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Speaker 1: W M n H will rip the novels.

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Speaker 2: Yeah, see sitting and living room.

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Speaker 3: Your life's gone by way too soon, which we can

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be going back in the bass.

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Speaker 1: We live by the times.

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Speaker 4: They win to face up towns now.

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Speaker 2: We shall now.

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Speaker 1: I know you need knockings. You were seeking around with

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another dude. I can't set up be packet soon. I'm

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running over.

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Speaker 2: I'm leaving to day.

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Speaker 1: I call me back, sorry to leave.

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Speaker 4: You, Sala, I'm running away.

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Speaker 1: Oh, I'm leaving today. I'm coming back to Sorry to

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leave you so.

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Speaker 5: Yeah, I was making my child from an hour to

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the thought of being somewhere.

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Speaker 6: Else alone with you having me shook it off and

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shake him.

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Speaker 2: Don't know what to do.

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Speaker 1: So where you're from? Where you ban?

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Speaker 7: Enough from my heaven, done nothing, And I don't really

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want to be the one who got caught.

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Speaker 1: I start always and all away, and I'm saying I'm

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running away. I'm leaving to day.

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Speaker 5: I call me by, sorry to lead you sid, I'm running.

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Speaker 1: Oh, I'm leaving today. I'm coming back. Sorry lead you saw.

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Speaker 8: So where you're from, where you been?

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Speaker 1: Not from heaven? Nothing not there? And I don't really

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want to be the one who got caught. I fuck,

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don't wasting all away.

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Speaker 5: I'm running away. I'm leaving today. Hell, I'm coming back tomorrow.

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Sorry you don't leave you.

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Speaker 4: And say, oh yay, I'm hunting away. I'm leaving today.

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Speaker 1: I'm coming back tomorrow. Sorry you don't leave you in say.

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Speaker 4: Yay, I'm running away.

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Speaker 9: That is Two Towns. That is called running Away. Welcome everybody,

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we are if you are listening live on Saturday, we

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have entered our number three new Marrow trace of Matt

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Connorton Unleashed, and we are live from the studios of

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w m n H ninety five point three FM in

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glorious Manchester, New Hampshire, and of course you can also

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stream the show from anywhere at mattconnorton dot com, slash Live.

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And Jenny is here of course at the news table,

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and we've got the two gentlemen from Two Towns. Welcome back, guys,

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very well, very well. So running Away was a track

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we had played the last time you were here. We're

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gonna play some new stuff though, because you've got this

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great new I want to talk about this uncovered and

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I listened to the whole thing and just really really good.

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I love the cover versions of these songs. But gentlemen,

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please each introduce yourselves and remind us who you are

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and what you do in Two Towns.

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Speaker 10: So, yeah, I'm Zack. I'm the front man of Two Towns.

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And do you all like the vocals and like some

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backing guitar and piano and harmonica and all the fancy stuff.

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Speaker 11: So okay, Yeah, I'm a James or j Money. I

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do the lead acoustic guitar, and I keep Zack in line.

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Speaker 12: Yeah pretty much.

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Speaker 9: Okay, very good, very good. Well, it's wonderful to have

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you guys back. Jenny looked it up. It was June

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the last time that that you guys were here, so

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it's really good to have you here. Tell us about

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tell us about the new project uncovered and why why

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did you decide to do this? And I'm curious too

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to know, you know, and we'll play some of them today,

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but I'm curious to know what went into choosing these

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songs to cover.

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Speaker 12: So we changed the name of it.

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Speaker 10: It's called Two Towns Covered Up and that's gonna be

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the album name. We're gonnaut it out oh April four. Yeah,

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we changed the name.

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Speaker 12: We decided it would go with something else oh okay, but.

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Speaker 10: Uh yeah, we're gonna put it out on April fourth,

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and we kind of just we wanted a mix of

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songs that we do live, that we truly feel has

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a connection with the audience when we play them, or

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just something that's less boring. We just wanted some stuff that, like,

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for example, like Atlantic City Bruce Springsteen, like the original

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it's great and all, but we just wanted to like

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kind of bring it up to more like modern times,

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especially with how audio engineering has changed and mixing and

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mastering has changed. So we kind of just wanted to

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bring it into the new era.

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Speaker 12: I guess. Yeah, we did with a lot of the songs.

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Speaker 9: So now that makes sense, you know, because you chose

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things that are not necessarily I mean, some of these

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I would imagine if you know, when you play them out,

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people don't necessarily know that they're covers, right, I mean,

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because you didn't go with like the obvious. You know,

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there's there's certain songs that when someone says, Okay, I'm

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gonna do a covers album, there's certain songs or certain

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artists who are just kind of obvious. But these are

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a little more I don't know if obscure is quite

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the right word, but but not not what one expects necessarily, right, Yeah.

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Speaker 10: Yeah, we definitely tried to stay away from like really

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known stuff, like there's there's definitely some on there that

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are like, Okay, yeah, this is this is something I know,

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or this is something that my friends know. Yeah, but

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then we also tried to like do like cough Syrup

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in Atlantic City and like mash two luminier songs together

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just because we kind of could.

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Speaker 9: Yeah, were there any of these that you found particularly

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challenging to learn or to kind of cause you're not

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and you're not just learning them, you're also kind of

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putting your own spin, on your own vibe on them.

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Speaker 12: Yeah.

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Speaker 9: Were there any of these that were kind of challenging?

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Speaker 11: Uh, would you mind? I had never heard that song

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before the day of recording. Oh no, kidding, Yeah, so

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Zach kind of just threw it in front of me

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and was like, we're doing it. So I learned it

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and it turned out great.

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Speaker 9: But yeah, yeah, but yeah, so you never hear it before,

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so that that's a little extra challenging, right, Yeah, yeah, no,

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that makes sense, that makes sense. Were there any of

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these that you decided to learn that were easier than

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you expected. That just kind of just came together like that.

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Speaker 10: The way down was really easy, really yeah, Like I

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thought that was that one was gonna be way harder,

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but that was really easy, no kidding. That one just

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kind of came together and flowed. Yeah, that was one

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of the first ones we actually got done there.

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Speaker 13: They didn't have to really change a bunch of it.

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Speaker 9: Oh that's cool. Yeah, that's cool. Are you playing these

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are you actively playing these out? Have these been?

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Speaker 12: Okay?

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Speaker 10: Yep, we're gonna start playing the live or booking shows

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as we speak. I think we're up to like forty

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five dates on the summer run, so we'll see.

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Speaker 12: What's gonna happen. But yeah, okay, keep adding as we.

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Speaker 9: Go, and you're playing them as Two Towns or yep? Okay,

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I remember last time I made the mistake. I kept

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I think I might have been because of Facebook or

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Instagram or something. I kept calling you as Two Towns band,

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but it's actually just Two Towns. Yeah, but is it always?

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Is it still always the two of you live or

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do you have other musicians who join you just the

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two of us? That must be nice because you know

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it's it's simpler, right, you don't have to check with

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three other, four other, five other people. When when did

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you go to book a show?

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Speaker 12: Yep, I've done that whole band thing. No, thank you.

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Speaker 10: It's just too it's too complicated. Everybody wants their own

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opinion and their own spin on things. With this, it's

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just two brains and it's just okay, we're gonna go

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do this, and there's usually no disagreement, and if there is,

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it's just easy to get past.

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Speaker 9: Yeah, no, that's great, that's great. And on the album though,

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like what are is the album just all you guys are?

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Do you have some other do you have some guest musicians?

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Speaker 12: We do have it.

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Speaker 10: We had a guest musician do some electric guitar work,

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Tucker Tucker reene Art. He was great and he did.

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He's probably on like three or four songs on the album.

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And it's just like a few spots where we need

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an electric guitar and we're like, okay, we got a

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guy who knows how to do this, and yeah.

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Speaker 11: Yeah, then Eric Eric is on base our producer. Yes, okay,

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Eric Eric from Blackheart. That was he did such a

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good Eric Solder of.

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Speaker 9: Anyone who Records produces any of it engineers who is

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active in the scene. His name comes up more than

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anybody else.

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Speaker 12: He is fantastic.

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Speaker 9: Oh yeah, yeah, no he is. He's amazing, and we

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had him on the show. I don't know how long

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ago it was now, I was less than a year,

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but I remember. You know, Sandum, it's great to finally

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have Beyond because your name comes up on the show constantly. No,

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he is amazing at what he does. Absolutely, how did

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you come to work with him?

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Speaker 10: So we were gonna work with There was another studio

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in match that had closed down. Oh I don't remember

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which one it is, but closed down to some building

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issues or something. But after that the name came up.

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They were like, oh, we're closing down, but this guy

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Eric at Blackhart, like he's the guy you want to

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go work with. Well while we're shut down, and then

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eventually they didn't open up again, so we're like, all right,

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guess we're gonna go work with Eric.

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Speaker 9: Oh it was fate, probably worked out for the best.

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Speaker 12: Yeah, it worked out great.

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Speaker 9: Yeah, yeah, absolutely. Was the entire album recorded with him.

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Speaker 10: Yep, entire album was recorded with Eric. We're actually going

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back in June for this album was recorded probably the

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span of like three days. I would say, and then

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we're gonna go back in June and we're doing a

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whole week with Eric and we're just gonna get a

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whole original album Mountain. Hopefully have that out by the fall.

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Speaker 9: Oh fantastic, fantastic. Uh well, let's play something from from

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the new album. So it's called uncovered, covered up? Oh,

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covered up? Why do I keep saying uncovered? I'm sorry,

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covered up? What should we I mean, I'll let you

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guys pick. I mean, they're all great, but start from.

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Speaker 12: I was hoping you'd say that this is my personal favorite.

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It was my favorite. Now yeah, I don't know what it.

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Speaker 13: Was, Yeah I do.

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Speaker 9: And who does this originally? Mountjoy Mount Okay, Yeah, this

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is This is an example of a song I was

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not familiar with, but I was listening to it and I, oh,

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this is so good. All right, check it out. This

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is astro van As covered by two towns.

