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<v Speaker 1>Man, old man, that's sharp and clear. That's the absolute

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<v Speaker 1>finest television.

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<v Speaker 2>Set I ever it is.

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<v Speaker 3>Well, now, wait a minute, how you know that as

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<v Speaker 3>you find television, said Andy, You ain't even got the.

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<v Speaker 4>Thing turned on.

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<v Speaker 2>Don't need to turn the set on, you know, just

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<v Speaker 2>got the main plate.

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<v Speaker 4>CBS. Oh, CBS. Yeah, that makes the greatest sight unseen. Oh. CBS.

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<v Speaker 3>Columbia, makers of America's most advanced radio television receivers present

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<v Speaker 3>transcribed to amoson Andy Show written by Joe Connolly and

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<v Speaker 3>Bob Moser, featuring Amanda Randolph, Ernestine Wade, Johnny Lee, Amos Rees,

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<v Speaker 3>Gus Bays, lud Gluskin's music Yours Truly, Harlow Wilcock, and

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<v Speaker 3>starring radios all time favorite Ramond Goston and Parrell. The

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<v Speaker 3>Kingfish and his wife, Sapphire and her mother planned on

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<v Speaker 3>spending a month's vacation in Mama's cottage up in the country.

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<v Speaker 3>The Kingfish has just been up to look the place

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<v Speaker 3>over after the winter and has just returned with bad news.

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<v Speaker 4>Yes, this you said, George.

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<v Speaker 5>They had a flood of where.

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<v Speaker 3>Our cabin is flood I'll say there was when I

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<v Speaker 3>got there. The Coase guard was draining out the cabin.

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<v Speaker 3>They had a build bumped down the chimney.

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<v Speaker 4>Lastly, little Chartie in the cur years ago, I spent

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<v Speaker 4>my honeymoon up there.

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<v Speaker 3>Well, unless you was a romantic barracouter inexactly the idea.

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<v Speaker 4>Honeymoon's fight no more, George stopped this fooling.

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<v Speaker 5>Is there any danceness in the house.

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<v Speaker 4>Oh there was a little in the living room, a

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<v Speaker 4>little room.

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<v Speaker 3>How much about ten feet?

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<v Speaker 4>But the water done receded.

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<v Speaker 5>Well, there's the floor's dried out.

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<v Speaker 3>That's hard to tell the honey you see when the flood.

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<v Speaker 4>Receded, Uh, it receded the floor with it, That's what happened.

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<v Speaker 5>Well, we ain't got the money to fix it up.

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<v Speaker 5>I guess we'll just have to give up any part

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<v Speaker 5>of a vacation right now.

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<v Speaker 2>You know, maybe we could rent it out of somebody.

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<v Speaker 4>Oh, don't be silly. Only a food would want a

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<v Speaker 4>place like that that You shouldn't have no trouble.

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<v Speaker 5>Let me take one to no one Mile's right, George.

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<v Speaker 5>You know the thing we are to do is put

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<v Speaker 5>an avenue ication. Come on, Mama, we'll go in and

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<v Speaker 5>call him up.

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<v Speaker 4>Trying to run that flooded cottage. This ain't gonna be easy.

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<v Speaker 4>It would take a fish to live up there. A fish.

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<v Speaker 4>Uh they wait a minute, shall I think? I know?

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<v Speaker 3>It's just a big fat, pooped out porpoise to occupy

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<v Speaker 3>that aquarium too. Just keep walking and there the cartage

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<v Speaker 3>is just over this next nose, down in the little valley.

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<v Speaker 3>Lovely location. Then they're situated right between the disappointment.

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<v Speaker 4>Noles and gutted glens. The beautiful about that?

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<v Speaker 1>Well, lesson, kings fig. I don't know why I should

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<v Speaker 1>be taking the vacation this time of the year.

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<v Speaker 4>Oh look, and there I worried about you.

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<v Speaker 3>You spend the whole winner down here in the city

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<v Speaker 3>breathing this up knoxious air.

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<v Speaker 2>Well you mean the air up here is better.

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<v Speaker 3>Or certa of the and in the city of the

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<v Speaker 3>air is one part hydrogen and two parts carbon peroxides.

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<v Speaker 4>There's only one way that you can get pure ad

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<v Speaker 4>and this ender. And I don't think you want to

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<v Speaker 4>spend your vacation and no oxygen tent, do you. Well?

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<v Speaker 1>Maybe he was right, Kingfish, but uh tell me something

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<v Speaker 1>is the water in the lake down there been rising

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<v Speaker 1>lately rising?

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<v Speaker 4>We't make you say that.

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<v Speaker 2>Well, that show looks to me like there was a

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<v Speaker 2>flood up here.

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<v Speaker 3>And well I hear he is Andrew right here here

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<v Speaker 3>he is. Well look at that, there is your dream cottage.

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<v Speaker 1>Yeah, I want to uh wait a minute, king Bridge.

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<v Speaker 1>If the water don't rise around here, how come the

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<v Speaker 1>house is up in the air on six foot filons.

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<v Speaker 4>Uh venal lation.

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<v Speaker 3>And there under the house they got what you call

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<v Speaker 3>a breezeway.

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<v Speaker 4>Now come on, Andy left, climb and stuff there and

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<v Speaker 4>take a look at your beautiful mansion. Boy. Yeah, well okay, uh.

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<v Speaker 3>Now follow me across the port. Then then watch the

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<v Speaker 3>loose boards. Then uh here and there I tell you

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<v Speaker 3>when you move in, uh uh say and uh uh

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<v Speaker 3>that's funny. He was here a minute ago and they.

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<v Speaker 4>And the whereas you.

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<v Speaker 2>I was down here in the breeze waite kings fix.

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<v Speaker 3>Just hain't no time to play games. Come on out

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<v Speaker 3>of there. Yeah, give me your hand here. Let's stand

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<v Speaker 3>on that rock down there.

