1 00:00:12,240 --> 00:00:17,760 Speaker 1: Really, it's just another story about life and love and pain. 2 00:00:19,079 --> 00:00:23,600 Speaker 2: You want someone to need you, and I just broke 3 00:00:23,679 --> 00:00:24,239 the chain. 4 00:00:25,480 --> 00:00:29,399 Speaker 1: You came to me in a hurry, never tried to 5 00:00:29,480 --> 00:00:35,640 take my hand. I had no intention, since you never 6 00:00:35,960 --> 00:00:41,479 had a plan. It could have been loved. It was 7 00:00:41,560 --> 00:00:49,719 a passionate fir I made come, but you never stayed anywhere. 8 00:00:50,280 --> 00:00:52,159 Speaker 2: It could have been loved. 9 00:00:53,600 --> 00:00:58,719 Speaker 3: If you wanted it to be. But you don't need no. 10 00:00:58,479 --> 00:01:00,159 Speaker 2: One to blame it on. 11 00:01:00,799 --> 00:01:17,840 Speaker 1: Baby, It could have been me. I never asked about 12 00:01:18,120 --> 00:01:24,280 your story. If I did, you never tell drowning in 13 00:01:24,400 --> 00:01:30,959 our sadness while your body cast a spell. Sometimes you 14 00:01:31,040 --> 00:01:34,799 just know it's not a night that brings you things. 15 00:01:36,159 --> 00:01:38,239 Speaker 2: I got what I came for. 16 00:01:38,560 --> 00:01:43,760 Speaker 1: It, you got your leaves. It could have been alone. 17 00:01:45,079 --> 00:01:50,879 It was a passionate affair. A made you come, but 18 00:01:51,079 --> 00:01:58,000 you never stayed anywhere. We could have been alone if 19 00:01:58,079 --> 00:01:59,879 I wanted it to be. 20 00:02:01,040 --> 00:02:04,480 Speaker 2: But you don't need no one to blame it all. 21 00:02:04,519 --> 00:02:14,039 Speaker 3: The baby, It could have been me. Who could have 22 00:02:14,159 --> 00:02:15,080 been some men? 23 00:02:52,520 --> 00:02:56,639 Speaker 1: Well, let's just roll down my story about life and 24 00:02:56,879 --> 00:03:01,479 loving pain. We loved it when and our skin would 25 00:03:01,520 --> 00:03:06,080 touch the hearts or wrapped in chains, I could have 26 00:03:06,280 --> 00:03:09,080 been your everything and you. 27 00:03:08,879 --> 00:03:13,560 Speaker 2: Could have been my wife, but you ran away and I. 28 00:03:13,719 --> 00:03:14,719 Speaker 1: Let you go. 29 00:03:14,919 --> 00:03:17,599 Speaker 2: In soul such as life, it. 30 00:03:17,719 --> 00:03:23,919 Speaker 1: Could have been loved. It was a passionate fair I 31 00:03:24,159 --> 00:03:31,000 made you come, but you never stayed anywhere and could. 32 00:03:30,800 --> 00:03:32,039 Speaker 3: Have been loved. 33 00:03:33,719 --> 00:03:35,960 Speaker 4: If we wanted it to be. 34 00:03:37,240 --> 00:03:40,039 Speaker 2: But you need someone to blame it on. 35 00:03:40,759 --> 00:03:44,199 Speaker 1: Baby, ain't gonna be me. 36 00:04:06,400 --> 00:04:09,639 Speaker 5: I love that that is called stay anywhere, and that 37 00:04:09,759 --> 00:04:11,879 is Jesse Rutstein, who is here with us and we're 38 00:04:11,879 --> 00:04:13,919 going to be speaking with in just a moment, and 39 00:04:14,560 --> 00:04:16,680 he's going to play a couple songs live with us, 40 00:04:16,720 --> 00:04:19,000 but or live for us, I should say. But if 41 00:04:19,000 --> 00:04:22,519 you are listening live on Saturday, I hope you're traveling safely. 42 00:04:22,680 --> 00:04:25,839 We've got some winter weather and was very surprised to 43 00:04:25,879 --> 00:04:28,240 wake up to that. But this is Matt Connorton Unleashed 44 00:04:28,279 --> 00:04:31,560 and we are live from the studios of wm NH 45 00:04:31,759 --> 00:04:35,199 ninety five point three FM and Glorious Manchester, New Hampshire. 46 00:04:35,240 --> 00:04:37,920 Of course, also you can stream the show from anywhere 47 00:04:37,920 --> 00:04:40,279 if you go to Matt connorton dot com slash live 48 00:04:40,600 --> 00:04:43,639 for all your live streaming options, social media links, contact infos, 49 00:04:43,680 --> 00:04:44,800 show archives, et. 50 00:04:44,759 --> 00:04:45,680 Speaker 6: Cetera, et cetera. 51 00:04:46,120 --> 00:04:50,759 Speaker 5: Today is a Saturday, April twelve, two thy twenty five. 52 00:04:51,319 --> 00:04:54,000 Jenny is here, of course at the news table, President 53 00:04:54,160 --> 00:04:56,040 accounted for and let me get. 54 00:04:55,920 --> 00:04:56,839 Speaker 6: That mic up there. 55 00:04:56,839 --> 00:04:59,120 Speaker 5: So we've got Jesse Rutstein. 56 00:04:58,839 --> 00:04:59,279 Speaker 6: Is here with us. 57 00:04:59,279 --> 00:05:01,199 Speaker 4: Hello, Jesse, Yay, how's it going good? 58 00:05:01,240 --> 00:05:03,439 Speaker 5: I gotta boost this up a little bit. We have 59 00:05:03,519 --> 00:05:07,639 to kind of sound check live on the air. But yeah, 60 00:05:07,720 --> 00:05:09,040 welcome to the show. It's great to have you on. 61 00:05:09,120 --> 00:05:13,839 So we met you at the grand reopening of Terminus 62 00:05:13,879 --> 00:05:16,800 Underground back in how many months it becomes a blur. 63 00:05:17,079 --> 00:05:17,879 Speaker 6: I don't know how many. 64 00:05:17,759 --> 00:05:19,720 Speaker 4: Months ago, January I think, yeah. 65 00:05:19,600 --> 00:05:20,920 Speaker 6: It was it was a yeah January that. 66 00:05:21,199 --> 00:05:23,519 Speaker 5: Yeah, that sounds right, yeah, yeah, and no, we were 67 00:05:23,600 --> 00:05:27,000 very impressed. I love your voice, thank you, absolutely absolutely, 68 00:05:27,279 --> 00:05:29,920 and uh and the songs are great. We have we 69 00:05:29,959 --> 00:05:31,920 played that studio track and we're gonna be playing another 70 00:05:31,959 --> 00:05:35,240 one toward the end of our conversation today too, which 71 00:05:35,279 --> 00:05:38,040 is a world radio premiere or something that that we'll 72 00:05:38,079 --> 00:05:40,639 talk about later. So really looking forward to that and 73 00:05:40,680 --> 00:05:42,160 looking forward to hearing you play live. 74 00:05:42,319 --> 00:05:44,240 Speaker 6: But uh, that. 75 00:05:45,279 --> 00:05:47,319 Speaker 5: Tell us about because we were talking off air too 76 00:05:47,319 --> 00:05:51,000 about a collaborator of yours who someone who has been 77 00:05:51,000 --> 00:05:54,360 on the show, although ironically not talking about music but 78 00:05:54,439 --> 00:05:56,839 talking about other subjects. So you was on a long 79 00:05:56,879 --> 00:05:59,879 time ago. But Caleb, Yeah, yeah, Caleb Dier. 80 00:06:00,079 --> 00:06:04,480 Speaker 4: He is my probably my main producer, co producer because 81 00:06:04,480 --> 00:06:06,759 we both work on the stuff together, been in a 82 00:06:06,800 --> 00:06:10,360 few bands together over the years. I hooked up with 83 00:06:11,000 --> 00:06:13,399 Tree Street's Inc. Is the studio that we work out of, 84 00:06:14,000 --> 00:06:17,480 executive producers Dave Patterson, who makes all this happen for us, 85 00:06:18,399 --> 00:06:21,240 and me and Caleb hooked up years ago. We were 86 00:06:21,240 --> 00:06:23,399 in the Jes Solsen band together, and then we were 87 00:06:23,399 --> 00:06:26,560 in a short lived band called Stay in the End. 88 00:06:26,639 --> 00:06:29,879 And you know, both of us are just working working 89 00:06:29,959 --> 00:06:33,079 on the studio together, and we did a bunch of tracks. 90 00:06:33,160 --> 00:06:35,360 The track that we're about We're Gonna play later is 91 00:06:35,399 --> 00:06:38,120 actually a song that's been three years in the making. 92 00:06:38,199 --> 00:06:41,040 We recorded tracks years ago and it kind of gave 93 00:06:41,079 --> 00:06:43,839 some rebirth to it. So yeah, he's kind of like 94 00:06:44,000 --> 00:06:47,120 been my partner throughout this whole thing. It's definitely the 95 00:06:47,160 --> 00:06:48,839 EP is going to be a solo release, but it 96 00:06:48,879 --> 00:06:50,279 definitely takes a village, you know. 97 00:06:50,360 --> 00:06:52,279 Speaker 6: Right right, Yeah, no doubt, no doubt. 98 00:06:54,199 --> 00:06:57,040 Speaker 5: So where do you record like you record at his 99 00:06:57,439 --> 00:06:58,879 studio or where do you record? 100 00:06:59,120 --> 00:07:03,360 Speaker 4: So the studio is operated own and operated by Dave Patterson. 101 00:07:03,399 --> 00:07:07,360 It's called Tree Streets. It's on Vine Street in Nashua. 