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Speaker 6: Angels smoking cigar at some on rooftip sinfishness in the

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mall with the room steal.

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Speaker 8: He comes Jesus sitting a strong vein, rolling down.

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Speaker 2: The street again his stone.

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Speaker 1: Wild Jerry playing you see life thing never.

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Speaker 2: What it seems.

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Speaker 6: These streams are more than paper things. He saur and

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momy over a brain now people along the way. I

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don't want to see those teas again, you know, Jesus

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jobs na strove vein.

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Speaker 2: Yes it does, he said.

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Speaker 10: To my heart.

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Speaker 1: There's a holy girl stripped, and none go from know,

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but dose who know the best ones? Delver come down.

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Speaker 2: If I love that zip mat Oo's are.

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Speaker 1: Reaching now who the Greeder known?

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Speaker 6: Every day has their losion because life thing never what

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he seems, These dreams of all.

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Speaker 1: And pavy things.

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Speaker 6: It's our right, mommy or afraid now before a long way.

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I don't want to see those tears again, you know, Jesus,

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child's a nice strove And yes it does, I said,

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when I see those angels own fund no, I'm made it.

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When my to be smoking, Jesus puts my name upon

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his guest list, he said, you're famous in heaven, or

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maybe famous in heaven.

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Speaker 1: Or maybe there is no heaven.

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Speaker 6: H Maybe we'll all alone together now.

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Speaker 8: And I don't want to see those tears again, your

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Lord Jesus trials and never strove.

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Speaker 2: Yes he does.

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Speaker 9: Oh that is so good. That is so good. That

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is Two Towns doing astro Van by Mountjoy. That's the

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original artist on there.

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Speaker 12: Yep, oh, very very good. Good, good job.

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Speaker 9: Do you guys have Do we each have favorites on

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this on this album uncovered, I.

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Speaker 10: Keep changing mine. Yeah, yeah, yeah, I like to change

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it every other day. Astra Van, Astravan's up there, Astravans

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in my top three. Yeah, No, Vacancy's up there. That

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one's definitely. That one was my favorite for the longest time.

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I was just like, yep, that's gonna be the best

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song on the album. Then I heard astra Van. I

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was like, oh, well, maybe it's that one. I had

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to come in with a third, probably be sleep on

249
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your ho Hey that one is? That one came out

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really well?

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Speaker 9: Yeah, yeah I did. I never you know, it's funny

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until I listened to it. Well, until I saw it

253
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and listened to it, I never knew that was the

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actual title of the song.

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Speaker 10: That is not the actual title of the song. So

256
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what we did not No, we took one song by

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them and another song by them and just mashed them together.

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Speaker 9: Oh I didn't even realize.

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Speaker 10: Yeah, we play the first half of one of their songs,

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sleep on the floor, okay, and then we play the

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entirety of ho Hey oh, and we we do it live.

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We do it live during our shows, like we're like, okay,

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this song, that's second half boring. We you can't get

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through the whole thing. So we decided to put the

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first half of that song of Sleep on the floor

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and the interesting ho Hey, which is more upbeat and energetic,

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and just mash them together during our shows. And they're like, well,

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if we do it during the show, why not do

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it on the album.

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Speaker 9: That kind of explains my confusion. Yep, But they obviously

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they go together well because I didn't even realize that

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as I was listening to it. It didn't occur to me

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that they were two different songs. It's like, oh, oh

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that's cool. Now what about what about you, James? Do

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you have favorites?

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Speaker 13: Oh?

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Speaker 11: Yeah, Mine are more of the like mellow would you

278
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mind ye sleep on your and then off thereh my favorite?

279
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Yeah that was my idea. He is not a fan,

280
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but oh no kidding.

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Speaker 12: It came out good. It came out better than I thought.

282
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But like when we did it, we're like, oh.

283
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Speaker 1: We're really going to do that one.

284
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Speaker 9: Really?

285
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Speaker 13: When we were drawing it up. That's the one that

286
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I wanted for sure to Yeah.

287
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Speaker 14: Yeah, yeah, but you had to be talking into it, Zach,

288
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I mean a little bit the original is. I mean

289
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we're not we're both not huge fans of the original,

290
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but when we play it live, we like the more

291
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mellow toned down version of it. I think like the

292
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originals a little lot. It's got a lot going on,

293
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So taking it and stripping it down definitely made me

294
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like it more. Okay, So yeah, I'm glad we put

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it on.

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Speaker 11: We did similar things with would you mind because the

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original is a big production, lots of stuff.

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Speaker 13: Yep, we just got it pretty simple.

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Speaker 9: Yeah. Yeah. When you when you're recording these, do you

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record them with keeping mind like playing them live, how

301
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it's going to be to play them live. Do you

302
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keep that in mind? Or do you not worry about

303
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that part and say, we just want these to sound

304
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awesome and we'll figure the live part out later. Like

305
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what's kind of your approach to that? Do you think

306
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about that part or no?

307
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Speaker 10: I mean, I think that's probably the way we go

308
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with it is just like we just want it to

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sound as good as we possibly can and then we'll

310
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just worry about playing it live after even if we

311
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have to play the stripped down versions live or whatever

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we got to do, or play with the backing track,

313
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then that's what we'll do.

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Speaker 12: Yeah.

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Speaker 9: Yeah, I was curious because you know, a lot of

316
00:17:14,720 --> 00:17:16,920
people I've interviewed over the years, I'll say, well, when

317
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we go into the studio or when we go to record,

318
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however we record, you know, we we think a lot about,

319
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you know, can we pull this off live what we

320
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do in the studio, because to some musicians it's really

321
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important to be able to duplicate that live. But I've

322
00:17:29,400 --> 00:17:32,119
always looked at it as like, like what you were describing,

323
00:17:32,440 --> 00:17:34,680
you know, if if live, if it's going to be

324
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more of a stripped down version because you can't replicate

325
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what you did in the studio exactly live, who cares?

326
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So it's a more stripped down version. That's cool too, write,

327
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you know, because I like when I go to see

328
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somebody live, I like hearing a different interpretation perhaps of

329
00:17:50,640 --> 00:17:53,759
you know, what they recorded, or if it's more raw

330
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and strip down. That's I like that, you know what

331
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I mean, Like it's like, okay, it's live, it should

332
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be you know, Sometimes that gives it a little extra energy,

333
00:18:02,359 --> 00:18:02,839
you know, or.

334
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Speaker 10: Yeah, changes it up, and that's exactly why we did it.

335
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It's like, Okay, maybe people want to hear something different.

336
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Speaker 9: Yep, yep. Absolutely. Are you guys playing a lot? Because

337
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I looked at from what I saw online, it looks

338
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like you're you're pretty active, right.

339
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Speaker 10: We played I think last in the past year. I

340
00:18:18,200 --> 00:18:21,079
think we cleared like eighty five to one hundred and

341
00:18:21,119 --> 00:18:22,279
fifteen shows last year.

342
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Speaker 9: Oh, that's really good.

343
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Speaker 10: This year, we haven't started our like show runs yet,

344
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but we're going to start next month. We're gonna starting May.

345
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Actually we're starting in May over at Telly's. That's gonna

346
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be the first day. I think it's May fifteen.

347
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Speaker 9: Oh cool.

348
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Speaker 10: And then if yeah, it's just going to take off

349
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from there. I think we got like forty five dates

350
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so far and we're just going to keep adding them

351
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as we go.

352
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Speaker 9: Excellent, excellent. Are you? Is there anybody that you're playing

353
00:18:46,000 --> 00:18:48,559
a lot of shows with? You know, sometimes bans team

354
00:18:48,640 --> 00:18:50,960
up or it happens organically with other.

355
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Speaker 10: No, I don't know which one right, maybe, Yeah, we're

356
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working on some shows in Vermont and like doing am

357
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I like bigger stuff. Oh nice, but yeah, because I'm

358
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from Vermont and I we had like a pretty pretty

359
00:19:06,920 --> 00:19:09,279
strong following Vermont when we started out because that's where

360
00:19:09,319 --> 00:19:11,440
we originally started out, and then I moved down here

361
00:19:11,960 --> 00:19:15,079
and we just kind of like it's not like a restart,

362
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but it's like, oh, we.

363
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Speaker 12: Gotta kind of got to build it up again.

364
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Speaker 15: Yeah.

365
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Speaker 12: So yeah, it's.

366
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Speaker 10: Definitely it's easier to book shows in different places than

367
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it is other places. So we're really trying to break

368
00:19:26,519 --> 00:19:30,599
into bostoncas We play a few venues in Boston, but

369
00:19:31,000 --> 00:19:33,119
we definitely want to have it more be the like

370
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mainstream places.

371
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Speaker 9: Yeah, that makes sense sense. Well, we should play another

372
00:19:37,519 --> 00:19:41,039
track from Uncovered. I'll let you guys pick, what do

373
00:19:41,079 --> 00:19:43,440
you what do you want to play next?

374
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Speaker 12: Broken Window? Broken Window Serenade?

375
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Speaker 9: Okay?

376
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Speaker 12: And who does that?

377
00:19:47,960 --> 00:19:51,480
Speaker 9: Originally Whiskey Myers. Whiskey Myers. Now that's somebody else. I'm

378
00:19:51,519 --> 00:19:53,480
not Who's Whiskey Myers. I'm not familiar with them.

379
00:19:53,519 --> 00:19:57,799
Speaker 10: They're like the country southern rock, like yeah, like a

380
00:19:57,839 --> 00:20:02,119
southern ish country rock. They Yeah, they're kind of like

381
00:20:02,519 --> 00:20:05,240
not new to the scene, but like they're up and

382
00:20:05,279 --> 00:20:06,880
coming definitely in the past three years.

383
00:20:07,119 --> 00:20:09,200
Speaker 9: Okay, okay, I was gonna say, yeah, I hadn't heard

384
00:20:09,200 --> 00:20:11,880
of them, but but it's funny. With a name like

385
00:20:11,880 --> 00:20:15,039
Whiskey Myers, it it makes sense that they would be

386
00:20:15,160 --> 00:20:15,920
kind of like southern.

