WEBVTT

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<v Speaker 1>William and Susan Travis have escaped the authoritarian, war ravaged

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<v Speaker 1>world of twenty one fifty five, seeking anonymity in mid

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<v Speaker 1>century Mexico, but agents from their own time are searching

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<v Speaker 1>for them, and the past may offer less safety than

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<v Speaker 1>they hoped. From NBC This Is Dimension X, episode eight

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<v Speaker 1>to the Future, first heard on May twenty seventh, nineteen fifty.

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<v Speaker 1>Ray Bradbury's story was adapted for radio by Ernest Kinoy,

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<v Speaker 1>with John Larkin and Jan Minor as the fugitive couple,

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<v Speaker 1>and now the original broadcast.

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<v Speaker 2>Adventures in Time and Space told in Future tenths.

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<v Speaker 3>Time is an interesting phenomenon, a ticking clock, the running

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<v Speaker 3>sands of an hour glass. All these have captured the

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<v Speaker 3>imagination of men. But time is more. It exists now

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<v Speaker 3>and then and in the future. Suppose we are in

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<v Speaker 3>the year nineteen fifty, coexistent in time, maybe worlds we

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<v Speaker 3>have never seen, the worlds of the past and of

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<v Speaker 3>the future. The year was nineteen fifty. It was a

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<v Speaker 3>spring night in Mexico for yester time. The fireworks shot

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<v Speaker 3>up into the clear, dark sky, and a paper machet

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<v Speaker 3>bull ran about the plaza, chasing boys and laughing men.

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<v Speaker 4>Mister and missus.

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<v Speaker 3>William Travis stood on the edge of the yelling crowd, smiling.

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<v Speaker 5>What is it, Dell? What do they say?

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<v Speaker 4>They cheering for the bull? Here comes? Is good, isn't it?

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<v Speaker 6>I wonder how they ricked up the carr feeling fund people.

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<v Speaker 5>I've never enjoyed myself so much in my life.

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<v Speaker 4>It's terrific. How they propabull a bottle the door. We'll

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<v Speaker 4>go on, I mean not soon. Don't worry. I'm enough

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<v Speaker 4>travelers checks for a lifetime.

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<v Speaker 6>Relax.

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<v Speaker 5>But suppose they find us, get it?

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<v Speaker 4>They haven't a chance.

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<v Speaker 5>I suppose they do. Suppose they take us back.

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<v Speaker 4>I'll never find us. Now related enjoy yourself?

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<v Speaker 5>Oh it could only less.

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<v Speaker 4>Come on, don let's get out of the crowd. I

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<v Speaker 4>think you'll need a drink, all right, let's joy a

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<v Speaker 4>something different this time.

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<v Speaker 5>I want to try every drink there is.

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<v Speaker 6>In the world, because don't worry about them.

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<v Speaker 4>There's no rush. But let me time out. Now there's

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<v Speaker 4>a table over there, Bill m what's a many?

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<v Speaker 5>Don't don't look right away, but over your left shoulder.

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<v Speaker 5>Life by the end of the bar, that, ma'am.

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<v Speaker 4>What is it?

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<v Speaker 5>I saw him this morning in the plaza.

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<v Speaker 6>Well, let me take it easy.

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<v Speaker 4>The tunnel is full of tourists.

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<v Speaker 5>He was at warres in Tasco.

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<v Speaker 4>Bill, I'm afraid I don't stare at him.

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<v Speaker 5>Come on, I know it's the same man. He was

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<v Speaker 5>wearing the same white.

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<v Speaker 4>Suitit down suit, all right, not come on, dear, smile

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<v Speaker 4>at natural Bill.

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<v Speaker 5>He's been following us. He's a searcher.

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<v Speaker 6>I know he is.

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<v Speaker 4>Wyatt. Oh boy, here boy.

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<v Speaker 7>See Benedictine and Brandy too.

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<v Speaker 5>You see see Senor he's watching us.

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<v Speaker 7>Bill, or you'll quitn't worrying down? And the chances are

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<v Speaker 7>one in a thousand that they found us. Probably it's

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<v Speaker 7>just a coincidence.

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<v Speaker 5>Hi, I want to lie down. I think I'm going

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<v Speaker 5>to be sick.

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<v Speaker 7>Susan, hang on, will you? If he is looking for us,

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<v Speaker 7>we can't run out. What's he doing now?

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<v Speaker 5>He stopped a waiter. He's asking something.

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<v Speaker 4>He may just want to drink, Bill.

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<v Speaker 5>I can't stand it. I've got to go upstairs and

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<v Speaker 5>write down.

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<v Speaker 4>All right, all right, as soon as we finish our drinks.

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<v Speaker 4>What's he doing now?

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<v Speaker 5>Well, he's nodding at me as if he knows me,

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<v Speaker 5>and he's smiling. Bill, he's coming over here.

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<v Speaker 7>I watch yourself. We've got to go right on in

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<v Speaker 7>front of him. That's what he is, what we think

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<v Speaker 7>he is. He won't suspect we got to come on.

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<v Speaker 7>So I said to David, Dave, that's ridiculous. You know

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<v Speaker 7>that the thing is that is never going to say, Kristen,

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<v Speaker 7>what you.

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<v Speaker 4>Did not pull up your pants leg when you said

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<v Speaker 4>don oh.

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<v Speaker 7>I'm afraid you have the wrong person. My name isn't

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<v Speaker 7>Chris Chris ten No, I'm William Travis. I don't see

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<v Speaker 7>what my pants leg has got to do with it.

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<v Speaker 8>Mind if I said, well, yes, everyone nowadays pulls up

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<v Speaker 8>his pants leg when he sits down like this keeps

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<v Speaker 8>the trousers from bagging at the knees.

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<v Speaker 4>But of course, if you're not used to this style

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<v Speaker 4>of blow, I see here. We don't know you. We don't.

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<v Speaker 8>I'm sorry, I thought I knew you. Look, this is

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<v Speaker 8>our table, if you don't mind me. I'm looking for

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<v Speaker 8>two friends of mine, a man and his wife, very

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<v Speaker 8>much like you. The man is an atomic scientist, the

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<v Speaker 8>wife a bacteriologist. Very important people. They work on government business.

