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Speaker 1: Come in welcome. I'm e. G.

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Speaker 2: Marshall, guardian of the flame that flickers and flares here

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seven times each week. The incredibly sophisticated jet crashes, the

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absolutely safe luxury liner founders. The beautifully engineered bridge collapses.

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The reason can be picky on almost poultry. The malfunction

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of a part that might cost all of twenty two

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cents could destroy a machine worth millions, A simple but

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undetected mathematical error, and might insidiously to apply itself to

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a point where a magnificent structure suddenly becomes.

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Speaker 1: A heap of ruin and rubble.

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Speaker 2: Or perhaps what we're talking about is beyond science. Our

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mystery drama Fireball, was written especially for the Mystery Theater

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by Sam Dan and stars Kim Hunter. It is sponsored

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in part by Buick Motor Division.

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Speaker 1: I'll do that shortly.

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Speaker 2: With that one. We assume that we are superior to

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the other members of the animal kingdom.

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Speaker 1: We believe that we.

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Speaker 2: Are more intelligent. After all, look at what we can do.

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Certainly animals can't read, write, build, manufacture, And if they can't,

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how does it happen that we can. We like to

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say that man is blessed with a divine spot. If

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if this is true, that can only mean that God

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or the gods will speak to us and our works

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our expressions of their will. Benjamin can't well or we

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Ben that he is known in industrial and government circles,

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comes home one evening.

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Speaker 3: Is that, evangabine, what are you expecting? I wasn't expecting you.

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Speaker 1: Why not?

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Speaker 4: You know perfectly well the days, even weeks go by without.

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Speaker 1: E a scene a louise. You know it's necessary for me.

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Speaker 3: I couldn't say it wasn't necessary.

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Speaker 1: But why are you complaining?

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Speaker 4: I wasn't aware that I was complaining? And then he

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stated a shot. Since you're not home more often than

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you are home than your very presence is a surprise.

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Speaker 3: Would you like me to begin all over again?

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Speaker 2: I'll try to spend more time at home. But what

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I'm doing is import and the very fate of our country.

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Speaker 1: Rests on it.

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Speaker 3: I didn't say, no, the fate of.

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Speaker 2: The entire free world. I'd like a little sympathy and

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understanding for my own wife.

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Speaker 4: You can have all the sympathy and understanding you want.

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Speaker 3: It's not my fault. You hardly have a home to

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collect it.

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Speaker 1: Well, I'm home now.

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Speaker 3: And it's only Friday.

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Speaker 4: Don't tell me we're actually going to spend a weekend together.

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Speaker 1: You know, I couldn't wait to get home here to

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the country.

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Speaker 3: Of her guests got to arrive tomorrow at MO.

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Speaker 2: Lawrence and his wife will be coming later tonight, and

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Senator Sullivan and his well, I assume Jesus wife.

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Speaker 4: And yeah, I thought we were going to have a

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quiet little weekend.

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Speaker 1: Well it will be more than native can all told.

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Speaker 2: Thanks for telling me, now, Louise, you don't understand. I'm

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having some important people here, but always important.

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Speaker 1: Well, you know who I invite.

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Speaker 2: Senator Sullivan is chairman of the Military Appropriations Committee at

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More Lawrence, I'll I'm impressed. I'm not saying all this

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to impress you. I want you to know who these

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people are. Why so I can defer to them, No,

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so that you can discuss things intelligently.

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Speaker 3: What are we supposed to discuss? It's all top secret.

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Speaker 4: All I give up now, then I'd like to understand

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what it is we're supposed to discuss. After all, the

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reason you invite them is always to sell them something.

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Speaker 1: That's not true.

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Speaker 2: I'm not here to sell you aren't if I'm here

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to help them understand our country's true need and defense material.

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Speaker 1: And of course, since.

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Speaker 4: Your products best satisfy those needs, this.

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Speaker 1: Is an inference they are free to make after.

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Speaker 4: You have whined them and dined and entertained them.

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Speaker 2: Why do you insist on making it sound so so disreputable?

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Speaker 4: Then please admit hit The fact is everything you manufacture

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used to kill somebody.

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Speaker 2: That is completely unfair. Somebody has to do it darning.

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Speaker 3: All I'm doing is stating the fact.

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Speaker 2: Why don't you look around at all the charities, the

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hospitals that I have endowed.

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Speaker 4: Oh, I must say you have a down to who

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was science? First you manufacture the means to main people,

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and then you tenderly care for the victims.

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Speaker 3: Oh, then you're not all bad.

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Speaker 2: Before you accuse me of fappening on human misery, examine

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your own conscience.

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Speaker 4: At least I don't drap myself in a mantle of

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pious hypocrisy.

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Speaker 3: I fully expect to be punished by whom.

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Speaker 2: Oh, the gods believe you have to take the world

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as you find it. Mankind for reasons I'll never understand,

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insists on destroying itself. If I didn't make the means

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with which to do it someone else would.

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Speaker 3: Yes, you were?

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Speaker 2: You said I was to come back and I have

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to superman to meet the mister.

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Speaker 3: Oh, yes, yes, mister Valkan. Then this is mister Joseph Walklan.

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Speaker 1: Pleased to meet him, mister.

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Speaker 4: Campwell, mister Valkan is our new blacksmith.

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Speaker 3: Some has recommended him.

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Speaker 2: Oh and had you ever worked for mister Summers.

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Speaker 1: No, sir, Dick Summers worked for me. Is that so? Well?

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You're much younger man, in gesse? I'm older than I look.

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Speaker 2: I taught Dick Summers the business you taught old Dick Summers. Yep,

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And there's still a business in them days. Of course,

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motor cars had already been around while, and all them factors,

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but there were still plenty of horses, like the deliveries

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in the town and work on the farm.

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Speaker 1: You look like such a young man. Well, these days

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ain't much work.

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Speaker 2: You can pick up some money getting connected with a

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racetrack or on a couple of estates like this one

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where the rich folks have stables. As my wife already

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discussed your pay and other arrangements. Yes, sir, mister cantwell,

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and I'll find everything satisfactory. Very well, that'll be all,

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thank you, mister Cantwell, Louise, Yes.

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Speaker 1: I want you to fire him? Then, why I want

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you to fire him?

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Speaker 3: Oh not unless you tell me why I can't? Oh,

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yes you can. I know you.

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Speaker 4: You have sudden automatic responses. You're a creature of violent

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first impressions. Would you cut against that? Man?

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Speaker 1: I said, I don't know.

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Speaker 3: Something bothers you try to analyze it.

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Speaker 1: Why isn't it enough that it bothers me?

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Speaker 3: Tell me?

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Speaker 1: All right? Is it as good a reason as.

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Speaker 2: Any I I don't like to form people.

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Speaker 1: Oh see, not well, obviously he's very lame. You see

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how he walks? You hear how he walks?

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Speaker 3: Can this be your conscience?

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Speaker 4: Suppose he's a veteran and he was named by one

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of your instruments of destruction.

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Speaker 2: For the last time, I am not ashamed of what

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I'm doing. It's worked, that is legitimate, necessary and moral.

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It's sanctioned by the law.

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Speaker 3: Why do you protest so much?

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Speaker 2: Because I all forget it?

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Speaker 3: Do you any want to know why I hired him?

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Speaker 4: I hired this one because of his name. His name, Yes,

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it was just too delicious to resist.

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Speaker 3: His name is Falcon.

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Speaker 4: Welcan Falcon was one of the ancient gods, the god

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of fire.

