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<v Speaker 1>And now doctor Watson, back to our final story.

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<v Speaker 2>Will mister Harris. When I was packing my peer fishing

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<v Speaker 2>paraphernalia this morning, it had put me in mind of

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<v Speaker 2>the horrible catastrophe that interrupted a certain trip Homes and

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<v Speaker 2>I were indulging in. Fishing was one of the few

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<v Speaker 2>sports you know that Holmes enjoyed. Yes, the last character

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<v Speaker 2>in that tragic episode died just last winter, the poor

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<v Speaker 2>lady who lived in a lodging house in total seclusion,

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<v Speaker 2>going out only at night, and then all was heavily veiled. Yes,

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<v Speaker 2>I have finally decided to tell the case of the

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<v Speaker 2>double tragedy at Abbess Parva.

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<v Speaker 1>Abbus Parva, that's a curious name. Doctor.

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<v Speaker 2>Was it in Italy? No, mister Harris. Abbas Povert is

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<v Speaker 2>a small village in Berkshire. Rohonda's circus had halted there

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<v Speaker 2>for the night on its way to Wimbledon. They were

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<v Speaker 2>simply camping and not exhibiting. As the place is so small,

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<v Speaker 2>it wouldn't have paid them to.

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<v Speaker 3>Open Ronder's circus. Sir, I don't believe I've heard of it, doctor.

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<v Speaker 3>Was it a big one ru for.

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<v Speaker 4>The those days?

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<v Speaker 2>Yes? Ronda was at one time a household word in

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<v Speaker 2>England and on the continent. I don't believe he ever

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<v Speaker 2>went to the United States. He was the rival of

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<v Speaker 2>Wmwell and of Sanger, perhaps the greatest showman of his day.

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<v Speaker 2>There is evidence, however, that he took to drink, and

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<v Speaker 2>that both he and his show were on the downgrade

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<v Speaker 2>at the time of the Great tragedy. Well, it was

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<v Speaker 2>spring and the trout season was on. Holmes and I

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<v Speaker 2>had gone to Berkshire to a place we knew for

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<v Speaker 2>a bit of fishing. Late one afternoon we received a

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<v Speaker 2>message from Rohonda's circus that it was encamped in the

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<v Speaker 2>neighboring hamlet of Abbess Power. It seemed Jojo wanted to

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<v Speaker 2>see us. It was a fine evening, so after supper,

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<v Speaker 2>Homes suggested we stole over and have a chat with him.

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<v Speaker 2>Jojo was an old friend.

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<v Speaker 1>Of Sherlock Holmes.

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<v Speaker 3>Mister Holmes certainly had a great variety of acquaintances doctor

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<v Speaker 3>everything from clowns to cabinet ministery.

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<v Speaker 2>It is quite and I rather suspect he preferred the clowns.

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<v Speaker 2>He always said they were more human. Where we found

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<v Speaker 2>Jojo behind the cook tent, smoking his evening pipe. A peculiar,

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<v Speaker 2>exhilarating smell that a circus carries with it, hung heavy

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<v Speaker 2>in the still air.

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<v Speaker 3>I know it's made up of animals and peanuts and

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<v Speaker 3>sawdust and canvas and pink lemonade.

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<v Speaker 2>And that's as good a description as any mister had

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<v Speaker 2>is Well, everything looked peaceful enough, but there was an

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<v Speaker 2>undercurrent of excitement about. Somewhere in the distance, A lion roared.

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<v Speaker 1>Wrong with that lion, jojo, he sounds uneasy.

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<v Speaker 5>Oh you mean Sahara King getting near his feeding time?

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<v Speaker 2>Sounds vicious?

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<v Speaker 5>That he is vicious came near the morning Genie when

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<v Speaker 5>she went into his cage for last night's show.

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<v Speaker 1>Who is Jeannie? Now?

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<v Speaker 5>Don't tell me you don't know Jeanie, Mister Olmes a

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<v Speaker 5>bell you Genia the greatest artist on a slack wire,

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<v Speaker 5>this kind of her head until she cut a ligament

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<v Speaker 5>in her right leg one night last year when I

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<v Speaker 5>drunken raster about hadn't put up an equipment proper light.

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<v Speaker 1>Yes, sir, A fine girl.

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<v Speaker 5>Jeanie, born and brought up on the sawdust and doing

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<v Speaker 5>spring through a roup before she was ten.

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<v Speaker 4>The prettiest youngster you ever did see, Air like.

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<v Speaker 6>Red gold and cheeks as pink as roses.

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<v Speaker 5>Well, she's only twenty eight now, and an and some

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<v Speaker 5>woman still, but she's seen a bit of live mister Romes,

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<v Speaker 5>and it's left its mark.

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<v Speaker 1>I guess, oh what happened?

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<v Speaker 5>Well, when she was going on eighteen, she married.

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<v Speaker 1>Rhonda to me, the man who owned for something. Yeah,

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<v Speaker 1>that's him, August H.

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<v Speaker 5>Roonda, and there rained a wild animal in any of

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<v Speaker 5>his cages. Can touch him for pure dann right meanness

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<v Speaker 5>and cruelty.

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<v Speaker 2>Well didn't, I didn't. He youngly didn't know that, but

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<v Speaker 2>she married him.

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<v Speaker 1>She knew it right enough.

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<v Speaker 5>Ain't anyone in show business don't know about Rhonda. She

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<v Speaker 5>married him to save her dad from going to prison.

