WEBVTT

1
00:00:01.639 --> 00:00:19.399
<v Speaker 1>Welcome friends, podcasts tacky. Now I have to help people

2
00:00:19.440 --> 00:00:21.440
<v Speaker 1>with my music, like your family.

3
00:00:22.359 --> 00:00:26.199
<v Speaker 2>No, the guy who brought you Talladega Nights, knock duc

4
00:00:26.399 --> 00:00:31.559
<v Speaker 2>in super Bad, invite you to meet Dewey Cocks Walk Car.

5
00:00:33.479 --> 00:00:37.840
<v Speaker 1>It's some devil's music this holiday season.

6
00:00:37.960 --> 00:00:39.479
<v Speaker 3>There's a rift between the Beatles.

7
00:00:39.479 --> 00:00:41.159
<v Speaker 1>I've got a song about an octopus.

8
00:00:43.200 --> 00:00:46.439
<v Speaker 3>I like the other one, walk Hard The Dewey Cox

9
00:00:46.560 --> 00:00:50.320
<v Speaker 3>story rated R. Welcome to a movie film commentary track.

10
00:00:50.359 --> 00:00:53.399
<v Speaker 3>My name is Zachie Hassan. And you don't want none

11
00:00:53.399 --> 00:00:54.000
<v Speaker 3>of this, Brian.

12
00:00:55.359 --> 00:00:56.560
<v Speaker 1>It kind of sounds like I do.

13
00:00:57.439 --> 00:00:59.359
<v Speaker 3>We're gonna be watching this movie and talking through it.

14
00:00:59.479 --> 00:01:01.119
<v Speaker 3>You don't want to do this, Brian.

15
00:01:01.320 --> 00:01:02.960
<v Speaker 1>I don't know. It sounds kind of fun to me.

16
00:01:03.240 --> 00:01:04.480
<v Speaker 1>Let me in, Let me in. I want to try

17
00:01:04.560 --> 00:01:04.760
<v Speaker 1>with you.

18
00:01:05.040 --> 00:01:07.120
<v Speaker 3>It's the most fun you can have, Brian. But you

19
00:01:07.159 --> 00:01:07.879
<v Speaker 3>don't want none of this?

20
00:01:09.480 --> 00:01:14.040
<v Speaker 1>Are you sure about that? Oh?

21
00:01:14.079 --> 00:01:16.200
<v Speaker 3>Man, I'm so excited to do this commentary.

22
00:01:16.439 --> 00:01:16.719
<v Speaker 1>Need to.

23
00:01:17.200 --> 00:01:18.879
<v Speaker 2>I haven't watched this in a while, and this was

24
00:01:18.920 --> 00:01:21.239
<v Speaker 2>really fun to revisit and I was even thinking, oh,

25
00:01:21.280 --> 00:01:22.599
<v Speaker 2>this is going to be so much fun to talk

26
00:01:22.599 --> 00:01:23.439
<v Speaker 2>about with Zachi.

27
00:01:24.439 --> 00:01:24.640
<v Speaker 1>Yes.

28
00:01:25.000 --> 00:01:28.000
<v Speaker 3>So you know, people often ask like, what are the

29
00:01:28.719 --> 00:01:32.439
<v Speaker 3>criteria we use to pick the movies that we do

30
00:01:32.519 --> 00:01:37.519
<v Speaker 3>for our commentaries, And there's a variety of reasons, and occasionally,

31
00:01:37.719 --> 00:01:40.680
<v Speaker 3>for me, there's a little bit of like, here's something

32
00:01:40.760 --> 00:01:44.519
<v Speaker 3>that's like really special to me, and I'm hoping the

33
00:01:44.519 --> 00:01:48.000
<v Speaker 3>rest of the world will appreciate it because I like

34
00:01:48.079 --> 00:01:48.400
<v Speaker 3>it too.

35
00:01:48.640 --> 00:01:49.359
<v Speaker 1>Mm hmmmmm.

36
00:01:50.799 --> 00:01:53.680
<v Speaker 2>This is definitely one of those movies because as I

37
00:01:53.719 --> 00:01:55.799
<v Speaker 2>was looking back, and I remember this when it came out,

38
00:01:55.799 --> 00:01:57.040
<v Speaker 2>but it didn't do very well.

39
00:01:57.319 --> 00:01:59.000
<v Speaker 1>Nope, and this is a total.

40
00:01:58.799 --> 00:02:03.239
<v Speaker 2>Cult film and I think with good reason, which we

41
00:02:03.280 --> 00:02:06.599
<v Speaker 2>can get into, but I think for those same reasons,

42
00:02:06.799 --> 00:02:10.000
<v Speaker 2>that's why the people who this is made for will

43
00:02:10.039 --> 00:02:10.520
<v Speaker 2>adore it.

44
00:02:10.879 --> 00:02:15.039
<v Speaker 3>Yeah, and I'd like to believe that there is a

45
00:02:15.120 --> 00:02:19.080
<v Speaker 3>sizeable overlap, you know that Venn diagram of people who

46
00:02:19.080 --> 00:02:21.360
<v Speaker 3>would like this movie and people who listen to the

47
00:02:21.400 --> 00:02:26.520
<v Speaker 3>movie Film podcast. Totally totally, So you know, hey, this

48
00:02:26.599 --> 00:02:29.680
<v Speaker 3>is walk Hard, the Dewey Cox story, and it's been

49
00:02:30.319 --> 00:02:32.080
<v Speaker 3>in the back of my mind. I'm one of these days,

50
00:02:32.120 --> 00:02:34.080
<v Speaker 3>right And then of course as we are recording this,

51
00:02:34.159 --> 00:02:37.319
<v Speaker 3>we're in the lead up to the release of the

52
00:02:37.439 --> 00:02:42.360
<v Speaker 3>music bio pick Michael about Michael Jackson, And so as

53
00:02:42.360 --> 00:02:44.400
<v Speaker 3>soon as I heard that movie is coming, I was like, well,

54
00:02:44.599 --> 00:02:46.800
<v Speaker 3>we'll it pass the Dewey Cox test.

55
00:02:47.159 --> 00:02:50.479
<v Speaker 2>Which we tend to do with pretty much every musical

56
00:02:50.479 --> 00:02:52.800
<v Speaker 2>bio pick these days, right, And it.

57
00:02:52.759 --> 00:02:55.400
<v Speaker 1>Feels like many people do that, and even I.

58
00:02:55.840 --> 00:02:58.240
<v Speaker 2>See in reviews or listen to podcast reviews, and Walk

59
00:02:58.240 --> 00:03:01.000
<v Speaker 2>Hard does come up as some sort of measuring stick,

60
00:03:01.080 --> 00:03:01.520
<v Speaker 2>you know, like.

61
00:03:01.400 --> 00:03:04.039
<v Speaker 1>Oh, did it do this trope? Did it do that trope?

62
00:03:04.039 --> 00:03:07.840
<v Speaker 2>It falls into the walk Hard trap, and it feels

63
00:03:07.879 --> 00:03:11.479
<v Speaker 2>like then biopicks were trying to like subvert it a

64
00:03:11.479 --> 00:03:11.800
<v Speaker 2>little bit.

65
00:03:11.879 --> 00:03:14.039
<v Speaker 1>You know, you had that Bruce Springsteen one that came out.

66
00:03:14.080 --> 00:03:16.000
<v Speaker 2>It's like, no, no, no, this isn't like he stops and

67
00:03:16.000 --> 00:03:17.560
<v Speaker 2>thinks about his whole life and then we you know,

68
00:03:17.599 --> 00:03:19.879
<v Speaker 2>go through all the beats like this is just a

69
00:03:20.080 --> 00:03:21.719
<v Speaker 2>moment in Bruce Springsteen's life.

70
00:03:21.879 --> 00:03:23.199
<v Speaker 1>It felt like they were trying to do.

71
00:03:23.120 --> 00:03:25.960
<v Speaker 3>That deliberately, trying to avoid the Dewey Cos.

72
00:03:26.400 --> 00:03:30.159
<v Speaker 2>Yeah, where's Michael looks like I'm like rubbing my hands together.

73
00:03:30.759 --> 00:03:33.080
<v Speaker 3>I know, and we don't know as we record this,

74
00:03:33.159 --> 00:03:35.280
<v Speaker 3>if for all we know, we will be entirely surprised.

75
00:03:35.319 --> 00:03:39.159
<v Speaker 3>But you know, ultimately all This is to say that

76
00:03:39.240 --> 00:03:44.080
<v Speaker 3>walk Hard is one of the most pointed and I

77
00:03:44.080 --> 00:03:51.080
<v Speaker 3>would say reverential looks at the solid tropes that undergird music,

78
00:03:51.159 --> 00:03:54.759
<v Speaker 3>biopicks and it, and it pokes fun at them, but

79
00:03:55.080 --> 00:04:00.400
<v Speaker 3>you know, affectionately, I agree totally. You know, so well,

80
00:04:00.479 --> 00:04:02.719
<v Speaker 3>we're watching walk Hard from two thousand and seven. If

81
00:04:02.719 --> 00:04:04.120
<v Speaker 3>you want to watch along with us, you certainly can

82
00:04:04.240 --> 00:04:06.400
<v Speaker 3>do that. If you don't have the movie available, which

83
00:04:06.439 --> 00:04:08.719
<v Speaker 3>as we said, I don't think we'd be surprised by

84
00:04:08.800 --> 00:04:11.599
<v Speaker 3>because it didn't do particularly well. That's okay. Hopefully we

85
00:04:11.680 --> 00:04:13.240
<v Speaker 3>keep the conversation interesting enough.

86
00:04:13.680 --> 00:04:13.879
<v Speaker 1>You know.

87
00:04:14.000 --> 00:04:17.560
<v Speaker 2>Actually I thought I saw there's an extended version that

88
00:04:17.720 --> 00:04:18.560
<v Speaker 2>is two hours long.

89
00:04:18.639 --> 00:04:20.120
<v Speaker 1>This version is about ninety minutes.

90
00:04:20.319 --> 00:04:22.560
<v Speaker 2>Yeah, and just out of curiosity because I do like

91
00:04:22.600 --> 00:04:24.759
<v Speaker 2>this movie. I was like, oh, you know, I would

92
00:04:24.800 --> 00:04:26.720
<v Speaker 2>love to see the bonus scenes and maybe it'll be

93
00:04:26.720 --> 00:04:29.199
<v Speaker 2>like a five dollars Blu ray or something, you know,

94
00:04:29.399 --> 00:04:32.360
<v Speaker 2>but no, it's like eighty dollars. Like I don't know

95
00:04:32.399 --> 00:04:35.040
<v Speaker 2>if this is out of print at least on physical media,

96
00:04:35.120 --> 00:04:38.439
<v Speaker 2>so I know you can stream it so well, not only.

97
00:04:38.160 --> 00:04:42.800
<v Speaker 3>Can you stream it as of today as we're recording,

98
00:04:42.959 --> 00:04:45.639
<v Speaker 3>you can see the entire movie on YouTube.

99
00:04:46.959 --> 00:04:50.040
<v Speaker 1>Oh like YouTube YouTube.

100
00:04:49.120 --> 00:04:52.319
<v Speaker 3>On YouTube by somebody that ain't Columbia.

101
00:04:53.040 --> 00:04:55.160
<v Speaker 1>Okay, interesting, right, And I only.

102
00:04:54.920 --> 00:04:57.079
<v Speaker 3>Bring that up as to say, like that, that's a

103
00:04:57.160 --> 00:04:59.879
<v Speaker 3>measure of how not successful the movie was.

104
00:05:00.600 --> 00:05:02.839
<v Speaker 1>Columbia either doesn't know or doesn't care.

105
00:05:03.040 --> 00:05:09.439
<v Speaker 2>Yeah, how sad, because this feels like a real passion project.

106
00:05:09.439 --> 00:05:11.920
<v Speaker 3>It, you know, it certainly does. I mean, whenever you

107
00:05:12.000 --> 00:05:15.399
<v Speaker 3>hear the various people involved, be it Jake kas and directed,

108
00:05:15.639 --> 00:05:19.000
<v Speaker 3>certainly John c Riley who stars in it, who is

109
00:05:19.120 --> 00:05:23.319
<v Speaker 3>Dewey Cox, and all the other folks involved. I mean,

110
00:05:23.879 --> 00:05:26.000
<v Speaker 3>and I mean we'll talk about this in the movie,

111
00:05:26.040 --> 00:05:28.360
<v Speaker 3>but I mean it is a murderer's row of just

112
00:05:28.480 --> 00:05:30.959
<v Speaker 3>hey that person, Oh look at that, and not even

113
00:05:30.959 --> 00:05:34.360
<v Speaker 3>hey that guy. I mean like well known people right right,

114
00:05:34.639 --> 00:05:36.839
<v Speaker 3>who just pop up just just to hang out and

115
00:05:36.879 --> 00:05:37.279
<v Speaker 3>have fun.

116
00:05:37.519 --> 00:05:41.439
<v Speaker 1>Yep, So let's watch this, Brian, Let's do it. Let's

117
00:05:41.639 --> 00:05:42.839
<v Speaker 1>do let's do it.

118
00:05:44.199 --> 00:05:46.000
<v Speaker 3>And before we get started, I just want to remind

119
00:05:46.040 --> 00:05:48.040
<v Speaker 3>our listeners that if you want to hear this commentary

120
00:05:48.079 --> 00:05:50.600
<v Speaker 3>track ad free, which is of course the best way

121
00:05:50.800 --> 00:05:53.399
<v Speaker 3>to listen to our commentary tracks, well, you might want

122
00:05:53.439 --> 00:05:55.120
<v Speaker 3>to check out our Patreon feed, right.

123
00:05:55.040 --> 00:05:58.839
<v Speaker 2>Brian yep over at patreon dot com Slash Movie Film Podcast.

124
00:05:58.879 --> 00:06:01.079
<v Speaker 2>If you subscribe over there for only five dollars a month,

125
00:06:01.439 --> 00:06:03.560
<v Speaker 2>you get to hear this commentary and every other commentary

126
00:06:03.600 --> 00:06:05.879
<v Speaker 2>we've ever done, without any ads or interruptions.

127
00:06:06.120 --> 00:06:07.120
<v Speaker 1>Butting into the flow.

128
00:06:07.600 --> 00:06:09.279
<v Speaker 3>All right, so we'll do the usual thing. We'll hit

129
00:06:09.279 --> 00:06:11.920
<v Speaker 3>play on three one two three plate. Ready, Ready, here

130
00:06:11.959 --> 00:06:14.000
<v Speaker 3>we go, one two three plate.

131
00:06:15.600 --> 00:06:17.560
<v Speaker 2>Maybe because this is a musical, you should have been

132
00:06:17.800 --> 00:06:20.519
<v Speaker 2>like and a one and a two two.

133
00:06:20.319 --> 00:06:24.920
<v Speaker 3>Shay, or I should have just started and you'd be like, Zachy,

134
00:06:25.000 --> 00:06:26.040
<v Speaker 3>I don't, I don't know when you're starting.

135
00:06:26.040 --> 00:06:32.879
<v Speaker 2>I'd be like, just watch, And what I have to ask,

136
00:06:35.759 --> 00:06:37.959
<v Speaker 2>when was the last time you watched Walk the Line,

137
00:06:38.040 --> 00:06:41.240
<v Speaker 2>which I think is one of the bigger inspirations for

138
00:06:41.360 --> 00:06:42.920
<v Speaker 2>the outline of this movie.

139
00:06:43.240 --> 00:06:47.759
<v Speaker 3>Yes, this will Walk the Line and Ray most obviously.

140
00:06:47.560 --> 00:06:50.439
<v Speaker 2>Yeah, because those had come out just a couple of

141
00:06:50.519 --> 00:06:51.480
<v Speaker 2>years before this one.

142
00:06:51.959 --> 00:06:55.759
<v Speaker 3>That's right, Yeah, Walk the Line well and Ray, both

143
00:06:55.759 --> 00:06:59.800
<v Speaker 3>of them I saw when they came out. I didn't.

144
00:06:59.879 --> 00:07:01.240
<v Speaker 3>I didn't see either of them in the theater. I

145
00:07:01.240 --> 00:07:03.279
<v Speaker 3>saw them on home video, but it was you know,

146
00:07:03.360 --> 00:07:05.879
<v Speaker 3>so it's been about twenty years.

147
00:07:06.000 --> 00:07:09.560
<v Speaker 2>Same same and I know this opening is a lot

148
00:07:09.600 --> 00:07:11.279
<v Speaker 2>like the opening of Walk the Line, where you have

149
00:07:11.800 --> 00:07:14.600
<v Speaker 2>Johnny Cash at fulsome prison and he's about to go

150
00:07:14.800 --> 00:07:17.480
<v Speaker 2>on and play for the prisoners, and they're like Johnny

151
00:07:18.720 --> 00:07:20.279
<v Speaker 2>kind of a thing, and you know, you're ready to

152
00:07:20.319 --> 00:07:22.920
<v Speaker 2>go on, and he's got you know, his hand on

153
00:07:22.959 --> 00:07:23.399
<v Speaker 2>a wall.

154
00:07:24.120 --> 00:07:26.560
<v Speaker 3>Yeah, I'm it'sac it's I mean, it looks like an

155
00:07:26.600 --> 00:07:29.959
<v Speaker 3>album cover for like several Johnny Cash albums exactly. And

156
00:07:30.000 --> 00:07:34.439
<v Speaker 3>then Matt Faxon, by the way, who's searching for Dewey Cox.

157
00:07:34.480 --> 00:07:36.319
<v Speaker 3>He you know, I had a chance to interview him.

158
00:07:36.360 --> 00:07:38.720
<v Speaker 3>He wrote and directed the Way way Back.

159
00:07:39.199 --> 00:07:48.560
<v Speaker 2>Oh, I knew I recognized him, but I didn't know why.

160
00:07:46.040 --> 00:07:48.480
<v Speaker 3>He goes Dewey Cox thinking about his life. Now, now

161
00:07:48.879 --> 00:07:52.199
<v Speaker 3>I will assume you did not see this in the theater.

162
00:07:52.279 --> 00:07:52.959
<v Speaker 3>Maybe I'm wrong.

163
00:07:53.279 --> 00:07:56.000
<v Speaker 2>No, No, I was all over this. I oh, you

164
00:07:56.000 --> 00:07:58.439
<v Speaker 2>did see in the I was very excited for this movie.

165
00:07:58.439 --> 00:08:01.279
<v Speaker 3>So you see you beat me to it definitely, because

166
00:08:01.279 --> 00:08:06.319
<v Speaker 3>I didn't see this until it probably was on cable, you.

167
00:08:06.360 --> 00:08:06.839
<v Speaker 1>Know what it was.

168
00:08:06.879 --> 00:08:08.759
<v Speaker 2>Actually I was working at a studio at the time

169
00:08:09.639 --> 00:08:12.399
<v Speaker 2>and this was during award season, So this was December

170
00:08:12.519 --> 00:08:14.120
<v Speaker 2>two thousand and seven, and we were getting all sorts

171
00:08:14.160 --> 00:08:17.079
<v Speaker 2>of screeners and I was very excited for this movie.

172
00:08:17.120 --> 00:08:19.079
<v Speaker 2>And I remember when the screener came in for this,

173
00:08:19.240 --> 00:08:20.879
<v Speaker 2>I was like, oh, let me grab it, and I

174
00:08:20.920 --> 00:08:23.199
<v Speaker 2>want and I took it home and watched it and

175
00:08:23.279 --> 00:08:26.720
<v Speaker 2>then I loved it. And then I saw something else

176
00:08:26.759 --> 00:08:28.680
<v Speaker 2>in the theater the same month, and I remember when

177
00:08:28.680 --> 00:08:31.800
<v Speaker 2>that was over, I walked over to walk Hard and

178
00:08:31.839 --> 00:08:34.600
<v Speaker 2>watched it again, really because I wanted to see it

179
00:08:34.679 --> 00:08:35.320
<v Speaker 2>on the big screen.

180
00:08:35.399 --> 00:08:35.639
<v Speaker 1>Yeah.

181
00:08:37.279 --> 00:08:40.519
<v Speaker 3>So that's I mean, it is very much your sense

182
00:08:40.559 --> 00:08:41.240
<v Speaker 3>of humor.

183
00:08:42.279 --> 00:08:47.440
<v Speaker 2>Definitely, And I love how into the nuts and bolts

184
00:08:47.519 --> 00:08:51.000
<v Speaker 2>of music history. It goes right like it is. It's

185
00:08:51.039 --> 00:08:53.720
<v Speaker 2>having fun with it. But I mean we get into

186
00:08:53.840 --> 00:08:57.440
<v Speaker 2>like the Brian Wilson smile sessions.

187
00:08:57.080 --> 00:08:58.679
<v Speaker 1>Right in this movie, you know what I mean.

188
00:09:00.720 --> 00:09:04.159
<v Speaker 3>Well yeah, And and if I may, I mean another

189
00:09:04.279 --> 00:09:07.720
<v Speaker 3>movie that you have long champion is called Fear of

190
00:09:07.720 --> 00:09:10.879
<v Speaker 3>a Black Hat. Yes, yes, And and that I mean

191
00:09:11.000 --> 00:09:13.600
<v Speaker 3>is different from this but similar in that it's a

192
00:09:13.799 --> 00:09:20.240
<v Speaker 3>very specific kind of parody, right yep. And and I

193
00:09:20.240 --> 00:09:21.639
<v Speaker 3>know for a long time you've been a big fan

194
00:09:21.679 --> 00:09:22.200
<v Speaker 3>of that one.

195
00:09:22.279 --> 00:09:23.759
<v Speaker 2>I mean, it's it's like all of it, right, it's

196
00:09:23.759 --> 00:09:27.799
<v Speaker 2>spinal tap, it's the Naked Gun, it is just music,

197
00:09:28.600 --> 00:09:31.159
<v Speaker 2>you know, music history, it's it's all of it, and

198
00:09:31.200 --> 00:09:34.840
<v Speaker 2>it's Jutt Appatow. He was this was his moment, right,

199
00:09:34.919 --> 00:09:36.720
<v Speaker 2>I mean, this year we had forty year old Virgin

200
00:09:36.759 --> 00:09:38.919
<v Speaker 2>already Freaks and Geeks and all those things that were

201
00:09:38.919 --> 00:09:41.039
<v Speaker 2>sort of cult hits. But forty year old Virgin he

202
00:09:41.039 --> 00:09:44.240
<v Speaker 2>had his real breakout. Super I'm sorry knocked Up and

203
00:09:44.279 --> 00:09:46.240
<v Speaker 2>super Bad also came out this year.

204
00:09:46.279 --> 00:09:47.840
<v Speaker 1>I mean, he was on fire, yep.

205
00:09:48.080 --> 00:09:50.799
<v Speaker 2>And and I loved what he was doing, so I

206
00:09:50.879 --> 00:09:54.159
<v Speaker 2>was excited also that this was a jet Appatow joint.

207
00:10:03.279 --> 00:10:05.840
<v Speaker 3>Generally, you don't expect to laugh hysterically when a little

208
00:10:05.879 --> 00:10:09.480
<v Speaker 3>boy has been chopped in half with the machete, and

209
00:10:09.600 --> 00:10:10.320
<v Speaker 3>yet here we are.

210
00:10:11.080 --> 00:10:12.639
<v Speaker 2>But I love the like, matter of fact, do we

211
00:10:12.960 --> 00:10:16.720
<v Speaker 2>I'm cutting half pretty bad? I don't know that I'm

212
00:10:16.720 --> 00:10:20.200
<v Speaker 2>gonna make it. And that's the thing, right, This is

213
00:10:20.240 --> 00:10:22.399
<v Speaker 2>the kind of dialogue you hear in these sorts of things.

214
00:10:22.480 --> 00:10:24.440
<v Speaker 2>You know, it's like usually someone coughing into their hand

215
00:10:24.440 --> 00:10:27.120
<v Speaker 2>and there's blood and they're like, you know, you're gonna

216
00:10:27.120 --> 00:10:29.879
<v Speaker 2>be okay, Like I don't know, man, looks pretty bad.

217
00:10:30.320 --> 00:10:32.639
<v Speaker 1>You know here, I've been cutting half pretty bad.

218
00:10:33.000 --> 00:10:36.120
<v Speaker 3>Well, I love this here. The doctor's like, we're not

219
00:10:36.120 --> 00:10:37.879
<v Speaker 3>gonna be able to sew the top half to the

220
00:10:37.879 --> 00:10:42.120
<v Speaker 3>bottom half, and.

221
00:10:42.039 --> 00:10:44.480
<v Speaker 1>That's you know what this does that thing that I love.

222
00:10:44.519 --> 00:10:48.559
<v Speaker 2>Also, where it's not shot like a comedy right right,

223
00:10:48.679 --> 00:10:52.320
<v Speaker 2>it looks this is gorgeous. This may as well be

224
00:10:52.519 --> 00:10:55.960
<v Speaker 2>Walk the Line, like the lighting and the cinematography and everything,

225
00:10:55.960 --> 00:10:59.320
<v Speaker 2>you know it's And that to me makes the joke

226
00:10:59.440 --> 00:11:03.519
<v Speaker 2>ten times funnier because they're acting like they're in that movie,

227
00:11:03.519 --> 00:11:08.799
<v Speaker 2>but they're saying ridiculous things or they're talking about ridiculous things. Yeah,

228
00:11:08.840 --> 00:11:10.320
<v Speaker 2>and then this comes from Walk the Line.

229
00:11:10.320 --> 00:11:14.840
<v Speaker 1>You know, the wrong kid died Yep. She becomes this

230
00:11:14.919 --> 00:11:19.320
<v Speaker 1>guy's mantra through the whole movie. That's so funny.

231
00:11:21.559 --> 00:11:23.440
<v Speaker 2>I also love how Kristen Wigg has the you know

232
00:11:23.480 --> 00:11:25.120
<v Speaker 2>you're never gonna make it, You're never gonna make it,

233
00:11:25.200 --> 00:11:27.080
<v Speaker 2>and then when she's on the phone, lay're like, okay, Bud,

234
00:11:27.200 --> 00:11:28.039
<v Speaker 2>you're never gonna make it.

235
00:11:32.279 --> 00:11:35.360
<v Speaker 3>I love how Margot Martindale's just playing it completely straight.

236
00:11:35.639 --> 00:11:40.120
<v Speaker 1>Yes, yes, she's so perfect.

237
00:11:41.879 --> 00:11:45.559
<v Speaker 2>And I was thinking, man, this really moves so quickly,

238
00:11:46.440 --> 00:11:51.120
<v Speaker 2>like I was admiring the the script, you know, or

239
00:11:51.159 --> 00:11:53.879
<v Speaker 2>maybe I should say the editing that because I'm sure

240
00:11:54.320 --> 00:11:57.559
<v Speaker 2>we know there's a two hour cut, but just you know,

241
00:11:57.879 --> 00:12:00.679
<v Speaker 2>the flashback, the brother dies every but he's upset.

242
00:12:00.799 --> 00:12:03.399
<v Speaker 1>Now go to the store, you know, and so then.

243
00:12:03.279 --> 00:12:05.840
<v Speaker 2>He goes and meets these uh, these blues musicians, and

244
00:12:05.840 --> 00:12:07.720
<v Speaker 2>then he plays the guitar and sings the blues for

245
00:12:07.759 --> 00:12:08.320
<v Speaker 2>the first time.

246
00:12:08.759 --> 00:12:08.960
<v Speaker 1>You know.

247
00:12:09.000 --> 00:12:13.360
<v Speaker 2>It's just it's so fast, and like any great comedy,

248
00:12:13.480 --> 00:12:16.759
<v Speaker 2>every scene has at least multiple things that you laugh

249
00:12:16.799 --> 00:12:20.039
<v Speaker 2>at in it, right, you know, well.

