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Speaker 1: You're listening to macconnorton Unleashed on wmn H ninety five

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point three.

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Speaker 2: Right now. It's the world radio premiere of the new

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single from Eddie Singh and the thirty one Days. This

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is our America. Well, I don't know if you're honoring

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Why on earth we landed.

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Speaker 3: Here with the struggle in the heartland, in.

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Speaker 2: A disconnected fear.

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Speaker 4: We got politicians scream insanity, line Cole White truth right

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through that seat. I thought we were all in this together.

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Speaker 2: Huddled around this liberty.

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Speaker 5: Is this my Marriagel, This is my Marriagel.

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Speaker 4: Shouldn't we stand tu together as one?

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Speaker 6: This is my Mary, This is my Mary.

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Speaker 2: If it is, then we ain't even close to done.

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Speaker 7: We gotta take it to the city's We gotta take

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it to the streets, because these province of division are

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tearing down all our hopes and dreams.

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Speaker 2: I don't care if you're a Democrat.

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Speaker 7: I don't care if you're out the States right, I

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don't care if you're independent.

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Speaker 8: I don't care if you're black old.

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Speaker 5: Why this is my Mary comes, This is my very comes,

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home of the breed of breath. This is mine very Come,

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This my ry comes huddle around, Miss Liberty.

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Speaker 8: We have not forgotten who we are. We are bound

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together near and for you and me.

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Speaker 6: You and me, you and me, you and me, you

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and me?

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Speaker 8: Will we ride and Ica as our own?

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Speaker 6: So what is the truth? What is the truth?

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Speaker 9: What is a Meica?

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Speaker 4: Through and through?

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Speaker 3: Will you just.

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Speaker 8: Open your eyes?

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Speaker 9: Will you just letter in?

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Speaker 8: Because I hear the blowing of the wind.

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Speaker 4: Maybe it was just a pink house. Maybe it was

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just a pink coat.

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Speaker 8: Maybe we should.

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Speaker 10: Try to go, Maybe we should take it so, maybe

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we should just have some fun.

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Speaker 8: Maybe we were both.

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Speaker 9: Born to run.

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Speaker 8: Maybe we should just take a chance. What else, Maybe

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we should just get up and dance.

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Speaker 5: Is this my mea is my Homey come whole.

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Speaker 4: Of the brain and of the free?

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Speaker 9: Is America?

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Speaker 6: Or Mary? Come around?

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Speaker 4: Miss Liberty?

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Speaker 5: Who sarmery because some men para Mary?

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Speaker 6: Because some men very eyes.

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Speaker 11: Every voice every year, mister mery, because some Mary come

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praying to us to guide us clean down, Very Armery

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come every every eye.

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Speaker 8: Every voice, every year.

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Speaker 6: It's army comes.

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Speaker 9: So memy go praying.

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Speaker 12: To the Lord to guide us clean.

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Speaker 1: You're listening to macconnorton Unleashed on WMN h ninety five

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point three.

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Speaker 2: And now the world radio premiere. The new single from

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the March is appropriately called November.

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Speaker 7: November for Saint was the deep went made of change.

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We rode away as far as Leidden go Canty. Don't

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like thir daily Brunway. The engines are the same. We

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rode away as far as Letten go Canty because.

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Speaker 8: We go both past and snow room.

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Speaker 7: Than there is no one here to say, but well ness, no,

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there's no stuff now as Kipdy rays.

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Speaker 6: Redy No, let you.

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Speaker 7: To pick up the peace, says everybody knowing you Abby chasers.

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Speaker 8: Fabulary fully be hi stepping chasing.

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Speaker 7: It doesn't Alaska sol second morning, I ain got far

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known Fabulary the funny. The Nansen fleet were both wast

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inside what is behind us now? But we were not

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so key and on finds it out just thinking now

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how we.

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Speaker 8: Go both best and slow room.

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Speaker 4: Then when there is no one here.

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Speaker 8: To say, but when this so, there's no there's no stop.

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Speaker 7: Now asking fay raise m now, letting you pick up

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the piece, says.

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Speaker 9: Everybody knowed at.

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Speaker 7: Beach Chase ors Fabulary the funing be him night.

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Speaker 8: The secondry saying the death in Alaska.

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Speaker 7: The second knowledge, but I am got far as February

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performing now left here to pick up the pieces, everybody

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knowing you're out of marriage.

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Speaker 8: Chase l It's February. It's funny it be hidden, you say.

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Speaker 7: Last time, Very says Chasing Very novel faults.

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Speaker 13: It was.

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Speaker 2: Changed and now the brand new single from Major Moment promises.

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Speaker 3: I don't know if I should say yet. I don't

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want to make this worst.

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Speaker 9: I don't know that for any.

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Speaker 3: Have a time on replay yet I can see how

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much this.

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Speaker 6: Hurt sip way the mount of job.

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Speaker 3: I only heard now.

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Speaker 9: I try to keep it on my telling person.

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Speaker 3: I'm trying.

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Speaker 6: We don't know the days I can't stay to my.

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Speaker 9: I can chacket je, let me.

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Speaker 12: Go, This me me.

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Speaker 3: And that was sad and it was perfect. But in

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all the way you.

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Speaker 11: Lie because somebody else.

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Speaker 3: And I hope that it once worth it as you

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leave it all behind.

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Speaker 6: Didn't know it sound so.

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Speaker 4: Said, don't get you merchants much.

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Speaker 9: Trying to keep on my chastize my.

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Speaker 4: Chant che good this we made you change all but wants.

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Speaker 6: Me to stay the same, And I think you should go.

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The dude can't.

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Speaker 9: Play these games.

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Speaker 6: You see don't transition.

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Speaker 11: But I was on the cross of humid game, spine

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without gout, fining of flame.

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Speaker 3: I tried to keep it, but it just pushed you.

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Speaker 4: Across so many ms men.

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Speaker 6: All of the things I think now.

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Speaker 9: To I can chasing chose the jobs.

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Speaker 6: I mean, fu me that.

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Speaker 2: I didn't even want to talk over the end of it.

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The ending is so cool to that. That is promises

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the band is major moment. I love that track so much,

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brand new from them. Welcome everybody. This is Matt Connorton

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Unleashed and we are live from the studios of WM

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and H ninety five point three FM, Inglorious, Manchester, New Hampshire.

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Today is November eight two thy twenty five and I

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am not alone.

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Speaker 12: Jenn.

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Speaker 14: Good morning, Suntime.

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Speaker 2: Good morning, Good morning. Jenny is here, of course at

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the news table. You are present today. Yes, I did

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not forget you, not today. We've got some great guests

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we're going to introduce in just a moment, but we

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do want to remind everybody so tonight it's a big night.

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It is for you.

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Speaker 14: Yes, yes, I have a couple of my pieces will

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be on exhibit at the Mosaic Art Collective Tonight is

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the opening for the All That Glitters Show. This show

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invited look artists to submit works that were no larger

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than twelve by twelve inches and all priced under four

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hundred dollars. This opening will start at four pm tonight

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and run until eight o'clock.

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Speaker 15: There's going to be a.

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Speaker 14: Gift wrapping station so you can actually purchase art from

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the walls and have it wrapped and ready as a

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gift for this holiday season. This is all about not

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just glittery is but what does this season mean to you?

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What does small works mean to you? What did that

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mean to the artists who submitted. Come check out all

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the amazing pieces that are going to be on exhibit

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tonight at the Mosaic Art Collective here in the Queen

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City at sixty six Hanover Street, Sweet two one. You

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will not regret your visit Odaic Artcollective dot com.

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Speaker 2: Jenny and I'll be there so I come down and

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say hello and uh, let's see, I'm gonna get these

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mics on here because we have returning to the show.

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One of the members couldn't make it, but we've got

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congregation exs here. Welcome everybody.

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Speaker 16: Hey, thanks for having us excited to be here.

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Speaker 2: Good? Good, Yeah, so we've got let's see Parish, Jake, Alexandria,

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and Josh. I get it, Okay, nailed it bad with names.

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I've been doing this so long, I met so many people.

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I'm terrible with names.

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Speaker 16: But yeah, I mean that was the first try. You

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killed it.

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Speaker 2: So and Nevian is not here. Nevin's name is easy

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to remember because that's a name you don't hear all

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the time, you know what I mean? So is he

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the only Nevin all of you have ever met?

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Speaker 12: Oh?

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Speaker 16: Yeah, actually no, No, you knew.

