WEBVTT

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<v Speaker 1>You're listening to an airwave media podcast, Monster House.

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<v Speaker 2>Presents Monster Talks, a proud member of the Airwave Media

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<v Speaker 2>Podcast Network, home of such shows as the Daily Meditation podcast.

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<v Speaker 2>I Know what scares you and when things go wrong.

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<v Speaker 2>If you'd like to advertise on the show, contact sales

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<v Speaker 2>at advertisedcast dot com. I find burial practices fascinating. If

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<v Speaker 2>you haven't traveled the world or haven't read about them,

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<v Speaker 2>you might be tempted to think that they're all about

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<v Speaker 2>the same, but no. From vaults and mausoleums to urns,

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<v Speaker 2>to sky burials to tombs, the number of ways in

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<v Speaker 2>which humans have chosen to preserve the memory of the

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<v Speaker 2>dead as a phnopoly of approaches, sometimes focused on remembering

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<v Speaker 2>the individual is a departed loved one. In other times

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<v Speaker 2>and places, on preservation of the corpse is almost a

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<v Speaker 2>half deity to be supplicated. Some cultures have duties that

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<v Speaker 2>are due the dead, and some religions hold that the

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<v Speaker 2>dead are just empty containers and less important than the

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<v Speaker 2>souls that once inhabited them. But there is an almost

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<v Speaker 2>universal cultural fear around the places where we store the

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<v Speaker 2>remains of our dead. You are listening to Monster talk

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<v Speaker 2>the Science show about monsters, which I'm betting means you're

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<v Speaker 2>not one of the normal ones. I bet a good

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<v Speaker 2>chunk of our listeners, like your hosts, not only aren't

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<v Speaker 2>afraid of graveyards, but find them fascinating places to visit

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<v Speaker 2>by day and by night. Some cemeteries, like Highgate in

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<v Speaker 2>London are pair loches in Paris are shaded cities of

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<v Speaker 2>the dead, with their own streets and a distinct atmosphere

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<v Speaker 2>of decaying beauty. These places have as many stories as

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<v Speaker 2>they have bones. But sometimes in our travels we find small,

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<v Speaker 2>neglected cemeteries with rusted gates and tall weeds where flowers

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<v Speaker 2>might adorn a more frequently visited plot, and these places

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<v Speaker 2>also collect stories and Out on the high plains of Colorado,

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<v Speaker 2>one such place as Silver Cliff Cemetery. Now they say

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<v Speaker 2>that people have been seeing ghost lights there since the

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<v Speaker 2>silver rush of the eighteen eighties. They say, even on

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<v Speaker 2>a cloudy night, you could see the blue flames hopping

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<v Speaker 2>around between the old monuments. It's too good of a

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<v Speaker 2>story to not have a look, right. Well, my co

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<v Speaker 2>host Karen and her husband Matt went to have a look.

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<v Speaker 2>You might be surprised to hear that, even though they're

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<v Speaker 2>very skeptical people, they saw them too.

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<v Speaker 3>It's actually quite unlike anything we've ever seen before.

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<v Speaker 4>A giant, hairy creature, part Ape, part Matt in Larkness,

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<v Speaker 4>a twenty four a mile long bottomless lake and the

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<v Speaker 4>Highlands of scott It's a creature known as the Luckness Monster.

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<v Speaker 4>Monster t.

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<v Speaker 2>Welcome to Monster Talk, the science show about monsters. I'm

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<v Speaker 2>Blake Smith and I'm Karen Stolsner. We're gonna hop right

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<v Speaker 2>into our chat with Karen and regular guest Matt Baxter.

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<v Speaker 2>But I wanted to front load by saying Karen has

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<v Speaker 2>a new book out. I've put a link to it

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<v Speaker 2>in the show notes. It's all about the history of

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<v Speaker 2>the word bitch, and looks to be the sort of

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<v Speaker 2>fun book that's both a fascinating history of a word,

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<v Speaker 2>a topic that's near and dear to word lovers, and

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<v Speaker 2>also an amusingly rude kind of title that makes for

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<v Speaker 2>a fun read in public places. So check the show

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<v Speaker 2>notes for a linked to Bitch, and also to a

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<v Speaker 2>book where some of Tonight's research is explain in detail.

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<v Speaker 2>One of my favorite books Karen's written, and that is

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<v Speaker 2>haunting America. I think you'll enjoy both of those. Monstertle, Hey, Matt, Hey, Karen,

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<v Speaker 2>Welcome back to Monster Talk. Is another week, another exciting

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<v Speaker 2>talk about strange and paranormal and paranormal adjacent, monster adjacent

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<v Speaker 2>and monsters. Hey, I was looking for you for what

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<v Speaker 2>we've been talking about this week, and I realized somehow,

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<v Speaker 2>and I don't know how we did this. We seem

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<v Speaker 2>to have talked about this investigation you guys did on

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<v Speaker 2>this cemetery several times on YouTube, but I don't think

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<v Speaker 2>we've actually done like a thorough episode about your investigation.

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<v Speaker 2>And this is work that you did which showed up

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<v Speaker 2>been haunting America and it's really interesting. It has weird

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<v Speaker 2>parallels to one of my first cases I ever did

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<v Speaker 2>with other people and skepticism and so like, this is great.

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<v Speaker 2>So let's talk about the Silver Cliff Cemetery in your investigation,

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<v Speaker 2>and I hope if you don't mind, could we start

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<v Speaker 2>out with sort of talking about why it's spooky, what's

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<v Speaker 2>the legend, like, what is this, where is it and

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<v Speaker 2>what's it all about.

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<v Speaker 5>There's a lot to unpack here and this is a story.

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<v Speaker 5>It's really one of those ones that keeps coming up

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<v Speaker 5>again and again. Just when you think, Okay, well we

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<v Speaker 5>have the answer to this, we've debunked this, we've got

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<v Speaker 5>the solution to the claims, it just seems to resurface,

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<v Speaker 5>and it's almost as though that information, the truth is

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<v Speaker 5>now there. So Silvercliff Cemetery. So we're in Colorado and

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<v Speaker 5>Matt and I have continued to hear about this little cemetery.

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<v Speaker 5>It's really out in the middle of nowhere, I guess

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<v Speaker 5>it's where is it, Matt? Probably about three hours drive

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<v Speaker 5>from Denver.

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<v Speaker 3>Yeah, approximately, I would say.

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<v Speaker 5>So. It's right next to this town called Westcliffe, and

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<v Speaker 5>it's purported to have the countries most haunted, if not

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<v Speaker 5>the world's most haunted cemetery. So when I think about cemeteries,

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<v Speaker 5>I tend to think about those big ones like maybe

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<v Speaker 5>Saint Louis Cemetery in New Orleans, the one that Marie

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<v Speaker 5>Leveaux would frequent I think about places like Resurrection Cemetery

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<v Speaker 5>in Chicago as well, and a Hollywood Cemetery in LA

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<v Speaker 5>with the ghosts of celebrities and things like that. So

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<v Speaker 5>I was a little mystified as to why this place

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<v Speaker 5>had this reputation for being so haunted, and so Matt

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<v Speaker 5>and I became very interested in this topic and really

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<v Speaker 5>did an investigation that took quite some time. This goes

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<v Speaker 5>back ten eleven years now, and we went to this

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<v Speaker 5>place and we went in different climates, different seasons as well,

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<v Speaker 5>so that we could really try to figure out what

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<v Speaker 5>was going on there. And ultimately the answer, the solution

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<v Speaker 5>was right in front of us. But it was an

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<v Speaker 5>interesting tale just to get to that point. So, Matt,

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<v Speaker 5>do you want to begin by telling everyone a little

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<v Speaker 5>bit a bit about the stories that have taken place

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<v Speaker 5>surreting cemetery.