250
00:12:19.960 --> 00:12:23.559
<v Speaker 3>I I think that that's you know, you were talking

251
00:12:23.559 --> 00:12:25.960
<v Speaker 3>about Apatow, and you know, I think Apatow at his

252
00:12:26.159 --> 00:12:30.080
<v Speaker 3>best benefits from from strong editing.

253
00:12:30.879 --> 00:12:32.200
<v Speaker 1>Yoh, totally right.

254
00:12:32.039 --> 00:12:34.559
<v Speaker 3>Because because you know you're talking. I mean, I haven't

255
00:12:34.559 --> 00:12:36.759
<v Speaker 3>seen the extended version fully, but I did see the

256
00:12:36.799 --> 00:12:42.080
<v Speaker 3>extended version of certain clips. I saw specifically the Beatles scene.

257
00:12:42.320 --> 00:12:45.720
<v Speaker 3>Oh interesting, okay, And and it's like amusing. I'm not

258
00:12:45.759 --> 00:12:49.519
<v Speaker 3>I'm not saying it's it's it's not funny, but it's

259
00:12:49.799 --> 00:12:53.120
<v Speaker 3>Jack Black and Paul Rudd and and you know, Jason

260
00:12:53.120 --> 00:12:56.840
<v Speaker 3>Schwartzman and and Justin Long. Just I mean, there's a

261
00:12:56.919 --> 00:13:00.399
<v Speaker 3>lot of them riffing, right, and it is like like

262
00:13:00.519 --> 00:13:03.720
<v Speaker 3>but on its own it's fun, right, but it would

263
00:13:03.759 --> 00:13:06.559
<v Speaker 3>just kill the momentum cold in the movie, right, right,

264
00:13:06.679 --> 00:13:09.480
<v Speaker 3>So it's like you got to know when to let

265
00:13:09.519 --> 00:13:11.080
<v Speaker 3>some of the stuff go, right.

266
00:13:11.840 --> 00:13:13.799
<v Speaker 2>Yeah, And it seems like he was doing that less

267
00:13:13.840 --> 00:13:16.039
<v Speaker 2>and less, that's right, as he went on.

268
00:13:16.799 --> 00:13:19.120
<v Speaker 3>That's exactly it, yeah, right, because.

269
00:13:18.919 --> 00:13:21.879
<v Speaker 2>I mean, you know, Knocked Up in forty old version

270
00:13:21.919 --> 00:13:25.519
<v Speaker 2>are a bit long for comedies, but I think they

271
00:13:26.000 --> 00:13:29.480
<v Speaker 2>sustain well. But then his movie's just got like funny

272
00:13:29.480 --> 00:13:32.120
<v Speaker 2>People is like two and a half hours long, exactly,

273
00:13:32.200 --> 00:13:35.960
<v Speaker 2>you know, and when you watch it, it does feel

274
00:13:35.960 --> 00:13:39.360
<v Speaker 2>like a lot of it does feel like outtakes, you know,

275
00:13:39.440 --> 00:13:40.879
<v Speaker 2>like just stuff he was in love with that he

276
00:13:40.879 --> 00:13:41.639
<v Speaker 2>couldn't let go of.

277
00:13:41.799 --> 00:13:43.960
<v Speaker 1>That is slowing the movie down.

278
00:13:44.200 --> 00:13:48.000
<v Speaker 3>Right, This is so funny here, right, we got John

279
00:13:48.039 --> 00:13:52.799
<v Speaker 3>c Riley as fourteen year old Dewey Cox, and damned

280
00:13:52.840 --> 00:13:54.519
<v Speaker 3>if you don't believe he's fourteen years old.

281
00:13:59.240 --> 00:14:03.399
<v Speaker 2>He is incredible in this movie, right, I mean, because

282
00:14:03.399 --> 00:14:08.639
<v Speaker 2>he's doing so much, he's like he's he's he's so

283
00:14:08.720 --> 00:14:12.759
<v Speaker 2>good in comedies because he has this kind of I

284
00:14:12.759 --> 00:14:15.600
<v Speaker 2>don't know, like dopiness, a little bit in his voice

285
00:14:15.600 --> 00:14:19.240
<v Speaker 2>that he can like play with and accentuate, you know,

286
00:14:19.279 --> 00:14:22.200
<v Speaker 2>for comedic purposes. But before this he was mostly known

287
00:14:22.240 --> 00:14:25.320
<v Speaker 2>for serious movies, right like Paul Thomas Anderson movies, The Hours,

288
00:14:25.360 --> 00:14:28.000
<v Speaker 2>Gangs of New York, Boogie Knights, Boogie.

289
00:14:27.799 --> 00:14:28.279
<v Speaker 1>Knights of course.

290
00:14:28.360 --> 00:14:30.799
<v Speaker 2>Yeah, And so then it feels like this was a

291
00:14:30.840 --> 00:14:33.919
<v Speaker 2>real sort of breakout moment for him to show like

292
00:14:33.960 --> 00:14:36.679
<v Speaker 2>a whole new you know, tool in his toolbox that

293
00:14:36.720 --> 00:14:39.159
<v Speaker 2>he had. And then he does Step Brothers the next year,

294
00:14:39.279 --> 00:14:42.000
<v Speaker 2>and he I think people probably think of him as

295
00:14:42.200 --> 00:14:43.240
<v Speaker 2>a comedian now.

296
00:14:43.120 --> 00:14:46.120
<v Speaker 3>More of a more of a comedy or a or

297
00:14:46.120 --> 00:14:49.799
<v Speaker 3>animated guy, because he's a you know, he's a recket.

298
00:14:49.840 --> 00:14:50.679
<v Speaker 3>What's l reckett?

299
00:14:50.720 --> 00:14:54.039
<v Speaker 1>Ralph? Yeah, what did that guy say? I love that,

300
00:14:54.200 --> 00:14:55.000
<v Speaker 1>the talent show guy.

301
00:14:55.039 --> 00:14:57.360
<v Speaker 2>He says some joke like ladies and germs kind of thing,

302
00:14:57.799 --> 00:14:59.840
<v Speaker 2>and then everyone like laughs a little louder than they shed.

303
00:14:59.879 --> 00:15:01.279
<v Speaker 1>He us, I know, I know.

304
00:15:03.279 --> 00:15:07.639
<v Speaker 2>Those are the jokes I love, you know, like it's

305
00:15:07.679 --> 00:15:11.120
<v Speaker 2>just weird little stories in this universe, Like that's the

306
00:15:11.120 --> 00:15:13.480
<v Speaker 2>funny guy that everybody thinks it's funny at school.

307
00:15:14.320 --> 00:15:17.679
<v Speaker 1>I know, I know, the.

308
00:15:17.639 --> 00:15:22.480
<v Speaker 3>Wrong kid time God damn it just apropos of nothing

309
00:15:22.919 --> 00:15:23.399
<v Speaker 3>quite dear.

310
00:15:26.080 --> 00:15:27.799
<v Speaker 2>And this is hilarious because this is what happens in

311
00:15:27.840 --> 00:15:30.080
<v Speaker 2>these movies, right, you know, Elvis goes Actually this does

312
00:15:30.120 --> 00:15:32.799
<v Speaker 2>happen in Elvis the baz Lerman one, which came out

313
00:15:32.879 --> 00:15:35.600
<v Speaker 2>years later. But he sings a song and women just

314
00:15:35.639 --> 00:15:38.600
<v Speaker 2>can't help it, sort of like oh, like something's moving

315
00:15:38.639 --> 00:15:40.600
<v Speaker 2>and stirring inside of them, you know, like a like

316
00:15:40.639 --> 00:15:43.639
<v Speaker 2>a sexual awakening. But he's singing the most chase song

317
00:15:43.720 --> 00:15:46.440
<v Speaker 2>in the world about holding hands, but women are like

318
00:15:46.519 --> 00:15:51.320
<v Speaker 2>ripping their dresses open, and you know, it's so funny.

319
00:15:51.600 --> 00:15:52.960
<v Speaker 2>People punching ministers.

320
00:15:56.720 --> 00:15:58.159
<v Speaker 3>Rance Howard as the priest.

321
00:15:58.919 --> 00:15:59.480
<v Speaker 1>Wait, w was he?

322
00:16:00.360 --> 00:16:01.919
<v Speaker 3>That's Ron Howard's dad.

323
00:16:02.440 --> 00:16:09.000
<v Speaker 1>Oh guy, k oh my gosh.

324
00:16:09.480 --> 00:16:13.000
<v Speaker 2>Then Kristin Wig, I mean this is like her SNL

325
00:16:13.120 --> 00:16:16.200
<v Speaker 2>moment right where she's like a superstar in SNL. I

326
00:16:16.200 --> 00:16:18.120
<v Speaker 2>mean before Bridesmaids and everything.

327
00:16:19.759 --> 00:16:24.080
<v Speaker 3>Yeah, she had she was in Uh she's a knocked up.

328
00:16:24.039 --> 00:16:29.000
<v Speaker 1>Right, Yes, she's an executive at E Channel.

329
00:16:28.840 --> 00:16:31.960
<v Speaker 3>That's right, So she she kind of she was already

330
00:16:32.000 --> 00:16:33.679
<v Speaker 3>in the Apatow Orbit, you know.

331
00:16:34.159 --> 00:16:37.120
<v Speaker 2>Yeah, I think I had read somewhere where Yeah, she

332
00:16:37.279 --> 00:16:39.840
<v Speaker 2>really popped in that moment, and this is like what

333
00:16:39.919 --> 00:16:43.879
<v Speaker 2>Jed Apatow does. He finds these interesting people who have

334
00:16:43.960 --> 00:16:47.320
<v Speaker 2>not found a vehicle yet, and he creates vehicles for them, right,

335
00:16:47.559 --> 00:16:50.840
<v Speaker 2>which is you know, he was doing it more in

336
00:16:50.879 --> 00:16:52.879
<v Speaker 2>this era, but it was it was kind.

337
00:16:52.799 --> 00:16:57.480
<v Speaker 3>Of great perfect. You know, Ricky Bobby was just a

338
00:16:57.559 --> 00:16:58.200
<v Speaker 3>year before this.

339
00:16:58.759 --> 00:17:01.159
<v Speaker 1>Oh that was for this okay.

340
00:17:00.879 --> 00:17:04.200
<v Speaker 3>Yeah, so you can imagine that's what That's what laid

341
00:17:04.279 --> 00:17:06.759
<v Speaker 3>the track for John c Riley doing this the other

342
00:17:06.799 --> 00:17:09.160
<v Speaker 3>you know, we were talking about Riley and and I

343
00:17:09.200 --> 00:17:12.640
<v Speaker 3>think what what makes his performance work? I was thinking

344
00:17:12.680 --> 00:17:15.920
<v Speaker 3>about as I rewatched it. I was like, the songs

345
00:17:16.000 --> 00:17:22.000
<v Speaker 3>are good, like they're all they're all like earworms, right, And.

346
00:17:21.920 --> 00:17:25.880
<v Speaker 2>That's that's the trick really exactly, because it's not like

347
00:17:25.920 --> 00:17:29.440
<v Speaker 2>they have funny lyrics, right, Like occasionally they do like

348
00:17:29.519 --> 00:17:32.240
<v Speaker 2>something that's like a little off kilter or something, but

349
00:17:32.279 --> 00:17:38.160
<v Speaker 2>they're so perfect, like they're not like just an Elvis

350
00:17:38.240 --> 00:17:41.039
<v Speaker 2>song or like, oh, this is a fifties rock and

351
00:17:41.119 --> 00:17:43.359
<v Speaker 2>roll song. Like at one point he is doing like

352
00:17:43.480 --> 00:17:47.799
<v Speaker 2>the operatic rock of Roy Orbison specifically, you know, and

353
00:17:47.880 --> 00:17:52.079
<v Speaker 2>like this very very specific like era of Bob Dylan,

354
00:17:52.960 --> 00:17:57.759
<v Speaker 2>you know. So yeah, yeah, it's it's brilliant and almost

355
00:17:57.839 --> 00:18:02.839
<v Speaker 2>like if you don't have that awareness, you might not

356
00:18:03.000 --> 00:18:05.680
<v Speaker 2>find it as funny, which is why I think this

357
00:18:06.119 --> 00:18:10.920
<v Speaker 2>movie really resonates with certain people and other people you know,

358
00:18:11.680 --> 00:18:14.119
<v Speaker 2>just I don't know, can't get into it as much.

359
00:18:14.200 --> 00:18:21.160
<v Speaker 3>Yeah, So this sequence here, it's inspired by, Uh, there's

360
00:18:21.200 --> 00:18:24.960
<v Speaker 3>a there's an Elvis movie called called King Creole okay,

361
00:18:25.319 --> 00:18:29.119
<v Speaker 3>and it's basically the same idea. You have a you know,

362
00:18:29.240 --> 00:18:32.920
<v Speaker 3>a black band and you know the lead singers and available,

363
00:18:32.960 --> 00:18:35.039
<v Speaker 3>so like, well what about you you sing? And he's like, well,

364
00:18:35.119 --> 00:18:38.039
<v Speaker 3>you know, and he starts doing his Elvis thing. But

365
00:18:38.160 --> 00:18:42.279
<v Speaker 3>obviously it's made so much funnier by everything, you know,

366
00:18:43.200 --> 00:18:47.279
<v Speaker 3>like poor Craig Robinson. You feel bad for him, the

367
00:18:48.039 --> 00:18:49.480
<v Speaker 3>mistrain for him, you know.

368
00:18:49.839 --> 00:18:52.559
<v Speaker 2>Yeah, actually I did think about that in this when

369
00:18:52.559 --> 00:18:54.039
<v Speaker 2>I was watching this, like, oh man, that could have

370
00:18:54.079 --> 00:19:00.960
<v Speaker 2>been his This could have been his movie. And that's

371
00:19:01.000 --> 00:19:04.920
<v Speaker 2>what's funny too, is I like that it is riffing

372
00:19:04.960 --> 00:19:08.400
<v Speaker 2>on so many familiar stories and movies and whatever, but

373
00:19:08.519 --> 00:19:11.440
<v Speaker 2>it is enough of its own thing. You know that

374
00:19:11.519 --> 00:19:15.640
<v Speaker 2>by the end, when Cox does have his song that

375
00:19:15.680 --> 00:19:19.720
<v Speaker 2>sums up his entire life, I weirdly like feel something right,

376
00:19:19.960 --> 00:19:22.799
<v Speaker 2>Like it is enough of its own story as much

377
00:19:22.839 --> 00:19:24.119
<v Speaker 2>as it's leaning on other things.

378
00:19:24.279 --> 00:19:26.279
<v Speaker 1>Yeah, well, you.

379
00:19:26.240 --> 00:19:29.599
<v Speaker 3>Know, I I think when when you look at like

380
00:19:29.720 --> 00:19:34.920
<v Speaker 3>the the ePK material and you know, the interviews and

381
00:19:34.960 --> 00:19:39.000
<v Speaker 3>things that the filmmakers and cast made that they gave

382
00:19:39.680 --> 00:19:42.680
<v Speaker 3>when the movie came out, you know, they're they're jokingly

383
00:19:42.759 --> 00:19:44.640
<v Speaker 3>but very seriously, like, you know, our goal is to

384
00:19:44.680 --> 00:19:48.720
<v Speaker 3>win Oscars, you know, And it's like that they're treating

385
00:19:48.759 --> 00:19:53.240
<v Speaker 3>this like it's an Oscar bait movie, right, right, And

386
00:19:53.279 --> 00:19:56.400
<v Speaker 3>I think that's what makes it hilarious. But it really it,

387
00:19:56.640 --> 00:20:00.960
<v Speaker 3>you know, it's what I realize about this type of humor,

388
00:20:01.200 --> 00:20:03.960
<v Speaker 3>and and I think it helps that like you and

389
00:20:04.000 --> 00:20:06.000
<v Speaker 3>I have very similar like we have a sense of

390
00:20:06.039 --> 00:20:10.200
<v Speaker 3>what we each find funny, right, But I have to

391
00:20:10.240 --> 00:20:13.160
<v Speaker 3>remind myself, oh, not everybody finds that type of stuff funny.

392
00:20:13.240 --> 00:20:14.880
<v Speaker 1>Mm hmm, yeah for sure, right.

393
00:20:15.039 --> 00:20:18.559
<v Speaker 3>And so it's like for the inside group, it's just like,

394
00:20:18.599 --> 00:20:23.079
<v Speaker 3>oh man, this is it's you know, you're you're you're

395
00:20:23.480 --> 00:20:25.599
<v Speaker 3>experiencing genius as it's happening.

396
00:20:25.759 --> 00:20:26.079
<v Speaker 1>M hm.

397
00:20:26.799 --> 00:20:29.960
<v Speaker 3>But again, if you're part of the outside group, it's

398
00:20:29.960 --> 00:20:32.160
<v Speaker 3>like this is nothing, None of this makes sense.

399
00:20:32.359 --> 00:20:32.599
<v Speaker 1>You know.

400
00:20:32.920 --> 00:20:35.680
<v Speaker 2>Yeah, yeah, and that's that's why I think it's but

401
00:20:35.720 --> 00:20:37.119
<v Speaker 2>I just have to call it this whole thing where

402
00:20:37.119 --> 00:20:38.720
<v Speaker 2>he's like, you know, I got to follow my dreams.

403
00:20:38.720 --> 00:20:40.640
<v Speaker 2>She's like, what about my dreams. He's like, I told you,

404
00:20:40.680 --> 00:20:44.079
<v Speaker 2>I can't build you a candy house. It won't work,

405
00:20:44.119 --> 00:20:47.240
<v Speaker 2>It'll melt. She's like, what if it never rains?

406
00:20:50.079 --> 00:20:51.920
<v Speaker 1>You know, It's like all of it. This thing is,

407
00:20:51.960 --> 00:20:52.799
<v Speaker 1>it covers all of it.

408
00:20:52.799 --> 00:20:55.240
<v Speaker 2>It's got the stupid humor, it's got the incisive humor,

409
00:20:55.680 --> 00:20:57.359
<v Speaker 2>it's got the wit, it's got the parody.

410
00:20:58.119 --> 00:21:01.279
<v Speaker 3>Well this right here, right the the horriest of tropes,

411
00:21:01.319 --> 00:21:06.440
<v Speaker 3>which is they the star of the music bio somehow

412
00:21:06.480 --> 00:21:09.119
<v Speaker 3>stumbles upon their most important hit.

413
00:21:09.599 --> 00:21:17.880
<v Speaker 1>Yep, yeah, like all those trip walk Hard Hard you know,

414
00:21:18.359 --> 00:21:19.079
<v Speaker 1>yeah exactly.

415
00:21:21.680 --> 00:21:23.720
<v Speaker 2>But like I mean, just going back to the audience,

416
00:21:23.720 --> 00:21:25.440
<v Speaker 2>you know, I was curious. I looked, I want to

417
00:21:25.440 --> 00:21:28.640
<v Speaker 2>see what critics thought, and it's like seventy five percent

418
00:21:28.720 --> 00:21:33.880
<v Speaker 2>for critics and fifty seven percent for audience. Interesting, okay,

419
00:21:34.079 --> 00:21:36.559
<v Speaker 2>And so I saw and just then I looked this

420
00:21:36.599 --> 00:21:39.200
<v Speaker 2>on Rott Tomatoes and I looked into the audience and

421
00:21:39.279 --> 00:21:42.480
<v Speaker 2>the two top comments literally side by side on the

422
00:21:42.519 --> 00:21:47.680
<v Speaker 2>page is this is what passes for comedy and awesome movie,

423
00:21:47.720 --> 00:21:49.000
<v Speaker 2>one of the best I've ever seen.

424
00:21:49.720 --> 00:21:53.160
<v Speaker 3>Brilliant, which you know said enough said.

425
00:21:53.200 --> 00:21:54.480
<v Speaker 1>I mean this is kind of what we're saying.

426
00:21:54.759 --> 00:21:56.799
<v Speaker 2>I think that makes sense because this is so niche

427
00:21:56.799 --> 00:21:59.440
<v Speaker 2>and it nails its subject matter in a very precise way.

428
00:21:59.720 --> 00:22:01.799
<v Speaker 2>Like like that it doesn't just go broad and become

429
00:22:01.880 --> 00:22:05.079
<v Speaker 2>like a rock and roll comedy, right, It digs in

430
00:22:05.119 --> 00:22:08.440
<v Speaker 2>and gets hyper specific, right, you know, which isn't going

431
00:22:08.640 --> 00:22:12.799
<v Speaker 2>going to appeal to everyone, but for the people you

432
00:22:12.880 --> 00:22:15.720
<v Speaker 2>know that this connects with, this becomes an instant classic.

433
00:22:16.599 --> 00:22:16.839
<v Speaker 1>Yeah.

434
00:22:17.119 --> 00:22:23.319
<v Speaker 3>Well, it's you know when we look at our comedic influences, right,

435
00:22:23.359 --> 00:22:25.920
<v Speaker 3>I mean it's you know, we often point to Conan,

436
00:22:26.440 --> 00:22:30.079
<v Speaker 3>you know, who himself would point to Monty Python and

437
00:22:30.079 --> 00:22:32.039
<v Speaker 3>and you know, and you can connect the dots from

438
00:22:32.079 --> 00:22:34.960
<v Speaker 3>from Conan to here, right, and and I think for again,

439
00:22:35.000 --> 00:22:36.880
<v Speaker 3>for the things that you and I laugh at, it's

440
00:22:36.960 --> 00:22:41.480
<v Speaker 3>part of it's part of that continuum, right. And it's

441
00:22:41.799 --> 00:22:44.720
<v Speaker 3>you know, it's like like Conan has I mean, he

442
00:22:44.759 --> 00:22:46.519
<v Speaker 3>has many bits, but he has this one which I'm

443
00:22:46.519 --> 00:22:49.119
<v Speaker 3>sure you've seen where it's from Wait, like season one,

444
00:22:49.279 --> 00:22:51.440
<v Speaker 3>maybe the first few months of his show where he

445
00:22:51.480 --> 00:22:52.519
<v Speaker 3>has Scarlett Johansson.

446
00:22:52.559 --> 00:22:55.759
<v Speaker 1>She's a little kid, yeah yeah, yeah, yes, yes, right.

447
00:22:55.680 --> 00:23:01.480
<v Speaker 3>And she plays a spelling be champion who keeps misspelling

448
00:23:01.519 --> 00:23:05.559
<v Speaker 3>words and nobody is willing to call her on it, yes, which,

449
00:23:05.720 --> 00:23:09.000
<v Speaker 3>like to me, that's just like that is hilarious, so funny.

450
00:23:09.039 --> 00:23:12.160
<v Speaker 3>Yeah right, the whole bit everything and the execution, you know.

451
00:23:12.200 --> 00:23:14.359
<v Speaker 3>And yet I've shown that to people who are like,

452
00:23:14.359 --> 00:23:15.319
<v Speaker 3>I don't what's the joke.

453
00:23:15.759 --> 00:23:18.960
<v Speaker 2>Yeah, well Chase Conan is pretending, yeah, it's it's pretending

454
00:23:19.000 --> 00:23:21.960
<v Speaker 2>like it's an interview, and he is just going with it,

455
00:23:22.680 --> 00:23:25.039
<v Speaker 2>like playing himself, going with it as if this was

456
00:23:25.079 --> 00:23:28.039
<v Speaker 2>a real interview and this kid isn't spelling words correctly,

457
00:23:28.039 --> 00:23:30.160
<v Speaker 2>who's supposed to be a spelling bee champion. But then

458
00:23:30.720 --> 00:23:35.599
<v Speaker 2>Andy is like, well, you know, I mean I hate

459
00:23:35.599 --> 00:23:38.160
<v Speaker 2>to be you know it, but that actually is incorrect

460
00:23:38.519 --> 00:23:40.799
<v Speaker 2>and you can tell like the audience is uncomfortable.

461
00:23:41.000 --> 00:23:44.039
<v Speaker 1>Yep, you know, like and that's that's the joke. That's

462
00:23:44.079 --> 00:23:45.079
<v Speaker 1>the joke exactly.

463
00:23:45.440 --> 00:23:46.640
<v Speaker 4>Yeah.

464
00:23:46.799 --> 00:23:51.119
<v Speaker 3>This is by the way, mister Lahai, mister Mazeltov, right,

465
00:23:52.039 --> 00:23:56.599
<v Speaker 3>the Jewish music executives. Yeah, yeah, literally looks like rabbis

466
00:23:56.839 --> 00:23:58.039
<v Speaker 3>Harold Ramis ri ip.

467
00:23:59.160 --> 00:24:03.039
<v Speaker 1>Yeah, one of a kind, such a unique.

468
00:24:02.839 --> 00:24:07.960
<v Speaker 2>Warmth seriously, yeah, yeah, dude, and John Michael Higgins in

469
00:24:08.000 --> 00:24:11.440
<v Speaker 2>this one scene just crushes.

470
00:24:12.920 --> 00:24:22.480
<v Speaker 3>Stopped at this instant. You have failed conclusively. I quote

471
00:24:22.519 --> 00:24:35.119
<v Speaker 3>this so much. You've ruined my faith in the Jewish people. Well, sir,

472
00:24:35.160 --> 00:24:40.599
<v Speaker 3>I'd like to restore your faith in Judaism. Yeah, what

473
00:24:40.720 --> 00:24:42.799
<v Speaker 3>makes this so funny? So this is this is pretty

474
00:24:42.799 --> 00:24:47.200
<v Speaker 3>clearly I mean this is like directly parodying Walk Hard.

475
00:24:47.279 --> 00:24:50.599
<v Speaker 1>Yeah, or Walk the Line. Yeah, excuse me walk yeah,

476
00:24:50.680 --> 00:24:55.640
<v Speaker 1>walk the Line. Uh, the way it's shot everything right, Yeah.

477
00:24:55.720 --> 00:24:58.400
<v Speaker 3>But what I love is like how it compresses the

478
00:24:58.440 --> 00:25:02.559
<v Speaker 3>time frame where like it becomes a hit while he's recording.

479
00:25:02.799 --> 00:25:07.200
<v Speaker 2>Yes, yes, yeah, the DJ is playing it on the radio.

480
00:25:07.240 --> 00:25:09.400
<v Speaker 2>He's like, wow, this was recorded thirty five minutes ago.

481
00:25:12.839 --> 00:25:14.920
<v Speaker 2>I love, but this is I mean, this is kind

482
00:25:15.000 --> 00:25:17.599
<v Speaker 2>of what Walk the Line does. It's like, this is

483
00:25:17.640 --> 00:25:20.799
<v Speaker 2>your last shot. Like what you've done so far isn't working. Yeah,

484
00:25:20.799 --> 00:25:22.720
<v Speaker 2>but I need you to play something that is you

485
00:25:22.799 --> 00:25:25.079
<v Speaker 2>from your heart. But like this just takes it and

486
00:25:25.400 --> 00:25:32.839
<v Speaker 2>dials it up to eleven. You know, it's comedically and

487
00:25:32.880 --> 00:25:35.359
<v Speaker 2>then it's funny because he turns to the band and

488
00:25:35.400 --> 00:25:37.160
<v Speaker 2>it's just like, all right, well, I've never met these

489
00:25:37.160 --> 00:25:39.559
<v Speaker 2>people before in my life, but just follow me. And

490
00:25:39.599 --> 00:25:41.000
<v Speaker 2>then all of a sudden, they know the song and

491
00:25:41.000 --> 00:25:42.880
<v Speaker 2>they know how to sing back up for it, and

492
00:25:43.000 --> 00:25:43.680
<v Speaker 2>you know it's.

