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Speaker 1: If you know the Surely podcast, then you know that

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you will see how they love to share some stories

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and knock. It's it's your host, Jason Indeed, and my friends,

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whether you're lost in love or if you're all out

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of love, I'm sure you will agree with me when

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I say that even the nights are better, even the

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days are brighter since we found them and now here

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they are the ones that you love. Jason, Colebyn and

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James D. Graves, Guys, you're every podcast.

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Speaker 2: In the world to me. Hey, friends, it's it's her

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old Palsy here and I'm trying to do an intro

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to the show, but I can't see them to catch

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my breath. Actually, you know, I could use a little help.

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Speaker 3: Right now, be serious, let's chase. Well, that's better.

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Speaker 2: I guess I just need a little air supply onto

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the show.

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Speaker 4: All right, d I want you to tell me the

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musical group that had seven consecutive top five hits on

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the Hot one hundred and had zero help from MTV,

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The Beatles. Well, that's a good guess. That is what

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we're talking about today.

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Speaker 3: This is not the fab four, This is the Fabulous two.

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Speaker 4: That is this is the fabulous two. Today we are

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talking about air Supply.

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Speaker 3: The strings start right now right, just all that soft

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rock gold. Guys, We're back here at the shore that

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you Can't Be Serious podcast with part two of our

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soft Rock Champions of the early eighties, Christopher Cross versus

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Air Supply, both of them the Greatest Hits album amazing

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soft rock. Some would call some of this yat rock

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if you like, but I don't care if you don't

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like it, sir. I love this album. I had this

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album as a little kid and I wore it out,

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and then when I started getting Columbia House Records for

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a penny a CD, I got this one right away

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because it is magic. I will tell you this.

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Speaker 4: You know we've talked before, like how you know Thriller

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and nineteen eighty four by Van Halen and the Footloose

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soundtrack was just like passed out when you went back

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to school for fifth grade. Like everybody had that. Everybody,

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every parent seemed to have had Air Supplies Greatest Hits.

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Speaker 3: Yes, And I can remember that this album cover because

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I literally I was like, is this Lord of the Rings?

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Is that Legalis Senfrodo right there? The cover of this thing?

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Speaker 1: Oh?

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Speaker 3: My gosh, it does. It looks like it's just this

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hand drawn, very wispy kind of the last Unicorn style artwork,

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and it looks like even Hobbit and an Elf. I'm

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just say it the colored pencil cover me. But these guys,

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whatever they might look like, were an unstoppable juggernaut in

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nineteen eighty one eighty two, Like just unbelievable.

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Speaker 4: They came out of nowhere to become an immediate juggernaut.

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Speaker 3: Yeah, and then and then drop as fast as they appeared. Yeah,

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it came from down under and went back. Yeah, but

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they didn't. But anyway, all right, let's there are thirteen

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tracks on this one, so we got to jump in.

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Let's start. This is their debut single off of their

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debut album. This one is called Love and Other Bruises.

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Speaker 2: Here we go.

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Speaker 5: As the Times lives through Your Thing.

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Speaker 3: Two song most.

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Speaker 6: Time to Go and the Morning Breaks between Us?

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Speaker 3: Where is a half decent shot that your parents got

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jiggy with the song playing.

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Speaker 4: I'm just saying you might be here today because of

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this song.

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Speaker 3: Yeah, it could be the case. Okay, So air supply

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we got to say. They've had various members throughout their tenure.

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But really it is just the two mainstay guys. We've

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got the two Russell's. We have Russell Hitchcock the singer

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and Graham Russell the songwriter, an occasional singer. Yeah, that's right.

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Speaker 4: You know that they met as members of the cast

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for Jesus Christ Superstar. Yeah in Australia.

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Speaker 3: Yeah. Yeah. So Graham Russell was born in England and

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his story about how he became a songwriter is a

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pretty sad one. Actually, he grew up I'm not wealthy,

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but he said he had a very happy childhood for

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the first ten years of his life. Like they didn't

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have TV, didn't have a car, but he was happy.

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And his mother got breast cancer and he knew that

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she was sick, but they kind of kept from him

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how sick she was. And so one morning he and

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his sisters wake up and their dad says, oh, your

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mom's gone, and he's like, well, where is she? When

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she coming back and he's like, no, she's passed away,

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and he didn't know what that meant, and so she's

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like okay, but when she coming back, and when he

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finally understood that she had died, he stopped speaking for

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three months. Yeah, I heard him talk about that. I mean,

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it's just a tragedy. But in that process that he

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had to go through his own healing, devastational moment. When

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he did start communicating with people, he wore a little

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tablet like arn, a string around his neck and he

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would just write down whatever it is that he wanted

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to say to people. And it was in that process

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that he decided to start rhyming the things that he

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was saying on the paper, and that turned into a

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love for poetry and ultimately a love for songwriting and

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a guy with a incredible ability to write some amazing songs.

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Love him.

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Speaker 1: Makes a song.

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Speaker 3: Along with that.

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Speaker 4: I just wanted to mention we are covering today the

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E M I version of this album. Yeah, there's different versions,

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because there's an Australian version, there's the American version. Clive

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Davis gets involved. They changed the lyrics on some stuff.

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This has thirteen songs, so when you're going, well, wait

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a minute, my cassette only had nine tracks.

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Speaker 3: Yeah, well that's okay. We're going to go through the

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no longer honus for your time and effort here. God good. Yeah.

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So this one hit number six in Australia and what's interesting.

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I mean I said this came off their debut album,

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which was called Air Supply in nineteen seventy six. They

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re released it when they did their third album, which

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was their first US release, which was also called Love

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and Other Bruises. Nice touch there, Yeah, but when they

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were still in Australia and just you know, they were

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in the charts and making no money and not bringing people,

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like they'd have a show and no one would show up,

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and it was just I mean, it's a struggle. I

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think you told me a story that, you know, when

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they were moving from hotel to hotel, that they'd look

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in the cash cushions to find money for bread.

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Speaker 4: Yeah, yeah, that's right. You know, I heard Graham Russell

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tell a story. He said, you know, we were in

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Jesus Christ Superstar. We knew that that was coming to

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an end in eighteen months. Yeah, and so we had

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eight eighteen months to get together something. Well, you know, initially,

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I don't even think we talked about how they met,

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but you know, they were were sitting they were in

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the cast, they were hanging out. A lot of the

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other people had been in other plays together, so they

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kind of knew each other. He's like, but we didn't

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know each other, we didn't know anybody else, so we're

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kind of lonely, we're kind of quiet. Introduced ourselves and

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then as the you know, as the play went on,

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I heard him sing and he's like, dude, you've got

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an incredible voice, you know. Graham Russell went to Russell Hitchcock,

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and of course they both saw The Beatles at age fourteen.

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They both have the name Russell, you know, they they

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don't have a brother. You know, there's some similarities that

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they kind of bonded over. And when they started to

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hang out, Graham russ would just kind of break out

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the guitar when they weren't doing anything. Russell Hitchcock would

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just sing and people would walk by and say, wow,

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you guys are really good together. You know, they had

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a hit song before Jesus Christ Superstar was over. They

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had never played live together. Yeah, and had a hit song.

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Speaker 3: It's crazy. Have you seen the music video for this

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Love and other Bruises Love an others?

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Speaker 1: Not?

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Speaker 5: No?

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Speaker 4: All right, so I'm going to give them some crap

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because their music video game was awful.

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Speaker 3: Okay, Now they do improve eventually, Okay, but this one.

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I showed you. I showed you. Is this the overall?

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Speaker 4: Russell Hitchcock is in a pair of my grandpa's overalls.

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Speaker 3: Overalls like Gene. He looks like it looks like he

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borrowed the overalls from Dexy and the Midnight Runners.

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Speaker 4: He has the giant Don Henley fro like the white

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Guy fro. Yes he does, and he's wearing the Gene overalls.

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This is before they had kind of established themselves as

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like the soft rock the kind of the whimpy love band.

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Speaker 3: Well yeah, I mean it was well before they had

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established anything. It's just their first one. Now, of course

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it came, like I said, it came back out on

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the US release, but this is not one of the

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ones that blew the US away. We gotta move on

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for those you ready to go to song number two.

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Let's go to song number two. All right, I'm so

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so excited for you all on this, So hang on,

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hang on. Before we say anymore.

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Speaker 4: You called me yesterday I was mowing the lawn and

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you were like, dude, stop right now and watch this

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music video.

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Speaker 3: So I just got to tell everybody. If you try

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to search this up on Spotify, which has I thought,

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all of the songs, you won't find it, okay, and

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this is on their greatest hits. This is this song

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is on their greatest hits, And so I had to

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hunt it down and I'm like, where I look for

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the album. I couldn't find the album on Spotify and

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I'm like, jeez whiz, I'll get it. So I go

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to YouTube. Thank the Lord for giving me that blessing

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because this video ladies and gentlemen, boys and girls, it

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was the highlight of my week. The highlight of my week.

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So the song that we were talking about is song

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number two on this album, and it is appropriately called

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bring Out the Magic. Oh my gosh. It is seventies

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gold and I love this because it's not like their

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other stuff. This is not I mean, it's it's softer,

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but this is a kind of a rock and little song.

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It's got a little electric guitar in there. It's I

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kind of it's in this song. Russell Hitchcock has kind

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of given me the Geddy Lee or Dennis Day young vibes. Man.

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He's just got that kind of prog rock I think

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to it. I love it.

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Speaker 4: Before people start, you know, trying to kill us for

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saying that, you know, compared it to Rush or whatever.

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But I do think there's some sticks elements in this.

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Speaker 3: I think there is some.

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Speaker 4: Mario Speedwagon here, Oh yeah, for sure, you know, just

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kind of that seventies rock, kind of folk rock.

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Speaker 3: Whatever.

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Speaker 4: I don't think there's much difference at this point.

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Speaker 3: No, come, come, Come, bring out the magic. I love it.

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I love the song I had sketchy. It's a new

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discovery for me. I guess it just kind of would

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skip by this whenever I had the CD. But man,

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this is a little gem. This a little piece of

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gold on this album.

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Speaker 4: I like how you know Russell Hitchcock is singing, and

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then all of a sudden, the two guys jump in

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the frame as they're doing the chorus.

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Speaker 3: There, Graham Russell and some guy who looks like he

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would work on your car in the Lower London area, and.

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Speaker 4: They got veils tied around their guitar heads.

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Speaker 3: It's fun. Yeah, it's great, great. I don't have much

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to say about the song because it's so difficult to find.

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You're not going to find a lot of information on it.

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But the video is well worth the watch.

