WEBVTT 1 00:00:01.879 --> 00:00:04.200 We never forget about the party girl. 2 00:00:09.880 --> 00:00:10.800 How she gets. 3 00:00:12.359 --> 00:00:15.359 She get that as when I said she gave it 4 00:00:15.439 --> 00:00:17.640 for her. Mamma almost say you got. 5 00:00:17.519 --> 00:00:20.640 To write your body, Body, body, Boddy, Buddy, body wanna 6 00:00:20.719 --> 00:00:21.600 be a friend? 7 00:00:23.120 --> 00:00:23.800 Ki. 8 00:00:25.239 --> 00:00:30.199 You see, I don't know which one of the. 9 00:00:30.320 --> 00:00:37.000 Bud it's gonna be your first doesn't matter because the bark. 10 00:00:37.840 --> 00:00:44.200 Bet you're still gonna hear it. Bet Buddy's fine. But 11 00:00:44.359 --> 00:00:47.560 we got by contain Nay. Then we're not about cant 12 00:00:47.640 --> 00:00:49.359 today is a good thing? 13 00:00:50.079 --> 00:00:50.399 Nice? 14 00:00:50.960 --> 00:00:51.359 All right? 15 00:00:52.000 --> 00:00:52.280 Hard? 16 00:00:54.399 --> 00:00:56.920 This is Victoria Monet on the Cruise Show. Let's go 17 00:01:00.159 --> 00:01:03.240 fuse for that intro that it's crazy, right, fire right? 18 00:01:03.280 --> 00:01:04.319 You got to it real quick? 19 00:01:06.439 --> 00:01:08.280 Is there is there any songs we left out that 20 00:01:08.319 --> 00:01:09.439 you wish would have been in there? 21 00:01:09.519 --> 00:01:11.560 You know what, there's a whole album. I just dropped 22 00:01:13.879 --> 00:01:16.040 everything that was great. 23 00:01:16.120 --> 00:01:18.400 Yeah, Jaguar to the deluxe. Congratulations, thank you. 24 00:01:18.560 --> 00:01:20.280 We're in and we're out. 25 00:01:20.400 --> 00:01:22.319 We're in and we're out, ladies and gentlemen. That's right. 26 00:01:22.400 --> 00:01:24.239 How do you feel if things are well? I know 27 00:01:24.280 --> 00:01:26.719 you know life is lifing obviously, right, But you drop 28 00:01:26.719 --> 00:01:28.439 a deluxe that's more music. 29 00:01:28.359 --> 00:01:31.840 More music, and I think I gave more than a 30 00:01:32.000 --> 00:01:35.159 typical deluxe. I think the tribe is super happy and 31 00:01:35.239 --> 00:01:37.159 excited just based on the feedback because you know, it 32 00:01:37.200 --> 00:01:40.120 came out at midnight a few hours for people to 33 00:01:40.200 --> 00:01:42.879 like tell me what they think, and all the feedback 34 00:01:42.959 --> 00:01:43.319 is great. 35 00:01:43.840 --> 00:01:46.480 So you do you have a competitive nature a spirit 36 00:01:46.519 --> 00:01:48.439 in that way, like I'm gonna do more than others 37 00:01:49.120 --> 00:01:49.879 when it comes to this. 38 00:01:49.840 --> 00:01:51.920 Project, more so that I'm gonna do more than myself. 39 00:01:52.000 --> 00:01:54.480 I kind of like introspective and I always want to 40 00:01:54.480 --> 00:01:57.560 be the best version of me, so I like to 41 00:01:57.599 --> 00:01:58.519 look at things that way. 42 00:01:59.599 --> 00:02:02.920 So you know, I'm listening to Jaguar two and there's 43 00:02:02.959 --> 00:02:06.799 a vibe there, a lot of melodies. Yeah, very very software. 44 00:02:06.840 --> 00:02:09.319 It needs to be soft, it hits hardware, it needs 45 00:02:09.319 --> 00:02:12.479 to hit hard. And you're talking that ship, yeah, right 46 00:02:12.479 --> 00:02:14.840 in the middle of that. Yes, right, and sometimes you're 47 00:02:14.879 --> 00:02:17.719 saying like the wildest shit, but it sounds so beautiful 48 00:02:17.919 --> 00:02:19.280 that it doesn't sound crazy. 49 00:02:19.400 --> 00:02:21.719 It's about the delivery. It's about it. You can say 50 00:02:21.759 --> 00:02:23.759 whatever you want, but it's about the delivery. 51 00:02:23.840 --> 00:02:26.520 Yeah, there's there's songs there where you're speaking about certain 52 00:02:26.560 --> 00:02:30.000 body parts, certain things, right, but you know you're saying 53 00:02:30.039 --> 00:02:32.840 it in a way that I guess only a woman. 