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Speaker 1: Welcome to the Great Detectives of Old Time Radio from

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Voice Idaho. This is your host, Adam Graham. In a moment,

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we're going to bring you this week's episode of The

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Big Story. But first I do want to encourage you

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to check out our other podcast, and in particular, I

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want to highlight the great adventurers of old time radio.

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Every week we bring you two great adventure stories from

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the golden age of radio. We went through a couple

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of great series in Flash Gordon and Okandagger, and we

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started as you may have heard this week on Tourzan

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and in a few weeks we're going to be bringing

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you episodes of Counterspot. If you love adventures, a great

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place to be check out the Great Adventurers of Old

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Time Radio at Great Adventures dot info or wherever you

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get your podcast from now. From January seventh, nineteen forty eight,

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here is Manhunt in Manhattan.

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Speaker 2: The Big Story.

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Speaker 3: Okay, that's Moose. Now you all know what to do.

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Let him in. Hi, Hi you Joey, shit down? What Samanda?

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Hey put that gun down? Joey?

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Speaker 4: What matter?

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Speaker 3: Nothing? Not a thing? Just read it. You just went

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and sang to the cop.

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Speaker 5: I didn't shut up, shut up, and start to die

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because hear it.

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Speaker 3: Come on, don't show we don't just a gag moose.

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Speaker 6: It wasn't a loaded He was getting bored, so I

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thought I'd have a laugh. Okay, now let's get to work.

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I got a nice job.

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Speaker 7: Oh lined up.

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Speaker 2: The Big Story, another in the thrilling series based on

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true experiences of newspaper reporters. Tonight to Ted Prager of

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the New York Daily News goes the Pellmell Award for

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the Big Story. Now the authentic and exciting story of

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manhunt in Manhattan.

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Speaker 8: You are Ted Prager, night reporter for the New York

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Daily News, and murder is almost old hat to you.

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You've covered the doings of Vincent mad Dog, Carl Dutch,

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Schultzy Madden, and Murder Incorporated for your paper.

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Speaker 3: You know you're underworld.

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Speaker 8: You know robbery, arson, burglary, and homicide, almost inside out

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away in insurance man no statistics.

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Speaker 3: Yes, you know your business.

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Speaker 8: You're even a little blase about crime until one night,

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about one in the morning, you're in a friendly bar

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on East seventh Street and the conversation is small talk

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with Sandy the bartender.

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Speaker 3: Oh, football is not football?

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Speaker 8: Anymore too professional, Sandy, give me those college teams.

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Speaker 9: I agree with you, mister Prage. You take that old

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Notre Dame team. I'd rather watch them than Hey, mister Prager,

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you see that what that guy just.

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Speaker 3: Walk down, the one with his hair all slipped down.

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Speaker 10: Yeah, looks like there's four or five wood of them.

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Speaker 8: Say, I know that face from somewhere, some small time mugger.

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Speaker 11: O there.

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Speaker 9: What are they spreading up like that for?

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Speaker 3: I don't know, Sandy. It looks like a stick up.

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Here's a smart man, cute too. Give the man a cigar.

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Speaker 1: That's just what it is, all.

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Speaker 6: Right, everybody quiet, and you people haven't figured it out yet.

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Speaker 3: This is what we call a hold up.

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Speaker 5: Get your wallets out, rings, jewelry from the ladies.

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Speaker 3: My boys will pass among you.

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Speaker 6: Backy, you may open up that register and empty ant

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a bar.

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Speaker 3: Now make around, boys, and you don't have to leave.

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None of these good people carve. Let them walk.

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Speaker 6: What are you looking that cute guy?

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Speaker 3: Nothing? I see what you got. Here's my money?

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Speaker 7: What he does? I'll take your pen, go in your wallet?

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Not ring?

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Speaker 3: Okay, what do you think you're looking at? My face?

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Actually like what you see? Maybe you want to remember me?

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Is that it here? Most give me a black jack.

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Speaker 6: This cute fella here is give me the once so

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for all, su we got everything, cleaned it out, good,

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let's go.

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Speaker 3: Okay, we go, too bad, cute guy.

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Speaker 6: And I was just gonna give you something to remember

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me by solong dopes, And.

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Speaker 8: Something incredible happens. Five crooks walked in, but only three leave.

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Two of them are still standing in the bar, looking bewildered,

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not knowing what to do.

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Speaker 3: And you realize that they're not armed. Maybe you can

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stop them. You'll move and pan the moony and breaks loose.

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Speaker 12: All right, stand back there, you two stop right?

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Speaker 10: Okay?

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Speaker 3: Good shooting their opposer. Thanks, Well, you couldn't get the more,

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but at least you got two of them.

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Speaker 11: Yeah, a dead officer, I don't think so.

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Speaker 7: Hey, who are you?

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Speaker 1: You look for me?

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Speaker 13: Then?

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Speaker 11: Ted Preger the news, Oh yeah, sure I remember you,

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mister Pregger.

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Speaker 10: Excuse me, I gotta call the ambulance.

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Speaker 3: Nice work, officer. I'd like to write you up. What's

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your name?

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Speaker 11: Matt Kaines twenty second precinct. I could use the story,

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mister Greger. You could say it's too bad. I only

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got two of them.

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Speaker 10: Too bad.

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Speaker 3: I only got two of them.

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Speaker 6: Meant, that's the funniest thing you ever heard.

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Speaker 3: That's too Joey.