102 00:07:08,720 --> 00:07:11,600 And the things that Dave has done with this place, 103 00:07:11,680 --> 00:07:14,160 it's a it's a full studio and a rehearsal space 104 00:07:14,199 --> 00:07:18,319 for other bands, similar to what Terminus Underground does. It's 105 00:07:18,399 --> 00:07:21,279 kind of a place where we can get in and 106 00:07:20,600 --> 00:07:24,600 uh not break the bank to record and and and 107 00:07:24,800 --> 00:07:27,639 put together some really great tracks. There's so much talent. 108 00:07:27,759 --> 00:07:34,279 Dave as an engineer, Caleb as engineer, musician you know, 109 00:07:34,800 --> 00:07:37,480 and producer as well. So the three of us have 110 00:07:37,519 --> 00:07:40,800 been working closely together for years, about four or five 111 00:07:40,879 --> 00:07:44,560 years now. So it's full studio at the sound booth, 112 00:07:44,600 --> 00:07:46,600 you know everything. It's not much to look at on 113 00:07:46,639 --> 00:07:49,959 the outside, but when you go in anytime somebody new 114 00:07:50,000 --> 00:07:50,839 comes down, they're. 115 00:07:50,680 --> 00:07:52,399 Speaker 2: Like, wow, this place is great. 116 00:07:52,560 --> 00:07:55,120 Speaker 4: Yeah, you know we have and there's a number of 117 00:07:55,120 --> 00:07:58,120 bands that you know, rent space in there and stuff too. 118 00:07:59,000 --> 00:08:02,560 It's not so much as a performance as as like 119 00:08:02,680 --> 00:08:05,920 kind of a studio the studio side of local music. 120 00:08:06,160 --> 00:08:09,240 Speaker 5: Okay, okay, very cool. And so how did your Are 121 00:08:09,279 --> 00:08:10,000 you from Nashua? 122 00:08:10,120 --> 00:08:11,360 Speaker 4: Is that I'm from Nasha you're from? 123 00:08:12,399 --> 00:08:15,160 Speaker 5: Is that how your your association with Eleanor and Andre 124 00:08:15,240 --> 00:08:17,439 from Terminus in New Hampshire Underground came about. 125 00:08:17,600 --> 00:08:22,439 Speaker 4: Yeah, Eleanor hit me up. I think that I forget 126 00:08:22,480 --> 00:08:25,199 exactly what happened. I think they had a cancelation or 127 00:08:25,959 --> 00:08:28,480 they just heard about me. But there was a show 128 00:08:28,720 --> 00:08:31,800 last fourth of July. It was a veterans benefit and 129 00:08:32,039 --> 00:08:33,559 they asked me if i'd like to go do it, 130 00:08:33,639 --> 00:08:36,399 and yeah, yeah, we met, we hit it off, and 131 00:08:36,440 --> 00:08:38,639 then they asked me to come play at Terminus. And 132 00:08:39,039 --> 00:08:41,559 I've been down there a few times. Great great place, 133 00:08:41,759 --> 00:08:45,279 you know, great, great place for local musicians and artists. 134 00:08:45,320 --> 00:08:45,919 Speaker 6: I met. 135 00:08:47,600 --> 00:08:50,919 Speaker 4: The person who's doing all my photography down there, crafty k. 136 00:08:51,200 --> 00:08:54,039 She's she's I met her at Terminus too, and okay, 137 00:08:54,080 --> 00:08:57,039 you know, so it's it's and what we're trying to 138 00:08:57,039 --> 00:09:00,519 do at Tree Streets is like the student udeo side 139 00:09:00,559 --> 00:09:03,000 of showcasing what they're what they're doing in Nashvilla. So 140 00:09:03,039 --> 00:09:05,279 it's really it's it's, uh, I really love those guys. 141 00:09:05,320 --> 00:09:07,639 They're really awesome. Yeah, yeah, and I'll be playing down 142 00:09:07,639 --> 00:09:08,879 there on the seventh of June. 143 00:09:08,960 --> 00:09:10,279 Speaker 6: Oh, excellent, excellent. 144 00:09:12,080 --> 00:09:14,360 Speaker 5: Yeah, we so when we went to that so, yeah, 145 00:09:14,360 --> 00:09:15,799 that was the first time Jenny and I had seen 146 00:09:15,840 --> 00:09:18,240 you and uh Quincy Lord who had just been on 147 00:09:18,279 --> 00:09:22,039 the show. I think uh might have been on that morning, no, 148 00:09:22,159 --> 00:09:22,679 or maybe. 149 00:09:22,480 --> 00:09:24,759 Speaker 4: It was Definitely it was weird because I checked you 150 00:09:24,840 --> 00:09:27,440 out right after we booked the show and Quincy had 151 00:09:27,440 --> 00:09:29,720 been on because I just had just met Quincy that 152 00:09:29,759 --> 00:09:30,159 night as well. 153 00:09:30,279 --> 00:09:32,039 Speaker 6: Yeah. Yeah, he's amazing, He's great. 154 00:09:32,279 --> 00:09:34,279 Speaker 5: The thing that I tell everybody about Terminus is the 155 00:09:34,279 --> 00:09:35,919 first time you walk into it, it's like it's like 156 00:09:35,960 --> 00:09:38,960 walking into another world. It's like, uh, you know what 157 00:09:39,000 --> 00:09:41,679 I mean, It's so unique and so interesting. 158 00:09:41,840 --> 00:09:43,960 Speaker 4: Yeah, and you get there and you know, you look 159 00:09:44,000 --> 00:09:45,799 and you're like, am I in the right spot? 160 00:09:46,000 --> 00:09:46,799 Speaker 6: Yeah? 161 00:09:46,919 --> 00:09:49,759 Speaker 5: And they do a great job with the sound there too, fantastic, Yeah, 162 00:09:49,799 --> 00:09:52,759 Andre And I think Katie is that her name, the 163 00:09:53,120 --> 00:09:56,279 sound engineer who's there a lot too. I think it's 164 00:09:56,320 --> 00:09:57,799 not really sure, I think it's I think I think 165 00:09:57,799 --> 00:10:00,440 it's Katie. Yeah, they do it, They do it great job, 166 00:10:00,480 --> 00:10:02,039 and they get a they get a great sound out 167 00:10:02,080 --> 00:10:03,519 of the place, no doubt, no doubt. 168 00:10:03,559 --> 00:10:05,000 Speaker 6: Absolutely, Yeah, And we need. 169 00:10:05,039 --> 00:10:06,879 Speaker 5: You know, we need as many places like that as 170 00:10:06,919 --> 00:10:10,720 possible that are really into supporting local music and also 171 00:10:11,159 --> 00:10:14,279 you know, being able to have national acts that come through, 172 00:10:14,360 --> 00:10:16,600 like Jenny was able to work with Eleanor to book 173 00:10:16,600 --> 00:10:17,440 Green Jello there. 174 00:10:17,519 --> 00:10:20,720 Speaker 4: Yeah, I missed that show. I was working that night, 175 00:10:21,200 --> 00:10:24,200 but my buddy went to that show and brought me 176 00:10:24,240 --> 00:10:27,120 an autographed shirt from from the bands, because you know, 177 00:10:27,159 --> 00:10:28,799 I remember those guys from when I was a kid. 178 00:10:28,879 --> 00:10:31,639 Speaker 5: Oh yeah, yeah, absolutely absolutely. 179 00:10:32,279 --> 00:10:33,080 Speaker 4: Do you play out a lot? 180 00:10:33,120 --> 00:10:34,320 Speaker 5: Do you play a lot of live shows? 181 00:10:34,360 --> 00:10:36,960 Speaker 4: I was, I was doing a lot of shows. I've 182 00:10:36,960 --> 00:10:39,519 pretty much been laser focused in the studio right now. 183 00:10:41,080 --> 00:10:43,080 Throughout the last few years, I've been trying to put 184 00:10:43,080 --> 00:10:46,759 together a number of different projects and uh the you know, 185 00:10:46,799 --> 00:10:49,919 I work with different bands and and different artists and 186 00:10:50,000 --> 00:10:53,559 amazing artists that that actually appear on the upcoming EP. 187 00:10:53,879 --> 00:10:58,480 Oh cool, Yeah, absolutely, but it at the beginning of 188 00:10:58,480 --> 00:11:02,039 this year, I decided that I had so much material 189 00:11:02,120 --> 00:11:04,399 that we've just compiled over the last couple of years, 190 00:11:04,399 --> 00:11:06,360 and I have all these new songs that I wanted 191 00:11:06,360 --> 00:11:09,559 to do, So I was like, all right, I'm going 192 00:11:09,600 --> 00:11:13,399 to try to do this ground up. I've never promoted 193 00:11:13,440 --> 00:11:17,240 myself as a solo artist before, and so I put, 194 00:11:17,399 --> 00:11:20,639 I mean, there's a song that's coming out that's a duet, 195 00:11:20,799 --> 00:11:23,080 you know, and the one that we're going to play later, 196 00:11:23,120 --> 00:11:27,120 Dear Baby Jean has some amazing, amazing musicians on it, 197 00:11:27,799 --> 00:11:31,039 and yeah, so I was just like, you know what, 198 00:11:31,080 --> 00:11:33,559 I'm going to promote it as a solo thing. I'm 199 00:11:33,559 --> 00:11:35,759 doing all the online stuff that you're supposed to do, 200 00:11:35,799 --> 00:11:40,200 which is extremely tedious. Yes, the music industry has changed 201 00:11:40,679 --> 00:11:43,360 the way that artists get themselves out there, but I 202 00:11:43,399 --> 00:11:45,919 can tell you that I never thought I'd be on 203 00:11:45,960 --> 00:11:52,159 TikTok as much as I have with this single. But 204 00:11:52,159 --> 00:11:56,600 but yeah, so I am booking through the summer and 205 00:11:57,879 --> 00:12:00,679 you know, and going forwards, and I'm going to be 206 00:12:00,720 --> 00:12:04,120 promoting it as a solo thing. The show I'm doing 207 00:12:04,159 --> 00:12:06,279 it Terminus, I have a couple of great players that 208 00:12:06,320 --> 00:12:08,159 are going to be playing with me. And then I'm 209 00:12:08,200 --> 00:12:13,679 playing a gig at the end of June the Sorry 210 00:12:13,720 --> 00:12:17,320 it's the summer kickoff at the Auburn Pits June twenty second. 