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Speaker 3: He was actually a blacksmith.

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Speaker 4: He made all the weapons for the other gods.

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Speaker 1: Are you sure you're all right?

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Speaker 3: I think it was married to Venus.

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Speaker 1: Now, Louise, what kind of ni didn't work?

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Speaker 3: She was always cheating on him?

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Speaker 2: All right, all right, you've had your little joke. Let

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him catch up with whatever shoeing he has to do,

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and then let him go.

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Speaker 5: Oh oh, Bart, and mister Vulcan h more than MSUs Cantwell,

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how long have you been doing this, mister Vulcan?

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Speaker 3: Oh?

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Speaker 1: A long long time? Have always been Smith?

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Speaker 3: Did you know the ancient god Vulcan?

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Speaker 2: Mister Smith, No, ma'am, I never was my don old

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and he's in gods.

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Speaker 3: You never heard of Vulcan.

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Speaker 4: I thought there might be a relationship, No, ma'am, a.

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Speaker 1: God, say that I know of any mister Vulcan.

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Speaker 3: May I asked you a question.

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Speaker 1: Well, you go right ahead, ma'am.

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Speaker 3: How did how did you happen to become lame?

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Speaker 1: Oh? I don't know.

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Speaker 3: You don't know, ma'am. Oh, I'm sorry. I I didn't

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mean to pry.

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Speaker 1: Sure that, ma'am. I, uh.

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Speaker 2: Well, I understand my father dropped me when I was

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a small bailey or something like that.

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Speaker 3: Mister Cantwell, as you may know, has.

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Speaker 4: Endowed a great many hospitals and medical research school.

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Speaker 2: I've made the rounds of all of them, ma'am, and

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the verdict is this is how I have to be

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for the rest of my life.

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Speaker 4: Well, if there's a breakthrough somehow, then then you will

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be able to benefit.

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Speaker 3: We'll see to that.

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Speaker 1: Oh, thank you, I must say, you and.

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Speaker 2: Mister Cadwell, Uh the best folks I ever worked for.

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Did you fire that blacksmith that uh, what's his name?

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Speaker 1: Vulcan? Joe Vulcan? No, No, but I thought we agreed.

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Speaker 3: We didn't agree, you merely suggested it. But he intrigues me.

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Why I told you.

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Speaker 4: He's a blacksmith named Vulcan. So is the ancient god

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Vulcan he's name, So was the ancient god?

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Speaker 1: Oh please, Oh.

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Speaker 3: This gets better. I asked him why he was lame?

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Do you know what? He answered?

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Speaker 1: How would I know?

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Speaker 3: Oh? You really are touchy, he said.

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Speaker 4: When he was an infant, his father had dropped him.

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Speaker 1: Oh for crying out loud, you must listen to.

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Speaker 4: This Vlkin's father, or at least his mother's husband. I'm

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trying to be delicate about this with Jupiter, Oh, who

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cares His mother gaves birth to Vulcan, and Jupiter was

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so angry that he sees the child and hurled him

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from Olympus down to the earth below.

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Speaker 3: And that's why Vulcan became lame. Do you see the similarities?

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Speaker 1: What I don't see is what you're really driving at.

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Speaker 4: Well, they say the ancient gods would sometimes at times.

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This is the disguised as mortals.

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Speaker 2: Are you trying to tell me that this silly looking

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oath that is employed in our stables is actually an

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ancient Greek god called Vulcan?

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Speaker 4: His German name was Vulcan, his Greek name was a

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thestis all right, all.

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Speaker 2: Right, Quit trying to prove how smart you are. Just

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answer one question. If it's true, what is he doing

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here working for us? This god of yours?

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Speaker 4: Very few exceptions, a legit from the gods usually meant.

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Speaker 3: A great deal of trouble for the people he called on.

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Speaker 1: What kind of trouble?

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Speaker 3: I uh, I just hope we never find out the

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hard way.

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Speaker 5: Oh.

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Speaker 1: Coincidence? Coincidence?

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Speaker 2: And what is Louise's rationale for saying that their latest

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employee is actually Vulcan, the ancient god.

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Speaker 1: Of the blacksmiths.

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Speaker 2: Well, you heard it, and it's all circumstantial evidence. And

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you know what the Fala first said about that, don't you?

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Some circumstantial evidence is very strong. Like when you find

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a trout in the milk, what will we find in

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act to every time something is made by man, every

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time man works a raw material into a finished product,

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every time man transforms nature from a work of God

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into a work of his own, man approaches something that

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is divine, for man is now doing what only God

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or the gods could do originally, and that is create. However,

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sometimes man, being man in nothing really more, lets all

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of this creativity get out of hand? I thought the

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weekend the wimber other, Well did you and I'm a

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couple meant you, Louise, you were superb hostess.

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Speaker 3: Tell me did you sell the fire bell?

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Speaker 1: What did you say?

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Speaker 3: I said, did you sell the fireble? Hum?

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Speaker 1: Huh?

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Speaker 2: Don't ever mention that word nowhere to no one. It's

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top secret.

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Speaker 3: Really, how did.

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Speaker 1: You find out?

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Speaker 3: How did I find out? There were these papers lying

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on top of the dresser.

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Speaker 1: Oh oh, well, that's that. That's very inexcusable.

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Speaker 4: You have to read those papers somewhere.

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Speaker 2: If I'm not at com minded, it means I'd better

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not take papers home anymore.

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Speaker 3: Because you talk in your sleep.

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Speaker 1: Then I'll have to sleep alone.

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Speaker 3: No sacrifice is too great to make for your country.

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Speaker 2: Tell me what did you learn about about that weapon

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whose name you was never mentioned?

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Speaker 4: That it's called unmentionable because you merely hung it in

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the sky over an enemy city, and Kouf, the whole

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place is being descended us in minutes.

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Speaker 1: Louise, you must never breathe us.

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Speaker 3: No, you're proud of yourself, aren't you, Louise.

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Speaker 2: I will not get into this argument again. We do

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rather other countries have it.

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Speaker 1: And we didn't.

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Speaker 3: Oh f I don't wait.

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Speaker 4: Shot the whole thing then and just enjoy life from now.

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Speaker 2: It's easy enough for you to say that, but I

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have responsibilities.

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Speaker 4: You are now going to give me what I have

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classified as speech number sixteen B.

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Speaker 1: Louise, listen to me. We have just developed the thing

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in the lab.

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Speaker 4: If it's so hush hush, and I know too much, now,

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why tell me more?

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Speaker 1: I have to tell someone.

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Speaker 3: We can do it.

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Speaker 2: We can make this thing, but we don't know why.

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Speaker 3: But do you mean you don't know why?

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Speaker 1: We don't know why it should work.

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Speaker 2: All we know is we can make it.

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Speaker 3: So what's the problem.

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Speaker 1: Well, there isn't any problem.

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Speaker 3: Then why do you sound so upset?

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Speaker 2: Because I I feel maybe maybe we shouldn't turn this

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thing out this time. We may have plunged into something

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that's more than just a discovery. This thing is part

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of the process of how matter itself was created. It's

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almost something beyond the capability of human understanding.

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Speaker 1: Then drop it, drop.

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Speaker 4: It, yes, put a stop to the project.

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Speaker 3: Forget it ever existed. You're crazy, I'm crazy. Did you

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hear what you were just telling me?

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00:16:33,480 --> 00:16:35,919
Speaker 1: Well, sometimes I just have to talk.

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Speaker 3: But you never spoke like that before.