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Speaker 6: Listen when Joey writes, doesn't it gets it's done?

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Speaker 1: Too bad?

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Speaker 14: I only got two of them, said the policeman. Listen

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from the paper.

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Speaker 3: Get this.

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Speaker 14: It was not until after the shooting that the officer

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discuss but his fatal mistake.

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Speaker 3: The two men who had entered the bar with the game.

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Speaker 14: Were not part of the mob. I like that.

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Speaker 7: Not part of the mob, Go.

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Speaker 3: Ahead, finish your horses.

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Speaker 14: Not part of the mob. Instead, they were two innocent

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taxi drivers that the leader of the mob had forced

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to stay behind to act as shields so that the

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actual robbers might escape under cover of the violence directed

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against the taxi drivers.

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Speaker 3: Boy, is that the pay whose dope standing there? You know?

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Speaker 10: I can just see if imagine what they done.

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Speaker 14: They start beating up those taxi drivers, and the cop

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comes and bang bang law and order laser out coal

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and says, too bad, I only got two of them.

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They dead, Joey, No, no, only one here.

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Speaker 3: Listen.

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Speaker 14: One of the drivers, George bver H fifty one, died instantly.

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The other Edgar Bennedetto, thirty four, is in city hospital,

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whereas condition is listed as critical.

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Speaker 3: Ain't that the best scream you ever heard? Sit down games?

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Why don't you sit down him? If he dies, mister Prager,

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I don't know what I'll do. How I blame yourself.

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You made a mistake. Any cop might have a mistake.

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That's right. Anyone could have done it. No one blames you.

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Speaker 11: I killed a man, an innocent man, and there's another

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one inside there in the operating room, and he may

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die too.

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Speaker 10: I murdered two men.

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Speaker 8: You didn't murder anyone. You accidentally shot two men in

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the line of duty.

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Speaker 3: Look.

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Speaker 8: I saw the face of the man who really murdered Beaver,

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the leader of that gang. It was a cruel face

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and the vicious one. He's the murderer. If anyone is,

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I tell you if then a dead or die, Mister Gaines,

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I make you a promise. I'll find that man. I

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know his face from somewhere. I don't care how long

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it takes, what I have to do, but I'll find him.

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Speaker 11: That man Benedetto in the operating room. I checked up

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on him. He's thirty four, been driving a cab since

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he was twenty one, got a wife and two kids,

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a girl seven and a little baby twenty one months.

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Speaker 3: I killed their father.

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Speaker 10: I made a widow out of his wife.

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Speaker 8: Stop at games, You've got to stop it in the

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first place. Benedetto's not dead.

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Speaker 3: No, only one of them's dead. Only Beaver's dead.

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Speaker 10: Only a fifty one year old man's dead.

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Speaker 3: That's not so bad. That's why do you torch you?

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Speaker 8: Yeah?

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Speaker 3: Maybe I ought to just go outside, sit down and

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just wait. Mane try it. Maybe it won't be so bad. Yes,

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what is it done?

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Speaker 15: I'm sorry, gentlemen, mister Benedetto died on the operating table.

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Speaker 3: Games? Are these all the pictures in your rogues gallery?

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That's right, mister Prager.

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Speaker 8: Well let's get started. That batch there'll do. I'll know

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that face when I see it. You turn him, Gains,

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I'll call if I see anything. All right, Nope, Nope,

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it's none of those. Let's see some more.

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Speaker 3: You aren't gonna find him. Keep going, Gains, just keep going.

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What did you do that for? Why'd you throw him down?

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What's the use We won't find him?

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Speaker 1: What's the use of anything?

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Speaker 8: Look, I told you before You've got to get that

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crazy idea out of your head that you're responsible for

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the death of those drive I killed him, didn't gaines.

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Speaker 3: Try to listen to me.

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Speaker 8: I'm going after the man who led that hold up,

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the man who's really responsible for the death.

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Speaker 3: Of those drivers.

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Speaker 11: That's gonna be dangerous, mister Prager, if it gets around

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you're hunting a crook.

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Speaker 3: You'll lose all your contacts. You won't be able to

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get the inside on anything. I'll take that chance. I

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can take care of myself.

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Speaker 11: You won't even be able to get a byline on

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these stories.

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Speaker 3: You won't dare let anyone know who's doing the job.

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That's not the most important thing in the world.

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Speaker 11: And you get too close to this guy, there's no

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telling what might happen to you.

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Speaker 8: I can still take care of myself. I'll pick up

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those pictures and let's finish looking at him and get

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rid of the idea you killed anyone.

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Speaker 11: Yeah, okay, sure, I'll just forget the whole thing like

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it never happened. Only what do I do when I

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see a kid on the street and he reminds me

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of Benedetto's kids?

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Speaker 4: What do I do at night?

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Speaker 10: To make me forget so I can go to sleep.

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Speaker 8: Tell me that, and you, Ted Prager of the Daily News,

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do you look at his eyes he says these words,

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and you realize that this is a lot more than

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a story for your paper.

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Speaker 3: Important as that is.

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Speaker 8: Yes, you want to help catch that crook with a

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patent lever hair and the steely eyes. But a man's

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sanity is at stake as well. The sanity of a

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nice Irish patrol and named Matt Gaines. That's also at stake.

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And you watch his big open face as he listlessly

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turns the pictures in front of him, and you know

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you've got a job on your hands, a big one.

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Speaker 2: We'll be back in just a moment with tonight's big story.

