WEBVTT

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<v Speaker 1>Way wait.

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<v Speaker 2>A sad.

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<v Speaker 1>Welcome back to midnight Viewing, where this season we're taking

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<v Speaker 1>a look at George Ramiro's nineteen eighties television series Tales

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<v Speaker 1>from the Dark Side. Sharing the midnight view with me

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<v Speaker 1>are the Culture Cast Chris Statue.

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<v Speaker 2>I have no strings to hold me?

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<v Speaker 1>Also joining us as always the projection booths Mike White.

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<v Speaker 3>I don't have any strings to bet, but I will

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<v Speaker 3>bet two bandages.

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<v Speaker 1>Tonight we are taking a look at two more episodes

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<v Speaker 1>from season four, the final season of Tales from the

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<v Speaker 1>Dark Side. Of those are No Strings and the Grave

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<v Speaker 1>Robber No Strings. Season four, episode five, originally aired on

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<v Speaker 1>October the twenty fifth, nineteen eighty seven. It's their Halloween episode,

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<v Speaker 1>written and directed by David O'Dell, starring TJ. Castro Novo.

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<v Speaker 1>We're gonna talk about him in a second Barry Dennin,

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<v Speaker 1>Cameron Millser, and Bradley Fisher here listed as Brad Fisher,

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<v Speaker 1>friend of the podcast Brad Fisher. This is his second

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<v Speaker 1>appearance on the show. If you remember back in season one,

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<v Speaker 1>the Keenan Winn episode where the Devil came to take him,

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<v Speaker 1>he was the devil there. He is TJ. Castronova's right

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<v Speaker 1>hand man here, who's having the affair with his wife.

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<v Speaker 1>This is the story of a life size marionette puppeteer

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<v Speaker 1>who is rousted in the night for a command performance

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<v Speaker 1>for a newly crowned mafia boss. What did you think

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<v Speaker 1>of this one, Mike?

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<v Speaker 3>You know, for all the praise of the last couple

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<v Speaker 3>episodes we talked about on our previous episode, ooh, boy

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<v Speaker 3>o boy o boy, you know how fast those were,

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<v Speaker 3>this one was such a slog for me and I

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<v Speaker 3>just could see so many things coming from so far away.

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<v Speaker 3>I was very happy to see Barry Dennon. I think

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<v Speaker 3>he's great in things like the Shining He plays Patches,

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<v Speaker 3>Violot and Jesus for a superstar, very distinctive face. Very

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<v Speaker 3>happy to see him. But it just I killed a guy. Now.

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<v Speaker 3>I want you to make him a big puppet so

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<v Speaker 3>you can make him apologize and kiss my ass as

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<v Speaker 3>this puppet. No, just what are you doing? This is

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<v Speaker 3>so silly, so stupid. I don't know who talk me

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<v Speaker 3>out of it, fellas, Chris, What did you think I liked?

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<v Speaker 2>How stupid it was? I don't know. Father. To quote

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<v Speaker 2>the ever immortal Christian Bale, backed me up on this one,

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<v Speaker 2>Father Millon. This is a this is a Tales from

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<v Speaker 2>the Crypt episode masquerading is the Tales from the Dark

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<v Speaker 2>Side of This is like the some whacked out season

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<v Speaker 2>eight concept of Tales from the Crypt. Like it's it's strange.

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<v Speaker 2>There's probably there was something. I know there were puppet

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<v Speaker 2>adjacent or puppet episodes of Tales from the Crypt. I

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<v Speaker 2>don't think they ever had this exact conceit, but there

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<v Speaker 2>were people being controlled by puppets. There were people controlling puppets.

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<v Speaker 2>There were puppets on people's hands. I believe is Don

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<v Speaker 2>Rickles had his like twin brother on his hand at

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<v Speaker 2>one point. So puppets are nothing new to a. Yeah,

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<v Speaker 2>So I enjoyed how kind of bizarre and strange this was.

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<v Speaker 2>I bought into it, and I enjoyed it. Andry Dennan,

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<v Speaker 2>I love Barry Dennon. He's here such a strange role

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<v Speaker 2>to have him play just I don't know, it was fun.

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<v Speaker 2>Follow one. What did you think?

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<v Speaker 1>I'm glad that Harley Quinn is the last gasp of

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<v Speaker 1>the gun Mall as a character. If I never see

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<v Speaker 1>the fucking gangster Mall character ever, this was it. I

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<v Speaker 1>don't this. This episode broke me. This is supposed to

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<v Speaker 1>take place in modern America in nineteen eighty seven, and

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<v Speaker 1>it's still.

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<v Speaker 2>The oh g blah blah.

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<v Speaker 1>Like what are you doing? What are you doing? And

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<v Speaker 1>by the way, what are you doing? TJ Castnova. TJ

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<v Speaker 1>Castnova is effectively the showrunner of telst The Dark Side,

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<v Speaker 1>has been since the beginning, and he's also on the

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<v Speaker 1>other show I do with HP Night, mister Walters. He's

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<v Speaker 1>a frequent actor on Taxi. He was for all five

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<v Speaker 1>seasons of that show. He ran the bar Marios that

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<v Speaker 1>they all go to. And I can see, Okay, here's

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<v Speaker 1>the thing. It's season four. They know this is it.