211 00:12:17,799 --> 00:12:20,879 Faith and Band is going to be the liner. Nice 212 00:12:21,200 --> 00:12:25,200 and you know other bit tumble Toes, Glitter, Tooth and 213 00:12:25,279 --> 00:12:26,840 the Whole Loaf are also going to be playing. I'm 214 00:12:26,840 --> 00:12:28,320 gonna be opening the show, and I got some great 215 00:12:28,360 --> 00:12:30,200 musicians playing that one with me too. 216 00:12:30,039 --> 00:12:31,240 Speaker 6: So standing yeah. 217 00:12:31,320 --> 00:12:34,080 Speaker 4: Yeah, But that's all I have for the live stuff 218 00:12:34,120 --> 00:12:36,960 coming up right now. It's going to be laser focused 219 00:12:37,159 --> 00:12:40,240 on studio getting the EP out. That way, I have 220 00:12:40,279 --> 00:12:41,960 something to promote when I really do get out there 221 00:12:41,960 --> 00:12:42,519 and start. 222 00:12:42,279 --> 00:12:44,679 Speaker 5: Gigging exactly and when is the EP coming out? 223 00:12:45,960 --> 00:12:46,720 Speaker 2: The goal? 224 00:12:47,279 --> 00:12:48,720 Speaker 4: The goal is June tenth. 225 00:12:48,799 --> 00:12:48,960 Speaker 6: Ok. 226 00:12:49,480 --> 00:12:54,159 Speaker 4: We're dropping the next single on May first, and June tenth. 227 00:12:54,279 --> 00:12:58,159 I just there's some finishing touches, you know, different musicians 228 00:12:58,159 --> 00:12:59,759 are supposed to be coming in and doing a couple 229 00:12:59,759 --> 00:13:02,159 of things for the last song, So wow, I'm hoping 230 00:13:02,200 --> 00:13:04,480 to get it all done by then, but uh, it'll 231 00:13:04,519 --> 00:13:06,879 be five songs and then after that there'll be a 232 00:13:06,919 --> 00:13:09,720 full length. And don't ask me a date on that one. 233 00:13:09,759 --> 00:13:11,840 Speaker 5: Oh okay, so you're already planning a full length. 234 00:13:11,879 --> 00:13:14,320 Speaker 4: I am planning the full length, but it's I really 235 00:13:14,360 --> 00:13:17,799 want to see that stay anywhere. When I released it, 236 00:13:18,200 --> 00:13:20,320 you know, I did a ton of research on on 237 00:13:20,440 --> 00:13:23,559 how to promote and and what people are doing now 238 00:13:23,600 --> 00:13:26,200 to get heard and I'm getting I'm getting some views 239 00:13:26,240 --> 00:13:30,000 and I'm getting some some some positivity coming back from it. 240 00:13:30,120 --> 00:13:33,320 But I really like it's almost like I'm working through 241 00:13:33,320 --> 00:13:36,559 the kinks on this one as I prepare to really 242 00:13:36,600 --> 00:13:38,240 push the next five songs. 243 00:13:38,399 --> 00:13:41,519 Speaker 5: Okay, okay, no that makes sense. Yeah, Uh do you 244 00:13:41,559 --> 00:13:43,639 want to play I'm down here? You play live? I 245 00:13:43,720 --> 00:13:47,279 know Jenny is too on the audience shore Yeah, uh 246 00:13:48,200 --> 00:13:50,399 what yeah, I'll let you go ahead and grab your 247 00:13:50,399 --> 00:13:53,440 guitar and then while Jesse's doing that. Uh, if you 248 00:13:53,480 --> 00:13:56,399 are listening live, of course, we have Jesse Rutstein here 249 00:13:56,440 --> 00:13:59,919 with us live in studio on this snowy SAT. 250 00:14:00,320 --> 00:14:00,600 Speaker 6: Morning. 251 00:14:00,639 --> 00:14:03,440 Speaker 5: We were very surprised to wake up to uh a 252 00:14:03,440 --> 00:14:05,279 lot of snow on the ground and it was still 253 00:14:05,279 --> 00:14:07,799 coming down and the roads were messy and uh, just 254 00:14:08,159 --> 00:14:10,399 right back to winter. But uh, let's see. Let me 255 00:14:10,799 --> 00:14:14,759 turn that uphold. Oh that sounds nice in the headphones. 256 00:14:15,720 --> 00:14:22,320 That sounds nice. Yeah, that sounds really good. What what 257 00:14:22,320 --> 00:14:23,240 are you gonna play for us? 258 00:14:23,799 --> 00:14:25,559 Speaker 4: There's a song called Superhero Toys. 259 00:14:25,840 --> 00:14:26,279 Speaker 6: Okay. 260 00:14:27,279 --> 00:14:32,279 Speaker 4: I have four amazing, amazing children, Gia, Junior, Jackson. 261 00:14:31,919 --> 00:14:33,360 Speaker 6: And Reenie. 262 00:14:33,399 --> 00:14:35,799 Speaker 4: Her name is Maureen, but we call her Reenie. Oh okay, 263 00:14:36,399 --> 00:14:38,200 this is a song I wrote a long time ago 264 00:14:38,240 --> 00:14:40,480 when I found out I was having my second son. 265 00:14:41,159 --> 00:14:44,559 And it's a song about my my first son, and 266 00:14:44,399 --> 00:14:47,639 and like, how nerve racking it is to find out 267 00:14:47,679 --> 00:14:50,320 you're having a boy, and all the thoughts that go 268 00:14:50,399 --> 00:14:51,919 through your mind. I have to raise a man. You 269 00:14:51,919 --> 00:14:53,639 gotta teach him respect, You got to teach him to 270 00:14:53,720 --> 00:14:56,679 be good, and you know, and and so the first 271 00:14:56,759 --> 00:14:58,759 verse is about that, and then the rest of the 272 00:14:58,799 --> 00:15:01,519 song is about how great he is. And then his 273 00:15:01,519 --> 00:15:03,879 his brother, Jackson was born. How great of a big 274 00:15:03,919 --> 00:15:07,720 brother and uh wow. So it's like yeah, and yeah, 275 00:15:07,720 --> 00:15:09,759 I'm really proud of all my all my babies. 276 00:15:10,000 --> 00:15:11,679 Speaker 6: All right, very good? And what's it called again? 277 00:15:11,879 --> 00:15:13,200 Speaker 4: It's called superhero toys. 278 00:15:13,240 --> 00:15:14,840 Speaker 6: Superhero toys? All right? 279 00:15:25,840 --> 00:15:30,000 Speaker 7: My mad loss and these tears are of joy. 280 00:15:30,320 --> 00:15:34,080 Speaker 2: When she looked up to me and said, this one's 281 00:15:34,200 --> 00:15:38,200 a boy. Kind of funny. How to fear and the. 282 00:15:38,240 --> 00:15:42,919 Speaker 8: Love of a son, stop you to think of the 283 00:15:43,039 --> 00:15:47,320 things you have done, because I want him to be strong, 284 00:15:47,440 --> 00:15:52,679 but be sweet to his mother, a moliot, brave with 285 00:15:53,000 --> 00:15:57,200 no fear of another. And don't want him to love 286 00:15:57,320 --> 00:16:01,840 me as much as he can, because it's my job 287 00:16:01,960 --> 00:16:02,759 to make. 288 00:16:02,960 --> 00:16:03,960 Speaker 2: Him live. 289 00:16:07,639 --> 00:16:11,440 Speaker 9: Him Sue, is you my angel? But this one's for 290 00:16:11,799 --> 00:16:15,960 the boys. To the truck say and the trains and the. 291 00:16:16,000 --> 00:16:21,120 Speaker 8: Superhero choice to fish in and wishing we could stay 292 00:16:21,200 --> 00:16:22,679 up farm night. 293 00:16:22,639 --> 00:16:24,279 Speaker 2: Until mom comes. 294 00:16:24,639 --> 00:16:30,679 Speaker 8: Turns out Life, he said, don't worry, boys. 295 00:16:30,480 --> 00:16:33,799 Speaker 1: It's all gonna be all ride. 296 00:16:43,080 --> 00:16:47,639 Speaker 2: He gets the shot, and then his sister gets away 297 00:16:48,039 --> 00:16:49,759 with ball than he does. 298 00:16:49,919 --> 00:16:54,440 Speaker 8: When she looks in me that way, he said, Hey, Dad, 299 00:16:55,000 --> 00:16:58,639 why can't I get what I want? I said, you 300 00:16:58,759 --> 00:17:02,519 know better, son, So let's have some furs. 301 00:17:05,079 --> 00:17:08,799 Speaker 9: And so here's to my angel. But this one's for 302 00:17:09,160 --> 00:17:12,960 the boys. To the truck say on the trains and. 303 00:17:13,039 --> 00:17:18,400 Speaker 8: The superhero choice to fishing and wishing we could stay 304 00:17:18,519 --> 00:17:21,519 up all night until mom comes. 305 00:17:21,880 --> 00:17:23,759 Speaker 2: Turns out Life. 306 00:17:25,079 --> 00:17:33,720 Speaker 1: Said, don't worry boys, it's all gonna be all ride. 307 00:17:35,039 --> 00:17:39,640 And I can't believe how much you have grown. 308 00:17:40,079 --> 00:17:41,279 Speaker 2: I'm proud of. 309 00:17:41,160 --> 00:17:45,559 Speaker 8: You, Soning, And I hope that you know there's another 310 00:17:45,839 --> 00:17:46,839 boy coming. 