WEBVTT

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<v Speaker 1>The Adventures of Christopher Wells program, formerly scheduled at this time,

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<v Speaker 1>is now broadcast at a new time on Tuesday evening.

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<v Speaker 1>Tune in for the Adventures of Christopher Wells next Tuesday

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<v Speaker 1>and every Tuesday at six thirty pm Pacific Standard time.

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<v Speaker 2>You are alone in Paris, unable to speak the language,

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<v Speaker 2>unable to cope with a gigantic conspiracy which seeks to

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<v Speaker 2>convince you that you are mad. You are the victim

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<v Speaker 2>of a plot from which there is no escape.

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<v Speaker 1>Escape produced, directed and tonight, written by William N. Robeson,

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<v Speaker 1>and carefully contrived to free you from the four walls

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<v Speaker 1>of today for a half hour of high adventure.

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<v Speaker 2>Tonight we escaped to Paris at the time of the

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<v Speaker 2>Great Exposition and one of the recurring legends of our time,

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<v Speaker 2>and Alexander Wilkett's version of the Story of the Vanishing Lady.

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<v Speaker 3>Another cup of tea brewce.

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<v Speaker 4>No, thank you, my dear. I just light up my

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<v Speaker 4>pipe now and have a look at the evening standard

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<v Speaker 4>I like another?

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<v Speaker 3>Please, mother, all right, Alice, only one sugar deer. We

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<v Speaker 3>must watch our figures.

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<v Speaker 5>You are what nonsense?

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<v Speaker 4>A growing girl like Alice needs plenty of sugar.

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<v Speaker 3>See mother, Daddy approves perhaps, but mother is still boss. Yes, Mother,

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<v Speaker 3>there's a dear.

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<v Speaker 2>Mother.

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<v Speaker 3>Yes, dear, I've been thinking, Yes, dear.

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<v Speaker 6>I've been thinking about my grandparents.

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<v Speaker 4>Oh.

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<v Speaker 6>I know all about Daddy's parents. How grandfather Stanley commanded

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<v Speaker 6>a dreadnought at the Battle of Jutlin.

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<v Speaker 4>It was not a dreadnought, Alice, it was a heavy cruiser.

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<v Speaker 6>Oh, yes, heavy cruiser and he got the VC. And

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<v Speaker 6>how grandmother Stanley was a volunteer nurse Western Larch when

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<v Speaker 6>the Zeppelins came over. And I know about your father Toun,

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<v Speaker 6>how he died Nindy from his wounds, and how gallant

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<v Speaker 6>he was, the kuype of pass But mother, yes, dear,

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<v Speaker 6>you've never never told me anything about grandmother.

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<v Speaker 3>Winship, haven't I?

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<v Speaker 7>No?

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<v Speaker 6>And i'd i'd like to know.

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<v Speaker 4>Some Bruce the child sixteen. I think it's time she knew.

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<v Speaker 4>But Bruce, and you'd probably feel better to get it

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<v Speaker 4>off your chest.

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<v Speaker 6>What mother, what is it?

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<v Speaker 3>Well, my dear, I've never talked about your grandmother because

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<v Speaker 3>I I've always half believed that some day, somehow she

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<v Speaker 3>would come down our garden walk. And I know it

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<v Speaker 3>sounds silly and explain where she's been for the last

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<v Speaker 3>twenty years. Why what happened to her? I don't know,

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<v Speaker 3>and I don't suppose I ever.

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<v Speaker 4>Will, Cynthia Darling.

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<v Speaker 3>Sir Bruce, You're quite right, it would be best to

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<v Speaker 3>get it off my chest, as you put it. As

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<v Speaker 3>you know, Alice, I was born and brought up in India,

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<v Speaker 3>and I was about your age when my father was

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<v Speaker 3>killed in the Cabal campaign. Mother decided to leave India

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<v Speaker 3>for good and returned to her old home in Warwickshire. However,

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<v Speaker 3>since it was necessary for her to go to Paris

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<v Speaker 3>to attend to some details of my father's estate, she

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<v Speaker 3>decided that we should leave the Piano bode in Marseilles

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<v Speaker 3>and proceed by train. You men, imagine the timidity with

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<v Speaker 3>which we two unescorted ladies traveled across France, without the

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<v Speaker 3>slightest knowledge of the language, and without indeed assurance that

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<v Speaker 3>we could find a hotel room in Paris, though we

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<v Speaker 3>had telegraphed for reservations from Marseilles. You see, the Great

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<v Speaker 3>Paris Exposition had just opened and the city was jammed

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<v Speaker 3>with visitors from all over the world. You may imagine

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<v Speaker 3>our relief when we arrived at the Grand Hotel Universal

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<v Speaker 3>and heard the clerk speak in quite understandable.

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<v Speaker 8>Sheep, welcome, welcome, you will please to sign your register?

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<v Speaker 7>Eh, and a you have our reservation poin indeed.

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<v Speaker 8>Yes, most fortunate madames, that you telegraph for I have

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<v Speaker 8>I reserved for you the last room in the house.

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<v Speaker 3>Oh I'm so relieved.

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<v Speaker 6>Yes, Canthia, you may as well learn how to sign

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<v Speaker 6>a register for yourself.

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<v Speaker 3>Oh yes, mamma. Where do I ride there? In that line? Oh?

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<v Speaker 7>Yes, I see, weller you were that you gave from

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<v Speaker 7>your journey.

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<v Speaker 5>Uh no, I should let the boys show you to

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<v Speaker 5>your rooms at once.

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<v Speaker 8>Shassa, shassamoiselle, madame gunship.

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<v Speaker 5>This is your baggage, madame.

