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Speaker 1: You're listening to Matt Connorton Unleashed on WMNH ninety five point.

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Speaker 2: Three right now, the world radio premiere of the debut

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single from Moving On, coming out February twenty seven.

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Speaker 3: Absolutely, it's the end.

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Speaker 4: As we know it's it's fading now for a few times.

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You know it's a like voice and child is I'm

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going on my stay by going box to you.

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Speaker 5: You know that I wouldn't think twise.

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Speaker 4: And as I sit out spin off save.

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Speaker 6: What the fun?

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Speaker 7: I'm thinking all the face.

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Speaker 8: Would I respeed all moments side be with the movie stars?

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Speaker 7: It all your busy? We sit that along so well,

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and now you actingne it can never.

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Speaker 8: I rode into her someday o you can? God, I

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would I riskin over.

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Speaker 7: So busy?

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Speaker 5: And his eyes says, I think of those things that

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week missed out, And now it seems turn.

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Speaker 9: Me like week.

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Speaker 8: The worlds are.

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Speaker 7: Fast and now inside him alone, warn't weding horrible. So

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and if I see out the U say bother bout.

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Speaker 9: I'm thinking of the things who the harriskyed all for?

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Speaker 4: She slid with the broom stars pos thusdays.

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Speaker 7: We used to get along so well, and now you're

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acting no, it can never.

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Speaker 9: I run into her some day.

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Speaker 3: I used to gotta.

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Speaker 9: I would arrested over.

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Speaker 10: Woolees.

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Speaker 2: Good morning everybody, here we go. It is that time again,

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Matt Connorton Unleashed and we are live from the studios

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of wm NH ninety five point three FM, Inglorious, Manchester,

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New Hampshire. Of course, you can also stream the show

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from anywhere. Go to Matt connorton dot com slash live

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for all of your live streaming options, social media links,

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contact and Fox Show archives, etcetera, etcetera.

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Speaker 3: Today is Saturday, February.

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Speaker 2: Twenty one, two twenty six, and of course if you

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are local to Manchester, it's a bit of a winter

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wonderland out there. Had some snow overnight, not too much though.

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Actually the drive in this morning, I was pleasantly surprised

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at the condition of the roads. They're actually pretty normal,

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so just wet, so hopefully we're okay. And then, of

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course again if you're listening live on Saturday, there is

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another storm system I haven't looked this morning, but could

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potentially hit us on Sunday and to Monday. But I

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think the last I've seen two models for it, one

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that shows it hitting us, and another that shows it

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missing us and effectively going out to the ocean and

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not really you know, maybe giving us a couple inches

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of snow, but that's it. So I'm going to try

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to send as much positive energy as I can and

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hope that we get that version of that storm system,

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because I think we've had enough. But I will say

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to me, there's only one week left of winter anyway,

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And what do I mean by that? Well, today, as

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we do the show live is the twenty first. Now,

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something my father taught me when I was a kid,

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and I've carried this throughout my life. He liked to

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think of winter because he didn't like winter. I don't

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like winter. He liked to think of winter as really

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only being two months long, his logic being that most

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of December is technically still fall anyway. You don't really

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tend to get to the harsh, the really harsh winter

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weather until you get into January. So then you've just

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got You've got January and February to contend with. And

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that's really it. Because once you get to March, you know,

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most years it starts to warm up pretty quick and whatnot.

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But even if March is even if you get an

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enormous blizzard on the first of March, you kind of

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don't care at that point because psychologically it's like, yeah, whatever,

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this is all gonna melt any day now anyway, So

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it's just easier to deal with. So it's not even

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a big deal. So so from his way of thinking,

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which I then adapted to my way of thinking, winter

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is only two months long. It's January and February. So

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March first, to me is the first day of spring

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and February short month. Today's twenty first. Next Saturday, it

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will be the twenty eighth last day of winter. Again

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by my By the way, meteorologists say the same thing,

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because let me see if I can say it, meteorological

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winter is actually December, January, and February. So so a

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meteorologist will also tell you that in their world March

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versus the first day of spring.

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Speaker 3: So ignore the calendar, just pay attention to the months,

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and March first.

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Speaker 2: I will say, though, there was one year I don't know,

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seven or eight years ago where I remember, so we

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had a couple of really mild winters in a row,

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like really mild, and there was this one year where

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it was February twenty eighth, which again in my mind

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is the last day of winter. And I remember thinking

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on that day. I even I remember the exact moment

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this thought went through my head. I thought, Oh, another quick,

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easy winter. I could get used to this. But I

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hadn't looked at the forecast. I had no idea that

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the next day, March first, we were going to have

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an enormous blizzard. I just hadn't looked at the forecast.

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I do so ignorance was bliss. I'm just walking around thinking, well,

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there's another quick, easy winter. Great, And I had no

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idea what was coming and what I also had no idea,

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and there was no way to predict. This is because

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January and February that year had been very easy, that

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we were going to effectively get the entire winter compressed

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into March. It was like all the January and February

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winter winter weather we could have had it all happened

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in March, and we just got one giant snowstorm after

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another all throughout the month of March and March was horrible.

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So my way of thinking about it didn't quite pan

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out that particular that particular year, with that particular winter,

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but alas we're almost there. We're in the home stretch.

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This has been a cold one, that's for sure. Here's

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what we're gonna do, So in just a couple of minutes,

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we're going to be joined by Caitlin Piper. She's going

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to be with us via Microsoft Teams, a very talented musician.

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She's gonna be joining us for We're gonna her new single.

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Then she and I are going to talk, and then

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we're gonna play another song of hers at the end.

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Coming up in the second hour, we have Howleen Hawk.

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We did a world radio premiere for them a few

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weeks ago, but they're gonna be joining us. And then

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in the third hour, G Girl also known as Jackie Brown.

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I don't know if she even really goes by G

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Girl anymore. I think she just uses her name now,

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But she hosts an online talk show called The Icy

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Show where she just interviews people in the music industry

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and other various people. Jenny was on The Icy Show

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with her recently, in fact, but she's gonna be here

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with us in studio. Longtime listeners will be familiar with her.

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Brooklyn Mike remembered her when we were talking about tomorrow's show,

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or I should say, well, when we were talking about

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today's show, but yesterday, so when we were talking about

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the show yesterday, it was still tomorrow's show, but now

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tomorrow is today. But anyway, Brooklyn Mike was like, oh, yeah,

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I remember her. Yeah, she's great. So Brooklyn Mike, hello,

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if you're listening. He's now of course a regular member

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of Retrospectrum Radio on Friday nights, the show that we

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do here at WM and H. But yeah, he was

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very I need to hear the g girl was gonna

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be on with us this morning, so so she will

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be here with us in studio in the third hour today.

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So we do have an exciting program for you today.

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But what we're gonna do right now, we're gonna go

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ahead and play the new single from Caitlin Piper. This

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is called Moving On. And then when we come back

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from this, she should be on with us via teams.

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We're gonna talk get to know Caitlin Piper a little bit,

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and then we'll play another song of hers a little

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bit later.

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Speaker 3: But stick around. There's plenty of great stuff to come.

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But here it is. This is the newest single from

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Kaitlin Piper. This is called moving on.

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Speaker 9: Miss the mark mile long shot. We're gonna get off course,

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hugle fun. But I need to go in fezy.

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Speaker 11: Some one a night, a brand new spot. The rais

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light out in.

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Speaker 10: The distance and a breeze that bloats. It calls my day.

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But if back go, will it fix th.

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Speaker 9: And damp I.

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Speaker 12: I welcome back, say because.

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Speaker 10: Oh try showing you every feece of me, and you

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reacted a temperately yeah yellow see it was just temper verity,

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all the help you gave to me, and I was

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wrong about you. Now I'm moving on. I feel so

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foolish thinking that you were winning.

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Speaker 13: Now no, everyone charged by me.

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Speaker 9: That's the thing. It all comes. It's such a come,

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so weird that there's so.

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Speaker 13: Much that is lost because say.

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Speaker 10: Trudge, when you everything me anyway day applie, Now I

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see it was transaginal.

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Speaker 9: It was going on swe me. I was born back

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now I know, but doesn't.

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Speaker 10: Matter what an its forgotten to because I put nigs

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and a basket, and the basket it was you cannot

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wanting answer, basket man said stage true.

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Speaker 9: And I gotta do my fun now, damn sa judge

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in your way fees. So then you reacted the Japanee Bocy.

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Speaker 7: It was just.

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Speaker 9: Got into me.

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Speaker 3: I was n about.

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Speaker 9: Now that's right. Now I'm moving.

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Speaker 7: That's right.

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Speaker 9: Now I'm movement. That's like now I'm moving.

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Speaker 11: No, that's like now I'm moving.

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Speaker 14: It's like now.

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Speaker 9: That's like now I'm believing.

