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<v Speaker 1>Time now for Edmund O'Brien as.

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<v Speaker 2>Johnny Dollar. Why in the world are you down here, Donard?

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<v Speaker 3>You can't leave for.

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<v Speaker 2>Forty five minutes, and I'm taking a quick refresher course

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<v Speaker 2>in ancient history. You're sending me out to find a

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<v Speaker 2>missing archaeologist, aren't you. Well. I want to be able

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<v Speaker 2>to talk his language in case I find him alive.

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<v Speaker 1>Edmund O'Brien in a transcribed Adventure of the Man with

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<v Speaker 1>the Action Packed Expense account America's fabulous freelance insurance investigator.

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<v Speaker 2>Yours truly, Johnny Dalla expense account submitted by special Investigator

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<v Speaker 2>Johnny Dollar to Great Corinthian Life and Liability Company, Hartford, Connecticut.

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<v Speaker 2>The following is an accounting of my expenditures during my

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<v Speaker 2>investigation of the disappearance of Bruce Lampet, the archaeologist who

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<v Speaker 2>never should have left his tomb. Expense account Item one

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<v Speaker 2>seven dollars and fifty cents railway and taxi fare from

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<v Speaker 2>my Hertford apartment to Room three seventeen Bright Arms, New

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<v Speaker 2>York City, a hotel who's front rooms had a depressing

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<v Speaker 2>view of an eighty first Street mortuary.

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<v Speaker 4>Miss Lambert, Yes, please come in mister Dollar.

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<v Speaker 2>She was tall, without awkwardness, had the physique of an athlete,

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<v Speaker 2>but still with softness, and a golden tan made her

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<v Speaker 2>seem out of place, set against the snow heaped on

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<v Speaker 2>the sill outside the windows.

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<v Speaker 4>Thank you for coming, mister Dollar. I realized that mine

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<v Speaker 4>was a rather unusual request to make of an insurance company.

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<v Speaker 2>At all, Miss Lambert. The company doesn't want to lose

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<v Speaker 2>a policy holder anymore than you want to lose a brother.

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<v Speaker 2>But there are a lot of good private detectives in

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<v Speaker 2>New York.

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<v Speaker 4>I couldn't afford one. I had thought of notifying police,

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<v Speaker 4>but I realized that Bruce's case would be just one

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<v Speaker 4>of many. To their they're so impersonal. If there's a

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<v Speaker 4>chance of any notoriety.

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<v Speaker 2>Miss Lambert, if you mean that, for some reason, you'd

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<v Speaker 2>rather the police didn't find him, you'd better tell me

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<v Speaker 2>about it.

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<v Speaker 4>Yes, of course I was going to. I don't see

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<v Speaker 4>how it could make any difference. Please sit down.

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<v Speaker 2>Maybe we'd better start way back at the beginning. Huh.

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<v Speaker 2>That would be in Egypt, wouldn't it.

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<v Speaker 4>Yes, in the desert, some hundred miles west of Thebes.

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<v Speaker 4>My brother's an archaeologist and he'd uncovered some ruins. It

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<v Speaker 4>was quite an important discovery, something about the Twelfth dynasty.

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<v Speaker 4>I I don't know much about it. You were with him, yes,

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<v Speaker 4>I didn't spend much time at the excavation side. I

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<v Speaker 4>stayed in the village. But the reason the police might

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<v Speaker 4>make it difficult is that Rose discovered some relics that

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<v Speaker 4>he didn't declare to the authorities.

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<v Speaker 2>There you mean he swiped them?

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<v Speaker 4>And if you're in the habit of using extreme bluntness,

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<v Speaker 4>I suppose you could put it that way. All right,

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<v Speaker 4>I'm please, mister Dollard, this is quite unpleasant for m

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<v Speaker 4>If Bruce had stolen all the relics, you wouldn't expect

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<v Speaker 4>it to make any difference in how I felt about

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<v Speaker 4>his disappearance, would you.

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<v Speaker 2>Oh, I'm afraid I can't do anything for you. I've

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<v Speaker 2>got to know these things that I'm gonna help him.

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<v Speaker 4>Wait, I'm I'm sorry. I'll tell you everything I know.

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<v Speaker 2>Alright. What were those relics that your brother didn't declare?

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<v Speaker 4>Well, I'm not sure how many there were. And there

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<v Speaker 4>was some statuary in obsidian head of some old king.

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<v Speaker 4>And then there was a scarab it was supposed to

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<v Speaker 4>have been the official seal of this king.

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<v Speaker 2>You know how valuable this stuff is. I'm afraid that it.

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<v Speaker 4>Might be very valuable in some circles. That's what I

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<v Speaker 4>was afraid of, that someone harmed Bruce or even But

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<v Speaker 4>there's so many things to be afraid of 'em. He

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<v Speaker 4>isn't strong, maybe even his mind. He was injured quite

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<v Speaker 4>severely in a traffic accident in Alexandria just before we

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<v Speaker 4>left Egypt. I've got to find out what could have

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<v Speaker 4>happened to it?

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<v Speaker 2>Oh, come on, we we can't find out this way.

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<v Speaker 2>What does your brother look like? A light or dark?

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<v Speaker 4>Here's a snap shot.

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<v Speaker 2>M He's blonde.

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<v Speaker 4>His hair is straight and was quite long when I

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<v Speaker 4>last saw him.

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<v Speaker 2>And that was four days ago.

