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<v Speaker 1>What a week from tonight, October fifth, you bet your

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<v Speaker 1>Life starring Groucho Marx will be heard at this time

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<v Speaker 1>over most of these same CBS stations, We offer you Escape,

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<v Speaker 1>starring Van Heflin. Escape designed to free you from the

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<v Speaker 1>four walls of the day for a half hour of

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<v Speaker 1>high adventure.

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<v Speaker 2>You are trapped in the dank darkness of a ruined

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<v Speaker 2>plantation house. Somewhere in the pitch black room is a

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<v Speaker 2>homicidal maniac armed with a knife, groping for you, trying

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<v Speaker 2>to prevent your escape.

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<v Speaker 1>Tonight, with Van Heflin as John Wolfog, we escape to

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<v Speaker 1>a deserted sandpit off the coast of Georgia, where terror

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<v Speaker 1>stalks under the Spanish As Joseph Perkinsheimer tells it in

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<v Speaker 1>Wild Oranges.

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<v Speaker 3>What could have appeared more innocent of danger than that

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<v Speaker 3>bare and low lying shore of southern Georgia. What could

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<v Speaker 3>have seemed less laden with terror than that lovely little cove,

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<v Speaker 3>so tranquil and well sheltered, so warmly bathed in late

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<v Speaker 3>afternoon sun. As we dropped the anchor of our catch

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<v Speaker 3>and prepared our mooring. And yet there was something. First.

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<v Speaker 3>It was an aroma a grove of wild orange trees

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<v Speaker 3>in late bloom grew defiantly amid the tangled undergrowth of

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<v Speaker 3>the shore. The scent was strong and exotic and heavy,

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<v Speaker 3>and as I smelled it, I felt a vague uneasiness.

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<v Speaker 3>Then as I watched the shore and holbered my sailor

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<v Speaker 3>and furled the sails, the mirror of the cover was

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<v Speaker 3>shattered by a movement. At first I thought it was

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<v Speaker 3>a fish leaping and playing in the water. Came round

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<v Speaker 3>a spit of land from an inner bay, and then

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<v Speaker 3>Halvard was beside me. That's queer, sir.

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<v Speaker 2>I would have bet there was nobody within miles of here.

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<v Speaker 2>But that's someone swimming. Yes, that's a girl, I sir.

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<v Speaker 2>She'll be surprised when she discovers us no time.

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<v Speaker 3>And embarrassed. She swims well, doesn't she? Yes, she had

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<v Speaker 3>been wal born in the water. Oh she's seen us, yes, yes, now,

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<v Speaker 3>and now she's running away. That's brentwood Win, an Olympic

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<v Speaker 3>grays eh. Yes. I don't know what she's doing here

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<v Speaker 3>where she comes from. Perhaps there, sir, where through the trees.

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<v Speaker 3>There's a house there. You can hardly see it. I

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<v Speaker 3>spotted it a moment ago, So there is, but it's

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<v Speaker 3>a ruin, it's rotting away. No one could live lived,

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<v Speaker 3>and that since the Civil War there may be others

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<v Speaker 3>back this, I know, but this is a deserted coast.

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<v Speaker 3>It's marked as a swamp on the chart. I don't know, sir, huh.

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<v Speaker 3>This is strange. It's very strange. Yes, it was strange

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<v Speaker 3>and strangers. Still was this vague uneasiness that I felt

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<v Speaker 3>as twilight fell. The aroma of the wild oranges was overwhelming,

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<v Speaker 3>and suddenly, without knowing why, I slipped on my jacket

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<v Speaker 3>and went to the side and dropped into the tender.

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<v Speaker 3>Holbert stood by the cast off. He asked no questions,

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<v Speaker 3>and I said nothing. What could I say? I didn't

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<v Speaker 3>know myself why I was going. I pulled the tender

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<v Speaker 3>upon the soft sand of the beach and walked up

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<v Speaker 3>a dim path through the orange grove around the side

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<v Speaker 3>of the house, where a smaller portico held off the weeds.

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<v Speaker 3>A single doorway was framed in the pale light of

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<v Speaker 3>the inner lamp. As I approached, I saw a shadow

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<v Speaker 3>flit across it so swiftly, so furtively, that it was

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<v Speaker 3>gone before I realized it had been a man, And

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<v Speaker 3>then I saw her sitting on the portico, rocking softly

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<v Speaker 3>in her chair.

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<v Speaker 4>What do you want?

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<v Speaker 3>H oh nothing? I came ashore. I ha ha, I

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<v Speaker 3>thought no one was living here.

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<v Speaker 4>You're from the white boat that's sailed in its sunset.

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<v Speaker 3>Yes, and I'm returning immediately.

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<v Speaker 4>It was like magic. Suddenly, without a sound, you were

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<v Speaker 4>anchored in the baby.

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<v Speaker 3>I've robbed you too. I I uh picked a couple

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<v Speaker 3>of your oranges.

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<v Speaker 4>You won't like them. They've run wild. We can't sell.