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Speaker 4: I mean, if you're keeping count at home, We like

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these two songs, and we haven't even got to their

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big hits.

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Speaker 3: We haven't scratched the surface on what is to come,

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that is for sure. But let's keep on rolling down

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the line. Song number three, their biggest hit. This is

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the One that You Love long.

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Speaker 2: Two words to say, so.

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Speaker 3: This is definitive air supply magic. Give me a simple

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little piano pie sting ding ding, and then give me

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a gut wrenching melody composed by Graham Russell and sung

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by Russell Hitchcock.

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Speaker 4: Anyway, guy's got an angel voice. It's a it's a

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hooky chorus, it's a sing along swear.

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Speaker 3: And just when you're starting to sway, the strings come

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in and just take it to heaven. This was their

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only number one hits. It's crazy. For as much as

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they were banging around in the top five, this is

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a shock here that this is their only one to

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hit the number one. This one came off the album

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of nineteen eighty one called The One that You Love

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Exactly enough. Yes makes sense to me.

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Speaker 1: Now.

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Speaker 3: What's interesting about this song, in addition to it hitting

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number one and obviously being the template for all air

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air supply hits, is it's the lyrics are here, I

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Am the one that you love. Now we're just about

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to jump into another song. And these songs were out

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at the same time, and they had to make some

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adjustments to keep people from getting confused about which song

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it was that they were listening to. I was confused, yeah,

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you know, yeah, because if you if you were like, hey,

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do you want to listen to the air supply song

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here I Am, you'd be like the one that you

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love and they're like, no, not that song. That's not

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the right one. That's not the right one. So that

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song is next on our list before we get to

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that song.

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Speaker 4: Yes, I've got to go over this chart with you

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because it's it's full of early eighty pre MTV goal here.

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Speaker 3: Okay, so this is when they hit number one in

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nineteen eighty one. So they hit number one.

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Speaker 4: This is July twenty fifth, nineteen eighty one. This is

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summer of eighty one.

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Speaker 3: Okay. So starting at number eight.

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Speaker 4: You Make My Dreams Come True by Hell and Oates,

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number seven, Slow Hand by the Pointer Sisters, number six,

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I Don't Need You Kenny Rogers.

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Speaker 3: That one comes up later on actually.

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Speaker 4: Okay, Now, the interesting thing about the chart this week

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is that Kenny Rogers had the number one hit as

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the adult contemporary chart.

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Speaker 3: Yeah blocking this one. Yeah, and this was the number

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one on the time that it ranks higher in the

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Hot one hundred than it does on the Adult contemporary.

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It's very strange. Yep.

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Speaker 4: Number five Elvira, Number four the theme for the Greatest

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American Hero.

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Speaker 3: Go back and check out our best TV themes of

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the I can't remember. I think they did that week.

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I think that was eighty eighty four. Eighty eighty four. Yeah,

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that's an episode, everybody, It's awesome. Go look at it.

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Number three Jesse's Girl of course. Yes. Number two Betty

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Davis Eyes, Oh yeah, great. Oh that's a smash hit

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of songs in the early eighties. Love it now.

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Speaker 4: I just want to bring up the music video on

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this one. Okay, I am so sorry I have to

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do this though. There is a scene filmed at a

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park where the girlfriend is on the slide and it

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looks like the Love montage and the Naked Gun, right.

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Speaker 3: She like slides down.

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Speaker 4: He just watches her go like it just like she's

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going to fall into a pit of sharks or something

295
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like that.

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Speaker 3: Oh you sent me a picture from this video. Yeah,

297
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and you want this shirt right now? And I absolutely dotely.

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I probably wouldn't do the overalls, but this shirt I

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would wear every day if I owned it. I said

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00:16:46,799 --> 00:16:49,559
this picture, I'm like, the you need this badass tiger shirt. Man.

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Speaker 4: Oh dude, his white shirt is massive tiger face on

302
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the shirt.

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Speaker 3: Yep.

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Speaker 4: So this is pre tats. By the way, this is

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a you know, he had to put the decoration on

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the shirt right right.

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Speaker 3: Okay.

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Speaker 4: I hate to move on too quickly, but but we

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got thirteen songs to go. Here I Am, I mean

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here I Am, Here I Am the one that you love. No,

311
00:17:08,480 --> 00:17:11,519
that's not this, all right. Number four on this album

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is a song called here I Am. Just when I

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thought I was over you, there I go.

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Speaker 3: Playing will those Memories again? So to me, this sounds

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like prototype typical air supply, But this actually was. This

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is the first song that we have that is not

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written by Bram Russell.

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Speaker 4: Yeah, this is Norman Salite Okay, and I was like, oh, wow,

319
00:17:54,119 --> 00:17:54,680
different guy.

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Speaker 3: I went and checked. He's known for writing here, here

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00:17:57,640 --> 00:18:00,400
I Am. That's it. That's his that's his claim to

322
00:18:00,440 --> 00:18:02,759
fame right there. He wrote this song That's Right, which

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00:18:02,759 --> 00:18:04,599
I'm sure made him quite a bit of money. Now.

324
00:18:04,680 --> 00:18:09,000
I don't know how Clive Davis became familiar with the

325
00:18:09,240 --> 00:18:12,799
Norman Seleite version of this song, but somehow he knew

326
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that that was the magic that Air supply needed on

327
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this album, the One that You Love, and so that

328
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is why it was at it. And it was originally

329
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just titled Here I Am, but to avoid the confusion

330
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with the One that You Love, they changed the title

331
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when they released a single to include the rest of

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the lyrics.

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Speaker 4: Okay, I just want to cover this real quick. This

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was a top five hit, their second in a long

335
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list here Okay. Now, this spent three weeks at the

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number one spot on the adult chart.

337
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Speaker 3: Okay, I just want to go over these real quick.

338
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Speaker 4: Number five, Here I Am. Number four Start me Up

339
00:19:04,799 --> 00:19:08,200
by the Rolling Stones, Okay. Number three waiting for a

340
00:19:08,279 --> 00:19:09,759
Girl like You Foreigner.

341
00:19:10,200 --> 00:19:11,640
Speaker 3: That's a great one, man. Can we talk about that

342
00:19:11,759 --> 00:19:13,960
in our Stranger Things? I believe that we did. Yes,

343
00:19:14,200 --> 00:19:18,960
it is. I believe in the scene that Steve and

344
00:19:19,640 --> 00:19:23,640
whatever her name is, you're about to get it all. Yeah.

345
00:19:24,119 --> 00:19:28,000
Speaker 4: Number two Private Eyes another Holly Oats magic there all right?

346
00:19:28,119 --> 00:19:31,720
Number two let's get Olivia Newton John.

347
00:19:32,000 --> 00:19:34,119
Speaker 3: But I want to bring this up. Number nine this

348
00:19:34,319 --> 00:19:35,279
week on the chart.

349
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Speaker 4: The Arthur's Theme by Christopher Cross. Oh there you go, right, yep,

350
00:19:40,039 --> 00:19:43,680
all right, this chorus capture me. I mean this course

351
00:19:43,759 --> 00:19:44,200
captures me.

352
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Speaker 3: I don't. It's absolutely It's another one of their solid

353
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gold deniable It's magic, just like they mean it to be.

354
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And I would listen to it over and over again.

355
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Can't beat it, okay. Next song on the album is

356
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a song called Sweet Dreams. Sweet Dreams. It is a

357
00:20:02,240 --> 00:20:06,160
different sweet Dreams, a lot of ship you.

358
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Speaker 6: I want to ride disguise last see.

359
00:20:18,319 --> 00:20:18,359
Speaker 1: You.

360
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Speaker 3: I want to sing it's a live lass. So this

361
00:20:30,240 --> 00:20:34,519
one is a darker tone. I really dig it. I wasn't.

362
00:20:34,559 --> 00:20:36,880
I didn't remember it as I pulled. Really okay, yeah,

363
00:20:36,920 --> 00:20:38,880
and so I'm gonna listening to this. I'm like, oh,

364
00:20:38,960 --> 00:20:40,960
this is kind of dark. And then when they start singing,

365
00:20:41,039 --> 00:20:44,480
the melody changes a little bit, and I'm like, man,

366
00:20:44,599 --> 00:20:47,440
I don't know why some hair metal band did not

367
00:20:47,640 --> 00:20:50,039
cover this song in the late eighties, because it's got

368
00:20:50,240 --> 00:20:53,000
all of the right feels for that kind of song.

369
00:20:53,079 --> 00:20:55,279
And I could hear Tommy Shaw singing this song. Right,

370
00:20:55,359 --> 00:20:57,480
Oh yeah, and maybe Ted Nugent could play the guitar

371
00:20:57,559 --> 00:21:01,640
on it. I don't know. Ye, let's go. The ball

372
00:21:01,799 --> 00:21:06,359
is in your court. So the course and this is great.

373
00:21:06,839 --> 00:21:09,880
You have the electric guitar solo. Yeah? Is this rock?

374
00:21:10,160 --> 00:21:11,920
This is this is a rocker to me, this is

375
00:21:11,960 --> 00:21:13,440
more rock than soft Well.

376
00:21:13,480 --> 00:21:17,000
Speaker 4: It's definitely on the rockier end of their average stuff.

377
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Speaker 3: It's power ballot right right, It's a power ballad. It's

378
00:21:19,519 --> 00:21:21,599
not just a ballot. Is a power ballot. This is

379
00:21:21,720 --> 00:21:24,319
also off there the one that you Love album. I

380
00:21:24,400 --> 00:21:26,960
think it charted as well. Oh yeah, the man this

381
00:21:27,039 --> 00:21:29,160
made it's number five on the Hot one hundred five.

382
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So here's the deal.

383
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Speaker 4: Clive Davis was involved and had a big hand in

384
00:21:34,359 --> 00:21:35,640
air supply success.

385
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Speaker 3: Absolutely Clive Davis.

386
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Speaker 4: Just to give you a list of names that Clive

387
00:21:39,799 --> 00:21:43,039
Davis has found, discovered, produced made stars.

388
00:21:43,319 --> 00:21:46,559
Speaker 3: Okay, hold on to your sock out his hand and said,

389
00:21:46,559 --> 00:21:49,160
I'm gonna make you a star. Yea said that quote

390
00:21:49,720 --> 00:21:52,240
to quote an Aerosmith lyric. Absolutely right.

391
00:21:52,519 --> 00:21:57,720
Speaker 4: So slant in the family, Stone, Jennis Joplin, Santana, Bruce Springsteen, Chicago,

392
00:21:58,160 --> 00:22:03,079
Billy Joel, Login's a Messina it's a bass. Your favorite aerosmith,

393
00:22:03,400 --> 00:22:08,640
Pink Floyd. Uh, Millie Vanilly, expose Aretha Franklin, Grateful.

