Speaker 1: Today we're going to cover two films that you may
or may not remember. I remember because I think I
saw both of these in the theater, but they came
out at a time when most people had not really
been exposed to a lot of the genre that we
know so much about now, especially after Jeff stin Effry.
Before I do that, though, I want to say shout
out to our friends Melissa and Aaron at True steam
Stream poof Poofdween Medial, truth Stream Media, because they sent
me this badass Nicholas Cage T shirt and sash. Today
I'm feeling bees, not the bees, all right, That's what
it is, the bee, not the bees. So I want
to thank them for that birthday Christmas present because my
birthday is around the time of Christmas, so that was
awesome present from them. And shout out to tree Stream
Media if you would follow those guys in their great
work that they do. Friends of Jay's analysis for sure.
But we want to talk about.
Speaker 2: Not hide and Seek.
Speaker 1: That's another one that I should have included in this
in this collage here we're gonna do too, though I
didn't know there's enough in both of these films to
do one whole video on each, so we're gonna put
two in one video. So identity and Butterfly effect. Right now,
Identity is two thousand and three. You've got John Cusack here,
who oddly enough often plays a limo driver or a
hit man. It's like, after Lloyd Dobbler was Lloyd Dobbler
in Say Anything, he progressed into then becoming a hit
mine at some point. If you believe that Gross point
Blank is kind of a rough sequel to Say Anything,
and then the movie War is kind of a loose sequel.
Today there's these references right to Lloyd Dobbler in his
pen and he's an assassin now, right, And there's even
a mention that he worked for one of the big
families in the world, the biggest families, as an assassin
that's actually mentioned in I think it's a gross point
blank yeah, which is a good movie, by the way,
But we got Cusack here as this limo driver and
they all kind of happen into this CD motel, him
and a bunch of people, and the I didn't want
to point out one thing about the beginning of the
film Columbia. We know the Columbia pictures that she's always
showing the light of the torch of Liberty because she's
Lady Liberty. She is the Luciferian image. Actually she's the
Enlightenment bringer of knowledge. And then so it's Columbia Pictures.
And then actually Colombia is mentioned in the film, So
I just thought, like, not too long after the opening
sequence of Columbia, Columbia, South Carolina is mentioned in the film,
and we noticed that it's You think the movie does
a pretty good job of kind of distracting you, and
you think that the core personality of this of the situation.
Speaker 2: Spoiler alert, right, is John Cusa.
Speaker 1: You think John Cusack is kind of the protagonist and
he's going through these weird events and phenomenon. These seemingly
supernatural things are happening at this CD hotel. People are disappearing,
they're showing up as no longer they're they're they're mysteriously dead.
Speaker 2: And then they're gone.
Speaker 1: So what is happening, Well, there's a few clues here
that I think kias off from the outset. When you
go back and watch it, it's kind of clear. But
if it's your first time watching the movie is spoiler alert,
I don't want to tell you everything. But I'm going
to here in a minute.
Speaker 2: I can't help it.
Speaker 1: Right, But if you notice in the limbo he's got
a book by Jean Pals, Being in Nothingness by Sart
or Sasha, depending on how pretentious you are, I'm pretending
to be some sort of philosophy. Is Nitzsche. It's not Nietzsche, dude,
it's Nizche. It's not such a it's a sart It
is Zeus, all right. People do this online when they
try to pretend like they're these officionados. Anyway, Sart's book
Being in Nothingness is what John Cusack is reading. That's
a curious book for a limo driver to be reading,
this giant, fat rambling treatise about wearing masks and hiding
behind masks and what's real and what's not real? What's
a real? Persons? Who are we really? And are we
all just wearing masks?
Speaker 3: Right?
Speaker 1: This is the kind of stuff that Sartra and the
Existentials talk about, and a lot of these esoteric films
we do see existentialism brought up quite a bit because
they are kind of asking, even though they're anti metaphysicians,
they're asking metaphysical questions they're asking questions about who are
we really? Are we all just playing a role and
pretending to be somebody. There's not really a core personality there,
and that's what is the key to unlocking this film, right,
which is it's obvious by the end of the movie.
But there's some curious things that I mentioned that if
you go back and watch it, I never caught, which
is that the hotel is an Indian burial ground. It's
actually in the brochure at the hotel that it's buried
on this plot, right, Indian burial ground type thing, which
comes up a lot, you know, Stephen King types of
poultry guys, Jim Morrison seeing the spirits or whatever. And
then we have the bodies being buried in the ground.
There's stuff buried underground, which is a reference to the
triggers that relate to each of the core the core
altars here, right, because spoiler alert, everybody in this film
is an altar. And so what's weird is that this
movie is told from the vantage point not of the
guy who has multiple personality, but from the vantage point
of the altars in his head. So it's a very
fascinating unique take on this Again, hearkening to books that
we've covered, like Chris Barker's book on high depth esoteric stuff,
or books that relate to trauma based my control switching time.
Speaker 2: You've heard reference that book many times. It's kind of
like that.
Speaker 1: So we see the body's buried in the ground, we
see the connection to Florida and everybody. It turns out, oh,
they all have the same birthday, they're all born in
the same date. Why, because they're alters who were created.
They're splits created through trauma at a certain date, at
a certain time in the core personalities lifespan. And it
turns out, of course that the kid, the least the
one that you least suspect, the little kid, is actually
the core personality, and turns out he's a serial killer
who's on trial and they're trying to determine the judge
is trying to determine if he's fit to go to
trial or if he's actually insane. And so the question
is does the judge believe that he has alternate personalities? Right? So,
all that's very fascinating, and you wouldn't immediately connect it
to the question of trauma based mind control, except that
the doctor when he's investigating. The guy actually says quote,
through trauma, split personality can happen, right, So he actually
mentions trauma based mind control. And so therefore we can
see that this is actually a film that relates to
themes that we've been covering lately, like Project Monarch, right,
which was part of him Chilter, that dealt with actually
trying to create and steer and control these kinds of personalities,
dissociative states.
Speaker 2: Can you control them?
Speaker 1: So they're all born in the same day, they all
relate back to Florida in some way because the core personality,
who is the kid, the serial killer, that's where he's from.
And the hotel event was a traumatic experience period point
in the child's life, right, So he was traumatized and
neglected as a kid. He was neglected and abandoned, probably
abandoned at that hotel, right, And so that's why these
core personalities have developed in his head from this initial
trauma point, and so his mind has been fractured, it's
been split, and so presumably also there's some sense in
which people that he's murdered are related to these people
as well, right, So he's killed many people, I think
six or eight, and so these people also relate to
the altars as well. But as we know, the kid
is the core personality, and then the one stable personality
that's left, the Amanda Pete character. You think she's gonna
be okay, You think she's gotten away because she's the
last stable character in his head. As he's leaving the hospital,
excuse me, the correctional facility, the boy comes to the
four and kills her, right, So now the core personality,
who is the psychopath, is.