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<v Speaker 4>Yes, they are ship docked. I was arranging for my luggage.

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<v Speaker 4>He just disappeared.

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<v Speaker 2>What else? What's his bill? Slight? Medium, heavy, slight? I'd say,

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<v Speaker 2>what about his clothes?

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<v Speaker 4>Well, he was wearing a dark blue suit and a

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<v Speaker 4>gray overcoat. The right sleeve of both would be empty

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<v Speaker 4>because his right arm and shoulder and a cast.

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<v Speaker 2>Uh huh a traffic accident.

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<v Speaker 4>Yes, both were fractured. I wish I were able to

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<v Speaker 4>be more help but I've told you everything I know.

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<v Speaker 4>He just vanished.

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<v Speaker 2>Did he Did he have any enemies that you know of?

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<v Speaker 4>No, there's not even that. I can't let myself lose hope.

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<v Speaker 4>But what can we do? How do you start looking

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<v Speaker 4>for somebody with so little to go on?

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<v Speaker 2>Before I answered the question, we started at the beginning again.

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<v Speaker 2>The second run through was pretty much like the first,

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<v Speaker 2>But disappearance from a foreign ship in the port of

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<v Speaker 2>New York is not as easy as the telling of it.

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<v Speaker 2>I left the troubled marsha checked into an eighth floor

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<v Speaker 2>room in the Brighton Arms, where a phone call told

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<v Speaker 2>me the north Fleet had already sailed. No hope of

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<v Speaker 2>information there, so I headed for the US Customs office.

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<v Speaker 2>Good afternoon, it's a Nixon yesh. My name is Dollar.

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<v Speaker 2>I'm an insurance investigator. The girl outside said you could

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<v Speaker 2>help me. I'd like to get some information on a

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<v Speaker 2>passenger who arrived from Alexandria on the north Fleet. In

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<v Speaker 2>north Fleet, Well, i'd have to know o the day

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<v Speaker 2>of arrival and the name of the line. It was

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<v Speaker 2>four days ago they'd made it. Uh, that would make

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<v Speaker 2>it the twentieth It's a British ship in north Fleet. Uh.

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<v Speaker 2>What was the passenger's name planted Bruce Lamber the uh

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<v Speaker 2>clarony luggage through customer Bruce slamberd Yump witnessed the examination

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<v Speaker 2>of one piece of luggage, suitcase, personal effects, one piece

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<v Speaker 2>of statu where he purchased in Alexandria and no duty.

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<v Speaker 2>Uh what address did he give you, Bruce Lambert?

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<v Speaker 5>Uh?

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<v Speaker 2>No street number? A hotel the Brighton arm right now, Well,

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<v Speaker 2>don't count on that expense account item two thirty dollars,

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<v Speaker 2>which would my id cod helped him press the cab

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<v Speaker 2>drivers who worked the entrance to the pier where the

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<v Speaker 2>north Fleet at docked. Checking these caves took the whole afternoon,

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<v Speaker 2>and midway through it, I realized I wasn't the only

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<v Speaker 2>one interested in that particular hackstand. I wasn't sure at

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<v Speaker 2>what moment I had actually noticed him. He was doing

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<v Speaker 2>a very bad job of hiding behind a journal American

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<v Speaker 2>on the other side of the street. All I could

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<v Speaker 2>see was the lower half of an overcoat, the same

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<v Speaker 2>of some razor sharp trousers with some pointed shoes. But

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<v Speaker 2>I began to feel his eyes looking at me as

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<v Speaker 2>I went on with my questioning that finally paid off

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<v Speaker 2>through the mouth of driver number seven eighty two.

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<v Speaker 6>You know, you meet all canes in this business. Some

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<v Speaker 6>you forget and some others you remember.

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<v Speaker 2>Now, well, do you remember a guy with his arm

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<v Speaker 2>and shoulder in a cast?

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<v Speaker 6>And something you learn in this business that's to read

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<v Speaker 6>people's faces. You get to know a deadbeat before he

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<v Speaker 6>gets a chance to dead beat you, and you catch

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<v Speaker 6>on if the guy is scared of something.

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<v Speaker 2>Well, if he was afraid of something, it's not me.

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<v Speaker 2>He's been reported missing by his sister. I've been hired

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<v Speaker 2>to find him. How much is ten bucks by? You know?

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<v Speaker 6>Maybe he don't want to be fouled, Is that what

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<v Speaker 6>you think? Sure he paid me more to climb up

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<v Speaker 6>than you often.

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<v Speaker 2>I've got more. What are you going to do with him?

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<v Speaker 2>I want to talk to him. I want to find

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<v Speaker 2>out if he's all right. If he wants to stay lost,

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<v Speaker 2>that's his business, not mine. I was twenty five.

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<v Speaker 6>Get in, my boy, get very far from here.

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<v Speaker 2>Our destination turned out to be an old red brick

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<v Speaker 2>hotel near very ninth Street between tenth and eleventh Avenue,

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<v Speaker 2>and it occurred to me that as an archaeologist, Lambert

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<v Speaker 2>was running through to form. He even used some ruins

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<v Speaker 2>to hold up in. One five dollar bill brought the

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<v Speaker 2>information from the room clerk that Lambert was out of

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<v Speaker 2>his room, and another bought a pass key that let

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<v Speaker 2>me in. The first thing to catch my eye when

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<v Speaker 2>I switched down the light was a black piece of

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<v Speaker 2>statuary shining dully on a chipped bureau, A crowned head

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<v Speaker 2>with exaggerated features, sculptured and obsidian. I posed myself this riddle.