394
00:22:08,240 --> 00:22:15,200
Speaker 3: Day, Pink Floyd, then say Millie Vanilly. Yes. The names

395
00:22:15,240 --> 00:22:17,599
in the next to each other. The question what does

396
00:22:17,680 --> 00:22:19,640
Pink Floyd have in common with Milli Vanilly?

397
00:22:19,920 --> 00:22:24,839
Speaker 4: The Clive Davis sir, and he discovered Barry Manilow and

398
00:22:24,960 --> 00:22:25,759
Whitney Houston.

399
00:22:26,039 --> 00:22:28,799
Speaker 3: Wow, I mean that this dude is bringing it this

400
00:22:29,000 --> 00:22:31,519
and for a long time. I mean we're talking about

401
00:22:31,720 --> 00:22:34,680
way back in the seventies and he's been bringing it.

402
00:22:34,839 --> 00:22:36,319
And is he still around?

403
00:22:36,559 --> 00:22:39,920
Speaker 4: He is still He's ninety three years old, bro, and

404
00:22:40,079 --> 00:22:41,960
still turning over rocks looking for stars.

405
00:22:42,000 --> 00:22:43,960
Speaker 3: I guess I don't know, man, That's awesome. Hey.

406
00:22:44,119 --> 00:22:46,640
Speaker 4: The interesting thing on this song, Graham Russell of course

407
00:22:46,720 --> 00:22:48,720
wrote this song. He says, most of the time he's

408
00:22:48,720 --> 00:22:50,119
got a pretty good feel for what it's going to

409
00:22:50,160 --> 00:22:50,440
be a hit?

410
00:22:50,559 --> 00:22:50,839
Speaker 3: What's not?

411
00:22:51,000 --> 00:22:52,920
Speaker 4: He said, sometimes when he writes a song, he gets

412
00:22:53,000 --> 00:22:54,359
the little hairs that stand up on the back of

413
00:22:54,400 --> 00:22:54,720
his neck.

414
00:22:54,920 --> 00:22:58,079
Speaker 3: He's like this one, He's like, really, this one. He's like,

415
00:22:58,319 --> 00:22:58,640
I don't know.

416
00:22:59,480 --> 00:23:02,200
Speaker 4: But Clive Davis was like, no, this song is going

417
00:23:02,279 --> 00:23:03,960
to be a hit, going to make it a hit,

418
00:23:04,240 --> 00:23:06,200
and so he's like, you know, just go with what

419
00:23:06,319 --> 00:23:10,359
Clive says. All right, awesome quickly, Yes, the hot one

420
00:23:10,440 --> 00:23:13,519
hundred for March twentieth, nineteen eighty two. Okay, number six,

421
00:23:13,599 --> 00:23:17,039
we got the beat, Remember we got the beat. Number five,

422
00:23:17,160 --> 00:23:21,359
Sweet Dreams. Number four, that girl, I think that's Stevie Wonder.

423
00:23:21,920 --> 00:23:22,200
Speaker 3: Okay.

424
00:23:22,880 --> 00:23:24,920
Speaker 4: Number three Centerfold by Jay Giles Band.

425
00:23:25,079 --> 00:23:27,640
Speaker 3: Going to cover that next season, I think yes. Number

426
00:23:27,640 --> 00:23:29,759
two Open Arms by Journey.

427
00:23:29,880 --> 00:23:31,960
Speaker 4: Journey and I Love Rock and Roll is the number

428
00:23:31,960 --> 00:23:34,519
one hit by Joe Jett and the Black Hearts, excellent

429
00:23:35,000 --> 00:23:38,440
number ten on the charts this week. Pac Man Fever,

430
00:23:38,599 --> 00:23:41,519
a song I covered with Dirk Smith on our Patreon episode.

431
00:23:41,680 --> 00:23:43,680
Speaker 3: Just go check out our Patreon episode. I'll probably bring

432
00:23:43,720 --> 00:23:46,279
it up again a little bit later. But you can

433
00:23:46,680 --> 00:23:48,680
join up for free. You can listen to the secret

434
00:23:48,759 --> 00:23:50,720
episodes for as little as five bucks a month. Pick

435
00:23:50,759 --> 00:23:52,799
your tear, and if you go higher than five bucks,

436
00:23:52,839 --> 00:23:55,240
we may send you some presents, you know, for feeling

437
00:23:55,319 --> 00:23:58,279
like it. Okay, yeah, all right, moving on to a

438
00:23:58,440 --> 00:24:01,759
big hitter. Hold on, Hold on to your butt, Hold

439
00:24:01,799 --> 00:24:04,880
on to your butts. This is the breakout song for them.

440
00:24:04,920 --> 00:24:10,039
I mean literally the breakout song Here we Go number six,

441
00:24:10,400 --> 00:24:25,119
This is Lost in Love, I'm Not letting Go. I

442
00:24:25,279 --> 00:24:33,400
believe there's so much to this one. You get the

443
00:24:33,559 --> 00:24:37,880
magic of the duo singing together. It's truly a great song.

444
00:24:38,000 --> 00:24:41,839
Speaker 4: Oh it's it is so good. And he wrote it

445
00:24:41,880 --> 00:24:44,680
in fifteen minutes. Fifteen minutes, fifteen minutes. You know, I

446
00:24:44,720 --> 00:24:46,519
heard him talk about this song. He said it's an

447
00:24:46,599 --> 00:24:48,680
interesting song because he knew he had something.

448
00:24:49,319 --> 00:24:52,160
Speaker 3: There's no chorus in this song. It's just verse bridge,

449
00:24:52,640 --> 00:24:55,119
verse bridge, no chorus. Interesting.

450
00:24:55,319 --> 00:24:58,160
Speaker 4: Yeah, I think it's interesting that Clive Davis held this

451
00:24:58,359 --> 00:25:01,480
song until the all dropped on nineteen eighty.

452
00:25:01,599 --> 00:25:02,440
Speaker 3: Did you hear that story?

453
00:25:02,599 --> 00:25:02,640
Speaker 6: No?

454
00:25:03,400 --> 00:25:06,839
Speaker 4: So it's often their nineteen seventy nine album. He did

455
00:25:06,920 --> 00:25:09,920
not want to release this song until the calendar flipped

456
00:25:09,920 --> 00:25:12,680
to nineteen eighty because he wanted this to be a

457
00:25:12,880 --> 00:25:16,359
nineteen eighty song, which I think is kind of having

458
00:25:16,440 --> 00:25:19,480
great foresight, because really he didn't want this to be

459
00:25:19,599 --> 00:25:22,240
categorized as a seventies song. He wanted it to be

460
00:25:22,359 --> 00:25:23,240
an eighties song.

461
00:25:23,319 --> 00:25:25,200
Speaker 3: He saw what was coming because he was going to

462
00:25:25,319 --> 00:25:28,880
make it happen. Yeah, yeah, Oh man, that's great. Yeah.

463
00:25:29,079 --> 00:25:32,920
So this one was all over the charts, right all

464
00:25:33,000 --> 00:25:35,480
over the charts, and at this point they still didn't

465
00:25:35,519 --> 00:25:38,240
have anybody representing them, like they didn't have a manager,

466
00:25:38,279 --> 00:25:42,559
that had nothing. And when this song goes ballistic, they're

467
00:25:42,599 --> 00:25:46,079
getting calls from all kinds of guys in the US like, Hey,

468
00:25:46,640 --> 00:25:48,400
this is my law farm, we would like to represent you,

469
00:25:48,519 --> 00:25:50,480
this is my agency, we would like to represent you.

470
00:25:50,759 --> 00:25:54,319
There's call after call after call, and the reason that

471
00:25:54,400 --> 00:25:56,519
they picked the guy that they went with, it's a

472
00:25:56,599 --> 00:26:01,240
guy named Barry Siegel, and Barry Siegel had just started

473
00:26:01,319 --> 00:26:04,839
his own agency and he showed up on their door

474
00:26:05,559 --> 00:26:10,599
in Australia. Good for him. He didn't just call. He

475
00:26:11,000 --> 00:26:13,400
went found him and knocked on the door and they

476
00:26:13,440 --> 00:26:16,599
opened it up and they're like what he's like, I

477
00:26:16,680 --> 00:26:18,720
would just like to represent you, guys. And it's been

478
00:26:18,759 --> 00:26:22,119
a fantastic relationship. But they said that night they took

479
00:26:22,200 --> 00:26:24,000
him out and they got him very very drunk, and

480
00:26:24,039 --> 00:26:25,640
then they left him in the middle of kind of

481
00:26:25,680 --> 00:26:27,839
a bad area to find his way back to his

482
00:26:27,920 --> 00:26:30,599
hotel that he couldn't find. But after he did it,

483
00:26:30,680 --> 00:26:33,000
they were like, this is our guy, Like he's Andy

484
00:26:33,400 --> 00:26:37,200
they consider themselves the Three Musketeers, those two guys and

485
00:26:37,319 --> 00:26:41,759
their manager who I mean, he's his agency is a

486
00:26:42,200 --> 00:26:45,599
all star list of people, but this group is one

487
00:26:45,599 --> 00:26:48,440
of the few that he actually represents them himself, and

488
00:26:48,559 --> 00:26:52,680
so he's been their agent, manager and accountant, which has

489
00:26:52,759 --> 00:26:56,000
helped them not be frivolous with money. And that goes

490
00:26:56,000 --> 00:26:57,319
along with the fact that they didn't really ever do

491
00:26:57,400 --> 00:27:00,440
drugs or go crazy with their lifestyle. Helps. Yeah, there's

492
00:27:00,559 --> 00:27:03,240
not a lot of salacious stories on this one. I've

493
00:27:03,279 --> 00:27:05,640
got a teeny one slightly silactious, but then when you

494
00:27:05,680 --> 00:27:08,119
hear the rest of it, you're like, well, okay, this

495
00:27:08,279 --> 00:27:10,680
is like the anti Motley. It comes. It comes at

496
00:27:10,720 --> 00:27:12,359
the last song, so you're gonna have to hold You're

497
00:27:12,359 --> 00:27:14,279
gonna have to hold on for that salacious story. But

498
00:27:15,160 --> 00:27:19,400
but this song was everywhere so NFL man, I love

499
00:27:19,440 --> 00:27:38,880
this song. Yeah, I'll tell you this though.

500
00:27:39,079 --> 00:27:42,119
Speaker 4: So when they finished up Jesus Christ Superstar, they had

501
00:27:42,160 --> 00:27:44,240
a song that was already a hit in Australia.

