1 00:00:00,080 --> 00:00:03,279 Speaker 1: The website is ero dot net a r r oe 2 00:00:03,520 --> 00:00:05,599 dot net. It's more than a website, it's more than 3 00:00:05,599 --> 00:00:09,519 a podcast. It is a podcast network. Where else are 4 00:00:09,560 --> 00:00:12,839 you going to find Street Speak with Alexa and Clarence. 5 00:00:13,119 --> 00:00:18,600 We're talking about AI Alexa from Amazon having a conversation 6 00:00:18,719 --> 00:00:22,640 with an AI digital device and somebody who's actually lived it, 7 00:00:23,199 --> 00:00:28,239 comparing notes living life only on ero dot Net. Street 8 00:00:28,280 --> 00:00:32,520 Speak with Alexa and Clarence. Enjoy your exploration. Hello and 9 00:00:32,560 --> 00:00:33,600 good morning everybody. 10 00:00:33,920 --> 00:00:36,320 Speaker 2: Hey, how's it going? It's Antonio Michael. Oh. 11 00:00:36,399 --> 00:00:38,159 Speaker 1: I love the way you say that. Is it because 12 00:00:38,159 --> 00:00:40,200 you've practiced it or is it that there's just something 13 00:00:40,359 --> 00:00:41,399 about that name. 14 00:00:45,359 --> 00:00:48,399 Speaker 2: Well, I do get a lot of practice saying my name. 15 00:00:49,079 --> 00:00:52,640 It doesn't sound very modest, but here I am. 16 00:00:53,280 --> 00:00:56,200 Speaker 1: Well, it's it's almost like modern day society has forgotten 17 00:00:56,200 --> 00:00:57,920 to say their name with pride. It's like, what is 18 00:00:57,920 --> 00:01:00,920 your name? Jimi jon It's what Jami Johnson? What do 19 00:01:01,000 --> 00:01:02,600 you know? What are you talking about? Dude? Say some 20 00:01:02,719 --> 00:01:05,000 say it with pride. Be proud of yourself. 21 00:01:06,519 --> 00:01:09,959 Speaker 2: Oh man, you know what. I've never thought of that, 22 00:01:10,159 --> 00:01:14,640 but you know, every every day when when I'm when 23 00:01:14,680 --> 00:01:19,680 i'm recording, when I'm prepping for my podcast. Yes, I 24 00:01:19,799 --> 00:01:23,439 am recording my podcast. I never thought about it until 25 00:01:23,480 --> 00:01:25,879 you mentioned it just now. But I say my name 26 00:01:25,959 --> 00:01:28,120 a lot, and I got to say it Claire because 27 00:01:28,120 --> 00:01:28,799 it's the brand. 28 00:01:29,079 --> 00:01:31,200 Speaker 1: Yeah, yeah, yeah, yeah, because that's what I had to 29 00:01:31,200 --> 00:01:33,920 go through when I first came down from Montana to Charlotte, 30 00:01:34,079 --> 00:01:35,359 is that they wanted me to get rid of the 31 00:01:35,439 --> 00:01:38,159 name Errow Collins because it sounded too much like Harold 32 00:01:38,319 --> 00:01:40,920 Earl and everything else. And so they say, you got 33 00:01:40,959 --> 00:01:42,120 to get rid of the name. I said, no, I'm 34 00:01:42,120 --> 00:01:43,920 just going to change the way I say it. It's 35 00:01:44,040 --> 00:01:47,040 a Row Collins and so then this way then, but 36 00:01:47,079 --> 00:01:48,920 I've been able to keep it. But but yeah, they 37 00:01:48,920 --> 00:01:51,000 didn't want it at all, because you know, a name 38 00:01:51,040 --> 00:01:52,439 is a name. But the thing is, if I don't 39 00:01:52,480 --> 00:01:54,480 believe in the name, how can I sell the name? 40 00:01:56,719 --> 00:02:00,120 Speaker 2: Yeah? And I always say, like people always say, hey, 41 00:02:00,159 --> 00:02:02,719 if your name is different, you should change it. But 42 00:02:02,760 --> 00:02:07,040 I always say nah, because if you're in if you're 43 00:02:07,040 --> 00:02:10,800 in the business of putting yourself forward, different is what 44 00:02:10,840 --> 00:02:13,719 you're aiming for us, right, you want something that makes 45 00:02:13,759 --> 00:02:18,400 you instantly stand out. So so and and of course 46 00:02:18,439 --> 00:02:20,479 we're going to teach them how to say it. They're 47 00:02:20,479 --> 