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Speaker 1: Come in.

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Speaker 2: Welcome.

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Speaker 1: I'm E. G. Marshall, conductor of this occult omnibus which

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stops at your station seven times each week. It is

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said of some people that they live in the past,

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but of course we know this isn't true. Nobody can

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actually genuinely physically live in the past. Yes, it's possible

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to spend one's life in reverie in daydream, but live

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in the past, that's incredible. You can only live in

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the present, and the present is a vehicle that can

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only travel in one direction, forward into the future. At

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least that's what we've been led to believe.

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Speaker 2: I wouldn't want to be nineteen again.

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Speaker 3: No, I wouldn't want to be nineteen again.

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Speaker 2: It's better to be fifty five.

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Speaker 3: In some ways it is.

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Speaker 2: You wouldn't want to be nineteen.

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Speaker 4: You wouldn't want to be back there, back where.

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Speaker 3: Listen, grow up, Bill, please grow up.

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Speaker 2: I have grown up and I don't like it.

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Speaker 3: Like it or not, you've got to live with it.

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Speaker 4: That's where you're wrong. I don't have to live with it.

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You don't have to live with it either.

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Speaker 3: Come back with me back where.

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Speaker 2: We could be nineteen again.

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Speaker 3: You're crazy.

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Speaker 2: There's a key. I phone the key bill. Please Zelda,

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I've got the key.

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Speaker 4: I know how to go back. Come back, Zelda, come

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back with Me.

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Speaker 1: Our mystery drama Come Back with Me, was written especially

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for the Mystery Theater by Sam Dan and stars Howard

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Da Silva. The city is a living organism, and because

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every living thing must one day die, the city must

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die too. Like the human beings who build it, the

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city has its periods of youth, maturity, and old age.

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The city dies by degrees. A house here, a street there,

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block by block, neighborhood by neighborhood. The boarded up, shuttered

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buildings stand empty, decayed, deserted, dead. But that part of

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the city which still lives can used to go through

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the motions. It sends water through the mains electric current

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to illuminate the street lights and police cruisers on their

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slow patrols. Tonight, Officer Tombergen suddenly stiffens to attention behind

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the wheel of his car and loosens the strap of

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his holster. Just up ahead, a man is walking slowly

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along the sidewalk, and anyone out here this time of

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the night had better be questioned.

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Speaker 2: Okay, sir, something wrong? Officer? An answer oh, might you

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stop me? I don't stop here.

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Speaker 4: I'm walking along the street minding my own affairs, and

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you accost me as if I were a common criminal. I, oh, yes,

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if something was wrong?

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Speaker 2: Why should something be wrong?

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Speaker 4: While, sir, just some sort of search and seizure or

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stopping frisk as you might call.

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Speaker 2: Aw.

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Speaker 1: Look, you see a person out on at night in

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this neighborhood.

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Speaker 2: But what's wrong with this Neighborhoo? What's wrong with this?

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Speaker 4: Is there a better neighborhood than the entire city in

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the whole world. You are insulting my neighborhood, aw loox

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here you assure me of nothing. You imply that this

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neighborhood is a hot, better vice of crime.

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Speaker 2: I didn't say that.

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Speaker 4: That was a nasty insinuation in your voice. I only

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wanted to make sure he's an insultant. It's a fighting insult.

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Speaker 1: Aw Look, here's just getting excited over nothing.

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Speaker 4: This is my neighborhood, and I'll fight for it. For

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how can man die better than by facing fearful odds

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for the ashes of his father's and the temples of

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his gods?

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Speaker 2: Well, how can he?

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Speaker 4: I God don't believe he can McCaulay wrote that Thomas

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Babington McCauley, and when I was a kid, that's what

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we were taught in high school. They don't teach Horatius

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the Bridge anymore. You know that, don't you.

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Speaker 2: Well, yeah, I guess they don't.

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Speaker 4: You know, why don't you? Because because it's not relevant.

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You hear that it's not relevant. That's a great new

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word today.

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Speaker 2: Relevant, Ah, yes, yes, yeh.

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Speaker 4: Look, how would you like to honor duty?

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Speaker 2: Respect? These things? They well, they just aren't relevant anymore.

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Speaker 1: Why don't you get in, mister, and I'll give you

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a lift home?

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Speaker 4: And I'm not relevant anymore either.

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Speaker 1: It's very late, and you look to be a little

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unsteady on your feet.

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Speaker 4: Tell me, also, look me straight in the eye and

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tell me what is relevant today?

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Speaker 2: Like I said, it's very late. Oh no, it's early.

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It's very early.

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Speaker 4: The crowd is first starting to get together at Morris's. Morris's,

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Jack Morrisse's. You mean you're the cup on this beat

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and you never heard of Jack Morris's. Everybody from the

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neighborhood goes there.

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Speaker 1: Sure, sure, there used to be a Jack Morris's saloon.

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But you're going back thirty thirty five years.

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Speaker 2: It's here now, right here, Like.

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Speaker 1: We say, any minute now, it's going to start to rain.

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Speaker 4: So don't you think you any officer. I'll just go

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to Morrissey's. See you later, Sara.

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Speaker 1: You can't go anywhere. That's an old condamned boarded up building.

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Speaker 4: You. Oh, you're a pretty good guy for a cop.

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Come on here, let me buy you a beer.

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Speaker 2: Well, where are you going? Where do you think I'm going? Inside?

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It's a Morrissey there's no such place. Are you sure

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you're okay? Officer? The joid's jumping? Can't you hear?

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Speaker 3: Can't you hear the music?

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Speaker 2: No, sir, I don't hear it? Sing listen? Don't you

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hear that? A the jukebox?

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Speaker 3: The jukebox.

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Speaker 2: Don't you know where the jukebox is? Yeah? Sure, I

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got the stuffy old prof.

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Speaker 4: Doc Combri One night the gang of us invite him

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down here, you know, to see how the people live.

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Speaker 2: It's shot in the rain, and you're gonna hear this

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jukebox of morrises. Yere hell out it is, and I

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don't hear nothing? Can you believe it? Old Doc? Can

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never seen one before? What's that? He asked?

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Speaker 4: It's a jukebox, I answered. He says, probably named after

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remember the Jukes family. You don't get it.

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Speaker 2: Well.

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Speaker 4: In psychology. You study this very retired family.

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Speaker 1: Look the rains beginning to come down, very high. It's

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a classical clinical study.

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Speaker 2: Nothing there.

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Speaker 4: Hey, they take your hand off me. I said, I'm

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going there tomorrow.

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Speaker 1: I can't go in there. The building is condemned. You

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see what the sign said.

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Speaker 2: I said, take your hand on me.

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Speaker 1: You know okay, mister, I can see your I don't

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want to have to use force, but I warn you.

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Speaker 2: Don't you swing at me again. Along, I'll come. I'm

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going inside. You're not let me alone? Let me alone,

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I said, they can't. I'm up. Yes, you're up sold.

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What time is it?

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Speaker 3: It's almost new No.

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Speaker 2: I didn't wake me. I have to beat the off.

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Speaker 5: Phil, don't get out of bed.

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Speaker 2: What do you say it out?

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Speaker 5: Dr Davis said he wants to see you as soon

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as you're awake. Before there, you don't know what for

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what happened last night?

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Speaker 2: Last night?

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Speaker 3: A policeman brought you home.

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Speaker 2: What are you saying there?

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Speaker 3: It was midnight.

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Speaker 5: I answered the doorbell, and you were practically draped over

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the policeman's shoulder like a.

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Speaker 3: Sack of wheat.

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Speaker 2: You're kidding, Phil.

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Speaker 5: The cop said he didn't want to book you, book

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me for assault. You were obviously disturbed. He felt that

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treating you like a criminal wasn't the answer.

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Speaker 3: He was a very decent.

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Speaker 2: Cop, Selda, What is all this?

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Speaker 3: I must say?

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Speaker 5: In addition to everything else, the publicity could have been

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the last straw.

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Speaker 3: That's all we would have needed. So he'll shut up.

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Speaker 5: What were you doing in that deserted, god forsaken neighborhood?

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Speaker 2: God forsaken? Don't say?

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Speaker 3: Why were you wandering around there?

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Speaker 4: What?

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Speaker 2: I don't know?

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Speaker 6: Why?

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Speaker 3: Bill, I'm trying to hold on.

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Speaker 4: What was I doing there? I was looking for something?

