Speaker 1: I promised I'd avoid a gunfight if possible, but it
Speaker 1: looks as though it isn't possible. I have one bullet left.
Speaker 1: You may draw when you're ready.
Speaker 2: Have gun.
Speaker 1: Will Travel, starring mister John Dayner as Paladin, San Francisco,
Speaker 1: eighteen seventy five, The Carlton Hotel, headquarters of the man
Speaker 1: called Paladin. We go on, mister Paladin, Well, at seven o'clock,
Speaker 1: we could have champagne in the lone at eight o'clock.
Speaker 2: Dinner at the peacock. Something special.
Speaker 3: No, I'm intrigued, mister Paladin.
Speaker 1: And then coach find to Barnaby's for creep Susetta's only
Speaker 1: Barnaby prepares the creeps, and after that it'll occur back
Speaker 1: here by the fire in the lounge.
Speaker 2: No then what no? Oh, hey boy, who is this
Speaker 2: number one for mister Paladin? Soli lady?
Speaker 4: No something, no peacock, no creepy Suzi, no liquors to.
Speaker 2: Night wire, Come you go. I know you already parted
Speaker 2: wire here.
Speaker 5: Bad news, mister Paladin.
Speaker 1: Ah, dear lady, forgive me, hey boy, send an answer
Speaker 1: to Tom Carter aplene just say I have done little travel.
Speaker 1: It's no surprise. To anybody that the attractive and inexpensive
Speaker 1: new radios have proved popular. It's no surprise it is
Speaker 1: to anyone who listens to CBS Radio. With so much
Speaker 1: in the way of music, comedy, drama, variety and news
Speaker 1: coming your way every day on CBS Radio, more than
Speaker 1: one radio around the house is more than a convenience,
Speaker 1: it's almost a necessity for anyone who has a daily routine.
Speaker 1: The man of the house wants to come home to
Speaker 1: an attractive home and an attractive wife, but household chores
Speaker 1: in themselves are rarely inspirational. The smart homemaker is one
Speaker 1: who refuses to let her regular responsibilities get her down.
Speaker 1: She gets her work done every day, but she gets
Speaker 1: her entertainment into She has a radio in the kitchen
Speaker 1: as well as the living room. Chances are she has
Speaker 1: a portable radio as well to follow her from one
Speaker 1: task to another around the house. She knows why the
Speaker 1: inexpensive new radios are so popular, and what's more, she
Speaker 1: knows the value of CBS radio too.
Speaker 6: Here you are you beg you saddling your gear? It's
Speaker 6: your hotel right here?
Speaker 2: And what's that?
Speaker 1: Oh?
Speaker 2: Folks from the Wild West?
Speaker 7: Show hold up in town right now.
Speaker 2: Most likely ill of West, Hello West.
Speaker 8: H Yeah, the Star Attraction, the Tomahawk, Carter's Wild West.
Speaker 1: Show that was kind of frisky at times.
Speaker 7: Wouldn't go into the lobby.
Speaker 2: By the pump way.
Speaker 1: If I was you, you wouldn't not without I got
Speaker 1: up before breakfast.
Speaker 8: You just might take it into her mind to shoot
Speaker 8: them buttons off on that.
Speaker 7: Fancy venture with it.
Speaker 2: I'll chance it.
Speaker 6: Well, just just friendly advice, brother, h.
Speaker 2: I'd like a room, please? What a room? My name
Speaker 2: is Paladin, just America? Hold on?
Speaker 9: Hell up?
Speaker 6: Fun's fun but.
Speaker 10: Fancy pants and that Mandy vans.
Speaker 2: To me no one else.
Speaker 3: You don't need a room, boys, he needs a cake.
Speaker 3: I might even buy you a lemon squash later on.
Speaker 1: I'd prefer whiskey if I felt like drinking, which I
Speaker 1: don't say.
Speaker 3: You know who you're talking to I do. I'm elo
Speaker 3: Wis and I.
Speaker 10: Can out chew it out riding up cuss.
Speaker 3: Any man here. I can out drink you.
Speaker 10: I can out chew you, and I can out.
Speaker 8: Possibly Tracy cal Tracy, Tracy, how you gonna let hell
Speaker 8: A take over your spot in the show?
Speaker 10: H Morning, I didn't see you command Tracy.
Speaker 7: Why don't you answer Breed's question?
Speaker 3: Well, I just might take your spot for two cents.
Speaker 3: I'd run you out of town, pony Bard.
Speaker 7: Don't cut your price for me.