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<v Speaker 3>They have a distinct flavor. I should be very glad

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<v Speaker 3>to have some of em on the boat. All you want, well,

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<v Speaker 3>my man will get them and pay you.

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<v Speaker 4>Please, don't Nicholas attends to that. Won't you sit down?

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<v Speaker 4>My father was here when you came up, but he

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<v Speaker 4>went in strangers, disturbing.

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<v Speaker 3>I should be getting back. I'm sorry to have disturbed

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<v Speaker 3>you and your father.

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<v Speaker 4>No, it's nothing.

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<v Speaker 3>Well, good night, then good night. And that was all

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<v Speaker 3>a fragment of commonplace conversation. But it was enough. Now.

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<v Speaker 3>The uneasiness I felt the strangeness of this place took

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<v Speaker 3>shape for me. I saw it in her lovely, fragile face.

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<v Speaker 3>I heard it in her voice. There'd been a hidden

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<v Speaker 3>tearor a terrible controlled fright that approached hysteria. But when

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<v Speaker 3>I got back to the boat, Halvard made it even worse. Fine, anythink, sir,

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<v Speaker 3>are there people living there? Well, there'll be water. Then

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<v Speaker 3>maybe we can stay here for a couple of days.

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<v Speaker 3>What do you mean this is good anchorage. I'd like

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<v Speaker 3>to unship a propeller, and there's some scraping to do. Yes,

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<v Speaker 3>I suppose you're right. We need a couple of days

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<v Speaker 3>of work before we head into the open and see. Yes, oh,

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<v Speaker 3>we'll do it here. And so we stayed. In the

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<v Speaker 3>light of morning. The strange dread I had felt seemed foolish,

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<v Speaker 3>and especially when I went ashore and found the girl

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<v Speaker 3>looking young and fresh and fragile. She was fishing off

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<v Speaker 3>a little pier in the inner bay. She had a

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<v Speaker 3>pathetic little roden reel, and so I got our tackle

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<v Speaker 3>from the boat and landed a big rock fish for her.

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<v Speaker 3>And for several dinners we were carrying the fish to

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<v Speaker 3>the house and we came on a pale, thin ghost

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<v Speaker 3>of a man. He's sitting on the portico. He started

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<v Speaker 3>a swift retreat, but it was too late.

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<v Speaker 4>Father, Wait, this is my father litch feel stew Oh.

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<v Speaker 3>How do you do sir meyly? You know my stranger's father.

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<v Speaker 4>You know I wouldn't bring anyone to the house. It

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<v Speaker 4>would hurt us. And see we're fetching you a splendid

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<v Speaker 4>rock fish.

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<v Speaker 3>Yes, just so we are alone here. The man is away,

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<v Speaker 3>my daughter and I fish eh inceptible.

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<v Speaker 4>If you're carried in for me. Nicholas would do it,

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<v Speaker 4>but he's away and father isn't strong. This way we

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<v Speaker 4>have no eyes. H mus put it in water in

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<v Speaker 4>here right there. Thank you. You've been very nice. Now

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<v Speaker 4>I suppose you'll go on across the world or not.

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<v Speaker 3>Tonight we're staying here making repairs.

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<v Speaker 4>Where do you come from?

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<v Speaker 3>Where are you going or from Cape Cod? I'm going

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<v Speaker 3>to South America, South America.

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<v Speaker 4>I traveled on maps. I was born here in this house.

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<v Speaker 4>I've never been fifty miles away.

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<v Speaker 3>It seemed like a girl who's been everywhere, everywhere in

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<v Speaker 3>the world. You've had the best education everything.

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<v Speaker 4>My father has many books in there.

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<v Speaker 3>That's all you're uh. You know your eyes are remarkable, magnetic.

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<v Speaker 3>I uh, whether there's something else in your eyes and

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<v Speaker 3>in your voice? What is it? Fear?

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<v Speaker 4>Fear. Why, no, of course not. What should I be

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<v Speaker 4>afraid of?

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<v Speaker 3>All? I don't know, but I I saw it in

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<v Speaker 3>your father's face too.

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<v Speaker 5>It's only your imagination, yes, no doubt. Well good bye then,

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<v Speaker 5>and thank you for the fishing. Strange how this girl

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<v Speaker 5>would have upset me? So I tried to resist, but

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<v Speaker 5>that evening I found myself going back to her, tying

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<v Speaker 5>the tender into the little pier.

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<v Speaker 3>I watched her as she came to meet me.

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<v Speaker 4>I'm glad you came. Let's stay here by the seats,

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<v Speaker 4>so lovely in the moonlight.

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<v Speaker 3>All right, Oh, it is nice, isn't.

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<v Speaker 4>Nicholas is back, Nicholas, he's a man. I lied to

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<v Speaker 4>you to day about fear. I suppose I am afraid.

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<v Speaker 4>I suppose my father's passed some of his fear on me.

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<v Speaker 3>Why is he afraid?

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<v Speaker 4>It's a long story going back to the First War.

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<v Speaker 4>He was a young man then, and and he didn't

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<v Speaker 4>go to war. It wasn't that he was a coward exactly.