387
00:20:16,400 --> 00:20:18,839
Speaker 10: Yeah, it like it's it's weird too because when we

388
00:20:18,920 --> 00:20:21,440
I was in my like high school original band, we

389
00:20:21,519 --> 00:20:24,400
played a higher ground. I didn't realize it at the time,

390
00:20:24,440 --> 00:20:27,160
but it was us in one side of the building

391
00:20:27,160 --> 00:20:28,759
and the other side of the building was Whiskey Myers,

392
00:20:28,759 --> 00:20:30,119
and we were like just kind of like having dinner

393
00:20:30,119 --> 00:20:32,039
with them and stuff. Oh kidding, yeah, it kind of

394
00:20:32,079 --> 00:20:33,720
It just kind of worked out that way that we

395
00:20:33,839 --> 00:20:35,240
ended up doing one of their songs.

396
00:20:35,359 --> 00:20:37,279
Speaker 9: Do they know, Like, have you reached out to them

397
00:20:37,279 --> 00:20:38,519
and told them that you covered this song?

398
00:20:38,599 --> 00:20:39,519
Speaker 12: We will, we will.

399
00:20:39,519 --> 00:20:41,799
Speaker 10: Like this is the first place anybody's hearing this album,

400
00:20:41,839 --> 00:20:43,880
so yeah, we don't have this anywhere else other than

401
00:20:43,920 --> 00:20:46,079
we had an album released party last night that yeah,

402
00:20:46,079 --> 00:20:47,880
we got like all of our friends and family got

403
00:20:47,880 --> 00:20:48,680
to hear for the first time.

404
00:20:48,759 --> 00:20:50,440
Speaker 9: Oh, very cool. Well, that's awesome that we get to

405
00:20:50,440 --> 00:20:54,039
share these share this on the radio. Very good, very good. Well,

406
00:20:54,319 --> 00:20:56,680
let's give this a listen. This is broken Window serenade

407
00:20:56,759 --> 00:21:02,119
as covered by two towns.

408
00:21:38,759 --> 00:21:43,680
Speaker 1: Here a couple of party flowers. That's what I brought to.

409
00:21:43,759 --> 00:21:47,680
Speaker 6: You when I saw you through a broken the window

410
00:21:48,319 --> 00:21:52,880
with a different point of view, you had signs of

411
00:21:53,160 --> 00:21:56,960
depression from a long line of save.

412
00:21:57,559 --> 00:21:59,039
Speaker 7: The over face.

413
00:21:59,000 --> 00:22:03,359
Speaker 6: Tells this story abound the please sees you have been.

414
00:22:03,559 --> 00:22:05,119
Speaker 1: I loved the soul.

415
00:22:09,359 --> 00:22:09,920
Speaker 4: A thorn.

416
00:22:10,400 --> 00:22:11,200
Speaker 2: You should know.

417
00:22:17,000 --> 00:22:25,039
Speaker 16: Any mudy waters flowing hesitating my hand, past the creek, down.

418
00:22:24,839 --> 00:22:28,920
Speaker 2: By the holler, through your Tay's land.

419
00:22:29,599 --> 00:22:34,799
Speaker 17: I could buy you a diamond, but I cannot change

420
00:22:35,039 --> 00:22:40,559
worm because I'm got no money and you'll never.

421
00:22:40,599 --> 00:22:41,759
Speaker 7: Be my girl.

422
00:22:42,359 --> 00:22:43,480
Speaker 2: Love your soul.

423
00:22:47,839 --> 00:22:48,400
Speaker 4: A thorn.

424
00:22:48,759 --> 00:23:11,960
Speaker 16: You should know. He's gonna be a singer in a

425
00:23:12,000 --> 00:23:13,000
big move.

426
00:23:13,160 --> 00:23:19,359
Speaker 6: Is Starn But you can't catch no Brisbee and Hollywood

427
00:23:19,440 --> 00:23:20,079
his song.

428
00:23:20,799 --> 00:23:23,839
Speaker 2: Now you are count out the time out.

429
00:23:24,319 --> 00:23:31,559
Speaker 16: Of one fifty five beyond that savoyr dollar just trying

430
00:23:31,599 --> 00:23:32,880
to steal live.

431
00:23:33,200 --> 00:23:35,680
Speaker 1: It hurts me sold.

432
00:23:39,240 --> 00:23:51,680
Speaker 6: Song. No here you feed your addiction with your crystal

433
00:23:52,039 --> 00:23:57,240
left desire. Please for your life as it takes you

434
00:23:57,519 --> 00:24:01,839
to your death. You made it you with the devil,

435
00:24:02,720 --> 00:24:05,799
and your looks begin to fade us.

436
00:24:05,599 --> 00:24:08,880
Speaker 1: Sound you lappy food tears, He.

437
00:24:09,319 --> 00:24:18,599
Speaker 6: Slowly Sleep to way wants to Go a thogh you

438
00:24:18,640 --> 00:24:25,799
should know, Yeah, wants to Go.

439
00:24:30,200 --> 00:24:36,400
Speaker 1: A though you should know. Mm hmmm.

440
00:24:37,039 --> 00:24:40,759
Speaker 9: I like that. That is Broken Window Serenade as covered

441
00:24:40,960 --> 00:24:45,440
by Two Towns on the new album Uncovered, And uh

442
00:24:45,519 --> 00:24:47,680
that is that is really good Whiskey Myers. Of course

443
00:24:47,720 --> 00:24:50,640
I did that originally, as you explained. And does that, Zach,

444
00:24:50,720 --> 00:24:55,279
does that require a different mindset when you're singing something

445
00:24:55,359 --> 00:24:57,960
like that because you're the way you're singing it is,

446
00:24:59,240 --> 00:25:03,440
you know it fits knowing who as you explained earlier,

447
00:25:03,519 --> 00:25:06,559
knowing who does the song, and you know it's got

448
00:25:06,559 --> 00:25:09,440
that southern vibe to it. You know, you're you're singing

449
00:25:09,480 --> 00:25:11,359
it a little differently than you would sing a lot

450
00:25:11,400 --> 00:25:12,640
of your other material.

451
00:25:12,759 --> 00:25:17,440
Speaker 10: It seems like, yeah, yeah, I definitely, I definitely adjust

452
00:25:17,519 --> 00:25:21,599
the vocals to what I feel this song requires, like

453
00:25:21,839 --> 00:25:24,119
based on like the just the emotion of the raw

454
00:25:24,200 --> 00:25:26,759
tone of it. I just like, especially with that song,

455
00:25:26,799 --> 00:25:29,400
that one came out like a little raspier than we

456
00:25:29,519 --> 00:25:31,799
usually have and I think it just it just matches

457
00:25:31,839 --> 00:25:33,920
the song, Yeah, matches what it needed to be.

458
00:25:34,200 --> 00:25:34,839
Speaker 12: Yeah.

459
00:25:34,960 --> 00:25:36,640
Speaker 9: Is there anything else that you sing that you kind

460
00:25:36,640 --> 00:25:39,920
of approach it that same way, or I.

461
00:25:39,759 --> 00:25:43,880
Speaker 10: Think on covered Up there's something in the orange, something

462
00:25:43,920 --> 00:25:45,680
in the orange. Yeah, that was just like the same

463
00:25:45,759 --> 00:25:48,440
sort of feel like live. When I play it, it's

464
00:25:48,480 --> 00:25:52,119
more soft, it's more subtle. And then when we recorded

465
00:25:52,160 --> 00:25:55,160
for this, it just came out way raspier than I intended,

466
00:25:55,200 --> 00:25:56,880
but it sounded good, so we kept.

467
00:25:56,759 --> 00:25:58,480
Speaker 13: It no vacancy too completely for good.

468
00:25:59,039 --> 00:26:01,160
Speaker 10: Yeah, I like have a of a Southern draw on

469
00:26:01,240 --> 00:26:04,519
the vacancy, okay, and I just don't have one when

470
00:26:04,599 --> 00:26:06,000
I talk, Yeah.

471
00:26:05,799 --> 00:26:09,359
Speaker 9: Right right, yeah, obviously, Now you're from Vermont originally, yep.

472
00:26:09,400 --> 00:26:12,440
Speaker 13: And what about you, James Somerville, Mass. You're right out

473
00:26:12,480 --> 00:26:12,920
of Boss.

474
00:26:12,759 --> 00:26:15,759
Speaker 9: Somerville, Mass. Okay, yeah, okay, And how did you guys?

475
00:26:16,359 --> 00:26:18,440
Obviously we talked about it last time, but for for

476
00:26:18,519 --> 00:26:20,440
newer listeners, how did you guys meet? How did you

477
00:26:20,440 --> 00:26:22,839
connect and end up doing this project together?

478
00:26:23,119 --> 00:26:25,599
Speaker 10: So we like we were working at a like skiing

479
00:26:25,720 --> 00:26:30,039
marketing company together a couple of two years ago, year ago. Yeah,

480
00:26:30,119 --> 00:26:31,839
he still works for him. I don't work for him anymore,

481
00:26:31,880 --> 00:26:35,200
but we were working together at this company and my

482
00:26:35,720 --> 00:26:39,359
guitarist had just left the summer before that, he moved

483
00:26:39,400 --> 00:26:42,440
out west to go do something or moved out to

484
00:26:42,440 --> 00:26:44,680
the Midwest. I don't know what he's doing now, but yeah,

485
00:26:44,839 --> 00:26:47,400
so he left, and then I just went through like

486
00:26:47,400 --> 00:26:50,119
a string of random guitars. It's like, no, you're not

487
00:26:50,119 --> 00:26:52,160
gonna work, You're not gonna work, You're not gonna work.

