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<v Speaker 1>Callaroga Shark Media.

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<v Speaker 2>Hi there, I'm Johnny Mack with your daily Comedy News

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<v Speaker 2>Today crossover episode with The Letterman Podcast. Mike Chisholm is

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<v Speaker 2>the host of The Letterman Podcast, and he had seen

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<v Speaker 2>a list of the top ten late night host of

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<v Speaker 2>all time and he didn't like the list, so he

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<v Speaker 2>made his own and he wanted me to react to it.

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<v Speaker 2>So over the Christmas break he was like, Hey'm going

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<v Speaker 2>to send you a list. I'm like, don't send me

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<v Speaker 2>the list. I don't want to see your list. I'll

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<v Speaker 2>just react to it. So that's what you're going to

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<v Speaker 2>hear right now.

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<v Speaker 1>We've talked a little bit about your reaction to the

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<v Speaker 1>Billboard Top twenty five Comedians of the Century. Well, there's

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<v Speaker 1>been a few late night ones as well. One particular

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<v Speaker 1>late night list came out, the top ten late night

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<v Speaker 1>Hosts of All Time list, which I appreciated. It's hard

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<v Speaker 1>when it's a mount rushmore when you got to pick four.

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<v Speaker 1>It's hard when it's ten. You've got a little bit

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<v Speaker 1>more breathing room and you can talk about things. I

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<v Speaker 1>did not like the list that came out. I don't

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<v Speaker 1>even want to, you know, I don't wanna. I wasn't

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<v Speaker 1>a fan of the list that came out, and and

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<v Speaker 1>and so I decided to pend my own top ten list,

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<v Speaker 1>and I find I think that I did a pretty

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<v Speaker 1>good job. I have not made this list public to anybody.

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<v Speaker 1>You're the first person that's going to hear it. And

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<v Speaker 1>the whole premise of the show was you reacting to

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<v Speaker 1>what I think is the definitive top ten late night

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<v Speaker 1>hosts in history list.

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<v Speaker 2>So that got this up, you gotta say. From the

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<v Speaker 2>home office in Vancouver, it's the top ten late night

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<v Speaker 2>hosts of all time, topka late night hosts of all time,

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<v Speaker 2>number ten.

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<v Speaker 1>Okay, I got that, I got that in I got

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<v Speaker 1>that in my head. And so what we're gonna do? Okay,

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<v Speaker 1>from the home office in Lumbee, British Columbia, the top

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<v Speaker 1>ten late night television hosts in history. For me, the

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<v Speaker 1>top ten late night host it has to be started

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<v Speaker 1>by Steve Allen. Number ten is Steve Allen. And this

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<v Speaker 1>list is is I like this list because there's a

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<v Speaker 1>couple that are sort of combined with each other. There

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<v Speaker 1>are a couple that are kind of group together. But

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<v Speaker 1>I start the list with Steve Allen because as far

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<v Speaker 1>as I'm concerned, this is the guy that set the blueprint.

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<v Speaker 1>You do talk about a blueprint that even in twenty

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<v Speaker 1>twenty five, the format is the same for the most part,

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<v Speaker 1>the desk, the monologue, the guests, the panel, the way

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<v Speaker 1>that they're set up. This is the guy that basically

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<v Speaker 1>said this is how it's gonna be. Yes, there were

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<v Speaker 1>shows before him, there were stuff that came along before him,

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<v Speaker 1>but Steve Allen is the guy that actually set the tone,

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<v Speaker 1>and all these years later, you know that blueprint is

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<v Speaker 1>still being followed. So to me, you start the list

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<v Speaker 1>with Steve Allen, you know, not because he was the

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<v Speaker 1>first to do it. You make him number one, but

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<v Speaker 1>you say, okay, you're the guy. You're the guy that's

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<v Speaker 1>going to start the list, just like you're the guy

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<v Speaker 1>that started the genre. That's why I positioned him at

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<v Speaker 1>number ten.

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<v Speaker 3>Oh absolutely.