54 00:02:32.680 --> 00:02:37.199 Can, like a lady can execute. 55 00:02:37.479 --> 00:02:39.639 Yeah, you know what it really I think it's just 56 00:02:39.719 --> 00:02:46.039 probably my tone of voice too, just in song form. 57 00:02:46.080 --> 00:02:47.680 I want to be able to speak my mind. But 58 00:02:47.719 --> 00:02:50.319 it is a lot about how you say things allow 59 00:02:50.360 --> 00:02:53.960 people to receive them a certain way. So I think 60 00:02:54.000 --> 00:02:58.000 that's just kind of naturally happens. But also it's just 61 00:02:58.719 --> 00:03:00.960 it's just who I am, how I like to speak. 62 00:03:01.120 --> 00:03:03.520 Is that is that who you are behind closed doors? 63 00:03:03.639 --> 00:03:05.080 Or do you turn that on for the music? 64 00:03:05.960 --> 00:03:08.919 I think I definitely say a lot more than I 65 00:03:08.960 --> 00:03:11.840 than I do like in a normal day, in the music, 66 00:03:13.280 --> 00:03:15.479 and then my inner circle also gets. 67 00:03:15.400 --> 00:03:16.319 That version of me too. 68 00:03:17.319 --> 00:03:20.199 Yeah, it's like ladies talk, girl talk, and you know 69 00:03:20.520 --> 00:03:22.960 in our little moments where we're hanging out, this is 70 00:03:22.960 --> 00:03:25.400 how we speak and what we speak about. But I'm 71 00:03:25.439 --> 00:03:28.159 not like going in rooms like hey, d at night, 72 00:03:28.240 --> 00:03:31.479 you know you know what I mean? Just like right right, 73 00:03:31.560 --> 00:03:34.319 right right, So you know, the music is kind of 74 00:03:34.400 --> 00:03:36.800 like a journal and drer diary, so people definitely get. 75 00:03:36.680 --> 00:03:40.400 Like inside, look what's behind for you? What's behind? The jaguar? 76 00:03:41.039 --> 00:03:44.759 The jaguar is a fierce, a very fierce animal. But 77 00:03:44.879 --> 00:03:47.800 also you don't really always see them. They're kind of 78 00:03:47.800 --> 00:03:49.479 like a rare sighting. And that's how I felt in 79 00:03:49.479 --> 00:03:51.479 the music industry for a really long time. It's just 80 00:03:51.479 --> 00:03:56.039 this being that existed and had this ferocity but wasn't 81 00:03:56.039 --> 00:03:59.120 in the limelight. And so with Jaguar One and Jaguar Too, 82 00:03:59.159 --> 00:04:01.400 my goal was to really pounds and step into the 83 00:04:01.479 --> 00:04:04.960 light with these these songs and bite because the Jaguar 84 00:04:05.039 --> 00:04:07.120 has one of them, is this grongest bite in the jungles? 85 00:04:07.240 --> 00:04:10.199 Okay, Yeah, the Jaguar is very sleek, yes. 86 00:04:11.840 --> 00:04:13.159 Right, right, And it's chess. 87 00:04:13.520 --> 00:04:16.079 So I think that's what you're getting with the extension 88 00:04:16.120 --> 00:04:17.639 of Jaguar One, Jaguar Too. 89 00:04:17.480 --> 00:04:18.360 And the Deluxe. 90 00:04:18.600 --> 00:04:22.160 It's been a four year rollout of these things, so 91 00:04:22.680 --> 00:04:26.040 it definitely feels like a game of chess, and there 92 00:04:26.079 --> 00:04:28.240 there's definitely some poundcing going on. 93 00:04:28.199 --> 00:04:32.120 That's right. Did you feel hidden? 94 00:04:33.120 --> 00:04:35.560 Yeah? I mean yes. 95 00:04:35.639 --> 00:04:38.879 As a songwriter, I think it was almost like you 96 00:04:38.920 --> 00:04:42.040 could hear my voice through through lyrics and things and 97 00:04:42.399 --> 00:04:46.040 placements and people other people singing them, but you weren't. 98 00:04:46.480 --> 00:04:47.240 You couldn't see me. 99 00:04:47.360 --> 00:04:51.279 It's almost like imagine you're in a jungle and you 100 00:04:51.560 --> 00:04:54.959 can hear groulse, but you're like, where is the beast? 