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What if I tell you think I'm crazy?

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Speaker 3: I think you're crazy now.

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Speaker 4: I was looking for you and for me, all right,

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all right, I was a fool desk.

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Speaker 2: You really don't want to know.

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Speaker 5: I want an intelligent responsive answer.

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Speaker 4: I guess you would intelligent responsive answer.

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Speaker 2: You use those words the very first night we met.

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Speaker 3: Oh Bill, please please?

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Speaker 2: We met in Morrissey's I fell in love with you at.

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Speaker 5: First sight of the Western United Industries is making the

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offer today.

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Speaker 3: How can you talk about it.

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Speaker 2: Can I talk about love?

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Speaker 3: Our lives depend on it?

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Speaker 2: Yes, our lives do depend on it.

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Speaker 3: They'll save us. Let them bias.

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Speaker 2: You mean to sell out.

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Speaker 5: You can call it whatever you like. It's our only

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chance to get out of debt, to say something from

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the wreck?

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Speaker 2: What reck?

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Speaker 4: Now?

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Speaker 5: Norman's had some preliminary discussions with their attorney.

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Speaker 3: It's a fair offer.

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Speaker 4: I remember I walked into Marris Sees that night and

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I saw you sitting there.

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Speaker 2: You remember the two that was on the jukebox? Listen?

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Listen to what can't you Hear? It?

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Speaker 4: Fits Dorsey himself on the bills gone?

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Speaker 3: Bill? Will you please try to concentrate?

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Speaker 2: Can't you hear it? No?

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Speaker 3: I can't hear it.

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Speaker 2: You didn't have to kill it.

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Speaker 5: Now, look, Bill, you try to relax. I'll have doctor

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Davis come over here right away.

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Speaker 2: There's no point to it.

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Speaker 4: You wanted to convince me to accept some basic facts

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of life. Well I accept them. I'll go down there

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and sign my death warrant.

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Speaker 3: Why do you have to call it your death warrant?

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Speaker 2: Because that's what it is.

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Speaker 3: It is nothing of the sort. You'll still run the company.

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Hundreds of small businesses have been taken over by big corporations.

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Speaker 2: I don't want to talk about it.

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Speaker 3: They still want you to manage it.

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Speaker 4: I said, I'm willing to do it. Why do we

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have to talk about it. Let me shave and get

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dressed and get down to the office.

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Speaker 3: Wear that new dark suit.

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Speaker 4: Oh, absolutely, dark has always been the proper shade for executions.

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Taxi I go to South Broadway in Torrance and we're

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on Hella.

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Speaker 2: No, look till good does it? There's gonna be a law. Well,

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there has to be a war. What do you mean

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now has to be? No? I figured out nobody was

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willing to stop. And when it was easy, was he

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going to do it? Now that it's hard, they just.

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Speaker 4: Keep grabbing and grabbing until nobody will have any choice.

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Speaker 1: He'll uh, just just who are you talking about?

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Speaker 2: Who do you think I'm talking about? Who else is

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called the Lord Hitler? Hitler? Oh? Yeah, well, I guess

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that sounded crazy to you. No, no, no, no, no, no,

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not really.

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Speaker 4: Sometimes I kind of well, I go back, Oh, well,

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that's perfectly all right.

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Speaker 2: I go back all the time, myself, do you.

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Speaker 4: Oh.

239
00:12:20,120 --> 00:12:21,440
Speaker 2: I don't know if the old days.

240
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Speaker 1: Were better or if it's just that we were younger.

241
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Speaker 2: I tell you one thing, the music was better.

242
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Speaker 1: What great bands they had in them days.

243
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Speaker 4: Huh, Marie, the dawn is breaking, Hurrie, you'll soon be waking.

244
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Speaker 2: Duddy the driver up, Huh, yes, I changed my mind.

245
00:12:39,000 --> 00:12:43,840
Take me to tuity Lesalle. You even remember the number.

246
00:12:44,480 --> 00:12:45,679
It's the corner of Tremont.

247
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Speaker 6: Oh.

248
00:12:46,000 --> 00:12:51,000
Speaker 2: Yeah, you just made yourself a deal. Hey, he's sure

249
00:12:51,000 --> 00:12:51,720
you want to go there.

250
00:12:51,960 --> 00:12:56,960
Speaker 4: I'm positive. But that neighborhood, they're just a nothing. Okay,

251
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you're the doctor.

252
00:13:05,440 --> 00:13:10,559
Speaker 2: Three months just offless sound, then keep a changing. Hey,

253
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you mean you want to get out here? That's why

254
00:13:12,919 --> 00:13:13,279
it came.

255
00:13:13,399 --> 00:13:15,240
Speaker 4: Listen, listen for blocks around it.

256
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Speaker 2: It's deserted, it's all coming down.

257
00:13:16,879 --> 00:13:18,840
Speaker 1: I mean you can even hear the wrecking cruise.

258
00:13:19,879 --> 00:13:22,360
Speaker 4: Some of these buildings that got chunkies, all kinds of

259
00:13:22,399 --> 00:13:23,320
weird characters.

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00:13:24,000 --> 00:13:26,759
Speaker 2: It ain't safe. You know, you're a character.

261
00:13:27,080 --> 00:13:31,000
Speaker 4: I just go into Morrissey's Jack, Morrisy's Maris He's hip.

262
00:13:31,039 --> 00:13:33,559
Speaker 2: But all the cab drivers seem to be characters? Is

263
00:13:33,559 --> 00:13:37,480
it part of the union rules? Can't you hear the music? Music?

264
00:13:38,240 --> 00:13:39,960
You were just singing it here?

265
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Speaker 4: It well?

266
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Speaker 2: I tried, like they say to each their own.

267
00:13:54,639 --> 00:14:01,000
Speaker 4: Bold Jackie, Where.

268
00:13:59,200 --> 00:14:01,919
Speaker 2: You look good? Really?

269
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Speaker 1: Boy?

270
00:14:08,919 --> 00:14:09,320
Speaker 2: Well?

271
00:14:10,039 --> 00:14:14,600
Speaker 1: Can we say that Morrissey's lives? Let me give you

272
00:14:14,679 --> 00:14:19,320
some actual data. Jack Morrissey opened a neighborhood bar in

273
00:14:19,399 --> 00:14:23,559
nineteen thirty three. In nineteen forty one, he closed it

274
00:14:23,960 --> 00:14:27,840
when he enlisted in the army. Jack Morrissey was killed

275
00:14:27,840 --> 00:14:31,440
in North Africa at the Casserine Pass in nineteen forty two.

276
00:14:32,240 --> 00:14:37,120
The place was never reopened. But here we find ourselves

277
00:14:37,159 --> 00:14:40,120
as part of the busy, happy crowd of Jack Morrissey's.

278
00:14:41,120 --> 00:14:45,120
How do you account for it? Well, you know, we

279
00:14:45,200 --> 00:14:49,799
account for everything eventually, and part of the accounting will

280
00:14:49,799 --> 00:14:53,120
occur when I return in just a few moments with

281
00:14:53,279 --> 00:15:07,639
act too, I would give a thousand tomorrows. A poet

282
00:15:07,679 --> 00:15:13,519
said for just one of my yesterday's, Well, today is

283
00:15:13,639 --> 00:15:17,720
yesterday for Bill Harlowe. He has just walked through a door,

284
00:15:18,159 --> 00:15:22,840
and almost thirty five years have suddenly fallen away. The

285
00:15:22,919 --> 00:15:26,559
far away and the long ago has just become the

286
00:15:26,639 --> 00:15:30,919
here and the now here. He is in Morrissey's where

287
00:15:30,919 --> 00:15:34,480
the college crowd hung out, and here are the girls,

288
00:15:35,000 --> 00:15:37,960
just as he remembers them, with their hair parted in

289
00:15:38,000 --> 00:15:40,639
the middle, high in the front and curled up at

290
00:15:40,639 --> 00:15:44,720
the shoulders. Here are the guys in sweaters and peated

291
00:15:44,759 --> 00:15:49,840
pants and loafers and the music. Oh that music.

292
00:15:51,919 --> 00:15:53,679
Speaker 2: Where how are you doing? Middy?

293
00:15:54,399 --> 00:15:58,159
Speaker 4: I may just been with Oh now that's a drastic step,

294
00:15:58,720 --> 00:16:00,000
as will get in there first.