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Speaker 3: En there we go. That is moving on by Caitlin Piper.

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I love it. That is really really good. And we

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have Caitlin with us via Microsoft teams. Good morning, Kaitlin,

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Good morning, how you doing. Good, good, Welcome to the show.

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It's great to talk to you, your first time on

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the program. I really love that track. That's that's the

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newest single, correct it is?

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Speaker 15: Yeah?

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Speaker 3: How long is how long has that been out?

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Speaker 15: That came out the end of January?

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Speaker 3: Oh okay, oh wow, so that's very new. Excellent, excellent.

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And then and that you've got an album coming up

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in June, full album.

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Speaker 15: I do yes.

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Speaker 16: I have an album release concert planned for June twelfth

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at the press Room in Portsmith, so everything will be

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done and ready to go by then.

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Speaker 2: Oh, outstanding, outstanding? Is this gonna be your first full

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length album? Or because there's so many different ways to

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do this, now you know, if you want to do

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an album or an EP or a lot of artists

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just released singles, is this gonna be your first full

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length album?

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Speaker 15: It will be.

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Speaker 16: I did an RPM album in twenty twenty four, so

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you do the whole you know, the whole album in

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the month of February and you write it and record

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it and release it. But this is my first true

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album where it's more kind of planned out and including

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other musicians on it as well.

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Speaker 2: So the RPM challenge that's come up before on the

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show actually many times over the years, but I haven't

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heard anyone mention it recently.

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Speaker 3: So you did that in twenty four Just yes.

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Speaker 15: Yep, and it is alive and well.

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Speaker 16: It used to be more of an in person get

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together piece where people would bring actual CDs and they

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would have listening parties, and now everything is online. But

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what's cool about that is that people from all over

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the world are listening to each other's music. So you

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put a map out and you can click on like

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you can find your town or your state and see,

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you know, local music around and who's putting music out.

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So I have an RPM single that I'm kind of

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working with and a friend oh, in a friend it's

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an a cappella song. So that's the first time I've

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ever done something like that. But uh yeah, we'll see,

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We'll see how that goes. But I'm focused on this

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album and putting it together and excited to get new

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music out. And I so appreciate you having me this morning.

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This is this is so nice to hear.

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Speaker 3: Oh yeah, yeah, No, you're.

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Speaker 15: In chat chat about it?

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Speaker 2: No, absolutely, no, We're glad to have you on now

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you are You're in the Sea Coast area, correct.

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Speaker 15: Yes, Portsmouth is like my kind of home base it

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more more or less.

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Speaker 3: Did you grow up there?

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Speaker 15: No, I grew up in Western New York.

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Speaker 2: Oh okay, okay, what what brought you to New Hampshire

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Because you're in you know, obviously in the Portsmouth area,

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that's such a I mean, I think in terms of

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the music scene in the state, you know, like I'm

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in Manchester and obviously there's a lot of tremendous talent here,

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this tremendous talent all over the state, all over the

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world really, but but I feel like Portsmouth is kind

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of the most interesting in terms of and maybe this

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kind of informs your sound a little bit. Too, because

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I hear a lot of different influences in your sound.

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But but you're in You're in such a great spot

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if you're gonna be in New Hampshire and Reportsmouth is

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a great place to be if you're a musician. But

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how did you How did you land there from? You said,

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Western New York originally?

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Speaker 16: Yeah, So I am a teacher and I teach French. Oh,

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and I went to go look for a job. It

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was harder to find French teaching positions in Western New York.

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And they had this program where you could click on

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any state you'd want to work at, and then town

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and you could send out your resume. So I ended

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up in southern Maine only because I had read an

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article about Acadia National Park and I thought New England

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was cool. I was in a musical called Carousel when

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I was a little girl, and it's all about New England.

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So I was like, I'll go there and try that,

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and it was the best thing I've ever done. So

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I ended up in Maine and I taught there for

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a couple of years and I put music on hold

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completely and then after you know, a bunch of other

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life life achievements, having a family and things like that.

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I came back to music, and I think the only reason,

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the only way I was able to do that is

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really because of the Portsmouth music scene and the new

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music scene as a whole. Everybody is so receptive and

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kind and willing to collaborate, and they're just honest. Nobody

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is gatekeeping any any sort of gate cirk or contacts.

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Speaker 15: Everyone's oh, I'll help you get through that, like, oh,

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you want to play here?

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Speaker 16: Like and now I feel like I'm established enough where

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I'm able to do that for some other people like, oh,

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you want to play there, here's their phone number, Like, sure,

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we can make that happen. It just feels such a

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great collaborative community. And I'm just everything New England. I

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should stop talking because once they start talking about so

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once I love the history and the aesthetic and the

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feel out here. It's just it's just the best place

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to be. I this will be my home for my

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forever home for sure.

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Speaker 3: Outstanding. No, that's good to hear.

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Speaker 2: You did mention so you had kind of taken a

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break from music right to focus on other things. You

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mentioned a family and of course your career as an

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educator and so forth. Did you always know that you

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were going to come back to it, like, was that

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always kind of the plan or at least maybe in

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the back of your mind, or did you at any

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point think, you know, no, I've left that behind and

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I'm onto this other phase or what was kind of

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your thought process during that time.

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Speaker 16: I guess I know I was always going to be singing.

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I kind of was born singing and it's in my blood,

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so there's no stopping that. There's no stopping the songwriting.

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Sometimes I will flat out communicate with other people just

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and I'll sing them a little too, and amazing back

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to me. Yeah, big songs up about everything. So that

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was never going to stop. I knew that, and I

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always knew as mother I wanted to pass on that

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musical piece to my children and definitely attend the attending

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concerts and shows.

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Speaker 15: That never stopped. That's always been really strong.

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Speaker 16: Yeah, But I think what was hard for me was

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to think of a teare in kind of a public

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space also performing and can you do more than one thing?

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Speaker 15: And is that okay to do?

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Speaker 16: That's maybe what helped me held me back for a

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little bit, but it was it was the best thing

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to do because I spent several years just listening to music,

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watching other people perform really personal in private with my

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own music, and that felt that felt really right.

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Speaker 15: I think a big change was.

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Speaker 16: I lost my dad, and when after he passed away,

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it kind of realized, WHOA, this is it, Like, this

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is life and.

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Speaker 15: If you want to do something, you got it. What

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am I doing? I gotta go do it if I

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want to get out there and do it.

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Speaker 16: And so I slowly but surely tried a couple things,

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and like I said, everyone was so so receptive and

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it's just been a blast.

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Speaker 15: I'm having the best time.

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Speaker 2: This might be a little bit of a side street

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forgive me, but you mentioned losing your dad, and you

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said something that I kind of connected with because so

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I lost my father recently in December, and and but

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you know, you mentioned losing your dad and then feeling like,

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well you really got to, you know, you really got

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to push forward with this. And I'm just curious. I

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don't know how deep you want to go with this,

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but I'm just curious. Did you find that because I

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went through this thing, maybe I'm still going through it

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because it was relatively recent where it kind of losing

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a parent kind of uh forces you to confront your

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own mortality in a weird way, and then it kind

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of maybe is that part of what kind of pushed you,

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because it sounds like losing your dad kind of pushed

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you forward a little bit to really really do what

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you felt driven to do.

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Speaker 15: For sure, I think we need to make the most nothing.

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Time goes by so quickly and there's so much that is.

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Speaker 16: As much as we like to think we're in control

360
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and in the driver's seat, there's so many components where

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we really you don't know what's going to happen. So

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if there's a window of time when you can follow

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your passion and put it out there and share it

364
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with other people, I think that's great. I'll also say

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I wrote some songs about my dad and found a

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way of kind of my grief was through that outreach

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and sharing some of that music with other people. Actually

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did a whole event with a group called the Pre

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Dead Social Club, which and I'm so sorry about the

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passing of your dad might be connect with. But they

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bring people together all over the Sea Coast in New

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England and talk about you know, life and death and

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they help people get through those moments, and they actually

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had a concert in October and we got to come together.

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We each shared there were three different singer songwriters. We

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each shared songs about grief or things that we've been through,

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and then they assigned us somebody who had lost somebody

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and then we got to write a song for that

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person and present it. And it was just so powerful

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to put all of those feelings into into music.

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Speaker 2: Now, that's that's excellent because something that a theme that

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comes up a lot on this program is you know,

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taking things that are negative, you know, like loss and

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you know, in this case, loss and grief and all

385
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of that and turning it into art. And then so

386
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you're taking something negative, you're creating something positive about it.

387
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And it's positive because not only does it help you

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when you create that art, not only is it you know,

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it's a great form of therapy, right to create something

390
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out of that, but also it helps other people who

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then connect with the art that you've created, other people

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who can relate to what you're going through. And I

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think that's outstanding. What is that called again, the pre dead?

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Speaker 15: What pre Dead Social club?

