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Speaker 1: The Avenger.

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Speaker 2: The road to crime ends in a trap that justice sets,

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crime does not pay.

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Speaker 3: The Avenger, sworn enemy of evil, is actually Jim Brandon,

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a famous biochemist. Through his numerous scientific experiments, Brandon has

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perfected two inventions to aid him in his crusade against

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crime as the Avenger, the telepathic indicator by which he

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is able to pick up thought flashes, and the secret

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diffusion capsule, which cloaks him in the black light of invisibility.

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Brandon's assistant, the Beautiful Firm Collier, is the only one

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who shares his secrets and knows that he is the

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man the underworld fears as the Avenger and now.

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Speaker 4: The Avenger, and rendezvous with murder as a train coming baits.

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We better hide over there behind the bushes until it

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goes past. Nobody'll notice his temper. It's nearly done. I'm

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not taking any chances. Come on, okay, yah, we're out

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of sight here.

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Speaker 5: Yeah, well, who's gonna see us out here in this

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lonely road.

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Speaker 4: I like to know, break mineral engineer, Maybe, how many

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years do you have to spend in the pen before

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you learn not to take any chances? On? Witnesses a

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layoff at Tamper. We're out now. I'm not forgetting them

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five years baits, I know, because you bungle a small

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time stick up. While we could have pulled his Glenhurst

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bang job long ago. We hadn't landed in the jug

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my load till the frame goes past.

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Speaker 5: Yeah, okay, it's going.

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Speaker 4: Let's get out of it, Tapper. This this place gives

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me the creeps. Yeah, I just assume forget what happened

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to this crossing myself.

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Speaker 5: M say, is this the spot where we planted that

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contract with the tracks six years ago?

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Speaker 4: Sure it is. Yeah, right down the road there's a

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place where you and me jumped out of the car

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and send it headlong into the eight fifteen. Yeah that's right, Yeah,

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I recognize it. Now, Hey, what'd you come this way for? Tapper?

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I don't I don't like to think of that guy

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we bumped off. You don't Murder's one rap? You can't

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shut up. Nobody said it was murdered, did they. The

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police said it was an accident, just like we planned.

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It was a pretty slick job all around. Well maybe,

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but I still don't see why we had to park

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our car and come this way. I suppose you'd sooner

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go down main Street so everybody could get a gander.

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It is huh oh wait here, turn turn this way

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through these gates, Hey Tapper, what's the idea? That's a graveyard? Sure,

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and there ain't a better place for two guys that

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lay low for a couple hours. Now, come on, Oh,

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I don't like this temper.

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Speaker 5: It's it's like, well, like the companies they're all shooting

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off about returning to the scene of the crime.

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Speaker 4: It's it's like we was trying to put a jinx

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on um that kind of gab. It's a matter of dates.

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Are you turning yellow? Only? I come then we'll go

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over there under them trees and stretch out and have

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a smoke. How long we got to wait in this place? Well,

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it won't be safe to start working on the bank

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until close to midnight. I figured it shouldn't take us

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more in an hour to pull out that little section

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of wall, grab the swag cover on tracks and hit

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the road. Oh hit, yeah, let's let's sit down here. Okay, hey,

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give me a lot of yeah, yeah, Hey look at that,

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will you what now that tombstone? Look what it says?

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Put your flashlight on it and stop blubbering. Hold it steady,

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will you? Okay? In memory of Peter Moultrie, it said

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contractor guy we bumped off. That was his name, Moultrie.

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Peter Moultrie.

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Speaker 6: Hey, yeah, that's him.

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Speaker 4: All right, I'm getting out of here. Hey, what your beats?

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This guy Moultrie has been dead and buried for almost

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six years. He can't hurt us. Yeah, but Tamper, I

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tell you this place is a jinx. Let's pull out her,

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you nuts. Sit down. We've got some plans to make.

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This job's got the finger on it, Tapper, I can

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feel that up and listen to me. There's a couple

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one hundred grand just waiting for us down there on

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the Glenhurst Bank. All we gotta do is go in

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and take it. I know. Here's the blueprint of the

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bank I snitched when he was helping build a place.