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<v Speaker 2>If it was so valuable, why didn't Lambert take better

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<v Speaker 2>care of it? But before I had a chance to

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<v Speaker 2>try for the answer, a foot nudged The door opened

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<v Speaker 2>behind me. As might be expected, it was wearing a

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<v Speaker 2>pointed shoe, and was followed into the room by a

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<v Speaker 2>slight yellow ivory skinned band who rather resembled the black statue.

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<v Speaker 2>I must thank you for leaving us to the hiding pace.

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<v Speaker 2>Where is he? All that depends on who he's hiding from.

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<v Speaker 2>It looks like it's you. Perhaps it is that you

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<v Speaker 2>do not know where he is. Yeah, perhaps I followed

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<v Speaker 2>your taxi after you talked with those drivers. That was

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<v Speaker 2>very smart. Where did you think I expected you to go?

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<v Speaker 2>What's your interest in? Lambert?

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<v Speaker 5>You were employed by the girl to find him. How

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<v Speaker 5>much does.

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<v Speaker 2>She pay you? I never talk money with a stranger.

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<v Speaker 5>And perhaps we will not be strangers for long. The

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<v Speaker 5>point of importance is that you have not yet found him.

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<v Speaker 5>Mister Drummond will pay you two thousand dollars.

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<v Speaker 2>To do so. Mister Drummond is generous, But what makes

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<v Speaker 2>you so sure. I haven't found Lambert because he is

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<v Speaker 2>not here, but that only means he's someplace else.

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<v Speaker 5>Please, I have no wish for violence.

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<v Speaker 2>And put that thing away. And the first place, gunfire,

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<v Speaker 2>even in this neighborhood, is gonna bring the law. The

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<v Speaker 2>second place, it's a lady's gun, one of those handbag

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<v Speaker 2>jobs you know you ought to be ashamed of yourself

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<v Speaker 2>for carrying.

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<v Speaker 5>Please, I have no wish to use it, and get.

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<v Speaker 2>Rid of it. I hate little men who try to

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<v Speaker 2>play bully. There was more than that behind my fist.

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<v Speaker 2>I figured I could learn to know him better if

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<v Speaker 2>he was quietly stretched out on the floor. I was

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<v Speaker 2>half right. An Egyptian passport told me that his name

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<v Speaker 2>was Ammon Hixas, hometown Alexandria. There was nothing else I

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<v Speaker 2>could turn Hixsas over to the police. On an assault charge.

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<v Speaker 2>Or I could wait until he woke up and try

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<v Speaker 2>knocking some information out of him. But I didn't do either.

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<v Speaker 2>I left him there in the lobby. I gave a

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<v Speaker 2>message to the room clerk for Lambert, telling him to

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<v Speaker 2>stay out of his room when he came back, and

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<v Speaker 2>to phone me at the bright Uns. Who is it, Dollar?

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<v Speaker 4>Oh just a second, he is there? Any news? Did

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<v Speaker 4>you learn anything, mister Dollar? Yeah?

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<v Speaker 2>I made some progress. I met Ammon Hixs. You told

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<v Speaker 2>me a brother didn't have any enemies. That little Egyptian

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<v Speaker 2>is out looking for him with a gun. Why'd you

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<v Speaker 2>lie to me?

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<v Speaker 4>I have no right to ask you to believe me now.

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<v Speaker 2>That's so true, But I wish you would.

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<v Speaker 4>Please come here and sit down.

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<v Speaker 2>Oh no, thanks, You sit there, and I'll stand here.

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<v Speaker 2>I I think I'll be less inclined to believe you

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<v Speaker 2>from here.

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<v Speaker 4>That's not fair. I know I wasn't fair with you either.

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<v Speaker 2>I won't to be.

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<v Speaker 4>But there are some things I just can't tell you.

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<v Speaker 4>Why not I can't tell you that?

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<v Speaker 2>I oh nuts. Women like you make everything tougher than

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<v Speaker 2>it should be. You demand all, but you give nothing.

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<v Speaker 2>You ask to be trusted and you won't trust. You

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<v Speaker 2>make yourselves look soft. When you're as hot as steel.

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<v Speaker 2>You've got warmth, but you you only turn it on

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<v Speaker 2>when you're get something out of it. You're wrong.

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<v Speaker 4>I was trying to help him or us. I had

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<v Speaker 4>to lie.

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<v Speaker 2>Look, I started this thing wanting to help you. Uh,

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<v Speaker 2>there was something personal about it. But you wanted me

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<v Speaker 2>to do things your way and not mind. Well we

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<v Speaker 2>just stopped doing that alone.

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<v Speaker 5>Just go away, go back to heart, but forget you

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<v Speaker 5>wherever here.

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<v Speaker 2>I wish I could. And I'm working for an insurance

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<v Speaker 2>company looking for a missing policyholder. Well, I'll be up

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<v Speaker 2>in my room if you decide to help me find it.

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<v Speaker 7>Mm.

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<v Speaker 2>Yeah, is this mister Dollar? That's right?

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<v Speaker 3>This is Bruce Lambert. I got your message to call

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<v Speaker 3>or are you now? Not so fast? There were two

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<v Speaker 3>attempts on my life while I was on my way

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<v Speaker 3>here from Alexandria. I'm not anxious to tell anybody where

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<v Speaker 3>I am. How did you get into this?

