Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's episode of The Big Story.
But first I do want to encourage you. If you
are enjoying the podcast, please follow us using your favorite
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dot net or wherever you get your podcast from. But now,
from October twelfth, nineteen forty nine, here is the Loneliest
man on Earth, The Big Story.
Speaker 2: Three men at the Cozy Conbecue in Westmolland County, Pennsylvania.
Speaker 3: One Am you keep it? Yeah, that's right, Okay, let's
have it. What are you the cash registered? Keeva, the
cash register? What are you waiting for?
Speaker 4: He's laying on the cash register, or push him off.
Speaker 2: You got hands, hated his money in that registered. There
was money in that register, eight dollars. The three men left,
leaving Kiev behind dead. Pittsburgh, Pennsylvania. The story of a
murder and of a reporter who befriended the loneliest man
on earth, Pitsburgh, Pennsylvania. The story hasn't actually happened. Rays
Spriggle's story as he liveded, this was before you won
the fullet surprise, Ray Wriggle, reporter for the Pittsburgh Post Gazette.
Before you are brilliant and humane work on behalf of
the underprivileged of America. But even then, a few years back,
the same unmistakable signs were there, the perception, the respect
for facts, the sympathy for other human beings. The woman
at your desk, sitting on the edge of her chair,
was thirty five, maybe she was younger. What she'd been
through made her look like twelve thirty five, And the
story came out haltingly, as if it hurt to open
the wounds she carried. Her name was Hortense Grayson's name.
Speaker 5: He doesn't much to mister Spree. I don't think so, no,
I guess almost nobody remembers. Six years ago, mister sprigger,
my husband was arrested for robbery. He broke into a
doctor's office. He and two other.
Speaker 6: You said robbery. He isn't the murder.
Speaker 5: That's right, mister spreeper. He has a life sentence for murder,
a murder he never committed. Maybe I ought to tell
you first. Why came to you?
Speaker 7: You see your name? Well, maybe this doesn't not like
anything to you, but I've read your articles.
Speaker 8: Is dispaber.
Speaker 7: No, I'd like to say. I think if there's anyone
in Pittsburgh who can do anything, you're that man. I
don't say your husband.
Speaker 6: Let's get back to the story, shall.
Speaker 5: I've told you my husband was a robbery. I told
you that he was arrested for a murder, which he
never can I want to tell you this too. I
divorced him four years ago.
Speaker 6: And what's a woman who divorced her husband doing and
fighting for his release?
Speaker 7: The answer is just that I know he is innocent.
He didn't do it.
Speaker 6: Well, suppose you tell me all about it now.
Speaker 5: My husband and these two other men Fraymon Jensen were
picked up after they robbed the doctor's office that was
in Cambria County. There was no question about his guilty.
Speaker 7: While I was quick it was sentenced to ten years.
We hadn't been in prison a week when witnesses came
forward and testified that he and the other two men
that robbed the doctor's office and also killed this man
Cheever in his barbecue place three weeks before the other
two were guilty. Well, now I'm jail, but Clem Clem
wasn't at Keeper's place that night. I was sick in
bed in it. He took care of me, and there
were two other people in the house playing parts with Clim.
They swear he never left the house.
Speaker 6: Is there any evidence outside of the statement that you've made.
Speaker 7: That's the terrible part. You see Framer, one of the
men in kill Keeper, he admitted that Clam wasn't there
that night. He wrote out a confession. And Jensen, the
other killer, he admitted it to me that Clam wasn't there,
but he wouldn't write a confession. And the court transcript,
if you read the transcript the way the witnesses changed their.
Speaker 5: Minds, said mister Sprig, and I can't do anything.
Speaker 6: You pardon this question, missus, said us his name. Do
you have anything besides.
Speaker 8: You would.
Speaker 7: I've brought it off and the distriggled transcripts, confession statements
and witnesses. If you'd only read it, I don't know why.
Speaker 6: Okay, just put it down on the desk. I'll read
it and maybe I will write a story. Now tell
me one thing. Why did you divorce it?
Speaker 7: I don't want to talk about it. You have to
talk about it.
Speaker 8: That's okay, that's okay.
Speaker 2: Maybe it's as pony it's a three dollar bill. But
even if it is, even if everything she says is
pure on adulterated fabrication, it's a pretty good story. The
host woman seeks to free X made not fair, not fair,
and on that somewhat cynical, somewhat casual note, raise spiggle,
you get involved.