101 00:04:55.079 --> 00:04:57.279 Where is the animal? And so finally, I think with 102 00:04:57.319 --> 00:05:00.639 these projects, I stepped out into that light moonlight and 103 00:05:00.800 --> 00:05:01.800 was like here. 104 00:05:01.639 --> 00:05:04.680 I am, and where I to eye? And I'm kill you. 105 00:05:06.600 --> 00:05:07.680 It went crazy right now. 106 00:05:09.240 --> 00:05:10.839 You had such an incredible years. 107 00:05:10.839 --> 00:05:13.680 A part of you like thinking too that now that 108 00:05:13.879 --> 00:05:16.839 you know that beast has come out, you're like, finally. 109 00:05:17.000 --> 00:05:19.600 For sure, Yeah, it's been a long time coming. And 110 00:05:20.040 --> 00:05:22.439 I think anyone with a goal that has their eyes 111 00:05:22.439 --> 00:05:24.680 set on the prize, and when that prize finally happens, 112 00:05:25.079 --> 00:05:27.759 you feel relief and you feel like, oh wow, anything 113 00:05:27.800 --> 00:05:30.839 that I dreamed of was fully worth all the struggles, 114 00:05:30.920 --> 00:05:32.680 all the tears, blood. 115 00:05:32.360 --> 00:05:37.199 Sweat, and and to all of the doubters, ha ha. 116 00:05:37.480 --> 00:05:42.240 You know, so you got receipts. 117 00:05:42.879 --> 00:05:45.720 I mean I'm sure that Twitter Does'll have. 118 00:05:45.759 --> 00:05:51.000 To ask social media has receipts. Yes, in your lowest. 119 00:05:50.639 --> 00:05:53.680 Time, man, the screenshots. 120 00:05:54.839 --> 00:05:57.879 You I like, alright, talking me about that that process 121 00:05:57.959 --> 00:06:01.439 the song all right, and you're talking talk it's very confident. 122 00:06:01.720 --> 00:06:04.759 Yes. So I was actually not in that headspace when 123 00:06:04.759 --> 00:06:06.279 I wrote all right. I was. 124 00:06:07.120 --> 00:06:09.920 It was not long after I had my daughter, and 125 00:06:09.959 --> 00:06:13.639 I was working with Kanada and knowing what he provides, 126 00:06:13.680 --> 00:06:16.000 and he's going to give you energy, and he's going 127 00:06:16.079 --> 00:06:17.360 to be in the club, and he's going to be 128 00:06:17.399 --> 00:06:21.600 at the you know, the festivals. And me, I'm like 129 00:06:21.800 --> 00:06:24.560 in an outer body experience right now, just a new 130 00:06:24.600 --> 00:06:26.839 mom trying to figure out what I want to talk 131 00:06:26.839 --> 00:06:27.680 about and how I want to. 132 00:06:27.639 --> 00:06:31.959 Present myself to the world. Every everything. 133 00:06:32.000 --> 00:06:35.240 Shout out to all the moms or mother figures even 134 00:06:36.560 --> 00:06:37.360 and dad's too. 135 00:06:37.399 --> 00:06:38.959 Honestly, they hold it down for sure. 136 00:06:39.199 --> 00:06:44.959 You appreciate You're like that. 137 00:06:48.199 --> 00:06:52.360 She loves you. She appreciates you. She does, she does. 138 00:06:52.680 --> 00:06:54.199 Sometimes she doesn't know how to say it. 139 00:06:55.800 --> 00:06:56.240 Show it. 140 00:06:57.639 --> 00:07:03.240 Tell her to show it. You're so mundy. Oh my god. Okay, 141 00:07:03.240 --> 00:07:08.240 so he needs something. Okay, you here. But yeah, I 142 00:07:08.279 --> 00:07:09.160 just had to kind. 143 00:07:08.959 --> 00:07:13.639 Of project and manifest what I wanted to become. And 144 00:07:13.680 --> 00:07:16.120 so by the time the song came out, I was 145 00:07:16.160 --> 00:07:18.160 closer to that space. And then by the time the 146 00:07:18.240 --> 00:07:21.399 music video came out, I was there. So you had 147 00:07:21.399 --> 00:07:23.000 to give yourself, give yourself time. 148 00:07:23.079 --> 00:07:26.079 You put yourself there, You drove yourself there. Right, is 149 00:07:26.079 --> 00:07:27.879 writing a song like that like almost like working out 150 00:07:27.879 --> 00:07:29.480 when you don't feel like working out, you don't feel 151 00:07:29.480 --> 00:07:31.720 like doing it. It's kind of keen up. But then 152 00:07:31.720 --> 00:07:33.879 when you do it, you feel so much better. Is that? Like? 153 00:07:34.759 --> 00:07:37.120 Was that? Were you writing those kind of songs and 154 00:07:37.160 --> 00:07:40.240 not necessarily feeling it? You have to dig right. 