Speaker 2: The last one that's left.
Speaker 1: So a lot of points that do relate directly to
all the stuff we talk about, keys, triggers, trumpa based
my control splits, altars, and even a few references to
philosophy and the esoteric. So if you've not seen Identity,
I do recommend that it is a movie relevant to
the kind of analysis that we've been doing with Jamie
and I doing the mk ulture talk, my analysis of
science of the Lambs, for example. And so after that,
I mentioned around the same time, the movie Butterfly Effect
came out with Ashton Kutcher, And what's weird about Butterfly
Effects is that it kind of has this facade of
being about chaos theory.
Speaker 4: Right, if a butterfly flaps its wings and Antarctica bro
then like effects ripplesed into space time fabric, and that
could change everybody's desk.
Speaker 1: That's just this nonsense theory of like the exact opposite
of divine providence. The most extreme opposite of thurd view
is that everything is just chaos, right, which if everything's chaos,
then you couldn't even make sentences, right. So there's this
kind of overlay of chaos theory, which I guess has
had varying levels of popularity in terms of pop science.
You know the Bill ny Neil mcgrassy, Dick Tyson vein
of things right. I don't think it's as popular as
it was in two thousand and three or four whenever
Butterfly Effect came out. But the idea here is not
just that, but I think there's also chaos magic elements.
Speaker 2: That are evident in this film.
Speaker 1: And so we see the beginning the butterfly is the
two hemispheres of the brain, the right and the left
brain right, and so that has in many ways in
the modern world kind of been split. We are split
between people who think that they're very intuitive everything should
be intuitive or people who are left brain and they
think that everything is purely quantitative logical rational analysis, and
really we're made to have both of those hemispheres of
the brain working in tanem. I do think that that's true.
Even though a lot of people talked about that, A
lot of goofy people talked about that. There's some truth
to that, But those two hemispheres will relate to the
loosely speaking to Ashton Kutcher's characters, dissociation. And so I
think that even though it's presented as this sort of
sci fi alternate realities thing with chaos theory, it's more
so about alternate realities like identity in other words, alternate
realities in the sense of alters in the mind. Right,
So he's seeing these different potential timelines that if he
had done X, Y Z act differently in the past,
it would give him a new timeline, right like Back
to the Future too, Mody, right like Martin McFly And
this is the timeline lecture from from Doc in Back
to the Future Too, that kind of thing. But if
we set that aside for a minute and then remember
that the key event is the creeper guy the creeper baby.
So by the way, why are you taking your kids
to be babysat by this obviously creeper dude, right, like
this boomer dad walking around with like whiskey in a
in a glass.
Speaker 2: I'll take care of your kids. Yeah, come on down
in my basement. They'll be saved on here.
Speaker 1: Just obvious red flags like what were the parents thinking? Right,
And so we find out that he's doing creeper things.
If you've seen the move, you know what I'm talking about.
And this leads to I would say, alters, right, the
daughter has been abused, the Ashton Kutcher got a protagonist
is abused, and so this leads to alternate ideas in
the head right of these people or alternate personas mpdd
ID Right.
Speaker 2: So that's what I kind of think is really going
on here.
Speaker 1: Not so much a movie about alternate timelines martymut fly
type stuff.
Speaker 2: It's kind of buried underneath there.
Speaker 1: And what it seems to focus on is the fact
that the trauma.
Speaker 2: Relates to father figures.
Speaker 1: Right now, he could relate to mother figures, but in
this film there's a lack of father figures, and so
this pattern of the trauma being related to creating alternate
personas and the repressed memories right coming forth relate to
the father. So both Ashton Kutcher's dad and his girlfriend,
the girl that he likes, the dad that's the creeper.
They're both father figures who have either failed or are
trying to get their point across and the kids will
get it right. Ashen Kutcher's dad is believed to be insane.
He was studying psychology and alternate personalities, and so that's
really what's going on in this movie. And it also
reminded me of the film Rebel Without a Cause, which
i'd never seen. I've never seen James Dean film. I
know it's kind of embarrassing to be a Hollywood movie
and analysisizer and I've not seen that, but I went
and watched that and there was a very similar theme there.
Now it there actually is. If you remember the Young
the character of the kid named Plato. Plato is traumatized
by his parents, and that's made very clear in the film.
He's abandoned and he's triggered when they're at the abandoned
mansion at the end of the film and he goes
on his spree, right, and it's weird, it's crazy because
he kind of prefigures a lot of events that we
see with young people nowadays, especially in the last ten years.
Rebel Without a Cause was way ahead of its time,
was a pretty wild commentary on social events. And what's
the underlying factor of the protagonist, the girl and the
young kid is that they all have absentee father figures.
Right firstenhow love he plays the dad right to James Dean,
but he's a total beta dude, right, like he fails
at being a dad. And so it's the same principle
at work there. Even though the James Dean character doesn't
have alternate persona personalities, right, the Plato the kid actually does,
and that's what sends him on this trigger. He just
loses it and he goes nuts, right, And so you
have the famous scene at the D. W. Griffith Observatory,
which by the way, is full of tonic elements Plato.
There's actually a big image of Plato there, and so
the kid Plato runs to the observatory is very weird.
That's a whole esoteric, kind of hermetic alchemical thing. That's
if you've never been to the Griffith Observatory, I highly
suggest going and you'll notice all of the esoteric stuff there,
alchemical stuff there. In terms of the architecture and the imagery,
it's very blatant, like it's not me, that's not me speculating.
I've been there and seen it a couple of years ago.
So the repressed memories that relate to their dad, they
are traumatized and then trigger things sort of bring this out.
And so these triggers which are in Butterfly Fact. Going
back to Butterfly Fact, it's the diary, right, He's reading
that diary, and every time he reads that diary, it
triggers him out of that alternate reality, which, as I said,
like identity is more so I would say, like an
alternate persona, not a multiverse timeline. So within this sci
fi story you kind of have this buried idea of
trauma based mind control. So another one that Honorable mentioned
that maybe I'll do a separate stream on I should
have included Hide and Seeking here, because it's exact same stuff.
I'm not gonna spoil Hide and Seek. Maybe I'll save
its own analysis for later on. But in Hide and
Seek with Robert De Niro and Dakota Fanning, you have
the exact same thing.
Speaker 2: At work there.
Speaker 1: So once again, Hollywood is telling us way ahead of
time what's really going on, And if you pay attention
to the films, you have a better insight into reality,
ironically than if you're watching mainstream news. This is jadire
from Jay's analysis. Leave me a comment, tell me what
I missed. I'm sure you guys. You guys are great.
You always notice the stuff that I miss so enlighten
me below, and if you would like and share this video,
much appreciated. You can also get my books Esotery Hollywood
one and two, which deal with these topics as well.