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Speaker 3: Pre Dead Social Club? I like that a lot.

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Speaker 15: The first time I heard that name.

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Speaker 9: I was like, what is this?

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Speaker 15: I don't know what this is.

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Speaker 16: And then I met Laura who runs who runs the organization,

400
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and she's just doing so much great work to bring

401
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people together. And because that was another thing. You know,

402
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you lose, you lose somebody that's so close to you,

403
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and then then what, like what do you do? People

404
00:24:46,000 --> 00:24:48,640
will bring over some cast roles and they say sorry, sorry,

405
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and it's sad and everyone's trying to help you. But

406
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it's just to have somebody that really gets the whole process.

407
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It was tremendous and instrumentous.

408
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Speaker 3: Yeah, work absolutely.

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Speaker 15: Funny what you said about connecting through themes.

410
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Speaker 16: There's some songs that I write that people will see, oh,

411
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I love that song that you wrote about this, and

412
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I'm like, oh, that's like, thank you, it's not necessarily

413
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what I wrote it about.

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Speaker 15: I have a lot of songs.

415
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Speaker 16: My big theme on my album is kind of setting

416
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limits and and like moving on. Right, So there's there's

417
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that song that you just heard just sing enough, this

418
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is enough and I'm choosing to go a different path.

419
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But it's interesting people's take on what they hear and

420
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how they interpret each each song.

421
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Speaker 2: Well, it's another thing too about art is you know,

422
00:25:38,039 --> 00:25:40,480
you can obviously, you can interpret it however you want to,

423
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and however it connects with you in this case, in

424
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the case of songs, obviously how it connects with you

425
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as a listener. But it is interesting how sometimes yeah,

426
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people will this is this will sound random, But I

427
00:25:52,400 --> 00:25:54,279
just said this to a friend of mine the other

428
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day that when I was a kid, I was actually

429
00:25:56,480 --> 00:25:59,039
mad at Sammy Hagar for saying that Love Walks In

430
00:25:59,200 --> 00:26:00,839
was about aliens, because I didn't want it to be

431
00:26:00,880 --> 00:26:05,759
about that. But but it's just but but it's always

432
00:26:05,839 --> 00:26:09,000
interesting to me too, when you know, I'll I'll have

433
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a certain song or something or an album that it

434
00:26:11,640 --> 00:26:13,400
connects with me in a certain way, and then you know,

435
00:26:13,480 --> 00:26:16,720
I read an interview, uh with the artists who wrote

436
00:26:16,759 --> 00:26:19,079
the song, and it turns out it's about something completely

437
00:26:19,119 --> 00:26:21,279
different than what I thought. And then there's that it's weird,

438
00:26:21,359 --> 00:26:23,440
you know, there's that little bit of oh, I kind

439
00:26:23,480 --> 00:26:25,000
of wanted it to be about what I wanted it

440
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to be about, but that's just narcissistic.

441
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Speaker 16: But yeah, yeah, So there's some songs that I don't

442
00:26:30,160 --> 00:26:32,839
really share too much about what it is because sometimes

443
00:26:32,920 --> 00:26:34,960
it's much more literal than maybe what people.

444
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Speaker 15: Assume.

445
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Speaker 16: Yeah, some of it is pretty obvious, like there's yeah,

446
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but I like to see that takeaway. Everybody can get

447
00:26:45,920 --> 00:26:49,039
a piece of takeaway something different.

448
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Speaker 3: Yeah.

449
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Speaker 2: Absolutely, we should mention too. So you were the uh

450
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you won an award through the Sea Coast Community Choice Awards.

451
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Speaker 3: Correct, I did.

452
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Speaker 15: I did. I've got a strong support here of people.

453
00:27:03,720 --> 00:27:07,480
Speaker 16: You devote every day for that one, and my my

454
00:27:08,359 --> 00:27:11,160
friends and family and coworkers definitely showed up for me

455
00:27:11,359 --> 00:27:12,880
and and that that was cool.

456
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Speaker 15: Yeah. I was so nonchalant about it.

457
00:27:16,119 --> 00:27:18,440
Speaker 16: I it was the words were it was on my

458
00:27:18,559 --> 00:27:20,720
son's birthday, so I was like, I was definitely going

459
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to miss my son's birthday. So I wrote to the people.

460
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I was like, oh yeah, thanks, and I sure was

461
00:27:24,720 --> 00:27:26,759
like that's not going to happen. And I had a

462
00:27:26,839 --> 00:27:29,279
friend that was was at the event and they're like.

463
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Speaker 15: Oh, yeah, you did get it, so oh that's great. Cool.

464
00:27:32,519 --> 00:27:35,720
Speaker 16: So it's published there right there with some of the

465
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best Seacoast businesses in town.

466
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Speaker 3: Yeah, we should be specific too.

467
00:27:40,960 --> 00:27:44,680
Speaker 2: It was the twenty twenty five Best Live Music Artist

468
00:27:44,799 --> 00:27:46,920
Group Band winner, so very good.

469
00:27:47,000 --> 00:27:47,839
Speaker 3: Congratulations.

470
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Speaker 16: Oh that it was that was very cool. For the

471
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amount of time that I've been performing here.

472
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Speaker 15: That that was that was a neat one.

473
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Speaker 3: So, yeah, how long have you been performing here? I

474
00:27:57,960 --> 00:28:00,240
forgot to ask you, uh kind of the timeline, how

475
00:28:00,279 --> 00:28:01,359
long have you been here doing this?

476
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Speaker 16: I've been performing out I think since like it's it's

477
00:28:07,119 --> 00:28:07,799
been like.

478
00:28:10,119 --> 00:28:11,200
Speaker 15: A year and a half.

479
00:28:11,720 --> 00:28:16,400
Speaker 2: Oh not that long then, Okay, yeah, not that long.

480
00:28:16,519 --> 00:28:18,680
So that's that's well, that's excellent. Then, so you're off

481
00:28:18,759 --> 00:28:20,559
to uh, you're off to a great start.

482
00:28:21,440 --> 00:28:25,359
Speaker 16: Yes, for sure, little projects easing up to it, but

483
00:28:26,039 --> 00:28:28,359
like really being out after the RPM thing, I was like,

484
00:28:28,400 --> 00:28:30,279
you know, I really want to share these songs that

485
00:28:30,359 --> 00:28:34,319
I'm writing. And I performed at a little cafe and

486
00:28:34,599 --> 00:28:37,440
in Portsmouth. It's no longer open at that location.

487
00:28:37,559 --> 00:28:38,000
Speaker 15: That's fine.

488
00:28:39,119 --> 00:28:40,640
Speaker 16: It was just so special and I got kind of

489
00:28:40,680 --> 00:28:42,400
hooked on it, and I realized, well, I can do

490
00:28:42,480 --> 00:28:44,640
this by myself. So then I did a whole series

491
00:28:44,720 --> 00:28:48,759
of performing independently, and then I really thought I need

492
00:28:48,839 --> 00:28:51,119
a band. I'd love to have that full band sound

493
00:28:51,200 --> 00:28:53,039
behind me. So I did a couple of band shows

494
00:28:53,119 --> 00:28:57,039
and now I'm doing solo band and then sometimes I'm

495
00:28:57,079 --> 00:28:59,200
performing as a duo, which is really really nice to

496
00:28:59,319 --> 00:29:03,599
carry the kind of the guitar load of each each piece.

497
00:29:03,640 --> 00:29:05,920
And it also I think anytime I have somebody performing

498
00:29:06,000 --> 00:29:09,119
with me, it gives the audience a break from my vocals,

499
00:29:09,119 --> 00:29:12,480
because I think it's a lot to hear somebody's kind

500
00:29:12,519 --> 00:29:15,599
of belting for two hours when they start booking for

501
00:29:15,680 --> 00:29:16,880
me for three hours plus.

502
00:29:17,000 --> 00:29:21,039
Speaker 15: I definitely like to have somebody else with me.

503
00:29:21,680 --> 00:29:21,880
Speaker 3: Yeah.

504
00:29:21,920 --> 00:29:23,680
Speaker 2: Well it's nice too that you're able to do that

505
00:29:23,839 --> 00:29:28,039
in different configurations. When when you've got the full band,

506
00:29:28,160 --> 00:29:30,839
what what does that? What does that entail like?

507
00:29:31,799 --> 00:29:31,960
Speaker 15: Is it?

508
00:29:32,160 --> 00:29:32,319
Speaker 17: Is it?

509
00:29:32,880 --> 00:29:33,920
Speaker 3: Yeah? Tell me about that.

