1 00:00:00,120 --> 00:00:03,040 Speaker 1: Joining us right now in studio. Let me get the 2 00:00:03,160 --> 00:00:07,040 MIC's up for these guys. We have rabbits for sale. 3 00:00:07,360 --> 00:00:11,759 Hey guys, hello, what's up. Let's do this and we're 4 00:00:11,759 --> 00:00:13,519 gonna play some more of your music, of course in 5 00:00:13,519 --> 00:00:15,439 a couple of minutes. But Jet, let's start with you 6 00:00:15,439 --> 00:00:17,039 in the corner, and if we can just go around 7 00:00:17,519 --> 00:00:19,160 and you can each tell me who you are, what 8 00:00:19,239 --> 00:00:22,079 you do in the band, and have any other pertinence 9 00:00:22,120 --> 00:00:22,480 of course. 10 00:00:22,559 --> 00:00:25,760 Speaker 2: Yeah, yes, my name is Jet Harris Lack. I play guitar, 11 00:00:26,000 --> 00:00:26,760 the guitar. 12 00:00:26,480 --> 00:00:31,320 Speaker 3: And I sing lead vocals, and I guess we'll patch 13 00:00:31,359 --> 00:00:35,640 the spencer all right, kind of lighting up spencer the 14 00:00:35,719 --> 00:00:36,640 keyboards for the band. 15 00:00:36,759 --> 00:00:38,799 Speaker 2: I do some background vocals as well. 16 00:00:40,000 --> 00:00:41,600 Speaker 1: All right, yeah, all right, very good. 17 00:00:41,960 --> 00:00:45,640 Speaker 4: And you I'm Vance Carpenter. I played bass in the band. 18 00:00:46,520 --> 00:00:49,799 And a fun fact about me, I like mac and cheese. 19 00:00:49,960 --> 00:00:51,679 Speaker 1: You like mac and cheese, that's crazy. 20 00:00:51,719 --> 00:00:53,320 Speaker 2: I like mac and cheese too, I can change. 21 00:00:54,520 --> 00:00:57,200 Speaker 5: I'm Oliver Caine. I'm the drummer for the band. 22 00:00:57,759 --> 00:00:59,880 Speaker 6: And uh, I also do a lot of the managing 23 00:01:00,119 --> 00:01:02,560 and I did the production on the EP. 24 00:01:02,960 --> 00:01:06,519 Speaker 1: Oh no kidding, Oh, very cool, very cool. Where did you? 25 00:01:06,640 --> 00:01:06,840 Speaker 7: Uh? 26 00:01:06,879 --> 00:01:07,799 Speaker 1: Where did you record that? 27 00:01:08,519 --> 00:01:11,680 Speaker 6: So we recorded that with a friend of ours, David Porter, 28 00:01:11,920 --> 00:01:15,000 up in his home studio in Foxborough. 29 00:01:15,239 --> 00:01:18,959 Speaker 1: Okay, yeah, it sounds great, Thank you, Thank you. So 30 00:01:19,079 --> 00:01:20,560 as home studio you said. 31 00:01:20,519 --> 00:01:23,159 Speaker 6: Yeah, he he used to have a studio way back 32 00:01:23,200 --> 00:01:27,079 when in Boston called Mixed One studio, I believe. Okay, 33 00:01:27,519 --> 00:01:30,000 but you know, things happen. So now he has his 34 00:01:30,000 --> 00:01:32,840 own little studio that he has in his basement. He 35 00:01:32,840 --> 00:01:35,239 does his own stuff. He's done audio production stuff for 36 00:01:35,239 --> 00:01:35,599 a while. 37 00:01:35,680 --> 00:01:37,879 Speaker 5: So, uh, love shout out to Dave Porter, of course. 38 00:01:38,079 --> 00:01:40,319 Speaker 1: Yeah, yeah, no, he did a great job. Everything sounds 39 00:01:40,359 --> 00:01:43,920 really good. You know, I'm old enough to remember when 40 00:01:44,239 --> 00:01:46,239 you know, the home studio thing wasn't really a thing, 41 00:01:46,319 --> 00:01:48,359 you know, so now you know, we live in an 42 00:01:48,359 --> 00:01:52,120 era and you know, you guys are are fortunate. You know, 43 00:01:52,319 --> 00:01:54,159 you're young guys, you know, growing up in an era 44 00:01:54,200 --> 00:01:56,040 where you know, you have so many different options in 45 00:01:56,079 --> 00:01:58,480 terms of how you record, and it's right, you know, 46 00:01:58,599 --> 00:02:00,640 you can you can do something like that home studio 47 00:02:00,719 --> 00:02:02,719 quote unquote, and it sounds like it was done in 48 00:02:02,760 --> 00:02:04,159 a million dollar studio, you know. 49 00:02:04,920 --> 00:02:06,920 Speaker 3: You know, it's just so much more accessible now, like 50 00:02:07,079 --> 00:02:09,400 oh yeah, making and produce music and you know, and 51 00:02:09,439 --> 00:02:11,120 get it out there for millions to hear. 52 00:02:11,240 --> 00:02:12,000 Speaker 2: So it's really great. 53 00:02:12,159 --> 00:02:14,240 Speaker 1: Yeah. Yeah, and there's still you know, there's a lot 54 00:02:14,240 --> 00:02:18,919 of great studios around. It's interesting how that that continues 55 00:02:18,960 --> 00:02:21,599 as well. It's like, even though you have all these 56 00:02:21,599 --> 00:02:23,919 different options for how you record, there's still a lot 57 00:02:23,960 --> 00:02:27,560 of professional studios around that continue to thrive. It's I 58 00:02:27,560 --> 00:02:29,840 think it's because there's just more people making music than ever, 59 00:02:30,360 --> 00:02:33,080 you know, because of the Internet. Like I said, you know, 60 00:02:33,159 --> 00:02:34,800 I when I was growing up, we didn't have the 61 00:02:34,800 --> 00:02:37,879 Internet yet, so you know, it was it was kind 62 00:02:37,919 --> 00:02:41,599 of ah, you didn't have a lot of opportunities to 63 00:02:41,639 --> 00:02:43,199 really get your music out there, you know, unless you 64 00:02:43,199 --> 00:02:46,599 got signed to a record label and all that. But 65 00:02:46,599 --> 00:02:50,240 but today there's so many different ways to to record 66 00:02:50,400 --> 00:02:53,680 and to distribute music. It's really wonderful. And uh, there's 67 00:02:53,800 --> 00:02:59,199 more music than than ever. Yeah. I'm really curious to 68 00:02:59,199 --> 00:03:01,800 ask you guys about it influences and and how you 69 00:03:01,879 --> 00:03:07,000 kind of define your sound because and I'm sure you've 70 00:03:07,039 --> 00:03:09,400 probably heard this a million times, but you know, it's 71 00:03:09,439 --> 00:03:11,520 it's unique. I couldn't think of anybody as I was 72 00:03:11,599 --> 00:03:13,960 listening to the songs you know, I was trying to 73 00:03:13,960 --> 00:03:16,759 figure out who you remind me of, and I'm not sure. 74 00:03:17,319 --> 00:03:20,879 I mean I heard maybe a little bit of Vampire 75 00:03:20,919 --> 00:03:23,159 Weekend at least on one of the songs, But but 76 00:03:23,199 --> 00:03:24,759 I like you guys a lot better than I like 77 00:03:24,879 --> 00:03:28,000 Vampire Weekend. So I don't know if that even works. 78 00:03:29,159 --> 00:03:31,319 But uh, I mean, talk to me about that, Like 79 00:03:31,400 --> 00:03:34,599 I'm I'm gonna guess that there's like a mix of 80 00:03:35,840 --> 00:03:36,719 terms of yeah. 81 00:03:36,560 --> 00:03:38,159 Speaker 2: Yeah, yeah. 82 00:03:38,240 --> 00:03:40,120 Speaker 3: So like you know, we all, you know, I grew 83 00:03:40,199 --> 00:03:41,680 up listening to a whole bunch of stuff, a lot 84 00:03:41,719 --> 00:03:43,840 of like a lot of us grew up on little classics, 85 00:03:43,879 --> 00:03:47,319 you know, beatles, you know, and like you know, led 86 00:03:47,400 --> 00:03:49,759 Zeppelin and Late Queen and all these like classic rock 87 00:03:49,800 --> 00:03:53,360 influences that kind of like shaped or like are kind 88 00:03:53,360 --> 00:03:55,840 of our taste for music. And then we kind of 89 00:03:55,840 --> 00:03:58,840 broadened out and like, you know, like we listened to 90 00:03:59,080 --> 00:04:01,639 really obscure acts like will Wood and the Tape Worms 91 00:04:01,680 --> 00:04:05,439 is one that like we all really it's one that 92 00:04:05,479 --> 00:04:06,960 we really listen to a lot, and you know, it's 93 00:04:07,120 --> 00:04:10,879 very very small, small much smaller artists. You know that 94 00:04:10,960 --> 00:04:12,199 they have more of like a more of a cult 95 00:04:12,199 --> 00:04:14,759 following on the Internet, but like and that's sort of like, 96 00:04:14,879 --> 00:04:17,639 I don't know, that was really inspiring us. Yeah, you know, 97 00:04:17,680 --> 00:04:19,680 starting out and you know, releasing music also on the Internet, 98 00:04:19,720 --> 00:04:22,839 and like you know, it's just like it's a different 99 00:04:22,839 --> 00:04:26,240 way to reach an audience. So it was just and 100 00:04:26,639 --> 00:04:28,959 I'm sure Aliver you have influences you want to talk 101 00:04:28,959 --> 00:04:29,480 about as well. 102 00:04:30,879 --> 00:04:33,240 Speaker 6: Yeah, yeah, I think, you know, we all had different 103 00:04:33,759 --> 00:04:35,839 backgrounds and a lot of different music that we do 104 00:04:35,920 --> 00:04:36,360 listen to. 105 00:04:37,279 --> 00:04:39,519 Speaker 5: Like I'm I'm a big Elliott Smith guy. 106 00:04:39,560 --> 00:04:42,160 Speaker 6: That's my my go to guy for sure, and that 107 00:04:42,199 --> 00:04:44,000 comes through on some of my tracks and like some 108 00:04:44,040 --> 00:04:46,000 of the stuff I do, but it also mixes with 109 00:04:46,079 --> 00:04:48,519 like something Spencer Advanced would do at the same time. 110 00:04:49,319 --> 00:04:51,319 Speaker 4: Yeah, yeah, I think we all have a lot of 111 00:04:51,319 --> 00:04:55,920 different influences, which makes writing music together very interesting and 112 00:04:56,000 --> 00:04:57,639 also challenging at times. 