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<v Speaker 8>Just what are you talking about when I find my

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<v Speaker 8>friends going to take.

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<v Speaker 4>Them home with me.

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<v Speaker 7>Look here, mister Simms, that will do for not all right, Sims,

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<v Speaker 7>I understand that you thought you knew us. You can

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<v Speaker 7>see you're mistaken. How if you'll excuse us, My wife

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<v Speaker 7>and I were just going up to our room. We

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<v Speaker 7>have to make an early start in the morning.

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<v Speaker 4>Going for a trip Appulco PABs love never mind where

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<v Speaker 4>we're going.

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<v Speaker 8>Yes, of course you don't like crowds tourists. I'd probably

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<v Speaker 8>like to get off the beaten path. You know I've

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<v Speaker 8>got a vacation folder here that might interest you.

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<v Speaker 4>They'll let's go wait.

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<v Speaker 8>Put out by an outfit that calls itself Travel in

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<v Speaker 8>Time Incorporated, Travel in Time, Yes, they've.

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<v Speaker 4>Come up with a rather intriguing idea.

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<v Speaker 8>Would you like to actually witness the burning room sail

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<v Speaker 8>with Columbus in fourteen hundred and ninety two on his

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<v Speaker 8>voyage of discovery to America, meet Cleopatron? Then why not

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<v Speaker 8>take your vacation in time as well as in place.

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<v Speaker 8>But perhaps you've seen this leaflet before? Of course not,

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<v Speaker 8>then you'll be interested in hearing the rest Travel and

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<v Speaker 8>Time Incorporate. It can cost you you put you in

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<v Speaker 8>the crowd at any place and time and history. Lord,

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<v Speaker 8>we guarantee to teach you any language you need. To

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<v Speaker 8>move freely in any year without risk of detection this summer,

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<v Speaker 8>to escape from the worries of our modern world, take

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<v Speaker 8>your vacation entirele.

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<v Speaker 4>That's impossible, of course.

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<v Speaker 8>Ah, Think what it would mean, A chance to escape

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<v Speaker 8>all the tensions of an unpleasant rite.

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<v Speaker 4>War, insecurity, fear sins.

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<v Speaker 8>I suppose you were a scientist working on a dangerous

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<v Speaker 8>bomb project.

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<v Speaker 4>Oh you were, missus Travis.

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<v Speaker 8>Suppose you were a bacteriologist working on disease cultures, and.

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<v Speaker 4>You had a chance to escape all that. To take

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<v Speaker 4>a vacation two hundred years in the past.

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<v Speaker 8>Would be wonderful, wouldn't it, escape to a more peaceful world,

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<v Speaker 8>a trip back to nineteen and fifty nineteen fifty.

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<v Speaker 4>But you said a vacation in the past, so I did.

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<v Speaker 8>But you see, nineteen fifty is the past if you

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<v Speaker 8>come from the year twenty one fifty.

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<v Speaker 5>Five, twenty five, terrible.

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<v Speaker 8>Times, most unpleasant, the war, raging and atomic bacteriological war,

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<v Speaker 8>terrible times with none of the little comforts we enjoy today,

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<v Speaker 8>like this fine havana cigar.

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<v Speaker 6>Bill.

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<v Speaker 5>I want to go upstairs I want to lie down.

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<v Speaker 8>If you were living then, think of how wonderful it

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<v Speaker 8>would be to take a vacation in time back to now.

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<v Speaker 4>You're crazy. I don't know what you're talking about.

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<v Speaker 8>Suppose a young couple like yourselves took a trip to

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<v Speaker 8>nineteen hundred and fifty didn't want to come back. You

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<v Speaker 8>know what would happen. The government sends us search a

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<v Speaker 8>back to look for them. This is all fantastic. Nurser

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<v Speaker 8>such a.

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<v Speaker 9>Finds them and brings them back. Do you think I'll

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<v Speaker 9>find my two friends? Mister Travill, Please take me upstairs.

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<v Speaker 9>I don't feel well.

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<v Speaker 4>It's the lady feeling a bit sake. Oh for Jerry,

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<v Speaker 4>drink senor well? Can we drink a toast to twenty

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<v Speaker 4>one fifty five? To the future? All right? Inside? Quick?

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<v Speaker 5>Bill? What are you doing?

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<v Speaker 4>Shoving a chair and the door?

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<v Speaker 5>He knows he has been following us, Bill, he's a.

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<v Speaker 7>Search you keep quiet soon. I want to think they'll

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<v Speaker 7>take us back. That isn't over yet.

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<v Speaker 4>Oh, got a headache.

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<v Speaker 5>I'll get you in aspirin. What will they do to us?

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<v Speaker 7>I don't know what they'll do to us. Something slipped,

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<v Speaker 7>Something must have slipped so careful. The searchers are trained

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<v Speaker 7>to watch for detail, things like not pulling up my trousers.

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<v Speaker 7>I started him thinking, there is a man who isn't

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<v Speaker 7>used to ancient clothes.

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<v Speaker 4>Could kill myself of giving it away. It was my walk.

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<v Speaker 5>Here.

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<v Speaker 4>Thank you, Bill. I won't go back.

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<v Speaker 5>I won't go on filling tubes with typhoid and bubonic play.

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<v Speaker 4>Take it easy.

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<v Speaker 5>There must be some way we don't have to go

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<v Speaker 5>back to twenty one fifty five, do we the.

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<v Speaker 7>Nervous that's Sims sitting there looking us up and down

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<v Speaker 7>like animals, smoking those stinking cigars.

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<v Speaker 5>How I first noticed him in Tasco, he had four

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<v Speaker 5>bottles of liqueurs and a pile of chocolate.

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<v Speaker 7>Well he still hasn't gotten owhere that first greedy hunger.

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<v Speaker 7>We've got to look out for that. So it's the

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<v Speaker 7>sure sign of somebody from the future trying to make

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<v Speaker 7>up for a lifetime of shortage is by stuffing themselves sick.

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<v Speaker 4>Remember our first.