488
00:26:52,200 --> 00:26:55,839
And then eventually James just brought a guitar to like

489
00:26:55,920 --> 00:26:59,160
one of the like business weekends or something, and then

490
00:26:59,319 --> 00:27:03,640
it's like, oh, you play guitar, and he's like kinda so,

491
00:27:03,880 --> 00:27:07,759
and then what just happened? Yeah, it just kind of happened. Yeah,

492
00:27:08,000 --> 00:27:09,920
He's like, I've been playing guitar for like three months now.

493
00:27:09,920 --> 00:27:13,279
I'm like, cool, You're now in a band, start playing

494
00:27:13,279 --> 00:27:16,079
live and recording albums? Like all right, yeah, we kind

495
00:27:16,119 --> 00:27:16,920
of got up to speed.

496
00:27:17,319 --> 00:27:18,839
Speaker 13: Three months later we played our first show.

497
00:27:18,960 --> 00:27:21,079
Speaker 9: Wow, that's amazing. Had you really only been playing for

498
00:27:21,079 --> 00:27:21,640
a few months.

499
00:27:21,920 --> 00:27:24,240
Speaker 11: I got it like maybe a year before, but it

500
00:27:24,279 --> 00:27:26,559
had been like pick up play a little bit. I

501
00:27:26,599 --> 00:27:28,200
wasn't serious until he asked me to join it.

502
00:27:28,319 --> 00:27:32,799
Speaker 9: No kidding, Wow, Oh that's awesome. That's awesome, Zach. At

503
00:27:32,839 --> 00:27:34,119
the time, did you feel like you were taking a

504
00:27:34,200 --> 00:27:35,359
risk it?

505
00:27:35,799 --> 00:27:38,720
Speaker 10: Like no, no, yeah, yeah, he got it. It's it's

506
00:27:38,720 --> 00:27:42,119
playing guitar. It's not rocketside, right right, If you can

507
00:27:42,400 --> 00:27:44,400
play guitar like you can do it.

508
00:27:44,519 --> 00:27:52,039
Speaker 9: Yeah, yeah, outstanding, outstanding. Do you guys when you when

509
00:27:52,039 --> 00:27:54,359
you play shows, are you like, like, how long is

510
00:27:54,400 --> 00:27:57,319
your set and do you do do you do covers

511
00:27:57,319 --> 00:27:58,160
when you play live?

512
00:27:58,599 --> 00:27:58,799
Speaker 12: Yeah?

513
00:27:59,039 --> 00:28:01,319
Speaker 9: Prior to prior to doing this album.

514
00:28:01,119 --> 00:28:03,640
Speaker 10: Yeah, we do covers and originals. Usually our set spans.

515
00:28:03,680 --> 00:28:06,119
It depends really depends where we play. Our average time,

516
00:28:06,160 --> 00:28:09,079
i'd say is about two hours. Okay, so two hours

517
00:28:09,079 --> 00:28:12,640
breaks and whatever and just yeah, but yeah, about two hours.

518
00:28:12,640 --> 00:28:14,759
Then sometimes we'll play like three to four hours. That's

519
00:28:14,799 --> 00:28:17,319
when we really have to break out like extensive list

520
00:28:17,359 --> 00:28:20,440
of covers. Like we'll find us on a Thursday afternoon

521
00:28:20,440 --> 00:28:24,200
playing ninety songs in the span of four hours. So

522
00:28:24,440 --> 00:28:27,079
it's it's nice to just have that like little guitar

523
00:28:27,160 --> 00:28:29,240
tab thing there when you're just like, I don't know

524
00:28:29,240 --> 00:28:30,160
what to play anymore.

525
00:28:32,359 --> 00:28:34,480
Speaker 9: Of course, I mean I would guess too, when you're

526
00:28:34,480 --> 00:28:36,799
playing a show that long, you can you can get

527
00:28:36,839 --> 00:28:39,359
away with repeating things, right, or maybe you don't. I

528
00:28:39,359 --> 00:28:42,440
don't know, because I'm just thinking too that crowd's turning

529
00:28:42,519 --> 00:28:45,720
over right, it's not the same people there three hours in?

530
00:28:45,720 --> 00:28:47,359
Who are there at the beginning? Necessarily?

531
00:28:47,400 --> 00:28:49,920
Speaker 10: I did that one time I played a solo show.

532
00:28:50,079 --> 00:28:52,200
It was like two weeks after my guitarist had left.

533
00:28:52,240 --> 00:28:55,079
I played a solo show in Hampton. Yeah, and I

534
00:28:55,200 --> 00:28:57,599
repeated a song and this drunk lady just yells out.

535
00:28:57,640 --> 00:28:59,799
Speaker 12: You already played that one, and I know doubt never

536
00:28:59,839 --> 00:29:02,400
did it again. Oh that's why I'll never repeat a song.

537
00:29:02,400 --> 00:29:04,880
Speaker 10: And unless it was on accident, I've definitely played a

538
00:29:04,880 --> 00:29:05,960
song accident.

539
00:29:06,079 --> 00:29:09,400
Speaker 9: Yeah that makes sense. Oh that's funny. That's funny. Uh,

540
00:29:09,440 --> 00:29:10,880
we should play another one. What do you guys want

541
00:29:10,880 --> 00:29:13,119
to play next? I love these These all sounds so good.

542
00:29:15,000 --> 00:29:17,079
Speaker 12: Yeah, that one all right?

543
00:29:17,400 --> 00:29:20,240
Speaker 9: And uh so your version is called the mash up

544
00:29:20,319 --> 00:29:22,480
of the two songs a sleep on your Hey, well

545
00:29:22,680 --> 00:29:24,599
a mashup isn't quite the right word, but you know

546
00:29:24,599 --> 00:29:27,920
what I mean, Yeah, putting putting these two together. Yeah,

547
00:29:27,960 --> 00:29:29,920
I really like this. I like how this came out.

548
00:29:30,160 --> 00:29:32,200
If you are just joining us, two towns is here

549
00:29:32,240 --> 00:29:35,119
with us and the new album? Is it uncovered or

550
00:29:35,160 --> 00:29:35,480
covered up?

551
00:29:35,559 --> 00:29:36,559
Speaker 12: Covered up?

552
00:29:37,640 --> 00:29:39,079
Speaker 9: I don't know why I keep saying uncovered.

553
00:29:39,200 --> 00:29:40,240
Speaker 12: I think we changed the name.

554
00:29:40,400 --> 00:29:43,759
Speaker 9: Oh that's why. Yeah, all right, I'm just it's confusing

555
00:29:43,799 --> 00:29:47,440
to me. Covered up. That's the name, right, yep, all right,

556
00:29:47,559 --> 00:29:51,440
I'm committing that to memory. No, but we're very happy

557
00:29:51,480 --> 00:29:53,519
to play these here today. These are really good. All right.

558
00:29:53,720 --> 00:29:56,440
Here's the next one. This is two towns. Sleep on

559
00:29:56,480 --> 00:30:21,240
your hoe, hey.

560
00:30:12,319 --> 00:30:18,079
Speaker 18: Beck yourself a tooth, birsty, back yourself, your favy blows.

561
00:30:19,960 --> 00:30:23,799
Speaker 1: Take it with drawn sleeve, take.

562
00:30:23,599 --> 00:30:25,960
Speaker 2: Her love, your savings.

563
00:30:25,079 --> 00:30:32,000
Speaker 18: Out, because if we don't leave this town, we might

564
00:30:32,160 --> 00:30:33,599
never make it out.

565
00:30:35,839 --> 00:30:41,039
Speaker 19: And now I was not born too drawn, baby, come on,

566
00:30:47,640 --> 00:30:48,240
forget with.

567
00:30:48,279 --> 00:30:53,200
Speaker 1: Father bread and said we were not born In said

568
00:30:55,480 --> 00:31:00,160
leaving no on your bed. Let your mother know, he.

569
00:31:00,440 --> 00:31:08,440
Speaker 18: Say, in by the timesy wings, we live dreaming through

570
00:31:08,559 --> 00:31:10,960
this stay.

571
00:31:11,440 --> 00:31:24,079
Speaker 20: We'll live dreaming through the night. Baby, come on, because.

572
00:31:23,759 --> 00:31:25,680
Speaker 1: I've been trying to do it right.

573
00:31:27,119 --> 00:31:29,759
Speaker 2: I've been living a lonely life.

574
00:31:30,440 --> 00:31:31,720
Speaker 1: I haven't sleeping here.

575
00:31:31,880 --> 00:31:39,400
Speaker 20: Instead, I haven't sleeping in my bed, sleeping in my bed.

576
00:31:47,400 --> 00:31:52,680
Speaker 21: So show me family all the blooded iba blea.

577
00:31:54,119 --> 00:31:59,079
Speaker 2: How do know I'm blong? I don't know if I'm.

578
00:32:01,200 --> 00:32:07,039
Speaker 1: If I can write a song? Hey, I be along

579
00:32:07,160 --> 00:32:09,039
with you, you be alone with me?

580
00:32:09,240 --> 00:32:11,640
Speaker 2: Being mind sweet nd.

581
00:32:13,119 --> 00:32:16,079
Speaker 1: I've been alone with you. You be alone with me in

582
00:32:16,319 --> 00:32:32,960
my sweet home. I don't think you're out.

583
00:32:32,799 --> 00:32:36,640
Speaker 22: For him, thinking what it might have been.

584
00:32:37,039 --> 00:32:41,720
Speaker 1: If we took a bus to China Town. I'll be

585
00:32:41,839 --> 00:32:43,720
standing in knocking out.

586
00:32:45,759 --> 00:32:46,000
Speaker 2: Him.

587
00:32:46,000 --> 00:32:53,400
Speaker 1: By she'd be standing next me.

588
00:32:57,119 --> 00:33:00,519
Speaker 7: Have been along with you, You've been alone with me, you man,

589
00:33:00,759 --> 00:33:02,559
sweet hand.

590
00:33:03,759 --> 00:33:06,319
Speaker 6: Having along with you, you be alone with me?

591
00:33:06,599 --> 00:33:08,519
Speaker 1: You must sweet hard.