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<v Speaker 2>If we had a magic wand and you could take

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<v Speaker 2>Steve Allen in his prime and say, you know, we're

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<v Speaker 2>going to use doctor Who technology here, Steve Allen in

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<v Speaker 2>your prime, right now, I need you to host. I

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<v Speaker 2>need you to fill in for Johnny Carson on a

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<v Speaker 2>Tuesday night in nineteen seventy six.

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<v Speaker 3>Done.

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<v Speaker 2>I need you to fill in on Late Night with

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<v Speaker 2>David Letterman on a Monday in nineteen eighty five. No problem,

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<v Speaker 2>where's the Alka Seltzer suit. I got this same note

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<v Speaker 2>on Conan Hey, John Stewart's throwing up in the bathroom.

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<v Speaker 2>You think you can wing the Daily Show for us? Absolutely?

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<v Speaker 2>Jimmy Kimmel doesn't want to do it anymore. You want

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<v Speaker 2>to show on ABC in twenty twenty eight, Sure, so

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<v Speaker 2>on Steve Allen one.

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<v Speaker 1>There we go, and and and the cool thing about

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<v Speaker 1>Steve and not just Steve, but some of the other

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<v Speaker 1>the other you know, pioneers of of of of this genre.

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<v Speaker 1>If you go onto Don Giller's David Letterman YouTube channel,

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<v Speaker 1>if you go to Don Giller's YouTube channel, there's the

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<v Speaker 1>talk show host compilation. And I've talked about this one

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<v Speaker 1>a lot. I don't know if there's any series. And

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<v Speaker 1>this is a this is a big commitment because it's

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<v Speaker 1>like there's seven parts to it, and I think they're

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<v Speaker 1>all an hour each something like that. But it's in

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<v Speaker 1>order every single talk show host appearance on one of

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<v Speaker 1>David Letterman shows, and Steve Allen appeared on Late Night.

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<v Speaker 1>I think you've appeared on the Morning Show too. Now

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<v Speaker 1>I think about it the Morning Show and Late Night

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<v Speaker 1>and it's it's it's really cool watching Steve. His influence

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<v Speaker 1>on Dave is obvious in the first couple interactions. There's

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<v Speaker 1>a nervousness that Dave has, and I love that about

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<v Speaker 1>early Dave. You know, it's the exact opposite of where

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<v Speaker 1>he is right now. He's not the elder statesman that

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<v Speaker 1>can that can communicate with anybody. He is really nervous

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<v Speaker 1>and UH. And and to watch Steve come in and

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<v Speaker 1>and and and im part some wisdom and grace in

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<v Speaker 1>doing so and even doing the show is such a

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<v Speaker 1>cool thing. And and so I highly recommend that for

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<v Speaker 1>people who love this stuff, highly recommend going and watching

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<v Speaker 1>that compilation. UH number nine another trailblazer in his own right.

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<v Speaker 1>Arcinio Hall and I have our studio here at number

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<v Speaker 1>nine because, of course UH the first talk show host

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<v Speaker 1>of of UH of color who has his own full

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<v Speaker 1>time show. Johnny of course had guest hosts of color

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<v Speaker 1>for the Tonight Show, but this is the first one

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<v Speaker 1>that it's really helmed his own deal, and not just

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<v Speaker 1>helmed his own deal, but was he was a culture,

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<v Speaker 1>a significant person in culture, all culture. I was a

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<v Speaker 1>huge hip hop fan growing up, and I love the

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<v Speaker 1>music on late night. I love the music that would

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<v Speaker 1>show up on late night. There was but but to

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<v Speaker 1>be perfectly frank, the bullseye for me when it came

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<v Speaker 1>to music on any late night talk show of me

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<v Speaker 1>growing up, it was our Senio Hall, our senior Hall.

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<v Speaker 1>Had phenomenal music, he had phenomenal guests. He had a

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<v Speaker 1>different vibe to things, of course, and I thought, uh,

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<v Speaker 1>just the way that he I mean, he's the guy

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<v Speaker 1>that many people said, oh yeah, Carson's in trouble because

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<v Speaker 1>this new hip person is coming in. And he was

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<v Speaker 1>a cultural phenomenon as well. Obviously didn't have the lasting power,

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<v Speaker 1>but at the same time significant enough to make it

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<v Speaker 1>to the top ten.