295
00:16:00,159 --> 00:16:02,879
Speaker 1: Yeah, never rehearsing it. I think Billy lets some other

296
00:16:02,960 --> 00:16:04,159
guy do the spade work?

297
00:16:04,399 --> 00:16:06,919
Speaker 2: Is he? What I mean? Who's her out tonight? Jack?

298
00:16:07,120 --> 00:16:11,799
Speaker 4: Well, well there's your old buddy in Norman nice dish

299
00:16:11,799 --> 00:16:12,759
sitting there with him.

300
00:16:13,240 --> 00:16:15,639
Speaker 2: Yeah, very very nice.

301
00:16:15,279 --> 00:16:18,600
Speaker 4: I think she's given you the eye although she belongs

302
00:16:18,639 --> 00:16:21,440
to the lower Oh, woman belongs to nobody.

303
00:16:21,600 --> 00:16:22,840
Speaker 2: What do you want me to do is steal from

304
00:16:22,840 --> 00:16:32,200
my best friend. He'd steal it from you and me? Hi, folks,

305
00:16:32,279 --> 00:16:35,279
Oh what are you doing here? I just fell in

306
00:16:35,279 --> 00:16:37,480
love with Norman, with that girl you're sitting with. What

307
00:16:37,559 --> 00:16:38,519
kind of an answer is that?

308
00:16:38,919 --> 00:16:42,399
Speaker 5: I think you could call it an intelligent responsive man? Oh,

309
00:16:42,519 --> 00:16:47,759
you caught absolutely intelligent because he shows good case and.

310
00:16:48,240 --> 00:16:52,039
Speaker 3: Responsive because it answers the question. What's your name?

311
00:16:53,720 --> 00:16:54,759
Speaker 2: Billy? Get lost?

312
00:16:55,120 --> 00:16:57,120
Speaker 5: My name is Alda Neisan.

313
00:16:57,960 --> 00:16:58,440
Speaker 2: Thank you?

314
00:17:00,000 --> 00:17:01,080
Speaker 3: Where were you all this time?

315
00:17:01,759 --> 00:17:03,440
Speaker 2: Know me? We mustn't let the music die? Put a

316
00:17:03,480 --> 00:17:05,480
Nick on the juke box. Wait a minute, I thought

317
00:17:05,480 --> 00:17:06,319
this was my date.

318
00:17:06,440 --> 00:17:07,440
Speaker 3: Anything by Glenn Miller.

319
00:17:07,640 --> 00:17:10,640
Speaker 2: They have everything by Glenn Miller, know me? Do the honors?

320
00:17:10,920 --> 00:17:12,119
Behave yourself with my date?

321
00:17:15,079 --> 00:17:17,720
Speaker 3: Well my question?

322
00:17:18,240 --> 00:17:18,720
Speaker 2: Where was I?

323
00:17:19,680 --> 00:17:19,839
Speaker 3: Oh?

324
00:17:19,880 --> 00:17:21,039
Speaker 2: I was out there looking for you.

325
00:17:22,000 --> 00:17:23,200
Speaker 3: Well, now you found me.

326
00:17:24,200 --> 00:17:26,240
Speaker 2: I would like to give you an engagement rapper.

327
00:17:27,559 --> 00:17:29,480
Speaker 3: Oh are we engaged?

328
00:17:30,000 --> 00:17:32,079
Speaker 2: Sure, except I don't have one.

329
00:17:32,960 --> 00:17:35,839
Speaker 4: I could give you my fraternity pin, but I don't

330
00:17:35,839 --> 00:17:36,920
belong to a fraternity.

331
00:17:37,079 --> 00:17:40,039
Speaker 5: Oh well, I'm not sure I could be interested in

332
00:17:40,079 --> 00:17:40,680
a propert.

333
00:17:41,039 --> 00:17:42,799
Speaker 2: Oh I'm not completely without wealth?

334
00:17:43,440 --> 00:17:45,599
Speaker 3: Oh are you a millionaire in disguise?

335
00:17:45,960 --> 00:17:46,400
Speaker 2: You see this?

336
00:17:47,599 --> 00:17:49,079
Speaker 3: And what is that supposed to be?

337
00:17:49,359 --> 00:17:50,799
Speaker 2: It's not supposed to be anything.

338
00:17:51,119 --> 00:17:51,519
Speaker 4: It is.

339
00:17:52,640 --> 00:17:52,839
Speaker 3: Yes.

340
00:17:53,880 --> 00:17:55,279
Speaker 2: Now the average person would.

341
00:17:55,119 --> 00:17:57,640
Speaker 4: Look at this and say it's just a little black pebble,

342
00:17:58,640 --> 00:17:59,119
But it is.

343
00:18:00,119 --> 00:18:01,440
Speaker 2: This is a small stone.

344
00:18:02,000 --> 00:18:05,039
Speaker 4: See how he polished this from the tomb.

345
00:18:04,720 --> 00:18:10,319
Speaker 2: Of King tutt I an impress. You should be. It's

346
00:18:10,400 --> 00:18:11,799
my most precious position.

347
00:18:13,599 --> 00:18:15,000
Speaker 3: I'll keep it always?

348
00:18:16,480 --> 00:18:28,599
Speaker 2: Shall we dance well of it?

349
00:18:28,599 --> 00:18:31,240
Speaker 4: Ain't my old buddy, officer Tom Bergen, how come you

350
00:18:31,240 --> 00:18:32,039
ain't made chief?

351
00:18:32,079 --> 00:18:34,559
Speaker 1: Hey? What are you doing on this gun? For a second, neighborhood.

352
00:18:34,599 --> 00:18:36,920
Speaker 2: I'm trying to get out of it. How'd you get

353
00:18:36,960 --> 00:18:37,359
into it?

354
00:18:38,119 --> 00:18:38,880
Speaker 4: I had up there.

355
00:18:39,440 --> 00:18:41,640
Speaker 1: You mean somebody wanted to come down here?

356
00:18:41,839 --> 00:18:42,559
Speaker 2: You believe it.

357
00:18:42,839 --> 00:18:44,920
Speaker 1: I had a guy wanted to go to LaSalle corner

358
00:18:45,000 --> 00:18:48,200
Tree Mina next week. That joint ain't gonna exist. The

359
00:18:48,240 --> 00:18:50,519
wrecker's ball is gonna lay it over the way.

360
00:18:50,759 --> 00:18:54,079
Speaker 7: This was a genuine eighteen carrot nut take me tomorrow.

361
00:18:55,119 --> 00:18:59,000
Speaker 1: Wait a second, A tall guy, kind of distinguished, looking

362
00:18:59,000 --> 00:19:00,359
at a little bit great.

363
00:19:00,480 --> 00:19:02,079
Speaker 2: Yeah, that's right. The guy looked at it.

364
00:19:02,279 --> 00:19:04,240
Speaker 1: He points to this building that's falling apart.

365
00:19:04,359 --> 00:19:05,200
Speaker 2: That's Morrisy's.

366
00:19:05,240 --> 00:19:07,519
Speaker 1: He says, just like it was a live swinging joint,

367
00:19:07,559 --> 00:19:07,960
and then he.

368
00:19:07,960 --> 00:19:10,039
Speaker 2: Walked Yeah, yeah, yeah, yeah he would.

369
00:19:10,799 --> 00:19:13,119
Speaker 1: Yeah, thanks Jerry, thanks for telling me.

370
00:19:21,519 --> 00:19:23,359
Speaker 2: I have a couple of beers shack for me and

371
00:19:23,400 --> 00:19:25,880
my girl. You're a girl alone.

372
00:19:26,559 --> 00:19:29,079
Speaker 1: You come in here with Norman and I say Ormond

373
00:19:29,119 --> 00:19:29,880
has gone Hold.

374
00:19:29,960 --> 00:19:31,480
Speaker 2: Well, I would have done the same for him.

375
00:19:32,400 --> 00:19:35,079
Speaker 1: What is this gift you've got with the girl's belief?

376
00:19:35,160 --> 00:19:35,319
Speaker 2: Well?

377
00:19:35,319 --> 00:19:37,599
Speaker 4: What can I tell you? You have to be born

378
00:19:37,680 --> 00:19:41,160
with it or you do without happy. She's just another

379
00:19:41,279 --> 00:19:46,160
name you're telling me. Hey, I think that Norman was

380
00:19:46,240 --> 00:19:49,359
gone on her. She made the choice. Hey, hope he

381
00:19:49,480 --> 00:19:52,480
hear gives you. I know me and I were like brothers,

382
00:19:52,720 --> 00:19:56,240
blood brothers. Yeah, anyhow, he wasn't sore when he left.