113 00:04:57,759 --> 00:04:58,160 Speaker 1: Yeaheah. 114 00:04:59,000 --> 00:05:01,920 Speaker 4: And also just like I think we're still trying to 115 00:05:01,920 --> 00:05:07,199 find our sound as well. But yeah, I mean, I 116 00:05:07,360 --> 00:05:12,759 can't really. I mean there's bands that we like to play, 117 00:05:12,879 --> 00:05:15,680 like we'll play like some covers, I know, like the 118 00:05:15,839 --> 00:05:18,120 Rare Occasions. 119 00:05:17,279 --> 00:05:18,079 Speaker 8: Is kind of I think. 120 00:05:18,279 --> 00:05:21,160 Speaker 4: Yeah, I mean when I describe like what kind of 121 00:05:21,199 --> 00:05:24,160 music I play to people, I usually say like alternative. 122 00:05:26,279 --> 00:05:29,639 Speaker 3: Really we also kind of dip into like the folk 123 00:05:29,680 --> 00:05:31,920 here acoustic stuff too, which is like but not as 124 00:05:31,959 --> 00:05:35,240 much as probably other indiacts, which is a you know, 125 00:05:35,319 --> 00:05:38,519 but yeah, like man said it, you know it is 126 00:05:38,600 --> 00:05:40,519 it is a challenge and like we're still finding our sound. 127 00:05:40,560 --> 00:05:43,120 You find on this EP we sort of do meander. 128 00:05:43,160 --> 00:05:45,360 It's a stew that's why we called it the Rabbit Stew. Yeah, 129 00:05:45,360 --> 00:05:48,639 it's supposed to be, you know, and because it's it's 130 00:05:48,680 --> 00:05:50,319 kind of like, you know, a meld of our influences 131 00:05:50,319 --> 00:05:52,600 and it's kind of meandering through all of those different 132 00:05:52,639 --> 00:05:53,720 flavors of music. 133 00:05:53,839 --> 00:05:55,439 Speaker 2: So yeah, yeah, no. 134 00:05:55,439 --> 00:05:56,720 Speaker 1: I think that's a big part of what makes it 135 00:05:56,759 --> 00:05:58,680 so interesting to listen to. You know, As I'm listening 136 00:05:58,759 --> 00:06:00,439 to the four tracks, I mean, they are all they all 137 00:06:00,519 --> 00:06:02,120 kind of sound like the same band, but at the 138 00:06:02,160 --> 00:06:05,560 same time, they're very they're very different, different textures in 139 00:06:05,879 --> 00:06:10,639 the songs, and I forget which one I I emailed. 140 00:06:10,639 --> 00:06:13,319 I forget which one I said was my favorite. 141 00:06:13,439 --> 00:06:14,759 Speaker 5: I'll be okay, I'll be okay. 142 00:06:14,800 --> 00:06:17,600 Speaker 1: That's yeah, that one, that one especially really that really 143 00:06:17,600 --> 00:06:21,000 gets me. But thank you, do you guys, are you 144 00:06:21,079 --> 00:06:22,639 playing out a lot? Do you play a lot of shows? 145 00:06:23,160 --> 00:06:25,399 Speaker 8: Yes, we actually have a show today. 146 00:06:25,480 --> 00:06:27,439 Speaker 1: Oh that's right, you've got something tonight. Yeah, we should 147 00:06:27,480 --> 00:06:28,199 definitely plug that. 148 00:06:28,319 --> 00:06:28,800 Speaker 2: Yeah, of course. 149 00:06:28,839 --> 00:06:29,040 Speaker 1: Yeah. 150 00:06:29,040 --> 00:06:32,000 Speaker 3: We're playing at the Tributary Brewing Company, kitter Remain. We're 151 00:06:32,000 --> 00:06:34,839 gonna playing from four to six, so if you're in 152 00:06:34,879 --> 00:06:37,040 the area, so we'll fick it out, get it, get 153 00:06:37,279 --> 00:06:39,720 get get some Bruce Ki's and listen to some great music. 154 00:06:39,720 --> 00:06:42,720 Speaker 2: It's gonna be a good time. And then what else 155 00:06:42,720 --> 00:06:43,399 do we have coming up? 156 00:06:43,399 --> 00:06:46,199 Speaker 8: We have our next one after that is. 157 00:06:46,560 --> 00:06:50,639 Speaker 5: We're gonna play Newburyport Brewery. I forget the day on it, 158 00:06:50,839 --> 00:06:53,399 the tenth, That is the tenth that's gonna. 159 00:06:53,160 --> 00:06:54,319 Speaker 8: Be a little later in the day. 160 00:06:54,519 --> 00:06:57,160 Speaker 6: Yeah, it'll be a little later well like six or 161 00:06:57,199 --> 00:06:59,000 something like that. I forget the exact time on that one. 162 00:06:59,000 --> 00:07:02,160 But then we play Midway Cafe on the thirty first 163 00:07:02,199 --> 00:07:05,079 as well. That's another one right there. 164 00:07:05,680 --> 00:07:09,199 Speaker 1: Excellent, excellent. I would imagine with your sound, you guys 165 00:07:09,199 --> 00:07:11,639 can play a lot of different kinds of places, like right, 166 00:07:11,639 --> 00:07:13,480 because you're not you know, you're not a metal band, 167 00:07:13,519 --> 00:07:16,160 so you're not like super loud, but you're not you know, 168 00:07:16,199 --> 00:07:18,879 you're not just like like an acoustic act either, so 169 00:07:19,319 --> 00:07:21,240 you know, it's not like you're you know, you're kind 170 00:07:21,279 --> 00:07:23,600 of just doing coffee shops right like you can probably 171 00:07:23,639 --> 00:07:25,519 fit in almost anywhere, I would imagine. 172 00:07:25,639 --> 00:07:27,519 Speaker 3: Yeah, we really do try to like broad, keep it 173 00:07:27,560 --> 00:07:29,600 broad because you know, we you know, we have a 174 00:07:29,639 --> 00:07:31,439 lot of Yeah, we do have a huge dynamic range, 175 00:07:31,480 --> 00:07:33,759 you know, where we can really play something that's really 176 00:07:33,759 --> 00:07:36,120 like kind of forward, more punkin than kind of yeah, 177 00:07:36,240 --> 00:07:36,839 more soft, you know. 178 00:07:36,879 --> 00:07:39,680 Speaker 4: It's just yeah, and I think we have some acoustic 179 00:07:39,720 --> 00:07:43,360 stuff too, so it depends. Sometimes we play like an 180 00:07:43,360 --> 00:07:45,360 electric set, but it's also nice to be able to 181 00:07:45,360 --> 00:07:46,680 play an acoustic set. 182 00:07:46,879 --> 00:07:48,000 Speaker 1: Yeah, well, yeah. 183 00:07:47,800 --> 00:07:50,199 Speaker 6: When we need to, even like every now and then, 184 00:07:50,199 --> 00:07:52,120 we also bold to like some jazz because we all 185 00:07:52,160 --> 00:07:54,120 and we all also come from like a jazz background. 186 00:07:54,199 --> 00:07:55,519 Speaker 5: We played in the jazz group for a. 187 00:07:55,519 --> 00:07:58,199 Speaker 6: While altogether, and guess that's how we Yeah, that is 188 00:07:58,279 --> 00:07:59,879 kind of like when we all knew each other from 189 00:08:00,040 --> 00:08:03,120 goal in general. But we also played you know, in 190 00:08:03,120 --> 00:08:04,959 our high school, we were in the jazz combo together. 191 00:08:05,040 --> 00:08:07,360 So the award winning jazz combo. 192 00:08:07,360 --> 00:08:09,879 Speaker 1: Oh no kidding, Oh yeah, oh, very cool, very cool. 193 00:08:09,959 --> 00:08:12,560 Speaker 6: So yeah, yeah, we we all kind of met each 194 00:08:12,560 --> 00:08:13,800 other and started playing through that. 195 00:08:14,199 --> 00:08:16,839 Speaker 1: Yeah, so you guys were all in school together. Yeah yeah, 196 00:08:17,079 --> 00:08:21,279 oh excellent, excellent and Jet Now your father was telling 197 00:08:21,319 --> 00:08:23,240 me you you play, or at least in the I 198 00:08:23,240 --> 00:08:25,920 think in the video. I watched the video of you 199 00:08:25,959 --> 00:08:29,680 guys were doing something for the auditioning for the NP. Yeah, yes, 200 00:08:29,920 --> 00:08:32,799 Tiny Desk concert. And I talked to your dad. I 201 00:08:32,799 --> 00:08:34,639 assume he told you about this. I'd stopped in at 202 00:08:34,639 --> 00:08:36,919 the store and he was telling me about the guitar 203 00:08:37,039 --> 00:08:39,240 that was his that did you play? Yeah, so that 204 00:08:39,320 --> 00:08:39,759 les Paul. 205 00:08:39,879 --> 00:08:41,960 Speaker 8: Yeah, it's gotta got some history, I guess. 