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<v Speaker 2>Marsha called your insurance company when you took a run out.

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<v Speaker 2>They hired me. Good for Marcia? Is she all right?

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<v Speaker 2>Well that depends on your point of view. I suppose

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<v Speaker 2>she's being the helpful sister to you, But for me,

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<v Speaker 2>she's done nothing but act mysterious. I don't get it.

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<v Speaker 2>You won't tell the truth about you. I hope you

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<v Speaker 2>do better.

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<v Speaker 3>She told you she was my sister.

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<v Speaker 2>I'm sure she did. Why shouldn't she.

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<v Speaker 3>Oh, I can't see why she do that.

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<v Speaker 2>She isn't your sister.

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<v Speaker 5>Oh.

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<v Speaker 3>I don't understand it. She's my fiance. I don't understand

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<v Speaker 3>it at all. Where is she? I better talk to her.

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<v Speaker 2>That's a good idea, Room three seventeen, brighton arms. I'll

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<v Speaker 2>be there with her, waiting for you, which, in a

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00:15:03.080 --> 00:15:06.120
<v Speaker 2>way was how it worked out, except that I waited

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<v Speaker 2>for him in the corridor outside her room. I left

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<v Speaker 2>Marsha where I found it. She was on the bathroom floor,

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<v Speaker 2>where she died from wounds inflicted by the proverbial blunt instrument,

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<v Speaker 2>and where her eyes had died with her.

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<v Speaker 1>In just a moment, we will return to the second

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<v Speaker 1>act of Yours Truly, Johnny Dollar.

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<v Speaker 2>But first.

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<v Speaker 1>And now, with our star Edmond O'Brien, we returned to

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<v Speaker 1>the second act of Yours Truly, Johnny Dollar.

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<v Speaker 2>Ruse lamba, Yeah, it's alright. I'm Dollar didn't take you

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<v Speaker 2>on and get here. Where's your phone from? Just around

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<v Speaker 2>the corner bar? Why do you wask where's Marsha? Marsha's dead.

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<v Speaker 2>I don't believe you. I wanna go in there. She

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<v Speaker 2>isn't dead. Let me in there. Come on, use your

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<v Speaker 2>head when ye there's nothing? Oh you're on. I'm sorry. Look,

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<v Speaker 2>you don't wanna go in there. Believe me, you don't.

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<v Speaker 2>There's nothing you can do for her. Sh she can't

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<v Speaker 2>be dead. She can't be Come on, where? Wh wh why?

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<v Speaker 2>I want you to come up to my room with me.

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<v Speaker 2>You've gotta do two things. Hurst give me every reason

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<v Speaker 2>you can think of why this should have happened. And

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<v Speaker 2>then before the police get here, you had better start

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<v Speaker 2>rehearsing the story of your own. Now I'm at the

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<v Speaker 2>first hole in marsha stories that she wasn't in thieves

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<v Speaker 2>while you were working on your ruins. That's right. I

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00:17:10.359 --> 00:17:11.000
<v Speaker 2>didn't even know her.

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<v Speaker 8>Then I met her in the hospital in Alexandria after

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<v Speaker 8>my accident.

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<v Speaker 2>I was there for two months. You see. She was

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<v Speaker 2>my nurse. But she did know about the relics, that

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00:17:19.720 --> 00:17:23.000
<v Speaker 2>statue and the scarab that I haven't seen. Oh yes, yes,

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<v Speaker 2>here it is this is the scarab.

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<v Speaker 8>Oh, yes, she knew we talked about my little deceit.

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<v Speaker 2>Well, how little is it really? You talk about two

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<v Speaker 2>attempts on your life. Now we have actual murder. You'd

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<v Speaker 2>better let me have that scab. Oh yes, yes, of course.

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<v Speaker 2>But surely you don't think the relics are at the

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<v Speaker 2>bottom of this. They're rare, but not valuable enough for

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<v Speaker 2>this unless someone knows more about them than I do.

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<v Speaker 2>I doubt that I have made a pharaoh study of

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<v Speaker 2>a twelfth dynasty and king Amendem at the third it's

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00:17:49.599 --> 00:17:51.920
<v Speaker 2>a carving his head. What do you know about a

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<v Speaker 2>man named Ammon Hixas and another whose last name is Drummond.

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<v Speaker 3>Hixos Ammon Hixas.

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<v Speaker 2>You know him? Does it ring any canna of a bell?

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00:18:00.160 --> 00:18:01.880
<v Speaker 8>No, I I I'm afraid not.

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00:18:02.559 --> 00:18:07.680
<v Speaker 2>Drummond means nothing. M alright, let's try the two attempts

307
00:18:07.720 --> 00:18:08.759
<v Speaker 2>on your life? What about then?

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00:18:09.200 --> 00:18:12.119
<v Speaker 8>Well, h they happened on the nights of the seventeenth

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<v Speaker 8>and the eighteenth.

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<v Speaker 2>Both of them could have been.

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<v Speaker 8>Accidental, except that, well, the same small man stood near

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<v Speaker 8>me both times.