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<v Speaker 2>Oh absolutely. If you think of a lot of people

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<v Speaker 2>that took on the Johnny timeslot, if not Johnny specifically,

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<v Speaker 2>they were all playing on Johnny's corner, Let's do something

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<v Speaker 2>similar like if you looking like Pat, say, Jack Show,

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<v Speaker 2>what is that? It's you know, it's the Tonight show

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<v Speaker 2>without being the Tonight show, Like what are we doing?

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<v Speaker 2>Whereas Arsenio did something different for a different audience. And

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<v Speaker 2>there was a lot of different audience out there and

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<v Speaker 2>both shows could coexist. You you are reminding me of

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<v Speaker 2>the Carsenio sketch. Now, yes, I'm trying to remember. I've

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<v Speaker 2>read several Carson books, and I can't remember where the

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<v Speaker 2>experts have landed if that sketch actually bothered Johnny or not.

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<v Speaker 2>But the Carsenio sketch, for people who have not seen it,

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<v Speaker 2>it's on YouTube. It's a must watch, and it really

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<v Speaker 2>speaks to that particular moment.

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<v Speaker 1>It does and from where I from what I have heard,

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<v Speaker 1>let me ask Mark Malkoff about it. But but yeah, Johnny,

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<v Speaker 1>one of the things that gave Johnny pause in his

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<v Speaker 1>entire career was Arcinio. But also Carcinio, the idea of

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<v Speaker 1>of of of being able to, you know, maybe get

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<v Speaker 1>maybe not a full on gut shot, but a grazing

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<v Speaker 1>bullet to the bulletproof man. I think is something that

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<v Speaker 1>happened there. And apparently Arsenio gave Johnny pause saying well,

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<v Speaker 1>maybe it is time to hang it up. So I mean,

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<v Speaker 1>that's that's significant in itself. Yeah.

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<v Speaker 2>I mean, you know, we all age, and I increasingly

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<v Speaker 2>feel my own age, and I love doing my podcast.

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<v Speaker 2>I'm like, you know, at some point in the not

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<v Speaker 2>crazy future, it's gonna be like, Okay, seventy year old

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<v Speaker 2>man talking about Dane Cook. What David Letterman? That show

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<v Speaker 2>aired sixty years ago, old timer, what are you talking about?

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<v Speaker 2>You know, I do sort of have an unofficial line.

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<v Speaker 2>I've never really pondered where it is. But there are

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<v Speaker 2>comedic things that I don't talk about because it's like

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<v Speaker 2>speaking a different language. I self possess profess to live

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<v Speaker 2>on Old Man Mountain, and at some point it's just

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<v Speaker 2>it's just not my thing. Somebody's doing something on TikTok.

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<v Speaker 2>It's wonderful, it's great, people love it. I don't get

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<v Speaker 2>it if you ever want to feel old. Every now

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<v Speaker 2>and then Variety will do a top twenty, like you know,

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<v Speaker 2>next gen Superstars of Media thing, and you go down

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<v Speaker 2>the list you mentioned before, not being familiar with mister Beast,

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<v Speaker 2>never mind mister Beast. You go down their top twenty

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<v Speaker 2>listen and you're like, I don't know any of these people,

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<v Speaker 2>which is fine, Which is fine. You know, I could

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<v Speaker 2>say to my kids, Hey, there was this guy Dave,

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<v Speaker 2>and he threw watermelons off a tower and they'll be like, yeah, okay, Boomer, Yeah.

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<v Speaker 1>I keep saying that to my granddaughter, she's seven. I'm

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<v Speaker 1>putting all this pressure on her, saying, you're the one

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<v Speaker 1>that's got to keep me cool. You make sure you

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<v Speaker 1>only like cool things.

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<v Speaker 2>Okay, you see, there's no window here. So when he

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<v Speaker 2>throws the card and it's a sound effect, and that's funny.

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<v Speaker 2>It's funny because there's no window. Kids, it's really funny.