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Speaker 2: Maybe maybe it's because I had a crazy dream.

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Speaker 3: Aren't you the one who says you never dream in

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the ordinary way?

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Speaker 1: I don't. It's your fault.

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Speaker 3: You have a dream, and it's my fault.

302
00:16:52,879 --> 00:16:56,080
Speaker 2: Yes, because you've been filling my head with that nonsense.

303
00:16:56,519 --> 00:16:57,919
Speaker 3: What nonsalt about?

304
00:16:58,000 --> 00:16:58,399
Speaker 1: Balkan?

305
00:16:58,679 --> 00:16:59,720
Speaker 3: What are you talking about?

306
00:17:00,200 --> 00:17:00,240
Speaker 4: No?

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00:17:00,759 --> 00:17:03,159
Speaker 1: Fulcan the ancient god of fire?

308
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Speaker 3: I see I'm to blame.

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Speaker 1: Well, aren't you.

310
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Speaker 3: No, And I can prove it.

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Speaker 4: When you saw Joe Vulkin for the very first time,

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you instinctively reacted against him before you even knew who

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he was.

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Speaker 2: Well well as some people. You dislike its sight, that's all.

315
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Speaker 4: You didn't need me to be afraid of him.

316
00:17:26,680 --> 00:17:30,599
Speaker 1: I'm not afraid of him. I I just don't like him.

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Speaker 2: And I insist that you fire him.

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Speaker 4: Well, if that's how you feel about it, why don't

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you just go down to the stables and fire yourself?

320
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Speaker 1: All right?

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Speaker 2: I will, oh, morder, mister cantwell, lulcan, I'm gonna have

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to let you.

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Speaker 6: Go, Yes, sir, mister Cantwell, when do you want me

324
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to leave?

325
00:17:59,039 --> 00:18:02,640
Speaker 2: Well, I want you to finish up around here, take

326
00:18:02,680 --> 00:18:07,680
two or three weeks, yes, sir, uh book and I

327
00:18:07,680 --> 00:18:11,039
I don't want you to feel badly. No's nothing personal.

328
00:18:11,720 --> 00:18:14,359
You can see that for yourself. We we don't require

329
00:18:14,400 --> 00:18:14,960
a full.

330
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Speaker 1: Time blacksmith, that's true.

331
00:18:17,799 --> 00:18:21,160
Speaker 2: And if you need references for your next job, I uh,

332
00:18:21,519 --> 00:18:24,599
I don't think there's gonna be another job more. Don't

333
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say that good men are hard to find, especially in

334
00:18:27,759 --> 00:18:28,200
the kind of.

335
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Speaker 1: Work you do.

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Speaker 2: I know, sir, I uh I think I'll quit roman.

337
00:18:32,440 --> 00:18:35,839
Speaker 1: All around the country. You uh may have done me

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a favor, a favor.

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00:18:37,920 --> 00:18:42,799
Speaker 2: Yes, sir, I don't spend nearly enough time with my wife.

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Oh I uh, well, she's a beautiful woman. Really, I

341
00:18:51,720 --> 00:18:55,480
know what you're thinking, and ugly because like him. Do

342
00:18:55,559 --> 00:18:58,319
you ever get a beautiful woman to even look at him,

343
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much less married him?

344
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Speaker 1: Boy, I mean to imply the app Oh, it's so,

345
00:19:02,319 --> 00:19:04,880
and I'm used to it. Funny.

346
00:19:05,440 --> 00:19:09,400
Speaker 2: A lot of folks say, see, well that she steps

347
00:19:09,440 --> 00:19:12,720
out on me, you know what I mean? Oh well,

348
00:19:13,119 --> 00:19:17,960
but uh, even if it's true, it's my fault. What

349
00:19:18,000 --> 00:19:23,279
do you mean because I'm also being untrue to her?

350
00:19:24,119 --> 00:19:26,839
Oh oh, not in that way.

351
00:19:27,039 --> 00:19:29,359
Speaker 1: But I'm still cheating on her.

352
00:19:30,000 --> 00:19:35,559
Speaker 2: Oh well, I'm giving time and energy that you might

353
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say belongs to her to my job.

354
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Speaker 1: See what I mean.

355
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Speaker 2: A lot of fellas do that, and then they wonder

356
00:19:45,559 --> 00:19:48,319
why their wives find something else?

357
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Speaker 1: Uh, someone else?

358
00:19:51,519 --> 00:19:51,680
Speaker 6: Oh?

359
00:19:51,799 --> 00:19:55,759
Speaker 2: Certain, you don't want me on the place I'll be going.

360
00:19:57,359 --> 00:20:01,720
Speaker 3: No, so you did it.

361
00:20:02,279 --> 00:20:05,519
Speaker 1: It's economically unfeasible to have a full time blacksmith.

362
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Speaker 3: The real reason you fired him is.

363
00:20:07,839 --> 00:20:11,759
Speaker 2: Because you're asharded of him, afraid Louise, have you ever

364
00:20:11,799 --> 00:20:13,200
had a conversation with this man?

365
00:20:13,680 --> 00:20:15,400
Speaker 3: Of course I've spoken to him.

366
00:20:15,519 --> 00:20:19,599
Speaker 2: I mean a sustained conversation. Oh well, this is the

367
00:20:19,640 --> 00:20:21,720
most frightened timid milk toast.

368
00:20:22,000 --> 00:20:23,480
Speaker 3: He's quiet, I'll admit that.

369
00:20:24,319 --> 00:20:27,519
Speaker 1: And you thought he was one of the ancient gods.

370
00:20:28,359 --> 00:20:29,839
Speaker 3: I said it was possible.

371
00:20:30,160 --> 00:20:36,160
Speaker 2: Never they were men, I mean, beings of strength.

372
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Speaker 1: He's so ineffectual. I'll tell you what would amuse you?

373
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Speaker 2: He said, maybe being fired wouldn't be the worst thing.

374
00:20:44,759 --> 00:20:47,079
It would give him more time to spend with his wife.

375
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Speaker 3: Isn't that a sensible statement?

376
00:20:50,119 --> 00:20:52,839
Speaker 2: And it turns out he has a beautiful wife, just

377
00:20:53,039 --> 00:20:56,359
like Falcon, and maybe it would cure her from, as

378
00:20:56,400 --> 00:20:58,200
he put it, stepping out on him.

379
00:20:59,119 --> 00:21:03,559
Speaker 4: Falcon's wife was Venus, and she certainly had her affairs.

380
00:21:04,160 --> 00:21:05,200
Speaker 3: Maybe she still does.

381
00:21:06,039 --> 00:21:08,960
Speaker 2: Who can say that these gods are dead or that

382
00:21:09,039 --> 00:21:10,240
they even existed?

383
00:21:11,119 --> 00:21:15,119
Speaker 3: Then you can say what you like. I still believe

384
00:21:15,240 --> 00:21:19,240
he is the ancient god Folken. And did he choose

385
00:21:19,400 --> 00:21:23,880
to visit our house? Why to get you to do

386
00:21:24,000 --> 00:21:27,359
something like what? I don't know?

387
00:21:28,039 --> 00:21:29,440
Speaker 1: Then why didn't he come out with it?

388
00:21:29,559 --> 00:21:32,799
Speaker 3: Or maybe he did? Maybe you just didn't want to understand.

389
00:21:33,559 --> 00:21:35,359
Speaker 2: If he's a god, why did he have to beat

390
00:21:35,400 --> 00:21:38,200
about the bush? Why not just hurl a thunderbolt or

391
00:21:38,200 --> 00:21:41,759
something and say do it my way or else.