502
00:27:44,480 --> 00:27:46,319
Speaker 3: Yep, I believe it was Love and other Bruises.

503
00:27:46,359 --> 00:27:48,599
Speaker 4: Okay, well they didn't have they had never performed live

504
00:27:48,680 --> 00:27:51,720
together ever, right, and as soon as they got out

505
00:27:51,720 --> 00:27:53,799
of Jesus Christ Superstar. They're like, Okay, we're doing this.

506
00:27:54,160 --> 00:27:57,039
So when they released that single, the record company called

507
00:27:57,079 --> 00:27:58,759
them and said, hey, we think we've got to hit

508
00:27:58,799 --> 00:28:01,359
song with this one. What's the name of your group?

509
00:28:02,000 --> 00:28:04,000
And they're like, oh yeah, man, we haven't really thought

510
00:28:04,000 --> 00:28:04,279
about that.

511
00:28:04,680 --> 00:28:05,359
Speaker 3: What is our name?

512
00:28:06,319 --> 00:28:08,759
Speaker 4: And so like, well, you don't know, and he's like, well,

513
00:28:08,880 --> 00:28:10,640
I've got to have it by tomorrow morning. And so

514
00:28:10,799 --> 00:28:13,319
Graham Russell went to bed that night had a dream

515
00:28:13,519 --> 00:28:17,039
and he saw up in lights air supply, big black

516
00:28:17,119 --> 00:28:19,599
letters on the marquee. So he came the next morning

517
00:28:19,599 --> 00:28:21,400
and talked to Russell Hitchcock and he's like, I don't

518
00:28:21,440 --> 00:28:23,319
really have a name, but I did have a dream

519
00:28:23,440 --> 00:28:26,000
last night and I saw air supply up in lights.

520
00:28:26,279 --> 00:28:27,799
He goes, well, what does that mean? He's like, I

521
00:28:27,880 --> 00:28:29,519
have no idea. Maybe I'm going to have a heart attack.

522
00:28:30,880 --> 00:28:34,519
And he's like, well, you had a vision and that's it.

523
00:28:35,039 --> 00:28:35,400
Speaker 3: He goes.

524
00:28:35,559 --> 00:28:38,079
Speaker 4: We're not really religious people, but we always felt like

525
00:28:38,160 --> 00:28:41,160
we were kind of predestined and like the universe was

526
00:28:41,240 --> 00:28:42,519
kind of guiding our success.

527
00:28:43,559 --> 00:28:44,240
Speaker 3: So there you go.

528
00:28:44,559 --> 00:28:47,160
Speaker 4: The Hot one hundred for May third, nineteen eighty This

529
00:28:47,319 --> 00:28:50,279
is one day before I turned seven years old. Okay,

530
00:28:51,079 --> 00:28:53,559
so at number five you have another brick in the wall,

531
00:28:53,839 --> 00:28:56,880
of course. Number four is with You I'm Born Again.

532
00:28:57,240 --> 00:28:58,799
I can't remember who's saying that. I don't know that

533
00:28:58,880 --> 00:29:02,319
I recognized it. Number three is Lost in Love, Number

534
00:29:02,400 --> 00:29:05,799
two is Ride Like the Wind, Christopher Cross comes back Again,

535
00:29:05,960 --> 00:29:09,960
and number one is do you Remember call Me by Blonde?

536
00:29:11,319 --> 00:29:14,680
Speaker 3: That's right? That's right. Released as a single, kept Christopher

537
00:29:14,680 --> 00:29:16,000
Cross out of the number one spot.

538
00:29:16,319 --> 00:29:19,039
Speaker 4: All right, everybody, hit stop on your tape player, kick

539
00:29:19,079 --> 00:29:22,319
out your mom's tape, flip it over first side too

540
00:29:22,559 --> 00:29:23,920
of Air Supply's greatest hits.

541
00:29:23,960 --> 00:29:25,000
Speaker 3: Hey, I'm flipping the LP.

542
00:29:25,200 --> 00:29:28,480
Speaker 4: Okay, all right, next song on the album. This song

543
00:29:28,599 --> 00:29:29,559
is called Chances.

544
00:29:33,680 --> 00:29:39,240
Speaker 3: There's a chance you will be I'd like to know

545
00:29:39,759 --> 00:29:40,279
the truth.

546
00:29:42,000 --> 00:29:43,440
Speaker 6: I'll find it out.

547
00:29:43,799 --> 00:29:52,039
Speaker 3: Some Chances on too Strong gorgeous song. I'm super familiar

548
00:29:52,119 --> 00:29:54,559
with it. I didn't really remember it from listening back

549
00:29:54,599 --> 00:29:56,119
in the day. But I don't think it's a single.

550
00:29:56,279 --> 00:29:57,000
It's beautiful.

551
00:29:57,359 --> 00:29:59,480
Speaker 4: I think it was just one of the songs that

552
00:30:00,039 --> 00:30:03,839
Graham Russell liked. Okay, it wasn't in that string of

553
00:30:04,000 --> 00:30:06,759
top five hits, but it was surrounded by so many

554
00:30:06,799 --> 00:30:08,160
because it was on Lost in Love.

555
00:30:09,279 --> 00:30:11,359
Speaker 3: It was Unlost in Love. You're exactly right.

556
00:30:11,880 --> 00:30:13,960
Speaker 4: I did hear him tell the story behind this song?

557
00:30:14,079 --> 00:30:17,480
Ok yeah, okay, not a lot to it, but he said,

558
00:30:18,079 --> 00:30:21,599
it's about like an imaginary date. So when people go

559
00:30:21,720 --> 00:30:24,200
on dates, you know you're taking a chance, you're putting

560
00:30:24,200 --> 00:30:26,079
yourself out there. You show up at the cafe or

561
00:30:26,119 --> 00:30:28,839
the coffee house or wherever you are, and you're wondering,

562
00:30:29,519 --> 00:30:31,440
is this person going to show up here?

563
00:30:31,480 --> 00:30:34,240
Speaker 3: I am here, I am.

564
00:30:35,960 --> 00:30:38,839
Speaker 4: I'm putting it on the line, and I'm wondering if

565
00:30:38,880 --> 00:30:40,519
this person is gonna like me. I wonder if they're

566
00:30:40,519 --> 00:30:43,519
gonna think I'm cool, if they think I suck or whatever.

567
00:30:44,240 --> 00:30:47,079
And he said, in this song, the person never shows up,

568
00:30:47,119 --> 00:30:49,920
so it's kind of like the sliding doors of they

569
00:30:50,000 --> 00:30:53,680
never show up, so you never got a chance to see.

570
00:30:53,880 --> 00:30:55,440
Speaker 3: If that relationship was going to work out or not.

571
00:30:55,480 --> 00:31:00,319
Interesting kind of sliding doors things. Yeah, definitely worth the listen. Yep. Okay.

572
00:31:00,640 --> 00:31:05,839
Song number eight on the album another absolute banger. This

573
00:31:06,119 --> 00:31:28,079
is every Woman in the World. Scenes We're slow dancing

574
00:31:28,200 --> 00:31:32,440
to this one in the school gymnasium in nineteen eighty two.

575
00:31:33,599 --> 00:31:36,839
The girl that you really like and she doesn't kiss you.

576
00:31:37,519 --> 00:31:41,440
She may just not be that into yet. Look her

577
00:31:41,480 --> 00:31:43,559
in the eye and tell her she's every woman in

578
00:31:43,640 --> 00:31:47,599
the world. Oh my gosh, this is a panty dropper

579
00:31:48,880 --> 00:31:53,319
of the ancient order. Once again. You may have been

580
00:31:53,400 --> 00:32:09,119
conceived to this song. Yeah, the world two. So there

581
00:32:09,240 --> 00:32:12,680
here here is another one that was not written by

582
00:32:13,359 --> 00:32:15,799
Graham Russell. Oh really, I don't know that. Okay. This

583
00:32:15,920 --> 00:32:19,640
is the songwriting duo of Dominic Bugatti and Frank Musker,

584
00:32:19,680 --> 00:32:22,559
who have had several other songs that they've done together,

585
00:32:22,640 --> 00:32:24,960
but this is definitely the biggest one that I found

586
00:32:25,000 --> 00:32:28,759
in the bunch, okay. And it's a wonderful beginning because

587
00:32:28,799 --> 00:32:31,920
you have this call and answer between Russell, Hitchcock and

588
00:32:32,039 --> 00:32:35,359
Graham Russell as they're singing, and then they headfake you

589
00:32:35,599 --> 00:32:36,960
just like they did. They're like, oh, we're going to

590
00:32:36,960 --> 00:32:38,599
the chorus. Oh no, we're not. We've got another verse

591
00:32:38,680 --> 00:32:41,480
coming in here. Verse. But the verse just builds and builds,

592
00:32:41,519 --> 00:32:47,519
and you get that whoacuz you're and everybody's swaying together. Man,

593
00:32:48,039 --> 00:32:51,440
that's great. This is another top five hit. I mean,

594
00:32:51,599 --> 00:32:53,599
I don't know how many that is I've lost track.

595
00:32:53,960 --> 00:32:57,079
Speaker 4: Well, they had seven total that we're going to talk about. Okay,

596
00:32:57,960 --> 00:32:58,920
you want to hear the Tough Time?

597
00:32:59,400 --> 00:33:00,240
Speaker 3: Oh sure, okay.

598
00:33:00,480 --> 00:33:02,880
Speaker 4: Number five every Woman in the World to Me, by

599
00:33:02,880 --> 00:33:05,279
the way. Number eight that week was ninety five by

600
00:33:05,319 --> 00:33:07,839
Dolly Parton Sweet go back and see our best of

601
00:33:07,920 --> 00:33:09,960
nineteen eighty Number four was I Love.

602
00:33:09,799 --> 00:33:12,359
Speaker 3: A Rainy Night by Eddie Rabbit. Eddie Rabbit.

603
00:33:12,880 --> 00:33:15,599
Speaker 4: Number three is celebration cool in the Game, Cool in

604
00:33:15,640 --> 00:33:20,440
the Gang, yep. Number two just like starting over John Lennon.

605
00:33:20,640 --> 00:33:22,480
Speaker 3: You ever heard that? Yeah, I've heard of him. Yep.

606
00:33:22,880 --> 00:33:27,200
Speaker 4: And number one the Tightest High Bylondie. This reached number

607
00:33:27,400 --> 00:33:31,680
five the week January thirty first, nineteen eighty one.

608
00:33:32,160 --> 00:33:35,440
Speaker 3: Just a gorgeous song and perfect for air supply to sing.