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<v Speaker 5>You see, Ronda got him for forging a check. Some

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<v Speaker 5>say it was a put up job, and I'm not

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<v Speaker 5>saying it wasn't, lightly seeing as Genie's father never learned

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<v Speaker 5>to read or write. Alsoever, Ronda seemed to think he

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<v Speaker 5>had a case, so Jeanie married him to keep things

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<v Speaker 5>hushed up. Yes, sir, that check was for one hundred pounds,

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<v Speaker 5>But I guess Genie has had a million pounds worth

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<v Speaker 5>of suffering since then.

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<v Speaker 1>Ronda kept getting.

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<v Speaker 6>Worse and worse.

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<v Speaker 4>First it was.

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<v Speaker 5>Drink, then women, and then he took her beating her

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<v Speaker 5>up michiget it blackguard, Yes, I kind of figure. He

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<v Speaker 5>hated her because he knew he wasn't fit to clean

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<v Speaker 5>up boots, always figuring out new ways to torture. And

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<v Speaker 5>when she fell and cut her leg and couldn't walk

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<v Speaker 5>the wire anymore, he said she had to do something

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<v Speaker 5>in a living. He put her in the cages, doing

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<v Speaker 5>an act with the big cats.

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<v Speaker 1>I mean the lions and tigers.

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<v Speaker 5>Yes, mister Ownes, Well, Genie's always been afraid of him

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<v Speaker 5>ever since she was a baby. Couldn't even stand aside

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<v Speaker 5>of a common ordinary house care. Some folks are like that,

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<v Speaker 5>mister owns Yes, it's a not uncommon phobia.

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<v Speaker 1>Yes, sir.

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<v Speaker 5>And so when Roonda may Genie work with the big cats,

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<v Speaker 5>it was pure torture doer. And maybe he didn't know that, Yes, sir.

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<v Speaker 5>He even makes her feed them, so it's because they'll

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<v Speaker 5>feel more friendly toward her if she does. But between

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<v Speaker 5>you and me is because they always roar so at

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<v Speaker 5>feeding time.

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<v Speaker 6>And that terrifies her.

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<v Speaker 2>You see, present medieval gentlemen, he should have lived at

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<v Speaker 2>the time of the Spanish Inquisition. Look, yeah, why didn't

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<v Speaker 2>someone in the circus interfere go to the police.

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<v Speaker 1>But we don't dare for her lose that jobs.

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<v Speaker 4>Besides, what could we prove?

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<v Speaker 2>What's in the circus.

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<v Speaker 7>Is a world of its own, and the people in

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<v Speaker 7>it are born, brought up, and finally they die under canvas.

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<v Speaker 7>They travel here and there, never making any real contact

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<v Speaker 7>with outside life.

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<v Speaker 1>If one of the performers had stepped into protect Missus Roonda,

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<v Speaker 1>he'd have lost his job and never been able to

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<v Speaker 1>get into a circus again in all probability.

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<v Speaker 2>Yes, sir, that's right.

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<v Speaker 7>As I said, the circus is a world of its own.

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<v Speaker 7>It has its own loves and hates, its own laws

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<v Speaker 7>and standards.

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<v Speaker 1>And Rhonda as it's a it's Caesar, it's God, the

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<v Speaker 1>circus performing. There is no life outside the circus. Take

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<v Speaker 1>him away from the sawdust, and.

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<v Speaker 7>The circus smells its eternal wanderings, it's audiences, it's hardships,

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<v Speaker 7>and he's as lost and out of places you would

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<v Speaker 7>be on Mars.

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<v Speaker 5>Yes, sir, And that's why no one's ever calling the police, first,

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<v Speaker 5>because we don't dare in second, because we don't like

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<v Speaker 5>outsiders poking around our affairs, have it. You're different, mister Olmes.

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<v Speaker 5>You understand this. Besides, you're not a regular blue nose.

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<v Speaker 2>Yes, that's what is always saying, not one of the official.

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<v Speaker 5>Police, Yes, sir, and so that's why mister roons are

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<v Speaker 5>I thought, maybe you kind of take a look around.

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<v Speaker 6>Maybe, well, maybe you might be in time to prevent something.

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<v Speaker 1>What do you mean by something, Jojo?

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<v Speaker 5>First, if I know, miss drones, but something's going to happen,

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<v Speaker 5>it ain't going to be pretty. I got a feeling

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<v Speaker 5>a kind of warning. And I ain't the only one.

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<v Speaker 5>The rest of him they got the wind up too.

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<v Speaker 5>We don't know exactly why.

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<v Speaker 7>Yes, I noticed that everything was unnaturally quiet as I

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<v Speaker 7>came past the tents tonight. No singing and shouting, none

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<v Speaker 7>of the usual couples walking around arm in arm. Everyone

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<v Speaker 7>seems to be under cover.

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<v Speaker 5>Yea, that's what they are said, undercovered and listening, waiting

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<v Speaker 5>for something to happen.

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<v Speaker 4>Some people say we circus spokes is superstitious.

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<v Speaker 5>You call a watch light, but we always knows when

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<v Speaker 5>something's going to happen. The night before the big blowdown

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<v Speaker 5>outside of Dover when twenty people was killed there was

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<v Speaker 5>a feeling like this all through the camp, the same

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<v Speaker 5>way when Lilian de Land Strappee snapped and she broke

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<v Speaker 5>her neck.