493
00:25:45.240 --> 00:25:47.759
<v Speaker 1>Let me give you fifteen more seconds. His voice is

494
00:25:47.799 --> 00:25:51.680
<v Speaker 1>so good. I was lucky enough to meet him when

495
00:25:51.720 --> 00:25:54.319
<v Speaker 1>I worked on for Your Consideration. Oh yeah, that's right,

496
00:25:54.359 --> 00:25:56.480
<v Speaker 1>you did, mommy. Yeah, he's part of that Christopher guest troop.

497
00:25:56.519 --> 00:25:58.160
<v Speaker 1>He's so funny.

498
00:25:58.319 --> 00:26:02.720
<v Speaker 3>First time I saw him was as David Letterman. Oh

499
00:26:03.119 --> 00:26:06.200
<v Speaker 3>in the late Shift to that HBO movie. Wow.

500
00:26:06.440 --> 00:26:10.440
<v Speaker 1>Yeah, I don't know that I connected that that was him.

501
00:26:11.000 --> 00:26:12.440
<v Speaker 3>He was a pretty good Letterman.

502
00:26:12.519 --> 00:26:16.079
<v Speaker 1>I thought, yeah, that's a good movie. I think it is.

503
00:26:16.119 --> 00:26:16.559
<v Speaker 1>I agree.

504
00:26:16.759 --> 00:26:18.920
<v Speaker 3>Yeah, see like this right here, walk I love this

505
00:26:19.119 --> 00:26:23.559
<v Speaker 3>look he shoots movie. He knows immediately, like literally, he's

506
00:26:23.640 --> 00:26:28.039
<v Speaker 3>just like walk hard. And then he's like, people are

507
00:26:28.079 --> 00:26:30.759
<v Speaker 3>running up. But here's the thing. Walk Hard is a

508
00:26:30.799 --> 00:26:31.640
<v Speaker 3>banger of a song.

509
00:26:32.319 --> 00:26:35.839
<v Speaker 1>That's that's the real trick, right right.

510
00:26:37.640 --> 00:26:41.400
<v Speaker 2>And And you know it's funny because I still stand

511
00:26:41.400 --> 00:26:43.559
<v Speaker 2>by I think that thing you do being the most

512
00:26:43.680 --> 00:26:46.640
<v Speaker 2>amazing achievement in like making up a song for a

513
00:26:46.640 --> 00:26:49.839
<v Speaker 2>fake band in a movie, because that is supposed to

514
00:26:49.880 --> 00:26:52.079
<v Speaker 2>be like, these guys come up with a hit that

515
00:26:52.200 --> 00:26:55.640
<v Speaker 2>is undeniable that we're gonna play ten times in this

516
00:26:55.759 --> 00:26:58.039
<v Speaker 2>movie and you will never get tired of it. And

517
00:26:58.160 --> 00:27:01.079
<v Speaker 2>I think it's a miracle that song. And then you

518
00:27:01.160 --> 00:27:04.880
<v Speaker 2>really do have to put this movie really really close

519
00:27:04.920 --> 00:27:08.559
<v Speaker 2>because it comes up with so many songs that are

520
00:27:08.559 --> 00:27:13.440
<v Speaker 2>supposed to represent so many different eras of music so specifically,

521
00:27:14.720 --> 00:27:16.000
<v Speaker 2>and they're funny in the way they're.

522
00:27:15.839 --> 00:27:16.359
<v Speaker 1>Supposed to be.

523
00:27:17.000 --> 00:27:21.160
<v Speaker 3>Real quick, so we just saw Jack McBrayer as the DJ. Yeah, right, right, right,

524
00:27:21.519 --> 00:27:23.599
<v Speaker 3>so we got we got to wreck at Ralph and

525
00:27:23.640 --> 00:27:24.480
<v Speaker 3>fix it Felix.

526
00:27:24.720 --> 00:27:26.960
<v Speaker 1>Oh yeah, good god. Well this is so like.

527
00:27:28.680 --> 00:27:30.200
<v Speaker 2>You know, you're saying, there's so many people in this

528
00:27:30.240 --> 00:27:32.279
<v Speaker 2>and especially of this moment, right, I mean you have

529
00:27:32.319 --> 00:27:34.960
<v Speaker 2>so many people from the office, yeah, which I think

530
00:27:35.039 --> 00:27:39.519
<v Speaker 2>started two years before this and Appatao gang people form

531
00:27:39.519 --> 00:27:41.599
<v Speaker 2>freaks and geeks just populating this movie.

532
00:27:43.079 --> 00:27:44.839
<v Speaker 1>Sorry you were saying about the song.

533
00:27:44.799 --> 00:27:46.359
<v Speaker 2>No, but I mean I think that's the real trick,

534
00:27:46.440 --> 00:27:50.400
<v Speaker 2>is like the songs aren't like weird al you know,

535
00:27:50.880 --> 00:27:55.119
<v Speaker 2>trying to be like like it's not the song isn't

536
00:27:55.160 --> 00:27:58.759
<v Speaker 2>a gag, right, you know what I mean? They're actually

537
00:27:58.799 --> 00:28:01.640
<v Speaker 2>like really well done, and how well done they are

538
00:28:01.720 --> 00:28:06.440
<v Speaker 2>is kind of the joke. Yeah right, you know when

539
00:28:06.480 --> 00:28:08.799
<v Speaker 2>I loved this too, just the way that this has

540
00:28:08.839 --> 00:28:12.119
<v Speaker 2>played this giraffe in his kitchen. He's like, oh yeah,

541
00:28:12.160 --> 00:28:14.119
<v Speaker 2>you know, I said sure, but I just want the giraffe.

542
00:28:14.119 --> 00:28:17.279
<v Speaker 2>So anyway, he's a beautiful creature, you know, like just

543
00:28:17.279 --> 00:28:22.680
<v Speaker 2>so casual. But I wanted to call out a lot

544
00:28:22.680 --> 00:28:26.519
<v Speaker 2>of songwriters participated, but primarily these songs were written by

545
00:28:27.279 --> 00:28:31.279
<v Speaker 2>a guy named Dan Byrne and Mike Viola, and Mike

546
00:28:31.359 --> 00:28:33.720
<v Speaker 2>Viola produced That Thing You.

547
00:28:33.680 --> 00:28:36.000
<v Speaker 1>Do, which was written by the late great Adam Schleisinger.

548
00:28:36.119 --> 00:28:37.720
<v Speaker 1>Oh okay, and.

549
00:28:37.880 --> 00:28:40.720
<v Speaker 2>Viola is produced and written stuff for like Panic at

550
00:28:40.759 --> 00:28:44.680
<v Speaker 2>the Disco and Mandy Moore, Jenny Lewis and Dan Byrne.

551
00:28:45.480 --> 00:28:51.039
<v Speaker 2>He's a singer songwriter, you know, I'm looking him up.

552
00:28:51.039 --> 00:28:52.839
<v Speaker 2>I'm not familiar with him, but I saw he was.

553
00:28:53.079 --> 00:28:56.279
<v Speaker 2>He's been compared to Bob Dylan and Woody Guthrie and

554
00:28:56.319 --> 00:28:58.799
<v Speaker 2>Bruce Springsteen and like those are the people you want,

555
00:28:58.839 --> 00:29:00.240
<v Speaker 2>almost right, not comed.

556
00:29:00.559 --> 00:29:04.039
<v Speaker 3>Right, exactly, No, that's true. This right here realka, I'm

557
00:29:04.079 --> 00:29:05.960
<v Speaker 3>gonna miss some birth are you some Christmas? I'm gonna

558
00:29:05.960 --> 00:29:14.599
<v Speaker 3>miss some births? Period, Dewey, You're never gonna follow up

559
00:29:14.640 --> 00:29:15.440
<v Speaker 3>on your dreams.

560
00:29:16.880 --> 00:29:23.200
<v Speaker 1>He's got all these babies, you know. It's funny too.

561
00:29:23.440 --> 00:29:25.960
<v Speaker 2>Is like one of the things we sort of criticized

562
00:29:26.000 --> 00:29:27.839
<v Speaker 2>from this era or something that came out of this era,

563
00:29:28.519 --> 00:29:32.160
<v Speaker 2>was a lot of improvisation and a lot of it

564
00:29:32.279 --> 00:29:35.440
<v Speaker 2>kept in that maybe maybe it was fun on the day,

565
00:29:35.599 --> 00:29:37.079
<v Speaker 2>but if they had a little more discipline, they could

566
00:29:37.119 --> 00:29:38.920
<v Speaker 2>have cut it out because it's not really it's kind

567
00:29:38.920 --> 00:29:41.160
<v Speaker 2>of slowing the movie down. I feel like that moment

568
00:29:41.160 --> 00:29:44.079
<v Speaker 2>about the crow, you know, like I'll get you a crow,

569
00:29:44.079 --> 00:29:46.759
<v Speaker 2>a talking crow, that feels like the only thing in

570
00:29:46.799 --> 00:29:48.519
<v Speaker 2>this movie to me that he just kind of made

571
00:29:48.599 --> 00:29:50.440
<v Speaker 2>up on the spot, and they're like, yeah, that's funny,

572
00:29:50.519 --> 00:29:53.960
<v Speaker 2>let's just run with that. Everything else does feel pretty intentional,

573
00:29:54.599 --> 00:29:55.960
<v Speaker 2>and it's a great observation.

574
00:29:56.119 --> 00:30:01.680
<v Speaker 3>Yeah, Frankie Munis as Buddy Holly, that's such a great idea,

575
00:30:01.799 --> 00:30:04.279
<v Speaker 3>pretty good casting, and I love all they always have

576
00:30:04.359 --> 00:30:04.839
<v Speaker 3>to be like.

577
00:30:04.799 --> 00:30:06.599
<v Speaker 1>Look man, it's me Buddy Holly. Yep.

578
00:30:09.880 --> 00:30:12.799
<v Speaker 3>Yeah, they do that, especially during the Beatles scene.

579
00:30:12.640 --> 00:30:17.720
<v Speaker 2>Right right, what's that guy's name? I can't believe I'm

580
00:30:17.720 --> 00:30:19.599
<v Speaker 2>blinking on it, Ed Helms, Ed Helms.

581
00:30:19.359 --> 00:30:22.680
<v Speaker 3>Yeah, yeah, yeah, Andy Dwyer yep.

582
00:30:23.079 --> 00:30:25.519
<v Speaker 1>And Jack White is Elvis Jack.

583
00:30:25.680 --> 00:30:26.559
<v Speaker 3>That's good casting.

584
00:30:26.799 --> 00:30:28.119
<v Speaker 1>That's a really funny idea.

585
00:30:28.200 --> 00:30:33.240
<v Speaker 2>Yeah, Like I love it because it doesn't feel like

586
00:30:33.240 --> 00:30:36.599
<v Speaker 2>an impersonator, right, you know, it's just kind of its

587
00:30:36.599 --> 00:30:39.240
<v Speaker 2>own thing, but also kind of fun because you're like,

588
00:30:39.279 --> 00:30:40.519
<v Speaker 2>oh yeah, Jack White.

589
00:30:42.880 --> 00:30:45.759
<v Speaker 3>Yeah, I didn't recognize him because I'm not used to

590
00:30:45.799 --> 00:30:49.839
<v Speaker 3>him with his hair not down, you know. Yeah, yeah,

591
00:30:50.160 --> 00:30:53.559
<v Speaker 3>But what I love is that his elvis It's like

592
00:30:53.880 --> 00:30:57.039
<v Speaker 3>it's like barely elvis. You know, it's like an imitation

593
00:30:57.160 --> 00:31:00.160
<v Speaker 3>of an imitation of imitation, you know, right right, That's

594
00:31:00.200 --> 00:31:02.480
<v Speaker 3>what makes it funny to me. Yeah, And I should say,

595
00:31:02.480 --> 00:31:04.799
<v Speaker 3>by the way, Ed Helms was, of course Andy Bernard,

596
00:31:04.920 --> 00:31:07.599
<v Speaker 3>not Andy Dwyer. Andy Dwyer was Chris Pratt on Parks

597
00:31:07.599 --> 00:31:10.720
<v Speaker 3>and rec and it was good catch. I know people

598
00:31:10.720 --> 00:31:12.400
<v Speaker 3>are gonna jump on my ass about that.

599
00:31:13.200 --> 00:31:16.319
<v Speaker 2>People are slowly backing away from their laptops like all right.

600
00:31:16.319 --> 00:31:17.519
<v Speaker 3>You son of a bitch.

601
00:31:22.400 --> 00:31:23.400
<v Speaker 1>That's beautiful, isn't it.

602
00:31:24.480 --> 00:31:26.680
<v Speaker 3>Yeah, Well, like we're talking about I mean, you got

603
00:31:26.759 --> 00:31:30.680
<v Speaker 3>to shoot it like a real movie, you know. I

604
00:31:30.759 --> 00:31:34.079
<v Speaker 3>think I think what you're saying about, like the comedies

605
00:31:34.240 --> 00:31:37.400
<v Speaker 3>of that period, there's like a roughly five year window

606
00:31:38.480 --> 00:31:41.839
<v Speaker 3>from like two thousand and six to twenty eleven where

607
00:31:41.920 --> 00:31:43.599
<v Speaker 3>there was a lot of what you're talking about where

608
00:31:43.640 --> 00:31:45.799
<v Speaker 3>it's just like point the camera at the funny people

609
00:31:45.839 --> 00:31:49.119
<v Speaker 3>and let them be funny. And I think that's only

610
00:31:49.160 --> 00:31:52.200
<v Speaker 3>part of the trick, yep, because you got yes, you

611
00:31:52.240 --> 00:31:53.960
<v Speaker 3>got to capture it, but then you got to prune.

612
00:31:53.759 --> 00:31:58.240
<v Speaker 1>It definitely, and you need the people who have the ability.

613
00:31:59.039 --> 00:32:01.960
<v Speaker 3>Yeah, and look more often than not. I mean, you know,

614
00:32:02.119 --> 00:32:04.640
<v Speaker 3>Jed Appatow is going to assemble a cast that has

615
00:32:05.079 --> 00:32:06.319
<v Speaker 3>the goods.

616
00:32:07.240 --> 00:32:09.559
<v Speaker 2>With Apatow, but there was a lot of imitators. I

617
00:32:09.559 --> 00:32:12.640
<v Speaker 2>think that kind of cruche. That's a good point, and

618
00:32:12.680 --> 00:32:15.039
<v Speaker 2>it just it was occasionally painful.

619
00:32:15.359 --> 00:32:18.920
<v Speaker 3>It's weird because I mean there was this surplus during

620
00:32:18.960 --> 00:32:22.480
<v Speaker 3>that that window, right, and it it feels like brieg

621
00:32:22.559 --> 00:32:26.000
<v Speaker 3>screen comedies just in general have kind of dwindled, right hmm.

622
00:32:26.079 --> 00:32:31.119
<v Speaker 2>Yeah, Yeah, I mean, I theatrically, I don't I the

623
00:32:31.200 --> 00:32:32.799
<v Speaker 2>last thing I'm probably wrong, but the last thing that

624
00:32:32.839 --> 00:32:36.000
<v Speaker 2>comes to mind is that Jennifer Lawrence movie. You know

625
00:32:36.039 --> 00:32:38.640
<v Speaker 2>that felt like something like a throwback, like kind of

626
00:32:38.680 --> 00:32:41.960
<v Speaker 2>a oh the the like a rated comedy.

627
00:32:42.440 --> 00:32:46.200
<v Speaker 1>Yes, what was it called No Hard Feelings?

628
00:32:46.200 --> 00:32:47.000
<v Speaker 3>No Hard Feelings?

629
00:32:47.160 --> 00:32:49.640
<v Speaker 1>Yeah, which was I liked? That was funny.

630
00:32:49.960 --> 00:32:50.640
<v Speaker 3>I never saw it.

631
00:32:51.119 --> 00:32:52.079
<v Speaker 1>I don't I think it did.

632
00:32:52.160 --> 00:32:55.359
<v Speaker 3>Okay, here we go. This is this is my favorite

633
00:32:55.440 --> 00:32:57.279
<v Speaker 3>runner through the whole movie.

634
00:32:58.240 --> 00:33:02.000
<v Speaker 1>You don't want none of this. We're smoking reefer.

635
00:33:03.039 --> 00:33:07.839
<v Speaker 3>So this is this is a reference to Ray right,

636
00:33:08.119 --> 00:33:10.720
<v Speaker 3>which is a similar thing where that's how he ends

637
00:33:10.799 --> 00:33:13.359
<v Speaker 3>up addicted to the hard stuff, you know.

638
00:33:13.440 --> 00:33:13.839
<v Speaker 1>Mm hmm.

639
00:33:14.720 --> 00:33:17.799
<v Speaker 3>See we're talking about like you know how how trophy

640
00:33:17.920 --> 00:33:20.920
<v Speaker 3>this movie. It's parroting all these tropes that people knew, right,

641
00:33:20.960 --> 00:33:22.720
<v Speaker 3>And it's like, well, why does Hollywood keep doing that?

642
00:33:22.799 --> 00:33:24.880
<v Speaker 1>Well? Because it works? Yeah?

643
00:33:24.960 --> 00:33:28.440
<v Speaker 3>Right, Like say what you will about about the artistic

644
00:33:28.519 --> 00:33:31.799
<v Speaker 3>merit of these, you know, jukebox musicals, right, these these

645
00:33:31.880 --> 00:33:35.359
<v Speaker 3>jukebox biopics, I mean, people show up totally.

646
00:33:35.359 --> 00:33:37.759
<v Speaker 2>I mean it's like we talk about this with sports films,

647
00:33:38.279 --> 00:33:40.640
<v Speaker 2>you know, like underdog sports films. It's like we I

648
00:33:40.640 --> 00:33:42.240
<v Speaker 2>could tell you how it's going to end before I

649
00:33:42.279 --> 00:33:45.480
<v Speaker 2>even the movie starts, right. But I love the experience

650
00:33:45.519 --> 00:33:47.720
<v Speaker 2>of it. I like the root thing, rooting for the

651
00:33:48.640 --> 00:33:50.039
<v Speaker 2>athlete or the team or whoever, you.

652
00:33:50.000 --> 00:33:53.559
<v Speaker 3>Know, Like I mean, I mean Ray and walk the

653
00:33:53.599 --> 00:33:57.480
<v Speaker 3>line obviously, but like you know Bohemian Rhapsody, that's a.

654
00:33:57.480 --> 00:33:59.480
<v Speaker 1>Big one, right oh yeah, yeah, right.

655
00:34:00.160 --> 00:34:06.400
<v Speaker 3>A Rocketman, you know, the Bob Dylan one to some extent.

656
00:34:07.519 --> 00:34:11.599
<v Speaker 3>I like that one, right shoot, No, what is that called?

657
00:34:12.719 --> 00:34:14.480
<v Speaker 3>I don't remember. I just call it the Bob Dylan movie.

658
00:34:14.559 --> 00:34:15.079
<v Speaker 1>Isn't that funny?

659
00:34:15.079 --> 00:34:19.079
<v Speaker 2>There's certain titles that just don't stick. Although I know

660
00:34:19.480 --> 00:34:20.639
<v Speaker 2>I know what I'm gonna see it.

661
00:34:22.159 --> 00:34:27.840
<v Speaker 1>Let's see Shelly movie. A complete unknown of course part

662
00:34:27.840 --> 00:34:28.320
<v Speaker 1>of the lyrics.

663
00:34:28.360 --> 00:34:38.159
<v Speaker 2>Yeah, dude, Tim Meadows like he is just one of

664
00:34:38.159 --> 00:34:41.000
<v Speaker 2>those guys since SNL all the way.

665
00:34:40.800 --> 00:34:42.440
<v Speaker 1>Through to today.

666
00:34:42.480 --> 00:34:47.480
<v Speaker 2>He is just solid, always delivers, always like I love

667
00:34:47.519 --> 00:34:50.199
<v Speaker 2>seeing him whenever he pops up, Like I would really

668
00:34:50.239 --> 00:34:53.079
<v Speaker 2>love for him to find something that is, like, I

669
00:34:53.079 --> 00:34:54.800
<v Speaker 2>don't know, just perfect for him, you know.

670
00:34:55.239 --> 00:34:55.440
<v Speaker 1>Yeah.

671
00:34:56.320 --> 00:34:58.400
<v Speaker 3>So on SNL, you know when he was on it

672
00:34:58.480 --> 00:35:00.599
<v Speaker 3>for a minute there, he had the rec for being

673
00:35:00.639 --> 00:35:04.440
<v Speaker 3>like the longest lived, longest lasting cast member on that show.

674
00:35:04.639 --> 00:35:07.880
<v Speaker 3>Oh interesting, I think Keenan has lapped him several times

675
00:35:07.920 --> 00:35:11.079
<v Speaker 3>over that point. Yes, But my point is like keenan

676
00:35:11.199 --> 00:35:14.079
<v Speaker 3>and and Tim Meadows, right, they they work for the

677
00:35:14.119 --> 00:35:17.360
<v Speaker 3>same reason. They're not showy, right They they are more

678
00:35:17.400 --> 00:35:21.519
<v Speaker 3>often than not the straight man, and they're able to

679
00:35:21.599 --> 00:35:27.079
<v Speaker 3>pull that off with the plumb right Yep, Yep. He

680
00:35:27.159 --> 00:35:30.000
<v Speaker 3>does very similar here, right, Like he he knows how

681
00:35:30.039 --> 00:35:33.760
<v Speaker 3>to how to just kind of add that extra sparkle

682
00:35:33.800 --> 00:35:36.639
<v Speaker 3>to a scene. H he Actually he was just on

683
00:35:36.719 --> 00:35:39.239
<v Speaker 3>a show that just got canceled. It was on CBS.

684
00:35:39.239 --> 00:35:40.480
<v Speaker 3>It was very funny. It was called DMV.

685
00:35:40.800 --> 00:35:42.800
<v Speaker 2>I was just thinking about that. I guess that's why

686
00:35:42.800 --> 00:35:44.119
<v Speaker 2>I was feeling, like, man, what is he going to

687
00:35:44.159 --> 00:35:44.719
<v Speaker 2>get his thing?

688
00:35:44.920 --> 00:35:48.239
<v Speaker 3>I know. I mean, in all fairness, that show should

689
00:35:48.239 --> 00:35:51.159
<v Speaker 3>have run and run. Really it absolutely should have. I

690
00:35:51.199 --> 00:35:54.840
<v Speaker 3>don't know why CBS canceled it, but but it's a

691
00:35:54.920 --> 00:35:57.199
<v Speaker 3>damn shame. I love this Just people walking around with

692
00:35:57.239 --> 00:35:58.199
<v Speaker 3>their wings hanging out.

693
00:36:01.199 --> 00:36:03.199
<v Speaker 2>It's almost hard to have like a straight conversation with

694
00:36:03.320 --> 00:36:09.239
<v Speaker 2>like I like his dad just like what the But yeah,

695
00:36:09.239 --> 00:36:11.920
<v Speaker 2>but like you said, he just adds sparkle to it.

696
00:36:11.960 --> 00:36:14.920
<v Speaker 2>I mean later in the movie when they're old men. Yeah,

697
00:36:15.000 --> 00:36:18.159
<v Speaker 2>and I think he like opens like a his you know,

698
00:36:18.239 --> 00:36:20.519
<v Speaker 2>door to his trailer or whatever it is. It's just

699
00:36:20.639 --> 00:36:22.159
<v Speaker 2>him with this like white hair in the sides of

700
00:36:22.199 --> 00:36:24.960
<v Speaker 2>his head and he just has this smile just like

701
00:36:25.719 --> 00:36:28.559
<v Speaker 2>you know, like it's it's wordless, but it like pops

702
00:36:28.599 --> 00:36:30.840
<v Speaker 2>because it's Tim Meadows. And then of course in that

703
00:36:30.920 --> 00:36:33.679
<v Speaker 2>scene with the joint, you know, and he's like, the

704
00:36:33.719 --> 00:36:36.000
<v Speaker 2>way you could give someone else those lines and it

705
00:36:36.159 --> 00:36:37.760
<v Speaker 2>like would be kind of funny, but him being like,

706
00:36:37.920 --> 00:36:39.800
<v Speaker 2>it's not habit forming.

707
00:36:44.000 --> 00:36:47.159
<v Speaker 3>Dude, the way the way to his mom dies do

708
00:36:47.320 --> 00:36:48.400
<v Speaker 3>his music kills again?

709
00:36:53.079 --> 00:36:55.679
<v Speaker 1>She lost her bounds and the radio crushed her head.

710
00:37:02.159 --> 00:37:04.400
<v Speaker 3>Now, now we were talking about Tim Meadows, you know,

711
00:37:04.599 --> 00:37:06.760
<v Speaker 3>you talk in terms of what he was able to

712
00:37:06.800 --> 00:37:09.039
<v Speaker 3>do on SNL. You know, one of the sketches, there's

713
00:37:09.079 --> 00:37:10.840
<v Speaker 3>so many, but one of the sketches that I remember

714
00:37:11.440 --> 00:37:13.159
<v Speaker 3>is a Jingleheimer junction.

715
00:37:14.119 --> 00:37:15.920
<v Speaker 1>Oh yes, yeah, yeah, yeah, right.

716
00:37:15.960 --> 00:37:20.199
<v Speaker 3>And the whole premise is you've got various characters with

717
00:37:21.400 --> 00:37:23.480
<v Speaker 3>letters on there. It's like a kid's show, like on

718
00:37:23.559 --> 00:37:26.719
<v Speaker 3>PBS or something. Yeah, and you've got like you for

719
00:37:26.880 --> 00:37:30.280
<v Speaker 3>unity and for niceness, you know whatever. Yeah, you know,

720
00:37:30.480 --> 00:37:32.920
<v Speaker 3>see for caring, you know. And then and then Will

721
00:37:32.960 --> 00:37:36.280
<v Speaker 3>Ferrell shows up as the new guy and he's f

722
00:37:36.360 --> 00:37:39.800
<v Speaker 3>for friendly, so it's f U c K.

723
00:37:40.119 --> 00:37:40.280
<v Speaker 1>Right.

724
00:37:40.280 --> 00:37:43.599
<v Speaker 3>That's the joke is is Tim Meadows is the host

725
00:37:43.639 --> 00:37:45.159
<v Speaker 3>of the show and he's trying to prevent them from

726
00:37:45.199 --> 00:37:46.559
<v Speaker 3>lining up in that order.

727
00:37:46.840 --> 00:37:48.159
<v Speaker 1>Yeah, yeah, to spell it the word.

728
00:37:48.320 --> 00:37:53.519
<v Speaker 3>And it only works because you need an opposite energy

729
00:37:53.559 --> 00:37:57.559
<v Speaker 3>from Will Ferrell right right, and it's comedy gold.

730
00:37:58.280 --> 00:38:00.000
<v Speaker 2>It's so funny. If people haven't seen it, look at us.

731
00:38:00.440 --> 00:38:03.239
<v Speaker 2>I've seen it multiple times. It comes up on my Instagram. Actually,

732
00:38:03.440 --> 00:38:08.000
<v Speaker 2>oh really occasionally. Yeah, I love this now he's done

733
00:38:08.039 --> 00:38:09.760
<v Speaker 2>cocaine and he invents punk music.

734
00:38:15.320 --> 00:38:15.960
<v Speaker 1>That was the thing too.