510
00:29:34,200 --> 00:29:37,440
Speaker 16: Yes, So I'm calling it Caitlin Piper And that's not

511
00:29:37,640 --> 00:29:42,400
because I'm into my own name or anything, but it's

512
00:29:42,519 --> 00:29:47,160
just it's steady for me. So I'm performing originals and

513
00:29:47,359 --> 00:29:50,400
covers in this band setting, and I kind of have

514
00:29:50,559 --> 00:29:53,279
a rotation or almost like a bench of performers that

515
00:29:53,480 --> 00:29:57,039
join me, and they are some they are the best

516
00:29:57,160 --> 00:29:59,559
performers in the Sea Coast and because of that, their

517
00:29:59,559 --> 00:30:01,079
schedule aren't always.

518
00:30:02,839 --> 00:30:05,559
Speaker 15: But that's why there's there's like a whole little crew.

519
00:30:05,920 --> 00:30:06,119
Speaker 3: Yeah.

520
00:30:07,119 --> 00:30:09,039
Speaker 16: So you know, you think of the gig, you think

521
00:30:09,079 --> 00:30:10,880
of the setting, you think of the time and and

522
00:30:11,400 --> 00:30:13,559
all the different elements and think who would be the

523
00:30:13,640 --> 00:30:15,960
best combo for the first try, and you see if

524
00:30:15,960 --> 00:30:17,680
they can make it, and then if they can't, then

525
00:30:17,720 --> 00:30:21,240
you pivot. And I've I've had the opportunity to work

526
00:30:21,359 --> 00:30:24,799
with people that are just absolutely outstanding. So yeah, I'm

527
00:30:24,880 --> 00:30:27,720
very proud of that and totally honored that they're willing

528
00:30:27,799 --> 00:30:31,440
to take on my original original songs and songs they wrote,

529
00:30:31,759 --> 00:30:33,920
you know, in my room or something or after like

530
00:30:34,000 --> 00:30:37,160
a very small emotional moment, I write this song and

531
00:30:37,279 --> 00:30:39,240
now it's on it's on the stage in front of

532
00:30:39,279 --> 00:30:39,799
all these people.

533
00:30:39,839 --> 00:30:40,799
Speaker 15: It's it's really cool.

534
00:30:41,079 --> 00:30:45,400
Speaker 2: Yeah, that's fantastic. I'm also curious about your influences because obviously,

535
00:30:45,720 --> 00:30:47,279
you know, you listen to a song like moving On,

536
00:30:47,480 --> 00:30:49,400
and I think I even said coming out of the

537
00:30:49,440 --> 00:30:52,279
song you can hear a mix of a mix of

538
00:30:52,359 --> 00:30:55,720
influences there. So I'm curious. I'm curious about what you

539
00:30:55,839 --> 00:30:59,559
listen to growing up and what kind of informs your

540
00:30:59,799 --> 00:31:02,599
your music in your your style today.

541
00:31:03,640 --> 00:31:06,160
Speaker 16: Well, I would love to hear the influences that that

542
00:31:06,359 --> 00:31:09,759
you hear in that song. I'm always curious to see

543
00:31:09,759 --> 00:31:12,319
because trying to define a genre is really difficult, you know.

544
00:31:12,400 --> 00:31:15,680
You you communicate with different venues and they have to

545
00:31:15,720 --> 00:31:19,079
fill out all this information and to really find tune

546
00:31:19,160 --> 00:31:21,319
what I'm doing has been a little bit difficult. Somebody

547
00:31:21,319 --> 00:31:22,480
told me the other day, I think they're like, I

548
00:31:22,480 --> 00:31:24,480
think you're the only one kind of having this sound

549
00:31:24,680 --> 00:31:27,200
in our in our area, which was a huge compliment.

550
00:31:27,559 --> 00:31:30,559
Speaker 15: But I'm calling it soul pop more or less, I.

551
00:31:30,599 --> 00:31:33,279
Speaker 3: Think pop, So I think that's a good term, soul.

552
00:31:33,119 --> 00:31:37,039
Speaker 16: Pop, yes, which puts me in the same realm as

553
00:31:37,720 --> 00:31:40,119
like and not to say I'm at the level of

554
00:31:40,160 --> 00:31:43,000
these people, but I'm in the same field as Lake

555
00:31:43,039 --> 00:31:46,920
Street Dive is a huge influence. Not everybody knows Lake

556
00:31:46,920 --> 00:31:52,319
Street Dive. So like Stevie Wonder, Amy Winehouse the soulful

557
00:31:52,640 --> 00:31:55,799
pop music, and I think what I apply to it

558
00:31:55,920 --> 00:31:58,039
that's a little bit different and makes it harder to define,

559
00:31:58,119 --> 00:32:02,119
is like really cool guitar parts. Yeah yeah, so that

560
00:32:02,400 --> 00:32:05,039
like that doesn't always fit with what those those other

561
00:32:05,200 --> 00:32:08,319
bands might be or groups might be doing. So growing up,

562
00:32:08,359 --> 00:32:11,559
I've listened to absolutely everything I've had. You know, my

563
00:32:11,680 --> 00:32:13,960
dad brought in the Beatles into my life, and my

564
00:32:14,119 --> 00:32:18,559
mom was a piano major in college and brought in

565
00:32:18,720 --> 00:32:22,680
all of this musical theater in classical music, just gorgeous,

566
00:32:22,720 --> 00:32:26,720
gorgeous music. And once I could get a cassette tape

567
00:32:27,039 --> 00:32:32,480
and aging myself here, CD player, I'll go with. I

568
00:32:33,680 --> 00:32:35,960
just listen to music NonStop. And I got a karaoke

569
00:32:36,119 --> 00:32:38,880
machine when I was really little, and I'm like, my

570
00:32:39,000 --> 00:32:40,359
mom got me like Sinatra.

571
00:32:40,799 --> 00:32:43,440
Speaker 15: So I was like third grade making my own radio show.

572
00:32:43,599 --> 00:32:44,640
Speaker 3: Yeah, and I would not the.

573
00:32:44,640 --> 00:32:46,720
Speaker 16: Words down to the songs, or I would take like

574
00:32:46,839 --> 00:32:49,319
the backing checks and change the melodies and record it

575
00:32:49,359 --> 00:32:49,960
and then listen.

576
00:32:49,839 --> 00:32:52,599
Speaker 15: To it back. Oh wow, I think that was a huge,

577
00:32:53,359 --> 00:32:54,880
a huge part. But yeah, I serious.

578
00:32:54,880 --> 00:32:57,240
Speaker 16: I know everybody says they're eclectic and they listen to everything,

579
00:32:57,359 --> 00:33:01,039
but jazz is a huge part of what I listened to.

580
00:33:01,240 --> 00:33:06,920
El Fitzgerald's my favorite, my all time favorite vocalist, and

581
00:33:07,039 --> 00:33:07,880
so I spend.

582
00:33:07,680 --> 00:33:08,759
Speaker 15: A lot of time listening to.

583
00:33:10,359 --> 00:33:13,319
Speaker 16: Jazz and a lot of musicals, which I know is

584
00:33:13,519 --> 00:33:16,000
could be perceived as nerdy, but I don't care. I'm

585
00:33:16,079 --> 00:33:20,000
proud of I'm proud of that and that the harmony's

586
00:33:20,039 --> 00:33:22,720
piece really comes through through that. And then I just

587
00:33:22,759 --> 00:33:25,279
see like music of the times. I was in market

588
00:33:25,880 --> 00:33:28,440
yesterday and they were playing an in sync song and

589
00:33:29,039 --> 00:33:30,880
some of the harmonies. I was like, Oh my goodness,

590
00:33:31,039 --> 00:33:33,119
is this where I'm getting what I'm trying to do

591
00:33:34,000 --> 00:33:35,279
on my music?

592
00:33:35,599 --> 00:33:37,200
Speaker 15: Like, is this is this my aim?

593
00:33:37,480 --> 00:33:40,400
Speaker 16: Is this maybe where it's seeped in from. So truly

594
00:33:40,599 --> 00:33:42,440
a little bit of a little bit of everything. But

595
00:33:42,680 --> 00:33:45,359
Lake Street Dive is a big, big band that I love.

596
00:33:46,599 --> 00:33:49,480
Couch is another band that.

597
00:33:49,519 --> 00:33:51,200
Speaker 15: I listened to. So I'm getting a little bit obscure.

598
00:33:51,240 --> 00:33:54,920
Speaker 2: But do you know, do you know Cosmic Blossom they're

599
00:33:54,960 --> 00:33:59,000
from the area, I don't know. They kind of remind

600
00:33:59,039 --> 00:34:00,400
me a little bit of them. They've they've got kind

601
00:34:00,440 --> 00:34:02,160
of that vibe. I mean, you know, they're I mean,

602
00:34:02,160 --> 00:34:04,680
they're pretty eclectic themselves. But you know, if you listen

603
00:34:04,720 --> 00:34:06,599
to one Cosmic Blossom song, it's not going to sound

604
00:34:06,680 --> 00:34:09,239
like like the next one necessarily, But but it kind

605
00:34:09,280 --> 00:34:11,119
of kind of reminded me of that a little bit too.