155 00:07:40.360 --> 00:07:43.639 Well, the first few songs that I was writing fresh 156 00:07:43.720 --> 00:07:47.319 into the studio after having the right it was one 157 00:07:47.360 --> 00:07:50.560 of them, but it wasn't the beginning. So like my 158 00:07:50.600 --> 00:07:55.079 first time back after doing having this really traumatic experiences. 159 00:07:55.800 --> 00:07:57.920 Childbirth is a little bit traumatic, So. 160 00:07:57.879 --> 00:08:01.079 Like having that experience and then going back to a 161 00:08:01.120 --> 00:08:04.480 creative space, I just everything was different. My voice was different, 162 00:08:04.519 --> 00:08:07.040 my energy, my priorities and what was on my mind. 163 00:08:07.040 --> 00:08:09.720 I was like write a song, breastfeed, write a song, 164 00:08:10.120 --> 00:08:12.439 you know, just trying to like balance it all out. 165 00:08:12.519 --> 00:08:14.360 So there was a few or a lot of songs 166 00:08:14.360 --> 00:08:16.920 that I just didn't like. So you had to get there. 167 00:08:16.920 --> 00:08:20.000 But it's like exercising. If at first you feel you 168 00:08:20.040 --> 00:08:22.279 can't do that pull up, it's really hard to do, 169 00:08:22.319 --> 00:08:25.360 and then you know two months in it's easy, So 170 00:08:25.439 --> 00:08:27.399 you just have to flex that muscle. 171 00:08:28.160 --> 00:08:32.440 Do you feel like songwriting is another way of manifestation 172 00:08:32.559 --> 00:08:32.759 for you? 173 00:08:33.440 --> 00:08:37.440 Definitely imagine you know, when you're writing something down is 174 00:08:37.519 --> 00:08:41.559 one thing that's for yourself, but imagine writing it, singing it, 175 00:08:41.879 --> 00:08:43.919 and then other people are also singing it, so they're 176 00:08:43.960 --> 00:08:46.159 manifesting for you in a way too, even when you're 177 00:08:46.159 --> 00:08:48.840 not even just energetically like it's just out in the 178 00:08:48.840 --> 00:08:51.080 world doing positive things. So I do feel like songs 179 00:08:51.120 --> 00:08:54.399 have the power and frequency is to change change things. 180 00:08:55.480 --> 00:08:57.399 There's a reason why when you hear it away, you're like, 181 00:08:57.960 --> 00:09:00.600 it's like a certain there's a certain frequency about it 182 00:09:00.799 --> 00:09:03.159 that changes the energy and the dynamic of your view 183 00:09:03.320 --> 00:09:05.240 and what you want to do to that song. 184 00:09:05.399 --> 00:09:08.679 Yeah, and I'm the one you're claiming your spot, yeah, 185 00:09:08.799 --> 00:09:10.080 or you're saying you are the spot. 186 00:09:11.279 --> 00:09:11.919 I'm the one. 187 00:09:12.120 --> 00:09:16.000 Is more kind of questioning why someone doesn't see you 188 00:09:16.039 --> 00:09:16.879 the way you see yourself. 189 00:09:17.000 --> 00:09:20.600 Okay, basically you would have saw I was doing if you. 190 00:09:20.720 --> 00:09:23.879 Yeah, and if you you can apply that to anything. 191 00:09:23.919 --> 00:09:25.799 You can apply it to a job position, you could 192 00:09:25.840 --> 00:09:30.960 apply it to a relationship, a status like you know, 193 00:09:31.039 --> 00:09:35.159 it's it's just it's not only about love. It's just 194 00:09:35.240 --> 00:09:39.080 about knowing your self worth and kind of wondering what 195 00:09:39.120 --> 00:09:42.039 they see versus what you see and knowing that you 196 00:09:42.519 --> 00:09:45.720 have the power to leave that situation and you're just 197 00:09:45.759 --> 00:09:47.799 being confident in what you feel that you are. 198 00:09:48.000 --> 00:09:51.240 Yeah, have you met anyone you know as far as 199 00:09:51.279 --> 00:09:55.519 your heroes go? Yes, yeah, all of them. No, they say, 200 00:09:55.559 --> 00:09:56.480 never meet your heroes. 