206 00:08:41,960 --> 00:08:42,120 Speaker 2: You know. 207 00:08:42,200 --> 00:08:44,240 Speaker 3: He he was a huge He was into all the 208 00:08:44,279 --> 00:08:46,639 crazy hair metal bands and stuff. So he's yeah, you 209 00:08:46,679 --> 00:08:49,320 know he he was. Randy Rose was a player that 210 00:08:49,399 --> 00:08:53,120 really that really inspired him. So he went and got 211 00:08:53,120 --> 00:08:55,159 a guitar that was just like his. Yea, like the 212 00:08:55,159 --> 00:08:58,799 Floyd Rose style bridge kind of and the in lays 213 00:08:58,840 --> 00:08:59,159 and stuff. 214 00:08:59,200 --> 00:09:00,720 Speaker 2: It's a it's a really gorgeous guitar. 215 00:09:00,960 --> 00:09:01,159 Speaker 1: Yeah. 216 00:09:01,480 --> 00:09:03,080 Speaker 3: Yeah, it's kind of a family I now, and I 217 00:09:03,159 --> 00:09:05,919 kind of I kind of did he loan it to 218 00:09:05,919 --> 00:09:09,240 you or did he give it to you? That's cool 219 00:09:09,399 --> 00:09:11,200 and that must be so cool for him to to 220 00:09:11,480 --> 00:09:14,240 see you use you know, and not sitting just kind 221 00:09:14,240 --> 00:09:17,200 of collecting it's getting it deserves you know. 222 00:09:17,399 --> 00:09:20,919 Speaker 1: Yeah, yeah, that's that's excellent. Well we should play another 223 00:09:21,000 --> 00:09:24,879 track and if you don't mind. Now, normally I would 224 00:09:25,200 --> 00:09:27,519 I would say what should what should we play next? 225 00:09:27,559 --> 00:09:30,039 But I I might be selfish in play I'll be 226 00:09:30,080 --> 00:09:33,679 Okay because that is that is my personal favorite of these. 227 00:09:33,720 --> 00:09:37,639 I absolutely love that song. Thank you, so we will 228 00:09:37,759 --> 00:09:40,000 uh oh, we should mention too. Are these on an 229 00:09:40,039 --> 00:09:42,399 album or is this just a collection of singles? 230 00:09:43,120 --> 00:09:44,799 Speaker 2: Are part of our EP called Rabbits? 231 00:09:44,840 --> 00:09:49,080 Speaker 1: Do okay? Gotcha? How many tracks are on the EP? 232 00:09:50,360 --> 00:09:52,080 Speaker 2: Six six tricks? 233 00:09:52,120 --> 00:09:52,279 Speaker 6: Yeah? 234 00:09:52,519 --> 00:09:54,360 Speaker 1: All right, very good. Well let's give this a listen 235 00:09:54,399 --> 00:09:56,039 and then we're gonna we're gonna come back and talk 236 00:09:56,080 --> 00:09:58,080 to these guys some more. We have Rabbits for sale 237 00:09:58,080 --> 00:10:00,480 with us a live in studio. But this is my favorite. 238 00:10:00,480 --> 00:11:29,039 Speaker 9: This is called I'll be Okay. 239 00:11:30,120 --> 00:11:35,080 Speaker 10: Hap be gethers time. Guys, there's nothing to do, nothing 240 00:11:35,200 --> 00:11:39,799 to spare when your life is having us? How come 241 00:11:39,919 --> 00:11:44,120 you to get us? The sound of Shadowing Glass as 242 00:11:44,200 --> 00:11:48,960 the empty Army Watson his song bad let's. 243 00:11:48,720 --> 00:11:52,320 Speaker 7: Go for a walk through the top four of us. 244 00:11:53,000 --> 00:11:56,639 Look at all the trees that just refer. 245 00:11:56,720 --> 00:11:59,320 Speaker 10: Us sit on Mama's grade. 246 00:12:00,039 --> 00:12:04,320 Speaker 7: A tragic What about a young guy like he thought, 247 00:12:04,480 --> 00:12:27,720 getting what he thoughts? Get this man, he's done and 248 00:12:27,879 --> 00:12:28,759 nothing now. 249 00:12:29,600 --> 00:12:31,279 Speaker 11: But I hate his Faye. 250 00:12:31,639 --> 00:12:35,720 Speaker 7: You send away heat socks and she's caught in thro 251 00:12:36,480 --> 00:12:41,279 every joke on lies, don't buy able mills house. 252 00:12:41,039 --> 00:12:42,679 Speaker 8: With right yellow wies. 253 00:12:43,279 --> 00:12:46,320 Speaker 7: So I on my phone, my sacred just. 254 00:12:47,720 --> 00:12:50,799 Speaker 10: See me dot on songs not. 255 00:12:52,960 --> 00:14:00,519 Speaker 1: So don't find that's gonna done. So yes, I gets 256 00:14:00,600 --> 00:14:03,840 so quiet at the end, but but I didn't want to. 257 00:14:05,200 --> 00:14:07,240 I was reluctant to talk over it because it's so 258 00:14:07,320 --> 00:14:08,200 pretty with the piano. 259 00:14:13,120 --> 00:14:14,279 Speaker 12: I really love that one. 260 00:14:14,399 --> 00:14:15,960 Speaker 1: Yeah, that is so good. That is so good. That 261 00:14:16,080 --> 00:14:18,480 is called I'll be okay. And if you're just joining us, 262 00:14:18,639 --> 00:14:21,279 the band is Rabbits for Sale and they're here with 263 00:14:21,440 --> 00:14:25,759 us live in studio on this Saturday morning. Hey, where 264 00:14:25,759 --> 00:14:27,440 does the name come from? Rabbits for Sale? 265 00:14:28,559 --> 00:14:32,879 Speaker 13: So we uh and I used to play in an 266 00:14:32,919 --> 00:14:35,399 older just high school band, mostly just for fun, and 267 00:14:35,639 --> 00:14:37,480 on our on our way to practice one time we 268 00:14:37,519 --> 00:14:40,120 saw this sign on our way there and it said 269 00:14:40,240 --> 00:14:42,200 Rabbits for Sale. It was just like, you know, a 270 00:14:42,279 --> 00:14:44,120 guy selling rabbits and he just had a sign out, 271 00:14:44,159 --> 00:14:47,000 and we just thought we were like, yeah, that's cool, 272 00:14:47,080 --> 00:14:48,080 that's a cool band name. 273 00:14:48,799 --> 00:14:51,600 Speaker 1: I'm almost surprised someone didn't. I'm almost surprised someone didn't 274 00:14:51,600 --> 00:14:52,159 have it already. 275 00:14:53,360 --> 00:14:53,840 Speaker 5: I hope not. 276 00:14:54,679 --> 00:14:55,240 Speaker 1: I was worried. 277 00:14:55,360 --> 00:14:57,519 Speaker 8: I was worried we're going to brute force their way. 278 00:14:57,679 --> 00:15:01,559 Speaker 1: Yeah, yeah, I can tell you. I'm sure you realize 279 00:15:01,600 --> 00:15:03,320 this if if you try to look you guys up 280 00:15:03,399 --> 00:15:06,240 on Facebook, you got to type in rabbits for sale 281 00:15:06,320 --> 00:15:09,919 band yea, yeah, because otherwise, because it turns out, and 282 00:15:10,039 --> 00:15:12,159 I had no idea how many people on Facebook we're 283 00:15:12,159 --> 00:15:12,879 selling rabbits. 284 00:15:13,559 --> 00:15:16,840 Speaker 2: Turns out it's a lot, a lot of there's a 285 00:15:16,879 --> 00:15:19,399 lot of rabbit thoughs. I mean yeah, I mean there's 286 00:15:19,399 --> 00:15:20,720 a lot of them to go around. So I mean, 287 00:15:20,720 --> 00:15:21,200 what you do. 288 00:15:21,879 --> 00:15:24,120 Speaker 5: We're trying to get a very niche audience of rabbit. 289 00:15:25,759 --> 00:15:27,440 Speaker 3: So would helped if we had like a Facebook page 290 00:15:27,480 --> 00:15:29,360 we don't have. We need to get a proper we'll 291 00:15:29,360 --> 00:15:29,879 get one together. 292 00:15:30,039 --> 00:15:32,320 Speaker 6: You don't have one, well, we have an Instagram. I 293 00:15:32,360 --> 00:15:34,960 don't know if that technically it goes over to Facebook 294 00:15:34,960 --> 00:15:35,240 as well. 295 00:15:35,519 --> 00:15:38,480 Speaker 8: Yeah, because you need to get on the Facebook. 296 00:15:38,879 --> 00:15:40,360 Speaker 2: On the face, get on the Facebook. 