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Speaker 4: Now we return you to our narrator, Bob Sloan and

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tonight's story.

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Speaker 8: You, Ted Praeger, night reporter for the New York Daily News,

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get moving on your search for a smooth haired Bandit

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held up a bar and caused the accidental death.

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Speaker 3: Of two taxi drivers.

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Speaker 8: And though you know what you're doing is dangerous, may

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cost you your job or maybe even your life. And

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even if you get anything, you won't be able to

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ride it with your byeline. You start making the rounds,

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you start combing through those smoke filled bars where crimes

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are hatched and dips meet to talk over their successes.

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Speaker 16: And you know what she did.

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Speaker 17: She went right up to him and scratched her initials

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in his cheek.

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Speaker 1: What did you do to her?

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Speaker 8: Maid?

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Speaker 16: Tell him that I drink your beer?

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Speaker 3: Call it me.

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Speaker 4: What do you want, Bud?

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Speaker 3: Nothing? Just looking.

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Speaker 8: We don't allow looking in here, scram oh, matt ted calling. No,

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nothing yet. I don't give up, fellow, I've only.

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Speaker 3: Been to about a dozen places.

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Speaker 12: I'll find him there.

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Speaker 13: Please write one bear.

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Speaker 18: You never should have done it using a couple of

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taxi drivers for shills. Now wey not mixi because it

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makes it tough for us. They doubled the cops in

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this area, watching every minute of the day for him. Yeah,

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the meantime, it makes it tough on us.

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Speaker 3: Oh, never thought of that.

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Speaker 18: Well, I did ask mill here about him. She was

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there when it happened, right.

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Speaker 3: In the place.

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Speaker 17: No, kid, that's right riding the place when he walked

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in the bar on East seven.

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Speaker 1: Did he take you for anything?

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Speaker 17: Got twenty dollars out of my bag and I rang

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the MAXI gave me worth eighty dollars, no kidding, sure,

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and he didn't have to do that with the drivers.

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I tell you, I'd like to make it hot for

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that wise guy. I'd like to sing a little tune.

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Speaker 18: You won't sing no tune for anybody, can't you see

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there's people around.

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Speaker 3: Hi.

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Speaker 8: I'm interested in what you said there, Moi.

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Speaker 16: I don't know you. I didn't say a word.

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Speaker 3: Beat it.

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Speaker 8: Look if you want to make a little money, I

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said to beat it. Okay, okay, only if you change

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your mind. My name is Ted Pregor. These people around

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can tell you where to find me.

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Speaker 3: You don't exist.

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Speaker 6: Well, boys like I always say, another day, another eight grand.

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Speaker 3: Joey, you're really in there.

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Speaker 6: We've been quiet now a month. I think it's time

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we stopped being quiet. Even hear people stop talking about me.

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A job I pulled with the taxi drivers.

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Speaker 3: So what's the caper, Joey? You like this one most?

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Speaker 6: You like this special because this one is more my style.

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Speaker 3: Listen Breager speaking Tad. This is Benson on the city desk.

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You get down the east side hall, Sure, what's up?

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Speaker 8: Just good word for a lot A big hold up.

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Some girl was being confirmed, big party and all that,

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three men at the job.

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Speaker 3: Who can I see? You can see the girl herself.

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She was only a kid too.

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Speaker 8: Fourteen right, give me the address. I'm on my way.

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Speaker 13: He came in, mister Prager, and they just took everything.

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Speaker 3: I see. What did the leader of the gang look like?

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Speaker 13: He was terrible. He had his hair all smoothed down

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and oily, and a smile on his face.

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Speaker 3: Did he did he laugh out loud?

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Speaker 13: I mean, yes, sir, especially when he when he came

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after me.

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Speaker 3: What did he do to you? Well?

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Speaker 13: I had my ring. My father just gave it to

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me for my confirmation. It was a ring with diamonds,

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mister Prager, so I well, to keep him from getting it,

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I put it in my mouth. Yes, well, he came

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up to me with that smile on his face. He

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put his thumb on one side of my cheek and

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his fingers on the other. He squeezed and I couldn't

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steal it anymore.

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Speaker 8: He's back, So he's back on the job. Don't you worry.

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I'll find that man.

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Speaker 10: You can't park that car here, mister Matt.

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Speaker 8: Matt, Oh, it's you. I've been driving around looking for you.

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Can you get in or for he's back at it again.

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The guy we're looking for, he's around town. Can you

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00:18:33,279 --> 00:18:33,640
come with me?

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Speaker 3: Yeah, I'm off duty, But what for?

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Speaker 8: Because I'm going hunting for him for that patent, leather

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hair and the smile I want company hop in.

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Speaker 3: Now we've been driving around three hours.

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Speaker 11: What do you expect to find this crook just standing

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00:19:10,680 --> 00:19:11,319
on a corner?

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Speaker 3: Maybe you never can tell. He might.

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Speaker 8: Matt wants Mala right there where on the corner.

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Speaker 3: Wouldn't he be right on the corner of Essex and

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00:19:25,640 --> 00:19:26,920
Hester and Broad Daylight?

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00:19:27,640 --> 00:19:30,039
Speaker 8: That one one talking to the girl as if he

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didn't have a care in the world.

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Speaker 3: You mean it? Ted? Take him Mat yours? Oh? Brother?

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Speaker 10: Will I take him?

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Speaker 11: Ted?