392
00:21:41,960 --> 00:21:45,839
Speaker 4: Because a god wants things to happen not by flats,

393
00:21:46,000 --> 00:21:47,720
but through enlightenment.

394
00:21:48,559 --> 00:21:50,640
Speaker 3: The thunderbolts are only a last resort.

395
00:21:51,319 --> 00:21:53,319
Speaker 1: What am I supposed to be enlightened about?

396
00:21:53,960 --> 00:22:02,519
Speaker 3: I don't know what's bothering you?

397
00:22:03,240 --> 00:22:07,039
Speaker 1: Hello, senator, Now morning, then, I'm sorry to be late taught.

398
00:22:07,119 --> 00:22:07,480
All right.

399
00:22:08,200 --> 00:22:10,680
Speaker 2: Our starting time is whenever we decide to show up

400
00:22:10,680 --> 00:22:13,440
at the first tea, Well, shall we.

401
00:22:13,480 --> 00:22:15,240
Speaker 1: Order a no line on the diet?

402
00:22:15,960 --> 00:22:19,079
Speaker 2: Say that's a pretty big spread on you. In the post,

403
00:22:19,440 --> 00:22:22,400
always pray to that. They go all the way back

404
00:22:22,440 --> 00:22:26,000
to the thirties to find a phrase to describe me,

405
00:22:26,000 --> 00:22:27,000
merchant of death.

406
00:22:28,000 --> 00:22:28,880
Speaker 1: Actually it's a.

407
00:22:28,960 --> 00:22:34,559
Speaker 2: Rather philosophical philosophy in the post. As a matter of fact,

408
00:22:34,680 --> 00:22:39,240
the writer calls you vulcan. Vulcan you know, the ancient

409
00:22:39,240 --> 00:22:39,799
god of fire?

410
00:22:40,640 --> 00:22:42,839
Speaker 1: Where did he come up with? Well, he calls you

411
00:22:43,039 --> 00:22:44,400
the modern god of fire.

412
00:22:45,400 --> 00:22:48,559
Speaker 2: When you must admit there's a basis for it, a basis,

413
00:22:48,640 --> 00:22:55,200
but you're perfecting thing for us, and it's almost supernatural?

414
00:22:56,599 --> 00:23:00,079
Is this Senator Sullivan talking? Oh, come on, bad and

415
00:23:00,160 --> 00:23:02,160
whatever happened to your sense of humor?

416
00:23:02,440 --> 00:23:03,920
Speaker 1: I'm too busy to have one.

417
00:23:04,359 --> 00:23:06,720
Speaker 2: They even write that you run the risk of being

418
00:23:06,759 --> 00:23:07,880
punished for hubras.

419
00:23:08,799 --> 00:23:09,680
Speaker 1: You just lost me.

420
00:23:10,039 --> 00:23:13,640
Speaker 2: Well, the hubris is a kind of defiance of the gods,

421
00:23:13,759 --> 00:23:16,559
you know, by taking under oneself one of their attributes,

422
00:23:17,079 --> 00:23:19,200
by challenging them in their own speciality.

423
00:23:19,920 --> 00:23:20,559
Speaker 1: Is that affair?

424
00:23:20,759 --> 00:23:21,039
Speaker 6: Oh?

425
00:23:21,119 --> 00:23:24,160
Speaker 1: Yes, yes, yes. There was a girl named a Rockney

426
00:23:24,200 --> 00:23:27,440
in ancient Greece. Now she claims she was the finest

427
00:23:27,519 --> 00:23:28,680
weaver in the world.

428
00:23:29,279 --> 00:23:31,400
Speaker 2: This annoyed the goddess Athena the end.

429
00:23:31,799 --> 00:23:33,319
Speaker 1: I can't believe this conversation.

430
00:23:33,519 --> 00:23:37,119
Speaker 2: Why you see, Athena held a distinction for herself, so

431
00:23:37,440 --> 00:23:40,480
poor a Rockney, for her hubris was punished.

432
00:23:41,279 --> 00:23:41,920
Speaker 1: Do you know how?

433
00:23:42,920 --> 00:23:46,119
Speaker 2: I can't even begin to imagine he was turg into

434
00:23:46,160 --> 00:23:46,799
a spider?

435
00:23:48,599 --> 00:23:50,400
Speaker 1: Am I going to be turned into a spider? Too?

436
00:23:50,519 --> 00:23:55,079
Speaker 2: But you haven't annoyed Athena. Your problem is with Vulcan no,

437
00:23:55,240 --> 00:23:57,839
I see, And since you've set yourself up as a

438
00:23:58,799 --> 00:24:03,160
master of fire, he just might decide to have at

439
00:24:03,240 --> 00:24:06,759
you that way. Need I tell you, I am terrified

440
00:24:07,000 --> 00:24:08,680
and also on personal level.

441
00:24:09,440 --> 00:24:11,839
Speaker 1: You may have a fund at him. What did I

442
00:24:11,920 --> 00:24:12,359
do now?

443
00:24:12,759 --> 00:24:15,319
Speaker 2: Now he was married to the most beautiful of all women,

444
00:24:15,680 --> 00:24:17,799
Venus and your wife.

445
00:24:18,599 --> 00:24:20,960
Speaker 1: Oh, come on, she's a good looking woman.

446
00:24:21,039 --> 00:24:26,519
Speaker 2: But no, on, on, I don't say that Louise is beautiful.

447
00:24:27,119 --> 00:24:29,799
You know what I think. You're trying to cite me.

448
00:24:31,079 --> 00:24:32,759
You have to have an edg but it won't do

449
00:24:32,799 --> 00:24:35,000
any good, Senator, I'll still beat you.

450
00:24:34,960 --> 00:24:39,480
Speaker 1: On the court today.

451
00:24:42,599 --> 00:24:45,519
Speaker 4: Let's see, this marks the third night you rule that

452
00:24:45,640 --> 00:24:46,160
you're home.

453
00:24:46,640 --> 00:24:49,920
Speaker 1: How do I win? If I'm detained somewhere on business.

454
00:24:49,680 --> 00:24:52,759
Speaker 2: I get complaints because I'm never home. When I stay home,

455
00:24:52,880 --> 00:24:53,799
I still get flack.

456
00:24:53,960 --> 00:24:55,279
Speaker 3: I was just making a comment.

457
00:24:56,480 --> 00:24:58,839
Speaker 1: Did you read that article about me in the post?

458
00:25:00,079 --> 00:25:03,000
Speaker 4: I didn't want to mention answer because I know those

459
00:25:03,000 --> 00:25:03,839
things annoy you.

460
00:25:04,200 --> 00:25:06,319
Speaker 2: I had my secretary clip it out for me, and

461
00:25:06,319 --> 00:25:07,279
I've got it right here.

462
00:25:08,440 --> 00:25:12,039
Speaker 3: The vengeance of Boucan it stated as a question.

463
00:25:12,519 --> 00:25:19,000
Speaker 2: What annoys me is that they're actually inaccurate. Oh you see, Bolcum,

464
00:25:19,319 --> 00:25:22,920
Assuming there's a basis for this nonsense, Boucan doesn't have

465
00:25:22,960 --> 00:25:25,640
a vengeful bone in his body. He was the kind

466
00:25:25,680 --> 00:25:28,920
beest of all the gods. He wasn't jealous of anyone.

467
00:25:29,559 --> 00:25:32,079
He didn't mind what anyone did do him or said

468
00:25:32,119 --> 00:25:35,599
about him, So he wouldn't take vengeance on anyone.