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<v Speaker 1>Come on, let's say up for it all right there

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<v Speaker 1>you yeah, holy micro kings fig. I went right through

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<v Speaker 1>the porch.

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<v Speaker 3>Well, like any place, the boys need a little tight enough,

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<v Speaker 3>you know, come more or less go in the door.

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<v Speaker 4>Here door, and he's a little tightening too it step

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<v Speaker 4>over the thing down the Uh just leave it down

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<v Speaker 4>the floor.

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<v Speaker 3>Now here we are, Uh look the living room over

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<v Speaker 3>there and there see there, and nice new floors are

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<v Speaker 3>put in you.

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<v Speaker 1>Well, lessen kings fis this is all just one big room.

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<v Speaker 1>How you get firerooms out of this way?

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<v Speaker 4>Well, like all summer places.

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<v Speaker 3>And he just draws a curtain and see doors the

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<v Speaker 3>curtain like this, and there you is. On this side

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<v Speaker 3>of the curtain you got a bedroom, and on the

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<v Speaker 3>other side you got a nice eight by four living room.

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<v Speaker 1>That don't give me much of a living room. Suppose

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<v Speaker 1>I want to have a big house woman party. I

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<v Speaker 1>got about thirty or forty friends I'd like to have up.

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<v Speaker 1>How's I going to entertain them all of that a

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<v Speaker 1>little bitty living room?

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<v Speaker 3>Well, you can stager a guess you like to do

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<v Speaker 3>at the airport? Have him circle around outside.

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<v Speaker 4>Tell you was ready for him to come in and

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<v Speaker 4>make a landing at the punch bowls?

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<v Speaker 2>Yeah, well all right, tell me something. What is this

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<v Speaker 2>curtain here?

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<v Speaker 3>Well, if you'ren't a dinner party and you just pulled

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<v Speaker 3>this across like this, you see and there's a dining room.

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<v Speaker 2>But I don't know about this place, Kingfish, with the

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<v Speaker 2>curtains and everything.

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<v Speaker 3>Now, look, and I admit the thing. He's a little

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<v Speaker 3>fixing up. But you can have the players for the

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<v Speaker 3>whole summer for just two hundred bucks. Well you say, boy,

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<v Speaker 3>well I ain't.

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<v Speaker 4>Oh great bargainer.

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<v Speaker 2>Okay, it's a deal, Kingfish, I'll take it.

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<v Speaker 3>Fine, And now let's go back to this and then

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<v Speaker 3>we'll sign the ironbound contract.

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<v Speaker 4>There you go ahead and there, and we'll follow you

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<v Speaker 4>on the posh all right behind him.

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<v Speaker 1>Yeah, okay, let's go. Thanks, Kingfish. I was gonna uh

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<v Speaker 1>uh i uh, well that's funny.

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<v Speaker 2>I thought the Kingfisher was following me.

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<v Speaker 4>Hey, Kingfish, Kingfish, where is it down here?

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<v Speaker 6>Hand it?

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<v Speaker 4>Just stop down to inspect the breeze wave.

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<v Speaker 1>Me.

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<v Speaker 4>You heard the break. I'm just glad I got that

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<v Speaker 4>cottage running down down. Let me get in the apartment

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<v Speaker 4>here and tell stuff. Fardy s home. Got some good news.

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<v Speaker 5>Well, well, I got wonderful news for you today, George.

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<v Speaker 5>We got an answer to I ad and I rented

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<v Speaker 5>the cottage today to a mister Walston Jackson for one

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<v Speaker 5>hundred dollars. He's moving in there at night.

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<v Speaker 3>Uh honey, wait a minute, this is the other the myth.

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<v Speaker 3>I done run it the cottage to end it, and

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<v Speaker 3>he moving in there leave tonight.

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<v Speaker 2>Oh you ain't George.

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<v Speaker 4>All this awful.

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<v Speaker 5>Mister Jackson is a very nervous man. He said as

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<v Speaker 5>soon as he got there, he was gonna go right

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<v Speaker 5>to bed. Oh I wonder what will happen?

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<v Speaker 3>Well, I don't know, but I got the idea there's

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<v Speaker 3>gonna be more screaming and young enough, dad than the

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<v Speaker 3>time that Grandma was flapping the hogs and fell.

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<v Speaker 4>Into the pig waller. Hello there, this is Freeman Gosden.

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<v Speaker 3>Tonight's Amus Nandy Show is a little special because it

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<v Speaker 3>marks the start of our second six months of sponsorship

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<v Speaker 3>by CBS Columbia. And this is a good time to

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<v Speaker 3>tell you about something my partner, Charles Carrell, and I

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<v Speaker 3>have talked about a number of times, and it is this.

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<v Speaker 4>It's really a pleasure to be selling.

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<v Speaker 3>A top notch product like CBS Television sets that CBS

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<v Speaker 3>Columbia people build a true fine television receiver and we

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<v Speaker 3>just come right.

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<v Speaker 4>Out and tell you so without any ifs, hands or butts.

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<v Speaker 3>It makes us feel good to know that when you

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<v Speaker 3>go down to your dealers and see the fine picture

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<v Speaker 3>on a CBS set, when you hear the three hundred

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<v Speaker 3>and sixty full fidelity sound, and when you try CBS

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<v Speaker 3>sweep tuning, you'll discover what we have said about CBS

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<v Speaker 3>television sets is not exaggerated at all. These CBS sets

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<v Speaker 3>are exceptional sets, and each one represents solid value.

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<v Speaker 4>Of course, there's a mighty good reason for it.

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<v Speaker 3>CBS Columbia is the set manufacturing division of the Columbia

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<v Speaker 3>Broadcasting System.

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<v Speaker 4>The greatest name in home entertainment.

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<v Speaker 2>Show is dark in this cottage.

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<v Speaker 1>Well, I got my night shirt on here in the

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<v Speaker 1>washing area.