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<v Speaker 5>Night, Bill, I can't stand it. We've got to get

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<v Speaker 5>out of here.

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<v Speaker 4>What are you doing, Packy getting this suitcase out? That's

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<v Speaker 4>no use.

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<v Speaker 5>You mean we can get to act a polka by morning?

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<v Speaker 4>Do you think he's watching us.

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<v Speaker 5>We could get away.

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<v Speaker 7>No, No, we've got to sit tight. We've got to

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<v Speaker 7>wait right here for a break. I don't know what,

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<v Speaker 7>but something has got to break.

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<v Speaker 5>Break.

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<v Speaker 7>No, No, maybe he isn't sure of us yet. Maybe

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<v Speaker 7>we can still figure out some way to escape. Come on, now,

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<v Speaker 7>we better try to get some sleep.

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<v Speaker 5>No, Nah, I won't go back security police.

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<v Speaker 7>The bomb the ball was full, No matter. Soon, wake

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<v Speaker 7>up where we Bill, I'll carry down? Honey, you were

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<v Speaker 7>dreaming now? It's all right, Bill?

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<v Speaker 5>Where are we?

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<v Speaker 4>I was still in nineteen thirty? It's all right, I

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<v Speaker 4>must have.

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<v Speaker 5>It was awful, Bill, Bill. There was an explosion, and

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<v Speaker 5>terrible explosion in my hand, burned and wrinkled, and the

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<v Speaker 5>building's broke.

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<v Speaker 6>Bill.

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<v Speaker 5>Then we won't go back there? Will we ever go

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<v Speaker 5>to sleep?

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<v Speaker 4>It's all right. We're in Mexico, nineteen fifty and we're

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<v Speaker 4>going to stay here. Yeah. Soon.

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<v Speaker 7>I've been lying awake here thinking that may be that

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<v Speaker 7>he's still testing us, but he's not absolutely certain. That

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<v Speaker 7>may be why he hasn't moved.

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<v Speaker 5>Maybe he's just playing with us.

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<v Speaker 4>Yes, maybe I wouldn't put that past him. Needed he's

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<v Speaker 4>got all the time in the world.

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<v Speaker 7>He can stay here as long as he likes, then

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<v Speaker 7>bring us back to the future sixty seconds after we

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<v Speaker 7>left it.

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<v Speaker 5>Hey, they can't make a scene, can they. They don't

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<v Speaker 5>dare come out in the open.

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<v Speaker 4>No, No, that might change the future. I're afraid of that.

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<v Speaker 5>If we could only tell somebody ask for help, I sue.

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<v Speaker 4>You know we can't.

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<v Speaker 7>That's why we had to submit to the psychological block

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<v Speaker 7>treatment before they okayed our vacation. We couldn't tell if

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<v Speaker 7>we tried. The block is too strong.

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00:12:53.120 --> 00:12:54.360
<v Speaker 5>Maybe we can break it down.

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<v Speaker 7>And what if we did? Who'd believe a crazy story

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<v Speaker 7>like us? Who would believe that we come from twenty

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<v Speaker 7>one to fifty five? No, sir, that would do no good.

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<v Speaker 4>But this is important. They have to get us alone,

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<v Speaker 4>to put us in the time machine, to send us back.

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<v Speaker 5>Then that's it. We'll never be alone. It's still fester time.

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<v Speaker 5>It'll be easy to stay in the crosses.

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<v Speaker 7>Yes, that's our only chance. We must not let him

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<v Speaker 7>get us alone. He won't get us back to that

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<v Speaker 7>war in that insane world of it.

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<v Speaker 5>Bill, it could be the room clerk at three in

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<v Speaker 5>the morning.

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<v Speaker 4>I'm better answering.

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<v Speaker 5>No, don't build, don't.

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<v Speaker 4>I've got to hello, hello, mister Travis. What is the

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<v Speaker 4>idea of this? It's three in the morning.

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00:13:55.039 --> 00:13:56.399
<v Speaker 8>Yes, yes, I just.

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<v Speaker 4>Wanted to remind you the rabbits may hide at the

253
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<v Speaker 4>far the fox come all was fine?

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<v Speaker 5>What was it?

255
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<v Speaker 4>Bill?

256
00:14:09.279 --> 00:14:09.480
<v Speaker 5>Yeah?

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00:14:09.919 --> 00:14:13.360
<v Speaker 4>Never mind, come on, let's get some sleep.

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<v Speaker 6>Why we can, and when there's this in yours?

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00:14:29.399 --> 00:14:32.279
<v Speaker 10>In your good morning, senor as you are spending pleasant

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<v Speaker 10>days in my hotel.

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<v Speaker 4>Yes, the time is the best.

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00:14:34.840 --> 00:14:36.440
<v Speaker 5>It's been lovely.

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00:14:36.759 --> 00:14:39.279
<v Speaker 4>Special table is already will breaks all fine?

264
00:14:40.799 --> 00:14:43.559
<v Speaker 6>Wait la hotel.

265
00:14:45.039 --> 00:14:50.600
<v Speaker 4>Hotels? What is all that rackle? Great excitement? Very great?

266
00:14:50.919 --> 00:14:51.279
<v Speaker 4>What is it?

267
00:14:51.720 --> 00:14:52.279
<v Speaker 6>They coming?

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00:14:52.480 --> 00:14:57.159
<v Speaker 10>The four trucks and innumerable automobiles a motion picture company

269
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<v Speaker 10>from Hollywood?

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<v Speaker 4>Or what are they doing down here? They make pictures?

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<v Speaker 4>Our fies before the background.

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<v Speaker 10>We have a very beautiful town. Beautiful, very beautiful. That

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<v Speaker 10>that that fat man, the one with the most colorful shirt.

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<v Speaker 10>He is the chief the lyric hire, the manager of

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<v Speaker 10>the adobe.

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<v Speaker 6>Flea coming singor coming you will excuse me.

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<v Speaker 4>I hope that they really satisfactory, coming to your coming.

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<v Speaker 4>So this is a break. That movie comes. He will

279
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<v Speaker 4>draw crowns and that helps.

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<v Speaker 5>When can we leave them?

