WEBVTT

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<v Speaker 1>Hey there, fellow travelers. Our twenty twenty five Silmarillion journey

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<v Speaker 1>continues with chapter sixteen of Quintus Silmarillion of Miglin. In

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<v Speaker 1>chapter sixteen, we're introduced to the story of Aol the Dark,

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<v Speaker 1>elf A Redel, the White Lady of the Noldor, and

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<v Speaker 1>their son Miglan, whose name means sharp glance. Though a

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<v Speaker 1>tale unto itself, it leads to events that will have

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<v Speaker 1>dire consequences for all of billeriond. Over the next several months,

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<v Speaker 1>will continue revisiting the entire thirty episode Silm Mirillion series

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<v Speaker 1>that Greta and I recorded back in twenty twenty two.

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<v Speaker 1>While you're listening, check out Selmguide dot com. That's Silmguide

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<v Speaker 1>dot com for guides to individual chapters. You can find

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<v Speaker 1>that link in the show notes. To support our work here,

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<v Speaker 1>please visit Patreon dot com slash Tolkien Road Enjoy. Hey there,

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<v Speaker 1>fellow travelers. Welcome to The Tolkien Road Episode two ninety five. Greta,

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<v Speaker 1>what's happening to ninety five? Um?

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<v Speaker 2>Yeah, the US, right on? Yeah, what's happening with you?

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<v Speaker 1>The yush cool the episode we will be discussing chapter

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<v Speaker 1>sixteen of the film million of Meglin Maglin.

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<v Speaker 2>Maglin, mag What is the right way to say it?

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<v Speaker 1>You know, I've never felt comfortable anyway I try to

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<v Speaker 1>say it. I think it's I think it's Maglin, but uh,

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<v Speaker 1>you know, if you use the film million. So that's

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<v Speaker 1>what I'm sticking with. That's the only version that makes sense.

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<v Speaker 1>But I feel like it's subtle, like the right way

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<v Speaker 1>to say it. So yeah, anyway, before we get started,

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<v Speaker 1>we'd like to give a double up air five to

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<v Speaker 1>our patrons. Get them hands up there. Here we go, three, two, one, osh, boom.

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<v Speaker 1>That good.

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<v Speaker 3>Nice, Yeah, that's good.

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<v Speaker 1>Special Thanks to this episode's executive producers, John R. Caitlin

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<v Speaker 1>of T with Tolkien, Jacob Blockham, John h and our

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<v Speaker 1>newest patron and newest executive producer, Scotchy Bobo.

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<v Speaker 2>Awesome.

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<v Speaker 1>Thank you all so much. You guys really appreciate your support.

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<v Speaker 1>Appreciate support of all of our patrons. You guys put

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<v Speaker 1>the wind in.

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<v Speaker 2>Our sales, so the wind beneath our wings.

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<v Speaker 1>You had to go with wind beneath our wing win

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<v Speaker 1>in our sales.

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<v Speaker 2>You know, But I mean eagles is a reference to eagles?

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<v Speaker 1>Okay? Good, as long as no reference to you know.

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<v Speaker 2>Like, that's why I didn't. I can't believe you even thought.

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<v Speaker 1>That, John, Yeah, gosh. Well, anyway, moving on, become a

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<v Speaker 1>patron by visiting patreon dot com slash Tolkien Road. Doing

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<v Speaker 1>the tokaln Road to keep on evering on. Learn more

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<v Speaker 1>at patreon dot com slash Tolkien Road. Hey, if you're

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<v Speaker 1>on YouTube, hit that like button, don't forget to subscribe

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<v Speaker 1>and let us know what's on your mind in the

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<v Speaker 1>comments below. Hey, by the way, if you are on

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<v Speaker 1>YouTube and you really love what we're doing over here,

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<v Speaker 1>that says thanks with like a little heart on it,

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<v Speaker 1>tip right there if you just want to give us,

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<v Speaker 1>like you're just kind of a one off kind of

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<v Speaker 1>tip person, you know you're not quite ready to make that,

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<v Speaker 1>you know, monthly ongoing commitment that you know the patron

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<v Speaker 1>doom entails. Then you can just leave us a, thanks

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<v Speaker 1>right there, So yeah, we really appreciate it, all right.

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<v Speaker 1>So our quote of the week is from the Fulmarion

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<v Speaker 1>chapter sixteen, and it goes like this, It seemed to

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<v Speaker 1>Idrill a thing strange and crooked in Meglin as indeed

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<v Speaker 1>the elder ever since have deemed it an evil fruit

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<v Speaker 1>of the kin slaying, whereby the shadow of the curse

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<v Speaker 1>of Mondos fell upon the last hope of an oldor yes,

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<v Speaker 1>words of words, prophetic words of doom.

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<v Speaker 3>Yeah, yeah, I was, I was thinking about that, and

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<v Speaker 3>I think we'll probably talk about it in the episode.

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<v Speaker 3>But yeah, it seems like this curse just kind of

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<v Speaker 3>keeps manifesting in different ways.

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<v Speaker 1>Yeah, yeah, for sure. So you know, would you call

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<v Speaker 1>this this chapter a tragedy? Would you call this chapter

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<v Speaker 1>of tragedy? Yeah? I think so. Yeah, yeah, pretty tragic events.

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<v Speaker 1>In chapter sixteen we learn of a tragic of a

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<v Speaker 1>we learn sorry, let's try it again. In chapter sixteen

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<v Speaker 1>we learn of the tragic tale of Adothel, the White

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<v Speaker 1>Lady of the no oldor Al, the dark elf of

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<v Speaker 1>non El Moth Maglin, their son, and Idril, the daughter

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<v Speaker 1>of tour Goan. So as with each episode, we won't

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<v Speaker 1>be covering every detail of this chapter, but instead doing

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<v Speaker 1>our best to hit the high points and unpack interesting

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<v Speaker 1>and important details. If we miss something, you guys want

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<v Speaker 1>to discuss more, let us know, all right. Timeline, so

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<v Speaker 1>per our volume ten, Volume ten, Volume eleven of the

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<v Speaker 1>History of Middle Earth, War of the Jewels, the timeline

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<v Speaker 1>for this is year of the Sun three sixteen two

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<v Speaker 1>Year of the Sun four hundred for this story. So

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<v Speaker 1>it actually Tolien kind of jumped around in terms of

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<v Speaker 1>what year he put Arathel's departure from Gondolin in what

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<v Speaker 1>year he placed that. It originally was placed much much further,

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<v Speaker 1>you know, along in the timeline, but he moved it

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<v Speaker 1>back and that was where he kept it. And so

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<v Speaker 1>Rathel's leaving of Gondolin is in the year three sixteen

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<v Speaker 1>and their return with Meglin is in the year four

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<v Speaker 1>hundred years of Year of the Sun. So that gives

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<v Speaker 1>you an idea of framework for the timeline we're talking

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<v Speaker 1>about here, all right. So Arthel restless in Gondolin. The

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<v Speaker 1>White Lady of the Noldor. She is the daughter of Fingolfen,

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<v Speaker 1>who of course is the high King of the Noldor,

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<v Speaker 1>and she lives in Gondolin with her brother Torgon, right,

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<v Speaker 1>who is the King of Gondolin. But after a while,

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<v Speaker 1>she's not so fond of it anymore. Right, And I

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<v Speaker 1>feel like this is this is you know, an old

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<v Speaker 1>or thing. Right. They don't they don't like being cooped

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<v Speaker 1>up so much, it would seem I think Galadrail is

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<v Speaker 1>the same way. Fan Or was certainly the same way.

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<v Speaker 1>And I think maybe her not being cooped up maybe

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<v Speaker 1>explained something about her her love for the Sons of

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<v Speaker 1>fan Or that we learned about later on, right, that

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<v Speaker 1>she feels kind of a she feels drawn to them,

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<v Speaker 1>right to the Sons of fan Or. So she basically says,

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<v Speaker 1>you know, tells Torgon that she would like to leave,

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<v Speaker 1>and he's like, uh, you know, why do you want

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<v Speaker 1>to leave? Right? I don't want anybody to leave, and

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<v Speaker 1>because that's dangerous. This is kind of our little hidden kingdom.

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<v Speaker 1>We're all protected here, no one knows the way to

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<v Speaker 1>get here. And she's basically like, well, you may be

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<v Speaker 1>the king, but i'm your sister, so I'm kind of

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<v Speaker 1>gonna do what I want, right, So you can either

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<v Speaker 1>help me or you can I'll just I'll just leave

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<v Speaker 1>my own volition. So he's like, okay, well I'll send

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<v Speaker 1>you then, please. I would like it if you just

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<v Speaker 1>went to visit visit Fingn and Hitthlam, right, and so

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<v Speaker 1>let's you know, let's let's look at him. Let's look

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<v Speaker 1>at a map here, just to refresh ourselves on the op. Yeah,

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<v Speaker 1>there we go, all right, So we're right here in Gondolin,

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<v Speaker 1>right lake, get the lay of the land, and Hitthlam

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<v Speaker 1>of course is right here, and Fingn is the is

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<v Speaker 1>the king of this realm. And so in order to leave,

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<v Speaker 1>they have to go west right here. And you know,

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<v Speaker 1>it's not doesn't seem like too long a trip to

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<v Speaker 1>go from Gondolin to Hitthlam there. And that's the plan, right,

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<v Speaker 1>She's going to be escorted to Hititlam and to dwell

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<v Speaker 1>there with Fingn their brother.

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<v Speaker 2>Yeah, yes, it seems fair. That seems like a good compromise.

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<v Speaker 1>H It's it would maybe seem so, but yeah, Arathel

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<v Speaker 1>has no intention of sticking to that plan. And that's

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<v Speaker 1>the that's the problem here, right.

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<v Speaker 2>She's a tricksy one.

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<v Speaker 1>Yes, yes, you know, and I mean I can understand

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<v Speaker 1>why she wants to get away, and you know, I

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<v Speaker 1>can understand that She's like, look, I know you want

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<v Speaker 1>to protect me and everything, but like you know, I'm

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<v Speaker 1>I'm an old or right, I can handle this. And

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<v Speaker 1>you know, she proves to be pretty tough. I would say,

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<v Speaker 1>you know, she she We're gonna learn she makes her

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<v Speaker 1>way through a lot of perilous realms basically by herself. Right.

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<v Speaker 3>So was do you think Turgon's concern Was it more

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<v Speaker 3>for her safety or was it more that he was

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<v Speaker 3>afraid that Gondolin would become like found out.

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<v Speaker 1>I'm sure it's both, right, I mean, the probably the

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<v Speaker 1>higher priority is that Gondolin is not found out. But anyway,

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<v Speaker 1>you know, and you kind of think about it, right,

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<v Speaker 1>like you know, before you know, we accuse old Torgon

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<v Speaker 1>of being like you know, you know, being overly controlled

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<v Speaker 1>and everything like that. Again, remember he was inspired, you know,

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<v Speaker 1>to create this city by dream from Olmo. Right, it

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<v Speaker 1>is directly inspired. And if you look at the map,

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<v Speaker 1>they're really not very far away from, uh from more

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<v Speaker 1>goth in his in his realm. Right. So you know,

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<v Speaker 1>I know this is a time of relative peace, but

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<v Speaker 1>it wouldn't be too surprising if there was like a

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<v Speaker 1>little like special Ops band of Orcs that came down here,

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<v Speaker 1>like you know, just kind of hung out here hoping

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<v Speaker 1>to find hearing rumors of this realm, this hidden realm,

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<v Speaker 1>and hoping to find the entrance to it. Right, you

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<v Speaker 1>know what if they captured her? Right, So you know,

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<v Speaker 1>this is not you know, way down south and there's

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<v Speaker 1>really no fear, you know, nothing to fear down here.