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<v Speaker 4>Too bad.

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<v Speaker 1>I fell down that breezeway and busted my kerosene lamp. Yeah,

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<v Speaker 1>I feel my way across the living room here.

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<v Speaker 4>Hm.

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<v Speaker 1>King fish wants to pull all the curtains our headway

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<v Speaker 1>as he has. Here's the bad Yeah, let me sit

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<v Speaker 1>down on the edge of us. Oh me cause I tired?

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<v Speaker 2>Yeah, I has really exhausted.

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<v Speaker 4>How do you like that?

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<v Speaker 2>I really must be tired. I ain't asleep, but I

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<v Speaker 2>have snorn already.

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<v Speaker 4>Uh.

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<v Speaker 1>Well, let me lay down, pulled the colors up around

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<v Speaker 1>me here? Oh, Oh, this is one of them short beds.

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<v Speaker 1>My feet's is sticking out of the bottom. Yeah, there is.

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<v Speaker 2>There's my foot with the corn plaster on it. There's

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<v Speaker 2>my foot with the busted toe, and there's my foot

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<v Speaker 2>with the sock on it. That holy smoke. I must

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<v Speaker 2>be tired than I thought I was. From here, it

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<v Speaker 2>looks like I got three feet. I wonder what I'm.

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<v Speaker 1>And I'm storing again, and I ain't asleep. He wait minute,

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<v Speaker 1>there seems to be something here on the next pillar. Oh,

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<v Speaker 1>there's something wrong here, cause I know I ain't got

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<v Speaker 1>two heads. Oh me, I must be so tired. I

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<v Speaker 1>have an hallucinations. And I'm gonna make the final test.

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<v Speaker 1>I'm gonna reach down here and pinch my foot with

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<v Speaker 1>the sock on it.

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<v Speaker 4>There.

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<v Speaker 1>Oh holy now, I pinched my foot on the other head.

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<v Speaker 4>Set out.

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<v Speaker 2>I'm getting out of here.

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<v Speaker 4>Wait a minute, who's here in this room?

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<v Speaker 1>Ain't nobody here, mister us all alone? Wait a minute,

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<v Speaker 1>out of my way, Help, let me out of here.

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<v Speaker 2>Help help, yah amos. And that's the whole story.

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<v Speaker 4>Yeah, that's a terrible thing. And they find another man

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<v Speaker 4>in your bed.

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00:12:22.480 --> 00:12:25.080
<v Speaker 2>Oh yeah, it was a mess. He run out the

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00:12:25.120 --> 00:12:26.720
<v Speaker 2>back way and I run out the front way?

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<v Speaker 4>Yeah, well, how did you get that bunk on your head?

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00:12:29.639 --> 00:12:29.759
<v Speaker 3>Then?

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<v Speaker 1>Oh well that uh, on the way out, I slipped

225
00:12:32.960 --> 00:12:34.840
<v Speaker 1>on a dead fish and landed in the breezeway.

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<v Speaker 4>Again, you said that you ain't got no idea who

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00:12:38.519 --> 00:12:39.879
<v Speaker 4>this man was founding dead?

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<v Speaker 1>No, when the Kingfish running me the place, he didn't

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<v Speaker 1>say nothing about no other man.

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<v Speaker 4>I'm beginning to see here. You rented the pleas from

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<v Speaker 4>the kings hea. Huh? Yeah, did you ever stop to

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00:12:50.399 --> 00:12:52.759
<v Speaker 4>think that the king fish might have rented this please

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<v Speaker 4>to one other fella?

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00:12:54.919 --> 00:12:57.000
<v Speaker 1>Well, now, why would the kingfish want to do that?

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<v Speaker 1>After all, in the past, way has always been buddy.

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<v Speaker 1>I mean, he never tried to jyp me. I mean

237
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<v Speaker 1>he ain't never tried to pull notes. Uh, I mean, uh,

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<v Speaker 1>holy Macrolamos, he's done it again.

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<v Speaker 4>You know, if I was you outd get.

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<v Speaker 3>Hold of that king piece right away and straighten this

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<v Speaker 3>nonsense out.

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<v Speaker 1>Then yeah, I'm gonna call him up right away. Say,

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<v Speaker 1>by the way, Amos, could any of your kids use

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00:13:21.960 --> 00:13:24.039
<v Speaker 1>the turtle? I found this in the pocket of my

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<v Speaker 1>nighty when I got out of the breezeway.

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<v Speaker 3>Now, taking these and there ain't no citizens hollering me

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00:13:39.799 --> 00:13:44.679
<v Speaker 3>on the telephone. Yeah, well the whole thing was a mistake. No,

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<v Speaker 3>you can't have your money back.

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00:13:47.399 --> 00:13:49.200
<v Speaker 4>I worked the thing. Oh just give me time, man,

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00:13:49.720 --> 00:13:54.480
<v Speaker 4>I knew all right already. I'll call you back later. Goodbye.

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<v Speaker 4>Oh me, what a mess. I rent the players and

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<v Speaker 4>the Stapphire, rent the mister Jacksons. One of them has

253
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<v Speaker 4>gotta go. I uh well, if it is now.

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<v Speaker 3>Donkuin Jack Calhoun hid the King's vins.

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00:14:07.840 --> 00:14:10.480
<v Speaker 4>Come on in here? What brings you over here? Gonuin?

256
00:14:10.639 --> 00:14:13.360
<v Speaker 7>No, I was over making a political speed in the park.

257
00:14:14.679 --> 00:14:17.200
<v Speaker 4>Over making a political speed. Oh making a.

