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Speaker 1: W m N h rips the novels.

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Speaker 2: You're listening to macconnorton Unleash on w m N Hwy.

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Speaker 3: Five point three right now the world radio premiere of

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the new single from Barron Kismo.

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Speaker 4: This is called Easy.

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Speaker 5: Goes up again to find the last You daisy, you

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are easy?

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Speaker 1: Now you put me your box, your bit stop you

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want any reason you want an easy.

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Speaker 6: Work up beyond mind trying to see it a see

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it is themdict.

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Speaker 7: Now now yeh jan goratify you are sided.

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Speaker 1: Person goes up for again. You're trying to find the

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battles low.

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Speaker 8: Youre notiser. You look get easy now you pulling every

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cop outside your head stop and sting out any day

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he said.

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Speaker 1: Go Ainy said, of your.

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Speaker 6: Chance, you see it as it is.

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Speaker 1: You're exics.

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Speaker 7: Now now ye chance gotify more.

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Speaker 9: You have stopped.

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Speaker 5: When Mattso wakes up in the morning, he gets into

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the shower and to the top of his lungs he sings.

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Speaker 10: The man I do what I want because I can't.

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Speaker 9: All right, back to the radio show. Now all the

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best cherry.

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Speaker 10: I don't wanna ride, I don't wanna call, I don't

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want with.

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Speaker 1: The butchers like the others too. I don't need been on.

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I can't seemnifye motivation to be this room, no pie,

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just me.

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Speaker 11: Short from the outside.

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Speaker 6: Got set me free from this insidiou.

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Speaker 12: Your sleeping in somewhere to hide, your son needs train.

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Speaker 1: Or sun joy.

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Speaker 9: Speak or tap walk.

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Speaker 1: Or listening to the.

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Speaker 9: Father in the mob.

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Speaker 1: To a shape to I can't understand those other words

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with the world.

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Speaker 4: Just can't take.

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Speaker 1: The strata. I can't see ogimation to story, money.

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Speaker 10: To this.

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Speaker 9: Gos free from yourself? Si che speed is so don't.

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Speaker 7: Say day so chick, so.

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Speaker 8: Just get.

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Speaker 7: Chose so.

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Speaker 1: So the shock chose one.

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Speaker 3: I just wanted to let that fade out. That's so cool.

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That is it's pretty intense. That's short term solution. The

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band is the Gray Curtain and we've got Dennis and Troy.

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We're gonna speak with them in just a moment. Welcome everybody,

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if you are listening live on Saturday. We have entered

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our number two New Marrow dose of Matt Connorton Unleashed

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and we are live from the studios of w m

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n H ninety five point three FM and Glorious Manchester,

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New Hampshire. Today is Saturday, October four, twenty twenty five.

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Jenny is here, of course, at the news tablet for

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and let's talk with these guys. Dennis, you've been on

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the show before. Of course, you've been on a couple

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of times now, right.

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Speaker 13: I've been on the show with you guys twice, one

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in person, one over the phone.

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Speaker 3: Oh that's right, that's right. Yes, And Troy, this is

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your first time, you're right.

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Speaker 14: Yeah, yeah, thanks for having me. It's it's great to

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be here. This is actually the first time on the radio.

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Speaker 3: It's oh no kidding, yeah yeah, really cool to you know,

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be here.

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Speaker 14: And oh well, welcome experience.

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Speaker 13: Thank you.

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Speaker 3: What do you do in the band?

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Speaker 13: I play guitar?

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Speaker 3: Okay, okay, excellent, excellent. So the song we just heard,

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short term Solution, is that new? Is that a new

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single or no?

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Speaker 15: No?

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Speaker 13: Short term is part of the first album Shadow of

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a Man. Okay, came out around fourteen fifteen sixteen.

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Speaker 10: And.

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Speaker 13: Yeah, it's one of the older tracks.

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Speaker 3: Yeah yeah, Now what is the meaning of that song

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because obviously, I mean there must be a reason that

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you chose that for today. That was one of the

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one of the ones you sent us.

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Speaker 13: Well, we talked a bit off air about this. But

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during twenty twelve, I was going At twenty eleven twenty twelve,

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I was going through a like a downward spiral where

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I was kind of alienating everybody around me and going

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through a very dark period of my time, my life,

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and basically drinking myself into an early grave. The entire

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album Shadow of a Man is based on that time,

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where I would get up in the morning, drunk, start drinking,

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go over to the bar, spend most of my money

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at one bar until they told me to leave, Go

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to the next bar in my hometown, drink until they

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told me to leave, go home, pass out, wake up,

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do it all over again.

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Speaker 1: And I.

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Speaker 13: I remember a quote at a show at a benefit

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that we were playing that suicide is a a permanent

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solution to a short term problem. And that's kind of

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what kind of jolted that song into into existence, because

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drinking was always my short term solution to getting through

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the day, because the moment I would sober up, I'd

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have to face reality and I didn't want to do that.

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But luckily, this album, this project, as UH has helped

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me and in a lot of ways, get through a

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lot of my demons. I still suffer a lot of days,

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and unfortunately people around me thankfully have a lot of

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tolerance for that.

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Speaker 3: Yeah.

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Speaker 13: I I guess that's the word. I'm tolerated by by

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a lot of people in my life. You, Dennis, thanks man.

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Speaker 3: I was gonna say, you're obviously you know, valued and loved,

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you know, I mean, you know, it's it's it's not

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it's not tolerating you. It's you know, obviously these people

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care for you a great deal.

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Speaker 14: It's it's definitely like that album in particular, it's like

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it gives a voice to, like, you know, all these

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problems that a lot of people have in their lives,

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and it's that that the throes of addiction and and

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just getting through it like that.

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Speaker 3: Yeah, yeah, yeah, absolutely do Do people come up to

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you at shows or contact you online who've who've listened

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to this music and and kind of reach out and say, hey,

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I I can relate to this ors helped me in

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some way?

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Speaker 13: Or yeah, yeah I when it first came out, it

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not so much. I don't know what happened. Maybe the

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maybe the environment has changed over the last few years,

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where like talking about mental health has become okay.

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Speaker 3: Yeah, I think I think it's much less stigmatized any.

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Speaker 14: Yeah, definitely, I feel like has happened even more so

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like post like pandemic. That's like everybody's coming out of

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their houses and it's like you know what's going out

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with you and just kind of spill your whole life

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out to your your friends that you haven't seen in

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a while.

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Speaker 13: Oh yeah, I remember. I won't say names obviously, but

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there was a young woman. We played out in uh

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in Maine at a place called Charlie's Hill.

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Speaker 3: That venue. The name of that venue comes up a

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lot on the show. Apparently it's pretty cool.

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Speaker 13: It's great. We played there once. We can't wait to

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go back. They treat local bands like their nationals over there.

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And I remember this one woman came up to me,

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couldn't have been twenty one yet. And when I'm on stage,

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I like to let people in the crowd, whether they

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whether they need it or not, I just want them

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to know that if they feel isolated, if they feel alone,

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you know, come to me, you know, because I know

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what that feeling feels like. I know what it feels

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like to isolate yourself, whether it's on purpose or because

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you know, you just don't have anyone to talk to,

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and I've I had the chance to talk to her.

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And she told me how she was having suicidal ideations

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and she couldn't escape it no matter how hard she tried.

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And we talked for a good three hours. And when

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I just I just remember her face when she approached me,

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mascara coming down her face. And after she walked away,

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I noticed there's were you still there, Troy? I might

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have left me. There was a line of like probably

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five six nine people wanting to like talk. Three o'clock

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in the morning, I'm still out in Maine talking to people.

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My friend John who came with me, John Foley to John, Yeah,

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he came with me, and I think it was like

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eight o'clock in the morning. We finally got back to

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the Wister area where we're from, and I, I don't

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know what, I don't know. I don't know how to

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explain it. But I felt so much lighter, you know,

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And I felt like I had actually done some good,

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not just for myself, not just to spread message of

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self awareness and making it okay to talk about these things.