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Speaker 2: And Evan in high school. All right, all right, very good. Well,

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so you've got some new music, some studio tracks. I

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think the last time we had you on the show,

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if I remember correctly, you didn't have any studio tracks yet, right,

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you you played live because you didn't have any.

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Speaker 12: Yeah.

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Speaker 16: Great, But so we we came in and we did,

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like our whole five piece in here live and it

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was it was a really big fun thing. But recently

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we played a show that we actually live recorded and

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got some great tracks out of that that. Yeah, we'd

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love to share.

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Speaker 2: Oh, excellent, excellent. So that's what These are the ones

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that we're hearing today. That's what these are from. And

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what did we say we wanted to start with was

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that have you ever? Have you ever? Have you ever?

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Speaker 17: And this?

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Speaker 3: And these?

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Speaker 2: I think I remember that one right, you played that

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one live when you were here before we did actually, kay, okay,

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so this is now. Where were these recorded?

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Speaker 7: So?

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Speaker 16: These were recorded at a house show at the Amp

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in Barrington.

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Speaker 2: Okay, yep.

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Speaker 16: It was a part of the Harmonium Circuit, which is

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a really cool little house show circuit that we did

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over the summer.

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Speaker 2: Oh interesting, Okay, after the song, I want to hear

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more about that. That sounds really interesting.

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Speaker 16: You got it.

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Speaker 2: But let's give this a spin. The band is Congregation

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X and this is have you ever?

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Speaker 15: Have you ever fought?

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Speaker 18: What could this be?

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Speaker 15: Standing over there?

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Speaker 6: But I could feel your eyes on me.

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Speaker 19: I can.

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Speaker 9: Some thing about it.

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Speaker 15: You carry yourself in a way that I'm so drunk.

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Speaker 2: I assume you.

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Speaker 8: Brast that's too much, you said. I am to think

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that I believe me the right kind of sad?

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Speaker 20: Have you ever fought?

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Speaker 8: Can you see what I said, sufision? Can you feel

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that you like dressing.

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Speaker 2: Rob?

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Speaker 21: Why so you get that happen? Lest It's not just

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bad y'all. Wasn't your mind future?

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Speaker 2: Every time I see your things say, that's.

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Speaker 8: Yourself almost in my friend.

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Speaker 2: Let you go on.

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Speaker 22: To mess Come wait baby, if you let o that

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you see Lou, I'm no, I'm gonna next to you.

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Speaker 4: Oh there, I have got your retention of rture in

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my detention.

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Speaker 8: I would like to spend some time with you. I

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know that birth story.

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Speaker 6: Teacher not to.

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Speaker 19: Work to first time krses as I've been listen to life.

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Speaker 6: Over. Let you go on to bed.

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Speaker 23: I could teach you so next day to show your

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other rod words seriously.

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Speaker 15: That you wanted and not there and I don't fly.

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Speaker 9: Go I can through my mind.

244
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Speaker 19: I'm wondering if you're the one?

245
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Speaker 15: Are you believe enough to find out?

246
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Speaker 2: Do you get me like this to me?

247
00:18:34,240 --> 00:18:35,160
Speaker 8: Because you just.

248
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Speaker 9: Don't your.

249
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Speaker 7: You're picking enough of the I'm picking up WoT WoT?

250
00:18:56,559 --> 00:18:57,160
Speaker 6: If you're.

251
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Speaker 8: Clear my mind?

252
00:19:00,119 --> 00:19:01,319
Speaker 9: Well, watch you too?

253
00:19:03,480 --> 00:19:04,200
Speaker 4: Have you love?

254
00:19:12,519 --> 00:19:12,759
Speaker 9: Oh?

255
00:19:12,920 --> 00:19:13,680
Speaker 6: Wait? Thank you?

256
00:19:23,720 --> 00:19:26,359
Speaker 9: I have that show show you.

257
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Speaker 6: Listen, I just step so.

258
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Speaker 24: Have you.

259
00:19:51,279 --> 00:19:52,000
Speaker 15: Let's have you ever?

260
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Speaker 2: I love it? That is so good? Have you ever?

261
00:19:56,240 --> 00:19:59,559
That was recorded live. The band is Congregation X and

262
00:19:59,720 --> 00:20:02,240
we've four of the members here with us live in

263
00:20:02,440 --> 00:20:06,720
studio and yeah, that is so good. Tell Paris you

264
00:20:06,799 --> 00:20:08,640
started to talk before about the what is it called

265
00:20:08,640 --> 00:20:09,839
the Harmonium Circuit.

266
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Speaker 16: So the Harmonium Circuit. This was the first year of

267
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it running, and it's just, uh, it's a collection of

268
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house shows, a bunch of you know, over the summer

269
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people have say outdoor amphitheaters behind their house or something

270
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like that. We it's all about supporting local music.

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Speaker 2: Yeah, yeah, no, that's really cool when you say for

272
00:20:29,640 --> 00:20:31,200
people who don't know, like, what is a house show?

273
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Speaker 16: So a house show in this sense, like we went

274
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to uh, we have a friend who is a very

275
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big friend of the arts in Barrington who invited us

276
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and many other musicians over to his house to play

277
00:20:45,000 --> 00:20:48,960
a show he's built out. I mean this almost doesn't

278
00:20:49,000 --> 00:20:51,200
even to meet classify as the house show because he's

279
00:20:51,200 --> 00:20:54,799
built this big, beautiful amphitheater in his backyard that could

280
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probably support like, wow, two hundred, yeah, one of the

281
00:20:57,880 --> 00:20:58,359
hundred people.

282
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Speaker 2: So oh wow, yeah, very cool.

283
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Speaker 12: Wow, beautiful sound too.

284
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Speaker 15: Really the second year that happened, actually, isn't it.

285
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Speaker 16: So this would be the first year that the Harmonium

286
00:21:08,640 --> 00:21:12,680
Circuit itself has happened. But yeah, we did like a

287
00:21:12,759 --> 00:21:15,200
couple of house shows, or we did a house show

288
00:21:15,319 --> 00:21:18,319
or something last year as well. But okay, yeah, yeah,

289
00:21:18,960 --> 00:21:22,480
all about kind of just organizing people together and giving

290
00:21:22,720 --> 00:21:25,279
local original artists a chance to you know, take the

291
00:21:25,319 --> 00:21:25,920
stage and play.

292
00:21:26,079 --> 00:21:29,799
Speaker 2: Okay, okay, excellent. And you all were talking off air

293
00:21:29,839 --> 00:21:34,000
too about so Josh, this was your not because when

294
00:21:34,000 --> 00:21:36,119
you were here before, you had the upright base.

295
00:21:36,880 --> 00:21:39,799
Speaker 18: I had the big the big dog, yeah, upright bas

296
00:21:40,000 --> 00:21:43,079
the stand up, the big wooden instrument. But on that

297
00:21:43,279 --> 00:21:46,400
track right there in that show, that was actually the

298
00:21:46,480 --> 00:21:49,079
first time we had all played together where I was

299
00:21:49,119 --> 00:21:52,160
on electric base, okay, playing in front of people, So

300
00:21:52,680 --> 00:21:56,519
it was a great change of feel, change of vibe,

301
00:21:56,599 --> 00:21:58,359
and I think we all just we all had a

302
00:21:58,440 --> 00:21:58,880
great time.

303
00:21:58,960 --> 00:22:01,559
Speaker 15: As you can hear you kill it with all the bases.

304
00:22:01,720 --> 00:22:04,400
Speaker 2: Oh yeah, yeah, Well I remember when you were here before,

305
00:22:04,599 --> 00:22:06,519
like because I'm a bass player and but I've never

306
00:22:06,559 --> 00:22:08,720
played an upright bass, so I just remember just kind

307
00:22:08,759 --> 00:22:10,400
of watching like I was watching you the whole time

308
00:22:10,400 --> 00:22:14,559
because I'm just fascinated by by watching you play. So

309
00:22:14,640 --> 00:22:18,160
I'm super curious, like why why move away from that?

310
00:22:18,440 --> 00:22:20,079
For at least for this. I mean, is this like

311
00:22:20,160 --> 00:22:21,440
a permanent transition, do you think?

312
00:22:21,519 --> 00:22:21,960
Speaker 17: Or no?

313
00:22:22,160 --> 00:22:24,880
Speaker 12: It was just for ease of travel sometimes I'm lazy.

314
00:22:25,880 --> 00:22:26,680
Speaker 2: That makes well.