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<v Speaker 2>Even the animals seem.

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<v Speaker 1>To feel it.

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<v Speaker 6>I tell you, miss Romees, something's going to happen, but

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<v Speaker 6>we don't know what.

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<v Speaker 1>Perhaps you do subconsciously.

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<v Speaker 5>I've praid I didn't get that, Miss Jones, A pretty

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<v Speaker 5>big words, sir, whatever it was.

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<v Speaker 7>Subconsciously, all I mean is this, Jojo. We are aware

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<v Speaker 7>of a lot of things on the back of our minds,

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<v Speaker 7>that well, that we don't actually think. Out the back

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<v Speaker 7>of our minds notices a lot of little things we

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<v Speaker 7>don't even remember, and it adds all these little things

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<v Speaker 7>together and reaches some rather surprising conclusions. Now on them,

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<v Speaker 7>these conclusions a month to a knowledge of danger, and

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<v Speaker 7>the subconscious mind tries to flash us a warning, and

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<v Speaker 7>we feel uncomfortable because we cannot go back into our

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<v Speaker 7>unconscious minds and dig out the items that have gone

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<v Speaker 7>to make up the total.

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<v Speaker 6>Well, if you can't chakad, I guess.

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<v Speaker 1>But sometimes you can. If you have helped now then, Jojo,

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<v Speaker 1>you say you're worried, and Genie Randa is obviously uppermost

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<v Speaker 1>in your mind.

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<v Speaker 5>Yes, sir, I don't feel right about Jeanie, not since

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<v Speaker 5>Sahara King tried a maula last night.

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<v Speaker 7>Ah, it's a fact, I see, But she doesn't have

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<v Speaker 7>to go into his cage again until you reach your

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<v Speaker 7>next stand.

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<v Speaker 1>Am I right well?

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<v Speaker 5>No, that is she supposed to feed him to night,

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<v Speaker 5>but I heard to say to Randa this afternoon she

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<v Speaker 5>wasn't going near the beast again.

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<v Speaker 1>Ever, Hm, defliants rather unusual after all these years, he jojo.

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<v Speaker 5>Yes, mister Romes, it's an hour pass Sahara King's feeding Timmy.

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<v Speaker 6>He's getting worse several.

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<v Speaker 1>Minutes, jojo. What has happened lately to give Genie Randa

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<v Speaker 1>the courage to defire her husband?

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<v Speaker 7>Well, sir, well that is a I really don't know

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<v Speaker 7>by right, but you'll suspect something. Well that is a well, now,

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<v Speaker 7>I really wouldn't like to say, you see, well, uh,

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<v Speaker 7>I'm fond of Genie.

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<v Speaker 1>Someone has joined the circus lately as someone who isn't

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<v Speaker 1>afraid of Randa, But who is fond of Genie? Am I?

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<v Speaker 5>Right, well, I wouldn't say he's really fond of her.

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<v Speaker 5>Maybe it's just because if Randa dies, the circus belongs

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<v Speaker 5>to his widow, and anyone can see the Randa's liable

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<v Speaker 5>to have apoplexy any day.

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<v Speaker 4>We don't give up drinking like a sponge.

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<v Speaker 6>Well, bless me, how did you guess, mister Romes.

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<v Speaker 7>Nothing persuades a woman to defy one man as quickly

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<v Speaker 7>as a knowledge that there's another man to back her up.

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<v Speaker 1>And who is this chap who isn't afraid of Randa?

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<v Speaker 5>It's Leonardo, the new strong man. He's answered all right,

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<v Speaker 5>strong as an ox. But I don't trust him, mister Roomes.

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<v Speaker 5>He don't look you straight in the eye. Who are

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<v Speaker 5>not blaming Jeanie? I guess compared to all London, he

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<v Speaker 5>looked like the angel Gabriel. Besides, he's the first man

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<v Speaker 5>that ever did show her any attention. She's been pretty

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<v Speaker 5>lonely sometimes.

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<v Speaker 1>Do you think Randa suspects this certain attachment that I

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<v Speaker 1>don't know, misster Omes?

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<v Speaker 4>I wish toever and I did.

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<v Speaker 5>Seems he came home unexpected last night. As a ruler

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<v Speaker 5>sits drinking in some papara until closing time. But last

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<v Speaker 5>night he came on early and Jeanie wasn't in their wagon.

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<v Speaker 5>He liked to tore up the place, or whether he

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<v Speaker 5>found out something I couldn't say.

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<v Speaker 2>I wish someone would beat that beast of it to

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<v Speaker 2>stop that cat of walling. It gives me goose flesh

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<v Speaker 2>all up and done my.

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<v Speaker 5>Spine, And well it may if he ain't fed soon,

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<v Speaker 5>he won't be safe for anyone to go in his cage.

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<v Speaker 1>Yes, come along, Watson, I think the sooner we reach

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<v Speaker 1>it the better.

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<v Speaker 2>You mean you're going to interview that lamb?

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<v Speaker 5>What what do you think it is, mister Roomes, what's

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<v Speaker 5>going to add?

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<v Speaker 1>I'm not certain, Jojo, But doesn't it strike He was

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<v Speaker 1>curious that if Rhonda isn't going to force his wife

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<v Speaker 1>to feed the beast, he hasn't sent someone else to

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<v Speaker 1>do it.

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<v Speaker 5>You think he's just letting her put it off until

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<v Speaker 5>the beast in a filthy, dangerous rage.