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<v Speaker 4>He just couldn't adjust to it mentally. People laughed at

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<v Speaker 4>him and threatened him, and that's when a sort of

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<v Speaker 4>sort of perpetual fear started. He ran away, met my

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<v Speaker 4>mother married and they came here. None ofs has ever

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<v Speaker 4>left this lonely place, never will. Perhaps your mother she's dead.

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<v Speaker 4>Loneliness killed her. Perhaps it's no wonder that I sound

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<v Speaker 4>timid and afraid.

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<v Speaker 3>Perhaps I am, might you lonely to.

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<v Speaker 4>I don't know anything else? But what about you? Who

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<v Speaker 4>are you that you goes sailing about the war, a

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<v Speaker 4>sailor for company.

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<v Speaker 3>No, I'm nobody. My name is John Wilfulker, and you.

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<v Speaker 4>Do nothing but sail about the world.

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<v Speaker 3>Nothing, that's why. Oh well, let's say that I I

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<v Speaker 3>don't like modern society. I would say that I I

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<v Speaker 3>don't like entanglements.

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<v Speaker 4>I see.

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<v Speaker 3>Oh no, no, I didn't mean to apologize.

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<v Speaker 4>I envy you your freedom. I said, you're a great deal.

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<v Speaker 4>And watch the ships far out there on their water roads.

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<v Speaker 4>You are enviable sailing where you like, safe and free,

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<v Speaker 4>so free.

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<v Speaker 3>There's something more than you've told me. There's more behind

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<v Speaker 3>this fear in your voice. But look, perhaps I can help. No, no, please,

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<v Speaker 3>what's that? It's Nicholas going on the conk. I got

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<v Speaker 3>to go in.

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<v Speaker 4>Don't come you you'll.

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<v Speaker 3>Be going soon tomorrow, perhaps.

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<v Speaker 4>Goodbye, goodbye.

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<v Speaker 3>Now I knew the terror that I had only sensed

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<v Speaker 3>was real. This girl was possessed by fear. This house

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<v Speaker 3>held some terrible secret. What could it be? Next morning,

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<v Speaker 3>Halford went in to fill a cask for water. He

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<v Speaker 3>came back without the cask, and he was livid with rage.

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<v Speaker 3>There's an idiot in matt house, sir, Next time, I'll

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<v Speaker 3>take the pistol. You mean, where's the cast? It's broken?

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<v Speaker 3>So how how did you?

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<v Speaker 2>I was filling it at the system and this idiot,

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<v Speaker 2>a huge, hulking brute, came out of the house.

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<v Speaker 3>He told me to get away.

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<v Speaker 2>Well, I tried to explain we had permission, but he

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<v Speaker 2>came at me with a knife, gibbering.

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<v Speaker 3>He put his foot on the cask and crushed it. Well,

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<v Speaker 3>I'll see about this. He careful, sir. The man's not

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<v Speaker 3>quite right. He's dangerous, bloody dangerous. I went ashore and

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<v Speaker 3>around at the back door of the house. Milly wasn't

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<v Speaker 3>inside when I knocked. A lumbering giant with pig like

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<v Speaker 3>eyes came to the door. Are you a Nicholas? What

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<v Speaker 3>do you want? Will I take it to the man

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<v Speaker 3>who broke my water cask? It was full of our wall.

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<v Speaker 3>I'm not going to argue with you. I came a

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<v Speaker 3>short and when structure to keep your hands off of

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<v Speaker 3>my property and my sailor and let our water be.

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<v Speaker 3>I told you that I I I wouldn't discuss the water.

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<v Speaker 3>I don't have to justify myself to you. Just remember,

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<v Speaker 3>keep your hands off. Get me started? What do you

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<v Speaker 3>mean started? I don't care what you don't get me

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<v Speaker 3>started mine? Now, I won't. You don't get me shouted.

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<v Speaker 3>Put down that knife, go away, don't get me started, now,

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<v Speaker 3>go away, hand back, don't get me started for nothing.

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<v Speaker 3>Nicholas and I had a little misunderstanding. That's all you

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<v Speaker 3>tell this manly tell him to go, and don't get

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<v Speaker 3>me started.

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<v Speaker 4>Put down that knife, please, please go.

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<v Speaker 3>I have never seen such terror in a woman's eyes.

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<v Speaker 3>I felt completely helpless as I turned and went on

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<v Speaker 3>back to the boat, but mingled with her terear. I

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<v Speaker 3>had seen something else in Milly's eyes. There was a plea,

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<v Speaker 3>and I knew there'd be another meeting between me and Nicholas.

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<v Speaker 3>That night, a storm broke, a ranging wind and rain

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<v Speaker 3>to match my tortured mood. I hardly slept. Milly's face

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<v Speaker 3>was always before my eyes, and by morning, I knew

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<v Speaker 3>that I must do something. I rode the tender and

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<v Speaker 3>through a drizzling rain. I went up through the orange

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<v Speaker 3>grove and stopped in some bushes by the house. Some

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<v Speaker 3>one was coming out of house, and so I crouched

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<v Speaker 3>down out of sight. It was Milly. I rose and

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<v Speaker 3>I called to her, Milly.

