1 00:00:03,000 --> 00:00:09,320 Speaker 1: Callaroga Shock Media. 2 00:00:10,240 --> 00:00:12,759 Speaker 2: Hey there, I'm Johnny Mack with your daily comedy news, 3 00:00:12,759 --> 00:00:15,240 the daily briefing on stand up comedy, comedians and the 4 00:00:15,240 --> 00:00:19,320 comedy industry. A sentence, The algorithm loves Nicky Glazer was 5 00:00:19,359 --> 00:00:22,079 at the time one hundred thing of a jig. She 6 00:00:22,280 --> 00:00:25,519 was the MC. I've got some audio for you, and 7 00:00:25,559 --> 00:00:28,839 my question to you is is she bombing now? To 8 00:00:28,960 --> 00:00:31,760 be very very very fair, the crowd is not miked 9 00:00:31,800 --> 00:00:34,159 well at all, and you can do the best comedy. 10 00:00:34,159 --> 00:00:36,119 If they don't mike the crowd, it will sound like 11 00:00:36,159 --> 00:00:38,799 you're bombing. But even beyond that, and if you listen 12 00:00:38,840 --> 00:00:41,479 closely at times, you will hear the audience laugh. I 13 00:00:41,520 --> 00:00:44,640 think she's bombing here. I think the cool Hollywood people 14 00:00:44,719 --> 00:00:47,200 don't want to accept her, and the cool Hollywood people 15 00:00:47,640 --> 00:00:50,000 know that they don't dare laugh at the jokes. Oh no, 16 00:00:50,399 --> 00:00:52,679 a Katie Perry joke. We better not laugh at that one. 17 00:00:52,759 --> 00:00:54,719 We'll get in trouble. We won't be liked by the 18 00:00:54,719 --> 00:00:57,600 other cool Hollywood people. So this is a tough room, 19 00:00:58,320 --> 00:01:01,000 and I think she bombed. The original was quite long. 20 00:01:01,119 --> 00:01:04,040 I've clipped it down for both pacing and language. Here's 21 00:01:04,120 --> 00:01:04,840 NICKI Glazer. 22 00:01:05,439 --> 00:01:09,159 Speaker 1: Hello everyone, I'm Nicki Glazer and welcome to the Time 23 00:01:09,200 --> 00:01:11,840 one hundred, the one list you actually want to be 24 00:01:11,879 --> 00:01:17,760 on this year. Yes, congratulations to everyone here tonight. This 25 00:01:17,879 --> 00:01:20,719 is such a phenomenal accomplishment for each and every one 26 00:01:20,840 --> 00:01:27,239 of your publicists, truly right. Personally, I am just so 27 00:01:27,400 --> 00:01:29,519 excited to be in the same room with people. My 28 00:01:29,799 --> 00:01:33,640 therapists told me to never compare myself to Donna. 29 00:01:33,760 --> 00:01:34,079 Speaker 3: Was right. 30 00:01:34,719 --> 00:01:37,359 Speaker 1: But I'm your host, Nicki Glazer, and this is such 31 00:01:37,359 --> 00:01:40,120 a thrill. I've of course hosted the Golden Globes, but 32 00:01:40,400 --> 00:01:44,159 this is different because this is time I will never 33 00:01:44,200 --> 00:01:49,480 get back, you know, No, I'm kidding, I'm I'm so 34 00:01:49,680 --> 00:01:51,400 excited to be on this list. 35 00:01:51,480 --> 00:01:51,760 Speaker 3: I am. 36 00:01:51,920 --> 00:01:54,840 Speaker 1: I'm also one of four people on the cover, which 37 00:01:54,879 --> 00:01:57,799 is a quarter of my dream come true. Yes, oh 38 00:01:57,840 --> 00:02:00,439 my god, I can't wait for all my friends family 39 00:02:00,480 --> 00:02:02,319 to see it three years from now in a dentist 40 00:02:02,400 --> 00:02:10,560 waiting room. Well, Tonight's ceremony is different than most stars 41 00:02:10,560 --> 00:02:13,159 studded events because this is an event where the greatest 42 00:02:13,199 --> 00:02:16,080 thinkers in the fields of science and technology are asked 43 00:02:16,120 --> 00:02:19,719 the big questions like who are you wearing? And who 44 00:02:20,000 --> 00:02:25,919 are you Because We're just not celebrating actors here tonight, 45 00:02:26,120 --> 00:02:29,879 you know, but the scientists, scholars, musicians, writers and athletes 46 00:02:29,879 --> 00:02:32,639 that those actors will play hotter versions of in movies. 