315
00:22:26,920 --> 00:22:29,839
Speaker 18: Now if you show up to the press room, it's

316
00:22:29,880 --> 00:22:34,000
coming Wednesday, both the big Dog and the little tiny

317
00:22:34,039 --> 00:22:36,079
electric bass, I.

318
00:22:36,359 --> 00:22:39,880
Speaker 15: Both got an acoustic electric bass for you to try to.

319
00:22:41,160 --> 00:22:41,319
Speaker 17: Yeah.

320
00:22:41,880 --> 00:22:45,079
Speaker 12: Oh wow, all right, I can't wait to try that. Yeah, okay,

321
00:22:45,519 --> 00:22:46,240
those things are fun.

322
00:22:46,359 --> 00:22:49,200
Speaker 2: Okay, okay, so you're gonna be you're gonna be traveling heavy.

323
00:22:49,240 --> 00:22:52,559
Then you're gonna bring uh my chest, might just have

324
00:22:52,720 --> 00:22:58,480
the full trio, right, bring all the basses dogs. Was

325
00:22:58,519 --> 00:23:01,440
it strange though, not playing the upright when when you're

326
00:23:01,519 --> 00:23:02,759
used to playing it with congregation?

327
00:23:03,039 --> 00:23:06,440
Speaker 18: X was It's a bit of an adjustment, and you know,

328
00:23:06,519 --> 00:23:08,480
we have to maybe be on our toes a little

329
00:23:08,519 --> 00:23:11,039
bit more. Yeah, but that's not a bad things. It

330
00:23:11,119 --> 00:23:11,799
was a good change.

331
00:23:11,960 --> 00:23:14,039
Speaker 2: Yeah one, Yeah, excellent, excellent.

332
00:23:14,119 --> 00:23:17,359
Speaker 16: Yeah. You feel the difference in like the energy, because

333
00:23:17,400 --> 00:23:19,759
I feel like on upright you tend to lay back

334
00:23:19,839 --> 00:23:21,799
and hang out, but then like when you were on

335
00:23:21,839 --> 00:23:23,880
the electric base, you were right out. They It was

336
00:23:23,960 --> 00:23:27,519
super fun. I mean that that day, I remember we

337
00:23:27,599 --> 00:23:30,240
were talking about this in the practice after we all

338
00:23:30,400 --> 00:23:34,000
just felt really loose and just really chilling, like we

339
00:23:34,119 --> 00:23:37,160
were just we were just vibing and it was so fun.

340
00:23:37,279 --> 00:23:39,000
I mean, that was the kind of fun part about

341
00:23:39,000 --> 00:23:41,960
those shows that just we were all so relaxed through it.

342
00:23:42,160 --> 00:23:46,400
Speaker 15: Yeah, except that it was really cold and like I

343
00:23:46,519 --> 00:23:49,599
had to fight through that with my vocals because I

344
00:23:49,680 --> 00:23:50,319
was like shivering.

345
00:23:50,559 --> 00:23:50,799
Speaker 2: Yeah.

346
00:23:50,960 --> 00:23:53,079
Speaker 15: So I'm actually really proud of how that came out.

347
00:23:53,240 --> 00:23:57,119
Speaker 2: Yeah, oh really, Oh yeah, how cold was it that day?

348
00:23:57,279 --> 00:23:59,839
Speaker 16: Like it was one of the first days where I

349
00:23:59,880 --> 00:24:02,400
think it got down into like the what mid to

350
00:24:02,480 --> 00:24:08,200
low fifties? Yeah, yeah, in the sixties, right right, Yeah,

351
00:24:08,480 --> 00:24:09,799
it got it got down there.

352
00:24:09,759 --> 00:24:13,880
Speaker 2: Really yeah yeah, oh really yeah, Yeah, that's that's cold.

353
00:24:15,119 --> 00:24:17,599
And then so did you, like how long of a

354
00:24:17,640 --> 00:24:19,440
set did you play, because I assumed did you record

355
00:24:19,519 --> 00:24:20,839
everything or yeah.

356
00:24:20,680 --> 00:24:23,480
Speaker 16: We recorded the whole thing, whole kit and kaboodle. I

357
00:24:23,519 --> 00:24:27,279
believe we played what an hour or so? It was

358
00:24:27,359 --> 00:24:30,160
roughly forty five to roughly forty five to an hour, yeah.

359
00:24:30,039 --> 00:24:33,599
Speaker 2: Okay, okay. And then so these songs that you recorded

360
00:24:33,640 --> 00:24:35,599
are these on an album that you're you've released or

361
00:24:35,920 --> 00:24:36,519
is coming out.

362
00:24:36,480 --> 00:24:40,079
Speaker 16: Or it's so we're actually this next show we're playing,

363
00:24:40,160 --> 00:24:43,559
we're raising funds to go into the studio, and okay,

364
00:24:44,480 --> 00:24:47,680
we have we've talked about, especially like with this show,

365
00:24:47,839 --> 00:24:51,640
putting out live tracks, and this is uh, these are

366
00:24:51,839 --> 00:24:53,960
these are some of the really really strong contenders for

367
00:24:54,079 --> 00:24:57,960
that because yeah, we we were so locked in that night.

368
00:24:58,000 --> 00:25:00,000
We just want to you know, have fun with these tracks,

369
00:25:00,359 --> 00:25:02,160
like people enjoy them, relive that moment.

370
00:25:02,440 --> 00:25:05,599
Speaker 2: Yeah, yeah, when you when you decided to record the

371
00:25:05,720 --> 00:25:08,759
set that night, was that I mean, what were your

372
00:25:08,839 --> 00:25:11,680
expectations did did you expect did you expect it all?

373
00:25:11,680 --> 00:25:13,640
Because as a risk when you're recording live, did you

374
00:25:13,680 --> 00:25:15,079
expect it all to come out as well as it

375
00:25:15,119 --> 00:25:16,839
did or were you surprised at all?

376
00:25:16,960 --> 00:25:19,799
Speaker 15: We're hoping, I mean we always hope to have like

377
00:25:19,839 --> 00:25:23,160
a little something we can put on the internet, yeah,

378
00:25:23,640 --> 00:25:26,279
you know, as an advertisement or just to share with

379
00:25:26,480 --> 00:25:29,359
people that we care about and fans that we have,

380
00:25:29,640 --> 00:25:33,440
like yeah, you know, and and sometimes sometimes we get

381
00:25:33,480 --> 00:25:36,039
recordings that are not so great. This time it happened

382
00:25:36,039 --> 00:25:38,599
to work out really well, like it was planned ahead

383
00:25:38,599 --> 00:25:41,720
of time. We had multiple angles, although I don't know

384
00:25:42,119 --> 00:25:44,359
I had it from a different angle. I don't know

385
00:25:44,400 --> 00:25:45,960
if I actually sent it to you guys.

386
00:25:46,279 --> 00:25:49,519
Speaker 16: Oh yeah, we're getting all kinds of video of it too, Like, yeah,

387
00:25:49,720 --> 00:25:52,400
it was. There's definitely I would say that fear of

388
00:25:52,640 --> 00:25:55,640
like I don't know, it's it's definitely. It feels like

389
00:25:55,720 --> 00:25:58,839
a commitment, like everything you know is being committed to recording.

390
00:25:59,240 --> 00:26:02,359
But you're playing live, so the second you start, that's

391
00:26:02,400 --> 00:26:04,599
out of your mind because you're engaging with the crowd

392
00:26:04,640 --> 00:26:09,920
and you're having fun. And yeah, I had the I

393
00:26:10,039 --> 00:26:11,920
had the fun where like, I was also the sound

394
00:26:12,000 --> 00:26:13,799
engineer that night, so I was kind of placing the

395
00:26:13,839 --> 00:26:16,119
mics on everybody and making sure that like, oh, okay,

396
00:26:16,200 --> 00:26:19,680
you know it's gonna sound It's gonna sound fine. And

397
00:26:19,759 --> 00:26:22,920
then during our show, my good friend John Eric was

398
00:26:22,960 --> 00:26:26,680
actually mixing us, and yeah, I mean the recording came out.

399
00:26:26,920 --> 00:26:28,400
It came out phenomenal, it did.

400
00:26:28,519 --> 00:26:28,680
Speaker 25: Yeah.

401
00:26:28,720 --> 00:26:31,400
Speaker 16: Yeah, very easy to mix, very easy to just sit

402
00:26:31,480 --> 00:26:32,200
down and work.