297 00:15:44,000 --> 00:15:46,639 Speaker 1: I'm curious about the writing process. Do you guys all 298 00:15:46,720 --> 00:15:49,000 write together, do you get together and jam or how 299 00:15:49,039 --> 00:15:49,600 does that work? 300 00:15:50,200 --> 00:15:53,519 Speaker 3: A bit of a little bit of everything, Like they 301 00:15:53,519 --> 00:15:55,200 don't know started as a gym and then we all 302 00:15:55,279 --> 00:15:56,879 kind of like pulled together and I'm like, hey, let's 303 00:15:57,519 --> 00:15:59,600 write something. But a good amount of the other ones 304 00:15:59,639 --> 00:16:02,720 were kind of individual, like you know, kind of us 305 00:16:02,840 --> 00:16:06,159 just kind of breaking off and kind of we're especially 306 00:16:06,200 --> 00:16:07,679 since we were kind of forming the band, it was 307 00:16:07,759 --> 00:16:09,519 kind of material we already had in our back pocket. 308 00:16:09,559 --> 00:16:12,679 Speaker 1: They were okay bringing forward, So everybody kind of brought something. 309 00:16:13,279 --> 00:16:13,519 Speaker 5: Yeah. 310 00:16:13,639 --> 00:16:17,679 Speaker 1: Yeah, and Jet, do you always sing no? 311 00:16:17,799 --> 00:16:19,559 Speaker 2: So on that last track, all of us sings that one? 312 00:16:19,720 --> 00:16:20,360 Speaker 1: You sing that one on? 313 00:16:20,559 --> 00:16:22,639 Speaker 6: Yeah? Yeah, okay, Yeah, we all kind of share a 314 00:16:22,679 --> 00:16:24,639 lot of like the lead vocals. I think Jet definitely 315 00:16:24,679 --> 00:16:27,519 does the most, but like vancings on the song, Spencer 316 00:16:27,559 --> 00:16:29,600 has his own songs as well that he sings, and 317 00:16:29,639 --> 00:16:32,000 then I sing my songs as well. Yeah, it kind 318 00:16:32,000 --> 00:16:34,159 of you know, changes little beatles es. 319 00:16:34,519 --> 00:16:36,480 Speaker 1: I I was just thinking that it's it's cool that 320 00:16:36,519 --> 00:16:38,440 you're all able to sing lead and mix it up 321 00:16:38,559 --> 00:16:41,600 like that. Now, is it just you Oliver on that track? 322 00:16:41,639 --> 00:16:42,000 Speaker 12: Is it is? 323 00:16:42,039 --> 00:16:42,120 Speaker 7: There? 324 00:16:42,159 --> 00:16:44,120 Speaker 1: Are the vocals doubled? Because that sounds I love the 325 00:16:44,200 --> 00:16:45,799 vocals on that. I love the sound of that. 326 00:16:46,039 --> 00:16:46,240 Speaker 11: Yeah. 327 00:16:46,279 --> 00:16:49,799 Speaker 6: Yeah, so we doubled them and did that lower one 328 00:16:49,960 --> 00:16:52,320 and then we had that higher sort of like Michael 329 00:16:52,399 --> 00:16:55,519 Jacksony weird sounding one as well on top of it. 330 00:16:55,919 --> 00:16:58,960 Speaker 1: Yeah. No, it sounds really cool. I really creates a 331 00:16:59,080 --> 00:17:02,360 cool vibe. What do you when you play do you 332 00:17:02,440 --> 00:17:03,360 play that one live? 333 00:17:03,960 --> 00:17:05,799 Speaker 5: We do play that one live. Yeah, when we play 334 00:17:05,839 --> 00:17:07,960 it live, I usually do the higher part and Jet 335 00:17:08,000 --> 00:17:08,319 we'll do that. 336 00:17:09,039 --> 00:17:12,200 Speaker 1: Okay, Yeah that makes sense. That makes sense. Now you 337 00:17:12,279 --> 00:17:14,400 mentioned covers. What do you guys do for covers? Because 338 00:17:14,400 --> 00:17:15,880 I find you can kind of tell a lot about 339 00:17:15,920 --> 00:17:18,359 the band's influences from what they what they choose for 340 00:17:18,480 --> 00:17:19,119 cover songs. 341 00:17:19,599 --> 00:17:19,759 Speaker 8: Yeah. 342 00:17:19,799 --> 00:17:21,440 Speaker 4: I mean we were starting out doing kind of some 343 00:17:23,000 --> 00:17:27,240 obscure covers of bands that we like. Yeah, so we're 344 00:17:27,240 --> 00:17:31,160 trying to do I guess it's like more popular tunes. 345 00:17:31,400 --> 00:17:35,519 So like right now we're doing uh, recently, we've been 346 00:17:35,559 --> 00:17:40,000 doing moon Age, day Dream by Bowie. We're doing a 347 00:17:40,079 --> 00:17:41,559 talking Head song Psycho Killer. 348 00:17:41,799 --> 00:17:44,440 Speaker 5: Oh nice, but we do it different, we do it cool. 349 00:17:44,559 --> 00:17:46,519 Speaker 8: Yeah, we can do kind of like a punk. 350 00:17:47,119 --> 00:17:49,599 Speaker 1: I've heard that's I've heard that song covered before, and 351 00:17:50,240 --> 00:17:52,160 it seems like everyone who covers it kind of puts 352 00:17:52,319 --> 00:17:54,160 a different spin on it, which is cool. And I 353 00:17:54,599 --> 00:17:57,119 love every version I've ever heard of it, including the original. 354 00:17:57,160 --> 00:17:59,319 Of course, my dad loves that song too, I remember 355 00:17:59,359 --> 00:18:01,480 growing up because we were both big talking D's fans. 356 00:18:01,519 --> 00:18:05,400 But yeah, that's a great choice. Yeah what what what else? 357 00:18:09,240 --> 00:18:15,000 Oh it's a really no. I was asking about covers. 358 00:18:14,920 --> 00:18:17,160 Speaker 13: Covers, right, Yeah, and then we also got some Some 359 00:18:17,279 --> 00:18:19,799 of our early covers that we did were like from 360 00:18:20,359 --> 00:18:22,599 the more obscure bands, were like. 361 00:18:24,240 --> 00:18:28,240 Speaker 2: Orange Dog Club. We did cover their song called untitled. 362 00:18:28,720 --> 00:18:30,079 Speaker 1: Yeah, I don't. I don't know them Orange. 363 00:18:30,200 --> 00:18:32,519 Speaker 2: They're like Spells us. 364 00:18:32,519 --> 00:18:34,960 Speaker 3: They actually have a bigger following than their Spotify than us, 365 00:18:34,960 --> 00:18:35,440 so they have a lot. 366 00:18:36,759 --> 00:18:40,480 Speaker 8: I think they kind of uh grew from TikTok. 367 00:18:40,559 --> 00:18:42,960 Speaker 2: They grew from TikTok, but they're still very small. 368 00:18:43,039 --> 00:18:43,200 Speaker 12: Yeah. 369 00:18:43,200 --> 00:18:44,480 Speaker 8: I think they're upstate New York. 370 00:18:45,319 --> 00:18:47,160 Speaker 3: Yeah, and I found them one day and I was like, 371 00:18:47,240 --> 00:18:50,640 these guys are awesome, and like, you know, you know 372 00:18:50,720 --> 00:18:52,480 hopefully like one day I'm gonna shoot an email and 373 00:18:52,559 --> 00:18:53,880 be like, hey, let's do a collapse because they have 374 00:18:53,920 --> 00:18:56,119 a great sound and like I feel like I can 375 00:18:56,160 --> 00:18:57,720 imagine like a show bill with like the two of 376 00:18:57,799 --> 00:18:57,960 us on. 377 00:18:58,039 --> 00:18:59,599 Speaker 2: It would just like be amazing. 378 00:18:59,759 --> 00:19:02,640 Speaker 8: Yeah, we do some Tally Hall. 379 00:19:03,119 --> 00:19:04,400 Speaker 2: Oh yeah, Telly Hall's another act. 380 00:19:04,480 --> 00:19:07,759 Speaker 5: It's like Banana Man did some Banana one of There's 381 00:19:07,759 --> 00:19:08,160 more Cold. 382 00:19:09,079 --> 00:19:11,920 Speaker 1: Do you guys when when you do obscure covers, does 383 00:19:11,960 --> 00:19:14,480 anyone ever come up to you afterward and say, hey, 384 00:19:14,480 --> 00:19:16,519 I really love that song and they assume that it's 385 00:19:16,559 --> 00:19:18,480 yours because they don't they don't know it. 386 00:19:19,000 --> 00:19:19,720 Speaker 5: That never happened. 387 00:19:20,079 --> 00:19:24,119 Speaker 6: I think we've had to state multiple times that it 388 00:19:24,279 --> 00:19:26,720 is a cover. Like when we cover Tally Hall, we 389 00:19:26,799 --> 00:19:29,559 did the Bidding and then we also did Banana Man. 390 00:19:30,240 --> 00:19:30,839 Speaker 5: Great songs. 391 00:19:30,880 --> 00:19:33,519 Speaker 6: I haven't heard them listen to them, but I think 392 00:19:33,839 --> 00:19:35,759 there was like once or twice when we've played Banana 393 00:19:35,839 --> 00:19:36,480 Man where we've. 394 00:19:36,400 --> 00:19:38,000 Speaker 5: Had to be like, this is a cover. 