47 00:02:35,719 --> 00:02:37,879 One of the most impressive people on the list is 48 00:02:38,120 --> 00:02:43,840 Victoria Beckham. Of course, oh my god. She was a 49 00:02:43,840 --> 00:02:47,039 global pop star, now a serious fashion designer. She's married 50 00:02:47,039 --> 00:02:51,159 to David Beckham, She's rich, successful, stunning. What's it gonna 51 00:02:51,159 --> 00:02:54,639 take to get you to smile? I mean, really, please smile. 52 00:02:55,439 --> 00:03:01,439 You're one of the only British people who should. Okay, wow, 53 00:03:03,800 --> 00:03:06,639 But there's just so many impressive people in this room tonight. 54 00:03:06,719 --> 00:03:08,800 But what really blows my mind is that we have 55 00:03:08,919 --> 00:03:17,000 actual astronauts here tonight. It's insane. Yes, these brave people 56 00:03:17,039 --> 00:03:19,000 who risked it all to go up into space and 57 00:03:19,080 --> 00:03:21,960 search for the unknown. And by astronaut, of course, I'm 58 00:03:21,960 --> 00:03:26,360 talking about Gail King, all right, Gail. I love you 59 00:03:26,479 --> 00:03:30,319 so much. Gail, Really though, Gail, you had the courage 60 00:03:30,360 --> 00:03:32,400 to do something that so many people wouldn't have the 61 00:03:32,439 --> 00:03:35,199 guts to do, spend twelve minutes alone with Katy Perry, 62 00:03:35,319 --> 00:03:39,080 and we we thank you for that. 63 00:03:40,199 --> 00:03:43,000 Speaker 2: The other day, Nikki was on Kelly Rippers show, which 64 00:03:43,120 --> 00:03:45,280 is just like the most difficult thing to watch. It's 65 00:03:45,360 --> 00:03:50,199 not my thing at all, and a Verrely, Nicky's skirt 66 00:03:50,240 --> 00:03:55,639 was a little too short. Let's listen. That is just 67 00:03:55,719 --> 00:03:56,000 for you. 68 00:03:56,599 --> 00:03:58,400 Speaker 1: I know, I'm right the barrel. 69 00:03:58,560 --> 00:03:59,199 Speaker 2: Sorry, guys. 70 00:03:59,360 --> 00:04:01,840 Speaker 1: Yeah, yeah, I don't mind at all. Oh god, God, 71 00:04:01,879 --> 00:04:03,000 I'll send you a picture later. 72 00:04:03,039 --> 00:04:05,240 Speaker 2: And then they want on to have more of a conversation, 73 00:04:05,319 --> 00:04:10,280 which I just found nauseating. Let's listen, I realize there's. 74 00:04:10,120 --> 00:04:11,360 Speaker 4: This recent development. 75 00:04:11,479 --> 00:04:13,800 Speaker 2: You have something in common with Pope Leo. 76 00:04:14,080 --> 00:04:17,639 Speaker 1: Finally, finally, I mean we've always both loved hat since 77 00:04:17,720 --> 00:04:21,519 can speak Latin, but it's uh no, we're both one 78 00:04:21,839 --> 00:04:26,240 time one hundred most influential people. Yeah yeah, I me 79 00:04:26,639 --> 00:04:28,839 your cover the Pope and mister Bees. 80 00:04:29,199 --> 00:04:31,040 Speaker 4: Yeah, I mean that's extraordinary. 