winery. We do have one exception, and

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<v Speaker 3>that is that we've picked up some Torroldego just because

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<v Speaker 3>we felt like, you know, that would be a lot

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<v Speaker 3>of fun.

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<v Speaker 2>Why not.

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<v Speaker 3>Everyone knows charle to go absolutely and it's not grown

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<v Speaker 3>here in Livermore. So we did source it from.

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<v Speaker 2>Gold from where gold golt.

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<v Speaker 3>Where's that It's by Sacramento?

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<v Speaker 2>Okay, not far, not terribly far. And I'm going to

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<v Speaker 2>make the assumption that with the amount of wine that

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<v Speaker 2>you produce, that you are exclusively, exclusively available here as

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<v Speaker 2>a direct to consumer winery. That you've got your tasting

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<v Speaker 2>room and your website. But are you in any markets?

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<v Speaker 2>Do you sell in any restaurants locally or in any

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<v Speaker 2>other cities?

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<v Speaker 3>We are pretty much local. We do sell to a

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<v Speaker 3>number of restaurants. I think you're mainly here in Livermore.

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<v Speaker 3>We just close the deal with Costco, so we're going

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<v Speaker 3>to have some wine showing up there in the very

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<v Speaker 3>near future. Otherwise, the majority of the cell is through

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<v Speaker 3>the taste somewhere.

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<v Speaker 2>Then this is where people have to find you, and

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<v Speaker 2>that's how I found you. So I'm curious. You know,

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<v Speaker 2>you and your friends have come to wine after other careers.

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<v Speaker 2>Wine is something you love, But what is your first

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<v Speaker 2>memory relevant to wine? How old were you and what

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<v Speaker 2>was that experience where you actually either tasted or found

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<v Speaker 2>out wine existed.

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<v Speaker 3>Okay, I'm going to give you a couple ways of answering. Yet,

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<v Speaker 3>when I grew up in the family, we grew up

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<v Speaker 3>in western Pennsylvania, wine was not something that was an

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<v Speaker 3>everyday part of our lives, and so those consequences. My

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<v Speaker 3>first face the wine was BlackBerry wine.

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<v Speaker 2>Made from blackberries, and that was the first experience Your

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<v Speaker 2>first memory relevant to wine?

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<v Speaker 3>Correct?

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<v Speaker 2>So then I can fast forward and say, Okay, when

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<v Speaker 2>you started drinking wine, do you have You may have many,

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<v Speaker 2>because I mean it sounds like you have had experienced

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<v Speaker 2>drinking wine. But is there one wine that stands out

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<v Speaker 2>as one of those aha moment wines, like one of

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<v Speaker 2>those really memorable wine experiences.

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<v Speaker 3>Out? Yes, and against not the shortest answer in the world,

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<v Speaker 3>but with my once I graduated from college, with my job,

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<v Speaker 3>I had a lot of international activity associated with my job,

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<v Speaker 3>and so I got to travel fair amount, and of

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<v Speaker 3>course wine and dinner became a part of my life

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<v Speaker 3>and I got to experience a lot of absolutely wonderful

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<v Speaker 3>wines over the years. My wife and I went out

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<v Speaker 3>a cruise and the Somalie on board the cruise ship

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<v Speaker 3>noted that we tended to like some pretty nice wines,

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<v Speaker 3>and he came up to us and said, Okay, tomorrow

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<v Speaker 3>is your last day for dinner on the cruise ship.

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<v Speaker 3>When you come to the dining room, do not get seated.

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<v Speaker 3>Ask for me. And we said okay, and we came

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<v Speaker 3>in and there he had a separate little table set

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<v Speaker 3>aside with a decanter on it, and he introduced us

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<v Speaker 3>to Sassakaia. Okay, and that was just a lovely wine.

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<v Speaker 3>And we kind of still enjoy the glass of Sasakaia

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<v Speaker 3>to this state.

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<v Speaker 2>With a very lovely memory associated with it. So it's

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<v Speaker 2>that a lot of times that aha moment with wine

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<v Speaker 2>is centered not just about what was in the glass,

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<v Speaker 2>but the whole experience exactly. So if we were to

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<v Speaker 2>come to your home, what kind of wines would we

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<v Speaker 2>find in your house? Are you a collector of wine?

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<v Speaker 2>Are there certain grapes you have or regions your own wines,

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<v Speaker 2>local wines? What would we find in.

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<v Speaker 3>Your house, sadly, almost anything, well.

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<v Speaker 2>That's not sadly, that's exciting.

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<v Speaker 3>Well, it's all relative, but we have a pretty broad

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<v Speaker 3>range of wines because again, for us, wine is not

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<v Speaker 3>just something that you see. It's a mood, it's an expression,

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<v Speaker 3>it's the time of the day, what you're doing, who

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<v Speaker 3>you're with, what you're eating. And so we pretty much

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<v Speaker 3>the spectrum covered.

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<v Speaker 2>And is there anything you opened up recently that drank

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<v Speaker 2>really well.

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<v Speaker 3>Well, there are a few. So again we a friend

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<v Speaker 3>of ours just had a birthday, so we bought a

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<v Speaker 3>bottle of the Sassakaya for that. We also enjoyed a

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<v Speaker 3>beautiful worn Alia just recently had a favely Jevre Chambertine

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<v Speaker 3>which was just exquisite.

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<v Speaker 2>But do you know, do you know what vintage that

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<v Speaker 2>family was.

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<v Speaker 3>The family that we just had was a twenty nineteen.

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<v Speaker 3>The Saskai was also in nineteen, The Ornelli was in eighteen.

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<v Speaker 3>But the other thing is we opened up one of

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<v Speaker 3>ours just recently with a group of friends, and which

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<v Speaker 3>one was beautiful? It was our Dorado. It's a twenty

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<v Speaker 3>twenty three Bordeaux blend, so it's fifty six percent. Is

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<v Speaker 3>a field blend of petite Serah, I'm sorry I missed

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<v Speaker 3>bo petite for dough cab franc and a mile back.

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<v Speaker 3>Thirty percent is Caverny Sevignon, and then the remaining fourteen

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<v Speaker 3>percent is Marlowe.

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<v Speaker 2>Wow, you drink a lot. I like that. I like that.