592
00:33:10,400 --> 00:33:17,920
Speaker 6: Elert Weed did now Liz Hurt.

593
00:33:20,240 --> 00:33:21,440
Speaker 1: Folk song.

594
00:33:23,680 --> 00:33:24,519
Speaker 2: G Sirt.

595
00:33:26,839 --> 00:33:32,240
Speaker 6: Will blead now I being along with you, you being

596
00:33:32,359 --> 00:33:32,759
one with me?

597
00:33:33,119 --> 00:33:34,759
Speaker 1: You must swee hold.

598
00:33:36,799 --> 00:33:37,759
Speaker 2: I be along with you.

599
00:33:38,519 --> 00:33:41,359
Speaker 1: You mean one me, you must swee hold.

600
00:33:55,279 --> 00:33:59,319
Speaker 9: That is excellent. Two towns. They're here with us in studio,

601
00:33:59,640 --> 00:34:02,599
and you know, I was thinking, I was saying about

602
00:34:02,640 --> 00:34:05,079
this when the tambourine comes in. The mix is so perfect,

603
00:34:05,160 --> 00:34:07,119
and you know, credit to Eric Sotter for that. I mean,

604
00:34:07,160 --> 00:34:11,599
he's just you know, it's it's just so well done.

605
00:34:12,039 --> 00:34:13,719
The mix is just I mean it's just perfect, you

606
00:34:13,760 --> 00:34:14,199
know what I mean.

607
00:34:14,519 --> 00:34:17,320
Speaker 10: Yeah, I definitely like when when we first like did

608
00:34:17,360 --> 00:34:19,280
the recording, we get the rough tracks, I'm like, ah,

609
00:34:19,400 --> 00:34:22,039
we made a mistake. This is gonna suck, Like, oh,

610
00:34:22,400 --> 00:34:25,800
it's gonna be bad, and then like it's like it's fine, Yeah,

611
00:34:26,000 --> 00:34:28,920
it's great, don't worry about it. Yeah, give it like

612
00:34:29,039 --> 00:34:30,719
a week and then a week late, I'm just like, ah,

613
00:34:30,800 --> 00:34:32,239
I don't know why I was freaking.

614
00:34:31,960 --> 00:34:34,679
Speaker 9: Out right, Right, how long did it take to Uh?

615
00:34:35,599 --> 00:34:36,840
This would have been a lot of work, right, I

616
00:34:36,840 --> 00:34:38,639
would think it took a while to complete this, right,

617
00:34:39,360 --> 00:34:41,599
because it's it's ambitious. It's not like it's an EP.

618
00:34:41,719 --> 00:34:42,639
I mean, it's a full album.

619
00:34:42,760 --> 00:34:46,519
Speaker 11: It's you know, two days, two eight hour days and

620
00:34:46,559 --> 00:34:48,519
then no, really, yeah, are you serious?

621
00:34:48,599 --> 00:34:51,320
Speaker 10: Two eight hour days of recording extra Yeah, and then

622
00:34:51,320 --> 00:34:53,960
I went in like two times out of that and

623
00:34:54,039 --> 00:34:55,920
did like two or three hours at a time.

624
00:34:56,199 --> 00:34:59,840
Speaker 9: Like I'm stunned. Wow, good for you guys, su.

625
00:35:00,000 --> 00:35:01,079
Speaker 12: Twenty hours to record it.

626
00:35:01,239 --> 00:35:03,800
Speaker 9: Okay, Wow, that's great. I mean obviously you went in

627
00:35:03,960 --> 00:35:04,519
very prepared.

628
00:35:05,320 --> 00:35:07,760
Speaker 12: No, not one bit of no.

629
00:35:08,239 --> 00:35:12,559
Speaker 10: I've no, yeah, never really yep. I'm the I'm the

630
00:35:12,639 --> 00:35:14,440
kind of person it's like, Okay, we're gonna show up

631
00:35:14,440 --> 00:35:15,440
and we're gonna learn it all.

632
00:35:15,320 --> 00:35:18,679
Speaker 9: On the spot, no kidding, Well that works for you, apparently.

633
00:35:18,480 --> 00:35:19,079
Speaker 12: I guess.

634
00:35:19,159 --> 00:35:22,079
Speaker 10: So I've never had to play seven straight hours of

635
00:35:22,119 --> 00:35:24,199
acoustic guitar, but I never want to do it again.

636
00:35:24,320 --> 00:35:25,960
Speaker 12: Really, it was.

637
00:35:26,119 --> 00:35:28,719
Speaker 10: It was all the timing, because I mean I've before this,

638
00:35:29,159 --> 00:35:33,280
I've only recorded in someone's basement. Yeah yeah, and I

639
00:35:33,400 --> 00:35:37,280
am never recorded before other than on his phone or

640
00:35:37,719 --> 00:35:39,159
like me, I'm in the same boat. And then we

641
00:35:39,199 --> 00:35:40,679
get in there, it's like, oh we got to play

642
00:35:40,800 --> 00:35:44,400
a click track yep, which she's quite possibly the worst

643
00:35:44,440 --> 00:35:45,000
thing possible.

644
00:35:45,559 --> 00:35:47,000
Speaker 13: That stuck in my head for like a week.

645
00:35:47,000 --> 00:35:50,199
Speaker 9: No kidding, Yeah, but you did. I mean, it works

646
00:35:50,280 --> 00:35:52,519
for you guys. I mean I'm stunned at how quickly

647
00:35:52,599 --> 00:35:55,800
you did it, and with with little preparation. That's amazing.

648
00:35:55,920 --> 00:35:57,679
I mean obviously you knew the songs.

649
00:35:57,480 --> 00:35:59,480
Speaker 12: Yeah, like we play them live, I mean other than

650
00:35:59,519 --> 00:36:03,840
would you mind? And that was just like trying to

651
00:36:04,159 --> 00:36:05,559
find the door. It's ridiculous.

652
00:36:05,679 --> 00:36:08,559
Speaker 9: Yeah, you know. And obviously getting to work with someone

653
00:36:08,639 --> 00:36:10,320
like Eric I'm sure was a big help too.

654
00:36:10,760 --> 00:36:11,000
Speaker 12: Yeah.

655
00:36:11,760 --> 00:36:15,280
Speaker 9: Yeah, absolutely, no, that's that's amazing that you were able

656
00:36:15,320 --> 00:36:17,920
to do this so quickly. And then who did the mastering?

657
00:36:18,320 --> 00:36:18,480
Speaker 23: Eric?

658
00:36:18,880 --> 00:36:20,480
Speaker 12: He did all the masters did everything. Yep.

659
00:36:20,599 --> 00:36:26,199
Speaker 9: Yeah, No, it's perfect, It's it's really really good. Are

660
00:36:26,239 --> 00:36:28,760
any of these so? Is it safe? To assume that

661
00:36:28,840 --> 00:36:30,880
these are all songs that you've you had played live

662
00:36:31,000 --> 00:36:34,800
prior to that or no, yeah, yeah, okay.

663
00:36:34,679 --> 00:36:36,440
Speaker 13: There might be one or two that we didn't, but okay,

664
00:36:36,480 --> 00:36:37,960
that's when we just pulled from OURSELTL lists.

665
00:36:38,199 --> 00:36:38,360
Speaker 12: Yep.

666
00:36:38,519 --> 00:36:40,440
Speaker 10: Yeah, it's like what can we play, what can we

667
00:36:40,519 --> 00:36:43,440
play well? And then we took that into consideration, like

668
00:36:43,519 --> 00:36:45,400
what we play well or what we play the best.

669
00:36:46,000 --> 00:36:47,960
And then we also took in a consideration like we

670
00:36:48,039 --> 00:36:50,199
wanted to be very diverse. We want it like that's

671
00:36:50,280 --> 00:36:53,599
what I think we're all about, just two towns in general,

672
00:36:53,679 --> 00:36:55,679
is we want to play something for everybody. We don't

673
00:36:55,679 --> 00:36:58,679
want to cater to one genre or one age demographic

674
00:36:58,760 --> 00:37:01,639
or anything. I want to play stuff that like from

675
00:37:01,800 --> 00:37:05,199
kids to grandparents know, and just so there's something for everybody,

676
00:37:05,280 --> 00:37:09,519
and then naturally they'll be drawn to other genres by

677
00:37:09,559 --> 00:37:11,679
listening to our music. Because I mean me personally, I

678
00:37:11,760 --> 00:37:14,559
listen to everything. You'll catch me listening to edm and

679
00:37:14,639 --> 00:37:18,519
opera in the same car ride. And then it's just

680
00:37:18,639 --> 00:37:21,199
I think I want everyone else to have that same

681
00:37:21,280 --> 00:37:24,679
experience and not limit themselves to what they're listening to musically.

682
00:37:24,840 --> 00:37:27,480
Speaker 9: Mm hmmmm, yeah, absolutely are you the same way, James?

683
00:37:27,920 --> 00:37:30,880
Speaker 11: Pretty diverse, honestly, kind of ironic. The only music I

684
00:37:30,920 --> 00:37:32,920
don't listen to his Country, which is what we play,

685
00:37:33,760 --> 00:37:35,119
but I've warmed up to it.

686
00:37:35,280 --> 00:37:39,199
Speaker 9: Yeah, yeah, there you go, There you go. Do you

687
00:37:39,360 --> 00:37:41,920
have I mean, do you intend to do this again?

688
00:37:42,119 --> 00:37:43,920
Or or is oh no, actually I think you did

689
00:37:43,960 --> 00:37:46,760
mention earlier. You've got an original album coming up right,

690
00:37:46,880 --> 00:37:47,840
or or an EP or something.

691
00:37:48,039 --> 00:37:51,280
Speaker 10: We're gonna do a full full length album in June

692
00:37:51,440 --> 00:37:54,239
with Eric again and hopefully that comes out by the fall,

693
00:37:54,360 --> 00:37:57,280
and that's gonna be five days of us just locking

694
00:37:57,320 --> 00:37:58,320
ourselves in a studio.