383
00:19:56,279 --> 00:19:58,559
Speaker 2: Oh, I seen that big smile of his.

384
00:20:00,279 --> 00:20:02,519
Speaker 1: Know how a guy he's taking it inside.

385
00:20:03,160 --> 00:20:06,359
Speaker 2: Come on, that guy himself may not even know how

386
00:20:06,400 --> 00:20:07,359
he's taking it like.

387
00:20:08,079 --> 00:20:11,680
Speaker 1: It may be boiling away deep down where he don't

388
00:20:11,720 --> 00:20:15,319
know it. And then maybe ten, twenty, even thirty years

389
00:20:15,359 --> 00:20:18,880
from now he could suddenly make you pay the price.

390
00:20:19,240 --> 00:20:21,359
Speaker 4: I could stand here at be enriched by your wisdom

391
00:20:21,400 --> 00:20:23,839
forever Jack. But the most beautiful girl in the world

392
00:20:23,880 --> 00:20:32,640
is sitting there at the table. Waitful man, as you well.

393
00:20:32,599 --> 00:20:36,079
Speaker 5: What was that earnest conversation you were having with my host?

394
00:20:36,160 --> 00:20:38,559
Speaker 2: Jack morrisy just mad, a mad conversation?

395
00:20:39,160 --> 00:20:40,000
Speaker 3: Tell me about it?

396
00:20:40,559 --> 00:20:42,359
Speaker 2: Do you mean I have to tell you absolutely everything?

397
00:20:42,680 --> 00:20:44,640
Speaker 3: Absolutely well?

398
00:20:45,960 --> 00:21:01,559
Speaker 2: Sol solo is what's happening to us? Hey, mister hand Sella,

399
00:21:02,359 --> 00:21:03,880
She's she's.

400
00:21:03,720 --> 00:21:06,319
Speaker 4: Gone here, mister Hollow, Morrisey's gone.

401
00:21:06,319 --> 00:21:09,400
Speaker 2: It's all gone, pretty gone, mister Hollow. You can't stay here.

402
00:21:09,759 --> 00:21:13,839
It was all here, Jack Morris, don't.

403
00:21:13,599 --> 00:21:16,480
Speaker 1: You understand you don't want to get yourself from the trouble,

404
00:21:16,519 --> 00:21:17,319
mister Hollow.

405
00:21:17,559 --> 00:21:22,359
Speaker 4: It was here July thirtieth, nineteen thirty nine, the night

406
00:21:22,559 --> 00:21:23,480
I met Zelda.

407
00:21:23,880 --> 00:21:25,000
Speaker 2: She was Norman's days.

408
00:21:25,079 --> 00:21:28,200
Speaker 4: Yes, sure, sure, sure, but don't you patronize me.

409
00:21:28,440 --> 00:21:31,480
Speaker 2: I won't. I'll tell you straight out. You imagined it.

410
00:21:31,720 --> 00:21:34,240
I didn't. It was real. Case, so it was real

411
00:21:34,279 --> 00:21:36,240
to you. So is a dream.

412
00:21:36,680 --> 00:21:38,599
Speaker 1: But you wake up and the dream is gone, right,

413
00:21:39,079 --> 00:21:42,799
and now this is gone too, Yes, it's gone.

414
00:21:43,039 --> 00:21:45,440
Speaker 2: You better be getting out of here. This place is dangerous.

415
00:21:45,880 --> 00:21:47,039
Morrissey's dangerous.

416
00:21:47,119 --> 00:21:49,920
Speaker 1: Yeah. The buildings are being knocked down on all sides,

417
00:21:50,000 --> 00:21:52,359
and the vibrations could come on.

418
00:21:52,720 --> 00:21:54,839
Speaker 2: Yes, yes, officer, I'll come along quietly.

419
00:21:55,519 --> 00:21:57,599
Speaker 4: And the policeman is your best friend. That's what my

420
00:21:57,599 --> 00:21:59,640
mother used to tell me to mothers to let to

421
00:21:59,680 --> 00:22:00,559
their today.

422
00:22:00,839 --> 00:22:04,640
Speaker 2: I wouldn't know, sir, I wouldn't know either. We never

423
00:22:04,680 --> 00:22:05,799
had kids, Zelda and I.

424
00:22:06,519 --> 00:22:09,200
Speaker 4: Maybe if we'd had them, it might have been different.

425
00:22:09,319 --> 00:22:13,359
Speaker 2: Yeah, well, come on, I think we better go now. Yeah, wait,

426
00:22:14,480 --> 00:22:15,079
or does the matter?

427
00:22:16,400 --> 00:22:22,640
Speaker 4: Look where on the floor A little stone, a little

428
00:22:22,640 --> 00:22:23,279
black stone?

429
00:22:23,920 --> 00:22:30,319
Speaker 2: Say okay, what about it? Here? Hey, look at it.

430
00:22:30,319 --> 00:22:33,079
It's the stone I just gave to Zelda. This is it.

431
00:22:34,279 --> 00:22:37,799
This is the exact same stone. Now, look, mister Harlow,

432
00:22:37,960 --> 00:22:40,680
how's you live? Thirtieth, nineteen thirty nine? In this place?

433
00:22:41,400 --> 00:22:45,799
Speaker 4: I gave a girl named Zelda Newsom a little black stone,

434
00:22:46,000 --> 00:22:46,839
and here it is.

435
00:22:48,160 --> 00:22:49,680
Speaker 2: How do you account for it? I don't know.

436
00:22:49,720 --> 00:22:52,559
Speaker 1: I can't account for anything. All I know is that

437
00:22:52,599 --> 00:22:56,039
this joint's been deserted for years and the loss says

438
00:22:56,079 --> 00:22:57,680
no trespasm.

439
00:22:57,920 --> 00:23:12,000
Speaker 2: So do we go? All right, let's go Phil Hello, Zelda? Norman? Hell?

440
00:23:12,680 --> 00:23:15,720
Speaker 3: Is that all you can say? Hello? What are you

441
00:23:15,799 --> 00:23:16,920
doing here at home?

442
00:23:17,839 --> 00:23:20,079
Speaker 4: It's obvious I've been listening to one of my favorite records.

443
00:23:20,240 --> 00:23:21,279
Speaker 3: Turn that thing off.

444
00:23:21,839 --> 00:23:23,599
Speaker 2: It used to be your favorite record too.

445
00:23:23,680 --> 00:23:26,160
Speaker 1: Now, please, Bill, do you mind? We have some serious

446
00:23:26,200 --> 00:23:27,279
matters to discuss.

447
00:23:27,279 --> 00:23:32,799
Speaker 4: Oh, we certainly do. We certainly do, Zelda. That night

448
00:23:32,880 --> 00:23:35,440
we met, I gave you a stone, remember.

449
00:23:35,160 --> 00:23:37,839
Speaker 5: Norman, and I waited for you at the office. The

450
00:23:37,920 --> 00:23:40,240
man from United Western Industries was there.

451
00:23:40,319 --> 00:23:42,079
Speaker 2: You don't remember that little black stone, Zelda.

452
00:23:42,160 --> 00:23:42,920
Speaker 1: They'll excuse me.

453
00:23:43,000 --> 00:23:43,799
Speaker 2: I have to say this.

454
00:23:43,960 --> 00:23:46,240
Speaker 1: You did not create a favorable impression.

455
00:23:46,240 --> 00:23:47,759
Speaker 2: You said you'd always keep the stone.

456
00:23:47,880 --> 00:23:49,680
Speaker 1: Fortunately, I think we saved the situation.

457
00:23:49,920 --> 00:23:52,480
Speaker 3: Be so modest, Norman, you saved the situation.

458
00:23:52,920 --> 00:23:54,599
Speaker 2: Why didn't you keep the stone? Solda?

459
00:23:54,680 --> 00:23:57,039
Speaker 3: I don't know what stone you're talking about.

460
00:23:57,279 --> 00:23:57,960
Speaker 2: Listen to us.

461
00:23:58,039 --> 00:24:00,599
Speaker 4: And less than an hour ago we spoke to each

462
00:24:00,640 --> 00:24:03,799
other with such love. We were so thrilled, we were

463
00:24:03,839 --> 00:24:05,559
so excited by each other's presence.