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But I have always in my heart, I just I

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always want to help people. I always want to let

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people know that it's okay to not be okay. As

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cliche as that's saying has become, it's it's true, and

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it's the reason why it's become cliche is because you

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know it's important to have that in your head. And

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that's really where where our music stems from. I talked

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to you about this the last time I was here.

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All of our music is based around a town called

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the Town of Apathy, and I created that after reading

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or it's not even reading, listening to a quote from

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Miller said the best way to get over a woman

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is to turn her into literature. So I created this

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town with all of my hurts, habits, hang ups, all

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of my bullies, every bad memory I've ever had, and

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created characters and put them in a town that they

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can't escape. The first album, it's a fictional character by

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the name of Nathan Knopf loses the love of his

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life and the album takes place the last day and

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half of his life. Second album is about a different

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character going through a different thing. Third album is going

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to be about different characters going through a different thing,

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but they're all going to be based around how people

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can relate to some form of mental illness. And more

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than anything, I want these songs, these albums, the script

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that we're writing to go along with it, the novel

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that I've been working on. I want everything that we

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do to help people and let them know that they're

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not alone. Yeah.

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Speaker 3: Yeah, that's that's excellent. Yeah, we're starting to say some.

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Speaker 14: Of the try Uh well, I guess to to piggyback

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off of that, like with the the songwriting process in

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particular with with like the script that he's writing. It's

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it's cool to like have a feeling to attach to

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like the music that we're writing, rather than like, here's.

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Speaker 13: This cool song that I wrote.

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Speaker 3: Yeah, yeah, this whole story.

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Speaker 14: That we're trying to tell with with you know, the

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script and the trying to fit the music into the

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it's it's very interesting. And uh, especially also with the

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shows that like I feel that like it's like after

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we play the show, it's like that that weight has

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come off, Like especially with these songs, it's it's almost

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like therapy. Yeah, it's like, yeah, it's you just kind

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of let it all out.

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Speaker 13: Yeah. Yeah, that's why we call our shows. That's why

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we call our shows sermons rather than performances. That's why

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we call our fan base the congregation rather than an

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army or you know something like that. It's like, you know,

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you come to our shows to feel something, you know,

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and that's not a knock on any other band that

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we play with. We love this scene. I can go

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back and forth with you all day. It's like, you know,

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with some of the bands that we have played with

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that deserve a lot more recognition than what they're getting.

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But you know, time after time we play a show

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and we're usually middle or the beginning of the lineup,

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and someone will always approach us and say, you guys

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are a breath of fresh air. No one's doing what

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you're doing. And I think that's kind of sad because

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there are bands that are doing what we're doing. You know,

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they're just not getting the opportunities that we're getting, right

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And uh, don't get me wrong, I appreciate every opportunity,

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of course, you know, but yeah, like just off the cuff,

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00:21:13,759 --> 00:21:16,160
the Big Son, we were talking about those guys on

241
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the way here. You know, a great group of kids.

242
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You know, they sound like tool before they got rich,

243
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they you know, before they lost the hunger, you know,

244
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Scarecrow Hill. Oh yeah, I love them. We had them

245
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on yeah, and I listened to that interview. Was the

246
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first time that I had ever been name dropped. I

247
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was like, oh, that's cool, you know, but you know,

248
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Tyler lead singer Scarecrow is now our drummer, you.

249
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Speaker 3: Know he is.

250
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Speaker 14: He loved us a batch, like we we kind of

251
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built this friendship.

252
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Speaker 13: With him, and he's like, I love you guys.

253
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Speaker 16: That's awesome.

254
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Speaker 13: Yeah.

255
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Speaker 14: I was kind of surprised to find out when he

256
00:21:53,119 --> 00:21:55,839
you know, played drums and like he like we were

257
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having issues finding drummers and yeah, like I mean, I'm

258
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down to fill in with you guys. And then we

259
00:21:59,880 --> 00:22:04,000
just kind of like begged him to be like yeah, yeah.

260
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Speaker 13: Yeah, practically on our knees, like please Tyler, Oh wow, yeah,

261
00:22:08,119 --> 00:22:11,920
oh that's cool. Yeah. Uh but yeah, we've had such

262
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a connection with those guys since uh uh summer last

263
00:22:16,599 --> 00:22:20,880
year when we played uh Electric CA's, and I think

264
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we played like twelve or thirteen shows with them since uh.

265
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I've been on stage with them my handful of times,

266
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just doing a couple of tracks here and there.

267
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Speaker 16: Yeah.

268
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Speaker 13: Yeah, I can't say enough about how much I love

269
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Scarecrow Hill. Yeah, fear of the masses. Love those guys, Anaria.

270
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You know what a voice Jessica has, you know, it's

271
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just uh yeah, My point being is this scene is

272
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so it's filled with so much talent.

273
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Speaker 16: Oh absolutely absolutely.

274
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Speaker 13: Yeah. So when uh, when we get the opportunities that

275
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we get, we like to share as much as we

276
00:23:01,920 --> 00:23:05,960
possibly caneah, but like we're hungry, we want to we

277
00:23:06,079 --> 00:23:09,400
want to venture out and you know, play around this country,

278
00:23:10,160 --> 00:23:13,960
around this world, you know, just spread a message that

279
00:23:14,079 --> 00:23:19,279
it's okay to not be okay, right. But I can't

280
00:23:19,759 --> 00:23:23,160
you know, I can't thank Troy enough to you know,

281
00:23:23,240 --> 00:23:26,400
with being in this band. Everybody that has been part

282
00:23:26,440 --> 00:23:30,839
of the Great Curtain over the last stuff God since

283
00:23:30,880 --> 00:23:37,400
twenty fourteen, oh wow, yeah, over ten years. You know,

284
00:23:37,839 --> 00:23:43,359
great group of musicians. You know obviously parted ways for

285
00:23:43,519 --> 00:23:47,839
one reason or another. Sure, but I can't say enough

286
00:23:47,880 --> 00:23:51,640
good things about everyone who has taken part of this

287
00:23:52,079 --> 00:23:55,240
journey with me over the last eleven years.

288
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Speaker 3: Yeah, you know, just now, did you how did you

289
00:23:58,039 --> 00:23:59,200
guys come to work together?

290
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Speaker 13: Take this?

291
00:24:00,759 --> 00:24:00,960
Speaker 17: Yeah?

292
00:24:01,720 --> 00:24:05,000
Speaker 14: So I, oh my god, how far back do I

293
00:24:05,119 --> 00:24:05,400
go with this?

294
00:24:06,799 --> 00:24:07,079
Speaker 13: Okay?

295
00:24:07,240 --> 00:24:09,240
Speaker 14: So a band that was in a long time ago

296
00:24:10,119 --> 00:24:13,319
Fatal Defiance. We'd actually played at the Bungalow before it

297
00:24:13,359 --> 00:24:16,079
closed out and happy that that's actually coming back. But

298
00:24:18,839 --> 00:24:21,359
I'd played a couple of shows with our bass player,

299
00:24:21,759 --> 00:24:25,400
Sean his band in Many, so we kind of got

300
00:24:25,440 --> 00:24:26,799
to know each other through that. And then a few

301
00:24:26,880 --> 00:24:30,160
years later, like we started, you know, like, hey, do

302
00:24:30,160 --> 00:24:32,279
you want to try to get something together here and

303
00:24:32,599 --> 00:24:35,359
work on some stuff. And then a few months after that,

304
00:24:38,359 --> 00:24:40,559
he makes a post on Facebook like, Hey, any of

305
00:24:40,640 --> 00:24:43,279
my friends that played guitar are interested enjoining a band?

306
00:24:43,799 --> 00:24:46,599
So I was like hi, me hi, and he's like, yeah,

307
00:24:46,680 --> 00:24:50,359
check out Great Curtain. We were looking for guitar players.

308
00:24:50,440 --> 00:24:52,200
I guess he was gonna play guitar before but wanted

309
00:24:52,200 --> 00:24:54,240
to play bass. Yeah, so yeah I checked it out

310
00:24:54,240 --> 00:24:57,000
and it's I like fell in love with the music instantly. Yeah,

311
00:24:57,279 --> 00:24:59,480
It's like that there was something very special about this

312
00:24:59,559 --> 00:25:01,839
band that I I just really wanted to be part

313
00:25:01,880 --> 00:25:04,680
of and really happy to be part of it. Yeah,

314
00:25:04,759 --> 00:25:05,559
thank you Dennis for that.