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<v Speaker 1>In a killing rage.

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<v Speaker 5>Perhaps why germiny that if they just like him to

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<v Speaker 5>make a go in there.

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<v Speaker 1>And not a chance exactly, and no one could ever

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<v Speaker 1>prove he meant to her.

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<v Speaker 2>He must be almost there. That he sounds a perfantly

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<v Speaker 2>closed just around his tenser. Oh it was why you're

251
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<v Speaker 2>cocking your revolver.

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<v Speaker 3>You don't actually think someone on the other side of

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<v Speaker 3>the tent talking, Oh, yes, well.

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<v Speaker 4>Think you're going to find me my girl, I'll show you.

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<v Speaker 8>But I'm afraid please just this one.

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<v Speaker 2>How could that Kate and get in there. I'll plug

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<v Speaker 2>the skin off your back.

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<v Speaker 4>I'll show you who's your master. O. I didn't know

259
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<v Speaker 4>you were sneaking out nights.

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<v Speaker 2>I love that case. Oh hurry, we'll stop it.

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<v Speaker 4>She can't go in there.

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<v Speaker 2>Help help, so hormful, Help, there they are. Sara is

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<v Speaker 2>out of the.

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<v Speaker 7>Cake man b Watson, I've got your shoe.

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<v Speaker 9>You Jenny, Jenny, are you hurd f Oh it's torn

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<v Speaker 9>the faces she's.

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<v Speaker 4>Covered with blood?

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<v Speaker 1>Is he Watson? Is she dying?

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<v Speaker 2>I think we can save her, but she'll be horribly disfigured.

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<v Speaker 1>And this man over here, and I take it this

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<v Speaker 1>is Rhonda.

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<v Speaker 6>Yes, mister Holmes, Sahara must have got in too.

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<v Speaker 2>He's gone. I'm afraid. Back of the skull completely crushed.

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<v Speaker 2>Good Lord, that animal must have had a pull like

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<v Speaker 2>a sledgehammer. Look at the claws tore the scalp. I

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<v Speaker 2>wonder I'm not saying I don't see anything that about

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<v Speaker 2>whom the lion escaped from the cage and winforday.

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<v Speaker 7>Both of them, just to find out the other man

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<v Speaker 7>as well? What are the men the one who screamed

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<v Speaker 7>and ran away?

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<v Speaker 4>Oh, he could have saved me.

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<v Speaker 2>Come.

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<v Speaker 3>The makers of Clippercraft clothes are thinking not only of

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<v Speaker 3>the suit you by tomorrow, but of the suit you'll

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<v Speaker 3>buy next year and in the years to come. That's

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<v Speaker 3>why you can always depend on the clipper Craft label.

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00:13:39.399 --> 00:13:41.879
<v Speaker 3>Why Clippercraft makes a business of bringing you one of

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<v Speaker 3>the greatest values in America. Behind that smart looking Clippercraft

289
00:13:46.120 --> 00:13:51.600
<v Speaker 3>suit is the amazing Clippercraft Plan responsible for Clippercraft's unique values.

290
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<v Speaker 3>You get the benefit of tremendous savings through the Clippercraft Plan,

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00:13:55.480 --> 00:13:59.159
<v Speaker 3>whereby ten hundred and thirty six of the nation's finest

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00:13:59.200 --> 00:14:03.840
<v Speaker 3>independent low stores from coast to coast, voluntarily concentrate their

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<v Speaker 3>buying power. Because of this plan, your fine new Clippercraft

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00:14:07.840 --> 00:14:11.120
<v Speaker 3>suit costs only forty to forty seven to fifty, your

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00:14:11.159 --> 00:14:14.559
<v Speaker 3>tropical only thirty three seventy five to forty dollars, and

296
00:14:14.639 --> 00:14:18.360
<v Speaker 3>your sport jacket only twenty six to fifty. For selling

297
00:14:18.399 --> 00:14:22.519
<v Speaker 3>expensive clothes at inexpensive low prices at the nation's finest

298
00:14:22.559 --> 00:14:26.120
<v Speaker 3>stores is the great, big idea behind the Clippercraft plan.

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<v Speaker 3>That's why men who know insist on clippercraft clothes, be

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00:14:30.759 --> 00:14:33.519
<v Speaker 3>sure to visit the Clippercraft store in your city.

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<v Speaker 10>These leading stores in the metropolitan area are proud to

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00:14:37.440 --> 00:14:40.320
<v Speaker 10>add their names to Clippercraft and your suits, sport, jackets,

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00:14:40.360 --> 00:14:44.320
<v Speaker 10>and tropicals. In Manhattan, John Wannamaker Men's Stores Broadway at

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00:14:44.320 --> 00:14:48.000
<v Speaker 10>eighth and sixty seven Liberty Street, Sacks thirty fourth Broadway

305
00:14:48.000 --> 00:14:51.519
<v Speaker 10>at thirty four. In Brooklyn, Abraham and Strauss in Newick,

306
00:14:51.559 --> 00:14:54.919
<v Speaker 10>New Jersey Boulevard Men's Shop presdy Ewick. And in Jamaica

307
00:14:55.200 --> 00:14:57.759
<v Speaker 10>the B and B Clothes Shop, one sixty four oh

308
00:14:57.799 --> 00:15:01.440
<v Speaker 10>eight Jamaica Avenue.