201 00:09:57.039 --> 00:09:57.759 I haven't had that. 202 00:09:58.200 --> 00:10:00.480 I haven't had, you know, I do of the saying 203 00:10:00.519 --> 00:10:03.360 that's like you might have you might be disappointed, but 204 00:10:03.399 --> 00:10:05.679 I haven't had that experience. Everybody that I love that 205 00:10:05.720 --> 00:10:08.039 I meet is who they say they are and who 206 00:10:08.080 --> 00:10:08.759 I thought they were. 207 00:10:09.080 --> 00:10:09.559 That's great. 208 00:10:09.639 --> 00:10:13.639 Yeah, luckily, maybe I'm just catching on a really good day. 209 00:10:13.840 --> 00:10:15.679 Yeah, yeah, so exciting. 210 00:10:15.919 --> 00:10:18.120 Were you speechless in front of those people? Like, were 211 00:10:18.120 --> 00:10:20.320 you like one of us that meets, you know, a 212 00:10:20.360 --> 00:10:24.799 celebrity where sometimes you just have lots for work one hundred? 213 00:10:24.840 --> 00:10:26.279 Staring at Beyonce? Is that what happened? 214 00:10:27.679 --> 00:10:31.200 I was definitely debating a lot before I even went 215 00:10:31.240 --> 00:10:34.240 over there. Yeah, because I saw her at the Grammys 216 00:10:34.600 --> 00:10:37.559 this past year and during a commercial break, you know, 217 00:10:38.639 --> 00:10:40.679 it's everyone's chance to go say hi. So it's like 218 00:10:40.720 --> 00:10:43.240 this long line and I'm sitting like a few tables before. 219 00:10:43.440 --> 00:10:44.639 Yeah, I'm like this poor lady. 220 00:10:44.639 --> 00:10:47.720 She's probably just wanting to, like just be and not 221 00:10:47.879 --> 00:10:49.720 have to worry about it. But of course she's used 222 00:10:49.720 --> 00:10:50.039 to it. 223 00:10:50.360 --> 00:10:55.240 And then I was just like the another commercial break happen. 224 00:10:55.279 --> 00:10:58.519 I was like, no, let me just another commercial break. 225 00:10:58.600 --> 00:11:01.720 And my manager was like, oh, and then she and 226 00:11:01.759 --> 00:11:03.639 then she looked at me and she like kind of 227 00:11:03.679 --> 00:11:04.240 smiled and wait. 228 00:11:04.320 --> 00:11:06.679 I was like, and it was almost like right. 229 00:11:06.759 --> 00:11:08.639 It was almost like I didn't register it fast enough 230 00:11:08.720 --> 00:11:11.440 to like wave properly back, and she was like. My 231 00:11:11.480 --> 00:11:13.440 manager was like, if that isn't a sign to go, 232 00:11:13.519 --> 00:11:17.360 say hi, just go. I was like, all right, I'll 233 00:11:17.399 --> 00:11:17.799 do it. 234 00:11:17.960 --> 00:11:19.919 And so I went over there and she. 235 00:11:19.840 --> 00:11:21.879 Was receptive and we talked for a quick bit and 236 00:11:21.919 --> 00:11:23.360 I think I was the last person to speak to 237 00:11:23.399 --> 00:11:26.639 her and Blue right before they everyone you know, had 238 00:11:26.679 --> 00:11:28.960 to disperse again to be seated for the show. But 239 00:11:29.519 --> 00:11:33.919 amazing energy, Like I'm it's it's almost like an angel. 240 00:11:33.960 --> 00:11:36.799 You're just so enamored by her, You're like, this is real, 241 00:11:37.159 --> 00:11:43.200 because yeah. 242 00:11:40.399 --> 00:11:42.320 Yeah, I've seen her walk into a room once and 243 00:11:42.360 --> 00:11:45.279 I was I could have sworn she just like how 244 00:11:45.440 --> 00:11:45.879 is she doing? 245 00:11:46.799 --> 00:11:59.360 She has amazing Imagine if that's what it is, I'd 246 00:11:59.399 --> 00:11:59.919 be crazy. 247 00:12:00.120 --> 00:12:01.840 Who was an artist that you're in love with as 248 00:12:01.879 --> 00:12:03.720 far as like, I can work with him anytime you've 249 00:12:03.720 --> 00:12:06.159 worked with them before, whether it's a writing session or 250 00:12:06.200 --> 00:12:07.120 a studio session. 