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<v Speaker 6>Yes, the six. You'd best carry the little one with

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<v Speaker 6>a medicine in it.

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<v Speaker 3>Yes, mama, thank you. I'll take that one, the little

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<v Speaker 3>red one.

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<v Speaker 6>This way, ladies, keep her eye at poor to Cynthia.

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<v Speaker 3>I don't trust this frenchman, Mama. I don't think he'll

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<v Speaker 3>make off with our things. Here's the lift.

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<v Speaker 6>I do wish we could have gone straight on to Southampton.

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<v Speaker 3>But you'd only have had to come back across the

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<v Speaker 3>channel to see the solicitor. Mamma, we really saved time this.

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<v Speaker 6>Way, I suppose. I mean I wish we hadn't come

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<v Speaker 6>to Paris at all, such a sinister place.

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<v Speaker 7>Well look this way, ladies, do the right.

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<v Speaker 4>Yeah, twas.

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<v Speaker 7>Trois aunt it is, thank you.

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<v Speaker 3>Oh what a lovely big room. And look, mama, French

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<v Speaker 3>windows hand the park out there, and those beautiful, beautiful bridges.

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<v Speaker 3>Oh mother, it's something out of a book.

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<v Speaker 6>Yes, my dear, that's the trouble with Paris. So attractive,

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<v Speaker 6>but underneath it's evil.

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<v Speaker 3>And look at the village, the guilt clock and this

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<v Speaker 3>lovely marble table. Oh, mamma, everything is so so French.

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<v Speaker 6>I would be very glad to be on my way away.

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<v Speaker 6>Everything's English by this time.

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<v Speaker 4>To matter.

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<v Speaker 6>Now, come away from that window and help me get

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<v Speaker 6>into something comfortable. Nurse, Yes, Mars, I don't know when

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<v Speaker 6>I've been so tired. Hm, I just.

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<v Speaker 3>Can't seem to catch mam Mama, Mama, what's the matter, mamma, mamma,

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<v Speaker 3>speak to me here. I'll get you up into the

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<v Speaker 3>bed there. Now, let me loosen your closet. Here here, mamma,

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<v Speaker 3>I here are the smelling salts pretty deeply darling, Mamma

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<v Speaker 3>the telephone. I've got to get a doctor. Hello, operator,

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<v Speaker 3>Will you please send a doctor up to room number

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<v Speaker 3>Let me see number three four two. Will you please

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<v Speaker 3>send a doctor to room number three four two, A doctor,

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<v Speaker 3>A doctor. Women. While I waited for the doctor, I

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<v Speaker 3>did everything I could think of to bring my mother

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<v Speaker 3>back to consciousness, and massaged her fingers and toes. I

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<v Speaker 3>put wet claws on a forehead, I waved the smelling

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<v Speaker 3>salts under her nose. But she lay silent and white

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<v Speaker 3>and unmoving, like one dead. Only the quick, shallow movement

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<v Speaker 3>of her breast assured me she was not. And all

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<v Speaker 3>the time another anxiety possessed me, What if this doctor

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<v Speaker 3>could not speak English? How should I tell in the

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<v Speaker 3>circumstances of mother's unexpected fainting, how should I understand his

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<v Speaker 3>instructions for treatment? I'm sure it was not long, although

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<v Speaker 3>it seemed like an eternity before he arrived, accompanied by

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<v Speaker 3>the manager of the hotel, and to my great relief,

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<v Speaker 3>they both spoke English. The doctor felt mother's pulse, took

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<v Speaker 3>her temperature, and did the usual things that doctors do.

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<v Speaker 3>Then he turned to the tail coaded hotel.

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<v Speaker 4>Man del fancy mop was on it.

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<v Speaker 9>A laugh from Papalia morns as as he said to

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<v Speaker 9>yours Nipalia allowed melscs us of Gan said, fam do

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<v Speaker 9>la peste sula peste in like un avivo Nipapa's wanted.

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<v Speaker 3>While they talked in this language, I couldn't understand. I

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<v Speaker 3>looked from one face to the other, trying to read

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<v Speaker 3>from their expressions how syl Yes, there is casual is

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<v Speaker 3>that they were ordering dinner. Finally I could stand it

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<v Speaker 3>no longer. They must. You must tell me what is

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<v Speaker 3>the matter.

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<v Speaker 4>With her, mademoiselle.

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<v Speaker 9>Your mother is ill, Yes, seriously ill. It is a

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<v Speaker 9>collapse due perhaps to this train of traveling. However, a

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<v Speaker 9>week or two of absolute ris we were to go

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<v Speaker 9>on to England tomorrow, that would be out of the question.

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<v Speaker 9>She cannot be moved for at least several days. Right

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<v Speaker 9>now she must have a complete rest. The next twenty

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<v Speaker 9>four hours will be critical. No, mademoiselle, you must not

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<v Speaker 9>break down.

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<v Speaker 4>Do I need your help? Yes, doctor, immediately, I need

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<v Speaker 4>some medicine. Will you fetch it for me? Yes?

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<v Speaker 9>I must not leave your mother for a moment during

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<v Speaker 9>these critical hours. Here I will write down this address

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<v Speaker 9>and a little message to my wife. Yes, I have

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<v Speaker 9>the mid scene already prepared my home. It will be

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<v Speaker 9>faster to go there for it than to a pharmacy.

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<v Speaker 9>There are a few chemists who have the ingredients.

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<v Speaker 3>Couldn't you telephone a last I have no telephone.