395 00:19:38,160 --> 00:19:38,599 Speaker 2: By the way. 396 00:19:40,359 --> 00:19:41,920 Speaker 6: I remember once at a show there was some guy 397 00:19:42,000 --> 00:19:44,440 that when we started playing it, his face like lit 398 00:19:44,559 --> 00:19:47,319 up and he was like, yeah a song. 399 00:19:47,480 --> 00:19:49,920 Speaker 3: Yeahah, it was cool. Oh that's very good. Yeah, it's 400 00:19:49,960 --> 00:19:51,440 one of those weird ones. And that song intest is 401 00:19:51,480 --> 00:19:53,200 interesting because it's like it kind of like blew up 402 00:19:53,240 --> 00:19:54,599 on the internet in like a weird way in the 403 00:19:54,680 --> 00:19:57,240 early two thousands, so like some people know it, but 404 00:19:57,319 --> 00:19:58,920 it's like they don't really know what it's from. But 405 00:19:59,039 --> 00:20:01,839 like it's fun because it's so it's a goofy silly song, right, 406 00:20:01,880 --> 00:20:03,799 and it's always a crowd pleaser, so we always we 407 00:20:03,880 --> 00:20:04,759 kept it on the set like. 408 00:20:04,799 --> 00:20:07,119 Speaker 2: Regarded like disregarding like the ability of the act. 409 00:20:07,160 --> 00:20:09,839 Speaker 1: It just kind of yeah, Now, do you guys have 410 00:20:09,920 --> 00:20:11,759 anybody Are there any other bands on the scene that 411 00:20:11,839 --> 00:20:13,839 you kind of because I know from my own experience 412 00:20:14,480 --> 00:20:17,000 sometimes this happens organically where you just kind of end 413 00:20:17,079 --> 00:20:18,960 up teaming up with other bands and playing a lot 414 00:20:19,000 --> 00:20:22,240 of shows with with certain other bands. Is there anybody 415 00:20:22,440 --> 00:20:24,960 like that that that you guys have kind of teamed 416 00:20:25,039 --> 00:20:25,240 up with. 417 00:20:25,880 --> 00:20:29,000 Speaker 13: Yeah, so we've the past, We've we booked a couple 418 00:20:29,000 --> 00:20:32,880 of gigs over the summer or from the spring that 419 00:20:33,279 --> 00:20:36,359 we played with a couple of people, So gem D 420 00:20:36,640 --> 00:20:39,359 we recently connected with and we've been trying to get 421 00:20:39,400 --> 00:20:42,200 some shows with them, and also Willie DeNardo and the corporates. 422 00:20:42,559 --> 00:20:46,519 We seem to really resonate with those artists and uh, 423 00:20:46,720 --> 00:20:48,839 we we also just really like their music and playing 424 00:20:48,839 --> 00:20:51,599 with them live. We just kind of formed a relationship 425 00:20:51,720 --> 00:20:53,799 and you know, we definitely keep in touch as much 426 00:20:53,799 --> 00:20:54,200 as we can. 427 00:20:54,519 --> 00:20:58,960 Speaker 1: Yeah, yeah, yeah, yeah, that's that's that's good. You know, 428 00:20:59,039 --> 00:21:02,319 it's good to have others obviously. Networking is so important, 429 00:21:02,839 --> 00:21:05,400 you know when you're doing this and uh and being 430 00:21:05,400 --> 00:21:06,880 able to have other bands that you can kind of, 431 00:21:06,960 --> 00:21:09,319 like I said, it happens organically, but you know, kind 432 00:21:09,359 --> 00:21:11,839 of team up with and support each other in that way, 433 00:21:11,839 --> 00:21:13,319 and it's a great way to get a lot more shows. 434 00:21:13,359 --> 00:21:14,920 You know, the more the more people you meet, the 435 00:21:14,960 --> 00:21:17,279 more shows you get and so forth. So are you 436 00:21:17,319 --> 00:21:19,720 guys playing out all you mentioned you've got a bunch 437 00:21:19,759 --> 00:21:22,400 of shows coming up, But do you guys play out 438 00:21:22,599 --> 00:21:24,880 through the year or I know, a lot of bands 439 00:21:25,000 --> 00:21:27,279 kind of use on part of it I'm sure has 440 00:21:27,319 --> 00:21:28,640 to do with part of the country that we're in 441 00:21:28,720 --> 00:21:30,799 with you know, a colder winter. A lot of bands 442 00:21:31,200 --> 00:21:33,440 kind of take winter to not do so many shows 443 00:21:33,519 --> 00:21:36,000 but kind of focus on recording. Is that kind of it? 444 00:21:36,079 --> 00:21:37,480 Speaker 2: Kind of coincidentally happened like that. 445 00:21:37,559 --> 00:21:38,920 Speaker 3: I guess that we ended up doing all of our 446 00:21:38,960 --> 00:21:41,079 gigs in the summer, Yeah, just because we had spent 447 00:21:41,160 --> 00:21:43,559 all the time working on the EP in the winter. Yeah, 448 00:21:43,599 --> 00:21:45,160 and we were released it in November, and then we 449 00:21:45,240 --> 00:21:48,160 were like still sort of writing stuff. We recorded two 450 00:21:48,240 --> 00:21:49,240 singles this past. 451 00:21:49,119 --> 00:21:52,519 Speaker 5: January or February March, one of those months. 452 00:21:52,559 --> 00:21:54,839 Speaker 3: And they're in that they're still in the mixing and 453 00:21:54,880 --> 00:21:57,000 post production process, but we hope to have those out soon, 454 00:21:57,400 --> 00:21:58,920 at least one of them out by the end of 455 00:21:58,960 --> 00:21:59,240 the year. 456 00:22:00,680 --> 00:22:01,920 Speaker 2: So yeah, I keep on the lookout for that. 457 00:22:02,960 --> 00:22:03,160 Speaker 5: Yeah. 458 00:22:03,200 --> 00:22:06,200 Speaker 6: And also for a while, Vance was in New York 459 00:22:06,240 --> 00:22:07,839 for a little bit going to school, so we were 460 00:22:08,559 --> 00:22:10,640 short of basis, so we didn't really have the opportunity 461 00:22:10,680 --> 00:22:13,920 to play too much. But Vance is back now, so 462 00:22:13,960 --> 00:22:15,680 now we're gonna try and play as much as we can. 463 00:22:15,759 --> 00:22:16,079 Speaker 5: For sure. 464 00:22:16,240 --> 00:22:19,240 Speaker 1: Excellent, excellent, Well we should uh yeah, I want to 465 00:22:19,240 --> 00:22:20,960 try to get them all in. Let's play another track. 466 00:22:21,720 --> 00:22:23,720 What should we go with next? I'll let you guys 467 00:22:23,759 --> 00:22:24,359 pick this time. 468 00:22:24,920 --> 00:22:26,279 Speaker 2: What's on the list to be heavyto? 469 00:22:27,599 --> 00:22:29,039 Speaker 1: Yeah, one of the two ps. 470 00:22:31,400 --> 00:22:33,200 Speaker 6: Flip a coin, you guys want to choose, Spencer, you 471 00:22:33,319 --> 00:22:36,240 choose promenade, Promenademenade. 472 00:22:37,480 --> 00:22:39,039 Speaker 1: Yeah, I was wondering. You know, it's funny. When I 473 00:22:39,079 --> 00:22:41,279 looked at it, I in my mind I said promenade, 474 00:22:41,319 --> 00:22:42,920 and and then I listened to it and I said, 475 00:22:42,960 --> 00:22:47,079 oh no, it's promenade. All right, we'll go with this 476 00:22:47,200 --> 00:22:49,599 one next. If you are just joining us, we have 477 00:22:49,759 --> 00:22:52,519 Rabbits for sale. No, we're not selling rabbits. It's the 478 00:22:52,599 --> 00:22:58,400 name of the band Live in Studio. Yes, we love rabbits, 479 00:22:58,440 --> 00:23:00,359 but no Rabbits for sale is here with this Live 480 00:23:00,400 --> 00:23:03,400 in Studio. We're playing some tracks from their EP. What's 481 00:23:03,400 --> 00:23:05,240 it called again, rabbit Stew rabbit Stew. 482 00:23:05,440 --> 00:23:07,880 Speaker 2: It's streaming on all platforms, Spotify, Apple. 483 00:23:07,720 --> 00:23:12,119 Speaker 1: Music, Outstanding, Outstanding. All right, give this a listen. This 484 00:23:12,279 --> 00:23:14,079 is called promenade. 485 00:23:57,799 --> 00:24:06,200 Speaker 14: Myself to your dad, will you take a chance on me? 486 00:24:10,519 --> 00:24:19,319 When the music starts to slow, I'm like to load 487 00:24:19,480 --> 00:24:25,039 to see. Then I could say that I do anything 488 00:24:25,160 --> 00:24:31,599 to want about my No, but all of those things 489 00:24:31,680 --> 00:24:52,640 that I've thought to myself, I never do. If I 490 00:24:53,039 --> 00:25:01,200 ask to take your health, would you work your hands 491 00:25:01,319 --> 00:25:09,000 in February comes round? 492 00:25:13,160 --> 00:25:19,200 Speaker 7: Would you be like fault to lie? And I could 493 00:25:19,240 --> 00:25:26,480 say that I'd do anything, no wronger problem all of 494 00:25:26,640 --> 00:25:30,400 those things that are not to myself I never do 495 00:25:47,720 --> 00:25:50,000 and I fun mo inspires. 496 00:25:54,839 --> 00:25:57,200 Speaker 13: Would you walk along. 497 00:25:56,839 --> 00:26:09,799 Speaker 7: With be my sweetheart? Four all times? Promise made. 498 00:26:10,000 --> 00:26:11,640 Speaker 6: I've been busy. 499 00:26:14,279 --> 00:26:16,839 Speaker 7: And I could say that I do everything I want. 500 00:26:16,920 --> 00:26:23,839 The problem us all those things that are back to 501 00:26:24,000 --> 00:26:26,279 myself I'll never get. 502 00:27:32,000 --> 00:27:34,039 Speaker 1: I wish my fingers could do that on the guitar. 