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00:15:05.440 --> 00:15:08.480
<v Speaker 3>And now back to Sherlock Holmes and doctor Watson. We

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00:15:08.600 --> 00:15:12.039
<v Speaker 3>find Holmes smoking his pipe, deep in contemplation as he

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00:15:12.120 --> 00:15:14.840
<v Speaker 3>waits for doctor Watson to finish caring for missus Rondon.

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00:15:15.279 --> 00:15:18.960
<v Speaker 3>The night is black and breathless, even the animals are hushed.

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00:15:19.720 --> 00:15:29.000
<v Speaker 1>A heavy footed figure approaches, well, Watson, she'll live, but

314
00:15:29.120 --> 00:15:32.399
<v Speaker 1>you won't enjoy it. I'm afraid part of the disfigured.

315
00:15:32.440 --> 00:15:32.639
<v Speaker 4>There.

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00:15:33.240 --> 00:15:36.120
<v Speaker 2>Look here, Holmes, it's getting late. Let's be getting on home.

317
00:15:36.200 --> 00:15:39.360
<v Speaker 2>There's nothing more we can do here. How to contrast

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00:15:39.440 --> 00:15:40.559
<v Speaker 2>a lion for murder?

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00:15:40.600 --> 00:15:42.720
<v Speaker 1>You know if it was a lion, Watson?

320
00:15:42.919 --> 00:15:44.720
<v Speaker 2>Or what do you mean if it was a lion?

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<v Speaker 2>We saw him, didn't we take that poor woman's face.

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<v Speaker 7>I'm not thinking about the woman, Watson, but her husband.

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00:15:50.440 --> 00:15:52.679
<v Speaker 7>He was lying full of ten paces from the cage.

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00:15:53.080 --> 00:15:54.519
<v Speaker 7>I doubt if the lion ever got that far.

325
00:15:54.600 --> 00:15:57.399
<v Speaker 2>Oh, rubbish homes. You're trying to build bricks without straw.

326
00:15:58.039 --> 00:16:00.399
<v Speaker 2>This isn't the case for the police. Perhaps it may

327
00:16:00.480 --> 00:16:02.879
<v Speaker 2>very well be a case for Sherlock Holmes. Oh that's conceited,

328
00:16:02.879 --> 00:16:05.960
<v Speaker 2>pure and simple, come along homes amnated dead for sleep.

329
00:16:06.240 --> 00:16:09.200
<v Speaker 1>So you don't think it's a case Watson, No, I don't,

330
00:16:10.240 --> 00:16:11.919
<v Speaker 1>And would you mind telling me what to your way

331
00:16:11.919 --> 00:16:13.200
<v Speaker 1>of thinking? Did happen?

332
00:16:13.480 --> 00:16:18.080
<v Speaker 2>WHOA? That was rather obvious? Genirond had opened the cage,

333
00:16:18.080 --> 00:16:21.080
<v Speaker 2>the enraged lion jumped past her, killed her husband with

334
00:16:21.120 --> 00:16:22.840
<v Speaker 2>a blow, and then returned to finish her off.

335
00:16:22.919 --> 00:16:25.240
<v Speaker 1>It was the back of Rhonda's skull that was crushed.

336
00:16:25.279 --> 00:16:27.639
<v Speaker 2>Remember well, naturally he turned and ran when he saw

337
00:16:27.639 --> 00:16:28.519
<v Speaker 2>the beast coming for.

338
00:16:28.559 --> 00:16:30.879
<v Speaker 1>Him, and the man's voice, the man we heard shouting

339
00:16:30.879 --> 00:16:31.440
<v Speaker 1>for help, or.

340
00:16:31.360 --> 00:16:33.799
<v Speaker 2>Holmes, don't be pig headed. Of course, Randa called for

341
00:16:33.840 --> 00:16:35.720
<v Speaker 2>help when he saw the lion was out of control.

342
00:16:35.840 --> 00:16:37.399
<v Speaker 2>You mean to tell me a man can still cry

343
00:16:37.399 --> 00:16:40.399
<v Speaker 2>out with the back of his head battered in Woa, No,

344
00:16:40.799 --> 00:16:42.840
<v Speaker 2>that is, and we could still hear his voice after

345
00:16:42.879 --> 00:16:45.720
<v Speaker 2>his wife's cries had been stilled. Whoa, of course.

346
00:16:45.720 --> 00:16:48.559
<v Speaker 7>Furthermore, Randa's body was lying with the head pointing towards

347
00:16:48.600 --> 00:16:50.360
<v Speaker 7>the cage, not away from it, as would have been

348
00:16:50.399 --> 00:16:51.960
<v Speaker 7>the case if he'd been running away and attacked from

349
00:16:52.000 --> 00:16:52.279
<v Speaker 7>the rear.

350
00:16:53.200 --> 00:16:55.480
<v Speaker 1>No, Watson, Randa was facing the cage when he was

351
00:16:55.480 --> 00:16:56.039
<v Speaker 1>struck down.

352
00:16:56.600 --> 00:16:58.519
<v Speaker 7>Struck down by the man who called for help, but

353
00:16:58.600 --> 00:17:00.759
<v Speaker 7>ran away when the lion ate it by the smell

354
00:17:00.799 --> 00:17:02.759
<v Speaker 7>of human blood, turned on missus Randa.

355
00:17:02.960 --> 00:17:05.519
<v Speaker 1>Yes, but that's why she kept saying, coward. He could

356
00:17:05.559 --> 00:17:06.000
<v Speaker 1>have saved me.