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<v Speaker 7>Speech, John, I'll say, I climbed up on my soap boxing,

259
00:14:21.360 --> 00:14:24.919
<v Speaker 7>made the greatest speech of my career. I stood on

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00:14:25.080 --> 00:14:29.360
<v Speaker 7>that soap boxing. I said, ladies and gentlemen, A it's

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<v Speaker 7>the clean governments. We must wash our hands of vice

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00:14:34.120 --> 00:14:38.279
<v Speaker 7>and corruption. The time has come to scrubb away the

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00:14:38.440 --> 00:14:43.120
<v Speaker 7>stigma of bribery. So base, I will sells and democracy

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<v Speaker 7>head feeder.

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<v Speaker 4>Yeah, well, did you get many votes? No, but I

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<v Speaker 4>shoold a lot of soap.

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<v Speaker 3>Well I got a different fibrom uh, gonky, Look here,

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<v Speaker 3>I learned a vacation cottage up in the Catskill Mountains

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00:15:01.360 --> 00:15:03.759
<v Speaker 3>and there, and my wife doesn't run it to a

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00:15:03.840 --> 00:15:07.240
<v Speaker 3>mister Jackson. And last night they both discovered each other

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<v Speaker 3>up there in the place at the same time.

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<v Speaker 7>Oh that's a nasty business, King Fish, a nasted business.

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<v Speaker 4>Somebody got to go. Well, now, I'll tell you what

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00:15:19.039 --> 00:15:19.559
<v Speaker 4>I want to do.

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<v Speaker 3>I want key Band up there because he paying me

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00:15:21.799 --> 00:15:24.679
<v Speaker 3>two hundred dollars. He's a two hundred dollar man. But

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<v Speaker 3>I want to unrun it from Jackson. Course, he only

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00:15:28.440 --> 00:15:29.399
<v Speaker 3>paying me one hundred dollars.

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00:15:29.600 --> 00:15:31.799
<v Speaker 4>He's the idea that he be halfway.

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<v Speaker 7>Well, the thing to do is, it's the scaredest fellow

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00:15:36.000 --> 00:15:36.840
<v Speaker 7>Jackson out of there.

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<v Speaker 4>Skill.

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00:15:39.360 --> 00:15:39.559
<v Speaker 5>Yeah.

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00:15:39.639 --> 00:15:41.600
<v Speaker 7>You know, that's pretty wild country up there and the

285
00:15:41.720 --> 00:15:44.080
<v Speaker 7>cat Skills, and you can make him think it's too

286
00:15:44.200 --> 00:15:45.360
<v Speaker 7>dangerous to live up there.

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00:15:46.000 --> 00:15:46.480
<v Speaker 4>Tell him that.

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<v Speaker 7>There's some wild animals or something in the woods.

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<v Speaker 4>Oh there's a great idea of Calhoun. Yeah, yeah, telling

290
00:15:53.639 --> 00:15:54.519
<v Speaker 4>the animals. Yeah.

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00:15:54.559 --> 00:15:57.200
<v Speaker 3>I'll tell Andy the truth about this and get him

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00:15:57.200 --> 00:15:58.639
<v Speaker 3>to go up there and help me scare the feller

293
00:15:58.720 --> 00:15:59.639
<v Speaker 3>Jackson out. Yeah.

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<v Speaker 4>Well, when it comes to your vacation, I hope you

295
00:16:02.559 --> 00:16:04.960
<v Speaker 4>don't have no trouble like this. Cow Oh, I ain't

296
00:16:05.000 --> 00:16:08.200
<v Speaker 4>gonna have no trouble. I done the same things ever.

297
00:16:08.320 --> 00:16:11.879
<v Speaker 7>Summer whatever Sundown goes out to Cony Island and rides

298
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<v Speaker 7>the biggest roller coat today.

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00:16:13.320 --> 00:16:15.480
<v Speaker 4>Go yeah, well, don't you just scare it on that

300
00:16:15.639 --> 00:16:18.679
<v Speaker 4>roller coaster cat Stairs, King Fish.

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00:16:19.159 --> 00:16:23.799
<v Speaker 7>When it goes down on that first tip, I've freezeoutand louds.

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00:16:24.600 --> 00:16:27.360
<v Speaker 7>But the time it hits the bottom, I was blubbering

303
00:16:27.480 --> 00:16:31.320
<v Speaker 7>like a bee. Mean the riders over. It takes two

304
00:16:31.440 --> 00:16:34.360
<v Speaker 7>men's to get me out the car. Oh, Kingfish, I

305
00:16:34.440 --> 00:16:37.919
<v Speaker 7>has a whippering, blubbering mess. I have to spend three

306
00:16:38.039 --> 00:16:40.799
<v Speaker 7>days in back beforets I was well enough to go

307
00:16:41.000 --> 00:16:43.799
<v Speaker 7>back and then ride that thing again on the next Sunday.

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00:16:46.159 --> 00:16:48.600
<v Speaker 3>Hold on smst cowing. If the roller course to make

309
00:16:48.639 --> 00:16:50.320
<v Speaker 3>you that sick, why do you keep going on it?

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00:16:50.399 --> 00:16:51.559
<v Speaker 4>Now? I got a free pad.

311
00:17:03.919 --> 00:17:07.279
<v Speaker 3>The crowning glory of any TV set is its sound system.

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00:17:07.720 --> 00:17:09.480
<v Speaker 3>No matter how good a picture you get, you can

313
00:17:09.680 --> 00:17:13.000
<v Speaker 3>enjoy a show thoroughly unless the sound is sparkling clear.