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<v Speaker 4>Not today?

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<v Speaker 7>Be sure, then it'd be easy to catch us above

283
00:15:33.039 --> 00:15:35.919
<v Speaker 7>on the road. You better stay and try to lull sense.

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<v Speaker 4>Okay, it's under the line. Chow faster layout. You can't

285
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<v Speaker 4>do anything now and then of these actors coming in.

286
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<v Speaker 10>Okay, follow me many, Hey, glory, you sit next to

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00:15:50.440 --> 00:15:51.360
<v Speaker 10>paper and mat.

288
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<v Speaker 4>Make sure nobody munks for the trucks of the gear

289
00:15:53.720 --> 00:15:54.200
<v Speaker 4>right here.

290
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<v Speaker 5>We have to eat this crummyacher.

291
00:15:56.559 --> 00:16:00.240
<v Speaker 4>Cheer up, sweetie, your mere presence makes this chase. Was

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<v Speaker 4>in the truck, roll in the one.

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00:16:02.080 --> 00:16:05.000
<v Speaker 5>Not necessarily in the morning, Joe, I couldn't stop.

294
00:16:10.200 --> 00:16:12.240
<v Speaker 4>Maybe I could hire two of them. I could say

295
00:16:12.279 --> 00:16:12.840
<v Speaker 4>it was a joke.

296
00:16:13.559 --> 00:16:15.600
<v Speaker 7>Why we could wrest them in our clothes, have them

297
00:16:15.720 --> 00:16:17.960
<v Speaker 7>drive off in our car sometimes when SAMs couldn't see

298
00:16:17.960 --> 00:16:20.080
<v Speaker 7>their faces. With that get us well with him off

299
00:16:20.120 --> 00:16:22.039
<v Speaker 7>on their troy. We might make it to Mexico City.

300
00:16:22.039 --> 00:16:23.399
<v Speaker 7>It take years to find us there.

301
00:16:24.720 --> 00:16:26.039
<v Speaker 5>That movie man's coming north here.

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00:16:26.159 --> 00:16:29.720
<v Speaker 8>Oh excuse me, You folks are Americans, aren't you? Yes,

303
00:16:29.799 --> 00:16:32.759
<v Speaker 8>that's right boy. Am I glad to see you. Yeah,

304
00:16:32.799 --> 00:16:34.399
<v Speaker 8>I'm so sick of hearing Spanish.

305
00:16:34.440 --> 00:16:37.519
<v Speaker 4>I could kiss you. Hey, come on overneath with us.

306
00:16:37.600 --> 00:16:39.919
<v Speaker 4>Huh Oh, well, I don't think we should intrude and.

307
00:16:40.039 --> 00:16:44.159
<v Speaker 8>Come on, come on, Misery loves Company. I'm Misery and

308
00:16:44.279 --> 00:16:47.240
<v Speaker 8>that's the company. We're from Hollywood. Yes, so I understand.

309
00:16:47.360 --> 00:16:50.360
<v Speaker 4>Yeah yeah, and the boy would I like to be there?

310
00:16:50.480 --> 00:16:50.600
<v Speaker 2>Now?

311
00:16:50.960 --> 00:16:53.919
<v Speaker 8>We're down here for some preliminary shots and some technically

312
00:16:54.000 --> 00:16:57.559
<v Speaker 8>clam bake and a real turkey stinker room. Oh that's

313
00:16:57.639 --> 00:17:01.639
<v Speaker 8>too bad, but we've got an expense. That's a lovely thing.

314
00:17:02.240 --> 00:17:05.079
<v Speaker 8>Oh I'm Joe Melton. I'm the unit director. Well, I'm

315
00:17:05.359 --> 00:17:09.839
<v Speaker 8>William Travis. This is my wife, Susan mutual Come over, kids,

316
00:17:09.920 --> 00:17:12.880
<v Speaker 8>join the party, cheer us up only no to Molly's

317
00:17:13.160 --> 00:17:15.640
<v Speaker 8>I burned out three kidneys on too, Molly, since I came.

318
00:17:15.559 --> 00:17:21.680
<v Speaker 4>Over the border. Hey am I funny?

319
00:17:21.880 --> 00:17:22.920
<v Speaker 5>Oh wonderful?

320
00:17:23.839 --> 00:17:26.759
<v Speaker 4>Oh come on over, Hey, Kenny.

321
00:17:27.119 --> 00:17:28.319
<v Speaker 3>I got de b here.

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00:17:31.440 --> 00:17:35.799
<v Speaker 8>Moments mister Travis, I thought you might be breakfasting with

323
00:17:35.920 --> 00:17:37.039
<v Speaker 8>me alone.

324
00:17:37.440 --> 00:17:40.920
<v Speaker 4>Sorry. Oh no, I got him first. Mac. You want

325
00:17:40.960 --> 00:17:41.359
<v Speaker 4>to join us?

326
00:17:41.359 --> 00:17:44.559
<v Speaker 8>No, No, no, I've already ordered, mister Travis. I think

327
00:17:44.599 --> 00:17:48.720
<v Speaker 8>you'd better talk with me now here is this guy

328
00:17:48.920 --> 00:17:49.759
<v Speaker 8>giving you trouble?

329
00:17:49.839 --> 00:17:51.599
<v Speaker 4>It's all right. Well you say the word, I'll have

330
00:17:51.680 --> 00:17:53.440
<v Speaker 4>Max pitch him out on his head. No, no, no, no,

331
00:17:53.519 --> 00:17:56.799
<v Speaker 4>it's all right. We'll be right over. Mister Melton.

332
00:17:57.319 --> 00:18:01.119
<v Speaker 7>We'll talk to mister Simmons, mister Maltin sort of keep

333
00:18:01.160 --> 00:18:03.480
<v Speaker 7>an eye on us, after all, you found us first.

334
00:18:03.880 --> 00:18:09.039
<v Speaker 4>Sure, well, come on over soon. So down, mister Travis.

335
00:18:10.599 --> 00:18:12.640
<v Speaker 4>I hope you slept well, did you.

336
00:18:13.400 --> 00:18:17.279
<v Speaker 8>I'm not used to spring mattresses, but there are compensations.