606
00:34:11,559 --> 00:34:13,559
But I think that I think that you know what

607
00:34:13,760 --> 00:34:17,840
you're doing because it mixes different things. I would imagine

608
00:34:18,719 --> 00:34:22,719
that it kind of really you know, you mentioned the

609
00:34:22,840 --> 00:34:24,960
challenge of trying to kind of pigeonhole it well, while

610
00:34:24,960 --> 00:34:26,920
you're explaining to someone what you sound like if they

611
00:34:26,920 --> 00:34:29,480
haven't heard you yet, but but I would imagine it.

612
00:34:29,599 --> 00:34:31,199
It does kind of open you up, though, to being

613
00:34:31,199 --> 00:34:33,199
able to play a lot of different kinds of venues,

614
00:34:33,320 --> 00:34:37,760
especially where you can do it in different configurations. I

615
00:34:37,920 --> 00:34:40,960
was looking at, Uh, where's that list You've You've played

616
00:34:41,000 --> 00:34:45,320
some interesting places like the like the Strawberry Bank Museum

617
00:34:46,079 --> 00:34:49,239
for example. I mean that you know, that's that's that's

618
00:34:49,280 --> 00:34:51,400
pretty cool. I remember going there when I was a kid,

619
00:34:51,480 --> 00:34:52,840
to the Strawberry Bank Museum.

620
00:34:53,119 --> 00:34:54,800
Speaker 3: Yeah, I did a.

621
00:34:54,880 --> 00:34:56,159
Speaker 15: Big run of their shows.

622
00:34:56,280 --> 00:34:58,760
Speaker 16: Of their shows, I did like some Christmas songs for

623
00:34:58,880 --> 00:35:01,280
them at some holiday music for their candle Light Stroll.

624
00:35:01,679 --> 00:35:04,639
Speaker 15: And then they have an event called Tuesdays on the Terrace.

625
00:35:05,159 --> 00:35:07,599
So last summer we got to perform.

626
00:35:07,320 --> 00:35:09,480
Speaker 16: In front of all of these historic homes and everyone

627
00:35:09,559 --> 00:35:11,599
comes and they sit in their chairs out in this field,

628
00:35:11,679 --> 00:35:13,280
and it was great.

629
00:35:13,360 --> 00:35:14,679
Speaker 15: I absolutely love Strawberry Bank.

630
00:35:14,719 --> 00:35:16,880
Speaker 16: I love Strawberry Bank so much that somehow, when I

631
00:35:16,920 --> 00:35:19,320
won that award that we were talking about, they had

632
00:35:19,360 --> 00:35:21,599
to listen address, and I don't know how that was

633
00:35:21,679 --> 00:35:22,679
my address, but I am.

634
00:35:22,639 --> 00:35:27,000
Speaker 15: Listed as that's where I live. Yeah, so it's it's

635
00:35:27,000 --> 00:35:27,480
my home base.

636
00:35:27,559 --> 00:35:29,159
Speaker 16: But I will be back at Strawberry Bank with a

637
00:35:29,199 --> 00:35:32,480
full band August fourth for their Tuesdays on the Terrorists series,

638
00:35:32,519 --> 00:35:36,039
which will be really fun. But yeah, the different genres

639
00:35:36,079 --> 00:35:40,360
of not having something totally claimed has been interesting. I

640
00:35:40,920 --> 00:35:43,920
was able to fill in with the Stray Horses for

641
00:35:44,079 --> 00:35:47,519
their last Waltz concert last November, and I sang Joni

642
00:35:47,599 --> 00:35:50,920
Mitchell songs. I was at the press room in August

643
00:35:51,000 --> 00:35:54,079
with a full band opening for Maggie Baugh, who was

644
00:35:54,320 --> 00:35:58,280
Keith Urban's lead guitarist. Okay, so I was kind of

645
00:35:58,360 --> 00:36:01,440
like a country esque peace and I can lean that

646
00:36:01,559 --> 00:36:05,679
way for sure. It's it kind of just is what

647
00:36:05,800 --> 00:36:07,599
I'm in the mood for, I guess.

648
00:36:09,480 --> 00:36:10,639
Speaker 15: But it's been cool. Yeah.

649
00:36:10,679 --> 00:36:12,800
Speaker 16: I think because I like so many different types of music,

650
00:36:12,880 --> 00:36:16,000
it's been I've been able to bounce around nicely and

651
00:36:16,320 --> 00:36:17,880
it doesn't feel totally.

652
00:36:19,199 --> 00:36:21,239
Speaker 15: Foreign or or out of sorts.

653
00:36:21,599 --> 00:36:21,800
Speaker 14: Yeah.

654
00:36:21,920 --> 00:36:24,159
Speaker 2: I also think too, and again kind of circling back

655
00:36:24,199 --> 00:36:27,079
to where you are, you know, that that area I

656
00:36:27,199 --> 00:36:30,719
think I think really lends itself to to that kind

657
00:36:30,760 --> 00:36:37,639
of flexibility. I also just excuse me just to circle

658
00:36:37,719 --> 00:36:39,559
back to to you know, because you are an educator.

659
00:36:39,880 --> 00:36:42,039
I mean, does that do you feel that the teaching

660
00:36:42,239 --> 00:36:48,000
in any way influences or or informs your songwriting or

661
00:36:48,159 --> 00:36:50,960
performing or I mean, is there any any anything in

662
00:36:51,079 --> 00:36:53,519
there that sort of crosses over in terms of being

663
00:36:53,559 --> 00:36:53,960
a teacher.

664
00:36:57,239 --> 00:36:59,639
Speaker 15: And I feel like every time I've interviewed this is

665
00:36:59,719 --> 00:37:00,239
all do it.

666
00:37:00,320 --> 00:37:02,719
Speaker 16: I'm not trying to stuck up by any means, but

667
00:37:02,840 --> 00:37:07,440
I have the most principle at my school, and she's

668
00:37:07,519 --> 00:37:09,480
part of the reason why I'm out playing again because

669
00:37:09,519 --> 00:37:11,719
she really said, like, you know, if this is something

670
00:37:11,800 --> 00:37:14,000
you love, do it, and just had me bring it

671
00:37:14,079 --> 00:37:17,920
into the school with the kids. I wrote a school

672
00:37:18,039 --> 00:37:20,679
kind of theme song that we do every fall, and

673
00:37:20,800 --> 00:37:24,000
we have a school band called the Riptide Rhythms. We

674
00:37:24,079 --> 00:37:29,280
were under Hampshire Chronicle, which is fun. So our superintendent

675
00:37:29,400 --> 00:37:31,800
and our assistant superintendent, we're all in this band and

676
00:37:31,880 --> 00:37:35,440
we perform for the kids sometimes. But that's just a

677
00:37:35,519 --> 00:37:38,440
nice piece. So I feel really comfortable combining both. I

678
00:37:38,519 --> 00:37:40,360
do a lot of singing with my students, for sure,

679
00:37:40,719 --> 00:37:43,599
But something that my principal does with us before a

680
00:37:43,719 --> 00:37:46,519
meeting is she goes over these social norms of how

681
00:37:46,599 --> 00:37:49,239
we need to go into the mindset we should have

682
00:37:49,440 --> 00:37:53,519
before we interact. And she talks about assuming positive intent

683
00:37:54,280 --> 00:37:56,519
and that's really been life changing. And so I have

684
00:37:56,639 --> 00:37:59,039
a song that I just flat out say, like, I'm

685
00:37:59,079 --> 00:38:02,400
going to assume positive intent from you. So already coming

686
00:38:02,440 --> 00:38:05,119
into something, I know everyone's doing the best they can.

687
00:38:06,559 --> 00:38:09,400
Nothing's edgy, It's all going to feel good. So yeah,

688
00:38:09,400 --> 00:38:11,519
I think I think those especially because right now I'm

689
00:38:11,519 --> 00:38:16,280
teaching elementary school, those kind of feel good themes come

690
00:38:16,519 --> 00:38:19,800
can come through quite a bit, and big social themes too.

691
00:38:19,840 --> 00:38:22,360
You know, when you see something happening in your adult life.

692
00:38:22,440 --> 00:38:24,159
Just I don't know, it's like a whole wave of.

693
00:38:25,840 --> 00:38:26,559
Speaker 15: Kind of the times.

694
00:38:26,960 --> 00:38:32,639
Speaker 3: Sure, sure, absolutely absolutely, So what tell us again? So

695
00:38:32,760 --> 00:38:33,239
the album?

696
00:38:33,480 --> 00:38:36,360
Speaker 2: The album's out June twenty twenty six. How many how

697
00:38:36,400 --> 00:38:37,280
many tracks are on it?

698
00:38:38,639 --> 00:38:39,679
Speaker 15: That's the question, Matt.