00:02:23,080 gonna know it. They're gonna know you. You know, as 48 00:02:23,159 --> 00:02:26,719 soon as you do. We know how to say Arnold Schwarzenegger. Don't. 49 00:02:28,360 --> 00:02:30,560 That's a hard name. But he went out and made 50 00:02:30,639 --> 00:02:33,120 it impossible for us to mispronounce it. 51 00:02:33,319 --> 00:02:35,840 Speaker 1: Plus, I don't see too many people sitting there mumbling 52 00:02:35,919 --> 00:02:38,039 underneath their breath when they say his name. I'm pretty 53 00:02:38,039 --> 00:02:40,159 sure I can hear some pride when they say that name. 54 00:02:41,639 --> 00:02:46,919 Speaker 2: Yes, yes, and so and so. It's a very you know, 55 00:02:47,560 --> 00:02:50,240 what's in a name Rose by any other name of 56 00:02:50,360 --> 00:02:52,759 smell just the sweep, I don't think so. 57 00:02:54,080 --> 00:02:57,199 Speaker 1: Now, being a podcaster as well as an author, Okay, 58 00:02:57,240 --> 00:02:59,159 and a lot of people don't know this, but but 59 00:02:59,240 --> 00:03:02,280 podcasting did not began back in the nineteen eighties because 60 00:03:02,280 --> 00:03:06,000 of comedians and you know, musicians. It was all about 61 00:03:06,159 --> 00:03:10,120 the authors who created the podcast. It was them. And 62 00:03:10,199 --> 00:03:13,039 so to see you write Black Cherokee and other books, 63 00:03:13,039 --> 00:03:16,080 I'm going, my god, he is absolutely one hundred percent 64 00:03:16,159 --> 00:03:17,400 locked into this medium. 65 00:03:19,800 --> 00:03:24,439 Speaker 2: Yeah, well, you know, it's oral tradition. A long time, 66 00:03:25,280 --> 00:03:29,960 long time before we had news casts and books and 67 00:03:30,120 --> 00:03:33,520 satellite and TV. It would be a bunch of people 68 00:03:33,560 --> 00:03:39,800 sitting around the fire, telling stories, asking questions, passing on 69 00:03:39,879 --> 00:03:43,919 the history and the tradition. So you know, podcasting started 70 00:03:43,960 --> 00:03:46,479 a long time ago. It's in our DNA, I. 71 00:03:46,439 --> 00:03:49,319 Speaker 1: Would say, yeah, yeah, part of that storytelling, which you 72 00:03:49,360 --> 00:03:52,759 do quite well in Black Cherokee. I do have to 73 00:03:52,800 --> 00:03:55,479 ask where did the inspiration come from? And when did 74 00:03:55,479 --> 00:03:57,319 it hit you that this is the direction you were 75 00:03:57,319 --> 00:03:58,000 going to be walking? 76 00:04:00,360 --> 00:04:03,919 Speaker 2: Oh man, Like you know, a lot of authors will 77 00:04:03,919 --> 00:04:07,000 come and give you these well thought out reasons for 78 00:04:07,599 --> 00:04:10,439 why they did what they did with their book, and 79 00:04:10,479 --> 00:04:16,000 it came out exactly how they planned it. But I 80 00:04:16,079 --> 00:04:19,199 you know, I always feel like that's like when someone 81 00:04:19,279 --> 00:04:21,360 asked you, well, why did you fall in love with 82 00:04:21,399 --> 00:04:25,160 your partner? You know, and a lot of you know 83 00:04:25,199 --> 00:04:28,040 what I mean, and we always have reasons, well it's 84 00:04:28,079 --> 00:04:31,279 this and their eyes and you know, they like my family. 85 00:04:31,439 --> 00:04:35,759 But actually we know that it's a moment, and in 86 00:04:35,800 --> 00:04:41,759 a moment, a magic happens and suddenly you are captivated 87 00:04:41,800 --> 00:04:45,560 by the thing. And that's how this inspiration came to me. 88 00:04:45,680 --> 00:04:51,480 I was traveling in your Neck and Woods, North Carolina, 89 00:04:51,560 --> 00:04:56,199 South Carolina a lot for a job I had at 90 00:04:56,240 --> 00:05:04,519 BlackBerry and and I was just so captivated by the landscape. 