695
00:37:58,760 --> 00:37:59,760
Speaker 12: Yeah, are you?

696
00:38:00,559 --> 00:38:02,800
Speaker 9: Are you intentionally kind of spreading it out this time

697
00:38:02,880 --> 00:38:05,159
over five days so it's not like yeah, because you

698
00:38:05,280 --> 00:38:06,800
mentioned how hard that was to.

699
00:38:07,559 --> 00:38:10,440
Speaker 10: Yeah, I don't want to have to go back in again,

700
00:38:10,639 --> 00:38:13,280
Like I want it to be done in the five days. Yeah,

701
00:38:13,360 --> 00:38:15,159
that makes sense and then not have to like go

702
00:38:15,360 --> 00:38:17,079
in and just be like, oh, here's another thing, here's

703
00:38:17,079 --> 00:38:20,320
another thing. Because then, especially with recording an original album,

704
00:38:20,400 --> 00:38:23,960
that's when ideas hit a wall. Oh yeah, especially when

705
00:38:24,079 --> 00:38:26,079
like you're like, oh if five days straight, like we're

706
00:38:26,119 --> 00:38:28,679
gonna get all this done the ideas are gonna flow

707
00:38:28,800 --> 00:38:31,599
and it's gonna be one big musical process. And then

708
00:38:31,639 --> 00:38:33,559
if I have to come back in a week later

709
00:38:33,599 --> 00:38:35,599
and be like scrap the whole thing, I hate it.

710
00:38:35,840 --> 00:38:36,119
Speaker 12: Yeah.

711
00:38:36,320 --> 00:38:39,000
Speaker 9: I don't want to do that, right right, Yeah, understandable.

712
00:38:39,480 --> 00:38:41,679
I always think it's funny. You see too, these uh

713
00:38:42,119 --> 00:38:46,000
documentaries of very famous, very successful artists who you know,

714
00:38:46,039 --> 00:38:48,119
you see a documentary about them working in the studio,

715
00:38:48,280 --> 00:38:50,280
you know, Pink Floyd or Fleewood Mac or somebody in there,

716
00:38:50,280 --> 00:38:51,960
and it's like, because they have all the money in

717
00:38:52,000 --> 00:38:54,079
the world, they can they can do this thing where

718
00:38:54,400 --> 00:38:57,119
you know, they're like writing songs in the studio. They're

719
00:38:57,119 --> 00:38:59,199
coming up with all these new ideas while they're while

720
00:38:59,199 --> 00:39:01,960
they're recording. But they you know, and they can do that.

721
00:39:02,159 --> 00:39:03,960
But it's like, you know, and then it ends up

722
00:39:04,000 --> 00:39:07,519
taking you know, eight months to complete an album. But

723
00:39:08,119 --> 00:39:10,480
they have the resources to do that. But you know,

724
00:39:10,559 --> 00:39:12,760
when you're when you're young and you're starting out and

725
00:39:12,880 --> 00:39:15,000
you know you've really got to be you know, hence

726
00:39:15,079 --> 00:39:17,360
the going in for two days, right and that for

727
00:39:17,559 --> 00:39:19,360
two days, it's just trying to do as much as

728
00:39:19,400 --> 00:39:21,800
he can. And yep, that was a lot yeah, yeah,

729
00:39:22,239 --> 00:39:24,079
but like I said, it worked out. I mean this

730
00:39:24,280 --> 00:39:27,280
this album covered up really really good. I love these

731
00:39:27,559 --> 00:39:29,880
We should play another one. What do you guys want

732
00:39:29,920 --> 00:39:30,159
to play?

733
00:39:30,320 --> 00:39:30,960
Speaker 12: No Vacancy?

734
00:39:31,119 --> 00:39:31,719
Speaker 9: No Vacancy?

735
00:39:31,800 --> 00:39:32,079
Speaker 13: Okay?

736
00:39:32,519 --> 00:39:33,679
Speaker 9: And who did this originally?

737
00:39:34,800 --> 00:39:36,239
Speaker 12: Predio Revival.

738
00:39:38,159 --> 00:39:39,119
Speaker 9: I don't think I know them.

739
00:39:39,440 --> 00:39:41,480
Speaker 12: They they're they're new, They're like new new.

740
00:39:41,559 --> 00:39:44,519
Speaker 9: Okay, Okay, why'd you choose this song?

741
00:39:45,119 --> 00:39:47,639
Speaker 12: I we play it live and then I just love

742
00:39:47,719 --> 00:39:49,800
the way this song sounds. All of their songs. I

743
00:39:49,960 --> 00:39:50,960
like the way they write.

744
00:39:51,039 --> 00:39:53,320
Speaker 10: I like the way their songs are mixed and recorded

745
00:39:53,400 --> 00:39:57,360
like they have a sense of like rashness to their

746
00:39:57,440 --> 00:39:58,119
music too.

747
00:39:58,159 --> 00:39:59,199
Speaker 12: Okay, which I enjoy.

748
00:39:59,480 --> 00:39:59,639
Speaker 23: Yeah.

749
00:39:59,719 --> 00:40:01,760
Speaker 10: Yeah, they're just like I said, they're just starting out,

750
00:40:01,800 --> 00:40:03,639
and that's someone we'd want to work with in the future.

751
00:40:03,880 --> 00:40:06,320
Speaker 9: Okay, all right, very cool. Let's give this suspend. This

752
00:40:06,519 --> 00:40:09,519
is No Vacancy as covered by two Towns.

753
00:40:21,159 --> 00:40:22,760
Speaker 1: Seeing not a curve sound.

754
00:40:23,079 --> 00:40:24,280
Speaker 5: You're in my cumb.

755
00:40:26,320 --> 00:40:30,159
Speaker 1: We actually say it's goodbye and the phone hangs.

756
00:40:32,360 --> 00:40:34,800
Speaker 8: Here, and it's kind of got me feeling some time

757
00:40:35,119 --> 00:40:55,599
way like a sin as seeing non Judgment Day. We

758
00:40:56,079 --> 00:40:59,159
empty bottles and motive rooms.

759
00:41:01,360 --> 00:41:04,519
Speaker 6: Don't treat me quiet dans.

760
00:41:07,320 --> 00:41:13,719
Speaker 7: And the coming in pain, don't treat me well, pain

761
00:41:14,039 --> 00:41:19,719
for a floor by prison cell. But she comes and

762
00:41:19,880 --> 00:41:25,400
she goes, and she always says goodbye, and I get

763
00:41:25,599 --> 00:41:26,880
many things to be.

764
00:41:27,239 --> 00:41:29,079
Speaker 2: By her side.

765
00:41:30,559 --> 00:41:34,639
Speaker 1: I got a bottle in the room at a motel, gave.

766
00:41:36,400 --> 00:41:42,480
Speaker 6: And a broken holl alone vacancy, broken holling, no vacant,

767
00:41:42,760 --> 00:41:59,840
see hell no vacancy, said, she called me around happen

768
00:42:00,079 --> 00:42:01,719
and stage.

769
00:42:03,119 --> 00:42:04,559
Speaker 1: Been a damn long day.

770
00:42:04,800 --> 00:42:06,119
Speaker 2: Don't stay up today.

771
00:42:08,960 --> 00:42:12,960
Speaker 16: He had him sit out the prisoner the sport walls,

772
00:42:14,719 --> 00:42:17,960
watching basic cable, taking our blue hall.

773
00:42:20,519 --> 00:42:22,440
Speaker 1: Well, she comes as she goes.

774
00:42:22,280 --> 00:42:27,280
Speaker 2: And she always says good bye, and I give.

775
00:42:27,280 --> 00:42:31,039
Speaker 7: Betty Banks to be by her side.

776
00:42:32,239 --> 00:42:32,760
Speaker 24: I got a.

777
00:42:32,840 --> 00:42:35,079
Speaker 1: Bottle in the room and a motel.

778
00:42:38,000 --> 00:42:42,400
Speaker 6: He had a broke in Howel Bacon Sea broke in

779
00:42:42,639 --> 00:42:45,280
our no vacancye.

780
00:42:46,000 --> 00:42:48,119
Speaker 2: Hell no vacancy.

781
00:43:11,119 --> 00:43:14,519
Speaker 1: Seeing on a curved side liquor and become.

782
00:43:16,480 --> 00:43:20,320
Speaker 2: It says goodbye, and a phone up.

783
00:43:22,400 --> 00:43:22,559
Speaker 5: Heah.

784
00:43:22,639 --> 00:43:28,280
Speaker 8: It's kind of got me feeling sometime way like I

785
00:43:28,400 --> 00:43:31,760
can see her us sitting on judgment day.

786
00:43:33,480 --> 00:43:36,559
Speaker 6: Well, but she comes and she goes, and she always

787
00:43:36,599 --> 00:43:41,679
says good bye, and I get any things to.

788
00:43:41,840 --> 00:43:44,480
Speaker 7: Be by the shine.

789
00:43:45,559 --> 00:43:49,000
Speaker 1: I got a bottle in the room, mini motail.

790
00:43:51,320 --> 00:43:56,440
Speaker 6: And a broken Howling on Bacon, seeing broke in howing

791
00:43:56,599 --> 00:43:57,360
on Bacon.

792
00:43:57,599 --> 00:44:00,880
Speaker 1: See, I don't know vacancy.

793
00:44:26,119 --> 00:44:27,519
Speaker 9: Oh that is so good.

794
00:44:28,199 --> 00:44:29,199
Speaker 12: That one came out really well.

795
00:44:29,519 --> 00:44:32,320
Speaker 9: Yeah I did, Yeah I did. That is no Vacancy

796
00:44:32,440 --> 00:44:36,840
as covered by two Towns? And now who's that on guitar? Again?

797
00:44:36,880 --> 00:44:38,960
We had to we had to give him some some shine.

798
00:44:39,039 --> 00:44:42,360
Speaker 12: That's uh, Tucker Reinhardt. He's a buddy of ours. He

799
00:44:42,599 --> 00:44:43,079
kind of just.