My dad knocked up weird charismatic whoa. My movies have
a lot of guns, and sometimes I am the son
of Satan. My dad knocked up a Pentecostal weirdo. Whoa,
my dad is the Devil. Another one to go back
and review is Devil's Advocate. I want to do some
of these goofy Hollywood Antichrist movies because there's quite a few,
and they're a lot of fun. Actually they're kind of
bad all around, every one of them. The closest one
I think to capturing kind of the idea of something loosely.
Speaker 2: Sort of biblical is Devil's Advocate.
Speaker 1: It's a little bit better than the one with Arnold's
you know, in the Days or whatever. That one's just
purely comical, which we do need to do because it's
so so funny. But Devil's Advocate has a lot of revelation,
a lot of truth in it. Now, if you remember
Keenu Kinko starts out as a ambitious Southern attorney. I
don't know why he speaks so southern. He's not very
good at his southern. Everybody from the South knows how
to recognize when Hollywood people can and can't do Southern accents.
Brian Pitt does good in What's He in California? Billy
Bob does good. I think Billy Bob Thorn's from the South, right,
but pretty much everybody else's doesn't do so good. You
got o' maddiam, You got o maddeam kind of Hey,
that's pretty good. Oh, Matthew can do good. He can
do good. I think he's from Texas though, right so,
But when it comes to Kinko, not so good. He's
not terrible, but when he tries to do his solve Anoxle,
it's always forced way over the top. And again maybe
I forget where he's from in Florida in this movie.
Maybe it's on the Georgia Florida border or something like that.
But if everybody knows how people in Georgia talk in Gelgia,
a fine is lot Gelgia, right, And if you're in
Tanno Slee, it's very constricted its slee. So if you're
in Georgia, if you're in Tennessee, you say Georgia. If
you're in Georgia, you say Gelgia. No, Keno Kinko is
supposed to be from Florida, and he says Georgia. People
in Florida don't talk like that anyway, So it's just funny.
But there's a lot of elements of Rosemary's ros Smary's
Baby in this too. If you notice that, why is
it legal? I thought that was brilliant that they made
him a legal educator or whatever, a public defendant, because
the devil means a us. He accuses day and night
the saints before the throne of God, and so in
this situation he rises up the rank because if you recall,
he defends a creeper, remember that guy at the beginning
who's yeah, I'm not gonna rehearse that scene. You can't
talk about this stuff anymore here. But he defends the creeper,
and so he's moving up the ranks in the Devil's army.
And then he's taken to his next test where al
Pacino as the devil law right, he prepares him by
giving him another situation where he's got to defend creepier
and creepier guys. And there's a voodoo dude in New
York who's cutting up goats and chickens right doing offerings
down there, and he offers a goat if Kinko will
help get him off. And what does Kinko use? Religious freedom? Right,
freedom of religion to this country allows you to sacrifice goats.
That's kind of consistent, isn't it kind of? And so
the scene that I really like is when al Pacino
at the beginning that really kind of is analogous to
the Bible, is when Paccino takes him up on the
top of that skyscraper, right, the Law Firms skyscraper, and
he shows him like on the top of the pinnacle
of that temple. You could say all of the of
New York and he says, it's all mine, right, you
could you could have it all. It's all mine. You
could have it if you do what I say. Analogous
again to the Temptation of Christ, when the devil shows
him all the kingdoms and says, if you fall down
and worship me, I'll give all these things.
Speaker 2: So I thought that was I appreciate that.
Speaker 1: It's kind of like the Devil's tower. It's his law
firm is like this, this temple, this cathedral, to modern.
Speaker 2: To modernity.
Speaker 1: Right, banks and lawyers are the priests of our day,
you could say. And so then he gets the voodoo
dude off. Of course, the voodoo guys are good. The
goat is offered. And so we're seeing that Kinko is
getting deeper and deeper and deeper into this whole pyramid.
He's going higher up in the pyramid. He's getting deeper
and deeper, and more and more demands are being made. Right,
the Alpacino is wanting more from him. It keeps arranging
these situations so that hopefully count of Reeves will make
the right decisions to old to finally fulfill the Devil's
plan at the end, right, which I'm not gonna spoiler.
If you've seen the movie, you know what it is.
But the weird part that really stuck out, and this
is what's pretty crazy.
Speaker 3: Now.
Speaker 1: I'm not trying to read too much into this because
I'm not saying that there's a huge significance to this,
but it is true. Is that there's a sequence with Coach.
Remember Coach. Coach has killed his wife and he's creeping
on his daughter and Kinko is supposed to get Coach off.
This is his next level up right, This is like
the big, big, big one. He's got to try to
get Coach out out of the evil spot that Coaches
put himself in. And what does Kinko do, Well, he
gets him off. But there's a specific scene where Coach
is sitting in a gilded room. Do you know what
room he's sitting in. He's sitting in Trump Tower. He's
sitting in Trump's penthouse. That's pretty crazy. I looked this up.
I couldn't believe it. I was like, that looks familiar.
It's huge, huge and gold because it's Trump's penthouse. That
was crazy. And then there's the eyes watch shut Ish
not the iWatch shut final party, not the after party.
Speaker 2: R Kelly.
Speaker 1: But the pre party, remember they're having that party at
the top of al Pacino's law firm in the penthouse there,
and all the elite of New York there, remember that
part I didn't remember those, right, And I'll go back
and watch it. And what do the wine moms there say, Oh,
don Trump supposed to be Yeah, but he's not here yet.
He had something he had passing business as Donald Trump's
supposed to be at that party. That's crazy. And then
there's that sequence of Coach sitting there in Trump's penthouse
and it's five five five whatever Trump Tower is. Look
it up.
Speaker 2: I looked it up.
Speaker 1: I can't lete it. So there's his bizarre references to
Trump in this movie. And then and at that party,
there's senators and there's bankers there, right, So it's this
very elite soiree, and we get the idea that well,
the devil is kind of the star of this elite
in New York and he runs the show there. It's
reminiscent not just of Rosemary's Baby, with the sequences of
Charlie's Throne and Keano when they get their new giant
apartment condo, right, because he's making a lot more money
now he's doing He's he's.
Speaker 2: Rich now.
Speaker 1: And she starts going crazy, right remember this, So you
have this this sequence that's very reminiscent Mary's Baby like
Mia Pharaoh Share she cuts her hair shorter, really parallel
to that. And then the Devil, just like with the
iwach Shut sequences of Sandor Savastuh Albatana, keeps trying to
basically arrange situation where he can break them up, right,
he trust to induce them to commit adultery, just like
Tom Cruise in.
Speaker 2: Iesweat Shut and just like.
Speaker 1: Nicole Kidman in the in the in the beginning sequence
at Ziegler's party. So the Devil's really the exact same
thing here.
Speaker 2: Which is really interesting.