699
00:38:39,840 --> 00:38:42,880
Speaker 3: That's oh so this is still a work in progress.

700
00:38:43,199 --> 00:38:45,519
Speaker 15: I well, there's where's one song?

701
00:38:45,599 --> 00:38:49,440
Speaker 16: I'm like, do I am? I'm either going to put

702
00:38:49,480 --> 00:38:49,639
it on.

703
00:38:49,920 --> 00:38:53,199
Speaker 15: I'm there's one song that's on it might be cut,

704
00:38:53,239 --> 00:38:56,360
I don't know. Oh okay, I'm thinking I'm thinking ten.

705
00:38:56,320 --> 00:38:58,199
Speaker 16: Songs and maybe I should just make it ten and

706
00:38:58,280 --> 00:39:01,400
not do the eleventh one going back to earth about

707
00:39:01,440 --> 00:39:05,360
this song. It's all done, It's it's all I just

708
00:39:05,440 --> 00:39:07,559
don't know if that's another thing I'm battling with the

709
00:39:07,639 --> 00:39:12,280
genre piece, like does it all fit together and is

710
00:39:12,639 --> 00:39:16,320
this a cohesive model of what's happening or do I

711
00:39:16,440 --> 00:39:18,480
just go with like a genre and push that out.

712
00:39:19,719 --> 00:39:21,719
I think what's going to end up happening is I'm

713
00:39:21,760 --> 00:39:24,440
just going to release this and then maybe here I go,

714
00:39:24,559 --> 00:39:28,760
I'm going to start committing to things. I think next

715
00:39:28,840 --> 00:39:34,039
year I would do like a jazz acoustic guitar focus

716
00:39:34,599 --> 00:39:40,039
kind of mellow album. I mean, yeah, okay, the whole

717
00:39:40,360 --> 00:39:42,480
songs like that that I don't think will fit on

718
00:39:43,679 --> 00:39:45,360
on this as much because you could hear from that

719
00:39:45,480 --> 00:39:49,039
last song, like Ian's guitar, Ian Sleeper's playing the guitar,

720
00:39:49,079 --> 00:39:51,119
and that he did so much for that song and

721
00:39:51,280 --> 00:39:53,679
he's just it's really cool.

722
00:39:53,760 --> 00:39:55,400
Speaker 15: It's it's borderline like rock.

723
00:39:55,559 --> 00:39:55,719
Speaker 18: Right.

724
00:39:56,039 --> 00:39:57,119
Speaker 3: Oh, it's really good.

725
00:39:57,239 --> 00:39:57,440
Speaker 13: Yeah.

726
00:39:57,519 --> 00:39:59,599
Speaker 3: I really like that solo a lot.

727
00:39:59,719 --> 00:40:03,000
Speaker 16: Yeah, he's awesome, and he's on a bunch of different

728
00:40:03,079 --> 00:40:06,920
tracks and such a dream to work with, just so easy,

729
00:40:07,000 --> 00:40:11,000
easy going in kind. So yeah, I'm thinking everything will

730
00:40:11,079 --> 00:40:13,519
kind of be that same in that same mood of

731
00:40:13,639 --> 00:40:14,159
that song.

732
00:40:14,360 --> 00:40:17,960
Speaker 15: But we'll see. I have to make my decision, I

733
00:40:18,039 --> 00:40:18,679
think this week.

734
00:40:18,800 --> 00:40:22,079
Speaker 3: So I always feel like everybody out there.

735
00:40:22,000 --> 00:40:25,599
Speaker 15: Wants to reach out and be listening heres. Let me know.

736
00:40:26,360 --> 00:40:28,199
Speaker 2: I always feel like, if you're gonna do that, if

737
00:40:28,239 --> 00:40:30,760
you have something that doesn't necessarily fit the vibe of

738
00:40:30,800 --> 00:40:32,280
the rest of the album, put it at the end

739
00:40:32,880 --> 00:40:37,800
because because yeah, I'm trying to think of another example

740
00:40:38,039 --> 00:40:41,559
and nothing's coming to me. But I feel like I

741
00:40:41,639 --> 00:40:43,679
feel like that's kind of how it goes. Like if

742
00:40:43,719 --> 00:40:46,559
you I wish I could think of a specific example,

743
00:40:46,559 --> 00:40:48,119
but I'm drying a blank. But if you have something

744
00:40:48,199 --> 00:40:51,159
that's kind of a surprise, you know, it's got to

745
00:40:51,199 --> 00:40:52,599
go at the end of the album. If you put

746
00:40:52,599 --> 00:40:54,400
it anywhere else, it's going to be weird. And you

747
00:40:54,519 --> 00:40:56,119
certainly don't want to put it at the beginning because

748
00:40:56,119 --> 00:40:58,840
it's then it sets you up for wait, what was that?

749
00:40:59,360 --> 00:41:00,519
But if you put it, but if you put it

750
00:41:00,559 --> 00:41:02,480
at the end, it's almost then it almost becomes sort

751
00:41:02,480 --> 00:41:04,519
of like by default, like a bonus track.

752
00:41:06,039 --> 00:41:06,639
Speaker 3: I don't like that.

753
00:41:07,159 --> 00:41:08,960
Speaker 16: Yeah, somebody was saying, you know, you could always do

754
00:41:09,000 --> 00:41:11,159
it as a single, but the song is about it.

755
00:41:11,400 --> 00:41:14,679
It turns out the song is really truly pop pop country,

756
00:41:15,280 --> 00:41:18,320
which is not the rest of the album. But it's

757
00:41:18,320 --> 00:41:20,400
a song about kind of coming back into your own

758
00:41:20,480 --> 00:41:22,880
and it's a song I wrote about coming into coming

759
00:41:22,920 --> 00:41:24,920
back to music. And so I think that's a beautiful

760
00:41:25,000 --> 00:41:26,800
thing to put on your first album of just saying

761
00:41:26,880 --> 00:41:28,840
like here I am, I'm back and thank you.

762
00:41:28,960 --> 00:41:30,400
Speaker 15: It's a kind of a thank you song to the

763
00:41:30,480 --> 00:41:33,920
sea ghost. Yeah, about just being.

764
00:41:33,760 --> 00:41:35,559
Speaker 16: Out there again and I'm not afraid and I'm just

765
00:41:35,599 --> 00:41:37,519
going to do it. So that might be a really

766
00:41:37,639 --> 00:41:40,800
nice way to end the album. Or if anyone listens

767
00:41:40,880 --> 00:41:43,719
that far, they might say, huh, that's different, or you know,

768
00:41:44,000 --> 00:41:45,719
I don't know, put it all out there.

769
00:41:46,079 --> 00:41:46,400
Speaker 15: Oops.

770
00:41:46,719 --> 00:41:50,360
Speaker 3: Sorry, Oh that's okay, Well, very good, very good. Oh

771
00:41:50,679 --> 00:41:51,360
where do you record?

772
00:41:51,440 --> 00:41:53,599
Speaker 2: By the way, because I always like to give you know,

773
00:41:53,880 --> 00:41:55,199
I don't know if you go to a studio or

774
00:41:55,280 --> 00:41:56,920
whatever you do, but in so many different ways to

775
00:41:56,960 --> 00:41:58,880
record now, but I always like to make sure that

776
00:41:59,840 --> 00:42:01,840
there's a lot of great recording studios out there, so

777
00:42:01,880 --> 00:42:03,519
I want to make sure we give everybody their shine.

778
00:42:03,559 --> 00:42:08,639
Speaker 3: And the that song sounds fantastic. Moving on, Yeah, where

779
00:42:08,679 --> 00:42:09,199
do you record?

780
00:42:10,719 --> 00:42:14,039
Speaker 16: That song was recorded in a bunch of different places,

781
00:42:16,039 --> 00:42:20,280
so that that was kind of a mash up situation.

782
00:42:20,599 --> 00:42:25,000
Speaker 15: But Duncan Watt did the mixing and.

783
00:42:27,719 --> 00:42:31,119
Speaker 16: He was very very patient with me, so I work

784
00:42:31,199 --> 00:42:34,039
with him sometimes and I went to his to do that,

785
00:42:34,360 --> 00:42:40,280
and uh, the Electric Cave in Portsmouth is another location

786
00:42:40,440 --> 00:42:42,840
that I've been recording at.

787
00:42:43,039 --> 00:42:45,400
Speaker 3: Okay, yeah, okay, outstanding.

788
00:42:45,800 --> 00:42:48,480
Speaker 16: It's more on the people unless the that's the location,

789
00:42:48,639 --> 00:42:50,519
I guess, but I should I should know I should

790
00:42:50,559 --> 00:42:51,000
be more.

791
00:42:52,599 --> 00:42:52,840
Speaker 18: On it.