Speaker 6: Well, let's must start here. Compassion of George Rayman.
Speaker 8: They committed one o'clock. He told him that US was
in the register.
Speaker 4: He went for gun and Rogers shot him and we
left the Counada. Money was eight dollars, so me and
Jensen and Rogers went home. Clem Grayson wasn't there.
Speaker 2: Depositions of convicted men aren't very much, you know, But
when a man in prison for life that LITZI was
involved in a murder and thereby jeopardizes his chance for
parole or part.
Speaker 6: Hey, maybe there's something here. Sworn statement Robert. Robert and
I broke the regular with Ben raising the night at.
Speaker 9: A Kiva killing. We started at nine thirty in his kitchen.
His wife was sick in the bedroom. We played till
two fifteen. We remember because when we were finished, I
said to my brother five hours to lose thirty five.
But ain't ray smart.
Speaker 6: Transcriptive testimony in case of the Commonwealth of Pennsylvania versus Clem.
Speaker 8: Graces.
Speaker 6: Here's the section The attorney then examined the witness.
Speaker 8: You positively identify the defendant.
Speaker 6: Grayson is one of the trio.
Speaker 10: Yes, sir, I was eating a barbecue.
Speaker 11: Sandwich, but you didn't identify Grayson when you were first
taken to the county jail.
Speaker 10: I'll have to acknowledge. I was a little confused, But now.
Speaker 12: They're absolutely certain. Absolutely. The reason I didn't then was
I I guess I was slightly muddled. What makes you
certain now?
Speaker 13: Well?
Speaker 12: I thought it over and I had a.
Speaker 10: Talk with the sergeant in charge, and he convinced me
and no, I'm not so slegeant.
Speaker 6: And thought I was muddled before. Now I'm absolutely certain
gets more interesting online. Now it's testimony of Nellie Swinson, waitress.
Speaker 8: In fact, Miss Swinson, that you.
Speaker 11: Were asked at the preliminary hearing, can you tell who
was standing in the doorway with the gun?
Speaker 8: Yes, sir, what did you say?
Speaker 7: I said, I couldn't tell exactly, because you see, he
had his coat collar up and his hat down, and
I didn't watch his face. I watched his gun.
Speaker 11: That's what you said at the preliminary hearing some weeks ago.
Now what did you testify to a few minutes ago?
Speaker 7: I can't exactly remember.
Speaker 11: I shall refresh your memory. You said quote.
Speaker 6: I saw was Clem Grayson? Is that correct?
Speaker 7: Yes?
Speaker 11: How do you explain you're evamping your testimony?
Speaker 7: I can't.
Speaker 11: During the recess a few minutes ago, would you talk
to the prosecutor in this case?
Speaker 7: Yes, Louder please, yes, I did.
Speaker 14: Will you please tell the court what it was you
talked to the prosecutor about.
Speaker 8: I object I want to sustain the objection.
Speaker 6: On the grounds of the content of the conversation was immaterial. Immaterial,
it's the most material thing on earth. This is fantastic. Edna, Edna,
get me missus Grayson on the phone. Missus Grayson. If
I look like a man who's tolling himself, that's just
what I am. I've seldom seen anything so blatant's so
open and shuts over. What are you crying about?
Speaker 8: It's nothing. It was.
Speaker 6: No, no, no, I've cut that out.
Speaker 7: It's just the first person in six years understood.
Speaker 6: You've been on this six years.
Speaker 7: First, I took it to the prosecuting a turn. He
told me to take it to the sheriff of West Mall.
I went to the sheriff. He told me to take
it to the state police at Harrisburg. At Harrisburg, they
told me to see the governor. Governor's a busy man.
I saw the second assistant to the lieutenant governor. He
told me to take it to the prosecuting attorney.
Speaker 6: And that's what you've been doing for six.
Speaker 7: Years, six years, five months, nineteen days.
Speaker 6: Now tell me why, why you know what I'm talking about? Why,
after being divorced, you keep the name a murderer's name.
Why have you kept going at it for six years,
five months and nineteen days.
Speaker 5: I love the guy. No, if this was a movie,
that would be the reason I don't love Clem. I
guess I haven't loved Clem for a long time.
Speaker 7: The reason is Kathy. Kathy's oar gone, mister Spriggler. Wild
horses couldn't.
Speaker 8: Get me hut.