311 00:17:47,519 --> 00:17:50,759 Speaker 2: I hope that she can help me. 312 00:17:51,000 --> 00:18:01,559 Speaker 10: To make hill men long mad loss again. Ortis a joy. 313 00:18:02,240 --> 00:18:06,640 Speaker 8: She looked up at me and said, it's another boy, 314 00:18:07,240 --> 00:18:10,559 and I know that you'll love him as much as 315 00:18:10,720 --> 00:18:13,920 you can, because it's my job to. 316 00:18:13,759 --> 00:18:20,119 Speaker 2: Make him man. It's a job to make him man. 317 00:18:23,960 --> 00:18:26,440 Speaker 7: And so here's to my angel. 318 00:18:26,759 --> 00:18:28,680 Speaker 2: But this one's for the boys. 319 00:18:29,119 --> 00:18:33,880 Speaker 8: To the truck say on the trains and the Superhero Toys, 320 00:18:34,200 --> 00:18:37,680 to fishing inn and wishing we could stay up bar 321 00:18:38,079 --> 00:18:42,200 night until mom comes and turns out the life. 322 00:18:43,680 --> 00:18:47,119 Speaker 7: Let's see it. Don't worry, boys, it's. 323 00:18:47,119 --> 00:18:49,799 Speaker 2: All gonna be all right. 324 00:18:53,759 --> 00:19:03,440 Speaker 5: Oh that is beautiful. 325 00:19:03,799 --> 00:19:06,000 Speaker 4: That is beautiful, Thank you, thank you very much. 326 00:19:07,000 --> 00:19:11,519 Speaker 5: That is Superhero Toys, performed live by Jesse Rudstein here 327 00:19:11,920 --> 00:19:15,759 in studio on this snowy Saturday morning. Matt connorton unleased. 328 00:19:15,759 --> 00:19:18,039 We are live from the studios of w m n 329 00:19:18,200 --> 00:19:21,440 H ninety five point three FM. And uh, let's see 330 00:19:21,519 --> 00:19:23,960 uh my art by KF in the chat room, says 331 00:19:24,039 --> 00:19:24,720 Rocket Jesse. 332 00:19:26,279 --> 00:19:29,079 Speaker 4: That is uh that she did all of all the 333 00:19:29,079 --> 00:19:32,160 photography for the album. Oh that's who did the Okay, Yeah, 334 00:19:32,160 --> 00:19:33,759 she's really great, outstanding. 335 00:19:34,519 --> 00:19:37,279 Speaker 6: Yeah, absolutely very cool, very cool. 336 00:19:38,079 --> 00:19:40,720 Speaker 5: I'm curious about, like, how did you learn to sing? 337 00:19:40,720 --> 00:19:42,759 Because you've got a certain there's a rawness to your 338 00:19:42,839 --> 00:19:44,640 voice that I really like that I think, and I 339 00:19:44,680 --> 00:19:47,720 think it works perfectly with your material, Like did you 340 00:19:47,759 --> 00:19:48,440 ever take lessons? 341 00:19:48,480 --> 00:19:51,519 Speaker 4: Are you self taught? Or the only lessons I ever 342 00:19:51,559 --> 00:19:56,880 took were on drums? The singing. The singing has it's 343 00:19:56,920 --> 00:19:58,559 been you know, I thought I could sing for a 344 00:19:58,599 --> 00:20:00,960 long time, and then I started record and I was like, wow, 345 00:20:01,039 --> 00:20:04,519 I really need to work on this. Yeah, for sure, 346 00:20:04,680 --> 00:20:08,000 it's it's uh so. My my influences are everything from 347 00:20:08,160 --> 00:20:12,359 BB King to Michael Jackson to Metallica, you know, I mean, 348 00:20:12,599 --> 00:20:16,480 and but and the Beatles and everything in between. And 349 00:20:16,480 --> 00:20:20,680 and I had I found out early on that a 350 00:20:20,680 --> 00:20:22,680 little bit of rasp can hide the fact that I 351 00:20:22,720 --> 00:20:26,680 don't know a lot of notes. I used to play 352 00:20:26,680 --> 00:20:28,759 the blues a lot. That's how I really learned how 353 00:20:28,759 --> 00:20:32,200 to play, me and my friends just in high school, 354 00:20:32,920 --> 00:20:35,279 and I played a lot of blues, and then the 355 00:20:35,319 --> 00:20:38,519 classic rock with classic rock, which I guess is now oldies. 356 00:20:39,279 --> 00:20:44,519 But yeah, I always really liked the raspy kind of voice. Yeah, 357 00:20:44,599 --> 00:20:47,559 ken hits, you know. I and through the years, through 358 00:20:47,799 --> 00:20:50,960 you know, recording and listening back, and I always joke 359 00:20:51,079 --> 00:20:53,240 like I hate my voice, you know, because I listened 360 00:20:53,279 --> 00:20:56,960 to it more than anybody else studio and whatnot. But yeah, 361 00:20:56,960 --> 00:20:59,359 I definitely. Of course I appreciate it, and it's uh, 362 00:20:59,480 --> 00:21:01,720 I definitely don't want to say it's years of practice 363 00:21:01,759 --> 00:21:06,440 and lots of smoking, but but yeah, so I I 364 00:21:07,240 --> 00:21:08,799 you know, it took me a while to kind of 365 00:21:08,839 --> 00:21:11,920 like be like, all right, this is my my thing, 366 00:21:11,960 --> 00:21:13,039 this is my voice. 367 00:21:13,079 --> 00:21:13,240 Speaker 6: You know. 368 00:21:13,319 --> 00:21:16,160 Speaker 4: I have friends and bands back in the day who 369 00:21:16,160 --> 00:21:18,000 are like, why are you always doing the raspy thing? 370 00:21:18,039 --> 00:21:20,839 Like you have a really nice clear voice too, and 371 00:21:21,240 --> 00:21:24,759 that does that does come through on the record, Okay, 372 00:21:24,880 --> 00:21:28,079 you know, but yeah, I try to be as diverse 373 00:21:28,119 --> 00:21:31,799 as possible because my influences range. They're just all over 374 00:21:31,839 --> 00:21:33,960 the road. Yeah, so you know, I'm trying to put 375 00:21:34,400 --> 00:21:36,839 you know, there's that one which is the sweet song, 376 00:21:36,960 --> 00:21:38,640 and then the one you played, which is kind of 377 00:21:38,680 --> 00:21:42,559 like the outlaw acoustic. Yeah, and then Dear Baby Jeane 378 00:21:42,680 --> 00:21:47,079 is like a hard rock and tune with amazing guitar 379 00:21:47,160 --> 00:21:52,200 work done by Peter Davis and who's a great local 380 00:21:52,279 --> 00:21:54,920 musician as well. So yeah, I'm trying to like bring 381 00:21:54,960 --> 00:21:57,119 a little bit of everything. But the one thing that 382 00:21:57,240 --> 00:21:59,960 does hold it all together, I at least in my opinion, 383 00:22:00,079 --> 00:22:03,640 and is the voice. Okay, you know, yeah, I'm trying 384 00:22:03,680 --> 00:22:07,400 to put ham and B three organs on one and 385 00:22:07,440 --> 00:22:09,640 then we have a shaker on the other one. It's 386 00:22:09,720 --> 00:22:13,599 just acoustic, you know. So it's like it's it's uh, 387 00:22:13,839 --> 00:22:16,480 what holds it together? Is that familiar voice. 388 00:22:16,680 --> 00:22:19,599 Speaker 5: When you sing with with that rasp. Is that something 389 00:22:19,680 --> 00:22:22,039 you do consciously or does that just happen? Because you 390 00:22:22,079 --> 00:22:25,000 mentioned too, you do also sing on some tracks with 391 00:22:25,039 --> 00:22:25,920 a cleaner voice. 392 00:22:27,039 --> 00:22:29,440 Speaker 4: Yeah, I mean, I I control it the best I 393 00:22:29,480 --> 00:22:32,119 can do it. I do it on purpose because I 394 00:22:32,119 --> 00:22:34,400 can hit you know, lovely notes too. 395 00:22:34,640 --> 00:22:34,839 Speaker 6: Yeah. 396 00:22:34,880 --> 00:22:37,880 Speaker 4: Yeah, especially when I'm doing the acoustic gigs, you got 397 00:22:37,920 --> 00:22:41,160 to kind of do that. But yeah, it just it 398 00:22:41,359 --> 00:22:44,160 just it comes naturally to me. And yeah, it's like 399 00:22:44,200 --> 00:22:46,920 a guitarist learning how to control his feedback, you know. Yeah, 400 00:22:47,359 --> 00:22:49,640 you know, sometimes it's cool. Sometimes it's like you just 401 00:22:49,680 --> 00:22:51,519 turn it down right right. 402 00:22:52,799 --> 00:22:53,000 Speaker 6: Now. 403 00:22:53,519 --> 00:22:55,680 Speaker 5: You mentioned so you used to play in a band. Actually, 404 00:22:55,720 --> 00:22:57,359 you mentioned you played in a band with Caleb. 405 00:22:57,759 --> 00:22:59,720 Speaker 4: I played in a couple of bands with Calebs We 406 00:22:59,839 --> 00:23:04,160 met I believe around two thousand, two thousand and one 407 00:23:05,759 --> 00:23:08,720 with the jess Olsen band. Jess Olsen's another amazing music 408 00:23:09,039 --> 00:23:13,359 musician from the area. She's Jessica Songbird is probably how 409 00:23:13,839 --> 00:23:14,799 anybody would know her. 410 00:23:15,240 --> 00:23:18,079 Speaker 5: Oh yeah, she's really great. I think I interviewed Jess 411 00:23:18,079 --> 00:23:18,799 Olson once. 412 00:23:18,960 --> 00:23:20,839 Speaker 4: I wouldn't doubt it, Yeah, I wouldn't. 413 00:23:20,839 --> 00:23:22,599 Speaker 5: It becomes a blurb, but I think a long time 414 00:23:22,599 --> 00:23:24,880 ago I interviewed jess Olson. That's very familiar. 