403
00:26:32,039 --> 00:26:35,200
Speaker 2: With, so outstanding, outstanding. Well, we should play another track?

404
00:26:35,279 --> 00:26:36,880
What should what should we play next?

405
00:26:37,559 --> 00:26:38,599
Speaker 16: Show you were twenty four?

406
00:26:39,839 --> 00:26:40,559
Speaker 15: That's to show you.

407
00:26:40,720 --> 00:26:43,720
Speaker 16: Show you Yeah, okay, dive into some relaxation.

408
00:26:44,200 --> 00:26:47,160
Speaker 2: Excellent, excellent if you're just joining us congregation excess here

409
00:26:47,160 --> 00:26:49,559
with us live in studio and this next track this

410
00:26:49,720 --> 00:26:51,480
was recorded live. Where was this again?

411
00:26:52,079 --> 00:26:53,359
Speaker 16: Barrington in Barrington?

412
00:26:54,039 --> 00:26:54,160
Speaker 26: Uh?

413
00:26:54,359 --> 00:26:56,480
Speaker 2: This is this is another great one. This is called

414
00:26:56,519 --> 00:26:57,480
show you check this out?

415
00:27:03,799 --> 00:27:17,960
Speaker 15: Okay, this is a love song. H you won't you will.

416
00:27:22,799 --> 00:27:22,839
Speaker 4: You?

417
00:27:23,039 --> 00:27:24,960
Speaker 6: Won't U.

418
00:27:27,920 --> 00:27:28,279
Speaker 3: Love it?

419
00:27:28,400 --> 00:27:29,480
Speaker 7: When you hold me?

420
00:27:35,039 --> 00:27:38,160
Speaker 15: I really wanna show you.

421
00:27:42,640 --> 00:27:45,000
Speaker 8: I'm gonna show you what is thye.

422
00:27:46,319 --> 00:27:49,279
Speaker 5: To be with that a thy.

423
00:27:51,359 --> 00:27:52,359
Speaker 19: I wanna treat you.

424
00:27:56,119 --> 00:27:59,839
Speaker 23: You feel so different from the rest. That's not the

425
00:28:00,039 --> 00:28:07,519
blodyl dear. I want to set you freeze, take you care.

426
00:28:08,119 --> 00:28:10,079
Speaker 15: Come on there for dam.

427
00:28:12,880 --> 00:28:17,640
Speaker 8: I want to give you see you have been missing.

428
00:28:25,200 --> 00:28:31,000
Speaker 23: You have been spending your whole life helping everybody fly.

429
00:28:32,400 --> 00:28:35,480
Speaker 8: Come over here with th stratch noises.

430
00:28:35,960 --> 00:28:38,240
Speaker 20: I guess somebody chase.

431
00:28:39,599 --> 00:28:41,400
Speaker 8: Love to give you a bad.

432
00:28:45,519 --> 00:28:49,720
Speaker 21: How fun here you see see this make you smile?

433
00:28:50,119 --> 00:28:51,480
Speaker 20: Give him the chase.

434
00:28:54,759 --> 00:28:56,119
Speaker 9: I want to show.

435
00:28:59,039 --> 00:29:27,599
Speaker 6: I want you he w Thank you, sister.

436
00:30:31,559 --> 00:30:37,319
Speaker 23: You love been spending your whole life helping everybody fly.

437
00:30:38,680 --> 00:30:41,799
Speaker 8: Come over here with those fractional ways.

438
00:30:42,240 --> 00:30:47,400
Speaker 23: I've got some visits and love to give you a fa.

439
00:30:51,279 --> 00:30:53,200
Speaker 8: I hope you understand.

440
00:30:53,880 --> 00:30:56,119
Speaker 6: Unlessy the bell you.

441
00:30:58,160 --> 00:31:03,160
Speaker 8: Want tossure you? It is life to me for your.

442
00:31:03,119 --> 00:31:08,960
Speaker 9: Over I give you sweet best thank you.

443
00:31:09,720 --> 00:31:09,799
Speaker 24: And.

444
00:31:13,839 --> 00:31:15,680
Speaker 6: I want to show.

445
00:31:18,559 --> 00:31:20,599
Speaker 3: You won't cute?

446
00:31:25,079 --> 00:31:26,960
Speaker 27: Oh want you.

447
00:31:30,359 --> 00:31:31,119
Speaker 5: Love it when you.

448
00:31:31,359 --> 00:31:31,960
Speaker 27: Hold me.

449
00:31:36,960 --> 00:31:39,880
Speaker 9: A real you want to show.

450
00:31:44,160 --> 00:32:02,839
Speaker 28: Who thank you?

451
00:32:04,359 --> 00:32:06,480
Speaker 2: Oh that's nice, that is show you. The band is

452
00:32:06,640 --> 00:32:08,799
Congregation X and we have four of the members here

453
00:32:08,839 --> 00:32:11,759
with us in studio and yeah, that sounds really good. Now.

454
00:32:12,240 --> 00:32:14,440
When you were talking off air, I hear the term

455
00:32:15,240 --> 00:32:17,160
ukulele base or base ukulele.

456
00:32:17,839 --> 00:32:20,359
Speaker 12: Yes, so had four bases.

457
00:32:20,640 --> 00:32:21,400
Speaker 16: Yeah, that's true.

458
00:32:21,960 --> 00:32:23,079
Speaker 2: There you go all the bases.

459
00:32:23,480 --> 00:32:27,759
Speaker 16: So when I first joined this group, when it was

460
00:32:27,960 --> 00:32:33,039
just Alexandria and Nevin, I was seeing them at an

461
00:32:33,079 --> 00:32:35,759
open mic all the time and I thought they were amazing,

462
00:32:36,039 --> 00:32:39,319
and at one point they invited me to sit in

463
00:32:39,440 --> 00:32:42,160
with them and I was like, oh, yeah, let's do it.

464
00:32:42,200 --> 00:32:45,160
And I had again, it's a little ukulele base where

465
00:32:45,200 --> 00:32:48,400
it's like it's the whole thing is maybe two feet long,

466
00:32:48,720 --> 00:32:51,720
and it's but it has when you plug it in,

467
00:32:51,839 --> 00:32:55,319
it has a really full base tone, a bait. It's

468
00:32:55,359 --> 00:32:59,319
a ukulele strung as a bass. Okay, And I sit

469
00:32:59,400 --> 00:33:02,640
in with them and there I guess that was apparently

470
00:33:02,759 --> 00:33:06,079
my audition because next thing you know, they're like, hey, yeah,

471
00:33:06,119 --> 00:33:08,920
you should come over to the Danger room, which is

472
00:33:09,559 --> 00:33:12,400
where we do all of the things and video, the

473
00:33:12,480 --> 00:33:19,240
studio we practice in. And I was kind of suddenly thinking, oh,

474
00:33:19,279 --> 00:33:21,079
I'm going to be thrown in on like bass or

475
00:33:21,119 --> 00:33:22,720
something like that, which okay, but I'm kind of a

476
00:33:22,799 --> 00:33:24,920
keys guy. And then I get to the Danger room

477
00:33:24,920 --> 00:33:26,599
and there's a piano. I'm like, all right, cool, we're in.

478
00:33:26,759 --> 00:33:27,680
Let's go, let's have fun.

479
00:33:27,839 --> 00:33:31,400
Speaker 15: Think a little bit of an everything guy. Honestly, I

480
00:33:31,480 --> 00:33:33,400
do need I actually went and saw you as an

481
00:33:33,400 --> 00:33:35,920
individual artist and like scoped you out and was like,

482
00:33:36,039 --> 00:33:36,640
we need him.

483
00:33:39,160 --> 00:33:42,920
Speaker 2: Yeah, so Alexandria. So it started with a congregation. IX

484
00:33:42,960 --> 00:33:45,920
started with you and Nevin and then and then Perish.

485
00:33:46,400 --> 00:33:48,680
Speaker 15: Okay, well it's kind of It's kind of funny because

486
00:33:49,079 --> 00:33:52,119
I started playing at open mics because of Jake, because

487
00:33:52,160 --> 00:33:53,640
he was in my house all the time and it

488
00:33:53,680 --> 00:33:55,960
was twenty twenty yeah, and he was like you should

489
00:33:56,039 --> 00:33:59,519
do this, and then Nevin and I met through that,

490
00:34:00,039 --> 00:34:02,319
and then him and I started working together. Jake was

491
00:34:02,359 --> 00:34:07,839
doing his own thing. I we worked with a different basis. First.

