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<v Speaker 1>Deal love X Games Fun Terry, Welcome to the w WE.

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<v Speaker 1>So I've been thinking about some ideas for your gimmick. Well,

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<v Speaker 1>I was hoping I could just be, you know, a wrestler,

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<v Speaker 1>you know, just kind of be based on you know,

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<v Speaker 1>my terrific terry. No no, no, no, no no. It was good,

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<v Speaker 1>but I didn't think of it, So we're not going

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<v Speaker 1>to go with that. So here's my idea. I think

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<v Speaker 1>it's I think I think it's I think it's a

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<v Speaker 1>little bit better, it's a little edgier. But we've been

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<v Speaker 1>coming up with this idea of maybe a farm animal gimmick.

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<v Speaker 1>You know, we're thinking, you know, I was thinking move

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<v Speaker 1>the cow. So I think that's what we're going to

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<v Speaker 1>give you. I think it's gonna go over. I think

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<v Speaker 1>you'll probably be a you know, a champion by the

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<v Speaker 1>end of the year, and I'll be go over Hogan

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<v Speaker 1>and uh, I got this idea. We didn't playing around

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<v Speaker 1>with some kind of you know, crazy guy ideas. So

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<v Speaker 1>what you'd be is you will it's entirely new concept

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<v Speaker 1>for you, I know, but you'll be a crazy guy

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<v Speaker 1>who you're going to talk to a you know, a

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<v Speaker 1>mannequin head m think.

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<v Speaker 2>Well, Vince, I mean that's what I've been doing in Philly.

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<v Speaker 1>Like I said, that's that's that's that's kiddy playing. I'm

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<v Speaker 1>getting you a new gimmick. He's saying, this is my idea.

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<v Speaker 3>I'm struggling to see what's new about a Vince, That's

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<v Speaker 3>all I'm saying.

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<v Speaker 1>Well, right now, I'm struggling to see how I'm going

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<v Speaker 1>to give you a pay jackets. There it is. I'm

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<v Speaker 1>just struggling to see how you're going to walk out

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<v Speaker 1>of my office alive.

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<v Speaker 3>Well, Vince, I mean it'll work. Does everybody wants head?

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<v Speaker 1>Yeah? Actually, can you Patterson help you do the rest?

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<v Speaker 1>I get in. I gotta bring my secretary Jude. You

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<v Speaker 1>a memo, a memo on my balls. Hello, Jimmy Hart,

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<v Speaker 1>Vince McMahon, New York, go say more.

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<v Speaker 4>Now, I'm a colisseum collection. Let's go say something. I'm

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<v Speaker 4>the for the w W. It's a publicly traded integrated

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<v Speaker 4>media pull rally organization.

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<v Speaker 1>Which we.

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<v Speaker 4>Digital content to say, first of all, first of all,

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<v Speaker 4>he's talking as if there's a gun to his head

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<v Speaker 4>for some reason.

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<v Speaker 2>And here's the thing.

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<v Speaker 3>They're not publicly traded yet at all.

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<v Speaker 2>It just says it, like like Jimmy Hart down in

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<v Speaker 2>Memphis even knows what publicly trade.

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<v Speaker 1>I want from.

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<v Speaker 2>Them, Like like it's going to mean anything to Jimmy

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<v Speaker 2>Hart from the John Trees if they're publicly traded.

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<v Speaker 5>The New York is a publicly traded institution of corporate

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<v Speaker 5>economic and you know we we we we are a

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<v Speaker 5>multimedia production institution with family friendly entertainment on television, streaming,

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<v Speaker 5>audio visual platforms. We provide different content on a variety

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<v Speaker 5>of platforms and a multitude of nations.

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<v Speaker 1>What do you say, automation is that?

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<v Speaker 6>He said?

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<v Speaker 3>Sure? Why not?

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<v Speaker 1>Jimmy Hart WI Jimmy Hart pensback man from New York.

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<v Speaker 2>We're a fully integrated, publicly traded up down left right,

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<v Speaker 2>free cash flow, capital, asset high for asset light, freak

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<v Speaker 2>cast slow operating.

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<v Speaker 5>With you know we we we level set. We you know,

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<v Speaker 5>we want to touch base with a with a certain

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<v Speaker 5>uh uh you know, an audience with we you know.