609
00:33:35,680 --> 00:33:38,039
Speaker 4: By the way, I watched the video. Yeah, they still

610
00:33:38,079 --> 00:33:40,680
got to work on their video game. They're in the studio,

611
00:33:40,839 --> 00:33:43,079
so it is kind of a cool It's it reminds

612
00:33:43,119 --> 00:33:45,960
me of what it takes video by Aerosmith. Okay, you

613
00:33:46,079 --> 00:33:48,119
see them in the studio sort of working on the song,

614
00:33:48,200 --> 00:33:48,880
building or whatever.

615
00:33:49,240 --> 00:33:51,799
Speaker 3: Everybody's wearing jeorde ash jeens though, I mean it's who

616
00:33:51,880 --> 00:33:53,640
was this time? I mean it was nineteen eighty one

617
00:33:54,000 --> 00:33:56,400
can we do Yeah? Then with this one yep, and

618
00:33:57,480 --> 00:34:01,119
another banger right down the line, Here we go, number nine,

619
00:34:02,200 --> 00:34:05,400
I'm all out of love. It's so lost without you. Yeah,

620
00:34:05,559 --> 00:34:05,920
here we go.

621
00:34:06,839 --> 00:34:12,000
Speaker 6: I'm hand alone. Hit my head on the phone, can

622
00:34:12,119 --> 00:34:16,800
a few till it hurts. I know you had to

623
00:34:17,559 --> 00:34:19,039
put work to.

624
00:34:22,000 --> 00:34:22,199
Speaker 1: Hurt.

625
00:34:22,840 --> 00:34:25,039
Speaker 3: It makes my heart hurt. This is a great one.

626
00:34:25,280 --> 00:34:29,000
So this one is another one that Clive Davis had

627
00:34:29,039 --> 00:34:32,039
a hand in, and to this degree he got a

628
00:34:32,079 --> 00:34:34,840
writing credit on this. I know that's crazy now I heard.

629
00:34:35,000 --> 00:34:37,159
You know, Graham Russell talked about this. He never really

630
00:34:37,320 --> 00:34:40,320
had an enjoyable time working with Clive Davis. But he

631
00:34:40,519 --> 00:34:43,360
was asked about, you know, whether Clive Davis was demanding

632
00:34:43,480 --> 00:34:46,599
or not, you know, and he said, well, when when

633
00:34:46,639 --> 00:34:49,239
I had originally written the song all out of Love,

634
00:34:50,239 --> 00:34:52,840
he came to me and he was like that we

635
00:34:52,960 --> 00:34:54,880
need to change the lyrics for the American release of

636
00:34:54,920 --> 00:34:56,440
this song. And I was like, I don't really want

637
00:34:56,480 --> 00:34:59,559
to do that. The original lyrics to this song, boys

638
00:34:59,559 --> 00:35:02,719
and girls and ladies and gentlemen were I'm all out

639
00:35:02,760 --> 00:35:08,159
of love. I want to arrest you. Clive said, that's

640
00:35:08,239 --> 00:35:12,280
not going to work, and when Clive makes a suggestion,

641
00:35:12,559 --> 00:35:14,440
that means that's what you're gonna do. That's it. And

642
00:35:14,639 --> 00:35:18,920
so he said, how about I'm so lost without you

643
00:35:34,320 --> 00:35:44,360
need to say, and it's all right, I guess well, yes,

644
00:35:44,840 --> 00:35:49,000
well done, Clive. That is a much better line. It's perfect.

645
00:35:49,280 --> 00:35:54,039
Speaker 4: Actually, as an American on behalf of most Americans, I

646
00:35:54,079 --> 00:35:55,840
would say that would be.

647
00:35:55,840 --> 00:35:59,079
Speaker 3: A little confused. I want to arrest you. What do

648
00:35:59,159 --> 00:36:02,360
you want to what? I want to arrest you?

649
00:36:02,559 --> 00:36:04,639
Speaker 4: Yeah, I heard him trying to defend it that you know,

650
00:36:04,760 --> 00:36:07,199
well in Australia that means to get your attention.

651
00:36:08,280 --> 00:36:11,960
Speaker 3: Like an arresting beauty. Yes, I got you over here.

652
00:36:12,079 --> 00:36:14,320
Speaker 4: You know you call the cops, you got the handcuffs out,

653
00:36:14,400 --> 00:36:15,719
you know you want to arrest somebody.

654
00:36:16,119 --> 00:36:18,400
Speaker 3: So this one all the way to number two. Number

655
00:36:18,440 --> 00:36:21,440
two got blocked by two different songs. Got blocked by

656
00:36:22,320 --> 00:36:28,239
Upside Down by Dana Ross, so dum and bom bom bomb.

657
00:36:28,920 --> 00:36:33,079
Another one bites the dust yep queen, So only made

658
00:36:33,119 --> 00:36:35,440
it to number two. Now you've got a tidbit for

659
00:36:35,599 --> 00:36:37,519
me that I'm gonna I'm gonna be excited to hear.

660
00:36:37,639 --> 00:36:39,360
And I'm sorry that I already knew what it was.

661
00:36:39,480 --> 00:36:41,880
I was hoping you didn't because I was gonna blow

662
00:36:41,880 --> 00:36:43,360
your mind with it. But we both know it. So

663
00:36:43,480 --> 00:36:49,559
go ahead. So on our Patreon episode A few episodes,

664
00:36:49,599 --> 00:36:52,199
several episodes a year ago, I was gonna say, I

665
00:36:52,280 --> 00:36:54,119
think it was the first time that we did one

666
00:36:54,159 --> 00:36:56,320
where like it was, I'm not going to tell you

667
00:36:56,400 --> 00:36:57,920
what the song is, you have to guess what it

668
00:36:58,039 --> 00:37:00,440
is first. I think this was the first one sprung

669
00:37:00,480 --> 00:37:00,840
that on you.

670
00:37:01,000 --> 00:37:03,000
Speaker 4: You did, Yes, and that was a hit from like

671
00:37:03,119 --> 00:37:06,360
nineteen eighty two that actually went to number one in

672
00:37:06,480 --> 00:37:08,039
nineteen eighty nine.

673
00:37:08,079 --> 00:37:08,400
Speaker 3: I think.

674
00:37:08,480 --> 00:37:08,519
Speaker 1: So.

675
00:37:08,719 --> 00:37:10,960
Speaker 4: Yeah, anyway, go back and listen to it. Go check

676
00:37:10,960 --> 00:37:14,199
out our Patreon episo. So Russell Hitchcock holds the final

677
00:37:14,280 --> 00:37:18,599
note of this song for sixteen point two seconds yep,

678
00:37:18,920 --> 00:37:21,400
which is impressive. Man, that's a long freaking time when

679
00:37:21,440 --> 00:37:24,679
you hear him do that. Yes, And it was broken

680
00:37:25,239 --> 00:37:28,679
by the lead singer for Sheriff with the song when

681
00:37:28,719 --> 00:37:32,280
I'm with You, where he holds it for almost nineteen seconds, I.

682
00:37:32,280 --> 00:37:35,320
Speaker 3: Believe, Yeah, it was nineteen point four seventeen point four seconds.

683
00:37:35,360 --> 00:37:40,920
There you go, and it goes on and on and on. Yeah,

684
00:37:41,239 --> 00:37:45,280
it's long. Yep. Yeah, I was really excited to drop

685
00:37:45,320 --> 00:37:47,519
that nugget on you. But you knew it. Yeah. Well,

686
00:37:47,599 --> 00:37:49,599
when I heard the song, I like, I this one

687
00:37:49,960 --> 00:37:52,400
is the one that I watched the video for. I mean,

688
00:37:52,440 --> 00:37:53,920
I think I watched two of them, but I watched

689
00:37:53,960 --> 00:37:57,239
this one and he hits that last note and I

690
00:37:57,519 --> 00:38:00,360
just because you know, you miss things when you're listening sometimes,

691
00:38:00,360 --> 00:38:01,800
but you just see him with his mouth open for

692
00:38:01,880 --> 00:38:07,119
that long right, And I was like, oh, I wonder

693
00:38:07,159 --> 00:38:10,199
how close this came to beating Sheriff's record. Oh, it

694
00:38:10,840 --> 00:38:13,320
held the record before Sheriff hit it. That's right there

695
00:38:13,360 --> 00:38:13,519
you go.

696
00:38:14,000 --> 00:38:16,599
Speaker 4: By the way, the week did this song hit number two?

697
00:38:17,159 --> 00:38:20,440
The number four song Sailing by Christopher cross Nice.

698
00:38:20,960 --> 00:38:23,480
Speaker 3: In this music video, by the way, it's really just

699
00:38:23,679 --> 00:38:26,760
them standing next to each other singing and Graham Russell

700
00:38:26,800 --> 00:38:29,800
has his guitar. You will notice Graham Russell is playing

701
00:38:29,840 --> 00:38:33,000
the guitar left handed, which would be this way right.

702
00:38:33,320 --> 00:38:35,320
You'll also notice that the guitar he has is a

703
00:38:35,400 --> 00:38:38,440
right handed guitar. It's an electric guitar, and I mean

704
00:38:38,480 --> 00:38:39,960
the way they make it for the right handers is

705
00:38:40,039 --> 00:38:41,199
if you want to get real eye on the neck

706
00:38:41,199 --> 00:38:43,800
they've cut this part lower and this part's up higher.

707
00:38:43,880 --> 00:38:46,840
So you see electric guitar parts higher and this part's lower. Well,

708
00:38:46,880 --> 00:38:49,920
he's got it upside down, playing it like this, because

709
00:38:50,159 --> 00:38:52,079
that's how he learned to play. He taught himself how

710
00:38:52,119 --> 00:38:54,320
to play the guitar. He's been trained at all, has

711
00:38:54,440 --> 00:38:57,719
not been trained in music, but just like plays the

712
00:38:57,800 --> 00:39:01,079
guitar upside down. Literally has the has the high notes

713
00:39:01,079 --> 00:39:02,480
on the top and the low notes on the bottom,

714
00:39:02,480 --> 00:39:04,519
which is opposite of what it would be for most

715
00:39:04,559 --> 00:39:07,039
other guitarists. So there you go.

716
00:39:07,760 --> 00:39:10,639
Speaker 4: I was at your birthday party the other night and

717
00:39:10,760 --> 00:39:12,880
I listened to you and your brother and try to

718
00:39:12,960 --> 00:39:17,320
explain why the guitar worked the way it did.