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Speaker 8: I just saw mister Dennis, the prosecuting attorney.

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Speaker 3: Yep, he says he needs a positive witness.

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Speaker 8: Our friend denies everything, of course, never was in the

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00:20:04,720 --> 00:20:08,720
Seventh Street bar, never held up anybody use taxi drivers

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as shields.

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Speaker 3: Watch him, Joey Rice.

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Speaker 7: Do a thing like that.

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Speaker 3: Also, that's his name, Joey Rice. Slick as they come, smooth.

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00:20:16,480 --> 00:20:20,119
It'll be tough to pin it on him. Okay, Matt,

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I'll go in and see mister Dennis.

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00:20:23,160 --> 00:20:25,440
Speaker 11: Oh no, you can't identify Rice.

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Speaker 3: Why not?

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Speaker 11: Because it would finish you as a police reporter, cut

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00:20:28,920 --> 00:20:31,839
off all your contacts, and that's.

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Speaker 3: Not all it might cut off. I'll take a chance. No, no, Ted, don't.

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00:20:35,640 --> 00:20:38,680
Speaker 8: I'll tell you what I'll do. Get Rice before me

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00:20:38,680 --> 00:20:41,759
on a one way screen. I'll identify it and let

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00:20:41,759 --> 00:20:44,839
mister Dennis prepare his case. If he needs me in court,

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I'll testify it. Now you're talking sense, So are you met?

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Speaker 10: All right?

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Speaker 3: Rice?

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Speaker 8: That way?

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00:21:00,279 --> 00:21:00,920
Speaker 3: Walk that way?

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00:21:01,759 --> 00:21:05,119
Speaker 15: What is this just a little matter of identification? Rice,

349
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as prosecuting attorney, I thought it might be a good

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idea to identify you. Get over to those chalk marks

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now and just stand still, lie down him.

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Speaker 3: Okay for you, mister Brigger.

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Speaker 8: That's fine, mister Dennis. Well, that's the man who held

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up the Seventh Street bar. Sure, yes, mister Dennis, I'm

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absolutely sure.

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Speaker 15: Okay, sergeant, take him away. Thanks for the identification I

357
00:21:31,400 --> 00:21:34,160
needed that. Next time you see him, he'll be in

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court on trial for robbery and criminal assault.

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00:21:49,319 --> 00:21:53,160
Speaker 3: I'll get him with Joe Rice smiling. Man. Yeah, but

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00:21:53,359 --> 00:21:55,839
what are we gonna do? I don't know. Maybe, mister

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00:21:55,880 --> 00:21:59,079
Dennis has an idea. He looks plenty worried. Oh, here

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00:21:59,079 --> 00:22:00,319
comes to judge.

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00:22:00,759 --> 00:22:04,839
Speaker 4: Hey, hey, ye the animal Judge Bernard Smith, presiding cardis

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in session.

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00:22:07,000 --> 00:22:10,599
Speaker 15: There goes Dennis, Your honor, mister Dennis, Yes, your honor.

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Speaker 19: As prosecuting attorney, I must protest the appearance of the defendant,

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if it please the court. It is obvious that the

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reason the defendant, Joseph Rice, came into this courtroom today

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wearing a full beard, is to make absolute identification of

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himself impossible, Your honor, we allege the defendant committed the

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00:22:32,079 --> 00:22:37,119
crimes he's charged with with a clean shaven face, and consequently,

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he must, in the interest of justice and equity, be

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ordered to shave off the beard he has grown, which

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is a patent dodge and a roof.

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Speaker 3: Your honor, Your honor, the attorney of all the defendant.

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00:22:50,039 --> 00:22:54,160
Speaker 5: Your honor, My client, Joseph Rice likes to wear a beard.

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He thinks a beard becomes him. And I say that

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every man has the Constitution all right, if not for

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00:23:01,559 --> 00:23:05,440
God given right to shave or not to shave, to

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00:23:05,640 --> 00:23:10,599
wear a beard or not to wear a beard.

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00:23:12,079 --> 00:23:14,400
Speaker 4: This is a very complicated question, gentlemen.

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Speaker 3: We'll have to rule on that What is it?

383
00:23:17,559 --> 00:23:33,359
Speaker 15: Gurn It's never been decided before. Could go against us

384
00:23:33,400 --> 00:23:34,759
and we'd be licked before we start.

385
00:23:34,839 --> 00:23:37,160
Speaker 3: He can't be ordered to shave, mister Dennis.

386
00:23:36,839 --> 00:23:38,079
Speaker 15: It's never been decided before.

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00:23:38,880 --> 00:23:39,720
Speaker 3: What are we gonna do?

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00:23:39,839 --> 00:23:40,000
Speaker 10: Sir?

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Speaker 15: I wish I had an idea, games.

390
00:23:44,680 --> 00:23:47,880
Speaker 3: Millie, Can I talk to you any sure?

391
00:23:50,559 --> 00:23:50,839
Speaker 16: Mister?

392
00:23:51,440 --> 00:23:54,400
Speaker 17: I see what happened, what he pulled. I'd like to

393
00:23:54,400 --> 00:23:56,799
get up on that stand. You wouldn't, really, it would

394
00:23:56,799 --> 00:23:57,359
be a pleasure.

395
00:23:57,440 --> 00:23:57,720
Speaker 16: Mister.

396
00:23:58,079 --> 00:24:00,720
Speaker 8: Can you positively identify Joey, even with his beard, as

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00:24:00,759 --> 00:24:02,400
the man who held up the Seventh Street bar?