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<v Speaker 1>This is a you know, this is this is a

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<v Speaker 1>strategic concern of Torgon's, right, this is his his concern

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<v Speaker 1>as the king of the whole realm. So she has

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<v Speaker 1>no intention of really going to Hitlum, but she goes there,

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<v Speaker 1>she's escorted, and she's and then they get out and

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<v Speaker 1>she's basically like, okay, now we're going to turn south

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<v Speaker 1>and we're gonna go and journey to him lad, right,

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<v Speaker 1>which is the realm of the sons of fan Or Right,

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<v Speaker 1>I want to go see my they're my friends. I

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<v Speaker 1>would like to go see them. It would seem that

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<v Speaker 1>they want to have they want passage through uh through Dorioth, right,

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<v Speaker 1>because that's you know a little bit safer. It's the

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<v Speaker 1>realm of Thingle and Melion. But Dorioth doesn't want to

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<v Speaker 1>let them pass right, they're not. They're not friendly with

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<v Speaker 1>an old or right, so, uh so they're basically told like, look,

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<v Speaker 1>you can either go you can if you want to

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<v Speaker 1>go see the sons of Fan, or you either have

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<v Speaker 1>to go to the north. You have to journey all

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<v Speaker 1>the way to the south. That looks like a very

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<v Speaker 1>long journey for them to go all the way to

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<v Speaker 1>the south. So, uh so Rothel is like, well, we're

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<v Speaker 1>going to go the northern route. Of course, this is

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<v Speaker 1>bordering on the lands of Eric Gorgoroth and that is

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<v Speaker 1>not a friendly place. Uh and Non Non don Gortheb

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<v Speaker 1>isn't either, So so this is a pair of thing.

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<v Speaker 1>And when they enter into the land of Non Dune

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<v Speaker 1>Gortheb Arethel basically like the men Torgon's men who are

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<v Speaker 1>keeping watch over her and escorting her basically lose track

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<v Speaker 1>of her and she has to make the rest of

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<v Speaker 1>the journey herself. And these men, after looking for for

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<v Speaker 1>some time, these guards, after're looking for sometime, they return

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<v Speaker 1>to Gondolin, and you know she's feared lost at that point.

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<v Speaker 3>Yeah, And that was of no really fault of anybody's

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<v Speaker 3>I mean, it's just right, I mean, it was not

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<v Speaker 3>that she tried to lose them or they just left

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<v Speaker 3>her be they. I mean, it was just a perilous

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<v Speaker 3>road and they became separated.

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<v Speaker 1>Right, that's right, that's right. Well, and again, like you know,

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<v Speaker 1>she wasn't really open to them saying we were told

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<v Speaker 1>not to go here, right, She's like, I'm going to

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<v Speaker 1>go where I want to go, and if you guys

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<v Speaker 1>want to follow along, you can, right.

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<v Speaker 2>She's got an adventurer's heart.

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<v Speaker 1>Yeah. Well, and you know, very apparently very strong willed

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<v Speaker 1>as well.

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<v Speaker 2>Absolutely, yep. As those women of Gondolin are known to.

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<v Speaker 1>Be, yes, are they? Are they known to me?

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<v Speaker 2>Yeah? I think so? Okay, yes, at least this one is.

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<v Speaker 1>All one of them that we know of, all right,

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<v Speaker 1>So so yes, passing through, Uh, she does manage to

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<v Speaker 1>pass through this perilous region of non Dun Gorthub and

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<v Speaker 1>arrives in hym Laud, meets the people, meets the people

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<v Speaker 1>of Kelligorm and Quaffin there, but Kelligorm and Kuifin are

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<v Speaker 1>not at home, so she she abides there for a

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<v Speaker 1>short time and she's welcome there, but at one point

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<v Speaker 1>she gets restless again and she goes riding by herself

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<v Speaker 1>and she journeys a little too far south and gets

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<v Speaker 1>immeshed in non Elmoth here, this forested region here. So

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<v Speaker 1>let's read a little bit about non Ellamoth. Yeah, so, Greta,

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<v Speaker 1>please read this passage right.

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<v Speaker 3>In that wood and ages past, Melion walked in the

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<v Speaker 3>twilight of Middle Earth, when the trees were young and

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<v Speaker 3>enchantment lay upon it still. But now the trees of

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<v Speaker 3>non Elmoth were the tallest and darkest in all Balirirond.

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<v Speaker 3>And there the sun never came. And there al Dwelt,

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<v Speaker 3>who was named the dark Elf of Old. He was

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<v Speaker 3>of the kin of Thingle, but he was restless and

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<v Speaker 3>ill at ease and Dorioth. And when the girdle of

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<v Speaker 3>Melion was set about the forest of region where he dwelt,

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<v Speaker 3>he fled thence to non Elmoth. There he lived in

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<v Speaker 3>deep shadow, loving the night and the twilight under the stars.

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<v Speaker 3>He shunned an oldor, holding them to blame for the

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<v Speaker 3>return of Morgoth to trouble the quiet of Blairirond. Before

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<v Speaker 3>the Dwarfs, he had more liking than any other of

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<v Speaker 3>the Elk of Old. From him, the Dwarves aren't much

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<v Speaker 3>of what passed in the lands of the Eldar.

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<v Speaker 1>Yeah, so this ale is he's kind of a hermit, right.

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<v Speaker 1>He prefers to be on his own. He does not

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<v Speaker 1>like an oldor who unfortunately he lives very close to,

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<v Speaker 1>and he really doesn't seem to like other elves as

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<v Speaker 1>well that much.

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<v Speaker 3>So what is his He says, he's kind of thingle

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<v Speaker 3>So does that mean that he's Tilarry.

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<v Speaker 1>Well he sent Yeah, he's send well And I mean

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<v Speaker 1>that's what the Sindar are Tilary that didn't make the

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<v Speaker 1>final journey too, I'm on right, Yeah, so, uh he

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<v Speaker 1>is he is Sindarn and but he feels really I mean,

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<v Speaker 1>he feels most at home amongst dwarves, right, he feels

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<v Speaker 1>most at home amongst dwarves. And we learned a little

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<v Speaker 1>bit more that he's he learns much of metal work

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<v Speaker 1>and comes to great skill through his friendship with them.

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<v Speaker 1>And he even creates this particular type of metal, uh

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<v Speaker 1>that is it says it's so malleable that he could

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<v Speaker 1>make it thin and supple, and yet it remained resistant

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<v Speaker 1>to all blades and darts. And he named it Galvoorne,

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<v Speaker 1>for it was black and shining like jet, and he

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<v Speaker 1>was clad in it wherever he went abroad.

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<v Speaker 2>So this is not mythrol, No, this is not myth

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<v Speaker 2>through that sounds similar.

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<v Speaker 1>Well, you know it's it's it's powerful metal. Right. So,

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<v Speaker 1>and one day he happens to be, you know, in

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<v Speaker 1>non ell Moth, and he sees Adithel Arthaniel. He sees

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<v Speaker 1>Rothel there, and he really thinks she's thinks she's.

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<v Speaker 2>Something something special.

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<v Speaker 1>Yeah, very fair. She seemed to him, and he desired her,

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<v Speaker 1>and he set his enchantments about her so that she

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<v Speaker 1>could not find the ways out, but drew ever nearer

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<v Speaker 1>to his dwelling in the depths of the wood. There

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<v Speaker 1>were his smithy, and his dim halls, and such servants

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<v Speaker 1>as he had, silent and secret as their master. And

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<v Speaker 1>when Arethel, weary with wandering, came at last to his doors,

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<v Speaker 1>he revealed himself, and he welcomed her and led her

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<v Speaker 1>into his house, and there she remained for aole, took

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<v Speaker 1>her to wife, and it was long ere any of

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<v Speaker 1>her kN heard of her again. Now all of that

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<v Speaker 1>sounds very you know, like like very suss right, Yeah,

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<v Speaker 1>I will say that. You know, let's include in this

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<v Speaker 1>account it is not said that that Adithel was wholly unwilling,

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<v Speaker 1>nor that her life and non ell Moth was hateful

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<v Speaker 1>to her for many years.

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<v Speaker 2>Not unwilling does not initially mean willing.

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<v Speaker 1>Though well not and I agree, right, not wholly unwilling?

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<v Speaker 1>So is what it says there?

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<v Speaker 2>It is not said, Okay, yeah, it is not said.

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<v Speaker 1>That Rthel was wholly unwilling, nor that her life and

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<v Speaker 1>non ell Moth was hateful to her for many years.

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<v Speaker 1>But you know, so it's kind of like it it's

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<v Speaker 1>kind of like damning with faint praise, you know, I

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<v Speaker 1>think it's the saying right. You know, it wasn't entirely hateful.

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00:16:36.000 --> 00:16:41.279
<v Speaker 1>It didn't just utterly suck. It only sucked a little bit. Yeah. So,

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<v Speaker 1>but definitely, you know, this this just right off the bat.

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<v Speaker 1>You know, we see that Ale is a very uh

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<v Speaker 1>he's a very problematic figure, you know, to put it

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00:16:52.080 --> 00:16:57.679
<v Speaker 1>in in a somewhat wishy washy academic way, right, you know,

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00:16:57.919 --> 00:17:00.440
<v Speaker 1>this is just not right what he does to what

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00:17:00.480 --> 00:17:01.559
<v Speaker 1>he does to autothel here.

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<v Speaker 2>But isn't it what Meleon did the thingle.

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<v Speaker 1>Well, that's an interesting point, isn't it right? Yeah, But

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<v Speaker 1>at the same time, I don't like, you know, I

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<v Speaker 1>mean do you do you think do you think it's

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<v Speaker 1>completely equivalent?

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<v Speaker 3>Well, I don't want to get on down this rabbit

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<v Speaker 3>trail too much because I know I've shared my opinions

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<v Speaker 3>like at length on how I feel about enchantments leading area.

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<v Speaker 1>Do we want to revisit that argument?

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<v Speaker 3>I think truly the only difference here is that that

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<v Speaker 3>Melion is not nearly as sus as Ale, and that

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00:17:39.759 --> 00:17:42.319
<v Speaker 3>was the woman taking the lead, which I'm totally fine with.

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<v Speaker 3>I just this seems a little more sus to me

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00:17:45.279 --> 00:17:47.480
<v Speaker 3>because it's it's basically glorified kidnapping.

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<v Speaker 2>Mm hmmm, because Ale is totally sketchy and he lives

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<v Speaker 2>in dark woods and you know, I don't know.

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<v Speaker 3>I feel like Thingle could have stood up for himself

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<v Speaker 3>if he wanted to, but uh Arthell probably didn't feel

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<v Speaker 3>like she could have.

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<v Speaker 2>I feel like she was taken advantage of.

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<v Speaker 1>But at the same time, it talks about I mean

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<v Speaker 1>she was pretty I mean she was pretty tough. She

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00:18:09.319 --> 00:18:11.759
<v Speaker 1>was pretty tough slaty, right, I mean she journeyed through

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<v Speaker 1>this perilous region, which was not a small you know,

334
00:18:15.359 --> 00:18:17.359
<v Speaker 1>this wasn't like a day's trip. This is a large

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00:18:17.400 --> 00:18:20.000
<v Speaker 1>region of Bellerion right, this non dunge Gorth, and it

336
00:18:20.039 --> 00:18:23.599
<v Speaker 1>basically says she came through this region all by herself,

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00:18:23.680 --> 00:18:25.799
<v Speaker 1>right on the edge of edd Gorgorot. You know, in

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<v Speaker 1>later years, this is like where Baron is going to, like,

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00:18:28.839 --> 00:18:30.440
<v Speaker 1>you know, spend some time and it's going to be

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00:18:30.480 --> 00:18:35.039
<v Speaker 1>like hell on Earth for him, you know. Yeah, so you.

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<v Speaker 2>Know, no doubt.

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<v Speaker 3>I'm not saying she wasn't tough, but I mean it

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<v Speaker 3>was probably it was probably a calculated decision. I mean,

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<v Speaker 3>what was what was her what was the alternative? No? Yeah,

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<v Speaker 3>I mean did she want to go back through that road?

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<v Speaker 3>Probably not.

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<v Speaker 1>I think where I land on all this? All right,

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<v Speaker 1>so you brought I didn't even remember the whole Thingle

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<v Speaker 1>and mellyon thing, right.

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<v Speaker 2>I feel very strongly about those people.