469
00:25:36,160 --> 00:25:37,480
Speaker 3: And how do you know this?

470
00:25:38,200 --> 00:25:40,000
Speaker 1: Because I did some research?

471
00:25:40,400 --> 00:25:43,880
Speaker 4: Why why should you take time from your busy schedule?

472
00:25:43,920 --> 00:25:47,440
Speaker 2: Because I have to set certain people straight about what

473
00:25:48,640 --> 00:25:51,720
you know. If this conversation whatever, made public, both of

474
00:25:51,799 --> 00:25:55,880
us would be plain candidates for a sanitarium. Well so,

475
00:25:56,799 --> 00:25:59,279
even if I did have the hubris to offend Bulcan,

476
00:25:59,559 --> 00:26:01,160
he wouldn't anything about it anyway.

477
00:26:01,880 --> 00:26:06,559
Speaker 3: Oh, well, no, do you feel better?

478
00:26:06,839 --> 00:26:08,680
Speaker 1: Who says I'm feeling badly to begin with?

479
00:26:09,480 --> 00:26:10,160
Speaker 3: Oh? I got it?

480
00:26:10,279 --> 00:26:14,960
Speaker 1: No, No, I'm not here. Hey you so, senator?

481
00:26:15,599 --> 00:26:19,559
Speaker 2: Oh oh, I hope. Well I know your voice anywhere

482
00:26:20,440 --> 00:26:23,279
I been I been. I just called and let you

483
00:26:23,359 --> 00:26:26,519
know that you can expect to have clear sailing in

484
00:26:26,559 --> 00:26:27,839
the Senate committee tomorrow.

485
00:26:28,319 --> 00:26:31,640
Speaker 1: That's great. Yeah, I thought you'd like to hear that.

486
00:26:32,519 --> 00:26:33,759
I certainly do appreciate it.

487
00:26:33,839 --> 00:26:36,759
Speaker 2: Now I'm glad to goodbye.

488
00:26:39,200 --> 00:26:44,279
Speaker 1: That's funny. What is the senator? He called? Tell me

489
00:26:44,319 --> 00:26:45,519
about the committee hearing?

490
00:26:46,279 --> 00:26:48,359
Speaker 3: Well, it doesn't he usually.

491
00:26:48,279 --> 00:26:49,880
Speaker 1: Except this morning at the club.

492
00:26:50,680 --> 00:26:53,440
Speaker 2: I told him I'd be out of town go can

493
00:26:53,519 --> 00:26:56,839
he forgot? He hasn't forgotten anything since the day was born.

494
00:26:57,640 --> 00:27:01,839
Now he thought I wouldn't be home tonight, That's why

495
00:27:01,880 --> 00:27:02,400
he called.

496
00:27:10,640 --> 00:27:11,119
Speaker 1: Well.

497
00:27:11,160 --> 00:27:14,079
Speaker 2: A kind of light begins to dawn in the eyes

498
00:27:14,119 --> 00:27:18,720
of Big Ben Catwell Tycoon extraordinary, and he looks at

499
00:27:18,720 --> 00:27:22,200
his beautiful, desirable wife, and all of a sudden it

500
00:27:22,240 --> 00:27:25,400
occurs to him that perhaps the phone call from the

501
00:27:25,440 --> 00:27:29,960
fun loving senator was not really for him. After all,

502
00:27:31,000 --> 00:27:35,079
this little cloud will assume larger proportions when I returned

503
00:27:35,160 --> 00:27:46,880
shortly with act free.

504
00:27:47,440 --> 00:27:51,079
Speaker 1: Are we play things of the gods? Probably?

505
00:27:52,000 --> 00:27:55,160
Speaker 2: How else can you explain the absolute madness of the

506
00:27:55,200 --> 00:27:58,640
world we live in. There was an ancient god named

507
00:27:58,759 --> 00:28:04,480
Vulcan out of the forge and flame, and like his fellows.

508
00:28:04,519 --> 00:28:08,200
Speaker 1: He likes to walk there. That is according to legends.

509
00:28:09,279 --> 00:28:12,319
Speaker 2: Well, don't laugh at legends.

510
00:28:12,599 --> 00:28:15,279
Speaker 1: You can never tell when you might need one.

511
00:28:15,720 --> 00:28:18,519
Speaker 2: It's quite possible Senator Sullivan wasn't calling.

512
00:28:18,279 --> 00:28:18,799
Speaker 1: Me at all.

513
00:28:19,519 --> 00:28:24,599
Speaker 2: Oh, really, he may have been calling you me whatever.

514
00:28:24,680 --> 00:28:27,759
For what reason does he have to call any woman?

515
00:28:28,519 --> 00:28:32,000
I would know, Louise, What is there between you and

516
00:28:32,039 --> 00:28:32,599
the Senator?

517
00:28:34,480 --> 00:28:36,400
Speaker 3: I consider that question and insult.

518
00:28:36,640 --> 00:28:39,720
Speaker 2: Are you part of the senator's collection, Another scout that

519
00:28:39,799 --> 00:28:42,039
hangs from his belt, Another nuts on his gun.

520
00:28:42,119 --> 00:28:45,240
Speaker 4: I'm afraid you'll have to remain forever in suspense.

521
00:28:45,519 --> 00:28:48,400
Speaker 2: Is this why I get such favorable treatment from the committee?

522
00:28:48,880 --> 00:28:49,920
Speaker 1: Now you listen to me, lou.

523
00:28:49,799 --> 00:28:51,200
Speaker 3: Will you listen to me, Ben?

524
00:28:52,119 --> 00:28:55,240
Speaker 4: For fifteen years, we've been little more than strangers.

525
00:28:55,440 --> 00:28:56,160
Speaker 1: That's not true.

526
00:28:56,640 --> 00:28:58,160
Speaker 3: How often have we seen each other?

527
00:28:58,759 --> 00:29:01,359
Speaker 4: I've been busy and I I'm busy too, with what

528
00:29:01,640 --> 00:29:02,119
with whom?

529
00:29:02,759 --> 00:29:04,160
Speaker 3: I don't think that's your business.

530
00:29:04,200 --> 00:29:05,920
Speaker 1: You're my wife and i'm your husband.

531
00:29:06,079 --> 00:29:09,079
Speaker 4: It's been a long time since we took those rows.

532
00:29:09,200 --> 00:29:10,920
Speaker 3: Seriously, what is there.

533
00:29:10,839 --> 00:29:12,400
Speaker 1: Between you and Senator Sullivan?

534
00:29:13,039 --> 00:29:14,359
Speaker 3: Why don't you ask him?

535
00:29:14,400 --> 00:29:14,799
Speaker 1: I will.

536
00:29:22,119 --> 00:29:26,039
Speaker 7: Everybody's probably laughing at me while my back is turned.

537
00:29:26,920 --> 00:29:32,279
He's stepping out, stepping out, I'm listening to me. I'm

538
00:29:32,319 --> 00:29:35,319
talking like that idiot Joe Bulcan. But who am I

539
00:29:35,440 --> 00:29:38,359
to call him an idiot? I'm in the same boat.

540
00:29:39,119 --> 00:29:42,680
Speaker 1: We both wear the same hat.

541
00:29:43,279 --> 00:29:44,039
Speaker 2: What were you going?

542
00:29:54,599 --> 00:29:56,480
Speaker 1: Was a miracle, Louise? A miracle?