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<v Speaker 8>Well, then a messenger, Oh, mademoiselle, you do not know

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<v Speaker 8>Paris or are fair with the exposition opening? Nowhere can

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<v Speaker 8>you find a reliable messenger? They are all selling a souvenir. No, Mademoiselle,

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<v Speaker 8>you will accomplish ther and more rapidly yourself.

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<v Speaker 4>Vassil address.

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<v Speaker 9>Here's the address, twenty four bis Rival de Grace, and

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<v Speaker 9>here is the message to give to my wife.

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<v Speaker 3>But I don't know Paris at all. I'm a total

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<v Speaker 3>stranger here.

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<v Speaker 9>I'm sure the manager here will give the necessary instructions

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<v Speaker 9>to the cabin.

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<v Speaker 5>Indeed I will if Madmoiselle is ready.

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<v Speaker 3>Before I quite knew what was happening, I was seated

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<v Speaker 3>in a wickedy taxicab outside the hotel, but the doctor's

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<v Speaker 3>message clutched in my hand. The hotel manager gave a valuable.

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<v Speaker 7>Direction or to the cabins.

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<v Speaker 5>Where's he gone?

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<v Speaker 4>To?

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<v Speaker 8>Autos Baniel and Little Ranida pistas.

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<v Speaker 7>He's sure to the swaper the desert, HA told.

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<v Speaker 5>You, told you, it is arranged.

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<v Speaker 8>Mademoiselle Jacques here is one of our most trusted cabbies.

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<v Speaker 8>He will get you to the doctor's outside back in safety.

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<v Speaker 3>Oh, thank you so much, sir. And you will look

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<v Speaker 3>after mother, won't you?

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<v Speaker 7>Oh?

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<v Speaker 5>Indeed I will of that, you may be sure.

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<v Speaker 3>When we left the hotel, we crossed a huge square

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<v Speaker 3>with statues around it, and turned into a wide avenue

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<v Speaker 3>which led up a gentle incline, at the top of

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<v Speaker 3>which was a huge arch. But before long we turned

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<v Speaker 3>off to the ride into narrower streets. It must have

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<v Speaker 3>been twenty minutes later when we turned into another wide

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<v Speaker 3>boulevard and I saw another huge arch up ahead, or

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<v Speaker 3>was it the same arch driver passed that arch before?

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<v Speaker 3>Where I don't want a sight seeing tour. I want

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<v Speaker 3>to go to this address directly, don't you understand? Please

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<v Speaker 3>not take me there at once?

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<v Speaker 5>Of it?

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<v Speaker 8>So bu la passrs, mademoiselle PERI said you off here

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<v Speaker 8>were you?

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<v Speaker 4>At last?

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<v Speaker 3>We turned into a narrow street and pulled up before

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<v Speaker 3>a grim gray horse. The blue and amorsan on the

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<v Speaker 3>wall read number twenty four piece. I jumped out of

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<v Speaker 3>the cab almost before it stopped, rushed up the three

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<v Speaker 3>stone steps and pulled at the brass bell knob. Oh hurry, hurry, hurry,

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<v Speaker 3>please we the doctor sent me for some medicine. Here.

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<v Speaker 3>Please read this what de.

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<v Speaker 10>Nie said, John famous the parry Emmam de la France,

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<v Speaker 10>Oh all tree MANI was in thank you.

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<v Speaker 3>The doctor's wife stood there, reading and rereading the note

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<v Speaker 3>as though she didn't understand it, and until I thought

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<v Speaker 3>I would scream, oh, please, please hurry, get the medicine.

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<v Speaker 3>It's my mother. She may be dying. I must get

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<v Speaker 3>back to her. Please hurry, I see you. She pointed

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<v Speaker 3>to a chair that's adds it and slowly walked down

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<v Speaker 3>the hall and closed the door behind her. I waited

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<v Speaker 3>and waited, and I wondered, wondered about the time, the

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<v Speaker 3>text he had taken to get here, about that arch

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<v Speaker 3>that looked so familiar, And I was torn by the

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<v Speaker 3>hundred nameless anxieties that taught to you when you're nearest

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<v Speaker 3>and dearest desire. And then I heard something that froze

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00:13:47.000 --> 00:13:51.519
<v Speaker 3>my blood. Her telephone, a telephone clearly ringing somewhere in

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<v Speaker 3>the house, but the doctor had said he had no telephone.

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<v Speaker 3>That was the reason I must come all the way

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<v Speaker 3>for the medicine. Now it could be in this hospital,

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<v Speaker 3>it must be next door across the street. Of course,

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<v Speaker 3>that's where the sound was coming from. But no, it

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<v Speaker 3>was a voice of the doctor's wife answering the phone.

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<v Speaker 3>Oh no, no, what monstrous plot was this? I felt

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00:14:18.679 --> 00:14:21.480
<v Speaker 3>my scap crawled with terror. Rain pounded, my head felt

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00:14:21.480 --> 00:14:23.039
<v Speaker 3>as though would burst. I wanted to scream, to run

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<v Speaker 3>out of this awful house, to run all the way

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<v Speaker 3>across Paris to the bedside of my mother, while am mademoiselle, Oh,

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00:14:29.399 --> 00:14:36.399
<v Speaker 3>thank you, thank you, Oh wow, mademoiselle. Now, driver, please please,

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<v Speaker 3>in the name of your own mother, hurried back to

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00:14:38.200 --> 00:14:39.720
<v Speaker 3>the hotel as fast as possible.

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<v Speaker 5>Please, Oh A afraid the song mademoiselle.