357
00:17:06.640 --> 00:17:08.279
<v Speaker 7>That man could have driven off the lion with a

358
00:17:08.279 --> 00:17:10.680
<v Speaker 7>weapon used to kill Randa if he hadn't lost his nerve.

359
00:17:10.799 --> 00:17:13.480
<v Speaker 2>Yes, but look here, Holmes, Rhonda was killed by the lion.

360
00:17:13.599 --> 00:17:15.440
<v Speaker 2>He must have been. The mass of his claws were

361
00:17:15.519 --> 00:17:17.240
<v Speaker 2>left on the skull. You saw that.

362
00:17:17.240 --> 00:17:20.240
<v Speaker 1>Yourself, mister Howes, Mister houns, Oh, there you are, jo Jo.

363
00:17:21.000 --> 00:17:23.640
<v Speaker 7>What does she say? Did you see who killed her husband?

364
00:17:23.920 --> 00:17:27.000
<v Speaker 7>She won't talk, mister Jones. I can't get a word

365
00:17:27.039 --> 00:17:29.599
<v Speaker 7>out of it, but I think she knows right enough.

366
00:17:30.279 --> 00:17:31.640
<v Speaker 1>Uh, it's terrible.

367
00:17:32.559 --> 00:17:36.000
<v Speaker 6>She just lies there moaning and crying for Leonardo.

368
00:17:36.440 --> 00:17:37.480
<v Speaker 1>And where is that gentleman?

369
00:17:37.960 --> 00:17:39.480
<v Speaker 5>I try to find him for her, but they tell

370
00:17:39.519 --> 00:17:42.240
<v Speaker 5>me he went off to town soon after supper. Well

371
00:17:42.880 --> 00:17:45.480
<v Speaker 5>there he is now coming up the road from abys Pather.

372
00:17:45.640 --> 00:17:47.519
<v Speaker 5>Now I'm just running. Tell him what's happened. Ginny wants

373
00:17:47.519 --> 00:17:49.119
<v Speaker 5>to see him. He's the only one who will comfort her.

374
00:17:49.519 --> 00:17:52.319
<v Speaker 7>That should be an interesting interview. Watson suppose he wandered

375
00:17:52.359 --> 00:17:55.119
<v Speaker 7>over to missus Randall's wagon. I believe it has a

376
00:17:55.160 --> 00:17:59.880
<v Speaker 7>convenient window. You mean you're going to eavesdrop that is mine?

377
00:18:00.680 --> 00:18:03.240
<v Speaker 2>Hose have you known moral scruples?

378
00:18:03.880 --> 00:18:20.759
<v Speaker 1>None whatever, my dear Watson, none whatever. Here, Watson, get

379
00:18:20.839 --> 00:18:22.799
<v Speaker 1>down behind these bushes out of the light of that window.

380
00:18:22.960 --> 00:18:25.119
<v Speaker 2>He's pray, I shan't be able to see anything.

381
00:18:25.480 --> 00:18:29.400
<v Speaker 1>Have you known moral scruples? Whatsh We don't have to see.

382
00:18:29.440 --> 00:18:32.640
<v Speaker 1>All we have to do is hear Ui, Come Leonardo

383
00:18:32.640 --> 00:18:35.960
<v Speaker 1>and Jojo. Hello, Jennie.

384
00:18:36.359 --> 00:18:38.559
<v Speaker 2>Leo, Leo, why did you do it?

385
00:18:38.880 --> 00:18:39.519
<v Speaker 8>You promise?

386
00:18:40.839 --> 00:18:41.480
<v Speaker 1>JoJo's here?

387
00:18:41.680 --> 00:18:42.960
<v Speaker 4>Oh I didn't know.

388
00:18:43.079 --> 00:18:44.960
<v Speaker 8>I can't see you with these bandages.

389
00:18:45.400 --> 00:18:48.119
<v Speaker 11>Yeah, just told me what happened? Have you on the

390
00:18:48.160 --> 00:18:51.880
<v Speaker 11>road coming back from ABA's father. I'm sorry, Jeannie, he

391
00:18:52.000 --> 00:18:52.920
<v Speaker 11>got pretty badly more.

392
00:18:53.039 --> 00:18:56.960
<v Speaker 8>Yes, but that doesn't matter, oh, Leo. We won't have

393
00:18:57.079 --> 00:19:01.240
<v Speaker 8>to run away now, Rhonda, he's We can get.

394
00:19:01.200 --> 00:19:04.079
<v Speaker 4>Married, decent life married. What makes you think I'm going

395
00:19:04.160 --> 00:19:06.319
<v Speaker 4>to marry you, Leo? You promised?

396
00:19:06.559 --> 00:19:07.960
<v Speaker 11>You think I want to be tied up for life

397
00:19:08.000 --> 00:19:10.559
<v Speaker 11>to a woman with only half a face left? Might

398
00:19:10.599 --> 00:19:11.839
<v Speaker 11>as well expect me to marry one.

399
00:19:11.759 --> 00:19:14.839
<v Speaker 2>Of the freaks, don't.

400
00:19:15.680 --> 00:19:17.440
<v Speaker 8>It's your fat Saharam hold me.

401
00:19:17.680 --> 00:19:19.240
<v Speaker 4>You could have driven him off with the club you

402
00:19:19.359 --> 00:19:19.960
<v Speaker 4>used to shop.