Speaker 7: But after the way you've talked, I think you ought
to know. Kathy was about four at the time. Claim
was senter. You see, I found out that a grown
woman can put a man out of her life if
she wants to, but a child can't. And Clem was
in her life, whether I liked it or not. And
as she grew older, she's ten ten and a half,
I got to do a lot of questions. Other girls
have fathers, She has no father, And what am I
going to tell her when she grows in the young womanhood?
What's she going to tell her friends that her father's
a convict, that he's in prison for murder. She'll have
to lie and evade it. That'll work. I don't want that.
I don't want that, especially because her father's innocent. So
you see, I didn't solve anything by divorce and friends.
Speaker 6: I'm beginning to understand. And if he's braved what will
she be able to listen?
Speaker 7: She'll say, my parents are the worst. My father and
mother never got along.
Speaker 15: I live with my mother, but I for my father
all the time, working in Cleveland, Boston and California.
Speaker 7: If she can say that, mister, that's all I want.
Speaker 6: Well, suppose we see what we can do, Missus Grayson.
Let's see if there really is such a thing as
power of truth. It's a good story and a big one.
And you Ray Spriggle, reporter for the Pittsburgh Post Gazette,
do it in three installments, three big half pages, setting
forth the affidavits, the confessions, and the conflicting testimony. Did
you wait and see what the power of truth is?
You also go a step further with missus Grayson. You
helped prepare the papers for the pardon board. Don't worry
not don't worry. I think we've got one of the
finest cases of a presenter. Let's go in this.
Speaker 16: Have to d and careful consideration of this pardon board.
It is our considered judgment that the confession of the
convicted murderer Cramer is inconclusive, that internal conflict within the
testimony of witnesses has been demonstrated but is insufficient. And
let it be remembered that the prisoner seeking this pardon,
CLYM Grayson, is not only an admitted robber, but has
been found guilty of murder by a jury of his peers.
Pardon denied.
Speaker 2: Now you begin to understand those six years, five months,
nineteen days. This isn't a matter of simple justice. This
isn't a matter of the power of truth or the press.
The law is a highly technical, complex, careful business. And
so you bring into the case an old friend, Tom
and a lawyer. It's a good case. Rate good, but.
Speaker 6: Not good enough.
Speaker 17: What more do you want, Tom, Well, if you could
get the jury each one of the jurors, that'd be something.
If you could show about six more cracks in the
testimony of the witnesses, that would be something. If you
could get Jensen, the third guy, to confess, that I
guess would be almost conclusive. Almost, That's what I said. Oh,
what are you trying to do? Make it tougher than
it is?
Speaker 18: Oh, my friend, I am nearly trying to make it
precisely as tough as the pardon board made it.
Speaker 6: Okay, I think you understand. How about you? What about me?
Will you see this thing through with me.
Speaker 8: What do you think I'm doing here twiddling myself?
Speaker 6: There's no money. Grayson hasn't got to me. Neither is
missus Grayson. And all I can do is take you
out for a shot once in a while. I'll cut
it out. And as far as publicity goes, you guys
need publicity. Don't kid me, Tom, you might come in
for some shall we say, adverse publicity? What are we
stand around talking for the guys in jail? You'll move now.
Speaker 2: First in the Westmoreland County dives, full rooms, clop houses,
and there when you ask the question, you get a
common answer.
Speaker 13: Kidding Brad Grayson never done that job. It was Rogers
all the way, Cramber, Jenson and Rogers.
Speaker 6: Everybody says the same thing, Tom, everywhere I go, Kramer,
Jensen and Rodgers. What about Rodgers? He's the third of
the trio, now I know that.
Speaker 8: I mean, what's he doing now?
Speaker 6: Well, the court didn't believe he was mixed up with
the killing, so he never went to jail. Now he's
a small town political art in Cambria County.
Speaker 8: Didn't get anything on him.
Speaker 6: I'm sure a friend out there. You mean what I
just told you was no good. It's common gossip. Rogers
did it.
Speaker 18: Look, I'll say it to you once more. The law
is no layman's game. Specific full blown evidence is needed.
What's gossip? What they say in the gin mills and
the flop houses doesn't go very far in court or
with the part for it. Try your sheriff friend, break
down Rogers, get Jensen to admit that Grayson wasn't.
Speaker 8: Then on him.
Speaker 6: Then come back.
Speaker 8: We'll talk about what to do.
Speaker 6: Hey, this is tough.
Speaker 2: You'll move again, this time more slowly, carefully, and it
takes time. A month, six months, a year, two years. Finally,
four years have gone by since missus Grayson first came
into your office, a thing you thought would take a
few articles in the paper. And even now after four years,
all you've got the show is sure.