Speaker 1: And then of course he actually does some some dirty,
dirty things with Charlie's if you remember that part too.
Speaker 2: So I'll skip all that.
Speaker 1: But there's another weird cameo don King. Don King shows
up as like the friend of the double with the
what and he shakes Keano's hand. Right, that was a
weird unexpected cameo in this movie. But the interesting analysis
that Charlie's eventually says is that she realizes this is
all a test they're being tested to go up the
ranks in the power structure. And I think that's true.
That's really what happens, like you have to compromise more
and more and more to go up higher in this
power structure. She has an actual projection sort of dream
sequence where she steps us out of her body and
she sees herself going into the bathroom and then finding
the child there who's supposed to be the Antichrist. Right,
that's the review. We start figuring, Oh, something's going on.
This baby's going to be something. And again, just like
Rosemary's baby, the child is Antichrist. Right.
Speaker 2: Hobo demons.
Speaker 1: Remember hobo demons keep coming up in Prince of Darkness,
David lynch itch out for the hobo demons. There's always
hobo Why are hobo demons? Well, the hobo demons come
up and they attack Eddie Bozu right, remember Eddie Barzoom.
That is the poster child of the next millennium. And
what's amazing about that one minute sequence. I'll try to
remember to put that in the comments, because I'm sure
that clip is on YouTube. It's prophetic. This movie came
out in what ninety eight, ninety nine, and the Eddie Barzoom,
rant from the Devil, predicts the Internet. He predicts everybody
having their own kingdom in terms of the Internet when
everything is fiber opticularly wired together. And then you see
the sacrifice of Eddie Barzoom, So he predicts the Internet.
And then there's another sequence I missed, Right, you go
back and you watch this stuff twenty years later, when
you know, you learn a lot more about the world
when you're forty, you go back and watch this and
you can see so much. Right, there's a sequence where
Keanu is basically in denial. He's lying to himself about
this law firm, what all they're involved in. And they
weren't just a evil law firm that was run by
the Devil. They were actually involved in global syndicate operations.
And there's a guy who comes to him. I totally
forgot this scene, and he says, hey, you realize that
this law firm is engaged in like black market operations
all over the world, trafficking this doing that drug money
CIA type stuff, right, And Keanu is like, I don't
want to hear it. He just he just shuts this
guy out. But of course later on we find out
it was all true. I think I have the DVD,
but I think there's alternate endings. There's a there's a
director's cut in a theatrical a theatrical cut, I can't remember.
They have alternate endings, but a spoiler alert, the ending
is a little goofy. I think that's the worst part
of this movie. It's a really well done, thought out,
smart movie. Again, of all the Hollywood Antichrist movies, is
probably the best one, but that's not a whole lot
because all the holly when Antichrist movies are awful. But
the end is him kind of getting out of this
whole scenario Kano because he doesn't agree to the devil's plan.
So he passes his final test and somehow it puts
him back in time to where he can redo all this. Yeah,
I mean so in other words, to think that this
was like some kind of mental spiritual testing and it
didn't really happen. That ending is a little goofy. And
then it has you know, the reporter who's there to
get the scoop, and Keanu decides he's going to be
this crusader for the truth against corruption and law right,
so he makes a different decision kind of like we
saw with Ashton Kutcher and Butterfly Effec.
Speaker 2: He goes back, makes a different decision. Everything's changed.
Speaker 1: But of course the Devil is under the guise of
the reporter and now he's going to tempt Keano with vanity, right,
And that's what he says ultimately, is that his number
one way to tempt people is vanity, which is.
Speaker 2: A very sober warning.
Speaker 1: We should be warned about being tempted through our vanity,
especially somebody like me who's like, you know, a zillion
subscriber YouTuber now that I'm so.
Speaker 2: Famous from YouTube.
Speaker 1: I'm joking.
Speaker 2: I'm joking, but we should all be.
Speaker 1: Weary of leary of being.
Speaker 2: Tempted through our vanity.
Speaker 1: But remember what was the most one of the most
striking elements in this movie. In order for Keanu to
rise in the power structure, he had to defend creepers. Interesting.
There's a lot going on, a lot of revelation in
Devil's Advocate. Go back and check it out, and notice,
by the way, the fact that the Devil's Law Firm
is a syndicate that's pretty much illuminate confirm. There's j
Di I from Jason oils I hope you like this
review of Devil's Advocate. As I said, we will have
many more of these goofy Hollywood Antichrist movies in the
near future, planned to do in the days I planned
to do the omen and there's a few more of
these that are that are pretty funny. Stigmato is pretty bad.
I don't know if I can justify an analysis s
of stigma. Maybe I'll stick together like the top five
awful Antichrist movies or something like that. But give me
a comment below, tell me what I missed, give me
your thoughts, like and share if you would, and subscribe,
And if you want more, you can get my books
Ester Colored one and two sign copies at Jason Analysis
in the shop and I will.
Speaker 2: See you soon.
Speaker 1: All right, We've been waiting for this one for a
long time.
Speaker 2: If you enjoyed.
Speaker 3: Mandy, Mandy, Mandy in Their Cage, if you enjoyed Mandy,
Color Out of Space, Color Out of Space, HP Creeper Craft,
HP Love Creeper.
Speaker 1: He based this story on a tale that he came
up with, which is about a place out in the
woods where there's a mysterious, this radiological style event that
has poisoned everything in the region, way in the middle
of the woods, and anybody who gets near it develops rashes,
develops mange, and essentially goes completely batshit crazy. And that's
what new Cage will do in this movie. It was
a lot of fun. We get classic Crage, that's rage.
He does really well in this role. He's back to
full form like he was in Mandy. And it's tied
with witch legends. This is interesting too, so that the
film will take it in some new directions that I
didn't know what we would see. And we start with
the daughter who's out there in the woods play pretending
that she's a Gardenerian witch. Right, so she's in the tradition,
a tradition of Wicca and Gardner, if you didn't know,
was actually a student of Now that's gonna be relevant
because Aleister Crowley, the famous Satanist, his system will be
referenced in the movie. Did you notice it? Now? If
I'd only watched the movie one time, I would have
missed it. But I went back and I watched it
because we all saw the Necronomicon. We saw the reference
to the Lovecraftian made up story of the Necronomicon. Right,
This mad Arabs way to invoke the entities, as it's
known as the necronomicon. Well, she's a Wiccan who likes
the darker side of things, and so she does a
spell where she attempts to get a blessing from the
deities the old woes, you could say, to cure her
mom's cancer, because we later find out that her mom
has some formata I think it was ovarian or something
I can't remember, but she's got a form of cancer,
and so they're hoping that she can be cured after
her operation that she's on gone. She has the compass
which points in the four cardinal directions, and she calls
upon the different angels, which is part of the esoteric
tradition her meticism, et cetera, where you do the cardinal
points and call upon the angels of those cardinal directions.