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<v Speaker 3>We are. But my pleading was of no use. Either

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00:14:54.919 --> 00:14:59.000
<v Speaker 3>it was misunderstood or ignored. We crawled across Paris just

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00:14:59.080 --> 00:15:01.799
<v Speaker 3>as slowly as we had, and I was certain I

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00:15:01.879 --> 00:15:05.399
<v Speaker 3>saw that same white arch three times. But at last

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00:15:05.440 --> 00:15:07.399
<v Speaker 3>we crossed the great Square with the statues in it,

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<v Speaker 3>and I knew we were close to the hotel. Please

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<v Speaker 3>please hurry.

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00:15:11.360 --> 00:15:12.840
<v Speaker 2>I filled the solve.

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<v Speaker 3>Just beyond the Great Square, we turned up a narrow

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<v Speaker 3>street which shortly ended a wide circle, in the middle

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<v Speaker 3>of which was a tall, slender monument. The driver swung

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<v Speaker 3>around the monument and pulled up before the entrance of

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<v Speaker 3>the hotel, reached back and opened the door. I jumped

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00:15:30.080 --> 00:15:33.159
<v Speaker 3>out of the cab, and then I saw the sign

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00:15:33.200 --> 00:15:38.519
<v Speaker 3>over the entrance. It said Hotel Ritz. Driver, you've taken

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<v Speaker 3>me to the wrong hotel. I'm staying at the Grand

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00:15:41.080 --> 00:15:42.399
<v Speaker 3>Hotel Universal.

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<v Speaker 7>Cycle.

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00:15:47.799 --> 00:15:50.200
<v Speaker 3>I don't understand what you're saying, but will you please

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<v Speaker 3>take me to the Grand Hotel.

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<v Speaker 7>Universe Seekers of Jose they set the seekers of you.

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<v Speaker 3>Stupid, stupid man. Can't you understand my mother is ill?

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<v Speaker 3>You've taken more than two hours to get me with

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<v Speaker 3>that doctor's house in back. Can't you understand my mother

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00:16:04.200 --> 00:16:05.559
<v Speaker 3>is sick, perhaps dying.

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<v Speaker 5>You mademoiselle, I felt a lad Ba dorg.

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<v Speaker 3>A small group of passers by stopped and were listening

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<v Speaker 3>curiously to the argument. Then they joined in and started

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<v Speaker 3>taking sides. Everywhere I looked for foreign faces, strangers, enemies,

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00:16:22.919 --> 00:16:25.759
<v Speaker 3>and then shouldering his way through the crowd, I saw

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00:16:25.799 --> 00:16:28.360
<v Speaker 3>a bareheaded young man in treves with a pipe climbed

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<v Speaker 3>in his teeth, and before I had a chance to speak,

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<v Speaker 3>I knew help had come.

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<v Speaker 4>I'm having some trouble.

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<v Speaker 3>Oh, thank heavens, you're English, all right, and it seems

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00:16:36.519 --> 00:16:38.679
<v Speaker 3>to be the matter. I told him rapidly as I could,

279
00:16:39.279 --> 00:16:44.080
<v Speaker 3>and he paid the Newlish Cabby popped me into another cab,

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00:16:44.799 --> 00:16:46.759
<v Speaker 3>and five minutes later we walked into the lobby of

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00:16:46.840 --> 00:16:50.279
<v Speaker 3>the Grand Hotel Universal. The marriager was behind the desk.

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<v Speaker 3>My mother, is she all right?

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00:16:52.279 --> 00:16:54.039
<v Speaker 5>Hey, your big girl, pardon my mother?

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00:16:54.279 --> 00:16:56.399
<v Speaker 3>Missus Winship in three four two? Is she all right?

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00:16:57.320 --> 00:17:00.679
<v Speaker 5>Must be mistaken? There is no windship in four two.

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00:17:02.159 --> 00:17:05.519
<v Speaker 8>Three four to two is occupied by mister august To Noah,

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00:17:05.640 --> 00:17:06.839
<v Speaker 8>you're a permanent guests.

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<v Speaker 3>But don't you remember me. I'm Cynthia Winship. Two hours

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00:17:11.240 --> 00:17:12.680
<v Speaker 3>ago you put me into a taxi to go to

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00:17:12.720 --> 00:17:14.319
<v Speaker 3>the doctor's house for some medicine for my mother.

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00:17:14.480 --> 00:17:17.640
<v Speaker 5>I am afraid that Mademoiselle is mistaken. I have never

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00:17:17.759 --> 00:17:19.599
<v Speaker 5>seen her befoer in my life.

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00:17:19.640 --> 00:17:21.759
<v Speaker 4>Well, okay, what is this, listen, I swear it to you.

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<v Speaker 3>It's just as I say. We signed a register less

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00:17:24.799 --> 00:17:27.160
<v Speaker 3>than three hours ago. We got in on the train

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00:17:27.200 --> 00:17:27.759
<v Speaker 3>from Marseilles.

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00:17:27.839 --> 00:17:29.200
<v Speaker 4>Well, let's have a look at the register.

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00:17:29.640 --> 00:17:32.160
<v Speaker 3>Yes, I'll show you. I'm in three four two. Where

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00:17:32.240 --> 00:17:32.759
<v Speaker 3>is the register?

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00:17:32.920 --> 00:17:37.440
<v Speaker 8>Deserve mademoiselle. You may see it for yourself. See today's date.

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00:17:38.039 --> 00:17:42.319
<v Speaker 8>Fourteen guests registered. But I don't see any mademoiselle or

302
00:17:42.519 --> 00:17:43.640
<v Speaker 8>mad damouen sheep?

303
00:17:44.680 --> 00:17:47.200
<v Speaker 4>Do you no?