Speaker 6: If you've got to get me something on Rogers, you've
got to.
Speaker 13: There's nothing on earth I'd like to do better than
but Rogers belongs. I'm sure he was the one of
murdered Keeler, and you know it. There's no proof.
Speaker 6: Look, I know all about proof. Can't we get something
on him?
Speaker 13: The past four years I've watched Rogers. You all I
can tellue is that the average choir boy has gotten
in a more trouble. Well, if anything shows up, I'll.
Speaker 6: Get in touch with him. What kind of a human
being are you, Gensen?
Speaker 16: I ain't a human being. I'm a convict and then
a murder.
Speaker 6: Look, Jensen, you know Grayson had nothing to do with
the murder. You know Rogers did it. Kramer admitted it.
Why don't you give the guy a break? He served
ten years?
Speaker 16: Yeah, how long you think? I said?
Speaker 6: There's an innocent man rotting in jail. So I'm a
guilty man riding in jail. Why don't you try your
story on Rogers? He might listen to you me. I
am too big a Rogers. Name's Armon t Rogers. I
like to be called by my name. You don't mind,
you pretty? Assure you so much sitting pretty. You don't
care that Grayson didn't do it, but he's taken the
rap for you. You don't care about anything.
Speaker 14: I wouldn't say, mister Spiggle. I like a good cigar,
I like music, and I like fine food. Race is
sure I care. I care the same way. It's when
a fly gets in my way and I got to
kill him and look them all.
Speaker 2: And it goes on. Now the four years have becomes five,
the five it becomes six. Every two years, you and
Attorney Tom and or have gone before the pardon good
three times you've gone and three times you've heard the
words pardon the knive.
Speaker 8: There it's me.
Speaker 6: Well, you're be pused to know they turned this down
a third time?
Speaker 8: What is smiling about?
Speaker 7: You know what they say about women?
Speaker 6: That's just how dont know? What are you talking about?
Speaker 7: About? How weak we are, can't do anything by ourselves?
Speaker 6: What have you got?
Speaker 7: I went to see Jensen today. I told him the
pardon board to turn down clems please the third time.
And what he said he did?
Speaker 8: You got it?
Speaker 7: He did? Geez.
Speaker 15: I thought the pardon board would give it to him
long ago, but I guess they won't. So he sat
down and wrote a full confession, clearing clemm happy, I please, this.
Speaker 7: Is what we were after.
Speaker 6: Now, look, I got a lot older since you first
song six years ago. I would have turned handspas Now
I want to be sure passion has played it's true
before we go back to that pardon border. I want
to have an absolutely type case.
Speaker 7: What more can we possibly get?
Speaker 6: I'm waiting for Roger to cry.
Speaker 7: Meantime Clem's and jail.
Speaker 6: I believe, please believe, let's make shoe will get.
Speaker 19: Him, So you said, with the swan confession of Jensen
making two sworn confessions that Clym Grayson is innocent and
Rogers is guilty.
Speaker 6: You wait for the call which finally comes Friggel speaking
to tell you Rogers Roger, and so you finally slipped Rogers.
You beat up your wife last night. You beat her
up and put her in the hospital for a month.
Speaker 13: Look, I don't have to sit here and listen to you.
Speaker 6: That's where you're wrong. The sheriff said, stay with him
as long as you like Ray. That's me Ray, till
you get just what you want. And just what I
want is a signed confession that you killed You not
clam Grayson, another kill Kiev. Should I read you the
confession of Kramer, the whole thing, with every one of
its lousy, sordid details. You want to hear the confession
of Jensen how he says you were the one pushed
the body off the cash register and took the money out.
I don't care what you got to say. Shall I
tell you what your wife told me and the sheriff
about that night, about your alibi.
Speaker 13: The liars, both of them lie, I'll say.
Speaker 6: Rogers, do it the hard way, get in, caught and
faced them. Everything about the murder will come out, every
dirty piece of it. A confession would have made it
much easier for you, But you won't talk well, Rogers.
It'll be a pleasure, a great pleasure, to take you apart,
bit by bit in a courtroom, right in front of
the whole world.
Speaker 2: And on a winter day a little later, you and
hard hands graces wait. The chairman of the part board
says the inevitable words, setting Clem Grayson free. The wheels
of justice crying slow, sometimes in this case twelve years,
five months, twenty two days. But the important thing is
they do crime.