315
00:25:07,279 --> 00:25:08,839
Speaker 3: Were you there from the beginning? That's are you an

316
00:25:08,839 --> 00:25:09,880
original member or no?

317
00:25:10,039 --> 00:25:10,240
Speaker 8: No no.

318
00:25:10,359 --> 00:25:11,119
Speaker 10: I joined.

319
00:25:12,680 --> 00:25:14,799
Speaker 14: God probably two years ago.

320
00:25:15,200 --> 00:25:18,039
Speaker 3: Oh okay, so you're so you're relatively new then.

321
00:25:18,160 --> 00:25:20,839
Speaker 13: Yeah, yeah, I'm the only original member left.

322
00:25:21,000 --> 00:25:24,920
Speaker 3: Okay, okay, yeah, is it is it challenge? Has it

323
00:25:24,960 --> 00:25:26,799
been challenging it all over the years with you know,

324
00:25:27,359 --> 00:25:28,720
like you said, you know, people come and they go.

325
00:25:28,880 --> 00:25:31,519
I mean, has that been Has that been a challenge

326
00:25:31,559 --> 00:25:33,559
for you? Or is it has been relatively easy to

327
00:25:33,599 --> 00:25:35,480
find people who fit the project.

328
00:25:35,240 --> 00:25:38,240
Speaker 13: Or honestly, in this area, it's very tough.

329
00:25:39,200 --> 00:25:39,319
Speaker 1: Uh.

330
00:25:39,519 --> 00:25:45,119
Speaker 13: And again I'm an eclectic music lover. Yeah, so this

331
00:25:45,400 --> 00:25:51,799
is like, but this scene, it is mostly metal and

332
00:25:53,319 --> 00:25:57,720
at least what I've seen, and our friends in the

333
00:25:57,799 --> 00:26:01,000
metal community like to make it very known to us

334
00:26:01,119 --> 00:26:03,000
we are not a metal band.

335
00:26:03,599 --> 00:26:03,920
Speaker 3: It's like that.

336
00:26:04,400 --> 00:26:09,559
Speaker 13: I know, I know we're not, but so it's it's

337
00:26:09,640 --> 00:26:14,119
difficult when it's like, Okay, I need my eclectic musician

338
00:26:14,519 --> 00:26:18,000
friends to come and do this project with me that

339
00:26:18,200 --> 00:26:24,200
already has two albums worth of music, and some some musicians,

340
00:26:24,279 --> 00:26:28,279
you know, they don't want to do the whole theme album, right,

341
00:26:28,680 --> 00:26:31,960
the whole concept album thing, so they bow out as well.

342
00:26:32,480 --> 00:26:37,240
Some musicians like Tyler are in multiple bands, you know,

343
00:26:39,200 --> 00:26:42,960
so it's a it's tough and especially after someone leaves,

344
00:26:43,880 --> 00:26:49,640
like so I started this band with Jim Miller and uh,

345
00:26:50,480 --> 00:26:53,039
when like when I got the opportunity to play at

346
00:26:53,079 --> 00:26:57,400
Foxwood's it was our first show. He was the first

347
00:26:57,440 --> 00:27:01,839
person I called. I became very close with him over

348
00:27:02,319 --> 00:27:09,759
the past like the next almost decade, and it it really,

349
00:27:10,119 --> 00:27:13,279
it really broke my heart when he, his brother, and

350
00:27:13,920 --> 00:27:20,359
our drummer at the time, Sean Different Sean all left because.

351
00:27:20,160 --> 00:27:21,960
Speaker 3: Wait, they all left it once. They all left it once.

352
00:27:22,039 --> 00:27:22,640
Oh my god.

353
00:27:22,799 --> 00:27:27,200
Speaker 13: Yeah, So it took me a while, not just to

354
00:27:27,359 --> 00:27:32,200
find people, but you know, I I basically sat around writing,

355
00:27:33,759 --> 00:27:39,440
doing the comic, doing the stories, and really contemplating if

356
00:27:40,319 --> 00:27:43,480
I was even going to continue with this. Yeah, and

357
00:27:44,680 --> 00:27:49,519
I'm not gonna lie, you know, certain mental illnesses started

358
00:27:49,559 --> 00:27:54,680
creeping in and I I was having a pretty difficult

359
00:27:54,720 --> 00:28:01,759
time at the time because, uh, it wasn't exactly one

360
00:28:01,799 --> 00:28:06,039
of those kind of separations where it was mutual. Oh okay,

361
00:28:06,440 --> 00:28:11,279
I would have gladly gone another ten twenty years with

362
00:28:11,400 --> 00:28:22,039
those guys. Yeah, but yeah, I just decided that if

363
00:28:22,440 --> 00:28:24,920
I couldn't do the Gray Curtain, I wasn't going to

364
00:28:25,000 --> 00:28:27,720
do anything at all, because for me, it's a lot

365
00:28:27,799 --> 00:28:30,319
more than just playing music. It's the message. It's trying

366
00:28:30,599 --> 00:28:32,920
like like I mentioned before, it's trying to help people,

367
00:28:33,880 --> 00:28:41,559
and I luckily found well then fine, I was handed

368
00:28:42,000 --> 00:28:47,440
in so many words, Joe Saferano for a drummer. Joe

369
00:28:47,599 --> 00:28:52,079
plays for the Nagans, Raged the Stitches. He's I think

370
00:28:52,160 --> 00:28:59,160
he's in twenty two bands. I'm over exaggerating, but not

371
00:28:59,279 --> 00:29:04,440
by much, not much. No great guy. And through Joe,

372
00:29:04,519 --> 00:29:07,599
I was able to get a hold of Sean, who

373
00:29:08,240 --> 00:29:11,880
much like Troy, I knew from when he was in Inman,

374
00:29:12,039 --> 00:29:15,400
when he was fronting Inman, and I was able to

375
00:29:15,440 --> 00:29:18,039
get him on board. Through Sean, I was able to

376
00:29:18,079 --> 00:29:21,880
get Troy. Joe left because as I mentioned, he's in

377
00:29:21,920 --> 00:29:27,200
one hundred and twenty seven band. And so we we

378
00:29:27,279 --> 00:29:30,119
struggled for a little while getting a permanent drummer, but

379
00:29:30,400 --> 00:29:33,839
Tyler kept filling in, and finally Tyler, you know, gave

380
00:29:33,920 --> 00:29:36,279
into our begging and now we have Tyler.

381
00:29:36,519 --> 00:29:36,720
Speaker 17: Yeah.

382
00:29:37,119 --> 00:29:42,000
Speaker 13: We are currently searching for a synth keyboard player, okay,

383
00:29:43,279 --> 00:29:47,640
and I don't know. I'm I'm open to all instruments

384
00:29:47,680 --> 00:29:52,960
to play in this band. Yeah. But to to wrote

385
00:29:53,000 --> 00:29:56,519
back into your original question, it gets difficult, it gets

386
00:29:56,799 --> 00:30:01,240
it gets trying, it gets more to find it sometimes

387
00:30:01,759 --> 00:30:05,480
where you're You're just messaging people that you know over

388
00:30:05,559 --> 00:30:07,240
and over again. It's like, hey, you know, what do

389
00:30:07,279 --> 00:30:09,720
you think? What do you think? And they're like, I

390
00:30:09,799 --> 00:30:12,920
don't know, man, you know, music is not really my thing.

391
00:30:13,640 --> 00:30:16,240
I don't know, man. You know, I got this other

392
00:30:16,319 --> 00:30:18,759
band that I'm working for. I don't know. Man, you know,

393
00:30:18,920 --> 00:30:22,039
I'm you know, I kind of just look at it

394
00:30:22,240 --> 00:30:25,400
like like a hobby. That's the worst.

395
00:30:25,680 --> 00:30:28,680
Speaker 14: Oh yeah, yeah, I hate that response. That's the funny.