543
00:29:57,039 --> 00:29:58,720
Speaker 3: You say, he's all right, Doctor Connor?

544
00:29:58,799 --> 00:29:59,880
Speaker 1: The car was total?

545
00:30:00,400 --> 00:30:04,039
Speaker 2: Oh he has is a few scratches. Are you sure positive?

546
00:30:04,839 --> 00:30:06,440
I'll come inside see for yourself.

547
00:30:07,079 --> 00:30:08,240
Speaker 3: Is it all right to see him?

548
00:30:08,400 --> 00:30:11,599
Speaker 4: Come on, Louis, it's such a terrible cursh I can

549
00:30:11,599 --> 00:30:12,319
hardly believe.

550
00:30:15,519 --> 00:30:22,440
Speaker 1: Then, hello, Louise, dear, how do you feel? I'm all right?

551
00:30:22,480 --> 00:30:25,839
Speaker 2: Except I I have this terrible pain in my.

552
00:30:25,839 --> 00:30:28,880
Speaker 3: Legs Doctor Carman he said.

553
00:30:28,519 --> 00:30:31,880
Speaker 1: Yeah, I know what he says, but I feel it's pain.

554
00:30:32,079 --> 00:30:32,319
Speaker 2: Now.

555
00:30:32,519 --> 00:30:36,640
Speaker 1: Then we've examined you thoroughly. You know that, Yes, doctor.

556
00:30:36,559 --> 00:30:41,279
Speaker 2: There's absolutely no sign of any injury, no vector, no sprains,

557
00:30:41,400 --> 00:30:44,079
no torn ligaments, no swelling.

558
00:30:44,880 --> 00:30:48,519
Speaker 1: I understand, doctor, but I have this pain.

559
00:30:49,200 --> 00:30:50,680
Speaker 3: Doctor, h are you sure?

560
00:30:51,359 --> 00:30:54,519
Speaker 2: Not only am I sure, but every specialist we called

561
00:30:54,559 --> 00:30:55,759
in is also sure.

562
00:30:56,799 --> 00:30:57,839
Speaker 1: I don't.

563
00:30:58,200 --> 00:31:01,279
Speaker 2: I don't like to convidict anyone, but since it's my cane,

564
00:31:01,400 --> 00:31:03,880
I'm I'm the only one who can really be sure.

565
00:31:12,319 --> 00:31:17,799
Speaker 1: Louise. Then I'm home that uh, it was a very

566
00:31:17,799 --> 00:31:18,359
busy day.

567
00:31:19,240 --> 00:31:24,400
Speaker 3: Then I think we should have this out. Why do

568
00:31:24,480 --> 00:31:25,039
you limp?

569
00:31:25,519 --> 00:31:26,039
Speaker 1: Why?

570
00:31:26,519 --> 00:31:29,000
Speaker 2: Well, it should be obvious my leg's hurt. But the

571
00:31:29,079 --> 00:31:34,440
doctors say the doctors are simply mistaken. But then I

572
00:31:34,440 --> 00:31:37,039
I wish I could oblige everyone. I hate to cause

573
00:31:37,079 --> 00:31:38,079
anyone distress.

574
00:31:38,839 --> 00:31:40,480
Speaker 3: Then what are you talking about?

575
00:31:41,440 --> 00:31:43,920
Speaker 2: Well, It's just that my work itself is so turbulent.

576
00:31:44,519 --> 00:31:48,839
It deals with elemental pulses that well. I like my

577
00:31:48,920 --> 00:31:52,079
personal affairs to be calm, peaceful.

578
00:31:52,519 --> 00:31:53,559
Speaker 3: What is cool to you?

579
00:31:53,680 --> 00:31:53,839
Speaker 4: Then?

580
00:31:54,559 --> 00:31:57,480
Speaker 2: I don't know what you're talking about. Nothing's come over me.

581
00:31:58,400 --> 00:31:59,039
Speaker 3: What kind of a.

582
00:31:59,079 --> 00:32:00,640
Speaker 4: Game are you trying to play with me?

583
00:32:01,279 --> 00:32:01,559
Speaker 1: Game?

584
00:32:02,920 --> 00:32:05,440
Speaker 4: When you got into your car and you decided to

585
00:32:05,480 --> 00:32:08,160
confront Senator Sullivan that night?

586
00:32:08,559 --> 00:32:10,400
Speaker 1: I don't think we have to talk about that.

587
00:32:10,480 --> 00:32:11,200
Speaker 3: Oh we do.

588
00:32:12,000 --> 00:32:14,440
Speaker 4: I admit that he and I had seen each other

589
00:32:14,680 --> 00:32:15,519
a few times.

590
00:32:15,559 --> 00:32:19,039
Speaker 1: But Louise, dear, please, I don't wish to discuss this.

591
00:32:19,440 --> 00:32:23,119
It isn't necessary. But then, if you'll excuse me, I

592
00:32:24,279 --> 00:32:27,039
where are you going to the Corge?

593
00:32:27,720 --> 00:32:29,319
Speaker 3: The Forge?

594
00:32:29,599 --> 00:32:31,039
Speaker 1: Yes, you know, the factory?

595
00:32:31,839 --> 00:32:32,279
Speaker 4: Go go?

596
00:32:33,799 --> 00:32:34,319
Speaker 1: What is it?

597
00:32:35,319 --> 00:32:36,720
Speaker 3: You called it? The forge?

598
00:32:37,519 --> 00:32:38,000
Speaker 1: Of course?

599
00:32:39,319 --> 00:32:39,599
Speaker 2: Why?

600
00:32:40,880 --> 00:32:44,880
Speaker 4: I'll tell you why because that's what Vulcan called his workshop.

601
00:32:45,599 --> 00:32:47,400
Speaker 1: Vulcan, Yes, Vulcan.

602
00:32:48,640 --> 00:32:53,440
Speaker 3: Oh, I know what's happened. Do you actually believe your Vulcan?

603
00:32:54,279 --> 00:32:56,319
Speaker 1: Now? Why would I want to do a thing like that?

604
00:32:57,079 --> 00:32:58,599
Speaker 3: You've affected his limp.

605
00:33:00,839 --> 00:33:01,960
Speaker 1: Ever since that accident.

606
00:33:02,359 --> 00:33:03,440
Speaker 3: Oh, and you.

607
00:33:03,359 --> 00:33:06,559
Speaker 4: Can even accept the fact that your wife might be

608
00:33:06,720 --> 00:33:07,519
having an affair?

609
00:33:09,160 --> 00:33:11,799
Speaker 3: Is that who you want to be? Is that what

610
00:33:11,960 --> 00:33:12,519
you want to be?

611
00:33:12,799 --> 00:33:17,000
Speaker 2: Valka Louise Darling. Maybe you'd better see doctor Corman.

612
00:33:17,200 --> 00:33:19,640
Speaker 4: If you want to be a god, be a Jupiter

613
00:33:20,079 --> 00:33:20,680
and Apollo.

614
00:33:21,599 --> 00:33:23,759
Speaker 1: You're not well, and I wish I knew what was

615
00:33:23,799 --> 00:33:25,000
making you so unhappy.

616
00:33:25,079 --> 00:33:27,319
Speaker 3: But I don't want to be married to Vulcan.

617
00:33:27,960 --> 00:33:31,799
Speaker 2: Vulcan, whatever makes you think back you're married to me,

618
00:33:32,400 --> 00:33:33,519
you're married to Ben.

619
00:33:33,400 --> 00:33:39,880
Speaker 4: Campwell, but you're not then camped Well any longer.