91 00:05:04,800 --> 00:05:09,839 And then one day, a couple of years into doing that, 92 00:05:10,160 --> 00:05:12,319 I just got I got all of it. I had 93 00:05:12,360 --> 00:05:17,759 the bend in the river, the rural steading, Grandma Blue Ophelia, 94 00:05:17,879 --> 00:05:22,680 her granddaughter. I knew that they were Afro Indigenous right 95 00:05:22,759 --> 00:05:26,639 off the cuff. And then it's almost like a visitation 96 00:05:27,439 --> 00:05:32,720 of a ghost, and it's mysterious. And then for me, 97 00:05:32,879 --> 00:05:35,839 the writing of the book is the solving of the mystery. 98 00:05:35,920 --> 00:05:38,399 Speaker 1: Yep, yep, yep, yep. I'm totally with you because the 99 00:05:38,439 --> 00:05:40,600 soil that which I live on, which is a forest 100 00:05:40,600 --> 00:05:43,360 in South Charlotte, I totally believe. I'm not the writer. 101 00:05:43,560 --> 00:05:46,680 I'm just the receiver of the message that's inside that force, 102 00:05:47,000 --> 00:05:48,439 and which is the reason why when it comes to 103 00:05:48,519 --> 00:05:50,399 my writing, I want to put the writing back in 104 00:05:50,439 --> 00:05:52,519 the earth and give it to the next writer, because 105 00:05:52,519 --> 00:05:54,519 it doesn't belong to me. I was just here for 106 00:05:54,600 --> 00:05:55,040 a moment. 107 00:05:57,399 --> 00:06:00,480 Speaker 2: Yeah, most definitely. I mean, it's it's all almost like 108 00:06:00,560 --> 00:06:04,199 when you're a gardener, right, and you don't actually you 109 00:06:04,240 --> 00:06:07,639 don't actually go and pull the stem and make it grow. 110 00:06:07,800 --> 00:06:11,800 You don't make it grow. You provide the condition so 111 00:06:11,879 --> 00:06:15,959 that it can grow. And that's how I see myself 112 00:06:16,000 --> 00:06:18,480 with the book. I'm a I'm a conduit. 113 00:06:19,480 --> 00:06:22,319 Speaker 1: But man, you've you've mastered something here Antonio that a 114 00:06:22,319 --> 00:06:24,040 lot of people are not doing it. And I'm so 115 00:06:24,160 --> 00:06:28,240 grateful that you are pacing the pacing of the story, 116 00:06:28,519 --> 00:06:32,000 taking the time to really give us the story because 117 00:06:32,120 --> 00:06:34,800 we get to digest it now. Is that because you're 118 00:06:34,839 --> 00:06:37,240 a binge watcher when it comes to television? How did 119 00:06:37,279 --> 00:06:41,399 you get the pacing of this down to where everybody 120 00:06:41,439 --> 00:06:42,600 can call this their book? 121 00:06:44,959 --> 00:06:47,680 Speaker 2: Yeah? You know, thank you first of all Arrow for 122 00:06:47,839 --> 00:06:52,399 recognizing that, because I thought very deeply about the pacing, 123 00:06:53,120 --> 00:06:59,319 and in fact, it was a lot flower really started. Yeah, 124 00:06:59,560 --> 00:07:02,959 through the process. You know, here's the thing. It's like, 125 00:07:03,319 --> 00:07:06,480 I spend a lot of time reading. To me, like 126 00:07:06,639 --> 00:07:09,959 my reading is just hey, what's on New York Times? Hell, 127 00:07:10,600 --> 00:07:14,399 I'm reading. I'm reading the history of literature, right, I'm 128 00:07:14,399 --> 00:07:19,560 reading sometimes hundreds, sometimes even thousands of years old. And 129 00:07:19,639 --> 00:07:24,360 so so the current trend is for everything to be 130 00:07:24,480 --> 00:07:27,360 pop pop pop pop pop. You know, don't BORI us 131 00:07:27,439 --> 00:07:31,439 get to the chorus. But I think what we lose 132 00:07:31,480 --> 00:07:36,480 in that is you don't get to fully stink into 133 00:07:36,560 --> 00:07:40,480 the world of the character. You don't get truly understand 134 00:07:40,519 --> 00:07:44,160 the mind of the character. So when something happens to 135 00:07:44,240 --> 00:07:48,360 that character, like you, I want the audience to care 136 00:07:48,399 --> 00:07:53,439 because they're they've seen what they're going through. They understand 137 00:07:53,879 --> 00:07:59,680 