337
00:18:17.720 --> 00:18:20.640
<v Speaker 8>I stayed up half the night trying new cigarettes and foods,

338
00:18:21.640 --> 00:18:23.839
<v Speaker 8>a whole new spectrum of sensation.

339
00:18:25.440 --> 00:18:26.519
<v Speaker 5>What are you talking about?

340
00:18:28.119 --> 00:18:29.079
<v Speaker 4>Still acting?

341
00:18:29.200 --> 00:18:29.359
<v Speaker 11>Eh?

342
00:18:30.759 --> 00:18:34.039
<v Speaker 8>But it's no use. You can't stay in crowds all

343
00:18:34.160 --> 00:18:38.960
<v Speaker 8>the time. I'll get you alone soon enough. An immensely

344
00:18:39.160 --> 00:18:43.240
<v Speaker 8>patient Let's come to the point. It took me a

345
00:18:43.319 --> 00:18:45.000
<v Speaker 8>month to trace you down and be sure of you.

346
00:18:45.960 --> 00:18:47.839
<v Speaker 8>If you come with me quietly, I might be able

347
00:18:47.880 --> 00:18:50.759
<v Speaker 8>to get you off with no punishment, if you agree

348
00:18:50.799 --> 00:18:52.680
<v Speaker 8>to go back to work on the bacteria bar.

349
00:18:52.960 --> 00:18:54.799
<v Speaker 4>We don't know what you're talking and stop.

350
00:18:56.319 --> 00:18:59.480
<v Speaker 8>Here's your intelligence. You know we can't let you get

351
00:18:59.480 --> 00:19:02.599
<v Speaker 8>away with this escape. Other people in the year twenty

352
00:19:02.640 --> 00:19:04.160
<v Speaker 8>one to fifty five might get the same idea and

353
00:19:04.240 --> 00:19:04.680
<v Speaker 8>do the same.

354
00:19:05.799 --> 00:19:09.400
<v Speaker 7>We need people to fight your war. It's all right, Susan.

355
00:19:09.759 --> 00:19:11.720
<v Speaker 7>We can talk on his terms. Now he's got us.

356
00:19:11.839 --> 00:19:14.640
<v Speaker 7>We can't escape at last.

357
00:19:16.160 --> 00:19:20.000
<v Speaker 8>Really, you've both been incredibly romantic, running away from your.

358
00:19:19.920 --> 00:19:22.519
<v Speaker 5>Responsibilities, running away from horror nonsense.

359
00:19:23.480 --> 00:19:26.559
<v Speaker 4>Only a war only with half the world dead, the

360
00:19:26.640 --> 00:19:27.480
<v Speaker 4>other half dying.

361
00:19:27.799 --> 00:19:30.799
<v Speaker 8>Yes, but we can't have you escaping here while we

362
00:19:31.000 --> 00:19:34.200
<v Speaker 8>drop off a cliff dying. People love to know that

363
00:19:34.400 --> 00:19:37.039
<v Speaker 8>others died with it it up.

364
00:19:37.079 --> 00:19:39.279
<v Speaker 4>We're waiting on you. The longer you keep me waiting,

365
00:19:39.440 --> 00:19:41.319
<v Speaker 4>the harder it will go on you. What do you

366
00:19:41.440 --> 00:19:46.000
<v Speaker 4>mean We need you on that bomb project, return now

367
00:19:46.319 --> 00:19:52.200
<v Speaker 4>and no torture. Torture, yes, you see later will.

368
00:19:52.039 --> 00:19:55.119
<v Speaker 8>Force you to work, and after you finish the bomb,

369
00:19:55.279 --> 00:19:59.240
<v Speaker 8>we'll try a number of complicated new devices on you.

370
00:20:00.119 --> 00:20:04.119
<v Speaker 8>You say you can't escape, We have all the time

371
00:20:04.200 --> 00:20:08.480
<v Speaker 8>in the world here in nineteen fifty Simms.

372
00:20:09.079 --> 00:20:09.920
<v Speaker 4>I'll make a deal with you.

373
00:20:10.720 --> 00:20:13.839
<v Speaker 7>I'll come back now if my wife stays here alive,

374
00:20:13.960 --> 00:20:18.039
<v Speaker 7>safe away from that wall bills will Simms.

375
00:20:18.960 --> 00:20:20.720
<v Speaker 4>You need me for that bomb.

376
00:20:21.359 --> 00:20:25.759
<v Speaker 8>You can duplicate her work. It exceeds my authority. But

377
00:20:25.920 --> 00:20:28.880
<v Speaker 8>all right, meet me in the plaza ten minutes. I'll

378
00:20:28.920 --> 00:20:31.079
<v Speaker 8>pick you up in the car, but we'll drive out

379
00:20:31.079 --> 00:20:33.559
<v Speaker 8>into the country to some deserted spots and I'll have

380
00:20:33.720 --> 00:20:35.480
<v Speaker 8>the time travel machine pick us up.

381
00:20:35.559 --> 00:20:37.880
<v Speaker 4>Bill, I won't you don't argue, so it's settled. It good.

382
00:20:38.319 --> 00:20:40.759
<v Speaker 4>I'll meet you in the plaza in ten minutes. Your

383
00:20:40.799 --> 00:20:42.960
<v Speaker 4>wife may stay as long as you wish to. All right, Sims,

384
00:20:42.960 --> 00:20:45.480
<v Speaker 4>it's the deal. Don't try anything, not Travis. I know

385
00:20:45.559 --> 00:20:47.880
<v Speaker 4>when I'm licked. We just want a few minutes to

386
00:20:47.880 --> 00:20:49.720
<v Speaker 4>say goodbye. I'll be seeing you then.

387
00:20:49.960 --> 00:20:51.000
<v Speaker 5>Bill. I won't let you do it.

388
00:20:51.359 --> 00:20:53.279
<v Speaker 4>I won't like you, Susan going to tell the truth.

389
00:20:53.359 --> 00:20:54.119
<v Speaker 5>I'm going to get help.

390
00:20:54.160 --> 00:20:56.240
<v Speaker 4>You can't the psychological blocks.