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<v Speaker 4>Oh, oh, it's you. I was just coming out to look.

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<v Speaker 4>I'm afraid you'd gone. See is like a pack of wine.

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<v Speaker 3>I won't go alone now, not without you, I went,

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<v Speaker 3>Are you saying it's madness? No, No, I got to

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<v Speaker 3>talk to you. There's a lot. There's a lot that

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<v Speaker 3>needs explaining, things that I have a right to know.

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<v Speaker 4>No, not here, come.

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<v Speaker 3>She led me into one of the smaller ruined buildings.

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<v Speaker 3>We crouched far back in the dripping shadows of a corner. No, Millie,

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<v Speaker 3>for the first time in twelve years, I'm living again, Darling.

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<v Speaker 3>I'm in love with you. I know nothing of it.

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<v Speaker 3>It's it's quickly learned, Millie. Don't you feel anything anything

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<v Speaker 3>for me at all?

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<v Speaker 4>I don't know. Perhaps if things were different someplace else,

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<v Speaker 4>I might Carevling.

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<v Speaker 3>But I'm going to take you away someplace else. I'm

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<v Speaker 3>going to make things different. I'm going to give you

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<v Speaker 3>a chance.

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<v Speaker 4>It's too late. I came too late.

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<v Speaker 3>Why Millie, what is this? What is this fear Nicholas? Oh,

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<v Speaker 3>that's foolish. She's nothing to be afraid of. Has he

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<v Speaker 3>been bothering you?

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<v Speaker 4>He says he's crazy about me. He says I must

250
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<v Speaker 4>marry him.

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<v Speaker 3>Where is he now? John?

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<v Speaker 4>You mustn't something frightful?

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<v Speaker 3>What happened, John, I'm frightful, just unfortunate for Nicholas.

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<v Speaker 4>So you didn't understand he's he's not human. There's something

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<v Speaker 4>about him.

256
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<v Speaker 3>A boy.

257
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<v Speaker 4>And tell me he gave me in April, we were

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<v Speaker 4>glad to get him servants impossible to get back here

259
00:15:24.960 --> 00:15:27.120
<v Speaker 4>in the wilderness, and he'd work for the smallest wages.

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<v Speaker 4>Only only a few days ago I found out why

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<v Speaker 4>he was glad to be here. I was beIN in

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<v Speaker 4>his room and I found this.

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<v Speaker 3>Let me see that wanted for murder, Isaac Nicholas, a

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<v Speaker 3>homicidal mania.

265
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<v Speaker 4>He knows I found it. He knows, and he's been furious.

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<v Speaker 4>And then you came and he ran and hid in

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<v Speaker 4>the pines. But he told me if I spoke about him,

268
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<v Speaker 4>it would happened to me, and if I left with you,

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00:15:51.759 --> 00:15:54.039
<v Speaker 4>it would happened to father. Now he thinks I'm in

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00:15:54.039 --> 00:15:55.759
<v Speaker 4>love with you. He told me to send your ways,

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<v Speaker 4>that you must leave to.

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<v Speaker 3>Day, Elly, Milly, I should have realized I'm.

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<v Speaker 4>Not to stay away for longer than now. I must go.

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<v Speaker 3>Look, Millie, it'll take us a couple of hours to

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<v Speaker 3>get our boat ready. I'm gonna come for you tonight

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00:16:07.679 --> 00:16:10.360
<v Speaker 3>at eight. Now you tell him that you saw me

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00:16:10.399 --> 00:16:14.200
<v Speaker 3>and I promised to go at quietly, say that you

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00:16:14.279 --> 00:16:16.679
<v Speaker 3>were upset, that you will give him his answer tomorrow.

279
00:16:17.080 --> 00:16:19.639
<v Speaker 3>Then at eight you bring your father and walk out

280
00:16:19.720 --> 00:16:22.759
<v Speaker 3>to the wharf. Now that's all, But do it without

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00:16:22.799 --> 00:16:24.440
<v Speaker 3>hesitation or preparation.

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<v Speaker 4>Don't let him hurt it.

283
00:16:27.320 --> 00:16:30.720
<v Speaker 3>Please, don't not now he's finished, But do just as

284
00:16:30.759 --> 00:16:34.639
<v Speaker 3>I say. It won't be long, hardly three hours, and

285
00:16:34.679 --> 00:16:47.600
<v Speaker 3>then you're gonna be free. Now that I knew now

286
00:16:47.639 --> 00:16:49.720
<v Speaker 3>that there was to be action, I felt better, not

287
00:16:49.879 --> 00:16:52.919
<v Speaker 3>that I minimize the risk. Halvard and I got the

288
00:16:53.120 --> 00:16:55.679
<v Speaker 3>catch ready for sailing. At eight o'clock. Halvard and I

289
00:16:55.720 --> 00:16:58.840
<v Speaker 3>tied up to the little pier. The storm had led

290
00:16:58.919 --> 00:17:02.360
<v Speaker 3>up a little, but it was still I got up

291
00:17:02.360 --> 00:17:08.319
<v Speaker 3>on the dock and I waited family. Ten minutes passed

292
00:17:10.039 --> 00:17:14.200
<v Speaker 3>and then twenty. Something was wrong. I I told Halbert

293
00:17:14.200 --> 00:17:16.519
<v Speaker 3>to wait there with a tender and then I walked

294
00:17:16.559 --> 00:17:22.279
<v Speaker 3>slowly up to the house. There was dark. I went

295
00:17:22.359 --> 00:17:24.200
<v Speaker 3>up to the sideport to go to the heavy door.