503 00:27:35,759 --> 00:27:38,640 That is uh, that is so pretty. That is Prominade 504 00:27:39,400 --> 00:27:41,400 and the band is Rabbits for Sale. They are here 505 00:27:41,440 --> 00:27:45,880 with us, alive in studio, and yeah, that is that 506 00:27:46,039 --> 00:27:47,400 is really nice. That's the kind of thing you can 507 00:27:47,440 --> 00:27:49,000 just kind of close your eyes and get lost in. 508 00:27:49,440 --> 00:27:49,599 Speaker 7: Yeah. 509 00:27:49,640 --> 00:27:51,839 Speaker 13: I just found them on Amazon Music to add them 510 00:27:51,920 --> 00:27:53,680 to my playlist. I need to paint to this. 511 00:27:53,920 --> 00:27:54,599 Speaker 5: Thank you very much. 512 00:27:54,720 --> 00:27:58,279 Speaker 1: Excellent. Yeah, Jenny's also looking, always looking for music to 513 00:27:58,519 --> 00:27:58,920 paint too. 514 00:27:59,000 --> 00:28:01,000 Speaker 5: She's an artist and awesome. That's very cool. 515 00:28:01,079 --> 00:28:02,559 Speaker 1: Yes, yes, I got a. 516 00:28:02,559 --> 00:28:03,240 Speaker 5: Paint to that one. 517 00:28:03,319 --> 00:28:03,519 Speaker 12: Boy. 518 00:28:04,880 --> 00:28:07,160 Speaker 13: Actually, no, I really do enjoy you guys' music is 519 00:28:07,240 --> 00:28:09,839 really great and I do put a lot of independent 520 00:28:09,960 --> 00:28:11,839 artists in my playlist and I did just add you 521 00:28:11,920 --> 00:28:12,279 for real. 522 00:28:12,920 --> 00:28:13,799 Speaker 2: We do really appreciate it. 523 00:28:13,839 --> 00:28:14,480 Speaker 8: Thank you very much. 524 00:28:14,839 --> 00:28:16,680 Speaker 6: You know, you're always looking for you know, fans to 525 00:28:16,799 --> 00:28:18,480 enjoy ourself, and we really appreciate it. 526 00:28:19,359 --> 00:28:21,920 Speaker 1: Is it I'm curious about recording a song like that. 527 00:28:22,119 --> 00:28:26,839 Is it challenging to really get that guitar sound exactly right? 528 00:28:27,000 --> 00:28:29,440 Because it's to me, it's such an art when when 529 00:28:29,640 --> 00:28:33,160 you hear that and you can you can hear everything 530 00:28:33,240 --> 00:28:35,160 so clearly to the point where you can you can 531 00:28:35,240 --> 00:28:37,319 hear the you know, the fingers moving on the fret board. 532 00:28:37,759 --> 00:28:40,319 You know, I love that. Is that challenging to get 533 00:28:40,400 --> 00:28:42,119 that right in the studio? 534 00:28:42,599 --> 00:28:44,640 Speaker 3: I mean, fortunately for us, you know, Dave is a 535 00:28:44,720 --> 00:28:47,680 you know, extremely experienced engineer, and like, you know, you 536 00:28:47,720 --> 00:28:50,839 knew all the right stuff for Mike placement, how to 537 00:28:50,880 --> 00:28:54,680 get that Yeah, all of everything that was coming from 538 00:28:54,759 --> 00:28:55,440 here out. 539 00:28:55,720 --> 00:28:57,279 Speaker 2: Yeah, I'm going from my guitar out to that. 540 00:28:57,680 --> 00:29:00,400 Speaker 5: Do we do direct in and Mike? I think that's 541 00:29:00,400 --> 00:29:00,960 what we did, right. 542 00:29:00,960 --> 00:29:03,039 Speaker 3: I think we did like a scratch with directing, But 543 00:29:03,039 --> 00:29:05,480 I don't think we ended up using it though. They 544 00:29:05,720 --> 00:29:07,880 just use a mic then because when we plugged it in. 545 00:29:08,200 --> 00:29:10,359 When plugging in an acoustic guitar, the electric with the 546 00:29:10,400 --> 00:29:13,400 pickup doesn't always sound good, you know, it's always better 547 00:29:13,440 --> 00:29:14,599 to get them wrong, you know. 548 00:29:14,960 --> 00:29:16,240 Speaker 2: Recording with the mic, it's you know. 549 00:29:16,440 --> 00:29:20,480 Speaker 1: Yeah, I'm always curious about that because I'm a bit 550 00:29:20,519 --> 00:29:23,200 of a recording nerd, and I just I love when 551 00:29:23,200 --> 00:29:26,359 I when I hear you know, because it doesn't you 552 00:29:26,440 --> 00:29:29,400 know a lot of that that that specifically is something 553 00:29:29,440 --> 00:29:32,000 that with the guitar that a lot of a lot 554 00:29:32,039 --> 00:29:34,759 of times it's you have to be so precise about 555 00:29:34,799 --> 00:29:37,279 how you do it to really to really capture it, 556 00:29:37,359 --> 00:29:39,039 you know what I mean, to really do it justice 557 00:29:39,079 --> 00:29:41,720 and uh and uh no, that that is that is 558 00:29:41,880 --> 00:29:45,680 really really good. What should you know? We kind of 559 00:29:45,759 --> 00:29:47,559 we kind of talked about it a little bit about uh, 560 00:29:47,960 --> 00:29:50,079 trying to find you guys on Facebook, but what should 561 00:29:50,119 --> 00:29:52,240 our audience know about how to find you guys online 562 00:29:52,279 --> 00:29:55,000 to keep up with everything that you're doing, find your music. 563 00:29:55,880 --> 00:29:58,599 Speaker 6: Yeah, so we have, you know, all, like the majority 564 00:29:58,640 --> 00:30:00,839 at least of like the Class six socials, we have 565 00:30:00,920 --> 00:30:01,599 an Instagram. 566 00:30:01,680 --> 00:30:03,400 Speaker 5: It's Rapers Sale, Artificial. 567 00:30:03,039 --> 00:30:05,359 Speaker 3: Right, Rabbits First Sale, Dot Official and Instagram. Instagram is 568 00:30:05,359 --> 00:30:08,039 definitely the best one to follow. Yeah, it's the It's 569 00:30:08,039 --> 00:30:09,920 definitely the best way to keep updated and everything. All 570 00:30:09,920 --> 00:30:12,559 of our events and what we're doing to talk as well, right, 571 00:30:12,559 --> 00:30:13,440 bik talk is good, you. 572 00:30:13,440 --> 00:30:16,240 Speaker 5: Know, to talk you find some funny content. 573 00:30:16,319 --> 00:30:18,079 Speaker 3: Yeah yeah, well you know that's you know where the 574 00:30:18,119 --> 00:30:20,039 majority of our like just our wheels and our skits 575 00:30:20,079 --> 00:30:22,440 and like little things get posted and everything. Yeah, and 576 00:30:22,480 --> 00:30:24,160 it's always good to you know, follow us on that 577 00:30:24,240 --> 00:30:26,359 too and help support so we can beat the algorithm 578 00:30:26,440 --> 00:30:28,079 and you know, yeah, go viral. 579 00:30:28,319 --> 00:30:32,519 Speaker 1: You guys are really creative, you know, just beyond the band, 580 00:30:32,680 --> 00:30:34,519 you know, beyond the music. You guys are really creative. 581 00:30:34,519 --> 00:30:36,640 So you're able to think, you know, because content creation 582 00:30:36,759 --> 00:30:37,839 is so important. 583 00:30:37,960 --> 00:30:40,000 Speaker 3: Super important, and you gotta you know, you got to 584 00:30:40,039 --> 00:30:42,319 like multi task pretty much when you're out industry. 585 00:30:42,359 --> 00:30:43,880 Speaker 1: It's like absolutely, we. 586 00:30:44,119 --> 00:30:47,079 Speaker 5: Did have one semi viral video from Spencer. 587 00:30:49,720 --> 00:30:52,039 Speaker 13: Viral maybe isn't the right word, but like we got 588 00:30:52,160 --> 00:30:54,480 more a lot more views than the rest. 589 00:30:54,799 --> 00:30:58,079 Speaker 2: Viral is probably like viral for like, yeah. 590 00:30:57,960 --> 00:31:01,039 Speaker 3: It's probably twenty one k think is where it's right now, 591 00:31:01,039 --> 00:31:02,799 which is more than their other videos that kind of 592 00:31:03,119 --> 00:31:05,000 only get like five Yeah. 593 00:31:05,000 --> 00:31:06,240 Speaker 1: What what was it about this one? 594 00:31:06,279 --> 00:31:06,480 Speaker 7: What? What? 595 00:31:06,599 --> 00:31:06,640 Speaker 6: What? 596 00:31:07,279 --> 00:31:07,960 Speaker 12: I so? 597 00:31:08,119 --> 00:31:09,920 Speaker 13: I was I was having trouble falling sleep one night, 598 00:31:09,960 --> 00:31:11,640 and I just thought of an idea. I was like, 599 00:31:11,720 --> 00:31:15,640 what if I jumped on a piano and so, but 600 00:31:16,160 --> 00:31:20,359 then it kind of developed into like trying to grab 601 00:31:20,440 --> 00:31:23,279 people's attention, like, oh, look at this, this Beethoven technique 602 00:31:23,279 --> 00:31:25,400 that people do. And then I run over and I 603 00:31:25,519 --> 00:31:27,039 jump over a keyboard, but I cut it so it 604 00:31:27,079 --> 00:31:28,359 looks like I'm about to fall on it. 605 00:31:28,559 --> 00:31:30,640 Speaker 8: Yeah, and I like play all the eighty keys of once. 606 00:31:30,799 --> 00:31:33,680 Speaker 2: Oh yeah, this really is a really yeah video. Yeah, 607 00:31:33,839 --> 00:31:35,599 we just got to watch it, you know, it's like. 608 00:31:35,640 --> 00:31:37,000 Speaker 5: Five seconds or something like that. 609 00:31:37,200 --> 00:31:40,559 Speaker 3: Yeah, very very you know, but there's like the attention 610 00:31:40,640 --> 00:31:43,519 to detail on it, like you like you have like 611 00:31:43,599 --> 00:31:46,079 background music that's like I. 612 00:31:47,319 --> 00:31:51,200 Speaker 13: Did like a slat based funk version of like Burle's 613 00:31:51,240 --> 00:31:51,839 in the background. 