1 00:00:00,160 --> 00:00:01,919 Speaker 1: Okay, this is going to sound kind of freaky weird, 2 00:00:01,960 --> 00:00:04,480 only because we start off by talking about the dogs 3 00:00:04,519 --> 00:00:06,719 in our lives. That's what I love about the pre 4 00:00:07,400 --> 00:00:11,199 conversations before the actual conversation, because you learn so much 5 00:00:11,199 --> 00:00:13,240 about the people you're going to be with at the 6 00:00:13,320 --> 00:00:17,000 drop of hat. Seriously, things can change in your battle 7 00:00:17,000 --> 00:00:20,320 plans to create a great conversation, and when they bring 8 00:00:20,399 --> 00:00:22,839 things up, it's like, oh, we're going a completely different direction. 9 00:00:22,920 --> 00:00:24,920 And this is definitely one of those moments. Watch how 10 00:00:24,920 --> 00:00:25,600 it plays out. 11 00:00:26,079 --> 00:00:27,519 Speaker 2: I've got four of them next to me, and they 12 00:00:28,480 --> 00:00:31,079 go on baby pats. They're very small shaws. 13 00:00:31,719 --> 00:00:35,520 Speaker 3: My little puzzles getting older. He's thirteen, so he sometimes 14 00:00:35,520 --> 00:00:36,280 he can't hold it. 15 00:00:36,560 --> 00:00:37,560 Speaker 4: I get it. I can't. 16 00:00:37,600 --> 00:00:38,719 Speaker 3: How are you have that problem? 17 00:00:38,799 --> 00:00:38,960 Speaker 4: Right? 18 00:00:39,119 --> 00:00:40,960 Speaker 1: Well, ja z will come in here, even while I'm 19 00:00:41,159 --> 00:00:43,520 doing interviews, and she'll interrupt the interviews and she's like, going, 20 00:00:43,640 --> 00:00:47,159 there's nobody more normal. They're not important compared to me. 21 00:00:47,240 --> 00:00:49,439 I mean, I don't know why you're sitting in this room, dude. 22 00:00:49,560 --> 00:00:51,960 I mean she's well, that's mis. 23 00:00:51,880 --> 00:00:55,079 Speaker 3: That's my Zoe. There's nobody more important than Zoey. She 24 00:00:55,079 --> 00:00:57,240 she will not leave us alone when we're trying to work. 25 00:00:57,280 --> 00:00:58,840 She just wants to play BALI that's it. 26 00:00:58,920 --> 00:01:00,920 Speaker 4: I wish told four of them. Next to me. 27 00:01:00,960 --> 00:01:06,159 Speaker 2: I have Honeybaby, Lexi, my missing girly girl, and Molly. 28 00:01:06,359 --> 00:01:09,159 So I've got four babies walls, and they're just amazing 29 00:01:09,200 --> 00:01:10,680 and they love to hear my voice from them on 30 00:01:10,719 --> 00:01:11,120 these of. 31 00:01:11,079 --> 00:01:12,959 Speaker 5: Course they do. Of course they're. 32 00:01:12,640 --> 00:01:14,000 Speaker 4: Quiet, they're very quiet. 33 00:01:14,480 --> 00:01:14,840 Speaker 5: Wow. 34 00:01:15,000 --> 00:01:17,079 Speaker 1: Well, here's something that's going to go with our Halloween 35 00:01:17,120 --> 00:01:19,560 conversation is that you talked about your four babies with you. 36 00:01:19,920 --> 00:01:22,959 I've rescued nine dogs throughout my life, and all the 37 00:01:23,000 --> 00:01:25,159 ashes of those dogs except for one, are sitting right 38 00:01:25,159 --> 00:01:28,000 here with me because I believe, oh that I believe 39 00:01:28,000 --> 00:01:29,920 in the power of continuation. 40 00:01:30,840 --> 00:01:31,439 Speaker 4: I do too. 41 00:01:31,480 --> 00:01:33,840 Speaker 2: As a matter of fact, I've lost four before these 42 00:01:33,879 --> 00:01:36,439 girls I have them. Well, we're in North Carolina, we're 43 00:01:36,480 --> 00:01:38,799 behind in Tampa. They're in Tampa, and guess what, we're 44 00:01:38,799 --> 00:01:40,359 going to be buried in New Orleans. I know this 45 00:01:40,400 --> 00:01:43,200 is Climber Cobb, but it wasn't my show. And we 46 00:01:43,280 --> 00:01:46,719 already told the guy these dogs are come. We're splitting 47 00:01:46,719 --> 00:01:49,000 the dogs up. Some are going in vance Cofton, some 48 00:01:49,079 --> 00:01:50,120 are going into mine. 49 00:01:49,959 --> 00:01:51,400 Speaker 4: And that's I'm gonna forever. 