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<v Speaker 3>Well, like Karen said, it's near a town called Westcliffe,

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<v Speaker 3>which actually is a sister town to a town called Silvercliff.

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<v Speaker 3>They're right next to each other, they're practically the same town.

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<v Speaker 3>But the reason one is called Silvercliff is because there

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<v Speaker 3>was an amazing silver mining rush there back in the

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<v Speaker 3>late eighteen hundreds and that's when supposedly the legend started,

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<v Speaker 3>when people started getting buried in the cemetery around that

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<v Speaker 3>time in the eighteen eighties, that there were these strange

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<v Speaker 3>sort of floating blue lights and they thought that they

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<v Speaker 3>were like lanterns, you know, from inside the mines that

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<v Speaker 3>someone was carrying, but it became very creepy, and it's like,

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<v Speaker 3>you know, you you've kind of got these these old

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<v Speaker 3>tales of this this, these are these lights out out

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<v Speaker 3>in the cemetery. And then you know, we here in

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<v Speaker 3>this day and age, we hear that National Geographic actually

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<v Speaker 3>went out and did an investigation out there and.

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<v Speaker 6>They saw them.

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<v Speaker 3>They in their investigation, they saw the lights. They proved

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<v Speaker 3>that they were there, and you know it's.

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<v Speaker 6>In an.

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<v Speaker 3>Issue of National Geographic August nineteen sixty nine. So how

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<v Speaker 3>can you argue with that? I mean, that's some that's

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<v Speaker 3>a great, great place to start, you know with with oh,

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<v Speaker 3>this must be real. Just happens to turn out that,

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<v Speaker 3>you know, it wasn't an investigation.

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<v Speaker 5>The stories that are coming out of the cemetery really

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<v Speaker 5>change over the years. So, as Matt said, originally you've

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<v Speaker 5>got the idea of this a bright light, maybe a

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<v Speaker 5>blue light typically or a white light, through to multi

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<v Speaker 5>colored lights, red lights and green lights, and lights that

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<v Speaker 5>bounce around the cemetery. A lot of stories seem to

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<v Speaker 5>resemble tales of will of the wisps and spoop lights.

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<v Speaker 5>So you really have a lot of folklore that's intersecting

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<v Speaker 5>with this story and feeding into it, and as Matt said,

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<v Speaker 5>claims that maybe these lights came from miners, or there

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<v Speaker 5>was a young girl who was buried in the cemetery

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<v Speaker 5>and the lights are coming from her somehow. So all

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<v Speaker 5>of these different stories, but miners, miners, both both kind

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<v Speaker 5>and ultimately you were told, well, this has been researched,

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<v Speaker 5>This has been investigated by none other than National Geographics.

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<v Speaker 5>So obviously this is factual. This is true. Something strange

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<v Speaker 5>is going on here. So what's interesting is that the

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<v Speaker 5>New York Times had actually covered the case a few

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<v Speaker 5>years before National Geographic. People do talk about that as well.

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<v Speaker 5>There's just a little article and I've got a clipping

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<v Speaker 5>that I'll read out from the New York Times. The

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<v Speaker 5>legends say that the dancing lights were first seen in

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<v Speaker 5>the pre dawn hours of a bitter winter day in

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<v Speaker 5>eighteen eighty A small group of miners were returning to

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<v Speaker 5>Silver Cliff after a riproaring party in the nearby mining

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<v Speaker 5>town of Rosita. They were still a bit unsteady of

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<v Speaker 5>foot after the festivities and were laughing as they recalled

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<v Speaker 5>the raucous highlights of the dance hall social Their route

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<v Speaker 5>back to Silvercliff, took them past the old cemetery, and here,

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<v Speaker 5>as they passed the place, one of the miners stopped,

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<v Speaker 5>grasped the arm of a companion and pointed into the

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<v Speaker 5>burial ground. They're flickering on the carved surface for freshly

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<v Speaker 5>raised tombstone was a blue flame. The miners stared with

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<v Speaker 5>fascination for a while, a very short while, and with

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<v Speaker 5>less stagger and more speed, headed quickly for nearby Silver Cliff. So, yeah,

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<v Speaker 5>we have that story, and then that's followed by the

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<v Speaker 5>story of National Geographics. So you have this idea of

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<v Speaker 5>it being I don't know, maybe a long form piece

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<v Speaker 5>or a research piece, and the National Geographic don't really

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<v Speaker 5>do those kinds of scholarly investigations. But the information on

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<v Speaker 5>silver Cliff is a lot shorter than we're led to believe,

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<v Speaker 5>and it's just this little PostScript. Really, So do you.

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<v Speaker 2>Remember when we were talking about the most haunted cities

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<v Speaker 2>and there was one that was listed in the Guinness

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<v Speaker 2>Booker World Records and we looked and it was just

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<v Speaker 2>like a little like a little paragraph blurb thing was

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<v Speaker 2>it was completely not well this is yeah, yeah, two

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<v Speaker 2>paragraph but still I just reminded me.

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<v Speaker 5>Hardly some kind of investigation or academic paper or anything

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<v Speaker 5>like that. Just a footnote really, in an article called

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<v Speaker 5>Colorado the Rockies Pot of Gold by Edward Lyneham in

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<v Speaker 5>the August nineteen sixty nine. As Matt said, so I'll

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<v Speaker 5>read the little section because it's not that long. Eerie

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<v Speaker 5>lights away to explanation. I recall quite vividly the last

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<v Speaker 5>such town I visited before leaving Colorado, a place called

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<v Speaker 5>Silver Cliff in the Wet Mountain valley west of Pueblo.

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<v Speaker 5>Today it counts about one hundred and ten year round residents,

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<v Speaker 5>where once five thousand lived. Be sure to get thereafter dark.

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<v Speaker 5>A fellow camper from Kansas had told me, and drive

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<v Speaker 5>out to the old cemetery, you'll see something mighty strange.

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<v Speaker 5>We'd bounced about a mile out of Silver Cliff across

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<v Speaker 5>Pitch Black Prairie when Bill Klein, who runs the local campground,

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<v Speaker 5>told me to pull up and switch my headlights off.

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<v Speaker 5>Do you believe it? I asked him about the lights

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<v Speaker 5>in the graveyard. I've seen plenty of them. This is

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<v Speaker 5>a good night for them. Overcast, no mood. We climbed

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<v Speaker 5>out beside the old burying ground, and for long minutes

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<v Speaker 5>I strained to see something anything. Slowly vague outlines of

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<v Speaker 5>grave markers emerged in ragged rose. There. Bill's voice was quiet,

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<v Speaker 5>almost a whisper, And over there I saw them, too,

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<v Speaker 5>dim round spots of blue white light glowed ethereally among

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<v Speaker 5>the graves. I found another and stepped forward for a

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<v Speaker 5>better look. They vanished. For fifteen minutes, we walked about

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<v Speaker 5>the place, pursuing one will of the wisp, then another.