398
00:24:02,920 --> 00:24:04,880
Speaker 16: I could do it if he was standing upside down?

399
00:24:04,960 --> 00:24:10,200
Speaker 8: Okay, Milly, prosecuting attorneys right over there. But what changed

400
00:24:10,240 --> 00:24:11,480
your mind that.

401
00:24:11,599 --> 00:24:14,480
Speaker 16: Little tricky pulled on the girl being confirmed? Remember?

402
00:24:14,640 --> 00:24:14,880
Speaker 3: Sure?

403
00:24:14,960 --> 00:24:24,720
Speaker 16: I remember that little girl is my kid cousin, and.

404
00:24:24,680 --> 00:24:29,519
Speaker 8: She testifies that beard or no beard was Joey Rice

405
00:24:29,559 --> 00:24:33,319
who held up that bar. You look over at patrolman

406
00:24:33,400 --> 00:24:36,640
Matt Gains as the trial winds up, and for the

407
00:24:36,720 --> 00:24:39,680
first time in months, a man's smiling.

408
00:24:40,240 --> 00:24:44,400
Speaker 3: He's a human being again, and you've got your big story.

409
00:24:45,599 --> 00:24:50,480
Speaker 8: Yes, but nobody knows it. Nobody knows it until now,

410
00:24:51,240 --> 00:24:57,240
this very night on a radio program called The Big Story.

411
00:24:58,079 --> 00:25:02,599
Not until now, can you say, well, this is the

412
00:25:02,720 --> 00:25:08,599
job I didn't, This is the role I played. Ted Prager,

413
00:25:09,480 --> 00:25:12,759
Night reporter of the New York Daily News.

414
00:25:33,599 --> 00:25:35,759
Speaker 2: In just a moment, we'll read you a telegram from

415
00:25:35,799 --> 00:25:38,240
Ted Prager of the New York Daily News with the

416
00:25:38,279 --> 00:25:47,720
final outcome of tonight's Big Story. Now we read you

417
00:25:47,799 --> 00:25:50,599
that telegram from Ted Prager of the New York Daily News.

418
00:25:51,000 --> 00:25:54,000
Speaker 8: Hold up man in Tonight's Big Story was quickly convicted

419
00:25:54,000 --> 00:25:57,799
by jury, but while awaiting sentence, he became violent was

420
00:25:57,839 --> 00:26:01,680
officially declared to be insane. He was therefore transferred to

421
00:26:01,720 --> 00:26:05,799
the Asylum A Matterjuan, where he is still confined. Many

422
00:26:05,880 --> 00:26:07,680
thanks for tonight's Pellmell Award.

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00:26:07,799 --> 00:26:11,400
Speaker 2: Thank you, mister Prager. The makers of Pellmell Famous Cigarettes

424
00:26:11,440 --> 00:26:13,119
are proud to have named you the winner of the

425
00:26:13,160 --> 00:26:16,359
pell Mell five hundred dollars Award for notable service in

426
00:26:16,400 --> 00:26:17,400
the field of journalism.

427
00:26:17,599 --> 00:26:21,160
Speaker 4: Listen again next week, same time, same station, when Pellmell

428
00:26:21,240 --> 00:26:25,079
Famous Cigarettes will present another big story. A big story

429
00:26:25,119 --> 00:26:29,319
from the pages of the Pittsburgh Press byline William A. White,

430
00:26:29,880 --> 00:26:33,119
A Big Story that began when a taxi meter ticked

431
00:26:33,119 --> 00:26:37,799
off moments of waiting for a man who didn't return.

432
00:26:47,400 --> 00:26:50,000
Speaker 2: The Big Story is produced by Bernard J. Proctor and

433
00:26:50,079 --> 00:26:53,240
directed by Harry Ingram, with music by part of Miss Lensky.

434
00:26:53,839 --> 00:26:57,240
To Night's program was written by Arnold Pearl. Your narrator

435
00:26:57,319 --> 00:26:59,559
was Bob Sloan, and William Quinn played the part of

436
00:26:59,559 --> 00:27:03,000
Ted Prey. All names in Tonight's story except that of

437
00:27:03,039 --> 00:27:06,400
mister Prigger were fictitious, but the dramatization was based on

438
00:27:06,440 --> 00:27:10,240
a true and authentic case. This is Ernest Chappel speaking

439
00:27:10,240 --> 00:27:27,119
for the makers of Pell Mell Famous Cigarette.

440
00:27:27,640 --> 00:27:31,000
Speaker 3: This is NBC, the National Broadcasting Company.

441
00:27:39,640 --> 00:27:43,079
Speaker 1: Welcome Back. In addition to William Quinn, the cast included

442
00:27:43,160 --> 00:27:48,039
Wit Vernon, Francis de Sales, Everett Sloan, Jerry Lewis, Eileen Hackhart,

443
00:27:48,359 --> 00:27:53,359
Stephen Chase, Evelyn Custer, and Will Clova. Once again, we

444
00:27:53,400 --> 00:27:57,519
refer to the Great Story behind the Big Story website,

445
00:27:57,880 --> 00:28:03,759
and this event actually was based on something that happened

446
00:28:03,839 --> 00:28:07,720
in nineteen fifty eight, and the actual place that was

447
00:28:07,880 --> 00:28:12,440
robbed was a speakeasy, which made it a lucrative spot