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<v Speaker 2>It would be too much for me to hope you

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<v Speaker 2>you could describe him, I said, well if he was dark. Well,

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00:18:25.680 --> 00:18:28.119
<v Speaker 2>both times I was on the promenade deck and something

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00:18:28.200 --> 00:18:31.359
<v Speaker 2>heavy was thrown or pushed from the deck above. I

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00:18:31.400 --> 00:18:34.200
<v Speaker 2>reported the second one, and the ship's officer apologized for

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00:18:34.279 --> 00:18:38.799
<v Speaker 2>the carelessness. Which you thought enough of it to disappear? Oh, well,

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00:18:38.880 --> 00:18:42.400
<v Speaker 2>I certainly did instead of going to the police. Yes, oh,

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<v Speaker 2>I suppose it was wrong, but you must understand I

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00:18:45.319 --> 00:18:50.359
<v Speaker 2>was desperate. Well, we'd better go down to the third floor.

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<v Speaker 2>I I hope the police think more of your story

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00:18:52.759 --> 00:19:04.319
<v Speaker 2>than I do. In twenty minutes, Room three seventeen really

324
00:19:04.359 --> 00:19:07.039
<v Speaker 2>looked like a murder scene. The place was swarming with

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00:19:07.160 --> 00:19:11.000
<v Speaker 2>New York's finest white with fingerprint powder, and blinding with

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00:19:11.079 --> 00:19:14.559
<v Speaker 2>flash flows. The lieutenant to whom I made my statement

327
00:19:14.880 --> 00:19:16.839
<v Speaker 2>looked as if he thought I was as crazy as

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<v Speaker 2>I thought everybody else in the mess was. But then

329
00:19:19.440 --> 00:19:24.400
<v Speaker 2>he changed his mind. Holla, hey, where is that insurance stake? Uh? Here,

330
00:19:24.440 --> 00:19:26.720
<v Speaker 2>I am in the bathroom. Oh there you are all?

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00:19:27.319 --> 00:19:30.039
<v Speaker 9>Yeah, find as soon as I noticed something, what'd you

332
00:19:30.079 --> 00:19:34.359
<v Speaker 9>say that name was? I'm in uh uh Hixes? Yeah, Well,

333
00:19:34.400 --> 00:19:36.839
<v Speaker 9>I guess there aren't too many ways to spill that one,

334
00:19:37.039 --> 00:19:40.039
<v Speaker 9>so this must be it. Pill box. Let me see

335
00:19:40.039 --> 00:19:42.240
<v Speaker 9>that prescription from Alexandria.

336
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<v Speaker 2>Doctor, I'm in Hixes.

337
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<v Speaker 9>We'll put a trace around that phone number you took

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00:19:46.599 --> 00:19:47.880
<v Speaker 9>off the first thing in the morning.

339
00:19:48.720 --> 00:19:53.880
<v Speaker 2>Yeah, hey, are you gonna take Lambert in for questioning?

340
00:19:54.200 --> 00:19:55.960
<v Speaker 9>I guess we'd better Routie.

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00:19:56.359 --> 00:19:59.480
<v Speaker 2>He's clear as far as I can see. We'll do

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00:19:59.559 --> 00:20:02.799
<v Speaker 2>something that me. Will it? Have your doctors run a

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00:20:02.880 --> 00:20:05.720
<v Speaker 2>test of that plastic cast of his and call me

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<v Speaker 2>in my room. Huh A test for what I'll just

345
00:20:08.160 --> 00:20:11.319
<v Speaker 2>look it over. It would make a handy blunt instrument,

346
00:20:11.359 --> 00:20:21.960
<v Speaker 2>if nothing else. Expensive gun item three seven fifty A

347
00:20:22.000 --> 00:20:25.599
<v Speaker 2>few late cocktails, a rare steak, and coffee in the

348
00:20:25.599 --> 00:20:28.440
<v Speaker 2>Brighton Arms dining room, after which I picked up an

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00:20:28.519 --> 00:20:31.640
<v Speaker 2>armful of extra editions so I could catch up on

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00:20:31.839 --> 00:20:34.920
<v Speaker 2>what I'd been doing. I self operated my way to

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00:20:34.960 --> 00:20:38.160
<v Speaker 2>the eighth floor and started toward my room. I was

352
00:20:38.200 --> 00:20:41.279
<v Speaker 2>looking forward to a hot shower, but I didn't get it.

353
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<v Speaker 2>I was still looking forward put into a familiar gun muzzle.

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<v Speaker 2>This is the gun, ayes, mister Della, May I introduce myself,

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00:20:50.480 --> 00:20:53.599
<v Speaker 2>Sir Garrett Drummond, at your service. Our meeting has been

356
00:20:53.680 --> 00:20:56.599
<v Speaker 2>postponed too long. Well there's a difference of opinion on

357
00:20:56.680 --> 00:21:00.000
<v Speaker 2>that you will please open your door? How can I refuse?

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00:21:00.000 --> 00:21:06.400
<v Speaker 2>Who's that pine sized invitation you're still carrying after you, sir?

359
00:21:06.559 --> 00:21:08.559
<v Speaker 2>And I need to remind you that my friend here

360
00:21:08.680 --> 00:21:11.960
<v Speaker 2>is prepared for any rash move up on your part. Look,

361
00:21:12.079 --> 00:21:14.920
<v Speaker 2>I'm tired. I don't have a rash move left in me.

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<v Speaker 2>Close the door, emont. I suggest that you sit there,

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<v Speaker 2>mister Dollery in that unsightly straight backed chair. Thanks a lot.

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<v Speaker 2>And now, sir, I shall plunge right to the point.