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<v Speaker 1>Please don't hang up, Please, I'm trying. I'm trying to

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<v Speaker 1>say this. Please, I need you. I don't watch my

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<v Speaker 1>fucking show for the music, you know what I mean?

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<v Speaker 3>Jim Johnson puts his head in his hands at this point.

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<v Speaker 1>Oh oh, do you disagree? Fucking artists? It's kind of

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<v Speaker 1>you think you are? Is it?

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<v Speaker 3>Is?

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<v Speaker 6>It?

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<v Speaker 3>Is?

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<v Speaker 1>It?

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<v Speaker 3>Is?

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<v Speaker 1>It kind of cramping your creative style, you fucking piece

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<v Speaker 1>of ship.

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<v Speaker 3>Well, Vince, it's a little insulting what you said. I

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<v Speaker 3>don't know why you had to say that, but.

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<v Speaker 1>It's insulting. It's insulting that I called you what you are.

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<v Speaker 1>That's what you are, Like I'm the owner of the

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<v Speaker 1>w W E. You're a fucking piece of ship. Man.

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<v Speaker 3>Morale is at an all time high, isn't it. I

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<v Speaker 3>mean yet nobody ever quits, of course not, because he

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<v Speaker 3>makes sure before he lays into you that you have

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<v Speaker 3>no other option and nowhere else to go. And that's

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<v Speaker 3>when he takes advantage.

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<v Speaker 1>Let me tell you right now. You can try to

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<v Speaker 1>quit if you want, but you'll never be a musician

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<v Speaker 1>ever again. You know how? I know that I have

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<v Speaker 1>called every record label. I have called every major music

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<v Speaker 1>company before he had called Turner.

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<v Speaker 3>Before he insult him.

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<v Speaker 1>And I have told them that you are a serial rapist.

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<v Speaker 1>I have told him, don't hire Johnston because he might

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<v Speaker 1>threaten your children. Don't hire him because he might ruin

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<v Speaker 1>your family from the inside out.

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<v Speaker 3>Don't hire again. He does this before Johnston cops an

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<v Speaker 3>attitude at the meeting, just in case he cops an

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<v Speaker 3>attitude in the future. Vince covers these bases.

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<v Speaker 1>So if you think you can get out of this

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<v Speaker 1>job by quitting and going to some place that's quote

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<v Speaker 1>unquote happier and a better working environment, fuck you. This

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<v Speaker 1>is your home, and God damn it, you will die here.

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<v Speaker 3>Jack McDaniel's office.

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<v Speaker 1>I like to talk to Jack. Please.

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<v Speaker 3>Okay, who's calling.

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<v Speaker 1>It's it's Vince McMahon. Oh, oh, mister McMahon, backman, the

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<v Speaker 1>king of everything.

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<v Speaker 3>Please hold a minute, all right, Vince?

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<v Speaker 1>I like that music. Where do you get that whole music?

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<v Speaker 1>What is that?

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<v Speaker 3>I don't know. We hire some guy, Jim Johnston. He does,

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<v Speaker 3>he just does like Levater? What what?

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<v Speaker 1>What?

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<v Speaker 3>What? What are you calling about? Vince? I got a

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<v Speaker 3>meeting in two minutes.

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<v Speaker 1>You hired now. I told you that Jim Johnson is

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<v Speaker 1>a rapist and a murderer. Why would you hire him

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<v Speaker 1>to do your music?

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<v Speaker 3>It's not the same Jim Johnson? What do you have? Vince?

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<v Speaker 2>I really I really need to get into this meeting.

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<v Speaker 1>I gotta tell you something. You got fucked last night.

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<v Speaker 3>Yeah, I know that's what That's what this meeting's about.

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<v Speaker 3>I can't believe this.

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<v Speaker 1>I mean, they did it on I'm shopping. This meeting

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<v Speaker 1>is more important than your meeting.

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<v Speaker 3>I mean, this happened with us, with the fucking UFC

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<v Speaker 3>in nineteen ninety four. That shit's real and we gotta

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<v Speaker 3>deal with.

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<v Speaker 1>Yeah, right, you got you gotta work into a shoot? Brother?

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<v Speaker 3>How what do you mean? What does that even mean?