391
00:20:56.000 --> 00:20:56.839
<v Speaker 5>The last chance.

392
00:20:57.559 --> 00:20:59.160
<v Speaker 4>Aren't you two going to join us?

393
00:20:59.240 --> 00:21:02.440
<v Speaker 5>I thought I've got something to tell you, and you've

394
00:21:02.519 --> 00:21:03.359
<v Speaker 5>got to believe me.

395
00:21:03.880 --> 00:21:07.319
<v Speaker 4>It won't worry to try. Go ahead, kids, Philly, You've.

396
00:21:07.200 --> 00:21:14.680
<v Speaker 5>Got to understand. You see we really oh Bill. In

397
00:21:14.920 --> 00:21:17.160
<v Speaker 5>my head, I can't think but.

398
00:21:19.559 --> 00:21:22.079
<v Speaker 4>That rama and they can't work. Soon the block.

399
00:21:22.279 --> 00:21:26.160
<v Speaker 8>I'm strong and we better get the car. Someone crying

400
00:21:26.359 --> 00:21:29.759
<v Speaker 8>our breakfast. No type of people to cry. What in

401
00:21:29.880 --> 00:21:32.160
<v Speaker 8>the world is a good looking kid like you find

402
00:21:32.200 --> 00:21:33.000
<v Speaker 8>a cry about?

403
00:21:49.440 --> 00:21:51.640
<v Speaker 5>Philip. I won't let you do it.

404
00:21:52.799 --> 00:21:54.920
<v Speaker 4>Don't make it harder, So we go back with you.

405
00:21:55.440 --> 00:21:56.640
<v Speaker 5>We'll get through some way.

406
00:21:56.720 --> 00:21:58.400
<v Speaker 7>You think I'm gonna let you go back to that war,

407
00:22:00.279 --> 00:22:02.599
<v Speaker 7>so please stop. We haven't got much time.

408
00:22:03.440 --> 00:22:06.039
<v Speaker 5>It was so wonderful you.

409
00:22:06.160 --> 00:22:14.480
<v Speaker 4>Bill smoking those cigars of his, waiting for us.

410
00:22:16.119 --> 00:22:18.640
<v Speaker 5>There must be some way somewhere that we can both

411
00:22:18.759 --> 00:22:19.400
<v Speaker 5>stay here.

412
00:22:21.880 --> 00:22:22.799
<v Speaker 4>Maybe there is.

413
00:22:29.359 --> 00:22:31.160
<v Speaker 5>Now, what are you gonna do?

414
00:22:31.400 --> 00:22:34.960
<v Speaker 4>Hang on, so and Doc when I tell you no, no, Bill,

415
00:22:35.039 --> 00:22:37.000
<v Speaker 4>you're heading right for him. I'm gonna get either of

416
00:22:37.079 --> 00:22:56.440
<v Speaker 4>us now, my dogs dogs, Bill, Bill, It's all right,

417
00:22:56.799 --> 00:22:59.119
<v Speaker 4>it's all over. Now. This is the mayor.

418
00:23:01.119 --> 00:23:05.000
<v Speaker 12>Your husband has been officially clear in this most unfortunate affair.

419
00:23:05.839 --> 00:23:10.559
<v Speaker 4>He's obvious. This senor seems died of an unavoidable.

420
00:23:11.440 --> 00:23:18.519
<v Speaker 5>Yes, yes, of course, Joe Senor. Will they want to

421
00:23:18.519 --> 00:23:19.079
<v Speaker 5>see you again?

422
00:23:19.200 --> 00:23:19.240
<v Speaker 3>No?

423
00:23:19.400 --> 00:23:20.279
<v Speaker 4>No, no, no, I'm clear.

424
00:23:22.039 --> 00:23:27.720
<v Speaker 7>I lost control of the car. That's the way it stands, soe.

425
00:23:27.799 --> 00:23:30.039
<v Speaker 7>I hated to kill him. I never wanted to do

426
00:23:30.119 --> 00:23:31.240
<v Speaker 7>anything like that in my life.

427
00:23:37.559 --> 00:23:40.680
<v Speaker 5>Where will we go now, Mexico City.

428
00:23:41.599 --> 00:23:43.200
<v Speaker 4>Well, the car is in the repair shop and won't

429
00:23:43.200 --> 00:23:44.799
<v Speaker 4>be ready to fall, and then we'll get out of here.

430
00:23:44.839 --> 00:23:46.559
<v Speaker 4>Hey there, Travis, why.

431
00:23:46.599 --> 00:23:48.680
<v Speaker 5>It's the movie man boy? He was very good to

432
00:23:48.759 --> 00:23:50.000
<v Speaker 5>me and they had you in there.

433
00:23:50.920 --> 00:23:53.519
<v Speaker 4>Hey, I heard what happened. They sprung you.

434
00:23:55.039 --> 00:23:55.920
<v Speaker 5>It was an accident.

435
00:23:56.079 --> 00:24:00.319
<v Speaker 8>I was lucky you didn't get hurt yourselves. Everything okay, now, yes, yes,

436
00:24:00.440 --> 00:24:03.200
<v Speaker 8>I think so that's fine. But you both look a

437
00:24:03.240 --> 00:24:05.599
<v Speaker 8>little rocky. So you want to get your mind off

438
00:24:05.640 --> 00:24:08.279
<v Speaker 8>your troubles. We're through for the day. Clouds fouled up

439
00:24:08.319 --> 00:24:10.079
<v Speaker 8>our shooting schedule, so we're gonna put a header on

440
00:24:10.160 --> 00:24:10.839
<v Speaker 8>it up at the hotel.

441
00:24:10.920 --> 00:24:12.079
<v Speaker 5>I don't think we'd better.

442
00:24:12.279 --> 00:24:14.680
<v Speaker 4>You've got to wait your cars fixed, don't you. Oh,

443
00:24:14.799 --> 00:24:15.519
<v Speaker 4>come on up.