464
00:24:05,720 --> 00:24:08,319
Speaker 3: Less than an hour ago. You are crazy?

465
00:24:08,480 --> 00:24:12,200
Speaker 2: We did. We met for the first time. You don't

466
00:24:12,279 --> 00:24:13,480
want to remember.

467
00:24:13,160 --> 00:24:16,400
Speaker 5: Bill, Will you please please concentrate.

468
00:24:16,519 --> 00:24:20,559
Speaker 3: I am trying to tell you. Norman worked out.

469
00:24:20,640 --> 00:24:22,240
Speaker 2: The deal, did you, Norman?

470
00:24:22,400 --> 00:24:26,640
Speaker 1: Yes, you see, Zelda and I and yes, we have worked.

471
00:24:26,480 --> 00:24:30,000
Speaker 3: Very closely on it for a long time. Norman and I. Yes,

472
00:24:30,079 --> 00:24:32,440
Norman and I. It had to be Norman and me.

473
00:24:32,519 --> 00:24:34,759
Who else would have kept the business alive.

474
00:24:35,079 --> 00:24:37,279
Speaker 2: You've been very close with Norman, haven't you. Huh?

475
00:24:38,200 --> 00:24:39,079
Speaker 3: Just what does that mean?

476
00:24:39,160 --> 00:24:41,039
Speaker 2: Well, maybe you think you made the wrong choice back

477
00:24:41,039 --> 00:24:42,799
there in Morrison. Maybe she did.

478
00:24:42,839 --> 00:24:45,240
Speaker 4: I'd better go now, No, stay, would you have been

479
00:24:45,240 --> 00:24:46,200
happier with Norman?

480
00:24:46,440 --> 00:24:48,279
Speaker 2: Sober, steady, reliable? Norman?

481
00:24:48,359 --> 00:24:49,240
Speaker 3: Disregard all of this.

482
00:24:49,319 --> 00:24:51,279
Speaker 5: Norman, We have to discuss what happened today.

483
00:24:51,319 --> 00:24:52,880
Speaker 3: Why you weren't there.

484
00:24:52,640 --> 00:24:55,599
Speaker 1: Bill, Bill, Look, you'll still be president of the company.

485
00:24:55,759 --> 00:24:58,720
Speaker 2: That's nice, but ah the butt I.

486
00:24:58,880 --> 00:25:02,640
Speaker 1: Become chief executive officer in charge of operations.

487
00:25:02,799 --> 00:25:05,440
Speaker 4: I see, well, you know what it proves Check Morrissey

488
00:25:05,519 --> 00:25:08,440
was right. Now what are you saying? Oh, Norman, you

489
00:25:08,519 --> 00:25:10,920
kept it bottled up all these years, but you never

490
00:25:11,000 --> 00:25:14,200
forgave me, and today you buried the knife.

491
00:25:14,240 --> 00:25:17,440
Speaker 2: Phil, I didn't want the job. I bet you kicked

492
00:25:17,440 --> 00:25:17,960
and screamed.

493
00:25:18,079 --> 00:25:19,759
Speaker 3: Won't you try to understand?

494
00:25:20,400 --> 00:25:23,039
Speaker 5: It's the only deal United Western will accept it.

495
00:25:23,200 --> 00:25:24,519
Speaker 2: I don't accept it.

496
00:25:24,559 --> 00:25:26,799
Speaker 1: Do you want to know the truth? Bill, the awful,

497
00:25:26,960 --> 00:25:29,440
terrible truth. They don't have to give us any kind

498
00:25:29,480 --> 00:25:31,400
of deal at all. They can wait a year until

499
00:25:31,400 --> 00:25:33,839
you go bankrupt and then just move in and pick

500
00:25:33,920 --> 00:25:35,039
up the pieces.

501
00:25:34,759 --> 00:25:38,039
Speaker 4: You You really don't remember the stone, Seldan.

502
00:25:38,160 --> 00:25:39,880
Speaker 3: Can't we have a sensible conversation?

503
00:25:40,000 --> 00:25:41,039
Speaker 1: You're getting off lucky?

504
00:25:41,079 --> 00:25:43,880
Speaker 2: Bill? Am I why the truth is?

505
00:25:44,279 --> 00:25:47,240
Speaker 1: You don't know how to run a company in today's market.

506
00:25:47,440 --> 00:25:49,160
Speaker 2: That's true. I believe in quality.

507
00:25:49,279 --> 00:25:51,559
Speaker 1: Yes, you justify yourself with that word quality.

508
00:25:51,880 --> 00:25:54,400
Speaker 2: But quality is a thing of the past. It costs money.

509
00:25:54,559 --> 00:25:56,519
People refuse to pay for it. As long as I

510
00:25:56,680 --> 00:26:00,119
run this company, and it did you ever run this company?

511
00:26:00,200 --> 00:26:03,079
I carried you shut up. Look, I'm sorry.

512
00:26:03,240 --> 00:26:05,240
Speaker 1: I'm going back to the office, and you should go

513
00:26:05,279 --> 00:26:08,039
back too. We have to meet with the United Western people.

514
00:26:08,319 --> 00:26:12,799
Speaker 2: You sure spoke your peace, didn't you. Oh Bill, Bill, you.

515
00:26:12,799 --> 00:26:16,720
Speaker 1: Were a big, friendly boy with a gift of gab.

516
00:26:17,440 --> 00:26:22,039
Speaker 2: But after a while it all wore a bit thin. Goodbye.

517
00:26:26,759 --> 00:26:28,440
Speaker 3: You better go back to the office.

518
00:26:28,839 --> 00:26:31,799
Speaker 4: Yes, but let's go back. But none to the office.

519
00:26:31,920 --> 00:26:33,319
Let's go back to Jack Morrissey's.

520
00:26:34,319 --> 00:26:39,359
Speaker 5: Jack Morrissey is dead and gone, and you and I

521
00:26:39,400 --> 00:26:41,039
can't do the Lindy anymore.

522
00:26:41,200 --> 00:26:41,920
Speaker 2: We were happy.

523
00:26:42,039 --> 00:26:44,839
Speaker 3: We were so happy because we were children.

524
00:26:46,359 --> 00:26:49,640
Speaker 5: You never wanted to grow up except responsibility.

525
00:26:49,720 --> 00:26:51,519
Speaker 2: Wouldn't you like to go back to him? We were

526
00:26:51,559 --> 00:26:52,400
really in love.

527
00:26:52,880 --> 00:26:56,519
Speaker 5: You're still a kid, and you still ask a child's questions.

528
00:26:56,759 --> 00:27:00,680
Speaker 4: But I've gone back once again. I felt that thrill,

529
00:27:01,279 --> 00:27:03,039
the thrill I knew the night we met.

530
00:27:03,319 --> 00:27:05,559
Speaker 3: He even sounded like a song of thirty years ago.

531
00:27:05,759 --> 00:27:06,960
Speaker 2: I saw how you looked.

532
00:27:07,319 --> 00:27:09,279
Speaker 4: You didn't have a line on your face, a doubt

533
00:27:09,319 --> 00:27:11,519
in your heart, a worry in your head.

534
00:27:11,640 --> 00:27:15,400
Speaker 5: Please, Bill, go to the office, salvage something.

535
00:27:15,839 --> 00:27:18,559
Speaker 2: I have to go back. I can't live here anymore.

536
00:27:18,720 --> 00:27:20,960
What do you mean by here the present.

537
00:27:21,160 --> 00:27:24,279
Speaker 3: The present is all we have. The future never comes

538
00:27:24,279 --> 00:27:25,400
in the past is dead.

539
00:27:25,519 --> 00:27:28,640
Speaker 4: This time, I won't let anybody break into it. I'll

540
00:27:28,680 --> 00:27:32,440
know how to hold onto us. Come back with me, Zelda,

541
00:27:32,759 --> 00:27:33,519
Come back.

542
00:27:39,799 --> 00:27:43,799
Speaker 1: It was Albert Einstein who said the past, the present,

543
00:27:44,000 --> 00:27:47,680
and the future are all mixed up. You can go

544
00:27:47,839 --> 00:27:50,759
forward in time and you can go backward in time.

545
00:27:51,960 --> 00:27:57,079
Exactly how is not crystal clear, but the theoretical possibilities

546
00:27:57,440 --> 00:27:58,759
are accepted by science.