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<v Speaker 2>So as someone who drinks a lot a broad diverse

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<v Speaker 2>selection of wines from all over the world, as well

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<v Speaker 2>as making what sixteen different wines here, do you think

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<v Speaker 2>there's a such thing as a perfect variety?

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<v Speaker 3>I don't. Again, to me, it really ties into the

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<v Speaker 3>moment man, who you're with, the foods, et cetera.

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<v Speaker 2>And so as a wine drinker, I mean, you know

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<v Speaker 2>you did talk Sasa Kay and Ornelia, But as a

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<v Speaker 2>wine drinker, red whiteter Rose.

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<v Speaker 3>Slight bias towards the reds, but again equal opportunity. There

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<v Speaker 3>are certain days where a Rose said, no, this is

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<v Speaker 3>what you're going to drink today. Yeah, the white said no,

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<v Speaker 3>this is this will be perfect. And what we're sipping

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<v Speaker 3>right now.

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<v Speaker 2>Is a white because it's middle of the day, it's

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<v Speaker 2>warm out. What more do you want? Absolutely, you're right,

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<v Speaker 2>it's about place and time and space still are.

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<v Speaker 3>Sparkling, sparkling goes with everything, and it's always a great,

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<v Speaker 3>great thing to have. But I more steel than sparkling.

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<v Speaker 2>Well, speaking about going with everything and about moods and times,

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<v Speaker 2>a lot has to do with what you're eating. So

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<v Speaker 2>how do you approach food and wine pairing? Do you

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<v Speaker 2>follow rules? Do you think the old adage of white

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<v Speaker 2>wine and fish, red wine and meat, or is there

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<v Speaker 2>something else you look for in making the choices.

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<v Speaker 3>I look more at the flavors and the flavor profiles.

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<v Speaker 3>I look at the acid levels and the way I

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<v Speaker 3>look at Christmas, take a look at the fattiness in

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<v Speaker 3>the foods, what spices go with the foods, and then

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<v Speaker 3>I go from there.

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<v Speaker 2>So do you pick your food and then choose the

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<v Speaker 2>wine or do you pick your wine and then decide

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<v Speaker 2>the dish?

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<v Speaker 3>Normally I picked the food first and then I'll choose

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<v Speaker 3>a wine that I think goes best with it. There

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<v Speaker 3>are exceptions where I said this is the one I read,

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<v Speaker 3>But as a role, it's the food.

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<v Speaker 2>First, okay. And can you offer an example. Let's say

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<v Speaker 2>that you have, as you said, some spice in your dish.

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<v Speaker 2>What would you be looking for in a wine as

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<v Speaker 2>a compliment to that?

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<v Speaker 3>Well, if it was a very spicy as in hot

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<v Speaker 3>spice dish. There, I would look for something that's a

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<v Speaker 3>little cool er, a little crisper, so slightly higher acid

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<v Speaker 3>just to help work with the spices. If it's a

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<v Speaker 3>rounder spice there, I would look for a wine it

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<v Speaker 3>would be able to stand up to the spice so

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<v Speaker 3>that it wouldn't be overpowered by the dish. So, for instance,

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<v Speaker 3>we make a zinfandel here that I call a Lasagna

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<v Speaker 3>wine because lasagna is an old, rich food and this

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<v Speaker 3>wine is not a whimpy wine. It'll stand up and

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<v Speaker 3>hold its own with the wine, and the two work together.

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<v Speaker 2>In more of a compliment to each other as opposed

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<v Speaker 2>to a contrast to each other.

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<v Speaker 3>That is correct. Yeah, for me, the perfect pairing is

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<v Speaker 3>when both the food and the wine are enhanced by

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<v Speaker 3>the other's presence.

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<v Speaker 2>We all try to achieve that. That's what we work for.

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<v Speaker 2>That's what we work for. So for somebody who hasn't

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<v Speaker 2>had the pleasure to taste of royal sellers yet, what

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<v Speaker 2>do you think they're missing out on?

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<v Speaker 3>What they're missing out on is the beauty of the

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<v Speaker 3>little more fruit the first. First off, The second thing

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<v Speaker 3>is that we don't overwork. The wine. Fruit tells us

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<v Speaker 3>what to do, and we want fruit to be the showcase,

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<v Speaker 3>the centerpiece of the wine. So what you're getting here

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<v Speaker 3>is you're getting a nice, clean wine, not overly oaked,

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<v Speaker 3>not overly worked, but something that is just a real

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<v Speaker 3>beautiful representation of what that grape wants to be.

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<v Speaker 2>So when we talk about what a grape wants to be,

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<v Speaker 2>and you were mentioning that you don't think there's a

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<v Speaker 2>such thing as a perfect variety. But as a wine maker,

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<v Speaker 2>are you aspiring to achieve some level of perfection or scores?

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<v Speaker 2>I mean, do wine critics and scores play a big

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<v Speaker 2>role in what you do? Do you find them to

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<v Speaker 2>be useful or what's your opinion?

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<v Speaker 3>That's another good question. What I tell people about wine

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<v Speaker 3>critics is if you can find one that aligns with

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<v Speaker 3>your taste, that's great because then you can use them

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<v Speaker 3>to go out there and source a lot of different things.

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<v Speaker 3>But you need to trial things. For me, the most

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<v Speaker 3>important person and their opinion of the wine is the

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<v Speaker 3>person sitting across from me as I'm pouring the glass

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<v Speaker 3>for them. That that's probably the shortest answer I can

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<v Speaker 3>But yeah, as far as again, not having a specific

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<v Speaker 3>variety in mind, is we're doing things. The short answer

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<v Speaker 3>there is yes, I'm trying to achieve perfection for every

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<v Speaker 3>wine that we make. What we do when we work

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<v Speaker 3>on the blending, so we do a lot of blends.

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<v Speaker 3>There's the occasion where you'll taste something by itself and

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<v Speaker 3>you'll say, Okay, I'm not gonna mess with this. It's

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<v Speaker 3>just exactly what it needs to be. But the majority

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<v Speaker 3>of what we do are blends, and well, we're tasting

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<v Speaker 3>the wine. We're we're not tasting the wine as a

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<v Speaker 3>regular taste. We're looking for the holes, the gaps. Okay,

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<v Speaker 3>I like it, but it would be even better. And

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<v Speaker 3>that's why we have a range of wines that we

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<v Speaker 3>play with, because then we'll say, Okay, maybe a little

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<v Speaker 3>bit of this will help to plug that hole. And

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<v Speaker 3>to me, that's the best part of being a wine

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<v Speaker 3>maker is having that opportunity and seeing how the grapes

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<v Speaker 3>want to play together.