614 00:31:51,960 --> 00:31:52,759 Speaker 1: Yeah something. 615 00:31:53,000 --> 00:31:53,599 Speaker 2: Yeah, it's just. 616 00:31:55,240 --> 00:31:56,799 Speaker 1: Oh that's very cool. That's very cool. 617 00:31:57,039 --> 00:31:58,200 Speaker 2: You're in for a laugh for sure. 618 00:31:58,759 --> 00:32:00,640 Speaker 1: By the way, we should say a little everybody quickly 619 00:32:00,640 --> 00:32:02,519 on the Facebook live chat because you're getting some love 620 00:32:02,559 --> 00:32:04,799 in there. Our friend Bruce, I don't know if you 621 00:32:04,839 --> 00:32:08,119 know Bruce from Legion of Solace. He's in Massachusetts and 622 00:32:08,160 --> 00:32:10,119 they do a lot of promotion. They work with a 623 00:32:10,160 --> 00:32:13,720 lot of different artists. Someone you should meet, uh, He's 624 00:32:13,759 --> 00:32:15,839 in the chat and he says, Uh, they would pair 625 00:32:15,920 --> 00:32:18,119 really well with the band Jam Tomorrow that you had 626 00:32:18,160 --> 00:32:19,440 on a couple of weeks ago. I don't know if 627 00:32:19,440 --> 00:32:21,559 you know those guys Jam Tomorrow, but yeah, you guys, 628 00:32:21,880 --> 00:32:22,440 yeah they would. 629 00:32:22,880 --> 00:32:24,960 Speaker 5: We should definitely reach out to them, for sure. I 630 00:32:25,000 --> 00:32:26,640 haven't I haven't heard of them myself, but. 631 00:32:27,119 --> 00:32:30,720 Speaker 1: Yeah, you guys went really well with them. Yeah. Our 632 00:32:30,759 --> 00:32:32,880 friend Eazy G is in the chat. This is off topic, 633 00:32:32,960 --> 00:32:35,319 but he says, Hi, Matt, are you ready for Summer Slam? 634 00:32:36,039 --> 00:32:36,799 I guess we're ready. 635 00:32:37,920 --> 00:32:38,920 Speaker 5: Are you ready? 636 00:32:41,720 --> 00:32:43,119 Speaker 1: I mean, there's not much to get ready for it. 637 00:32:43,319 --> 00:32:47,759 We just turn on Hulu. I'm sorry, I'm sorry, Peacock. 638 00:32:48,920 --> 00:32:49,359 Speaker 5: Popcorn. 639 00:32:51,039 --> 00:32:53,519 Speaker 1: Our friend Charles Richardson is in the chat and says, 640 00:32:53,559 --> 00:32:57,079 good morning, Let's go seem punk Summer Slam tonight. Yes, 641 00:32:57,160 --> 00:32:57,759 we know, we know. 642 00:32:59,319 --> 00:33:01,200 Speaker 8: They're making sure we don't forget apparently. 643 00:33:01,759 --> 00:33:01,880 Speaker 11: Uh. 644 00:33:02,119 --> 00:33:05,519 Speaker 1: Melanie Liberty from the Great State of Vermont uh is 645 00:33:05,799 --> 00:33:08,640 in the chat and says, ladies totally dig guys that 646 00:33:08,839 --> 00:33:13,839 say Bruski. I forget who said it. 647 00:33:15,519 --> 00:33:19,319 Speaker 3: Yeah, we're all going to say the Youngland. 648 00:33:19,839 --> 00:33:26,039 Speaker 1: The ladies love Bruceki. That's right. Well, in a moment, 649 00:33:26,200 --> 00:33:29,319 we'll play we'll play one more track to to close 650 00:33:29,359 --> 00:33:31,480 out the segment. But it's great having you guys here. 651 00:33:32,400 --> 00:33:34,039 Speaker 8: Yeah, thank you for having me so much. 652 00:33:34,640 --> 00:33:37,880 Speaker 1: Absolutely, but for those listening live on Saturday morning, we 653 00:33:37,920 --> 00:33:39,960 definitely need to plug the show you have today. It's 654 00:33:40,119 --> 00:33:42,559 uh this afternoon actually right, Yeah. 655 00:33:42,480 --> 00:33:46,039 Speaker 6: Tributary Brewing and can it remain right over the border 656 00:33:46,720 --> 00:33:50,160 basically in Portsmouth honestly, but it's from four to six 657 00:33:50,799 --> 00:33:51,200 be there. 658 00:33:51,359 --> 00:33:52,759 Speaker 5: You know, it's gonna be a good time. They have, 659 00:33:52,920 --> 00:33:55,240 they have great beer, good people. It will be a 660 00:33:55,279 --> 00:33:59,720 good time they have. They have great bruskies. 661 00:34:02,759 --> 00:34:06,240 Speaker 1: Very good, very good. And by the way, too, the 662 00:34:06,400 --> 00:34:08,039 music that you're working on now, because you've got a 663 00:34:08,039 --> 00:34:10,880 couple of singles you had mentioned, Uh any kind of 664 00:34:10,880 --> 00:34:13,320 an eta on those or are you gonna or is 665 00:34:13,360 --> 00:34:14,039 it gonna be a while? 666 00:34:15,000 --> 00:34:17,039 Speaker 8: We've been trying to figure that, I mean hopefully not 667 00:34:17,159 --> 00:34:17,480 a while. 668 00:34:17,719 --> 00:34:18,480 Speaker 2: Hopefully not a while. 669 00:34:18,519 --> 00:34:20,320 Speaker 8: I mean just said before at the end of the 670 00:34:20,480 --> 00:34:21,039 at least. 671 00:34:20,840 --> 00:34:21,960 Speaker 2: One of them before the end of the year. 672 00:34:21,960 --> 00:34:25,159 Speaker 4: I think I think we're hoping earlier. But like this 673 00:34:25,239 --> 00:34:28,679 summer we kind of dedicated to like gigging. Yeah, yeah, 674 00:34:28,880 --> 00:34:32,280 so we're kind of I think once maybe like September hits. 675 00:34:32,519 --> 00:34:33,559 Speaker 1: Okay, Yeah, we. 676 00:34:35,440 --> 00:34:37,400 Speaker 5: Could say October for now and to see what happens. 677 00:34:37,519 --> 00:34:42,079 Speaker 2: Yeah, super perfectionist about it. 678 00:34:42,119 --> 00:34:43,599 Speaker 3: You know, we want the mixes to be perfect, so 679 00:34:43,679 --> 00:34:45,960 you know, it's about getting the best quality content out 680 00:34:45,960 --> 00:34:47,480 there for for our listeners. 681 00:34:47,559 --> 00:34:47,719 Speaker 12: You know. 682 00:34:48,000 --> 00:34:52,880 Speaker 1: Oh absolutely absolutely. And oh one more thing, because you 683 00:34:52,920 --> 00:34:54,960 guys were talking off air, is there a story? 684 00:34:56,360 --> 00:35:00,159 Speaker 13: Oh yeah, Well then since you're the culprit for I 685 00:35:00,199 --> 00:35:02,800 guess you should start caused this. 686 00:35:03,159 --> 00:35:04,800 Speaker 8: Well, I don't think you want me to tell the 687 00:35:04,880 --> 00:35:07,320 story because it might be biased coming from me. 688 00:35:07,639 --> 00:35:10,519 Speaker 5: That's true, true, you want to start with first? 689 00:35:11,360 --> 00:35:14,719 Speaker 8: Is the story for this happened while we were recording 690 00:35:15,519 --> 00:35:16,199 the vocals. 691 00:35:17,119 --> 00:35:20,599 Speaker 6: It was a guitar acoustic guitar guitar. No, I thought no, 692 00:35:20,719 --> 00:35:23,280 because I remember I was I was playing guitar, and 693 00:35:23,400 --> 00:35:24,400 I was really, well. 694 00:35:24,320 --> 00:35:24,599 Speaker 1: Yeah you. 695 00:35:27,599 --> 00:35:28,119 Speaker 2: All right away. 696 00:35:28,159 --> 00:35:29,559 Speaker 8: But we were recording I'll Be Okay. 697 00:35:30,440 --> 00:35:33,840 Speaker 13: So we we were recording the guitar for I'll Be Okay, 698 00:35:34,039 --> 00:35:37,000 and Oliver is Uh was told, you know, just go 699 00:35:37,119 --> 00:35:40,440 in the room start recording the bands, comes down and 700 00:35:41,519 --> 00:35:44,320 announces that something's wrong to the toilet, it's broken or 701 00:35:44,360 --> 00:35:48,320 something and so in a rush, Jet and Dave go 702 00:35:48,480 --> 00:35:51,360 upstairs figure out the situation, and Oliver is just in 703 00:35:51,440 --> 00:35:55,480 there recording the rest of the guitar and there's he 704 00:35:55,519 --> 00:35:56,400 didn't know what was going on. 705 00:35:56,679 --> 00:35:59,760 Speaker 1: So I walked out and I'm. 706 00:35:59,639 --> 00:36:04,840 Speaker 8: Like, toilet, it was like quite that night. 