50 00:01:51,439 --> 00:01:54,159 Speaker 2: They're going to forever be in my life. 51 00:01:54,239 --> 00:01:57,000 Speaker 5: You said something about Carolina. Whereabouts in Carolina is your house? 52 00:01:57,560 --> 00:01:59,439 Speaker 4: We are in Highlands, so one of the West, you know. 53 00:01:59,439 --> 00:02:03,159 Speaker 2: On the other Yeah, it's so sweet. 54 00:02:02,239 --> 00:02:05,760 Speaker 1: Oh but I'm here on I'm down here in Charlotte, 55 00:02:05,799 --> 00:02:08,319 so I totally get what's going on. And isn't that 56 00:02:08,439 --> 00:02:10,680 odd though, that our ashes want to be spread someplace 57 00:02:10,719 --> 00:02:12,439 else because I want to go to Charleston either that 58 00:02:12,560 --> 00:02:14,639 or I want to go to Santa Barbara. And it's like, wait, 59 00:02:14,680 --> 00:02:16,840 the last year is so beautiful. 60 00:02:17,000 --> 00:02:19,199 Speaker 2: So beautiful. We're from New Orleans, so we have to 61 00:02:19,199 --> 00:02:23,159 go back there. Yeah, it is God's country up here, 62 00:02:23,199 --> 00:02:26,280 and the leaves are more forty one hundred feet so 63 00:02:26,319 --> 00:02:27,800 we've got gorgeous leaves going on. 64 00:02:27,960 --> 00:02:30,840 Speaker 5: Oh happen, so relate with you. 65 00:02:31,240 --> 00:02:33,240 Speaker 1: So when it comes to up all night, why is 66 00:02:33,240 --> 00:02:36,240 it that horror films and freaky things like this always 67 00:02:36,280 --> 00:02:39,240 are associated with knights Because I have always been a 68 00:02:39,319 --> 00:02:42,199 fan of movies like this, and my wife and I 69 00:02:42,280 --> 00:02:44,560 are known. The older we get, the more we watch 70 00:02:44,599 --> 00:02:46,520 the scary movies in the daytime. 71 00:02:48,319 --> 00:02:50,560 Speaker 2: I think that's smart because you have enough hours, so 72 00:02:50,680 --> 00:02:53,000 that you know, go to bed on the film and 73 00:02:53,039 --> 00:02:55,080 then dream about it. And that's one of the reasons 74 00:02:55,120 --> 00:02:57,319 I don't like watching them at night is I don't 75 00:02:57,319 --> 00:02:59,360 want to I dream about whatever. 76 00:02:59,120 --> 00:03:01,439 Speaker 4: The last thing I did. I don't know. I think 77 00:03:01,439 --> 00:03:02,960 it's of course associated with night. 78 00:03:03,000 --> 00:03:06,080 Speaker 2: I think it's it gives you a coziness and something 79 00:03:06,120 --> 00:03:08,680 about cuddling up and being scared espec especially if you're 80 00:03:08,719 --> 00:03:11,280 with a loved one. And I think it goes back 81 00:03:11,599 --> 00:03:14,479 to people cheering on the kids in the film, usually 82 00:03:14,960 --> 00:03:18,240 over the Boogeyman, and that comes from I think being 83 00:03:18,479 --> 00:03:20,199 bullied in school. 84 00:03:20,560 --> 00:03:23,599 Speaker 4: I think it's like psychological. I think a lot of that. 85 00:03:23,680 --> 00:03:26,719 Speaker 2: People like horror films because they're rooting for the underdog, 86 00:03:27,240 --> 00:03:30,000 and the underdog usually wins in the end, and I 87 00:03:30,039 --> 00:03:32,560 think that there's something about that, and it's such a 88 00:03:32,639 --> 00:03:34,639 huge resurgence in horror films right now. 89 00:03:35,000 --> 00:03:35,159 Speaker 5: Yeah. 90 00:03:35,319 --> 00:03:37,960 Speaker 1: So what's so interesting though, is that we always want 91 00:03:38,000 --> 00:03:41,080 the underdog, and yet nowadays we're cheering for Michael and 92 