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<v Speaker 2>Yeah, well that's the beauty of what a blend is.

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<v Speaker 2>You know, varieties are beautiful on their own, and like

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<v Speaker 2>you said, when one is great, they're great, but there

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<v Speaker 2>is something really beautiful about finding how they can work

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<v Speaker 2>with each other. So, if space aliens were to land

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<v Speaker 2>in your parking lot out there and come knock on

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<v Speaker 2>your door, which of your wines, of all your sixteen wines,

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<v Speaker 2>would you say, Welcome to royal sellers.

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<v Speaker 3>I would start them with the white blend, the liver More.

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<v Speaker 2>It's aptly named too.

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<v Speaker 3>Yeah, it's well, it's a wine helped to put Livermore

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<v Speaker 3>on the map. I was back and the eighteen eighties,

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<v Speaker 3>a blend of Savinium bulk and semon was actually entered

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<v Speaker 3>into the Paras Exhibition and it did quite well. It

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<v Speaker 3>won best of class, okay, and.

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<v Speaker 2>Against a classic four Jeau white, which is a blend

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<v Speaker 2>of Samnil blanc and semione. Right, okay, So yeah, we've

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<v Speaker 2>got that here. So I guess I'm a space alien.

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<v Speaker 2>I got welcomed with and you call it the Livermore White.

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<v Speaker 2>I call it Livermore Livermore. So welcome to Livermore with

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<v Speaker 2>a glass of Livermore. It's perfect. I love it. I

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<v Speaker 2>love it. So you're sourcing fruit from lots of different vineyards,

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<v Speaker 2>do you spend a lot of time in the vineyards.

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<v Speaker 3>We have developed relationships with the growers over the years. Yes,

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<v Speaker 3>we've had the opportunity to walk the vineyards discuss them.

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<v Speaker 3>There's a level of trust also that that's been established.

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<v Speaker 3>So when the growers say, you know, it would be

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<v Speaker 3>a good time to pick around now, we tend to

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<v Speaker 3>believe them. That doesn't mean that we won't go and

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<v Speaker 3>walk them in your your sample and taste. But it's

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<v Speaker 3>really more of, let's say, a cooperation of partnership with

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<v Speaker 3>the growers than one telling the other one to do and.

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<v Speaker 2>With your you said you started this. You started making

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<v Speaker 2>a royal seller's wines in twenty eighteen, or you had

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<v Speaker 2>the storage and then the wine came a little later.

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<v Speaker 3>Twenty eighteen was about right, twenty eighteen.

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<v Speaker 2>But you were a partner in another winery you using

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<v Speaker 2>livermore fruit, and were you the wine maker for that

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00:17:41.279 --> 00:17:42.359
<v Speaker 2>winery as well.

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<v Speaker 3>The other wine maker. There's two of us as part

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<v Speaker 3>the wine maker team here. So Tim Sauer was the

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<v Speaker 3>primary wine maker at the other place, and I helped

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<v Speaker 3>him out. That's actually how I got involved in the

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<v Speaker 3>wine industry in the first place, was through a friendship

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<v Speaker 3>with Tim. So I've been playing with making wines now

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<v Speaker 3>for twenty five some odd years. Kim's got over thirty

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<v Speaker 3>some odd years.

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<v Speaker 2>Okay, so for twenty five years, even though you're not

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00:18:10.440 --> 00:18:13.079
<v Speaker 2>in the vineyard every single day, you know, you've been

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00:18:13.119 --> 00:18:16.039
<v Speaker 2>making wine twenty five vintages. And I'm curious, in a

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<v Speaker 2>place like Livermore Value, do you see a lot of

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<v Speaker 2>consistency from year to year? Do you see a lot

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<v Speaker 2>of vintage variation? I mean, we know every vintage sells

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<v Speaker 2>a different story, but are the differences from one year

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<v Speaker 2>to another more similar or more different?

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<v Speaker 3>It's recently consistent. I mean, there are obviously big differences

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00:18:34.839 --> 00:18:38.960
<v Speaker 3>in the weather every once in a while, so some

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<v Speaker 3>vintages will just absolutely stand out, and then others they

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<v Speaker 3>get impacted by other environmental aspects. We had a lot

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<v Speaker 3>of wildfires in a twenty twenty time frame, and so

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00:18:52.200 --> 00:18:54.920
<v Speaker 3>there were concerns over what was going on in that

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00:18:55.039 --> 00:19:01.839
<v Speaker 3>time frame, and you know, passion follow on that year.

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<v Speaker 3>We were a little more selecting what we bought, and

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<v Speaker 3>we had to modify the winemaking process to try to

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<v Speaker 3>minimize the influence of smoke tank on the lines. But

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00:19:13.240 --> 00:19:18.480
<v Speaker 3>you take those anomalies out of the situation and the

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00:19:18.519 --> 00:19:22.519
<v Speaker 3>living more fruits are reasonably consistent. At least that's our experience.

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<v Speaker 2>And as a team because you are a group of

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00:19:25.839 --> 00:19:29.599
<v Speaker 2>ten friends. Do you guys have any sort of traditions

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<v Speaker 2>that you do each year at the start of harvest

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00:19:32.200 --> 00:19:36.400
<v Speaker 2>or during harvest, that's you know, any sort of annual

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00:19:37.440 --> 00:19:41.920
<v Speaker 2>toasts or random funny things we do.

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<v Speaker 3>Actually, we do a lot during the course of the

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00:19:46.759 --> 00:19:51.240
<v Speaker 3>year as grips. For instance, we do a lot of

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<v Speaker 3>holidays together and one family will pretty much do the Easter.

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<v Speaker 3>Some of you will get Fourth of July someone, or

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00:20:01.359 --> 00:20:03.960
<v Speaker 3>do Christmas someone, or do Thanksgiving, and we rotate around

346
00:20:03.960 --> 00:20:08.440
<v Speaker 3>for that. Bottling is another opportunity where we all just

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00:20:08.480 --> 00:20:13.000
<v Speaker 3>get together and enjoy the day. It's a very active day.