296
00:17:25.559 --> 00:17:29.440
<v Speaker 3>There was a a tiny crack of light showing under it.

297
00:17:30.759 --> 00:17:43.559
<v Speaker 3>I I pushed it open. The light came from a

298
00:17:43.640 --> 00:17:50.039
<v Speaker 3>parlor to the right. I looked in. On the floor

299
00:17:50.119 --> 00:17:53.000
<v Speaker 3>lay a body, her father. He was dead. He was crushed,

300
00:17:53.039 --> 00:17:57.319
<v Speaker 3>his arm twisted grotesquely under him. There was there was

301
00:17:57.400 --> 00:18:01.119
<v Speaker 3>no sound in the house. Slowly I through the downstairs

302
00:18:01.160 --> 00:18:05.359
<v Speaker 3>rooms nothing. Then back in the hall, I heard a

303
00:18:05.400 --> 00:18:12.359
<v Speaker 3>slight creak upstairs. Someone had moved. Was it Melly alive

304
00:18:13.519 --> 00:18:18.079
<v Speaker 3>or was it Nicholas slang in wait? I groped slowly

305
00:18:18.160 --> 00:18:21.079
<v Speaker 3>up the stairs. I didn't dare to use my flashlight

306
00:18:21.119 --> 00:18:24.359
<v Speaker 3>would have made me a target for his knife. The

307
00:18:24.440 --> 00:18:28.799
<v Speaker 3>upstairs hall was pitch black. Still, there was no sound.

308
00:18:30.480 --> 00:18:36.559
<v Speaker 3>I inched my way along the wall slowly, and then

309
00:18:38.279 --> 00:18:40.440
<v Speaker 3>I stumbled on the loose board. The pistol flew out

310
00:18:40.440 --> 00:18:42.319
<v Speaker 3>of my hand, but the stumble saved my life. At

311
00:18:42.319 --> 00:18:45.079
<v Speaker 3>the same instant I felt Nicholas lunch. Heard the knife

312
00:18:45.119 --> 00:18:47.079
<v Speaker 3>sing past my ear and thudd into the wall. I

313
00:18:47.160 --> 00:18:53.119
<v Speaker 3>called this great bolt, smashing on my shoulder. My gun

314
00:18:53.279 --> 00:18:55.599
<v Speaker 3>was somewhere on the dark floor. His knife was embedded

315
00:18:55.640 --> 00:18:59.559
<v Speaker 3>in the wall. Now we were grappling, hand and rolling

316
00:18:59.599 --> 00:19:04.720
<v Speaker 3>on the floor, peeking, tearing, couching, crushing my strengthen went

317
00:19:04.759 --> 00:19:14.160
<v Speaker 3>against the massive bulk of a maniacical killer. How many

318
00:19:14.200 --> 00:19:18.240
<v Speaker 3>minutes did that unusual and unequal struggle last, I don't know.

319
00:19:18.279 --> 00:19:22.039
<v Speaker 3>It seemed an hour. Several times, as if by common consent,

320
00:19:22.079 --> 00:19:25.599
<v Speaker 3>we rested for a minute at a time. Once we

321
00:19:25.720 --> 00:19:29.440
<v Speaker 3>rolled apart, and the panting their breast, hand aching in

322
00:19:29.519 --> 00:19:37.519
<v Speaker 3>my throat. And then I heard him groping along the wall,

323
00:19:37.599 --> 00:19:41.400
<v Speaker 3>searching for the knife or gun. I threw myself at

324
00:19:41.480 --> 00:19:44.599
<v Speaker 3>him again. He was too big, he was too furious.

325
00:19:44.640 --> 00:19:48.559
<v Speaker 3>I felt my strength ebbing away. His fingers were closing

326
00:19:48.599 --> 00:19:52.119
<v Speaker 3>over my throat with one last every day I tried

327
00:19:52.119 --> 00:19:52.799
<v Speaker 3>to throw him.

328
00:19:52.839 --> 00:20:09.240
<v Speaker 6>After rolling over, I staggered to my feet.

329
00:20:09.599 --> 00:20:16.119
<v Speaker 3>I was dazed. I looked up. We had fallen through

330
00:20:16.160 --> 00:20:20.440
<v Speaker 3>the banister down the stairwell. Nicholas had had landed on

331
00:20:20.480 --> 00:20:22.799
<v Speaker 3>the bottom. He lay there on the stairs, sprawled his

332
00:20:23.359 --> 00:20:29.440
<v Speaker 3>head at uh grotesque angle. He wasn't dead, He's only stunned.