719
00:39:17,440 --> 00:39:20,320
Speaker 3: And I was more confused afterwards than I was before. Yeah,

720
00:39:21,519 --> 00:39:24,440
that's me and my brother together with a few drinks

721
00:39:24,480 --> 00:39:27,840
in us. That's it. That's it, all right. Next song

722
00:39:27,920 --> 00:39:29,880
on the album, Oh my gosh, are they gonna? Are

723
00:39:29,920 --> 00:39:32,079
the hits just gonna keep on coming? I think they

724
00:39:32,199 --> 00:39:34,119
got to keep on coming. Here we go. I mean,

725
00:39:34,159 --> 00:39:35,840
I guess this is why they call it the greatest

726
00:39:35,920 --> 00:39:40,760
Hits album. This is number ten. Even the nights are better.

727
00:39:44,480 --> 00:39:46,840
I was the Lonely, one.

728
00:39:48,679 --> 00:39:50,880
Speaker 4: Wonder and one where wrong?

729
00:39:52,440 --> 00:39:55,239
Speaker 3: What had gone?

730
00:39:57,000 --> 00:40:02,440
Speaker 1: And so.

731
00:40:04,360 --> 00:40:11,039
Speaker 3: This one, Frodo is bringing the Meltisoft voice hardcore, and

732
00:40:11,920 --> 00:40:16,840
then Legalis comes in with some beautiful harmonies on this man.

733
00:40:17,079 --> 00:40:21,400
It is oh so good. Like their voices together on

734
00:40:21,639 --> 00:40:24,639
this song, I think are the best harmonies of this album.

735
00:40:40,000 --> 00:40:42,159
You know what just occurred to me while we're going

736
00:40:42,199 --> 00:40:42,440
through this.

737
00:40:43,159 --> 00:40:47,239
Speaker 4: You know you've created a great hooky, catchy song when

738
00:40:47,320 --> 00:40:49,920
you say the title and I'm singing it like, You're like,

739
00:40:50,280 --> 00:40:53,960
even the nights are better. I'm like it Just that's

740
00:40:54,000 --> 00:40:56,119
how you know you've created a great catchy hookie song.

741
00:40:56,199 --> 00:40:58,880
Speaker 3: Well, here's the thing. They didn't create this song either.

742
00:40:59,079 --> 00:41:01,719
This is another one that was written by somebody else. Okay,

743
00:41:01,800 --> 00:41:05,960
there's a group called Bama and we've got Terry Skinner, J. L.

744
00:41:06,039 --> 00:41:09,320
Wallace and K Bell are members of this group. They

745
00:41:09,760 --> 00:41:12,559
wrote the song but never recorded and it just went

746
00:41:12,840 --> 00:41:15,079
straight to air supply for them to sing. But it

747
00:41:15,199 --> 00:41:17,719
was it was the guys from Bama that wrote this song,

748
00:41:18,400 --> 00:41:21,679
and I mean magically it ended up with the two

749
00:41:21,719 --> 00:41:23,920
guys who needed to have it. Yep.

750
00:41:24,519 --> 00:41:30,519
Speaker 4: This was the seventh consecutive top five hit on the

751
00:41:30,559 --> 00:41:31,280
hot one hundred.

752
00:41:31,480 --> 00:41:35,639
Speaker 3: Now what's interesting is this song has the record or

753
00:41:35,800 --> 00:41:39,840
had the record for the fastest drop out of the

754
00:41:39,880 --> 00:41:43,840
top forty It hit number five, dropped to number six,

755
00:41:44,519 --> 00:41:49,119
dropped to forty two, like a rock, like a stone.

756
00:41:49,400 --> 00:41:53,679
And I think this kind of exemplifies what happened with

757
00:41:53,800 --> 00:41:58,559
these guys overall, right, Like something happened to music right

758
00:41:58,599 --> 00:42:01,400
about this time that suddenly this was not the music

759
00:42:01,440 --> 00:42:03,079
that people wanted to listen to anymore.

760
00:42:03,239 --> 00:42:04,960
Speaker 4: I mean, this is right around the time of MTV

761
00:42:05,480 --> 00:42:07,039
kind of taken off people getting.

762
00:42:06,800 --> 00:42:08,039
Speaker 3: You know, I mean, tell me your theory.

763
00:42:09,079 --> 00:42:12,760
Speaker 4: I think that their kryptonite was Michael Jackson could be

764
00:42:13,119 --> 00:42:16,079
I told you this, like when Thriller came out, the

765
00:42:16,159 --> 00:42:19,320
whole world said, that is awesome. That's what we want.

766
00:42:19,559 --> 00:42:21,360
We're done with all the seventies folk crap.

767
00:42:21,519 --> 00:42:23,119
Speaker 3: Yep. I mean, I don't know that I would call

768
00:42:23,159 --> 00:42:26,000
the seventies folk crap, but this was definitely soft stuff.

769
00:42:26,079 --> 00:42:29,639
This was parents' music. And in eighty one, when MTV

770
00:42:29,800 --> 00:42:33,840
came out, suddenly kids had an entirely different perspective on

771
00:42:33,960 --> 00:42:37,039
what kind of music they wanted to listen to. And tragically,

772
00:42:37,239 --> 00:42:40,079
except for me, because I was still listening to this stuff. Right,

773
00:42:40,639 --> 00:42:42,840
it wasn't air supply. By the way, they held that

774
00:42:42,920 --> 00:42:44,679
record for thirty years. I did not find the song

775
00:42:44,760 --> 00:42:46,480
that dropped out of the top. I no, I was curious,

776
00:42:46,519 --> 00:42:48,199
but it would have had to have gone. It had

777
00:42:48,239 --> 00:42:52,679
to have dropped out in one week, six to forty two. Yeah,

778
00:42:52,760 --> 00:42:53,840
went from six to forty two.

779
00:42:54,000 --> 00:42:56,400
Speaker 4: The American people said, we are done with this song.

780
00:42:56,559 --> 00:42:58,920
Speaker 3: Yeah, okay, I just want to drop this on you.

781
00:42:59,559 --> 00:43:02,639
The top this week in nineteen eighty two. Yep, even

782
00:43:02,639 --> 00:43:03,239
the nights are better.

783
00:43:03,280 --> 00:43:07,159
Speaker 4: At number five, hold Me by Fleewood Mac number three,

784
00:43:07,280 --> 00:43:08,719
hard to say, I'm sorry.

785
00:43:09,039 --> 00:43:13,559
Speaker 3: Bye uho Chicago. Yeah, it's like, I know, we've just

786
00:43:13,599 --> 00:43:15,039
talked about this song. I had to go through all

787
00:43:15,079 --> 00:43:17,599
the bands in my head. Chicago. Yes, number two I

788
00:43:17,800 --> 00:43:21,159
the Tiger by Survivor who we just compared those two guys.

789
00:43:21,440 --> 00:43:25,239
Check out Chicago versus Survivor episode. And then number one

790
00:43:25,400 --> 00:43:31,000
Abracadabra by Steve Miller. Steve Miller. Yeah, nice, interesting time

791
00:43:31,119 --> 00:43:33,960
right there. All right? Next song, yep, this one is

792
00:43:34,119 --> 00:43:44,320
number eleven two Less Lonely People in the World. I

793
00:43:44,559 --> 00:43:47,360
was down my dreams.

794
00:43:47,159 --> 00:43:51,800
Speaker 4: Weir all right, this one doesn't do a whole lot

795
00:43:51,880 --> 00:43:52,079
for me.

796
00:43:53,239 --> 00:43:55,400
Speaker 3: No, I still like this song. Yeah, I would put

797
00:43:55,440 --> 00:43:59,159
this one above chances anyway. Okay, No, I still enjoy

798
00:43:59,199 --> 00:44:01,880
this one. It's still the magic. It's not as powerful

799
00:44:01,920 --> 00:44:04,880
as some of their other hips hits, but I'm not

800
00:44:04,960 --> 00:44:07,360
skipping it. Okay, I've got something for you on the

801
00:44:07,480 --> 00:44:10,159
two writers of this song. Oh good, tell me so.

802
00:44:10,320 --> 00:44:13,320
Speaker 4: This was written by a guy named kN Hirsh and

803
00:44:13,599 --> 00:44:14,760
Howard Greenfield.

804
00:44:14,960 --> 00:44:17,440
Speaker 3: Correct, yes, okay, all right, So Ken Hirsch wrote a

805
00:44:17,519 --> 00:44:20,719
song called If I could Simon and garfone okondra prosta

806
00:44:21,000 --> 00:44:24,199
no everyone, Okay, then all right.

807
00:44:25,920 --> 00:44:27,800
Speaker 4: He did some stuff with Nancy Wilson, who we talked

808
00:44:27,800 --> 00:44:30,719
about earlier this year. Yeah, yeah, Barbara Streisan and Sleein

809
00:44:30,800 --> 00:44:33,440
Dion kind of in that soft rock realm.

810
00:44:33,159 --> 00:44:35,360
Speaker 3: There, steady babes to go out with today, I think you.

811
00:44:35,519 --> 00:44:38,760
Speaker 4: Yeah, yeah, Now then Howard Greenfield, I'm gonna blow your

812
00:44:38,800 --> 00:44:39,159
socks off.

813
00:44:39,320 --> 00:44:45,800
Speaker 3: Okay. He wrote the Bewitched theme. Okay, that's a good one.

814
00:44:45,960 --> 00:44:50,119
He wrote Breaking Up This herd Dude due wow. Okay.

815
00:44:50,360 --> 00:44:54,079
Speaker 4: He also wrote Leve Will Keep Us Together by the

816
00:44:54,119 --> 00:44:59,400
Captain Anton Neils yep, and Stairway to Heaven.

817
00:45:00,119 --> 00:45:05,639
Speaker 3: No, not that one. No, yeah, that's what I thought.

818
00:45:07,840 --> 00:45:10,800
That's great, all right. Next song on the album is

819
00:45:10,800 --> 00:45:26,280
a song called Now and Forever when love is Now

820
00:45:27,239 --> 00:45:30,920
and Forever. If I did have to pick one skipper

821
00:45:31,079 --> 00:45:34,119
on this album, it's this one. This one. Yeah, I

822
00:45:34,199 --> 00:45:38,000
mean it's it's okay, but I mean it's like belongs

823
00:45:38,039 --> 00:45:41,440
in a Don Bluth film, you know, like some mouse

824
00:45:41,880 --> 00:45:45,880
or rat should be singing this singing this song, you know,

825
00:45:46,199 --> 00:45:49,119
I don't. I don't really. Yeah, it's not my jam.

826
00:45:49,559 --> 00:45:54,239
Speaker 4: It sounds theatrical. Yes, it does sound like Bible is lost.