444
00:24:15.559 --> 00:24:17.839
<v Speaker 8>It'll do you good to relax or get your mind

445
00:24:17.880 --> 00:24:20.440
<v Speaker 8>off what's happened. Glorie is cracking the ice. Now, well,

446
00:24:20.519 --> 00:24:22.480
<v Speaker 8>maybe we will join you. I've got to go check

447
00:24:22.559 --> 00:24:23.480
<v Speaker 8>up on the car, and then.

448
00:24:23.599 --> 00:24:26.279
<v Speaker 4>Don't miss the party, kiddies. We'll see you upstairs. Yeah,

449
00:24:26.599 --> 00:24:28.960
<v Speaker 4>I don't think we come on, honey. We've got the

450
00:24:29.079 --> 00:24:30.640
<v Speaker 4>break now. SIMS is dead.

451
00:24:31.240 --> 00:24:33.160
<v Speaker 7>Before they can put another searcher on our trail, we'll

452
00:24:33.160 --> 00:24:36.559
<v Speaker 7>have time to make a clean ghetto, so know, and

453
00:24:36.720 --> 00:24:38.200
<v Speaker 7>what you need is a little excitement.

454
00:24:38.359 --> 00:24:41.599
<v Speaker 4>We rate a celebration, honey, right.

455
00:24:42.200 --> 00:24:44.920
<v Speaker 5>I guess it would be nice to I'm why sure

456
00:24:45.240 --> 00:24:45.680
<v Speaker 5>We'll go up.

457
00:24:45.599 --> 00:24:47.079
<v Speaker 7>To Melton's room, have a couple of drinks in a

458
00:24:47.119 --> 00:24:49.119
<v Speaker 7>few laps. Honey, it's all over.

459
00:24:49.720 --> 00:25:09.880
<v Speaker 4>We can relax. Wow. Well, well, kitty, we thought we

460
00:25:10.039 --> 00:25:10.640
<v Speaker 4>joined you. Mister.

461
00:25:10.880 --> 00:25:14.440
<v Speaker 8>Oh great, great, call me Joe. He Gloria, yank another cork.

462
00:25:14.519 --> 00:25:19.079
<v Speaker 8>We got company. Thank you, kids, rate a drink. That

463
00:25:19.240 --> 00:25:22.039
<v Speaker 8>was a pretty messy business. But it's all over now. Yes,

464
00:25:22.160 --> 00:25:24.880
<v Speaker 8>it's all over as well. It's time to unlax chemical

465
00:25:24.920 --> 00:25:28.279
<v Speaker 8>house money, thank you? Hey, hey, quiet everybody? What what

466
00:25:29.200 --> 00:25:30.599
<v Speaker 8>how about a toast to our guess?

467
00:25:30.880 --> 00:25:31.079
<v Speaker 5>Oh?

468
00:25:31.319 --> 00:25:38.000
<v Speaker 4>Sure, all right to a very beautiful lady. Lovely enough

469
00:25:38.039 --> 00:25:38.720
<v Speaker 4>for the movies?

470
00:25:39.759 --> 00:25:40.119
<v Speaker 5>Thank you.

471
00:25:40.559 --> 00:25:42.799
<v Speaker 8>I'm not kidding. That's why I came over to you

472
00:25:42.880 --> 00:25:44.920
<v Speaker 8>in the first place. I might even give you a test.

473
00:25:45.880 --> 00:25:48.400
<v Speaker 8>I mean it money, you're pretty nice. I could make

474
00:25:48.440 --> 00:25:49.240
<v Speaker 8>you a movie.

475
00:25:49.000 --> 00:25:50.880
<v Speaker 5>S and take me to Hollywood.

476
00:25:50.960 --> 00:25:52.799
<v Speaker 4>Well, at least did it get us out of Mexico?

477
00:25:53.039 --> 00:25:53.839
<v Speaker 5>You're not serious?

478
00:25:53.960 --> 00:25:56.119
<v Speaker 4>Sure, I am, Gloria. How about a refilm.

479
00:25:56.839 --> 00:25:58.240
<v Speaker 5>It sounds wonderful, doesn't it that?

480
00:25:58.519 --> 00:26:02.480
<v Speaker 4>Yes, Los Angele is a pretty crowded city, isn't it crowded?

481
00:26:02.720 --> 00:26:04.400
<v Speaker 4>Wait till you see the sunset verse.

482
00:26:04.680 --> 00:26:06.519
<v Speaker 5>You don't really think I could be an actor. You

483
00:26:06.559 --> 00:26:08.920
<v Speaker 5>don't have to cheer me up anymore. I'm feeling wonderful now.

484
00:26:09.039 --> 00:26:11.559
<v Speaker 4>No, I'm serious. I think you'd be great.

485
00:26:12.359 --> 00:26:14.319
<v Speaker 8>I want to do a suspense story, sort of a

486
00:26:14.400 --> 00:26:16.839
<v Speaker 8>war story, you know, Gloria Port, mister Travis Meller Glass,

487
00:26:17.799 --> 00:26:20.960
<v Speaker 8>that suspense story, yes, dear, Yes, a story about a

488
00:26:21.039 --> 00:26:22.759
<v Speaker 8>man and a wife who live in a little house.

489
00:26:22.920 --> 00:26:25.039
<v Speaker 4>Now I'm just dead living as you understand. Well, sure,

490
00:26:25.119 --> 00:26:27.559
<v Speaker 4>go on. There's a war on see, a terrible war.

491
00:26:27.680 --> 00:26:31.480
<v Speaker 4>You see. They live in the year twenty one fifty five.

492
00:26:35.279 --> 00:26:38.359
<v Speaker 8>Ow, here's the gimmick. They escape into the past and

493
00:26:38.519 --> 00:26:40.880
<v Speaker 8>they kill a man who follows them to bring them back.

494
00:26:41.720 --> 00:26:45.200
<v Speaker 8>Laurie Honey pot get mister Travis mellerglassen Well, So this

495
00:26:45.400 --> 00:26:48.519
<v Speaker 8>couple takes refuge with a group of movie people. Safety

496
00:26:48.519 --> 00:26:52.359
<v Speaker 8>in numbers, they figure. But the story goes on. This

497
00:26:52.640 --> 00:26:57.759
<v Speaker 8>couple is terribly important for a new project. Let's call

498
00:26:57.839 --> 00:27:01.880
<v Speaker 8>it the bacteria bomb. So the searchers figure out a

499
00:27:01.920 --> 00:27:05.079
<v Speaker 8>way that they can get them alone in a hotel room.