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Hold up a little lower, all right, okay, Now here's

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the section of the back wall we rigged. Plenty of

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room to crawl through. Yeah, but what if somebody hears

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us knocking the wall out? Got a chance we fix

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that section. So it's his weakest putty. Now, this muffled

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hammer or loosen the bricks. Well, are you sure about

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the alarm tap? Sure? Hey, remember how we loop the

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wires that'll keep the alarm dead within the limits.

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Speaker 6: I'm marked here. Now, how about the vault. You got

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all that dope.

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Speaker 4: Straight, Base?

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Speaker 1: Yeah, yeah, I can open that all right.

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Speaker 6: Now, we gotta be careful about fingerprints.

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Speaker 4: Don't forget. We've got a wreck it now and that

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was proof we leave any calling cards? Uh huh, I

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got all that. Okay. Now, after we put the dough

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in the car, we go back and patch up that

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hole in the wall. That's the part I don't like.

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Speaker 5: I don't see why you wanna do that, because that'll

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give us a whole extra day to get away.

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Speaker 4: That's why this is Saturday night and nobody notices anything

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wrong with the wall. The stick up won't be discovered

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until Monday morning.

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Speaker 1: Yeah, I guess you're right at den.

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Speaker 4: Now, let's grab a couple hours rest. We'll need it

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when we start driving here. Sure, this is the best

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place in the world. Asleep, sweet ves pal. What's hey? Hey, gammer,

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take it easy, Base, Wait a minute, it's only a

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job running down.

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Speaker 6: And taw the freight yards. What time is it tamper

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Uh ten thirty.

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Speaker 4: It's time for us to start moving. Huh, baits, I've

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been thinking there's just one thing.

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Speaker 6: That could trip us up on this job.

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Speaker 4: What's it?

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Speaker 6: It's a long shot, but it's the kind of long

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shot I don't like.

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Speaker 5: Listen, Tapper, you can count me out if it ain't foolproof.

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I ain't gonna make it.

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Speaker 4: Foolproof, Baits, I don't get you. Well, when we was

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helping build that bank, we went under phony names and

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kept to ourselves. Yeah, we was careful, all right. You

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You wouldn't let me go on a place. You remember

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a move? These little girl coming around one day and

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taking pictures of all the men on the job.

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Speaker 5: No, no, I don't remember that.

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Speaker 4: Well, she did later. I got negatives from her, But

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now I'm wondering if she kept them pictures. If she did,

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what's it different? Plenty a minute, the stick ups discovered

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and they get a gander at that pulled out wall,

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the coppers will know was framed by somebody who helped

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build the place.

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Speaker 7: And then they'll start investigating all them guys.

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Speaker 5: Huh yeah yeah, but they'll be up a blind alley

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about us because of them funny name, and.

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Speaker 4: That's where the pictures figure in. That girl would turn

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them in and the police would match them up with

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two guys in the rogues gallery by the name of

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Tapper and Baits. Oh that sells it. Count me out

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nothing doing? You and me. You're gonna pay a little

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visit to miss Janis Moultrie. We've got to get them pictures.

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Oh not me. I'm afraid to steal a few snapshots

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from a kid, are you? No? Only? Who look Tapper?

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Speaker 5: She she won't be a kid now, she she'd be

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grown up or what?

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Speaker 4: Nothing? I guess whoa When do we get starting in

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another ten minutes, Saint Tapper? What if that Moultrie girl

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gets in our way and it's just gonna be too

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bad for her cause I'm not gonna let any dame

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stand between me and that money. We'll get them pictures,

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bait if we have to plant that girl right down

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there beside her. Old man.

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Speaker 8: Jim Att was sweet of you to drive all the

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way down here to Glenhurst to take Jannis and me

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to the charity rally.

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Speaker 2: Pure Selfie's on a part, Fern. I miss you when

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you go away for weekends.

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Speaker 8: That's nice for a while it looked as though both

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Jannis and I were going to be stood up.

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Speaker 1: Why I thought Bill Cummings was going along?

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Speaker 8: Called Janis half an hour ago. He has to work

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something about drawing up a will for a sick client.

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Speaker 1: Ah, that's too bad. I was looking forward to seeing

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Bill again.