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00:21:26.079 --> 00:21:30.200
<v Speaker 2>There is that scoundrel Bruce Lambert. Well, I think I

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<v Speaker 2>just decided that I don't know. We we have no

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<v Speaker 2>wish for violent you always say that with a gun

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<v Speaker 2>in your hand. Well, let's get started. You make your pitch,

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00:21:41.279 --> 00:21:44.039
<v Speaker 2>I'll make my refusal, and we'll see where we go

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<v Speaker 2>from there. I have already met what I consider to

371
00:21:46.839 --> 00:21:49.400
<v Speaker 2>be a generous offer for so unimportant a bit of

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00:21:49.400 --> 00:21:53.319
<v Speaker 2>information as merely the whereabouts of Lambert two thousand dollars.

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<v Speaker 2>But if it will expedite matters, I am prepared to

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<v Speaker 2>expand my offer by another thousand. I'm the sponsor, you

375
00:22:00.279 --> 00:22:04.039
<v Speaker 2>bid the greedier, I guess what makes Lambert so important

376
00:22:04.079 --> 00:22:07.000
<v Speaker 2>to the problem which is entirely out of your province?

377
00:22:07.000 --> 00:22:10.119
<v Speaker 2>My boy, how much do you know of Egyptian legend? Sir?

378
00:22:10.440 --> 00:22:10.599
<v Speaker 4>Oh?

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<v Speaker 2>No, more than a dollar's worth. Pity the fascinating subject, well, Sir, Bruce.

380
00:22:15.799 --> 00:22:19.119
<v Speaker 2>Lambert has in his possession a certain object of great importance,

381
00:22:19.200 --> 00:22:23.559
<v Speaker 2>both culturally and economically. Certain landowners in Egypt hold it

382
00:22:23.599 --> 00:22:26.359
<v Speaker 2>in such high esteem, Sir, that as a reward for

383
00:22:26.440 --> 00:22:29.319
<v Speaker 2>its return to them, they would throw open to exploitation

384
00:22:29.920 --> 00:22:32.920
<v Speaker 2>untapped oil fields, the richness of which would shake the

385
00:22:33.000 --> 00:22:36.000
<v Speaker 2>very foundations of world economy? Are they shaky enough as

386
00:22:36.039 --> 00:22:39.240
<v Speaker 2>it is? My boy? Think what it would mean to

387
00:22:39.240 --> 00:22:42.960
<v Speaker 2>a civilization fast approaching the depletion of its petroleum sources.

388
00:22:43.400 --> 00:22:47.240
<v Speaker 2>New horizon, Sir, A brave new world. Lambert owes to

389
00:22:47.359 --> 00:22:50.319
<v Speaker 2>us all relinquishment of this object so that it may

390
00:22:50.440 --> 00:22:54.880
<v Speaker 2>serve humanity. You're right, and it may be easier than

391
00:22:54.920 --> 00:22:58.160
<v Speaker 2>you think. A splendid sir. Where is he? Which relic?

392
00:22:58.279 --> 00:23:01.200
<v Speaker 2>Is it? The black statue your playmate could have picked

393
00:23:01.279 --> 00:23:03.119
<v Speaker 2>up for free? It is king I might have met

394
00:23:03.119 --> 00:23:05.559
<v Speaker 2>scareb that I would discuss with Lambert. I demand to

395
00:23:05.559 --> 00:23:09.640
<v Speaker 2>know where he is. Why waste time on him. I've

396
00:23:09.680 --> 00:23:13.079
<v Speaker 2>got the scarab. I find that most difficult to believe,

397
00:23:13.079 --> 00:23:15.759
<v Speaker 2>mister Dollar. Well, no, no, no, keep your hands away

398
00:23:15.759 --> 00:23:20.119
<v Speaker 2>from your buckets, Ammon will say to the trouble, Ammon.

399
00:23:20.000 --> 00:23:21.839
<v Speaker 5>These remains too, mister Dollar.

400
00:23:22.359 --> 00:23:29.039
<v Speaker 2>My wish is called peaceful, sure right coat pocket, he

401
00:23:29.160 --> 00:23:35.680
<v Speaker 2>speaks truly, Garret here he's the matter, Garret. You don't

402
00:23:35.680 --> 00:23:39.440
<v Speaker 2>have that brave New world look anymore. Ah, I should

403
00:23:39.480 --> 00:23:41.519
<v Speaker 2>be the first to admit so that the lie has

404
00:23:41.640 --> 00:23:44.599
<v Speaker 2>been put to the tail I created upon this useless

405
00:23:44.680 --> 00:23:47.799
<v Speaker 2>geekll but mister Dollar, now, but we are forced to

406
00:23:47.839 --> 00:23:50.359
<v Speaker 2>fall back upon the truth. I remind you that it

407
00:23:50.519 --> 00:23:57.519
<v Speaker 2>sometimes hurts. Your position has not. But the desk knows.

408
00:23:57.559 --> 00:24:03.160
<v Speaker 2>I'm up here, answered mister Dollar. But be cautious. Unfortunately,

409
00:24:03.279 --> 00:24:06.640
<v Speaker 2>I do not share Ramon's a version to violence.

410
00:24:08.359 --> 00:24:12.960
<v Speaker 9>Yeah, Dollar, that's right, this is Lieutenant Black. Say was

411
00:24:13.000 --> 00:24:15.319
<v Speaker 9>that a hunch you had about that cast of Lambert's?