448
00:28:12,519 --> 00:28:16,880
to hit because fundamentally they're forced to be an all

449
00:28:17,039 --> 00:28:21,400
cash business. The robbers made off with eight thousand dollars,

450
00:28:21,799 --> 00:28:24,680
and that would be around or more than one hundred

451
00:28:24,680 --> 00:28:28,279
thousand dollars in today's money, and in the confusion, the

452
00:28:28,319 --> 00:28:32,359
police officer shot the two thought to be accomplices. The

453
00:28:32,480 --> 00:28:36,559
robber in this case was named Frank DeMarco. The incident

454
00:28:36,839 --> 00:28:42,279
is one that does really rub up against modern expectations. Today,

455
00:28:42,319 --> 00:28:46,480
a police officer shooting two armed civilians who weren't direct

456
00:28:46,519 --> 00:28:49,440
threats and without trying to give any commands would likely

457
00:28:49,519 --> 00:28:52,960
be viewed as a trigger happy cowboy cop and be

458
00:28:53,039 --> 00:28:57,000
subject to criminal and civil prosecution. However, it was a

459
00:28:57,079 --> 00:29:01,839
different time when this incident occurred, and even in nineteen

460
00:29:01,960 --> 00:29:06,480
forty eight, and it's not necessarily the same thing, because

461
00:29:06,519 --> 00:29:09,279
part of the reason that we would tend to view

462
00:29:09,319 --> 00:29:14,720
the officer as some irresponsible cowboy is that doing something

463
00:29:14,880 --> 00:29:17,920
like that is contrary to the way the police officers

464
00:29:18,000 --> 00:29:23,160
were trained, and instead of following that training, they decided

465
00:29:23,200 --> 00:29:26,519
to do their own thing, and people died as a result.

466
00:29:26,640 --> 00:29:30,119
And since whenever this happened, someone will mention this. Today,

467
00:29:30,319 --> 00:29:34,359
a one choice witness identification as opposed to a lineup

468
00:29:34,400 --> 00:29:39,160
would be constitutionally iffy. At best, it might be excluded

469
00:29:39,519 --> 00:29:43,839
or the judge might end up allowing it, but with

470
00:29:43,920 --> 00:29:48,519
some jury instructions warning about the risk of it, or

471
00:29:48,960 --> 00:29:55,480
with an expert witness testifying about the unreliability of eyewitness testimony. Again,

472
00:29:55,519 --> 00:29:59,720
a really huge difference in either nineteen twenty eight or

473
00:29:59,839 --> 00:30:04,920
not teen forty eight. And the one really curious incident

474
00:30:05,039 --> 00:30:08,319
about the episode didn't have much to do with the

475
00:30:08,359 --> 00:30:11,759
focus of the series, which is the action of heroic reporters,

476
00:30:12,519 --> 00:30:17,160
but the whole thing with our man growing a beard

477
00:30:17,519 --> 00:30:23,119
in hopes of avoiding identification, that wasn't a colorful invention

478
00:30:23,279 --> 00:30:27,559
for this episode. DeMarco did actually do that, and the

479
00:30:28,160 --> 00:30:32,480
judge did have to order him to shave. So yeah,

480
00:30:32,559 --> 00:30:35,799
that was actually a very real detail of this case.

481
00:30:36,160 --> 00:30:41,440
Listener comments and fadeback and we have some comments regarding

482
00:30:41,480 --> 00:30:44,160
the case of the Corner Cat, and we start out

483
00:30:44,240 --> 00:30:49,920
over on Spotify Mechanic sixty six rites. Moral of the story,

484
00:30:50,559 --> 00:30:54,200
don't turn yourself in if you're facing the electric chair.

485
00:30:54,440 --> 00:30:58,359
Not sure why he did or if his co conspirators

486
00:30:58,400 --> 00:31:01,720
actually helped him, seems like it would have been against

487
00:31:01,720 --> 00:31:06,480
their interests to have him in custody and possibly cooperating. Well.

488
00:31:06,519 --> 00:31:09,880
Thanks for the comment, although I think a better moral

489
00:31:10,079 --> 00:31:13,319
might be not to start your own murder ring in

490
00:31:13,359 --> 00:31:15,839
the first place, but maybe that's a bit too narrow

491
00:31:15,920 --> 00:31:21,519
minded in old fashion. Now, in terms of why Louis

492
00:31:21,799 --> 00:31:27,680
lepke Boukhoulter, who was the person that episode was based on,

493
00:31:28,599 --> 00:31:34,640
why he turned himself in, Daniel Meyer, writing on the

494
00:31:34,720 --> 00:31:39,480
website the Internet Index of Tough Jus, chronicles the fact

495
00:31:39,799 --> 00:31:45,640
that was key in the establishment of Murder Incorporated, which

496
00:31:45,799 --> 00:31:53,400
was an organization of contract killers who eliminated problems for

497
00:31:53,480 --> 00:31:57,920
the rackets. Like other gangsters. He got convicted on some

498
00:31:58,079 --> 00:32:02,319
lesser charges anti truck violations, and then he got himself

499
00:32:02,440 --> 00:32:09,720
indicted for narcotics while he was essentially on the lamb

500
00:32:09,960 --> 00:32:14,440
for the anti trust and he also started having his

501
00:32:14,799 --> 00:32:19,319
men wipe out those who might be able to testify

502
00:32:19,559 --> 00:32:23,440
against him, and there was a nationwide hunt for him.