396
00:30:28,720 --> 00:30:30,440
There was the one guy that was like, you know,

397
00:30:30,599 --> 00:30:32,160
he was all on board, all about it, and then

398
00:30:32,480 --> 00:30:34,359
like what was it, like a day or two before

399
00:30:34,680 --> 00:30:37,160
we bring him in. It's like he actually listened to

400
00:30:37,240 --> 00:30:39,319
the songs and he's like, oh I had actually not

401
00:30:39,400 --> 00:30:40,160
that into the music.

402
00:30:42,480 --> 00:30:42,759
Speaker 1: Wow.

403
00:30:43,720 --> 00:30:46,119
Speaker 13: He said he was a big fan and everything I

404
00:30:46,240 --> 00:30:48,480
was come on down. And then like two days before

405
00:30:48,519 --> 00:30:51,759
his tryout, he's like, oh, actually, uh after listening to

406
00:30:51,839 --> 00:30:55,240
the music, it's a little too sad for me.

407
00:30:55,480 --> 00:30:55,720
Speaker 1: Wow.

408
00:30:55,880 --> 00:30:59,759
Speaker 13: I'm like, yeah, that's the point.

409
00:31:01,920 --> 00:31:02,519
Speaker 16: Oh wow.

410
00:31:02,640 --> 00:31:05,440
Speaker 13: Yeah. So it gets difficult because.

411
00:31:05,440 --> 00:31:05,839
Speaker 7: We are.

412
00:31:07,519 --> 00:31:09,200
Speaker 13: We are kind of like right in the middle there

413
00:31:09,240 --> 00:31:13,799
where where this group's cup of tea by like a mile,

414
00:31:14,359 --> 00:31:17,720
and then we're not this groups cup of tea by

415
00:31:18,559 --> 00:31:21,680
by a mile, right, So it gets it gets difficult,

416
00:31:22,039 --> 00:31:23,920
very very difficult sometimes.

417
00:31:23,759 --> 00:31:26,599
Speaker 3: Especially with drummers, right, because that's that's been a running

418
00:31:26,640 --> 00:31:28,519
theme on the show over the years, like every drummers

419
00:31:28,559 --> 00:31:31,319
in multiple bands because there's so few drummers.

420
00:31:30,960 --> 00:31:32,079
Speaker 13: So few, so few.

421
00:31:32,279 --> 00:31:33,559
Speaker 16: Yeah, yeah, I.

422
00:31:35,119 --> 00:31:37,880
Speaker 13: Have nothing but love for the bands that have a

423
00:31:37,960 --> 00:31:41,400
drummer that only drums for them. I wish I had

424
00:31:41,440 --> 00:31:44,480
their magic. Just make a drummer up here like that,

425
00:31:47,039 --> 00:31:52,359
like like Scarecrow's drummer, Brendan. I don't. I cannot stress

426
00:31:52,480 --> 00:31:57,839
enough how amazing Brendan is. It's like before Tyler said

427
00:31:57,880 --> 00:31:59,839
that he would play with us, I was just like

428
00:32:00,440 --> 00:32:06,799
what I And it's the same thing with the drummer

429
00:32:06,880 --> 00:32:12,279
for the Big Son, Nick is just unreal, unreal talent.

430
00:32:12,839 --> 00:32:15,359
So like there have been a couple of times where

431
00:32:15,359 --> 00:32:17,279
I've been like, hey, let me let me talk to you.

432
00:32:18,640 --> 00:32:20,559
How you know serious? Are you with this band?

433
00:32:23,680 --> 00:32:23,720
Speaker 10: No?

434
00:32:24,119 --> 00:32:28,440
Speaker 13: But I wouldn't actually done that, right right, but uh,

435
00:32:29,039 --> 00:32:31,640
you know I have like approached a couple of drummers

436
00:32:31,839 --> 00:32:33,559
just to be like, hey, do you have the time

437
00:32:33,680 --> 00:32:37,440
to maybe put another project in? But the answers usually no,

438
00:32:38,480 --> 00:32:42,079
these like the drummers that I mentioned, Brendan and Nick,

439
00:32:42,920 --> 00:32:45,559
like they are so passionate about this one project that

440
00:32:45,640 --> 00:32:49,599
they're in and rightfully so. Scarecrow's amazing, big sons amazing. Yeah,

441
00:32:50,920 --> 00:32:54,119
but uh yeah, they would never be like, yeah, I

442
00:32:54,200 --> 00:32:57,039
gotta split my time between you guys who are doing

443
00:32:57,200 --> 00:33:00,400
like all of this stuff has an them to do

444
00:33:00,880 --> 00:33:05,839
with music, right, you know, it's like we were a

445
00:33:05,960 --> 00:33:09,359
multi media type of project where you know, a lot

446
00:33:09,440 --> 00:33:12,640
of bands are just strictly about the music, strictly about

447
00:33:13,000 --> 00:33:18,240
enforcing what their message is. Yeah, and I like, I

448
00:33:18,559 --> 00:33:21,720
completely understand their their point of view where it's like

449
00:33:21,759 --> 00:33:24,759
you don't want to overload yourself, right, But like you said,

450
00:33:24,839 --> 00:33:29,640
the scene is just deprived of it's a it's a

451
00:33:29,839 --> 00:33:33,799
desert trying to find a drummer that isn't in twelve band.

452
00:33:34,640 --> 00:33:35,480
Shout out to Joe.

453
00:33:38,119 --> 00:33:40,079
Speaker 3: If you're just joining us, we're talking with We have

454
00:33:40,160 --> 00:33:43,480
Dennis and Troy here from the band The Gray Curtain

455
00:33:43,920 --> 00:33:46,200
And uh so have you guys not been so with

456
00:33:46,359 --> 00:33:49,119
the current situation? So you're looking for for a synth player.

457
00:33:49,559 --> 00:33:51,599
So are you guys not playing shows currently or are

458
00:33:51,599 --> 00:33:54,839
you Oh no, so what are you just doing it

459
00:33:54,880 --> 00:33:56,480
without the keyboard. Yeah.

460
00:33:57,480 --> 00:34:00,559
Speaker 13: Yeah. We we have a show at Ralph's Rock Diner

461
00:34:00,640 --> 00:34:04,799
and Worcester on the tenth we have nice We have

462
00:34:04,880 --> 00:34:07,759
a show at Terminus on the eleventh, Oh excellent with

463
00:34:08,440 --> 00:34:11,760
all of our friends. That show a Terminus on the

464
00:34:11,800 --> 00:34:16,360
eleventh is just family, It's Scarecrow Hill, it's Double Inside Us,

465
00:34:16,480 --> 00:34:18,320
It's Fear of the Masses and it's us.

466
00:34:18,519 --> 00:34:18,760
Speaker 3: Yeah.

467
00:34:19,159 --> 00:34:20,559
Speaker 13: That show is just going to be fun.

468
00:34:20,920 --> 00:34:21,159
Speaker 16: Yeah.

469
00:34:21,639 --> 00:34:25,880
Speaker 13: And then the twenty fifth we're playing that coll with

470
00:34:26,000 --> 00:34:32,440
the Spectacular with Scarecrow Bands and Double Inside the Meagan's

471
00:34:32,679 --> 00:34:36,480
Joe Soper. Oh, Thenigans and Rag the Stitches. Joe's playing

472
00:34:36,519 --> 00:34:37,480
double duty on that show.

473
00:34:37,920 --> 00:34:39,159
Speaker 3: Oh excellent, excellent.

474
00:34:39,280 --> 00:34:42,559
Speaker 13: Yeah. Uh but yeah, we're uh, we're still playing because

475
00:34:42,599 --> 00:34:44,320
you know, you got to get the message out there.

476
00:34:44,400 --> 00:34:49,239
You gotta keep uh keep you fresh in people's minds, yeah,

477
00:34:49,639 --> 00:34:53,599
or else you get forgotten. I mean bottom line, Well, I.