81 00:04:31,120 --> 00:04:31,879 Speaker 1: It's so cool. 82 00:04:32,000 --> 00:04:34,079 Speaker 2: And Nikki Glazer's. 83 00:04:33,600 --> 00:04:36,399 Speaker 3: Babyhood, baby childhood, wildest dreams. 84 00:04:36,439 --> 00:04:37,680 Speaker 2: Do you imagine that? 85 00:04:37,800 --> 00:04:40,319 Speaker 1: Never? I mean, looking at that photo, I'm was just like, 86 00:04:40,480 --> 00:04:43,079 it just feels like one of those you know covers 87 00:04:43,079 --> 00:04:44,720 that you get made at like a carnival. That's like 88 00:04:44,759 --> 00:04:45,519 you can be on time. 89 00:04:46,560 --> 00:04:50,399 Speaker 2: It seems like a joking Nikki, You're posing is really 90 00:04:50,480 --> 00:04:51,319 good there. 91 00:04:51,639 --> 00:04:54,079 Speaker 1: Thank you so much do you do you naturally pose? 92 00:04:54,160 --> 00:04:55,480 Speaker 2: They do you know how to do that stuff? 93 00:04:55,480 --> 00:04:58,920 Speaker 1: That's so deeply uncomfortable. Mark, Oh my gosh, photo shoots. 94 00:04:59,000 --> 00:05:01,399 I think things look that comes so natural, But that 95 00:05:01,519 --> 00:05:04,360 is one photo out of like thousands, you know, and 96 00:05:04,399 --> 00:05:06,920 it's just so uncomfortable because everyone knows just like to 97 00:05:06,920 --> 00:05:08,920 buzz like this, like I can do this, like but 98 00:05:08,920 --> 00:05:10,800 then like in these you have to be like, right, 99 00:05:12,000 --> 00:05:14,120 this is not natural. You just have to think you're 100 00:05:14,240 --> 00:05:17,759 so cool and like it's just I think that's why models, 101 00:05:17,759 --> 00:05:20,720 the models are paid a lot of money because of that. 102 00:05:20,759 --> 00:05:21,759 Speaker 4: They can't do that. 103 00:05:22,680 --> 00:05:25,360 Speaker 1: Yeah, yeah, yeah, and the maintenance. 104 00:05:25,399 --> 00:05:29,800 Speaker 2: It's much much, much, much funnier. Jimmy Kimmel, So last 105 00:05:29,839 --> 00:05:32,720 night was the White House Correspondents Dinner, and for the 106 00:05:32,720 --> 00:05:35,920 first time in recent memory, they didn't have a comedian 107 00:05:35,959 --> 00:05:40,040 host it, so Kimmel decided to have his own. He 108 00:05:40,120 --> 00:05:43,120 called his the All American White House Correspondents Dinner, and 109 00:05:43,160 --> 00:05:45,040 I have trimmed this down for pacing and also on 110 00:05:45,120 --> 00:05:47,920 ABC Network television. He told the joke that I found 111 00:05:47,959 --> 00:05:51,560 a little too naughty for even this show. Those standards differ. 112 00:05:51,720 --> 00:05:54,480 Gisha curious. He told a joke about uh, I thing 113 00:05:54,560 --> 00:05:58,480 guys like anyway, Here's Jimmy Kimmel live. 114 00:05:58,399 --> 00:06:02,759 Speaker 3: From the Trump Kimmel Sinner, Washington, DC. It's the All 115 00:06:02,800 --> 00:06:07,079 American White House Correspondent's Dinner. You're as your host for 116 00:06:07,120 --> 00:06:09,360 the night, Jimmy Pival. 