Speaker 6: Why you peaks around to Carter everybody? I won't talk
Speaker 6: to you.
Speaker 8: You too, Tracy Squablin's got to stop.
Speaker 3: You find me in the bar.
Speaker 2: Come on for sure?
Speaker 3: What was it this time?
Speaker 2: Tracy?
Speaker 7: The same thing it always is, mister Carter. Well, wrap me.
Speaker 8: In Buffalo hide Paladin?
Speaker 2: Hello, Tom, Hello, you're a sciting. It's a real saying.
Speaker 8: Yes, sir, Tracy is mister Palladin. He knew me way
Speaker 8: back when I was making honest living. Tracy Calvin.
Speaker 1: I've seen you ride, mister Calvert, larry me Wyoming seventy
Speaker 1: one when you took the grand prize.
Speaker 7: I had a lucky day, mister Pelaman.
Speaker 8: We got pale out of make well.
Speaker 7: I'll run along, mister.
Speaker 8: You stick here, Tracy. I got bad trouble and I
Speaker 8: want you to handle it.
Speaker 2: I save your money. Tom. I never saw a man
Speaker 2: you couldn't handle.
Speaker 7: It ain't a man that little gal.
Speaker 2: I want gentleness, Tom. There's one wild thing. Man will
Speaker 2: never civilize woman. And if you mean that one. I'm
Speaker 2: afraid there'll be no pleasure in failing that.
Speaker 8: Little gall in there happens to be Hello West, twenty
Speaker 8: four years old. She's already more of a name and
Speaker 8: clamoring to James Simmarron Rose and Bell Star run together.
Speaker 8: I got her in my show, and I got damaged
Speaker 8: bills to prove it, and I'm gonna lose my shirt
Speaker 8: even before I get my show together.
Speaker 7: If something ain't done.
Speaker 2: You lose more when you get on the road and there's.
Speaker 7: A million people want to see Llow West, mister Palladin.
Speaker 1: Darling of the Frontier, Heart of Gold. Yes, I've seen
Speaker 1: the right up.
Speaker 8: She's past with a gun and she can ride last
Speaker 8: of Commanche.
Speaker 1: She has to be more than that. Hello West is
Speaker 1: a legend, tom a romantic illusion. Your audience will expect
Speaker 1: you to bring it to life, and instead you'll produce
Speaker 1: a repugnant, grimy faced, loud mouth, little shrewd well.
Speaker 7: I don't figure Ella's as bad as all that, mister Pallad.
Speaker 2: How long have you known her?
Speaker 7: She joined the show last month.
Speaker 2: My question was how long have you known her? Mister Calipern.
Speaker 7: If you don't mind a look in on the stock.
Speaker 8: Jersey and Ella was raised in the same part of
Speaker 8: the country, learn shooting and riding together.
Speaker 2: Let him tamer. He seems to have a personal interest. Now,
Speaker 2: dog gone it. We're old time time.
Speaker 1: You're talking about making a show horse out of a wild,
Speaker 1: mean tempered coat.
Speaker 2: Now that takes more than tayman.
Speaker 1: It means crushing its spirit, rebuilding it from the ground
Speaker 1: up with a horse.
Speaker 2: The odds attend to one for failure.
Speaker 7: I guess I do with any of you.
Speaker 8: So long I could have made a fortune with her.
Speaker 1: That's why I want ten percent of the entire season's date.
Speaker 1: If I succeed, you ain't changed, have you?
Speaker 2: I hope that's the compliment.
Speaker 7: He ain't never stealing to ask what you're worth?
Speaker 11: Well, m.
Speaker 7: A all medills say, correct can't till turn.
Speaker 9: Step, can still turnstat It makes good sense when you smoke,
Speaker 9: can't can't till turns best.
Speaker 6: Of all other brands of mere.
Speaker 7: Correct can't taste the best, can't taste.
Speaker 6: The best racers taste them all.
Speaker 11: Direct, can't hel her.
Speaker 6: It makes good sense when you smoke, can't.
Speaker 8: Oh all lady, tail by correct can't tail turns.
Speaker 3: What do you want? Here's mister Palladinella, oh fancy pants.
Speaker 7: You come here to learn you some things.
Speaker 5: You ain't gonna learn me nothing correct.
Speaker 1: My function is to teach you will do the learning.
Speaker 1: I quit fair off times you just resigned.
Speaker 3: Wait just a lasted minute here. If anyone gets runned off,
Speaker 3: it's gonna be him.
Speaker 1: Go on, Tom, I'll talk to you later. Have been
Speaker 1: in a saloon, now, then sit down, Miss west mind
Speaker 1: if I smoke.