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Speaker 8: Well, maybe after the rally. No, I can't.

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Speaker 2: Inspector White's going to call me at my hotel at

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eleven thirty. I'll have to be there to get his call.

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Speaker 8: We'll have to leave the rally early then, Dinna, we'll

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be ready in a few minutes.

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Speaker 4: I bet you both die.

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Speaker 1: Oh, fern is always starving? Janie? Tell me did she

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have an appetite like that when she went to school?

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Speaker 4: Always? But how she managed to keep slim on? It

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was watch time at the rest.

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Speaker 8: I see where I'm in arriving for Jim. I'm awfully

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glad you could come. I want to talk to you

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about Dad, your father. Yes, Janie still isn't convinced that

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it was an accident. Jim, No, I'm not.

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Speaker 4: Jim.

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Speaker 8: Oh, I know it was a long time ago, and

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everyone seems to have forgotten all about it except me.

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Speaker 2: Well, it's natural for you to feel like that, Janie.

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But the police investigated the case thoroughly at the time

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and there was no hint of foul play.

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Speaker 8: I know all that, Jim, but I knew my father.

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He was a most careful driver, and it was never

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established what he was doing out there on that lonely

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road that night.

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Speaker 2: Well, I'll recheck all the evidence tomorrow, if it'll make

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you feel any better, Jennis.

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Speaker 8: Thanks Jim.

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Speaker 2: Oh, hell a Bosco boy. Come here, boy, Bosco is

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glad to see that Bosco.

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Speaker 1: Get down. No, no, it's all right, Jannis. Come on,

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Why hi boy, We better.

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Speaker 9: Go into dinner now so we can get started for

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the rally.

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Speaker 8: So I'm probably getting out of the call gym. You

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better drive straight to the hotel to get to inspect

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his call.

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Speaker 1: Yeah, it's eleven o'clock.

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Speaker 8: Now after your call comes, Jim, why don't you pick

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up Bill at his office and both of you come

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back for a snack.

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Speaker 1: Yes too, Oh, that'll be fine. Now. Let's see.

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Speaker 4: Bill's office is on the second floor of the bank building,

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isn't it. That's right.

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Speaker 8: We'll expect you in about an hour.

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Speaker 1: Then, yeah, maybe less.

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Speaker 8: So long bye, Jim. I wonder where Bosco is he

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usually meets us at the gates. Oh, he's probably down

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at the freight yard. The men down there on the

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meat cars are always feeding them all. They boiling terribly.

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Oh where's my key?

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Speaker 4: Oh? Here it is.

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Speaker 8: Oh I'm glad you're here, Searn. I always dread coming

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into this house alone when that moth is away?

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Speaker 6: What was that? Oh?

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Speaker 8: Bosco must be here. Turn on the living room light, burn,

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Bosco Boso?

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Speaker 4: Where are you stay?

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Speaker 10: Right?

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Speaker 4: Where af both of you? What do you want?

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Speaker 8: What have you been doing in my house?

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Speaker 4: We just dropped in to have a look at your

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picture album as Moltree picture album? Yeah, where is it?

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I won't tell you, no, maybe it's gonna make you

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change your mind.

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Speaker 8: No, I remember you. I remember both of you. You

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worked for my father on the bank instruction jobs six

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years ago.

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Speaker 4: You've got a good memory, Miss Moultrie, and that's just

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too bad for you. Now talk where's them picture? I

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won't give them to you. I we'll see give it

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the arm treatment, baits. I'll keep this other name coming

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all right, sister starts singing, and make it fast.

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Speaker 1: We're in a hurry.

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Speaker 10: Let me go.

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Speaker 4: No, No, I.

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Speaker 8: Won't tell let her alone.

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Speaker 4: Shut up you well, miss Moultrie, are you gonna talk?

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Or does baits have to break your arm?

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Speaker 8: Tell them Cannis, don't let them hurt you like that?

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Speaker 4: All right, let go of my arm. I'll tell you

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be quick about it.

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Speaker 8: Then, Albums in the chest in that closet.

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Speaker 4: Okay, you know what you're after?

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Speaker 8: Now you want those pictures?