333
00:20:31.319 --> 00:20:36.839
<v Speaker 3>I leaned against the wall, looking at him stupidly. There

334
00:20:36.920 --> 00:20:43.759
<v Speaker 3>was it was something that I must remember. What was it?

335
00:20:45.720 --> 00:20:51.640
<v Speaker 3>Then then she came down the steps, and I remember, really.

336
00:20:52.640 --> 00:20:54.799
<v Speaker 4>I had to walk right past him. There was no

337
00:20:54.880 --> 00:20:58.480
<v Speaker 4>other way, right past his head in my skirts. I

338
00:20:58.519 --> 00:20:59.640
<v Speaker 4>think we better go away.

339
00:21:00.319 --> 00:21:04.400
<v Speaker 3>Oh, yes, yes, we'll we'll leave it once.

340
00:21:04.559 --> 00:21:07.400
<v Speaker 4>I must tell you about my father. You know, in Virginia,

341
00:21:07.400 --> 00:21:09.720
<v Speaker 4>the woman tied an apron on the door because he

342
00:21:09.720 --> 00:21:12.319
<v Speaker 4>wouldn't go to war, and that preyed on his mind.

343
00:21:12.559 --> 00:21:14.920
<v Speaker 4>He was afraid of the slightest Yes, yes I know,

344
00:21:15.000 --> 00:21:17.319
<v Speaker 4>but we must say. He goes upset him, so he

345
00:21:17.440 --> 00:21:18.799
<v Speaker 4>had no strength.

346
00:21:24.680 --> 00:21:27.200
<v Speaker 3>To hear her talk like this, like a sick child.

347
00:21:27.400 --> 00:21:31.160
<v Speaker 3>Was almost more than I could bear. Then I heard something.

348
00:21:31.240 --> 00:21:33.079
<v Speaker 3>Nicholas had got up. He stood up and stared at

349
00:21:33.200 --> 00:21:35.000
<v Speaker 3>us for a moment, and then he started slowly up

350
00:21:35.079 --> 00:21:37.880
<v Speaker 3>the stairs. He was going after that knife, the least

351
00:21:37.880 --> 00:21:40.279
<v Speaker 3>little thing upset Nelly, Milly. Look, we've got to go.

352
00:21:40.599 --> 00:21:43.039
<v Speaker 4>I was to meet a man. We were going away

353
00:21:43.079 --> 00:21:47.559
<v Speaker 4>someplace where it would be peaceful. But Nicholas suspected. You see,

354
00:21:47.960 --> 00:21:50.440
<v Speaker 4>He asked why father had put on his heavy winter clothes.

355
00:21:50.799 --> 00:21:52.680
<v Speaker 4>And then when I tried to go out, he pushed me,

356
00:21:53.000 --> 00:21:55.759
<v Speaker 4>and do you know what father did? Then he came

357
00:21:55.839 --> 00:21:59.240
<v Speaker 4>up and said, don't do that. Take your hands off

358
00:21:59.319 --> 00:22:03.079
<v Speaker 4>my daughter. His lips shook a little, but he said

359
00:22:03.079 --> 00:22:04.279
<v Speaker 4>it that's the important thing.

360
00:22:04.400 --> 00:22:07.119
<v Speaker 3>Yes, of course, your father was a brave man. After over, Please,

361
00:22:07.200 --> 00:22:09.319
<v Speaker 3>now come you you were supposed to meet a man.

362
00:22:09.480 --> 00:22:11.799
<v Speaker 3>That man's waiting for you. There's no time to lose.

363
00:22:11.920 --> 00:22:16.880
<v Speaker 4>Father said, take your hands off my daughter. Nicholas killed him,

364
00:22:16.880 --> 00:22:19.440
<v Speaker 4>of course, but it was a brave thing to do.

365
00:22:19.920 --> 00:22:29.000
<v Speaker 3>Now come, I couldn't wait any longer. I could hear

366
00:22:29.079 --> 00:22:31.519
<v Speaker 3>Nicholas coming back. I picked her up and carried her

367
00:22:31.559 --> 00:22:33.680
<v Speaker 3>out into the night, down the path to the pier.

368
00:22:34.680 --> 00:22:37.480
<v Speaker 3>Behind me, I could hear Nicholas crashing through the brush

369
00:22:37.559 --> 00:22:42.359
<v Speaker 3>like a giant animal in pursuit. Are you all right, sir?

370
00:22:42.559 --> 00:22:46.079
<v Speaker 3>Yes'm about done in that. I'm all right here. Help

371
00:22:46.160 --> 00:22:48.200
<v Speaker 3>me help me get her into the boat, yes, sir.

372
00:22:48.759 --> 00:22:55.559
<v Speaker 3>He oh, there's someone coming, Sis, Nicholas. He's got a knife. Good.