00:03:41,120 --> 00:03:43,439 Freddie and we want the guy and Saw to win. 93 00:03:43,719 --> 00:03:45,960 It's almost like the teams have changed on us here. 94 00:03:46,800 --> 00:03:49,680 Speaker 2: Maybe, So I'm going to try to bring it back 95 00:03:49,719 --> 00:03:52,280 I'm sorry. I like the film so Yesterdyear. Even though 96 00:03:52,280 --> 00:03:54,719 we're showing I mean, the Kings of Horror is the 97 00:03:54,800 --> 00:03:57,360 name of the channel on YouTube. Even though we're showing 98 00:03:57,400 --> 00:04:00,560 horror films. I'm really hoping to bring some of the 99 00:04:00,960 --> 00:04:04,400 teen films and the B films and you know those 100 00:04:04,439 --> 00:04:07,319 sexy little comedies that I was known for on Up 101 00:04:07,319 --> 00:04:08,560 All Night on USA Network. 102 00:04:08,639 --> 00:04:11,080 Speaker 4: So whole New world, we get to play a lot more. 103 00:04:11,319 --> 00:04:16,439 Speaker 2: The parent company owns like fourteen thousand licenses, fourteen thousand films, 104 00:04:16,439 --> 00:04:19,160 so we can ask for certain films that can try 105 00:04:19,160 --> 00:04:20,040 to get them for us. 106 00:04:21,079 --> 00:04:22,360 Speaker 4: Well, it's really a cool time. 107 00:04:22,480 --> 00:04:24,360 Speaker 2: I mean, it's kind of like the early days of 108 00:04:24,399 --> 00:04:26,720 Basic Cable to have the freedom to play. 109 00:04:28,079 --> 00:04:29,560 Speaker 1: You know, it's so funny you say that, because that's 110 00:04:29,600 --> 00:04:31,879 exactly how I feel, because it's the power of choice. 111 00:04:31,879 --> 00:04:33,800 And when when I want to watch some Jordan Peel 112 00:04:33,879 --> 00:04:36,879 or I want to see something from anybody who does this, 113 00:04:36,959 --> 00:04:39,319 I mean, I'm more into what was what is that 114 00:04:39,399 --> 00:04:42,519 director scene inside their imagination before it reaches me, and 115 00:04:42,560 --> 00:04:43,959 do they spook themselves. 116 00:04:45,040 --> 00:04:47,720 Speaker 2: That's really interesting too, that you say that, because you know, 117 00:04:48,639 --> 00:04:53,240 I'm kind of now reviewing myself with getting reacquainted with 118 00:04:53,279 --> 00:04:56,920 horror films because quite frankly, in the last twenty something years, 119 00:04:57,000 --> 00:04:59,319 I since up all night or more, I have been 120 00:05:00,720 --> 00:05:04,759 in the intimate of power business. So I'm playing with 121 00:05:04,800 --> 00:05:07,399 bras and pennies. So it's start of fun to be 122 00:05:07,439 --> 00:05:09,959 getting back into the genre. So part of what I'm 123 00:05:10,000 --> 00:05:15,160 doing is actually bringing on directors and producers, yes, and 124 00:05:15,759 --> 00:05:19,079 people who are experts, because I am not. I mean, 125 00:05:19,160 --> 00:05:21,800 admittedly I'm not Joe Bob Briggs, who has you know, 126 00:05:21,920 --> 00:05:25,560 really has that deep, you know, knowledge of all things 127 00:05:25,600 --> 00:05:27,519 horror and I mean, and I even told the Kings 128 00:05:27,560 --> 00:05:27,839 of Horror. 129 00:05:27,839 --> 00:05:30,199 Speaker 4: I said, they said, no, we want the sketches, and 130 00:05:30,240 --> 00:05:32,759 I said, I will. I certainly will watch the films. 131 00:05:32,800 --> 00:05:34,839 I will study what we're up to. 132 00:05:34,959 --> 00:05:37,319 Speaker 2: But I want to bring on because I want to 133 00:05:37,319 --> 00:05:40,040 be authentic to my audience, right want. I want to 134 00:05:40,079 --> 00:05:42,720 bring on the true experts. So I have John Brennan. 