492
00:34:07,960 --> 00:34:12,679
It just didn't work out, you know, not for anything, bad, bad, reasons,

493
00:34:12,760 --> 00:34:13,280
but that's good.

494
00:34:13,440 --> 00:34:15,719
Speaker 18: Yeah, it just texted me up off all the street.

495
00:34:15,760 --> 00:34:17,719
They found me on the street corner. I had my base.

496
00:34:17,840 --> 00:34:18,639
They just called me on.

497
00:34:20,960 --> 00:34:24,199
Speaker 12: No, I'm back back maybe six years ago.

498
00:34:24,480 --> 00:34:25,840
Speaker 15: Yeah, I met you through theater.

499
00:34:26,400 --> 00:34:27,280
Speaker 2: Yeah, so we were.

500
00:34:27,239 --> 00:34:30,440
Speaker 18: Both kind of like involved with the Northern Essex Community

501
00:34:30,519 --> 00:34:34,000
College theater program, which I'm so thankful for. Shout out

502
00:34:34,039 --> 00:34:39,199
to Brian Beatrice. She's an excellent professor. Anyway, through that program,

503
00:34:39,320 --> 00:34:42,760
I learned so much about you know, just like and

504
00:34:43,039 --> 00:34:45,639
I met so many, so many great people in Alexandria

505
00:34:45,760 --> 00:34:49,599
was one of them. And so Beard reaction was a

506
00:34:49,719 --> 00:34:52,880
mutual friend from both of you know, from that past

507
00:34:53,039 --> 00:34:56,119
of hours, reached out and asked me if I'd be

508
00:34:56,199 --> 00:35:00,400
interested and uh and checking out what they have going

509
00:35:00,840 --> 00:35:04,320
Nevin and in Alexandria and uh, and so I walked

510
00:35:04,360 --> 00:35:07,719
in and sat in in the danger room and kind

511
00:35:07,760 --> 00:35:10,400
of checked out see what they had going. And you

512
00:35:10,480 --> 00:35:14,599
know Nevin, you know his he just always plays the

513
00:35:14,679 --> 00:35:18,039
right thing. And Alexandria has the golden pipe. So I

514
00:35:18,199 --> 00:35:20,400
was just I was sold right from the beginning.

515
00:35:20,639 --> 00:35:22,960
Speaker 2: There I am. And then and then so Jake, how

516
00:35:23,000 --> 00:35:25,119
did you become a part of congregation acts.

517
00:35:26,320 --> 00:35:28,079
Speaker 16: I just actually showed up one day.

518
00:35:28,280 --> 00:35:31,840
Speaker 2: Yeah, he actually he was okay, Okay.

519
00:35:32,400 --> 00:35:36,159
Speaker 29: They had been wanting or asking me to potentially play

520
00:35:36,719 --> 00:35:41,679
uh for a while, and and I was being lame

521
00:35:41,920 --> 00:35:44,440
and holding off and like I got too much going on.

522
00:35:44,639 --> 00:35:47,239
Speaker 15: Sorry, Yeah, everything in divine timing.

523
00:35:47,400 --> 00:35:49,840
Speaker 16: Well, you know, when you're also a frontman of a

524
00:35:50,239 --> 00:35:53,000
like a hardcore band at the same time as somebody

525
00:35:53,039 --> 00:35:56,039
else asking you to come play drums on something, you

526
00:35:56,199 --> 00:35:57,480
kind of got to stick to be in a front

527
00:35:57,519 --> 00:35:58,079
man at first.

528
00:35:58,400 --> 00:36:02,480
Speaker 29: Yeah, I had my priorities with as the front man initially,

529
00:36:02,760 --> 00:36:04,920
and then we we had we had a moment in

530
00:36:05,039 --> 00:36:09,159
time h in my band where I front that we

531
00:36:09,239 --> 00:36:11,559
were kind of taking a bit of a break.

532
00:36:11,960 --> 00:36:15,559
Speaker 2: Is that is is that the name? Okay? Yeah, pro.

533
00:36:18,079 --> 00:36:18,280
Speaker 3: Good.

534
00:36:19,360 --> 00:36:21,159
Speaker 29: Yeah, you'll check it out, shameless plug.

535
00:36:21,320 --> 00:36:21,920
Speaker 16: Check out my band.

536
00:36:21,960 --> 00:36:24,440
Speaker 15: It's very different from this music though. Yeah, yeah, you

537
00:36:24,559 --> 00:36:25,079
love metal.

538
00:36:26,119 --> 00:36:26,760
Speaker 2: Nice nice.

539
00:36:27,960 --> 00:36:31,840
Speaker 29: And then I just one day I was I was

540
00:36:31,960 --> 00:36:34,400
asked if I wanted to sit in, and I showed

541
00:36:34,480 --> 00:36:38,159
up and we played a couple of songs and I.

542
00:36:38,360 --> 00:36:41,079
Speaker 12: Just's been coming back. He's been sitting ever since.

543
00:36:41,239 --> 00:36:41,440
Speaker 3: Yeah.

544
00:36:42,280 --> 00:36:46,199
Speaker 16: It was so cool because like flat we were when

545
00:36:46,400 --> 00:36:48,760
when Jake first came in, I was it was like

546
00:36:48,920 --> 00:36:51,400
our stuff was really chill and kind of like down

547
00:36:51,679 --> 00:36:54,000
down in wavy, you know, we were we had a

548
00:36:54,079 --> 00:36:57,119
really cool flow state. And then Jake comes in and

549
00:36:57,960 --> 00:37:00,719
he's got this really cool high enn where it's like, oh,

550
00:37:00,800 --> 00:37:03,800
you can tell he comes from a really high energy background. Yeah,

551
00:37:04,920 --> 00:37:08,639
and he a lot of the time, like he'll keep

552
00:37:08,760 --> 00:37:12,039
us from getting very like a little almost too quiet,

553
00:37:12,559 --> 00:37:15,639
because then like his energy just picks everybody up and

554
00:37:15,880 --> 00:37:19,119
it gives It's a huge part of what makes Congregation

555
00:37:19,440 --> 00:37:23,119
x is sound really unique from other bands, yeah, because

556
00:37:23,159 --> 00:37:25,199
it has this very like.

557
00:37:26,480 --> 00:37:30,360
Speaker 2: How yeah, I find that I I had.

558
00:37:31,119 --> 00:37:34,639
Speaker 29: I I learned how to drum based off of like

559
00:37:34,920 --> 00:37:39,639
early two thousands butt rock and like pop rock music. Yeah,

560
00:37:39,760 --> 00:37:42,679
but my metal influence still comes out these days with

561
00:37:42,880 --> 00:37:46,199
like changing to cut time and some spots and going

562
00:37:46,199 --> 00:37:48,360
a little bit quicker, hitting a little bit harder and whatnot.

563
00:37:48,400 --> 00:37:49,880
Speaker 12: But but the the.

564
00:37:50,239 --> 00:37:55,480
Speaker 29: Overall I guess consensus from the audience is that my

565
00:37:56,159 --> 00:38:00,840
supposedly my drumming adds a pop aspect to you. The

566
00:38:00,920 --> 00:38:04,800
more the more jazzy classical style of the band.

567
00:38:04,800 --> 00:38:09,320
Speaker 2: Yeah, yeah, yeah, spices it up a little bit yeah, excellent.

568
00:38:10,119 --> 00:38:13,039
Speaker 18: I think something that's been so fun about just like

569
00:38:13,800 --> 00:38:16,599
since the start of this band has been the fact

570
00:38:16,639 --> 00:38:20,159
that our sound has been something that we've been you know,

571
00:38:20,440 --> 00:38:23,199
having to work towards, having to meet in the middle

572
00:38:23,559 --> 00:38:26,480
between all of these different styles to be able to

573
00:38:26,639 --> 00:38:29,679
you know, create something that's cohesive and hopefully that something

574
00:38:29,719 --> 00:38:31,760
that people want to listen to, right right exactly.

575
00:38:31,920 --> 00:38:32,079
Speaker 2: Yeah.

576
00:38:32,119 --> 00:38:33,920
Speaker 16: I mean Josh has made me so much of a

577
00:38:33,960 --> 00:38:37,119
better pianist just by you know, me being able to

578
00:38:37,199 --> 00:38:40,519
listen to him as a bassis playing and like when

579
00:38:40,599 --> 00:38:42,559
he whenever he does sit down at the piano, he

580
00:38:42,599 --> 00:38:44,679
always blows me away and there's always something I'm like,

581
00:38:45,000 --> 00:38:45,719
I should learn that.