Speaker 6: Now.
Speaker 10: We read you that telegram from Ray Spriggel of the
Pittsburgh Post Gazette.
Speaker 6: Grayson granted full pardon on the murder conviction. When released,
he quickly enlisted in the United States Army and served
overseas with distinction. Rogers, the actual killer, was convicted and
sentenced to a long term in the Western Penitentiary for
his complicity in the murder. And so when's another Big Story.
Speaker 20: In order to protect the names of people actually involved
in the night's authentic Big Story, the names of all
characters and the dramatization were changed. With the exception of
the newspaper reporter, The Big Story has been a presentation
of the United States Armed Forces Radio Service, the Voice
of Information and Education.
Speaker 1: Welcome back now to the scripts. For our credits. The
reporter Ray Spriggle was played by Bill Smith. In addition
to that, the cast also featured Barbara Weeks, George Petrie,
Joshua Shelley, Eric Dressler, Humphrey Davis, and Jim Bowles, and
the narrator Bob Sloan also got into the action playing
a voice. And this was another week where everyone, including
the star, was doubling up. Now, Bill Smith is not
one of those that we heard a lot of. He
was mainly a supporting actor. He's been in programs such
as Call the Police, but not a lot of starring work.
I thought that this was an incredible story. The information
on it from doctor Joseph Webb. The stories behind the
story essentially track with what we heard in the episode.
The name of the robber in this case was Paul Boggs,
who was found guilty of a nineteen thirty one robbery
of a doctor's office, and he got ten years, And
then they brought this other case against him involving the
killing of the restaurant owner named Francis McGreevey. The man
who actually did the crime was named Robert Bruner, who
admitted that he did it, and he was convicted in
nineteen forty three, but Boggs did not get out until
nineteen forty nine, and as Joe Webb points out, Spriegel
wrote that there was a time when both Boggs and
Brunner were in prison even for the same crime, even
though Boggs had been cleared. And then once when Boggs
got released, the first thing he did is he went
immediately down to the draft board and said, let's go ahead.
I need you to get me inducted because there's a
war going on and I need to do my part.
And he went off and served with distinction. Now, interestingly enough,
the Big Story puts a far more positive spin on
the situation than Sprigel himself did with their talk about Hey,
at the end of the day, justice was served. Sprigol
had actually written a big feature item looking back on
the story earlier in nineteen forty nine entitled they Railroaded
Paul Boggs. And essentially the prosecutors fought this at every
turn because getting this overturned wouldn't just put Bogs out
of jail, it would shine a lot on their own misconduct.
And when it takes that long to crack obvious injustices,
it undermines the whole system, I mean, the whole justification
of the parole board. After all, he was convicted by
a jury rings hollow if the prosecutors were coaching and
manufacturing evidence pretty blatantly, so much that all Spriggol had
to do was look at the transcript. Now, it should
be noted that this is one of those cases where
you just had to stick with it, and Spriggol kept
working on this whole story even while he was doing
other things. He actually won his Politzer Prize while this
was going on, as he uncovered the history of newly
appointed Justice Hugo Black as a member of the ku
Klux Klan. He had a very strong career and took
on a lot of risk, got himself committed to a
mental institution in order to report what conditions were like,
and people who listening on the radio would have known
him for some of his more recent work, which was
referenced subtly at the start of the episode. He went
to the Deep South undercover disguised as a black man,
and he wrote a major series of articles on what
that experience was like and letting his readers know what
was going on.
Speaker 8: Now.
Speaker 1: Of course, novelist named John Howard Griffin's efforts are more
famous about a decade later, and that was published in
the book Black Like Me.
Speaker 6: Now.
Speaker 1: Spriegel was We don't know how he felt about the
radio adaptation, but he was not a fan of the
television program. According to doctor Joe Webb, he said when
it was adapted for TV in nineteen fifty five, I
think the true story would have made it a lot
more effective and powerful dramatization. And the critic who wrote
about the series when Fanning, said that was true of
most of the Big Story TV productions, with Fanning writing, actually,
what might be one of the best programs on TV
is one of the worst. Now, of course, we don't
have a ton of the TV episodes of The Big
Story to judge this by. The one thing that's worth
noting is that the Big Story TV series had the
exact same tom slots around twenty four minutes of story
time as the radio version. And on radio you can
do a good job breaking down an event and being
fairly faithful to it with half a dozen actors in
a studio. On television, there are so many other visual
elements that you need to care for. On radio, you
can have unlimited settings. On television you really do face
some restraints in terms of budget in terms of talent available.