503
00:32:23,640 --> 00:32:27,400
There were reports of him being lots of places in

504
00:32:27,440 --> 00:32:31,920
the US overseas, even in Poland, but he was actually

505
00:32:32,000 --> 00:32:34,079
hoting out in Brooklyn the whole time.

506
00:32:34,279 --> 00:32:35,519
Speaker 16: There were a couple.

507
00:32:35,200 --> 00:32:41,519
Speaker 1: Of things that probably contributed to his surrendering. One is

508
00:32:42,359 --> 00:32:47,920
Tom Dewey the district attorney really wanted him. About a

509
00:32:48,079 --> 00:32:51,640
month before he surrendered, Dewey was trying to get the

510
00:32:51,680 --> 00:32:54,720
City of New York to put a twenty five thousand

511
00:32:54,759 --> 00:32:59,079
dollars reward out on him, which in nineteen thirty nine

512
00:32:59,160 --> 00:33:02,799
was a substantial sum of money. But the big thing

513
00:33:03,400 --> 00:33:09,880
was the syndicate or a combination or Asmaya wrote, whatever

514
00:33:09,920 --> 00:33:12,559
you want to call it, them ordered book Culture to

515
00:33:12,599 --> 00:33:18,160
turn himself in because all of the publicity and all

516
00:33:18,240 --> 00:33:23,640
of the law enforcement focus around the world was making

517
00:33:23,680 --> 00:33:29,599
it hard for so many of these criminal organizations to function.

518
00:33:30,240 --> 00:33:34,200
And there's a theory that he was double crossed, as

519
00:33:34,480 --> 00:33:39,240
some people told him that he would only have to

520
00:33:39,359 --> 00:33:43,480
face the federal narcotics charge, get off with a lot

521
00:33:43,599 --> 00:33:47,519
sentense for that, and not have to face charges. I

522
00:33:47,559 --> 00:33:51,440
don't know about that. I don't know if you can

523
00:33:51,519 --> 00:33:56,519
get to that level of organized crime being that naive.

524
00:33:57,200 --> 00:34:01,759
But he got fourteen years for the drug crime. Then

525
00:34:01,799 --> 00:34:06,200
he got another long sentence on top of that for

526
00:34:06,319 --> 00:34:10,880
some extortion. But his road to death row didn't start

527
00:34:11,480 --> 00:34:18,119
until members of Murder Incorporated decided to cooperate and help

528
00:34:18,280 --> 00:34:24,039
solve the murders, including one that a Brellas would go

529
00:34:24,119 --> 00:34:30,480
ahead and testify that he overheard book Halter ordering a hit,

530
00:34:30,960 --> 00:34:35,039
which was carried out. But like so much appreciate the comment.

531
00:34:35,239 --> 00:34:37,920
And I have to admit that I had to actually

532
00:34:37,920 --> 00:34:42,519
go back through the transcript for this comment. Harrison wrote

533
00:34:42,760 --> 00:34:47,360
that anyway was a hard tonal Shiftberry, and I have

534
00:34:47,440 --> 00:34:50,800
to admit that I didn't catch what Harrison had talked about.

535
00:34:50,920 --> 00:34:53,880
But I went through the transcript and I found the

536
00:34:53,960 --> 00:34:58,280
portion of the episode. Now I could replay it, but

537
00:34:58,440 --> 00:35:07,159
I think I'll just give my own interpretation of the

538
00:35:07,199 --> 00:35:11,519
reading and how it reads because I missed it. But

539
00:35:11,559 --> 00:35:17,639
we'll focus on isolation. You, Walter Winshall, have a date.

540
00:35:18,199 --> 00:35:20,960
You've got a date with public Enemy number one at

541
00:35:20,960 --> 00:35:24,760
a theater in Yonkers at seven to nine. And this

542
00:35:24,880 --> 00:35:28,639
may be the end of the nation's biggest manhunt since

543
00:35:28,679 --> 00:35:32,159
the Limberg case, or it may just be the end

544
00:35:32,159 --> 00:35:36,960
of you. New York reporter Walter Winschall. You could very

545
00:35:37,000 --> 00:35:40,239
well end up looking like a human sieve in some

546
00:35:40,360 --> 00:35:44,039
gutter or at the bottom of the East River, wearing

547
00:35:44,119 --> 00:35:52,559
concrete shoes. You don't know. Anyway, before you go, you

548
00:35:52,639 --> 00:36:02,480
have another dog with a jet jetkird. Oh, I mean

549
00:36:02,719 --> 00:36:09,039
that is you could end up you received anyway. I mean,

550
00:36:09,400 --> 00:36:12,559
I guess when it comes to writing narration in and

551
00:36:12,679 --> 00:36:17,320
out in terms of transition, the ideal way to follow

552
00:36:17,400 --> 00:36:21,760
that up is you state that and then dramatic musical

553
00:36:21,840 --> 00:36:25,960
cue and you go right to the conversation. One of

554
00:36:26,000 --> 00:36:29,719
the challenges with narration is we don't actually need to

555
00:36:29,760 --> 00:36:34,239
be told everything. We can as an audience gather what's

556
00:36:34,280 --> 00:36:37,280
going on. And this is just such a great example

557
00:36:37,480 --> 00:36:41,480
Harrison called out of less is more when it comes

558
00:36:41,519 --> 00:36:46,440
to narration. I appreciated that. I could definitely use the laugh.