478
00:34:53,599 --> 00:34:55,599
Speaker 3: Would imagine too, I mean it must be. It must

479
00:34:55,639 --> 00:34:58,000
be kind of interesting, right if you're if you're playing,

480
00:34:58,920 --> 00:35:01,119
you know, because you've had to p play with these

481
00:35:01,239 --> 00:35:05,280
different configurations over the years. So if you have if

482
00:35:05,280 --> 00:35:07,119
you have something that you know, maybe you want a

483
00:35:07,159 --> 00:35:09,440
synth player, but you don't have a synth player, so

484
00:35:09,519 --> 00:35:11,360
you got to do without. But that must be kind

485
00:35:11,400 --> 00:35:13,199
of that must be kind of fun though in a way, right,

486
00:35:13,239 --> 00:35:15,400
because isn't it doesn't it make it kind of more

487
00:35:15,440 --> 00:35:17,880
of a challenge, It's like, and it kind of it

488
00:35:18,039 --> 00:35:19,639
makes it gives us songs a little bit of a

489
00:35:19,679 --> 00:35:22,480
different different flavor, a different texture.

490
00:35:22,159 --> 00:35:22,639
Speaker 13: Right, definitely.

491
00:35:22,719 --> 00:35:25,599
Speaker 14: Yeah, it's like the the you know, having the limitations

492
00:35:25,679 --> 00:35:28,000
kind of opens up the creativity kind of and like

493
00:35:28,079 --> 00:35:30,719
you can find like a cool effect on your pedal, yeah,

494
00:35:30,760 --> 00:35:32,000
to kind of fill in that space.

495
00:35:32,119 --> 00:35:35,280
Speaker 3: And yeah, yeah, yeah. I was in a band years ago,

496
00:35:35,440 --> 00:35:36,960
long time ago. I was in a band called First

497
00:35:36,960 --> 00:35:40,280
Shove and First Shove you know, hardcore metal. We'd always

498
00:35:40,320 --> 00:35:43,079
been a five piece and because we had two guitar

499
00:35:43,159 --> 00:35:46,639
players and we had a guitar player leave and just

500
00:35:48,440 --> 00:35:50,079
Rich Burke, who was kind of he was the only

501
00:35:50,119 --> 00:35:51,599
original member of the band at that point, so he

502
00:35:51,679 --> 00:35:53,199
was kind of the de facto leader. So we all

503
00:35:53,239 --> 00:35:54,440
kind of looked at him and he said, you know what,

504
00:35:54,519 --> 00:35:56,599
I don't think we need to replace Dave. Let's just

505
00:35:56,679 --> 00:35:58,920
be a four piece. So we just tried it, and

506
00:35:59,000 --> 00:36:00,800
First Shove it had never been a four piece and

507
00:36:01,159 --> 00:36:03,280
it was kind of fun. Actually, yeah, you know, I

508
00:36:03,320 --> 00:36:04,719
mean it kind of changed the songs a little bit

509
00:36:04,719 --> 00:36:06,639
because he didn't have the two guitars, right, Yeah, but

510
00:36:07,599 --> 00:36:09,519
this sounded a little stripped down. I don't know, we

511
00:36:09,559 --> 00:36:10,840
all kind of liked it. We played it show and

512
00:36:10,880 --> 00:36:12,360
it was like, this is okay, we can do it

513
00:36:12,440 --> 00:36:13,119
this way for a while.

514
00:36:13,320 --> 00:36:16,960
Speaker 14: Yeah, there's particularly a few songs, especially like we kind

515
00:36:16,960 --> 00:36:18,559
of take the keyboard out of it. It definitely, like

516
00:36:18,639 --> 00:36:20,159
you said, strips it down and kind of gives it

517
00:36:20,280 --> 00:36:23,119
more of like a raw kind of feeling, and it

518
00:36:23,599 --> 00:36:24,920
brings it to a whole other place.

519
00:36:25,199 --> 00:36:25,440
Speaker 16: Yeah.

520
00:36:25,639 --> 00:36:29,000
Speaker 13: Yeah, there are a few songs actually that Troy and

521
00:36:29,199 --> 00:36:33,320
Sean have kind of modified so that part of what

522
00:36:33,599 --> 00:36:36,559
the synth player would be playing is part of what

523
00:36:36,760 --> 00:36:37,480
they're doing.

524
00:36:37,440 --> 00:36:37,760
Speaker 3: There you go.

525
00:36:38,920 --> 00:36:43,079
Speaker 13: But it's, uh, it's definitely a lot of fun now

526
00:36:43,159 --> 00:36:46,280
that it's like, you know, they're learning the old material,

527
00:36:46,320 --> 00:36:50,079
but we're also moving towards writing new material. Yeah, you know,

528
00:36:50,199 --> 00:36:55,840
recording new material. It's it's honestly, I can't I know,

529
00:36:56,159 --> 00:36:59,719
I'm gonna sound redundant here. I cannot thank the people

530
00:37:00,199 --> 00:37:03,400
that are involved in keeping this thing going enough, like

531
00:37:03,920 --> 00:37:07,000
even right down to like Eleanor from Terminus, you know

532
00:37:07,039 --> 00:37:09,559
who hooked us up with you guys a year ago.

533
00:37:10,400 --> 00:37:13,800
You know, like people that just it's like, you know,

534
00:37:14,159 --> 00:37:17,639
these guys need or you know, dare I say, deserve

535
00:37:17,679 --> 00:37:21,039
an opportunity. It's like, you know, check these guys out.

536
00:37:22,320 --> 00:37:25,280
I cannot stress enough, Like how thankful I am for him,

537
00:37:25,639 --> 00:37:29,480
for Sean, for everybody, yeah, everybody down the tone pole,

538
00:37:29,559 --> 00:37:32,960
John Foley for giving us a place to play. Yeah,

539
00:37:33,360 --> 00:37:37,920
my my script writing partner, April, you know, right down

540
00:37:37,960 --> 00:37:41,119
to my kid, Yeah, you know, my kid killing you know,

541
00:37:42,119 --> 00:37:45,119
all these people just keeping me going, keeping me afloat,

542
00:37:45,239 --> 00:37:47,079
keeping me above ground as it were there you go.

543
00:37:47,440 --> 00:37:52,199
Speaker 3: Yeah, so yeah, so your script writing. So tell us

544
00:37:52,320 --> 00:37:54,360
more about that. Is that the graphic novel you were

545
00:37:54,360 --> 00:37:54,960
talking about or.

546
00:37:55,119 --> 00:37:57,760
Speaker 13: No, they're two separate things. The graphic novel is going

547
00:37:57,840 --> 00:38:01,760
to be a comic book based on the uh, the

548
00:38:01,840 --> 00:38:05,400
Town of Apathy, which is the storyline that the albums

549
00:38:05,440 --> 00:38:11,119
are based on. But the script is basically almost like

550
00:38:11,239 --> 00:38:16,239
an episodic thing where I mean pipe dreams. You know,

551
00:38:16,280 --> 00:38:19,880
it becomes a show all about the Town of Apathy,

552
00:38:20,960 --> 00:38:23,840
and uh, you know, we'll include not just our music,

553
00:38:23,920 --> 00:38:27,679
but we want to include like other musicians from this area,

554
00:38:28,039 --> 00:38:31,320
like some of the bands that we mentioned. Uh but yeah.

555
00:38:31,360 --> 00:38:38,039
The script is basically, if if my wildest dreams come true,

556
00:38:38,079 --> 00:38:39,119
it'll be a TV show.

557
00:38:39,239 --> 00:38:46,159
Speaker 3: Okay, okay, excellent, outstanding. Why don't we let's play a

558
00:38:46,400 --> 00:38:48,519
let's play a track. I wanted to sneak this in.

559
00:38:48,840 --> 00:38:52,199
This is my okay, So selfishly, this is my personal

560
00:38:52,280 --> 00:38:54,800
favorite of all the great and I've listened to everything.

561
00:38:54,800 --> 00:38:57,599
I've listened everything that's available online. This is my personal favorite.

562
00:38:57,639 --> 00:38:59,880
Burn that Bridge? What can you what can you t

563
00:39:00,119 --> 00:39:02,639
us about this? Well? Actually this song.