117 00:06:11,279 --> 00:06:15,360 Speaker 4: All right, by, welcome to the twenty twenty six White 118 00:06:15,360 --> 00:06:18,480 House Correspondence Dinner. Look at you all dressed up in 119 00:06:18,519 --> 00:06:22,120 formal wear, dresses, tuxedos. I haven't seen this much black 120 00:06:22,160 --> 00:06:27,319 since every page of the Trump Epstein files. We're gonna 121 00:06:27,360 --> 00:06:30,199 have fun tonight on and I'm happy you decided to stay, 122 00:06:30,199 --> 00:06:32,920 mister President. And don't worry if we bruise your ego, 123 00:06:33,040 --> 00:06:38,199 it'll only make your hands look less disgusting. That president 124 00:06:38,279 --> 00:06:40,639 didn't want me to tell any jokes about him tonight, 125 00:06:41,000 --> 00:06:43,360 but he also didn't want to pay me one hundred 126 00:06:43,360 --> 00:06:44,920 and thirty thousand dollars to shut up. 127 00:06:44,920 --> 00:06:45,639 Speaker 2: So here we are. 128 00:06:47,040 --> 00:06:51,360 Speaker 4: Sorry, mushroom ice. 129 00:06:51,240 --> 00:06:51,839 Speaker 1: Baby Ice. 130 00:06:52,079 --> 00:06:54,920 Speaker 4: By the way, in the unfortunate event that our president 131 00:06:55,040 --> 00:06:58,240 has a medical emergency tonight, do we have a doctor 132 00:06:58,279 --> 00:07:00,160 in the house? I mean sorry, I mean do we 133 00:07:00,160 --> 00:07:05,560 have a Jesus in the house. I always confuse them too. 134 00:07:06,480 --> 00:07:08,519 I get why you think you're Jesus this guy. Every 135 00:07:08,519 --> 00:07:11,519 time he walks into a room, people say, Christ, he's back. 136 00:07:13,519 --> 00:07:18,160 You're looking good, though, mister President, who did your makeup? 137 00:07:18,240 --> 00:07:18,560 Speaker 3: Craft? 138 00:07:18,600 --> 00:07:23,480 Speaker 4: Singles as the President will tell you repeatedly until you 139 00:07:23,519 --> 00:07:26,439 beg him to stop. President Trump has accomplished so much 140 00:07:26,519 --> 00:07:29,519 during his second term. He passed new incentives for oil 141 00:07:29,560 --> 00:07:32,360 and gas. He put the brakes on solar and wind. 142 00:07:32,560 --> 00:07:35,759 That will be your legacy, sir, breaking wind and passing gas. 143 00:07:37,279 --> 00:07:39,839 Speaker 2: Deadline's keeping an eye on the Netflix is a joke 144 00:07:40,079 --> 00:07:44,600 comedy festival. The Festival Los Angeles may fourth through the tenth. 145 00:07:45,120 --> 00:07:48,079 Deadline's written about this before, but they continue to say 146 00:07:48,600 --> 00:07:51,160 that the festival will be, according to an insider, a 147 00:07:51,240 --> 00:07:54,759 story of the haves and the have nuts. Deadline's update 148 00:07:55,040 --> 00:07:58,079 is one validation of netflix investment in podcasting is the 149 00:07:58,120 --> 00:08:01,399 Pete Davidson Showline and says after getting to low ticket 150 00:08:01,439 --> 00:08:03,959 warnings with the show featuring John Mulaney, Pete Davidson has 151 00:08:03,959 --> 00:08:06,639 booked another at the Wiltrin Theater to feature Nicki Glazer, 152 00:08:07,199 --> 00:08:09,279 but they say that aside, I'm not seeing many more 153 00:08:09,319 --> 00:08:11,319 sellouts on the schedule than I did when we last 154 00:08:11,399 --> 00:08:14,680 checked in. Now this is really interesting, Deadline Rights. Strangely, 155 00:08:15,079 --> 00:08:17,160 some of the biggest, more key names in comedy are 156 00:08:17,199 --> 00:08:20,040 those with the most tickets left to sell as of now, 157 00:08:20,079 --> 00:08:22,800 and this was middle of last week. Shane Gillis, Louis 158 00:08:22,800 --> 00:08:25,600 c K, and John mulaney are far from selling out 159 00:08:25,639 --> 00:08:28,519 their shows at the Hollywood Bowl. Kat Williams as a 160 00:08:28,519 --> 00:08:30,360 good way to go at the Into It Dome, as 161 00:08:30,399 --> 00:08:32,879 does Nate Berghatzy with his two shows at the venue, 162 00:08:33,679 --> 00:08:37,120 and in particular the May ninth show. More from Deadline, 163 00:08:37,200 --> 00:08:40,559 Seinfeld's sales aren't great for a show featuring Leanne Morgan 164 00:08:41,080 --> 00:08:45,080 and Jim Gaffigan hasn't yet approached selling out the Dolby Wow. 165 00:08:45,200 --> 00:08:48,759 Really weird, right, Deadline Rights. The numbers are puzzling when 166 00:08:48,799 --> 00:08:51,120 you consider all the records comics like Burghetzie and Morgan 167 00:08:51,159 --> 00:08:53,639 are achieving around the world, and as Gillis approaches his 168 00:08:53,759 --> 00:08:57,159 huge homecoming show at Lincoln Financial Field, and it's striking 169 00:08:57,200 --> 00:08:59,200 to assess them in relation to the ticket sales of 170 00:08:59,279 --> 00:09:02,200 younger buzzy common like tren Marco Sarzi and Jeffer Keiy, 171 00:09:02,399 --> 00:09:05,200 who have sold out multiple shows, albeit at much smaller venues. 172 00:09:05,960 --> 00:09:08,960 Very very interesting at some point during the week, I 173 00:09:09,000 --> 00:09:11,480 sat in front of the television and watched Kevin Hartz. 174 00:09:11,679 --> 00:09:15,320 What is that called comedy competition thing? Funny af that's 175 00:09:15,360 --> 00:09:17,480 what it's called, right, Yeah, maybe John you host the 176 00:09:17,480 --> 00:09:19,679 show you tell us Sorry. As I wrote it in 177 00:09:19,759 --> 00:09:22,440 the Facebook group Daily Comedy News Podcast group, it's a 178 00:09:22,480 --> 00:09:26,360 good version of the comedy competition show. I'm a comedy snob. 179 00:09:26,399 --> 00:09:29,159 I struggle with these things. Some of my notes. I 180 00:09:29,200 --> 00:09:34,240 actually ran my Apple watch timer. We're seeing ninety second sets. 181 00:09:34,759 --> 00:09:38,080 You can almost get by on just pure charisma for 182 00:09:38,200 --> 00:09:41,600 ninety seconds. For a lot of these ninety second sets, 183 00:09:41,639 --> 00:09:44,879 you're seeing that it's basically one good joke. There was 184 00:09:44,919 --> 00:09:47,600 one guy, he had a really great joke about bears, 185 00:09:48,440 --> 00:09:51,240 and that kind of stretched out to ninety seconds, and 186 00:09:51,639 --> 00:09:54,159 you know, Okay, that doesn't make you George Carlin, doesn't 187 00:09:54,159 --> 00:09:57,399 make you bad. But like relax, and a lot of 188 00:09:57,440 --> 00:10:01,080 the ninety second sets are edited off. Somebody will get 189 00:10:01,080 --> 00:10:03,080 off a good joke and a good laugh and then 190 00:10:03,120 --> 00:10:04,799 it's just cut to the end, and you could tell 191 00:10:04,799 --> 00:10:06,519 that the set didn't actually end there, or they just 192 00:10:06,559 --> 00:10:08,759 kind of wrap it up. One thing that did make 193 00:10:08,799 --> 00:10:11,200 me happy is if you listen regularly you've heard me 194 00:10:11,240 --> 00:10:13,840 talk about what I describe as the Emperor of Rome syndrome, 195 00:10:13,840 --> 00:10:16,519 which means I have heard so much comedy in my 196 00:10:16,559 --> 00:10:18,679 lifetime that my brain is fried. And I do what 197 00:10:18,720 --> 00:10:20,759 the comedians do, which is in the back of the room, 198 00:10:21,240 --> 00:10:23,879 they're going, Oh, that's really good. That's really funny, but 199 