135 00:05:42,759 --> 00:05:45,639 I don't know who he is. He was on the 136 00:05:46,040 --> 00:05:49,000 he was on the last Drive in and so he's 137 00:05:49,040 --> 00:05:51,079 also going to continue to do music for Joe Bob 138 00:05:51,079 --> 00:05:53,399 and he is also going to be my musical director 139 00:05:53,600 --> 00:05:54,759 and my neighbor on the show. 140 00:05:54,800 --> 00:05:57,120 Speaker 4: And he knows all things hard. He's just a wealth 141 00:05:57,399 --> 00:05:58,040 of information. 142 00:05:58,240 --> 00:06:00,879 Speaker 2: Plus we're going to bring in a lot of stars 143 00:06:00,879 --> 00:06:03,680 like I have Felicia Rose and Learnia Quigley on my 144 00:06:03,680 --> 00:06:06,079 first show. So and we're going to bring in directors 145 00:06:06,360 --> 00:06:07,560 and here's the wild thing. 146 00:06:07,600 --> 00:06:08,959 Speaker 4: They're dying to do the show. 147 00:06:09,360 --> 00:06:12,040 Speaker 2: And we have a lot of young independent filmmakers who 148 00:06:12,040 --> 00:06:14,040 want to get their word out there too. And I'm 149 00:06:14,079 --> 00:06:17,120 good friends with looks like Lloyd Kaufman, who still loves 150 00:06:17,120 --> 00:06:17,519 coming on. 151 00:06:17,519 --> 00:06:19,839 Speaker 4: And talking all things harr So. I mean, if I 152 00:06:19,879 --> 00:06:21,199 can't do it, they'll do it. 153 00:06:21,319 --> 00:06:23,839 Speaker 2: And just as long as I'm authentic, I want to 154 00:06:23,839 --> 00:06:27,199 bring the zany, the crazy, the fun, the pretty young girls. 155 00:06:27,480 --> 00:06:30,399 I want to bring back the feeling of the nineties 156 00:06:30,399 --> 00:06:33,879 that I feel like this younger generation has completely. 157 00:06:33,399 --> 00:06:33,920 Speaker 4: Missed out on. 158 00:06:34,000 --> 00:06:35,959 Speaker 2: I know, I'll have my fans that know the show, 159 00:06:36,040 --> 00:06:37,959 that grew up with the show, But then we're going 160 00:06:38,000 --> 00:06:40,839 to bring in their kids and their grandkids, and I 161 00:06:40,920 --> 00:06:44,399 will surround myself with a fabulous cast or characters. 162 00:06:44,800 --> 00:06:47,639 Speaker 5: Please do not move. There's more with Rhonda Shear coming up. 163 00:06:47,560 --> 00:06:52,959 Speaker 1: Next, the name of the show, up all Night with 164 00:06:53,079 --> 00:06:56,439 Rwanda Shere. We're back with our conversation. What's great about 165 00:06:56,439 --> 00:06:58,680 what you're doing right now is that you're not keeping 166 00:06:58,680 --> 00:07:00,600 this to yourself, because there's a lot of people that 167 00:07:00,639 --> 00:07:03,720 will hoard their love for horror films and stuff like that, 168 00:07:03,920 --> 00:07:06,199 and you feel like old mother Hubbard living in her cupboard. 169 00:07:06,240 --> 00:07:07,680 But the thing is, though, is that you're saying, no, no, no, 170 00:07:07,720 --> 00:07:09,519 come on in, come in and look at my cupboards. 171 00:07:09,560 --> 00:07:10,839 If you want to put something in there, you can. 172 00:07:10,959 --> 00:07:12,439 If you want to take something out, you can. This 173 00:07:12,519 --> 00:07:14,800 is for all of us, is. 174 00:07:14,800 --> 00:07:16,439 Speaker 2: I want to open it up, because that's the first 175 00:07:16,439 --> 00:07:17,879 thing I told them. I said, I need to be 176 00:07:17,920 --> 00:07:20,160 completely authentic. And it's been a long time since I'm 177 00:07:20,160 --> 00:07:23,000 hosted the shows. I'm certainly going to do my homework 178 00:07:23,040 --> 00:07:25,439 and study about everything that all the films that we show, 179 00:07:25,920 --> 00:07:27,839 but I wanted to bring in. 180 00:07:27,879 --> 00:07:28,560 Speaker 4: We were different. 181 00:07:28,800 --> 00:07:32,480 Speaker 2: Gilbert and I were different than Joe, Bob Briggs and 182 00:07:32,600 --> 00:07:33,959 even the Last Drive. 