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Speaker 4: I took a view. Smart girl, too smart. Hey you

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find the baits? Yeah, albums here? All right, hurry up.

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See the pictures are in it? Well here they are there.

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They're good too.

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Speaker 8: Now will you take them and get out of here?

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Speaker 4: We'd be pretty dumb to do that, won't we. No,

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you two dames are coming with.

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Speaker 3: Us, coming with you?

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Speaker 4: Why? Security reasons? I've learned that the only good witness

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is a dead witness.

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Speaker 8: You can't get away with a thing like this.

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Speaker 4: You bring the car up in front of the house.

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Speaker 10: We're all going for a little ride s.

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Speaker 3: Now back to the Avenger and the rendezvous with murder.

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Speaker 4: Why this is the freak y'ad you brought us here.

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We're gonna let y'all easy. We're sending you two dames

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off on a little trip.

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Speaker 6: What are you talking?

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Speaker 4: You'll see pull up here, Temper, get out and open

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up one of them refrigerator carse Bates, Sure, no, no, please,

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this is the end of the line. Get out. What

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can we do? Nothing? Get out? I said, One peep

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out of either of you and it'll be your last.

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Are you doing over here, Temper? These guys are packed

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and ready to go. I got one of the Okay,

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throw the dames in, come on inside, all right here.

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I close the door and takes the lock just the

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way up.

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Speaker 6: Yeah, that's that, commands.

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Speaker 8: Keep tounding, jealous. Maybe someone will hear people the prepuls out.

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Speaker 4: I can't burn. My hands are getting numb. She'll keep

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the circulation going. What's the use we're doing?

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Speaker 10: Burn?

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Speaker 4: We might as well face Jennis, don't give up. Please

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go John.

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Speaker 8: Janis hoc Jeous your help.

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Speaker 4: Telling as well as we can.

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Speaker 2: Oh, I can't.

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Speaker 10: Go with reason.

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Speaker 2: Room two o five is Bill's office. Bill, it's Jim

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browdon bell I must have gone. I guess, well, that's

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00:17:36,680 --> 00:17:39,680
strange Bill wouldn't leave his office on the loft.

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Speaker 1: Let's take a look.

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Speaker 2: What's that hammering I wonder coming from below that back window. Oh,

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something very interesting going on down there.

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Speaker 1: I wonder if Bill could have seen that.

295
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Speaker 4: Got it. Flashed my light around here.

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Speaker 2: Before I got Bill. Somebody knocked Aim out of cold.

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I don't look says, oh, this is another job for

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the adventure.

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Speaker 4: Holding him in the baits Huh, what's up? Uh?

300
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Speaker 6: There's a copper pounding his beat on the other side

301
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of the street.

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Speaker 4: He had flat food. Better keep moving if he knows

303
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what's good for shut up?

304
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Speaker 7: Is he gone?

305
00:18:32,599 --> 00:18:36,480
Speaker 4: Uh? Yeah he he's just turning the corner.

306
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Speaker 6: Now, okay, we can get back to work, right.

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Speaker 4: Uh, I'm finished at this end. How about you, baits,

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Well just.

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Speaker 5: A little more, kay.

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Speaker 4: Did you check the wire stepper? Yeah, just like we

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left him six years ago. Okay, I'm ready good.

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Speaker 6: I'm crawling the vaults right inside on the left.

313
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Speaker 5: Yeah, yeah, I know, come on yeah yeah.

314
00:19:12,000 --> 00:19:15,039
Speaker 4: Oh boy, oh boy, what a set up. This plan

315
00:19:15,240 --> 00:19:20,039
was fool proof. There's the vault, Baits, get busy, Hey, yeah,

316
00:19:20,319 --> 00:19:23,799
give me some light here with you. Huh Yeah, got

317
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a hand it to your tepper.

318
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Speaker 5: It was a pretty sweet idea you dreamed of six

319
00:19:27,920 --> 00:19:28,400
years ago.

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00:19:28,599 --> 00:19:30,599
Speaker 4: Now you're willing to admit it was worth bumping off

321
00:19:30,640 --> 00:19:34,279
Moultry for huh. He sure was. You know that noise

322
00:19:34,440 --> 00:19:36,160
as good as us right now?