00:10:23,960 --> 00:10:27,399 don't actually laugh. And you'll see that at times, specifically 200 00:10:27,559 --> 00:10:30,960 with Keegan Michael Key sitting at the table with Kevin 201 00:10:31,000 --> 00:10:33,240 Hart just saying oh, really good, really good, really good. 202 00:10:33,279 --> 00:10:35,240 So if you want to know what I talk about 203 00:10:35,240 --> 00:10:37,639 when I talk about Emperor of Rome syndrome, watch that 204 00:10:38,440 --> 00:10:41,639 for good illustration of it. Anyway, it's a nice enough 205 00:10:41,720 --> 00:10:42,960 version of that. Oh and then I got to the 206 00:10:43,039 --> 00:10:44,799 end episode one and they were like, and the final 207 00:10:44,840 --> 00:10:48,240 comedian moving on is Cliffhanger, And I'm like, Netflix, I'm 208 00:10:48,279 --> 00:10:50,519 not hitting play on a second episode to find out 209 00:10:50,519 --> 00:10:52,360 who's going through to the second round. I don't care 210 00:10:52,519 --> 00:10:55,000 that much, so I'll probably watch the whole thing, but 211 00:10:55,039 --> 00:10:57,759 I'm not like obsessed with it. It's fine. It's a 212 00:10:57,759 --> 00:11:00,360 good version of what it is. I did like Rommy 213 00:11:00,440 --> 00:11:03,919 Yusef's special. It's a little long, but the front half 214 00:11:03,960 --> 00:11:07,679 is particularly strong. TV Insider asked Rommy about the special, 215 00:11:07,720 --> 00:11:10,279 which was filmed in February and is pretty topical. How 216 00:11:10,279 --> 00:11:12,759 close to the shoot were your fine seating material. Rommy said, 217 00:11:13,240 --> 00:11:14,919 I think there's the bedrock of the set that are 218 00:11:14,919 --> 00:11:16,120 things that I know I want to hit, and I 219 00:11:16,120 --> 00:11:19,200 think for me from a performance perspective, it's really important 220 00:11:19,240 --> 00:11:20,559 for it to feel like it's happening in a way 221 00:11:20,600 --> 00:11:22,559 that when you're filming a special, it's a tough balance 222 00:11:22,720 --> 00:11:24,279 because you're playing for a crowd that's right in front 223 00:11:24,279 --> 00:11:25,720 of you, and you're playing for everyone else in their 224 00:11:25,720 --> 00:11:27,960 living room. I do try to honor the people that 225 00:11:28,000 --> 00:11:29,879 are in the physical room as much as possible, and 226 00:11:29,879 --> 00:11:32,559 that is spontaneity. They shot at the way you doing 227 00:11:32,600 --> 00:11:34,279 a stand up show. When you're doing crowd work, no 228 00:11:34,320 --> 00:11:36,120 one in the crowds he's who you're talking to unless 229 00:11:36,120 --> 00:11:37,759 you're sitting next to them. So we didn't even try 230 00:11:37,759 --> 00:11:39,360 to grab the crowd. It was more we're gonna play 231 00:11:39,360 --> 00:11:40,879 it as if you were in the room, and by 232 00:11:40,879 --> 00:11:42,559 the nature kind of walking in the set and knowing 233 00:11:42,840 --> 00:11:44,320 going to do crowd work and I don't know where 234 00:11:44,360 --> 00:11:46,039 it's going to go. We also felt like we were 235 00:11:46,039 --> 00:11:47,679 going to commit as much as possible to one of 236 00:11:47,720 --> 00:11:49,879 the shows, and that Special is really just the majority 237 00:11:49,919 --> 00:11:52,720 of one show. Robby said he likes to talk about 238 00:11:52,720 --> 00:11:56,360 pedestrian things and TV