800
00:44:44,559 --> 00:44:46,760
Speaker 10: Started coming and hanging out at the apartment and it

801
00:44:46,920 --> 00:44:49,360
was just like, oh, I play guitar too, Like cool.

802
00:44:49,599 --> 00:44:51,679
So then we would all just sit around, have a

803
00:44:51,760 --> 00:44:55,320
few drinks and then start playing together. And eventually studio

804
00:44:55,440 --> 00:44:57,000
time came and I'm like, well, I don't want to

805
00:44:57,079 --> 00:44:58,599
do this. He didn't want to do it.

806
00:44:58,960 --> 00:45:00,960
Speaker 12: They're like, oh, we're just gonna I'll talker, He's going

807
00:45:01,000 --> 00:45:01,280
to do it.

808
00:45:01,639 --> 00:45:01,840
Speaker 15: Yeah.

809
00:45:02,480 --> 00:45:06,119
Speaker 9: It's fantastic. Yeah. I love what he plays in his tone, everything,

810
00:45:06,239 --> 00:45:09,360
everything that's perfect. Yeah, that's probably my favorite. I think

811
00:45:09,400 --> 00:45:11,280
I said earlier it might have been astro Van, but

812
00:45:11,320 --> 00:45:14,639
I think that's actually I think No Vacancy is my favorite. Yeah,

813
00:45:14,719 --> 00:45:16,360
that's so good. It's got a great vibe. And who's

814
00:45:16,400 --> 00:45:17,559
the original band on that? Again?

815
00:45:17,679 --> 00:45:18,960
Speaker 12: That's a Treaty revival.

816
00:45:19,079 --> 00:45:20,400
Speaker 9: Okay, Treaty Oak revival.

817
00:45:20,480 --> 00:45:23,320
Speaker 12: And they're new, they're new, yeah, okay, okay, hitting the scene. Yeah,

818
00:45:23,320 --> 00:45:24,119
I got to look into them.

819
00:45:24,159 --> 00:45:25,400
Speaker 9: Are they from? Where are they from? Do you know

820
00:45:25,679 --> 00:45:26,320
they're not from here?

821
00:45:26,360 --> 00:45:26,599
Speaker 12: Are they?

822
00:45:26,639 --> 00:45:26,679
Speaker 24: No?

823
00:45:26,760 --> 00:45:27,800
Speaker 12: They're not from here? I don't think.

824
00:45:27,920 --> 00:45:32,159
Speaker 10: I want to say out west somewhere? Okay, mid West

825
00:45:32,280 --> 00:45:35,639
maybe southern sounds like it. Yeah, yeah, No, that's that's

826
00:45:35,719 --> 00:45:40,440
really good. That's a really great song. And then now

827
00:45:40,840 --> 00:45:43,599
for the for the next project, because you've got as

828
00:45:43,679 --> 00:45:45,519
you we talked about earlier, you're gonna be doing an

829
00:45:45,559 --> 00:45:48,239
original album. Do you already have the material for that

830
00:45:48,400 --> 00:45:51,239
or are you still writing for that or got as Like,

831
00:45:51,320 --> 00:45:55,079
I mean, I've had stuff backlogged for a little bit now.

832
00:45:55,199 --> 00:45:56,519
But at the same time, I don't want it to

833
00:45:56,559 --> 00:45:58,599
be just me. Yeah, I also want it to be

834
00:45:58,800 --> 00:46:01,559
like us just getting in a room together and just

835
00:46:01,800 --> 00:46:04,960
figuring out kind of what's gonna go on it and

836
00:46:05,480 --> 00:46:06,320
how we're gonna do it.

837
00:46:06,599 --> 00:46:06,840
Speaker 12: Yeah.

838
00:46:07,159 --> 00:46:09,400
Speaker 10: Yeah, I definitely don't want everything to come from me.

839
00:46:09,480 --> 00:46:12,679
I want like James's creative input to kind of.

840
00:46:12,719 --> 00:46:13,920
Speaker 13: Like this one.

841
00:46:14,079 --> 00:46:16,440
Speaker 11: It's we have songs like astro Van and then we

842
00:46:16,519 --> 00:46:20,079
have songs like No Rival where they're just completely different

843
00:46:20,199 --> 00:46:23,800
as far as like the tone and our first original

844
00:46:24,000 --> 00:46:25,599
we kind of wanted to be the same where there's

845
00:46:25,639 --> 00:46:29,159
like heavier songs, lighter songs, and then after that we'll

846
00:46:29,199 --> 00:46:31,280
release more themed.

847
00:46:31,719 --> 00:46:35,440
Speaker 9: Okay, okay, projects, will that be the first full album

848
00:46:35,559 --> 00:46:37,039
of original material that you guys.

849
00:46:36,920 --> 00:46:38,719
Speaker 12: Have done or with me on the band with.

850
00:46:40,280 --> 00:46:40,519
Speaker 13: City?

851
00:46:42,400 --> 00:46:46,079
Speaker 10: Yeah, Shell was two years ago. Okay, that was with Hunter.

852
00:46:46,199 --> 00:46:49,800
That was the first, like oh Towns album with Shelle City, gotcha.

853
00:46:49,920 --> 00:46:52,039
Speaker 9: So the track we played earlier at the top of

854
00:46:52,119 --> 00:46:55,320
the segment, that was from that. Yeah, okay, right right, okay, Yeah,

855
00:46:55,360 --> 00:46:56,960
it's starting to come back to me now. Yeah, because

856
00:46:56,960 --> 00:46:58,639
it was almost a year ago. Jenny looked it up.

857
00:46:58,639 --> 00:47:00,360
It was June the last time you got We're here.

858
00:47:00,519 --> 00:47:03,239
So yeah, and yeah, you guys have been busy with

859
00:47:03,320 --> 00:47:08,440
all the shows and recording this album and so, but

860
00:47:08,599 --> 00:47:10,679
you probably don't have an ETA right on the new one.

861
00:47:10,760 --> 00:47:13,679
It's gonna be When did you say, like fall by Fall?

862
00:47:13,880 --> 00:47:14,320
Speaker 12: I want it to be.

863
00:47:14,440 --> 00:47:15,639
Speaker 10: I want it to be like if we do the

864
00:47:15,719 --> 00:47:19,840
album in June, like we're planning on doing. Okay, then yeah,

865
00:47:20,280 --> 00:47:23,519
August September, hopefully towards the end of our show run.

866
00:47:23,599 --> 00:47:25,480
I think our shows are probably gonna wrap up around

867
00:47:26,360 --> 00:47:28,320
late August early so I know we have some shows

868
00:47:28,360 --> 00:47:31,000
in early September already, so right around there, kind of

869
00:47:31,039 --> 00:47:34,800
take the headwinds from touring and then just throw it

870
00:47:34,880 --> 00:47:36,039
right into the album coming out.

871
00:47:36,199 --> 00:47:40,519
Speaker 9: Okay, okay, very good, very good. We're gonna play one

872
00:47:40,639 --> 00:47:43,679
more track in a moment to finish out. But I

873
00:47:43,760 --> 00:47:45,360
want to make sure our listeners know where's the best

874
00:47:45,360 --> 00:47:46,880
place to go online to keep up with everything you

875
00:47:46,920 --> 00:47:49,440
guys are doing. You're very busy. You've got you've got this,

876
00:47:49,599 --> 00:47:53,440
You've got the shows, you play play a lot. Where

877
00:47:53,440 --> 00:47:54,519
should people go to keep up?

878
00:47:54,679 --> 00:47:58,519
Speaker 10: Instagram, Facebook, TikTok two Towns Yep, you can find us

879
00:47:58,599 --> 00:48:02,000
there and Spot five. Make sure to pre save the album.

880
00:48:02,159 --> 00:48:04,920
We'll be getting that on there for a pre save

881
00:48:05,079 --> 00:48:07,360
probably by the end of the weekend. And then yeah,

882
00:48:07,480 --> 00:48:10,079
April fourth is the hard launch date for the album.

883
00:48:10,199 --> 00:48:14,119
Speaker 9: April fourth, great, congratulations on it. It sounds amazing, sounds amazing,

884
00:48:14,199 --> 00:48:17,239
absolutely before we run out of time too, Before we

885
00:48:17,320 --> 00:48:19,079
go Jenny do you want to plug your website because

886
00:48:19,079 --> 00:48:22,440
you've been very busy as always, it's busy beaver. Yes,

887
00:48:22,559 --> 00:48:24,599
I am. You can go to gen Coffee dot com,

888
00:48:24,760 --> 00:48:27,119
j E N N C O F f y dot

889
00:48:27,239 --> 00:48:27,679
com to.

890
00:48:27,719 --> 00:48:29,000
Speaker 13: See what I am up to.

891
00:48:29,360 --> 00:48:32,960
Speaker 9: Yes, very good, very good, guys. I'm gonna let you

892
00:48:33,280 --> 00:48:34,920
pick what should we close out with?

893
00:48:35,159 --> 00:48:41,559
Speaker 12: From Atlantic City? From Covered Up? Yeah pick?

894
00:48:41,960 --> 00:48:43,960
Speaker 9: I almost said the wrong name again. I almost said

895
00:48:44,000 --> 00:48:45,559
That's why I glitched. I was like, no, no, no,

896
00:48:46,480 --> 00:48:48,440
Atlantic City okay, and who's the original?

897
00:48:48,559 --> 00:48:48,679
Speaker 1: Oh?

898
00:48:48,800 --> 00:48:51,840
Speaker 9: This is the spring Steene yep. I hope our friend

899
00:48:52,360 --> 00:48:54,280
Rob Azevito is listening. I don't know if you guys

900
00:48:54,320 --> 00:48:56,800
know Rob. He has to show here called Granted State

901
00:48:56,840 --> 00:49:01,320
of Mind Fridays at six and he's a huge Springsteen fan.

902
00:49:01,719 --> 00:49:03,360
Speaker 12: Yeah. This was a good This was a good one.