564
00:39:04,519 --> 00:39:11,280
Speaker 13: Was written by the Miller Brothers and Sean Donnellan long

565
00:39:11,519 --> 00:39:14,280
before they met me. I wrote the lyrics. I wrote

566
00:39:14,320 --> 00:39:20,880
the lyrics, yeah, but the they basically had like the

567
00:39:20,960 --> 00:39:23,920
whole foundation. And when they told me what the title was,

568
00:39:24,159 --> 00:39:26,000
I was like, well, this is going to be perfect

569
00:39:26,039 --> 00:39:29,559
for The Florist. Yeah album. Yeah, and uh, you know

570
00:39:29,599 --> 00:39:30,800
we just took it from there.

571
00:39:31,480 --> 00:39:33,840
Speaker 3: All right, all right, let's give this a spin. This

572
00:39:34,000 --> 00:39:36,360
is this is such a great song. So it's called

573
00:39:36,400 --> 00:39:38,480
burn that Bridge. It's from the album The Florist, And

574
00:39:38,599 --> 00:39:40,320
this is the Gray Curtain.

575
00:40:01,519 --> 00:40:05,840
Speaker 11: Usty rope thinking about it, I'm pregnant face.

576
00:40:06,360 --> 00:40:08,559
Speaker 10: I could never play sech a.

577
00:40:08,679 --> 00:40:16,440
Speaker 1: Ways to twenty two. In the end, I'll re all

578
00:40:16,719 --> 00:40:17,480
my rest.

579
00:40:18,039 --> 00:40:19,280
Speaker 13: I want to read.

580
00:40:20,679 --> 00:40:22,159
Speaker 1: The raby front.

581
00:40:23,679 --> 00:40:26,920
Speaker 7: I'm reason to get you. I'm like me chucking me

582
00:40:27,400 --> 00:40:39,320
about dat Ramy prope let me ta.

583
00:40:46,960 --> 00:40:52,360
Speaker 1: The woman rides shraps me a feeling a lot.

584
00:40:53,000 --> 00:40:59,800
Speaker 7: I'm say, God sat a bottle the arter for one?

585
00:41:00,079 --> 00:41:06,320
Why not read me from I'm nothing but I got it?

586
00:41:07,360 --> 00:41:14,079
Sam doing what I'm doing at ramfo about I'm going

587
00:41:15,280 --> 00:42:52,119
I don't anywhere because I'm not the first time.

588
00:42:53,280 --> 00:42:56,320
Speaker 1: We mean time time.

589
00:43:20,519 --> 00:43:22,519
Speaker 3: I love it that has burned that bridge. The band

590
00:43:22,639 --> 00:43:25,440
is the Gray Curtain and we have Dennis and Troy

591
00:43:25,519 --> 00:43:28,880
here with us live in studio, and uh yeah, that's

592
00:43:28,960 --> 00:43:31,599
that's my favorite Gray Curtain track. So what's but we

593
00:43:31,599 --> 00:43:33,559
should talk about? So I don't know how much you

594
00:43:33,599 --> 00:43:36,519
want to say about the future, what the next project

595
00:43:36,679 --> 00:43:39,239
is as far as music, but you want to you

596
00:43:39,320 --> 00:43:40,159
want to talk about that.

597
00:43:40,719 --> 00:43:41,519
Speaker 1: Well as it goes.

598
00:43:41,639 --> 00:43:45,199
Speaker 14: Right now, we got two songs that we're gonna be

599
00:43:45,599 --> 00:43:49,960
tracking out for as singles, and we do we wanna

600
00:43:50,400 --> 00:43:52,239
I think we've talked about it before. If we just

601
00:43:52,360 --> 00:43:54,159
kind of want to do it kind of a double

602
00:43:54,199 --> 00:43:56,599
album kind of thing. We got seven songs for each

603
00:43:56,639 --> 00:43:58,679
one so far, and we kind of want to push

604
00:43:58,719 --> 00:44:01,639
a few more on each one, but it's we got

605
00:44:01,719 --> 00:44:03,360
some ambitious things coming.

606
00:44:03,679 --> 00:44:03,880
Speaker 3: Yeah.

607
00:44:05,159 --> 00:44:09,559
Speaker 13: And again, what I absolutely love is anyone that's in

608
00:44:09,679 --> 00:44:12,880
this band always seems to have like this jolt of

609
00:44:13,079 --> 00:44:15,639
energy to you know, do these stories with me. This

610
00:44:15,920 --> 00:44:22,519
next story is going to be about two assassins, essentially,

611
00:44:23,360 --> 00:44:28,039
and each story kind of interweaves as they're given. The

612
00:44:28,159 --> 00:44:31,760
main antagonist of the town of Apathy is this demi god,

613
00:44:33,119 --> 00:44:38,760
vengeful spirit from purgatory named schol and he's very bored

614
00:44:39,199 --> 00:44:42,599
in this town because he's all powerful and everybody else

615
00:44:42,719 --> 00:44:45,639
is weak underneath him. So he starts playing these little

616
00:44:45,679 --> 00:44:50,599
games with his pets, and he hands one ten a

617
00:44:50,719 --> 00:44:53,079
name of excuse me, a list of ten names, and

618
00:44:53,199 --> 00:44:56,719
he gives another a list of ten names and says,

619
00:44:57,440 --> 00:45:02,119
the first to kill every person on your list of

620
00:45:02,239 --> 00:45:07,159
ten gets to leave this town. No strings attached. The albums.

621
00:45:08,239 --> 00:45:13,119
I was hoping to do one for one killer and

622
00:45:13,519 --> 00:45:18,400
one for the other killer, And there was like a

623
00:45:18,519 --> 00:45:21,480
good couple of months there where I was afraid to

624
00:45:21,679 --> 00:45:24,559
say anything realout it, because I was like, I don't know,

625
00:45:24,639 --> 00:45:26,360
these guys are new. I'm going to come at them

626
00:45:26,400 --> 00:45:29,400
with this double album idea and they're gonna be like, yeah,

627
00:45:29,440 --> 00:45:30,400
I'm all about it.

628
00:45:30,760 --> 00:45:30,960
Speaker 16: Yeah.

629
00:45:31,159 --> 00:45:32,320
Speaker 13: As soon as I told him, he.

630
00:45:32,400 --> 00:45:37,320
Speaker 3: Was like, sweet, good good, yeah, outstanding. Any kind of

631
00:45:37,320 --> 00:45:41,679
an ETA off air? You said, twenty thirty Yeah, twenty

632
00:45:41,840 --> 00:45:44,800
thirty three around there, twenty forty Yeah.

633
00:45:44,679 --> 00:45:47,679
Speaker 13: I should right around the time I get an AARP card.

634
00:45:50,000 --> 00:45:52,880
But you know, I'm I don't know, I'm I'm always

635
00:45:53,079 --> 00:45:55,920
pushing for the next thing, which is another reason why

636
00:45:56,000 --> 00:45:59,159
I use the word tolerate. You know, people tolerate me

637
00:45:59,320 --> 00:46:03,000
for ex ended amount of time, you know, because I'm

638
00:46:03,039 --> 00:46:05,199
always like, hey, you know, we got to keep going,

639
00:46:05,199 --> 00:46:07,159
we got to keep pushing forward. We got to you know,

640
00:46:07,440 --> 00:46:09,400
where are you at with this? You know where are

641
00:46:09,400 --> 00:46:11,000
you at with that? I you know, I need to

642
00:46:11,039 --> 00:46:12,639
work on this. So I'm gonna, you know, work on

643
00:46:12,760 --> 00:46:15,199
this until you know, Saturday when we all get together

644
00:46:15,239 --> 00:46:17,280
and I'm going to have like all this ready for

645
00:46:17,360 --> 00:46:20,280
you guys, so be ready. Yeah, I'm a handful.

646
00:46:20,559 --> 00:46:20,719
Speaker 3: Yeah.

647
00:46:20,800 --> 00:46:23,880
Speaker 16: Yeah, So that's what it takes, so right, it is,

648
00:46:24,079 --> 00:46:26,480
but it gets it gets tiring for.