251 00:12:08.799 --> 00:12:11.200 I would say Dmail is an artist. Demail is a producer, 252 00:12:11.240 --> 00:12:13.320 but he's also an artist. And the way he sings 253 00:12:13.320 --> 00:12:15.840 and here's melodies. And he would humbly say no, he's not. 254 00:12:16.000 --> 00:12:18.399 I know if he hears no, I'm not, But I 255 00:12:18.480 --> 00:12:20.399 do believe that he is. He is a creator and 256 00:12:20.399 --> 00:12:22.200 he's an artist, and so I could work with him 257 00:12:22.360 --> 00:12:25.960 all day, any day, whenever he's available. Like any country, 258 00:12:26.000 --> 00:12:31.519 any universe called Denby. 259 00:12:31.200 --> 00:12:33.200 With they understand what's going on. 260 00:12:33.159 --> 00:12:35.840 Right, because music is another language, So you've got to 261 00:12:35.879 --> 00:12:37.240 be able to communicate the same. 262 00:12:37.159 --> 00:12:39.360 Language it really is. And not everybody knows that language. 263 00:12:39.799 --> 00:12:40.559 Boy, no they don't. 264 00:12:42.639 --> 00:12:45.399 Right when you're singing into the crowd and you're looking 265 00:12:45.440 --> 00:12:48.399 into the eyes of people that love your music and 266 00:12:48.440 --> 00:12:52.720 they're singing the songs back, there's there's there's a connection there, right, 267 00:12:52.799 --> 00:12:56.080 There's an energy there that that not too many people 268 00:12:56.120 --> 00:12:56.919 get to experience. 269 00:12:57.240 --> 00:13:00.720 Yeah, and I also don't it's not lost that that 270 00:13:01.200 --> 00:13:04.960 one room, no matter how many times a certain person 271 00:13:05.080 --> 00:13:07.960 or fan comes to see you they'll never be in 272 00:13:08.000 --> 00:13:10.919 the room with those exact people, in that exact position 273 00:13:10.960 --> 00:13:12.799 in the crowd with that energy. So it's like a 274 00:13:12.919 --> 00:13:15.600 one of one experience every performance. So I try to 275 00:13:15.639 --> 00:13:19.399 connect and make sure I'm staying present and you know, 276 00:13:19.840 --> 00:13:22.799 really my goal is to take them away from anything 277 00:13:22.840 --> 00:13:25.159 negative that they have been going through. As I know, 278 00:13:25.200 --> 00:13:28.320 people come to concerts and festivals for escapism and they 279 00:13:28.360 --> 00:13:31.440 want to feel something. So my job as an entertainer 280 00:13:31.519 --> 00:13:34.759 is to entertain and make sure that they they came 281 00:13:35.519 --> 00:13:37.879 one way, but they leave feeling ten times better. 282 00:13:38.200 --> 00:13:41.639 So that's yeah, it's a responsibility, I think, right, definitely. 283 00:13:41.720 --> 00:13:44.360 I mean it doesn't feel heavy though. It doesn't feel heavy. 284 00:13:44.399 --> 00:13:46.799 It just feels like this is what we're here to do, 285 00:13:46.879 --> 00:13:49.039 and it's just exchange of love, you know, and this 286 00:13:49.120 --> 00:13:49.360 is what. 287 00:13:49.320 --> 00:13:51.559 You were born to do. Yeah, you're from Sacktown. 288 00:13:51.639 --> 00:13:53.200 I'm from sack Towncment. 289 00:13:54.039 --> 00:13:56.799 That's right. Growing up? Did you have like regular job? 290 00:13:56.840 --> 00:13:56.919 No? 291 00:13:56.960 --> 00:13:59.600 I didn't, But you growing up in Sacramento? Did you 292 00:13:59.679 --> 00:14:00.600 have in the jobs? 293 00:14:00.679 --> 00:14:03.480 I did? I was a bank teller at Golden One? 294 00:14:03.759 --> 00:14:05.159 Were you? 295 00:14:05.759 --> 00:14:06.399 I was a bank teller? 296 00:14:06.440 --> 00:14:07.360 Yeah, Golden One? 297 00:14:07.519 --> 00:14:14.279 Noah, isn't it crazy being around all that money. 298 00:14:14.559 --> 00:14:17.919 Yeah, and also like I can't believe that, Like, well, 299 00:14:17.960 --> 00:14:19.639 my friends will come and I'm like, damn, You're just 300 00:14:19.639 --> 00:14:21.120 gonna come to me so I can see what's in 301 00:14:21.159 --> 00:14:21.559 your account. 