their fears, their anxieties, their content yep. And and I 138 00:07:59,720 --> 00:08:03,079 think that's a lost start. And so I you know, 139 00:08:03,279 --> 00:08:08,079 I for me, it's really important to drop you into 140 00:08:08,120 --> 00:08:11,879 the world so you feel like you're there, and that 141 00:08:11,959 --> 00:08:13,920 takes time. You can't just rush through that. 142 00:08:14,199 --> 00:08:16,279 Speaker 1: Yeah, because we're all very guilty of hurry up and 143 00:08:16,279 --> 00:08:17,879 get this over with. Hurry up and get this over with. 144 00:08:18,000 --> 00:08:19,959 And no, no, no, no no. When it comes to 145 00:08:20,040 --> 00:08:23,079 your book, Black Cherokee, it's like, no, let me give 146 00:08:23,079 --> 00:08:25,759 you the full picture here so that you can understand it, 147 00:08:25,800 --> 00:08:27,759 so you don't have to come back five pages from 148 00:08:27,759 --> 00:08:29,759 now and say, what was going on again? No, you 149 00:08:30,040 --> 00:08:33,320 explained it because you took the time to make that happen. 150 00:08:35,559 --> 00:08:39,200 Speaker 2: Yeah, this is it. It's almost like meeting someone and 151 00:08:39,240 --> 00:08:43,080 you're like, Okay, you're my best friend. I know. We 152 00:08:43,200 --> 00:08:46,879 let's get the part where we actually have conversations and 153 00:08:47,039 --> 00:08:52,320 nights out and get into trouble and get out of 154 00:08:52,399 --> 00:08:55,120 trouble and do all of that bonding. Let's just get that. 155 00:08:55,279 --> 00:08:57,960 I'm just gonna you know, I'm gonna pretend. But of 156 00:08:58,039 --> 00:09:01,879 course we know in real life you don't have a 157 00:09:02,000 --> 00:09:05,440 connection with someone unless you've lived and been there with them. 158 00:09:05,960 --> 00:09:09,080 Speaker 1: Please do not move. There's more with Antonio Michael coming 159 00:09:09,159 --> 00:09:13,639 up next. The name of his book is Black Cherokee. 160 00:09:13,679 --> 00:09:16,720 We're back with author Antonio Michael. What is it like 161 00:09:16,799 --> 00:09:19,799 for you though, to add personal things to that storyline, 162 00:09:19,840 --> 00:09:21,600 because a lot of people are gonna say, well, I 163 00:09:21,600 --> 00:09:23,960 didn't know this about you, Antonio. Why am't you never 164 00:09:24,000 --> 00:09:25,200 shared this with me before? 165 00:09:27,200 --> 00:09:30,879 Speaker 2: Well, I mean, and it depends, like you know, so 166 00:09:31,080 --> 00:09:36,840 sagaboy my memoir. Yes, yes, Harry, that's about my life. 167 00:09:37,080 --> 00:09:40,720 And a lot of people that knew me said exactly 168 00:09:40,759 --> 00:09:42,919 what you just said when they read it. They said, Hey, 169 00:09:43,639 --> 00:09:46,440 I feel like I've been hanging out with you for 170 00:09:46,559 --> 00:09:50,320 years and I didn't know anything about yep. Yeah, But 171 00:09:50,919 --> 00:09:53,440 of course that's why you write a memoir. You write 172 00:09:53,440 --> 00:09:57,200 a memoir because they're parts, because you want the whole 173 00:09:57,279 --> 00:10:01,279 of the story to be told in a novel like 174 00:10:01,399 --> 00:10:05,600 Black Cherokee. It's I like to think that everything in 175 00:10:05,600 --> 00:10:09,879 the novel comes out of the author's psyche somewhere. So 176 00:10:10,000 --> 00:10:13,799 every single character in Black Cherokee has a little bit 177 00:10:13,840 --> 00:10:17,600 of me, a little splinter of me in them, and 178 00:10:18,159 --> 00:10:20,960 in fact, I think that's what allows me to bring 179 00:10:21,039 --> 00:10:25,639 them to life. Yeah, I have to draw on all 180 00:10:25,720 --> 00:10:30,279 my experiences and my disappointments and my vanity and my 181 00:10:30,840 --> 00:10:34,399 you know, like I've got to bring everything I am 182 00:10:35,039 --> 00:10:38,360 to the table in order to serve the book and 183 00:10:38,440 --> 00:10:40,799 serve the story and serve these characters. 