Speaker 1: Deal love X Games Fun Terry, Welcome to the w WE.
Speaker 1: So I've been thinking about some ideas for your gimmick. Well,
Speaker 1: I was hoping I could just be, you know, a wrestler,
Speaker 1: you know, just kind of be based on you know,
Speaker 1: my terrific terry. No no, no, no, no no. It was good,
Speaker 1: but I didn't think of it, So we're not going
Speaker 1: to go with that. So here's my idea. I think
Speaker 1: it's I think I think it's I think it's a
Speaker 1: little bit better, it's a little edgier. But we've been
Speaker 1: coming up with this idea of maybe a farm animal gimmick.
Speaker 1: You know, we're thinking, you know, I was thinking move
Speaker 1: the cow. So I think that's what we're going to
Speaker 1: give you. I think it's gonna go over. I think
Speaker 1: you'll probably be a you know, a champion by the
Speaker 1: end of the year, and I'll be go over Hogan
Speaker 1: and uh, I got this idea. We didn't playing around
Speaker 1: with some kind of you know, crazy guy ideas. So
Speaker 1: what you'd be is you will it's entirely new concept
Speaker 1: for you, I know, but you'll be a crazy guy
Speaker 1: who you're going to talk to a you know, a
Speaker 1: mannequin head m think.
Speaker 2: Well, Vince, I mean that's what I've been doing in Philly.
Speaker 1: Like I said, that's that's that's that's kiddy playing. I'm
Speaker 1: getting you a new gimmick. He's saying, this is my idea.
Speaker 3: I'm struggling to see what's new about a Vince, That's
Speaker 3: all I'm saying.
Speaker 1: Well, right now, I'm struggling to see how I'm going
Speaker 1: to give you a pay jackets. There it is. I'm
Speaker 1: just struggling to see how you're going to walk out
Speaker 1: of my office alive.
Speaker 3: Well, Vince, I mean it'll work. Does everybody wants head?
Speaker 1: Yeah? Actually, can you Patterson help you do the rest?
Speaker 1: I get in. I gotta bring my secretary Jude. You
Speaker 1: a memo, a memo on my balls. Hello, Jimmy Hart,
Speaker 1: Vince McMahon, New York, go say more.
Speaker 4: Now, I'm a colisseum collection. Let's go say something. I'm
Speaker 4: the for the w W. It's a publicly traded integrated
Speaker 4: media pull rally organization.
Speaker 1: Which we.
Speaker 4: Digital content to say, first of all, first of all,
Speaker 4: he's talking as if there's a gun to his head
Speaker 4: for some reason.
Speaker 2: And here's the thing.
Speaker 3: They're not publicly traded yet at all.
Speaker 2: It just says it, like like Jimmy Hart down in
Speaker 2: Memphis even knows what publicly trade.
Speaker 1: I want from.
Speaker 2: Them, Like like it's going to mean anything to Jimmy
Speaker 2: Hart from the John Trees if they're publicly traded.
Speaker 5: The New York is a publicly traded institution of corporate
Speaker 5: economic and you know we we we we are a
Speaker 5: multimedia production institution with family friendly entertainment on television, streaming,
Speaker 5: audio visual platforms. We provide different content on a variety
Speaker 5: of platforms and a multitude of nations.
Speaker 1: What do you say, automation is that?
Speaker 6: He said?
Speaker 3: Sure? Why not?
Speaker 1: Jimmy Hart WI Jimmy Hart pensback man from New York.
Speaker 2: We're a fully integrated, publicly traded up down left right,
Speaker 2: free cash flow, capital, asset high for asset light, freak
Speaker 2: cast slow operating.
Speaker 5: With you know we we we level set. We you know,
Speaker 5: we want to touch base with a with a certain
Speaker 5: uh uh you know, an audience with we you know.
Speaker 1: Please don't hang up, Please, I'm trying. I'm trying to
Speaker 1: say this. Please, I need you. I don't watch my
Speaker 1: fucking show for the music, you know what I mean?
Speaker 3: Jim Johnson puts his head in his hands at this point.
Speaker 1: Oh oh, do you disagree? Fucking artists? It's kind of
Speaker 1: you think you are? Is it?
Speaker 3: Is?
Speaker 6: It?
Speaker 3: Is?
Speaker 1: It?
Speaker 3: Is?
Speaker 1: It kind of cramping your creative style, you fucking piece
Speaker 1: of ship.
Speaker 3: Well, Vince, it's a little insulting what you said. I
Speaker 3: don't know why you had to say that, but.
Speaker 1: It's insulting. It's insulting that I called you what you are.
Speaker 1: That's what you are, Like I'm the owner of the
Speaker 1: w W E. You're a fucking piece of ship. Man.
Speaker 3: Morale is at an all time high, isn't it. I
Speaker 3: mean yet nobody ever quits, of course not, because he
Speaker 3: makes sure before he lays into you that you have
Speaker 3: no other option and nowhere else to go. And that's
Speaker 3: when he takes advantage.
Speaker 1: Let me tell you right now. You can try to
Speaker 1: quit if you want, but you'll never be a musician
Speaker 1: ever again. You know how? I know that I have
Speaker 1: called every record label. I have called every major music
Speaker 1: company before he had called Turner.
Speaker 3: Before he insult him.
Speaker 1: And I have told them that you are a serial rapist.
Speaker 1: I have told him, don't hire Johnston because he might
Speaker 1: threaten your children. Don't hire him because he might ruin
Speaker 1: your family from the inside out.