Now she meets the black dude, who is like, what
are you up to? What is this? And he trying
to spit some game, trying to spit that wicking game
and it doesn't work, and so he comes back later.
But he's relevant because they're at the edge of that
reservoir and he is the hydrologist. He's there to test
the water. This is going to be very relevant for
later on the film. So as we survey the whole family,
we notice that they're fairly normal. New Cage is kind
of a boomer, clueless sort of boomer who they left
the city out to the middle of nowhere to this
house that he's inherited, and they're seemingly doing well. Well.
We hear that there's a large corporation that wants to
put into place a giant aquifer. They're going to put
this huge hydraulic plant there that's going to give water
to the whole state or something like this, right, because
it's this special body of water out in the middle
of twelve miles outside of town, out in the middle
of nowhere. So then things get a little bit weird
because we notice the daughter not only does she have
the Croley Book of the Law, which is the principles
laid down for the religion of Thelema, Crowley's own personal
occult favorite religion. The idea of basically worshiping your own
will and intention is essentially what it is making that manifest. Right. Well,
we start to wonder has the daughter's ritual been effective? Right, So,
not only does she well Let's put this way. The
ritual apparently is effective, but not in the way that
she wants it to be effective, as we see. But
again it's important to notice that not only does she
have that, they show her with a poster that says Babylon,
the Babylon working obviously being referenced here which Crowley and
Jack Parsons and those clowns thought that they had found
a portal to the nether world. In this film, we
will see the portal to another world is opened in
their well, their water well, right, the poisoning of the well.
Now in the middle of the reunion between Nick and
his wife, Right, they've not been intimate for a long
time because of her operation. So at this mystical point
where they do unite, for some reason, this seems to
trigger the entities. The entities, the entity the color out
of space, which we'll see later on is Lucifer. The
entity essentially sends its seed to Earth. Right, So Nicholas
Cage involved in his ritual action propagating the seed leads
to the entity propagating its seed, and so you have
this metior that looks like like flaming hot McDonald's cherry pie.
Basically you know, stinking up the place. And it's interesting
too that Nicholas Cage is the only one who can
smell it, right, you smell that, you smell He heaves
going on about how bad it smells, but everybody else's
they have different senses effect that, which is interesting. So
immediately we know that this is something completely otherworldly, right,
It's other than what we know. It doesn't have any
specific form or shape. It seems to be affecting everything
in the environment. So she then the daughter decides that, well,
maybe my ritual was effectual. She's like, you know, they
see this meteor out there. She thinks my ritual is effectual.
Perhaps the child, the younger, they have a little kid,
little boy, ends up traumatized, right, so this leads to
him being out of it. He finally comes back to
his senses and they think, all right, everything's going back
to normal. But we start to realize that there is
some strange pinkish looks like cotton candy floating around in
their liquids and all their drinks, and they're just ingesting this, right,
they're just downing it over and over and over. We
see them gobbling taking it down, very invasion The body
snatchers type stuff here, right, So we got we got
a little bit of John Carpenter that's coming into play
here in a moment with the Apoca, the alocas. We
have five fucking pocas, right, if you remember that great scene. Yeah,
by the way, Tommy Chong plays Boomer Garcia, Right, they
have the hippie Boomer that squats on the property. He
functions as the sage character, who is of course.
Speaker 2: Right all along he warns everybody.
Speaker 1: Yeah, man, the aliens you're here. Man, you guys are
paying attention. But man, they've been here for a long
time and they're back man, And nobody listens to the
old hippie. It's a common theme right in films where
the old hippie is right, remember Cabin in the Woods.
He's not old hippie, but the the stoner dude is
the guy who's right. He's a you know, maybe they're
listening to our thoughts and we're puppets. You know, we're puppets, man,
there's puppet masters. So back to the kid, he's traumatized.
Speaker 3: Uh.
Speaker 1: They all sort of come out of this, and then
we see Mama cuts her fingers off. She goes into
a trance cuts her fingers off, and then we start
to realize, Oh, it's the water. The water is poisoned. Hello, Hello, y'all.
I've been crazy. I've been called crazy for saying this
since two thousand and four when I started realizing the
water was poisoned. Everybody calls me crazy. I've been called
crazy for so long. I'm telling you the water, the
water is they want. They want our precious body fluids. Right, like,
was it Colonel Kurtz or whatever, not Karl Kurtz, Mandrac
he's talking to Mandred whatever. The guy's name is, Dousch Trangel.
You know I'm talking about. He's always talking about them
poisoning the water and they want our precious body fluids. Anyway,
Now their name also remember their gardener. So they're a
bloodline apparently perhaps related to Jerald Gardner. We don't know,
we're never told that. But the name, I think is
significant that she identifies with being a Gardenerian Wickan, which
is a made up thing, by the way, it's not
an ancient religion, and Gardner is. It's not an accident
that you know, he's the ritual magician for creating Wicca. Basically, anyway,
that's all at play. My thesis is that it's not
just the tainted water or the luciferian thing, but she
is the conduit. Her ritual actually was effectual. That's the
point I think of the film. And what happens is
that when this entity arrives, it practices inversion, meaning that
it's the negative force, like a kind of like a
tapping into a dark energy, dark matter that's almost living. Right.
Remember in Twin Peaks season three when the demon is
coming through the portal at the Trinity site from the
nuke testing and all this nonsense, right, So here it's
the same idea, but it's the entity that's off world, right.
It's it's a foreign planet that's essentially coming to our
planet and affecting the entire biosphere, everything from human relations
to the mind, to frequencies, to light division, to sites,
to all the senses sound, and it's a spiritual attack
as well. And there's a key to all that. When
the Tommy Chalk character has gone on, he's become basically possessed.
He's gone, but he's left the tape recording to tell
everybody what is going on, and he says, you know
something to the effect of it's here to turn our
world into its world.
Speaker 2: Right.
Speaker 1: It only knows what it knows, and it knows evil
and inversion, darkness, all this stuff. So it is quite
literally the anti force, the satanic force, the demonic force
that is inverting everything. And she did, I believe invoke it.
And so it is the harbinger of the new Aon. Right.
That's why she's got Croley's Book of the Law, which
is about the law of like the new coming Aon
ab Horus. It's the new law that will be instantiated
in the new Aon, the new Yoga, right, the new
period in which we will enter into a new phase,
out of the Christian phase of pisces and into.
Speaker 2: The Aquarian phase or whatever. Right, it will be the
phase of.
Speaker 1: Inversion, and the weak will serve, right, the slave shall serve,
and that slave shall serve involves a culling, right, the
big culling Georgia Guystones, right. So quite literally that's what's
going on here now. The news and everybody thinks it's aliens, right,
they're like, oh, it's a UFO. And they come and
they interview Nick Cage and he's like, my hair looks terrible.