559
00:36:46,719 --> 00:36:49,679
And then we turn to our listener survey, where pastor

560
00:36:49,800 --> 00:36:53,079
Lisa Martin and Boston writes, this is the best old

561
00:36:53,119 --> 00:36:56,840
time radio detective podcasts ever. I listened to your main

562
00:36:57,400 --> 00:37:02,920
podcast and volume three. I'm really enjoyed Richard Diamond, Reck Saunders, Boston, Blackie,

563
00:37:02,920 --> 00:37:05,840
and of course Johnny Dollar. I love the case book

564
00:37:05,880 --> 00:37:09,400
of Gregory Hood's on Sundays. I also enjoy your commentary

565
00:37:09,440 --> 00:37:11,679
at the end of each episode. Keep up the great work.

566
00:37:11,719 --> 00:37:15,400
I've been listening since twenty eleven. Well, thank you so much.

567
00:37:15,480 --> 00:37:18,559
Appreciate you taking the time to leave the comment and

568
00:37:19,000 --> 00:37:23,400
I have been had some issues getting the rest of

569
00:37:23,480 --> 00:37:27,079
volume three finished, but hope to get back to that soon. Well,

570
00:37:27,119 --> 00:37:30,000
now it is time to thank our Patreon supporter of

571
00:37:30,000 --> 00:37:32,239
the day, and I want to thank Rick, Patreon supporter

572
00:37:32,360 --> 00:37:36,079
since March's twenty twenty, currently supporting the podcast at the

573
00:37:36,199 --> 00:37:38,760
shawmus level of four dollars or more per month. Thanks

574
00:37:38,800 --> 00:37:40,880
so much for your support, Rick, and that will do

575
00:37:40,920 --> 00:37:44,360
it for today. If you're enjoying the podcast, please follow

576
00:37:44,440 --> 00:37:48,480
us using your favorite podcast software. And if you're enjoying

577
00:37:48,480 --> 00:37:51,480
the podcast on YouTube, be sure to lock the video,

578
00:37:51,599 --> 00:37:55,159
subscribe to the channel, and mark the notification bell, all

579
00:37:55,239 --> 00:37:58,760
those great things that help YouTube channels to grow. We

580
00:37:58,840 --> 00:38:03,519
will be back next Tuesday with another episode of The

581
00:38:03,559 --> 00:38:08,360
Big Story, but join us back here tomorrow for Broadways

582
00:38:08,440 --> 00:38:09,639
My Beat, where.

583
00:38:10,559 --> 00:38:14,079
Speaker 20: He's hold up on the second floor, Danny, empty apartment, ready.

584
00:38:13,880 --> 00:38:20,960
Speaker 7: Let's go. All the other tenants cleared out.

585
00:38:21,239 --> 00:38:23,920
Speaker 20: Uh had a little trouble with the people in two B.

586
00:38:24,360 --> 00:38:24,800
Speaker 7: I'll come.

587
00:38:25,400 --> 00:38:28,559
Speaker 21: My name Morgan, and your grandmother died a funeral. We

588
00:38:28,679 --> 00:38:31,599
got all the mourners out. The apartment right next to

589
00:38:31,679 --> 00:38:33,320
one are killers in two A.

590
00:38:33,360 --> 00:38:34,519
Speaker 7: You sure he's in there?

591
00:38:34,800 --> 00:38:36,559
Speaker 3: Probably him? Danny description fits.

592
00:38:36,800 --> 00:38:51,599
Speaker 7: Let's find open up, Open up, This is the police.

593
00:38:51,840 --> 00:39:04,880
Speaker 20: Yeah. Hey, those windows over there, Danny, open, screen's been

594
00:39:04,920 --> 00:39:05,280
kicked out.

595
00:39:05,280 --> 00:39:05,559
Speaker 3: Come on.

596
00:39:06,760 --> 00:39:08,519
Speaker 7: The killer left this apartment in a hurry.

597
00:39:10,519 --> 00:39:12,360
Speaker 21: These windows lead to a fire escape. He could have

598
00:39:12,360 --> 00:39:14,239
gone out this window onto the fire escape into the

599
00:39:14,239 --> 00:39:15,079
next apartment, Danny.

600
00:39:15,119 --> 00:39:21,639
Speaker 22: Let's find out. Yeah, must have done it this way.

601
00:39:21,760 --> 00:39:23,840
The screen's on this apartment have been knocked out too.

602
00:39:24,079 --> 00:39:28,480
Let's go see them.

603
00:39:28,800 --> 00:39:31,440
Speaker 20: This is the Morgan apartment, Danny with the Morgan grandmother.

604
00:39:32,760 --> 00:39:33,639
Want me to look around?

605
00:39:34,519 --> 00:39:37,840
Speaker 22: So appearances, muggavin. I'm guessing our man walked out with

606
00:39:37,920 --> 00:39:40,719
the mourners and got lost. Must have made him happy.

607
00:39:41,119 --> 00:39:43,480
Speaker 1: I hope you'll be with us then in the meantime.

608
00:39:43,760 --> 00:39:48,159
Send your comments to Box thirteen at Greatdetectives dot nett,

609
00:39:48,519 --> 00:39:51,960
follow us on Twitter at Radio Detectives, and check us

610
00:39:51,960 --> 00:39:57,440
out on Instagram, Instagram, dot com slash Great Detectives from

611
00:39:57,639 --> 00:40:01,679
Voici Ataho. This is your host, Adam Graham's signing off.