184 00:10:40,799 --> 00:10:42,840 Speaker 1: Oh, you are spot on with this, because all the 185 00:10:42,879 --> 00:10:45,279 research that I have put into, you know, making that 186 00:10:45,320 --> 00:10:48,639 connection with podcast listeners or even readers and things. If 187 00:10:49,000 --> 00:10:52,159 you do not put yourself in that story, they will 188 00:10:52,159 --> 00:10:54,240 not invest their time. They've got to be able to 189 00:10:54,240 --> 00:10:56,759 come to your events, your readings, or even to come 190 00:10:56,799 --> 00:10:59,720 to your podcast and know that with Antonio on there, 191 00:11:00,080 --> 00:11:03,200 I'm going to get something they want that it can't 192 00:11:03,200 --> 00:11:05,759 come from anybody else. It has to come from Antonio. 193 00:11:08,000 --> 00:11:10,799 Speaker 2: Yeah, this is it. You can take the same message, 194 00:11:10,840 --> 00:11:13,919 put it in someone else's mouth, and if they don't 195 00:11:13,960 --> 00:11:16,840 have that same connection, it's not going to be the same. 196 00:11:16,919 --> 00:11:20,799 And so I think a lot of what we're doing 197 00:11:20,960 --> 00:11:26,840 as well as we know. I mean, novels are just storytelling, 198 00:11:27,519 --> 00:11:31,879 and you know, human beings are a storytelling species. And 199 00:11:32,080 --> 00:11:34,960 think about the last time someone told you a story. 200 00:11:35,360 --> 00:11:38,799 You probably were thinking about who that person was, yep. 201 00:11:39,360 --> 00:11:42,080 And if they were a certain person and you had 202 00:11:42,240 --> 00:11:46,279 they had that credibility with you and what they were 203 00:11:46,320 --> 00:11:48,519 telling you drive with who you know them to be, 204 00:11:49,600 --> 00:11:51,200 then you believe them. 205 00:11:51,320 --> 00:11:53,320 Speaker 1: How do you feel though, when someone goes, oh, I 206 00:11:53,320 --> 00:11:55,720 thought you were talking about Kevin. No, it was Mike. 207 00:11:55,799 --> 00:12:01,720 I was talking about Oh yeah, hey. 208 00:12:04,279 --> 00:12:08,240 Speaker 2: Well, you know, the awkwardness and misunderstanding is part of 209 00:12:08,279 --> 00:12:11,080 the is part of the food, right, it spices the food. 210 00:12:11,240 --> 00:12:16,120 So I think all stories can be misunderstood and misinterpreted 211 00:12:16,200 --> 00:12:19,120 as well. And so so that is that is part 212 00:12:19,159 --> 00:12:20,320 of what we're doing out here. 213 00:12:20,679 --> 00:12:23,159 Speaker 1: So now, with you being the radio host, the speaker, 214 00:12:23,240 --> 00:12:26,480 the musician, the author, when do you find time to 215 00:12:26,519 --> 00:12:29,840 be Antonio? Because I know that creativity is an addiction. 216 00:12:30,200 --> 00:12:32,559 You cannot just instantly put it down and if you do, 217 00:12:32,639 --> 00:12:35,080 you rough up your soul. How are you finding time 218 00:12:35,120 --> 00:12:35,600 for self? 219 00:12:37,720 --> 00:12:41,639 Speaker 2: Well, I mean so much of myself is invested in 220 00:12:41,720 --> 00:12:45,120 my creativity. Like I see, I feel like if I 221 00:12:45,159 --> 00:12:49,559 were writing things that were remote to my soul. Like 222 00:12:49,679 --> 00:12:53,039 if I were writing formulaic stuff that had nothing to 223 00:12:53,080 --> 00:12:56,960 do with my experience, then yes, I would need to 224 00:12:57,039 --> 00:13:00,559 make time for me, Okay, But the truth is almost 225 00:13:00,600 --> 00:13:04,720 everything I do in art is spending time thinking about 226 00:13:04,879 --> 00:13:08,000 you know, where I come from, my grandmother, my family, 227 00:13:08,639 --> 00:13:12,799 