Freaking aliens. I didn't say, he didn't say, he never
did say aliens, right, But the news everybody interprets it
this way. And what do the elite entities that show up,
these dark entities, and they're conscious, by the way, remember,
because they start possessing people, they poison the water, they
poison the air, they splice and mutate things. Remember the
alpaca has become basically a giant bubblegum blob of alpaca
demonic gooiness. Remember that that's one of the best scenes,
by the way, when he goes out the alpacas with
the shot that was classic with the nick cage screaming
in cage crage rage. So what we see is that,
by the way, could this be pinting at more gallons
type stuff too? Right, because he's got this weird stuff
growing on him. Basically everything just goes bat shite f
and nuts everything. Everything is inverting. So her ritual was
effectual economic kind apparently worked. And by the way, did
you notice when she actually did the blood ritual is
when it like went into full on super phase. Right
before that, it was kind of like weird creepy stuff
going on. Minor things like little you know praying mantises
that are fabulously gay, remember the gay brain mantis. He
pops out and he's like sparkling pink with like six
eyes of this fabulous praying mantis. He's a mutation, so
it's mutating everything around it and the and reference things
like radiation, right. It has the.
Speaker 2: Power to seemingly affect things around.
Speaker 1: It like radiation. With mutations, it's basically a purple kind
of more gellons, right, and it affects the error too.
We notice a lot of scenes with the air is
basically populated with this particulate that's sort of chemical particulate.
So there's an apocalyptic aspect of this. I think is
influence obviously of John Carpenter. And by the way, Richard Stanley,
the director, is the guy who wrote Hardware. Now I
need to cover hardware. I apologize I haven't done hardware yet,
but hardware is very esoteric and explicitly Richard Stanley says,
the whole point of Hardware is to point out that
Hollywood as is a giant gnostic cult. Basically, gnosticism is
the is the ethos of Hollywood. He says something to
that effect on a famous interview. So we see elements
of this of sex magic there. That's obviously true because
of the Crollian element. We see that the water's poison.
We see that he's reading a book called The Willows,
The Black Dude, the Hydrologist, and that is interesting because
it's one of the first novels that dealt with this
kind of horror in the woods genre in English literature,
and it was a it was a big work that
Lovecraft loved, all right, so that was relevant. I know
I'm saying this out of order, but my notes a
little bit of order because I won't.
Speaker 2: Watched it twice.
Speaker 1: But it also distorts time, so it actually this time
space fabric is even messed up, and it almost is likened.
They kind of liken it to a bad trip, right,
People are talking about it like they're having bad trips.
And I think that the way that it has affected
the water is really the key. That's what they've never
seemed to grass. That's kind of amazing too, that you
have everything going crazy and at no point does anybody
in the film actually grasp that maybe the water is tainted,
except for the Black Dude, right, and he actually says this.
He's like Why is the very drinking the water? Don't
you realize his water is not good? But they're all
oblivious to it, Like they're all totally oblivious. Basically, the
apocalypse is happening around them and everybody's totally oblivious. It's
it's iking it too reality, the real world. Like I'm
not saying necessarily we're in the apocalypse, but it's almost apocalyptic,
the crazy stuff that's going on all around us, and
most people are still oblivious and they're concerned with triviality
things that don't even matter, right, Like the mom's worried
about the internet connection, Like the apocalypse is happening and.
Speaker 2: She's worried about the Internet.
Speaker 1: You know, he's worried about Nicholas Cage is worrying about
his crop of peaches, right, which is funny because that
recalls Weld at Heart if you remember the peaches line.
He's worried about his peaches and they come two months
early to tomatoes and the peaches, and they're like these
gigantic GMO mutations, right, and they taste like garbage because
he starts eating and spits them out and goes crazy.
He attacks with full crage the peaches and the tomatoes.
So what we see is that they're oblivious to the
crazy and the other thing that's that they're oblivious to
is getting away from there. Why the heck did they
not leave? Well, there's something about the entity that has
the power to kind of keep them there apparently right.
Speaker 2: Now.
Speaker 1: The reason I like in it too. It's kind of
like nuclear energy, right, like a dark nuclear energy. And
she gets the rune, which is a kind of weird,
dark Nordic rune. It's the same kind of rune that
you actually see pop up in twin Peaks, right, that's what.
Speaker 2: She gets tacked.
Speaker 1: She cuts herself when she initiates herself in that in
that cutting branding ritual, which is also kind of a
Crollian idea, she cuts the rune into her third eye.
So she's actually the one that again isn't just enlightened
and isn't just invoking this with blood rights, but is
actually fully.
Speaker 2: The possessed conduit.
Speaker 1: So we start to see that the transformation of the
world around them, it's altering the very fabric of space
to match the frequency of the atmosphere and the dimension
you could say, from the planet of the entity, the
color the entity out of space, the color out of space,
and so she finally becomes this sort of Babylon woman.
She becomes fully immersed and possessed by this entity towards
the end of the film when you see right the
well in the background and the portal opens up out
of the well to the entity's planet, and the entity
has the ability to sort of channel his full on
you know.
Speaker 2: Blast radius, right, and so how does it end?
Speaker 1: Well, as you know, the blast occurs and it seems
to be like a I don't know, three four five
mile radius really just around the household, and every I
think it's just turned to sort of dust, right, And
the black dude gets out and he leaves us with
this this sort of recounting of the tale of how
he doesn't know what happened. It's something beyond science, beyond explanation,
another dimension. We know what happened because we know the
esoteric symbolism in the film and how it was related
to sort of Crowleian rituals, and ultimately it's an Illuminati
Luciferian thing. And the reason I say that forgot what
I want to say is that there's several sequences where
you will actually see the full spread of the rainbow. Right,
the full light spectrum, so that's all the seven rays
of light. And they call it the light that burns
and sucks. Right, it's Lucifer, and I mean Lucifer the
sense of like Satan, the fallen angel. Lucifer is Satan,
and that is biblical and it's actually true. So there's
more to be gained in this movie than you might think.
This is actually a pretty wild ar tail and I
thought it was really good.
Speaker 2: I highly recommend it.
Speaker 1: If you liked Mandy, you would definitely love it. It's
a Nick in full form. So props to Nick Cage
for this. And keep in mind that the things that
you see in movies like this, in my view, call
me crazy.
Speaker 2: I know thinks I'm crazy. Anyway.
Speaker 1: These are kind of warnings, right, I mean, you have
essentially the presentation of the elite worldview, and the warning
that's in this film is essentially that you should watch
out for the water. Was a black dude say at
the end, I ain't gonna drink that water. It's like,
I don't care how pure this is out here, you know,
after all this alien nonsense, I'm not drinking that water.
Beware the water This is Jada afrom Day's now. So.
I hope you like my breakdown. I hope you see
that I am correct. If you think I'm wrong, I
want you to tell me where I got it wrong,
what I'm wrong about. Leave me some missed down below.