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<v Speaker 5>I aimed my flashlight at one eerie glow and switched

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<v Speaker 5>it on. It revealed only a tombstone. Again, that's not

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<v Speaker 5>any kind of in depth investigation. It's just a footnote

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<v Speaker 5>and really just recounting the folklore. And so I think

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<v Speaker 5>that it kind of gives us a hint at what's

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<v Speaker 5>going on as well. They're talking about these lights in

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<v Speaker 5>the cemetery, and what happens right at the end the

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<v Speaker 5>fellow aims is flashlight at one of these glows, and

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<v Speaker 5>there's a tombstone. So I think if we want to

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<v Speaker 5>talk about spoilers, that really spoils what's going on when.

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<v Speaker 2>Is quite a spoiler and anchored right there at such

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<v Speaker 2>an early date. Yeah, Yeah, exactly it is, and.

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<v Speaker 5>Even though they say eerie lights a weight explanation. So

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<v Speaker 5>then we go back to a skeptical inquirer piece and

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<v Speaker 5>I don't have it handy, but I think it goes

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<v Speaker 5>back to maybe the nineteen eighties or nineteen nineties, and

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<v Speaker 5>the fellow who writes the article does come up with

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<v Speaker 5>the solution for what's going on here, that it's reflections

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<v Speaker 5>of lights on tombstones. But again, the source of what's

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<v Speaker 5>going on is right in front of us. Even though

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<v Speaker 5>so many articles have come out, no one's been able

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<v Speaker 5>to figure out what exactly was going on on. Well,

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<v Speaker 5>they figured out what's going on, but they haven't found

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00:15:03.960 --> 00:15:08.080
<v Speaker 5>out that the source tells us, you know, what was

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00:15:08.120 --> 00:15:11.399
<v Speaker 5>really happening. But you've got other scientific theories out there too, Matt.

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<v Speaker 5>Do you want to talk a little bit to some of.

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<v Speaker 3>Those, like.

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<v Speaker 5>Fireflies and phosphorescence.

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<v Speaker 3>Yeah, I mean there's lots of different theories and and

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<v Speaker 3>and you know scientific things that could be happening, And

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00:15:27.919 --> 00:15:29.519
<v Speaker 3>there's there's lots of reasons that.

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<v Speaker 6>You could see something.

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<v Speaker 3>Phosphorescent out there, such as decaying wood sometimes can become fastphorescent.

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<v Speaker 5>From all crosses.

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<v Speaker 3>Fox fire, and so you know, there's lots of different possibilities,

246
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<v Speaker 3>none of them I think would be consistent.

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<v Speaker 2>Well, there you go. But maybe it doesn't need.

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00:15:52.279 --> 00:15:55.320
<v Speaker 6>To be right. Maybe maybe it doesn't.

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<v Speaker 3>You only need one person, one thing at one time

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<v Speaker 3>for it to be all.

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<v Speaker 5>Even with the explanation that we have though, it could

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<v Speaker 5>truly be different people seeing different things. So even though

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<v Speaker 5>we know what happened, it's possible that at other times,

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<v Speaker 5>other people saw different things. That's a really good point.

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<v Speaker 6>Absolutely, you know.

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<v Speaker 3>And the thing is, you know, Karen and I we

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<v Speaker 3>did go out there three different times and just to

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00:16:24.559 --> 00:16:28.080
<v Speaker 3>try to really figure out what people were seeing.

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00:16:27.799 --> 00:16:32.000
<v Speaker 5>Because we're not well, we're not well as much time

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<v Speaker 5>to it.

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00:16:32.639 --> 00:16:33.080
<v Speaker 4>Yeah. Yeah.

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<v Speaker 6>One time was in the dead of winter and it was.

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<v Speaker 5>Very cold and knowing and I see and yeah, miserable.

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00:16:41.440 --> 00:16:43.440
<v Speaker 6>Yeah, yeah, it really was.

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<v Speaker 5>We camped out to see the lights.

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<v Speaker 6>Yeah, and we saw them.

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<v Speaker 2>Did you did you sleep in the cemetery or outside

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00:16:51.200 --> 00:16:55.559
<v Speaker 2>the cemetery? We didn't sleep, Oh, I see, Well that's hot.

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<v Speaker 4>Anyway.

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<v Speaker 2>The point is.

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<v Speaker 3>It was really interesting though, because we were really watching

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<v Speaker 3>for any possibility, and that particular night it wasn't overcast,

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00:17:11.000 --> 00:17:12.559
<v Speaker 3>it was just freezing.

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00:17:13.480 --> 00:17:14.920
<v Speaker 6>We did see the lights.

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<v Speaker 3>We went up there in the summertime and we did

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00:17:17.519 --> 00:17:20.680
<v Speaker 3>catch some overcast, you know, so we couldn't blame the

277
00:17:20.720 --> 00:17:26.599
<v Speaker 3>stars reflecting off of the headstones and that we still

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00:17:26.599 --> 00:17:27.480
<v Speaker 3>could see them.

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00:17:27.720 --> 00:17:31.599
<v Speaker 5>There's another theory too that we haven't touched upon. That

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00:17:32.200 --> 00:17:36.359
<v Speaker 5>some people will say it's something called prisoner's cinema. So

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00:17:37.640 --> 00:17:42.960
<v Speaker 5>people are in solitary confinement or maybe in a cave

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00:17:43.119 --> 00:17:43.839
<v Speaker 5>or something like that.

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00:17:43.880 --> 00:17:45.880
<v Speaker 2>You're in a very pre deprivation situation.

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00:17:46.039 --> 00:17:50.759
<v Speaker 5>Yeah, yes, it is yet and almost akin to sneezing

285
00:17:50.839 --> 00:17:54.799
<v Speaker 5>and when you see stars and bright lights. But people

286
00:17:54.799 --> 00:17:58.599
<v Speaker 5>certainly go out to Silver Cliff to this day trying

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00:17:58.599 --> 00:18:01.519
<v Speaker 5>to see something, and at a night where there are

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00:18:01.640 --> 00:18:05.279
<v Speaker 5>very few stars or there's no light, you could very

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00:18:05.319 --> 00:18:08.640
<v Speaker 5>easily pull yourself into thinking that you're seeing something.

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00:18:08.960 --> 00:18:12.400
<v Speaker 3>Well, the key words there is trying to see something.

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00:18:13.400 --> 00:18:16.599
<v Speaker 3>So it is pretty easy to see something out there

292
00:18:16.599 --> 00:18:21.559
<v Speaker 3>if you're really trying, And the sensory deprivation aspect of

293
00:18:21.599 --> 00:18:25.799
<v Speaker 3>it is can it happen very easily. The whole thing

294
00:18:25.839 --> 00:18:29.400
<v Speaker 3>about it is when you're having a sensory deprivation sort

295
00:18:29.440 --> 00:18:32.759
<v Speaker 3>of experience and you're out there in the dark, there's

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00:18:32.799 --> 00:18:35.359
<v Speaker 3>a certain look to it, and you can kind of

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00:18:35.400 --> 00:18:38.400
<v Speaker 3>tell that, oh, this is not real. This is you know,

298
00:18:38.599 --> 00:18:40.960
<v Speaker 3>my eyes are playing with me because I'm in the dark.

299
00:18:43.039 --> 00:18:46.640
<v Speaker 3>But you know, if you're really needing to kind of,

300
00:18:46.680 --> 00:18:48.799
<v Speaker 3>you know, play into your own bias, then you can

301
00:18:48.839 --> 00:18:50.240
<v Speaker 3>ignore those obvious things.

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00:18:51.680 --> 00:18:53.160
<v Speaker 6>But that's still not it.