649
00:46:26,559 --> 00:46:28,840
Speaker 13: People that are not on that level. We just want

650
00:46:28,880 --> 00:46:30,880
to have fun with it. Yeah, yeah, you know, and

651
00:46:31,000 --> 00:46:36,519
I get that. So, uh, what I'm hoping for is

652
00:46:36,800 --> 00:46:43,400
a twenty early twenty twenty seven release, but you know,

653
00:46:43,760 --> 00:46:47,679
if if I can twenty twenty six, but I think

654
00:46:47,800 --> 00:46:48,480
that's pushing it.

655
00:46:48,840 --> 00:46:51,679
Speaker 14: Yeah, I definitely want to like have all the songs,

656
00:46:51,719 --> 00:46:53,360
you know, written it together by the end of twenty

657
00:46:53,400 --> 00:46:55,760
twenty six. But yeah, yeah, I think I think that's

658
00:46:55,960 --> 00:46:56,719
pretty achievable.

659
00:46:56,920 --> 00:46:59,519
Speaker 13: Yeah, yeah, I think you're right, you know, have all

660
00:46:59,559 --> 00:47:02,159
the songs ready by the end of twenty twenty six

661
00:47:02,239 --> 00:47:05,719
and then record and get everything out, hopefully have the

662
00:47:05,840 --> 00:47:09,400
graphic novel to go along with it. I've I've said

663
00:47:09,440 --> 00:47:11,760
that for the last two albums, and none of them

664
00:47:12,159 --> 00:47:14,679
have come out yet because it's just me. Yeah, yeah,

665
00:47:14,719 --> 00:47:16,119
you know, I would love to have a team of

666
00:47:16,239 --> 00:47:19,639
artists helping me out with this. Even with the script,

667
00:47:19,840 --> 00:47:23,320
I didn't have, like I had like a couple of

668
00:47:23,360 --> 00:47:25,719
pages here, a couple of pages there. But my brain

669
00:47:25,920 --> 00:47:29,320
is my worst enemy, as we've talked about, so a

670
00:47:29,400 --> 00:47:31,400
lot of times I would get like a couple of

671
00:47:31,440 --> 00:47:35,719
pages in and just shut down. All it took was

672
00:47:36,000 --> 00:47:38,400
one person to be like, all right, tell me the

673
00:47:38,480 --> 00:47:43,639
story campfire style go and we're nearing a thousand.

674
00:47:43,320 --> 00:47:45,719
Speaker 3: Pages, no kidding, Wow, okay, excellent.

675
00:47:45,760 --> 00:47:48,280
Speaker 13: I'm hoping to do that with the graphic novel and

676
00:47:49,079 --> 00:47:51,559
you know, the next album, the next I mean, there's

677
00:47:51,599 --> 00:47:56,639
twenty chapters to this Town of Apathy storyline, so I'm hoping, yeah,

678
00:47:57,480 --> 00:48:00,599
before the cancer takes over and I can't do this anymore,

679
00:48:00,599 --> 00:48:03,280
I'm hoping to get it all out. Yeah, yeah, yeah, so,

680
00:48:03,519 --> 00:48:06,119
and I guess that's another reason why I push so hard,

681
00:48:06,199 --> 00:48:07,400
you know, for like the timeline.

682
00:48:07,519 --> 00:48:10,639
Speaker 3: Yeah, yeah, no, that makes sense, that makes sense. Well,

683
00:48:10,679 --> 00:48:14,280
speaking of time, the time does go quickly. So before

684
00:48:14,920 --> 00:48:16,800
we are going to play, we're gonna play one more song,

685
00:48:16,880 --> 00:48:18,559
going to finish out the segment. But I want to

686
00:48:18,559 --> 00:48:21,239
make sure remind us when the next show is or

687
00:48:21,280 --> 00:48:24,880
the next couple of shows. And also where is the

688
00:48:24,920 --> 00:48:26,639
best place for people to go online to keep up

689
00:48:26,639 --> 00:48:28,079
with everything that the Great Curtain is doing?

690
00:48:28,199 --> 00:48:28,360
Speaker 13: Yeah?

691
00:48:28,400 --> 00:48:32,239
Speaker 14: Yeah, we got Ralph's Rock Diner and Worcester on the tenth,

692
00:48:32,519 --> 00:48:37,880
and then Terminus on the eleventh excellent, excellent, Codo Lowell

693
00:48:37,920 --> 00:48:38,960
on the twenty fifth.

694
00:48:38,880 --> 00:48:43,039
Speaker 13: Okay, yeah, and then yeah, selfish plug. I have an

695
00:48:43,119 --> 00:48:45,840
art show at Terminus on the seventeen.

696
00:48:45,960 --> 00:48:46,920
Speaker 16: Oh you do yeah?

697
00:48:47,000 --> 00:48:49,760
Speaker 13: Oh wow, yep, Eleanor is allowing me to, for the

698
00:48:49,840 --> 00:48:53,760
first time ever, put my art up for display.

699
00:48:54,639 --> 00:48:55,880
Speaker 3: Oh congratulations.

700
00:48:56,039 --> 00:48:58,400
Speaker 13: And it's gonna be another reason why I love this

701
00:48:58,519 --> 00:49:01,559
show at Terminus. You know, we're along with playing with

702
00:49:01,679 --> 00:49:05,079
Scarecrow and even that show at Rolse. We're playing with

703
00:49:05,159 --> 00:49:07,719
mary An Toilette and the Runs. Yeah I love them,

704
00:49:08,320 --> 00:49:11,599
Zombie you know. But but yeah, we're going to be

705
00:49:11,639 --> 00:49:14,800
playing with Scarecrow Hill and Fear of the Masses and

706
00:49:15,800 --> 00:49:19,079
and Excuse Me and Devil inside Us. And my art

707
00:49:19,199 --> 00:49:21,840
is going to be down the hall hanging on the wall.

708
00:49:22,000 --> 00:49:22,599
Speaker 3: Fantastic.

709
00:49:22,679 --> 00:49:25,880
Speaker 13: Yeah. So yeah, the seventeenth will be a uh just

710
00:49:25,960 --> 00:49:27,119
a strict art show.

711
00:49:27,719 --> 00:49:30,800
Speaker 14: And but you have the art hanging up all month long.

712
00:49:30,920 --> 00:49:32,760
Speaker 13: Yeah, the art will be hanging up all month long.

713
00:49:32,960 --> 00:49:33,599
Speaker 3: Outstanding.

714
00:49:33,679 --> 00:49:37,760
Speaker 13: Yeah, thirty one pieces. But the best way to listen

715
00:49:37,840 --> 00:49:42,000
to us we have a Spotify page, Apple Music, band Camp.

716
00:49:42,239 --> 00:49:47,079
We're we're on all streaming platforms except Amazon. I noticed

717
00:49:47,079 --> 00:49:50,079
that we're not on it, but yeah, every other streaming

718
00:49:50,119 --> 00:49:50,960
platform we're on it.

719
00:49:51,079 --> 00:49:53,599
Speaker 3: Yeah, we should tell people how to spelled gray because.

720
00:49:54,280 --> 00:49:57,400
Speaker 13: Yes, we talked about this at the Goat before we

721
00:49:57,480 --> 00:50:01,119
came in here. Yeah, it's g r E. Why it's

722
00:50:01,159 --> 00:50:03,360
the old English spelling. A lot of people will spell

723
00:50:03,400 --> 00:50:05,960
it with an A, and you know, the search comes

724
00:50:06,039 --> 00:50:08,440
up with just a bunch of physical gray curtains. Yeah, yeah,

725
00:50:08,480 --> 00:50:09,920
fard you guys anywhere.

726
00:50:09,679 --> 00:50:11,840
Speaker 3: Yeah, yeah, yeah, that's one of the few words in

727
00:50:11,840 --> 00:50:13,400
the English language you can spell it either way and

728
00:50:13,400 --> 00:50:15,119
it's considered correct in American English.

729
00:50:15,280 --> 00:50:15,480
Speaker 13: Yeah.