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00:17:49.799 --> 00:17:51.920
<v Speaker 3>What have you done with my mother? What have you

305
00:17:52.039 --> 00:17:52.640
<v Speaker 3>done with my mother?

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00:17:57.039 --> 00:17:57.720
<v Speaker 4>We'll get to the part of.

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00:17:57.799 --> 00:18:01.480
<v Speaker 5>This perhaps is mistaken. She is registered that some other

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00:18:01.720 --> 00:18:02.000
<v Speaker 5>don't know.

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00:18:02.640 --> 00:18:07.359
<v Speaker 3>This is the hotel, the Grand Universal. You you were

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00:18:07.519 --> 00:18:10.200
<v Speaker 3>standing there when we arrived. You handed my mother for

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00:18:10.319 --> 00:18:12.359
<v Speaker 3>pen with which she registered. You came to the room

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00:18:12.400 --> 00:18:13.559
<v Speaker 3>with the doctor. You put me in the.

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<v Speaker 5>Taxi bert I assure you.

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00:18:15.440 --> 00:18:20.799
<v Speaker 7>Mademoiselle, he carried our baggage.

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00:18:20.799 --> 00:18:25.960
<v Speaker 4>She'll remembered bagage, Madame.

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00:18:28.440 --> 00:18:29.000
<v Speaker 7>Enorm monsieur.

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00:18:29.519 --> 00:18:32.119
<v Speaker 3>There were six pieces, don't you remember? You wanted to

318
00:18:32.160 --> 00:18:34.480
<v Speaker 3>take them all, and I insisted on carrying the jewel case.

319
00:18:34.799 --> 00:18:36.240
<v Speaker 3>It was a little red one.

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00:18:36.720 --> 00:18:38.200
<v Speaker 7>No, Mademoiselle.

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00:18:39.319 --> 00:18:42.640
<v Speaker 9>Veuille, this is I never saw you in his life before,

322
00:18:43.640 --> 00:18:45.640
<v Speaker 9>but this is monster.

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00:18:47.039 --> 00:18:51.680
<v Speaker 3>It's impossible. My mother is somewhere in this hotel. What

324
00:18:51.839 --> 00:18:54.319
<v Speaker 3>have you done with her. What have you done with her?

325
00:19:04.599 --> 00:19:06.480
<v Speaker 4>Now? Then? How do you feel, Miss Winship?

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00:19:06.759 --> 00:19:07.000
<v Speaker 2>Better?

327
00:19:07.119 --> 00:19:07.400
<v Speaker 5>Thank you?

328
00:19:08.319 --> 00:19:09.799
<v Speaker 3>This soup was very nourishing.

329
00:19:10.160 --> 00:19:12.200
<v Speaker 4>Won't you have something else? Sad bit of road?

330
00:19:12.319 --> 00:19:12.519
<v Speaker 7>Thank you?

331
00:19:13.160 --> 00:19:13.880
<v Speaker 3>A cup of tea?

332
00:19:13.880 --> 00:19:17.240
<v Speaker 4>Perhaps, certainly it would touch the poor Madmoiselle.

333
00:19:18.680 --> 00:19:21.240
<v Speaker 3>I don't know how to thank you, mister. Do you

334
00:19:21.359 --> 00:19:22.640
<v Speaker 3>realize I don't even know your name.

335
00:19:23.400 --> 00:19:24.839
<v Speaker 4>It's Bruce, Bruce Stanley.

336
00:19:25.079 --> 00:19:26.599
<v Speaker 3>I'm glad to meet you, mister Stanley.

337
00:19:26.880 --> 00:19:27.960
<v Speaker 4>It's a pleasure, Miss Winship.

338
00:19:28.880 --> 00:19:31.720
<v Speaker 3>Mister Stanley, you believe me, don't you?

339
00:19:32.039 --> 00:19:32.640
<v Speaker 4>Of course I don't.

340
00:19:32.799 --> 00:19:34.720
<v Speaker 3>We did register that hotel. We were in room three

341
00:19:34.759 --> 00:19:37.640
<v Speaker 3>forty two. I can even describe the furnishings. There was

342
00:19:37.640 --> 00:19:39.519
<v Speaker 3>a big window that went from the ceiling to the floor.

343
00:19:39.680 --> 00:19:41.839
<v Speaker 4>Well, every hotel room in Paris says windows like that,

344
00:19:41.880 --> 00:19:45.480
<v Speaker 4>Miss Winship, Oh they do, yes. Well.

345
00:19:46.200 --> 00:19:48.680
<v Speaker 3>In this room, the draperies were plum colored. There was

346
00:19:48.720 --> 00:19:51.319
<v Speaker 3>a marble table, a black marble it was, and a

347
00:19:51.400 --> 00:19:53.640
<v Speaker 3>gilt clock. It had run down, the hands had stopped.

348
00:19:53.640 --> 00:19:56.640
<v Speaker 3>I remember it twenty minutes past three. The walls were

349
00:19:56.720 --> 00:19:59.559
<v Speaker 3>covered in rose brocade, and the bedspread was a washed

350
00:19:59.599 --> 00:20:02.079
<v Speaker 3>out yellow. Oh, if I could only get into that room.

351
00:20:02.119 --> 00:20:03.640
<v Speaker 3>You'd see. I'm not making this up. I'm not.

352
00:20:03.720 --> 00:20:06.200
<v Speaker 4>I'm sure you won't. Perhaps I can find a way

353
00:20:06.240 --> 00:20:07.240
<v Speaker 4>to make them let you in the room.

354
00:20:07.599 --> 00:20:08.200
<v Speaker 7>Oh can you?