707 00:36:05,039 --> 00:36:06,320 Speaker 1: It was pretty. It was a lot of white. 708 00:36:06,519 --> 00:36:09,440 Speaker 8: It started overflowing. 709 00:36:10,239 --> 00:36:10,679 Speaker 1: It was quite. 710 00:36:10,760 --> 00:36:11,159 Speaker 2: It was quite. 711 00:36:11,199 --> 00:36:13,920 Speaker 5: The man I was in there recording the acoustic guitar part. 712 00:36:13,960 --> 00:36:15,719 Speaker 6: I had no idea, So I'm just sitting in there 713 00:36:15,960 --> 00:36:17,880 and I finished, and I'm still sitting in there like 714 00:36:18,159 --> 00:36:21,559 what happened? And eventually Dave came down, like hit the 715 00:36:21,599 --> 00:36:23,199 button to talk into the room and was like. 716 00:36:23,519 --> 00:36:27,519 Speaker 5: Hey, everything's fine. The toilet kind of broke. Just just 717 00:36:27,599 --> 00:36:30,800 do another pass, do another take. And I'm like all right. 718 00:36:31,079 --> 00:36:34,360 Speaker 6: So both the guitar tracks, the acoustic guitar tracks were 719 00:36:34,360 --> 00:36:36,159 both done in one take and they are doubled. 720 00:36:36,239 --> 00:36:39,159 Speaker 5: So I think that the toilet kind of motivated me 721 00:36:39,239 --> 00:36:40,039 to get it done quick. 722 00:36:40,760 --> 00:36:42,800 Speaker 2: No, yeah, it was clean, you know, not like the toilet, 723 00:36:43,280 --> 00:36:44,840 like the toilet clean. 724 00:36:45,000 --> 00:36:47,039 Speaker 8: I want to say, I sure he did not go 725 00:36:47,199 --> 00:36:47,639 number two? 726 00:36:47,800 --> 00:36:48,159 Speaker 5: You didn't? 727 00:36:48,280 --> 00:36:49,960 Speaker 8: Yeah, it was just I didn't. I just want to 728 00:36:50,000 --> 00:36:52,840 clarify for okay, well. 729 00:36:52,760 --> 00:36:54,719 Speaker 1: That does make a difference in a situation like that, 730 00:36:55,480 --> 00:36:58,760 It does, It does make a very big difference. Well, good, 731 00:36:58,920 --> 00:37:01,280 all right? Is the toilet been repaired since then? I 732 00:37:01,320 --> 00:37:04,960 assume everything's all right, Everything is okay. 733 00:37:05,039 --> 00:37:07,239 Speaker 5: We took it out of there. You know, he kind 734 00:37:07,280 --> 00:37:10,119 of maybe charges for who knows, there's an extra charge 735 00:37:10,119 --> 00:37:10,440 on there. 736 00:37:10,960 --> 00:37:13,360 Speaker 1: It's very rock and roll though it is. There's nothing 737 00:37:13,400 --> 00:37:15,360 more rock and roll than a broken toilet. 738 00:37:16,599 --> 00:37:18,159 Speaker 3: Actually going to go down in the in the history 739 00:37:18,159 --> 00:37:20,920 books broken toilet, Marco Hall of Fame. 740 00:37:20,960 --> 00:37:21,800 Speaker 5: That's going to be that toilet. 741 00:37:21,960 --> 00:37:23,679 Speaker 1: That's right, Yeah, yeah, right, yeah, you got to get 742 00:37:23,719 --> 00:37:28,559 that story in there. That's awesome. That's awesome. All right, 743 00:37:28,599 --> 00:37:31,239 And before we play this, uh, a song with a 744 00:37:31,320 --> 00:37:33,079 title like potato Head, I feel like there might be 745 00:37:33,119 --> 00:37:34,639 a story behind it, but I could be wrong. 746 00:37:35,800 --> 00:37:37,719 Speaker 8: Is there a story behind I mean there's kind of 747 00:37:37,719 --> 00:37:38,079 a story. 748 00:37:38,239 --> 00:37:39,639 Speaker 1: Is it about an actual potato head? 749 00:37:40,199 --> 00:37:44,039 Speaker 4: I mean no, but I guess in a sense, I 750 00:37:44,119 --> 00:37:46,159 mean it's kind of like when you have potato heads, 751 00:37:46,280 --> 00:37:49,000 just kind of like you get the eyes and the 752 00:37:49,159 --> 00:37:52,679 eyes that maybe they're loft sided, and then you get 753 00:37:52,719 --> 00:37:53,320 the mouth. 754 00:37:53,639 --> 00:37:56,280 Speaker 5: From what you told me it's kind of about making 755 00:37:56,320 --> 00:37:57,519 a perfect person, right. 756 00:37:57,920 --> 00:38:00,800 Speaker 4: Yeah, it's about making a perfect person. But oh okay, 757 00:38:01,000 --> 00:38:02,840 kind of not realistic. 758 00:38:03,880 --> 00:38:06,480 Speaker 6: Yeah, parts that are inspired by like real people that 759 00:38:06,559 --> 00:38:09,800 we've met, you know, Like some lyrics, especially like the 760 00:38:09,880 --> 00:38:12,320 first lyric your eyes are you know what it is, 761 00:38:12,440 --> 00:38:14,360 But like some of them are inspired by people that 762 00:38:14,440 --> 00:38:17,480 we actually know. So it's just like a conglomerate of 763 00:38:17,599 --> 00:38:20,960 like trying to create like the ideal person and and 764 00:38:21,079 --> 00:38:23,559 kind of like the unrealistic aspects of that as well. 765 00:38:23,960 --> 00:38:25,280 Speaker 8: Okay, I think conglomerate. 766 00:38:25,800 --> 00:38:27,440 Speaker 5: That's a big word for me. 767 00:38:27,679 --> 00:38:28,239 Speaker 1: Conglomerate. 768 00:38:28,480 --> 00:38:30,519 Speaker 5: H It's a good work, solid word. 769 00:38:31,719 --> 00:38:34,519 Speaker 1: So we will end with this, but Rabbits for Sale, guys, 770 00:38:34,599 --> 00:38:36,559 thank you again so much, Thank you so much, Thank 771 00:38:36,559 --> 00:38:38,559 you so much for having absolutely and we'll do this 772 00:38:38,679 --> 00:38:41,280 again when you've got the new music ready to ready 773 00:38:41,320 --> 00:38:45,440 to go. Definitely we'll have you back and we'll play 774 00:38:45,480 --> 00:38:48,000 those and uh and we will end our segment with 775 00:38:48,079 --> 00:38:50,280 this track. But here it is. This is Potato Head 776 00:38:50,320 --> 00:38:52,280 and the band is Rabbits for Sale. 777 00:39:12,280 --> 00:39:12,639 Speaker 7: M hm. 778 00:39:16,199 --> 00:39:20,679 Speaker 15: Your are the woman. 779 00:39:21,880 --> 00:39:27,159 Speaker 7: Who comes out for coffee. 780 00:39:28,880 --> 00:39:29,119 Speaker 14: Day. 781 00:39:33,639 --> 00:39:35,320 Speaker 12: What do us say. 782 00:39:37,559 --> 00:39:38,000 Speaker 7: To her? 783 00:39:40,519 --> 00:39:41,599 Speaker 12: Your head. 784 00:39:43,440 --> 00:39:45,480 Speaker 7: Is the coldest. 785 00:39:46,679 --> 00:39:48,039 Speaker 12: I would see. 786 00:39:49,679 --> 00:40:03,960 Speaker 11: And story bos resom me all in my memory and 787 00:40:04,159 --> 00:40:08,639 all plugs on it, every. 788 00:40:08,480 --> 00:40:11,519 Speaker 5: Piece be the f. 789 00:40:13,679 --> 00:40:21,960 Speaker 12: Do you will be personal at lie, tell me hell 790 00:40:22,960 --> 00:40:24,320 that she loves me. 791 00:40:26,079 --> 00:40:28,039 Speaker 7: I'm your own. 792 00:40:37,519 --> 00:40:46,400 Speaker 11: Your red is unmatched, so I'm smarter than I could 793 00:40:46,880 --> 00:40:50,039 have order to become. 794 00:40:52,719 --> 00:40:54,599 Speaker 12: With you a un dumber. 795 00:40:59,840 --> 00:41:01,119 Speaker 14: Your hands. 796 00:41:02,679 --> 00:41:10,280 Speaker 11: Are perfect, turn them over and let. 797 00:41:10,480 --> 00:41:13,639 Speaker 7: Me be your future. 798 00:41:17,320 --> 00:41:24,840 Speaker 11: As bad as you pass an all plug on it, 799 00:41:27,159 --> 00:41:28,280 every pe. 800 00:41:30,119 --> 00:41:31,239 Speaker 7: Make the figure. 801 00:41:33,079 --> 00:41:39,800 Speaker 11: Oh you're be perfect, it's come to life. In turn 802 00:41:40,760 --> 00:41:43,559 me hell that she'd love. 803 00:41:46,480 --> 00:41:47,679 Speaker 7: Your old man. 804 00:41:56,800 --> 00:42:11,199 Speaker 15: You fall in a pole, slipping away out of mygress. 805 00:42:14,320 --> 00:42:23,159 Speaker 7: You're dis rout and kay you're not my. 806 00:42:28,079 --> 00:42:37,079 Speaker 11: You're not anyone, not anything. 807 00:42:37,800 --> 00:42:50,800 Speaker 7: At all at all, plugs on it, every piece making fil. 808 00:42:52,400 --> 00:42:56,119 Speaker 8: Oh you'll be person cause. 809 00:42:57,000 --> 00:43:02,800 Speaker 7: So life until me how that she loved me? 810 00:43:06,000 --> 00:43:06,480 Speaker 13: Her o