415 00:23:25,000 --> 00:23:29,200 Speaker 4: That surprises me because she's really really memorable. But she's yeah, 416 00:23:29,240 --> 00:23:31,720 she's awesome. And the band just kind of went separate 417 00:23:31,759 --> 00:23:34,799 ways me and me and Jess had different ideas of 418 00:23:35,480 --> 00:23:37,880 what we were going to do with the music going 419 00:23:37,920 --> 00:23:40,400 forward after being together for a couple of years. And 420 00:23:41,960 --> 00:23:45,119 when the band split, the guys that were, you know, 421 00:23:45,680 --> 00:23:48,240 Alec Philip Brown was our bass player and Seth Sedars, 422 00:23:48,240 --> 00:23:51,720 who appears on some tracks on the record as well, 423 00:23:52,640 --> 00:23:54,759 played drums, and we were like, hey, you want to 424 00:23:54,799 --> 00:23:58,599 just keep jamming and doing some rock stuff. I was like, well, 425 00:23:58,640 --> 00:23:59,880 are we going to find a new singer? 426 00:24:00,119 --> 00:24:00,240 Speaker 6: You know? 427 00:24:00,279 --> 00:24:02,200 Speaker 4: And they're like, why don't you just sing? So we 428 00:24:02,279 --> 00:24:05,279 did a few gigs and recorded some really really wonderful 429 00:24:05,359 --> 00:24:09,920 music as a group, and that was about two or 430 00:24:10,000 --> 00:24:13,880 three years ago, and now here we are where some 431 00:24:14,200 --> 00:24:15,720 of those songs that I thought that I was just 432 00:24:15,720 --> 00:24:18,559 gonna scrap because that been you know, people have schedule, 433 00:24:18,960 --> 00:24:22,640 different goals and whatnot. And when that ended, I thought, 434 00:24:22,759 --> 00:24:24,920 oh well, I lost a couple of tunes here. But 435 00:24:25,920 --> 00:24:29,119 I ended up, you know, going back in and putting 436 00:24:29,160 --> 00:24:33,759 some stuff together. And you know, this one song called 437 00:24:33,799 --> 00:24:37,319 on Your Toes, which originally was a song about a 438 00:24:37,359 --> 00:24:42,319 girl and I just for whatever reason, I'm not going 439 00:24:42,400 --> 00:24:46,519 to be playing that song anymore. But the drums were 440 00:24:46,559 --> 00:24:49,119 just so good in it. And On Your Toes was 441 00:24:49,160 --> 00:24:51,400 a song that I wrote years and years ago about 442 00:24:51,480 --> 00:24:54,920 my daughter, who's an amazing dancer, and it's a song 443 00:24:54,960 --> 00:24:58,880 about her doing getting up on toe shoes when she 444 00:24:59,039 --> 00:25:01,039 was in ballet for the first time. And there's a 445 00:25:01,039 --> 00:25:03,559 really nice song. But I was like, wow, those drums 446 00:25:03,559 --> 00:25:05,400 are gonna work really cool. So I went in and 447 00:25:05,519 --> 00:25:07,599 cut up. I told Seth. I was like, I'm gonna 448 00:25:07,599 --> 00:25:09,200 be cutting up your drum track, but I'm gonna be 449 00:25:09,240 --> 00:25:09,559 using it. 450 00:25:09,680 --> 00:25:10,000 Speaker 6: Yeah. 451 00:25:10,000 --> 00:25:11,960 Speaker 4: So he hasn't even heard his drum track yet. 452 00:25:12,000 --> 00:25:13,839 Speaker 6: Oh yeah, it's cool. That one. 453 00:25:13,880 --> 00:25:16,000 Speaker 4: I can't wait. I'll be playing that one for you 454 00:25:16,079 --> 00:25:18,640 today too. Okay, that one I can't wait to release 455 00:25:18,640 --> 00:25:20,640 because that's a really cool tune. Yeah, I have some 456 00:25:20,720 --> 00:25:21,680 saxophone on it. 457 00:25:21,799 --> 00:25:22,480 Speaker 6: Oh, very cool. 458 00:25:22,559 --> 00:25:24,799 Speaker 4: Yeah, yeah, the forgotten rock and roll instrument. 459 00:25:25,000 --> 00:25:26,160 Speaker 6: Yeah. 460 00:25:26,200 --> 00:25:28,000 Speaker 5: What was it that brought you after playing in bands? 461 00:25:28,000 --> 00:25:29,519 What was it that brought you to wanting to do 462 00:25:29,559 --> 00:25:32,279 a solo thing but where you're still obviously collaborating with 463 00:25:32,319 --> 00:25:33,119 a lot of musicians. 464 00:25:35,000 --> 00:25:37,200 Speaker 4: Well, Number one, I've never done it before. Yeah, It's 465 00:25:37,200 --> 00:25:41,799 always been a dream of mine. But I find that, like, 466 00:25:41,960 --> 00:25:45,480 especially in this area, it's really really tough to get 467 00:25:45,480 --> 00:25:49,559 out there and promote original music. And if I'm gonna 468 00:25:49,559 --> 00:25:52,359 start a band, nine times out of ten, you're gonna 469 00:25:52,359 --> 00:25:54,519 be playing three hour cover gigs. Not that I have 470 00:25:54,680 --> 00:25:57,240 anything against that, and not to think anything's wrong with that. 471 00:25:57,640 --> 00:26:00,559 There are some freaking workhorses in this town. Oh yeah, 472 00:26:00,599 --> 00:26:03,680 in the area who are out there every night killing it, 473 00:26:03,759 --> 00:26:10,079 bringing live music to the area. It's just I want 474 00:26:10,119 --> 00:26:12,079 to do my thing. I want to get on some 475 00:26:12,160 --> 00:26:15,799 bills that are promoting original music, and I realize in 476 00:26:15,880 --> 00:26:18,000 order to do that, I'm going to have to have 477 00:26:18,039 --> 00:26:21,640 that original music available. So I kind of instead of 478 00:26:22,039 --> 00:26:25,839 playing in bands that will be funded by playing three 479 00:26:25,880 --> 00:26:28,720 hour nights at a bar, I'm going to go the 480 00:26:28,759 --> 00:26:31,240 other route and try to promote this first and then 481 00:26:31,319 --> 00:26:34,079 get out there and get some opening slots for some 482 00:26:34,119 --> 00:26:35,559 bigger bands and some kind of thing. 483 00:26:36,160 --> 00:26:37,039 Speaker 6: At least that's the goal. 484 00:26:37,160 --> 00:26:39,599 Speaker 5: Yeah, no, I think that makes a lot of sense. Yeah, yeah, 485 00:26:39,640 --> 00:26:40,680 Well do you want to play that song? 486 00:26:40,680 --> 00:26:43,319 Speaker 6: You're just talking about it. I'd love to hear another one. 487 00:26:43,319 --> 00:26:45,799 Speaker 5: And if you are listening live, if you're just joining us, 488 00:26:46,039 --> 00:26:48,720 Jesse Rutstein, it is here with us live in studio 489 00:26:48,880 --> 00:26:52,880 on this Saturday morning here and sounding amazing. 490 00:26:54,039 --> 00:26:54,640 Speaker 6: So that one. 491 00:26:54,839 --> 00:26:56,759 Speaker 4: The last one I played was about my son. This 492 00:26:56,799 --> 00:27:00,799 is about my daughter. Don't know if you know anything 493 00:27:00,799 --> 00:27:03,240 about dance, but I was a dance dad. And okay, 494 00:27:03,559 --> 00:27:06,240 when when a kid gets company, it's like being one 495 00:27:06,279 --> 00:27:07,000 of the all stars. 496 00:27:07,079 --> 00:27:08,480 Speaker 6: Oh okay, got she. 497 00:27:08,200 --> 00:27:12,720 Speaker 4: She became a company dancer, and uh, this is about 498 00:27:12,720 --> 00:27:14,200 the first time I saw it, because it takes a 499 00:27:14,200 --> 00:27:16,160 couple of years to get up on those toe shoes. 500 00:27:16,200 --> 00:27:18,640 And you know when you picture a ballerina like like 501 00:27:18,680 --> 00:27:21,640 a music box or something and they're on that toe 502 00:27:22,039 --> 00:27:24,960 that's what that's what the song's aboutast time I actually 503 00:27:25,000 --> 00:27:25,680 saw her do it. 504 00:27:25,839 --> 00:27:38,000 Speaker 5: Oh okay, very cool, You're sorry, No worries. 505 00:27:50,519 --> 00:27:55,359 Speaker 8: The size of campy real with the light up when 506 00:27:55,400 --> 00:28:05,799 they look at me. The yard would be ideal. 507 00:28:07,119 --> 00:28:12,039 Speaker 2: Way to walk and touching the trees, every touch tree. 508 00:28:16,119 --> 00:28:19,440 When I saw you dancing on your toe. 509 00:28:20,880 --> 00:28:24,200 Speaker 8: I knew what they man when they said it's hot 510 00:28:24,839 --> 00:28:26,000 to watch them grow. 511 00:28:27,359 --> 00:28:28,839 Speaker 2: When you first dance. 512 00:28:28,759 --> 00:28:32,799 Speaker 11: With me, I had to hold gems and capture clothes. 513 00:28:39,720 --> 00:28:41,720 She said, I love you, mom. 514 00:28:56,200 --> 00:29:01,319 Speaker 2: Now can't believe she's really give you man, I can 515 00:29:01,440 --> 00:29:09,319 never be I see a woman, not a girl. 516 00:29:09,400 --> 00:29:13,359 Speaker 8: And I can remember the time of sun from the 517 00:29:13,519 --> 00:29:19,119 til you came into my life. That had been so Friday. 