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<v Speaker 1>They know this is their final season. So TJ Castronova's like, well,

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<v Speaker 1>fuck it. I'm an actor. I'm going to give myself

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<v Speaker 1>an episode here and it's the final season. What are

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<v Speaker 1>they gonna do? Throw us off the air? Let's do

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<v Speaker 1>this one in nineteen eighty seven, Sunday Night at seven.

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<v Speaker 1>This is a fucked premise to be watching. I remember

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<v Speaker 1>seeing it, and I look, I was no slouch in

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<v Speaker 1>Gore and Whatever by nineteen eighty fourteen years old. By then,

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<v Speaker 1>I was I was steeped in it. Man, But even

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<v Speaker 1>this was a bit much like the idea of the

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<v Speaker 1>not so much once the corpse is being pumpeteered, but

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<v Speaker 1>when Brad Fisher is putting in the hooks and the

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<v Speaker 1>sound effects and the why is this taking so long?

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<v Speaker 1>I don't know. They keep slipping out all of that business.

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<v Speaker 1>Really grossed me out and continue to gross me out

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<v Speaker 1>even on the rewatch. Honestly, ex use.

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<v Speaker 2>The bullet holes. What do you do?

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<v Speaker 1>Just use the bullets? Okay, Look, there's a lot to

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<v Speaker 1>recommend this episode. Honestly, it's fun.

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<v Speaker 2>It's a fun episode.

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<v Speaker 1>Yeah, I agree with both of you. I do think

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<v Speaker 1>it's way over long. I think it lies way too

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<v Speaker 1>much on tired old conventions. This guy, I don't know,

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<v Speaker 1>David O'Dell, who wrote and directed it, I don't know who.

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<v Speaker 1>He was obviously friends with t J Castnova or something,

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<v Speaker 1>but it's it is not well written, and they're just

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<v Speaker 1>little things that could have made it better. Look, not

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<v Speaker 1>only do we get the gun mole, but we got

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<v Speaker 1>there like the rods, what are you gonna do with them?

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<v Speaker 2>And David O'Dell directed Martians Go Home? So come on,

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<v Speaker 2>he knows, he knows his tired conventions.

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<v Speaker 1>That makes sense.

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<v Speaker 3>His puppets. He were for the Muppets for a long

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<v Speaker 3>time and wrote the Dark Crystal Father Malone.

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<v Speaker 2>The tired conventions are just there.

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<v Speaker 1>Replete, okay. But here's the thing, all right, so now

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<v Speaker 1>he now we know that he has this sort of

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<v Speaker 1>now he has this background in puppeteering, right, Oh, why

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<v Speaker 1>why isn't it more hands like why make it a

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<v Speaker 1>marion at all? Why not make it like a Waldough thing,

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<v Speaker 1>like a one for one thing where it's like directly

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<v Speaker 1>connected to you. The setup here is you're behind a

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<v Speaker 1>curtain and you're attached to wire that are attached to

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<v Speaker 1>the corpse, and Barry Dennin is acting like, oh, this

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<v Speaker 1>is so disgusting, I can't go through with this. But

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<v Speaker 1>you don't know what's happened. You're not see. If it

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<v Speaker 1>was like you're in a black outfit and the corpse

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<v Speaker 1>is attached to you and your cup, that would have

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<v Speaker 1>been something that would have been really horrifying. But I

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<v Speaker 1>don't know. It wasn't direct enough. There was just a

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<v Speaker 1>level of remove that it made it queasy in theory only.

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<v Speaker 1>Why not just grab this guy while he's alive and

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<v Speaker 1>make him do all these things? What the fuck is

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<v Speaker 1>happening exactly?

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<v Speaker 3>That's what I kept asking. I was like, did you

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<v Speaker 3>shoot him nineteen times? Accidentally?

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<v Speaker 2>Yeah, desecration of a corpse is in in nineteen eighty seven.

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<v Speaker 1>I mean, I like that fat Polly was super thin,

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<v Speaker 1>and I like the axial marionette pumpet that the guy

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<v Speaker 1>uses had this like weirdo little orphan any head on

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<v Speaker 1>this two stringy bt.

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<v Speaker 2>Look like carrot top.

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<v Speaker 1>It was so weird. What this guy's apparently renowned, Like

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<v Speaker 1>he's got his own show down at the line see

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<v Speaker 1>him and everything? Is it a horror show? Because I

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<v Speaker 1>can't imagine kids doing anything but screaming through his act.

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<v Speaker 2>It reminded me of that DELIJAHC. Scugs Head from Freaked,

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<v Speaker 2>the one with the eyeballs that come out. Yeah, Rick

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<v Speaker 2>de Grin, what the fuck? Yeah? What? What child is

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<v Speaker 2>gonna want to see this and go, Yeah, this is

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<v Speaker 2>what I want to sit around for an hour and watch.

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<v Speaker 2>Run Jesus.