827
00:45:54,199 --> 00:45:54,920
Speaker 3: It does, you know.

828
00:45:55,199 --> 00:45:58,480
Speaker 4: Yeah, I don't think it's made for radio in nineteen

829
00:45:58,480 --> 00:46:02,079
eighty two. It does have a certain beauty to it. Yeah,

830
00:46:02,360 --> 00:46:09,159
if you have an animated crow or cat right right. Hey,

831
00:46:09,280 --> 00:46:11,400
I did watch the music video for this one. Yeah,

832
00:46:12,000 --> 00:46:14,000
and I do want to give them some credit. Oh okay,

833
00:46:14,599 --> 00:46:16,679
by this time, this is nineteen eighty two, they did

834
00:46:16,760 --> 00:46:18,440
finally figure out their videos.

835
00:46:18,559 --> 00:46:22,559
Speaker 3: Okay, good, Hey, Yeah, so there were clips from old videos.

836
00:46:22,639 --> 00:46:22,760
You know.

837
00:46:22,760 --> 00:46:25,280
Speaker 4: It's Now and Forever and it's like showing the overalls

838
00:46:25,320 --> 00:46:27,519
and showed the tiger shirt and showed all this stuff.

839
00:46:27,800 --> 00:46:30,639
Speaker 3: Perfect perfect, just I mean, just figured out.

840
00:46:30,480 --> 00:46:32,800
Speaker 4: Their music videos just in time for them to drop

841
00:46:32,880 --> 00:46:35,559
like a rock outsite, right, which is kind of tragic.

842
00:46:35,719 --> 00:46:38,440
Speaker 3: All right, Time to move on to the final song

843
00:46:38,559 --> 00:46:39,920
on the album, and this is where I have your

844
00:46:39,960 --> 00:46:42,760
little salacious detail everybody, so pay attention for that, all right,

845
00:46:42,800 --> 00:46:46,119
So big one, this is huge now. This album came

846
00:46:46,199 --> 00:46:49,599
out in nineteen eighty three. This is there after their

847
00:46:49,800 --> 00:46:52,519
last album, with their seventh studio album, this one came

848
00:46:52,519 --> 00:46:55,639
out and this was a new song for this album, right,

849
00:46:55,760 --> 00:46:58,039
not been on any other and it was released as

850
00:46:58,039 --> 00:47:01,159
a single, and it did very well single and it

851
00:47:01,280 --> 00:47:04,320
was not again not written by them, written by another writer,

852
00:47:04,480 --> 00:47:08,360
but this song number thirteen, making love out of nothing

853
00:47:08,400 --> 00:47:13,880
at all. I know you're just out of baggins and

854
00:47:14,079 --> 00:47:16,079
I know just out of skime.

855
00:47:17,679 --> 00:47:21,159
Speaker 1: I know just when to face the truth and then

856
00:47:21,280 --> 00:47:24,920
I know just when to dream, and I.

857
00:47:25,079 --> 00:47:29,199
Speaker 5: Know just where to touch you, and I know just

858
00:47:29,519 --> 00:47:33,000
what the build on this song. You keep waiting for it,

859
00:47:33,079 --> 00:47:35,360
and you're like, give me that course, give me that course.

860
00:47:35,440 --> 00:47:39,840
Speaker 3: No, keep going, just keep building, keep building, man, keep building.

861
00:47:40,199 --> 00:47:40,400
Speaker 1: Yeah.

862
00:47:40,800 --> 00:47:43,800
Speaker 4: This song is by Jim Steinman. We talked about him

863
00:47:43,960 --> 00:47:46,000
like way back in like episode.

864
00:47:45,760 --> 00:47:49,039
Speaker 3: Five, Yeah, when we talked about def Leppard. Yeah, he

865
00:47:49,159 --> 00:47:53,400
came in to do Hysteria as the original producer. Let's

866
00:47:53,599 --> 00:47:55,519
bring Mutt back. Yeah that's right.

867
00:47:55,880 --> 00:47:59,519
Speaker 4: So Jim Steinman originally produced Hysteria, the follow up to Pyromania.

868
00:48:00,000 --> 00:48:02,599
They fired him, brought in Muttlane, Chrisberg. They gave us

869
00:48:02,599 --> 00:48:07,480
what we got. Jim Steamon composed basically all of the

870
00:48:07,559 --> 00:48:08,360
meatloaf stuff.

871
00:48:09,119 --> 00:48:12,119
Speaker 3: Hell yeah. So if you're like, wow, this song sounds

872
00:48:12,119 --> 00:48:12,559
a lot.

873
00:48:12,559 --> 00:48:16,159
Speaker 4: Like holding out for a hero or total eclipse of

874
00:48:16,159 --> 00:48:18,800
the heart or paradise a dashboard light.

875
00:48:18,840 --> 00:48:39,119
Speaker 3: There's a reason for that. Yeah that's right. Jim's diamond. Okay.

876
00:48:39,400 --> 00:48:43,480
This was their final top ten hit. They released their

877
00:48:43,519 --> 00:48:46,599
greatest hits and then they bid farewell to the American audience.

878
00:48:46,679 --> 00:48:49,440
Now they went on and did other great things. They

879
00:48:49,559 --> 00:48:52,719
just realized, hey, we still love playing together. I mean,

880
00:48:52,760 --> 00:48:54,360
they took a little bit of a break, but it

881
00:48:54,480 --> 00:48:56,599
wasn't a disbandment. It was just like, we're just gonna

882
00:48:56,599 --> 00:48:58,079
go to some other stuff and then we'll come back.

883
00:48:58,440 --> 00:49:01,519
But they had a huge following a lot of Asian countries,

884
00:49:01,559 --> 00:49:03,639
and they would go out there and there are lots

885
00:49:03,679 --> 00:49:05,960
of fun tales that we'll save for another day. For

886
00:49:06,039 --> 00:49:09,320
those Asian visits that they had. I can't remember where

887
00:49:09,360 --> 00:49:10,679
I saw it. Feels like maybe it was in the

888
00:49:10,679 --> 00:49:12,360
back of a rob report, or maybe it was in

889
00:49:12,480 --> 00:49:14,559
some sort of Maximum article. I think it was a

890
00:49:14,639 --> 00:49:17,360
Maxim article back in the late nineties that was like,

891
00:49:17,920 --> 00:49:21,239
you can hire air supply to play your venue for

892
00:49:21,360 --> 00:49:24,320
ten thousand dollars, And I was like, I didn't have

893
00:49:24,440 --> 00:49:26,360
ten thousand dollars, but I just thought that's a lot

894
00:49:26,480 --> 00:49:29,000
cheaper than I would think it would be. And I

895
00:49:29,039 --> 00:49:31,239
think they're probably doing better than that now because of

896
00:49:31,360 --> 00:49:34,880
the resurgence of nostalgia music that we have. Yeah. Right,

897
00:49:36,039 --> 00:49:39,119
But here's the salacious detail that I had for you.

898
00:49:39,280 --> 00:49:39,360
Speaker 1: Right.

899
00:49:39,400 --> 00:49:41,480
Speaker 3: I asked you if you had seen this video. You said, yes,

900
00:49:42,000 --> 00:49:47,039
this involves a girl who gets involved with a soldier.

901
00:49:47,079 --> 00:49:49,039
Looks like it's taking place around like the end of

902
00:49:49,119 --> 00:49:53,760
World War two era, late forties, early fifties. And I said,

903
00:49:53,760 --> 00:49:56,199
did you recognize her? And you were like nope, So

904
00:49:56,480 --> 00:50:01,679
that her name for birth name is Jody Varbal. Okay,

905
00:50:02,320 --> 00:50:06,239
right now, they this came out in eighty three, made

906
00:50:06,280 --> 00:50:11,159
this video in eighty three. She met Graham Russell in

907
00:50:11,320 --> 00:50:16,880
eighty one. Okay, okay, they got married in eighty six,

908
00:50:18,039 --> 00:50:21,599
really when she was twenty one years old. Take your

909
00:50:21,679 --> 00:50:25,800
second math five years at sixteen sixteen is the answer

910
00:50:25,920 --> 00:50:28,800
on that way? Yes, okay, so they met when she

911
00:50:29,000 --> 00:50:31,519
was sixteen years old. Now she was modeling and he

912
00:50:31,639 --> 00:50:34,599
was doing shows, and according to the Wikipedia, who I

913
00:50:34,679 --> 00:50:38,920
have no reason to dispute, they communicated by correspondents only

914
00:50:39,320 --> 00:50:42,960
for like two or three years, and then obviously eighty

915
00:50:43,039 --> 00:50:45,320
three comes along and they need a pretty girl for

916
00:50:45,400 --> 00:50:47,360
the video and she gets that job.

917
00:50:47,960 --> 00:50:48,159
Speaker 1: Yeah.

918
00:50:48,440 --> 00:50:51,960
Speaker 3: Interesting, And then three years later in eighty six, when

919
00:50:52,000 --> 00:50:56,400
he's thirty six and she's twenty one, they get married

920
00:50:57,079 --> 00:51:00,199
and they are still married today. If you look up

921
00:51:00,199 --> 00:51:03,239
on IMDb, she's got quite a few acting credits. She

922
00:51:03,360 --> 00:51:05,559
now goes by Jody Russell.

923
00:51:05,800 --> 00:51:06,199
Speaker 5: Of course.

924
00:51:07,559 --> 00:51:08,559
Speaker 3: Interesting, there you go.

925
00:51:08,880 --> 00:51:11,440
Speaker 4: That is a little borderline sillatious there.

926
00:51:11,360 --> 00:51:14,559
Speaker 3: Littles as much as you're gonna get with these guys.

927
00:51:14,639 --> 00:51:17,320
Speaker 4: Right right, Yeah, So I've got a little some nuggets

928
00:51:17,360 --> 00:51:21,000
for you on this, okay. So of course Jim Steinman

929
00:51:21,159 --> 00:51:23,599
was like, we got to rock this up a little bit, right.

930
00:51:24,239 --> 00:51:28,199
This is originally intended for Meatloaf. Meatlove's record company didn't

931
00:51:28,199 --> 00:51:29,960
want to fork out the money to pay for Jim

932
00:51:30,000 --> 00:51:30,599
Steinman song.

933
00:51:30,800 --> 00:51:33,800
Speaker 3: So air Supply is like, we'll take it, right yep,

934
00:51:34,360 --> 00:51:34,920
So listen to this.

935
00:51:35,599 --> 00:51:37,840
Speaker 4: So Max Weinberg plays drums on.

936
00:51:37,880 --> 00:51:41,760
Speaker 3: This excellent from the Late night band right to show band.