518 00:29:22,640 --> 00:29:27,759 When I saw you dancing on your toes, I knew 519 00:29:27,960 --> 00:29:31,759 what the man when they said it sung to watch 520 00:29:31,880 --> 00:29:32,480 them grow. 521 00:29:33,839 --> 00:29:37,000 Speaker 1: When you first dance with me, I had to pold 522 00:29:37,119 --> 00:29:47,880 your hands, catch your club, she said, I love. 523 00:29:53,279 --> 00:30:04,799 Speaker 12: She said, I love you more. The man saw you're dancing, 524 00:30:04,960 --> 00:30:06,599 and I'm not tild. 525 00:30:07,880 --> 00:30:16,960 Speaker 2: I what th man when you said it's no man 526 00:30:17,200 --> 00:30:22,640 saw you're dancing. Are you telling sound thing? 527 00:30:22,880 --> 00:30:23,079 Speaker 10: Now? 528 00:30:23,240 --> 00:30:24,640 Speaker 2: When you said it's. 529 00:30:27,839 --> 00:30:41,640 Speaker 13: To watch you rom to watch you grow, to watch 530 00:30:41,680 --> 00:30:42,480 a ground? 531 00:30:57,799 --> 00:31:01,240 Speaker 5: Very nice, Thank you very much, very nice, Thank you 532 00:31:01,359 --> 00:31:01,759 so much. 533 00:31:02,200 --> 00:31:02,759 Speaker 6: Absolutely. 534 00:31:03,400 --> 00:31:06,519 Speaker 5: Jesse Rutsteene is here with us live in studio on 535 00:31:06,640 --> 00:31:09,640 this Saturday morning. And uh, by the way, uh so 536 00:31:10,880 --> 00:31:14,519 Philippe is in the chat room, says loving it Jesse. 537 00:31:15,440 --> 00:31:19,160 And also Rob Dyon, who does a show here called 538 00:31:19,319 --> 00:31:21,920 through the Stage Door, was inquiring about your last name 539 00:31:21,960 --> 00:31:25,720 and his rut scene, so he's obviously a fan, all right, 540 00:31:27,000 --> 00:31:30,160 T s t E. I yes, yes, and uh, let's 541 00:31:30,160 --> 00:31:33,920 see also I see uh Miriam Banish of course, our 542 00:31:33,960 --> 00:31:35,839 good friend and a big supporter of the show and 543 00:31:35,880 --> 00:31:37,319 all the shows here at w M. And H's in 544 00:31:37,359 --> 00:31:42,680 there also, and we have somebody listening from Uganda. Hello, welcome. 545 00:31:44,359 --> 00:31:47,119 So that's good news, absolutely absolutely, yeah. 546 00:31:47,240 --> 00:31:47,480 Speaker 6: Yeah. 547 00:31:49,519 --> 00:31:52,160 Speaker 5: So the so the EP, we went into the decision 548 00:31:52,440 --> 00:31:54,440 to do an EP because I you were saying, so 549 00:31:54,519 --> 00:31:57,480 the EP will come out June is what you're shooting for. 550 00:31:58,119 --> 00:31:59,759 But then you've but then you've also got an album 551 00:31:59,799 --> 00:32:02,519 in my pretty much time. 552 00:32:02,720 --> 00:32:07,279 Speaker 4: And you know, the studio is utilized by by a 553 00:32:07,359 --> 00:32:09,880 number of people. My day is Sunday, so I'm down 554 00:32:10,160 --> 00:32:13,200 all day Sunday and I you know, I spend time 555 00:32:13,240 --> 00:32:16,119 and I record some other people too. I teach lessons 556 00:32:16,200 --> 00:32:19,359 out of there. Oh wow, oh yeah, yeah, I mean 557 00:32:19,559 --> 00:32:22,039 I only have one student and one potential at the time. 558 00:32:22,279 --> 00:32:22,680 Speaker 6: Coming up. 559 00:32:22,759 --> 00:32:25,079 Speaker 4: But I love you know, I work, I work right 560 00:32:25,119 --> 00:32:27,400 with kids. Yeah yeah, I got a bunch of them. Yeah, 561 00:32:29,079 --> 00:32:33,319 so you know, and uh, I really I love I 562 00:32:33,440 --> 00:32:37,839 love watching the uh young, the younger generation get into 563 00:32:38,240 --> 00:32:40,920 to rock and roll, which I actually think is really 564 00:32:41,039 --> 00:32:45,119 happening right now. I'm seeing so many kids and it's funny, 565 00:32:45,200 --> 00:32:47,079 Like my daughter is gonna kill me for telling this story. 566 00:32:47,160 --> 00:32:48,839 But she wears a deaf leopard shirt and I'm like, 567 00:32:48,960 --> 00:32:51,720 name one song and she's like, it's a cool shirt, dad, 568 00:32:51,839 --> 00:32:53,079 And I'm advertising the band. 569 00:32:53,119 --> 00:32:53,440 Speaker 6: All right. 570 00:32:53,519 --> 00:32:54,920 Speaker 4: It's all about the marketing. 571 00:32:54,720 --> 00:32:56,359 Speaker 6: Right right, all right, cool? Okay. 572 00:32:57,559 --> 00:33:00,359 Speaker 4: She's so, she's twenty she's twenty one. Her name is Gana. 573 00:33:00,480 --> 00:33:03,039 She actually she's involved too because she's helping me with 574 00:33:03,119 --> 00:33:06,039 the marketing because I did excellent. I did not know 575 00:33:06,160 --> 00:33:08,559 how to use Instagram or TikTok. She had to like 576 00:33:08,640 --> 00:33:09,599 come over and show me. 577 00:33:09,839 --> 00:33:10,599 Speaker 6: Yeah you know. 578 00:33:10,960 --> 00:33:13,279 Speaker 5: Yeah, oh that's really cool. It's cool that she's helping 579 00:33:13,319 --> 00:33:15,279 you with that. Oh yeah, yeah, absolutely. 580 00:33:16,440 --> 00:33:16,599 Speaker 6: Yeah. 581 00:33:16,640 --> 00:33:18,759 Speaker 5: I was curious because there's there's so many different ways 582 00:33:18,880 --> 00:33:20,160 to release music now. 583 00:33:21,039 --> 00:33:24,400 Speaker 4: Yes, and and so i I'm going to distro kid 584 00:33:24,519 --> 00:33:28,640 route yuh stay anywhere is available on all streaming platforms, 585 00:33:29,440 --> 00:33:31,839 uh and and all of this will be But as 586 00:33:31,920 --> 00:33:34,200 far as your original question, why did I decide to 587 00:33:34,279 --> 00:33:37,799 do the it's I wanted to do a single or 588 00:33:37,839 --> 00:33:41,680 two and then drop four and and try to get 589 00:33:41,680 --> 00:33:45,039 you know, I really want I missed going out and 590 00:33:45,200 --> 00:33:49,000 grabbing an album and going home and listening to it 591 00:33:49,200 --> 00:33:52,640 back to back. And I could either sit here and 592 00:33:53,039 --> 00:33:55,119 act like an old man and say back in my day, 593 00:33:56,640 --> 00:34:00,400 or I could do what they're doing today, because I'm 594 00:34:00,440 --> 00:34:02,839 not going to get anywhere marketing to people my age 595 00:34:02,960 --> 00:34:05,720 or just like my Facebook friends, you know. So so 596 00:34:05,880 --> 00:34:08,079 I think I've been like I said, I was doing 597 00:34:08,159 --> 00:34:12,239 some research and you know, private research and whatever, and uh, 598 00:34:13,039 --> 00:34:15,599 it looks like people are getting really successful this way. 599 00:34:15,719 --> 00:34:17,599 So I figured why not throw my you know, I 600 00:34:17,639 --> 00:34:20,039 got some good songs here? Why not my name and 601 00:34:20,079 --> 00:34:20,360 the hat? 602 00:34:20,639 --> 00:34:23,920 Speaker 5: Yeah, I know, it makes sense, It makes sense. The 603 00:34:24,000 --> 00:34:25,840 time goes quickly. Do you want to play one more? 604 00:34:26,039 --> 00:34:27,920 I'm dying to hear another live one. I want to 605 00:34:27,920 --> 00:34:30,000 make sure that's doing and then and then after that 606 00:34:30,119 --> 00:34:33,400 we'll talk about the new the new singles and whatnot. 607 00:34:33,480 --> 00:34:36,760 But Jesse Rutstein is here with us live in studio 608 00:34:36,960 --> 00:34:40,920 and uh love loving these so much, so awesome. 609 00:34:40,960 --> 00:34:42,079 Speaker 6: What are you? What are you gonna play for us? 610 00:34:42,199 --> 00:34:45,719 Speaker 4: This one's actually called Picture of Our Hands, song I 611 00:34:45,800 --> 00:34:48,480 wrote last year which turned into. 612 00:34:48,320 --> 00:34:50,039 Speaker 6: A duet on the EPA. 613 00:34:50,679 --> 00:34:54,519 Speaker 4: It's a male female and I brought my my wonderful 614 00:34:54,559 --> 00:34:58,760 friend Alex Cecia into the studio. She's just an amazing, 615 00:34:58,880 --> 00:35:01,880 amazing singer. She plays around here Alex six strings is 616 00:35:02,239 --> 00:35:06,199 what she goes by, and we originally brought her in 617 00:35:06,519 --> 00:35:09,199 to do the backup vocals because there's a lot of 618 00:35:09,199 --> 00:35:13,239 harmonies on this one, and after her coming in and 619 00:35:13,360 --> 00:35:17,360 absolutely nailing the part, I thought to myself, I was like, hey, 620 00:35:17,440 --> 00:35:19,239 you want to try singing the second verse because the 621 00:35:19,320 --> 00:35:23,039 song is about a breakup, and so with the female 622 00:35:23,159 --> 00:35:25,239 vocal on the second verse, it kind of sounds like 623 00:35:25,800 --> 00:35:30,440 a breakup within the song. So it's it's definitely cool 624 00:35:30,599 --> 00:35:33,679 and her vocal makes the tune. So I'm gonna play 625 00:35:33,719 --> 00:35:36,719 it now because I can't wait to get this song 626 00:35:36,800 --> 00:35:38,679 out there. But this one's going to be released with 627 00:35:38,800 --> 00:35:41,760 the rest of them, and it's gonna I'm telling you 628 00:35:41,840 --> 00:35:43,719 it's it's probably going to be the treat, you know, 629 00:35:43,800 --> 00:35:46,480 because because it's got the other vocal on there, and 630 00:35:46,559 --> 00:35:49,320 she's absolutely amazing, and I can't wait to release it. Yes, 631 00:35:49,840 --> 00:35:50,679 our picture of our. 632 00:35:50,679 --> 00:36:06,239 Speaker 8: Hands, moving up and down the stairs, wishing that you 633 00:36:06,440 --> 00:36:06,960 were there. 