Speaker 2: Tell me what I missed.
Speaker 1: I'm sure I missed stuff. I know some of you
guys are excellent and you will decode and find stuff
that I missed. So tell me what I missed. Uh.
And then you can also subscribe click the bell and
all that and follow me here. Subscribe to jasonalysis dot
com for more information like this, more movie breakdowns like
nobody else crazy breakdowns. And you can also get my
books signed copies of the Best of Turk Hollywood one
and two at my website jasonnalysis dot com. Thank you.
Silence of the Lambs, glad Eath, glad Eath. I hate
the Farva beans line. I'm not even gonna read it.
I just I don't like that line. It doesn't make
me laugh. It's I don't know. Every time I think
about it, I think about pork and beans and human
and me, which sounds really gross by the way. I mean,
if you're gonna eat human meat. Don't put it with
porking meats, dude, gross. But Signs of the Lambs is
full of symbolism. It is full of the idea of transformation.
When we see the moth, when we see the butterfly.
This comes up actually quite a bit in the film.
The symbolism is prevalent. Everybody knows this. It's actually the
poster itself is kind of a reference to Dolly painting,
but it has sort of it has the victims that
we see of Bill himself. Now, there's a lot going
on in this film, but the first thing I want
to say is that back when I saw it as
a middle schooler or whenever that was when it came out,
I had no idea what was going on. Going back
and viewing it after having had a lot of in
depth analysis of MK Ultra, reading those documents and you know,
books like Program to Kill by David and we can
have a good insight into the depth of what's actually
going on here, especially thinking about something.
Speaker 2: Like Project Monarch.
Speaker 1: Now in the film, we see the Jodie Foster character
claries she is training and I read a guy's analysis.
I don't agree with everything he put in his analysis,
but he did have an interesting insight. I'll try to
link his stuff in the comments below if you want
to read his analysis. And he made the point that
she's undergoing training, and actually, if you look ahead to
the film, you can see the whole film as kind
of her training into this program of maybe even being
a killer herself. It's an interesting theory. I don't know
if I'm totally convinced, but he does provide some unique
perspectives that could make it possible. Again, we know that
that's partially the case with the serial killer program itself.
If you've read the The Phoenix Program by Douglas Valentine,
you know that the Phoenix program is sort of the
program that William Casey initiated in Vietnam to create superkiller assassins.
And so could it be that some of these guys
who ended up being the big serial killers, maybe they
had a background in Vietnam. Maybe they were used in
this way profiled right to be psychotic serial killers with
no qualms, no morals, traumatized themselves, and there was they
would be profiled to be traumatized. Now, that's what's curious
here with Clarice is that, first of all, it's not
Clarice that's profiling Hannibal Elector. Hannibal Elector is profiling and
learning about Clarice, and he's exploiting her childhood trauma and weakness.
Now again, we know that that's actually real, the whole
childhood trauma my control aspect, because not only is it
in some of the mk ultra work, but it specifically
is in the John C. Lilly book Right Lily that
I've covered many times, the Dolphin Freak. He said that
in programming, in metaprogramming and buy a computer, that he
could wipe people's minds with LSD right, and presumably also
he ties it into the trauma and that people could
be reprogrammed. Now as to how far that program progressed is.
Speaker 2: Up for debate.
Speaker 1: We don't really know because we don't have access to
all of those documents.
Speaker 2: Of en culture.
Speaker 1: But as we just covered with Campbot, that's ultimately a
plan for society's whole, not so much about creating these
individual assassins. However, the individual assassins are useful because, as
Dave points out, they can be used to kill people,
to get rid of people, and it can go under
the cloak of a deranged killer when it was something
like a hit, right, So the thesis is that Jack Crawford, right,
the Crawford FBI character, and the other guy at the
what's that I forget what his name is, the guy
who's the running the psych ward with the serial killers.
He actually describes Hannibal as their biggest asset now again,
and as an asset that means that he's useful for
not just helping find the other serial killers, but perhaps
he's part of the training of the future assassins, you see.
And so we have people down there with him who
are spoken of in the film is being multiples, are altars.
There's even a guy what's his name multiple, multiple mark
or something like that.
Speaker 2: He's in the cell next to Hannibal.
Speaker 1: But what happens to Clarice's interesty because she goes through
these phases of kind of being traumatized once again, right,
So she has gross stuff thrown on her.
Speaker 2: She sees the most.
Speaker 1: Horrendous ritual murders and crimes, and this triggers her back
to her own trauma when she was a kid. And
we notice that he keeps exploiting this, and so we
get the impression that he knows about trauma based my control,
and he's actually working with the guy who's the head
of that psych ward Now, so the question then that
was debatable, I think, is not whether he's an asset
that they're using, but is Clarice undergoing a kind of
initiation or beginning into this program herself? Right? Is she
the next Hannibal because she's been profiled and selected for this.
Now keep in mind too, there are elements that make
it curious that she's just off the training field.
Speaker 2: First of all, she's doing.
Speaker 1: Training like the obstacle course stuff, and they immediately stick
her talking to like the most dangerous serial killer in
the country, Hannibal Lecter. What why would you guys from
like going from like level one to you know, level
one thousand right away? It makes no sense. We know
about programs that have been used, not just the CIA's
program in Keltra, but Cointell and different kinds of subversion
operations by the FBI. So it's not outside the possibility
that if if Lecter is an asset and perhaps the
other people down there in that horrible dungeon there by
the way, why does he have this fancy sell? Right?
I mean, I know he's helping solve crimes and catch
the other serial killers like their predecessor to Dexter or whatever.
But you know, he seems to have a lot of leeway,
and not only that, like they they allow him to
do all kinds of things that just seemed ludicrous unless
they're using him to train the next people. Right, So
is she really there to solve crimes and to get
Buffalo Bill or is she there to be the next
had An Elector? Now again, I've not read the books.
I don't really have time to read this kind of
fiction stuff. But it is I think plausible that there
are trauma stages that are being done.
Speaker 2: For Clarice herself.
Speaker 1: And I do think that it is the film is
talking about and hinting at the fact that Elector himself
is a subject of some form of mind control and
is himself an asset.
Speaker 2: Right, So I think that's clear.
Speaker 1: I think it is hinting at the FBI using these
kinds of characters if they need to or the government
needs to have somebody gotten rid of, then they would
turn to this kind of a quack, this kind of
a lunatic. And he's a cannibal, right, I mean, he's
a total predator. He's totally beast. And if you've seen
the Manhunter the Predecessor film, which is good, in Manhunter,
the Killer guy is actually quite literally seeing himself as
the apex predator. He's like, you know, I'm more consistent
as the darwiness than you. I'm just pure animal, and
therefore you know that's why I'm doing what I'm doing.