412
00:24:15.359 --> 00:24:17.319
<v Speaker 2>Why do you ask all? If it was? It was

413
00:24:17.359 --> 00:24:17.880
<v Speaker 2>a good one.

414
00:24:18.119 --> 00:24:20.000
<v Speaker 9>The doctors won't let us take it off, but we

415
00:24:20.119 --> 00:24:23.160
<v Speaker 9>cut into it. It was put on in three layers.

416
00:24:23.799 --> 00:24:27.799
<v Speaker 9>The middle one was wrapped narcotics. Yeah, don't be so

417
00:24:27.960 --> 00:24:31.200
<v Speaker 9>modest dollar, there must be three hundred thousand bucks worth.

418
00:24:32.119 --> 00:24:34.839
<v Speaker 3>Now, sometimes it's a whole month before we get that much.

419
00:24:35.160 --> 00:24:39.160
<v Speaker 9>Looks like the work of your friend, doctor Ramon Hixsas. Yeah,

420
00:24:39.359 --> 00:24:41.960
<v Speaker 9>I'll wake up dollar. I want to check Lambert's.

421
00:24:41.599 --> 00:24:42.359
<v Speaker 2>Statement with yours.

422
00:24:42.400 --> 00:24:43.680
<v Speaker 9>I'll have you there in ten minutes.

423
00:24:43.720 --> 00:24:49.559
<v Speaker 2>Goodbye, Okay. I commend you, sir upon your show of intelligence.

424
00:24:49.720 --> 00:24:53.559
<v Speaker 2>Who was it the police they're looking for, Lambert? Oh,

425
00:24:54.039 --> 00:24:58.519
<v Speaker 2>and what did they give as their reason? Narcotics? The

426
00:24:58.599 --> 00:25:01.200
<v Speaker 2>story of a man bound from America who cracked up

427
00:25:01.240 --> 00:25:04.240
<v Speaker 2>in a car, and while he was unconscious of being patched,

428
00:25:04.759 --> 00:25:07.519
<v Speaker 2>said narcotics were put in his cast by a doctor

429
00:25:07.519 --> 00:25:11.400
<v Speaker 2>Ammon Hixas, probably assisted by a nurse named Marsha. But

430
00:25:11.519 --> 00:25:16.039
<v Speaker 2>there's no proof, Ammon, We who waste no time on evasion. Yes,

431
00:25:16.440 --> 00:25:19.720
<v Speaker 2>we use the boy a courageous scheme, But for that

432
00:25:19.799 --> 00:25:22.880
<v Speaker 2>silly goose of a girl, she was the true conspirator

433
00:25:22.920 --> 00:25:25.359
<v Speaker 2>and the traitor as well. She having a fall in

434
00:25:25.400 --> 00:25:28.799
<v Speaker 2>love with the guy. Are the romantic Atlantic crossing? An

435
00:25:28.839 --> 00:25:32.279
<v Speaker 2>empty proposal of marriage suddenly becomes more important than actual

436
00:25:32.359 --> 00:25:35.279
<v Speaker 2>coin of the realm. But enough of that, the police

437
00:25:35.319 --> 00:25:38.279
<v Speaker 2>are looking for him and aunt teeth, So am I

438
00:25:38.960 --> 00:25:43.519
<v Speaker 2>very is he? I don't know, Ammon, call his hotel

439
00:25:43.559 --> 00:25:47.599
<v Speaker 2>in thirty ninth Street. No wait, my friend, the police

440
00:25:47.680 --> 00:25:51.000
<v Speaker 2>must be watching that, are they, mister Dollan, Well, that's

441
00:25:51.000 --> 00:25:53.559
<v Speaker 2>where his personal things are. If I were the police,

442
00:25:53.559 --> 00:25:57.000
<v Speaker 2>I'd be watching. Yes, we seem to find ourselves in

443
00:25:57.039 --> 00:26:00.160
<v Speaker 2>such a position that we must at least pretend to

444
00:26:00.200 --> 00:26:04.079
<v Speaker 2>see ee two eyes. Uh, very well, we shall wait here.

445
00:26:04.839 --> 00:26:08.680
<v Speaker 2>The chips are down, so to speech, Ammon, years gonna

446
00:26:09.000 --> 00:26:12.359
<v Speaker 2>take the pistol into the bathroom medial with the door

447
00:26:12.480 --> 00:26:14.880
<v Speaker 2>slightly ajar, you shall have a splendid command of the

448
00:26:14.880 --> 00:26:16.200
<v Speaker 2>arena as it were years.

449
00:26:16.240 --> 00:26:16.559
<v Speaker 5>Got it?

450
00:26:16.599 --> 00:26:19.200
<v Speaker 2>And remember the stakes are high.

451
00:26:19.559 --> 00:26:21.480
<v Speaker 5>Yes, get it, and I will remember.

452
00:26:21.480 --> 00:26:25.759
<v Speaker 2>No, mister Diller, Which seemed that little roommains but to waiting.

453
00:26:33.400 --> 00:26:36.880
<v Speaker 2>The waiting was more than the Drummond settled himself on

454
00:26:36.960 --> 00:26:40.400
<v Speaker 2>the bed and facing the door, his pudgy hands folded

455
00:26:40.440 --> 00:26:43.720
<v Speaker 2>over his bulging waist. I was still in the desk chair,

456
00:26:43.799 --> 00:26:48.720
<v Speaker 2>facing him as usual. The police were late. Twenty minutes

457
00:26:48.799 --> 00:26:53.519
<v Speaker 2>passed before we heard the knock on the door. You guess,

458
00:26:53.559 --> 00:26:56.680
<v Speaker 2>mister Doller. Come, we shall go to the door together.