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<v Speaker 1>What that being said? She and I because I mean,

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<v Speaker 1>I'm playing he out the idea of her, of her

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<v Speaker 1>doing some reaction videos to some of the stuff Dave did.

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<v Speaker 1>When I put on Dave's stuff where he's throwing stuff

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<v Speaker 1>off a tower, she absolutely to this day. Twenty in

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<v Speaker 1>twenty twenty five, a seven year old girl laughs her

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<v Speaker 1>little off when she sees him throwing stuff off the

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<v Speaker 1>tower or running things over with the steamroller. She loved

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<v Speaker 1>the running scens over with the steamroller. But oh, she

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<v Speaker 1>asks to watch it. She's seven, So that gives me

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<v Speaker 1>hope for that generation.

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<v Speaker 2>Right, But like, what's funny about Larry Budd Melman not

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<v Speaker 2>being able to really hear what Dave's saying. All the

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<v Speaker 2>timing's wrong. The guy is not really delivering the lines. Well,

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<v Speaker 2>like why is that funny?

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<v Speaker 3>It just is? But like, hey, kids want to watch

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<v Speaker 3>Larry Budd Melman. What?

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<v Speaker 1>Yeah, I don't know. Okay, now you go. Now I've

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<v Speaker 1>got it. Now I've got an assignment. Lara needs to

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<v Speaker 1>see Larry Budd Melman and we'll have to find out.

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<v Speaker 1>Number eight Craig Ferguson. The people that made this list

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<v Speaker 1>are ones who definitely changed, who added something to the game.

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<v Speaker 1>Maybe it didn't change the game, but they added something

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<v Speaker 1>to me. Ferguson, you know, I loved him. My golden

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<v Speaker 1>age in watching late night television, h was when I

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<v Speaker 1>could watch late show Conan's Show on TBS and Craig Ferguson.

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<v Speaker 1>I know that that is not necessarily popular to a

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<v Speaker 1>lot of the purest. As far as I'm concerned, Conan

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<v Speaker 1>and Ferguson are two that were influenced by guys like

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<v Speaker 1>Dave and and some of this stuff that's out there

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<v Speaker 1>that the esoteric stuff perhaps or you know, just the

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<v Speaker 1>plain weird, uh, you know, and and the idea that

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<v Speaker 1>he evolved his show to a place where he had

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<v Speaker 1>a robot skeleton for a sidekick and they had a

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<v Speaker 1>you know, two guys in a in a two man

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<v Speaker 1>horse costume that would come in every single night, and

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<v Speaker 1>the audience not only bought it, but they yearned for

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<v Speaker 1>it when Secretariat would come in. You know, he had

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<v Speaker 1>a he had a cult following. I really appreciate his sensibility,

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<v Speaker 1>but he also brought some seriousness to the zaniness. You know,

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<v Speaker 1>when he had Desmond tutu on as a guest or

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<v Speaker 1>some of these other people that Craig ferguson to me,

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<v Speaker 1>moved the ball up the field and did it in

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<v Speaker 1>a very very compelling way. That's why he makes the

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<v Speaker 1>list in the top ten. Did you did you ever?

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<v Speaker 1>You know he started as a stand up I don't

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<v Speaker 1>know if you guys his past ever would have crossed

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<v Speaker 1>the curious thing? You must have?

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<v Speaker 3>You must have?

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<v Speaker 2>Yes, I got to work with Craig a handful of times.

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<v Speaker 2>He came up, maybe to just do a guest appearance,

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<v Speaker 2>and we asked him to do some vo for the

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<v Speaker 2>Radio Classics channel, and he started improving and we're like, wait,

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<v Speaker 2>there's something here, and he agreed to come back the

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<v Speaker 2>next day. We grabbed this guy Ghosty, who was on

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<v Speaker 2>the staff who could do voices and improv, you know,

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<v Speaker 2>well enough to keep up with Craig Ferguson. And they

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<v Speaker 2>came back and just rift and I forget what we

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<v Speaker 2>even did with it, but it was just one of

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<v Speaker 2>those magical things of like, oh, this is fun. I

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<v Speaker 2>get to do this today. I'm going to just hang