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<v Speaker 1>Yeah, well you do, and I I to me, it's

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<v Speaker 1>just like, okay, it's interesting to think about like what

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<v Speaker 1>a Tolkien intent because I feel like, you know, he's

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<v Speaker 1>telling story. He's telling stories in a style that you

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00:19:16.759 --> 00:19:19.720
<v Speaker 1>know that go back to a certain you know, a

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<v Speaker 1>certain way of thinking that's not as that's not as

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<v Speaker 1>prevalent anymore. And it's all about this idea of like enchantment,

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<v Speaker 1>and you know, you know, I mean you like, couldn't

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<v Speaker 1>you say that anybody who Okay, just bear with me

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00:19:32.559 --> 00:19:34.359
<v Speaker 1>for a minute for the sake of argument, all right,

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00:19:36.160 --> 00:19:41.119
<v Speaker 1>couldn't you say that anybody who sees somebody and says

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<v Speaker 1>like I really want, like, I think that person is

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<v Speaker 1>the most beautiful person I've ever seen, and I'm just smitten,

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00:19:48.680 --> 00:19:51.079
<v Speaker 1>like love at first sight, and I have to be

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00:19:51.160 --> 00:19:54.119
<v Speaker 1>with that person, right, I have to have that person, right,

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<v Speaker 1>Like a lots of love stories that we admire begin

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<v Speaker 1>that way, right, And and people do things that you

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<v Speaker 1>might refer to as enchanting, like putting on the mood,

369
00:20:07.119 --> 00:20:08.880
<v Speaker 1>like you know, putting on the move, all this stuff, right,

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<v Speaker 1>whatever you want to like, that's how we put it today.

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00:20:10.839 --> 00:20:11.359
<v Speaker 1>But it's like.

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<v Speaker 3>This is a different level though, I mean, there's clearly

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<v Speaker 3>some like unforeseen power at work, right.

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<v Speaker 1>Yeah, I guess the question is like does she is

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<v Speaker 1>she like without without agency? I mean I'm trying, I'm

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00:20:31.559 --> 00:20:33.839
<v Speaker 1>trying to read back, does she have is she basically

377
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<v Speaker 1>kidnapped or like, you know, what happened, what happens here,

378
00:20:39.039 --> 00:20:41.039
<v Speaker 1>Let's read it again. And when Artha, we were with wondering,

379
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<v Speaker 1>came at last to his doors, he revealed himself, and

380
00:20:43.039 --> 00:20:44.880
<v Speaker 1>he welcomed her, and he let and led her into

381
00:20:44.880 --> 00:20:46.920
<v Speaker 1>his house, and there she remained for Al took her

382
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<v Speaker 1>to wife, and it was long ere any of her

383
00:20:48.480 --> 00:20:49.960
<v Speaker 1>ken heard of her again.

384
00:20:51.880 --> 00:20:54.640
<v Speaker 2>This doesn't say I mean, I mean, if she had fought,

385
00:20:54.680 --> 00:20:57.400
<v Speaker 2>is that kind of what you're thinking of? Like did

386
00:20:57.440 --> 00:20:58.279
<v Speaker 2>she resist in.

387
00:20:58.400 --> 00:21:00.880
<v Speaker 1>Yeah, it's like, well, what were the enchantments? You know,

388
00:21:01.000 --> 00:21:03.920
<v Speaker 1>like what you know, what were the enchantments that he used?

389
00:21:04.039 --> 00:21:06.640
<v Speaker 1>And did they like did they wear off to the

390
00:21:06.839 --> 00:21:08.720
<v Speaker 1>at some point and she was able to like make

391
00:21:08.759 --> 00:21:12.640
<v Speaker 1>a you know, a smarter decision or better decision. Like

392
00:21:13.000 --> 00:21:15.839
<v Speaker 1>I don't know, to me, maybe we're reading this text

393
00:21:16.000 --> 00:21:18.920
<v Speaker 1>in the wrong way because like it's not intended to

394
00:21:18.960 --> 00:21:21.920
<v Speaker 1>be that kind of thing, right, Yeah, I feel like

395
00:21:22.000 --> 00:21:25.119
<v Speaker 1>I feel like it's a is it is it unfair

396
00:21:25.200 --> 00:21:27.559
<v Speaker 1>to like assign to like put that reading on like

397
00:21:27.720 --> 00:21:30.440
<v Speaker 1>put that kind of reading on this in this case?

398
00:21:30.680 --> 00:21:34.039
<v Speaker 3>But I think as we discuss and I get it,

399
00:21:34.079 --> 00:21:36.319
<v Speaker 3>and I think that's a fair question. As we get

400
00:21:36.359 --> 00:21:40.519
<v Speaker 3>further into this into the the chapter and actually like

401
00:21:41.279 --> 00:21:45.559
<v Speaker 3>learn more of the story, I think it reveals something

402
00:21:45.799 --> 00:21:52.200
<v Speaker 3>of Ale's character and I feel like he is revealed

403
00:21:52.359 --> 00:21:55.400
<v Speaker 3>to be. I mean, he he goes after I don't okay,

404
00:21:55.440 --> 00:21:57.039
<v Speaker 3>I don't want to get there before. But I'm saying

405
00:21:57.440 --> 00:21:59.640
<v Speaker 3>I think what we come to learn of Ale's character

406
00:22:00.960 --> 00:22:06.359
<v Speaker 3>makes me think that he definitely kept her there against

407
00:22:06.400 --> 00:22:06.799
<v Speaker 3>her will.

408
00:22:07.839 --> 00:22:09.200
<v Speaker 2>That's just my two cents.

409
00:22:09.440 --> 00:22:13.119
<v Speaker 1>He definitely shows off a high degree of possessiveness as

410
00:22:13.160 --> 00:22:16.119
<v Speaker 1>time goes on. Yes, and he refuses you know when

411
00:22:16.160 --> 00:22:19.200
<v Speaker 1>when when later on, you know, and I think this

412
00:22:19.240 --> 00:22:20.960
<v Speaker 1>is probably what you may have been referring to. But

413
00:22:21.079 --> 00:22:23.119
<v Speaker 1>later on, when there's this desire to go back and

414
00:22:23.200 --> 00:22:26.839
<v Speaker 1>visit Gondolin, he's.

415
00:22:26.640 --> 00:22:29.359
<v Speaker 2>Not He's not warm to that at all, right, he's not.

416
00:22:29.519 --> 00:22:31.359
<v Speaker 1>And he's not even happy about them going to visit

417
00:22:31.359 --> 00:22:35.920
<v Speaker 1>an old like basically leaving non non elmouth right right exactly.

418
00:22:36.400 --> 00:22:39.200
<v Speaker 3>So I think that that's that just shows what kind

419
00:22:39.279 --> 00:22:42.960
<v Speaker 3>of person he is, And he's the kind of guy

420
00:22:42.960 --> 00:22:45.240
<v Speaker 3>that wants what he wants and he's going to take

421
00:22:45.319 --> 00:22:50.759
<v Speaker 3>it regardless of you know, consent on the others, on

422
00:22:50.799 --> 00:22:52.559
<v Speaker 3>the other's part.

423
00:22:52.680 --> 00:22:57.079
<v Speaker 1>But you know, but if they if they were truly okay,

424
00:22:57.599 --> 00:23:01.160
<v Speaker 1>if let's just to say that that they were okay,

425
00:23:01.279 --> 00:23:05.200
<v Speaker 1>like enchantment, you know, working this enchantment means that Okay, yeah,

426
00:23:05.240 --> 00:23:09.000
<v Speaker 1>maybe he was a little like you know, used used

427
00:23:09.000 --> 00:23:12.200
<v Speaker 1>his skills right to like kind of get her there

428
00:23:12.440 --> 00:23:14.799
<v Speaker 1>and then and then but but then you know he

429
00:23:14.880 --> 00:23:16.359
<v Speaker 1>charged like he just charmed her, and she like.

430
00:23:16.359 --> 00:23:18.279
<v Speaker 2>Truly felt thing charming about him.

431
00:23:18.519 --> 00:23:20.680
<v Speaker 1>Now you know, well let me finish, right, we don't

432
00:23:20.960 --> 00:23:22.960
<v Speaker 1>we don't see either way, Like we don't know how

433
00:23:22.960 --> 00:23:25.279
<v Speaker 1>he was at first. Like it doesn't basically say like

434
00:23:25.480 --> 00:23:28.720
<v Speaker 1>and he like you know, a ret like you know,

435
00:23:29.880 --> 00:23:32.160
<v Speaker 1>like put handcuffs on her right and never let her

436
00:23:32.240 --> 00:23:34.880
<v Speaker 1>leave the house, right, I mean it you can read

437
00:23:34.880 --> 00:23:37.279
<v Speaker 1>it in a way where it sounds like it sounds

438
00:23:37.279 --> 00:23:42.359
<v Speaker 1>like damning with faint praise. That that's also Tolkien could

439
00:23:42.400 --> 00:23:44.440
<v Speaker 1>just be speaking in such and he speaks in this

440
00:23:44.519 --> 00:23:46.759
<v Speaker 1>kind of archaic way, and that could mean that like

441
00:23:46.880 --> 00:23:49.680
<v Speaker 1>she actually kind of she actually liked him, you know,

442
00:23:49.880 --> 00:23:56.640
<v Speaker 1>she actually liked him at first, right for a long time, right, Yeah.

443
00:23:55.880 --> 00:23:57.000
<v Speaker 2>That could be. That could be.

444
00:23:57.119 --> 00:24:00.400
<v Speaker 3>But I also feel like she really didn't have another choice. Yeah,

445
00:24:00.519 --> 00:24:04.039
<v Speaker 3>I mean he clearly he didn't let her leave, even

446
00:24:04.079 --> 00:24:08.400
<v Speaker 3>when she wanted to just go on a visit. But

447
00:24:08.440 --> 00:24:10.720
<v Speaker 3>even if she wanted to escape, escape, like she really

448
00:24:10.759 --> 00:24:14.240
<v Speaker 3>if you look at where now in Elmouth is elmth whatever.

449
00:24:15.200 --> 00:24:20.000
<v Speaker 3>I mean, she really has no no weather options, right,

450
00:24:20.279 --> 00:24:23.039
<v Speaker 3>I mean unless she wants to go back through the

451
00:24:23.039 --> 00:24:25.720
<v Speaker 3>Parallels Road, and I mean, which I guess she could

452
00:24:25.759 --> 00:24:27.400
<v Speaker 3>have done, but at this point she has a kid,

453
00:24:27.480 --> 00:24:29.640
<v Speaker 3>and you know, I don't know.

454
00:24:30.079 --> 00:24:35.400
<v Speaker 1>Well I think you know. Anyway, we talked about this

455
00:24:35.480 --> 00:24:37.599
<v Speaker 1>particular section a lot longer than you know than I

456
00:24:37.759 --> 00:24:39.880
<v Speaker 1>plan to you, quite honestly. But it's a really interesting

457
00:24:39.880 --> 00:24:42.759
<v Speaker 1>discussion now that I think about it, Like there's you know,

458
00:24:43.400 --> 00:24:44.880
<v Speaker 1>how do you how do you read this? And I

459
00:24:44.880 --> 00:24:48.960
<v Speaker 1>think living in a particular time that we live in,

460
00:24:49.319 --> 00:24:51.960
<v Speaker 1>with the sensitivities that we have, the cultural sensitivities that

461
00:24:51.960 --> 00:24:54.759
<v Speaker 1>we have, we can read this in a way that

462
00:24:54.880 --> 00:24:56.319
<v Speaker 1>maybe it wasn't quite intended to be.

463
00:24:56.519 --> 00:24:58.640
<v Speaker 2>I think that way. I think that's fair.

464
00:24:58.880 --> 00:25:04.000
<v Speaker 1>Yeah, I I'm not necessarily defending Ale because we find

465
00:25:04.000 --> 00:25:07.200
<v Speaker 1>out that Ale is not really, you know, this great guy, right,

466
00:25:07.240 --> 00:25:08.920
<v Speaker 1>I mean you tell you definitely is not this great

467
00:25:08.920 --> 00:25:12.799
<v Speaker 1>guy in the grand scheme of things. But uh, you know,

468
00:25:12.880 --> 00:25:14.640
<v Speaker 1>if I if I try to read it in terms

469
00:25:14.640 --> 00:25:17.759
<v Speaker 1>of how Tolkien intended it, I don't think it was

470
00:25:17.799 --> 00:25:20.079
<v Speaker 1>intended to make him sound like he was like, you know,

471
00:25:20.599 --> 00:25:24.039
<v Speaker 1>basically like kidnapped her and made her a sex slave.