620
00:33:46,119 --> 00:33:47,160
Speaker 1: Oh.

621
00:33:47,240 --> 00:33:49,279
Speaker 2: I got here as quickly as I could, sir, But

622
00:33:49,519 --> 00:33:52,519
there was all this traffic. I'm sorry to spoil your holiday, Lewis,

623
00:33:52,559 --> 00:33:55,720
So that's sorry, But I feel this is the day

624
00:33:55,759 --> 00:34:03,240
we can finish, finish, Yes, Lewis today here now on fireballs?

625
00:34:03,519 --> 00:34:06,440
Speaker 1: Is everything set in the firing room? Yes, sir?

626
00:34:06,720 --> 00:34:12,440
Speaker 2: But but what's the problem. I I thought we'd agreed

627
00:34:12,440 --> 00:34:17,320
to abandon the project. Why because it was really beyond

628
00:34:17,400 --> 00:34:23,119
our capability, our human capability to control the final formula.

629
00:34:23,159 --> 00:34:26,480
There is no known mathematics to express it in. Furthermore,

630
00:34:26,559 --> 00:34:29,000
we can't even conceive the formula.

631
00:34:29,440 --> 00:34:36,000
Speaker 1: We can't here. I'll start, I'll start the computer. Yeah.

632
00:34:36,079 --> 00:34:38,400
Speaker 2: See, all all the known data has already been set

633
00:34:38,440 --> 00:34:38,800
into it.

634
00:34:39,079 --> 00:34:40,320
Speaker 1: And now what.

635
00:34:43,400 --> 00:34:48,719
Speaker 2: You see, sir, Suddenly the computer stops. Well, don't worry

636
00:34:48,760 --> 00:34:52,360
about it. Don't worry about it. Now we're committed to

637
00:34:52,400 --> 00:34:57,719
deliver this, this weapon of the armed forces, but only experimentally.

638
00:34:57,760 --> 00:35:01,360
We could, we can, but don't see how start to build.

639
00:35:01,239 --> 00:35:04,400
Speaker 1: Up the temperatures in the firing room. What formulas are

640
00:35:04,599 --> 00:35:06,719
I don't need a formula. Do as I tell you, Lewis.

641
00:35:06,840 --> 00:35:09,320
I know, I know you're a great one for intuition, sir,

642
00:35:09,360 --> 00:35:11,480
but it's time to do as I tell you. Lewis.

643
00:35:19,159 --> 00:35:19,679
Speaker 3: You come in.

644
00:35:21,960 --> 00:35:22,840
Speaker 1: Afternoon, missus.

645
00:35:22,840 --> 00:35:26,199
Speaker 3: Cantwell, oh, oh to you, mister Fulcon.

646
00:35:26,639 --> 00:35:30,599
Speaker 2: Yes, ma'am, mister Cantwell, send and take a couple of

647
00:35:30,800 --> 00:35:34,159
three weeks to get all the work done round the stables.

648
00:35:34,559 --> 00:35:36,679
Speaker 1: Well it's uh, it's finished.

649
00:35:37,360 --> 00:35:41,119
Speaker 2: You're leaving, so you, yes, ma'am, come to say goodbye?

650
00:35:41,320 --> 00:35:44,039
Speaker 3: Well, good luck, mister Fulcon. I wish you the best.

651
00:35:44,360 --> 00:35:51,239
Speaker 1: Thank you, ma'am, same to you, goodbye. Wait wait, well

652
00:35:51,559 --> 00:35:52,480
what is it, ma'am?

653
00:35:53,719 --> 00:35:58,119
Speaker 3: Who who are you? And I'm just go.

654
00:35:58,400 --> 00:36:00,719
Speaker 1: Vulcan's not true?

655
00:36:01,599 --> 00:36:07,440
Speaker 3: You are the god Vulcan who just cool?

656
00:36:07,760 --> 00:36:12,400
Speaker 4: That's right, It's not true anymore. But it was true

657
00:36:12,440 --> 00:36:13,920
and I can prove it.

658
00:36:14,079 --> 00:36:15,639
Speaker 1: Pho, what miss Gander?

659
00:36:15,920 --> 00:36:18,119
Speaker 4: I can prove it by something you just did?

660
00:36:18,599 --> 00:36:19,400
Speaker 1: What did I do?

661
00:36:19,719 --> 00:36:21,519
Speaker 3: Come with me? Please? Come with me.

662
00:36:29,239 --> 00:36:33,360
Speaker 1: Then, Oh Louise, dear, huh how did you get in here?

663
00:36:33,719 --> 00:36:35,159
Speaker 3: And your wife? Remember?

664
00:36:35,559 --> 00:36:41,239
Speaker 1: And mister Falcon it beats me, sir, Jesus bragged me

665
00:36:41,320 --> 00:36:42,599
here ready for firing?

666
00:36:42,639 --> 00:36:42,840
Speaker 8: Sirs?

667
00:36:43,559 --> 00:36:47,639
Speaker 3: Then listen to me. Destroy that machine, that that device,

668
00:36:47,719 --> 00:36:49,800
whatever it is is. I thought.

669
00:36:49,920 --> 00:36:54,079
Speaker 4: If you don't, then can you really become Vulcan? Can

670
00:36:54,119 --> 00:36:56,800
you really acquire his full powers? Is that how you

671
00:36:56,840 --> 00:36:57,360
want to live?

672
00:36:58,199 --> 00:36:59,599
Speaker 1: Look at him?

673
00:37:00,239 --> 00:37:04,639
Speaker 3: You don't want to be vulcan. You're hated. Immortality becomes

674
00:37:04,639 --> 00:37:05,679
a terrible burden.

675
00:37:05,719 --> 00:37:09,480
Speaker 4: After a while, the gods themselves go tired of eternal life.

676
00:37:09,519 --> 00:37:12,719
That is why they walk the earth to find someone

677
00:37:12,719 --> 00:37:15,760
who can lift the burdens on them, and that someone

678
00:37:15,840 --> 00:37:16,760
becomes the god.

679
00:37:16,880 --> 00:37:20,400
Speaker 3: Didn't you see? That's the true nature of immortality.

680
00:37:20,519 --> 00:37:23,000
Speaker 1: What's reverse and Fulcan has found you.

681
00:37:24,119 --> 00:37:27,519
Speaker 3: He has given you all his characteristics. He is talented,

682
00:37:27,639 --> 00:37:31,920
it is meekness. It's not too late. Give them back,

683
00:37:32,440 --> 00:37:37,199
give what work. Don't finish the fireballs. You yourself said.

684
00:37:37,000 --> 00:37:40,320
Speaker 4: That the final step of the formula was beyond human comprehension.

685
00:37:41,360 --> 00:37:45,960
Speaker 3: But once you comprehend it, you will become more than human.

686
00:37:47,119 --> 00:37:49,679
Mister Falcon, you know I'm speaking the truth.

687
00:37:49,920 --> 00:37:52,719
Speaker 1: I'm sorry, ma'am. I don't know enough.

688
00:37:52,840 --> 00:37:55,679
Speaker 3: Lorcan, I said, he gave you everything.

689
00:37:55,800 --> 00:37:59,400
Speaker 4: Then, mister Vulcan, please walk to the door.

690
00:37:59,719 --> 00:38:02,280
Speaker 3: But why walk to the door?

691
00:38:02,360 --> 00:38:04,840
Speaker 1: Please stop?

692
00:38:06,280 --> 00:38:06,760
Speaker 3: See then?