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<v Speaker 1>You know how we know their mafia because there's a

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<v Speaker 1>giant curt that says olive oil on it.

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<v Speaker 2>Eighty seven was not a time for subtlety.

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<v Speaker 1>Nevertheless, as much as I'm making fun of it. I

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<v Speaker 1>really enjoyed it. This is a batshit crazy one and

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<v Speaker 1>the fact that it got on the air is baffling

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<v Speaker 1>to me. And hey, they got a fucking puppet corpse

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<v Speaker 1>on the air, good for them.

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<v Speaker 2>On primetime TV.

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<v Speaker 1>Cheers.

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<v Speaker 3>I could see this giving me Nightmarre said, I seen

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<v Speaker 3>it at that tender young age.

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<v Speaker 1>So there we go.

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<v Speaker 2>It's a win.

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<v Speaker 1>Let's move on before we just add different. The next

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<v Speaker 1>episode is called The Grave Robber is the season four

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<v Speaker 1>episode six, aired originally on November the first, nineteen eighty seven.

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<v Speaker 1>This is written by Harvey Jacobs and Don Wallner from

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<v Speaker 1>a story by Harvey Jacobs and directed by Jeff Schiro.

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<v Speaker 1>This one stars Arnold Stang, Polly Draper, Darren Kelly and

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<v Speaker 1>Ed Covin's it is a pair of Egyptologists. To me,

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<v Speaker 1>it's a somebody take it.

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<v Speaker 2>I don't. It's a blackout sketch that listen blown up

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<v Speaker 2>to twenty two minutes. Hey no, it's not. Yeah, no,

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<v Speaker 2>you're right, you're right. It's a Playboy one panel on

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<v Speaker 2>in a fucking Playboy.

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<v Speaker 1>Man, maybe a full page, maybe a full page, like

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<v Speaker 1>a whole gayandul.

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<v Speaker 2>But pal out Jappie for Mad Magazine.

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<v Speaker 1>Right, but it is definitely not a blackout sketch. It's

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<v Speaker 1>not an image and a joke. It gets us there.

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<v Speaker 1>There is a game that gets involved, there's training of

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<v Speaker 1>clothing and soft you know what. Here, I'll say this

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<v Speaker 1>about the episode. The makeup is really good. And what

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<v Speaker 1>we've said this in previous seasons. Shooting this in New York,

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<v Speaker 1>you had access to these old, fucking actors who are

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<v Speaker 1>fucking troopers, right. The fact that Arnold Stang at his

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<v Speaker 1>age allowed that like basically full body makeup to make

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<v Speaker 1>him look as and it looked and it looks great.

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<v Speaker 1>That to me consistently amazes me that these acts like

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<v Speaker 1>that had to be the most uncomfortable for that man

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<v Speaker 1>at this age, but he fucking did it because he's

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<v Speaker 1>a fucking.

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<v Speaker 3>Proa Arnold's Stang man. I mean, he is the best

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<v Speaker 3>part of Hercules in New York, which isn't saying a

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<v Speaker 3>whole lot, but he's just oh, just that voice that

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<v Speaker 3>he has is so great. He just always seemed like

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<v Speaker 3>such a sad sack, Like it felt like Wally Cox

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<v Speaker 3>could beat this guy up in a fight, you know,

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<v Speaker 3>and just some of the stuff that he was in

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<v Speaker 3>that I mostly remember him from like Scudoo or oh god,

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<v Speaker 3>I already mentioned Hercules in New York, but just oh gosh,

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<v Speaker 3>he just would show up in so many things, and

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<v Speaker 3>then he knew that he had a cartoon voice, and

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<v Speaker 3>he would do so many cartoon shows and just little

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<v Speaker 3>appearances and stuff. And yeah, I'm just so surprised, Chris

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<v Speaker 3>that we didn't see him on Barney Miller. He seems

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<v Speaker 3>like he would have been primed.

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<v Speaker 2>I'm sure, or on Rankin either because again, to be fair,

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<v Speaker 2>he's also the voice of top Cat, the top hat

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<v Speaker 2>where or the I guess, not really a top hat.

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<v Speaker 2>It's more of like a pork pie hat wearing homeless cat, because.

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<v Speaker 1>Well all the cats are homeless. And he's what's great

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<v Speaker 1>is he's doing it. He's doing an impression of Phil Silvers,

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<v Speaker 1>who also has a super distinctive voice. So it's one

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<v Speaker 1>super distinctive voice human doing another.

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<v Speaker 2>Yeah it's great, and that's no, like you said, Michael,

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<v Speaker 2>he had a cartoon voice and he knew it.

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<v Speaker 3>Yeah, so good. And yeah, it's a stupid, stupid episode,

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<v Speaker 3>but I really liked it. And all right, I'm going

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<v Speaker 3>to say this and I probably just said this a

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<v Speaker 3>few weeks ago. There's the Egypt one. We were talking

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<v Speaker 3>about mummies recently, and there's the Egypt one with Frisian Slater.

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<v Speaker 3>Is that in the tail from the Dark Side movie?

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<v Speaker 1>Yes? No, A lot two four nine.

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<v Speaker 3>Yeah, okay, so this reminded me a little bit of that.