323
00:19:38,480 --> 00:19:38,880
Speaker 6: What was that?

324
00:19:39,559 --> 00:19:40,599
Speaker 5: He had a funny noise?

325
00:19:40,720 --> 00:19:44,039
Speaker 4: Eh, so did I. But but there can't be anybody

326
00:19:44,039 --> 00:19:45,759
in here. Who's there?

327
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Speaker 2: It's the Avenger, Tepper. I'm here to settle an old

328
00:19:48,839 --> 00:19:49,920
score for Peter Moultrie.

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00:19:50,000 --> 00:19:52,759
Speaker 4: If somebody frame his temper, let's blow. Oh he's one

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00:19:52,799 --> 00:19:54,960
against the two of us. We can take care of him.

331
00:19:55,400 --> 00:19:57,400
Grab that crobat, Bates. I'll flash the light around. We'll

332
00:19:57,440 --> 00:20:01,400
find him. There. Did nobody here, Tepper, He's gone.

333
00:20:01,480 --> 00:20:03,759
Speaker 1: Oh I'm still here, Bates, But you can't see me.

334
00:20:03,920 --> 00:20:08,200
Speaker 4: The boys came from that corner. Start swinging the bait, somebody.

335
00:20:08,240 --> 00:20:10,119
You can't swing your food. We got corner.

336
00:20:10,880 --> 00:20:12,160
Speaker 1: I think I hit something, Tepper.

337
00:20:12,720 --> 00:20:16,119
Speaker 4: Give me the light. Yeah, I don't see nothing. It's

338
00:20:16,200 --> 00:20:18,920
mighty funny. I hit somebody. But there's nobody here. There nuts,

339
00:20:18,960 --> 00:20:20,839
he got away, that's why. Yeah, come on, Bates, we

340
00:20:20,880 --> 00:20:22,559
gotta take it on the lamp. The cop could be

341
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here in a minute.

342
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Speaker 1: They won't get fun. As soon as I set off

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this burglar alarm, I'll start at him.

344
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Speaker 4: Step on a temper. I'm giving her all she got.

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00:20:46,079 --> 00:20:48,960
Mister Lope ain't got wings, you know. Hey, Hey, look tepper.

346
00:20:49,480 --> 00:20:53,319
Here's a car following. Eh, Hey, you're right. It must

347
00:20:53,359 --> 00:20:56,000
be that Avenger guy. I told you you didn't get him.

348
00:20:56,000 --> 00:20:58,720
He did. I hit him, but then daddy disappeared. I

349
00:20:58,799 --> 00:21:02,079
know he scrammed, that's what he did. Hey, he's gaining

350
00:21:02,160 --> 00:21:04,160
on us. Give him a dose of le bats. It's

351
00:21:04,200 --> 00:21:04,680
him or us.

352
00:21:04,720 --> 00:21:04,880
Speaker 2: Now.

353
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Speaker 4: I'm trying to hit his tires. That's to get him. Oh,

354
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he's still coming.

355
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Speaker 8: He's turned his.

356
00:21:10,400 --> 00:21:14,559
Speaker 4: Hit to my to try again. We're going too fast, Temper.

357
00:21:14,759 --> 00:21:19,480
I can't get a beat on him. As a railroad

358
00:21:19,480 --> 00:21:21,960
clocking up ahead and the frate's coming. Yeah, we can

359
00:21:22,039 --> 00:21:24,200
beat that break to the crossing. We can lose this guy.

360
00:21:24,480 --> 00:21:28,519
It'll be close, but it's our only chance. Said tight, Hey,

361
00:21:31,960 --> 00:21:33,720
what's the matter with a car, Temper, I don't know,

362
00:21:33,920 --> 00:21:35,680
Drew like d a cat.

363
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Speaker 6: You can't make a stop.

364
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Speaker 4: Were gonna make you? Hey, what's gone to night?

365
00:21:55,720 --> 00:21:57,799
Speaker 1: Right right one over here? Bring your life.

366
00:21:58,319 --> 00:22:00,279
Speaker 4: If I ever saw anybody ask for what they got,

367
00:22:00,279 --> 00:22:02,000
those fellows did they were?