183 00:07:33,759 --> 00:07:36,279 Speaker 4: In and even Alvira Cassandra. I know them all. 184 00:07:36,319 --> 00:07:39,399 Speaker 2: I know them all well, and we were always more 185 00:07:39,519 --> 00:07:42,519 sketch forward because actually the USA Network wanted to really 186 00:07:42,720 --> 00:07:43,480 hold the attention. 187 00:07:43,560 --> 00:07:44,040 Speaker 4: I would do. 188 00:07:44,000 --> 00:07:47,800 Speaker 2: Commercials for Snapple and Budweiser, like on set, So I 189 00:07:47,839 --> 00:07:50,879 want to bring in some of that magic and really 190 00:07:51,079 --> 00:07:54,879 use actors, and I wanted to be like a little sitcom, 191 00:07:54,920 --> 00:07:58,519 you know, little bits of that feeling, and then also 192 00:07:59,399 --> 00:08:01,360 have a great not the films in between two and 193 00:08:01,480 --> 00:08:03,839 will definitely address the films, but. 194 00:08:04,000 --> 00:08:06,560 Speaker 4: It'll it won't be just about the films. We want 195 00:08:06,600 --> 00:08:06,839 it to be. 196 00:08:07,240 --> 00:08:10,360 Speaker 2: I want to be this comedian and bring back the 197 00:08:10,399 --> 00:08:11,839 comedy that we just don't see. 198 00:08:11,959 --> 00:08:15,480 Speaker 4: That's i'm sorry, kind of silly comedy and fun comedy. 199 00:08:15,680 --> 00:08:18,680 Speaker 2: I mean, we're doing our second show is going to 200 00:08:18,680 --> 00:08:20,720 be a scream Queen School. 201 00:08:21,199 --> 00:08:24,519 Speaker 4: So I'm booking all these real scream queens. 202 00:08:24,120 --> 00:08:26,720 Speaker 2: Along with some young actresses and so I am going 203 00:08:26,759 --> 00:08:29,120 to have beautiful women around me and they're going to 204 00:08:29,199 --> 00:08:31,040 do a scream Queen School, and I'm going to have 205 00:08:31,199 --> 00:08:33,720 like the judges and they're gonna and we have them 206 00:08:33,759 --> 00:08:37,919 doing the crawling away from them from the Freddy Krueger, 207 00:08:38,360 --> 00:08:40,720 you know. And the thing is that they always they 208 00:08:40,840 --> 00:08:43,200 go into the why do they go into a closet 209 00:08:43,240 --> 00:08:45,200 in the haunted house instead of. 210 00:08:45,320 --> 00:08:46,000 Speaker 4: The other way? 211 00:08:46,200 --> 00:08:48,279 Speaker 2: You know, they crawl away and then they always throw 212 00:08:48,360 --> 00:08:51,200 some object at the monster, which is like. 213 00:08:51,679 --> 00:08:53,840 Speaker 4: A high heel, but not a knight for a gun. 214 00:08:53,879 --> 00:08:56,720 Speaker 2: You know we're gonna we're going to take people through 215 00:08:56,759 --> 00:08:59,360 that and of course learning how to scream. It's going to 216 00:08:59,399 --> 00:09:02,120 be that, you know, for lack of a better word, 217 00:09:02,159 --> 00:09:04,559 the word that I use back in the ninety campy. Yes, 218 00:09:04,879 --> 00:09:07,840 and you don't see campy Saturday and Night Live won't 219 00:09:07,840 --> 00:09:08,279 give it to you. 220 00:09:08,320 --> 00:09:11,720 Speaker 4: They're oh too smart. And you know what, I'm bringing. 221 00:09:11,399 --> 00:09:14,080 Speaker 2: Back the fun of that kind of sketch comedy that 222 00:09:14,120 --> 00:09:15,639 you don't see anymore. And I've had a lot of 223 00:09:15,720 --> 00:09:18,399 actors reach out to me for just putting some casting 224 00:09:18,399 --> 00:09:20,600 out from all of other countries, saying I know the 225 00:09:20,639 --> 00:09:22,519 kind of characters you want and I can bring you 226 00:09:22,600 --> 00:09:23,519 that and I love it. 227 00:09:23,679 --> 00:09:24,960 Speaker 5: Yep. Don't you love it? Though? 