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<v Speaker 3>But this is obviously just done completely for laughs, laffs,

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<v Speaker 3>and I I was kind of there for it. It

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<v Speaker 3>was so silly and so stupid, and especially when they're

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<v Speaker 3>trying to pull the wool or the bandages over this

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<v Speaker 3>guy's eyes and oh no, no, this is a better

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<v Speaker 3>hand and lying tom cheating and they can't even cheat

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<v Speaker 3>well enough. Like then he suddenly learns all the rules

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<v Speaker 3>of poker because he astro projects to Vegas and takes

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<v Speaker 3>all the knowledge of this professional gambler. I'm like, yeah,

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<v Speaker 3>this is so silly, but I'm so here for it,

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<v Speaker 3>and I loved how cartoonish of it everybody was acting.

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<v Speaker 3>Maybe I was just in the right mood because I

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<v Speaker 3>could see myself hating this, but I really had a

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<v Speaker 3>fun time, and I think it so lands on the

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<v Speaker 3>shoulders of Arnold Stang.

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<v Speaker 2>I'm surprised, did you not watch this episode in the

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<v Speaker 2>last episode at the same time, because they're both just

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<v Speaker 2>as goofy as one another. I'm kind of surprised you

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<v Speaker 2>didn't enjoy the last episode as much. I don't know,

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<v Speaker 2>Like this episode is, like you said, like, this episode

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<v Speaker 2>is just as this one is way more humorous.

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<v Speaker 1>This is like it's going to make a gag fest,

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<v Speaker 1>not mean spirited. The last one is mean spirit you have.

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<v Speaker 1>I think you need to be more in the mood

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<v Speaker 1>for the last one to enjoy it than you would

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<v Speaker 1>this one. This one is at least boisterous.

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<v Speaker 2>Yeah, I guess that Darren Kelly's characters, I don't know

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<v Speaker 2>the fate that he has at the end, I don't know.

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<v Speaker 2>It seems pretty it's horrible. It's not great, Like it's

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<v Speaker 2>pretty bad. It's worse than what happens in the grave

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<v Speaker 2>or No Strings, because at least in no Strings they're dead.

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<v Speaker 2>And this it's like, now you just enjoy being in

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<v Speaker 2>hell essentially as a guardian of the tomb of Akinatin

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<v Speaker 2>or yes something, I'm in ho tepe of one of them.

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<v Speaker 2>That's a terrible fate. That's a fate worse than dead.

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<v Speaker 2>I'd rather just be dead.

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<v Speaker 1>Mike since you brought up the Townsman nark Side movie.

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<v Speaker 1>Now it does feel loud that, like the two characters,

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<v Speaker 1>that thing is a three character thing, and and it's

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<v Speaker 1>Steve Bushemy. Well it's four I guess, so it's Steve Amy,

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<v Speaker 1>Christian Slater, and then Christian Slater's sister and her boyfriend.

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<v Speaker 1>If you took the sister and the boyfriend character and

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<v Speaker 1>pulled them directly out and put them in here, it's

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<v Speaker 1>almost exact like those are the same kind. That's my

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<v Speaker 1>mind is a little bit blown actually that like how

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<v Speaker 1>how close those characters are in both scenarios. That's weird.

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<v Speaker 2>But did they play strip poker in that one.

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<v Speaker 1>No, but they're just as vapid and yuppie like and

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<v Speaker 1>obsessed with sort of Egyptian things, and it's I don't know,

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<v Speaker 1>it's weird.

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<v Speaker 3>Okay, I'm glad I wasn't completely off base thinking of

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<v Speaker 3>that story.

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<v Speaker 1>No, it's right in there. Yeah, I don't know. This

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<v Speaker 1>is this one passes the time. I guess this as

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<v Speaker 1>far as comedy episodes go, this it's not. It didn't.

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<v Speaker 1>It was never insulting. It didn't feel like a blackout

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<v Speaker 1>sketch where it was just like, oh, okay, yeah, you

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<v Speaker 1>didn't have enough remouth. We got it, Okay, that's fair.

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<v Speaker 2>I will say though, all of these Egypt or Egypt

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<v Speaker 2>to Jason episodes all do have the same stink to them.

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<v Speaker 2>They all got the same funky stank, the stank of

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<v Speaker 2>a tomb closed for far too long, like they're rarely

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<v Speaker 2>are we outside of a tomb, or if we are,

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<v Speaker 2>we're in a room with a sarcophagus. And that's it,

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<v Speaker 2>like rooms with sarcophagus or tombs, and that's and like

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<v Speaker 2>the and I don't know, like half of these or

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<v Speaker 2>at least half of these, maybe more have been like

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<v Speaker 2>comedic as well, which is again, can we not? We

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<v Speaker 2>can't do because mummies aren't scary. They're not like mummies

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<v Speaker 2>aren't scary? Is that the thing? Because mummies are scary.

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<v Speaker 1>Well, they would be on tail some dark site. Once

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<v Speaker 1>that fucking movie came out. That's that's probably my favorite

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<v Speaker 1>mummy of all time is the one in that movie.