303
00:18:53.200 --> 00:18:56.039
<v Speaker 3>That's still not what was causing the lights that we

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00:18:56.039 --> 00:18:56.559
<v Speaker 3>were seeing.

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00:18:58.119 --> 00:18:59.400
<v Speaker 6>We were seeing, you.

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00:18:59.279 --> 00:19:05.680
<v Speaker 3>Know what those old miners saw, I'm sure, which is

307
00:19:05.720 --> 00:19:09.839
<v Speaker 3>another interesting thing because we can't find any mention of

308
00:19:10.160 --> 00:19:18.160
<v Speaker 3>any of these stories about these old miners before this

309
00:19:18.240 --> 00:19:21.759
<v Speaker 3>little bit of information we found in a history museum

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00:19:22.279 --> 00:19:24.720
<v Speaker 3>down in the basement in the microfish area.

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00:19:26.680 --> 00:19:29.319
<v Speaker 5>And yeah, that was the interesting thing that you have

312
00:19:29.400 --> 00:19:32.960
<v Speaker 5>these reports that allegedly go back to the eighteen eighties.

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00:19:33.279 --> 00:19:36.759
<v Speaker 5>So we kept hearing about these periods of time that

314
00:19:36.799 --> 00:19:40.480
<v Speaker 5>we're being mentioned. We'd hear about the eighteen eighties, and

315
00:19:40.519 --> 00:19:43.200
<v Speaker 5>then we'd read a lot about the nineteen twenties, so

316
00:19:43.319 --> 00:19:47.519
<v Speaker 5>either miners in the eighteen eighties or miners or party

317
00:19:47.559 --> 00:19:50.599
<v Speaker 5>goers in the nineteen twenties. But there were also a

318
00:19:50.720 --> 00:19:54.079
<v Speaker 5>number of specific references too that we'll talk about nineteen

319
00:19:54.200 --> 00:19:58.000
<v Speaker 5>fifty six. So it was kind of interesting that you

320
00:19:58.079 --> 00:20:02.279
<v Speaker 5>have these other vague dates eighteen eighties, nineteen twenties, and

321
00:20:02.319 --> 00:20:07.039
<v Speaker 5>then suddenly people talking about maybe April nineteen fifty six

322
00:20:07.440 --> 00:20:10.319
<v Speaker 5>or around that timeframe, and that just seems so specific

323
00:20:10.680 --> 00:20:13.200
<v Speaker 5>that we thought, well, we should really look into this,

324
00:20:13.559 --> 00:20:17.000
<v Speaker 5>maybe there's something to be found here. So we went

325
00:20:17.079 --> 00:20:20.240
<v Speaker 5>to History Colorado. I guess what would you call it?

326
00:20:20.319 --> 00:20:23.720
<v Speaker 5>Matter kind of archives place and a museum.

327
00:20:24.759 --> 00:20:26.759
<v Speaker 3>It's a museum, and then you know, of course the

328
00:20:26.799 --> 00:20:29.319
<v Speaker 3>basement is where they have all these things.

329
00:20:29.440 --> 00:20:29.759
<v Speaker 6>Archive.

330
00:20:33.319 --> 00:20:37.119
<v Speaker 5>We went there on speaking of cold and snow, it

331
00:20:37.200 --> 00:20:39.640
<v Speaker 5>was just a very icy, snowy day. I think a

332
00:20:39.680 --> 00:20:43.400
<v Speaker 5>blizzard was taking It was a blizzard, yes, And so

333
00:20:43.599 --> 00:20:46.680
<v Speaker 5>we went down there early in the morning and asked

334
00:20:46.720 --> 00:20:51.599
<v Speaker 5>to use the microfish and went looking for There had

335
00:20:51.640 --> 00:20:54.279
<v Speaker 5>been a number of newspapers in the area around that time,

336
00:20:55.400 --> 00:20:59.960
<v Speaker 5>and some of them have just gone bust and over time,

337
00:21:00.240 --> 00:21:06.039
<v Speaker 5>but one that fit the bill for being published in

338
00:21:06.079 --> 00:21:08.680
<v Speaker 5>that area and it would have been relevant to that time,

339
00:21:09.359 --> 00:21:13.240
<v Speaker 5>was a newspaper called the Wet Mountain Tribune. So we

340
00:21:13.319 --> 00:21:17.319
<v Speaker 5>brought up copies of that for nineteen fifty six and

341
00:21:17.599 --> 00:21:19.599
<v Speaker 5>for a nineteen fifty five I think fifty six to

342
00:21:19.640 --> 00:21:22.079
<v Speaker 5>fifty seven, so we could look around that whole time frame,

343
00:21:22.519 --> 00:21:27.000
<v Speaker 5>and it was so interesting to just go through these

344
00:21:27.000 --> 00:21:29.319
<v Speaker 5>old newspapers and like, I know, you love this kind

345
00:21:29.319 --> 00:21:29.559
<v Speaker 5>of thing.

346
00:21:29.799 --> 00:21:31.519
<v Speaker 2>All I was thinking was I would love to go

347
00:21:31.559 --> 00:21:33.839
<v Speaker 2>on a micro fishing trip for the weekend.

348
00:21:33.920 --> 00:21:39.359
<v Speaker 3>That it was so much fun. I have to say

349
00:21:39.480 --> 00:21:43.359
<v Speaker 3>I was totally role playing when I you know, I'm there,

350
00:21:43.400 --> 00:21:45.839
<v Speaker 3>you know, being the detective, you know, in this very

351
00:21:45.960 --> 00:21:50.240
<v Speaker 3>special episode of you know, of an old seventies, you know,

352
00:21:50.400 --> 00:21:53.079
<v Speaker 3>police show, and I was just having a great time.

353
00:21:53.279 --> 00:21:57.359
<v Speaker 3>And I looked over at Karen and the expression on

354
00:21:57.400 --> 00:22:02.839
<v Speaker 3>her face shocked me because as she clearly found.

355
00:22:03.279 --> 00:22:07.519
<v Speaker 2>It, Yeah, what a great sailing that is.

356
00:22:07.559 --> 00:22:11.079
<v Speaker 5>Though, Oh really, yeah, we're going through all these old

357
00:22:11.160 --> 00:22:14.440
<v Speaker 5>trite stories about oh, mister and missus Smith drove through

358
00:22:14.480 --> 00:22:19.319
<v Speaker 5>the area and this was their second visit, and just

359
00:22:19.359 --> 00:22:23.359
<v Speaker 5>like these really kind of simple, basic stories about locals

360
00:22:23.359 --> 00:22:26.160
<v Speaker 5>and visitors to the town, and just the things that

361
00:22:26.240 --> 00:22:29.720
<v Speaker 5>were interesting at that point seemed quite dull in comparison

362
00:22:30.200 --> 00:22:34.519
<v Speaker 5>to today. But yeah, we came across the article, so

363
00:22:34.519 --> 00:22:38.759
<v Speaker 5>it was dated April thirteenth, nineteen fifty six, and I'm hoping, Matt,

364
00:22:38.839 --> 00:22:43.880
<v Speaker 5>you can read the snippets of this story. It's called

365
00:22:44.160 --> 00:22:47.799
<v Speaker 5>Silver Cliffs Cemetery ghosts carrying their own lights at night,

366
00:22:48.559 --> 00:22:50.079
<v Speaker 5>and that headlines everything away.