735
00:38:15.960 --> 00:38:19.280
<v Speaker 2>I looked up that they learned how to play their instruments,

736
00:38:19.360 --> 00:38:21.480
<v Speaker 2>and that's I mean, you can tell, you know, in

737
00:38:21.519 --> 00:38:23.480
<v Speaker 2>a movie like this, I think that's important. It's always

738
00:38:23.559 --> 00:38:27.239
<v Speaker 2>distracting when you see people I don't know hitting symbols

739
00:38:27.239 --> 00:38:28.800
<v Speaker 2>when they don't line up for me, it is at

740
00:38:28.880 --> 00:38:29.679
<v Speaker 2>least do.

741
00:38:29.639 --> 00:38:32.360
<v Speaker 1>You clock that stuff occasionally?

742
00:38:32.719 --> 00:38:37.119
<v Speaker 2>Yeah, I guess in a movie that's about music, right,

743
00:38:37.400 --> 00:38:38.320
<v Speaker 2>you're seeing it more.

744
00:38:41.159 --> 00:38:42.599
<v Speaker 1>And then what's the guy Parnell?

745
00:38:42.760 --> 00:38:47.719
<v Speaker 2>Right, Chris Parnell, Yeah, Chris Parnell, Yeah, the bassist. He's

746
00:38:47.760 --> 00:38:50.119
<v Speaker 2>another one of those guys. It's just like he's I

747
00:38:50.159 --> 00:38:51.400
<v Speaker 2>feel like underappreciated.

748
00:38:52.400 --> 00:38:56.360
<v Speaker 3>I kind of loved that he narrated the Lorne Michael's documentary.

749
00:38:56.639 --> 00:38:57.559
<v Speaker 1>Yes, oh that's right.

750
00:38:58.039 --> 00:39:00.719
<v Speaker 3>I mean because he has such a distinct voice. I

751
00:39:00.800 --> 00:39:02.440
<v Speaker 3>just I know Chris Parnell's voice.

752
00:39:03.000 --> 00:39:03.400
<v Speaker 1>Mm hmm.

753
00:39:03.800 --> 00:39:06.000
<v Speaker 3>And so as soon as that movie says, we start

754
00:39:06.039 --> 00:39:08.559
<v Speaker 3>hearing a narration, and reflexively I was like, does this

755
00:39:08.599 --> 00:39:12.360
<v Speaker 3>movie need narration? And then I hear Chris Parnell. I'm like, oh, well, yes,

756
00:39:12.400 --> 00:39:13.800
<v Speaker 3>because it's Chris Parnell doing it.

757
00:39:13.920 --> 00:39:14.480
<v Speaker 1>Mm hmmmm.

758
00:39:16.639 --> 00:39:19.639
<v Speaker 2>He has like he can do announcer voice. Yeah, but

759
00:39:19.719 --> 00:39:22.119
<v Speaker 2>he has like a slight I mean, how would you

760
00:39:22.119 --> 00:39:24.880
<v Speaker 2>describe it, like something that undercuts it its seriousness a

761
00:39:24.920 --> 00:39:25.320
<v Speaker 2>little bit.

762
00:39:25.400 --> 00:39:28.320
<v Speaker 3>Yeah, just just a little hint of sarcasm.

763
00:39:28.519 --> 00:39:30.320
<v Speaker 1>Yeah, sarcasm or smart or something.

764
00:39:30.360 --> 00:39:32.119
<v Speaker 3>Yeah, yeah, smart, maybe that's the better.

765
00:39:32.280 --> 00:39:33.440
<v Speaker 1>Yeah, he's so good at that.

766
00:39:33.480 --> 00:39:35.760
<v Speaker 2>I mean, I love him in hot Rod and I

767
00:39:35.760 --> 00:39:37.760
<v Speaker 2>thought it was he does a similar sort of role

768
00:39:37.880 --> 00:39:41.559
<v Speaker 2>in this to Anchorman, where it's like he looks up

769
00:39:41.719 --> 00:39:45.039
<v Speaker 2>to the big boss man, gets betrayed by them and

770
00:39:45.119 --> 00:39:45.960
<v Speaker 2>is deeply hurt.

771
00:39:47.000 --> 00:39:52.159
<v Speaker 1>Yeah, he plays that really well. Jennif Fisher.

772
00:39:52.880 --> 00:39:55.760
<v Speaker 3>So, Jennif Fisher so yeah, the Office had just started

773
00:39:55.760 --> 00:39:56.679
<v Speaker 3>the year prior.

774
00:39:56.519 --> 00:39:59.320
<v Speaker 1>Right, maybe two year I think two thousand and five.

775
00:39:59.320 --> 00:40:02.920
<v Speaker 3>Was it, oh five mm hmm. Yeah, she's terrificing this.

776
00:40:03.920 --> 00:40:06.760
<v Speaker 2>Yeah, I was thinking this, you know, she's very good

777
00:40:06.760 --> 00:40:10.360
<v Speaker 2>in this. But then I don't know, like she wasn't

778
00:40:10.360 --> 00:40:12.280
<v Speaker 2>in a ton of movies. I don't I can think

779
00:40:12.320 --> 00:40:14.559
<v Speaker 2>of well, I think.

780
00:40:14.360 --> 00:40:18.840
<v Speaker 3>The problem there is that, like Pam is such a

781
00:40:18.880 --> 00:40:22.559
<v Speaker 3>singular kind of character, like it's easy to see getting

782
00:40:22.559 --> 00:40:23.480
<v Speaker 3>boxed in by that.

783
00:40:23.559 --> 00:40:23.760
<v Speaker 1>You know.

784
00:40:24.079 --> 00:40:30.440
<v Speaker 2>Yeah, yeah, she's good, you know, kind of the I

785
00:40:30.480 --> 00:40:36.519
<v Speaker 2>guess the Reese Witherspoon character, right, that's right, Yeah, sort

786
00:40:36.519 --> 00:40:37.760
<v Speaker 2>of like the virginal type.

787
00:40:37.760 --> 00:40:46.960
<v Speaker 1>But temptation for him.

788
00:40:47.159 --> 00:40:52.840
<v Speaker 3>This song though, where yeah, yeah, I'm gonna beat off

789
00:40:53.519 --> 00:40:54.239
<v Speaker 3>my demons.

790
00:40:57.280 --> 00:41:00.360
<v Speaker 1>I was like, in my dreams, I'm blowing you kiss.

791
00:41:05.239 --> 00:41:06.920
<v Speaker 1>Oh man, you know it's funny.

792
00:41:06.920 --> 00:41:08.679
<v Speaker 2>I noticed by the way too, I think, yeah, here

793
00:41:08.719 --> 00:41:11.400
<v Speaker 2>where she's like sawing, and I was like, oh, that's

794
00:41:11.480 --> 00:41:14.199
<v Speaker 2>just funny. Like them like one day they were building furniture.

795
00:41:15.199 --> 00:41:17.079
<v Speaker 2>But then later in the movie when he gets mad,

796
00:41:17.199 --> 00:41:19.360
<v Speaker 2>there's a joke of him trying to saw like a

797
00:41:19.440 --> 00:41:21.840
<v Speaker 2>couch and half. I was like, oh, these guys really

798
00:41:21.840 --> 00:41:23.280
<v Speaker 2>think sawing is funny.

799
00:41:29.400 --> 00:41:30.039
<v Speaker 1>That's always like.

800
00:41:30.000 --> 00:41:33.360
<v Speaker 2>Kind of a funny thing in comedic montages like a

801
00:41:34.199 --> 00:41:36.320
<v Speaker 2>dating montage or whatever, like the stuff they come up

802
00:41:36.360 --> 00:41:37.800
<v Speaker 2>with the characters to do, Like it makes me think

803
00:41:37.840 --> 00:41:39.800
<v Speaker 2>of the Naked gun right where they're on the beach

804
00:41:40.480 --> 00:41:43.519
<v Speaker 2>holding hands running, but then they like closeline those people

805
00:41:43.639 --> 00:41:47.239
<v Speaker 2>and the hot dog vendor and squirting stuff all over

806
00:41:47.360 --> 00:41:48.000
<v Speaker 2>each other.

807
00:41:48.280 --> 00:41:52.079
<v Speaker 3>Catch right, like like hot shots right with yes, you

808
00:41:52.119 --> 00:41:57.440
<v Speaker 3>know similar, it's but it's interesting because because it's it's

809
00:41:57.639 --> 00:42:02.559
<v Speaker 3>different montage like there there's there's it's different types of humor,

810
00:42:02.639 --> 00:42:07.599
<v Speaker 3>like this is not airplane type humor, not in the

811
00:42:07.639 --> 00:42:08.199
<v Speaker 3>same way.

812
00:42:08.480 --> 00:42:12.000
<v Speaker 2>No, not in the same way, right, but it's like

813
00:42:12.039 --> 00:42:15.400
<v Speaker 2>in its DNA right, you know, that's what I love

814
00:42:15.400 --> 00:42:15.800
<v Speaker 2>about it.

815
00:42:15.800 --> 00:42:18.320
<v Speaker 1>It's like a combination of all the stuff we like. Right,

816
00:42:20.679 --> 00:42:22.960
<v Speaker 1>Look how beautifully lit it is. That's what I love.

817
00:42:23.079 --> 00:42:29.760
<v Speaker 3>Like, Oh yeah, it's a very CPIA toned you know.

818
00:42:30.280 --> 00:42:30.599
<v Speaker 1>Yeah.

819
00:42:30.880 --> 00:42:32.599
<v Speaker 2>So I was going to bring up Jake Kasden because

820
00:42:32.599 --> 00:42:37.079
<v Speaker 2>he's pretty interesting his career, right, I mean he then

821
00:42:37.079 --> 00:42:40.440
<v Speaker 2>he start now he did Zero Effect, which I've not seen, right,

822
00:42:40.599 --> 00:42:43.719
<v Speaker 2>but then he worked with Appatoe with Freaks and Geeks.

823
00:42:44.280 --> 00:42:45.159
<v Speaker 1>Then undeclared.

824
00:42:46.239 --> 00:42:47.760
<v Speaker 3>Then he did the Jumanji movies.

825
00:42:48.039 --> 00:42:50.679
<v Speaker 2>Yeah, so then he has yeah, you know, Walk Hard,

826
00:42:50.840 --> 00:42:55.280
<v Speaker 2>Bad Teacher, New Girl, and then we get to these

827
00:42:55.360 --> 00:43:00.639
<v Speaker 2>big blockbuster Jumanji films, right, so very career.

828
00:43:03.280 --> 00:43:05.679
<v Speaker 3>Yeah, I mean I'm glad. And what's funny is if

829
00:43:05.840 --> 00:43:08.159
<v Speaker 3>when you hear him in interviews, like he sounds just

830
00:43:08.199 --> 00:43:12.960
<v Speaker 3>like his dad. Oh really, oh yeah, oh funny, very

831
00:43:13.039 --> 00:43:17.199
<v Speaker 3>very similar. But I mean I'm glad that, like he

832
00:43:17.320 --> 00:43:19.840
<v Speaker 3>is talented, right, I mean obviously there's there's the knock

833
00:43:19.880 --> 00:43:23.079
<v Speaker 3>on NEPO babies. Sure, but you look at like a

834
00:43:23.159 --> 00:43:27.000
<v Speaker 3>Jason Reightman or a Jake kast and and you're like,

835
00:43:27.039 --> 00:43:28.039
<v Speaker 3>well they got the goods.

836
00:43:28.840 --> 00:43:34.360
<v Speaker 2>Yeah, you know it happens. This is a good song too.

837
00:43:34.360 --> 00:43:35.400
<v Speaker 2>This one's like really a beat.

838
00:43:35.960 --> 00:43:37.320
<v Speaker 1>Yeah.

839
00:43:37.400 --> 00:43:39.960
<v Speaker 2>I feel like I had the soundtrack like it was

840
00:43:41.440 --> 00:43:44.119
<v Speaker 2>something during Award season. You know, you'd get all these

841
00:43:44.159 --> 00:43:47.519
<v Speaker 2>screeners and sometimes they used to give you the soundtracks

842
00:43:47.519 --> 00:43:51.280
<v Speaker 2>like they'd be in Variety Magazine, the disc and I

843
00:43:51.360 --> 00:43:53.840
<v Speaker 2>kind of remember like having this at my desk for

844
00:43:53.880 --> 00:43:55.159
<v Speaker 2>some reason, and I'd put it in my car and

845
00:43:55.159 --> 00:43:55.679
<v Speaker 2>I'd listen to it.

846
00:43:55.719 --> 00:43:59.000
<v Speaker 3>Sometimes I have the album in my library. I listened

847
00:43:59.000 --> 00:43:59.599
<v Speaker 3>to it all the time.

848
00:43:59.719 --> 00:44:04.159
<v Speaker 1>Yeah, they're like good, good song, catchy songs. Yeah.

849
00:44:04.760 --> 00:44:06.760
<v Speaker 3>It's you know when you think about it, right, it's

850
00:44:06.880 --> 00:44:12.199
<v Speaker 3>like it's like the songs in South Park, Bigger, Longer, uncut, hmmm, right,

851
00:44:12.280 --> 00:44:15.679
<v Speaker 3>Like they're good songs. What would Brian Boitano do?

852
00:44:16.360 --> 00:44:19.199
<v Speaker 1>Yeah, that one slaps totally does. Yeah.

853
00:44:19.719 --> 00:44:22.920
<v Speaker 3>Right, it's that same thing, like the songs have to

854
00:44:22.920 --> 00:44:23.800
<v Speaker 3>be good, you know.

855
00:44:26.840 --> 00:44:29.920
<v Speaker 2>Well, you know I was curious, Well I should say

856
00:44:29.920 --> 00:44:32.519
<v Speaker 2>one more stat I had here was they wrote a

857
00:44:32.519 --> 00:44:37.039
<v Speaker 2>one hundred songs, wow, and they recorded fifty. So that's

858
00:44:37.320 --> 00:44:39.039
<v Speaker 2>so going back to what we were saying, you know,

859
00:44:39.079 --> 00:44:41.840
<v Speaker 2>where this movie didn't land and the people who were

860
00:44:41.840 --> 00:44:44.119
<v Speaker 2>involved I think were kind of like, ugh, like kind

861
00:44:44.119 --> 00:44:46.800
<v Speaker 2>of crushed. I mean, you can tell this there was

862
00:44:46.800 --> 00:44:50.440
<v Speaker 2>so much passion put into this, right, I mean I

863
00:44:50.440 --> 00:44:52.880
<v Speaker 2>think about this sometimes with this is so random, but

864
00:44:52.960 --> 00:44:56.400
<v Speaker 2>with Star Wars, where when that movie is being made,

865
00:44:56.519 --> 00:45:01.440
<v Speaker 2>George Lucas probably thought, if I live by the time

866
00:45:01.480 --> 00:45:03.840
<v Speaker 2>this is finished making this movie and it comes out

867
00:45:03.880 --> 00:45:04.679
<v Speaker 2>and anyone sees.

868
00:45:04.519 --> 00:45:05.840
<v Speaker 1>It, that'll be a success. Right.

869
00:45:05.920 --> 00:45:07.719
<v Speaker 2>You know, his crew thought this movie was going to

870
00:45:07.760 --> 00:45:10.599
<v Speaker 2>be terrible, and they weren't supporting him, and of course

871
00:45:10.639 --> 00:45:12.800
<v Speaker 2>it becomes what it becomes, and there's just been a

872
00:45:12.960 --> 00:45:19.239
<v Speaker 2>never ending supply of behind the scenes photographs and footage

873
00:45:19.239 --> 00:45:20.719
<v Speaker 2>and whatever. And I'm like, wow, how did they know

874
00:45:20.880 --> 00:45:22.880
<v Speaker 2>to even do all that if it wasn't even being

875
00:45:22.920 --> 00:45:25.280
<v Speaker 2>taken seriously when it was being made. So I think

876
00:45:25.320 --> 00:45:28.320
<v Speaker 2>about all the movies that don't live on, right, and

877
00:45:28.360 --> 00:45:30.239
<v Speaker 2>how much they must have believed in it and probably

878
00:45:30.239 --> 00:45:31.800
<v Speaker 2>shot this stuff because they're like, well, the fans are

879
00:45:31.840 --> 00:45:33.400
<v Speaker 2>gonna want to see this and go behind the scenes

880
00:45:33.440 --> 00:45:36.280
<v Speaker 2>with us, right, you know, but it just wasn't meant

881
00:45:36.280 --> 00:45:38.519
<v Speaker 2>to be. And so I think of this movie where

882
00:45:38.519 --> 00:45:40.639
<v Speaker 2>it's like, man, they made so many songs, that put

883
00:45:40.719 --> 00:45:44.239
<v Speaker 2>all this effort into it, and it's just too bad

884
00:45:44.280 --> 00:45:44.880
<v Speaker 2>that it didn't.

885
00:45:45.519 --> 00:45:48.519
<v Speaker 1>It died on the vine. It died on the vine. Yeah,

886
00:45:49.239 --> 00:45:52.320
<v Speaker 1>but the passion is you can just feel it well, And.

887
00:45:52.519 --> 00:45:55.480
<v Speaker 3>You know, I think this is similar in many ways

888
00:45:55.519 --> 00:46:03.199
<v Speaker 3>to Office Space, which is another comedy that was ahead

889
00:46:03.199 --> 00:46:06.719
<v Speaker 3>of its time. Right, the audience eventually found it. It

890
00:46:08.079 --> 00:46:12.639
<v Speaker 3>died in ignominious death at the box office, right, but

891
00:46:12.760 --> 00:46:15.360
<v Speaker 3>people came around, right, and yeah, yeah, And you know

892
00:46:15.559 --> 00:46:17.679
<v Speaker 3>this is something John c Riley has talked about where

893
00:46:17.719 --> 00:46:22.119
<v Speaker 3>it's like, well, given the choice between like a massive

894
00:46:22.360 --> 00:46:26.199
<v Speaker 3>box office hit and a beloved cult hit, you know,

895
00:46:26.599 --> 00:46:28.599
<v Speaker 3>if you can only pick one, you know, it's not

896
00:46:28.679 --> 00:46:31.400
<v Speaker 3>so bad to be a beloved cult hit where the

897
00:46:31.400 --> 00:46:33.000
<v Speaker 3>people who love it really love it.

898
00:46:33.840 --> 00:46:35.480
<v Speaker 2>Yeah, And you know, they probably had to make a

899
00:46:35.480 --> 00:46:37.719
<v Speaker 2>lot of hard decisions and fight a lot of battles

900
00:46:38.079 --> 00:46:40.880
<v Speaker 2>as they were making them to make them as specific

901
00:46:41.159 --> 00:46:43.800
<v Speaker 2>and you know, the voice of Office Space is so

902
00:46:44.280 --> 00:46:46.760
<v Speaker 2>Mike Judge and this is so whatever, this is right.

903
00:46:47.440 --> 00:46:49.119
<v Speaker 2>And maybe when it came out and it didn't do well,

904
00:46:49.159 --> 00:46:51.119
<v Speaker 2>they might have thought, oh man, maybe we should have

905
00:46:51.119 --> 00:46:52.880
<v Speaker 2>made this a broader comedy, and yeah, it would have

906
00:46:52.880 --> 00:46:55.440
<v Speaker 2>brought more people in. But I think you know, time

907
00:46:55.679 --> 00:46:59.519
<v Speaker 2>proves that they were right, and the right people, you know,

908
00:47:00.280 --> 00:47:01.639
<v Speaker 2>to enjoy this kind of thing get.

909
00:47:01.519 --> 00:47:02.039
<v Speaker 1>To enjoy it.

910
00:47:02.519 --> 00:47:05.199
<v Speaker 3>Well, that that's the thing, right, Like, because it's it's like,

911
00:47:05.639 --> 00:47:13.440
<v Speaker 3>how many forgettable like mid Level you know, Jason Biggs

912
00:47:13.559 --> 00:47:18.840
<v Speaker 3>or Dane Cook comedies came out in the nineties and oughts,

913
00:47:19.119 --> 00:47:25.199
<v Speaker 3>you know, right, just just Walmart Bargain Bin movies right

914
00:47:25.599 --> 00:47:30.440
<v Speaker 3>that sucked and are forgotten right, right, And and you

915
00:47:30.559 --> 00:47:33.000
<v Speaker 3>have to imagine for many of them. I'm not discounting

916
00:47:33.039 --> 00:47:34.719
<v Speaker 3>the level of passion that went into them, but I'm

917
00:47:34.719 --> 00:47:38.039
<v Speaker 3>also fairly certain that there was a lot of studio

918
00:47:38.119 --> 00:47:41.880
<v Speaker 3>mandated compromises that went in. It's like you end up

919
00:47:41.880 --> 00:47:45.159
<v Speaker 3>with neither fish nor foul, right, you know? That was

920
00:47:45.199 --> 00:47:48.239
<v Speaker 3>so funny. She's like, don't you write a song right now?

921
00:47:48.400 --> 00:47:52.280
<v Speaker 1>Yeah? Fine, I'm guilty. Guilty is charged.

922
00:47:54.199 --> 00:47:58.280
<v Speaker 3>To where he starts yelling at the kids, I don't

923
00:47:58.320 --> 00:48:00.000
<v Speaker 3>need you. I don't need you.

924
00:48:03.199 --> 00:48:06.280
<v Speaker 2>Oh I guess yeah, he's got a chimp or whatever,

925
00:48:06.320 --> 00:48:08.119
<v Speaker 2>which is like Michael Jackson.

926
00:48:08.239 --> 00:48:08.679
<v Speaker 1>That's right.

927
00:48:10.079 --> 00:48:12.639
<v Speaker 3>So the bit here is that he went ahead and

928
00:48:12.679 --> 00:48:15.119
<v Speaker 3>got married, not realizing that you're not allowed to marry

929
00:48:15.159 --> 00:48:17.039
<v Speaker 3>somebody while you're already married.

930
00:48:18.119 --> 00:48:21.599
<v Speaker 1>Right. It's very funny, I know.

931
00:48:21.800 --> 00:48:23.920
<v Speaker 2>But it's just in his perfect sort of dopey voice

932
00:48:23.920 --> 00:48:25.519
<v Speaker 2>where he like doesn't know any better. He's like, I

933
00:48:25.559 --> 00:48:28.440
<v Speaker 2>did it, you know, wait until we were married, did it?

934
00:48:28.559 --> 00:48:33.880
<v Speaker 1>Right? Can't be married to two people? That's not a

935
00:48:33.920 --> 00:48:36.039
<v Speaker 1>bad title. But please don't leave me.

936
00:48:38.960 --> 00:48:53.599
<v Speaker 2>I had forgot about his sink ripping. Yeah thing, the monkey.

937
00:48:54.599 --> 00:48:55.840
<v Speaker 2>You don't want no part of this shit.

938
00:48:59.440 --> 00:49:02.400
<v Speaker 3>He's like, the know, logical next step for you, right,

939
00:49:07.039 --> 00:49:09.000
<v Speaker 3>I think I think what you were saying earlier about

940
00:49:09.039 --> 00:49:12.639
<v Speaker 3>how like like people try to break out of the

941
00:49:12.719 --> 00:49:15.639
<v Speaker 3>box of music biopicks or just buy a picks in

942
00:49:15.679 --> 00:49:19.000
<v Speaker 3>general and do something little different, and and those movies

943
00:49:19.039 --> 00:49:22.320
<v Speaker 3>have have variable levels of success, you know. I think

944
00:49:22.400 --> 00:49:27.760
<v Speaker 3>that speaks to like people know what they want, even

945
00:49:27.760 --> 00:49:30.719
<v Speaker 3>if it's utterly predictable totally.

946
00:49:30.840 --> 00:49:33.840
<v Speaker 2>I mean, with the upcoming Michael movie, which we haven't

947
00:49:33.840 --> 00:49:37.440
<v Speaker 2>seen yet, I could probably outline it for you right now,

948
00:49:38.079 --> 00:49:41.199
<v Speaker 2>but like I I want to see that, right, you

949
00:49:41.280 --> 00:49:42.840
<v Speaker 2>know what I mean, certain things I just I do

950
00:49:42.920 --> 00:49:46.679
<v Speaker 2>want to see dramatized, you know. Yeah, so you know

951
00:49:46.880 --> 00:49:51.000
<v Speaker 2>you just have to pick your case pack with your cases.

952
00:49:51.400 --> 00:49:54.920
<v Speaker 3>What you realize is the majority of these films are

953
00:49:55.079 --> 00:49:59.440
<v Speaker 3>produced with the ascent of the families and or the

954
00:49:59.559 --> 00:50:05.800
<v Speaker 3>rights whole love music, who want to sell some music, right,

955
00:50:06.280 --> 00:50:09.079
<v Speaker 3>you know? And and so for example Bohemian Rhapsody, how

956
00:50:09.079 --> 00:50:10.760
<v Speaker 3>many soundtrack albums did that sell?

957
00:50:11.280 --> 00:50:12.280
<v Speaker 1>Right? Right? Right?

958
00:50:12.320 --> 00:50:14.960
<v Speaker 3>I mean that's the real measure of success, above and beyond.

959
00:50:15.039 --> 00:50:17.480
<v Speaker 3>You know, Ronie Malock winning an oscar in the movie Winning,

960
00:50:17.599 --> 00:50:21.320
<v Speaker 3>you know, like that's all fine, but but this is

961
00:50:21.320 --> 00:50:25.719
<v Speaker 3>about it's about investing in an annuity that'll that'll pay

962
00:50:25.800 --> 00:50:28.280
<v Speaker 3>dividends down the line. So so, I mean my point

963
00:50:28.320 --> 00:50:30.639
<v Speaker 3>is this, like these movies are products to a large extent.

964
00:50:32.760 --> 00:50:35.480
<v Speaker 3>They vary some I mean some some go through the

965
00:50:35.559 --> 00:50:39.000
<v Speaker 3>paces with a little bit more skill than others. Sure,

966
00:50:39.840 --> 00:50:44.280
<v Speaker 3>but you know, my question is how how often are

967
00:50:44.280 --> 00:50:48.320
<v Speaker 3>they revisited? And does that even matter? Yeah, you know,

968
00:50:48.840 --> 00:50:51.119
<v Speaker 3>like like like Ray right, which I thought was a

969
00:50:51.159 --> 00:50:56.800
<v Speaker 3>good movie. I mean I watched it one time. I

970
00:50:56.840 --> 00:51:00.760
<v Speaker 3>got it, like I got you know, right right right right,

971
00:51:00.840 --> 00:51:02.960
<v Speaker 3>Like that's not even a critique of the movie. I

972
00:51:03.000 --> 00:51:06.039
<v Speaker 3>think it does the job. But like they in general,

973
00:51:06.639 --> 00:51:09.679
<v Speaker 3>they're not really built for return visits.

974
00:51:11.239 --> 00:51:17.719
<v Speaker 2>Yeah, I'm realizing that as you say that, because they

975
00:51:17.800 --> 00:51:22.119
<v Speaker 2>hit similar beats, they're just plugged in different artists and

976
00:51:22.199 --> 00:51:22.679
<v Speaker 2>other movies.

977
00:51:22.719 --> 00:51:23.880
<v Speaker 1>I'm trying to think of an example.

978
00:51:23.920 --> 00:51:27.480
<v Speaker 2>But like, there'll be a certain there's certain moments that

979
00:51:27.519 --> 00:51:31.239
<v Speaker 2>I connect with, you know, are something that meant something

980
00:51:31.239 --> 00:51:33.599
<v Speaker 2>to me or revealed something to me or inspired me,

981
00:51:35.199 --> 00:51:36.440
<v Speaker 2>and that's why I go back to.

982
00:51:36.400 --> 00:51:37.199
<v Speaker 1>Those certain movies.

983
00:51:37.280 --> 00:51:39.599
<v Speaker 2>But those movies don't necessarily do that because they are

984
00:51:39.639 --> 00:51:40.280
<v Speaker 2>a little bit of.