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<v Speaker 2>But any good luck rituals not really. No no toes, noah,

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<v Speaker 2>lucky socks, noo.

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<v Speaker 3>There's always toast. But there's more humor than anything else.

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<v Speaker 2>You got to keep laughing. It's a lot of work,

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<v Speaker 2>so you got to laugh through it, absolutely. And I

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00:20:31.119 --> 00:20:34.160
<v Speaker 2>like to hear that because with ten personalities, you know

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00:20:35.000 --> 00:20:37.079
<v Speaker 2>that could be a challenge and it's better to laugh

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00:20:37.160 --> 00:20:37.720
<v Speaker 2>than to yell.

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<v Speaker 3>That is correct.

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<v Speaker 2>So once the wines come into your cellar, that's when

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<v Speaker 2>they're in your domain. Now these are your babies. You

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00:20:46.720 --> 00:20:50.640
<v Speaker 2>may not be as intimately familiar with the vines on

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00:20:50.680 --> 00:20:53.519
<v Speaker 2>a personal basis, but you are intimately familiar with every

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<v Speaker 2>single barrel intaate. What is that kind of relationship with

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<v Speaker 2>Do you talk to them? Do you yell at the gwind?

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00:20:59.920 --> 00:21:03.480
<v Speaker 2>You coax it along? Does it talk to you?

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<v Speaker 3>I never yell at goin, That would be bad. But yes,

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00:21:10.359 --> 00:21:13.960
<v Speaker 3>we will chat, we'll talk, will happen. Music playing often

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<v Speaker 3>in the background, and yes, the wine does talk to

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<v Speaker 3>us on a constant basis. We tend not to disturb

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<v Speaker 3>the wine a lot, but we will of course be

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<v Speaker 3>checking it on a rinking basis, and it lets us

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<v Speaker 3>know what it wants to do.

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<v Speaker 2>And you don't yell it because you don't want it

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<v Speaker 2>to be temperamental and misbehave. But do you find that

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<v Speaker 2>playing music alters the wine at all? Does it affect

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<v Speaker 2>the wine or is that more for your own moods?

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<v Speaker 3>I think it affects us more than it does the wine.

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<v Speaker 3>But as I said earlier in the discussion, when I

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00:21:57.160 --> 00:22:00.799
<v Speaker 3>taste the wine, it's more the mood the day, the

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00:22:00.920 --> 00:22:04.680
<v Speaker 3>time was going on around, And as a consequence, I

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00:22:04.680 --> 00:22:08.039
<v Speaker 3>think that it actually helps us in our approach in

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<v Speaker 3>working with the wine.

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<v Speaker 2>So when you were a little boy, what did you

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00:22:12.200 --> 00:22:15.039
<v Speaker 2>want to be when you grew up? Was winemaker always

383
00:22:15.039 --> 00:22:17.680
<v Speaker 2>a dream in the back of your mind or did

384
00:22:17.720 --> 00:22:18.920
<v Speaker 2>you have other fantasies?

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00:22:20.480 --> 00:22:25.559
<v Speaker 3>Wine making was nowhere at all in the thought process

386
00:22:26.799 --> 00:22:32.920
<v Speaker 3>for well easily the first thirty plus years of my life.

387
00:22:34.039 --> 00:22:39.759
<v Speaker 3>Wine drinking, yes, that was definitely involved, but no, my

388
00:22:39.839 --> 00:22:43.960
<v Speaker 3>career choice. I'm an engineer, and that was what I

389
00:22:44.160 --> 00:22:45.920
<v Speaker 3>really wanted to be.

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00:22:46.599 --> 00:22:51.240
<v Speaker 2>The scientific mind, yeah, sadly, well, there's some there's a

391
00:22:51.240 --> 00:22:53.920
<v Speaker 2>lot of science and wine. So that's probably what draws

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00:22:54.400 --> 00:22:55.680
<v Speaker 2>you even more into it.

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00:22:55.720 --> 00:23:01.200
<v Speaker 3>And that will could be although I would say that

394
00:23:01.279 --> 00:23:05.279
<v Speaker 3>what I bring to the party here with my partner Tim,

395
00:23:05.480 --> 00:23:10.000
<v Speaker 3>is more of the art side, the blending part of it.

396
00:23:10.200 --> 00:23:14.440
<v Speaker 3>Tim is much more knowledgeable on the science of winemaking,

397
00:23:15.880 --> 00:23:17.960
<v Speaker 3>and so I think as a consequence, I think we

398
00:23:18.039 --> 00:23:22.680
<v Speaker 3>can actually compliment each other very well. Our tastes are

399
00:23:22.880 --> 00:23:23.599
<v Speaker 3>very similar.

400
00:23:23.799 --> 00:23:27.480
<v Speaker 2>I love that. That's wonderful. So when you're not working,

401
00:23:29.000 --> 00:23:31.680
<v Speaker 2>you have your friends that you do dinner parties with,

402
00:23:31.720 --> 00:23:34.720
<v Speaker 2>and you sounds like you socialize with them a lot.

403
00:23:34.720 --> 00:23:36.000
<v Speaker 2>But what else do you like to do in your

404
00:23:36.000 --> 00:23:36.559
<v Speaker 2>free time?

405
00:23:36.839 --> 00:23:39.880
<v Speaker 3>We we love to travel, and my wife and I

406
00:23:39.960 --> 00:23:43.519
<v Speaker 3>have been pretty much all around the world and we

407
00:23:43.599 --> 00:23:46.119
<v Speaker 3>do it on a routine basis. The other thing that

408
00:23:46.160 --> 00:23:48.839
<v Speaker 3>we spend a lot of time at is Disneyland. I

409
00:23:49.000 --> 00:23:50.119
<v Speaker 3>really love to do that.

410
00:23:50.559 --> 00:23:53.079
<v Speaker 2>Yeah, you and your wife or do you have kids

411
00:23:53.119 --> 00:23:55.279
<v Speaker 2>with you? Grandkids or it's just you and your wife.

412
00:23:56.079 --> 00:23:59.440
<v Speaker 3>Mainly it's my wife and I. Yes, the grandchildren on

413
00:23:59.480 --> 00:24:02.960
<v Speaker 3>occasion if they're lucky, but no, it's just a great,

414
00:24:03.200 --> 00:24:05.119
<v Speaker 3>great thing to do, how fun.