403
00:19:20.039 --> 00:19:21.640
<v Speaker 1>You can't.

404
00:19:21.640 --> 00:19:24.279
<v Speaker 4>You can't you touch Leo? I warn you, well, listen

405
00:19:24.359 --> 00:19:25.160
<v Speaker 4>to who's talking.

406
00:19:26.039 --> 00:19:28.079
<v Speaker 11>Jojo, get out of here before I cripple you so

407
00:19:28.200 --> 00:19:30.440
<v Speaker 11>you can't walk got out here here, Leo.

408
00:19:30.799 --> 00:19:34.240
<v Speaker 8>Don't hurt him, Jojo, please go. You can't do any good.

409
00:19:34.279 --> 00:19:37.200
<v Speaker 8>We get on better if we're alone, please, Jojo?

410
00:19:37.319 --> 00:19:39.440
<v Speaker 4>All right, but did you let me know if you

411
00:19:39.480 --> 00:19:40.160
<v Speaker 4>don't treat your.

412
00:19:40.599 --> 00:19:45.480
<v Speaker 2>Get out before I kick you. You are to see

413
00:19:45.599 --> 00:19:46.119
<v Speaker 2>him run?

414
00:19:49.039 --> 00:19:49.920
<v Speaker 1>What's quiet?

415
00:19:50.599 --> 00:19:50.799
<v Speaker 9>Leo?

416
00:19:51.240 --> 00:19:52.960
<v Speaker 1>You didn't mean what you've just said.

417
00:19:53.000 --> 00:19:55.359
<v Speaker 4>Didn't I I'm pulling out of here tomorrow.

418
00:19:56.039 --> 00:19:59.319
<v Speaker 8>Leo, the circus it's mine now, you can have it

419
00:19:59.359 --> 00:20:01.799
<v Speaker 8>if we're married. You've always wanted to run a circuit.

420
00:20:01.880 --> 00:20:05.519
<v Speaker 11>No, sir, I am sensitive. I am I never could

421
00:20:05.599 --> 00:20:08.759
<v Speaker 11>stand looking at an ugly woman. Why I'd as soon

422
00:20:08.799 --> 00:20:11.240
<v Speaker 11>as marry a gargoyle as a woman without a face.

423
00:20:12.359 --> 00:20:13.319
<v Speaker 8>I can wear a mask.

424
00:20:13.440 --> 00:20:14.720
<v Speaker 4>No, it's no good thing.

425
00:20:14.759 --> 00:20:17.160
<v Speaker 1>Out of here tomorrow. I was gonna stop me. I will.

426
00:20:17.440 --> 00:20:18.359
<v Speaker 4>I'll go to the police.

427
00:20:18.559 --> 00:20:21.000
<v Speaker 8>I'll tell him that you kill Randa, they arrest you.

428
00:20:21.079 --> 00:20:21.559
<v Speaker 2>What about you?

429
00:20:22.319 --> 00:20:25.160
<v Speaker 4>Your hands aren't any too clean? Remember? But I didn't

430
00:20:25.240 --> 00:20:27.079
<v Speaker 4>kill him. I didn't know you were going to.

431
00:20:27.480 --> 00:20:29.279
<v Speaker 8>All I wanted you to do is keep him from

432
00:20:29.359 --> 00:20:30.119
<v Speaker 8>sending me into.

433
00:20:30.000 --> 00:20:33.200
<v Speaker 11>That cane, going to believe that we're in this together.

434
00:20:34.279 --> 00:20:37.319
<v Speaker 11>You can't hand me over without putting a rope around.

435
00:20:37.039 --> 00:20:37.640
<v Speaker 2>Your own neck.

436
00:20:37.680 --> 00:20:38.480
<v Speaker 4>And I didn't do it.

437
00:20:38.640 --> 00:20:39.160
<v Speaker 1>I didn't.

438
00:20:39.480 --> 00:20:41.799
<v Speaker 8>I never wanted him killed. You can't do that.

439
00:20:42.279 --> 00:20:42.720
<v Speaker 1>Shut up.

440
00:20:43.440 --> 00:20:44.519
<v Speaker 2>You can't leave me like this.

441
00:20:44.680 --> 00:20:46.799
<v Speaker 4>Leader, don't go man, stop screaming. You want everybody and

442
00:20:46.880 --> 00:20:47.359
<v Speaker 4>captain here.

443
00:20:47.480 --> 00:20:47.839
<v Speaker 2>I can't.

444
00:20:47.880 --> 00:20:48.480
<v Speaker 1>I don't care.

445
00:20:48.599 --> 00:20:49.400
<v Speaker 4>I won't let you go.

446
00:20:50.319 --> 00:20:53.799
<v Speaker 11>That's good, that is won't let me go. I am

447
00:20:53.880 --> 00:20:58.519
<v Speaker 11>gonna stop me. And another thing, I never did love you.

448
00:20:58.759 --> 00:21:01.559
<v Speaker 11>Oh and you get that all the time I was

449
00:21:01.599 --> 00:21:04.599
<v Speaker 11>after the circus. But now I don't want it. Not

450
00:21:04.680 --> 00:21:06.680
<v Speaker 11>if I've got to have you along with kill you.

451
00:21:07.400 --> 00:21:08.839
<v Speaker 2>I'll kill you for this word.

452
00:21:09.839 --> 00:21:13.880
<v Speaker 4>You haven't got the nerve? Well, I'm going.