985
00:51:40.199 --> 00:51:43.199
<v Speaker 1>A mad libs satisfying mad libs.

986
00:51:43.719 --> 00:51:47.960
<v Speaker 2>But they don't have things that are maybe very unique,

987
00:51:48.440 --> 00:51:49.519
<v Speaker 2>that really connect with you.

988
00:51:49.960 --> 00:51:55.760
<v Speaker 3>Yeah, I mean again like Bohemian Rhapsody. How many times

989
00:51:55.800 --> 00:51:56.960
<v Speaker 3>have you seen that since the theater?

990
00:51:57.199 --> 00:52:00.800
<v Speaker 1>I mean yeah, just the ones? Yeah right, yeah, yeah,

991
00:52:00.880 --> 00:52:01.239
<v Speaker 1>that's it.

992
00:52:01.280 --> 00:52:03.760
<v Speaker 3>I mean I remember leaving the theater downloading the album

993
00:52:03.800 --> 00:52:05.800
<v Speaker 3>to my phone, you know.

994
00:52:06.159 --> 00:52:08.239
<v Speaker 2>And then maybe when it's on TV or something, you

995
00:52:08.239 --> 00:52:10.079
<v Speaker 2>flip and it's you you stop on it because you

996
00:52:10.079 --> 00:52:10.599
<v Speaker 2>want to hear the.

997
00:52:10.599 --> 00:52:14.400
<v Speaker 3>Music, that's right, you know, the thing with Bohemian And

998
00:52:14.440 --> 00:52:17.440
<v Speaker 3>by then I had seen Dewey Cox, yes, yes, and

999
00:52:17.559 --> 00:52:20.360
<v Speaker 3>so like I couldn't. I like, all I could see

1000
00:52:20.400 --> 00:52:23.519
<v Speaker 3>was was you know that that template?

1001
00:52:23.880 --> 00:52:24.280
<v Speaker 1>Mm hmm.

1002
00:52:24.760 --> 00:52:26.599
<v Speaker 3>This cracks me up. This so first of all, to

1003
00:52:26.920 --> 00:52:30.599
<v Speaker 3>the point you're making, how how effectively stylistically it it

1004
00:52:30.800 --> 00:52:32.760
<v Speaker 3>evokes the same sequence in Ray.

1005
00:52:33.280 --> 00:52:33.480
<v Speaker 1>Yeah.

1006
00:52:33.519 --> 00:52:36.519
<v Speaker 3>Yeah, But it all comes down to its either got

1007
00:52:36.559 --> 00:52:38.239
<v Speaker 3>too many blankets or not enough blankets?

1008
00:52:38.719 --> 00:52:41.159
<v Speaker 2>I think, Yeah, the woman playing this nurse is very funny.

1009
00:52:42.599 --> 00:52:46.679
<v Speaker 2>He needs more blankets, he needs fewer blankets.

1010
00:52:47.559 --> 00:52:50.719
<v Speaker 3>Where Dave is like my wife sends to recards, asshole,

1011
00:52:53.280 --> 00:52:56.239
<v Speaker 3>they don't they don't even like they don't dwell on

1012
00:52:56.320 --> 00:53:01.760
<v Speaker 3>that too long that he keeps cheating with his bandmates, which.

1013
00:53:00.920 --> 00:53:05.000
<v Speaker 2>Comes from I was looking up. I thought of George

1014
00:53:05.000 --> 00:53:07.360
<v Speaker 2>Harrison and Eric Clapton. There was that whole sort of

1015
00:53:08.280 --> 00:53:10.760
<v Speaker 2>weird triangle going on there with their wives and then

1016
00:53:10.920 --> 00:53:13.519
<v Speaker 2>or whatever that was, I don't know what shape. And

1017
00:53:13.559 --> 00:53:19.800
<v Speaker 2>then also wait, I love this by the way. It

1018
00:53:19.800 --> 00:53:21.480
<v Speaker 2>feels like that was like take five and he's like,

1019
00:53:21.519 --> 00:53:29.280
<v Speaker 2>that'd be funny. But Mac Davis, who was a songwriter,

1020
00:53:29.440 --> 00:53:34.920
<v Speaker 2>used to write hits for Glenn Campbell. I guess Davis's

1021
00:53:34.920 --> 00:53:39.239
<v Speaker 2>wife left him for Campbell. Wow, and it became like this.

1022
00:53:39.599 --> 00:53:42.400
<v Speaker 2>It was like a big story. Okay, so you know,

1023
00:53:42.480 --> 00:53:44.679
<v Speaker 2>I mean there are examples of this and that's another

1024
00:53:44.960 --> 00:53:46.719
<v Speaker 2>just riff that they're doing here on Well.

1025
00:53:47.000 --> 00:53:49.599
<v Speaker 3>It's funny because this is something John c Riley has

1026
00:53:49.599 --> 00:53:52.440
<v Speaker 3>talked about where like people in the music industry are like, man,

1027
00:53:53.000 --> 00:53:56.199
<v Speaker 3>walk hard is tame compared to this stuff that actually

1028
00:53:56.239 --> 00:53:56.519
<v Speaker 3>goes on.

1029
00:53:57.320 --> 00:53:57.599
<v Speaker 1>Jeez.

1030
00:53:57.639 --> 00:53:59.840
<v Speaker 3>You know he talked about Glenn Fry being like, oh,

1031
00:53:59.880 --> 00:54:01.960
<v Speaker 3>you didn't see the Eagles and all the stuff that

1032
00:54:02.000 --> 00:54:02.760
<v Speaker 3>was going on you.

1033
00:54:02.719 --> 00:54:05.920
<v Speaker 1>Know at that time, the Eagles of all people. Yeah,

1034
00:54:05.920 --> 00:54:09.440
<v Speaker 1>that's what exactly. That's the first one I was thinking of.

1035
00:54:12.639 --> 00:54:14.679
<v Speaker 1>This is funny. They're sort of.

1036
00:54:14.639 --> 00:54:18.920
<v Speaker 2>Like leaning in and backing away over and over.

1037
00:54:21.679 --> 00:54:29.559
<v Speaker 1>There's her expression. They're so good. No, no, well, yeah,

1038
00:54:29.559 --> 00:54:29.880
<v Speaker 1>I mean.

1039
00:54:29.800 --> 00:54:31.840
<v Speaker 3>This is like literally Jennie Fisher talked about She's like

1040
00:54:31.880 --> 00:54:36.679
<v Speaker 3>she played it like she was trying to win an oscar. Yeah,

1041
00:54:36.719 --> 00:54:37.880
<v Speaker 3>and that's what makes it funny.

1042
00:54:38.119 --> 00:54:49.119
<v Speaker 4>Yeah.

1043
00:54:49.239 --> 00:54:51.159
<v Speaker 3>So she keeps like hitting him in the crotch and

1044
00:54:51.679 --> 00:54:53.320
<v Speaker 3>hitting him in the face with the shoe and stuff.

1045
00:54:53.920 --> 00:54:55.199
<v Speaker 3>People listening like, what's going on?

1046
00:54:55.440 --> 00:54:56.719
<v Speaker 1>I know, I know, I don't know.

1047
00:54:58.159 --> 00:55:00.800
<v Speaker 2>Now they're basically yeah, yeah, they got this is not

1048
00:55:01.039 --> 00:55:02.480
<v Speaker 2>just a solid gag, you.

1049
00:55:02.440 --> 00:55:05.679
<v Speaker 3>Know, so do we John c Riley pulls his shirt

1050
00:55:05.679 --> 00:55:07.320
<v Speaker 3>off and we have a cutaway to a big, a

1051
00:55:07.400 --> 00:55:08.559
<v Speaker 3>muscle bound.

1052
00:55:10.880 --> 00:55:12.199
<v Speaker 1>Not John c Riley.

1053
00:55:12.280 --> 00:55:15.760
<v Speaker 2>Yeah, clearly, Yeah, like got a six pack, it's oiled up.

1054
00:55:22.239 --> 00:55:26.400
<v Speaker 2>Is this the of a Manson thing? So they're like, oh, yeah,

1055
00:55:26.400 --> 00:55:27.880
<v Speaker 2>where's doing He's Oh, he's hanging out on the barn

1056
00:55:27.920 --> 00:55:28.800
<v Speaker 2>with Charlie Manson.

1057
00:55:28.920 --> 00:55:29.360
<v Speaker 1>Nice guy.

1058
00:55:31.119 --> 00:55:33.679
<v Speaker 2>So did you know this whole connection between Charles Manson

1059
00:55:33.679 --> 00:55:38.280
<v Speaker 2>and the Beach Boys. No, So that's what this is

1060
00:55:38.360 --> 00:55:42.239
<v Speaker 2>riffing on basically, And I've kind of, you know, I'm

1061
00:55:42.280 --> 00:55:44.719
<v Speaker 2>reading off of like some website or something. But in

1062
00:55:44.760 --> 00:55:48.360
<v Speaker 2>nineteen sixty eight, the Beach Boys drummer Dennis Wilson, he

1063
00:55:48.440 --> 00:55:52.760
<v Speaker 2>became friends with Charles Manson, Okay, and so then he

1064
00:55:52.840 --> 00:55:56.119
<v Speaker 2>started letting like the Manson people live at his home.

1065
00:55:56.440 --> 00:55:58.400
<v Speaker 2>But they like destroyed the place, brought in all these

1066
00:55:58.440 --> 00:56:03.039
<v Speaker 2>drugs cost him like a ton of money. But as

1067
00:56:03.079 --> 00:56:05.159
<v Speaker 2>he let those people into the Beach Boys circle, they

1068
00:56:05.239 --> 00:56:09.960
<v Speaker 2>actually recorded a song that Manson wrote called Cease to Exist,

1069
00:56:10.639 --> 00:56:13.039
<v Speaker 2>Oh my gosh. Yeah, and then later they retitled it

1070
00:56:13.400 --> 00:56:17.039
<v Speaker 2>never Learn Not to Love and release it in sixty

1071
00:56:17.079 --> 00:56:18.760
<v Speaker 2>eight as a as a I guess a B side

1072
00:56:18.840 --> 00:56:22.239
<v Speaker 2>or something. So that's like a weird sort of dark

1073
00:56:22.239 --> 00:56:23.400
<v Speaker 2>footnote in the Beach Boys.

1074
00:56:23.440 --> 00:56:24.559
<v Speaker 1>Hilly Yeah.

1075
00:56:24.679 --> 00:56:26.360
<v Speaker 2>I only learned about that a couple of years ago.

1076
00:56:28.320 --> 00:56:31.360
<v Speaker 2>So anyway, yeah, Manson, I mean he wanted to be

1077
00:56:31.400 --> 00:56:34.840
<v Speaker 2>a musician. Yeah, so he warmed his way into at

1078
00:56:34.920 --> 00:56:35.559
<v Speaker 2>least one band.

1079
00:56:36.239 --> 00:56:41.239
<v Speaker 3>Now. What's also funny is that it's nineteen sixty six right.

1080
00:56:42.719 --> 00:56:43.480
<v Speaker 1>Right now in the movie.

1081
00:56:43.719 --> 00:56:47.599
<v Speaker 3>Yeah, in this point, Yeah, it's sixty I think it's

1082
00:56:47.599 --> 00:56:54.360
<v Speaker 3>sixty six, Yeah it is. And Dewey Dewey is thirty,

1083
00:56:54.920 --> 00:56:59.199
<v Speaker 3>like right right right, and yet he's done all this

1084
00:56:59.400 --> 00:57:03.400
<v Speaker 3>living right right right, the rehab and you name it.

1085
00:57:04.519 --> 00:57:04.559
<v Speaker 1>What.

1086
00:57:04.719 --> 00:57:06.320
<v Speaker 2>I like that he goes through all these it's like

1087
00:57:06.400 --> 00:57:08.480
<v Speaker 2>spinal tap right where they started as sort of like

1088
00:57:08.559 --> 00:57:12.159
<v Speaker 2>a flower Power type of band before they eventually got

1089
00:57:12.199 --> 00:57:14.280
<v Speaker 2>to heavy metal. And I like that he goes through

1090
00:57:14.280 --> 00:57:17.800
<v Speaker 2>all these different genres, like this is hysterical, this is

1091
00:57:17.800 --> 00:57:18.599
<v Speaker 2>Bob Dylan.

1092
00:57:18.440 --> 00:57:19.360
<v Speaker 1>The whole Bob Dylan thing.

1093
00:57:19.440 --> 00:57:21.800
<v Speaker 2>Yeah, and just the way his posture and the way

1094
00:57:21.840 --> 00:57:23.679
<v Speaker 2>that it looks like it's on grainy black and white.

1095
00:57:23.719 --> 00:57:26.360
<v Speaker 1>It's so funny. That's that's the thing.

1096
00:57:26.400 --> 00:57:30.920
<v Speaker 3>I mean, it has to incredibly evoke what it's what

1097
00:57:31.000 --> 00:57:33.840
<v Speaker 3>it's satirizing, mm hmm. But it has to be funny

1098
00:57:33.840 --> 00:57:36.079
<v Speaker 3>even if you don't know specifically what it satirized.

1099
00:57:36.199 --> 00:57:38.199
<v Speaker 1>Yeah, right, right right.

1100
00:57:38.199 --> 00:57:40.559
<v Speaker 3>It's a little bit like like Simpson's gags, which we

1101
00:57:40.599 --> 00:57:43.679
<v Speaker 3>talk about all the time, right where it's like later on,

1102
00:57:44.039 --> 00:57:47.519
<v Speaker 3>like maybe a decade later, you'll you'll get the reference.

1103
00:57:48.519 --> 00:57:51.360
<v Speaker 3>But the joke was funny anyway, totally.

1104
00:57:51.400 --> 00:57:55.039
<v Speaker 2>I saw a thing on Instagram that was trying to

1105
00:57:55.079 --> 00:57:56.880
<v Speaker 2>demonstrate that, and they were showing, you know how the

1106
00:57:56.920 --> 00:57:59.920
<v Speaker 2>mister Plow episode is based on the movie Sorcerer, which

1107
00:58:00.199 --> 00:58:02.280
<v Speaker 2>I didn't even know existed to like you know, like

1108
00:58:02.320 --> 00:58:03.840
<v Speaker 2>twenty ten or something.

1109
00:58:04.079 --> 00:58:07.400
<v Speaker 1>And they showed like side by side.

1110
00:58:07.440 --> 00:58:10.880
<v Speaker 2>They literally copy moments from that movie, but they don't

1111
00:58:10.960 --> 00:58:13.639
<v Speaker 2>need you to know that movie, right, Like they're making

1112
00:58:13.679 --> 00:58:16.920
<v Speaker 2>funny moments like the plow dangling off the cliff and

1113
00:58:17.159 --> 00:58:19.440
<v Speaker 2>Homer being able to get it to stop dangling by

1114
00:58:19.519 --> 00:58:21.400
<v Speaker 2>turning the radio knob a certain way.

1115
00:58:22.000 --> 00:58:24.159
<v Speaker 1>That's just funny. But then when you learn.

1116
00:58:24.000 --> 00:58:26.719
<v Speaker 2>What Sorcerer is, you're like, oh, and there's another layer

1117
00:58:26.760 --> 00:58:28.000
<v Speaker 2>to it, you know.

1118
00:58:28.199 --> 00:58:28.800
<v Speaker 1>Yeah, I mean.

1119
00:58:28.920 --> 00:58:32.679
<v Speaker 3>Early Simpsons was really good at that m right. This,

1120
00:58:32.719 --> 00:58:35.039
<v Speaker 3>I mean, this is the like I don't want to

1121
00:58:35.400 --> 00:58:39.559
<v Speaker 3>pylon modern day Simpsons, but like, you know, just recently

1122
00:58:39.639 --> 00:58:43.320
<v Speaker 3>they did they did a bit where Santa's little helper

1123
00:58:43.360 --> 00:58:45.559
<v Speaker 3>gets sick, so they take him to the vet, and

1124
00:58:45.639 --> 00:58:49.079
<v Speaker 3>the vet is basically the Pit from from the Pit, right,

1125
00:58:49.159 --> 00:58:53.320
<v Speaker 3>so you got you know, Catherine Lanassa and Noah Wiley

1126
00:58:53.480 --> 00:58:56.639
<v Speaker 3>and Taylor Dard and playing their characters, and it's like,

1127
00:58:56.719 --> 00:58:58.920
<v Speaker 3>it's like funny if you've seen the Pit, it's funny, right,

1128
00:58:59.280 --> 00:59:00.920
<v Speaker 3>But I had that thought watching it. I was like,

1129
00:59:01.360 --> 00:59:04.400
<v Speaker 3>in ten years, this isn't gonna play the same way.

1130
00:59:04.559 --> 00:59:07.519
<v Speaker 1>Mmmm. Because the joke is that it's.

1131
00:59:07.360 --> 00:59:12.199
<v Speaker 3>The pit right right now, right, and there used to

1132
00:59:12.239 --> 00:59:14.719
<v Speaker 3>be a little more layers to the humor.

1133
00:59:17.280 --> 00:59:20.079
<v Speaker 1>Well it should. I mean this scene with the Beatles, yep.

1134
00:59:21.000 --> 00:59:23.159
<v Speaker 2>You know, anyone who hasn't watched this movie, you can

1135
00:59:23.199 --> 00:59:25.000
<v Speaker 2>at least look this scene up on YouTube.

1136
00:59:25.039 --> 00:59:28.039
<v Speaker 1>Walk hard the Beatles. Yep. It's just so funny.

1137
00:59:28.119 --> 00:59:30.920
<v Speaker 2>And this is such inspired casting, isn't it Just as

1138
00:59:30.960 --> 00:59:34.639
<v Speaker 2>long as George Harrison. I mean he could like really

1139
00:59:34.639 --> 00:59:35.159
<v Speaker 2>play him.

1140
00:59:35.320 --> 00:59:38.960
<v Speaker 1>Yeah, and Jack Black is Paul McCartney.

1141
00:59:40.920 --> 00:59:42.039
<v Speaker 3>That's pretty brilliant.

1142
00:59:42.039 --> 00:59:43.679
<v Speaker 1>I gotta say, yeah.

1143
00:59:43.719 --> 00:59:45.760
<v Speaker 2>And they're all doing I mean, his is probably the

1144
00:59:45.800 --> 00:59:49.440
<v Speaker 2>weakest impersonation, but like it's it's right for this movie.

1145
00:59:49.199 --> 00:59:51.440
<v Speaker 1>But for this movie it works. Yeah. Yeah. But Paul

1146
00:59:51.519 --> 00:59:54.960
<v Speaker 1>Rudd is like kind of doing a funny John Lennon voice. Yep,

1147
00:59:55.320 --> 00:59:57.760
<v Speaker 1>you know, great rec.

1148
01:00:01.000 --> 01:00:04.960
<v Speaker 3>You know, apropos of Paul Rudd. I was reading a

1149
01:00:05.000 --> 01:00:09.079
<v Speaker 3>thing about how when Steve Corell was shooting a forty

1150
01:00:09.159 --> 01:00:12.119
<v Speaker 3>year old virgin, he was, you know, in the process

1151
01:00:12.280 --> 01:00:16.519
<v Speaker 3>of auditioning for the Office, and Paul Rudd was like, dude,

1152
01:00:16.559 --> 01:00:19.840
<v Speaker 3>don't don't do that. You're just going to ruin your career.

1153
01:00:21.559 --> 01:00:25.760
<v Speaker 3>No one will be able to look past the original show, right,

1154
01:00:26.360 --> 01:00:30.079
<v Speaker 3>and you talk about like the benefit of hindsight, Like,

1155
01:00:30.199 --> 01:00:34.280
<v Speaker 3>let's be real, the original show has become somewhat of

1156
01:00:34.320 --> 01:00:35.920
<v Speaker 3>a footnote to American Office.

1157
01:00:36.280 --> 01:00:41.199
<v Speaker 2>Yeah right, yeah, I mean that those things exactly you'd

1158
01:00:41.280 --> 01:00:44.199
<v Speaker 2>never know you just don't know, you know.

1159
01:00:44.360 --> 01:00:46.440
<v Speaker 3>Can you imagine if like and and the thing about

1160
01:00:46.480 --> 01:00:49.880
<v Speaker 3>that is who but Steve Corell could have could have

1161
01:00:49.880 --> 01:00:50.719
<v Speaker 3>been in that, you.

1162
01:00:50.679 --> 01:00:54.079
<v Speaker 2>Know, yeah, and he's what Yeah, without him, maybe it

1163
01:00:54.079 --> 01:00:59.440
<v Speaker 2>wouldn't have been that right exactly. He elevated it. I mean,

1164
01:00:59.440 --> 01:01:02.519
<v Speaker 2>they all did all. They're all it's perfect casting that show.

1165
01:01:03.280 --> 01:01:06.079
<v Speaker 3>It should not have worked because because certainly I remember

1166
01:01:06.159 --> 01:01:08.199
<v Speaker 3>when it started and it was like, oh, America, they're

1167
01:01:08.239 --> 01:01:11.760
<v Speaker 3>just gonna ruin it, you know, and for once America

1168
01:01:11.880 --> 01:01:15.800
<v Speaker 3>didn't ruin something. Everybody we did not ruin the Office.

1169
01:01:16.719 --> 01:01:18.360
<v Speaker 2>By the way, I love the Maharishi where he's like,

1170
01:01:18.400 --> 01:01:23.239
<v Speaker 2>Beatles stop fighting here in India.

1171
01:01:25.400 --> 01:01:27.920
<v Speaker 3>This scene made me think of the you know, at

1172
01:01:27.920 --> 01:01:34.079
<v Speaker 3>this moment, upcoming four movie Beatles franchise that we have

1173
01:01:34.159 --> 01:01:39.679
<v Speaker 3>coming right, which one movie each devoted to the respective

1174
01:01:39.679 --> 01:01:45.440
<v Speaker 3>band members, which, man, I I have no idea how

1175
01:01:45.440 --> 01:01:46.239
<v Speaker 3>that's gonna work.

1176
01:01:46.840 --> 01:01:50.159
<v Speaker 1>Same but I would love for it to succeed. Yeah,

1177
01:01:50.159 --> 01:01:54.599
<v Speaker 1>all the same year, right, Yeah, I think weeks apart.

1178
01:01:54.960 --> 01:01:56.239
<v Speaker 1>That is just wild.

1179
01:01:56.679 --> 01:01:57.480
<v Speaker 3>It's a big swing.

1180
01:01:57.679 --> 01:02:00.159
<v Speaker 2>But if they're good, I mean, if they if they land,

1181
01:02:00.920 --> 01:02:02.760
<v Speaker 2>you know, word here do we like?

1182
01:02:02.760 --> 01:02:04.199
<v Speaker 3>What order are they coming out in?

1183
01:02:05.039 --> 01:02:06.840
<v Speaker 1>Yeah? I don't know, right, because I'm.

1184
01:02:06.719 --> 01:02:10.280
<v Speaker 3>Thinking you gotta lead with you gotta lead with your

1185
01:02:10.360 --> 01:02:14.760
<v Speaker 3>your Ringo mmmm, and then build up to your John

1186
01:02:14.800 --> 01:02:15.239
<v Speaker 3>and Paul.

1187
01:02:17.480 --> 01:02:20.000
<v Speaker 2>You know, I almost would think maybe bookend it like

1188
01:02:20.199 --> 01:02:22.320
<v Speaker 2>with John and Paul, and you get Ringo as the

1189
01:02:22.320 --> 01:02:25.159
<v Speaker 2>one that's like number three, and it surprises everyone. It

1190
01:02:25.199 --> 01:02:29.639
<v Speaker 2>becomes everyone's favorite, you know, because he's so amiable and

1191
01:02:30.639 --> 01:02:31.920
<v Speaker 2>you know, you like spending time with him.

1192
01:02:31.960 --> 01:02:33.079
<v Speaker 1>I don't know, that's just a guess.

1193
01:02:33.079 --> 01:02:37.000
<v Speaker 2>But by the way, so this riff on Yellow Submarine,

1194
01:02:37.000 --> 01:02:40.519
<v Speaker 2>this sort of psychedelic yeah, sixties animation.

1195
01:02:40.599 --> 01:02:41.800
<v Speaker 3>Have you seen Yellow Submarine?

1196
01:02:42.199 --> 01:02:42.400
<v Speaker 1>No?

1197
01:02:42.880 --> 01:02:45.000
<v Speaker 3>Oh really, no, have you I have?

1198
01:02:45.199 --> 01:02:45.360
<v Speaker 1>Yeah?

1199
01:02:45.400 --> 01:02:46.840
<v Speaker 3>I saw I saw it in a film class in

1200
01:02:46.920 --> 01:02:47.440
<v Speaker 3>high school.

1201
01:02:47.679 --> 01:02:48.280
<v Speaker 1>Is it any good?

1202
01:02:50.039 --> 01:02:52.840
<v Speaker 3>It's trippy, man, I mean, this isn't far removed from

1203
01:02:52.880 --> 01:02:53.920
<v Speaker 3>from the way that movie is.

1204
01:02:53.960 --> 01:02:56.719
<v Speaker 2>I'm having I just it doesn't seem like something I

1205
01:02:56.760 --> 01:02:57.679
<v Speaker 2>would really want to see.

1206
01:02:57.679 --> 01:03:00.519
<v Speaker 1>For ninety minutes. Yeah, but I I could be wrong.

1207
01:03:01.239 --> 01:03:06.000
<v Speaker 1>It's he's a good RINGO.

1208
01:03:07.039 --> 01:03:09.719
<v Speaker 3>He's pretty good. Have you seen you've seen the other

1209
01:03:09.760 --> 01:03:10.400
<v Speaker 3>Beatle movies?

1210
01:03:10.480 --> 01:03:12.199
<v Speaker 1>Right, I've seen Hard Days Nights?

1211
01:03:12.280 --> 01:03:13.280
<v Speaker 3>Okay, you haven't seen Help.

1212
01:03:13.800 --> 01:03:14.920
<v Speaker 1>I don't think i've seen Help.

1213
01:03:15.400 --> 01:03:18.760
<v Speaker 3>Yeah, I've only seen Hard Day's Night. I mean, between

1214
01:03:19.039 --> 01:03:22.920
<v Speaker 3>Yellow Submarine and Hard Day's Night, I prefer Hard Day's Night.

1215
01:03:22.960 --> 01:03:25.320
<v Speaker 3>But O, yeah, they're doing two very different things.

1216
01:03:25.679 --> 01:03:26.480
<v Speaker 1>Yeah.

1217
01:03:26.719 --> 01:03:32.159
<v Speaker 2>Yeah, yeah, he's he's like been solid forever.

1218
01:03:33.360 --> 01:03:35.039
<v Speaker 3>You plug him in, you're gonna get a good performance.

1219
01:03:35.079 --> 01:03:37.519
<v Speaker 3>I'm just like, look at Crumb holds here and then

1220
01:03:37.760 --> 01:03:40.559
<v Speaker 3>you remember him and Oppenheimer just a few years ago.

1221
01:03:40.760 --> 01:03:43.440
<v Speaker 3>M hm, yeah, you talk about a guy who's gone

1222
01:03:43.480 --> 01:03:46.000
<v Speaker 3>from child actor. He had like a penis drawn on

1223
01:03:46.039 --> 01:03:48.159
<v Speaker 3>his face and ten things I hate about you right

1224
01:03:49.360 --> 01:03:52.559
<v Speaker 3>to now he's he's like, hey, Oppenheimer, maybe don't build

1225
01:03:52.599 --> 01:03:53.599
<v Speaker 3>the bomb? You know.