373
00:22:56.240 --> 00:22:58.400
<v Speaker 3>I wanted to get back at him. You get in,

374
00:22:58.440 --> 00:23:00.880
<v Speaker 3>Sarah'll take care of him. How about I how would

375
00:23:01.000 --> 00:23:07.480
<v Speaker 3>be much help anyway, Albert went to intercept Nicholas on

376
00:23:07.519 --> 00:23:09.880
<v Speaker 3>the path. I heard them meet and struggle for a moment,

377
00:23:10.519 --> 00:23:13.799
<v Speaker 3>and then a figure came walking slowly, stooped onto the pier.

378
00:23:14.559 --> 00:23:16.559
<v Speaker 3>I got ready to shove the boat out into the water.

379
00:23:16.680 --> 00:23:21.319
<v Speaker 3>And then it's all right, sir, it's me hoard. Where's Nicholas?

380
00:23:21.440 --> 00:23:24.799
<v Speaker 3>I stopped him. It was all bumped out. Are you hurt?

381
00:23:24.640 --> 00:23:27.279
<v Speaker 2>It's just a scratch, sir. I missed his hand at

382
00:23:27.279 --> 00:23:30.680
<v Speaker 2>first in the dark. It's nothing good. Well, let's get

383
00:23:30.680 --> 00:23:39.759
<v Speaker 2>away from here. Then I held Milly in my arms.

384
00:23:39.799 --> 00:23:43.119
<v Speaker 3>As Halbard wrote in the catch erradically, I suppose, because

385
00:23:43.119 --> 00:23:46.319
<v Speaker 3>of the storm, be ready to cast off in two minutes.

386
00:23:46.839 --> 00:23:49.599
<v Speaker 3>The last obstacle would be the narrow passage out of

387
00:23:49.599 --> 00:23:52.720
<v Speaker 3>the cove. In this storm, it would be very dangerous.

388
00:23:52.759 --> 00:23:56.400
<v Speaker 3>I started to take Milly into the cabin. Nicholas in

389
00:23:56.480 --> 00:23:58.680
<v Speaker 3>the door, and none sense. Nicholas is dead. You're on

390
00:23:58.680 --> 00:24:01.880
<v Speaker 3>my boat. You're safe, Mill safe with John Wolf and

391
00:24:01.960 --> 00:24:07.519
<v Speaker 3>I am John Wolfer. You didn't come, Yes, I came, Ellie,

392
00:24:07.519 --> 00:24:10.640
<v Speaker 3>you're safe, Please come? Did rather stay up here? All right?

393
00:24:10.759 --> 00:24:13.720
<v Speaker 3>All right? You sit here beside halford. I'm going up

394
00:24:13.759 --> 00:24:15.880
<v Speaker 3>front to take soundings, and this wens you won't be

395
00:24:15.920 --> 00:24:17.440
<v Speaker 3>able to hear me if I came no, but you're

396
00:24:17.440 --> 00:24:20.400
<v Speaker 3>gonna hear me. Remember, we only have three quick clearance.

397
00:24:20.960 --> 00:24:24.319
<v Speaker 3>Now you will have to hold it steady through that passage, Yes, sir, halford.

398
00:24:24.400 --> 00:24:25.839
<v Speaker 3>Now this is no time to be brave. How do

399
00:24:25.839 --> 00:24:26.240
<v Speaker 3>you feel?

400
00:24:27.160 --> 00:24:29.559
<v Speaker 2>I feel all right, sir, I've taken nifs before.

401
00:24:29.720 --> 00:24:32.079
<v Speaker 3>All right, that's a scratch, all right, fine, No, no,

402
00:24:32.559 --> 00:24:34.640
<v Speaker 3>we'll fix it just as soon as we get outside.

403
00:24:35.000 --> 00:24:37.400
<v Speaker 3>Why no, let's gold pull up your anchor and turn

404
00:24:37.440 --> 00:24:47.279
<v Speaker 3>over the engine. Yes. The boat headed into the tearing

405
00:24:47.400 --> 00:24:50.759
<v Speaker 3>wind of the storm, straight toward the narrow inlet. A

406
00:24:50.880 --> 00:24:53.240
<v Speaker 3>foot too far on either side and we'd hit in

407
00:24:53.359 --> 00:24:55.279
<v Speaker 3>the sea. That would mean death for all of us.

408
00:24:55.599 --> 00:24:58.119
<v Speaker 3>I stood far up on about taking soundings, feeling out

409
00:24:58.160 --> 00:25:04.279
<v Speaker 3>the passage. Howling wind carried the call back to Halvard four.

410
00:25:06.599 --> 00:25:08.880
<v Speaker 3>Now the boat veered again. I realized that he must

411
00:25:08.920 --> 00:25:14.480
<v Speaker 3>have lost an o'ful out of blood. How there had

412
00:25:16.240 --> 00:25:22.400
<v Speaker 3>slowly haltingly It came around three and a half. Sad enough,

413
00:25:24.160 --> 00:25:27.000
<v Speaker 3>but it was anything but steady. The boat wavered and

414
00:25:27.119 --> 00:25:29.799
<v Speaker 3>swung as if an inexperienced hand was at the veil,

415
00:25:30.279 --> 00:25:36.440
<v Speaker 3>and the moment we might hit bred up Bader. We

416
00:25:36.480 --> 00:25:44.559
<v Speaker 3>were in the passage old beady Harbor, three and a half.