582
00:38:45,920 --> 00:38:48,400
Speaker 12: Yeah, it works both ways, and it works. We're all

583
00:38:48,559 --> 00:38:49,559
we're all kind of like that.

584
00:38:49,719 --> 00:38:51,639
Speaker 18: We all have interests in a lot of these different

585
00:38:51,719 --> 00:38:55,000
styles and instruments, and yeah, so it's it's a really

586
00:38:55,039 --> 00:38:57,119
great exchange of our interests.

587
00:38:57,400 --> 00:39:01,239
Speaker 2: Yeah, yeah, excellent, excellent. Yeah we should. Uh what did

588
00:39:01,320 --> 00:39:02,440
you want to play an X? Did you want to

589
00:39:02,440 --> 00:39:03,119
play Evergreen?

590
00:39:03,159 --> 00:39:03,239
Speaker 7: Oh?

591
00:39:03,360 --> 00:39:06,079
Speaker 16: Yeah, let's hit Evergreen. Get to get into the trenches

592
00:39:06,119 --> 00:39:06,519
a little bit.

593
00:39:06,599 --> 00:39:08,719
Speaker 2: If you're just joining us congregation acts. Oh, by the way,

594
00:39:08,760 --> 00:39:10,519
so before I play this, and I know I asked

595
00:39:10,519 --> 00:39:13,119
you this last time you're here, But where does a

596
00:39:13,199 --> 00:39:15,719
name come from? Congregation Acts because it's a cool name.

597
00:39:16,239 --> 00:39:20,039
Speaker 15: So actually it's really funny that, like our name story

598
00:39:20,119 --> 00:39:22,400
is kind of funny because it was really just that

599
00:39:22,559 --> 00:39:25,599
Nevin kept putting us in the Google Google calendar as

600
00:39:25,760 --> 00:39:28,800
Congregation X because we didn't have a name, okay, And

601
00:39:29,119 --> 00:39:32,079
eventually we decided that that was actually the perfect name

602
00:39:32,119 --> 00:39:35,599
because originally him and I wanted to start a band

603
00:39:35,760 --> 00:39:40,639
that was like, you know, had more like rotating artists,

604
00:39:40,719 --> 00:39:42,440
like whoever was in on the project was in the

605
00:39:42,639 --> 00:39:45,360
on the project. And then we just so happened to organically,

606
00:39:46,280 --> 00:39:50,320
you know, find the everybody here that is actually now

607
00:39:50,440 --> 00:39:54,039
like a fixture. But it happened very naturally, you know,

608
00:39:54,480 --> 00:39:57,239
Like so we wanted it to be a name that

609
00:39:57,440 --> 00:40:01,079
kind of suited what ever vibe we were going for

610
00:40:01,440 --> 00:40:05,760
whenever we wanted to, you know, and who like, because

611
00:40:05,800 --> 00:40:08,679
sometimes we would have one artist working with us and

612
00:40:08,719 --> 00:40:11,199
then we'd have another one, and like there was a

613
00:40:12,320 --> 00:40:15,960
it was never the same in the beginning. But now

614
00:40:16,679 --> 00:40:18,239
we have all five of us and if we have

615
00:40:18,360 --> 00:40:22,599
somebody sit in with us, they're just our guests, so yea, yeah, yeah,

616
00:40:22,679 --> 00:40:24,960
that's where it came from. It literally was just a

617
00:40:25,119 --> 00:40:29,480
silly like fill in name because we didn't have a name,

618
00:40:29,639 --> 00:40:32,400
and now that's our name, man.

619
00:40:32,559 --> 00:40:33,760
Speaker 2: Yeah, yeah, yeah, I remember.

620
00:40:33,920 --> 00:40:36,360
Speaker 16: There was one practice it was I think right before

621
00:40:36,400 --> 00:40:38,280
we played the Stone Church, where we all sit down

622
00:40:38,320 --> 00:40:40,280
and we're like, so do we want to change the name.

623
00:40:40,840 --> 00:40:42,960
And it felt like the one time that we had

624
00:40:43,039 --> 00:40:44,880
to be like, all right, let's try and throw other

625
00:40:44,920 --> 00:40:47,079
things out and we all just sit there silently like

626
00:40:47,880 --> 00:40:50,440
is there something Nah, No, we're Congregation acts.

627
00:40:50,559 --> 00:40:53,519
Speaker 2: Yeah yeah, very cool. All right, so let's give this

628
00:40:53,639 --> 00:40:56,440
a spin. This was recorded live, of course. This is

629
00:40:56,559 --> 00:41:00,360
Congregation X and the track is Evergreen h.

630
00:41:11,719 --> 00:41:22,360
Speaker 30: Street Signs, every Green Now Red Turning Good, Sis other Night,

631
00:41:22,719 --> 00:41:24,360
split a Sivey hands.

632
00:41:24,119 --> 00:41:25,800
Speaker 3: On the way here to find.

633
00:41:25,599 --> 00:41:33,119
Speaker 16: You the blinds glassy.

634
00:41:33,239 --> 00:41:35,559
Speaker 3: I stand out there in the streets.

635
00:41:39,960 --> 00:41:42,079
Speaker 16: Oh, I mean, grittie way.

636
00:41:42,199 --> 00:41:45,079
Speaker 3: It's nothing that I could have seen.

637
00:41:48,840 --> 00:41:53,679
Speaker 10: We got down into the river to wash ourselves clean,

638
00:41:53,880 --> 00:41:57,000
and me, I swear to tea get.

639
00:41:57,079 --> 00:41:58,320
Speaker 7: All way in me.

640
00:41:59,000 --> 00:42:01,840
Speaker 2: Oh ever, and I hold you b the.

641
00:42:01,920 --> 00:42:05,920
Speaker 4: Trouble that you've seen. Won't you be the cream?

642
00:42:06,039 --> 00:42:07,519
Speaker 6: Won't you be over?

643
00:42:30,159 --> 00:42:32,840
Speaker 3: But all we see. He is the cracks. You may.

644
00:42:37,920 --> 00:42:41,719
Speaker 4: Find the glass in the aey when.

645
00:42:41,679 --> 00:42:43,159
Speaker 3: I faster.

646
00:42:48,960 --> 00:42:51,199
Speaker 10: Deciding where you fire.

647
00:42:51,519 --> 00:42:52,599
Speaker 5: The one around you?

648
00:42:57,480 --> 00:43:02,000
Speaker 26: Funny lay on the ground last week, then we didn't

649
00:43:02,119 --> 00:43:10,400
tell the tree. We go down to the river to

650
00:43:10,639 --> 00:43:16,159
wash yourselves clean, and has worn you to get hold.

651
00:43:16,119 --> 00:43:19,760
Speaker 5: And mean me ho away my old you.

652
00:43:20,039 --> 00:43:24,519
Speaker 8: But the trouble see, won't you be heather clean?

653
00:43:24,679 --> 00:43:43,280
Speaker 6: Won't you behead there?

654
00:43:44,159 --> 00:43:44,400
Speaker 26: Well?

655
00:43:47,920 --> 00:43:49,559
Speaker 6: They hap.

656
00:44:11,840 --> 00:44:16,280
Speaker 4: Go down into the river to wash yourselves clean.

657
00:44:17,079 --> 00:44:21,159
Speaker 16: The ice weren't too deep to get all queen, need

658
00:44:21,840 --> 00:44:25,119
hope Heaven and I hold you for the trouble that

659
00:44:25,400 --> 00:44:26,079
you've seen.

660
00:44:26,639 --> 00:44:27,800
Speaker 3: Won't you be over?

661
00:44:28,239 --> 00:44:30,159
Speaker 2: Queen, won't you be over?

662
00:44:31,039 --> 00:44:34,800
Speaker 6: We go down to the river to wash.

663
00:44:34,760 --> 00:44:39,719
Speaker 10: Yourselves clean, and ice weren't too deep to get hold

664
00:44:39,920 --> 00:44:43,880
of me. Need honk Heaven and mind hold you for

665
00:44:44,119 --> 00:44:45,719
the trouble next you've seen?

666
00:44:46,320 --> 00:44:48,280
Speaker 9: Won't you be ever dream?

667
00:44:48,480 --> 00:44:49,960
Speaker 8: Won't you be ever?