Insider said, you had talked about 239 00:11:56,399 --> 00:11:59,080 meeting the Pope. That's not a pedestrian thing. Rommy said, 240 00:11:59,080 --> 00:12:01,200 My feeling is if you can meet people where they are, 241 00:12:01,240 --> 00:12:02,759 they'll go with you wherever you want to go. And 242 00:12:02,799 --> 00:12:04,960 the balance is, you know, my life is not that 243 00:12:05,120 --> 00:12:07,440 crazily different except for every once in a while doing 244 00:12:07,440 --> 00:12:09,159 something like meeting the Pope, and I think that's just 245 00:12:09,240 --> 00:12:12,519 letting people in on that feeling as well. David Cross 246 00:12:12,559 --> 00:12:15,559 sat down with Fox News Digital to discuss David Special 247 00:12:15,679 --> 00:12:18,440 the end of the beginning of the end, David said 248 00:12:18,440 --> 00:12:20,480 of his audience, I know this sounds corny, but they're 249 00:12:20,480 --> 00:12:23,600 really smart and they're mostly like minded people, and they 250 00:12:23,759 --> 00:12:25,879 know what they're getting. At this point, which he described 251 00:12:25,879 --> 00:12:28,519 as a balance between silly and political jokes, including some 252 00:12:28,559 --> 00:12:32,399 personal stories, offensive humor, and topical bits, Cross said he 253 00:12:32,440 --> 00:12:35,480 doesn't tailor his work for algorithms or soften his material 254 00:12:35,559 --> 00:12:38,840 for mass appeal. What Cross actually said was, at this point, 255 00:12:38,960 --> 00:12:40,960 I don't give a hoot. Man, I'm gonna do it, 256 00:12:41,000 --> 00:12:43,159 And if you want to come down, show up. If not, whatever, 257 00:12:43,240 --> 00:12:45,240 it's fine. I'm doing my thing. The audience is happy, 258 00:12:45,320 --> 00:12:46,759 come down if you want. I don't give an f 259 00:12:47,240 --> 00:12:48,919 I don't want to make it too heavily silly or 260 00:12:48,960 --> 00:12:50,919 too heavily political. I like to keep a really nice 261 00:12:50,919 --> 00:12:54,279 balance throughout the whole thing. As for putting together a set, 262 00:12:54,320 --> 00:12:57,039 he says he considers what flows more than a theme. 263 00:12:57,600 --> 00:12:59,559 Cross explains if there is kind of a thread or 264 00:12:59,559 --> 00:13:01,840 theme is something that presents itself. I never sit down 265 00:13:01,840 --> 00:13:04,120 and go how can I talk about the inhumanity of man? 266 00:13:04,159 --> 00:13:05,559 You know it's not that kind of thing. 267 00:13:06,440 --> 00:13:09,279 Speaker 1: Gossip Connor wis Business changed? 268 00:13:09,480 --> 00:13:13,759 Speaker 2: Gossip conn Problem, Gossip Gone Withers with Me? 269 00:13:14,279 --> 00:13:15,960 Speaker 1: John Mactow and the. 270 00:13:16,080 --> 00:13:20,039 Speaker 2: Trees No Pete Today. Gossip Corner features Dave Chappelle. The 271 00:13:20,159 --> 00:13:23,879 manager of the San Francisco Giants was out and about 272 00:13:24,080 --> 00:13:27,080 and his night ended with a fist bump from Dave Chappelle. 273 00:13:27,720 --> 00:13:30,519 Tony Vittello didn't have a game last Monday. He went 274 00:13:30,600 --> 00:13:33,159 to a downtown restaurant that had been recommended by a friend. 