634 00:36:07,280 --> 00:36:11,079 Speaker 2: Now I live life, ain't living nowhere. 635 00:36:11,920 --> 00:36:15,639 Speaker 1: I hope you don't feel this pain, never felt this 636 00:36:15,880 --> 00:36:18,599 way while this peace in your life. 637 00:36:19,320 --> 00:36:28,639 Speaker 2: I'm going and see now you got me going in see. 638 00:36:30,199 --> 00:36:31,159 Speaker 4: And now I'm gone. 639 00:36:32,559 --> 00:36:36,760 Speaker 8: And sometimes they say, he'll never get what you want, 640 00:36:37,039 --> 00:36:43,880 but I've got to keep bound rolling. And sometimes they 641 00:36:44,039 --> 00:36:47,239 say it's hard away and you're on your own, but 642 00:36:47,440 --> 00:36:56,599 I've got to keep bond rolling, higher, keep bond rolling. 643 00:37:02,000 --> 00:37:04,679 Speaker 1: I always knew you told my lies, saw that you 644 00:37:05,000 --> 00:37:08,320 love in your eyes, that you had for me. That's 645 00:37:08,480 --> 00:37:13,159 why I'm so surprised. But I'll take it where it lands, 646 00:37:13,639 --> 00:37:18,039 no money and no plan. Stop crying. Then toss the 647 00:37:18,239 --> 00:37:20,519 picture of my hands. 648 00:37:22,000 --> 00:37:22,239 Speaker 3: High. 649 00:37:22,320 --> 00:37:29,000 Speaker 8: Am I really love the picture of my hands, And 650 00:37:29,119 --> 00:37:34,159 now I'm gone. And sometimes they say, and never get 651 00:37:34,519 --> 00:37:36,599 what you want, But I've got. 652 00:37:36,880 --> 00:37:43,519 Speaker 2: To keep bound rolling. And sometimes they say it's hot 653 00:37:43,639 --> 00:37:44,159 a win. 654 00:37:44,239 --> 00:37:48,920 Speaker 1: You're on your own, But I've got to keep bound rolling. 655 00:37:51,239 --> 00:38:04,639 Speaker 7: Why am worrying all this reflection? I have to myself. 656 00:38:09,559 --> 00:38:17,320 Speaker 2: So many reasons for you to run away. And now 657 00:38:17,360 --> 00:38:18,039 I'm gone. 658 00:38:19,360 --> 00:38:23,480 Speaker 8: And sometimes they say you never get what you want, 659 00:38:23,880 --> 00:38:30,480 but I've got to keep bound rulling. And sometimes they 660 00:38:30,639 --> 00:38:33,280 say it's hard to wear and you're on your own. 661 00:38:33,679 --> 00:38:37,679 But I've got to keep bond and now I'm gone, 662 00:38:39,039 --> 00:38:43,360 And sometimes it say never get what you want, but 663 00:38:43,679 --> 00:38:49,880 I've got to keep bond rulling. And you'll know why 664 00:38:49,960 --> 00:38:50,519 I'm gone. 665 00:38:51,159 --> 00:38:54,320 Speaker 1: Go and kill what I want, but I've got to 666 00:38:54,679 --> 00:38:56,480 keep bone rulling. 667 00:39:07,880 --> 00:39:09,119 Speaker 6: Nice. I love it. 668 00:39:09,239 --> 00:39:10,280 Speaker 4: I love it awesome. 669 00:39:10,360 --> 00:39:17,159 Speaker 5: Thank you Jesse Rutstein here with us alive in studio. So, Jesse, 670 00:39:17,280 --> 00:39:19,719 do you have anything like when's your when's your next gig? 671 00:39:19,800 --> 00:39:20,719 We should make sure people know. 672 00:39:20,800 --> 00:39:23,880 Speaker 4: That Terminus on June seventh will be the next one. 673 00:39:24,199 --> 00:39:25,519 Speaker 6: June seventh, okay, and then. 674 00:39:25,400 --> 00:39:29,440 Speaker 4: The summer kickoff is June twenty second. That is, it's 675 00:39:29,480 --> 00:39:32,559 going to be at the Auburn Pits. It's a daytime 676 00:39:32,800 --> 00:39:35,239 through the nighttime thing. I'll be opening the show at one, 677 00:39:36,320 --> 00:39:40,599 faith fans closing up and again the Tumble Tooads, Glitter 678 00:39:40,679 --> 00:39:42,119 Tooth and the Whole Loaf We're going to be down 679 00:39:42,159 --> 00:39:45,320 there too. It's gonna be a really fun time, you know, 680 00:39:45,599 --> 00:39:49,719 getting the summer kicked off. It's a Sunday gig, so 681 00:39:49,880 --> 00:39:52,880 and that it's a really great venue, the Auburn Pits, 682 00:39:53,679 --> 00:39:55,519 So you know, we're hoping to get a bunch of 683 00:39:55,559 --> 00:39:58,119 people down there, and it's gonna be that One's gonna 684 00:39:58,119 --> 00:40:00,079 be really fun. It'll be the first time that I 685 00:40:00,199 --> 00:40:04,320 actually have a full like the Terminus gig. I'll be 686 00:40:04,360 --> 00:40:06,559 doing a trio. Caleb's probably gonna be with me on 687 00:40:06,639 --> 00:40:09,760 that cool took, but this will be the first time 688 00:40:09,760 --> 00:40:11,320 I'm going to be able to actually perform it all 689 00:40:11,400 --> 00:40:12,119 with all the parts. 690 00:40:12,239 --> 00:40:15,280 Speaker 6: Oh outstanding, outstanding. 691 00:40:15,480 --> 00:40:17,599 Speaker 5: And where's the best place for people to go online 692 00:40:17,599 --> 00:40:18,440 to keep up with everything that? 693 00:40:18,840 --> 00:40:21,920 Speaker 4: If your Facebook, you go to face Jesse Rudstein Music. 694 00:40:22,360 --> 00:40:26,000 If you love Instagram, go to Jesse Rudstein Music. Three, 695 00:40:26,920 --> 00:40:30,760 and then on TikTok it's just Jesse Rudstein And then 696 00:40:32,360 --> 00:40:34,840 I'm embarrassed to admit, but I'm still getting the website rolling. 697 00:40:34,880 --> 00:40:36,639 I'm not going to do one of those plastic things. 698 00:40:36,719 --> 00:40:39,199 I'm yeah, I got somebody actually working on it. That's 699 00:40:39,280 --> 00:40:40,960 gonna really make a nice one. 700 00:40:41,039 --> 00:40:44,079 Speaker 5: Oh good, good, absolutely, yeah, no, that's very important. That's 701 00:40:44,159 --> 00:40:44,599 very important. 702 00:40:44,679 --> 00:40:46,480 Speaker 4: Like I said, starting from the ground up. This is 703 00:40:46,519 --> 00:40:49,840 actually the first radio interview I've done promoting this thing. 704 00:40:49,960 --> 00:40:52,480 Speaker 5: So I'm like, oh, okay, yeah, excellent. Well, we're very 705 00:40:52,480 --> 00:40:55,199 happy that you're here and glad you played live for 706 00:40:55,320 --> 00:40:58,920 us too. That sounds everything sounds really good. And in 707 00:40:59,000 --> 00:41:01,840 a moment, we're gonna get to uh, well, let's let's 708 00:41:01,840 --> 00:41:03,559 talk about it. So we're gonna do the World Radio 709 00:41:03,599 --> 00:41:06,519 you know we love the World Radio premieres on the 710 00:41:06,880 --> 00:41:08,920 on the show, and we're gonna play this track. Now, 711 00:41:09,039 --> 00:41:12,679 what is tell us about this? About this song? 712 00:41:13,000 --> 00:41:13,559 Speaker 6: This song? 713 00:41:15,559 --> 00:41:20,320 Speaker 4: So, twenty twenty four was a it was a really 714 00:41:20,639 --> 00:41:23,480 like weird year for me, okay, like crazy, crazy year, 715 00:41:23,719 --> 00:41:28,719 and this song was something things that have happened prior 716 00:41:28,960 --> 00:41:30,960 that led up to it. This was actually written about 717 00:41:31,000 --> 00:41:33,760 three years ago when I was at a place where 718 00:41:33,880 --> 00:41:35,880 I was you know, it's an angry song. I was 719 00:41:35,960 --> 00:41:40,320 very angry about the situation that I was in, and 720 00:41:40,440 --> 00:41:43,480 it doesn't it doesn't even necessarily reflect it. It's my art, 721 00:41:43,599 --> 00:41:45,800 like that's how I was feeling at the time, Like, yeah, 722 00:41:45,920 --> 00:41:47,880 things have changed since then and things have gotten a 723 00:41:47,960 --> 00:41:50,039 lot better. So it's like one of those one of 724 00:41:50,119 --> 00:41:52,280 those things like a painter paints of painting. You can't 725 00:41:52,320 --> 00:41:54,440 change it in two years when things get better. Yeah, 726 00:41:54,519 --> 00:41:58,639 but this song has just it. Instead of like acting 727 00:41:58,719 --> 00:42:01,480 on my emotions, I try to let him out through 728 00:42:01,559 --> 00:42:06,400 my music, you know. And this became. It started off 729 00:42:06,480 --> 00:42:09,559 as just the weirdest with the weirdest lyrics, and then 730 00:42:10,360 --> 00:42:12,960 I've changed a lot of the lyrics. It came from 731 00:42:13,000 --> 00:42:14,920 a conversation. I was a bartender for a while, and 732 00:42:15,000 --> 00:42:17,199 it came from a conversation that I was having with 733 00:42:18,480 --> 00:42:20,559 another guy that was going at the bar that was 734 00:42:20,599 --> 00:42:27,440 going through a similar situation. And so Caleb decided that 735 00:42:27,679 --> 00:42:30,480 he really wanted to throw a keyboard part on this, 736 00:42:31,280 --> 00:42:35,079 and we have the ham and B three and the 737 00:42:35,199 --> 00:42:38,480 keyboard part makes the whole song. It really does up 738 00:42:38,559 --> 00:42:43,840 until this past year. So he basically put this tune 739 00:42:43,840 --> 00:42:47,800 together with me and the outro had this really really 740 00:42:47,920 --> 00:42:52,760 great keyboard solo on it. And when I started to 741 00:42:52,840 --> 00:42:54,760 revisit it this year, he said to me, He's like, 742 00:42:55,400 --> 00:42:57,079 I don't know if the keyboard solo is right. And 743 00:42:57,079 --> 00:42:59,119 I'm like, what are you talking about? Keyboard soul is awesome. 