792
00:42:53,760 --> 00:42:55,519
Speaker 2: No, No, but it's it's good to you know, it's

793
00:42:55,559 --> 00:42:57,400
good to mention the people who are doing this because,

794
00:42:57,639 --> 00:43:00,519
like I said, yes, yeah, moveing.

795
00:43:00,239 --> 00:43:02,039
Speaker 15: On, has Ian Sleeper on guitar.

796
00:43:03,440 --> 00:43:06,639
Speaker 16: Joe Harding is playing the bass, Okay, and he's in

797
00:43:06,880 --> 00:43:09,719
He's in so many great they both are there. They're phenomenal.

798
00:43:10,320 --> 00:43:13,360
And then I had Duncan Watt do all of the

799
00:43:14,079 --> 00:43:15,960
mixing and editing to that.

800
00:43:16,320 --> 00:43:21,039
Speaker 2: Okay, okay, outstanding in a moment. So we're gonna we're

801
00:43:21,079 --> 00:43:23,639
gonna wrap up in just a couple of minutes, Caitlin,

802
00:43:23,719 --> 00:43:25,679
But I do want to end the segment with another

803
00:43:25,679 --> 00:43:28,960
one of your songs. I really like this song, Speechless.

804
00:43:29,199 --> 00:43:31,400
Is this going to be on the album as well,

805
00:43:31,599 --> 00:43:32,960
or is this strictly a single?

806
00:43:33,920 --> 00:43:37,119
Speaker 15: It is going to be on the album. And that

807
00:43:37,320 --> 00:43:40,599
one is one too word almost it's getting out of

808
00:43:40,719 --> 00:43:42,239
the genre of piece.

809
00:43:42,360 --> 00:43:46,360
Speaker 3: But yeah, that song is.

810
00:43:46,519 --> 00:43:48,280
Speaker 15: I was listening some of my friend was like, oh,

811
00:43:48,360 --> 00:43:50,280
this is so good and putting this on again, like

812
00:43:50,920 --> 00:43:51,480
I was like, okay.

813
00:43:51,920 --> 00:43:53,920
Speaker 16: The other day kind of brought it back up and

814
00:43:54,519 --> 00:43:56,719
it's it's definitely a song that's that's grown on me.

815
00:43:56,840 --> 00:43:59,639
Speaker 15: Yeah, guy Capa Silatro, which I really hope I'm seeing his.

816
00:44:00,119 --> 00:44:04,000
Speaker 3: Oh yeah, I know him, his last name.

817
00:44:04,599 --> 00:44:08,800
Speaker 16: He's gonna He's the one I'm doing the RPM acapella.

818
00:44:08,360 --> 00:44:09,000
Speaker 15: Song with right now.

819
00:44:10,159 --> 00:44:15,280
Speaker 16: Capaslat my western New York accent just takes everything that's

820
00:44:15,320 --> 00:44:17,679
beautiful in the English language and and really.

821
00:44:17,599 --> 00:44:18,119
Speaker 15: Tears it up.

822
00:44:18,239 --> 00:44:18,360
Speaker 11: Well.

823
00:44:18,400 --> 00:44:19,880
Speaker 3: The other thing. The other thing too, is that's a

824
00:44:19,920 --> 00:44:21,920
lot of syllables in one name, to be fair.

825
00:44:24,599 --> 00:44:25,800
Speaker 15: The third he.

826
00:44:26,599 --> 00:44:29,519
Speaker 16: Took this song and he added in the cool guitar

827
00:44:29,679 --> 00:44:32,360
part in the beginning, which I really like. My friend

828
00:44:32,480 --> 00:44:37,280
Bill Dirling is on the keys, Joe Harding is doing

829
00:44:37,719 --> 00:44:41,960
the bass, and I hope I've named everybody that's that's

830
00:44:42,119 --> 00:44:47,039
on that song. But it's it's a neat one. And

831
00:44:47,159 --> 00:44:49,400
then oh, yes, no, I have to tell you about

832
00:44:49,440 --> 00:44:54,400
this person. Tony Inland did the drums and he did

833
00:44:54,480 --> 00:44:57,360
all of the mixing for the song too. And Tony

834
00:44:57,440 --> 00:45:00,960
works at the he's the manager at the drum center

835
00:45:01,320 --> 00:45:04,960
in it's either Hampton or Northampton, you know, the biggest

836
00:45:05,079 --> 00:45:06,480
drum store.

837
00:45:08,119 --> 00:45:08,320
Speaker 7: Yeah.

838
00:45:09,760 --> 00:45:11,320
Speaker 15: We recorded.

839
00:45:13,360 --> 00:45:16,760
Speaker 16: The drums for that song on a drum kit that

840
00:45:17,000 --> 00:45:19,639
may possibly have been used with.

841
00:45:22,000 --> 00:45:23,360
Speaker 15: Michael Jackson recording.

842
00:45:23,599 --> 00:45:27,159
Speaker 3: Okay, oh interesting, interesting by.

843
00:45:27,880 --> 00:45:32,920
Speaker 15: And the name escapes me. Uh Jay, the drummer is

844
00:45:33,039 --> 00:45:33,400
j R.

845
00:45:35,079 --> 00:45:36,639
Speaker 3: I don't I don't have it either.

846
00:45:37,159 --> 00:45:40,280
Speaker 16: That's okay, this would be if I was in person,

847
00:45:40,360 --> 00:45:45,760
I would have my John j R. Robinson or Michael

848
00:45:45,840 --> 00:45:48,639
Jackson and Stevie Wonder and and so Tony had the

849
00:45:48,679 --> 00:45:53,920
drum kit from his work. Oh cool, Yeah, that's in

850
00:45:54,000 --> 00:45:54,480
the scenes.

851
00:45:55,039 --> 00:45:56,239
Speaker 15: Fact about about.

852
00:45:56,039 --> 00:45:59,559
Speaker 2: Speechless Yeah, yeah, outstanding, outstanding. So we'll hit that track

853
00:45:59,599 --> 00:46:02,159
in a moment. But uh, Caitlin Piper, thank you so much.

854
00:46:02,519 --> 00:46:05,079
Where should people go online? Where's the best place to

855
00:46:05,119 --> 00:46:06,840
go online to keep up with everything that you're doing?

856
00:46:07,639 --> 00:46:12,599
Speaker 16: Kaitlinpipermusic dot com and my Instagram at Kaitlinpiper music. And

857
00:46:12,719 --> 00:46:17,760
here's the catch, Caitlin c A I T L I N.

858
00:46:19,199 --> 00:46:21,920
There's another Caitland Piper out there that keeps getting tagged

859
00:46:21,960 --> 00:46:27,079
in all my stuff. Oh I'm the I N and

860
00:46:27,280 --> 00:46:29,119
and all the music stuff pops up when you put

861
00:46:29,159 --> 00:46:30,920
my name in there. So yeah, I would love to

862
00:46:31,239 --> 00:46:33,599
you know, Instagram is usually the best way to follow me.

863
00:46:33,679 --> 00:46:37,000
I'm on Facebook and I have a nice little website

864
00:46:37,039 --> 00:46:40,639
with a nice schedule of shows and I'm always looking

865
00:46:40,679 --> 00:46:44,440
for people to join my email list if they want to. Yeah,

866
00:46:45,239 --> 00:46:47,280
thank you so much for having me. This is so

867
00:46:47,400 --> 00:46:48,599
much fun to chat and.

868
00:46:50,320 --> 00:46:53,440
Speaker 2: Yeah, oh absolutely no, We're glad to have you Caitlin,

869
00:46:53,440 --> 00:46:55,239
and we will definitely do this again in the future,

870
00:46:55,360 --> 00:46:56,880
especially as you're releasing new music.

871
00:46:56,960 --> 00:46:59,760
Speaker 3: And uh we will. We will absolutely do this again

872
00:47:00,039 --> 00:47:00,400
on that.

873
00:47:00,480 --> 00:47:02,960
Speaker 16: But I'll get there in person. I'll bring my guitar

874
00:47:03,280 --> 00:47:05,159
and I'll sing and it'll be it'll be great.

875
00:47:05,239 --> 00:47:07,000
Speaker 2: Oh even better. Well, in that case, we'll have you

876
00:47:07,079 --> 00:47:09,400
back even sooner, because that would be that would be wonderful.

877
00:47:09,440 --> 00:47:11,760
We'll definitely do that. We're gonna go ahead and hit

878
00:47:11,800 --> 00:47:15,400
this track speechless, so we will let you go. But again, Caitlin,

879
00:47:15,480 --> 00:47:17,239
thank you so much and I'm sure we'll talk to

880
00:47:17,239 --> 00:47:20,039
you soon. Thank you, take care you got it, Bye bye,

881
00:47:21,679 --> 00:47:24,760
all right. That is Caitlin Piper her new single moving On.