415
00:24:05.480 --> 00:24:08.400
<v Speaker 2>I love that it is the happiest place on earth. So, indeed,

416
00:24:09.400 --> 00:24:11.000
<v Speaker 2>who's your favorite Disney character?

417
00:24:13.119 --> 00:24:17.680
<v Speaker 3>I really don't have a favorite. I'll just enjoy the moment.

418
00:24:17.880 --> 00:24:21.519
<v Speaker 2>If you can meet Mickey Mouse, the real Mickey Mouse. No,

419
00:24:21.599 --> 00:24:23.720
<v Speaker 2>but if you could beat Maxims, which of your wines

420
00:24:23.720 --> 00:24:27.079
<v Speaker 2>would you want to give to him?

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00:24:27.240 --> 00:24:30.599
<v Speaker 3>I would probably give him a Merlow. At the moment,

422
00:24:31.200 --> 00:24:33.839
<v Speaker 3>we have a we have an absolutely beautiful Merlou that

423
00:24:34.400 --> 00:24:39.039
<v Speaker 3>surprises you, just as Mickey would surprise you with a

424
00:24:39.119 --> 00:24:43.599
<v Speaker 3>lot of the the uh, the layers of his of

425
00:24:43.720 --> 00:24:49.000
<v Speaker 3>his personality. This Burleau has a richness and layers and

426
00:24:49.079 --> 00:24:50.920
<v Speaker 3>depth to it that I think would be kind of

427
00:24:51.119 --> 00:24:51.559
<v Speaker 3>kind of cool.

428
00:24:51.680 --> 00:24:53.880
<v Speaker 2>A little Mickey and Merlou, I love it. I love it.

429
00:24:55.200 --> 00:24:58.519
<v Speaker 2>So when you're planning a romantic evening for you and

430
00:24:58.559 --> 00:25:00.319
<v Speaker 2>your wife, I mean it sounds like if you're drinking

431
00:25:00.359 --> 00:25:01.000
<v Speaker 2>Sasa kay.

432
00:25:00.880 --> 00:25:01.480
<v Speaker 3>And are in Alaya.

433
00:25:01.599 --> 00:25:04.079
<v Speaker 2>Life is good and you know you travel around the world.

434
00:25:04.160 --> 00:25:08.000
<v Speaker 2>But are there certain wines or wine styles that will

435
00:25:08.039 --> 00:25:10.720
<v Speaker 2>say that it's not just a normal dinner but a

436
00:25:10.839 --> 00:25:13.440
<v Speaker 2>romantic evening. Are there certain wines that you know that

437
00:25:14.039 --> 00:25:15.640
<v Speaker 2>make her especially happy to have?

438
00:25:16.440 --> 00:25:20.799
<v Speaker 3>Well two of them are they weren't allying. There are

439
00:25:20.839 --> 00:25:23.240
<v Speaker 3>also a couple of peanut and Mars that we really

440
00:25:23.279 --> 00:25:27.799
<v Speaker 3>really like and they tend to bump it up a bit.

441
00:25:28.319 --> 00:25:33.519
<v Speaker 3>And for a romantic evening, we will always start with

442
00:25:33.640 --> 00:25:37.160
<v Speaker 3>the glass of champagne guarantee.

443
00:25:37.799 --> 00:25:39.440
<v Speaker 2>In fact, it may not have intended to be a

444
00:25:39.559 --> 00:25:41.920
<v Speaker 2>romantic but the bubbles come out and it changes everything.

445
00:25:42.319 --> 00:25:47.839
<v Speaker 2>I say, that's what bubbles do. So you've had a

446
00:25:47.920 --> 00:25:51.279
<v Speaker 2>career in other areas. Now you're in wine for twenty

447
00:25:51.279 --> 00:25:55.720
<v Speaker 2>five years. But you know along the years, you know,

448
00:25:55.720 --> 00:25:57.880
<v Speaker 2>we have teachers, and we have parents, we have mentors,

449
00:25:57.880 --> 00:26:00.759
<v Speaker 2>we have bosses. Is there a piece of advice someone

450
00:26:00.880 --> 00:26:04.000
<v Speaker 2>gave you at any point in your life that is

451
00:26:04.039 --> 00:26:05.359
<v Speaker 2>something you try to live or.

452
00:26:05.279 --> 00:26:11.759
<v Speaker 3>Work by One of my bosses early in my career

453
00:26:13.240 --> 00:26:16.759
<v Speaker 3>told me that in life, there's not a lot that

454
00:26:16.799 --> 00:26:19.880
<v Speaker 3>you're really in control of. The One thing that you

455
00:26:20.000 --> 00:26:25.440
<v Speaker 3>can control is how you react to situations. So don't

456
00:26:25.559 --> 00:26:28.400
<v Speaker 3>let other people dictate how you react, because then you

457
00:26:28.440 --> 00:26:31.440
<v Speaker 3>control nothing and you become a victim. Don't ever allow

458
00:26:31.440 --> 00:26:33.119
<v Speaker 3>yourself to become a victim.

459
00:26:33.400 --> 00:26:36.960
<v Speaker 2>I like that. That is really sound advice. And if

460
00:26:36.960 --> 00:26:39.079
<v Speaker 2>you could give our listeners a piece of advice, what

461
00:26:39.119 --> 00:26:43.319
<v Speaker 2>would you want to share beyond control your life? Don't

462
00:26:43.359 --> 00:26:45.400
<v Speaker 2>become a victim. Is there anything else maybe about wine?

463
00:26:46.880 --> 00:26:50.480
<v Speaker 3>Yes, be open to trying. There is no such thing

464
00:26:50.799 --> 00:26:57.640
<v Speaker 3>as a mistake. It's more what your choice is and

465
00:26:57.680 --> 00:27:03.839
<v Speaker 3>what your individual preferences are. So try experiment. You don't

466
00:27:03.920 --> 00:27:07.519
<v Speaker 3>have to follow a rule. Find something that you like,

467
00:27:08.400 --> 00:27:10.519
<v Speaker 3>remember it so that you can order it again. And

468
00:27:10.559 --> 00:27:13.839
<v Speaker 3>in my book, you're now a connoisseur perfect.