Speaker 10: No, go ahead, twilighting that cigar now, fancy pants.
Speaker 1: That will be two deductions from your wages, the cost
Speaker 1: of the cigar and the bullet damage.
Speaker 10: You're kind of a coop on, fancy pants. But you
Speaker 10: ain't gonna make no lady out of me.
Speaker 1: First, you're not worth two cents to the show as
Speaker 1: a l and second, that would be impossible in the
Speaker 1: first place.
Speaker 3: Why you took my gut.
Speaker 1: It'll be less noisy that way. Now sit down, please.
Speaker 2: Better.
Speaker 1: Although your audiences will expect you to be somewhat different
Speaker 1: from the average woman, they will expect certain fundamental manners.
Speaker 1: The essence of showmanship is to be different without being up.
Speaker 10: Knox, You're a lily livered, fancy talking dude. I'll run
Speaker 10: you out of town by morning.
Speaker 2: I believe you made the same ridiculous threat to Tracy
Speaker 2: Calvy two.
Speaker 10: Tracy said anything to you about me, I'll kill it.
Speaker 1: There's a ring of honesty in that threat. Miss West. However,
Speaker 1: he said nothing. I was merely speculating, are we ready?
Speaker 3: He's got something to learn me? I mean, teach me,
Speaker 3: then get on with it.
Speaker 5: But keep your nose pully, dude, incorrect.
Speaker 3: I gotta eat.
Speaker 1: You don't reach with a fork and spear a slice
Speaker 1: of bread. You pick it up with you, and you
Speaker 1: never speak with your mouthful. Now, it's one thing to
Speaker 1: act home spun, it's quite another breed. You wearn't a gun, dude, it's.
Speaker 2: Quite another to create revulsion.
Speaker 1: I suggest you can find your idiosyncrasies to calling the
Speaker 1: food littles and complaining over the last you are questioned. Dude,
Speaker 1: I heard you, because if you ain't got a gun,
Speaker 1: you better get one.
Speaker 2: I'm gonna teach you some manners. Drop it, Ella, you've
Speaker 2: been tired of this dude for two days. Now, you
Speaker 2: like it or something.
Speaker 10: I'm going along because there's money in it, you know,
Speaker 10: an easier way breed.
Speaker 1: Yeah, all right, Ella, If you say the word when
Speaker 1: you leave me.
Speaker 2: The breed seems to resent me almost as much as
Speaker 2: you do.
Speaker 3: I can handle breed for you, dude.
Speaker 2: No need, Miss West.
Speaker 1: When the time comes, I'll handle him myself, remember just
Speaker 1: but then I'm a newspaper reporter.
Speaker 3: On with it.
Speaker 2: Another question, Miss, tell us about your parents.
Speaker 3: My old man was a stinking drunk, and the old
Speaker 3: lady was worse.
Speaker 2: She was on talking to reporters.
Speaker 10: Then let him make it up like they've been doing
Speaker 10: all along.
Speaker 2: Mentioned the homestead.
Speaker 3: Homestead, it was a stinking sow pen. You can have
Speaker 3: Tracy Calvert. He it was so bad you couldn't believe it.
Speaker 3: I'm sorry he couldn't feel so blasted up. If you
Speaker 3: got rut up like that.
Speaker 2: You knew Tracy Calvert then.
Speaker 10: Yeah, I knew him. We was kids then. His daddy
Speaker 10: had a nice spread of land. You should have seen
Speaker 10: Tracy's house, all painted inside and out, with a fence
Speaker 10: around it. And Tracy's small, starched up and nice. She'd
Speaker 10: give me a dress once my old lady traded it
Speaker 10: for some whiskey. No, Tracy did laughed if you'd ever
Speaker 10: seen me wearing it anyhow, I think I.
Speaker 1: Understand huh about you, Tracy Calvin.
Speaker 3: Do you now maybe you do that.
Speaker 10: You kind of a strange when you I didn't know
Speaker 10: real man came in fancy pants.
Speaker 3: But what I mean is we ain't doing so bad,
Speaker 3: are we.
Speaker 2: I don't know.
Speaker 3: He's sort of like you.
Speaker 10: Everything I was, and Tracy was everything I didn't have
Speaker 10: he did when he was real little. His mom let
Speaker 10: me stay one night. She come in, pulled the cover
Speaker 10: up and kissed me. I was sixteen and he.