937
00:51:42,199 --> 00:51:46,639
Speaker 4: He played on Conan O'Brien, I think, but he's from

938
00:51:46,719 --> 00:51:48,519
the East Tree Band, like he's Bruce Springsteen.

939
00:51:48,559 --> 00:51:49,559
Speaker 3: That's right, that's right. Yeah.

940
00:51:49,639 --> 00:51:52,519
Speaker 4: I called and talked to James Buckley today and he's like, oh,

941
00:51:52,639 --> 00:51:55,239
Max wiber a great drummer. He said his son plays

942
00:51:55,280 --> 00:51:58,079
for Slip Knot that's right. Yeah, and Suicidal Tendency.

943
00:51:58,159 --> 00:52:00,000
Speaker 3: I've seen them perform together. Actually, it's kind of cool.

944
00:52:01,119 --> 00:52:05,400
Speaker 4: So Max Weinberg plus Roy Bitten plays piano. Both of

945
00:52:05,440 --> 00:52:07,239
those guys are from Bat Out of Hell. So there's

946
00:52:07,280 --> 00:52:07,960
the connection there.

947
00:52:08,079 --> 00:52:08,559
Speaker 3: Sure, Okay.

948
00:52:09,239 --> 00:52:11,559
Speaker 4: Now Rick Darringer plays a guitar on this.

949
00:52:12,039 --> 00:52:13,119
Speaker 3: Okay, you know who he is.

950
00:52:13,719 --> 00:52:16,880
Speaker 4: Okay, hang On Sloopy is a Rick Darringer song, Rock

951
00:52:16,920 --> 00:52:19,079
and Roll, hoo Chiku is a Rick Dringer song.

952
00:52:19,440 --> 00:52:19,760
Speaker 3: Okay.

953
00:52:20,480 --> 00:52:23,519
Speaker 4: He gave three songs for the movie Bachelor Party starring

954
00:52:23,599 --> 00:52:24,119
Tom Hanks.

955
00:52:25,239 --> 00:52:27,960
Speaker 3: Okay, but this is the Kicker. Yeah.

956
00:52:28,199 --> 00:52:33,599
Speaker 4: Rick Darringer Yeah, produced the songs Eat it and Fat

957
00:52:33,760 --> 00:52:34,400
by weird Al.

958
00:52:34,679 --> 00:52:38,000
Speaker 3: Nice. Excellent, excellent, guys, go back and check out our

959
00:52:38,079 --> 00:52:41,280
last two episodes where we compared UHF by weird Al

960
00:52:41,400 --> 00:52:44,320
to Peewee's Big Adventure, and also check out the video

961
00:52:44,400 --> 00:52:46,119
that's a few weeks before that, where we went to

962
00:52:46,239 --> 00:52:49,639
all the UHF locations and happened upon a marquee with

963
00:52:49,719 --> 00:52:52,159
weird Al's name on it. It was great.

964
00:52:52,280 --> 00:52:54,559
Speaker 4: I got one last top ten for you, okay, okay.

965
00:52:54,719 --> 00:52:57,760
This is the top ten for October eighth, nineteen eighty three. Okay,

966
00:52:58,280 --> 00:53:01,000
so just scattered with songs that we've talked about already.

967
00:53:01,440 --> 00:53:04,000
Speaker 3: Number ten, Far from Over by Frank Stallone. Number ten,

968
00:53:07,719 --> 00:53:11,920
I freakod love that song from Staying Alive. That's right, okay.

969
00:53:12,599 --> 00:53:16,719
Speaker 4: Number nine one thing leads to another. Number eight, the

970
00:53:16,760 --> 00:53:17,519
Safety Dance.

971
00:53:17,760 --> 00:53:18,440
Speaker 3: Okay, yeah.

972
00:53:18,639 --> 00:53:22,239
Speaker 4: Number seven tell her about it, yep, mister William Joel.

973
00:53:22,400 --> 00:53:22,599
Speaker 3: Yes.

974
00:53:22,800 --> 00:53:26,840
Speaker 4: Number six islands in the Stream. Number five, she's sexty

975
00:53:26,880 --> 00:53:29,719
and seventeen. I mean, yes, right, you know you see

976
00:53:29,760 --> 00:53:33,880
the correlation there. Number four True by Spandau Ballet, okay.

977
00:53:34,599 --> 00:53:37,280
Number three, King of Pain, off of Synchronicity.

978
00:53:37,440 --> 00:53:37,599
Speaker 3: Yes.

979
00:53:38,000 --> 00:53:41,079
Speaker 4: Number two making love out of nothing at all blocked

980
00:53:41,159 --> 00:53:44,239
by Total Eclipse of the Heart, which is also a

981
00:53:45,480 --> 00:53:46,360
Jim Steinman's song.

982
00:53:46,519 --> 00:53:49,079
Speaker 3: Excellent. Oh he had both spots. That's pretty cool. Yeah.

983
00:53:49,440 --> 00:53:53,039
So listening to that top ten you hear the change

984
00:53:53,159 --> 00:53:55,920
that is going on in music. You've got those hangers

985
00:53:56,000 --> 00:54:00,440
on from the eighty eighty one eighty two style, but

986
00:54:00,559 --> 00:54:02,559
you have all of this I think of I mean,

987
00:54:02,639 --> 00:54:04,079
as you said, those songs, I could think of the

988
00:54:04,159 --> 00:54:07,320
video on almost every single one of them, except for

989
00:54:07,360 --> 00:54:09,159
the ones that were the hangers on. I don't remember

990
00:54:09,199 --> 00:54:13,159
the Air Supply video other than I just watched it, right, So, okay,

991
00:54:13,320 --> 00:54:16,119
here we are. We've just finished with Air Supply Greatest Hits.

992
00:54:16,360 --> 00:54:20,800
We're comparing it to Christopher Cross Greatest Hits, and is

993
00:54:20,880 --> 00:54:23,400
now time for final judgment. Would you like to go first?

994
00:54:23,440 --> 00:54:25,119
Or would you like I'll go first? I go first.

995
00:54:25,159 --> 00:54:27,239
I think I have an idea where you are on

996
00:54:27,320 --> 00:54:27,599
this one.

997
00:54:27,719 --> 00:54:30,159
Speaker 4: So here's what I appreciate the most about the Air

998
00:54:30,199 --> 00:54:33,239
Supply Greatest Hits album. Yes, they cut almost all the fat,

999
00:54:33,320 --> 00:54:35,519
They go right to your heart. They give you straight

1000
00:54:35,599 --> 00:54:37,880
what you want. Just give me the top five hits

1001
00:54:37,960 --> 00:54:40,440
and give me the ones I want. And I you know,

1002
00:54:40,920 --> 00:54:44,079
so we just hit after banger after hit after banger,

1003
00:54:44,760 --> 00:54:47,159
and so that's exactly what I want from my greatest hits.

1004
00:54:47,159 --> 00:54:48,880
Speaker 3: I don't want any fat right yep.

1005
00:54:49,159 --> 00:54:53,280
Speaker 4: So that album is great front back, yeah, but yes,

1006
00:54:53,760 --> 00:54:57,639
if I'm walking out the door, I am grabbing right

1007
00:54:57,719 --> 00:55:00,320
like the wind and I'm putting the throttle down and

1008
00:55:00,480 --> 00:55:04,360
going to Mexico as fast as possible, and that's where

1009
00:55:04,400 --> 00:55:04,639
I am.

1010
00:55:04,800 --> 00:55:06,880
Speaker 3: Yeah. I mean, Ride like a win. You can't deny

1011
00:55:07,000 --> 00:55:09,079
the power of that song, and several of the others

1012
00:55:09,280 --> 00:55:11,480
are just I mean, they're in the same soft rock

1013
00:55:11,880 --> 00:55:15,320
just move you take you back to nineteen eighty one era,

1014
00:55:15,840 --> 00:55:21,400
and I love lots of the Christopher Cross songs. We

1015
00:55:21,559 --> 00:55:24,119
did have a few on that album that we were like, uh,

1016
00:55:24,320 --> 00:55:26,639
they picked the wrong song. We replaced a few songs,

1017
00:55:26,679 --> 00:55:30,440
and I would have to say that even with those replacements,

1018
00:55:31,320 --> 00:55:33,920
I can't give up on my air supply man air supply.

1019
00:55:34,920 --> 00:55:38,239
As you have said, like we've got thirteen songs, I

1020
00:55:38,320 --> 00:55:40,599
have only one that I would call a skipper, two

1021
00:55:40,719 --> 00:55:46,960
that are just passerbys. But that leaves us with ten unbelievable,

1022
00:55:47,360 --> 00:55:51,199
smash amazing songs, including a song that I had completely

1023
00:55:51,239 --> 00:55:54,880
forgotten about bring out the magic. Go check that on YouTube. Please,

1024
00:55:55,559 --> 00:55:59,199
It's so good and so yes, air supply has to

1025
00:55:59,239 --> 00:56:02,480
win for me today. I love it, man, I love it. Okay, guys,

1026
00:56:02,519 --> 00:56:04,559
tell us what you think. Come back. You know we

1027
00:56:05,039 --> 00:56:07,719
are we am I wrong? It's Jason wrong? Or we're

1028
00:56:07,719 --> 00:56:10,079
both wrong? Is these albums both things that you just

1029
00:56:10,079 --> 00:56:13,039
would throw away because you're a hater. Let me tell

1030
00:56:13,039 --> 00:56:13,920
you what we got coming up.

1031
00:56:14,039 --> 00:56:16,719
Speaker 4: Yes, we're into the Halloween, the spooky season, yep, but

1032
00:56:16,840 --> 00:56:18,119
we're not going to all that spooky.

1033
00:56:18,199 --> 00:56:20,519
Speaker 3: We're gonna have fun. Yeah. So this time we're going

1034
00:56:20,599 --> 00:56:22,679
to match the nineteen eighty five Michael J.

1035
00:56:22,800 --> 00:56:26,599
Speaker 4: Fox classic Teen Wolf, Yes, against the nineteen eighty seven

1036
00:56:26,679 --> 00:56:28,119
movie The Monster Squad.

1037
00:56:28,199 --> 00:56:30,639
Speaker 3: Oh dude, these are two movies that need to be compared.

1038
00:56:30,840 --> 00:56:33,119
I am excited to do it, all right, guys, be

1039
00:56:33,239 --> 00:56:35,480
sure and hit your subscribe button, hit your follow button,

1040
00:56:35,599 --> 00:56:37,880
check out our Patreon page and be sure and come

1041
00:56:37,960 --> 00:56:40,519
back and see us next week. Thanks guys,