500
00:27:06.000 --> 00:27:09.160
<v Speaker 4>Shove a chair under the doorknop next to me. You see.

501
00:27:09.279 --> 00:27:12.319
<v Speaker 8>The workers searchers may work alone or in groups. So

502
00:27:12.440 --> 00:27:14.359
<v Speaker 8>there's one of them is killed. The rest carry on.

503
00:27:15.599 --> 00:27:18.759
<v Speaker 8>Don't you think that would make a wonderful picture, Susan,

504
00:27:19.440 --> 00:27:20.119
<v Speaker 8>don't you Bill?

505
00:27:21.200 --> 00:27:22.880
<v Speaker 4>You're not gonna get a smelt and stands down with

506
00:27:22.960 --> 00:27:25.640
<v Speaker 4>that gun down? Travis, who is it?

507
00:27:27.519 --> 00:27:28.079
<v Speaker 3>Grant that gun?

508
00:27:28.160 --> 00:27:30.960
<v Speaker 4>Max? There, make first, but the.

509
00:27:32.880 --> 00:27:33.599
<v Speaker 8>Mastering arts.

510
00:27:33.680 --> 00:27:37.440
<v Speaker 4>Let's get going. He'll break down our door in a minute. Max,

511
00:27:37.519 --> 00:27:38.559
<v Speaker 4>get ready to travel.

512
00:27:39.519 --> 00:27:42.359
<v Speaker 8>Take a good look, better, Travis, take a good look

513
00:27:42.440 --> 00:27:43.440
<v Speaker 8>at nineteen fifty.

514
00:27:43.559 --> 00:27:56.319
<v Speaker 4>You won't be seeing anymore through the switch. All right, one,

515
00:27:56.920 --> 00:27:57.720
<v Speaker 4>break down the door?

516
00:28:01.519 --> 00:28:02.079
<v Speaker 6>Where are they?

517
00:28:02.480 --> 00:28:04.279
<v Speaker 4>I was at the door. I heard them inside?

518
00:28:04.599 --> 00:28:08.200
<v Speaker 6>God windows.

519
00:28:09.759 --> 00:28:10.240
<v Speaker 9>Do they.

520
00:28:11.640 --> 00:28:16.880
<v Speaker 12>Iron bars around this thorn? But what happened to them?

521
00:28:16.920 --> 00:28:21.160
<v Speaker 12>One and just disappeared? All of the newest pay general

522
00:28:21.279 --> 00:28:25.000
<v Speaker 12>right one trail later, Senor, I think you'd better send

523
00:28:25.039 --> 00:28:26.720
<v Speaker 12>for the priest and Hollywood.

524
00:28:26.319 --> 00:28:27.119
<v Speaker 6>Later later.

525
00:28:30.480 --> 00:28:31.279
<v Speaker 4>Just disappears.

526
00:28:33.359 --> 00:28:36.720
<v Speaker 12>Look here in the closet, the bottles home pres and

527
00:28:36.839 --> 00:28:42.680
<v Speaker 12>bortles shut, absent tequila, turkey, cigarettes and.

528
00:28:42.920 --> 00:28:49.000
<v Speaker 4>Boxes a pure of any cigars. These crazy americanus. Why

529
00:28:49.039 --> 00:28:51.279
<v Speaker 4>should anyone leave all these guys? What?

530
00:28:52.440 --> 00:28:56.319
<v Speaker 10>Never question providence? There is enough here to last us

531
00:28:56.359 --> 00:29:03.400
<v Speaker 10>both for a month. What I think we can look

532
00:29:03.519 --> 00:29:05.559
<v Speaker 10>forward to a most happy future.

533
00:29:22.240 --> 00:29:25.519
<v Speaker 2>You have just heard another adventure into the unknown world

534
00:29:25.640 --> 00:29:27.480
<v Speaker 2>of the future, the world of.

535
00:29:29.279 --> 00:29:40.720
<v Speaker 3>Im Now about next week. Suppose that you were a

536
00:29:40.799 --> 00:29:44.480
<v Speaker 3>private detective and into your office walked a strange looking client.

537
00:29:45.000 --> 00:29:46.720
<v Speaker 3>Would you believe him if he told you that there

538
00:29:46.799 --> 00:29:50.480
<v Speaker 3>was a Martian embassy hidden somewhere in New York where

539
00:29:50.599 --> 00:29:53.759
<v Speaker 3>spies from the Martian planet were preparing for the invasion

540
00:29:53.839 --> 00:29:56.920
<v Speaker 3>of Earth. We'll tell you about it next week.

541
00:30:01.279 --> 00:30:04.000
<v Speaker 11>The night's adventure in Dimension X was the Ray Bradbury

542
00:30:04.079 --> 00:30:07.359
<v Speaker 11>story To the Future, as adapted for radio by Ernest Cannoy.

543
00:30:08.160 --> 00:30:11.319
<v Speaker 11>John Larkin was heard as Bill and Jan Minor as Susan.

544
00:30:11.880 --> 00:30:16.119
<v Speaker 11>Your narrator was Norman Rose. Music by Albert Berman engineer

545
00:30:16.240 --> 00:30:20.079
<v Speaker 11>Don Abbott. Dimension X is produced by Van Woodward and

546
00:30:20.200 --> 00:30:24.359
<v Speaker 11>directed by Edward King. Tomorrow, It's high Adventure, now its

547
00:30:24.400 --> 00:30:26.200
<v Speaker 11>Truth or Consequences on NBC.

548
00:30:38.559 --> 00:30:42.160
<v Speaker 1>Dimention X concludes with to the Future. Good evening and

549
00:30:42.319 --> 00:30:45.200
<v Speaker 1>thank you for joining us. Follow Old Time Sci Fi

550
00:30:45.400 --> 00:30:48.319
<v Speaker 1>Radio for more classic science fiction broadcasts.