367
00:22:50.440 --> 00:22:53.039
<v Speaker 6>I love it is love the headline so clickbait. I

368
00:22:53.039 --> 00:22:53.759
<v Speaker 6>can't believe that.

369
00:22:55.240 --> 00:22:56.440
<v Speaker 5>It's nineteen fifty six.

370
00:22:56.759 --> 00:22:57.400
<v Speaker 6>Yes, it was a.

371
00:22:57.440 --> 00:23:01.599
<v Speaker 3>Very very early version of clickbait. But yeah, because one

372
00:23:01.599 --> 00:23:04.400
<v Speaker 3>of the other headlines right next to it is fire

373
00:23:04.440 --> 00:23:07.839
<v Speaker 3>Threaten's local ranch residents. So I will do my best

374
00:23:07.839 --> 00:23:10.359
<v Speaker 3>to read this without stumbling too much because the print

375
00:23:10.480 --> 00:23:11.599
<v Speaker 3>is small.

376
00:23:12.519 --> 00:23:14.000
<v Speaker 6>But I'll do my best.

377
00:23:15.519 --> 00:23:20.440
<v Speaker 3>Curious clustertes flock to burial ground a view unusual reflections.

378
00:23:20.799 --> 00:23:24.119
<v Speaker 3>Traffic to the Silver Cliff Cemetery has increased at least

379
00:23:24.200 --> 00:23:26.880
<v Speaker 3>one thousand percent during the past week, but there is

380
00:23:26.880 --> 00:23:30.200
<v Speaker 3>no cause for alarm, or is there at least the

381
00:23:30.240 --> 00:23:32.480
<v Speaker 3>traffic increases.

382
00:23:32.039 --> 00:23:33.240
<v Speaker 6>Not due to an increase in.

383
00:23:33.240 --> 00:23:35.720
<v Speaker 3>The local death rate, although some of those who have

384
00:23:35.839 --> 00:23:40.440
<v Speaker 3>made the trip to the cemetery have expressed themselves as

385
00:23:40.720 --> 00:23:44.000
<v Speaker 3>scared to death. It seems that one evening last week,

386
00:23:44.119 --> 00:23:46.960
<v Speaker 3>some of the younger set of the community were taking

387
00:23:47.000 --> 00:23:50.920
<v Speaker 3>a nocturnal ride which carried them past the cemetery. As

388
00:23:50.960 --> 00:23:53.759
<v Speaker 3>they passed the cemetery, screams of terror came from the

389
00:23:53.799 --> 00:23:57.519
<v Speaker 3>feminine occupants of the car as they beheld numerous eerie

390
00:23:57.599 --> 00:24:03.279
<v Speaker 3>lights dancing about among the tes. The following day, tales

391
00:24:03.279 --> 00:24:06.359
<v Speaker 3>of the ghostly lights were spreading rapidly through the community,

392
00:24:06.960 --> 00:24:11.720
<v Speaker 3>and numerous were the curious ones who trekked to the cemetery.

393
00:24:11.799 --> 00:24:15.920
<v Speaker 3>During the nights that followed. There were those who trembled

394
00:24:15.960 --> 00:24:18.720
<v Speaker 3>with the terror as they saw the bluish lights twinkling

395
00:24:18.799 --> 00:24:21.599
<v Speaker 3>here and there in the burial ground, And many strong

396
00:24:21.720 --> 00:24:25.200
<v Speaker 3>men refused to leave the sanctuary of their cars, and

397
00:24:25.319 --> 00:24:29.599
<v Speaker 3>many frightened women would take but one look, I'm going

398
00:24:29.640 --> 00:24:32.720
<v Speaker 3>to skip down here a little bit so we can

399
00:24:32.759 --> 00:24:36.480
<v Speaker 3>get to the spoilers. Theories as to the reason for

400
00:24:36.559 --> 00:24:38.599
<v Speaker 3>the lights. They're still there if you want to see them,

401
00:24:38.839 --> 00:24:43.480
<v Speaker 3>are numerous. Some advanced the theory that some mischievous youngsters

402
00:24:43.839 --> 00:24:47.640
<v Speaker 3>had put luminous paint on the tombstones. The close examination

403
00:24:47.839 --> 00:24:51.279
<v Speaker 3>proved that this was not true. Others said that it

404
00:24:51.359 --> 00:24:54.039
<v Speaker 3>must be the reflection of the stars on the tombstones.

405
00:24:54.079 --> 00:24:56.200
<v Speaker 3>But the lights are there on a cloudy night, so

406
00:24:56.720 --> 00:25:01.759
<v Speaker 3>that theory goes awry. The most logical explanation concurred in

407
00:25:01.799 --> 00:25:05.160
<v Speaker 3>by many is that the weird lights are reflections of

408
00:25:05.279 --> 00:25:09.119
<v Speaker 3>the street lights of Westcliff, which cast the bluest tinge

409
00:25:09.279 --> 00:25:12.880
<v Speaker 3>and would reflect that thus on tombstones of Silvercliff Cemetery,

410
00:25:13.200 --> 00:25:16.480
<v Speaker 3>even though they are over a mile away. At least,

411
00:25:16.480 --> 00:25:24.000
<v Speaker 3>the ghostly lights have provided unusual entertainment for many customites. Yeah, so,

412
00:25:24.160 --> 00:25:28.279
<v Speaker 3>you know in the very first reference to the ghosts

413
00:25:28.319 --> 00:25:30.680
<v Speaker 3>of Silvercliff Cemetery has the.

414
00:25:30.599 --> 00:25:32.200
<v Speaker 6>Solution in it.

415
00:25:33.000 --> 00:25:35.359
<v Speaker 3>Yeah, and it should have been a one and done,

416
00:25:35.480 --> 00:25:36.799
<v Speaker 3>you know, should have been one and done.

417
00:25:37.640 --> 00:25:40.599
<v Speaker 5>Doesn't date back to the nineteen twenties or the eighteen eighties.

418
00:25:40.640 --> 00:25:43.559
<v Speaker 5>It's nineteen fifty six. It was probably spotted by other

419
00:25:43.599 --> 00:25:47.920
<v Speaker 5>people before that as well, and you know, independently, but

420
00:25:48.640 --> 00:25:54.119
<v Speaker 5>certainly the urban legend as it's spread today dates back

421
00:25:54.160 --> 00:25:55.240
<v Speaker 5>to that article exactly.

422
00:25:55.240 --> 00:25:58.440
<v Speaker 2>This is classic folklore where that you know, you have

423
00:25:58.480 --> 00:26:02.559
<v Speaker 2>a modern store in people will invent are or find

424
00:26:02.720 --> 00:26:07.160
<v Speaker 2>just the most you know, tenuous connections to previous Absolutely, yeah,

425
00:26:07.160 --> 00:26:10.240
<v Speaker 2>to give it historical anker. But the thing is, I

426
00:26:10.279 --> 00:26:16.200
<v Speaker 2>think it's worth mentioning how compelling this illusion or is

427
00:26:16.240 --> 00:26:19.480
<v Speaker 2>not an illusion, this effect of lights reflecting off of

428
00:26:19.599 --> 00:26:23.680
<v Speaker 2>tombstones at night can be. I mean Again, one of

429
00:26:23.720 --> 00:26:27.680
<v Speaker 2>my earliest cases working with other people was working with

430
00:26:27.799 --> 00:26:31.359
<v Speaker 2>Kylie Surgis on a cemetery in Australia and it was

431
00:26:31.640 --> 00:26:35.799
<v Speaker 2>the exact same thing. Ghost Hunters had gone into the

432
00:26:35.839 --> 00:26:39.240
<v Speaker 2>cemetery and they'd videotape what looked like weird lights flying

433
00:26:39.279 --> 00:26:40.279
<v Speaker 2>around and it really was.