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<v Speaker 2>out in the studio and watch Craig Ferguson improv and

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<v Speaker 2>really super nice guy. I've always said, not that he's

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<v Speaker 2>a troll on TV, but he's in person. He's super handsome, Like,

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<v Speaker 2>he's a really good looking dude. YEA. Loved working with him,

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<v Speaker 2>would love to run into him again. I've got to

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<v Speaker 2>see him just as a fan, you know, not going hey,

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<v Speaker 2>can we meet you? Back to say, it's just like

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<v Speaker 2>I'm going to buy tickets, go to a show and

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<v Speaker 2>go home. Really fantastic. It's a shame he didn't stay

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<v Speaker 2>with Late Night because he would have had a thirty

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<v Speaker 2>year run at it. You know, boy, don't you wish

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<v Speaker 2>you could put him on at twelve thirty tonight and

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<v Speaker 2>he was on.

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<v Speaker 1>He's fantastic. I would put him on any like. I

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<v Speaker 1>listened to his podcast now and it's fun to the

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<v Speaker 1>one thing that you mentioned there when you the idea

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<v Speaker 1>of bringing him back to do some work with Ghosty.

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<v Speaker 1>The thing that Craig brings to the table is something

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<v Speaker 1>similar that Dave has, where his reactions are very good

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<v Speaker 1>and very funny and very out out of left field.

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<v Speaker 1>And when he has somebody like Josh Robert Thompson who

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<v Speaker 1>did the voice for Jeffrey Pretyson, and then of course

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<v Speaker 1>Morgan Freeman and all these other stuff. Josh is amazing.

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<v Speaker 1>Josh has been on this show and we had a marathon.

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<v Speaker 1>I think it was a two hour conversation with Josh

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<v Speaker 1>two and a half hours on here. And the idea

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<v Speaker 1>that there's this guy that is so good that he

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<v Speaker 1>is actually the voice of Morgan Freeman when they want

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<v Speaker 1>to edit and make the safe for TV movies and

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<v Speaker 1>they edit his dialogue. He's the guy that does not

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<v Speaker 1>just Morgan, but other people's voices, and yet he's crazy

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<v Speaker 1>as as I'll get out. And then Craig can react

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<v Speaker 1>to that. I love that Craig can react to that.

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<v Speaker 1>Craig was so he would take the blue cart of

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<v Speaker 1>what the segment producer had prepared for him for who

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<v Speaker 1>his upcoming guest was, and he would tear it up

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<v Speaker 1>beforehand because he wanted to have a spontaneous conversation with people.

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<v Speaker 1>That is playing with a net, like being able to

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<v Speaker 1>rely on your rap year like wit and and and react,

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<v Speaker 1>and that be the source of the entertainment. Even the

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<v Speaker 1>monologue was loose. The monologue was on bullet points and

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<v Speaker 1>the idea that he would just come out and start

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<v Speaker 1>talking and and not just be able to sustain an audience.

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<v Speaker 1>But like you said, if he chose to, could have

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<v Speaker 1>gone on a run that would put him up there,

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<v Speaker 1>you know, with the greats. But his sensibility was I

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<v Speaker 1>don't want to be part of this late night club.

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<v Speaker 1>And and that was fun too. He's a little punk rock,

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<v Speaker 1>He's a lot punk rock in fact, when you look

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<v Speaker 1>at Craig's history. So yeah, to me, he's a guy

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<v Speaker 1>that that certainly deserves to be on the last Sorry

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<v Speaker 1>to cut you please.

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<v Speaker 3>Is that is that.

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<v Speaker 2>Part of the magic that I don't want to be

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<v Speaker 2>part of this club. Now I can break that apart

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<v Speaker 2>because Jimmy Kimmel wants to be David Letterman. David Letterman

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<v Speaker 2>wanted to be Johnny Carson but wasn't allowed to be

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<v Speaker 2>Johnny Carson twice and that sort of created David Letterman. Yep,

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<v Speaker 2>Conan O'Brien, some random writer in the game who.

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<v Speaker 3>Has the who are you giving the show too? What

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<v Speaker 3>are you saying?