547
00:28:00,079 --> 00:28:00,319
Speaker 3: Act.

548
00:28:00,319 --> 00:28:04,039
Speaker 1: By such assurances, we can certainly give Bill Harlowe a

549
00:28:04,119 --> 00:28:08,160
little bit of creedence, can't we. I'll be back shortly

550
00:28:08,519 --> 00:28:23,880
with Act three. The promise of youth who has seen

551
00:28:23,920 --> 00:28:28,000
it fulfilled? Not most of us, that's for sure. And

552
00:28:28,039 --> 00:28:32,480
so maturity becomes a matter of more or less graceful

553
00:28:32,519 --> 00:28:36,880
reconciliation between the dreams of the boy and the realities

554
00:28:36,920 --> 00:28:40,759
of the man. We say more or less gracefully to

555
00:28:40,880 --> 00:28:45,440
describe the reconciliation, because while there are people who accept

556
00:28:45,519 --> 00:28:50,039
failure with very little grace, at least they do accept it.

557
00:28:50,799 --> 00:28:54,480
Then we have Bill Harlowe, who refuses to accept it

558
00:28:54,519 --> 00:28:55,000
at all.

559
00:28:55,240 --> 00:29:00,960
Speaker 4: Come back with me, Selda, Silda, you and I We're

560
00:29:01,000 --> 00:29:05,160
still there, we're still sitting in Jack Morrissey's We never.

561
00:29:05,079 --> 00:29:10,799
Speaker 5: Left, Bill, How can we be sitting in Jack Morrissey's

562
00:29:11,319 --> 00:29:13,000
if we're sitting here.

563
00:29:13,319 --> 00:29:16,000
Speaker 4: I don't know that I was there and a hour

564
00:29:16,039 --> 00:29:19,000
ago I think of how beautiful you looked.

565
00:29:18,640 --> 00:29:20,559
Speaker 2: It breaks my heart.

566
00:29:20,799 --> 00:29:21,839
Speaker 3: Bill, It won't work.

567
00:29:23,200 --> 00:29:25,720
Speaker 5: We're what we are now with the last thirty five

568
00:29:25,799 --> 00:29:26,759
years have made us.

569
00:29:27,240 --> 00:29:29,680
Speaker 3: You simply cannot accept life.

570
00:29:29,799 --> 00:29:31,039
Speaker 2: That's not life, that's death.

571
00:29:31,200 --> 00:29:32,839
Speaker 3: Death is also a part of life.

572
00:29:32,920 --> 00:29:35,759
Speaker 2: Please come back to Jack Morrissey's.

573
00:29:35,960 --> 00:29:37,920
Speaker 3: Yes, well, you can still get a.

574
00:29:39,400 --> 00:29:41,599
Speaker 5: Big glass of beer for a dime, and you can

575
00:29:41,720 --> 00:29:44,319
dance all night, and there's no gray in your hair

576
00:29:44,680 --> 00:29:46,240
and only love in your heart and all.

577
00:29:46,079 --> 00:29:47,640
Speaker 3: The world it is friendship and music.

578
00:29:49,440 --> 00:29:51,279
Speaker 5: Was that the only time in your life that you

579
00:29:51,319 --> 00:29:52,200
were really happy?

580
00:29:52,480 --> 00:29:54,920
Speaker 2: Is it a crime to want to hold on to happiness?

581
00:29:55,680 --> 00:30:02,359
Speaker 3: No, it isn't a crime. It's a delusion, but it

582
00:30:02,400 --> 00:30:03,000
isn't a crime.

583
00:30:03,720 --> 00:30:05,759
Speaker 2: We can go back. I don't want to hear.

584
00:30:05,640 --> 00:30:06,480
Speaker 3: Any more about it.

585
00:30:06,720 --> 00:30:08,559
Speaker 2: But I can prove it. I've got the proof.

586
00:30:08,720 --> 00:30:11,079
Speaker 3: You go back to your office and you grow.

587
00:30:11,000 --> 00:30:13,359
Speaker 2: Up, Zelda, I said, I could prove you.

588
00:30:13,359 --> 00:30:16,119
Speaker 5: Go to the office, or I'll walk out on you

589
00:30:16,200 --> 00:30:17,759
right now, Zelda.

590
00:30:18,359 --> 00:30:29,599
Speaker 7: I mean, oh, come on in, Norman.

591
00:30:29,640 --> 00:30:30,359
Speaker 2: What's on your mind?

592
00:30:30,759 --> 00:30:31,079
Speaker 4: Bill? I?

593
00:30:32,319 --> 00:30:33,279
Speaker 2: Well, excuse me.

594
00:30:33,319 --> 00:30:37,319
Speaker 1: The reorganization and well it was decided that this would

595
00:30:37,400 --> 00:30:39,400
become my office.

596
00:30:39,839 --> 00:30:41,400
Speaker 2: Oh then I better get out of here right away.

597
00:30:41,599 --> 00:30:44,480
Speaker 1: Oh it is really no hurry, I mean no, take

598
00:30:44,519 --> 00:30:45,319
a few days.

599
00:30:45,599 --> 00:30:45,920
Speaker 2: Sure.

600
00:30:46,799 --> 00:30:50,720
Speaker 1: I uh, look, I'm sorry. We had those words back

601
00:30:50,759 --> 00:30:51,640
at your apartment.

602
00:30:52,039 --> 00:30:55,880
Speaker 2: We never really were friends, were we. Norman. I don't

603
00:30:55,880 --> 00:30:58,440
know what you're talking about, and now you're getting back

604
00:30:58,480 --> 00:30:59,640
at me for everything.

605
00:30:59,720 --> 00:31:03,160
Speaker 1: Now I know we can work together and justify the

606
00:31:03,160 --> 00:31:05,359
faith of the new management has in us.

607
00:31:05,440 --> 00:31:10,839
Speaker 4: Oh that's a terrific speech, Norman. Terrific, precise, pungent, and pithy.

608
00:31:12,920 --> 00:31:15,799
What one of us answers that this is now your office?

609
00:31:15,799 --> 00:31:16,680
But it's probably for me.

610
00:31:16,799 --> 00:31:21,519
Speaker 2: I'll come on. Yes, yeah, you.

611
00:31:21,519 --> 00:31:23,640
Speaker 5: Expected to meet with the United Western people in the

612
00:31:23,680 --> 00:31:26,319
conference room in twenty minutes, along with mister Hollis.

613
00:31:26,440 --> 00:31:27,160
Speaker 3: And oh your.

614
00:31:27,039 --> 00:31:29,759
Speaker 4: Wife is here, tig you mus name, send the dear

615
00:31:29,799 --> 00:31:33,000
girl in. So you and I are going to meet

616
00:31:33,000 --> 00:31:36,039
with the new management and the last questions and they'll

617
00:31:36,039 --> 00:31:38,599
see how bright you are and how stupid I am. Bill.

618
00:31:38,680 --> 00:31:43,000
Speaker 2: That is ridiculous? Is that how you set it up?

619
00:31:44,279 --> 00:31:45,960
Speaker 3: Sans nothing?

620
00:31:46,400 --> 00:31:50,359
Speaker 4: That's right, nothing, It's just old Bill being paranoid again.

621
00:31:50,440 --> 00:31:52,680
Speaker 1: I've got to get some figures together. I'll see you

622
00:31:52,720 --> 00:31:58,519
in the conference room. Bill.

623
00:31:58,599 --> 00:32:02,319
Speaker 3: I know it's hard. It's hard for you to work

624
00:32:02,359 --> 00:32:03,240
with Norman.

625
00:32:02,920 --> 00:32:06,880
Speaker 5: As well on an adult level, to accept him as

626
00:32:06,920 --> 00:32:11,759
an equal. Brilliant Bill plotting Norman. But you need each other.

627
00:32:12,079 --> 00:32:16,359
Speaker 4: You mean you really don't remember the stone Zilda.

628
00:32:15,960 --> 00:32:20,599
Speaker 3: The stone king Tut's royal stone?

629
00:32:21,039 --> 00:32:22,880
Speaker 2: Then why did you pretend maybe.

630
00:32:22,640 --> 00:32:27,400
Speaker 3: I wanted to forget? Why? Because so much has happened

631
00:32:27,440 --> 00:32:30,799
to us, Zilla, don't try to rake it up. Bill.