1226
01:03:54.880 --> 01:03:56.639
<v Speaker 1>Yeah.

1227
01:03:56.800 --> 01:03:58.920
<v Speaker 2>Yeah, he has like kind of a speech later in

1228
01:03:58.920 --> 01:04:00.639
<v Speaker 2>this movie where I was like, man, he's given a

1229
01:04:00.679 --> 01:04:02.480
<v Speaker 2>really good performance.

1230
01:04:02.719 --> 01:04:05.559
<v Speaker 3>Yeah, he's a good actor. I've always liked him. He

1231
01:04:05.639 --> 01:04:08.400
<v Speaker 3>was on that show Numbers. Do you remember I remember it?

1232
01:04:08.440 --> 01:04:14.519
<v Speaker 3>I haven't seen it, man, you know, a broken record time,

1233
01:04:15.079 --> 01:04:19.880
<v Speaker 3>just creative, create a creat a procedural with something of

1234
01:04:19.920 --> 01:04:24.159
<v Speaker 3>a quirky premise, sell it to CBS, and just sit

1235
01:04:24.199 --> 01:04:25.840
<v Speaker 3>on the porch sip and mint julips.

1236
01:04:25.840 --> 01:04:28.800
<v Speaker 1>For the rest of you are someday, man, someday.

1237
01:04:29.639 --> 01:04:33.119
<v Speaker 3>It's like, what if we have a math teacher whose

1238
01:04:33.199 --> 01:04:36.039
<v Speaker 3>brother is an FBI agent they solve crimes together.

1239
01:04:36.480 --> 01:04:41.199
<v Speaker 1>Sold dude.

1240
01:04:41.199 --> 01:04:43.360
<v Speaker 2>By the way, this is like, low key, my favorite

1241
01:04:43.840 --> 01:04:48.079
<v Speaker 2>gag in the entire movie, This Brian Wilson era. Yeah, oh, brilliant,

1242
01:04:48.719 --> 01:04:53.199
<v Speaker 2>just so brilliant, like this late well, late sixties moment

1243
01:04:53.239 --> 01:04:56.000
<v Speaker 2>Brian Wilson thing where he was trying to experiment sonically,

1244
01:04:57.320 --> 01:04:59.760
<v Speaker 2>you know, and big wall of sound and so you

1245
01:04:59.760 --> 01:05:04.639
<v Speaker 2>see Dewey he's got like an aboriginal choir and goats

1246
01:05:04.760 --> 01:05:08.719
<v Speaker 2>and people banging large bells and I love I love

1247
01:05:08.800 --> 01:05:11.159
<v Speaker 2>the guitarist where he's like, it sounds like five songs

1248
01:05:11.199 --> 01:05:14.840
<v Speaker 2>on top of each other, and I mean the song

1249
01:05:14.880 --> 01:05:18.239
<v Speaker 2>itself sounds like a Brian Wilson song, like in that

1250
01:05:18.320 --> 01:05:22.119
<v Speaker 2>later kind of crazy chaotic rounding era, the Smile when

1251
01:05:22.119 --> 01:05:24.280
<v Speaker 2>he's trying to do Smile and it just kept going

1252
01:05:24.320 --> 01:05:27.239
<v Speaker 2>and going and was never finished. It's just I mean

1253
01:05:27.280 --> 01:05:29.920
<v Speaker 2>that's the thing, Like I think it is funny on

1254
01:05:29.960 --> 01:05:33.599
<v Speaker 2>the surface, but like knowing what they're doing here and

1255
01:05:33.639 --> 01:05:37.480
<v Speaker 2>how well they're doing it is just so satisfying and delightful.

1256
01:05:37.800 --> 01:05:38.000
<v Speaker 1>Right.

1257
01:05:38.039 --> 01:05:39.639
<v Speaker 3>Well, it's given I mean, it's kind of what we

1258
01:05:39.639 --> 01:05:41.960
<v Speaker 3>were saying with Simpsons, right, it's given you multiple layers

1259
01:05:41.960 --> 01:05:42.559
<v Speaker 3>to appreciate.

1260
01:05:42.920 --> 01:05:45.400
<v Speaker 1>Yeah.

1261
01:05:45.519 --> 01:05:47.599
<v Speaker 3>By the way, we've mentioned the other band members. You know,

1262
01:05:47.639 --> 01:05:50.159
<v Speaker 3>Matt Besser as Dave. He is really funny in this

1263
01:05:51.400 --> 01:05:53.559
<v Speaker 3>as just perpetually exasperated guy.

1264
01:05:53.840 --> 01:05:55.880
<v Speaker 1>Yes. Yeah, his face says it.

1265
01:05:55.840 --> 01:06:06.480
<v Speaker 3>All yep, Chris Barno and he just explodes.

1266
01:06:10.559 --> 01:06:11.960
<v Speaker 1>And I love the Yeah.

1267
01:06:12.119 --> 01:06:14.840
<v Speaker 2>He never once paid for drugs, not once, not once.

1268
01:06:17.119 --> 01:06:22.159
<v Speaker 2>He never once paid for drugs.

1269
01:06:20.920 --> 01:06:23.119
<v Speaker 3>Daves like I have to borrow from the gym to

1270
01:06:23.199 --> 01:06:24.239
<v Speaker 3>pay for my mortgage.

1271
01:06:27.519 --> 01:06:29.920
<v Speaker 2>I love too that he keeps giving him Siamese Glass

1272
01:06:29.960 --> 01:06:30.840
<v Speaker 2>cats his gifts.

1273
01:06:31.360 --> 01:06:38.159
<v Speaker 1>I don't want anymore Siamese Glass cats. Have cats paid

1274
01:06:38.159 --> 01:06:40.840
<v Speaker 1>for drugs? Not once once.

1275
01:06:43.519 --> 01:06:49.199
<v Speaker 3>He slept with me, tookes.

1276
01:06:46.880 --> 01:06:58.119
<v Speaker 1>For ten years. No once. Oh man.

1277
01:06:58.679 --> 01:07:01.760
<v Speaker 2>But see you'll go back to John John c Riley

1278
01:07:02.199 --> 01:07:04.760
<v Speaker 2>like he's doing the comedy so sort of like Leslie Nielsen,

1279
01:07:05.360 --> 01:07:08.159
<v Speaker 2>he knows the right way to sort of well to

1280
01:07:08.280 --> 01:07:10.199
<v Speaker 2>like ring a laugh, but he knows when to be

1281
01:07:10.320 --> 01:07:15.159
<v Speaker 2>completely straight too. And he's performing in this movie. He's

1282
01:07:15.159 --> 01:07:20.599
<v Speaker 2>singing all these songs. I mean, this is a really amazing,

1283
01:07:21.000 --> 01:07:25.199
<v Speaker 2>like underappreciated performance from him.

1284
01:07:25.519 --> 01:07:25.840
<v Speaker 1>Yeah.

1285
01:07:25.880 --> 01:07:28.679
<v Speaker 3>Well, I think that's just an outgrowth of the fact

1286
01:07:28.719 --> 01:07:30.440
<v Speaker 3>that nobody watched this movie when it came out.

1287
01:07:32.079 --> 01:07:34.199
<v Speaker 2>Yeah, but I mean even yeah, it's just too bad

1288
01:07:34.239 --> 01:07:35.880
<v Speaker 2>that it's not one of the things I think that

1289
01:07:35.960 --> 01:07:37.639
<v Speaker 2>gets brought up with him a lot, because I think

1290
01:07:37.639 --> 01:07:38.760
<v Speaker 2>this is a real achievement.

1291
01:07:39.280 --> 01:07:41.920
<v Speaker 1>Yeah, you know, I remember when it came.

1292
01:07:41.719 --> 01:07:45.159
<v Speaker 3>Out, the Aboriginal singing, oh sorry, let me come back.

1293
01:07:45.199 --> 01:07:48.519
<v Speaker 2>Yeah, just walking into an argument, just slowly backs away,

1294
01:07:48.519 --> 01:07:53.639
<v Speaker 2>he shuts the doors, just random. When this came out,

1295
01:07:53.679 --> 01:07:57.239
<v Speaker 2>I think the writer's strike was happening, okay, or some

1296
01:07:57.440 --> 01:07:59.719
<v Speaker 2>there's some sort of actor strike or whatever it was.

1297
01:08:00.039 --> 01:08:00.519
<v Speaker 1>What was it?

1298
01:08:01.079 --> 01:08:02.920
<v Speaker 2>I was there was something and they couldn't promote it

1299
01:08:02.920 --> 01:08:04.199
<v Speaker 2>the way that they wanted to, Like, they couldn't go

1300
01:08:04.199 --> 01:08:07.000
<v Speaker 2>on talk shows. Okay, must have been must have been

1301
01:08:07.039 --> 01:08:09.679
<v Speaker 2>a writer strike then, yeah, act actress right, Yeah, writer

1302
01:08:09.760 --> 01:08:12.760
<v Speaker 2>strike was O eight, I believe, Yeah, yeah, or I

1303
01:08:12.760 --> 01:08:14.400
<v Speaker 2>think it might have started to O seven. Maybe it

1304
01:08:14.440 --> 01:08:18.800
<v Speaker 2>was Maybe it was because talk shows couldn't.

1305
01:08:18.319 --> 01:08:21.319
<v Speaker 3>Oh that's going Oh you know that that makes sense? Actually, yeah,

1306
01:08:21.439 --> 01:08:23.119
<v Speaker 3>might have might have that, might that might be it.

1307
01:08:23.239 --> 01:08:23.399
<v Speaker 1>Yeah.

1308
01:08:23.600 --> 01:08:25.199
<v Speaker 2>So the way that they tried to be creative and

1309
01:08:25.239 --> 01:08:28.840
<v Speaker 2>promote this was they did a tour Okay, like seven

1310
01:08:28.920 --> 01:08:30.520
<v Speaker 2>or eight stocks across the country.

1311
01:08:30.600 --> 01:08:31.640
<v Speaker 1>We talked about that now.

1312
01:08:31.600 --> 01:08:34.319
<v Speaker 2>Yeah Riley performing as do we cos juey cos I

1313
01:08:34.399 --> 01:08:37.079
<v Speaker 2>really wanted to catch it and I didn't, but I

1314
01:08:37.079 --> 01:08:38.439
<v Speaker 2>think that would have been really fun to see all

1315
01:08:38.439 --> 01:08:39.520
<v Speaker 2>these songs performed live.

1316
01:08:41.119 --> 01:08:45.319
<v Speaker 3>It's interesting how the times have changed, right where the

1317
01:08:45.359 --> 01:08:47.399
<v Speaker 3>notion of oh, we can't go on late night talk

1318
01:08:47.439 --> 01:08:49.279
<v Speaker 3>shows to promote this thing, it's gonna flop.

1319
01:08:49.800 --> 01:08:51.119
<v Speaker 1>Yeah, it affects box office.

1320
01:08:51.279 --> 01:08:53.039
<v Speaker 3>Yeah, like we don't live in that world anymore.

1321
01:08:53.039 --> 01:08:55.039
<v Speaker 1>You know. That is a really good point. It's like

1322
01:08:55.039 --> 01:08:56.760
<v Speaker 1>what viral thing can we get online? Now?

1323
01:08:57.239 --> 01:09:00.119
<v Speaker 3>Basically? I mean that's all people watch, right, Yeah, Oh,

1324
01:09:00.399 --> 01:09:03.560
<v Speaker 3>let's just like eat chicken wings that are getting hot

1325
01:09:04.840 --> 01:09:07.159
<v Speaker 3>and yeah, millions of people will watch it.

1326
01:09:07.760 --> 01:09:12.720
<v Speaker 2>That's really funny because I remember with the fallon his

1327
01:09:12.880 --> 01:09:15.960
<v Speaker 2>thing kind of I don't know if he started it necessarily,

1328
01:09:16.000 --> 01:09:18.119
<v Speaker 2>but it was like the guests came on, but they

1329
01:09:18.119 --> 01:09:19.119
<v Speaker 2>had to play games.

1330
01:09:19.760 --> 01:09:20.439
<v Speaker 1>It'd be like you're.

1331
01:09:20.359 --> 01:09:22.760
<v Speaker 2>Tom Cruise and you're promoting, you know, if you're a

1332
01:09:22.800 --> 01:09:25.000
<v Speaker 2>Mission Impossible or something, but you got to get in

1333
01:09:25.079 --> 01:09:27.840
<v Speaker 2>like an inflatable pool, yeah, you know, and play some

1334
01:09:27.880 --> 01:09:29.600
<v Speaker 2>sort of game where you scored each other with like

1335
01:09:29.800 --> 01:09:31.960
<v Speaker 2>you know, greepe jelly or something like that's going on

1336
01:09:32.000 --> 01:09:34.640
<v Speaker 2>the Tonight show. Now, that's right, And then I mean

1337
01:09:34.640 --> 01:09:37.399
<v Speaker 2>that feels suited for a shorter format where it's like, well,

1338
01:09:37.399 --> 01:09:39.920
<v Speaker 2>skip the talk show, just show the celebrity playing the game,

1339
01:09:39.960 --> 01:09:41.720
<v Speaker 2>and then you get, yeah, the hot ones and things

1340
01:09:41.760 --> 01:09:42.119
<v Speaker 2>like that.

1341
01:09:42.960 --> 01:09:47.039
<v Speaker 3>Like that's that's how far we've come from the the

1342
01:09:47.119 --> 01:09:51.079
<v Speaker 3>Johnny Carson days, you know, mm hmm, you know what

1343
01:09:51.159 --> 01:09:51.439
<v Speaker 3>I mean.

1344
01:09:52.079 --> 01:09:55.239
<v Speaker 2>We're yeah, we're just be Burt Reynolds and Mark Summer's yeah,

1345
01:09:55.359 --> 01:09:56.560
<v Speaker 2>he duking it out.

1346
01:09:57.600 --> 01:10:01.239
<v Speaker 3>We're gonna play the Smoky in the Bandaid Arcade game here,

1347
01:10:01.520 --> 01:10:05.399
<v Speaker 3>yeah yeah, right, right right right As Dom DeLuise is

1348
01:10:05.439 --> 01:10:09.000
<v Speaker 3>like the back just running back and forth.

1349
01:10:10.479 --> 01:10:14.199
<v Speaker 2>That makes me think of like Chris Farley, right, he's

1350
01:10:14.279 --> 01:10:15.960
<v Speaker 2>just like, wheeze, laughing.

1351
01:10:18.920 --> 01:10:19.119
<v Speaker 1>Dude.

1352
01:10:19.159 --> 01:10:22.119
<v Speaker 3>Jonah Hill as grown up Nate hilarious.

1353
01:10:22.159 --> 01:10:29.520
<v Speaker 1>So funny and he's just an asshole. That's yeah. Yeah,

1354
01:10:29.600 --> 01:10:29.800
<v Speaker 1>you know.

1355
01:10:29.880 --> 01:10:32.560
<v Speaker 2>I mean, like I've liked Jonah Hill throughout the years.

1356
01:10:32.600 --> 01:10:35.479
<v Speaker 2>He's kind of evolved into different sorts of things, but

1357
01:10:35.600 --> 01:10:39.319
<v Speaker 2>this moment for him, you know, super Bad, this.

1358
01:10:40.640 --> 01:10:42.920
<v Speaker 3>Pre Academy Award nominee Jonah.

1359
01:10:43.000 --> 01:10:45.359
<v Speaker 1>Maybe that's it, but like, he just really cracked me up.

1360
01:10:45.399 --> 01:10:48.159
<v Speaker 2>I liked when he was doing this kind of comedy. Well,

1361
01:10:48.520 --> 01:10:49.880
<v Speaker 2>I love the way he says machete too.

1362
01:10:49.880 --> 01:10:54.399
<v Speaker 1>He's like with a machete. I mean this is like

1363
01:10:54.520 --> 01:10:58.680
<v Speaker 1>super Bad era. Yeah, yeah, yeah, same here, right.

1364
01:10:58.800 --> 01:11:02.239
<v Speaker 3>He and he was the babysitter wouldn't at him?

1365
01:11:02.640 --> 01:11:05.039
<v Speaker 1>That was yeah, maybe a couple of years later.

1366
01:11:05.119 --> 01:11:08.960
<v Speaker 3>Right, and then Wolf of Wall Street was a twenty eleven.

1367
01:11:08.720 --> 01:11:10.920
<v Speaker 1>Right, yeah, somewhere around maybe fourteen.

1368
01:11:13.119 --> 01:11:16.439
<v Speaker 3>Okay, so what was oh Moneyball that was twenty eleven.

1369
01:11:16.720 --> 01:11:18.520
<v Speaker 1>Yeah, that feels right, right.

1370
01:11:18.560 --> 01:11:21.920
<v Speaker 3>So that's when he starts moving into like dramatic actor mode,

1371
01:11:22.239 --> 01:11:26.279
<v Speaker 3>right right. It's interesting. Yeah, yeah, like he's still I

1372
01:11:26.319 --> 01:11:28.359
<v Speaker 3>mean when he does comed he's still finny. I think

1373
01:11:28.359 --> 01:11:32.960
<v Speaker 3>I think this is the end. He's hilarious. And yeah, yeah,

1374
01:11:33.239 --> 01:11:35.000
<v Speaker 3>obviously the Jump Street movies.

1375
01:11:35.279 --> 01:11:38.000
<v Speaker 2>Oh yeah, those have been on Pluto lately. Oh okay,

1376
01:11:38.119 --> 01:11:40.039
<v Speaker 2>like cycling, and I always stop on them and they

1377
01:11:40.119 --> 01:11:40.920
<v Speaker 2>always crack me up.

1378
01:11:41.680 --> 01:11:46.439
<v Speaker 3>Those I mean the scene in the first one where

1379
01:11:46.520 --> 01:11:50.399
<v Speaker 3>it's they're in Nick Offerman's office and Channing Tatum doesn't

1380
01:11:50.439 --> 01:11:54.000
<v Speaker 3>know the Miranda rights. Yeah right, right right, it's brilliant,

1381
01:11:54.039 --> 01:11:55.600
<v Speaker 3>cracks me up. And then I've said this before so

1382
01:11:55.640 --> 01:11:58.159
<v Speaker 3>many times, but the scene in the second one where

1383
01:11:59.680 --> 01:12:04.600
<v Speaker 3>I iced tea ice cube excuse me, finds out that

1384
01:12:04.600 --> 01:12:07.479
<v Speaker 3>that Jonah Hill slept with his daughter, yes, yeah or

1385
01:12:07.880 --> 01:12:13.199
<v Speaker 3>no chanting, it's Tatum Channing Channing Tatum realizes what Ice

1386
01:12:13.560 --> 01:12:14.359
<v Speaker 3>has figured out.

1387
01:12:14.640 --> 01:12:15.960
<v Speaker 1>Yeah, yeah, yeah, yeah.

1388
01:12:16.079 --> 01:12:18.720
<v Speaker 3>I that's probably the hardest I've ever laughed in my life.

1389
01:12:18.800 --> 01:12:21.000
<v Speaker 3>Like I thought I was gonna pass out from laughing

1390
01:12:21.039 --> 01:12:21.319
<v Speaker 3>so hard.

1391
01:12:21.880 --> 01:12:24.920
<v Speaker 1>Yeah. Yeah.

1392
01:12:25.000 --> 01:12:27.239
<v Speaker 3>So this whole Variety show that they do, it's such

1393
01:12:27.399 --> 01:12:30.640
<v Speaker 3>it's such a perfect evocation of what you would see

1394
01:12:30.680 --> 01:12:34.560
<v Speaker 3>in that era, like your Sonny and Cher and you know,

1395
01:12:34.600 --> 01:12:38.039
<v Speaker 3>Flip Wilson and Brady Bunch of Variety show, you know,

1396
01:12:38.119 --> 01:12:39.880
<v Speaker 3>like that that type.

1397
01:12:40.880 --> 01:12:44.960
<v Speaker 2>Yeah, like taking doing covers of songs, beturning them disco.

1398
01:12:45.439 --> 01:12:48.359
<v Speaker 3>Yeah, and doing like comedy skits that aren't particularly funny.

1399
01:12:49.079 --> 01:12:52.000
<v Speaker 2>Yes, yeah, yeah, yeah, yeah, And Johnny Cash did have

1400
01:12:52.079 --> 01:12:54.800
<v Speaker 2>a show kind of like this, the Johnny Cash Show,

1401
01:12:56.279 --> 01:12:59.520
<v Speaker 2>And I think this is a riff on it more broadly,

1402
01:12:59.640 --> 01:13:02.399
<v Speaker 2>you know, like Sonny and Share right like this. I

1403
01:13:02.439 --> 01:13:07.680
<v Speaker 2>love this these graphics, yeah, like the sort of disco starman.

1404
01:13:07.880 --> 01:13:10.079
<v Speaker 1>You know, it's weird.

1405
01:13:09.840 --> 01:13:12.720
<v Speaker 3>Because because it points to a time when TV was

1406
01:13:12.920 --> 01:13:19.199
<v Speaker 3>much more uh uh four quadrant in its approach. Yeah,

1407
01:13:19.479 --> 01:13:22.359
<v Speaker 3>and and as a result, you know, it's weird right

1408
01:13:22.399 --> 01:13:26.159
<v Speaker 3>because we talked, We talk often about how the the

1409
01:13:26.199 --> 01:13:31.399
<v Speaker 3>compartmentalization of TV has taken away the collective experience, right,

1410
01:13:31.960 --> 01:13:34.039
<v Speaker 3>So now there's there aren't these things that everybody grabthers

1411
01:13:34.039 --> 01:13:35.640
<v Speaker 3>a on the TV to watch together. Everybody goes in

1412
01:13:35.680 --> 01:13:38.079
<v Speaker 3>their own direction. Everybody has their own thing that they

1413
01:13:38.119 --> 01:13:41.199
<v Speaker 3>go into their corners, and that's that's bad, right, But

1414
01:13:41.399 --> 01:13:44.439
<v Speaker 3>also in trying to appeal to everybody, you kind of

1415
01:13:44.439 --> 01:13:47.680
<v Speaker 3>appeal to nobody. Hmmm, right, you know what I mean,

1416
01:13:47.720 --> 01:13:49.880
<v Speaker 3>because I don't I don't know anybody who looks back

1417
01:13:49.920 --> 01:13:54.239
<v Speaker 3>on these shows with like with like, oh, they don't

1418
01:13:54.279 --> 01:13:56.600
<v Speaker 3>make them like this anymore, you know.

1419
01:13:56.680 --> 01:13:59.359
<v Speaker 1>Yeah, yeah, like do you see what they were doing here?

1420
01:13:59.600 --> 01:14:01.800
<v Speaker 3>Yeah, like it was on so they watched.

1421
01:14:02.039 --> 01:14:06.319
<v Speaker 2>Yeah, exactly, exactly right, yep, I think this is what

1422
01:14:06.319 --> 01:14:07.840
<v Speaker 2>I was talking about with Krumholds. By the way, He's

1423
01:14:07.840 --> 01:14:10.199
<v Speaker 2>just so it is great. There's a good performance here.

1424
01:14:15.159 --> 01:14:17.520
<v Speaker 2>So wait, when they were talking about the Incredible Hulk episode,

1425
01:14:17.640 --> 01:14:18.479
<v Speaker 2>was that a real episode?

1426
01:14:18.520 --> 01:14:20.039
<v Speaker 1>Did they actually have the Red Hulk in one of

1427
01:14:20.079 --> 01:14:21.800
<v Speaker 1>them episode? Okay?

1428
01:14:22.239 --> 01:14:25.279
<v Speaker 3>Yeah, you know what's funny is I was like, Brian's

1429
01:14:25.279 --> 01:14:26.199
<v Speaker 3>gonna ask me if that's real?

1430
01:14:26.199 --> 01:14:27.159
<v Speaker 1>EPI Yeah, I did.

1431
01:14:27.279 --> 01:14:30.479
<v Speaker 2>Yeah, you're my You're my you know go to for

1432
01:14:30.520 --> 01:14:30.960
<v Speaker 2>that stuff.

1433
01:14:31.119 --> 01:14:36.479
<v Speaker 3>I got you boo. Jane Lynch, Now this is this

1434
01:14:36.520 --> 01:14:40.399
<v Speaker 3>is while Lee was going on. Was it when was Glee?

1435
01:14:40.760 --> 01:14:41.920
<v Speaker 1>Uh?

1436
01:14:42.439 --> 01:14:45.000
<v Speaker 2>That was somewhere around oh seven or eight, because I

1437
01:14:45.039 --> 01:14:48.119
<v Speaker 2>remember I got to read the script oh of Glee.

1438
01:14:48.159 --> 01:14:49.760
<v Speaker 2>Really yeah, someone gave it to me. He was like,

1439
01:14:49.800 --> 01:14:50.239
<v Speaker 2>this is really good.

1440
01:14:50.279 --> 01:14:52.119
<v Speaker 1>You should read this. And it was before it was made.

1441
01:14:52.600 --> 01:14:55.119
<v Speaker 3>Wow, And you pulled a Paul Rudd. You're like, they

1442
01:14:55.199 --> 01:14:58.079
<v Speaker 3>better not make this show. It's gonna ruin everybody's careers.

1443
01:14:59.600 --> 01:15:01.279
<v Speaker 1>Yeah. No. It came out two thousand and nine, so

1444
01:15:01.279 --> 01:15:02.159
<v Speaker 1>two years after this.

1445
01:15:02.279 --> 01:15:04.840
<v Speaker 3>Okay. But of course Jane Lynch very well known at

1446
01:15:04.840 --> 01:15:09.279
<v Speaker 3>this time for she was part of the Christopher guest

1447
01:15:09.319 --> 01:15:10.560
<v Speaker 3>posse Right, I was gonna.

1448
01:15:10.319 --> 01:15:11.479
<v Speaker 2>Say, yeah, it was a lot of people that I

1449
01:15:11.520 --> 01:15:14.800
<v Speaker 2>had sort of interacted with, like maybe maybe like a

1450
01:15:14.920 --> 01:15:16.039
<v Speaker 2>year before this.

1451
01:15:16.720 --> 01:15:20.520
<v Speaker 1>Seeing them pop up, and this was kind of fun. Yeah.

1452
01:15:20.560 --> 01:15:23.119
<v Speaker 3>This whole bit is very, very funny, where her reporter

1453
01:15:23.520 --> 01:15:26.119
<v Speaker 3>has done not even the barest amount of research.

1454
01:15:26.640 --> 01:15:29.720
<v Speaker 1>Yeah, right, right, right, right, like every single question.

1455
01:15:32.000 --> 01:15:34.680
<v Speaker 2>Yeah, yeah, like yeah, asking about his relationship with his parents,

1456
01:15:34.680 --> 01:15:36.159
<v Speaker 2>like well, my mom is dead and.

1457
01:15:36.600 --> 01:15:40.000
<v Speaker 1>I don't talk to my dad. Yeah, but she.

1458
01:15:39.960 --> 01:15:43.159
<v Speaker 2>You know, it's funny because this is definitely like her lane.

1459
01:15:43.640 --> 01:15:46.439
<v Speaker 2>Oh what she's doing here, the voice, the everything, but

1460
01:15:46.560 --> 01:15:47.680
<v Speaker 2>she's so good at it.

1461
01:15:48.000 --> 01:15:49.920
<v Speaker 3>And she's in the record Ralf movies too.

1462
01:15:50.359 --> 01:15:51.119
<v Speaker 1>Oh that's right.