And so they up the game with with With the
next one, they make a lot more dark. I mean,
the first one is good, is creepy from the eighties,
but this one is even darker. And there's a lot
of interesting symbolism in Manhunter that should be mentioned too,
like the Mars symbolism. They found the candy bar of Mars.
If you once you get inside the house of the Killer,
he's got a giant poster of Mars. But what's interesting again,
if we come back to Silence of the Lambs, is
that Clarice is the Lamb and she was traumatized as
a child by the slaughter of the lambs, right, and
now she's facing the Buffalo Bill character who is slaughtering
lambs women and skinning them, right, and so she feels
like she can save the lambs or whatever. She can
be this sort of savior figure. And when Lecter draws her,
did you notice that in the background he puts the
three crosses there to show that she is a christ
like in her potential sacrificial victim status, or she's going
to have to take the role of being the savior
and be a kind of Christ to save the woman,
to save the future women, and to get rid of.
Speaker 2: The nightmares that she has.
Speaker 1: Scratch, because she has these nightmares that pertain to her
childhood trauma of the lambs being slaughtered. So I think
that we see all kinds of weird satanic symbolism of
the film as well.
Speaker 3: We know that.
Speaker 1: The mannequins are prevalent in this film because the mannequins
show us the idea of human beings from the finished
point of it, like a psychotic. They're viewed as lifeless mannequins, right,
they're viewed as robots. The serial killer, the person who
is possessed in this way, you could say, sees themselves
as undergoing a kind of apotheosis. And that's quite literally
what the killer here. He says, I'm transforming and becoming
pure light to this kind of stuff that's also in Manhunter,
and then in the other installments too, Red Dragon, I
think whichever one has Ray fine. He talks about this
like he's transforming into the next stage of apotheosis. So
this idea of ritual human sacrifice, cannibalism, et cetera leading
to apotheosis is all throughout these films, and so I
think that that is at root, you know, pretty much
hard core satism. I don't know what else to put
that in a serious way. And so you'll notice a
lot of times the film shifts to her vantage point,
so you're seeing this from her, and then the camera
will switch outside of her as if as if she's dissociating.
It's almost like a camera way of demonstrating dissociation. And
by the way, if you doubt me on this, I
don't think I'm wrong because Jonathan Demi, who directed this,
went on after this to direct the manchuerin Candidate Reboot.
What's the manchure in Candidate, Well, it's about named kulture,
it's about mind control and all the stuff that I'm
talking about. And so that to me suggests that Demi
knew what he was filming, and he knew what he
was putting into the film. It's definitely about trauma based
mind control. It's definitely about the creation and control of alters.
It's definitely, I think hinting at the fact that Hannibal
Lecter is an asset of the FBI to in some capacity.
I think that he and Crawford are.
Speaker 2: The handlers of.
Speaker 1: Clarice. What's debatable is whether this is being staged for
Clarice to be brought into this program of my control
or maybe that's not the case, right, That's what I
think is somewhat debatable. But there are some weird things
to keep popping up, like there's the there's these sort
of bizarre things that the cops and the FBI people
do that when you're watching from Clarice's vantage point, it
doesn't really make sense. And so you know, maybe the
director is just trying to play with reality a little bit,
or is it actually saying that, like they're they're doing
these things to trigger her, like why are they playing
chess with bugs? What chess with bugs? Are they really
doing that? Or is Clarice seeing that?
Speaker 2: Right?
Speaker 1: So, is are we seeing at times things from Clarice's
vantage point that are wrong because she has a problem
with you know, her own psyche and her own trauma.
And they tell her that, you know, doing all this
will help her to advance, right, So and again she
goes directly from the training field to talking to Hannibal
Lecter to take them. I mean, something else is going
on here with with her. I'm not a hunter, so sure,
let me know what you think. Do you think that
thesis that theory is right? I'll link the article the
guy who poses that I didn't get the whole cultures.
I already knew about that because I'd read several books.
I think Secret Society Psychological Warfare mentions something to do
with Hannibal and mind control. And then the Senator Force's
trilogy has several sections on mind controlling nim culture being
related to the film. And again Demi goes on to
direct and Trent candidate right after this. So all of
those themes and symbols and images are present. But really
we kind of have this smartest board of imagery that
we're trying to piece together and explain what it means.
It's interthing that the moth is the Death's Head moth.
The moth actually has a skull on it, which could
suggest kind of revelation and the method in the sense
of like nature itself showing this symbolism. Again, it's always
referring back to nature as this predator prey thing, especially
when we think back to the tooth theory.
Speaker 2: Right, I'm trying to think of the guys.
Speaker 1: The killer's name, he's the tooth fairy, and I think
that we have obviously an in kilt thing going on here.
By the way, another key element to this is that
who does Buffalo Bill? Who does he one of the
last people that he kidnaps the senator's daughter? What I mean,
why not just go kidnapping better? Right?
Speaker 2: He kidnaps the senator's daughter.
Speaker 1: Well, what do we read about in Program to Kill
that very thing where you have serial killers, people related
to serial killers, even abducting and going after these mind
control people, going after very prominent people, especially people in politics.
And so that suggests that this was a kind of
a hit, right, or perhaps stage to a degree, right
to as Dave says, help foster the serial killer idea itself.
Speaker 2: And again, Hannibal lector is a big part of this.
Speaker 1: You could also view this like serial killers, and this
phenomenon was actually itself part of a psychological operation to
make everybody think, oh, there's all these serial killers running
around everywhere, so like everybody is a serial killer secretly,
and oh anybody could be triggered at any time, and
so it's there's also kind of that level that's that's
plausible as a sigh up as well. So tell me
what you think. What do you think is going on?
Is Clarice being initiated into the program? Is she becoming
the next Hannibal? Or is it is that a little
bit of a stretch, But regardless, I don't think it's
a stretch to to point out that this film is
absolutely about trauma based mind control and controlled chaos through
controlled assassins. You could say, uh, and that these people
And by the way, Buffalo Bill, I forgot to mention
this the actual guy. I don't know about the guy
in the movie, but Buffalo Bill is a guy who
was a soldier, right, so have a veteran and we
get the impression of that Buffalo Bill in this film
is a guy who's been traumatizers those weird pictures that
she finds, I guess at his mom's house.
Speaker 2: And what does he want to do?
Speaker 1: He wants to undergo a transformation, right cut off the
pe cut off of the pepee to go from being
has a weird name like gum or something like that,
and he wants to become a woman, which is transformation? Now,
was that a revelation of the method that society would
go from where it was in the nineties to Buffalo
Bill nowadays? Interesting, tell me what you think, be sure
and like and subscribe and all that stuff below. And
if you like this analysis, you can get in my
book Esoterk Hollywood, where I do this type of analysis
on many, many, many, many sixty seventy other films three
hundred pages each, four hundred pages each, So buy my books.