314
00:17:13.599 --> 00:17:16.880
<v Speaker 3>In the field of television sound, CBS sets stand alone

315
00:17:17.000 --> 00:17:20.000
<v Speaker 3>with their famous three hundred and sixty full fidelity sound

316
00:17:20.079 --> 00:17:24.279
<v Speaker 3>system the very same system that has received worldwide acclaim

317
00:17:24.599 --> 00:17:28.319
<v Speaker 3>in high five phonographs. As you probably know, three hundred

318
00:17:28.319 --> 00:17:31.759
<v Speaker 3>and sixty sound uses two speakers, But let me point

319
00:17:31.799 --> 00:17:34.079
<v Speaker 3>out that the number of speakers is by no means

320
00:17:34.119 --> 00:17:37.559
<v Speaker 3>the whole story. In the CBS three hundred and sixty system,

321
00:17:37.960 --> 00:17:41.720
<v Speaker 3>these two speakers are especially matched and specially designed with

322
00:17:41.920 --> 00:17:46.319
<v Speaker 3>deep cones and heavy voice coil magnets. They are powered

323
00:17:46.400 --> 00:17:50.160
<v Speaker 3>by a specially designed amplifier that handles a wide range

324
00:17:50.200 --> 00:17:54.359
<v Speaker 3>of sound without distortion. These speakers face in opposite directions

325
00:17:54.440 --> 00:17:57.279
<v Speaker 3>so that sound reaches you from all around the whole

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00:17:57.400 --> 00:17:58.119
<v Speaker 3>room plays.

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00:17:58.759 --> 00:18:00.559
<v Speaker 4>And here's something else that's my important.

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00:18:00.880 --> 00:18:03.839
<v Speaker 3>Not only does the three hundred and sixties system sound

329
00:18:03.920 --> 00:18:06.680
<v Speaker 3>better than anything else you've ever heard in television, but

330
00:18:06.799 --> 00:18:09.759
<v Speaker 3>you'll be conscious of an improvement in picture quality too.

331
00:18:10.640 --> 00:18:13.160
<v Speaker 3>And that's not just a claim, it's a fact proved

332
00:18:13.200 --> 00:18:17.240
<v Speaker 3>in a recent psychological test. For a new experience in TV,

333
00:18:17.799 --> 00:18:20.160
<v Speaker 3>go on down to your dealers in see and here

334
00:18:20.519 --> 00:18:24.000
<v Speaker 3>a CBS television set. Twenty one inch models start at

335
00:18:24.039 --> 00:18:26.039
<v Speaker 3>one hundred and forty nine ninety five.

336
00:18:36.039 --> 00:18:38.400
<v Speaker 5>Well, mister Jackson, it was nice of you to phone me,

337
00:18:38.720 --> 00:18:41.599
<v Speaker 5>and I'm awfully sorry to hear you had all this travel.

338
00:18:41.920 --> 00:18:45.200
<v Speaker 6>Yes, Missus Stevens, I'm phoning you from the hardware store

339
00:18:45.240 --> 00:18:48.400
<v Speaker 6>in the village near the cottage. After what happened last night,

340
00:18:48.519 --> 00:18:51.359
<v Speaker 6>I came down here to the hardware store and bought

341
00:18:51.480 --> 00:18:52.599
<v Speaker 6>myself for Colin.

342
00:18:53.279 --> 00:18:56.200
<v Speaker 5>Well, I'm sure when my husband gets there tonight, he

343
00:18:56.640 --> 00:18:58.279
<v Speaker 5>he's fighting the whole thing out.

344
00:19:11.200 --> 00:19:14.480
<v Speaker 2>Show. It's dark up here at Bristledel the night entered Kingsley.

345
00:19:14.799 --> 00:19:18.160
<v Speaker 4>Well, now and there here's the cottage. Now, listen to this.

346
00:19:19.000 --> 00:19:21.039
<v Speaker 4>I going in and talked to missus Jackson, like I

347
00:19:21.119 --> 00:19:23.519
<v Speaker 4>told you I was gonna do. Now, you know what

348
00:19:23.640 --> 00:19:25.160
<v Speaker 4>you're gonna do to help me scale them away?

349
00:19:25.440 --> 00:19:25.680
<v Speaker 2>Yeah?

350
00:19:25.960 --> 00:19:28.240
<v Speaker 1>Sure, I'm gonna hide in the bushes and pull this

351
00:19:28.400 --> 00:19:30.799
<v Speaker 1>string with the rozin on her through this big tin

352
00:19:30.960 --> 00:19:31.599
<v Speaker 1>can like that.

353
00:19:34.400 --> 00:19:37.279
<v Speaker 3>Yeah, good and the good. Now that really sounded like

354
00:19:37.319 --> 00:19:41.359
<v Speaker 3>a mountain lion already. Yeah, oh that really order scam. Now,

355
00:19:41.599 --> 00:19:44.240
<v Speaker 3>get over in the bushes there. And when I gets

356
00:19:44.240 --> 00:19:46.799
<v Speaker 3>in the cottage, and I was there for about two

357
00:19:46.880 --> 00:19:49.640
<v Speaker 3>three minutes, Yeah, you make a noise like a mountain lion.

358
00:19:49.960 --> 00:19:53.160
<v Speaker 2>Yeah, well, uh said tell me something. Uh each show

359
00:19:53.240 --> 00:19:56.319
<v Speaker 2>we're doing the right thing here. Kingsley couldn't backfire.

360
00:19:56.039 --> 00:19:57.400
<v Speaker 4>Nothing could have oh cools not?

361
00:19:57.559 --> 00:20:01.960
<v Speaker 1>And yeah, well I hope this stringing can don't make

362
00:20:02.039 --> 00:20:05.559
<v Speaker 1>no noise like a female mountain lion because of.

363
00:20:05.640 --> 00:20:07.880
<v Speaker 2>A male mountain lion heard a thing and come around.

364
00:20:08.480 --> 00:20:10.640
<v Speaker 2>I sure hate to see his expression when he found

365
00:20:10.640 --> 00:20:11.920
<v Speaker 2>out I was just a tin can.

366
00:20:16.119 --> 00:20:17.839
<v Speaker 3>I well, never mind that, and then I'll tell you

367
00:20:17.920 --> 00:20:20.000
<v Speaker 3>what you get on over there in the woods. And

368
00:20:20.160 --> 00:20:21.920
<v Speaker 3>I going in there talk to mister Jackson.