434
00:26:40.359 --> 00:26:41.160
<v Speaker 5>It really did.

435
00:26:41.559 --> 00:26:43.599
<v Speaker 2>It looked like that. But you know, I slowed it

436
00:26:43.640 --> 00:26:46.119
<v Speaker 2>down frame by frame and stabilized it, and it became

437
00:26:46.160 --> 00:26:47.920
<v Speaker 2>as soon as I did that, it was obvious what

438
00:26:47.960 --> 00:26:50.440
<v Speaker 2>they really were doing. The camera was moving and the

439
00:26:50.519 --> 00:26:53.680
<v Speaker 2>light from the camera was reflecting off the tombstone and

440
00:26:53.759 --> 00:26:56.119
<v Speaker 2>it really was quite eerie in what you know, without

441
00:26:56.160 --> 00:26:57.359
<v Speaker 2>stabilizing and then oh.

442
00:26:57.720 --> 00:27:02.680
<v Speaker 5>Yeah, it's something worth saying. I mean, if our listeners

443
00:27:02.759 --> 00:27:05.920
<v Speaker 5>happen to be in the area or locals, I mean,

444
00:27:05.920 --> 00:27:08.119
<v Speaker 5>I'm sure they would know about it then, But if

445
00:27:08.119 --> 00:27:10.359
<v Speaker 5>you get the opportunity to go and check it out,

446
00:27:10.440 --> 00:27:13.279
<v Speaker 5>and I'm sure it's a phenomenon that, as you say,

447
00:27:13.319 --> 00:27:16.039
<v Speaker 5>Blake occurs in lots of other cemeteries, and I think

448
00:27:16.079 --> 00:27:19.759
<v Speaker 5>just that association with it being a cemetery and full

449
00:27:19.799 --> 00:27:25.599
<v Speaker 5>of bodies and everything attached with that, all that those associations,

450
00:27:25.359 --> 00:27:28.640
<v Speaker 5>it's it is just a very eerie experience.

451
00:27:30.039 --> 00:27:33.200
<v Speaker 2>So is the church there? Is there a church adjacent

452
00:27:33.240 --> 00:27:35.920
<v Speaker 2>to the cemetery. Is it still an active thing or

453
00:27:35.960 --> 00:27:39.000
<v Speaker 2>is it just like a historically sort of defunct graveyard.

454
00:27:39.519 --> 00:27:43.759
<v Speaker 3>There's no church there, but it is an active graveyard still.

455
00:27:43.920 --> 00:27:47.039
<v Speaker 3>The problem is is there's just not much money coming

456
00:27:47.039 --> 00:27:51.000
<v Speaker 3>into it, so it's a bit derelict at times. They

457
00:27:51.000 --> 00:27:54.079
<v Speaker 3>don't have anyone that they can pay to be a

458
00:27:54.119 --> 00:27:58.640
<v Speaker 3>caretaker out there. So unfortunately it can live up to

459
00:27:58.680 --> 00:28:03.359
<v Speaker 3>its reputation as being a creepy place. But you know,

460
00:28:03.759 --> 00:28:06.319
<v Speaker 3>the thing is is you've got this story in the newspaper,

461
00:28:06.599 --> 00:28:09.720
<v Speaker 3>and you know they're saying that there's all sorts of

462
00:28:09.799 --> 00:28:14.440
<v Speaker 3>theories that people are arguing about. So when that happens,

463
00:28:14.720 --> 00:28:17.720
<v Speaker 3>people tend to make up stories just to win arguments.

464
00:28:19.200 --> 00:28:24.759
<v Speaker 3>And one of those is that a judge had organized it.

465
00:28:24.839 --> 00:28:28.480
<v Speaker 3>So everybody in both silver Cliff and Westcliffe shut off

466
00:28:28.519 --> 00:28:31.960
<v Speaker 3>their lights one night for a particular amount of time,

467
00:28:32.440 --> 00:28:34.720
<v Speaker 3>and they went out and they could still see the

468
00:28:34.799 --> 00:28:40.720
<v Speaker 3>lights in the cemetery. And I'm thinking, at this time

469
00:28:41.039 --> 00:28:44.119
<v Speaker 3>in history, how did he organize that?

470
00:28:46.000 --> 00:28:49.279
<v Speaker 5>Well, I'm wondering how he could have prevented out of

471
00:28:49.359 --> 00:28:53.640
<v Speaker 5>town is from driving through or with any other sources

472
00:28:53.680 --> 00:28:56.640
<v Speaker 5>of lights, or.

473
00:28:55.680 --> 00:28:57.480
<v Speaker 3>They would have had to shut off the city lights,

474
00:28:58.359 --> 00:29:00.559
<v Speaker 3>you know, all the street lights and everything, and then

475
00:29:00.559 --> 00:29:06.039
<v Speaker 3>in people's homes, and how did everybody get notified? And

476
00:29:07.240 --> 00:29:09.720
<v Speaker 3>you know it doesn't make sense. No, Yeah, A great

477
00:29:09.759 --> 00:29:12.279
<v Speaker 3>way to notify people would have been in the newspaper

478
00:29:12.920 --> 00:29:15.960
<v Speaker 3>to say, to say, we're organizing this, But there is

479
00:29:16.000 --> 00:29:17.400
<v Speaker 3>nothing in any of the newspapers.

480
00:29:17.799 --> 00:29:21.359
<v Speaker 6>So yeah, we don't think this judge, Yeah, this judge

481
00:29:21.400 --> 00:29:21.640
<v Speaker 6>did not.

482
00:29:21.799 --> 00:29:24.160
<v Speaker 5>It would have been too difficult to orchestrate. But again

483
00:29:24.200 --> 00:29:27.240
<v Speaker 5>that's part of the law. And it's just fascinating that,

484
00:29:28.160 --> 00:29:31.440
<v Speaker 5>you know, I feel like we busted the story open.

485
00:29:31.920 --> 00:29:35.200
<v Speaker 5>And I was a little irritated to discover a couple

486
00:29:35.240 --> 00:29:37.519
<v Speaker 5>of years ago that someone that we've worked with in

487
00:29:37.559 --> 00:29:41.279
<v Speaker 5>the past had basically taken all of our research, all

488
00:29:41.319 --> 00:29:44.519
<v Speaker 5>of our findings as his own and said that he

489
00:29:44.559 --> 00:29:47.240
<v Speaker 5>had done the work, he had uncovered all of this,

490
00:29:47.359 --> 00:29:52.960
<v Speaker 5>which just isn't the case. But regardless, people haven't really

491
00:29:52.960 --> 00:29:56.680
<v Speaker 5>paid attention to what we've come up with, and the

492
00:29:56.680 --> 00:29:59.200
<v Speaker 5>debunking the story is still out there. There are tons

493
00:29:59.240 --> 00:30:01.400
<v Speaker 5>of videos on you Tube of people going out there

494
00:30:01.400 --> 00:30:04.680
<v Speaker 5>and scaring themselves. But it's really interesting to see how

495
00:30:04.720 --> 00:30:08.480
<v Speaker 5>the folklore has morphed over the years. So nowadays the

496
00:30:08.559 --> 00:30:11.160
<v Speaker 5>current stories. People in the past again will talk about

497
00:30:11.200 --> 00:30:14.359
<v Speaker 5>fairy lights or spook lights, or we'll love the wisp

498
00:30:14.440 --> 00:30:18.799
<v Speaker 5>or ghosts and other things like that. Well, nowadays they're orbs.