Speaker 3: Was eighteen when they was gonna move away. Maybe he
Speaker 3: wasn't growed up yet, but I was. I mean I
Speaker 3: was growed up plenty. I didn't ask Tracy to marry him.
Speaker 3: They just take me with him. I'd do anything if
Speaker 3: he would.
Speaker 10: He could cut me up in the little pieces if
Speaker 10: he wanted to just take me. I never said the
Speaker 10: same thing since, but I'm saying it to you. I
Speaker 10: ain't what folks think. No man's never touched me. You
Speaker 10: take me with you when you go back to San Francisco.
Speaker 10: I wouldn't be afraid with you. Maybe just kiss my
Speaker 10: cheek and say something nice. I don't want to be
Speaker 10: in no show, printed, no paper. I just want somebody
Speaker 10: to know I'm alive.
Speaker 5: Please, no, what's the matter?
Speaker 1: Look at yourself. You're still that grimy sixteen year old
Speaker 1: kid pretending she's a man. You don't compete with women
Speaker 1: because you're afraid to find a man who wants the
Speaker 1: smell of the stables and ask.
Speaker 2: Him to take you away. Freed wants me, then.
Speaker 1: You and mister Breed deserve each other, and he can
Speaker 1: have me just as soon as he kills you. Do
Speaker 1: you see speed laws and other regulations as restrictive or
Speaker 1: do you look upon them as protective? When a police
Speaker 1: officer writes a summons for traffic violations, you'll see him
Speaker 1: as an enemy or a friend. Your life may depend
Speaker 1: on your attitudes. Statistics clearly indicate that where laws are obeyed,
Speaker 1: deaths go down. It's no secret that emotional immaturity is
Speaker 1: the major factor in our accident rate. How else but
Speaker 1: childish can you describe the notion that breaking a traffic
Speaker 1: regulation is a way of getting away with something. What
Speaker 1: could be more infantile than believing one can prove his
Speaker 1: superiority by ignoring a stoplight. Unfortunately, too many drivers on
Speaker 1: the road subscribe to that kind of emotional outlook. The
Speaker 1: result is tragic. Almost eighty five percent of all traffic
Speaker 1: accidents in America are caused by careless, childish driving. We
Speaker 1: hope you know our traffic laws and the people who
Speaker 1: enforce them are there to help save your life.
Speaker 7: He's a nasty one, mister. Power them along if you like.
Speaker 1: Well, No, no one I heard you wanted to see me,
Speaker 1: mister breed.
Speaker 8: Oh yeah, I didn't recognize your first wearing them big
Speaker 8: boys clothes.
Speaker 7: You're carrying your play acting too far. This time I
Speaker 7: was play acting.
Speaker 3: I've shot men for less.
Speaker 7: That's kid talking. We aren't kids anymore.
Speaker 3: Shut up, Tracy, You.
Speaker 2: Heard the lady. Tracy, shut up and get out. Me
Speaker 2: and fancy Pants gonna settle something.
Speaker 3: I changed my mind, Bred, I don't want no killing.
Speaker 6: Honey.
Speaker 2: We made a bargain.
Speaker 7: You're gonna keep it all.
Speaker 2: Away, Tracy.
Speaker 1: Take her to one sign you barkeep pour five shots
Speaker 1: and set them up.
Speaker 2: In the line.
Speaker 1: Yes, sir, Oh see, I promised Tim carterright avoid a
Speaker 1: gunfight if constantly, Oh.
Speaker 2: You ain't got no choice, fancy Pants all pardon? Yes?
Speaker 2: Good now, then, mister breed, I have one bullet left.
Speaker 2: Please draw whenever you're ready. Are you going to draw.
Speaker 2: I didn't.
Speaker 1: If you aren't going to draw, I suggest that you
Speaker 1: find Tom Carter handing your resignation and start traveling now.
Speaker 1: Lessons continue at seven, Miss West in my room, please.
Speaker 2: Be on time.
Speaker 3: Well, I got myself some female clothes cost more genuine bucks.
Speaker 2: Kiss, I took a bath too. Well. Come in.
Speaker 5: Trace coverts right.
Speaker 3: I ain't a woman, I ain't nothing. I'm gold if
Speaker 3: you want me to.
Speaker 2: You're like, very nice. You don't have to say that
Speaker 2: it happens to be true. You come off surprisingly womanly
Speaker 2: in address.
Speaker 3: Stars on me a lot of license and cross ropes
Speaker 3: to go underneath.
Speaker 2: Is it not considered good taste to discuss undergarments?
Speaker 1: I'm sorry.
Speaker 10: The only thing that threw me was my top notches
Speaker 10: with some platting a cap.