369
00:20:22.039 --> 00:20:23.599
<v Speaker 2>Yeah, okay, yeah, I'll be going over there.

370
00:20:23.640 --> 00:20:27.480
<v Speaker 3>I see Ms Jackson got his lads turned on.

371
00:20:27.720 --> 00:20:28.680
<v Speaker 4>He must be in all right.

372
00:20:29.240 --> 00:20:31.240
<v Speaker 3>I'd better knock on the bias here. I don't want

373
00:20:31.279 --> 00:20:36.559
<v Speaker 3>to go through that breezeway again. I shouldn't have too

374
00:20:36.640 --> 00:20:37.359
<v Speaker 3>much trouble.

375
00:20:37.119 --> 00:20:41.240
<v Speaker 4>With this fella. Yes, yes, what is it? Don't be

376
00:20:41.279 --> 00:20:42.279
<v Speaker 4>alarm miss Jackson.

377
00:20:42.680 --> 00:20:44.559
<v Speaker 3>I ain't no wild peace from out of the woods

378
00:20:45.400 --> 00:20:46.599
<v Speaker 3>as only your landlord.

379
00:20:47.079 --> 00:20:49.799
<v Speaker 6>Oh you must see, mister Stevens, won't you come in?

380
00:20:50.720 --> 00:20:53.400
<v Speaker 3>Uh just dropped in to see if you was comfortable

381
00:20:53.519 --> 00:20:57.279
<v Speaker 3>up here in this lonely desolate spot. Well, I was

382
00:20:57.359 --> 00:21:00.680
<v Speaker 3>telling your wife I had quite an experience last night

383
00:21:00.759 --> 00:21:01.759
<v Speaker 3>and woke.

384
00:21:01.640 --> 00:21:03.200
<v Speaker 6>Up in the middle of the night and there was

385
00:21:03.279 --> 00:21:04.400
<v Speaker 6>this man in my bed.

386
00:21:05.000 --> 00:21:10.200
<v Speaker 4>You don't mean to tell me, well, you gotta break anywhere.

387
00:21:10.920 --> 00:21:13.519
<v Speaker 4>Least she wasn't sharing the covers with a coyote or

388
00:21:13.559 --> 00:21:14.000
<v Speaker 4>something like that.

389
00:21:16.400 --> 00:21:18.240
<v Speaker 6>It was a frightening experience.

390
00:21:18.480 --> 00:21:21.119
<v Speaker 3>Well, just being such a wild part of the woods,

391
00:21:21.160 --> 00:21:22.839
<v Speaker 3>almost anything could happen, you see.

392
00:21:23.480 --> 00:21:28.920
<v Speaker 4>Yeah, I tell you, good heavens. What was that that?

393
00:21:29.160 --> 00:21:32.000
<v Speaker 3>Oh that was just one of them man eating ferocious

394
00:21:32.039 --> 00:21:38.680
<v Speaker 3>mountain lions and sell m. I was like, it's pretty

395
00:21:38.720 --> 00:21:39.640
<v Speaker 3>hungry to night doing it.

396
00:21:41.079 --> 00:21:43.279
<v Speaker 6>You mean their mountains lines up here?

397
00:21:43.559 --> 00:21:43.720
<v Speaker 3>Yeah?

398
00:21:43.839 --> 00:21:45.279
<v Speaker 4>Yeah, the woods is full of them. Uh.

399
00:21:45.599 --> 00:21:47.640
<v Speaker 3>I ran into place last year till a man and

400
00:21:47.759 --> 00:21:50.880
<v Speaker 3>woman with eight kids, and he took my advice and

401
00:21:50.960 --> 00:21:54.960
<v Speaker 3>he counted them every morning before breakfast. The second week

402
00:21:55.039 --> 00:21:58.759
<v Speaker 3>he started coming up hy who as I reduced to rant.

403
00:21:58.599 --> 00:22:03.960
<v Speaker 4>As to seize more one you see, hm, not like

404
00:22:04.039 --> 00:22:06.079
<v Speaker 4>you ready for a blue plate dinner the nights on it.

405
00:22:07.119 --> 00:22:10.400
<v Speaker 6>Well, I'm fightenly glad I'm prepared for something like this.

406
00:22:10.680 --> 00:22:11.880
<v Speaker 4>Oh preparing. Yes.

407
00:22:12.160 --> 00:22:14.920
<v Speaker 6>After that little episode with that power last night, I

408
00:22:15.079 --> 00:22:17.279
<v Speaker 6>went into town and bought myself a gun.

409
00:22:17.599 --> 00:22:20.480
<v Speaker 3>Yeah, well I'm glad you you said about a gun.

410
00:22:20.799 --> 00:22:25.119
<v Speaker 6>Yeah, sturdy caliber with a telescopic sight.

411
00:22:25.640 --> 00:22:28.039
<v Speaker 4>I'll go and get it. I'll fix that amount. Yeah.

412
00:22:28.079 --> 00:22:29.960
<v Speaker 3>Well, while you gone, I'll go out on the porch

413
00:22:30.000 --> 00:22:31.640
<v Speaker 3>to see why I'm scared of Mountain lying away.

414
00:22:33.440 --> 00:22:38.279
<v Speaker 4>Mountain Lion, Mountain Lion. I'll be fool and lesson.

415
00:22:48.480 --> 00:22:48.680
<v Speaker 2>Man.

416
00:22:48.960 --> 00:22:51.839
<v Speaker 4>There's a man coming out killing a gun. Cut the caliber, Remonson,

417
00:22:51.920 --> 00:22:54.880
<v Speaker 4>beat it, mount Line, beat it. I got my gun.

418
00:22:55.279 --> 00:22:57.119
<v Speaker 3>Well it's too late, mister Jackson.