882
00:47:24,920 --> 00:47:27,760
We played at the beginning of the segment. Of course,

883
00:47:28,119 --> 00:47:30,559
if you missed it, it will be on the podcast.

884
00:47:30,639 --> 00:47:32,599
But let's go ahead and hit This is another great

885
00:47:32,679 --> 00:47:35,679
track or previous single. This is called Speechless, and this

886
00:47:35,840 --> 00:47:37,039
is Caitlin Piper.

887
00:48:00,119 --> 00:48:02,199
Speaker 9: Thinking on face this.

888
00:48:04,239 --> 00:48:09,480
Speaker 10: Beholding unto these words, my baby only card I have

889
00:48:09,760 --> 00:48:10,519
lived to.

890
00:48:10,719 --> 00:48:19,760
Speaker 9: Please you, got it bigger out? How I should go Ben,

891
00:48:21,840 --> 00:48:26,440
share him my feelings? Don't you know that at chance?

892
00:48:26,599 --> 00:48:35,199
Speaker 10: Have so much for being p belese word so careously.

893
00:48:39,199 --> 00:48:40,000
Speaker 9: S quoted, and.

894
00:48:40,239 --> 00:48:56,639
Speaker 12: For gun all openside. We deserve something less temporary. The

895
00:48:56,840 --> 00:48:58,760
letters pushed together.

896
00:48:58,880 --> 00:49:00,119
Speaker 15: And I.

897
00:49:05,599 --> 00:49:09,400
Speaker 10: Love ist laughter had moration.

898
00:49:09,880 --> 00:49:24,760
Speaker 13: Love is kind, loves understanding, another perception of time, lovest classes,

899
00:49:25,239 --> 00:49:31,519
several chances in giving it your best to love.

900
00:49:34,360 --> 00:50:03,880
Speaker 19: Speeches, Nana's Kitchen and pizzeria.

901
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Speaker 12: From Nana's hands to your plate, tradition, love and taste,

902
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903
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904
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Speaker 11: Flavors so true, each bite A story made just for you.

905
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Speaker 19: Six o three two three two, nine, three, six six

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907
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908
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909
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911
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your face. Judy and the crew will take care of you,

951
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bring your appetite and trig your taste buds right. Busine's

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Cafe is always a winning choice. Breakfast, lunch or supper

953
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Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

954
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Dine in, take out or make a reservation call six

955
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O three six six two five three two, Eat, drink

956
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and be happy Dizze's Cafe.

957
00:53:33,360 --> 00:53:36,079
Speaker 22: When it comes to keeping WMNH on the air and

958
00:53:36,199 --> 00:53:39,440
your own personal or business computer needs, trust growl Ind

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Computers located on Elm Street in Manchester. Groland handles computer repair,

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virus removal and custom built systems. Are you looking for

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budget friendly options, check out our selection of fully inspected

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expenses here. Visit Groland dot com or call Grolling Computers

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at six zero three five zero, one zero one, Your Tech,

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Your Way, Trust groll In Computers.

966
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Speaker 19: Midnight.

967
00:54:12,840 --> 00:54:16,800
Speaker 9: Seven times out of ten we listened to our music

968
00:54:17,079 --> 00:54:17,639
at night.

969
00:54:19,639 --> 00:54:22,760
Speaker 6: That's on the title book business program.

970
00:54:22,639 --> 00:54:25,079
Speaker 20: Late Night to Light with DJ Midas right here on

971
00:54:25,280 --> 00:54:27,239
WMNH Manchester.

972
00:54:27,840 --> 00:54:32,559
Speaker 15: Because Saturdays and Sunday nights midnight to four am.

973
00:54:33,920 --> 00:54:39,360
Speaker 17: This hour on WMNH is sponsored by CGI Business Solutions,

974
00:54:39,719 --> 00:54:43,719
located at five Dartmouth Drive in Auburn. They serve all

975
00:54:43,800 --> 00:54:48,280
your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

977
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Their phone number is eight sixty six eighty four to

978
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one forty six hundred, or on the web at CGI

979
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business Solutions dot com.

980
00:55:06,159 --> 00:55:09,639
Speaker 18: Behold the harmony of airwaves as you immerse yourself in

981
00:55:09,719 --> 00:55:14,119
the captivating frequencies of w m NHLP. The sonic heartbeats

982
00:55:14,159 --> 00:55:17,440
of Manchester is transcending through the ether at ninety five

983
00:55:17,519 --> 00:55:21,239
point three megahertz. Frequency modulation or transmissions emanate from the

984
00:55:21,360 --> 00:55:23,920
zene at the one thousand Elm Streets to ensure into

985
00:55:24,000 --> 00:55:27,079
the hearts of our creative realm at one nineteen Canal Street,

986
00:55:27,239 --> 00:55:31,119
where innovation and sound Colugs. They're the impro moder of

987
00:55:31,239 --> 00:55:34,760
Manchester Public Television Service in the venerable city of Manchester,

988
00:55:34,880 --> 00:55:38,639
New Hampshire, USA. Enrich your auditory journey with the depth

989
00:55:38,679 --> 00:55:41,719
of our license to wesdens spent your missives to w

990
00:55:42,079 --> 00:55:44,119
m n H ninety five to three at gmail dot

991
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com or traverse the virtual corridors of w mnhradio dot org.

992
00:55:49,000 --> 00:55:51,960
Engage with our sonic vibrations by communing with us through

993
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the digital channel or radio beckons eager to enthrall you

994
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with its mesmerizing cadence and develop you with a symmony

995
00:55:58,800 --> 00:56:00,559
of boundless auditor wonder.

996
00:56:04,880 --> 00:56:07,320
Speaker 17: W MNH rip the dobles.

997
00:56:10,760 --> 00:56:16,760
Speaker 1: You're listening to Mattconnorton Unleashed on wmn H ninety five point.

998
00:56:16,599 --> 00:56:20,760
Speaker 2: Three right now, the world radio premiere of the debut

999
00:56:20,880 --> 00:56:24,440
single from Moving On coming out February twenty seven.

1000
00:56:24,920 --> 00:56:49,800
Speaker 3: Absolutely and as we know it's.

1001
00:56:50,440 --> 00:56:57,119
Speaker 4: It's fading now for a few times you it's a

1002
00:56:57,800 --> 00:57:01,280
voice and Charles, I'm when I might stay by, go

1003
00:57:01,559 --> 00:57:02,039
back to you.

1004
00:57:02,599 --> 00:57:08,199
Speaker 3: You know that I wouldn't think twise And as I sit.

1005
00:57:08,159 --> 00:57:13,320
Speaker 7: Outp off save what the fuck.

1006
00:57:15,639 --> 00:57:16,320
Speaker 15: I'm thinking?

1007
00:57:16,599 --> 00:57:17,840
Speaker 20: All the face?

1008
00:57:20,000 --> 00:57:22,239
Speaker 7: Would I rested all morn.

1009
00:57:28,760 --> 00:57:32,800
Speaker 19: She sided with the movie stars.

1010
00:57:33,960 --> 00:57:41,920
Speaker 7: And all your business. We set it along so well,

1011
00:57:42,639 --> 00:57:46,400
and now you acting it, And never.

1012
00:57:49,639 --> 00:57:52,039
Speaker 3: I rode into her someday.

1013
00:57:53,159 --> 00:57:59,920
Speaker 9: Out you God, ing, I would I risk?

1014
00:58:00,079 --> 00:58:00,880
Speaker 15: He over.

1015
00:58:03,320 --> 00:58:20,360
Speaker 5: Wo sously, and his eyes says, I'm thinking of those things.

1016
00:58:22,000 --> 00:58:28,320
Speaker 8: Live week, the fist outs, and now it.

1017
00:58:28,480 --> 00:58:32,199
Speaker 3: Seems turney, live.

1018
00:58:32,079 --> 00:58:35,320
Speaker 5: Week the world's surface.

1019
00:58:37,280 --> 00:58:41,880
Speaker 7: And now' inside here alone waring.

1020
00:58:41,400 --> 00:58:49,400
Speaker 9: Wing horble so and I I see it out.

1021
00:58:50,760 --> 00:58:58,559
Speaker 7: They are, say betther Bot, I'm thinking able thing.

1022
00:59:00,800 --> 00:59:02,800
Speaker 9: Whould I rested all for?

1023
00:59:09,559 --> 00:59:10,400
Speaker 12: She slid.

1024
00:59:11,679 --> 00:59:13,599
Speaker 19: With the broom stars.

1025
00:59:17,719 --> 00:59:21,239
Speaker 5: Dudies who used.

1026
00:59:21,039 --> 00:59:25,639
Speaker 7: To get along so well, and now you're a takeney?

1027
00:59:25,840 --> 00:59:32,320
Speaker 9: Can everybody any day I roll into her? Some day,

1028
00:59:33,960 --> 00:59:41,480
I used to God, I would I rested over