355
00:20:08.720 --> 00:20:11.680
<v Speaker 4>Yes, I I'm with the Embassy or now under secretary

356
00:20:11.759 --> 00:20:12.240
<v Speaker 4>sort of thing.

357
00:20:13.000 --> 00:20:13.359
<v Speaker 3>I er.

358
00:20:13.559 --> 00:20:16.359
<v Speaker 4>I believe the British Empire has enough influence to change

359
00:20:16.400 --> 00:20:18.039
<v Speaker 4>the mind of an obstinate Paris in keeper.

360
00:20:18.119 --> 00:20:19.519
<v Speaker 3>Then let's do it right away.

361
00:20:19.680 --> 00:20:21.039
<v Speaker 5>Well, I I'm.

362
00:20:20.920 --> 00:20:23.559
<v Speaker 4>Afraid the might of Britain can't move that fast. It's

363
00:20:23.599 --> 00:20:26.480
<v Speaker 4>past dinner time. But tomorrow we'll see tomorrow.

364
00:20:27.200 --> 00:20:29.759
<v Speaker 3>But I must get into that room to night. I

365
00:20:30.440 --> 00:20:32.480
<v Speaker 3>have no money, no where to sleep.

366
00:20:32.799 --> 00:20:34.279
<v Speaker 4>We can do nothing with the people at the hotel.

367
00:20:34.359 --> 00:20:36.920
<v Speaker 4>You saw that. We'll just have to be patient until tomorrow.

368
00:20:37.160 --> 00:20:39.000
<v Speaker 4>I'm I'm sure I can find a room for it

369
00:20:39.039 --> 00:20:41.440
<v Speaker 4>to night in a passy on near the embassy. You

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00:20:41.519 --> 00:20:42.519
<v Speaker 4>are so very kind.

371
00:20:43.680 --> 00:20:45.640
<v Speaker 3>How can I ever thank you, mister Stanley.

372
00:20:46.160 --> 00:20:51.519
<v Speaker 4>Well you you might begin by calling me Bruce. Thank you, Bruce,

373
00:20:52.880 --> 00:20:57.759
<v Speaker 4>Thank you. Cynthia. Oh, oh, what is it?

374
00:20:57.880 --> 00:20:59.920
<v Speaker 3>I just thought of something. The doctor. The doctor, yes,

375
00:21:00.119 --> 00:21:02.000
<v Speaker 3>the one the hotel manager brought in to look after mother.

376
00:21:02.160 --> 00:21:05.000
<v Speaker 3>I still have his address somewhere here in my purse. Yes,

377
00:21:05.039 --> 00:21:07.359
<v Speaker 3>here it is. Oh, we must go there immediately. He

378
00:21:07.440 --> 00:21:08.400
<v Speaker 3>can tell us about mother.

379
00:21:08.759 --> 00:21:11.640
<v Speaker 4>You see twenty four piece Rubardi grass. Well that's not fine.

380
00:21:11.640 --> 00:21:13.480
<v Speaker 4>It's just off the Boulevardraspine and the Luxembourg.

381
00:21:13.559 --> 00:21:15.079
<v Speaker 3>How long would it take to get there by taxi?

382
00:21:15.839 --> 00:21:17.599
<v Speaker 4>About ten minutes, but it.

383
00:21:19.440 --> 00:21:22.160
<v Speaker 3>It took over an hour this afternoon.

384
00:21:31.359 --> 00:21:34.759
<v Speaker 5>What I'm as sure that piece rouvaldo grass?

385
00:21:35.160 --> 00:21:37.480
<v Speaker 3>Here we are, Yes, this is the place I turned

386
00:21:37.519 --> 00:21:41.000
<v Speaker 3>them on via. The house is dark.

387
00:21:41.359 --> 00:21:42.039
<v Speaker 4>It's quite late.

388
00:21:42.200 --> 00:21:51.079
<v Speaker 3>Well, I don't care. We've got to find out tonight, Jela,

389
00:21:51.359 --> 00:21:53.000
<v Speaker 3>he said, where is here?

390
00:21:53.119 --> 00:21:56.079
<v Speaker 4>The upstairs window? And monsieur le doctor said, Mademoiselle Stanley

391
00:21:56.400 --> 00:21:58.920
<v Speaker 4>el vevoure, and.

392
00:21:59.039 --> 00:22:00.720
<v Speaker 5>Listen, goodie. Papa was instantly.

393
00:22:01.200 --> 00:22:03.440
<v Speaker 4>He says, he doesn't know you, but he must he must.

394
00:22:04.000 --> 00:22:06.880
<v Speaker 3>Doctor. Don't you remember this afternoon you sent me to

395
00:22:06.960 --> 00:22:08.279
<v Speaker 3>your house for medicine for my mother?

396
00:22:10.200 --> 00:22:11.559
<v Speaker 4>He says he doesn't understand English.

397
00:22:12.039 --> 00:22:15.680
<v Speaker 3>Oh, the liar, the dreadful liar. He does. He speaks perfectly,

398
00:22:18.839 --> 00:22:21.200
<v Speaker 3>coming for it was on any police.

399
00:22:22.559 --> 00:22:24.559
<v Speaker 4>I'm sorry, Cynthia.

400
00:22:24.839 --> 00:22:29.400
<v Speaker 3>Oh Bruce, what am I going to do? What am

401
00:22:29.480 --> 00:22:39.000
<v Speaker 3>I going to do? If it hadn't been for Bruce.

402
00:22:39.680 --> 00:22:41.640
<v Speaker 3>I'm certain I should have gone out of my mind.

403
00:22:42.759 --> 00:22:46.079
<v Speaker 3>He found a room for me at the Embassy, where

404
00:22:46.119 --> 00:22:50.240
<v Speaker 3>I spent a sleepless night of anxiety, almost beyond endurance.