632
00:32:31,000 --> 00:32:35,759
Let's have it out all right, All right, let's talk

633
00:32:37,519 --> 00:32:38,240
about Marie.

634
00:32:39,119 --> 00:32:40,640
Speaker 2: I was never in love with Marie.

635
00:32:40,759 --> 00:32:42,319
Speaker 3: That didn't make it any easier for me.

636
00:32:42,559 --> 00:32:44,200
Speaker 2: I thought we agreed to forget about that.

637
00:32:44,319 --> 00:32:46,119
Speaker 3: I never said I would forget Marie.

638
00:32:46,400 --> 00:32:48,880
Speaker 5: I only agreed not to let her break up our marriage.

639
00:32:49,079 --> 00:32:51,400
Speaker 4: Sold that she was the only one in all these years,

640
00:32:51,680 --> 00:32:52,319
the only one.

641
00:32:52,799 --> 00:32:54,640
Speaker 3: Well, I think that calls for some sort of medal.

642
00:32:54,799 --> 00:32:56,319
Speaker 2: How long does it last? A couple of months?

643
00:32:56,359 --> 00:32:58,279
Speaker 3: And what's a couple of months in a lifetime?

644
00:32:58,839 --> 00:33:00,839
Speaker 2: You promised you'd never get that stone.

645
00:33:00,880 --> 00:33:05,119
Speaker 3: Oh, yes, the stone. That was the day I learned

646
00:33:05,400 --> 00:33:06,000
I had.

647
00:33:05,839 --> 00:33:12,599
Speaker 5: An associate, another partner in my marriage. You know what

648
00:33:12,680 --> 00:33:17,640
I did with that, that funny little black stone, which

649
00:33:17,680 --> 00:33:19,759
you said came from King Tut's tomb.

650
00:33:19,640 --> 00:33:20,559
Speaker 2: Well it really didn't.

651
00:33:20,640 --> 00:33:21,599
Speaker 3: Oh, I always knew that.

652
00:33:23,759 --> 00:33:28,240
Speaker 5: I went for a walk on the start Straight bridge

653
00:33:28,880 --> 00:33:30,799
and I stopped at the rail over at the middle

654
00:33:30,839 --> 00:33:34,640
of the river, and I had a wild idea to

655
00:33:34,720 --> 00:33:39,680
throw myself off the bridge, but I threw the stone instead,

656
00:33:41,480 --> 00:33:45,759
and by now it sunk deep into the river bed,

657
00:33:47,000 --> 00:33:48,559
under one hundred feet of water.

658
00:33:50,480 --> 00:33:56,319
Speaker 3: So you see it's gone.

659
00:33:55,000 --> 00:33:59,160
Speaker 4: Zelda, if we could get that stone back, Oh sure,

660
00:33:59,480 --> 00:34:02,880
that stone, the stone I gave you the night we met,

661
00:34:03,720 --> 00:34:05,119
the night it began for us.

662
00:34:05,160 --> 00:34:06,559
Speaker 3: That stone is gone.

663
00:34:06,720 --> 00:34:09,760
Speaker 5: It's gone forever, It's gone beyond recall.

664
00:34:10,079 --> 00:34:15,239
Speaker 3: No, Bill, you have to grow up. You have to

665
00:34:15,360 --> 00:34:16,119
accept it.

666
00:34:17,000 --> 00:34:21,039
Speaker 5: Because the stone is like the past, dead, buried.

667
00:34:22,360 --> 00:34:23,639
Speaker 3: You cannot bring it back.

668
00:34:23,920 --> 00:34:24,920
Speaker 2: I have brought it back.

669
00:34:25,000 --> 00:34:26,960
Speaker 3: Oh Bill, please look.

670
00:34:28,280 --> 00:34:31,159
Speaker 2: Look here, Look at what I have in my hand.

671
00:34:32,599 --> 00:34:33,000
Take it?

672
00:34:34,800 --> 00:34:35,360
Speaker 4: What is it?

673
00:34:36,599 --> 00:34:37,320
Speaker 2: You know what it is?

674
00:34:39,599 --> 00:34:41,039
Speaker 3: That can't be the stone?

675
00:34:41,400 --> 00:34:45,159
Speaker 4: You remember you took it to a jeweler. You had

676
00:34:45,199 --> 00:34:47,679
our initials engraved on it. B Z.

677
00:34:48,880 --> 00:34:50,559
Speaker 3: You found another stone just like it.

678
00:34:50,840 --> 00:34:55,360
Speaker 4: Hold it, look at it, feel it. It's the stone,

679
00:34:55,719 --> 00:34:58,519
our stone.

680
00:34:58,800 --> 00:35:02,119
Speaker 3: I threw it off this Darren Straight Bridge. Nobody could

681
00:35:02,239 --> 00:35:03,119
ever find it.

682
00:35:03,199 --> 00:35:05,840
Speaker 4: But I went back and found it before you threw

683
00:35:05,880 --> 00:35:09,000
it away. I went back to the night of July thirtieth,

684
00:35:09,119 --> 00:35:10,199
nineteen thirty nine.

685
00:35:10,320 --> 00:35:11,079
Speaker 3: You couldn't.

686
00:35:11,480 --> 00:35:13,119
Speaker 2: We were nineteen years old.

687
00:35:13,199 --> 00:35:13,960
Speaker 3: I don't believe it.

688
00:35:14,280 --> 00:35:18,119
Speaker 4: We're still nineteen years old. Come with me, I'll prove it.

689
00:35:18,320 --> 00:35:20,280
We're in Jack Morris's at the corner of the Salad

690
00:35:20,320 --> 00:35:21,800
Tremont and we're nineteen.

691
00:35:22,519 --> 00:35:23,679
Speaker 3: It's impossible.

692
00:35:25,719 --> 00:35:29,440
Speaker 4: Listen, don't you hear the juke bucks is playing the

693
00:35:29,480 --> 00:35:32,079
slow tube.

694
00:35:32,400 --> 00:35:37,480
Speaker 2: Let's go bash, Let's be nineteen again. It's another chance.

695
00:35:38,000 --> 00:35:40,239
There's another chance to live another life at this time.

696
00:35:40,719 --> 00:35:43,880
This time, I'm no better. This time. I won't waste it.

697
00:35:44,400 --> 00:35:47,559
This time, I'll grow up. Don't you want to be

698
00:35:47,679 --> 00:35:48,360
nineteen again?

699
00:35:50,400 --> 00:35:51,079
Speaker 1: I'm afraid.

700
00:35:51,400 --> 00:35:54,360
Speaker 2: There's nothing to be afraid of, or were we afraid of.

701
00:35:54,400 --> 00:35:57,360
But we were nineteen. We didn't know what the word meant.

702
00:36:04,920 --> 00:36:08,960
Speaker 3: It's gone the neighborhood, it's all gone.

703
00:36:09,159 --> 00:36:12,079
Speaker 4: Hurry, we're not supposed to go into the building. Why

704
00:36:12,559 --> 00:36:15,280
because oh it doesn't matter here this is it?

705
00:36:16,079 --> 00:36:18,760
Speaker 3: This was Jack Morris.

706
00:36:18,960 --> 00:36:23,079
Speaker 2: It still is inside now that's stuck in quickly before

707
00:36:23,079 --> 00:36:23,440
we're seen.

708
00:36:24,039 --> 00:36:25,639
Speaker 3: No, I'm afraid to go in there.

709
00:36:25,679 --> 00:36:28,119
Speaker 2: Why hurry before somebody comes along.

710
00:36:28,199 --> 00:36:30,280
Speaker 5: It's a crazy looking building. It looks as if it'll

711
00:36:30,280 --> 00:36:33,719
fall apart any minute. Come on, can't you see there's

712
00:36:33,760 --> 00:36:35,039
nobody inside?

713
00:36:35,519 --> 00:36:40,360
Speaker 2: There isn't listen do you hear it?

714
00:36:42,480 --> 00:36:45,960
Speaker 4: What are we waiting for? It's July thirtieth, nineteen thirty nine,

715
00:36:46,400 --> 00:36:53,880
and we're about to meet for the first time. You

716
00:36:53,920 --> 00:36:57,000
see that table near the wall, that's where.

717
00:36:56,800 --> 00:36:57,760
Speaker 2: You were sitting with Norman.

718
00:36:58,519 --> 00:37:03,440
Speaker 4: Go there, I'll join you in a minute.