417
00:25:44.599 --> 00:25:59.119
<v Speaker 3>We're through, Goodbye, goodbye, good boy. How would I call?

418
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<v Speaker 3>But when I went back, it wasn't Halbert at the wheel.

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<v Speaker 3>It was Milly. Milly, her hands steady, her eyes washed

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<v Speaker 3>clear of any madness, Milly with a little tight smile

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00:26:12.640 --> 00:26:16.839
<v Speaker 3>on her face, but no fear. And Halbard lay rolling

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<v Speaker 3>with the swells in the bottom of the cockpit.

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<v Speaker 4>I'm afraid, John, he was wounded, worse than you thought.

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<v Speaker 3>Oh Howard, good Heavens.

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00:26:25.319 --> 00:26:27.880
<v Speaker 4>Told me to take the wheel, said it was life

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<v Speaker 4>or death. Then he slid down. When when was this

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<v Speaker 4>back there in the passage, just when you said three

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00:26:33.640 --> 00:26:35.960
<v Speaker 4>and a half. I'm afraid.

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00:26:35.960 --> 00:26:37.279
<v Speaker 3>I wasn't very good, but.

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00:26:37.359 --> 00:26:37.839
<v Speaker 4>I held on.

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00:26:38.000 --> 00:26:41.119
<v Speaker 3>Oh, Milly, you were wonderful.

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<v Speaker 4>No, not yet.

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<v Speaker 7>But I'll learn, John, I'll learn.

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<v Speaker 1>Escape was produced and directed by Gordon T. Hughes, with

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00:27:11.240 --> 00:27:14.440
<v Speaker 1>Van Heflin starring as John Wolfog. Tonight we have presented

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00:27:14.440 --> 00:27:18.279
<v Speaker 1>Wild Oranges by Joseph Hergusheimer, adapted for radio by John

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00:27:18.319 --> 00:27:22.160
<v Speaker 1>Duncle featured in the cast were Betty Lugerson, Bill Conrad,

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00:27:22.519 --> 00:27:26.759
<v Speaker 1>Edmund MacDonald, Wilms Herbert. Special music was conceived and conducted

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00:27:26.799 --> 00:27:27.759
<v Speaker 1>by Del Castillio.

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00:27:32.160 --> 00:27:35.200
<v Speaker 2>Next week, you are following a man whom you must

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00:27:35.279 --> 00:27:38.119
<v Speaker 2>kill to the bleak wastes of the tiny island at

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00:27:38.119 --> 00:27:41.640
<v Speaker 2>the bottom of the world, and you know that one

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00:27:41.680 --> 00:27:48.759
<v Speaker 2>of you can never escape.

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00:27:50.000 --> 00:27:52.920
<v Speaker 1>Next week we escape with John Russell's grim story of

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00:27:52.960 --> 00:27:57.160
<v Speaker 1>revenge The Primitive Good Night. Then until next week, when

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00:27:57.200 --> 00:28:15.079
<v Speaker 1>once again we offer you Escape. Van Heflin is currently

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00:28:15.119 --> 00:28:18.400
<v Speaker 1>starring with Jennifer Jones, James Mason, and Louis Jordan in

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00:28:18.440 --> 00:28:23.680
<v Speaker 1>Metro Golden Mayor's Madame Bovary. Starting one week from next Saturday,

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<v Speaker 1>October eighth, Escape will take a regular place in the

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00:28:26.720 --> 00:28:30.319
<v Speaker 1>CBS Saturday Night schedule. That's one week from next Saturday,

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00:28:30.359 --> 00:28:31.240
<v Speaker 1>October eighth.

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00:28:31.680 --> 00:28:32.200
<v Speaker 3>Escape.

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<v Speaker 1>Next week, at this time you will hear CBS's latest

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<v Speaker 1>addition to its fine Wednesday night shows, You Bet Your Life,

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00:28:38.920 --> 00:28:43.799
<v Speaker 1>starring Groucho Marx. This outstanding comedy quiz, highlighted by Graucho's

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00:28:43.839 --> 00:28:46.400
<v Speaker 1>fast ad libs, has won a Peabody Award in a

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00:28:46.480 --> 00:28:50.480
<v Speaker 1>high place in America's comedy Favorites. Next Wednesday, it joins

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00:28:50.519 --> 00:28:53.119
<v Speaker 1>the parade on CBS, where it will be heard along

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00:28:53.160 --> 00:28:55.960
<v Speaker 1>with The Bing Crosby Show and Burns and Allen on

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00:28:56.039 --> 00:29:01.319
<v Speaker 1>most of these same CBS stations. You now for the

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00:29:01.359 --> 00:29:04.400
<v Speaker 1>Bing Crosby Show, which follows immediately over most of these

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00:29:04.440 --> 00:29:15.759
<v Speaker 1>same stations. Paul Masterson speaking Listen CBS, the Columbia Broadcasting

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<v Speaker 1>System