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<v Speaker 3>Oh I don't know, Arnold does.

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<v Speaker 1>Yeah, I have to say, is my I know, but

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<v Speaker 1>you guys are converts to that movie and I am

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<v Speaker 1>not converts.

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<v Speaker 2>I saw that movie. I thowt movie. I was nine

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<v Speaker 2>years old in the theaters.

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<v Speaker 1>You guys are acolytes to that film. I am not.

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<v Speaker 2>I see no problem with that.

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<v Speaker 1>I like the Mummy to be scary.

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<v Speaker 2>I agree with you, But you know what, I'll also.

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<v Speaker 1>So you don't know, you don't because you like an

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<v Speaker 1>action movie the best.

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<v Speaker 2>But I was going to say, to be fair, I

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<v Speaker 2>will if I can't get a scary Mummy movie, at

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<v Speaker 2>least can I get a Mummy movie that's fun?

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<v Speaker 1>No?

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<v Speaker 3>Fair?

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<v Speaker 2>No, I mean that's fair. I mean, look to be fair,

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00:16:17.759 --> 00:16:21.240
<v Speaker 2>Like a scary Mummy thing is not something I've seen

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00:16:21.279 --> 00:16:23.519
<v Speaker 2>a whole lot of. So I would like for someone

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00:16:23.559 --> 00:16:26.759
<v Speaker 2>to do the like definitive scary keep.

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00:16:26.720 --> 00:16:29.600
<v Speaker 1>Waiting and they making it and they just mean making

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00:16:29.639 --> 00:16:30.279
<v Speaker 1>action movies.

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<v Speaker 2>And I I'm not disagreeing with you, like I like

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<v Speaker 2>the nineteen ninety nine Mummy, But at the same time,

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<v Speaker 2>who wouldn't want someone to take the concept of a

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<v Speaker 2>mummy and like really do something with it, Like I'm.

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<v Speaker 3>You know, you know, I always go back to the

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<v Speaker 3>Karloff one. I think that's genuinely still scary, and the

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00:16:48.600 --> 00:16:50.919
<v Speaker 3>Hammer one I thought was pretty darn good as well.

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<v Speaker 1>The Hammer one more than the Karloff one. I think

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<v Speaker 1>because the Karloff one, if you go back and watch it,

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00:16:55.639 --> 00:16:58.519
<v Speaker 1>the Mummy's in it for one scene. It's basically Carloff,

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<v Speaker 1>just as that as the other care to skulking around

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<v Speaker 1>the entire time, I'm looking for a bandaged man coming

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00:17:04.880 --> 00:17:07.359
<v Speaker 1>out of the night and ripping your spine out. Come on.

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<v Speaker 3>Now, I guess I have a soft spot for the

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00:17:09.720 --> 00:17:12.160
<v Speaker 3>Karlof one because that's where the whole do you have

335
00:17:12.200 --> 00:17:15.680
<v Speaker 3>to go around opening graves to find girlfriends line comes from.

336
00:17:15.799 --> 00:17:17.200
<v Speaker 3>And whenever I hear.

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00:17:17.079 --> 00:17:20.039
<v Speaker 1>That it's a great movie, no question, it's a great movie. Yeah,

338
00:17:20.200 --> 00:17:22.799
<v Speaker 1>for scary Mummy. I think that the Christopher Lee one

339
00:17:22.880 --> 00:17:24.319
<v Speaker 1>is the actually really scary one.

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00:17:24.519 --> 00:17:27.240
<v Speaker 2>Can we also keep if we do a scary Mummy thing,

341
00:17:27.279 --> 00:17:29.799
<v Speaker 2>can it not be like the Mummy is a love

342
00:17:29.880 --> 00:17:32.759
<v Speaker 2>sick creature looking for his mate, Like yeah, you drop

343
00:17:32.839 --> 00:17:37.920
<v Speaker 2>that too, because like another another Mummy ism that again,

344
00:17:37.960 --> 00:17:41.200
<v Speaker 2>like I served its purpose, but it is like a

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00:17:41.240 --> 00:17:43.880
<v Speaker 2>little pass a. Now we have plenty of films where

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00:17:43.960 --> 00:17:46.480
<v Speaker 2>characters don't have romantic interest at all, So I think

347
00:17:46.559 --> 00:17:48.720
<v Speaker 2>maybe it's time now to just do a Mummy movie

348
00:17:48.839 --> 00:17:51.359
<v Speaker 2>that's scary with not oh he's trying to get his

349
00:17:51.440 --> 00:17:55.000
<v Speaker 2>lover back from the grave, or it's that's been like

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00:17:55.039 --> 00:17:57.880
<v Speaker 2>the same fucking tune that they've played. Even in these

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00:17:57.920 --> 00:17:59.960
<v Speaker 2>even in these like anthology shows, there's like the love

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00:18:00.079 --> 00:18:02.359
<v Speaker 2>Lorne's Mummy, Like, why is this the thing?

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<v Speaker 1>Here's the story for the next Mummy movie. Hey, don't

354
00:18:05.279 --> 00:18:06.480
<v Speaker 1>open that. That will be fine.