469
00:27:14.000 --> 00:27:17.079
<v Speaker 2>Perfect. So when you look back at your career, your

470
00:27:17.240 --> 00:27:20.839
<v Speaker 2>entire career, all your different careers, is there, you know,

471
00:27:21.920 --> 00:27:24.200
<v Speaker 2>what would you say is one of your proudest achievements

472
00:27:25.240 --> 00:27:25.640
<v Speaker 2>so far?

473
00:27:29.279 --> 00:27:36.640
<v Speaker 3>My proudest achievement is actually convincing this young lady that

474
00:27:36.759 --> 00:27:38.720
<v Speaker 3>I was someone that she would be willing to go

475
00:27:38.759 --> 00:27:39.079
<v Speaker 3>out with.

476
00:27:41.319 --> 00:27:43.720
<v Speaker 2>I said, in your career, you're not allowed to say

477
00:27:43.720 --> 00:27:45.880
<v Speaker 2>I love that, I love it. It's your wife, but

478
00:27:46.400 --> 00:27:48.519
<v Speaker 2>it's not supposed to be your wife for children, because

479
00:27:48.519 --> 00:27:51.680
<v Speaker 2>of course those are your proudest achievements. Well not, of course,

480
00:27:51.759 --> 00:27:54.279
<v Speaker 2>I should hope. But in your career, is there something

481
00:27:54.319 --> 00:27:59.119
<v Speaker 2>that stands out aside from your wife accepting a date.

482
00:28:03.279 --> 00:28:07.480
<v Speaker 3>There were a lot of things that I succeeded in

483
00:28:07.599 --> 00:28:14.720
<v Speaker 3>doing through my career. I worked in the petrochemical industry.

484
00:28:14.960 --> 00:28:18.960
<v Speaker 3>I worked on development of rotating equipment and gas turbines,

485
00:28:19.000 --> 00:28:22.920
<v Speaker 3>and then I worked in the defense industry, and there

486
00:28:23.000 --> 00:28:27.119
<v Speaker 3>were a number of projects that I got to work

487
00:28:27.160 --> 00:28:31.240
<v Speaker 3>on with a really great group of people that I'm

488
00:28:31.279 --> 00:28:35.000
<v Speaker 3>really proud of. No one item it jumps out at

489
00:28:35.000 --> 00:28:37.960
<v Speaker 3>the moment someone like, I'm just not gonna talk about it.

490
00:28:38.240 --> 00:28:47.839
<v Speaker 2>You can't tell me secret government stuff. We'll move on, okay,

491
00:28:48.640 --> 00:28:51.440
<v Speaker 2>So complete this sentence through me. A table without wine

492
00:28:51.559 --> 00:28:51.960
<v Speaker 2>is like.

493
00:28:54.200 --> 00:28:56.960
<v Speaker 3>A day without sunshine. I mean, there's lots of cliches

494
00:28:57.039 --> 00:28:59.000
<v Speaker 3>that come to mind, but you can.

495
00:28:58.920 --> 00:29:05.119
<v Speaker 2>Throw some others out. Come on a day without sunshine.

496
00:29:03.799 --> 00:29:07.839
<v Speaker 3>Yeah, peanut, But without jelly A good one.

497
00:29:07.839 --> 00:29:11.599
<v Speaker 2>I haven't heard that one before you go see asked

498
00:29:11.640 --> 00:29:14.079
<v Speaker 2>that enough times and you get a different answer almost

499
00:29:14.160 --> 00:29:17.880
<v Speaker 2>every time, almost every time. So we're sitting at a

500
00:29:17.920 --> 00:29:22.240
<v Speaker 2>table right now. There's an empty chair or two at

501
00:29:22.240 --> 00:29:24.599
<v Speaker 2>the table we're at, and we've got bottles of your

502
00:29:24.599 --> 00:29:27.720
<v Speaker 2>wine on the table that you've made. Who from any

503
00:29:27.720 --> 00:29:30.359
<v Speaker 2>walk of life, living or deceased, do you wish you

504
00:29:30.400 --> 00:29:33.039
<v Speaker 2>could have filling one of those chairs to drink wine

505
00:29:33.319 --> 00:29:34.319
<v Speaker 2>your wine with you.

506
00:29:35.839 --> 00:29:37.880
<v Speaker 3>I would love for my dad to be here. He

507
00:29:38.000 --> 00:29:42.519
<v Speaker 3>passed away years ago, and I would just really really

508
00:29:42.680 --> 00:29:43.880
<v Speaker 3>like the sharing glass.

509
00:29:44.559 --> 00:29:45.440
<v Speaker 2>Was he a wine drinker?

510
00:29:45.920 --> 00:29:48.400
<v Speaker 3>He was not, but I think he would really enjoy this.

511
00:29:48.680 --> 00:29:56.920
<v Speaker 2>I might become a wine drinker after that. So you're

512
00:29:56.920 --> 00:29:59.519
<v Speaker 2>a drinker and a collector of wine. If you were

513
00:30:00.160 --> 00:30:02.119
<v Speaker 2>off to a deserted island and can only take three

514
00:30:02.119 --> 00:30:03.839
<v Speaker 2>wines with you, what three wines would those be?

515
00:30:06.279 --> 00:30:11.319
<v Speaker 3>I would definitely do a Champagne and it would most

516
00:30:11.559 --> 00:30:13.440
<v Speaker 3>likely be a Laurent Perier Rose.

517
00:30:15.039 --> 00:30:16.000
<v Speaker 2>I like where you're going.

518
00:30:16.680 --> 00:30:21.160
<v Speaker 3>I would do our Livermore because I really like our livermore.

519
00:30:21.839 --> 00:30:24.039
<v Speaker 3>And the third would be to Sassa.

520
00:30:26.559 --> 00:30:29.079
<v Speaker 2>That was easy.

521
00:30:29.279 --> 00:30:30.799
<v Speaker 3>Fifteen or twenty sixteen.

522
00:30:30.880 --> 00:30:32.759
<v Speaker 2>Vantage you still have any of those.

523
00:30:34.160 --> 00:30:39.079
<v Speaker 3>Ninymore drink a ball, They're all gone.