719
00:37:04,159 --> 00:37:04,480
Speaker 3: World.

720
00:37:04,880 --> 00:37:08,000
Speaker 4: Wait, wait, it's really the very room.

721
00:37:08,800 --> 00:37:12,119
Speaker 2: And how was married life? I recommended highly try Jack.

722
00:37:13,360 --> 00:37:15,880
Speaker 1: I've done without it for forty years. You look hancer

723
00:37:15,880 --> 00:37:16,639
in that uniform.

724
00:37:16,679 --> 00:37:20,280
Speaker 2: Believe well your list Jack. If we get into the war,

725
00:37:20,440 --> 00:37:23,519
I will oh no, no, no, this rounds on me. Hold

726
00:37:23,559 --> 00:37:23,960
you bad?

727
00:37:24,039 --> 00:37:34,280
Speaker 4: Well, it's about time you see see darling, it's just

728
00:37:34,320 --> 00:37:35,559
as it was the night we met.

729
00:37:36,639 --> 00:37:37,760
Speaker 2: There's something.

730
00:37:39,119 --> 00:37:40,000
Speaker 3: Something's wrong.

731
00:37:41,000 --> 00:37:41,920
Speaker 2: What are you talking about?

732
00:37:43,079 --> 00:37:47,920
Speaker 5: If this is the night we met, where's Norman Norman.

733
00:37:48,079 --> 00:37:49,519
It was Norman who brought me here.

734
00:37:51,000 --> 00:37:56,360
Speaker 3: I was his date. Remember, well, and you're in uniform.

735
00:37:56,880 --> 00:38:00,199
Speaker 5: This can't be July thirtieth, nineteen thirty nine.

736
00:38:01,199 --> 00:38:04,119
Speaker 3: You didn't enlist to August of nineteen forty.

737
00:38:04,599 --> 00:38:06,280
Speaker 2: Well, well, what's the difference.

738
00:38:06,360 --> 00:38:09,800
Speaker 5: Look at the calendar over the bar. What does it say?

739
00:38:10,320 --> 00:38:13,599
Speaker 2: Tell me December sixth, nineteen forty one?

740
00:38:13,800 --> 00:38:15,559
Speaker 3: Tomorrow is Pearl Herber.

741
00:38:16,719 --> 00:38:18,320
Speaker 4: What's the difference that we pick up our lives on

742
00:38:18,360 --> 00:38:21,559
December the sixth, nineteen forty one or July thirtieth, nineteen

743
00:38:21,599 --> 00:38:22,079
thirty nine.

744
00:38:22,119 --> 00:38:23,400
Speaker 3: We were here that night.

745
00:38:24,000 --> 00:38:28,039
Speaker 5: I remember, I remember everybody who was in this place.

746
00:38:28,159 --> 00:38:29,559
Speaker 2: What's to remember? You can see them.

747
00:38:29,840 --> 00:38:34,719
Speaker 5: There's Jack Morrissey behind the bar. Norman isn't here. He

748
00:38:34,880 --> 00:38:40,639
wasn't then, either, Ziba. No, listen, there's Tommy Burke and

749
00:38:40,639 --> 00:38:45,880
Fred Novak and Bert Ullman and Jacqueline Myers and Kitty

750
00:38:46,840 --> 00:38:47,639
and Edith.

751
00:38:47,480 --> 00:38:53,679
Speaker 6: Of course, and all of them are dead today.

752
00:38:54,079 --> 00:38:56,599
Speaker 2: They can't be dead today. Here they are.

753
00:38:56,960 --> 00:39:01,440
Speaker 5: I don't mean December sixth, nineteen forty one one. I

754
00:39:01,480 --> 00:39:04,880
mean now the boys, every one of them.

755
00:39:04,800 --> 00:39:05,639
Speaker 3: Was killed in the war.

756
00:39:05,840 --> 00:39:11,639
Speaker 5: The girls, Jackie died in childbirth, Kitty was killed in

757
00:39:11,639 --> 00:39:12,280
an accident.

758
00:39:13,719 --> 00:39:15,840
Speaker 3: Leda's had an operation and she never.

759
00:39:15,920 --> 00:39:17,440
Speaker 2: Knows to do it.

760
00:39:17,559 --> 00:39:21,639
Speaker 5: Don't you see it won't be different, It'll be all

761
00:39:21,679 --> 00:39:22,199
the same.

762
00:39:23,320 --> 00:39:24,800
Speaker 3: We'll do it the same way again.

763
00:39:25,159 --> 00:39:29,320
Speaker 4: No, no, we'll make it different. How this time we'll

764
00:39:29,400 --> 00:39:29,960
know better?

765
00:39:30,159 --> 00:39:32,880
Speaker 3: Why how will we know better?

766
00:39:33,559 --> 00:39:37,000
Speaker 5: We'll have forgotten. I'm starting to forget already.

767
00:39:38,239 --> 00:39:41,599
Speaker 3: Afraid I can't help it. Look at this place. It's

768
00:39:41,639 --> 00:39:42,559
the place of the dead.

769
00:39:42,880 --> 00:39:44,519
Speaker 2: Don't say dead.

770
00:39:44,800 --> 00:39:47,639
Speaker 5: Everything is dead here. All these people are dead now.

771
00:39:47,719 --> 00:39:50,679
The music is dead, the building is dead. And if

772
00:39:50,719 --> 00:39:52,480
we stay here, we'll be dead too.

773
00:39:52,760 --> 00:39:55,320
Speaker 2: No, this is where we can start a new life.

774
00:39:55,400 --> 00:39:56,199
Speaker 3: Let's get out of here.

775
00:39:56,719 --> 00:39:59,800
Speaker 2: How can you say dead? Can't you see everybody? Can't

776
00:39:59,840 --> 00:40:00,800
you hear the music?

777
00:40:01,440 --> 00:40:06,239
Speaker 5: No, I don't hear anything. I don't see anything. I'm

778
00:40:06,239 --> 00:40:09,639
in an old, battered, broken down building. The ceiling is

779
00:40:09,679 --> 00:40:12,840
gonna cave in any minute. The walls are ready to collapse.

780
00:40:15,880 --> 00:40:17,199
Speaker 2: Why do I hear it?

781
00:40:18,519 --> 00:40:19,880
Speaker 1: Why do I see it?

782
00:40:20,400 --> 00:40:22,559
Speaker 2: Why is it so real to me?

783
00:40:23,159 --> 00:40:25,880
Speaker 3: Because you need it all right?

784
00:40:27,119 --> 00:40:28,000
Speaker 2: You need it too.

785
00:40:28,400 --> 00:40:32,079
Speaker 3: No, No, I'm not afraid to live to grow.

786
00:40:32,559 --> 00:40:33,960
Speaker 2: Where are you going home?

787
00:40:34,360 --> 00:40:36,239
Speaker 3: Please come with me home.

788
00:40:36,920 --> 00:40:37,920
Speaker 2: I'm home now.

789
00:40:42,119 --> 00:40:45,119
Speaker 5: They're tearing down the building. Do you want to stay

790
00:40:45,159 --> 00:40:45,760
and die?

791
00:40:46,280 --> 00:40:48,320
Speaker 2: I'm gonna stay and live.

792
00:40:49,159 --> 00:40:59,480
Speaker 6: Confide them Selda, Selda, wait at all?

793
00:41:00,119 --> 00:41:01,960
Speaker 2: Why what's toil?

794
00:41:02,000 --> 00:41:06,360
Speaker 3: And by why my my husbands inside? E din't know? Felny,

795
00:41:06,960 --> 00:41:08,519
somebody going a get around?

796
00:41:08,719 --> 00:41:09,519
Speaker 2: Nobody can go on?

797
00:41:09,599 --> 00:41:10,559
Speaker 1: Then al any long?

798
00:41:10,960 --> 00:41:28,440
Speaker 8: God they never found his body. Fuck then again, they.

799
00:41:28,320 --> 00:41:31,280
Speaker 1: Never found the bodies of anyone else inside the place either,

800
00:41:31,960 --> 00:41:34,599
all the people who were in Jack Morrissey's the night

801
00:41:34,679 --> 00:41:36,960
of December sixth, nineteen forty one.

802
00:41:38,199 --> 00:41:40,360
Speaker 3: Maybe Morrissey's is a.

803
00:41:40,320 --> 00:41:44,840
Speaker 1: State of mind. After all, doesn't everyone have a price,