Speaker 3: Don't hire again. He does this before Johnston cops an
Speaker 3: attitude at the meeting, just in case he cops an
Speaker 3: attitude in the future. Vince covers these bases.
Speaker 1: So if you think you can get out of this
Speaker 1: job by quitting and going to some place that's quote
Speaker 1: unquote happier and a better working environment, fuck you. This
Speaker 1: is your home, and God damn it, you will die here.
Speaker 3: Jack McDaniel's office.
Speaker 1: I like to talk to Jack. Please.
Speaker 3: Okay, who's calling.
Speaker 1: It's it's Vince McMahon. Oh, oh, mister McMahon, backman, the
Speaker 1: king of everything.
Speaker 3: Please hold a minute, all right, Vince?
Speaker 1: I like that music. Where do you get that whole music?
Speaker 1: What is that?
Speaker 3: I don't know. We hire some guy, Jim Johnston. He does,
Speaker 3: he just does like Levater? What what?
Speaker 1: What?
Speaker 3: What? What are you calling about? Vince? I got a
Speaker 3: meeting in two minutes.
Speaker 1: You hired now. I told you that Jim Johnson is
Speaker 1: a rapist and a murderer. Why would you hire him
Speaker 1: to do your music?
Speaker 3: It's not the same Jim Johnson? What do you have? Vince?
Speaker 2: I really I really need to get into this meeting.
Speaker 1: I gotta tell you something. You got fucked last night.
Speaker 3: Yeah, I know that's what That's what this meeting's about.
Speaker 3: I can't believe this.
Speaker 1: I mean, they did it on I'm shopping. This meeting
Speaker 1: is more important than your meeting.
Speaker 3: I mean, this happened with us, with the fucking UFC
Speaker 3: in nineteen ninety four. That shit's real and we gotta
Speaker 3: deal with.
Speaker 1: Yeah, right, you got you gotta work into a shoot? Brother?
Speaker 3: How what do you mean? What does that even mean?
Speaker 3: Are you talking wrestling words again?
Speaker 1: You got to understand something, Ted Turner, fuck you?
Speaker 3: Will you stop saying? Will you give me specifically the
Speaker 3: case for that? I mean.
Speaker 1: There you have to give. You have to refund people.
Speaker 3: You don't think I fucking know that you're calling.
Speaker 1: Me you're losing money.
Speaker 3: But what are you trying to tell me? You don't
Speaker 3: think I know.
Speaker 1: What I want you to do is I want you
Speaker 1: to call Ted Turner and say, fuck you man, I'm
Speaker 1: going with Vince Exclusive. Well, I can't do that. That
Speaker 1: you have to or I'm gonna go to somebody else.
Speaker 2: Now, when you say I've picked up a little bit
Speaker 2: of your language over the years, when you say worked
Speaker 2: into a shoot, are you somehow suggesting that they planned
Speaker 2: to have this happen.
Speaker 1: You're damn right. I read their scripts word for word, Vince.
Speaker 3: Isn't that predicted by patient doctor confidentiality?
Speaker 1: You get hold on, hold on one second, Patterson, Patterson,
Speaker 1: write a script up, make do some bullshit. Write a script.
Speaker 1: We're gonna send this guy.
Speaker 3: One of the ones that I used to write for
Speaker 3: the boys for Zahorean.
Speaker 1: Is that what you mean?
Speaker 5: Yeah? Yeah, no, no, no, no, no, not not Candy.
Speaker 1: No, I need those for me. You gotta get one Jack,
Speaker 1: hold on one second, Jo right back. Just give you
Speaker 1: one second, please, I'm trying to a got an emergency call. Hey, Bruno, Bruno, Well,
Speaker 1: what's up, fence, come one? And I want to celebrate
Speaker 1: this moment.
Speaker 3: It is the Hall of Fame.
Speaker 2: Yeah, Vince, I'm just I know we've been to her
Speaker 2: a lot, but I gotta just say, I'm happy to
Speaker 2: be here.
Speaker 3: Put it here, Vince, You're happy to be here.
Speaker 1: I'm thrilled that you're here. Now.
Speaker 6: You fucking look at me, all right, I said, look
Speaker 6: at me, you guinea womp cocksucker.
Speaker 1: You look at me. Straighten my fucking eyes, all right, Bruno.
Speaker 1: Sam Martini tiny bitch. You get it. You see what
Speaker 1: happened here?
Speaker 6: I bought you.
Speaker 1: You think that, oh you get a fucking payday of
Speaker 1: two hundred and fifty thousand dollars. I can give you
Speaker 1: that in cash, you stupid son of a bitch. I
Speaker 1: bought you. I bought you back because I.
Speaker 6: Can not because I wanted to, not because you deserve it.
Speaker 6: I did it because I can't.
Speaker 3: What's the long arc, Evince? What's the long arc?
Speaker 2: What's been left unsaid about the McMahon history with Sam Martino?
Speaker 3: What does this represent?
Speaker 5: Now?
Speaker 1: I own you? You immigrant fucked See what I've done?
Speaker 1: See you once? See where it is. My dad believed
Speaker 1: in you. I didn't believe in you.
Speaker 3: That's right.
Speaker 1: That's rights, Troy.
Speaker 6: The legacy that you created for yourself and that my
Speaker 6: dad created for you.
Speaker 1: You are a worthless piece of shit. I'm gonna put
Speaker 1: you in my Hall of Fame to show that I
Speaker 1: once again own your ass. There is a succeeding. Preceeding
Speaker 1: is a production of the LAPS Entertainment Group. Its content
Speaker 1: is intended for private use only.
Speaker 3: Sorry want