472
00:25:24.319 --> 00:25:26.400
<v Speaker 3>Right, Yeah, so this is you're just saying, this is

473
00:25:26.440 --> 00:25:29.960
<v Speaker 3>not Beauty and the Beast, because that's kind of the

474
00:25:30.000 --> 00:25:34.039
<v Speaker 3>flavor I'm getting. But except obviously it's like Beauty and

475
00:25:34.079 --> 00:25:36.359
<v Speaker 3>the Beast, but without the redeeming.

476
00:25:36.720 --> 00:25:38.799
<v Speaker 1>Without like a tragic version of beauty.

477
00:25:38.880 --> 00:25:40.279
<v Speaker 2>It's a tragic version of Beauty and the Beast.

478
00:25:40.279 --> 00:25:42.119
<v Speaker 1>Okay, I'm just not as up on beating the Beast

479
00:25:42.200 --> 00:25:42.880
<v Speaker 1>as other people.

480
00:25:43.160 --> 00:25:44.319
<v Speaker 2>That's basically what happens, right.

481
00:25:44.519 --> 00:25:47.319
<v Speaker 3>She goes wandering in the woods and he catches, you know,

482
00:25:47.559 --> 00:25:50.119
<v Speaker 3>she she wanders into his castle, and he doesn't want

483
00:25:50.119 --> 00:25:54.119
<v Speaker 3>anybody to to, you know, to find him or his castle,

484
00:25:54.200 --> 00:25:57.000
<v Speaker 3>so he helds her hostage in the castle, right, And

485
00:25:57.039 --> 00:26:01.200
<v Speaker 3>she does come to love him so but still he

486
00:26:01.680 --> 00:26:05.079
<v Speaker 3>basically forces her to stay against her will, which I

487
00:26:05.119 --> 00:26:09.279
<v Speaker 3>don't know, that might be extreme. I mean, I don't know.

488
00:26:09.640 --> 00:26:13.440
<v Speaker 3>It just it just rubbed me the wrong way. Yeah,

489
00:26:13.440 --> 00:26:15.680
<v Speaker 3>and that just made me feel bad for Aerothyl because

490
00:26:15.680 --> 00:26:18.839
<v Speaker 3>that's not that's not what she wanted when she left Gondolin.

491
00:26:19.119 --> 00:26:20.799
<v Speaker 3>I can't imagine that's what she wanted.

492
00:26:21.079 --> 00:26:26.079
<v Speaker 1>Yeah, Yeah, well, hey, so a lot of discussion on that.

493
00:26:26.359 --> 00:26:27.799
<v Speaker 1>Let us know what you think in the comments below

494
00:26:27.799 --> 00:26:30.200
<v Speaker 1>in this one, because I'm genuinely curious to see how

495
00:26:30.200 --> 00:26:35.480
<v Speaker 1>other people read this passage. I'm I'm conflicted on it,

496
00:26:35.519 --> 00:26:39.799
<v Speaker 1>as you can tell. So anyway, all right, moving on,

497
00:26:40.559 --> 00:26:43.240
<v Speaker 1>So through all of this, they have a child, and

498
00:26:43.279 --> 00:26:46.119
<v Speaker 1>the child's name is Maglin, right, So Maglin means sharp

499
00:26:46.119 --> 00:26:53.160
<v Speaker 1>glance in Noldoran. Actually she names him Loman and that

500
00:26:53.200 --> 00:26:56.039
<v Speaker 1>signifies child of the Twilight. And then he receives this

501
00:26:56.119 --> 00:26:58.400
<v Speaker 1>name from his father, Meglin, which is sharp glance.

502
00:26:58.680 --> 00:27:00.000
<v Speaker 2>So they couldn't even agree on a name.

503
00:27:00.279 --> 00:27:04.359
<v Speaker 3>Like, he goes and changes the name that Arthell gave him,

504
00:27:04.400 --> 00:27:05.599
<v Speaker 3>which I think is messed up.

505
00:27:07.160 --> 00:27:09.839
<v Speaker 1>Well, well, that's it's an old door in name, right,

506
00:27:09.880 --> 00:27:12.720
<v Speaker 1>it's so it's forbid, it's a it's in a forbidden tongue.

507
00:27:12.599 --> 00:27:15.079
<v Speaker 2>The forbidden. Yeah, but he could have used the Oh,

508
00:27:15.119 --> 00:27:16.680
<v Speaker 2>I see what you're saying, and he was. He did

509
00:27:16.720 --> 00:27:19.599
<v Speaker 2>not like then old door, right, right, I understand, And

510
00:27:19.599 --> 00:27:20.400
<v Speaker 2>it says.

511
00:27:21.119 --> 00:27:23.079
<v Speaker 1>In her heart she gave him a name like she.

512
00:27:23.119 --> 00:27:24.640
<v Speaker 1>I don't think he knew that. I don't think he

513
00:27:24.720 --> 00:27:26.920
<v Speaker 1>knew that she had given him that name, right, says,

514
00:27:27.200 --> 00:27:30.240
<v Speaker 1>it does. She gave him a name in the forbidden

515
00:27:30.240 --> 00:27:30.960
<v Speaker 1>tongue of an old door.

516
00:27:31.079 --> 00:27:33.400
<v Speaker 2>Yeah right, yeah, so.

517
00:27:36.519 --> 00:27:41.440
<v Speaker 1>Yeah, so Meglin uh, you know, he grows up. It

518
00:27:41.440 --> 00:27:43.480
<v Speaker 1>says he was tall and black haired. His eyes were

519
00:27:43.559 --> 00:27:45.160
<v Speaker 1>dark yet bright and keen as the eyes of the

520
00:27:45.240 --> 00:27:48.039
<v Speaker 1>old door, and his skin was white. You know, he's

521
00:27:48.079 --> 00:27:52.759
<v Speaker 1>he's pretty much uh in face and form, he resembles

522
00:27:52.839 --> 00:27:57.279
<v Speaker 1>an old or right. So you know, that's interesting because

523
00:27:57.279 --> 00:27:58.960
<v Speaker 1>it also gives this kind of the description of what

524
00:27:59.039 --> 00:28:01.359
<v Speaker 1>an old or you know, physical description of what a

525
00:28:01.440 --> 00:28:07.319
<v Speaker 1>typical nulldor might have looked like. And then we learn

526
00:28:07.519 --> 00:28:12.559
<v Speaker 1>of uh uh. He learns of Gondolin from Rithol from

527
00:28:12.599 --> 00:28:14.759
<v Speaker 1>his mother, right. She tells him about this place where

528
00:28:14.759 --> 00:28:19.400
<v Speaker 1>she came from, and and he is just thinks it

529
00:28:19.440 --> 00:28:21.839
<v Speaker 1>sounds wonderful and he wants to go there. And he

530
00:28:21.920 --> 00:28:24.359
<v Speaker 1>tells his father that he wants to go there, and

531
00:28:24.440 --> 00:28:28.599
<v Speaker 1>Meglin is not happy about that idea. Yep, you are

532
00:28:28.640 --> 00:28:31.160
<v Speaker 1>the You are of the house of ale Megland, my son,

533
00:28:31.359 --> 00:28:34.640
<v Speaker 1>he said, and not of the Golothrim. All this land

534
00:28:34.680 --> 00:28:36.440
<v Speaker 1>is the land of the Tillari. And I will not deal,

535
00:28:36.519 --> 00:28:38.519
<v Speaker 1>nor have my son deal with the slayers of our kin,

536
00:28:38.599 --> 00:28:41.559
<v Speaker 1>the invaders and usurpers of our homes. In this you

537
00:28:41.599 --> 00:28:43.720
<v Speaker 1>shall obey me, or I will set you in bonds

538
00:28:44.200 --> 00:28:46.440
<v Speaker 1>and Meglan did not answer, but was cold and silent

539
00:28:46.480 --> 00:28:50.920
<v Speaker 1>and went abroad no more with Ale, and Ale mistrusted him.

540
00:28:51.400 --> 00:28:55.640
<v Speaker 1>So so yeah, uh he you know, Ale is not

541
00:28:55.839 --> 00:28:59.119
<v Speaker 1>about to, you know, allow them to leave and go

542
00:28:59.319 --> 00:29:04.039
<v Speaker 1>to Gondolin on this trip, but that doesn't stop Meglin

543
00:29:04.119 --> 00:29:07.119
<v Speaker 1>from proposing it to Audthl anyway. And what ends up

544
00:29:07.119 --> 00:29:10.720
<v Speaker 1>happening is they they make their journey.

545
00:29:10.680 --> 00:29:13.440
<v Speaker 3>So they have to wait until well Ale has left

546
00:29:13.880 --> 00:29:15.160
<v Speaker 3>right to go to a feast.

547
00:29:15.240 --> 00:29:17.640
<v Speaker 1>So it comes to happen that Ale has left to

548
00:29:17.640 --> 00:29:21.680
<v Speaker 1>go to a feast with the dwarves and and Adithel

549
00:29:21.799 --> 00:29:25.359
<v Speaker 1>and Meglin get a two day head start. They tell

550
00:29:26.039 --> 00:29:28.000
<v Speaker 1>they tell the servants that they're going to visit with

551
00:29:28.039 --> 00:29:31.559
<v Speaker 1>an old Or with the sons of fan Or, but

552
00:29:31.680 --> 00:29:34.920
<v Speaker 1>really they they go straight back to Gondolin from there.

553
00:29:36.480 --> 00:29:39.759
<v Speaker 1>But what does happen is Ale gets home finding out

554
00:29:39.759 --> 00:29:43.039
<v Speaker 1>they're gone, and he hears they've gone to see the

555
00:29:43.039 --> 00:29:45.519
<v Speaker 1>sons of fan Or, and so he decides to go

556
00:29:45.599 --> 00:29:47.279
<v Speaker 1>have a conversation with the sons of fan Or because

557
00:29:47.279 --> 00:29:49.839
<v Speaker 1>he's not happy about this, right, and so that leads

558
00:29:49.920 --> 00:29:53.519
<v Speaker 1>us to this very interesting, heated dialogue between one of

559
00:29:53.519 --> 00:29:55.880
<v Speaker 1>the sons of fan Or and Ale. This one of

560
00:29:55.920 --> 00:29:58.039
<v Speaker 1>the sons of fan Or we speak of is Kuafin

561
00:29:58.119 --> 00:30:01.640
<v Speaker 1>who is you know? I'd basically say this, This is

562
00:30:01.680 --> 00:30:06.480
<v Speaker 1>a conversation between two Ales. So won't you come on?

563
00:30:07.759 --> 00:30:09.880
<v Speaker 2>That's very clever. Yes, yes, I would agree.

564
00:30:09.960 --> 00:30:12.720
<v Speaker 1>I know. Still we can keep that clean rating, I'm

565
00:30:12.759 --> 00:30:17.599
<v Speaker 1>telling you, I said, Ale, Ale, Yeah, yep, all right,

566
00:30:19.039 --> 00:30:21.599
<v Speaker 1>all right, So Greta, uh, maybe we can read this

567
00:30:21.599 --> 00:30:25.720
<v Speaker 1>back and forth since it's a dialogue. All right, Well

568
00:30:25.759 --> 00:30:27.799
<v Speaker 1>it's not really there's like narration in it too, so

569
00:30:27.920 --> 00:30:28.839
<v Speaker 1>why don't you go and read it?

570
00:30:29.480 --> 00:30:33.480
<v Speaker 3>Then, Coryffin said to Ale, what errand have you dark

571
00:30:33.559 --> 00:30:34.559
<v Speaker 3>elf in my lands?

572
00:30:34.839 --> 00:30:35.440
<v Speaker 2>What at?

573
00:30:35.680 --> 00:30:39.559
<v Speaker 3>An urgent matter? Perhaps that keeps one to sunshine abroad

574
00:30:39.680 --> 00:30:41.400
<v Speaker 3>by day?

575
00:30:41.920 --> 00:30:43.000
<v Speaker 2>Yeah, that makes more sense.

576
00:30:43.119 --> 00:30:46.400
<v Speaker 3>An urgent matter, perhaps that keeps one so sunshy abroad

577
00:30:46.440 --> 00:30:50.119
<v Speaker 3>by day. And Ale, knowing his peril, restrained the bitter

578
00:30:50.160 --> 00:30:54.200
<v Speaker 3>words that arose in his mind. I have learned, Lord Coruyffin.