228 00:09:24,960 --> 00:09:27,559 Speaker 1: When scream queens come on and you have a conversation 229 00:09:27,600 --> 00:09:29,519 with them, and as much as we've heard them scream 230 00:09:29,600 --> 00:09:31,440 in movies, it's always like, Hi. 231 00:09:31,440 --> 00:09:35,039 Speaker 5: How are you doing? I'm soft spoken? Yeah, this is 232 00:09:35,039 --> 00:09:35,480 what I did? 233 00:09:35,480 --> 00:09:37,159 Speaker 1: And he say, WHOA, give me give me that sound 234 00:09:37,200 --> 00:09:40,679 that I'm used to many pro wrestlers and rock stars 235 00:09:40,679 --> 00:09:42,519 give me there, you dude, what's up man? 236 00:09:44,320 --> 00:09:47,480 Speaker 4: I know character. I've been a book wrestlers on the 237 00:09:47,519 --> 00:09:49,600 show too. It's funny to say that as all my God, 238 00:09:50,320 --> 00:09:51,480 the audience. 239 00:09:51,120 --> 00:09:54,399 Speaker 2: Of wrestlers and the audience of Harror is very similar. 240 00:09:54,440 --> 00:09:56,840 A lot of the conventions book both of them. So 241 00:09:56,919 --> 00:09:59,639 who's a fan of mine and we've only talked on 242 00:09:59,720 --> 00:10:02,000 the phone and we've talked via Facebook, but he's going 243 00:10:02,000 --> 00:10:05,679 to do the show is Nick Nemus, and he loves 244 00:10:05,759 --> 00:10:08,919 comedy and he's funny, and he's taken your Martin. 245 00:10:09,000 --> 00:10:10,440 Speaker 4: So I know a lot of them. 246 00:10:10,600 --> 00:10:13,960 Speaker 2: Of the wrestlers and from the days when USA Network 247 00:10:14,039 --> 00:10:18,120 used to air God WWF and I was on WrestleMania. 248 00:10:18,200 --> 00:10:20,879 So I can't wait to do that. They're fun and 249 00:10:20,960 --> 00:10:23,320 they like that crazy sketch comedy. I mean, that's kind 250 00:10:23,320 --> 00:10:26,600 of their their thing, their characters. So we're going to 251 00:10:26,600 --> 00:10:28,559 bring in wrestlers were already that's going to be one 252 00:10:28,600 --> 00:10:30,480 of our first shows as we hit. We're going to 253 00:10:30,559 --> 00:10:32,759 do three specials once a month, So we hit the 254 00:10:32,759 --> 00:10:35,240 first of the year and then we go into every 255 00:10:35,240 --> 00:10:37,720 other week after that, and right after the first of 256 00:10:37,759 --> 00:10:39,320 the year, we're going to definitely do a wrestling show. 257 00:10:39,480 --> 00:10:40,919 Speaker 1: You got to come back to this show and talk 258 00:10:40,919 --> 00:10:42,720 about that, because I mean, ten minutes with you is 259 00:10:42,720 --> 00:10:44,440 not enough time, Rond, and we need to break it 260 00:10:44,480 --> 00:10:46,799 all down. We need to get inside that imagination of 261 00:10:46,840 --> 00:10:49,039 yours and build a foundation that's forever. 262 00:10:50,080 --> 00:10:54,360 Speaker 2: I would love that. Thank you, I appreciate it. This 263 00:10:54,399 --> 00:10:56,080 is why I'm so excited. And as we goes, you know, 264 00:10:56,120 --> 00:10:57,840 we've been in the intimate of PowerUP business for years. 265 00:10:57,879 --> 00:11:00,399 You create, you design, you do all this. We're seeing 266 00:11:00,399 --> 00:11:03,000 you more excited. I said, this seeds my soul because 267 00:11:03,039 --> 00:11:06,080 along with me acting, bringing all these young people in 268 00:11:06,759 --> 00:11:09,559 young and just turning people onto this world that they 269 00:11:09,600 --> 00:11:11,120 don't know is so exciting. 270 00:11:11,440 --> 00:11:16,080 Speaker 5: Wow, will you be brilliant today? Okay, thank you so much. 271 00:11:16,120 --> 00:11:18,440 Speaker 4: I so appreciate it. You have to say all night. 272 00:11:18,639 --> 00:11:21,759 Speaker 2: On October twenty fifth, our first show on King Sahara