744 00:42:59,159 --> 00:43:01,719 He's like he's like, no, man, the keyboard runs the 745 00:43:01,800 --> 00:43:03,679 beginning of the song. He's like, it should be guitar, 746 00:43:04,480 --> 00:43:06,280 you know. So I did a guitar solo at the end, 747 00:43:06,320 --> 00:43:09,239 and I'm an okay guitar player. I like the way 748 00:43:09,239 --> 00:43:11,559 I play lead guitar, but it just wasn't cutting it 749 00:43:11,679 --> 00:43:16,280 for this tune. So I brought in Peter Davis is 750 00:43:16,360 --> 00:43:20,559 his name him, And actually he's in a band with 751 00:43:20,760 --> 00:43:23,719 Connor Coburn from No More Blue Tomorrows, and they're an 752 00:43:23,840 --> 00:43:27,239 excellent band in Connor is all over thep as well, 753 00:43:27,639 --> 00:43:31,719 helping me with engineering and vocal mixing and you name it. 754 00:43:32,679 --> 00:43:36,719 But Peter we briefly played together. I've only played together 755 00:43:36,960 --> 00:43:38,400 with him a few times, and I was like, hey, 756 00:43:38,440 --> 00:43:41,320 you want to come down and do this track. It's 757 00:43:41,400 --> 00:43:42,159 really cool tune. 758 00:43:42,199 --> 00:43:42,480 Speaker 6: I think. 759 00:43:42,559 --> 00:43:44,760 Speaker 4: I think it's right up his guitar style. Like this 760 00:43:44,880 --> 00:43:47,719 guy isn't just one of the best guitarists I've ever 761 00:43:47,800 --> 00:43:50,039 played with, He's one of the best guitarists I've ever heard. 762 00:43:50,719 --> 00:43:53,920 That's how good this guy is. And so he came 763 00:43:54,000 --> 00:43:56,239 down to the studio and I was just I didn't 764 00:43:56,280 --> 00:43:59,079 know what to expect. And we sat down for a 765 00:43:59,159 --> 00:44:02,599 couple hours and collectively put together this solo. I was like, 766 00:44:03,119 --> 00:44:04,639 this is what I hear, but I can't do it, 767 00:44:04,800 --> 00:44:06,320 So can you do that? And he would be like, 768 00:44:06,360 --> 00:44:08,000 all right, well, I'll just do it ten times better 769 00:44:08,079 --> 00:44:11,440 than what you Yeah. Yeah, And it was really great 770 00:44:11,519 --> 00:44:15,280 working with him, and he's absolutely a feature on this track. 771 00:44:16,239 --> 00:44:18,719 I couldn't the song wouldn't be what it is without 772 00:44:18,760 --> 00:44:22,320 this guitar solo. Okay, but it's just, you know, it's 773 00:44:22,360 --> 00:44:24,960 a tune that I wrote when I was very unhappy 774 00:44:25,000 --> 00:44:29,159 about what was going on in my life, and everything 775 00:44:29,199 --> 00:44:32,159 has gotten better since. But the song, you know, is 776 00:44:32,239 --> 00:44:34,639 there and I want it. I just think it's a 777 00:44:35,360 --> 00:44:36,960 great tune. It's hard rocking. 778 00:44:37,039 --> 00:44:37,159 Speaker 3: You know. 779 00:44:37,239 --> 00:44:39,320 Speaker 4: If anybody who's listening in their car right now turn 780 00:44:39,400 --> 00:44:41,159 it up, you know, because this is one of those 781 00:44:41,199 --> 00:44:44,199 ones that you want to crank. Yeah, And I'm just 782 00:44:44,480 --> 00:44:45,519 very very happy with it. 783 00:44:45,840 --> 00:44:47,239 Speaker 6: Okay, Okay, very cool. 784 00:44:47,519 --> 00:44:49,480 Speaker 5: So we're gonna play that in just a moment. And 785 00:44:50,119 --> 00:44:51,800 I do want to remind people too, if you missed 786 00:44:51,840 --> 00:44:53,320 any part of today's show, it will be up in 787 00:44:53,440 --> 00:44:56,440 just a little bit at wmnhradio dot org and at 788 00:44:56,480 --> 00:44:59,719 my website Matt Coonnerton dot com and Jenny, you want 789 00:44:59,760 --> 00:45:01,360 to mention in your website because you're always doing a 790 00:45:01,400 --> 00:45:02,119 lot of great stuff. 791 00:45:02,360 --> 00:45:04,440 Speaker 4: You can come check me out at Gencoffee dot com. 792 00:45:04,599 --> 00:45:06,320 Speaker 7: J E N N C O F f U I 793 00:45:06,679 --> 00:45:07,079 dot com. 794 00:45:07,320 --> 00:45:09,400 Speaker 5: Absolutely, and thank you to everyone who joined us today, 795 00:45:09,480 --> 00:45:11,639 Katie Dobbins who called in, and of course I echo 796 00:45:11,760 --> 00:45:15,119 Ray who joined us in studio. And we are going 797 00:45:15,199 --> 00:45:17,800 to close out today's show with this. This is the 798 00:45:17,920 --> 00:45:22,119 World Radio Premiere. This is brand new from Jesse Rutstein 799 00:45:22,239 --> 00:45:23,800 and this is called here. 800 00:45:23,920 --> 00:45:25,280 Speaker 6: Baby, Gene, you. 801 00:45:25,320 --> 00:45:27,679 Speaker 1: Are listening to WUMNH. 802 00:45:29,159 --> 00:45:30,119 Speaker 6: World Premiere. 803 00:45:53,840 --> 00:45:56,199 Speaker 2: Sorry baby, when your mama doesn't. 804 00:45:56,000 --> 00:46:05,360 Speaker 3: Care and your daddy has to pay, you're. 805 00:46:05,360 --> 00:46:08,760 Speaker 8: Just jealous over and sellings mooning mid She pushed herself 806 00:46:08,960 --> 00:46:13,599 out of his off while she lies to herself. 807 00:46:13,519 --> 00:46:16,880 Speaker 2: And everybody else to keep you apart. 808 00:46:17,480 --> 00:46:36,239 Speaker 8: Tam, you know he's sorry that he missed your last birthday. 809 00:46:38,639 --> 00:46:41,920 You know your mama told you he wanted it that way, 810 00:46:44,119 --> 00:46:47,360 telling you and a friends that he's the bad man. 811 00:46:47,280 --> 00:46:49,239 Speaker 2: Because he broke her off. 812 00:46:50,599 --> 00:46:53,239 Speaker 8: But he see you auld Cain would put the shoe 813 00:46:53,320 --> 00:46:55,840 in then and get a brand new starck. 814 00:46:56,320 --> 00:46:57,880 Speaker 3: Tam, Baby, jee. 815 00:46:59,519 --> 00:47:11,880 Speaker 8: Whole this letter find well because if your mama is 816 00:47:12,119 --> 00:47:13,519 rather about God. 817 00:47:15,679 --> 00:47:19,400 Speaker 2: Well she's going straight. 818 00:47:21,920 --> 00:47:23,599 Speaker 3: T baby Gee. 819 00:47:37,599 --> 00:47:44,039 Speaker 8: Sorry mama, for things don't always go away, And that's 820 00:47:44,119 --> 00:47:46,400 when you lose your in mind. 821 00:47:48,760 --> 00:47:52,719 Speaker 2: She'll make up your stories to your little tantrum. It's 822 00:47:52,840 --> 00:47:54,119 all the same. 823 00:47:56,440 --> 00:47:59,559 Speaker 8: Your baby's gonna find out a good time. 824 00:48:01,159 --> 00:48:02,440 Speaker 3: Tam baby Gee. 825 00:48:04,280 --> 00:48:09,199 Speaker 2: I hold this letter fin you well. 826 00:48:14,159 --> 00:48:14,440 Speaker 5: Deaf? 827 00:48:14,760 --> 00:48:18,719 Speaker 7: Your old mama is right about God. 828 00:48:20,599 --> 00:48:24,199 Speaker 2: Well she's going straight. 829 00:48:24,280 --> 00:48:28,320 Speaker 6: To tail, baby Gee. 830 00:48:33,639 --> 00:48:34,880 Speaker 2: Tare baby Gee. 831 00:48:42,000 --> 00:48:43,079 Speaker 13: I hope you old. 832 00:48:43,000 --> 00:48:44,000 Speaker 7: Ride about God. 833 00:48:48,559 --> 00:48:57,360 Speaker 2: Hope you're right love God. Hope your rude about God. 834 00:49:01,440 --> 00:49:03,559 Speaker 1: I hope you'll have about time. 835 00:49:05,199 --> 00:49:06,760 Speaker 2: Stop going straight to 836 00:49:49,559 --> 00:49:50,960 Speaker 12: Tail baby j