579
00:30:54.480 --> 00:30:56.759
<v Speaker 3>He said that my son and my wife, the White

580
00:30:56.839 --> 00:30:59.359
<v Speaker 3>Lady of Gondolin, have written to visit you while I

581
00:30:59.440 --> 00:31:01.640
<v Speaker 3>was from home, and it seemed to me fitting that

582
00:31:01.640 --> 00:31:05.000
<v Speaker 3>I should join them on this Errand then Cooruffon laughed

583
00:31:05.000 --> 00:31:07.599
<v Speaker 3>at Aole, and he said, they might have found their

584
00:31:07.640 --> 00:31:11.519
<v Speaker 3>welcome here less warm than they hoped had you accompanied them.

585
00:31:11.799 --> 00:31:14.039
<v Speaker 3>But it is no matter, for that was not their

586
00:31:14.160 --> 00:31:17.000
<v Speaker 3>errand it is not two days since they passed over

587
00:31:17.559 --> 00:31:23.160
<v Speaker 3>the aras Arasiach Arosiach. And thence rode swiftly westward. It

588
00:31:23.279 --> 00:31:26.519
<v Speaker 3>seems that you would deceive me, unless indeed you yourself

589
00:31:26.559 --> 00:31:30.319
<v Speaker 3>have been deceived. And Aol answered, then, lord, perhaps you

590
00:31:30.359 --> 00:31:32.599
<v Speaker 3>will give me leave to go and discover the truth

591
00:31:32.640 --> 00:31:35.920
<v Speaker 3>of this matter. You have my leave, but not my love,

592
00:31:36.279 --> 00:31:39.039
<v Speaker 3>said Couruffin. The sooner you depart from my land, the

593
00:31:39.079 --> 00:31:43.039
<v Speaker 3>better will it please me. Then Eole mounted his horse, saying,

594
00:31:43.480 --> 00:31:46.319
<v Speaker 3>it is good, Lord Couruffin, to find a kinsman thus

595
00:31:46.400 --> 00:31:49.000
<v Speaker 3>kindly a need. I will remember it when I return.

596
00:31:49.599 --> 00:31:52.480
<v Speaker 3>Then Couraffin looked darkly upon Aole. Do not flaunt the

597
00:31:52.519 --> 00:31:55.240
<v Speaker 3>title of your wife before me, he said, For those

598
00:31:55.279 --> 00:31:57.599
<v Speaker 3>who steal the daughters of the Noldor and wed them

599
00:31:57.640 --> 00:32:00.400
<v Speaker 3>without gift or leave, do not gain kinship with their

600
00:32:00.480 --> 00:32:03.599
<v Speaker 3>kin I have given you leave to go take it

601
00:32:03.640 --> 00:32:05.920
<v Speaker 3>and be gone. By the laws of the elder, I

602
00:32:05.960 --> 00:32:08.599
<v Speaker 3>may not slay you at this time and this council,

603
00:32:08.680 --> 00:32:11.559
<v Speaker 3>I add, return now to your dwelling in the darkness

604
00:32:11.559 --> 00:32:14.400
<v Speaker 3>of non Elmouth, for my heart warns me that if

605
00:32:14.440 --> 00:32:17.359
<v Speaker 3>you now pursue those who love you no more, never

606
00:32:17.519 --> 00:32:18.640
<v Speaker 3>will you return thither.

607
00:32:20.400 --> 00:32:24.839
<v Speaker 1>Yeah. So, uh, not a friendly conversation between those two.

608
00:32:25.519 --> 00:32:27.759
<v Speaker 1>We will. We will see quite a bit more of Courfin,

609
00:32:27.839 --> 00:32:30.000
<v Speaker 1>especially in the story of Baron, and Luthian.

610
00:32:31.680 --> 00:32:34.480
<v Speaker 2>Agrees with me. Yeah, I mean I think he too

611
00:32:34.480 --> 00:32:35.359
<v Speaker 2>thinks it's messed up.

612
00:32:35.440 --> 00:32:39.160
<v Speaker 1>Well, I mean, you know, he may agree with you,

613
00:32:39.200 --> 00:32:42.000
<v Speaker 1>but but I wouldn't be like, well, Couriffine agrees with me,

614
00:32:42.079 --> 00:32:46.880
<v Speaker 1>So yeah, right, a Corfin is not exactly the this

615
00:32:47.119 --> 00:32:52.119
<v Speaker 1>like moral paragon, which we find out later on. So yeah, well,

616
00:32:52.160 --> 00:32:54.240
<v Speaker 1>I think he probably agrees with you because he's going

617
00:32:54.319 --> 00:32:57.640
<v Speaker 1>to read whatever Ale did in the worst possible light. Now, no, again,

618
00:32:59.440 --> 00:33:02.640
<v Speaker 1>it's clear that at some point Arithel is there against

619
00:33:02.640 --> 00:33:07.559
<v Speaker 1>her will, right, And uh so you know I get that,

620
00:33:07.640 --> 00:33:09.599
<v Speaker 1>and I'm not I'm not trying to say aol is

621
00:33:09.640 --> 00:33:11.799
<v Speaker 1>like this guy who's just been totally wronged and like

622
00:33:11.839 --> 00:33:15.200
<v Speaker 1>the way he's presented. I'm just saying, like going back,

623
00:33:15.440 --> 00:33:17.440
<v Speaker 1>just going back to that argument real quick. All I'm saying.

624
00:33:17.720 --> 00:33:21.279
<v Speaker 1>All I'm saying, people, is what's the right way to

625
00:33:21.319 --> 00:33:23.359
<v Speaker 1>read that? How did Tolkien intend for that for us

626
00:33:23.400 --> 00:33:26.160
<v Speaker 1>to understand that initially? All right, That's all I'm asking.

627
00:33:26.279 --> 00:33:27.440
<v Speaker 2>All right, it's a fair question.

628
00:33:27.519 --> 00:33:35.440
<v Speaker 1>So okay, So yeah, basically we keep on hearing these

629
00:33:35.440 --> 00:33:39.200
<v Speaker 1>foreboding words that you know, hey, you know, something bad

630
00:33:39.279 --> 00:33:40.440
<v Speaker 1>is going to come of this if you try to

631
00:33:40.480 --> 00:33:43.640
<v Speaker 1>follow these people that don't love you anymore. But of course,

632
00:33:43.680 --> 00:33:46.920
<v Speaker 1>I mean aol, I mean, he's going to be he's

633
00:33:46.920 --> 00:33:48.720
<v Speaker 1>going to be really mad about this because not only

634
00:33:48.720 --> 00:33:51.200
<v Speaker 1>did they leave without asking him, but they lied to

635
00:33:51.279 --> 00:33:53.279
<v Speaker 1>him about where they were, about where they were going.

636
00:33:53.319 --> 00:33:54.599
<v Speaker 2>But he set himself up for that.

637
00:33:54.799 --> 00:33:56.799
<v Speaker 1>Well, I didn't say, I'm just saying he is going

638
00:33:56.799 --> 00:33:58.240
<v Speaker 1>to be like he is going to be there's no

639
00:33:58.279 --> 00:34:00.319
<v Speaker 1>way he's going back to no, no, right right him?

640
00:34:00.400 --> 00:34:01.680
<v Speaker 1>Right in terms of his character?

641
00:34:01.759 --> 00:34:04.720
<v Speaker 2>Right, Yeah, exactly. Yeah.

642
00:34:04.759 --> 00:34:08.199
<v Speaker 3>So I'm just really impressed that he was able to

643
00:34:08.280 --> 00:34:12.599
<v Speaker 3>catch them because he went like he basically went the

644
00:34:12.639 --> 00:34:17.480
<v Speaker 3>wrong way, right and then and they had a two

645
00:34:17.519 --> 00:34:20.880
<v Speaker 3>day head start and he's still caught up with them,

646
00:34:20.960 --> 00:34:23.480
<v Speaker 3>which is pretty crazy to me. I mean, was his

647
00:34:23.519 --> 00:34:26.119
<v Speaker 3>horse just like really fast or did he not stop

648
00:34:26.159 --> 00:34:27.119
<v Speaker 3>for pee breaks or.

649
00:34:27.159 --> 00:34:29.800
<v Speaker 1>Like, well, there's two of them, and yeah, I mean,

650
00:34:29.800 --> 00:34:32.960
<v Speaker 1>if you're riding fast, you know, if you've got if

651
00:34:32.960 --> 00:34:35.679
<v Speaker 1>you've got anger and adrenaline on your side, then you know,

652
00:34:35.719 --> 00:34:37.559
<v Speaker 1>you might be riding a little faster, right.

653
00:34:37.559 --> 00:34:38.079
<v Speaker 2>That's true.

654
00:34:38.280 --> 00:34:41.440
<v Speaker 1>Yeah, So and he probably he probably learned that, you know,

655
00:34:41.719 --> 00:34:44.440
<v Speaker 1>he probably knew that there was no way that if

656
00:34:44.440 --> 00:34:47.679
<v Speaker 1>they got into Gondolin before he reached them, then there

657
00:34:47.719 --> 00:34:50.000
<v Speaker 1>was no way he was going to find them, right, Yeah,

658
00:34:50.119 --> 00:34:51.039
<v Speaker 1>then then they were lost.

659
00:34:51.079 --> 00:34:54.800
<v Speaker 2>So he's probably wouldn't know the road, right, you know.

660
00:34:54.800 --> 00:34:57.400
<v Speaker 1>I'm sure he figured out if he didn't know before

661
00:34:57.440 --> 00:35:00.480
<v Speaker 1>he met Rathel, I'm sure he he learned about Gondolin,

662
00:35:00.800 --> 00:35:03.400
<v Speaker 1>you know, and like this the deal with Gondolin from her.

663
00:35:04.400 --> 00:35:05.920
<v Speaker 1>I don't think she told him the hidden road or

664
00:35:05.920 --> 00:35:10.960
<v Speaker 1>anything like that, right anyway, But so he they arrive

665
00:35:11.159 --> 00:35:15.119
<v Speaker 1>and they're they're betrayed by their horses, right because the

666
00:35:15.159 --> 00:35:18.760
<v Speaker 1>horses neigh very loudly. And then Ale's horse hears ther,

667
00:35:18.920 --> 00:35:22.840
<v Speaker 1>here's those horses, and he finds them just in time

668
00:35:23.480 --> 00:35:27.360
<v Speaker 1>to follow them without them seeing him, right, so he's

669
00:35:27.400 --> 00:35:29.760
<v Speaker 1>able to follow them through. Then, by ill fate, they

670
00:35:29.760 --> 00:35:32.239
<v Speaker 1>were portrayed. For the horses made loudly, and Ale's steed

671
00:35:32.280 --> 00:35:34.880
<v Speaker 1>heard them and sped towards them. And Ale saw from

672
00:35:34.880 --> 00:35:37.679
<v Speaker 1>afar that white raiment of Atithel and marked which way

673
00:35:37.760 --> 00:35:42.480
<v Speaker 1>she went, seeking the secret path into the mountains. All right,

674
00:35:42.800 --> 00:35:47.480
<v Speaker 1>so they returned to Gondolin. Everyone is of course happy

675
00:35:47.519 --> 00:35:51.719
<v Speaker 1>to see Adithel after all this time, and h of course,

676
00:35:51.760 --> 00:35:55.840
<v Speaker 1>no one more so than tor Gone. And and he's

677
00:35:55.960 --> 00:35:59.280
<v Speaker 1>very he's very warm, you know, towards Maglin. He really

678
00:35:59.400 --> 00:36:01.280
<v Speaker 1>he sees mag and he's like, all right, well here's

679
00:36:01.280 --> 00:36:04.000
<v Speaker 1>a you know, true true son of you know, true

680
00:36:04.000 --> 00:36:07.360
<v Speaker 1>son of the knoldor right here, right, this is a

681
00:36:08.360 --> 00:36:10.199
<v Speaker 1>you know, this is a pleasant surprise, right.

682
00:36:10.480 --> 00:36:14.039
<v Speaker 3>And and Turn himself has no heir, right because he

683
00:36:14.119 --> 00:36:17.360
<v Speaker 3>only has a daughter. So I'm sure he saw Maglin

684
00:36:17.400 --> 00:36:18.440
<v Speaker 3>and was like, oh.