524
00:30:39.680 --> 00:30:42.759
<v Speaker 2>Well, we have come to that time where we play

525
00:30:42.799 --> 00:30:44.920
<v Speaker 2>our little game. The one thing you're warned about about

526
00:30:44.960 --> 00:30:48.400
<v Speaker 2>pairing way with music. You know, we spoke a few

527
00:30:48.440 --> 00:30:50.680
<v Speaker 2>minutes ago about you know, kind of maybe the science

528
00:30:50.720 --> 00:30:53.519
<v Speaker 2>and art of wine being melded. But I think there's

529
00:30:53.519 --> 00:30:56.880
<v Speaker 2>also a connection between wine and music because both make

530
00:30:56.960 --> 00:30:59.680
<v Speaker 2>us feel a certain way. They boost our energy or

531
00:30:59.720 --> 00:31:04.200
<v Speaker 2>they calm us down. And I want you to pair

532
00:31:04.279 --> 00:31:07.079
<v Speaker 2>some of your wines with music, a genre, a singer

533
00:31:07.519 --> 00:31:11.119
<v Speaker 2>specific song, whatever you want that sort of expresses how

534
00:31:11.160 --> 00:31:13.880
<v Speaker 2>that wine expresses to you. So, since I've been sipping

535
00:31:13.920 --> 00:31:17.319
<v Speaker 2>on the Livermore Savino von Seo, let's start.

536
00:31:17.160 --> 00:31:20.640
<v Speaker 3>With that wine. Absolutely so again, this is one of

537
00:31:20.680 --> 00:31:24.279
<v Speaker 3>our blends, and this wine as well as a couple

538
00:31:24.279 --> 00:31:27.279
<v Speaker 3>of our red blends, like the Dorado for instance, to me,

539
00:31:27.559 --> 00:31:32.400
<v Speaker 3>they are a perfect example of harmony, how things blend together.

540
00:31:33.079 --> 00:31:36.880
<v Speaker 3>So for me, this is something more along the lines

541
00:31:37.079 --> 00:31:40.240
<v Speaker 3>of like a Crosby Stills, a Nash song, or maybe

542
00:31:40.240 --> 00:31:43.960
<v Speaker 3>something by Pentatonics, where all the voices all blend together

543
00:31:44.119 --> 00:31:48.279
<v Speaker 3>and create something that is just even better than all

544
00:31:48.319 --> 00:31:50.480
<v Speaker 3>of the individual elements going into it.

545
00:31:50.920 --> 00:31:55.519
<v Speaker 2>M Okay, so let's see we have the liver more,

546
00:31:57.559 --> 00:32:01.200
<v Speaker 2>where are you sourcing your pan and are from.

547
00:32:00.960 --> 00:32:04.519
<v Speaker 3>The piano and a war actually comes from a small

548
00:32:04.599 --> 00:32:07.279
<v Speaker 3>vineyard just outside of Snow. It's again part of the

549
00:32:07.319 --> 00:32:12.920
<v Speaker 3>living rapilation. The vineyard is called Nellita and they are

550
00:32:13.720 --> 00:32:16.680
<v Speaker 3>for people who are familiar with the Bay area. They

551
00:32:16.720 --> 00:32:19.839
<v Speaker 3>are on the it's east side of six point eighty,

552
00:32:20.440 --> 00:32:25.200
<v Speaker 3>so it's about maybe seven miles from the.

553
00:32:25.200 --> 00:32:27.920
<v Speaker 2>Winery and cool enough for peano and noir.

554
00:32:28.119 --> 00:32:31.279
<v Speaker 3>It's actually down in in a nice little valley, and

555
00:32:31.400 --> 00:32:34.880
<v Speaker 3>so it is one of the few places in this

556
00:32:35.119 --> 00:32:38.079
<v Speaker 3>area that is good for a peanut and noir.

557
00:32:38.240 --> 00:32:39.880
<v Speaker 2>Okay, so what about your peano noir?

558
00:32:40.640 --> 00:32:45.880
<v Speaker 3>So our pianoalire tends to be a surprise for people

559
00:32:46.599 --> 00:32:50.799
<v Speaker 3>because I tell people, if you're a huge fan of

560
00:32:50.839 --> 00:32:56.119
<v Speaker 3>that old, bright, fruity California or Oregon style peana noir,

561
00:32:56.839 --> 00:33:00.200
<v Speaker 3>this isn't it. This is much more of an old

562
00:33:00.240 --> 00:33:02.720
<v Speaker 3>world style. It has a little more of a body,

563
00:33:02.720 --> 00:33:06.599
<v Speaker 3>a little more minerality to it, a little more of

564
00:33:06.640 --> 00:33:10.119
<v Speaker 3>an earthiness. I compare it to force floor. Okay, if

565
00:33:10.160 --> 00:33:13.000
<v Speaker 3>you've ever walked through the woods after a rain and

566
00:33:13.119 --> 00:33:16.400
<v Speaker 3>you can smell that that sweet smell coming up from

567
00:33:16.440 --> 00:33:18.599
<v Speaker 3>the ground. Not that the wine is sweet, but that

568
00:33:18.920 --> 00:33:23.440
<v Speaker 3>smell that that to me is a hint of what's

569
00:33:23.480 --> 00:33:24.400
<v Speaker 3>going on with the piano.

570
00:33:24.960 --> 00:33:27.880
<v Speaker 2>Okay, and a song or an artist or a genre.

571
00:33:28.680 --> 00:33:34.799
<v Speaker 3>So for something like that, and I wasn't expecting that one, yeah,

572
00:33:34.799 --> 00:33:37.200
<v Speaker 3>already coming from but I would do something like a

573
00:33:37.279 --> 00:33:42.440
<v Speaker 3>James Taylor Okay, see see coming through like that.

574
00:33:42.480 --> 00:33:44.759
<v Speaker 2>See it's not that hard to do this. You know.

575
00:33:46.839 --> 00:33:50.279
<v Speaker 2>You mentioned with the Royo Dorado that it would be

576
00:33:50.319 --> 00:33:52.000
<v Speaker 2>sort of the blend and the harmony. So I'm going

577
00:33:52.039 --> 00:33:54.359
<v Speaker 2>to assume that's a little more. Still in the pen

578
00:33:54.440 --> 00:33:59.039
<v Speaker 2>attacks and Crosby sells Nash, what about your petite serad?

579
00:33:59.119 --> 00:34:02.119
<v Speaker 2>That is the great that was born here in Livermore.

580
00:34:02.160 --> 00:34:03.279
<v Speaker 2>So tell me about the petizzaa.

581
00:34:03.519 --> 00:34:07.920
<v Speaker 3>Yeah, so the petitza ra it's it's a bolder one.