419
00:22:57.480 --> 00:22:59.599
<v Speaker 4>He done gone off in the woods. Wait a minute,

420
00:22:59.799 --> 00:23:02.039
<v Speaker 4>I see it between the trees. Maybe I can get

421
00:23:02.039 --> 00:23:08.839
<v Speaker 4>a shock. Oh you must have see uh something wrong

422
00:23:08.880 --> 00:23:10.039
<v Speaker 4>with her? Oh?

423
00:23:10.160 --> 00:23:13.200
<v Speaker 7>I know I'm nervous, but I could have sworn that

424
00:23:13.440 --> 00:23:15.160
<v Speaker 7>Mountain Line had on a dragon.

425
00:23:17.079 --> 00:23:19.680
<v Speaker 4>Stephen. I don't know what's going on here, but I'm

426
00:23:19.720 --> 00:23:22.480
<v Speaker 4>moving out. I want my money back. Well I saw

427
00:23:22.559 --> 00:23:24.519
<v Speaker 4>the most. Uh. You can move out if you want to,

428
00:23:24.599 --> 00:23:27.519
<v Speaker 4>but I ain't giving you your money back. Look, are

429
00:23:27.559 --> 00:23:30.079
<v Speaker 4>you trying to jip me here? No? I can't help it.

430
00:23:30.160 --> 00:23:32.200
<v Speaker 4>If you scared move it out on your own violation.

431
00:23:33.160 --> 00:23:39.000
<v Speaker 4>You can't get no money back from me. Uh, what

432
00:23:39.240 --> 00:23:42.359
<v Speaker 4>was that? I was just cocking the gun here.

433
00:23:45.640 --> 00:23:58.880
<v Speaker 3>That wasn't a hundred dollars even wasn't a messaga, Yah.

434
00:23:58.880 --> 00:24:01.480
<v Speaker 5>Stevens, I ain't gonna spend my vacation up there in

435
00:24:01.559 --> 00:24:02.880
<v Speaker 5>Dismaldell and that's that.

436
00:24:03.440 --> 00:24:06.079
<v Speaker 3>Yeah, But we got a honey, mister Jackson done moved

437
00:24:06.119 --> 00:24:07.839
<v Speaker 3>out and after the shooting, and they won't have no

438
00:24:07.960 --> 00:24:08.680
<v Speaker 3>part of the players.

439
00:24:09.279 --> 00:24:10.759
<v Speaker 4>He demanded his money back.

440
00:24:11.160 --> 00:24:13.319
<v Speaker 5>Well, I ain't going to no place that's liable to

441
00:24:13.400 --> 00:24:13.960
<v Speaker 5>be flooded.

442
00:24:14.000 --> 00:24:16.279
<v Speaker 3>Now look south far, look here a couple of days

443
00:24:16.279 --> 00:24:18.799
<v Speaker 3>of sunshine, and the players will be his dias to it.

444
00:24:19.160 --> 00:24:21.640
<v Speaker 4>There, rainy seasons over. I guarantee you that ain't gonna

445
00:24:21.680 --> 00:24:22.200
<v Speaker 4>rein no more.

446
00:24:23.480 --> 00:24:27.319
<v Speaker 5>Well, all right, George, Oh good, I guarantee you.

447
00:24:27.799 --> 00:24:28.000
<v Speaker 3>Yeah.

448
00:24:28.000 --> 00:24:29.000
<v Speaker 4>I hope you're right.

449
00:24:29.039 --> 00:24:31.160
<v Speaker 5>Because we ain't got no money to go no place else.

450
00:24:31.880 --> 00:24:33.480
<v Speaker 5>I guess we'll just have to make the best of

451
00:24:33.559 --> 00:24:36.839
<v Speaker 5>that cottage. But let me warn you, George, you know

452
00:24:37.119 --> 00:24:40.640
<v Speaker 5>what daptness will do to mama's lumbago. And if anything

453
00:24:40.799 --> 00:24:43.440
<v Speaker 5>happens as far as this vacation, I'll never forgive you

454
00:24:43.559 --> 00:24:44.599
<v Speaker 5>the rest of my life.

455
00:24:54.200 --> 00:24:56.559
<v Speaker 3>Oh good morning, South Fire, all on your mama still

456
00:24:56.599 --> 00:24:58.720
<v Speaker 3>sleeping behind the other curtain. That's so I brung your

457
00:24:58.759 --> 00:25:01.519
<v Speaker 3>breakfast into you. Had you see the first night at

458
00:25:01.599 --> 00:25:04.119
<v Speaker 3>good old dismaldell George, I.

459
00:25:04.279 --> 00:25:07.200
<v Speaker 5>Was just looking out the window. Year it's raining.

460
00:25:08.000 --> 00:25:10.680
<v Speaker 4>Oh no, honey, just a little flight spring drizzle we

461
00:25:10.799 --> 00:25:11.079
<v Speaker 4>call it.

462
00:25:12.200 --> 00:25:12.359
<v Speaker 2>Now.

463
00:25:12.400 --> 00:25:15.319
<v Speaker 5>Look, George Stephens, you don't think there's gonna be another flood, dude?

464
00:25:15.440 --> 00:25:16.440
<v Speaker 4>Oh no, honey.

465
00:25:17.160 --> 00:25:19.319
<v Speaker 3>You read in the newspaper the flood season is over.

466
00:25:19.920 --> 00:25:22.039
<v Speaker 3>Oh we was a good mile from the lake. And anyway,

467
00:25:22.119 --> 00:25:25.079
<v Speaker 3>the house is on six foot piling. No water can

468
00:25:25.119 --> 00:25:26.319
<v Speaker 3>come in here this time of year.

469
00:25:27.000 --> 00:25:31.039
<v Speaker 5>Well all right, George, Oh say you forgot the coffee there?