302 00:14:21.600 --> 00:14:22.879 But sure, like just. 303 00:14:22.840 --> 00:14:25.440 All this information, so I think you were going to 304 00:14:25.519 --> 00:14:26.720 slip it like an extra hundred. 305 00:14:26.720 --> 00:14:30.519 And I don't know. If it were me, I would 306 00:14:30.559 --> 00:14:31.360 go to another. 307 00:14:32.200 --> 00:14:34.639 Because I don't want you know my business exactly, but 308 00:14:35.840 --> 00:14:37.240 ten accounts, I don't. 309 00:14:37.039 --> 00:14:39.360 Want you knowing I have thirteen fifty in my you know. 310 00:14:39.240 --> 00:14:44.639 What I'm saying, And and these things will happened. Yeah, broke, 311 00:14:44.759 --> 00:14:45.720 oh you broke. 312 00:14:47.279 --> 00:14:47.639 Broken. 313 00:14:49.159 --> 00:14:50.720 No, but I was a bank teller, I was. I 314 00:14:50.759 --> 00:14:51.679 worked at Circuit City. 315 00:14:52.039 --> 00:14:55.159 Circuit City, yeah, legendary. 316 00:14:54.639 --> 00:14:58.360 Yeah, Circuit City. And I was a dance teacher, that's right. 317 00:14:58.440 --> 00:15:01.039 That was extentive my No. I also worked in an 318 00:15:01.039 --> 00:15:03.320 off for the state for like a summer. 319 00:15:03.399 --> 00:15:05.440 Wow. Yeah, so you respect a nine. 320 00:15:05.320 --> 00:15:08.600 To five yeah, and a five to nine and. 321 00:15:08.600 --> 00:15:12.120 Five to nine for real, job is so important. I 322 00:15:12.159 --> 00:15:15.440 think having a job has been forgotten about or you know, 323 00:15:15.440 --> 00:15:17.799 because now you can be an entrepreneur your job at 324 00:15:17.840 --> 00:15:20.240 social media, sit at home, make videos all day and 325 00:15:20.240 --> 00:15:20.919 be successful. 326 00:15:21.000 --> 00:15:24.120 One hundred percent, which I I think you can also 327 00:15:24.200 --> 00:15:27.519 do both, like you can have that and also you know, 328 00:15:27.559 --> 00:15:29.720 the extra hour or two when you get home can 329 00:15:29.759 --> 00:15:34.799 be spent on socials, so it's really kind of limitless. 330 00:15:34.840 --> 00:15:37.759 But also I understand what you mean about the art 331 00:15:37.799 --> 00:15:40.159 of hard work, maybe sometimes being lost because it comes 332 00:15:40.399 --> 00:15:43.200 money can come so easily to certain people there. 333 00:15:43.679 --> 00:15:46.720 Yes, yeah, when when you were working these jobs, when 334 00:15:46.720 --> 00:15:48.440 you're telling everybody that you were going to be a star. 335 00:15:50.039 --> 00:15:52.320 I definitely was going to the studio right after my 336 00:15:52.360 --> 00:15:55.600 bank job, and like going to dance practice after I'm teaching, 337 00:15:55.720 --> 00:15:58.720 So I think I wasn't like an announcement, but I 338 00:15:58.720 --> 00:16:01.879 definitely my work ethic is like, Okay, she's not about 339 00:16:01.919 --> 00:16:05.080 to just you know, become the boss of this this bank, 340 00:16:05.320 --> 00:16:08.799 you know what I mean, Like I'm going to other places. 341 00:16:08.240 --> 00:16:10.759 Right right right. Nobody ever robbed the bank when you were. 342 00:16:10.679 --> 00:16:13.399 There, No, No, I was. We did have to go 343 00:16:13.440 --> 00:16:14.919 through drills, but no, yeah. 344 00:16:15.120 --> 00:16:16.519 Bank robberies aren't a thing. 345 00:16:16.519 --> 00:16:20.960 That's not fun. Yeah, that can't be fun. No, thank you. 346 00:16:21.000 --> 00:16:23.600 Do you consider sack the bay a part of the No, 347 00:16:23.679 --> 00:16:24.320 there's no bay. 348 00:16:26.720 --> 00:16:27.440 Who think it's like. 349 00:16:27.440 --> 00:16:29.519 A mini bay like in a mini Bay area. 350 00:16:29.759 --> 00:16:32.360 What I will say is like we share some of 351 00:16:32.399 --> 00:16:37.279 the same cultures because we're so close, like musically and lingo, 352 00:16:37.799 --> 00:16:39.240 but technically we are not the Bay. 353 00:16:39.279 --> 00:16:40.600 There is no Bay or in Sacramento. 