405
00:22:53.839 --> 00:22:55.720
<v Speaker 3>Bruce called for me at half past ten the next

406
00:22:55.799 --> 00:22:59.119
<v Speaker 3>morning and took me back to the hotel. To my surprise,

407
00:23:00.200 --> 00:23:02.680
<v Speaker 3>the attitude of the manager had changed completely.

408
00:23:03.559 --> 00:23:07.000
<v Speaker 8>Course, mademoiselle may inspect Room three hundred and forty two.

409
00:23:07.440 --> 00:23:10.480
<v Speaker 8>We are only too glad to convince mademoiselle that my

410
00:23:10.599 --> 00:23:15.079
<v Speaker 8>mother is not and never was in the Grand Hotel Universelle.

411
00:23:15.480 --> 00:23:18.839
<v Speaker 7>Why I personally will escort you to the room.

412
00:23:19.359 --> 00:23:21.240
<v Speaker 5>Is this way? Pleased to the assance?

413
00:23:22.000 --> 00:23:26.599
<v Speaker 3>Oh Bruce, that terrible man, that horrible, horrible upset.

414
00:23:26.400 --> 00:23:29.279
<v Speaker 5>You, monsieur was Yrmitage, asked Jim Monsieur.

415
00:23:31.400 --> 00:23:33.480
<v Speaker 3>I remember what I told you last night, Bruce. You

416
00:23:33.680 --> 00:23:37.400
<v Speaker 3>see plum colored draperies, black marble top table, rose was

417
00:23:37.559 --> 00:23:39.640
<v Speaker 3>and a gilt clock with a hamstopped at twenty minutes

418
00:23:39.640 --> 00:23:40.079
<v Speaker 3>past three.

419
00:23:40.400 --> 00:23:41.880
<v Speaker 4>You see, yes, simply.

420
00:23:42.440 --> 00:23:43.680
<v Speaker 5>Wella that was him.

421
00:23:44.079 --> 00:23:47.759
<v Speaker 8>This way, gentlemen, it was room three hundred and forty two.

422
00:23:47.960 --> 00:23:50.119
<v Speaker 8>You wish to see, mademoiselle, Yes.

423
00:23:50.000 --> 00:23:53.440
<v Speaker 3>That's right. Third door to the right. So you see, Bruce,

424
00:23:54.000 --> 00:23:54.720
<v Speaker 3>I know where it is.

425
00:23:55.160 --> 00:23:56.680
<v Speaker 5>Yes, here we are.

426
00:23:58.079 --> 00:24:03.039
<v Speaker 3>Weller, enterpy now, Bruce, you shall see the yellow bedspread.

427
00:24:05.319 --> 00:24:06.960
<v Speaker 5>Oh, not quite the.

428
00:24:07.039 --> 00:24:10.519
<v Speaker 8>Room you just described in the elevator, mademoiselle. The drapes

429
00:24:10.559 --> 00:24:15.240
<v Speaker 8>are ld blue, little dusty. I feel I must have

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<v Speaker 8>this room renovated. You see there is no marble top ting.

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<v Speaker 4>Now.

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<v Speaker 7>The clock, as you noticed, is running now and right

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<v Speaker 7>on time. It seems.

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<v Speaker 5>The walls are not rose.

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00:24:27.079 --> 00:24:29.160
<v Speaker 7>Bocade, but yellow flowered walls.

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00:24:29.200 --> 00:24:33.000
<v Speaker 8>No, no, my dear mademoiselle, you see how thoroughly mistaken

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<v Speaker 8>you are.

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<v Speaker 3>No. No, they had tried to make me think I

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00:24:44.519 --> 00:24:50.440
<v Speaker 3>was mad. They succeeded. I remembered nothing until I awoke

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00:24:50.480 --> 00:24:53.480
<v Speaker 3>in my aunt's house in England two weeks later, thanks

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<v Speaker 3>to Bruce, who never left my side during those terrible

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00:24:56.839 --> 00:25:04.200
<v Speaker 3>days when my sanity hung in the balance. Well that's

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<v Speaker 3>the story, Alice. That's why I've never been able to

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<v Speaker 3>talk about your grandmother Winship, Oh mother horror, because all

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<v Speaker 3>these years I've clung to the foolish hope that somehow

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<v Speaker 3>she'd come back and tell us herself what happened.

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<v Speaker 4>You, poor dear, You may as well dispel that hope forever, Cynthia.

448
00:25:27.839 --> 00:25:30.880
<v Speaker 4>What since you have at last brought yourself to discuss

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00:25:30.920 --> 00:25:34.240
<v Speaker 4>your mother's disappearance, I think it's time you knew the

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00:25:34.319 --> 00:25:39.279
<v Speaker 4>true fact. Bruce. Your mother died twenty minutes after you

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00:25:39.400 --> 00:25:41.599
<v Speaker 4>left the hotel on that fool's errand for the doctor.