like just building around that. And you know, for me, 228 00:13:13,360 --> 00:13:17,360 it's been my entire how about life I've been I've 229 00:13:17,360 --> 00:13:21,519 been doing, I've been playing music or writing or you know, 230 00:13:21,600 --> 00:13:25,279 this has kind of been what it's been. And you know, 231 00:13:25,360 --> 00:13:28,440 I have great friends. I have really great friends, and 232 00:13:28,519 --> 00:13:31,159 I make a point of hanging out with them because 233 00:13:31,679 --> 00:13:35,360 I think that they're the actual point, Like the people 234 00:13:35,399 --> 00:13:38,639 that love us care for us. I think we think 235 00:13:38,679 --> 00:13:41,200 of them sometimes as you know, I'll hang with you 236 00:13:41,360 --> 00:13:46,000 if I have time, but I actually believe that that 237 00:13:46,159 --> 00:13:48,919 they're the point. You know, we go and we live life. 238 00:13:49,039 --> 00:13:51,240 When we're with them, we can have things to talk 239 00:13:51,240 --> 00:13:54,159 about and laugh about. And so so I really do 240 00:13:54,240 --> 00:13:57,960 make time for my my friends and my family, my brothers. 241 00:13:59,519 --> 00:14:02,480 You know, it's it's it's really important to me. So 242 00:14:03,039 --> 00:14:05,360 that's when I get in the meantime. But you know 243 00:14:05,440 --> 00:14:09,519 the truth is it is an addiction. Yeah, but if 244 00:14:09,559 --> 00:14:12,200 you ask me, If you ask me, it's the healthiest 245 00:14:12,200 --> 00:14:13,879 addiction I could problem with you. 246 00:14:14,240 --> 00:14:19,399 Speaker 1: I'm with you, Amen, Amen, you got to come back 247 00:14:19,399 --> 00:14:22,200 to this show anytime in the future. The door is 248 00:14:22,399 --> 00:14:24,240 always going to be open for you. First of all, 249 00:14:24,240 --> 00:14:26,399 before we do that, let's make sure where can people 250 00:14:26,480 --> 00:14:28,440 find you and all of your writing, because I don't 251 00:14:28,440 --> 00:14:30,000 want them just to have a couple of pages. I 252 00:14:30,000 --> 00:14:31,639 want them to have your entire journey. 253 00:14:33,279 --> 00:14:36,799 Speaker 2: Oh absolutely, well, for sure. I mean, first of all, 254 00:14:36,960 --> 00:14:39,679 any of your big box bookstores are going to have 255 00:14:40,360 --> 00:14:44,639 Saga Boy or Black Cherokee. Tho, those are the books 256 00:14:44,679 --> 00:14:48,919 looked for them. You can also look by my name 257 00:14:49,039 --> 00:14:52,799 online and Tonio Michael Downing if you're on social media. 258 00:14:53,360 --> 00:14:55,879 I have all the social media's, but I tend to 259 00:14:55,919 --> 00:14:59,879 focus on Instagram, so it's just my name Antonio, my 260 00:15:00,000 --> 00:15:03,879 Michael Downing at Antonio Michael Downing on Instagram. You know, 261 00:15:04,000 --> 00:15:06,120 reach out to me, tell me what you think. If 262 00:15:06,159 --> 00:15:08,879 you read the book, you got some thoughts DM me. 263 00:15:09,159 --> 00:15:13,799 I'm always in those dms talking to people. I love. 264 00:15:14,240 --> 00:15:18,279 I love hearing how the readers respond to the story. 265 00:15:18,679 --> 00:15:20,720 This is why I do this so I can have 266 00:15:20,840 --> 00:15:25,440 great conversations with people, so including right now Aero. So 267 00:15:25,600 --> 00:15:27,080 thank you, I appreciate. 268 00:15:26,679 --> 00:15:28,279 Speaker 1: Well you got to come back, man. The door is 269 00:15:28,279 --> 00:15:29,440 always going to be open for you. 270 00:15:31,279 --> 00:15:33,200 Speaker 2: That is a deal. I will take you. 271 00:15:33,159 --> 00:15:37,000 Speaker 1: Up that will. You be brilliant today? Okay, sir you too, 272 00:15:37,200 --> 00:15:37,879 Take care ERROW. 273 00:15:38,000 --> 00:15:38,960 Speaker 2: Nice talking to you.