355
00:18:06.960 --> 00:18:11.079
<v Speaker 2>There we go again. Nineteen ninety nine Mummy takes a turn.

356
00:18:11.599 --> 00:18:14.559
<v Speaker 2>It's scary for a moment, but then it takes a turn.

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00:18:14.599 --> 00:18:17.359
<v Speaker 2>It becomes a full on action movie. That's fine. There

358
00:18:17.440 --> 00:18:19.599
<v Speaker 2>is a version of that nineteen ninety nine Mummy movie

359
00:18:19.720 --> 00:18:22.400
<v Speaker 2>that's just a scary movie, but I don't think it

360
00:18:22.440 --> 00:18:24.799
<v Speaker 2>is as nearly as successful as the movie that ends

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00:18:24.839 --> 00:18:28.039
<v Speaker 2>up coming out. But I would kill for a scary

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00:18:28.119 --> 00:18:31.920
<v Speaker 2>Mummy anything, or Mummy anything that's not that Tom Cruise thing.

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00:18:32.279 --> 00:18:36.519
<v Speaker 3>Oo oh jesus. Yeah, there was a time, I think

364
00:18:36.559 --> 00:18:39.400
<v Speaker 3>it's just last year of the year before, where I

365
00:18:39.480 --> 00:18:42.559
<v Speaker 3>got onto a Mummy kick and I watched all the ones,

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00:18:42.640 --> 00:18:47.039
<v Speaker 3>all the universal Mummy movies that aren't just the Karloff ones. Yes,

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00:18:47.359 --> 00:18:51.680
<v Speaker 3>some interesting things. It goes and the Mummy's Tomb, the

368
00:18:51.720 --> 00:18:55.279
<v Speaker 3>Mummies Ghost, the Mummies Curse, and some of those. There

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00:18:55.359 --> 00:18:56.799
<v Speaker 3>was one of them where I was just like, oh,

370
00:18:56.839 --> 00:18:59.880
<v Speaker 3>I've seen these shots before. You are just recycling so

371
00:19:00.279 --> 00:19:03.559
<v Speaker 3>much of this mummy footage and you could tell the

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00:19:03.599 --> 00:19:06.839
<v Speaker 3>heights would change and stuff. I'm like, Okay, I guess

373
00:19:06.839 --> 00:19:09.000
<v Speaker 3>it really doesn't matter who you put in those wraps,

374
00:19:09.039 --> 00:19:10.880
<v Speaker 3>but maybe keep them the same height.

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00:19:11.759 --> 00:19:15.000
<v Speaker 1>The second Doctor Phime's movie is, while technically not a

376
00:19:15.079 --> 00:19:18.119
<v Speaker 1>mummy movie, is an egypt movie and it's just weird

377
00:19:18.240 --> 00:19:22.799
<v Speaker 1>enough to slot in there and satisfy my my mummy yen.

378
00:19:23.680 --> 00:19:26.400
<v Speaker 1>But I can't think of the last good scary mummy

379
00:19:26.480 --> 00:19:28.920
<v Speaker 1>movie honestly, Like I agree with you. I think it's

380
00:19:29.200 --> 00:19:31.160
<v Speaker 1>it's probably Christopher Lee in the sixties.

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<v Speaker 2>And you know who I would tap, Somebody like Germo

382
00:19:33.559 --> 00:19:34.039
<v Speaker 2>del Toro.

383
00:19:34.799 --> 00:19:36.720
<v Speaker 1>He has you know, I wouldn't you know what he

384
00:19:36.720 --> 00:19:40.359
<v Speaker 1>can That's the short answer. Guy, Let's see Frankenstein before

385
00:19:40.359 --> 00:19:41.240
<v Speaker 1>we give him every.

386
00:19:43.599 --> 00:19:47.519
<v Speaker 2>That's fair. That's fair. It would need to be somebody

387
00:19:47.559 --> 00:19:50.960
<v Speaker 2>who has a reverence for that or or not to

388
00:19:51.039 --> 00:19:52.720
<v Speaker 2>be fair. Yeah, yeah, that's fair.

389
00:19:52.799 --> 00:19:57.559
<v Speaker 3>Get Josh to do it fantastic right now? Yeah, yeah,

390
00:19:58.039 --> 00:19:59.160
<v Speaker 3>I don't think he's too busy.

391
00:19:59.799 --> 00:20:02.240
<v Speaker 2>He's been busy for about damn near a decade now.

392
00:20:02.359 --> 00:20:05.200
<v Speaker 1>But like those kids, those two guys are from Australia

393
00:20:05.200 --> 00:20:08.000
<v Speaker 1>who did the Talk to Me movie? Oh oh yeah,

394
00:20:08.200 --> 00:20:09.960
<v Speaker 1>give them the Mummy movie. You know what I mean?

395
00:20:10.160 --> 00:20:13.319
<v Speaker 2>Like when with you, Yeah, I don't even like it

396
00:20:13.359 --> 00:20:15.039
<v Speaker 2>doesn't have to be the Mummy, just needs to be

397
00:20:15.079 --> 00:20:16.400
<v Speaker 2>a Mummy.