470
00:25:31.079 --> 00:25:32.799
<v Speaker 3>I was waiting for the milk. I'll go out on

471
00:25:32.880 --> 00:25:36.400
<v Speaker 3>the porch and seevers come in here. Oh yeah, it's

472
00:25:36.480 --> 00:25:39.720
<v Speaker 3>a hold in macro tough. Ho Look what's floating in

473
00:25:39.799 --> 00:25:40.359
<v Speaker 3>the front door?

474
00:25:57.519 --> 00:25:57.720
<v Speaker 4>Man?

475
00:25:57.880 --> 00:25:59.960
<v Speaker 3>And what are you doing to that poor old TV?

476
00:26:00.119 --> 00:26:01.119
<v Speaker 3>He said, trying to wreck it?

477
00:26:01.480 --> 00:26:03.279
<v Speaker 2>No, sir, I is unreckoning.

478
00:26:03.799 --> 00:26:06.960
<v Speaker 1>I is creating the greatest contribution ever made to the

479
00:26:07.039 --> 00:26:09.079
<v Speaker 1>ancient art of tuning in a TV set.

480
00:26:09.160 --> 00:26:10.920
<v Speaker 4>Eh. Well, that's nice. Any tell me about it?

481
00:26:11.519 --> 00:26:14.759
<v Speaker 1>Well, you know the nuisance the way you always had

482
00:26:14.799 --> 00:26:17.559
<v Speaker 1>a tune a TV set, all them pudd the little

483
00:26:17.680 --> 00:26:21.119
<v Speaker 1>dials with the squinty little numbers, all that bending down

484
00:26:21.200 --> 00:26:21.960
<v Speaker 1>and reaching around.

485
00:26:22.440 --> 00:26:25.440
<v Speaker 2>Yeah, boy has gone with my new system.

486
00:26:25.799 --> 00:26:28.759
<v Speaker 1>The channel numbers is big and easy reading, and they

487
00:26:28.839 --> 00:26:30.920
<v Speaker 1>have spread out clean across the front of the set,

488
00:26:31.640 --> 00:26:35.519
<v Speaker 1>and under the numbers there's just this one handy little knob.

489
00:26:36.119 --> 00:26:38.720
<v Speaker 1>Then when he wants to switch from channel four to

490
00:26:38.880 --> 00:26:42.839
<v Speaker 1>channel two, you just wish that knob across and there

491
00:26:42.920 --> 00:26:43.200
<v Speaker 1>you is.

492
00:26:44.240 --> 00:26:47.359
<v Speaker 2>Where is that you is locked in tune for good?

493
00:26:47.640 --> 00:26:48.319
<v Speaker 4>That's where you is?

494
00:26:49.000 --> 00:26:51.920
<v Speaker 3>Well, Amy, There's just one thing about this invention of yours.

495
00:26:52.319 --> 00:26:55.960
<v Speaker 3>He has already been invented by the CBS Columbia people.

496
00:26:56.359 --> 00:26:57.920
<v Speaker 4>They calls it sweep tuning.

497
00:26:58.200 --> 00:27:00.319
<v Speaker 1>You mean to say that CBS Columbia is going to

498
00:27:00.359 --> 00:27:03.839
<v Speaker 1>beat me to draw? They already got this quickest handiest

499
00:27:03.880 --> 00:27:05.359
<v Speaker 1>station selector ever invented.

500
00:27:05.599 --> 00:27:06.440
<v Speaker 4>He sure has.

501
00:27:07.119 --> 00:27:10.839
<v Speaker 3>That's the sweep tuning everybody's been talking about. What's more,

502
00:27:10.960 --> 00:27:13.359
<v Speaker 3>you can get sweep tuning in a twenty one inch

503
00:27:13.440 --> 00:27:16.680
<v Speaker 3>CBS TV set for only one hundred and forty nine

504
00:27:16.759 --> 00:27:19.720
<v Speaker 3>dollars and ninety five cents. Hey, why are you going there?

505
00:27:19.720 --> 00:27:21.680
<v Speaker 1>And I gotta get them a dealer before he sold

506
00:27:21.680 --> 00:27:23.480
<v Speaker 1>out of them CBS sweep tuning cents.

507
00:27:23.559 --> 00:27:26.039
<v Speaker 4>Yeah, wait a minute, here, take your old set along

508
00:27:26.119 --> 00:27:28.599
<v Speaker 4>with you. Get yourself a real nice trade in.

509
00:27:34.119 --> 00:27:36.319
<v Speaker 3>Well, folks would like to say good night for our sponsors,

510
00:27:36.400 --> 00:27:40.960
<v Speaker 3>CBS Columbia, manufacturers of America's most advanced radio and television receivers.

511
00:27:41.039 --> 00:27:41.880
<v Speaker 4>Thank you and good night.

512
00:27:42.000 --> 00:27:42.920
<v Speaker 2>See you next Sunday.

513
00:27:56.279 --> 00:27:58.039
<v Speaker 3>He showed to be with us at the same time

514
00:27:58.119 --> 00:28:01.759
<v Speaker 3>next Sunday for the Amasonandi Show, Transcribed and directed by

515
00:28:01.839 --> 00:28:05.599
<v Speaker 3>Cliff Powell. Tonight's program was brought to you by CBS

516
00:28:05.720 --> 00:28:10.839
<v Speaker 3>Columbia Manufacturers are full fidelity television receivers, and for a

517
00:28:10.960 --> 00:28:14.160
<v Speaker 3>real treat in TV entertainment, tune in Life with Father,

518
00:28:14.319 --> 00:28:18.599
<v Speaker 3>presented every week by CBS Columbia over the CBS Television Network.

519
00:28:18.960 --> 00:28:24.839
<v Speaker 4>See your paper for time and stations. Now, stay tuned

520
00:28:24.960 --> 00:28:25.000
<v Speaker 4>for

521
00:28:25.359 --> 00:28:28.640
<v Speaker 3>Armist Brooks, which follows immediately over most of these same

522
00:28:28.799 --> 00:28:29.599
<v Speaker 3>radio stations.