685
00:36:18.800 --> 00:36:21.880
<v Speaker 1>Well, and and actually you know this something we didn't

686
00:36:21.920 --> 00:36:28.360
<v Speaker 1>mention earlier. But when Maglin's first hears about he when

687
00:36:28.400 --> 00:36:31.440
<v Speaker 1>he when his mother first tells him about Gondolin, and

688
00:36:31.679 --> 00:36:34.719
<v Speaker 1>you know, kind of describes that situation, right, you know,

689
00:36:34.719 --> 00:36:37.679
<v Speaker 1>he learns like, Okay, he's like, you know this this

690
00:36:39.119 --> 00:36:43.159
<v Speaker 1>son of the king's sister, right, and the king has

691
00:36:43.159 --> 00:36:47.119
<v Speaker 1>no heir. Right, He's like, you know, it doesn't say directly,

692
00:36:47.159 --> 00:36:49.519
<v Speaker 1>but you could's like, you know, he's calculating, right, it's

693
00:36:49.559 --> 00:36:52.440
<v Speaker 1>it talks about him. He's kind, oh, I could be

694
00:36:52.719 --> 00:37:00.559
<v Speaker 1>the king of Gondolin maybe, Okay, yeah, all right, So

695
00:37:00.559 --> 00:37:03.360
<v Speaker 1>so that's all part of you know, his his desire

696
00:37:03.519 --> 00:37:06.519
<v Speaker 1>right to want to come back to Gondolin and and

697
00:37:06.639 --> 00:37:09.199
<v Speaker 1>to see it and to dwell there. And you know,

698
00:37:09.239 --> 00:37:11.480
<v Speaker 1>they know that once they're back, they're really probably is

699
00:37:11.519 --> 00:37:13.440
<v Speaker 1>not going to be any more leaving at that point.

700
00:37:15.920 --> 00:37:20.159
<v Speaker 1>But Aol does uh does show up as well, and

701
00:37:22.280 --> 00:37:24.639
<v Speaker 1>he's he's of course caught by the guards as he's

702
00:37:24.639 --> 00:37:27.559
<v Speaker 1>coming into Gondolin, uh, And they bring him before Torgon

703
00:37:29.360 --> 00:37:34.599
<v Speaker 1>and and they, you know, tor Goon basically gives him

704
00:37:34.639 --> 00:37:36.679
<v Speaker 1>the you know, basically gives him the what for.

705
00:37:37.239 --> 00:37:39.760
<v Speaker 2>Is actually pretty nice to well, I would have been

706
00:37:39.800 --> 00:37:40.679
<v Speaker 2>that nice to he.

707
00:37:40.719 --> 00:37:42.480
<v Speaker 1>Is, but he, you know, he does he gives them

708
00:37:42.519 --> 00:37:44.840
<v Speaker 1>a little bit of the what for. But but we'll

709
00:37:44.840 --> 00:37:47.199
<v Speaker 1>read this passage here. And so it was done, and

710
00:37:47.239 --> 00:37:49.920
<v Speaker 1>Ale was brought to Torgon's hall, and stood before his

711
00:37:50.000 --> 00:37:52.599
<v Speaker 1>high seat, proud and sullen. Though he was amazed no

712
00:37:52.679 --> 00:37:54.440
<v Speaker 1>less than his son. At all that he saw, his

713
00:37:54.519 --> 00:37:56.639
<v Speaker 1>heart was filled the more with anger and with hate

714
00:37:56.679 --> 00:37:59.679
<v Speaker 1>of an oldor. But Torgon treated him with honor, and

715
00:37:59.800 --> 00:38:02.400
<v Speaker 1>rose up and would take his hand, and he said, welcome, kinsman.

716
00:38:02.800 --> 00:38:05.400
<v Speaker 1>For so I hold you here. You shall dwell at

717
00:38:05.400 --> 00:38:07.760
<v Speaker 1>your pleasure, save only that you must here abide and

718
00:38:07.800 --> 00:38:10.320
<v Speaker 1>depart not from my kingdom. For it is my law

719
00:38:10.360 --> 00:38:14.119
<v Speaker 1>that none who finds the way hither shall depart. But

720
00:38:14.199 --> 00:38:17.239
<v Speaker 1>Ale withdrew his hand. I acknowledge not your law, he said.

721
00:38:17.320 --> 00:38:19.039
<v Speaker 1>No right have you or any of your can in

722
00:38:19.039 --> 00:38:22.079
<v Speaker 1>this land to seize realms or to set bounds, either

723
00:38:22.119 --> 00:38:24.519
<v Speaker 1>here or there. This is the land of the Tillary,

724
00:38:24.639 --> 00:38:27.039
<v Speaker 1>to which you bring war, and all in quiet dealing,

725
00:38:27.079 --> 00:38:30.079
<v Speaker 1>ever proudly and unjustly, I care nothing for your secrets.

726
00:38:30.159 --> 00:38:32.559
<v Speaker 1>Night can came not to spy upon you, but to

727
00:38:32.559 --> 00:38:35.440
<v Speaker 1>claim my own, my wife, and my son. Yet if

728
00:38:35.480 --> 00:38:38.000
<v Speaker 1>in Atathel your sister you have some claim, then let

729
00:38:38.039 --> 00:38:40.519
<v Speaker 1>her remain. Let the bird go back to the cage,

730
00:38:40.559 --> 00:38:42.960
<v Speaker 1>where soon she will sicken again, as she sickened before

731
00:38:43.519 --> 00:38:46.519
<v Speaker 1>but not so Meglin, my son, you shall not withhold

732
00:38:46.519 --> 00:38:50.119
<v Speaker 1>from me, Come Meglan, son of Ale, Your father commands

733
00:38:50.159 --> 00:38:52.559
<v Speaker 1>you leave the house of his enemies in the slayers

734
00:38:52.559 --> 00:38:55.760
<v Speaker 1>of his ken, or be accursed. But Meglin answered nothing.

735
00:38:56.679 --> 00:38:59.119
<v Speaker 1>Then Torgon sat in his high seat, holding the staff

736
00:38:59.119 --> 00:39:01.320
<v Speaker 1>of his staff of Denys, and in a stern voice, spoke,

737
00:39:01.760 --> 00:39:04.039
<v Speaker 1>I will not debate with you, dark elf, by the

738
00:39:04.039 --> 00:39:07.000
<v Speaker 1>swords of then old or alone? Are you are? Are

739
00:39:07.119 --> 00:39:11.159
<v Speaker 1>you are? Your sunless woods defended your freedom to wander there,

740
00:39:11.239 --> 00:39:15.079
<v Speaker 1>wild wild, you owe to my ken, and but for them,

741
00:39:15.159 --> 00:39:17.320
<v Speaker 1>long since you would have labored, enthralled them in the

742
00:39:17.320 --> 00:39:19.840
<v Speaker 1>pits of angband. And here I am king. And whether

743
00:39:19.880 --> 00:39:21.960
<v Speaker 1>you will it or will it not, my doom is law.

744
00:39:22.480 --> 00:39:24.760
<v Speaker 1>This choice only is given to you to abide here

745
00:39:24.880 --> 00:39:27.400
<v Speaker 1>or to die here. And so also for your son.

746
00:39:29.199 --> 00:39:33.480
<v Speaker 1>So you know, Ale, he he's not a team player, right,

747
00:39:33.800 --> 00:39:37.199
<v Speaker 1>He sees things a certain way, you know, And he's

748
00:39:37.199 --> 00:39:39.400
<v Speaker 1>a very I mean, he's just an interesting character in

749
00:39:39.400 --> 00:39:43.880
<v Speaker 1>that way, right, He's just this curmudgeonly kind of figure, right.

750
00:39:44.360 --> 00:39:46.719
<v Speaker 1>It doesn't you know, doesn't want a whole lot to

751
00:39:46.760 --> 00:39:50.079
<v Speaker 1>do with anybody else, wants to be left alone. In general.

752
00:39:51.039 --> 00:39:55.880
<v Speaker 1>That's why he lives deep in the woods. And you know,

753
00:39:56.119 --> 00:39:59.320
<v Speaker 1>he doesn't respect then old or he thinks that they are,

754
00:39:59.679 --> 00:40:06.039
<v Speaker 1>that they're they're unwelcome, that they brought trouble, and he's

755
00:40:06.079 --> 00:40:09.360
<v Speaker 1>not about to you know, be berated by this, you know,

756
00:40:09.440 --> 00:40:11.599
<v Speaker 1>and told he has to stay and be berated by this,

757
00:40:11.920 --> 00:40:13.960
<v Speaker 1>you know, by this king who he used as a pretender.

758
00:40:14.239 --> 00:40:21.000
<v Speaker 1>Right yep, uh, you know, someone unrightful. So what's Ale's

759
00:40:21.119 --> 00:40:24.440
<v Speaker 1>what's Ale going to do in this case? I mean

760
00:40:25.239 --> 00:40:27.719
<v Speaker 1>he's going to try He's going to try and kill somebody, right,

761
00:40:27.760 --> 00:40:31.079
<v Speaker 1>I mean, that's that's basically where he's at. I mean,

762
00:40:31.239 --> 00:40:33.119
<v Speaker 1>you know, you might argue that he could have you know,

763
00:40:33.119 --> 00:40:35.280
<v Speaker 1>he could have calculated or bied his time or something

764
00:40:35.320 --> 00:40:38.960
<v Speaker 1>like that, which Mageland seems to be doing. But Ale

765
00:40:39.199 --> 00:40:43.920
<v Speaker 1>is just he's not wired that way. And so Al

766
00:40:45.559 --> 00:40:48.480
<v Speaker 1>it turns out he's hiding he's been hiding a javelin

767
00:40:48.519 --> 00:40:52.119
<v Speaker 1>this whole time, poison tip javelin. He attempts to kill Maglin,

768
00:40:54.000 --> 00:40:57.159
<v Speaker 1>and Arathel throws herself in front of him and ends

769
00:40:57.239 --> 00:41:00.800
<v Speaker 1>up being the one that's wounded and mortally wounded. So

770
00:41:00.920 --> 00:41:05.039
<v Speaker 1>Al was responsible for the death of Meglin, which is

771
00:41:05.119 --> 00:41:09.039
<v Speaker 1>the I'm sorry for the death of Adothel, even though

772
00:41:09.039 --> 00:41:10.320
<v Speaker 1>he was trying to kill me. He was trying to

773
00:41:10.400 --> 00:41:14.079
<v Speaker 1>kill megln and responsible for the death of Adothel. Now

774
00:41:14.239 --> 00:41:19.239
<v Speaker 1>Arthel had had basically before she died, she'd said, you know, look,

775
00:41:19.559 --> 00:41:22.440
<v Speaker 1>just have mercy on him, right, you know, you know,

776
00:41:22.639 --> 00:41:24.440
<v Speaker 1>we don't need to put him to death or anything

777
00:41:24.480 --> 00:41:27.440
<v Speaker 1>like that. But then she dies and it's like, well

778
00:41:27.559 --> 00:41:30.719
<v Speaker 1>that's there goes that, right, Yeah, all bets are off

779
00:41:30.760 --> 00:41:34.159
<v Speaker 1>at this point. Therefore, when Ale was brought before Torgon,

780
00:41:34.239 --> 00:41:36.079
<v Speaker 1>he found no mercy, and they led him forth to

781
00:41:36.119 --> 00:41:40.800
<v Speaker 1>the cad a precipice of place, a precipice of black rock,

782
00:41:40.880 --> 00:41:43.280
<v Speaker 1>upon the north side of the hill of Gondolin, there

783
00:41:43.320 --> 00:41:45.400
<v Speaker 1>to cast him down from the sheer walls of the city.