693
00:38:07,880 --> 00:38:10,880
Speaker 1: See what do you want me to see?

694
00:38:11,440 --> 00:38:17,360
Speaker 3: He doesn't live anymore. His walk is normal. How do

695
00:38:17,440 --> 00:38:20,079
you think for that, mistervoc Or?

696
00:38:20,960 --> 00:38:23,440
Speaker 1: I guess it's a miracle.

697
00:38:23,639 --> 00:38:27,800
Speaker 3: USE said he gave you everything again. He even gave

698
00:38:27,840 --> 00:38:28,440
you a lease.

699
00:38:29,159 --> 00:38:36,199
Speaker 1: Ready for firing, sir, Throw on the switch to be switch?

700
00:38:37,679 --> 00:38:40,800
Speaker 4: No, no, no, don't you don't want to be Vulcan,

701
00:38:41,199 --> 00:38:43,280
my dear. If you are to live like Vulcan, I'll

702
00:38:43,280 --> 00:38:44,559
have to live like Venus.

703
00:38:44,840 --> 00:38:47,599
Speaker 3: I don't want that. Would you want me to blot

704
00:38:47,719 --> 00:38:50,679
out the men in your face? But can a tury admire?

705
00:38:51,079 --> 00:38:53,880
It's even your assistance here, Louise.

706
00:38:54,119 --> 00:38:56,280
Speaker 4: I'll do it because I won't be able to help

707
00:38:56,360 --> 00:38:58,920
myself and you won't be able to stand.

708
00:38:59,199 --> 00:39:01,719
Speaker 3: You the earth to find someone.

709
00:39:01,599 --> 00:39:05,320
Speaker 2: To take your place, sir, if we don't fire now ready, So.

710
00:39:05,719 --> 00:39:09,320
Speaker 3: Then then you'll know too much. You'll become the god

711
00:39:09,360 --> 00:39:10,559
who knows too much.

712
00:39:11,320 --> 00:39:15,639
Speaker 4: Balcan and that's why he's shins decided it's up injury,

713
00:39:15,800 --> 00:39:16,280
your sheep.

714
00:39:16,440 --> 00:39:17,000
Speaker 3: The right of.

715
00:39:17,119 --> 00:39:21,119
Speaker 4: Knowledge must carry. Knows more than any of them, who

716
00:39:21,159 --> 00:39:25,440
knows how to make and build a turn off that switch?

717
00:39:25,599 --> 00:39:26,320
Speaker 8: Turn it off?

718
00:39:26,639 --> 00:39:32,559
Speaker 1: Then you you heard her little turn off the switches.

719
00:39:33,519 --> 00:39:37,440
Speaker 3: Then then I turn him off.

720
00:39:37,480 --> 00:39:40,719
Speaker 1: With what happened, the action would have gone to are

721
00:39:41,000 --> 00:39:44,239
we could be despighted, your s. The whole world can

722
00:39:44,320 --> 00:39:44,960
be destroyed.

723
00:39:45,039 --> 00:39:45,719
Speaker 3: What are they going to do?

724
00:39:46,719 --> 00:39:49,440
Speaker 2: I don't know the time, and I said it'd be

725
00:39:49,519 --> 00:39:53,519
our human comprehension. Maybe maybe it'll just stop itself.

726
00:39:53,960 --> 00:39:56,360
Speaker 3: Mister Falcon, please stop it?

727
00:39:56,800 --> 00:39:57,920
Speaker 1: What are you talking to him for?

728
00:39:58,280 --> 00:40:00,800
Speaker 3: You know? Why the bat house?

729
00:40:01,679 --> 00:40:01,719
Speaker 2: What?

730
00:40:02,400 --> 00:40:05,199
Speaker 3: What's the matter my legs?

731
00:40:06,039 --> 00:40:09,800
Speaker 1: I can have a man straight my leg Hit me again?

732
00:40:13,760 --> 00:40:15,559
Speaker 3: Listen, it's started.

733
00:40:17,199 --> 00:40:19,920
Speaker 1: I guess you're right. If they can't, well, it just

734
00:40:20,360 --> 00:40:21,280
stop by itself.

735
00:40:22,400 --> 00:40:27,480
Speaker 2: We should never understand it, don mister Falcon, And I

736
00:40:27,639 --> 00:40:30,719
think guy, i'd best be leaving.

737
00:40:32,760 --> 00:40:39,280
Speaker 8: Then then look he's limping again, and look at you.

738
00:40:40,719 --> 00:40:43,519
You're you're standing straight.

739
00:40:50,199 --> 00:40:54,320
Speaker 2: Take it any way you like Shata are so good

740
00:40:54,639 --> 00:40:57,199
with our friends in facts would say, do.

741
00:40:57,360 --> 00:40:59,320
Speaker 1: The gods walk the earth and.

742
00:40:59,440 --> 00:41:03,559
Speaker 2: Look for the replacements? Is that what happened that Ben can'twell?

743
00:41:04,880 --> 00:41:09,000
Or was it merely a psychological seizure? Think about it

744
00:41:09,679 --> 00:41:11,079
and I shall return shortly.

745
00:41:21,320 --> 00:41:22,800
Speaker 1: The gap narrows.

746
00:41:23,840 --> 00:41:27,840
Speaker 2: Our ancestors looked upon the gods as supernatural beings who

747
00:41:27,960 --> 00:41:32,840
knew everything. But now we are starting to do what

748
00:41:33,039 --> 00:41:37,280
only the gods themselves could do. Little by little, we

749
00:41:37,440 --> 00:41:40,360
seem to be stripping the veil away from all the

750
00:41:40,480 --> 00:41:45,480
mysteries of life and death. And so some say the

751
00:41:45,639 --> 00:41:51,960
gap narrows? But is this also human frailty? Outward appearances

752
00:41:52,000 --> 00:41:56,719
to the contrary, notwithstanding, is the gap really widening?

753
00:41:57,840 --> 00:41:58,519
Speaker 1: In any event?

754
00:41:59,440 --> 00:42:03,440
Speaker 2: Let there be no gap at all? In us here

755
00:42:04,039 --> 00:42:09,280
seven times each week. Our cast included Kim Hunter, Hugh Milo,

756
00:42:09,400 --> 00:42:13,480
Earl Hammond and Guy Sorell. The entire production was under

757
00:42:13,519 --> 00:42:17,239
the direction of Hymon Brown. This is Eg Marshall inviting

758
00:42:17,320 --> 00:42:20,800
you to return to our Mystery Theater for another adventure

759
00:42:21,199 --> 00:42:27,079
in the macabre. Until next time, Pleasant Dreams.

760
00:42:35,840 --> 00:42:40,000
Speaker 6: Tonight's Mystery Theater was also brought Human Boy by Hublight Supermarkets,

761
00:42:40,039 --> 00:42:42,079
where you get a lot more for a little less

762
00:42:42,880 --> 00:42:54,599
the preceding program, furnished by CBS Radio Guys Left for

763
00:42:54,679 --> 00:42:56,199
News with John Stuff.

764
00:42:56,119 --> 00:43:01,079
Speaker 1: Putting our Barbara Layer to moves.

765
00:43:01,119 --> 00:43:04,360
Speaker 2: Walter Kerr not only treats silent movies, he brings him

766
00:43:04,480 --> 00:43:07,199
roaring back to a brand new life right here on

767
00:43:07,239 --> 00:43:08,119
The Barry Barber Show.

768
00:43:08,320 --> 00:43:12,599
Speaker 1: Wr New York Democrats