368
00:22:02,119 --> 00:22:04,319
Speaker 2: Yeah, they just broke into the bank in Glenhurst. I

369
00:22:04,359 --> 00:22:06,240
saw them making it away and follow Yeah.

370
00:22:06,480 --> 00:22:10,519
Speaker 4: I didn't get fun. Oh they certainly didn't say that's boss,

371
00:22:11,079 --> 00:22:13,440
Come here, boss, call, come by the fright all the

372
00:22:13,440 --> 00:22:14,319
way from the yards.

373
00:22:14,519 --> 00:22:16,839
Speaker 1: No bust for don what's boy?

374
00:22:16,839 --> 00:22:19,440
Speaker 4: I want exactly scratch from that refrigerator car?

375
00:22:19,559 --> 00:22:23,240
Speaker 1: I don't think so. I'm gonna have a look. What

376
00:22:23,400 --> 00:22:25,240
is that buss? What's the matter? Boy?

377
00:22:25,400 --> 00:22:30,519
Speaker 4: What are you trying to tell me? Somebody's in somebody's

378
00:22:30,519 --> 00:22:31,519
inside that car? Break?

379
00:22:31,559 --> 00:22:35,640
Speaker 2: When I heard the pounding on the door, I don't

380
00:22:35,680 --> 00:22:37,720
hear anything. Open up that car. I tell you there's

381
00:22:37,720 --> 00:22:38,279
someone in there.

382
00:22:38,400 --> 00:22:40,240
Speaker 6: Listen, but there can't be anybody in there.

383
00:22:40,240 --> 00:22:42,960
Speaker 1: That's a sealed car, sealed. Take a look at that door.

384
00:22:42,960 --> 00:22:44,400
That railroad seal has been broken.

385
00:22:44,799 --> 00:22:47,160
Speaker 6: Yeah, you're right, okay, mister all opener.

386
00:22:47,240 --> 00:22:53,720
Speaker 2: Huh Fern, JANEZ give me a hand breaking?

387
00:22:53,880 --> 00:22:54,119
Speaker 4: Sure?

388
00:22:55,960 --> 00:22:59,119
Speaker 2: Ye, yeah there it's all right, Fern. You're safe now here,

389
00:22:59,200 --> 00:23:02,039
quick me get him out of here. They're almost frozen.

390
00:24:40,319 --> 00:24:42,599
Are you sure you feel well enough to drive home today?

391
00:24:42,599 --> 00:24:45,400
Speaker 8: For yes, I'm all right now, Jim, of course, I

392
00:24:45,480 --> 00:24:47,440
don't feel on the mood for any winter sports yet.

393
00:24:47,680 --> 00:24:49,559
Have another hot drinks, Bern, thank.

394
00:24:49,400 --> 00:24:49,880
Speaker 6: You, Jens.

395
00:24:52,279 --> 00:24:55,160
Speaker 8: There's just one more thing I'm not quite clear on, Jim.

396
00:24:55,119 --> 00:24:55,599
Speaker 1: And what's that?

397
00:24:55,759 --> 00:24:59,119
Speaker 8: Jane's why did those criminals try to get rid of Bill?

398
00:24:59,160 --> 00:25:01,720
Speaker 1: I think Bill can gechistraight on that. What happened?

399
00:25:01,720 --> 00:25:02,799
Speaker 4: Bill Well?

400
00:25:02,839 --> 00:25:04,720
Speaker 7: I was hard at work in my office when I

401
00:25:04,720 --> 00:25:07,279
heard a strange hammering sound below the back window.

402
00:25:07,880 --> 00:25:10,079
Speaker 6: I looked out and saw two men down below.

403
00:25:10,079 --> 00:25:11,720
Speaker 7: And when I called down to find out what was

404
00:25:11,759 --> 00:25:14,720
going on, they just disappeared around the side of the building.

405
00:25:15,319 --> 00:25:18,200
I decided to go down and investigate, but before I

406
00:25:18,200 --> 00:25:19,720
had time to get out of the office, the two

407
00:25:19,720 --> 00:25:22,079
men came in. One of them turned off the light

408
00:25:22,119 --> 00:25:24,559
and covered me with a flashlight. The other one must

409
00:25:24,599 --> 00:25:26,440
have worked his way around behind me and hit me

410
00:25:26,480 --> 00:25:27,000
over the head.