668
00:45:15,800 --> 00:45:16,000
Speaker 3: Yeah?

669
00:45:17,599 --> 00:45:17,880
Speaker 13: Thank you?

670
00:45:19,679 --> 00:45:22,840
Speaker 2: Oh that is nice. That is Evergreen recorded live? Of course.

671
00:45:22,960 --> 00:45:26,079
The band is Congregation X and we've got four of

672
00:45:26,079 --> 00:45:28,800
the five members here in studio with us. And yeah,

673
00:45:28,880 --> 00:45:31,400
another another gray track. You kind of you kind of

674
00:45:31,440 --> 00:45:34,519
pull off. Uh, it's kind of a live fade out

675
00:45:34,760 --> 00:45:36,760
like you would hear on a studio track, but you

676
00:45:36,840 --> 00:45:39,639
pulled out it off live really well, it's really good.

677
00:45:39,880 --> 00:45:41,760
Speaker 16: That was a random idea that just kind of came

678
00:45:41,800 --> 00:45:43,920
to us in the studio. We didn't know how to

679
00:45:44,519 --> 00:45:47,519
how to end it, and then you, Josh just started

680
00:45:47,559 --> 00:45:50,559
playing these awesome harmonics on the upright, and I was like, oh, yeah,

681
00:45:50,599 --> 00:45:50,840
that's it.

682
00:45:51,119 --> 00:45:53,280
Speaker 2: Yeah, like yeah, they rang through so.

683
00:45:53,440 --> 00:45:56,320
Speaker 29: Beautifully with the with the electric bass in that cut

684
00:45:56,400 --> 00:45:56,760
right there.

685
00:45:57,000 --> 00:45:59,320
Speaker 2: Yeah, I hadn't heard that cup before. Oh really it's

686
00:45:59,360 --> 00:46:02,760
so good though, Oh yeah, really good, really good. So

687
00:46:02,880 --> 00:46:05,280
what is what does the future hold for Congregation X?

688
00:46:05,320 --> 00:46:07,360
What are your next You kind of told me a

689
00:46:07,360 --> 00:46:10,280
little bit off there, but yes, well I would hope so.

690
00:46:12,719 --> 00:46:15,039
Speaker 16: So Josh had alluded to this a little bit at

691
00:46:15,079 --> 00:46:19,440
the start of this. This coming Wednesday, we have our

692
00:46:19,559 --> 00:46:23,440
last show for probably the next couple months in southern

693
00:46:23,480 --> 00:46:26,639
New Hampshire and we'll be playing opening for Soul Color

694
00:46:26,719 --> 00:46:30,159
and Friends at the press Room And that's this Wednesday,

695
00:46:30,840 --> 00:46:35,760
November twelfth, and yeah, doors at six, show at seven.

696
00:46:36,079 --> 00:46:39,639
If you find us on Instagram at Congregation X, all

697
00:46:39,719 --> 00:46:41,360
the ticket links and things like that are going to

698
00:46:41,400 --> 00:46:44,199
be there. We'll be debuting some new music there. We're

699
00:46:44,239 --> 00:46:48,320
going to be selling merch and I mean anybody who's

700
00:46:48,360 --> 00:46:51,760
been to the press room knows that, like that's it's

701
00:46:51,840 --> 00:46:54,280
hallowed ground. Oh yeah, right for an up and comer.

702
00:46:54,679 --> 00:46:58,559
Speaker 18: Yeah, there's awesome drinks, awesome food, great service, the vibes. Right,

703
00:46:58,599 --> 00:46:59,719
oh yeah, it's a great place.

704
00:46:59,800 --> 00:47:05,119
Speaker 16: But absolutely, But after that, I think I'd said this

705
00:47:05,400 --> 00:47:07,480
before we started. We're kind of just going into a

706
00:47:07,559 --> 00:47:09,960
bit of a hibernation. We're going to be working on

707
00:47:10,079 --> 00:47:14,000
some new music and really hitting the songwriting, hard hitting,

708
00:47:15,000 --> 00:47:18,480
hitting the studio too as well, really going in and

709
00:47:19,039 --> 00:47:22,360
we're making new music exactly. We're getting ready to hit

710
00:47:22,440 --> 00:47:23,800
twenty twenty six like a bus.

711
00:47:24,000 --> 00:47:28,000
Speaker 2: Excellent, so excellent, very good, very good. Are so are

712
00:47:28,039 --> 00:47:30,280
you going to be doing a studio album with the

713
00:47:30,480 --> 00:47:32,000
with these songs? Are yep?

714
00:47:32,119 --> 00:47:35,559
Speaker 16: Oh definitely, Oh yeah so the lie We love the

715
00:47:35,679 --> 00:47:39,440
live versions because our energy is very live. But yeah,

716
00:47:39,519 --> 00:47:41,199
we are going to be sitting down in the studio

717
00:47:41,400 --> 00:47:45,639
very soon and uh well congregating, I guess.

718
00:47:45,519 --> 00:47:49,639
Speaker 2: Yeah, there you go, there you go outstanding. Where's the

719
00:47:49,639 --> 00:47:51,280
best place too for people go online to keep up

720
00:47:51,320 --> 00:47:52,079
with everything that you're doing.

721
00:47:52,440 --> 00:47:55,400
Speaker 16: So you can find us on Facebook or on Instagram

722
00:47:55,519 --> 00:47:58,880
at Congregation X. Okay, those are our two most easily

723
00:47:58,960 --> 00:48:03,159
accessible and most active places that we're hanging out.

724
00:48:03,280 --> 00:48:06,199
Speaker 2: Okay, okay, outstanding. So in a moment, we're going to

725
00:48:06,239 --> 00:48:08,480
play this track twenty four hours. That's the that's one

726
00:48:08,480 --> 00:48:10,239
we haven't played yet, right, So we'll do that to

727
00:48:10,320 --> 00:48:12,400
end the segment. By the way, if you are listening

728
00:48:12,480 --> 00:48:16,199
live on Saturday, stick around. We've got Gnarley Darling. They're

729
00:48:16,199 --> 00:48:17,840
going to play live in the second hour, and then

730
00:48:17,880 --> 00:48:20,320
the third hour, Volley is returning to the show. So

731
00:48:20,960 --> 00:48:25,239
looking forward to seeing those guys. But we're gonna close

732
00:48:25,280 --> 00:48:27,800
out this segment with this track twenty four hours. Anything

733
00:48:27,800 --> 00:48:29,320
we should know about this one before we play it.

734
00:48:29,519 --> 00:48:32,840
Speaker 15: The first song that was ever written by Congregation X.

735
00:48:32,960 --> 00:48:33,559
Speaker 2: Oh no kidding.

736
00:48:33,599 --> 00:48:35,880
Speaker 15: It's actually the first song I've ever written in my life.

737
00:48:36,119 --> 00:48:38,480
I wrote it on my thirtieth birthday. Oh okay, and

738
00:48:38,639 --> 00:48:42,239
Nevin stayed up super late and just like got it out.

739
00:48:42,480 --> 00:48:43,480
Speaker 2: Yeah, oh wow.

740
00:48:44,199 --> 00:48:46,280
Speaker 15: And then these guys enhance the out of it.

741
00:48:46,400 --> 00:48:50,840
Speaker 2: Oh that's okay, we got we got the delay, I

742
00:48:50,920 --> 00:48:51,599
got it, don't worry.

743
00:48:51,880 --> 00:48:55,000
Speaker 15: Sorry, these guys enhanced it quite a lot.

744
00:48:55,199 --> 00:48:58,519
Speaker 2: Yeah, quite a lot, quite a lot, quite a lot.

745
00:48:59,480 --> 00:49:02,519
Speaker 16: Oh Andrey, that's okay, out of all of us too,

746
00:49:03,480 --> 00:49:04,079
my birthday.

747
00:49:04,880 --> 00:49:07,440
Speaker 18: It's the song that we've worked on the longest, and

748
00:49:07,599 --> 00:49:09,960
like we had said, we're kind of figuring out our

749
00:49:10,079 --> 00:49:12,719
sound as time goes by. So I think maybe of

750
00:49:12,880 --> 00:49:15,360
all the songs that we play, this might be the

751
00:49:15,440 --> 00:49:19,239
most representative of our sound as Congregation X.

752
00:49:19,400 --> 00:49:23,440
Speaker 2: Okay, Okay, very cool. I like that, Joshua, Yeah, absolutely, okay,

753
00:49:23,519 --> 00:49:25,400
So we will end uh, we'll end the segment with this.