499
00:30:19.799 --> 00:30:21.599
<v Speaker 2>I thought orbs was going to be one of those

500
00:30:21.640 --> 00:30:25.359
<v Speaker 2>weird things that rose up and then everybody has sort

501
00:30:25.400 --> 00:30:28.680
<v Speaker 2>of agreed, no, no, that's just dust, and then they

502
00:30:28.799 --> 00:30:32.799
<v Speaker 2>go away and they think no. People are like, yeah, well,

503
00:30:32.839 --> 00:30:34.920
<v Speaker 2>most orbs are just dust, but then some of them

504
00:30:34.960 --> 00:30:38.039
<v Speaker 2>have faces and those are the real ones, and like, really.

505
00:30:38.480 --> 00:30:42.160
<v Speaker 5>Yeah, I love that logic. Yeah, but we've certainly heard

506
00:30:42.200 --> 00:30:43.279
<v Speaker 5>things like that, haven't we met?

507
00:30:43.559 --> 00:30:44.039
<v Speaker 6>Oh yeah.

508
00:30:44.119 --> 00:30:44.279
<v Speaker 4>Well.

509
00:30:44.400 --> 00:30:47.119
<v Speaker 3>One of the other problems is people get their information

510
00:30:47.279 --> 00:30:51.720
<v Speaker 3>from seeing orbs on a video where there's actual movement. Now,

511
00:30:51.759 --> 00:30:56.079
<v Speaker 3>the thing is is these orbs or dust can change

512
00:30:56.079 --> 00:31:00.599
<v Speaker 3>direction very quickly. Yeah, because of the little micro air

513
00:31:00.680 --> 00:31:08.079
<v Speaker 3>currents that we create from moving our hand gesturing dust movie. Yeah, exactly,

514
00:31:08.160 --> 00:31:12.640
<v Speaker 3>anything we do. I did an interesting experiment where I

515
00:31:12.759 --> 00:31:18.480
<v Speaker 3>filled a room with a fog machine fog and then

516
00:31:18.720 --> 00:31:22.960
<v Speaker 3>videotaped how it would react as I just made tiny

517
00:31:23.000 --> 00:31:28.480
<v Speaker 3>little movements, you know, and you know, it's quite maddening

518
00:31:28.599 --> 00:31:31.160
<v Speaker 3>to see all the different you know, swirls and everything

519
00:31:31.160 --> 00:31:33.759
<v Speaker 3>else that happened. And if you got just one dust

520
00:31:33.759 --> 00:31:37.200
<v Speaker 3>particle that happens to be reflecting back to the camera,

521
00:31:38.400 --> 00:31:41.039
<v Speaker 3>it looks like it's just dancing and doing all kinds

522
00:31:41.079 --> 00:31:44.720
<v Speaker 3>of amazing things that a dust particle could never do.

523
00:31:46.000 --> 00:31:48.960
<v Speaker 3>So it's gotta be a goot. So, you know, the

524
00:31:49.240 --> 00:31:54.559
<v Speaker 3>bringing video into the whole orb of argument really dirties

525
00:31:54.640 --> 00:31:55.200
<v Speaker 3>things up.

526
00:31:55.559 --> 00:31:58.039
<v Speaker 5>But it's just interesting to see the evolution of the

527
00:31:58.079 --> 00:32:03.400
<v Speaker 5>story anyway, that it's still around, and it's really surprising

528
00:32:03.440 --> 00:32:07.440
<v Speaker 5>how many people flock to this cemetery. I mean people

529
00:32:07.519 --> 00:32:11.200
<v Speaker 5>all around the state, all around the country, all around

530
00:32:11.200 --> 00:32:14.279
<v Speaker 5>the globe. When we were there, we met people from

531
00:32:15.319 --> 00:32:20.319
<v Speaker 5>Europe and people from Asia, just people from all different

532
00:32:20.640 --> 00:32:24.039
<v Speaker 5>kinds of places and all different backgrounds who were drawn

533
00:32:24.119 --> 00:32:29.319
<v Speaker 5>to the place and the it's just amazing how far

534
00:32:29.400 --> 00:32:30.880
<v Speaker 5>and wide this story has spread.

535
00:32:31.119 --> 00:32:33.039
<v Speaker 6>Yeah, but it.

536
00:32:33.079 --> 00:32:35.759
<v Speaker 2>Is interesting that, you know, you get a cemetery full

537
00:32:35.839 --> 00:32:40.240
<v Speaker 2>of dead people, but these legends refuse to stay buried.

538
00:32:40.279 --> 00:32:40.920
<v Speaker 2>I mean they won't.

539
00:32:40.960 --> 00:32:41.759
<v Speaker 6>They just keep rising.

540
00:32:41.880 --> 00:32:49.519
<v Speaker 2>Yeah, they have a lot more undead qualities than the corpses, right,

541
00:32:50.519 --> 00:32:54.000
<v Speaker 2>they just keep rising from the grave again and again.

542
00:32:54.519 --> 00:32:57.200
<v Speaker 2>You offer a solution for people who want it, you know,

543
00:32:57.240 --> 00:33:01.039
<v Speaker 2>and I imagine most people don't because we're terrible fun ruiners.

544
00:33:01.039 --> 00:33:02.880
<v Speaker 2>But I like knowing what's really going.

545
00:33:02.759 --> 00:33:05.960
<v Speaker 5>A good point. Yeah, well me too, Me too. And

546
00:33:06.039 --> 00:33:09.000
<v Speaker 5>it was really fun to piece this together and go

547
00:33:09.039 --> 00:33:12.160
<v Speaker 5>out and to experience it in different climates, different times

548
00:33:12.160 --> 00:33:14.400
<v Speaker 5>of year. And I mean, it's the kind of thing

549
00:33:14.519 --> 00:33:18.759
<v Speaker 5>that people like us do, really pigheaded and determined to

550
00:33:18.799 --> 00:33:20.920
<v Speaker 5>get to the bottom of these things, and so it

551
00:33:20.960 --> 00:33:25.119
<v Speaker 5>was just so exciting to find that answer, that solution.

552
00:33:26.000 --> 00:33:28.559
<v Speaker 5>But no, it hasn't really changed anything.

553
00:33:28.759 --> 00:33:31.559
<v Speaker 2>No, but it is so glorious to find those smoking

554
00:33:31.640 --> 00:33:32.480
<v Speaker 2>guns when you can.

555
00:33:32.599 --> 00:33:33.200
<v Speaker 6>It's so good.

556
00:33:33.279 --> 00:33:35.880
<v Speaker 2>It's so good, it really was.

557
00:33:35.920 --> 00:33:39.160
<v Speaker 5>It was just a good feeling of satisfaction that we've

558
00:33:39.200 --> 00:33:43.440
<v Speaker 5>done our job well and anyway, so it's just nice

559
00:33:43.480 --> 00:33:45.480
<v Speaker 5>to know that the information's out there, as you say,

560
00:33:45.519 --> 00:33:46.200
<v Speaker 5>if you want it.