784
00:41:45.800 --> 00:41:48.480
<v Speaker 1>And Meglin stood by and said nothing. But at the

785
00:41:48.559 --> 00:41:51.719
<v Speaker 1>last Ale cried out, so you forsake your father and

786
00:41:51.760 --> 00:41:54.880
<v Speaker 1>his kin, ill gotten son. Here shall you fail of

787
00:41:54.880 --> 00:41:57.400
<v Speaker 1>all your hopes, and here may you yet die the

788
00:41:57.440 --> 00:42:00.840
<v Speaker 1>same death as I. So meg Glynn doesn't speak up

789
00:42:00.840 --> 00:42:04.840
<v Speaker 1>for him, and they Ol basically curses him. Then they

790
00:42:04.880 --> 00:42:07.159
<v Speaker 1>cast Ale over the cartag door, and so he ended

791
00:42:07.199 --> 00:42:10.000
<v Speaker 1>into all and Gondolin it seemed just. But Idril was

792
00:42:10.039 --> 00:42:12.920
<v Speaker 1>troubled and from that day she mistrusted her kinsman, and

793
00:42:12.960 --> 00:42:14.440
<v Speaker 1>so I take it that to me. And she's troubled

794
00:42:14.440 --> 00:42:16.079
<v Speaker 1>by the fact that they put him to death, right

795
00:42:16.239 --> 00:42:19.719
<v Speaker 1>Is that how you understood that? Does she was troubled by,

796
00:42:19.280 --> 00:42:21.880
<v Speaker 1>uh by by the fact that they put you know,

797
00:42:21.920 --> 00:42:24.119
<v Speaker 1>basically gave a the death penalty.

798
00:42:24.239 --> 00:42:25.440
<v Speaker 2>Yeah, that's how I read it too.

799
00:42:25.519 --> 00:42:27.599
<v Speaker 1>I mean, yeah, it seems like that's that seems like

800
00:42:27.639 --> 00:42:28.679
<v Speaker 1>what it's saying right there.

801
00:42:28.920 --> 00:42:31.880
<v Speaker 3>I think we failed to mention earlier that Idrill that

802
00:42:32.280 --> 00:42:32.960
<v Speaker 3>Mageland has.

803
00:42:32.880 --> 00:42:33.719
<v Speaker 2>A thing for Drill.

804
00:42:34.079 --> 00:42:37.400
<v Speaker 3>Yes, Andril is the daughter of Tehran, that's right, So

805
00:42:37.559 --> 00:42:41.599
<v Speaker 3>I mean they're technically cousins. Yeah, right, yeah, Dril does

806
00:42:41.639 --> 00:42:45.400
<v Speaker 3>not feel the same, right, But anyway.

807
00:42:45.119 --> 00:42:47.760
<v Speaker 1>Well that's that's what Yeah. Well, and it kind of

808
00:42:47.760 --> 00:42:51.440
<v Speaker 1>says that that was the first half of that quote

809
00:42:51.440 --> 00:42:52.599
<v Speaker 1>of our quote of the week.

810
00:42:52.440 --> 00:42:54.119
<v Speaker 2>Right, Yes, that it refers to you.

811
00:42:54.079 --> 00:42:59.920
<v Speaker 1>Know what it refers to. But anyway, al Ale dies.

812
00:43:00.480 --> 00:43:03.079
<v Speaker 1>But Meglin, you know, really is he's kind of held

813
00:43:03.079 --> 00:43:06.000
<v Speaker 1>in high esteem in the court of Torgon and says

814
00:43:06.039 --> 00:43:08.679
<v Speaker 1>he's wise in counsel and wary and yet hearty and

815
00:43:08.800 --> 00:43:12.400
<v Speaker 1>valiant at need. Right, he takes part in some of

816
00:43:12.440 --> 00:43:16.119
<v Speaker 1>the great battles they're going to happen. So you know,

817
00:43:16.320 --> 00:43:20.519
<v Speaker 1>he is a he's quite quite an individual, even though

818
00:43:20.559 --> 00:43:23.239
<v Speaker 1>he's pretty quiet like his father. Right, he doesn't, he's

819
00:43:23.320 --> 00:43:26.519
<v Speaker 1>kind of an elf A few words, right, But yes,

820
00:43:26.559 --> 00:43:30.400
<v Speaker 1>he does have a He does have a thing for Idril. Right,

821
00:43:32.440 --> 00:43:34.480
<v Speaker 1>For from his first days in Gondolin he had borne

822
00:43:34.480 --> 00:43:36.760
<v Speaker 1>a grief, ever worsening that robbed him of all joy.

823
00:43:37.119 --> 00:43:39.480
<v Speaker 1>He loved the beauty of Idril and desired her without

824
00:43:39.519 --> 00:43:42.639
<v Speaker 1>hope the Eldar wedded, not with Ken so near, nor

825
00:43:42.719 --> 00:43:45.280
<v Speaker 1>ever before, had any desire to do so. First cousins,

826
00:43:45.880 --> 00:43:48.719
<v Speaker 1>and however that might be, Idril loved Meglin not at all,

827
00:43:49.360 --> 00:43:51.559
<v Speaker 1>and knowing his thought of her, she loved him the less,

828
00:43:52.159 --> 00:43:54.159
<v Speaker 1>for it seemed to her a strange thing and crooked

829
00:43:54.159 --> 00:43:56.480
<v Speaker 1>in him. As indeed the Eldar ever since have deemed

830
00:43:56.480 --> 00:43:58.840
<v Speaker 1>it an evil fruit of the kin slaying, whereby the

831
00:43:58.880 --> 00:44:01.079
<v Speaker 1>shadow of the curse of mind fell upon the last

832
00:44:01.159 --> 00:44:06.440
<v Speaker 1>hope of then Olldor. You know, so, pretty pretty adult,

833
00:44:06.639 --> 00:44:09.679
<v Speaker 1>pretty adult themed, pretty adult themes going on here, right,

834
00:44:10.840 --> 00:44:13.239
<v Speaker 1>you know? We we we talk about the controversy over

835
00:44:15.039 --> 00:44:18.760
<v Speaker 1>just you know, the controversy of Ale and his enchantment

836
00:44:19.159 --> 00:44:22.960
<v Speaker 1>of Atathel right to lead off the chapter. And then

837
00:44:23.000 --> 00:44:26.280
<v Speaker 1>we have you know, Meglin and his uh, you know,

838
00:44:26.320 --> 00:44:29.519
<v Speaker 1>his desire for you know, basically his first cousin. Right,

839
00:44:31.159 --> 00:44:34.719
<v Speaker 1>So it's interesting to see you know, this kind of

840
00:44:35.559 --> 00:44:41.320
<v Speaker 1>a how should we put it? Right? This like you know,

841
00:44:41.760 --> 00:44:44.800
<v Speaker 1>this this thing repeating itself right in the life of

842
00:44:45.119 --> 00:44:47.800
<v Speaker 1>in the life of Meglin that was you know, some

843
00:44:47.800 --> 00:44:50.280
<v Speaker 1>some kind of issue of his father's as well, right,

844
00:44:51.840 --> 00:44:53.559
<v Speaker 1>you know, you're just like, yeah, this is not going

845
00:44:53.599 --> 00:44:55.639
<v Speaker 1>to play out well, this is this is this is

846
00:44:55.679 --> 00:45:00.079
<v Speaker 1>not gonna end well. And you know that's essentially the

847
00:45:00.159 --> 00:45:03.840
<v Speaker 1>tragedy of this figure Meglin. And by the way, you know,

848
00:45:04.199 --> 00:45:06.199
<v Speaker 1>this is an interesting chapter to kind of be inserted

849
00:45:06.320 --> 00:45:09.000
<v Speaker 1>here into this sulm really, because you know, someone has

850
00:45:09.039 --> 00:45:10.760
<v Speaker 1>been jumping back and forth between chapters that are like

851
00:45:10.880 --> 00:45:14.360
<v Speaker 1>talking about like who rules what realm and maps and

852
00:45:14.519 --> 00:45:16.519
<v Speaker 1>you know, we had all several chapters where we were

853
00:45:16.559 --> 00:45:23.000
<v Speaker 1>talking about like the the noldor leaving vallenor and so

854
00:45:23.480 --> 00:45:25.039
<v Speaker 1>you know it's just kind of this some runs kind

855
00:45:25.039 --> 00:45:27.199
<v Speaker 1>of this roller coaster in this chapter, like well, what

856
00:45:27.239 --> 00:45:29.119
<v Speaker 1>does this chapter have to do with anything? Right, It's

857
00:45:29.119 --> 00:45:30.639
<v Speaker 1>just kind of the story of this dark elf and

858
00:45:30.679 --> 00:45:32.840
<v Speaker 1>it's just this sad story about like you know this

859
00:45:33.599 --> 00:45:36.880
<v Speaker 1>you know how he he enchanted this you know this

860
00:45:37.239 --> 00:45:40.440
<v Speaker 1>elf lady and you know they had a child together

861
00:45:40.639 --> 00:45:43.079
<v Speaker 1>and then he he killed her when he was trying

862
00:45:43.079 --> 00:45:44.639
<v Speaker 1>to kill his son because he was mad that they

863
00:45:44.679 --> 00:45:49.000
<v Speaker 1>wouldn't leave with him, right, And like, what does this

864
00:45:49.000 --> 00:45:50.960
<v Speaker 1>have to do with anything? Well, it's it's it's sowing

865
00:45:51.000 --> 00:45:54.440
<v Speaker 1>seeds for greater tragedies later because of what it's doing, right,

866
00:45:55.320 --> 00:45:58.280
<v Speaker 1>It's you know, it's this idea that like it really

867
00:45:58.360 --> 00:46:01.599
<v Speaker 1>is like that the Oath of Fan or the Curse

868
00:46:01.639 --> 00:46:05.000
<v Speaker 1>of Mandos, like all these things are going to manifest

869
00:46:05.039 --> 00:46:09.280
<v Speaker 1>and really, uh more and more tragic ways as the

870
00:46:09.320 --> 00:46:10.559
<v Speaker 1>rest of the story unfolds.

871
00:46:10.599 --> 00:46:12.239
<v Speaker 2>It this seems pretty tragic to me.

872
00:46:12.440 --> 00:46:14.480
<v Speaker 1>Well it is, it is, and you know, I mean

873
00:46:14.559 --> 00:46:16.440
<v Speaker 1>many tears to be shed over.

874
00:46:16.280 --> 00:46:19.519
<v Speaker 2>This, yeah, yeah, there's are.

875
00:46:19.639 --> 00:46:23.039
<v Speaker 1>Yeah, And and the truth is that Maglin is going

876
00:46:23.119 --> 00:46:28.639
<v Speaker 1>to play a big part in that, right, So all right? Yeah,

877
00:46:28.679 --> 00:46:30.119
<v Speaker 1>any final thoughts there, Greta.

878
00:46:31.760 --> 00:46:33.519
<v Speaker 2>All right, good discussion.

879
00:46:33.559 --> 00:46:34.840
<v Speaker 1>I think you got a haiku?

880
00:46:35.119 --> 00:46:37.800
<v Speaker 2>Yeah, all right, are you in rock paper scissors.

881
00:46:38.440 --> 00:46:45.000
<v Speaker 1>Rock paper scissors, shoot boom. First all right, dark Elf

882
00:46:45.039 --> 00:46:49.920
<v Speaker 1>of deep Woods, Lady of Hidden Haven, child of sharp Secrets.

883
00:46:51.880 --> 00:46:56.480
<v Speaker 2>It's really good. I like that a lot. Well done.

884
00:46:57.679 --> 00:46:58.480
<v Speaker 2>All right, here's man.

885
00:47:00.760 --> 00:47:04.079
<v Speaker 3>And that's why you don't marry sketchy yelves that live

886
00:47:04.119 --> 00:47:05.159
<v Speaker 3>in sunless forests.

887
00:47:08.039 --> 00:47:14.000
<v Speaker 1>Mm hmmm nice. Yeah, spoken like the guy on Arrested Development.

888
00:47:14.599 --> 00:47:16.039
<v Speaker 2>If only I had a mic drop.

889
00:47:16.320 --> 00:47:21.039
<v Speaker 1>That's why you listen to your father, I'm saying, that's

890
00:47:21.079 --> 00:47:22.159
<v Speaker 1>why you don't yell.

891
00:47:24.119 --> 00:47:26.480
<v Speaker 2>Yeah, all right, it's just nothing good could come of it,

892
00:47:26.679 --> 00:47:28.679
<v Speaker 2>you know, yeah, clearly nothing.