Though it's worth noting the Big Show ran for non
seasons on television, so apparently the viewing public was more
impressed with it than some of the critics. All right,
listener comments and feedback now, and we have some comments
on Spotify regarding the Bitterest Man on Earth Harrison Riots.
This was one of those stories that frustrated me due
to everyone's conviction that this guy wasn't who he said
he was, and yet it took the reporter and not
the state that was trying to find out the truth.
While I'm enjoying the series, I wish it set the
stories in the time period when they took place. It's
not like it's Dragnet where it's the same protagonists each week.
So the stories have to take place in the here
and now. It's not like it makes it less entertaining.
I definitely understand the concern. Harrison and I tend to agree.
I think it really becomes an issue when the events
of the time would make more sense of the story.
In that story a couple weeks back that ended in suicide,
understanding that this was during the Great Depression, that they
were doing this, it makes a lot more sense. And
there are other events that change the typical behavior, like
if you think about the war or the housing shortage
after the war leads to behaviors that don't make sense
without the context, like why are you doing that in
nineteen forty eight or nineteen forty nine. So I think
it tends to complicate the production if you if you
don't address those because the logic can be weak. Dawn
Wright's please don't take this as a complaint. This was
an interesting story, but not much of a mystery and
not a lot of detection needed. It was fascinating to
see a judicial just a story presented with nineteen forty sensibilities. Well,
I definitely understand what you're saying, and truthfully, the big
story is kind of a stretch to our format. It's
the type of series I probably would not have thought
I'd end up playing when we started doing great detectives.
But it's one of those series that's close enough as
we began to run out of material, and certainly not
every case is going to fit neatly into a typical
mystery bucket, although I think there are also several episodes
of Dragnet quite honestly, that are very entertaining but don't
fit that as well. You take something like The Big Break,
which is one of my all time favorite Dragnet episodes,
where you're dealing with this fugitive robber, and they know
who the robber is, they know he did it, and
it's just a matter of finding him and bringing him
to justice, And the same can be true of so
many cases where it's just a matter of finding the fugitive,
and episodes like that one and this one are about
how is it that you are able to correct an
unjustice and prove to the satisfaction of the parole board
that this man is not guilty and merits a pardon
or a new trial, and then Mechanic sixty six rights
that Goodwin could have been Tenny and went under different
names at different places. I don't recall any mention of
him having any identification under any name. It's a fair point,
but there's also not any suggestion that the man whose
wife was murdered was some sort of transient. In fact,
my recollection is that up until the time of the
murder he was pretty much in the same place. As
to the identification point, it was really not common in
the early nineteen thirties for everybody to carry IDA around,
so it was a lot more informal, so the absence
of ID wouldn't really prove anything. Well, now it's time
to th our Patreon supporter of the day, and I
want to thank Ronda, Patreon supporter since October twenty twenty,
currently supporting the podcast at the shawmus level of four
dollars or more per month. Thanks so much for your
support and that will do it for today. If you're
enjoying the podcast, please follow us using your favorite podcast
software and be sure to rate and review the podcast
wherever you download it from. We'll be back next Tuesday
with another episode of The Big Story, but join us
back here tomorrow for Broadways My Beat Where.
Speaker 21: Done the steps He's in the Senate, you were the
one who found him.
Speaker 22: See we went down here to my store Vitory Prentice
to be for my customers.
Speaker 21: Will you re see it got any other entrance to
this seller than those steps we just came down you
e see sing Look, don't make a drama out of it, Louise,
just take it's easy.
Speaker 22: There and the big cases stretched out with dead.
Speaker 21: I'll tell us, Luis, how did you get in here?
Speaker 6: Puffy?
Speaker 22: You see a window through which deliveries are made from
the alley mirror. The window is broken through.
Speaker 21: So take a look at the alley comments. Okay, you
know who he is, Luis.
Speaker 22: See his recodomy Gate and the boy who lives near
the boy who works at the pastality of Segnor. Look
the bakery shop also not five.
Speaker 21: Yeah stamped four places than actors.
Speaker 22: There's the floor show, Senor be gone.
Speaker 21: Yeah, decide you.
Speaker 22: Cannot take the time to see Senor.
Speaker 21: It is exciting, decad you have not the time.
Speaker 1: I hope you'll be with us then in the meantime.
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This is your host, Adam Graham signing off.