459
00:26:57.680 --> 00:27:04.279
<v Speaker 2>Now keep your back to me. It's your party, Drummond,

460
00:27:08.079 --> 00:27:10.359
<v Speaker 2>come in, Lambert got Lambert.

461
00:27:10.400 --> 00:27:14.240
<v Speaker 9>The police haven't shooting, I haven't listen down.

462
00:27:25.839 --> 00:27:29.480
<v Speaker 2>Drummond's wound wasn't half as excruciating as his call for help.

463
00:27:30.240 --> 00:27:32.480
<v Speaker 2>The doctor's report that his shoulder will be in a

464
00:27:32.559 --> 00:27:35.000
<v Speaker 2>cast that as soon as the State of New York

465
00:27:35.000 --> 00:27:37.640
<v Speaker 2>can gather a jury, he will stand trial on the

466
00:27:37.720 --> 00:27:41.079
<v Speaker 2>charge of first degree murder. The body of Amen Hicks's

467
00:27:41.200 --> 00:27:44.119
<v Speaker 2>was taken to the mall. As an insurance company, you

468
00:27:44.160 --> 00:27:46.880
<v Speaker 2>are probably less interested in that than in the fate

469
00:27:46.920 --> 00:27:50.720
<v Speaker 2>of your policy holder, Bruce Lambert. That's explained an expense

470
00:27:50.759 --> 00:27:54.039
<v Speaker 2>account item for two hundred and eighty dollars hospital bill

471
00:27:54.440 --> 00:27:57.680
<v Speaker 2>paid in advance in view of the possibility that there

472
00:27:57.720 --> 00:28:01.160
<v Speaker 2>may be others interested in that three hundred thousand dollar

473
00:28:01.319 --> 00:28:04.079
<v Speaker 2>cash of narcotics. He has to carry around with him

474
00:28:04.119 --> 00:28:06.599
<v Speaker 2>until his arm is okay. I thought it would be

475
00:28:06.640 --> 00:28:09.480
<v Speaker 2>safer to keep him under wraps. Oh, by the way,

476
00:28:10.079 --> 00:28:13.400
<v Speaker 2>while he was lying there helpless, I sold him a

477
00:28:13.400 --> 00:28:16.720
<v Speaker 2>policy for you covering the scab and that carved head.

478
00:28:17.400 --> 00:28:21.119
<v Speaker 2>Expense account total four hundred and fifty six dollars and

479
00:28:21.240 --> 00:28:39.480
<v Speaker 2>ninety cents. Yours truly Johnny Dolla.

480
00:28:39.839 --> 00:28:43.279
<v Speaker 1>Yours Truly Johnny Dollar stars Edmund O'Brien in the title

481
00:28:43.400 --> 00:28:45.920
<v Speaker 1>role and is written by Paul Dudley and Gildawd with

482
00:28:46.000 --> 00:28:49.960
<v Speaker 1>music by Leith Stevens. Edmund O'Brien can currently be seen

483
00:28:50.039 --> 00:28:54.880
<v Speaker 1>starring in Harry M. Popkins United Artists Production DA. Featured

484
00:28:54.880 --> 00:28:58.640
<v Speaker 1>in our cast were Virginia Gregg, Janevello, Ed Begley, John

485
00:28:58.720 --> 00:29:02.440
<v Speaker 1>Dayner and Pat mcgeon. Yours Truly Johnny Dollar is produced

486
00:29:02.480 --> 00:29:16.680
<v Speaker 1>and directed by Hime del Vai. Join us again next

487
00:29:16.720 --> 00:29:20.440
<v Speaker 1>week when Edmund O'Brien returns in another adventure of.

488
00:29:20.880 --> 00:29:22.799
<v Speaker 2>Yours Truly Johnny Dollar.

489
00:29:32.400 --> 00:29:35.480
<v Speaker 1>Fifty four thousand dollars is burning a little old hole

490
00:29:35.559 --> 00:29:38.200
<v Speaker 1>in that little old jackpot of singing again this week,

491
00:29:38.640 --> 00:29:41.039
<v Speaker 1>just waiting for somebody to light up the right answer

492
00:29:41.079 --> 00:29:43.799
<v Speaker 1>and drop the cash and prizes in his lap or

493
00:29:43.839 --> 00:29:47.240
<v Speaker 1>her lap. Dan Seymour gives the gals the same chance

494
00:29:47.279 --> 00:29:49.680
<v Speaker 1>he gives the fellas when he starts putting in those

495
00:29:49.720 --> 00:29:53.240
<v Speaker 1>calls from coast to coast. So be listing this Saturday

496
00:29:53.359 --> 00:29:56.440
<v Speaker 1>when sing it again and the fifty four thousand dollars

497
00:29:56.440 --> 00:29:58.839
<v Speaker 1>phantom boys come your way. On most of these same

498
00:29:58.960 --> 00:30:05.319
<v Speaker 1>CBS station. This program was transcribed in Hollywood, Roy Rowan speaking,

499
00:30:08.559 --> 00:30:11.880
<v Speaker 1>this is CBS where yours truly. Johnny Dollar meets Adventure

500
00:30:11.920 --> 00:30:27.640
<v Speaker 1>every Friday night the Columbia Broadcasting System