398
00:20:15.920 --> 00:20:19.359
<v Speaker 1>Right Hey here, guys, give us your version of the Mummy.

399
00:20:19.480 --> 00:20:22.440
<v Speaker 1>Holy fuck, because that's what we need. The fact that

400
00:20:22.480 --> 00:20:26.759
<v Speaker 1>we just kind of keep telling the fucking nineteen twenties

401
00:20:26.880 --> 00:20:30.400
<v Speaker 1>version of the Mummy. This is what's scaring us, is it?

402
00:20:30.440 --> 00:20:33.680
<v Speaker 1>Is there not some modern interpretation of this, Come on, man,

403
00:20:33.960 --> 00:20:38.200
<v Speaker 1>and not the fucking howling wind down the fucking streets

404
00:20:38.279 --> 00:20:41.279
<v Speaker 1>or the fucking Beastie and the okay anyway, but you.

405
00:20:41.200 --> 00:20:46.759
<v Speaker 2>Could do but you could do the nineteen twenties Mummy scary,

406
00:20:47.079 --> 00:20:49.200
<v Speaker 2>Like you could do it that scary. You might get

407
00:20:49.279 --> 00:20:52.000
<v Speaker 2>like a period piece scary. And it could be scary

408
00:20:52.079 --> 00:20:54.880
<v Speaker 2>as fuck too as a period piece, because you could

409
00:20:54.880 --> 00:20:57.039
<v Speaker 2>have the Mummy coming out of the night and taking

410
00:20:57.079 --> 00:20:59.480
<v Speaker 2>people like again, like you could do what you could

411
00:20:59.519 --> 00:21:01.319
<v Speaker 2>go all kinds of directions with it, or you could

412
00:21:01.359 --> 00:21:03.640
<v Speaker 2>set it in modern time. But like, just don't do

413
00:21:03.759 --> 00:21:08.079
<v Speaker 2>the same like putsy half in, half out comedy sort of,

414
00:21:08.119 --> 00:21:11.319
<v Speaker 2>this is way comedy obviously, like this is strip poker

415
00:21:11.359 --> 00:21:14.640
<v Speaker 2>with a mummy, Like there you go, like, but they're

416
00:21:14.720 --> 00:21:16.720
<v Speaker 2>like some of the other ones. I want a mummy

417
00:21:16.720 --> 00:21:17.599
<v Speaker 2>half in, half out.

418
00:21:17.759 --> 00:21:20.599
<v Speaker 1>I want a mummy that never turns human. I want

419
00:21:20.599 --> 00:21:24.480
<v Speaker 1>a mummy that is just a delegon. I don't know,

420
00:21:24.559 --> 00:21:27.359
<v Speaker 1>because they want an actor and they want a sexy thing.

421
00:21:27.480 --> 00:21:30.079
<v Speaker 2>Well, it's because there's the love interest. Because again the

422
00:21:30.160 --> 00:21:31.839
<v Speaker 2>love interest has to kiss the mummy.

423
00:21:31.920 --> 00:21:35.119
<v Speaker 1>Fuck all that. Let's just have a fucking sentinel bent

424
00:21:35.200 --> 00:21:36.319
<v Speaker 1>on vengeance. That's it.

425
00:21:36.640 --> 00:21:41.240
<v Speaker 2>Yeeha, I'm with you. Yeah, well, mummies are like low

426
00:21:41.359 --> 00:21:44.640
<v Speaker 2>mummies are low key. I don't know. Of all the

427
00:21:44.720 --> 00:21:47.160
<v Speaker 2>universal monsters, the Mummy is the one that I'm just like,

428
00:21:47.200 --> 00:21:49.920
<v Speaker 2>we what like underrepresented so much?

429
00:21:50.480 --> 00:21:53.319
<v Speaker 1>Can I just say too that mummies are not germane

430
00:21:53.359 --> 00:21:57.519
<v Speaker 1>to Egypt. They're in most cultures. You can set the

431
00:21:57.559 --> 00:21:59.079
<v Speaker 1>Mummy basically fucking anywhere.

432
00:21:59.200 --> 00:22:02.000
<v Speaker 2>And yeah, that's literally, isn't that. I believe that's the

433
00:22:02.119 --> 00:22:04.119
<v Speaker 2>joke at the end of the Third Mummy Movies and

434
00:22:04.160 --> 00:22:06.640
<v Speaker 2>then he went somewhere where there were no mummies. South

435
00:22:06.640 --> 00:22:09.240
<v Speaker 2>America and it's wan. That's not the cake. Yeah no,

436
00:22:09.279 --> 00:22:10.359
<v Speaker 2>it's I don't know yet.

437
00:22:10.480 --> 00:22:14.559
<v Speaker 1>I could have a a Mayan mummy, an Incin mummy.

438
00:22:14.279 --> 00:22:16.839
<v Speaker 2>Like yeah, nope, it's got to be like the Egyptologists

439
00:22:16.880 --> 00:22:17.400
<v Speaker 2>with the hat.