754
00:49:25,559 --> 00:49:29,519
But again, thank you all all four of you, Parish, Jake, Alexandria,

755
00:49:29,639 --> 00:49:33,119
josh really appreciate you coming in. Yea, and hello to

756
00:49:33,199 --> 00:49:36,320
Nevan if you're listening, and we're going to hit this track. Okay,

757
00:49:36,360 --> 00:49:39,000
here it is. This is twenty four hours Congregation X.

758
00:49:58,119 --> 00:50:07,079
Speaker 19: Gustand flood emotion thinking on over and we're like that

759
00:50:07,800 --> 00:50:12,000
have been not Everything's so sweet?

760
00:50:14,519 --> 00:50:15,960
Speaker 26: I falling down.

761
00:50:18,360 --> 00:50:29,000
Speaker 20: Again and again and also wat what what to finally complete?

762
00:50:30,760 --> 00:50:32,480
Speaker 8: Seems to got best time?

763
00:50:39,119 --> 00:50:42,159
Speaker 15: Twenty four hours est ain't.

764
00:50:51,039 --> 00:50:51,960
Speaker 8: It's like time.

765
00:50:52,159 --> 00:50:53,239
Speaker 15: I'm just against me.

766
00:50:55,800 --> 00:51:01,079
Speaker 8: In the closed you see all of these and moments

767
00:51:01,159 --> 00:51:04,119
passed by. I came in motivationally dry.

768
00:51:08,280 --> 00:51:09,679
Speaker 12: All to the pas too.

769
00:51:10,920 --> 00:51:14,000
Speaker 9: I'm gonna thank you for sure.

770
00:51:14,039 --> 00:51:17,760
Speaker 20: And me away a beautiful lesson.

771
00:51:17,880 --> 00:51:20,519
Speaker 17: Every day life is like the ocean right away.

772
00:51:24,639 --> 00:51:26,559
Speaker 15: Sometimes it feels so tired.

773
00:51:28,880 --> 00:51:33,519
Speaker 23: The end of the day comes too fast, when times

774
00:51:33,880 --> 00:51:38,039
to kill dream here who gets hard to live a

775
00:51:38,199 --> 00:51:40,039
life week by week?

776
00:51:41,639 --> 00:51:43,599
Speaker 8: Seems I got this time.

777
00:51:45,920 --> 00:51:46,920
Speaker 23: The more, du.

778
00:51:50,000 --> 00:51:53,000
Speaker 15: Twenty four hours just ain't.

779
00:52:10,440 --> 00:52:15,599
Speaker 19: So thank you for all due love, everything you gotta be.

780
00:52:15,719 --> 00:52:20,039
Speaker 8: Through the times that yeah, we've been through.

781
00:52:20,400 --> 00:52:28,000
Speaker 23: Oh I'm so great boyea m m, I'm proud of you.

782
00:52:28,320 --> 00:52:29,079
Speaker 9: I have to come.

783
00:52:31,440 --> 00:52:33,199
Speaker 15: I finally a foul way.

784
00:52:33,599 --> 00:52:37,239
Speaker 9: I'll below your lessons like me.

785
00:52:39,800 --> 00:52:51,159
Speaker 8: To live my life in love so free. It seems

786
00:52:51,199 --> 00:52:51,519
a lot.

787
00:52:51,679 --> 00:53:03,639
Speaker 17: Best time, dude, twenty four hours, It just ain't seems

788
00:53:03,679 --> 00:53:05,480
again less time day?

789
00:53:11,639 --> 00:53:12,800
Speaker 8: Sorry for hour?

790
00:53:13,320 --> 00:53:15,119
Speaker 4: Was it just taken.

791
00:53:24,039 --> 00:53:24,079
Speaker 31: In?

792
00:53:24,679 --> 00:53:37,159
Speaker 3: Justing this fall?

793
00:53:37,719 --> 00:53:41,000
Speaker 13: The ballpark isn't closing for the season. It's waking up,

794
00:53:41,880 --> 00:53:45,039
step beyond the gates and into fright Nights at the Field,

795
00:53:45,599 --> 00:53:48,599
an immersive, haunted experience where the roar of the crowd

796
00:53:48,679 --> 00:53:53,119
has been replaced by whispers in the dark. Wandering through

797
00:53:53,159 --> 00:53:57,000
twisted tunnels, ghost lid corridors, and the stadium itself, now

798
00:53:57,079 --> 00:53:59,960
home to the things that never left live scare act

799
00:54:00,519 --> 00:54:04,760
movie quality sets, heart racing encounters around every corner. The

800
00:54:04,880 --> 00:54:08,119
game is over, but the nightmare has just begun. Frank

801
00:54:08,199 --> 00:54:10,519
Knights in the field. Here to play after dark.

802
00:54:11,559 --> 00:54:13,719
Speaker 25: Luigi's Pizza Bar and Grill.

803
00:54:13,679 --> 00:54:17,239
Speaker 4: Under every one let's phrase, slyes.

804
00:54:17,000 --> 00:54:20,079
Speaker 9: On hide with top and tall the ground.

805
00:54:20,639 --> 00:54:22,519
Speaker 3: It's a pizza BARO.

806
00:54:22,320 --> 00:54:27,519
Speaker 32: Mine Luigi's Pizza Bar and Grill. Seven to twelve Valley Street, Manchester.

807
00:54:27,800 --> 00:54:30,679
Come on in or call six two two one zero

808
00:54:30,920 --> 00:54:35,960
two one Luigi, keeping the tradition alive since nineteen seventy five.

809
00:54:36,280 --> 00:54:42,239
Speaker 3: Ten pizza for every one. Come join a beast to night.

810
00:54:43,119 --> 00:54:47,159
With each slice, sense of it, everything feels so right.

811
00:54:50,320 --> 00:54:52,480
Speaker 27: In times of crisis, you need a law firm that

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As former state prosecutors, our attorneys have the knowledge and

815
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team will assess your case and fight for the compensation

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820
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821
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Speaker 25: Bring your kitchen to life with Queen Citycabinetry, located at

822
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823
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824
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827
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829
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Speaker 33: Hey everyone, there's Rob Azevedo, host of great at State

830
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of Mine, and I want to tell you about Pembrook

831
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City Limits and the historic sun Cook Village. PCL is

832
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an award winning bar, restaurant and music venue where there's

833
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live music five days a week and twice on Saturdays,

834
00:56:10,800 --> 00:56:13,360
everything from blues, country, folk, funk, and a whole lot

835
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of jazz. We have twelve craft beers on tap dedicated

836
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to the local brewers in the area and some of

837
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the friendliest bartenders around.

838
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Speaker 16: Please come visit.

839
00:56:21,239 --> 00:56:23,679
Speaker 33: Pembrook City Limits at one thirty four Main Street, the

840
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historic sunk Cook Village, only six miles outside of Manchester.

841
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Open Tuesdays to Wednesdays four to ten Thursday's Sunday eleven

842
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to ten, Pembrook City Limits.

843
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Speaker 16: Where it's all about the music.

844
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Speaker 32: Disneys Cafe is the place to put a smile on

845
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your face. Judy and the crew will take care of you,

846
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bring your appetite and treat your taste. Bus fry Disneys

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Cafe is always a winning choice. Breakfast, lunch or supper.

848
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849
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Dine in, take out or make a reservation call six

850
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Speaker 16: Business Cafe.

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Speaker 24: When it comes to keeping WMNH on the air and

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Speaker 15: Seven times out of ten. We listened to our music at.

863
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Speaker 32: Night don titled book Business Program.

864
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Speaker 31: Late Night to Light with DJ Bidas right here on WMNH, Manchester.

865
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Speaker 23: You want because.

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Speaker 25: Saturdays and Sunday nights midnight to four am.

867
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Speaker 28: This hour on WMNH is sponsored by cgiis Drive in Auburn.

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Speaker 31: Behold the harmony of airwaves as you immerse yourself in

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879
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We're Innovation and Sound Cologne. They're the impro moder of

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Manchester Public Television Service in the venerable city of Manchester,

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New Hampshire, USA. Enrich your auditory journey with the depth

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of our license to wesn't wesspt your missives to w

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m n H ninety five three at gmail dot com

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or to reverse the virtual corridors of wmnhradio dot org.

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Engage with our sonic vibrations by communing with us through

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the digital channel or radio beconds eager to enthrall you

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Speaker 28: One dude, WMNH rip the novels