893
00:47:28.440 --> 00:47:30.920
<v Speaker 1>To Okay, Well, all right, I'm just I'm curious to

894
00:47:30.960 --> 00:47:34.880
<v Speaker 1>know though, like, like what, what to you is the

895
00:47:34.920 --> 00:47:40.280
<v Speaker 1>distinction between single melion and uh like what because you

896
00:47:40.280 --> 00:47:43.400
<v Speaker 1>brought it up right melyon, but discuss this, okay. I

897
00:47:43.440 --> 00:47:45.480
<v Speaker 1>just kind of want to come back the final your

898
00:47:45.519 --> 00:47:48.280
<v Speaker 1>final word on it. I'm just I'm interested, okay.

899
00:47:48.599 --> 00:47:53.559
<v Speaker 3>Well, first of all, melion not nearly as sketchy as ale.

900
00:47:54.119 --> 00:47:55.679
<v Speaker 2>Okay, Okay, She's.

901
00:47:55.559 --> 00:47:57.920
<v Speaker 1>Like the sketchiness factor has.

902
00:47:57.360 --> 00:48:01.079
<v Speaker 3>Definitely a big arger sketchiness factor or here, and the

903
00:48:01.159 --> 00:48:07.960
<v Speaker 3>fact that the male was enchanting the female automatically makes

904
00:48:08.000 --> 00:48:17.480
<v Speaker 3>it more not okay for me, And I mean Melian

905
00:48:17.760 --> 00:48:20.760
<v Speaker 3>was gorgeous and so is Thingle, so I was totally

906
00:48:20.840 --> 00:48:23.639
<v Speaker 3>fine with that, you know. I mean I still feel

907
00:48:23.639 --> 00:48:26.280
<v Speaker 3>like and Thingle could have stood up for himself. I

908
00:48:26.280 --> 00:48:28.360
<v Speaker 3>think that's why I just feel and not, oh gosh,

909
00:48:28.400 --> 00:48:30.199
<v Speaker 3>I'm really need to careful about what I say here.

910
00:48:30.639 --> 00:48:33.280
<v Speaker 3>Not that Arithel could not have stood up for herself,

911
00:48:33.679 --> 00:48:36.679
<v Speaker 3>but I feel like if Thingle wanted to leave, it

912
00:48:36.679 --> 00:48:39.239
<v Speaker 3>would have been much easier for him to leave. I mean,

913
00:48:39.280 --> 00:48:41.280
<v Speaker 3>first of all, he was in a better part, Like

914
00:48:41.360 --> 00:48:43.599
<v Speaker 3>he was not in the same I guess they were

915
00:48:43.599 --> 00:48:49.679
<v Speaker 3>in the same forest, but still like he's he he,

916
00:48:49.679 --> 00:48:52.320
<v Speaker 3>he just would have had more of an ability to

917
00:48:52.360 --> 00:48:56.039
<v Speaker 3>get out of that situation than Arethel did, just given

918
00:48:56.559 --> 00:48:57.920
<v Speaker 3>the fact that she's a woman.

919
00:48:58.280 --> 00:49:04.239
<v Speaker 1>Okay, all right, that's just me, all right, what I

920
00:49:04.320 --> 00:49:06.559
<v Speaker 1>just I think it's really I you know, I was

921
00:49:06.639 --> 00:49:08.760
<v Speaker 1>just kind of set on, like, yeah, Ale was being

922
00:49:08.800 --> 00:49:11.639
<v Speaker 1>a bad dude, and then we brought the meg we

923
00:49:11.719 --> 00:49:13.480
<v Speaker 1>brought the Dingle and melee on thing into it.

924
00:49:13.760 --> 00:49:16.599
<v Speaker 3>How can we know because it's like it's obviously the

925
00:49:16.639 --> 00:49:18.880
<v Speaker 3>same thing but reversed a little bit.

926
00:49:19.000 --> 00:49:20.920
<v Speaker 1>Well, No, That's all I'm saying is like, when we

927
00:49:20.920 --> 00:49:22.639
<v Speaker 1>brought that into the equation, I was like, okay, yeah,

928
00:49:22.760 --> 00:49:24.920
<v Speaker 1>what is the difference? Wait a minute, what's going Like?

929
00:49:24.960 --> 00:49:29.119
<v Speaker 1>How do we how do we you know, how do

930
00:49:29.159 --> 00:49:32.039
<v Speaker 1>we assess that? Right? And I was like, because because

931
00:49:32.079 --> 00:49:33.920
<v Speaker 1>we don't look at Thingle and melee On and say like,

932
00:49:34.400 --> 00:49:37.480
<v Speaker 1>how dare melee On? Right, It's like it's like, yeah,

933
00:49:37.679 --> 00:49:41.400
<v Speaker 1>like Thingle was like saw this like the most beautiful

934
00:49:41.440 --> 00:49:44.320
<v Speaker 1>of like all creatures he'd probably ever seen, right, and

935
00:49:44.559 --> 00:49:46.840
<v Speaker 1>was just completely enchanted with her, and she was enchanted

936
00:49:46.880 --> 00:49:47.199
<v Speaker 1>with him.

937
00:49:47.599 --> 00:49:49.840
<v Speaker 2>Right, So maybe that's the thing. It was more consensual.

938
00:49:50.039 --> 00:49:52.840
<v Speaker 3>I feel like between Thingle and meley On, this gives

939
00:49:52.880 --> 00:49:54.599
<v Speaker 3>me the air of not being consensual.

940
00:49:54.760 --> 00:49:57.280
<v Speaker 2>Okay, Like there is more of a force, there's more

941
00:49:57.280 --> 00:49:57.519
<v Speaker 2>of a.

942
00:49:57.960 --> 00:50:00.320
<v Speaker 1>I can see that. I can definitely see that, esecially

943
00:50:00.360 --> 00:50:03.920
<v Speaker 1>as time went on. You know. But but you know,

944
00:50:04.000 --> 00:50:06.039
<v Speaker 1>this is I think I thought it was a really

945
00:50:06.039 --> 00:50:06.880
<v Speaker 1>worthwhile conversation.

946
00:50:06.920 --> 00:50:08.199
<v Speaker 2>So I completely agree.

947
00:50:08.360 --> 00:50:11.199
<v Speaker 3>I completely agree, and I'm really interested to.

948
00:50:11.199 --> 00:50:13.159
<v Speaker 2>Hear what our listeners think about Yes for sure.

949
00:50:13.280 --> 00:50:16.599
<v Speaker 1>Yeah, so let us know in the comments below. All right, everybody,

950
00:50:16.639 --> 00:50:19.440
<v Speaker 1>Well that is all for this episode. Make sure and

951
00:50:19.519 --> 00:50:25.119
<v Speaker 1>hit us up with the correspondence and make sure and subscribe,

952
00:50:25.199 --> 00:50:27.320
<v Speaker 1>rate and review us on iTunes or the platform of

953
00:50:27.360 --> 00:50:29.920
<v Speaker 1>your choice. Right, leave us that five star rating, folks,

954
00:50:30.079 --> 00:50:32.800
<v Speaker 1>please do that. You know, our ratings are kind of

955
00:50:32.800 --> 00:50:36.960
<v Speaker 1>dipping down into the little four point five range, you know,

956
00:50:37.440 --> 00:50:40.199
<v Speaker 1>like we need some of our five star fans to

957
00:50:40.280 --> 00:50:44.239
<v Speaker 1>leave us some ratings over there, everybody, right, So too

958
00:50:44.239 --> 00:50:46.119
<v Speaker 1>many of them people out there who like, listen to

959
00:50:46.159 --> 00:50:48.920
<v Speaker 1>one episode and I you know, you know, Greta says

960
00:50:48.960 --> 00:50:51.679
<v Speaker 1>something weird and they're like like her. Actually they never

961
00:50:51.679 --> 00:50:54.119
<v Speaker 1>complained about her. The always complained about me, And I

962
00:50:54.199 --> 00:50:56.880
<v Speaker 1>understand why I tried. I've tried to get better as

963
00:50:56.920 --> 00:50:58.840
<v Speaker 1>time has gone on, everybody. But if you think I have,

964
00:50:58.920 --> 00:50:59.960
<v Speaker 1>please leave a five star rate.

965
00:51:00.760 --> 00:51:02.480
<v Speaker 2>Yeah, yeah, please do.

966
00:51:02.840 --> 00:51:04.840
<v Speaker 1>But you know, even I don't for any reason, just

967
00:51:04.840 --> 00:51:07.719
<v Speaker 1>Regret's sake, because it is awesome and she deserves five stars.

968
00:51:08.320 --> 00:51:09.000
<v Speaker 2>Thanks.

969
00:51:09.840 --> 00:51:11.599
<v Speaker 3>I was just gonna say, I don't know, maybe we're

970
00:51:11.599 --> 00:51:14.079
<v Speaker 3>doing something right if we got some naysayers leaving comments.

971
00:51:14.119 --> 00:51:15.960
<v Speaker 1>I mean definitely, like one of the last ones was

972
00:51:16.000 --> 00:51:18.639
<v Speaker 1>like complaining about like you know, it was yeah, it

973
00:51:18.760 --> 00:51:23.400
<v Speaker 1>was some like, you know, complaint about how we're like

974
00:51:23.440 --> 00:51:25.119
<v Speaker 1>injecting Christianity into all this.

975
00:51:25.519 --> 00:51:26.440
<v Speaker 2>We've heard that before.

976
00:51:26.639 --> 00:51:28.719
<v Speaker 1>Oh well, I'm just like, oh, thank you. Let's talk

977
00:51:28.760 --> 00:51:31.519
<v Speaker 1>about that, right, Yeah, you know, I'll make another video

978
00:51:31.599 --> 00:51:34.639
<v Speaker 1>on that topic and you can watch it. There you go, right, yay,

979
00:51:35.239 --> 00:51:36.760
<v Speaker 1>all right, it's good.

980
00:51:36.639 --> 00:51:38.039
<v Speaker 2>To ruffle some feathers now and.

981
00:51:37.960 --> 00:51:40.000
<v Speaker 1>Then as long as you're uffling the right feathers.

982
00:51:40.639 --> 00:51:41.800
<v Speaker 2>Yeah, yeah, that's fair.

983
00:51:42.280 --> 00:51:45.000
<v Speaker 1>All right. Well, thank you to our amazing patrons, especially

984
00:51:45.039 --> 00:51:46.159
<v Speaker 1>the following. John R.

985
00:51:46.320 --> 00:51:49.280
<v Speaker 3>Caitlin of t with Tolkien, Jacob Lockham, John H. Scotch, You,

986
00:51:49.360 --> 00:51:53.440
<v Speaker 3>Bobo mis Anonymous, Andrew T. Red Hawk, Shannoness, Bryan Emilio

987
00:51:53.519 --> 00:51:56.519
<v Speaker 3>p Zeke, James A. James L, Chris L. Chuck geff

988
00:51:56.599 --> 00:51:58.440
<v Speaker 3>av Ish of The Hammer, Teresa C.

989
00:51:58.639 --> 00:52:01.480
<v Speaker 2>David of Pines with Jack, Nathan D, Eric Eric B,

990
00:52:01.679 --> 00:52:05.320
<v Speaker 2>Johanna T, Mike M, Robert H. Paul D, Julia Werti,

991
00:52:05.440 --> 00:52:05.960
<v Speaker 2>Matthew W.

992
00:52:06.199 --> 00:52:09.679
<v Speaker 1>Joe bagel Man, Jacobs and Don Jay, as well as

993
00:52:09.679 --> 00:52:14.280
<v Speaker 1>those celebrating their patron anniversary. Oh well, this is May,

994
00:52:14.440 --> 00:52:16.199
<v Speaker 1>this is June now, and I don't have that list,

995
00:52:16.239 --> 00:52:18.599
<v Speaker 1>but our June anniversary patrons, we'll make sure we got

996
00:52:18.639 --> 00:52:23.840
<v Speaker 1>you next time. So yes, thank you. My bad all right, well,

997
00:52:24.119 --> 00:52:28.239
<v Speaker 1>thank you, thank you, thank you. Is bad bad all right?

998
00:52:28.559 --> 00:52:29.639
<v Speaker 2>Thanks for listening to guys.

999
00:52:29.440 --> 00:52:31.840
<v Speaker 1>Thanks for listening everybody. We will talk tout you next time.

1000
00:52:31.920 --> 00:52:51.079
<v Speaker 2>Bye bye