903
00:49:03,559 --> 00:49:07,800
Speaker 9: Yeah, yeah, this is really good. So Rob, if you're listening, uh, well,

904
00:49:07,800 --> 00:49:09,440
I hope you're listening. If not, I'll make sure you

905
00:49:09,519 --> 00:49:10,920
know about this so you can check it out later.

906
00:49:11,159 --> 00:49:14,400
Atlantic City by uh as covered by two Towns and guys,

907
00:49:14,480 --> 00:49:16,960
thank you again so much. And if you missed any

908
00:49:16,960 --> 00:49:18,280
part of today's show, it'll be up in just a

909
00:49:18,320 --> 00:49:21,719
little bit. At wmnhradio dot org, at my website Matt

910
00:49:21,760 --> 00:49:23,760
Connorton dot com. And we leave you with this. This

911
00:49:23,960 --> 00:49:26,400
is Atlantic City as covered by two towns.

912
00:49:26,920 --> 00:49:30,800
Speaker 22: Well they blew up the chicken man in Philly last night.

913
00:49:31,320 --> 00:49:36,159
Well they blew off his house to down on the

914
00:49:36,639 --> 00:49:41,119
bullock the getting ready for a five. Gonna see what

915
00:49:41,440 --> 00:49:42,920
the racket of boys can do.

916
00:49:44,800 --> 00:49:49,599
Speaker 6: Now there's troumble busting from down estate in the d

917
00:49:50,639 --> 00:49:51,440
can get new.

918
00:49:51,519 --> 00:49:52,039
Speaker 25: I lean.

919
00:49:53,440 --> 00:49:54,119
Speaker 1: Gonna be a.

920
00:49:54,599 --> 00:50:01,159
Speaker 6: Rumble lown on promenade in the gambling commissioner singing on about.

921
00:50:01,159 --> 00:50:02,360
Speaker 2: Skin of his teeth.

922
00:50:02,639 --> 00:50:08,559
Speaker 1: Well, everything does, baby, that's a fact. Maybe everything it

923
00:50:08,840 --> 00:50:10,920
does some day comes back.

924
00:50:11,719 --> 00:50:17,840
Speaker 6: Should make a bound fish you have pretty, He means now,

925
00:50:18,239 --> 00:50:40,960
deny hennick city, We'll I got a job trumping my

926
00:50:41,440 --> 00:50:44,119
money away, but I got.

927
00:50:44,000 --> 00:50:49,719
Speaker 1: This honest man can pagan. So I drew ahead from

928
00:50:50,400 --> 00:50:56,320
Central trusting about us. Two tickets on and co city bursting.

929
00:50:57,159 --> 00:51:02,679
Everything does, baby, that's a fact. Maybe everything it does

930
00:51:02,920 --> 00:51:04,559
some day comes back.

931
00:51:05,239 --> 00:51:09,039
Speaker 6: But you make good bomb, fix your hair row pretty

932
00:51:10,000 --> 00:51:13,519
and me means now any in AIX city.

933
00:51:15,000 --> 00:51:20,599
Speaker 1: Everything does, baby, that's some facts. Maybe everything it does

934
00:51:20,880 --> 00:51:22,400
some tack comes back.

935
00:51:23,280 --> 00:51:28,119
Speaker 6: You make a bomb, fix your hair row pretty me

936
00:51:28,519 --> 00:51:34,480
means so now any Lani city, He means now any

937
00:51:34,760 --> 00:51:36,159
Lanx city.

938
00:51:56,119 --> 00:52:05,000
Speaker 22: Mission is a nine submission, The promises Bay.

939
00:52:05,599 --> 00:52:08,440
Speaker 1: She's away from home.

940
00:52:10,360 --> 00:52:10,760
Speaker 4: Mm hmm.

941
00:52:12,920 --> 00:52:19,679
Speaker 1: Can't on his son for the trying than sword Fisher.

942
00:52:21,360 --> 00:52:26,440
Speaker 16: She's losing battles the shadows and she's alone.

943
00:52:27,519 --> 00:52:28,480
Speaker 2: For all that.

944
00:52:28,960 --> 00:52:34,920
Speaker 6: I know you need someone else to help you forget

945
00:52:35,000 --> 00:52:39,400
the reason you fell for me at all in this

946
00:52:39,599 --> 00:52:43,840
an Overseason five has been the.

947
00:52:44,000 --> 00:52:49,320
Speaker 1: Night here, the games, some strange eyes. Whould you minded.

948
00:52:52,679 --> 00:52:54,199
Speaker 4: What you mind?

949
00:53:11,480 --> 00:53:12,119
Speaker 2: Sasting?

950
00:53:14,320 --> 00:53:17,719
Speaker 1: Sweet little from meeting.

951
00:53:19,440 --> 00:53:24,280
Speaker 6: She reads the books for big films such she's.

952
00:53:25,360 --> 00:53:27,159
Speaker 1: Well, she's.

953
00:53:28,920 --> 00:53:30,400
Speaker 2: Way see.

954
00:53:31,840 --> 00:53:40,199
Speaker 1: Why she said there's no meaning? Sue suis stove, She's

955
00:53:40,320 --> 00:53:41,440
still mean.

956
00:53:43,159 --> 00:53:44,840
Speaker 17: To blame me on me?

957
00:53:45,599 --> 00:53:50,480
Speaker 1: Did you need somebody helps to help you forget the

958
00:53:50,719 --> 00:53:53,800
reason your film for me at all?

959
00:53:54,599 --> 00:54:00,599
Speaker 16: In the sill of season, if I spend the night here,

960
00:54:00,719 --> 00:54:01,679
the guys.

961
00:54:01,719 --> 00:54:09,119
Speaker 1: Strange jobs, June By to.

962
00:54:14,400 --> 00:54:19,440
Speaker 2: Let shunemne, Yes, I.

963
00:54:20,159 --> 00:55:00,480
Speaker 3: Let Sunby, She'll be fun bottle slat.

964
00:55:00,599 --> 00:55:09,840
Speaker 16: I'm telling you, baby, these things he at your bones

965
00:55:09,920 --> 00:55:16,360
in job your yourn mouth crazy? Will you please your

966
00:55:16,559 --> 00:55:27,079
hand between McCarthy John, I don't know much this no way,

967
00:55:27,239 --> 00:55:34,880
don't hit them down to five Dune. Now I'm down

968
00:55:35,000 --> 00:55:43,079
to five dome, so say I miss you and know

969
00:55:43,480 --> 00:55:43,800
at you.

970
00:55:46,760 --> 00:55:50,719
Speaker 15: You are listening to w m n HLP ninety five

971
00:55:50,800 --> 00:55:54,960
point three FM, broadcasting from the top of one thousand

972
00:55:55,039 --> 00:55:58,719
Elm Street. Our studios are located at one nineteen Canal

973
00:55:58,800 --> 00:56:03,199
Street and since to Manchester Public Television Service in Manchester,

974
00:56:03,320 --> 00:56:03,920
New Hampshire.

975
00:56:04,559 --> 00:56:08,360
Speaker 25: Contact us by email at wm n H nine five

976
00:56:08,519 --> 00:56:12,360
three at gmail dot com, or through our website at

977
00:56:12,559 --> 00:56:14,880
wmnhradio dot org.

978
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Speaker 23: Attention, We've now reached us.

979
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Speaker 26: Disney's Cafe is the place to put a smile on

980
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your face. Judy and the crew will take care of you.

981
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Bring your appetite, intrigue your.

982
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Speaker 12: Taste, bus right.

983
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Speaker 26: Disneys Cafe is always a winning choice breakfast, lunch or supper.

984
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Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

985
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Dine in, takeout or make a reservation call six O

986
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three six oh six two five three to two each,

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drink and be happy Dizzne's Cafe.

988
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Speaker 24: When it comes to keeping wm NH on the air

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and your own personal or business computer needs, trust Growland Computers,

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Speaker 3: Seven times out of ten.

998
00:57:32,159 --> 00:57:34,480
Speaker 15: We listened to our music at night.

999
00:57:36,480 --> 00:57:39,599
Speaker 24: That's gon titled book business program.

1000
00:57:39,480 --> 00:57:43,559
Speaker 15: Late Night to Light with DJ Midas right here on WMNH, Manchester.

1001
00:57:43,719 --> 00:57:44,400
Speaker 1: Do you want to know why?

1002
00:57:44,679 --> 00:57:49,400
Speaker 26: Because Saturdays and Sunday nights midnight to four am.

1003
00:57:50,760 --> 00:57:56,199
Speaker 23: This hour on wm NH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn, serve all your

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business needs including employee benefits, planning, corporate design and business administration,

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phone number is eight sixty six eight four one forty

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1009
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dot com.

1010
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Speaker 15: Behold the harmony of airwaves as you immerse yourself in

1011
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the captivating frequencies of w MNHLP. The sonic heart feats

1012
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of Manchester, transcending through the ether at ninety five point

1013
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three megahertz frequency modulation. Our transmissions emanate from the zeed

1014
00:58:38,440 --> 00:58:41,239
at the one thousand Elm Streets. It's insuranto the hearts

1015
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of our creative realm at one nineteen Canal Street, where

1016
00:58:44,400 --> 00:58:48,559
innovation and sound cologe. They're the impro moder of Manchester

1017
00:58:48,679 --> 00:58:52,800
Public Television Service in the venerable city of Manchester, New Hampshire, USA.

1018
00:58:53,239 --> 00:58:55,880
Speaker 12: Enrich your auditory journey with the depth of our.

1019
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Speaker 15: License to wesidens de spet your missives to w MNH

1020
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ninety five three at gmail dot com or traverse the

1021
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virtual corridors of wmnhradio dot org. Engage with our sonic

1022
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vibrations by commuting with us through the digital channels. Our

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radio beconds eager to enthrall you with its mesmerizing kitdence

1024
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and develop you with a symphony of foundless audits.

1025
00:59:16,679 --> 00:59:17,559
Speaker 12: Hornes one dude