1463
01:15:51.520 --> 01:15:57.000
<v Speaker 2>Yeah yeah, playing well kind of contradict myself, playing a

1464
01:15:57.119 --> 01:16:01.359
<v Speaker 2>kind of a very different character and very different Yeah. Yeah,

1465
01:16:01.640 --> 01:16:04.039
<v Speaker 2>but I do like this thing that she does here,

1466
01:16:04.079 --> 01:16:07.640
<v Speaker 2>you know, this mode. It's very funny, kind of like

1467
01:16:07.800 --> 01:16:09.199
<v Speaker 2>smooth but sarcastic.

1468
01:16:11.199 --> 01:16:11.439
<v Speaker 1>See.

1469
01:16:11.680 --> 01:16:15.119
<v Speaker 3>To me, Jane Lynch is never better than when she

1470
01:16:15.199 --> 01:16:18.880
<v Speaker 3>says I believe Richard Kimble is innocent, but if he

1471
01:16:18.960 --> 01:16:20.199
<v Speaker 3>came to me, I would help him.

1472
01:16:21.000 --> 01:16:21.279
<v Speaker 1>Yep.

1473
01:16:21.880 --> 01:16:26.079
<v Speaker 3>Doesn't get better than that, I agree, I agree because

1474
01:16:26.119 --> 01:16:29.239
<v Speaker 3>you know what, when she says it, I believe she believes.

1475
01:16:28.800 --> 01:16:32.119
<v Speaker 1>It, and he believes it too. Remember he gives her

1476
01:16:32.119 --> 01:16:33.279
<v Speaker 1>that really warm look.

1477
01:16:33.680 --> 01:16:40.960
<v Speaker 3>That's right. So this is this is playing off in

1478
01:16:41.199 --> 01:16:43.720
<v Speaker 3>in ray where he sees it. I mean, he doesn't

1479
01:16:43.760 --> 01:16:48.720
<v Speaker 3>see his adult brother, but he sees like the ghost

1480
01:16:48.800 --> 01:16:49.279
<v Speaker 3>of his brother.

1481
01:16:49.439 --> 01:16:51.000
<v Speaker 2>You know what's amazing is I was like, has this

1482
01:16:51.039 --> 01:16:53.119
<v Speaker 2>walked the line? Like I don't even remember? Like it's

1483
01:16:54.079 --> 01:16:56.000
<v Speaker 2>because I do remember he has a brother that dies.

1484
01:16:57.399 --> 01:17:00.600
<v Speaker 2>That's where the wrong Kid Died comes from. Is his

1485
01:17:00.680 --> 01:17:02.960
<v Speaker 2>dad actually has played by Robert Patrick, I think and

1486
01:17:03.000 --> 01:17:05.520
<v Speaker 2>walked the line Robert Patrick, Yeah, says I think he

1487
01:17:05.600 --> 01:17:08.560
<v Speaker 2>says like the wrong kid died. And I love that

1488
01:17:08.600 --> 01:17:10.720
<v Speaker 2>they just like keep having the dad repeated over and

1489
01:17:10.760 --> 01:17:11.079
<v Speaker 2>over in this.

1490
01:17:11.399 --> 01:17:13.840
<v Speaker 3>Yeah, it's not generally a thing a parent should say

1491
01:17:13.840 --> 01:17:14.239
<v Speaker 3>to a child.

1492
01:17:14.279 --> 01:17:18.119
<v Speaker 1>I don't know. Nah, I'm no expert. Hell, he's singing

1493
01:17:18.399 --> 01:17:25.640
<v Speaker 1>the wrong kid died. He's really good too. I don't

1494
01:17:25.680 --> 01:17:26.560
<v Speaker 1>know this actor's.

1495
01:17:26.319 --> 01:17:30.479
<v Speaker 3>Name, the actor who plays Dewey's dad.

1496
01:17:30.359 --> 01:17:34.319
<v Speaker 1>Yeah, Raymond J. Berry. Yeah, I've seen him and stuff

1497
01:17:34.680 --> 01:17:40.159
<v Speaker 1>same because then I think of this movie just married

1498
01:17:40.199 --> 01:17:41.960
<v Speaker 1>the ref training Day.

1499
01:17:42.880 --> 01:17:46.159
<v Speaker 3>Wow, that's that might be what I remember him from,

1500
01:17:46.159 --> 01:17:50.119
<v Speaker 3>to be honest, but he's got he's got just an

1501
01:17:50.239 --> 01:17:51.560
<v Speaker 3>armload of credits. My gosh.

1502
01:17:51.640 --> 01:17:53.720
<v Speaker 2>Oh yeah, one hundred and twenty nine credits on IMDb,

1503
01:17:56.960 --> 01:18:02.239
<v Speaker 2>you know, And it's funny. I I love when a comedy,

1504
01:18:02.359 --> 01:18:05.960
<v Speaker 2>especially like a wackier comedy like this, is trying to

1505
01:18:06.000 --> 01:18:10.319
<v Speaker 2>tell an actual story. And this moment where Dewey apologizes

1506
01:18:10.399 --> 01:18:13.600
<v Speaker 2>to his dad and wants to make amends, it like

1507
01:18:13.760 --> 01:18:16.039
<v Speaker 2>kind of like makes me feel the thing that this

1508
01:18:16.119 --> 01:18:18.800
<v Speaker 2>movie would want me to feel in this moment, like

1509
01:18:18.840 --> 01:18:21.119
<v Speaker 2>it actually kind of works. And then of course they

1510
01:18:21.239 --> 01:18:24.279
<v Speaker 2>you know, you realize that the dad has been training

1511
01:18:25.079 --> 01:18:26.840
<v Speaker 2>with a machete all these years.

1512
01:18:27.000 --> 01:18:31.399
<v Speaker 1>To battle him, to battle him. Yeah, there's only one

1513
01:18:31.399 --> 01:18:32.720
<v Speaker 1>way to settle. I'd forgotten about this.

1514
01:18:32.800 --> 01:18:45.640
<v Speaker 2>Actually, he throws some of a machete you've been practicing.

1515
01:18:48.000 --> 01:18:51.199
<v Speaker 3>But I love that him sawing himself in half is

1516
01:18:51.199 --> 01:18:53.279
<v Speaker 3>what makes him realize he's been wrong this whole time.

1517
01:18:53.600 --> 01:18:56.279
<v Speaker 1>Right, it's a lot easier to do than I realized.

1518
01:18:56.439 --> 01:18:58.760
<v Speaker 3>Yeah, it's actually quite beautiful when you think about.

1519
01:18:58.520 --> 01:19:06.560
<v Speaker 1>It, right, I'm like, I'm just waiting for it to happen.

1520
01:19:12.520 --> 01:19:17.840
<v Speaker 2>Oh No, I love that it's exactly the same. It's,

1521
01:19:17.880 --> 01:19:21.680
<v Speaker 2>you know, seeing the exact same way the legs standing

1522
01:19:22.159 --> 01:19:26.279
<v Speaker 2>standing next to the halved body. Clearly the actor like

1523
01:19:26.359 --> 01:19:31.600
<v Speaker 2>standing half in the ground, right, it's the exact same shot.

1524
01:19:31.640 --> 01:19:32.439
<v Speaker 1>It's very good.

1525
01:19:36.439 --> 01:19:38.800
<v Speaker 3>See all this time. You know, do we just wanted

1526
01:19:38.800 --> 01:19:41.119
<v Speaker 3>forgiveness for cutting his brother in half? I think you know?

1527
01:19:41.760 --> 01:19:46.359
<v Speaker 1>Yeah, And then they get their moment.

1528
01:19:47.640 --> 01:19:49.079
<v Speaker 3>And so he's like, I love.

1529
01:19:50.399 --> 01:19:55.680
<v Speaker 1>I love what? Yeah? What one more word? I love this?

1530
01:19:55.840 --> 01:19:57.880
<v Speaker 3>You're a better father, or be a better father than

1531
01:19:57.920 --> 01:19:59.439
<v Speaker 3>I was. Well, shouldn't be that hard?

1532
01:20:03.359 --> 01:20:06.800
<v Speaker 2>Yeah, are you gonna make it? It's the seventies. It

1533
01:20:06.840 --> 01:20:09.000
<v Speaker 2>can attach tops to bottoms to bottoms.

1534
01:20:10.800 --> 01:20:26.199
<v Speaker 1>I love love, you love what? Another sink?

1535
01:20:26.239 --> 01:20:27.199
<v Speaker 3>There goes another sink?

1536
01:20:27.319 --> 01:20:30.239
<v Speaker 1>Yeah, yeah, but do we miss it?

1537
01:20:30.279 --> 01:20:30.319
<v Speaker 3>No?

1538
01:20:30.399 --> 01:20:32.920
<v Speaker 2>This is it demontage right where he's yeah, smashing it.

1539
01:20:35.079 --> 01:20:37.000
<v Speaker 2>And then we get the sawing thing. Oh I love yeah,

1540
01:20:37.000 --> 01:20:41.159
<v Speaker 2>clipping the feather or father flowers.

1541
01:20:45.560 --> 01:20:51.439
<v Speaker 1>His zen garden right there.

1542
01:20:51.640 --> 01:20:54.199
<v Speaker 2>Yeah, I just love it. It's like, you know, what's

1543
01:20:54.239 --> 01:20:55.319
<v Speaker 2>kind of funny saws?

1544
01:20:56.960 --> 01:21:00.920
<v Speaker 3>We need more sawn in this movie. Yeah, this dude,

1545
01:21:00.920 --> 01:21:02.920
<v Speaker 3>the bending the spoons.

1546
01:21:02.319 --> 01:21:05.479
<v Speaker 1>This is funny. And then they do like a little crossfade.

1547
01:21:05.600 --> 01:21:06.479
<v Speaker 3>Yeah, time laps.

1548
01:21:06.560 --> 01:21:13.680
<v Speaker 1>No, he's like tired, but still bending. Each fork must

1549
01:21:13.760 --> 01:21:18.560
<v Speaker 1>be done. This is so funny, and this is so silly.

1550
01:21:18.560 --> 01:21:20.279
<v Speaker 2>You know. It's like the kids that he's not been

1551
01:21:20.319 --> 01:21:22.800
<v Speaker 2>in touch with right now, they're reaching out to him

1552
01:21:22.800 --> 01:21:24.520
<v Speaker 2>and they want to play catch with him.

1553
01:21:25.319 --> 01:21:26.920
<v Speaker 1>And by the way, do you recognize this kid?

1554
01:21:28.000 --> 01:21:28.880
<v Speaker 3>He looks familiar.

1555
01:21:30.359 --> 01:21:32.800
<v Speaker 1>I can't remember his name. You know it. It's the

1556
01:21:32.880 --> 01:21:35.479
<v Speaker 1>kid who Jimmy Olsen in the latest Superman.

1557
01:21:35.600 --> 01:21:37.720
<v Speaker 3>Oh, get out of here, Skyler Gisondo.

1558
01:21:38.279 --> 01:21:40.960
<v Speaker 1>Yeah, there you go, that's him. Huh yeah.

1559
01:21:41.039 --> 01:21:43.159
<v Speaker 2>I was like, there's something about this kid. He looks

1560
01:21:43.359 --> 01:21:45.720
<v Speaker 2>how funny he resembles somebody and I looked it up

1561
01:21:45.760 --> 01:21:46.199
<v Speaker 2>and it's him.

1562
01:21:47.079 --> 01:21:47.279
<v Speaker 1>Yeah.

1563
01:21:47.399 --> 01:21:50.039
<v Speaker 3>Now he's the fokker in law.

1564
01:21:50.880 --> 01:21:55.079
<v Speaker 1>Oh yeah, that's right. I forgot about that. How about that?

1565
01:21:55.159 --> 01:21:57.840
<v Speaker 3>By the way, would you like when that first movie

1566
01:21:57.880 --> 01:21:59.760
<v Speaker 3>came out in two thousand, did you imagine when twenty

1567
01:22:00.279 --> 01:22:02.079
<v Speaker 3>years you'll be watching the fourth one of these?

1568
01:22:02.800 --> 01:22:03.239
<v Speaker 1>You do know?

1569
01:22:04.720 --> 01:22:08.680
<v Speaker 2>And it is the perfect series to do that with generations.

1570
01:22:08.880 --> 01:22:12.239
<v Speaker 2>That's true, and it's it's a it's a conceit that works.

1571
01:22:12.439 --> 01:22:15.560
<v Speaker 1>It's timeless. Yeah, you know, meeting in laws and everything.

1572
01:22:17.000 --> 01:22:17.479
<v Speaker 1>But by the way.

1573
01:22:17.479 --> 01:22:20.359
<v Speaker 2>I love this, but like that the kid isn't catching

1574
01:22:20.399 --> 01:22:22.840
<v Speaker 2>the ball, yeah, because he's never played catch with his

1575
01:22:22.920 --> 01:22:26.920
<v Speaker 2>dad before. It's funny and kind of sad, like it's

1576
01:22:27.239 --> 01:22:28.079
<v Speaker 2>I was thinking, like.

1577
01:22:28.119 --> 01:22:32.359
<v Speaker 1>I love this idea. It's beautiful and funny and heartbreaking,

1578
01:22:33.119 --> 01:22:33.720
<v Speaker 1>it's all of it.

1579
01:22:34.000 --> 01:22:36.000
<v Speaker 3>And then we get a nice little montage with all

1580
01:22:36.079 --> 01:22:36.600
<v Speaker 3>the kids.

1581
01:22:37.479 --> 01:22:40.000
<v Speaker 2>Yeah, and it's like kind of touching for being such

1582
01:22:40.039 --> 01:22:41.159
<v Speaker 2>a ridiculous story.

1583
01:22:42.520 --> 01:22:42.720
<v Speaker 1>You know.

1584
01:22:43.520 --> 01:22:46.039
<v Speaker 3>Well, I think what's interesting is we're at the point

1585
01:22:46.399 --> 01:22:48.800
<v Speaker 3>in the film where you know, it's like you have

1586
01:22:48.880 --> 01:22:52.560
<v Speaker 3>to start wrapping things up right, And you can imagine

1587
01:22:52.760 --> 01:22:57.079
<v Speaker 3>the filmmakers having very serious discussions in the planning stages

1588
01:22:57.119 --> 01:22:59.560
<v Speaker 3>of like how do we want to land this plane?

1589
01:22:59.600 --> 01:23:02.399
<v Speaker 3>Like do we want to go heartfelt or do we

1590
01:23:02.479 --> 01:23:06.680
<v Speaker 3>want to go just gonzo? And they found a way

1591
01:23:06.720 --> 01:23:08.840
<v Speaker 3>to kind of like thread the needle between both.

1592
01:23:09.880 --> 01:23:10.079
<v Speaker 1>You know.

1593
01:23:10.399 --> 01:23:21.880
<v Speaker 2>Yeah, his bus full of children, So this is like

1594
01:23:22.000 --> 01:23:24.800
<v Speaker 2>clearly latter day Johnny Cash that it's shown right.

1595
01:23:25.119 --> 01:23:30.119
<v Speaker 1>I guess I don't remember. That's good dirt.

1596
01:23:31.159 --> 01:23:32.800
<v Speaker 2>That's like such a perfect thing with like him and

1597
01:23:32.920 --> 01:23:34.960
<v Speaker 2>old man makeup, Like what would an old man say

1598
01:23:35.359 --> 01:23:36.880
<v Speaker 2>while he's like showing a kid how to garden.

1599
01:23:36.960 --> 01:23:39.000
<v Speaker 1>He like licks the dirt. He's like, it's good dirt.

1600
01:23:42.119 --> 01:23:45.439
<v Speaker 2>But like, I'm buying this old man performance too, you know,

1601
01:23:45.600 --> 01:23:51.960
<v Speaker 2>like he sells the Yeah, like even though he's done

1602
01:23:51.960 --> 01:23:55.079
<v Speaker 2>a lot of bad things, there's something about seeing someone

1603
01:23:55.159 --> 01:23:58.560
<v Speaker 2>they're older and they've kind of redeemed themselves a little

1604
01:23:58.560 --> 01:24:00.520
<v Speaker 2>bit where you just can't help But like that guy,

1605
01:24:00.560 --> 01:24:05.800
<v Speaker 2>you know, like you feel like a kind of an

1606
01:24:05.800 --> 01:24:07.840
<v Speaker 2>affection for him.

1607
01:24:08.039 --> 01:24:09.720
<v Speaker 3>I was thinking about how, I mean, you can we

1608
01:24:09.760 --> 01:24:14.079
<v Speaker 3>can expand the conversation beyond mere music biopicks to just

1609
01:24:14.319 --> 01:24:18.000
<v Speaker 3>you know, celebrity bios in general, because this is hitting

1610
01:24:18.239 --> 01:24:22.000
<v Speaker 3>those tropes, you know, like, for example, the movie Chaplain

1611
01:24:22.640 --> 01:24:25.920
<v Speaker 3>mm hmm, which you have not I've not seen. Yeah,

1612
01:24:26.119 --> 01:24:31.199
<v Speaker 3>I mean that very much follows this trajectory, although it

1613
01:24:31.279 --> 01:24:33.439
<v Speaker 3>is worth watching. I mean I think there's a lot

1614
01:24:33.479 --> 01:24:36.720
<v Speaker 3>in it you'd enjoy. It's great performance by by Robert Downey.

1615
01:24:38.159 --> 01:24:41.279
<v Speaker 1>Worth. A look, okay, I'm sure i'd like it.

1616
01:24:41.560 --> 01:24:44.960
<v Speaker 3>Like history, well, we said to yourself, right, I mean,

1617
01:24:45.039 --> 01:24:47.159
<v Speaker 3>it doesn't matter how trophy these things are, you know.

1618
01:24:47.239 --> 01:24:50.319
<v Speaker 1>Yeah, Yeah, for sure, I think I think you would

1619
01:24:50.359 --> 01:24:50.680
<v Speaker 1>enjoy it.

1620
01:24:50.760 --> 01:24:57.199
<v Speaker 2>Yeah, Yes, is good older person make up too, Yeah,

1621
01:24:57.359 --> 01:25:01.840
<v Speaker 2>like they look like themselves. I'll just you know, more

1622
01:25:01.920 --> 01:25:04.560
<v Speaker 2>naturally aged. It feels like back in the day, they

1623
01:25:04.600 --> 01:25:08.279
<v Speaker 2>went really hard with actors in their old age makeup,

1624
01:25:08.359 --> 01:25:10.399
<v Speaker 2>and then when those people age, they never looked like

1625
01:25:10.479 --> 01:25:14.319
<v Speaker 2>the extreme versions from those films. I feel like they're

1626
01:25:14.319 --> 01:25:16.039
<v Speaker 2>getting better at that. They get a little more subtle

1627
01:25:16.039 --> 01:25:17.680
<v Speaker 2>because people do age a little more subtly.

1628
01:25:18.039 --> 01:25:18.439
<v Speaker 1>Subtly.

1629
01:25:18.600 --> 01:25:23.920
<v Speaker 2>Yeah, they don't look like different people, you know, they

1630
01:25:23.920 --> 01:25:28.079
<v Speaker 2>look like themselves, just with more creases and wrinkles.

1631
01:25:29.399 --> 01:25:32.520
<v Speaker 1>He gets his smell back. That's like a runner I

1632
01:25:32.560 --> 01:25:33.119
<v Speaker 1>forget about.

1633
01:25:34.920 --> 01:25:45.279
<v Speaker 3>It's like doesn't even make sense. I mean, at this point,

1634
01:25:45.319 --> 01:25:47.000
<v Speaker 3>Dewey is only in his.

1635
01:25:48.439 --> 01:25:51.000
<v Speaker 1>Fifty I think he's fifty. Yeah, this is.

1636
01:25:51.079 --> 01:25:53.760
<v Speaker 3>Ninety two, I think, so he'll be like early fifties. Yeah,

1637
01:25:54.039 --> 01:26:01.640
<v Speaker 3>he's smelling the horseshit smell that shit.

1638
01:26:01.720 --> 01:26:04.039
<v Speaker 1>Baby. Yeah. I love what she screams.

1639
01:26:04.239 --> 01:26:07.239
<v Speaker 3>That's America. Yeah, there's her oscar clip.

1640
01:26:07.319 --> 01:26:12.640
<v Speaker 1>Yeah yeah, yeah, yeah, yeah. Right, so now we're in

1641
01:26:12.680 --> 01:26:19.239
<v Speaker 1>two thousand and seven. Yeah, he's seventy something. See, this

1642
01:26:19.720 --> 01:26:20.680
<v Speaker 1>is the thing, right, Like.

1643
01:26:23.000 --> 01:26:26.319
<v Speaker 3>The format of these movies is that you're sort of

1644
01:26:26.359 --> 01:26:29.560
<v Speaker 3>hopscotching over their life, and I think you know you

1645
01:26:29.640 --> 01:26:32.239
<v Speaker 3>mentioned this the Springsteen movie, which I have not seen,

1646
01:26:32.279 --> 01:26:34.960
<v Speaker 3>but say that attempted to be like, well, let's just

1647
01:26:35.000 --> 01:26:39.680
<v Speaker 3>focus in on one specific era, right, which version, which

1648
01:26:39.800 --> 01:26:41.960
<v Speaker 3>approach do you think is more interesting?

1649
01:26:43.920 --> 01:26:46.840
<v Speaker 2>You know what, if I knew more about Bruce Springsteen,

1650
01:26:47.880 --> 01:26:50.760
<v Speaker 2>maybe I would be happy to dig into a moment

1651
01:26:50.800 --> 01:26:53.199
<v Speaker 2>that I'm familiar with, but like, let's really learn what

1652
01:26:53.239 --> 01:26:56.520
<v Speaker 2>that moment was about. But I'm not, and I actually

1653
01:26:56.560 --> 01:27:02.520
<v Speaker 2>wouldn't mind seeing his origin story, right, you know, I

1654
01:27:02.560 --> 01:27:04.920
<v Speaker 2>don't you How do you feel about that that specifically?

1655
01:27:05.039 --> 01:27:08.439
<v Speaker 2>I mean, which version would you prefer about a Springsteen movie?

1656
01:27:08.479 --> 01:27:10.520
<v Speaker 3>Well, I definitely agree with you about Springsteen. I don't

1657
01:27:10.560 --> 01:27:13.079
<v Speaker 3>know enough about Like I know his music quite well,

1658
01:27:13.159 --> 01:27:16.880
<v Speaker 3>but I don't know him enough. I think for me,

1659
01:27:17.239 --> 01:27:22.479
<v Speaker 3>just more broadly, when you have a film that's hopscotching

1660
01:27:22.520 --> 01:27:25.079
<v Speaker 3>over their life, a lot of stuff gets left out,

1661
01:27:25.119 --> 01:27:28.520
<v Speaker 3>Like there's more left to choice in terms of like

1662
01:27:29.520 --> 01:27:32.239
<v Speaker 3>what you what is important enough to put in and

1663
01:27:32.279 --> 01:27:38.560
<v Speaker 3>what you what you leave out? Right, and that that,

1664
01:27:38.760 --> 01:27:43.760
<v Speaker 3>to me, it is is leaving too much to the

1665
01:27:44.159 --> 01:27:46.199
<v Speaker 3>whims of, oh, we got to fit all of this

1666
01:27:46.359 --> 01:27:48.680
<v Speaker 3>into this certain amount of time, right, So just reflexibly

1667
01:27:48.720 --> 01:27:50.560
<v Speaker 3>I'm like, well, I think it's more interesting to focus

1668
01:27:50.600 --> 01:27:53.000
<v Speaker 3>in on a specific window and you can really go

1669
01:27:53.159 --> 01:27:56.960
<v Speaker 3>deep into that. Yeah, like the movie Ali is not

1670
01:27:57.079 --> 01:28:00.319
<v Speaker 3>about his whole life, for example, and I think that

1671
01:28:00.359 --> 01:28:01.760
<v Speaker 3>movie works pretty well, you know.

1672
01:28:02.000 --> 01:28:06.119
<v Speaker 2>Totally, or like Steve Jobs, which would be a bitch

1673
01:28:06.199 --> 01:28:07.479
<v Speaker 2>three specific moments.

1674
01:28:07.800 --> 01:28:11.119
<v Speaker 3>Yeah, and I, as far as I know, Sorkin cited

1675
01:28:11.159 --> 01:28:13.439
<v Speaker 3>this as like I don't want to do that type

1676
01:28:13.439 --> 01:28:13.880
<v Speaker 3>of thing.

1677
01:28:13.760 --> 01:28:14.600
<v Speaker 1>You know. Interesting.

1678
01:28:14.840 --> 01:28:18.840
<v Speaker 2>Yeah, by the way, I love this concept right where

1679
01:28:19.119 --> 01:28:21.840
<v Speaker 2>he has been out of the game for a while

1680
01:28:21.920 --> 01:28:24.319
<v Speaker 2>and then like a younger agent comes and is like, dude,

1681
01:28:24.319 --> 01:28:26.760
<v Speaker 2>you're like a hit with the kids again because a

1682
01:28:26.880 --> 01:28:32.079
<v Speaker 2>rapper has sampled your song, right, And that reminds me

1683
01:28:32.439 --> 01:28:36.880
<v Speaker 2>of like Kanye when he did gold Digger, which sampled

1684
01:28:36.960 --> 01:28:40.920
<v Speaker 2>Ray Charles's I've Got a Woman you know right, So,

1685
01:28:41.159 --> 01:28:43.399
<v Speaker 2>like I just I thought that was clol is this

1686
01:28:43.479 --> 01:28:46.800
<v Speaker 2>being a story kind of about music through the decades.

1687
01:28:46.880 --> 01:28:48.680
<v Speaker 2>I thought that was a clever way to comment on

1688
01:28:48.960 --> 01:28:51.840
<v Speaker 2>that decade the odds. Yeah, you know what can happen

1689
01:28:51.920 --> 01:28:54.119
<v Speaker 2>with a singer like this where maybe the kids forgot

1690
01:28:54.119 --> 01:28:56.680
<v Speaker 2>about him, but people are sampling him in interesting ways

1691
01:28:56.680 --> 01:28:59.039
<v Speaker 2>and then people are like Oh, my grandpa used to

1692
01:28:59.079 --> 01:29:01.079
<v Speaker 2>listen to him, you know, right.

1693
01:29:04.880 --> 01:29:15.239
<v Speaker 1>He's punched in the mouth, Parnell leaps and hugs him.

1694
01:29:15.520 --> 01:29:19.119
<v Speaker 1>See like, I mean, just this smile. He's just happy

1695
01:29:19.159 --> 01:29:19.800
<v Speaker 1>to have his read.

1696
01:29:20.960 --> 01:29:21.760
<v Speaker 3>Can you blame him?

1697
01:29:21.920 --> 01:29:24.560
<v Speaker 2>He doesn't even open his mouth, but it's just such

1698
01:29:24.600 --> 01:29:25.680
<v Speaker 2>like a sparkling smile.

1699
01:29:25.720 --> 01:29:26.159
<v Speaker 1>I love it.

1700
01:29:28.520 --> 01:29:30.520
<v Speaker 3>See the whole rest of the movie we had, we've

1701
01:29:30.560 --> 01:29:33.359
<v Speaker 3>had actors playing the musicians. But now now that we've

1702
01:29:33.359 --> 01:29:37.079
<v Speaker 3>caught up to the present, here's the real Jewel, the

1703
01:29:37.119 --> 01:29:38.000
<v Speaker 3>real love it.

1704
01:29:38.600 --> 01:29:41.399
<v Speaker 2>Oh, Dackson Brown, Yeah, you're right right right right, like

1705
01:29:41.479 --> 01:29:44.239
<v Speaker 2>not Jack White playing elvis or Yeah. Yeah, And then

1706
01:29:44.279 --> 01:29:45.600
<v Speaker 2>we get Eddie Vedder here in a minute.