453
00:21:15.519 --> 00:21:19.240
<v Speaker 2>He whom You're not going to let him go like that?

454
00:21:19.400 --> 00:21:19.960
<v Speaker 2>He's guilty?

455
00:21:24.799 --> 00:21:24.960
<v Speaker 6>Who?

456
00:21:25.119 --> 00:21:25.720
<v Speaker 2>She shot him?

457
00:21:25.799 --> 00:21:27.359
<v Speaker 1>Quick, Watson, We've got to see him. Perhaps he's not

458
00:21:27.400 --> 00:21:27.720
<v Speaker 1>dead yet.

459
00:21:27.799 --> 00:21:29.920
<v Speaker 2>I wish we'd stayed home tonight.

460
00:21:32.920 --> 00:21:35.440
<v Speaker 1>Hideous Watson, help me tell him about right?

461
00:21:35.519 --> 00:21:35.680
<v Speaker 2>Who?

462
00:21:38.599 --> 00:21:43.160
<v Speaker 1>Yes, he's dead, right enough? Hit between the eyes? I shot?

463
00:21:43.799 --> 00:21:47.200
<v Speaker 1>So she did have the nerve after all, No, Watson,

464
00:21:47.400 --> 00:21:49.440
<v Speaker 1>Genie Rnda did not shoot leonardown.

465
00:21:50.039 --> 00:21:51.400
<v Speaker 2>Yeah, but Homers looks for.

466
00:21:53.039 --> 00:21:57.920
<v Speaker 1>Her eyes were bandaged. Come on, Watson, we're going home.

467
00:21:58.240 --> 00:21:59.880
<v Speaker 1>I think I could use a bit of sleep myself.

468
00:22:00.319 --> 00:22:02.200
<v Speaker 2>When I say, Holmes, look here, aren't you going to

469
00:22:02.519 --> 00:22:04.319
<v Speaker 2>stay around and find out who shot him?

470
00:22:04.519 --> 00:22:07.160
<v Speaker 1>I don't think I want to know. Watson. We solved

471
00:22:07.160 --> 00:22:11.680
<v Speaker 1>the first murder. That's enough for one evening. Besides, did

472
00:22:11.759 --> 00:22:14.200
<v Speaker 1>I ever tell you that JoJo's father was famous for

473
00:22:14.279 --> 00:22:15.440
<v Speaker 1>his tricks with a rifle?

474
00:22:17.039 --> 00:22:17.240
<v Speaker 2>Yes?

475
00:22:17.440 --> 00:22:32.759
<v Speaker 1>I believe his sons weren't half bad either. But doctor Watson,

476
00:22:32.799 --> 00:22:35.079
<v Speaker 1>didn't the police ever discover who killed Leonardo?

477
00:22:35.319 --> 00:22:38.680
<v Speaker 2>No, mister Harris, they didn't. His body was discovered on

478
00:22:38.720 --> 00:22:41.680
<v Speaker 2>the road to abbys Paba. I dare say some of

479
00:22:41.720 --> 00:22:42.480
<v Speaker 2>the circus.

480
00:22:42.240 --> 00:22:47.200
<v Speaker 1>People suspected, dear coupeit, but circus people are notoriously close mouthed.

481
00:22:47.400 --> 00:22:50.079
<v Speaker 3>Well, doctor, there's one more point I don't quite understand.

482
00:22:50.799 --> 00:22:53.079
<v Speaker 3>How did the marks of the lion's claus happen to

483
00:22:53.079 --> 00:22:55.799
<v Speaker 3>be found in Rander's skull If Leonardo killed him?

484
00:22:55.880 --> 00:22:58.799
<v Speaker 2>There there was really a rat, simple, Mister Harris. Holmes

485
00:22:58.880 --> 00:23:02.680
<v Speaker 2>eventually found a club with five spikes in it at

486
00:23:02.720 --> 00:23:05.279
<v Speaker 2>the bottom of the scum covered pool in the neighborhood.

487
00:23:06.200 --> 00:23:09.000
<v Speaker 2>I don't believe he ever mentioned the fact to anyone.

488
00:23:09.160 --> 00:23:13.000
<v Speaker 3>However, Well, that was certainly a very powerful story, doctor Watson.

489
00:23:13.240 --> 00:23:14.799
<v Speaker 3>In fact, Doctor, I'd say it was one of the

490
00:23:14.880 --> 00:23:18.640
<v Speaker 3>best stories you've ever told. Thank you, mister Harris. I

491
00:23:19.200 --> 00:23:21.240
<v Speaker 3>like to finish on our high point, don't your nerve?

492
00:23:21.319 --> 00:23:23.160
<v Speaker 1>But you're not going to go away and leave us

493
00:23:23.160 --> 00:23:23.440
<v Speaker 1>for good?

494
00:23:23.519 --> 00:23:26.200
<v Speaker 2>Are you you you really want me to come back

495
00:23:26.240 --> 00:23:26.680
<v Speaker 2>in the fall.

496
00:23:26.880 --> 00:23:28.319
<v Speaker 1>You know we do, doctor Watson.

497
00:23:28.559 --> 00:23:30.559
<v Speaker 3>Why the week would be kind of empty without a

498
00:23:30.599 --> 00:23:32.319
<v Speaker 3>Sherlock Holmes's adventure to look forward to.

499
00:23:32.559 --> 00:23:35.319
<v Speaker 2>Well, in that case, I think it could be arranged