582
00:34:09.119 --> 00:34:12.519
<v Speaker 3>It's not overlitanic. It doesn't absolutely demand that you have

583
00:34:12.599 --> 00:34:14.960
<v Speaker 3>to have food with it. But it's got some body,

584
00:34:15.000 --> 00:34:20.679
<v Speaker 3>it's got some substance, and it comes across with a

585
00:34:20.760 --> 00:34:25.360
<v Speaker 3>nice BlackBerry excuse me, in blueberry flavor that comes through.

586
00:34:27.440 --> 00:34:30.840
<v Speaker 3>It'll stand up to almost anything. So for that one,

587
00:34:30.920 --> 00:34:34.119
<v Speaker 3>I would do something like Black Magic Woman from Santana.

588
00:34:35.800 --> 00:34:38.800
<v Speaker 2>Okay, And I want to do one morning. I want

589
00:34:38.800 --> 00:34:43.280
<v Speaker 2>to stump you here, and I'm trying to think about

590
00:34:43.320 --> 00:34:47.599
<v Speaker 2>what you talked about. You said, Okay, the Merleau that

591
00:34:47.639 --> 00:34:48.800
<v Speaker 2>you would give Mickey Mouse.

592
00:34:49.039 --> 00:34:58.119
<v Speaker 3>Yeah, so that Merleau Fantasia comes to mind immediately. And

593
00:34:58.400 --> 00:35:00.960
<v Speaker 3>I mean, there are a number of great songs, but

594
00:35:04.559 --> 00:35:07.719
<v Speaker 3>I'm desperate the name of the oneslaw right now and

595
00:35:07.760 --> 00:35:10.880
<v Speaker 3>I can't. But it's it's a symphony.

596
00:35:11.960 --> 00:35:15.280
<v Speaker 2>Okay, there you go. See I picked wines you weren't

597
00:35:15.280 --> 00:35:21.159
<v Speaker 2>prepared for. Well, John, it's been great talking with you.

598
00:35:21.159 --> 00:35:24.880
<v Speaker 2>You are almost finished. We've gotten through many of my questions.

599
00:35:24.880 --> 00:35:26.800
<v Speaker 2>But I do have one last question, and that is

600
00:35:27.159 --> 00:35:29.639
<v Speaker 2>you've traveled around the world. You've had the privilege to

601
00:35:29.679 --> 00:35:32.800
<v Speaker 2>travel around the world and see many places. Is there

602
00:35:32.920 --> 00:35:35.559
<v Speaker 2>one wine region that's at the top of your bucket

603
00:35:35.599 --> 00:35:38.559
<v Speaker 2>list that you'd like to explore deeper or have never

604
00:35:38.599 --> 00:35:40.079
<v Speaker 2>been to that you'd really want to get to.

605
00:35:43.639 --> 00:35:46.199
<v Speaker 3>We've been to, as you said, a lot, but what

606
00:35:46.320 --> 00:35:50.400
<v Speaker 3>I've never gone to are any of the regions in

607
00:35:50.480 --> 00:35:54.840
<v Speaker 3>South America. And I'm intrigued. So I would just like

608
00:35:54.960 --> 00:35:59.159
<v Speaker 3>to explore that. Yeah, and the other silly part of

609
00:35:59.159 --> 00:36:06.360
<v Speaker 3>the answers they like Livermore. In my mind, we actually

610
00:36:06.360 --> 00:36:09.679
<v Speaker 3>live in a vacation resort and this is just a

611
00:36:09.800 --> 00:36:13.280
<v Speaker 3>very welcoming valley and when I taste the wines here,

612
00:36:14.320 --> 00:36:16.480
<v Speaker 3>to me, it's wine as it's supposed to be.

613
00:36:16.960 --> 00:36:18.679
<v Speaker 2>So do you go around and taste a lot of wines?

614
00:36:18.679 --> 00:36:21.280
<v Speaker 2>Do you get out and explore the Livermore?

615
00:36:21.360 --> 00:36:23.159
<v Speaker 3>Absolutely every chance we can.

616
00:36:23.400 --> 00:36:26.599
<v Speaker 2>And if people wanted to come here and explore Livermore

617
00:36:26.639 --> 00:36:29.559
<v Speaker 2>and come to Royal Sellers, where will they find you?

618
00:36:29.920 --> 00:36:31.760
<v Speaker 2>When you open? What will they find?

619
00:36:32.519 --> 00:36:37.320
<v Speaker 3>So we are open right now on Saturdays and Sundays

620
00:36:37.320 --> 00:36:42.840
<v Speaker 3>from noon to five. The partners all rotate in working

621
00:36:42.880 --> 00:36:45.599
<v Speaker 3>in the tasting room. So when you come to our place,

622
00:36:45.639 --> 00:36:47.519
<v Speaker 3>you're going to meet an owner, You're going to meet

623
00:36:47.519 --> 00:36:50.679
<v Speaker 3>a wine maker, You're going to meet someone who is

624
00:36:50.800 --> 00:36:54.480
<v Speaker 3>intimately involved in the entire process, and you will be

625
00:36:54.519 --> 00:36:55.480
<v Speaker 3>welcomed as a friend.

626
00:36:56.039 --> 00:36:59.480
<v Speaker 2>That's great, that's true. Ten when you're ten friends, there's

627
00:37:00.719 --> 00:37:02.880
<v Speaker 2>you got a good team of employees.

628
00:37:03.719 --> 00:37:05.599
<v Speaker 3>Absolutely works out well.

629
00:37:06.119 --> 00:37:08.760
<v Speaker 2>Well, John, thank you so much for joining us today

630
00:37:08.800 --> 00:37:12.480
<v Speaker 2>on Wine Soundtrack. I hope you had fun and didn't

631
00:37:12.480 --> 00:37:13.480
<v Speaker 2>feel too much pressure.

632
00:37:13.920 --> 00:37:16.280
<v Speaker 3>No, this was great. Thank you appreciate.

633
00:37:15.800 --> 00:37:16.599
<v Speaker 2>It well do you do.

634
00:37:18.280 --> 00:37:21.760
<v Speaker 1>Thanks for listening to a new episode of Wine Soundtrack USA.

635
00:37:22.000 --> 00:37:27.960
<v Speaker 1>For details and updates, visit our website windsoundtrack dot com.