1707
01:29:47.159 --> 01:29:48.399
<v Speaker 1>Yeah, that's that's good catch.

1708
01:29:51.920 --> 01:29:52.880
<v Speaker 3>What happened to Jewel?

1709
01:29:54.840 --> 01:29:59.840
<v Speaker 2>Wasn't she on some sort of like American idol type show?

1710
01:30:00.039 --> 01:30:02.039
<v Speaker 1>A minute there? Not long ago?

1711
01:30:02.359 --> 01:30:05.800
<v Speaker 3>That sounds familiar, but that's gonna age me because people

1712
01:30:05.800 --> 01:30:07.479
<v Speaker 3>are gonna be like, yeah, it was eighteen years ago.

1713
01:30:07.760 --> 01:30:18.680
<v Speaker 1>Yeah, Jewel singing show, the sing off?

1714
01:30:19.479 --> 01:30:20.199
<v Speaker 3>What the hell is that?

1715
01:30:22.319 --> 01:30:22.560
<v Speaker 1>Wait?

1716
01:30:22.600 --> 01:30:25.840
<v Speaker 2>She won season six of The Masked Singer. Yeah in

1717
01:30:25.880 --> 01:30:27.399
<v Speaker 2>twenty twenty one.

1718
01:30:28.000 --> 01:30:29.359
<v Speaker 3>Oh, that's relatively recently.

1719
01:30:29.960 --> 01:30:37.079
<v Speaker 2>Sing off American Song Contest it's twenty twenty two. I'm

1720
01:30:37.119 --> 01:30:39.439
<v Speaker 2>not singing a year for the sing off though, but anyway,

1721
01:30:39.840 --> 01:30:40.600
<v Speaker 2>she sung in there.

1722
01:30:42.039 --> 01:30:44.239
<v Speaker 3>Yeah, still doing stuff.

1723
01:30:44.359 --> 01:30:49.319
<v Speaker 2>To Meadows, still with his drugs, boner pills. Yeah, it

1724
01:30:49.399 --> 01:30:54.199
<v Speaker 2>gives you a boner, dude. I mean this is all

1725
01:30:54.279 --> 01:30:57.600
<v Speaker 2>leading like him when the Temptations, that was really fun.

1726
01:30:57.640 --> 01:30:59.359
<v Speaker 2>I gotta stay away from the Temptations and the like

1727
01:30:59.359 --> 01:31:01.439
<v Speaker 2>the VIAGRAA no, no, it's another Temptation.

1728
01:31:01.560 --> 01:31:04.239
<v Speaker 1>It's like just and then I remember it. I was like, oh,

1729
01:31:04.239 --> 01:31:05.000
<v Speaker 1>this is building.

1730
01:31:04.760 --> 01:31:09.359
<v Speaker 2>Toward a hilarious joke, the Temptations. And then you actually

1731
01:31:09.359 --> 01:31:13.479
<v Speaker 2>see the band the Temptations singing in the hallway randomly.

1732
01:31:15.039 --> 01:31:21.399
<v Speaker 1>The Temptations. They're like, what, that's hilarious. I'm glad they

1733
01:31:21.479 --> 01:31:21.720
<v Speaker 1>did that.

1734
01:31:23.640 --> 01:31:25.640
<v Speaker 3>It's such a funny throwaway gag too.

1735
01:31:26.159 --> 01:31:28.039
<v Speaker 4>Yeah.

1736
01:31:28.079 --> 01:31:30.039
<v Speaker 2>I think this is another joke, sort of like the

1737
01:31:30.079 --> 01:31:33.119
<v Speaker 2>Brian Wilson smile thing, where this isn't like laugh out

1738
01:31:33.159 --> 01:31:37.079
<v Speaker 2>loud funny. But this is so funny to me at

1739
01:31:37.079 --> 01:31:40.039
<v Speaker 2>how perfect this is with Eddie Vedder, like he's.

1740
01:31:39.920 --> 01:31:44.479
<v Speaker 3>Labeling each of the archetype the musicians represent.

1741
01:31:44.720 --> 01:31:47.800
<v Speaker 2>Yeah, and just like the type of speech that a

1742
01:31:47.840 --> 01:31:51.119
<v Speaker 2>person would give building up to, like an Icon Award,

1743
01:31:52.079 --> 01:31:55.199
<v Speaker 2>and he's like talking about all, yeah, these rock people

1744
01:31:55.279 --> 01:31:58.359
<v Speaker 2>and what figures of the Bible they represent, you know

1745
01:31:58.359 --> 01:32:01.039
<v Speaker 2>if Iggy Pop is Methuselah, and you know, like it's

1746
01:32:01.079 --> 01:32:04.960
<v Speaker 2>just it's so spot on, but it's not laugh out

1747
01:32:04.960 --> 01:32:05.560
<v Speaker 2>loud funny.

1748
01:32:05.600 --> 01:32:07.640
<v Speaker 1>It's just perfect, you know what I mean.

1749
01:32:07.960 --> 01:32:10.000
<v Speaker 2>Yeah, and Eddie Vetter is perfect too, because he's so

1750
01:32:10.039 --> 01:32:14.319
<v Speaker 2>self serious, right, Like seeing him doing this joke without

1751
01:32:14.359 --> 01:32:16.800
<v Speaker 2>smirking is I don't know, it's very funny.

1752
01:32:19.319 --> 01:32:21.079
<v Speaker 1>Well, that's kind of what we were talking about earlier.

1753
01:32:21.119 --> 01:32:25.479
<v Speaker 3>You have to imagine that the musicians, especially like really

1754
01:32:25.520 --> 01:32:26.399
<v Speaker 3>got this movie.

1755
01:32:26.680 --> 01:32:32.479
<v Speaker 1>Yeah, yeah, you know, kind of like spinal tap. Yeah,

1756
01:32:32.520 --> 01:32:33.000
<v Speaker 1>and right.

1757
01:32:32.960 --> 01:32:35.640
<v Speaker 2>It's such a goofy, goofy movie, but there's something kind

1758
01:32:35.640 --> 01:32:38.079
<v Speaker 2>of sweet and moving seeing him.

1759
01:32:37.880 --> 01:32:40.439
<v Speaker 3>And Shamble on stage and yeah.

1760
01:32:40.279 --> 01:32:43.680
<v Speaker 1>Exactly because we've spent all this time watching him through

1761
01:32:43.720 --> 01:32:44.119
<v Speaker 1>his life.

1762
01:32:45.279 --> 01:32:48.720
<v Speaker 2>That's it's like the weird, I don't know, amazing thing

1763
01:32:48.720 --> 01:32:49.640
<v Speaker 2>I think they pulled off.

1764
01:32:50.840 --> 01:32:54.439
<v Speaker 1>I agree with you. And what a task.

1765
01:32:55.000 --> 01:32:57.039
<v Speaker 2>Like come up with the song that ends the movie

1766
01:32:57.119 --> 01:32:59.760
<v Speaker 2>that's supposed to, you know, be the summation of his

1767
01:32:59.800 --> 01:33:03.119
<v Speaker 2>life and everything that he's learned and have it be

1768
01:33:03.239 --> 01:33:07.479
<v Speaker 2>fun but also actually sincere. And this is actually a

1769
01:33:07.520 --> 01:33:08.720
<v Speaker 2>really beautiful song.

1770
01:33:09.199 --> 01:33:11.560
<v Speaker 1>It is. Yeah, yeah, it's catchy.

1771
01:33:12.119 --> 01:33:16.920
<v Speaker 2>Yeah, and you'd almost forget you're in a comedy except

1772
01:33:16.920 --> 01:33:19.960
<v Speaker 2>for the stuff that they're showing you round the past,

1773
01:33:20.000 --> 01:33:20.279
<v Speaker 2>you know.

1774
01:33:21.640 --> 01:33:25.800
<v Speaker 1>Well, and the cutaways to the audience too. Wait what

1775
01:33:25.800 --> 01:33:26.640
<v Speaker 1>happens in the audience.

1776
01:33:26.920 --> 01:33:30.399
<v Speaker 3>It's just like the various reactions, reactions the monkey in

1777
01:33:30.439 --> 01:33:34.720
<v Speaker 3>the dress, and right right when I.

1778
01:33:34.640 --> 01:33:36.800
<v Speaker 2>Think if you're not watching along, you're like, you know,

1779
01:33:37.199 --> 01:33:39.279
<v Speaker 2>you know it's a comedy. By the cutaways, I'm like, oh,

1780
01:33:39.359 --> 01:33:41.000
<v Speaker 2>what do you mean, Give me an example. You're like, well,

1781
01:33:41.039 --> 01:33:46.800
<v Speaker 2>the monkey in the dress, it's funny, Wig and her husband.

1782
01:33:46.960 --> 01:33:51.479
<v Speaker 3>And and you know, the the Jewish executives. We didn't

1783
01:33:51.520 --> 01:33:52.600
<v Speaker 3>mention Martin Starr.

1784
01:33:52.840 --> 01:33:55.279
<v Speaker 2>Oh yeah, yeah, yeah, from Freaks and Geeks and from

1785
01:33:55.319 --> 01:33:57.960
<v Speaker 2>Freaks and Geeks and of course Silicon Valley.

1786
01:33:58.239 --> 01:34:03.319
<v Speaker 3>Yeah uh no. But but the bit coming up where

1787
01:34:03.359 --> 01:34:05.399
<v Speaker 3>crumb Holds has a heart attack, Oh my god.

1788
01:34:05.239 --> 01:34:06.840
<v Speaker 1>It such a funny idea.

1789
01:34:07.680 --> 01:34:09.920
<v Speaker 3>So this bit here with the baby coming out in

1790
01:34:09.920 --> 01:34:14.640
<v Speaker 3>this freaking horrific u this monster of a baby. Yeah yeah,

1791
01:34:14.640 --> 01:34:16.399
<v Speaker 3>a lot of these it feels like it's just a

1792
01:34:17.520 --> 01:34:19.319
<v Speaker 3>deleted scenes, right, That's what I.

1793
01:34:19.319 --> 01:34:22.039
<v Speaker 2>Was wondering, Like alternate versions where like Elvis was even

1794
01:34:22.039 --> 01:34:25.239
<v Speaker 2>more aggressive and pulls out a switch blade and yeah, yeah,

1795
01:34:25.359 --> 01:34:27.159
<v Speaker 2>it's like an opportunity to show all the things they

1796
01:34:27.159 --> 01:34:28.039
<v Speaker 2>could squeeze in.

1797
01:34:28.319 --> 01:34:31.319
<v Speaker 3>That was my thought. Yeah, yeah, yeah, that's right here

1798
01:34:31.439 --> 01:34:35.920
<v Speaker 3>how his parents and Nate are force ghosts and then

1799
01:34:35.920 --> 01:34:38.319
<v Speaker 3>we cut to crumb holds and then he's so excited

1800
01:34:38.359 --> 01:34:40.079
<v Speaker 3>to join them as a force ghost.

1801
01:34:41.279 --> 01:34:43.119
<v Speaker 2>Yeah, like he's in the audience watching the show. But

1802
01:34:43.159 --> 01:34:44.720
<v Speaker 2>he has a heart attack and dies.

1803
01:34:45.560 --> 01:34:51.000
<v Speaker 3>Right, so he dies, which is like, that's like funny

1804
01:34:51.039 --> 01:34:53.800
<v Speaker 3>because and then he's looking at me, so he's so excited.

1805
01:34:54.000 --> 01:34:58.840
<v Speaker 1>He's like, hey, he's like look at this. This is great.

1806
01:35:03.800 --> 01:35:09.960
<v Speaker 1>Oh man, real quick.

1807
01:35:10.000 --> 01:35:11.920
<v Speaker 2>Just because I wrote them down, I was curious about

1808
01:35:11.960 --> 01:35:14.399
<v Speaker 2>other movies that had been created for films.

1809
01:35:15.279 --> 01:35:19.000
<v Speaker 1>I mean, there's a what's that other other music that

1810
01:35:19.039 --> 01:35:21.880
<v Speaker 1>had been created for or songs I should say, okay,

1811
01:35:22.079 --> 01:35:22.720
<v Speaker 1>and uh.

1812
01:35:25.079 --> 01:35:27.680
<v Speaker 2>That thing you do of course, and then spinal tap

1813
01:35:27.720 --> 01:35:31.720
<v Speaker 2>of you know you got flower People's don't hinge all that,

1814
01:35:32.000 --> 01:35:34.479
<v Speaker 2>And then Beck wrote the songs for Scott Pilgrim for

1815
01:35:34.520 --> 01:35:37.880
<v Speaker 2>that band sex Babam, which is great because it doesn't

1816
01:35:37.920 --> 01:35:40.600
<v Speaker 2>really sound like Beck. It sounds like a scrappy garage band.

1817
01:35:40.600 --> 01:35:42.399
<v Speaker 2>It's pretty brilliant the.

1818
01:35:43.039 --> 01:35:45.479
<v Speaker 3>Real quick this scene right here, like, what is this

1819
01:35:45.600 --> 01:35:46.960
<v Speaker 3>where Parnell's getting shot?

1820
01:35:48.039 --> 01:35:50.199
<v Speaker 2>Yeah, because you would think it's maybe they were guesting

1821
01:35:50.239 --> 01:35:51.760
<v Speaker 2>on some seventies.

1822
01:35:51.560 --> 01:35:52.600
<v Speaker 1>Cop show or something.

1823
01:35:52.680 --> 01:35:55.279
<v Speaker 2>Yeah, yeah, but you don't have that context, so it

1824
01:35:55.319 --> 01:35:56.359
<v Speaker 2>just looks like that happened.

1825
01:35:56.760 --> 01:35:59.520
<v Speaker 3>Yeah, it's some fun anyway.

1826
01:35:59.560 --> 01:36:02.640
<v Speaker 1>Sorry, are you well? Yeah? Then sinks now the sinks.

1827
01:36:03.279 --> 01:36:04.640
<v Speaker 3>A lot of sks going down.

1828
01:36:04.840 --> 01:36:08.039
<v Speaker 2>No, but I'm a man of constant sorrow. You know,

1829
01:36:08.319 --> 01:36:09.680
<v Speaker 2>soggy bottom boys, Oh brother.

1830
01:36:09.479 --> 01:36:13.920
<v Speaker 1>Where art thou? Fever Dog? Still Water?

1831
01:36:14.600 --> 01:36:17.439
<v Speaker 2>Almost famous, you know, And I've never seen Josie and

1832
01:36:17.479 --> 01:36:19.359
<v Speaker 2>the Pussycats. That came up on a lot of lists,

1833
01:36:19.640 --> 01:36:22.039
<v Speaker 2>and I know a lot of people like that. Yeah, okay,

1834
01:36:22.079 --> 01:36:22.520
<v Speaker 2>I need.

1835
01:36:22.359 --> 01:36:22.800
<v Speaker 1>To watch that.

1836
01:36:23.840 --> 01:36:25.399
<v Speaker 3>I've not seen it either.

1837
01:36:25.640 --> 01:36:26.920
<v Speaker 1>Oh oh, I thought you said you did.

1838
01:36:26.960 --> 01:36:29.359
<v Speaker 3>Okay, you know a lot of people do. It's become

1839
01:36:29.439 --> 01:36:31.319
<v Speaker 3>quite a cult classic.

1840
01:36:31.399 --> 01:36:31.560
<v Speaker 1>Yeah.

1841
01:36:31.600 --> 01:36:33.319
<v Speaker 3>Yeah, yeah, it's by the same folks who made can

1842
01:36:33.359 --> 01:36:33.880
<v Speaker 3>Hardly Wait.

1843
01:36:34.439 --> 01:36:37.640
<v Speaker 1>Oh was it really? Okay, let's check that out. Yeah.

1844
01:36:37.760 --> 01:36:40.600
<v Speaker 2>Well, speaking of you were saying, what's the decision do

1845
01:36:40.640 --> 01:36:42.279
<v Speaker 2>you end on a sincere note or a joke.

1846
01:36:43.279 --> 01:36:44.920
<v Speaker 1>Both do.

1847
01:36:45.079 --> 01:36:51.119
<v Speaker 3>He died three minutes after this perform See, this is

1848
01:36:51.159 --> 01:36:55.079
<v Speaker 3>the thing, right, Like, I watched this shortly before I

1849
01:36:55.159 --> 01:36:58.520
<v Speaker 3>saw Bohemian Rhapsody.

1850
01:36:59.079 --> 01:37:01.640
<v Speaker 1>Oh, or I had rewatched it.

1851
01:37:01.439 --> 01:37:05.760
<v Speaker 3>It was recent enough, you know, and and so like

1852
01:37:05.920 --> 01:37:08.840
<v Speaker 3>I just I couldn't take any of Bohemian Rhapsody. Seriously,

1853
01:37:10.039 --> 01:37:13.680
<v Speaker 3>that's hilarious because it's stuck so close to the template.

1854
01:37:13.880 --> 01:37:21.479
<v Speaker 2>Yep, yep, you know, yep, Well walk hard, Yeah, how

1855
01:37:21.520 --> 01:37:25.199
<v Speaker 2>about it? Yeah, man, that was really fun to revisit.

1856
01:37:25.840 --> 01:37:29.119
<v Speaker 3>Dude. I think that this is one of those one

1857
01:37:29.159 --> 01:37:32.640
<v Speaker 3>of those films that in a way, it's worked in

1858
01:37:32.680 --> 01:37:35.520
<v Speaker 3>its favor as a movie that that it didn't end

1859
01:37:35.560 --> 01:37:39.159
<v Speaker 3>up performing particularly well because because it sort of exists

1860
01:37:39.199 --> 01:37:41.399
<v Speaker 3>as this thing that people are able to discover on

1861
01:37:41.439 --> 01:37:42.760
<v Speaker 3>their own, you know.

1862
01:37:43.560 --> 01:37:46.640
<v Speaker 2>Yeah, you can share it with people, you know, the

1863
01:37:46.680 --> 01:37:48.840
<v Speaker 2>people you know will appreciate it, that's right.

1864
01:37:49.039 --> 01:37:51.960
<v Speaker 1>Yeah, and that's all of you. That's why we wanted.

1865
01:37:51.760 --> 01:37:55.319
<v Speaker 3>To do this, Yeah, I mean seriously, I mean I

1866
01:37:56.079 --> 01:37:59.880
<v Speaker 3>hope that if you have not seen the movie, that

1867
01:38:00.560 --> 01:38:04.720
<v Speaker 3>our enthusiasm is something that maybe compels you to check

1868
01:38:04.720 --> 01:38:06.640
<v Speaker 3>it out, because it absolutely is worth a look.

1869
01:38:07.199 --> 01:38:10.079
<v Speaker 1>Yeah, just and and also not one to watch with

1870
01:38:10.119 --> 01:38:11.840
<v Speaker 1>the family. Throw that out there.

1871
01:38:12.000 --> 01:38:13.720
<v Speaker 3>There's a lot of P and I.

1872
01:38:14.119 --> 01:38:17.560
<v Speaker 1>That are yeah, yeah, just pretty much too. Who's like, oh,

1873
01:38:17.600 --> 01:38:19.159
<v Speaker 1>well they said it was fun, I'll rint it for

1874
01:38:19.199 --> 01:38:19.880
<v Speaker 1>the family today.

1875
01:38:19.920 --> 01:38:24.520
<v Speaker 3>This is not one of those seventies variety shows, So no,

1876
01:38:25.119 --> 01:38:33.279
<v Speaker 3>don't don't uh bring in little Jimmy and Debbie Sue to.

1877
01:38:32.239 --> 01:38:33.319
<v Speaker 1>Jimmy Debbie Sue.

1878
01:38:35.800 --> 01:38:39.760
<v Speaker 2>Uh. Yeah, well this has been a blast, and I

1879
01:38:40.119 --> 01:38:43.720
<v Speaker 2>was glad also that it held up for me, you know,

1880
01:38:43.760 --> 01:38:45.159
<v Speaker 2>I still found it in the same ways.

1881
01:38:45.439 --> 01:38:48.000
<v Speaker 3>That's that's a good point, yeah, because because sometimes I mean,

1882
01:38:48.000 --> 01:38:50.840
<v Speaker 3>we have the we have this conversation where you revisit

1883
01:38:50.880 --> 01:38:54.800
<v Speaker 3>a comedy you laughed uproariously at the nineties thirty years

1884
01:38:54.880 --> 01:38:58.800
<v Speaker 3>later and you're like, Holy mother of God, what kind

1885
01:38:58.800 --> 01:38:59.760
<v Speaker 3>of person was I?

1886
01:39:00.079 --> 01:39:02.239
<v Speaker 2>You know, dude, And there's nothing worse than when you're

1887
01:39:02.239 --> 01:39:03.520
<v Speaker 2>trying to share that with someone.

1888
01:39:03.880 --> 01:39:04.199
<v Speaker 1>Yep.

1889
01:39:04.319 --> 01:39:06.279
<v Speaker 2>I mean, there can certainly be things that haven't aged well,

1890
01:39:06.319 --> 01:39:08.600
<v Speaker 2>but also like maybe it was just I don't know,

1891
01:39:08.640 --> 01:39:11.000
<v Speaker 2>you've changed, Like it seemed funny at the time, but

1892
01:39:11.039 --> 01:39:14.399
<v Speaker 2>it's not that funny now, and it's so painful trying

1893
01:39:14.399 --> 01:39:15.760
<v Speaker 2>to sit through those things where you're like.

1894
01:39:15.960 --> 01:39:17.600
<v Speaker 1>I'm sorry, I don't Yeah, we can.

1895
01:39:17.680 --> 01:39:20.000
<v Speaker 3>We don't have to finish this, like the person is

1896
01:39:20.079 --> 01:39:23.520
<v Speaker 3>now judging you, Yeah, right right, in light of what

1897
01:39:23.560 --> 01:39:26.800
<v Speaker 3>you've suggested they watch. Yeah, yeah, this is not that. Nope,

1898
01:39:27.680 --> 01:39:30.960
<v Speaker 3>but hey, let us know your thoughts if you are

1899
01:39:31.000 --> 01:39:33.159
<v Speaker 3>a fan of the movie, or if you end up

1900
01:39:33.159 --> 01:39:35.319
<v Speaker 3>watching it as a result of our discussion. Either way,

1901
01:39:35.600 --> 01:39:37.760
<v Speaker 3>right right in and let us know. Let us know

1902
01:39:37.800 --> 01:39:42.199
<v Speaker 3>your Dewey cock story. How hard did you walk to

1903
01:39:42.359 --> 01:39:46.960
<v Speaker 3>the to the movie theater? Statistically? Probably not hard at all,

1904
01:39:47.800 --> 01:39:48.520
<v Speaker 3>not hard enough.

1905
01:39:50.720 --> 01:39:51.079
<v Speaker 1>But yeah.

1906
01:39:51.279 --> 01:39:54.159
<v Speaker 3>You can email us your thoughts at moviefilm Podcast at

1907
01:39:54.239 --> 01:39:55.880
<v Speaker 3>gmail dot com. You can also hit like on our

1908
01:39:55.880 --> 01:39:58.960
<v Speaker 3>Facebook page Facebook dot com slash movie Film Podcast and

1909
01:39:59.119 --> 01:40:01.880
<v Speaker 3>message us there. As always, please go to Apple Podcasts

1910
01:40:01.880 --> 01:40:04.039
<v Speaker 3>and leave a review, leave a star rating. If you're listening

1911
01:40:04.039 --> 01:40:06.680
<v Speaker 3>to this on YouTube, please hit like, hit subscribe and

1912
01:40:06.760 --> 01:40:08.319
<v Speaker 3>leave a comment there because we do read those on

1913
01:40:08.359 --> 01:40:10.520
<v Speaker 3>the show, and of course we do have a Patreon page.

1914
01:40:10.520 --> 01:40:11.439
<v Speaker 1>Bright that's right.

1915
01:40:11.479 --> 01:40:14.159
<v Speaker 2>If you head over to Patreon dot com slash moviefilm

1916
01:40:14.159 --> 01:40:17.000
<v Speaker 2>Podcast and hit subscribe. For only five dollars a month,

1917
01:40:17.119 --> 01:40:19.880
<v Speaker 2>you'll find every commentary we've ever done in every episode

1918
01:40:19.920 --> 01:40:23.920
<v Speaker 2>moving forward, absolutely ad free, and in addition to that,

1919
01:40:24.000 --> 01:40:27.199
<v Speaker 2>you will also find bonus conversations that we have about

1920
01:40:27.520 --> 01:40:30.079
<v Speaker 2>random topics, things on our mind, stuff that just wouldn't

1921
01:40:30.079 --> 01:40:32.720
<v Speaker 2>fit into regular episodes. Those drop about twice a month

1922
01:40:33.079 --> 01:40:36.359
<v Speaker 2>over on the Patreon feed. Our free feed will always

1923
01:40:36.399 --> 01:40:38.479
<v Speaker 2>be available, but this is our way of providing what

1924
01:40:38.520 --> 01:40:41.079
<v Speaker 2>we believe is the most satisfying way to enjoy the show.

1925
01:40:41.199 --> 01:40:45.039
<v Speaker 2>So no random ads or interruptions butting into the conversation,

1926
01:40:45.159 --> 01:40:47.720
<v Speaker 2>which can be especially annoying. I think if you're listening

1927
01:40:47.760 --> 01:40:50.520
<v Speaker 2>to a commentary and trying to watch along. Plus, your

1928
01:40:50.520 --> 01:40:52.760
<v Speaker 2>subscription goes a long way and helping to support us

1929
01:40:53.000 --> 01:40:56.199
<v Speaker 2>and helping to sustain producing the show. So if you're

1930
01:40:56.239 --> 01:40:58.359
<v Speaker 2>interested in enable, please head over to patreon dot com

1931
01:40:58.399 --> 01:41:00.920
<v Speaker 2>slash moviefilm podcast and subscribe.

1932
01:41:01.039 --> 01:41:02.000
<v Speaker 1>We'd be very grateful.

1933
01:41:03.000 --> 01:41:05.119
<v Speaker 3>And with that on behalf of my partner Brian Hall.

1934
01:41:05.159 --> 01:41:07.079
<v Speaker 3>My name is Zachion. This has been our movie film

1935
01:41:07.119 --> 01:41:10.479
<v Speaker 3>commentary track for walk Hard, the Dewey Cox Story. We'll

1936
01:41:10.479 --> 01:41:16.720
<v Speaker 3>catch you next time. Thanks everybody. Oh I didn't know

1937
01:41:16.760 --> 01:41:18.119
<v Speaker 3>there was a post credits scene here?

1938
01:41:18.239 --> 01:41:21.079
<v Speaker 1>Oh yeah, I love it. It's like the real Dewey cos.

1939
01:41:22.439 --> 01:41:26.920
<v Speaker 3>That's so funny, brilliant.

1940
01:41:27.279 --> 01:41:30.399
<v Speaker 2>It's got like a funny voice that doesn't sound like Riley,

1941
01:41:30.880 --> 01:41:32.000
<v Speaker 2>kind of like Dylan esque.

1942
01:41:32.520 --> 01:41:35.199
<v Speaker 3>Really, I had no idea there was a post credits

1943
01:41:35.239 --> 01:41:38.239
<v Speaker 3>scene that's hilarious.

1944
01:41:38.600 --> 01:41:39.439
<v Speaker 1>It's just clever.

1945
01:41:40.159 --> 01:41:42.039
<v Speaker 3>It's a very funny bit because you see that in

1946
01:41:42.079 --> 01:41:43.720
<v Speaker 3>those types of movies all the time.

1947
01:41:43.880 --> 01:41:44.119
<v Speaker 1>Yeah.

1948
01:41:45.000 --> 01:41:45.039
<v Speaker 2>What