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<v Speaker 3>Are you talking wrestling words again?

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<v Speaker 1>You got to understand something, Ted Turner, fuck you?

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<v Speaker 3>Will you stop saying? Will you give me specifically the

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<v Speaker 3>case for that? I mean.

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<v Speaker 1>There you have to give. You have to refund people.

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<v Speaker 3>You don't think I fucking know that you're calling.

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<v Speaker 1>Me you're losing money.

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<v Speaker 3>But what are you trying to tell me? You don't

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<v Speaker 3>think I know.

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<v Speaker 1>What I want you to do is I want you

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<v Speaker 1>to call Ted Turner and say, fuck you man, I'm

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<v Speaker 1>going with Vince Exclusive. Well, I can't do that. That

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<v Speaker 1>you have to or I'm gonna go to somebody else.

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<v Speaker 2>Now, when you say I've picked up a little bit

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<v Speaker 2>of your language over the years, when you say worked

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<v Speaker 2>into a shoot, are you somehow suggesting that they planned

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<v Speaker 2>to have this happen.

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<v Speaker 1>You're damn right. I read their scripts word for word, Vince.

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<v Speaker 3>Isn't that predicted by patient doctor confidentiality?

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<v Speaker 1>You get hold on, hold on one second, Patterson, Patterson,

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<v Speaker 1>write a script up, make do some bullshit. Write a script.

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<v Speaker 1>We're gonna send this guy.

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<v Speaker 3>One of the ones that I used to write for

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<v Speaker 3>the boys for Zahorean.

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<v Speaker 1>Is that what you mean?

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<v Speaker 5>Yeah? Yeah, no, no, no, no, no, not not Candy.

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<v Speaker 1>No, I need those for me. You gotta get one Jack,

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<v Speaker 1>hold on one second, Jo right back. Just give you

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<v Speaker 1>one second, please, I'm trying to a got an emergency call. Hey, Bruno, Bruno, Well,

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<v Speaker 1>what's up, fence, come one? And I want to celebrate

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<v Speaker 1>this moment.

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<v Speaker 3>It is the Hall of Fame.

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<v Speaker 2>Yeah, Vince, I'm just I know we've been to her

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<v Speaker 2>a lot, but I gotta just say, I'm happy to

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<v Speaker 2>be here.

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<v Speaker 3>Put it here, Vince, You're happy to be here.

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<v Speaker 1>I'm thrilled that you're here. Now.

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<v Speaker 6>You fucking look at me, all right, I said, look

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<v Speaker 6>at me, you guinea womp cocksucker.

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<v Speaker 1>You look at me. Straighten my fucking eyes, all right, Bruno.

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<v Speaker 1>Sam Martini tiny bitch. You get it. You see what

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<v Speaker 1>happened here?

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<v Speaker 6>I bought you.

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<v Speaker 1>You think that, oh you get a fucking payday of

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<v Speaker 1>two hundred and fifty thousand dollars. I can give you

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<v Speaker 1>that in cash, you stupid son of a bitch. I

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<v Speaker 1>bought you. I bought you back because I.

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<v Speaker 6>Can not because I wanted to, not because you deserve it.

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<v Speaker 6>I did it because I can't.

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<v Speaker 3>What's the long arc, Evince? What's the long arc?

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<v Speaker 2>What's been left unsaid about the McMahon history with Sam Martino?

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<v Speaker 3>What does this represent?

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<v Speaker 5>Now?

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<v Speaker 1>I own you? You immigrant fucked See what I've done?

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<v Speaker 1>See you once? See where it is. My dad believed

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<v Speaker 1>in you. I didn't believe in you.

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<v Speaker 3>That's right.

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<v Speaker 1>That's rights, Troy.

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<v Speaker 6>The legacy that you created for yourself and that my

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<v Speaker 6>dad created for you.

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<v Speaker 1>You are a worthless piece of shit. I'm gonna put

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<v Speaker 1>you in my Hall of Fame to show that I

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<v Speaker 1>once again own your ass. There is a succeeding. Preceeding

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<v Speaker 1>is a production of the LAPS Entertainment Group. Its content

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<v Speaker 1>is intended for private use only.

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<v Speaker 3>Sorry want