730
00:50:16,280 --> 00:50:18,360
Speaker 3: Well, very good, guys, Thank you so much. And we're

731
00:50:18,400 --> 00:50:20,920
going to close out the segment with So we're gonna

732
00:50:21,199 --> 00:50:24,639
call this P drunk outside of bars leaving voicemails. That's

733
00:50:24,679 --> 00:50:26,400
not the act, not quite the actual title.

734
00:50:26,599 --> 00:50:27,840
Speaker 13: I can't apologize enough for that.

735
00:50:27,960 --> 00:50:30,480
Speaker 3: No, no, no, no, no, nothing to apologize for. But

736
00:50:30,760 --> 00:50:32,800
people can figure out what the P word actually is.

737
00:50:32,880 --> 00:50:35,480
But it's anything we should know about this before we

738
00:50:35,599 --> 00:50:35,840
hear it.

739
00:50:35,960 --> 00:50:41,000
Speaker 13: Or basically, you know, in real life, I lost the

740
00:50:41,079 --> 00:50:43,679
love of my life because I was a very difficult

741
00:50:43,719 --> 00:50:48,599
person suffering from addiction. And in the story and in

742
00:50:48,719 --> 00:50:53,079
real life, this is about a particular incident where I

743
00:50:53,400 --> 00:50:56,559
was outside of one of my favorite bars, leaving voicemails

744
00:50:56,599 --> 00:50:59,719
in a particularly inebriated state.

745
00:51:00,079 --> 00:51:02,639
Speaker 3: Okay, okay, So we're going to close out with this

746
00:51:02,760 --> 00:51:06,079
and if you are listening live on Saturday, coming up

747
00:51:06,079 --> 00:51:08,400
in the next hour, we've got Ryan Redwood, he's going

748
00:51:08,440 --> 00:51:10,920
to be joining us via WhatsApp from the UK talking

749
00:51:10,920 --> 00:51:14,119
about his new single. And then in the final segment

750
00:51:14,199 --> 00:51:16,599
of the show, we have the Fods I think they're

751
00:51:16,800 --> 00:51:18,519
I think they're from New York, but they're going to

752
00:51:18,519 --> 00:51:20,880
be joining us online as well. So we do have

753
00:51:20,960 --> 00:51:22,760
a lot left to go, but we're going to close

754
00:51:22,800 --> 00:51:26,320
out this hour with this p drunk outside of bars

755
00:51:26,440 --> 00:51:29,320
leaving voicemails from the Gray Curtain and Dennison Troy thank

756
00:51:29,320 --> 00:51:30,119
you again so much.

757
00:51:31,760 --> 00:52:01,840
Speaker 16: Absolutely moments of virtue.

758
00:52:02,679 --> 00:52:13,599
Speaker 15: It's all gone now you say goodbye. The Foreman hurt

759
00:52:13,719 --> 00:52:19,320
you the moment man, I love my mother.

760
00:52:22,960 --> 00:52:28,000
Speaker 1: You'll like sider Man. I'm a summer man.

761
00:52:29,679 --> 00:52:40,000
Speaker 11: We clash when you were together, and this support understand

762
00:52:41,760 --> 00:52:45,079
he fails for every temper.

763
00:52:46,920 --> 00:52:57,599
Speaker 1: World need call me down the bottle on me try.

764
00:53:02,760 --> 00:53:04,000
Speaker 2: The thought of you.

765
00:53:04,480 --> 00:53:05,079
Speaker 7: World of.

766
00:53:29,760 --> 00:53:34,320
Speaker 12: The last Chance redemption shot which she's a bull and

767
00:53:34,480 --> 00:53:35,639
one time.

768
00:53:36,519 --> 00:53:46,039
Speaker 1: Not a brow will make a break. All these bull

769
00:53:46,239 --> 00:53:54,599
mistakes beyond sound.

770
00:53:59,679 --> 00:54:03,079
Speaker 9: We should want to get.

771
00:54:05,519 --> 00:54:20,880
Speaker 1: This pan on. What's unders say the need? Call me do.

772
00:54:24,039 --> 00:54:39,280
Speaker 12: F me travele, call me does the pool p petracked?

773
00:54:44,800 --> 00:54:47,559
Speaker 1: The pot of you out of my.

774
00:55:41,679 --> 00:55:42,760
Speaker 9: My lash.

775
00:55:44,440 --> 00:55:51,079
Speaker 7: To gotten.

776
00:56:01,519 --> 00:56:03,400
Speaker 1: Call me down.

777
00:56:05,840 --> 00:56:15,800
Speaker 12: The bottle in Lommetria, Call me dono.

778
00:56:17,840 --> 00:56:31,039
Speaker 1: The bottle and nome t call me the Boo.

779
00:56:32,519 --> 00:56:33,559
Speaker 9: Me trix.

780
00:56:43,079 --> 00:56:47,559
Speaker 1: The part of you own b B.

781
00:56:59,599 --> 00:57:03,320
Speaker 17: This for the ballpark isn't closing for the season. It's

782
00:57:03,400 --> 00:57:07,320
waking up, step beyond the gates and into Fright Nights

783
00:57:07,440 --> 00:57:10,960
at the Field, an immersive, haunted experience where the roar

784
00:57:11,039 --> 00:57:14,760
of the crowd has been replaced by whispers in the dark.

785
00:57:15,519 --> 00:57:19,079
Wander through twisted tunnels, ghost lit corridors, and the stadium itself,

786
00:57:19,760 --> 00:57:23,159
now home to the things that never left live scare actors,

787
00:57:23,440 --> 00:57:26,639
movie quality sets, heart racing encounters around every corner.

788
00:57:27,639 --> 00:57:29,480
Speaker 13: The game is over, but the nightmare.

789
00:57:29,199 --> 00:57:30,079
Speaker 17: Has just begun.

790
00:57:30,840 --> 00:57:33,480
Speaker 1: Fright Nights in the Field there to play after dark.

791
00:57:34,519 --> 00:57:37,000
Speaker 18: The heartbeat of our community isn't in the building. It's

792
00:57:37,039 --> 00:57:39,760
in the people who help our students every day. It's

793
00:57:39,800 --> 00:57:42,039
in the bus driver who gets them to school safely,

794
00:57:42,159 --> 00:57:44,280
the crossing guard who greets them with a smile, the

795
00:57:44,400 --> 00:57:47,760
teacher who inspires them. The Manchester School District needs you.

796
00:57:48,119 --> 00:57:51,199
From substitute teachers and pair of educators to nurses and

797
00:57:51,320 --> 00:57:55,239
speech pathologists. Come find your purpose. Attend the Manchester School

798
00:57:55,280 --> 00:57:58,480
District job Fair this Tuesdaytober seventh that the welcome center

799
00:57:58,519 --> 00:58:01,440
at one forty eight Conquered Street in Manchester. Learn more

800
00:58:01,599 --> 00:58:04,440
at ma NSD dot Schoolspring dot com.

801
00:58:05,119 --> 00:58:07,079
Speaker 19: Luigi's Pizza Barron Grill.

802
00:58:07,559 --> 00:58:12,639
Speaker 8: Every one, let's raise a Slyes hide with topics of

803
00:58:12,920 --> 00:58:13,639
the ground.

804
00:58:14,199 --> 00:58:16,159
Speaker 1: It's a pizza barr Line.

805
00:58:16,760 --> 00:58:21,079
Speaker 19: Luigi's Pizza Barren Grill, seven to twelve Valley Street, Manchester.

806
00:58:21,400 --> 00:58:24,239
Come on in or call six two two one zero

807
00:58:24,480 --> 00:58:29,519
two one Luigi keeping the tradition alive since nineteen seventy five.

808
00:58:29,840 --> 00:58:33,199
Speaker 1: Ten pizza for every one.

809
00:58:33,880 --> 00:58:37,960
Speaker 8: Come join a beast to night with each Lye sets

810
00:58:38,039 --> 00:58:40,719
off and everything's feels so right.

811
00:58:43,880 --> 00:58:46,039
Speaker 20: In times of crisis, you need a law firm that

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815
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team will assess your case and fight for the compensation

818
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819
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820
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821
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Speaker 2: Bring your kitchen to life with Queen Citycabinetry, located at

822
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823
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824
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828
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829
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