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<v Speaker 4>Oh no, she died of the bubonic plague. She'd caught

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<v Speaker 4>it in India before she sailed. The doctor recognized the symptoms, Luman,

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<v Speaker 4>He examined her. He told the hotel manager and French

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00:25:52.359 --> 00:25:55.400
<v Speaker 4>in your presence. They agreed that the matter must be

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00:25:55.559 --> 00:25:58.599
<v Speaker 4>kept completely secret. If the news leaked out that there

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00:25:58.680 --> 00:26:01.279
<v Speaker 4>was a case of plague in Paris, said, he would

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00:26:01.279 --> 00:26:03.799
<v Speaker 4>have been empty to visitors, and the exposition would have

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00:26:03.799 --> 00:26:08.839
<v Speaker 4>been a failure. Oh, Bruce, The conspiracy of silence began

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00:26:08.880 --> 00:26:11.880
<v Speaker 4>in the hotel. The bell boy was paid to claim

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<v Speaker 4>he never saw you. The taxi driver was paid well

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00:26:14.759 --> 00:26:16.359
<v Speaker 4>to take you to the doctor's house by the most

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00:26:16.480 --> 00:26:20.079
<v Speaker 4>roundabout route. The note to the doctor's wife advised her

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00:26:20.119 --> 00:26:22.920
<v Speaker 4>to detain you as long as she could, and the

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00:26:23.160 --> 00:26:26.000
<v Speaker 4>taxi driver added his own imaginative touch by returning you

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00:26:26.079 --> 00:26:30.279
<v Speaker 4>to the Writz instead of the universal I shuddered to

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00:26:30.279 --> 00:26:31.799
<v Speaker 4>think what might have happened if I hadn't come through

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00:26:31.839 --> 00:26:32.960
<v Speaker 4>the place one dume just then.

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00:26:33.279 --> 00:26:36.079
<v Speaker 7>But you didn't know not then?

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00:26:37.400 --> 00:26:38.599
<v Speaker 3>When did you find out?

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00:26:39.319 --> 00:26:43.359
<v Speaker 4>Next morning? By then the conspiracy had grown to international proportions.

472
00:26:44.079 --> 00:26:46.920
<v Speaker 4>The embassy had been advised if the exposition was a failure,

473
00:26:46.960 --> 00:26:48.799
<v Speaker 4>the frank would fall, the pond sterling would be effected.

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00:26:48.920 --> 00:26:51.279
<v Speaker 4>That sort of thing. I knew when we went back

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00:26:51.279 --> 00:26:53.160
<v Speaker 4>to the hotel you would not find your plumb drapes

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00:26:53.160 --> 00:26:56.279
<v Speaker 4>and rose colored walls and black marble topped table, and.

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00:26:57.759 --> 00:26:59.200
<v Speaker 7>You let me go through with it.

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00:26:59.200 --> 00:27:03.720
<v Speaker 4>What could I do? I was acting under orders. I

479
00:27:03.799 --> 00:27:06.480
<v Speaker 4>knew that the hotel had completely fumigated and redecorated the

480
00:27:06.559 --> 00:27:09.000
<v Speaker 4>room over night, and everything was in readiness to repudiate

481
00:27:09.079 --> 00:27:11.960
<v Speaker 4>your story. I had to let the last act of

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00:27:12.000 --> 00:27:16.880
<v Speaker 4>the dreadful farce played to its dreadful end. Mother?

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00:27:18.559 --> 00:27:19.880
<v Speaker 3>What did they do with Mother?

484
00:27:21.359 --> 00:27:23.799
<v Speaker 4>Her body was removed from Rome less than thirty minutes

485
00:27:23.799 --> 00:27:27.039
<v Speaker 4>after you left it and immediately burned.

486
00:27:28.480 --> 00:27:32.440
<v Speaker 3>Why Why didn't you tell me this years ago? Why

487
00:27:32.519 --> 00:27:33.920
<v Speaker 3>did you let me go on all this time?

488
00:27:34.880 --> 00:27:36.559
<v Speaker 4>This is the first time you have ever mentioned him

489
00:27:36.559 --> 00:27:37.599
<v Speaker 4>ever since then? My dear.

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00:27:40.119 --> 00:27:45.000
<v Speaker 3>Alice. Yes, mother, there's a new issue of The Tettler

491
00:27:45.079 --> 00:27:48.119
<v Speaker 3>in the library. Dear, wouldn't you like to look at it?

492
00:27:49.000 --> 00:27:52.000
<v Speaker 3>But mother, I want now, dear, want to have a

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00:27:52.119 --> 00:27:53.279
<v Speaker 3>talk with your father.

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00:28:06.720 --> 00:28:10.319
<v Speaker 1>Escape, produced and directed by William N. Robson, has brought

495
00:28:10.359 --> 00:28:14.079
<v Speaker 1>you The Vanishing Lady by Alexander Wilcott, adapted for radio

496
00:28:14.200 --> 00:28:18.279
<v Speaker 1>by mister Robson. Cynthia was played by Joan Banks. Ruce

497
00:28:18.440 --> 00:28:21.240
<v Speaker 1>was played I Have her Back. The hotel manager and

498
00:28:21.319 --> 00:28:24.400
<v Speaker 1>cab driver were played by Ramsey Hill. The musical score

499
00:28:24.519 --> 00:28:26.400
<v Speaker 1>was conceived and conducted by Cyviewer.

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<v Speaker 2>Next week, you are deathly afraid of snakes, and between

501
00:28:34.960 --> 00:28:39.119
<v Speaker 2>you and the fortune, between you and escape beyond the

502
00:28:39.240 --> 00:28:41.839
<v Speaker 2>white jaws of a deadly cotton mouth.

503
00:28:53.680 --> 00:28:56.440
<v Speaker 1>Next week we escape with Irvin S. Cobb's famous story

504
00:28:56.799 --> 00:29:00.319
<v Speaker 1>Snake Doctor good Night. Then until the same time next week,

505
00:29:00.799 --> 00:29:02.839
<v Speaker 1>but again we offer you escape.

506
00:29:03.799 --> 00:29:04.200
<v Speaker 8>Mm hmm.

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<v Speaker 1>This is CBS, the Columbia podcasting system.