354 00:16:40.639 --> 00:16:44.879 We are the capital of California, a city of trees. 355 00:16:45.960 --> 00:16:48.039 But yeah, and also a lot of people from the 356 00:16:48.039 --> 00:16:50.720 Bay moved to Sacramento and at a time when the 357 00:16:50.759 --> 00:16:53.600 houses were really you know, the house market in Sack 358 00:16:53.720 --> 00:16:56.080 was booming, So like we do have a lot of 359 00:16:56.120 --> 00:16:59.519 like Oakland, San Francisco people in Sack for sure, for sure, 360 00:16:59.600 --> 00:17:01.559 But no, I wouldn't call it the Bay. I think 361 00:17:01.559 --> 00:17:03.480 that everyone up there will be like. 362 00:17:03.759 --> 00:17:10.839 Right right, want to Sacramento, right right, yeah, exactly what 363 00:17:10.839 --> 00:17:13.319 what music have you been listening to other than yours? 364 00:17:13.440 --> 00:17:14.759 And maybe Coco Melon? 365 00:17:15.000 --> 00:17:19.000 Oh my god, the choke hold that. I'm like, what 366 00:17:19.160 --> 00:17:20.839 is in that? I need to sprinkle whatever is in 367 00:17:20.880 --> 00:17:21.319 that song? 368 00:17:21.359 --> 00:17:24.400 And my songs, like just let me know the formula 369 00:17:24.519 --> 00:17:27.400 so you can share, you can have it for and everything. 370 00:17:27.680 --> 00:17:30.400 I mean, she likes. Have you guys heard of Gracie's Corner? 371 00:17:30.880 --> 00:17:35.279 Corncy's Corner is like the tolerable version because it's it 372 00:17:35.319 --> 00:17:37.720 has like cool beats and like she's talk It's like 373 00:17:38.200 --> 00:17:40.559 you could technically listen to it as like real music 374 00:17:40.640 --> 00:17:44.640 because of its like dynamic and and it's like cultural. 375 00:17:45.400 --> 00:17:47.240 Some of it sounds like future produced. Its great. 376 00:17:47.359 --> 00:17:48.799 It's Snoop Dogs on the show. 377 00:17:48.960 --> 00:17:52.440 Yeah, because that's another whole remember. 378 00:17:54.240 --> 00:17:54.839 Yea your daughter. 379 00:17:55.920 --> 00:17:58.440 Yeah, it's good. I try to check that one out. 380 00:17:58.960 --> 00:18:00.920 It's they don't, they don't, it's not in production anymore. 381 00:18:01.440 --> 00:18:03.079 It is really it's bad. 382 00:18:03.480 --> 00:18:06.039 Yeah, it's like hip hop, and I mean it's the 383 00:18:06.119 --> 00:18:09.640 artists on there a wild and it's really you know, 384 00:18:09.960 --> 00:18:11.279 teachable stuff for your kids. 385 00:18:11.400 --> 00:18:14.400 Doul don never heard of. 386 00:18:14.359 --> 00:18:19.799 That one Dogyland that's Snoops Kids Channel. Yeah. Nice, it's 387 00:18:19.839 --> 00:18:22.839 like affirmations and the love that. Yeah, like it's I 388 00:18:23.400 --> 00:18:25.240 play it for my three year old and seven year 389 00:18:25.240 --> 00:18:26.839 old and they, man, they love it. 390 00:18:26.960 --> 00:18:29.519 I love that Hazel has moved on to like full 391 00:18:29.559 --> 00:18:32.359 on YouTube dance videos where kids are dancing. She's like 392 00:18:32.720 --> 00:18:35.160 learning the choreography and like almost like it's in the 393 00:18:35.160 --> 00:18:38.000 mirror and she's doing. She's like she'll watch it a 394 00:18:38.039 --> 00:18:40.680 few times and then she knows it. So I'm like, oh, 395 00:18:40.720 --> 00:18:45.119 oh yeah, no, seriously, it is a problem. 396 00:18:45.160 --> 00:18:46.799 I mean, it's like a good problems. 397 00:18:47.039 --> 00:18:47.880 Right, right, right right? 398 00:18:47.920 --> 00:18:51.279 Did you ever see melodies or try out melodies. 399 00:18:50.880 --> 00:18:52.000 Or hooks on her? 400 00:18:52.160 --> 00:18:54.480 And you know, when you're putting her to bed, like lullabies, 401 00:18:54.640 --> 00:18:55.079