Speaker 3: On his tail. I still hate you.
Speaker 4: Kind of.
Speaker 11: You.
Speaker 3: Then you smile and go ahead. I don't blame you.
Speaker 3: Clumsy and I talk ignorant, and I guess a few
Speaker 3: yards of self don't hurt the lights of me much.
Speaker 2: Some wise man judges by the lady's smile.
Speaker 10: I think I felt better when you was clapping my
Speaker 10: knuckles and telling me not to spear my bread.
Speaker 2: Golly, that's the first nice thing you said to me
Speaker 2: with a woman now dealing with a shaky one.
Speaker 3: He's just being kind to me.
Speaker 2: A woman needs kindness only when she has no virtues in.
Speaker 5: Her I.
Speaker 3: Wouldn't want you to say anything out of pity.
Speaker 2: God isn't included in the course.
Speaker 7: I then, mister Palace and I were holy lovely jumping
Speaker 7: towards oh Tray.
Speaker 5: Well, well, gosh, what's the matter, Tracy?
Speaker 2: Why? Ella?
Speaker 7: I've never seen you in I mean, your hair, your eyes. Ella,
Speaker 7: You're a.
Speaker 3: Lady, am I track?
Speaker 7: You're sure are, and I'll kill a man who says
Speaker 7: you ain't. I'm sorry for what I said to Yell
Speaker 7: about not being a lady.
Speaker 1: But dog going as you've changed, she changed for you,
Speaker 1: mister Kelty.
Speaker 7: Huh.
Speaker 2: She'll tell you herself in time.
Speaker 1: But you'd like it very much if you just kept
Speaker 1: that silly look on your face and kept thinking of
Speaker 1: her the lady.
Speaker 7: Oh I will, Ella, I swear, I will, honestly what
Speaker 7: I do wrong? Did I offend you?
Speaker 2: No? No seed?
Speaker 7: Now, Ellen, don't try, mister Paladine, what do I do?
Speaker 3: Now?
Speaker 9: Take your lady in your arm, and mister Kilvin and
Speaker 9: never let her, go, oh, things in Abilene town.
Speaker 2: In Abilene Town, things are going smoothly. And how are
Speaker 2: things here in San Francisco smoothly? Specifically, the young lady
Speaker 2: I never dined with issues still registered him. Oh yeah, ah,
Speaker 2: then will you please take her this note until her I'm.
Speaker 4: Bad, I'd do it, but a husband nor life. A
Speaker 4: husband she get married two days ago. I mean, but
Speaker 4: the Spanish dancer registered today.
Speaker 2: Very nice for you. Catch him up for dinner the
Speaker 2: Spanish dancer.
Speaker 1: Ooh hey, boy, take that note up to the Spanish
Speaker 1: dancer with my confidence, same note, same note. No one
Speaker 1: we know of approves of wasting money. In spite of that, however,
Speaker 1: we Americans are often guilty of wasting our money by
Speaker 1: the uses we make of our government facilities. Take the
Speaker 1: operation of the post office, for example, mostly out of habit,
Speaker 1: many offices and individuals post outgoing mail at the end
Speaker 1: of the day. In so doing, they leave post office
Speaker 1: employees with too little work to do at other times
Speaker 1: of the day. In addition, we forget to include zone
Speaker 1: numbers as part of the address. In both ways, we're
Speaker 1: slowing down the entire system for delivering mail and adding
Speaker 1: to the cost of our postal operation. The problem is
Speaker 1: simple enough to solve. Start solving it tomorrow. If you'll
Speaker 1: arrange the post letters and packages earlier in the day
Speaker 1: and include zone numbers on the return at west as
Speaker 1: well as the outgoing address, you'll help our post office
Speaker 1: operate more efficiently for you and at less cost too.
Speaker 1: Remember for faster, more economical service mail early in the
Speaker 1: day and include zone numbers.
Speaker 2: Have Gone, We'll Travel.
Speaker 1: Created by Herb Meadow and Sam Raw, is produced by
Speaker 1: Norman McDonald and stars John Dayner as Paladin, with Ben
Speaker 1: Wright as hey Boy. To Night's story was written by
Speaker 1: Gene Roddenberry and adapted for radio by John Dawson. Featured
Speaker 1: in the cast were Virginia, Greg Sam Edwards, Harry Bartel,
Speaker 1: Lawrence Stopkin, Lynn Allen, and Barney Phillips. H Douglas speaking
Speaker 1: join us again next week for Have Gun, We'll Travel,