440
00:22:17.880 --> 00:22:23.359
<v Speaker 1>They could these dummies could even fucking structure quietly a

441
00:22:23.799 --> 00:22:27.720
<v Speaker 1>like franchise of mummy films. Just do it, do it

442
00:22:28.400 --> 00:22:31.400
<v Speaker 1>without fanfare, Like we're gonna tell a story that takes

443
00:22:31.400 --> 00:22:33.119
<v Speaker 1>place in South America and now we're also gonna tell

444
00:22:33.160 --> 00:22:35.400
<v Speaker 1>a story. Oh, by the way, those are connected. Hey,

445
00:22:36.039 --> 00:22:39.519
<v Speaker 1>a universal shared horror universe dark universe.

446
00:22:39.559 --> 00:22:40.559
<v Speaker 2>Even one might say.

447
00:22:40.720 --> 00:22:42.920
<v Speaker 1>Well, no, no, now you have to go to Orlando.

448
00:22:43.079 --> 00:22:44.400
<v Speaker 1>That's where the dark universe is.

449
00:22:44.799 --> 00:22:47.440
<v Speaker 2>That's true. Thank god they took that back from themselves.

450
00:22:48.119 --> 00:22:50.119
<v Speaker 1>By the way, I cannot fucking wait to go there.

451
00:22:50.720 --> 00:22:56.200
<v Speaker 1>Same likewise, Okay, on that note, on the next episode

452
00:22:56.200 --> 00:22:58.160
<v Speaker 1>of Midnight Viewing, we're gonna be taking a look at

453
00:22:58.160 --> 00:23:00.880
<v Speaker 1>the next two episodes of season four or those are

454
00:23:00.920 --> 00:23:04.480
<v Speaker 1>The Yattering and the Jack and see more Lama Yattering

455
00:23:04.519 --> 00:23:07.039
<v Speaker 1>in the Jack is the first television adaptation of anything

456
00:23:07.039 --> 00:23:11.400
<v Speaker 1>my Clive Barker and Seymour Lama stars Divine Midnight Viewing.

457
00:23:11.440 --> 00:23:13.640
<v Speaker 1>The horror Anthology podcast as a proud member of a

458
00:23:13.680 --> 00:23:16.400
<v Speaker 1>weirding Way Media group. Our theme song was composed by

459
00:23:16.640 --> 00:23:19.680
<v Speaker 1>HP with an assist by Donald Rubinstein. Until next time?

460
00:23:19.720 --> 00:23:21.240
<v Speaker 1>What are you working on? Where could people find it?

461
00:23:21.319 --> 00:23:22.359
<v Speaker 1>Chris Statue?

462
00:23:22.759 --> 00:23:25.160
<v Speaker 2>Anything and everything that I work on, with the exception

463
00:23:25.240 --> 00:23:27.880
<v Speaker 2>of one thing, can be found at Weirdingwaymedia dot com.

464
00:23:28.319 --> 00:23:31.440
<v Speaker 2>That one thing is the ranking on Bond podcast, which

465
00:23:31.440 --> 00:23:33.559
<v Speaker 2>could be found at my patreon, patreon dot com, slash

466
00:23:33.599 --> 00:23:37.119
<v Speaker 2>Culture Cast at Mike's patreon, patreon dot com, slash Projection booth,

467
00:23:37.319 --> 00:23:38.960
<v Speaker 2>and Father Malone is on there from time to time.

468
00:23:39.000 --> 00:23:42.440
<v Speaker 2>But more importantly, be a patriot of Father Malone's Patreon

469
00:23:42.480 --> 00:23:44.519
<v Speaker 2>because you're listening to this show right now, which is

470
00:23:44.559 --> 00:23:47.680
<v Speaker 2>his show, and that's the important one. We're just we're here.

471
00:23:48.160 --> 00:23:52.640
<v Speaker 2>He's doing the thing. Support guests. Yeah, we're just guys.

472
00:23:52.680 --> 00:23:55.759
<v Speaker 2>He's the guy on this show. He's the guy. He's

473
00:23:55.799 --> 00:23:58.279
<v Speaker 2>the man, this is his show. Support him. What about you,

474
00:23:58.279 --> 00:24:01.160
<v Speaker 2>Mike White, I'm the man. I'm so bad.

475
00:24:01.200 --> 00:24:04.240
<v Speaker 3>I should be in detention. No, just what you said, Yeah,

476
00:24:04.440 --> 00:24:09.039
<v Speaker 3>as you said, it's so eloquently last episode, ditto, ditto.

477
00:24:10.160 --> 00:24:12.720
<v Speaker 1>Indeed, then you know who I am? You're listening to

478
00:24:12.799 --> 00:24:15.319
<v Speaker 1>midnight viewing. We'll see you on Monday with the weekly

479
00:24:15.400 --> 00:24:17.119
<v Speaker 1>round up, and we'll see you back here next week

480
00:24:17.160 --> 00:24:21.200
<v Speaker 1>with something fest All right, until next time, trying to

481
00:24:21.279 --> 00:24:22.000
<v Speaker 1>enjoy the daylight.

482
00:25:00.799 --> 00:25:06.720
<v Speaker 2>Then she took to att