275 00:13:33,240 --> 00:13:34,519 He said, to hell with it, I'll go to the 276 00:13:34,559 --> 00:13:36,960 restaurant see. His concern was the Giants were off to 277 00:13:37,000 --> 00:13:39,159 a bad start and he thought some Giants fans would 278 00:13:39,240 --> 00:13:42,559 be sad. Sure enough, there were Giants fans there. They 279 00:13:42,600 --> 00:13:44,279 gave him a hard time and he said, well, what 280 00:13:44,279 --> 00:13:46,200 do you guys doing? You having fun? And they said, yeah, 281 00:13:46,200 --> 00:13:49,759 we're getting ready to go see Dave Chappelle. Ptello bartoned 282 00:13:49,759 --> 00:13:51,360 ways with the fans and called an uber and then 283 00:13:51,360 --> 00:13:52,919 had a change of heart. He said, it was raining. 284 00:13:52,919 --> 00:13:55,840 I called an uber, stared at the uber, canceled the uber, 285 00:13:55,840 --> 00:13:58,080 apologized to the Uber driver and asked myself, why am 286 00:13:58,080 --> 00:14:00,000 I being so scared? I coach guys and tell them 287 00:14:00,200 --> 00:14:02,919 to be scared. So he bought a ticket to Dave 288 00:14:03,000 --> 00:14:06,240 Chappelle's show. At the punchline, Tello said, Dave was Dave, 289 00:14:06,320 --> 00:14:07,559 so I needed to laugh and it was good to 290 00:14:07,600 --> 00:14:08,960 do something in the city. Was a lot of fun, 291 00:14:09,039 --> 00:14:11,039 met some cool people and got some rest to get 292 00:14:11,080 --> 00:14:13,639 ready for this deal. That deal was an interview with 293 00:14:13,799 --> 00:14:16,360 MLB Network. At the end of the night, he got 294 00:14:16,399 --> 00:14:18,679 a fist bump from Dave Chappelle. But I don't know 295 00:14:18,720 --> 00:14:20,960 how that part works. Is he sitting in section three 296 00:14:20,960 --> 00:14:23,960 oh nine or did he have VIP tickets? How did 297 00:14:23,960 --> 00:14:25,919 he get a fist bump from Dave Chappelle? But he 298 00:14:25,960 --> 00:14:29,039 got a fist bump from Dave Chappelle. Meanwhile, we are 299 00:14:29,039 --> 00:14:32,240 told Dave Chappelle secured the perfect deal on an art piece. 300 00:14:32,360 --> 00:14:35,480 Dave was walking around Soho. Dave was on his way 301 00:14:35,519 --> 00:14:39,240 to Sidell's when he spotted artist Lauren Wilson passing by 302 00:14:39,679 --> 00:14:43,360 with one of Wilson's original bees wax sculptures in hand. 303 00:14:43,759 --> 00:14:46,639 Chappelle stopped Wilson and commissioned his work on the spot. 304 00:14:47,039 --> 00:14:49,600 Wilson said, Chappelle was so engaging. I just gave it 305 00:14:49,639 --> 00:14:51,720 to him and told him don't worry about it. And 306 00:14:51,960 --> 00:14:54,840 Star trek ruin Er Patton Oswald has a new gig. 307 00:14:54,919 --> 00:14:57,320 He will lend his voice to the audiobook edition of 308 00:14:57,440 --> 00:15:00,480 Other Worlds Than Things. That is the upcoming novel by 309 00:15:00,480 --> 00:15:04,360 Stephen King. It is the final installment in the Talisman trilogy. 310 00:15:04,440 --> 00:15:07,799 The series kicked off in nineteen eighty four with The Talisman, 311 00:15:07,799 --> 00:15:09,840 a story about Jack Sawyer, a twelve year old boy 312 00:15:09,879 --> 00:15:12,519 searching for a magical item that could save the life 313 00:15:12,519 --> 00:15:15,759 of his ailing mother, and now the third novel in 314 00:15:15,840 --> 00:15:19,360 the trilogy, will be voiced by star trek Ruiner paton 315 00:15:19,399 --> 00:15:21,759 osweald To. That is your comedy news for today. I'll 316 00:15:21,759 --> 00:15:22,320 see you tomorrow.