411
00:25:27,200 --> 00:25:30,119
Speaker 8: I see then when Jim came to call for you,

412
00:25:30,400 --> 00:25:31,759
he discovered what was going on.

413
00:25:31,880 --> 00:25:32,359
Speaker 1: That's right.

414
00:25:32,920 --> 00:25:35,039
Speaker 2: As soon as I saw what Tapper and Bates were

415
00:25:35,119 --> 00:25:37,799
up to, I went down and drained the gasoline out

416
00:25:37,839 --> 00:25:40,480
of their car and then followed them into the bank.

417
00:25:41,160 --> 00:25:42,599
I wanted to get a line on them, so I

418
00:25:42,680 --> 00:25:45,000
listened to them talking for a while before I did anything.

419
00:25:45,279 --> 00:25:46,960
Speaker 8: What did you find out, Jim Well?

420
00:25:47,000 --> 00:25:49,400
Speaker 2: They were boasting about how they'd planned the robbery six

421
00:25:49,480 --> 00:25:53,119
years ago. Evidently Janis's father discovered what they were doing,

422
00:25:53,480 --> 00:25:55,359
so they killed him and made it look like an accident.

423
00:25:56,240 --> 00:25:57,920
Speaker 8: But if you were in the bank with them, Jim,

424
00:25:58,079 --> 00:25:59,640
how did they make a get away in their car?

425
00:26:00,039 --> 00:26:02,319
Speaker 2: Well, that hole in the wall, that's the bank wide open.

426
00:26:02,839 --> 00:26:05,319
I had to sound the alarm before I follow them. Anyway,

427
00:26:05,640 --> 00:26:07,480
I knew they couldn't get far with a gas tank

428
00:26:07,519 --> 00:26:08,559
that was practically empty.

429
00:26:08,799 --> 00:26:11,039
Speaker 8: It really seems as though those two men had a

430
00:26:11,039 --> 00:26:13,599
rendezvous with justice at that crossing, doesn't it.

431
00:26:13,759 --> 00:26:17,400
Speaker 1: Yes, it was another soul called perfect Clime. But backfire.

432
00:26:17,599 --> 00:26:19,160
Speaker 4: Well, you just trying to put it out of your

433
00:26:19,160 --> 00:26:20,079
mind now, Jennets.

434
00:26:20,079 --> 00:26:22,920
Speaker 8: Okay, Bill, come on, I'll put a fresh dressing on

435
00:26:22,960 --> 00:26:25,160
your head. The doctor said to change every hour.

436
00:26:25,480 --> 00:26:27,480
Speaker 4: Yes, Mercy, we'll be back in a minute.

437
00:26:27,599 --> 00:26:32,960
Speaker 8: Take your time, Jim More doesn't have to be a

438
00:26:33,000 --> 00:26:35,400
detective to figure out that we'll be coming to Glenhurst

439
00:26:35,480 --> 00:26:36,720
for a wedding very soon.

440
00:26:36,920 --> 00:26:39,599
Speaker 1: It certainly looks that way, Jim.

441
00:26:39,640 --> 00:26:41,160
Speaker 4: Do you suppose that we could.

442
00:26:41,079 --> 00:26:44,319
Speaker 1: Could uh watch furn Do you suppose.

443
00:26:43,920 --> 00:26:46,279
Speaker 8: That we could could have picked up all this on

444
00:26:46,319 --> 00:26:48,440
the telepathic indicator if we had stayed at home.

445
00:27:14,240 --> 00:27:17,319
Speaker 3: All characters, names, places, and plots used in the Avenger

446
00:27:17,400 --> 00:27:21,240
Program are fictitious. Any similarity to persons live or dead

447
00:27:21,720 --> 00:27:22,920
is purely coincidental.

448
00:27:31,200 --> 00:27:34,839
Speaker 4: This is a thought, a thought, a thought.

449
00:27:35,559 --> 00:27:43,640
Speaker 2: Remember listen for another adventurer, The Avenger