561
00:33:46.680 --> 00:33:48.640
<v Speaker 2>We have no air condition right now. It's in the

562
00:33:48.720 --> 00:33:51.359
<v Speaker 2>nineties outside. We've been sleeping on the floor just trying

563
00:33:51.359 --> 00:33:54.160
<v Speaker 2>to stay cool. And to imagine being on a snowy

564
00:33:54.240 --> 00:33:56.880
<v Speaker 2>field on a cold night in Colorado. I would have

565
00:33:56.960 --> 00:34:01.680
<v Speaker 2>some coffee and looking for ghost slightes. This glorious to

566
00:34:01.720 --> 00:34:03.839
<v Speaker 2>me right now, absolutely glorious.

567
00:34:04.440 --> 00:34:06.960
<v Speaker 6>Yes, this is the reason we brought this up. It's

568
00:34:07.000 --> 00:34:09.440
<v Speaker 6>like knew you were suffering. It makes me so.

569
00:34:09.360 --> 00:34:13.280
<v Speaker 5>Happy, like watching one of those videos on YouTube of

570
00:34:13.639 --> 00:34:14.800
<v Speaker 5>rain exactly.

571
00:34:14.880 --> 00:34:17.320
<v Speaker 2>Yeah, yeah, we would, we would love my yard is

572
00:34:18.000 --> 00:34:21.119
<v Speaker 2>psychologically my heart's gone from green to beige for real,

573
00:34:21.239 --> 00:34:22.440
<v Speaker 2>Like we haven't handrat in a while.

574
00:34:22.440 --> 00:34:23.119
<v Speaker 6>So it's bad.

575
00:34:23.199 --> 00:34:27.960
<v Speaker 2>But hey, thank you for sharing this, thank.

576
00:34:27.800 --> 00:34:31.239
<v Speaker 5>You for yeah, for for resurrecting this again. But it

577
00:34:31.360 --> 00:34:34.719
<v Speaker 5>is just one of those perennial stories. It's always out there.

578
00:34:34.800 --> 00:34:37.679
<v Speaker 5>But I would like to mention something else, and that

579
00:34:37.880 --> 00:34:42.719
<v Speaker 5>is that when this show comes out, that's my latest

580
00:34:42.719 --> 00:34:48.960
<v Speaker 5>book will have come out as well. Bitch, the Journey

581
00:34:48.960 --> 00:34:49.480
<v Speaker 5>of a work.

582
00:34:49.679 --> 00:34:50.320
<v Speaker 2>Beep it out?

583
00:34:50.800 --> 00:34:52.360
<v Speaker 6>How scare you.

584
00:34:53.079 --> 00:34:54.280
<v Speaker 5>Leave it in for the patrons?

585
00:34:54.440 --> 00:34:57.760
<v Speaker 2>That's right, Your coming out really much.

586
00:34:59.280 --> 00:35:02.519
<v Speaker 5>I hope that's our listeners who are interested in the

587
00:35:03.239 --> 00:35:06.559
<v Speaker 5>history and the folklore and popular culture of this word

588
00:35:07.159 --> 00:35:08.800
<v Speaker 5>will run out and grab a copy.

589
00:35:08.880 --> 00:35:10.559
<v Speaker 2>People have been hounding you to know when it was

590
00:35:10.559 --> 00:35:11.199
<v Speaker 2>coming out, and.

591
00:35:13.480 --> 00:35:14.559
<v Speaker 5>I see what you did.

592
00:35:16.320 --> 00:35:17.079
<v Speaker 6>Female hounding.

593
00:35:17.880 --> 00:35:21.079
<v Speaker 2>All right, Well, now there mystery is curtailed. All right,

594
00:35:21.480 --> 00:35:26.239
<v Speaker 2>this is fantastic. Thank you so much guys for sharing

595
00:35:26.519 --> 00:35:29.320
<v Speaker 2>the story and the research. I'll put some It's okay

596
00:35:29.400 --> 00:35:32.760
<v Speaker 2>to use these photos in the show notes. Yes, yes, fantastic.

597
00:35:32.840 --> 00:35:33.239
<v Speaker 6>All right.

598
00:35:33.719 --> 00:35:36.840
<v Speaker 2>Well, okay, So if you happen to find yourself out

599
00:35:36.880 --> 00:35:40.519
<v Speaker 2>in this particular cemetery and see lights, you know, don't

600
00:35:40.559 --> 00:35:44.800
<v Speaker 2>be afraid. Just tune in. Remind yourself it's just on reflection,

601
00:35:44.920 --> 00:35:45.920
<v Speaker 2>it's not that dangerous.

602
00:35:48.840 --> 00:35:52.119
<v Speaker 5>And on that note, we'll be back soon.

603
00:35:53.039 --> 00:35:53.559
<v Speaker 4>Monster.

604
00:35:54.960 --> 00:35:58.519
<v Speaker 2>You've been listening to Monster Doc, the science show about monsters.

605
00:35:58.880 --> 00:36:02.920
<v Speaker 2>I'm Blake's and I'm Karen Stolesner. You just heard Karen

606
00:36:03.000 --> 00:36:06.039
<v Speaker 2>Stolesno and Matt Baxter tell the story of the Silvercliff

607
00:36:06.159 --> 00:36:10.079
<v Speaker 2>Cemetery lights and how they uncovered the illuminating history behind

608
00:36:10.119 --> 00:36:12.840
<v Speaker 2>that story. Check out the show notes for links for

609
00:36:12.920 --> 00:36:15.840
<v Speaker 2>more details about this case and a link to Karen's

610
00:36:15.840 --> 00:36:19.719
<v Speaker 2>book Haunting America, which has a chapter about solving this mystery.

611
00:36:19.960 --> 00:36:21.559
<v Speaker 2>And there's also a link in the show notes to

612
00:36:21.639 --> 00:36:25.239
<v Speaker 2>Karen's very latest book, Bitch, The Journey of a Word.

613
00:36:26.639 --> 00:36:29.719
<v Speaker 2>We hope you've enjoyed this episode of Monster Talk. Each

614
00:36:29.840 --> 00:36:32.199
<v Speaker 2>episode we strive to bring you the very best in

615
00:36:32.280 --> 00:36:36.000
<v Speaker 2>monster related content with a focus on bringing scientific skepticism

616
00:36:36.039 --> 00:36:39.920
<v Speaker 2>into the conversation. If you enjoy Monster Talk, we now

617
00:36:39.960 --> 00:36:42.840
<v Speaker 2>have a variety of ways to support the show, all

618
00:36:42.880 --> 00:36:47.440
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619
00:36:48.039 --> 00:36:52.280
<v Speaker 2>That's monster talk dot org forwarge Slash support. We have

620
00:36:52.360 --> 00:36:54.440
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621
00:36:54.440 --> 00:36:57.840
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00:36:57.880 --> 00:37:00.880
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624
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625
00:37:03.840 --> 00:37:06.360
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626
00:37:06.400 --> 00:37:08.320
<v Speaker 2>to buy new ones, and we love kindles so we

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00:37:08.360 --> 00:37:11.400
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628
00:37:11.679 --> 00:37:14.599
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00:37:17.840 --> 00:37:22.679
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00:37:25.679 --> 00:37:29.840
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633
00:37:31.440 --> 00:37:34.679
<v Speaker 2>Monster Talk theme music is by Peach Stealing Monkeys to

634
00:37:34.760 --> 00:37:38.000
<v Speaker 2>steal a line from Stephen Frye. If you have been

635
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636
00:38:18.800 --> 00:38:28.320
<v Speaker 5>Yeh, this has been a Monster House presentation