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<v Speaker 1>So? Like?

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<v Speaker 2>Is that part of the magic of not wanting to

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<v Speaker 2>do the show? And conversely, is that part of the

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<v Speaker 2>problem people have with Jimmy Fallon who I respect Jimmy's game.

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<v Speaker 2>Jimmy understands what the Tonight show is and he runs

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<v Speaker 2>he runs the playbook.

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<v Speaker 3>Is it cool?

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<v Speaker 2>It is not cool? Nope, But he runs the playbook

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<v Speaker 2>the way he's asked to run it. He runs it

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<v Speaker 2>very well, and he's going to wind up being the

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<v Speaker 2>last eleven thirty show standing. It sounds like, but you know,

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<v Speaker 2>is there something to be said to I don't actually

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<v Speaker 2>want to do this?

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<v Speaker 1>Well, this is okay, John, Jimmy Kimmel one more year.

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<v Speaker 1>I'm gonna sign on a one year contract. And I

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<v Speaker 1>mean some people look at it and go, okay, Yeah.

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<v Speaker 1>He doesn't want to get in the way of the

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<v Speaker 1>Colbert because Colbert is gonna have his big send off, Like,

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<v Speaker 1>I mean, we're about to enter an era here, you know,

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<v Speaker 1>I remember the last six weeks of Dave. There's gonna

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<v Speaker 1>be an era here where Colbert is ramping up to

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<v Speaker 1>his leaving. I can see why Kimmel didn't want to

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<v Speaker 1>be a part of that. But there's also a part

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<v Speaker 1>of me that goes, it'd be cool to see Jimmy

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<v Speaker 1>Kimmel do this for year to year, for the next

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<v Speaker 1>five years. Because he's walking on the knife's edge. He's like, Okay,

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<v Speaker 1>am I going to keep doing it? Am I not

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<v Speaker 1>going to keep doing it? And to me that adds

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<v Speaker 1>an element of freshness, just like the hesitation, I don't

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<v Speaker 1>want to do this. I don't want to be that guy. Ferguson,

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<v Speaker 1>you know, for a long time wasn't wearing a tie,

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<v Speaker 1>and then he went and started wearing vests and he

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<v Speaker 1>started doing different things to try and because he was

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<v Speaker 1>uncomfortable with conformity and the idea of wanting to break

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<v Speaker 1>out of that. Somehow, I think absolutely is part of

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<v Speaker 1>the magic. A hesitation I'm doing this, but I don't

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<v Speaker 1>really want to be here kind of an attitude. Oh

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<v Speaker 1>we love that stuff. But again, it's the same example

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<v Speaker 1>that Bill Carter used in his in his book talking

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<v Speaker 1>about in Late Shift, talking about the difference between Dave

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<v Speaker 1>and j you know, it's it's it's it's pop music

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<v Speaker 1>versus Pink Floyd. You know, they're different atmospheres, they're different people,

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<v Speaker 1>they're different everything. There's a big group of people that

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<v Speaker 1>love Jimmy Fallon and it's it's a pop music group,

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<v Speaker 1>whereas some people who are more like aficionados like us,

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<v Speaker 1>are like, well, yeah, it's just that that was my

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<v Speaker 1>thing with Dave and j And by the way, number

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<v Speaker 1>seven on the list of the top ten greatest late

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<v Speaker 1>night hosts in history, Number seven is Jay Leno.

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<v Speaker 2>Jay Leno, that guy's the worst. Okay, we'll take the

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<v Speaker 2>break here and we'll come back and talk about the

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<v Speaker 2>most hated man in the world, Jay Leno. We continue

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<v Speaker 2>with a look at Mike Chisholm from The Letterman Podcast's

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<v Speaker 2>Top ten Greatest late night Hosts of All Time and

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<v Speaker 2>apparently this next guy who.

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<v Speaker 1>On the list of the top ten greatest late night

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<v Speaker 1>hosts in history, number seven is Jay Leno. Oh the

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<v Speaker 1>list the worst guy whoever? Let this guy, this guy,

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<v Speaker 1>Jay Leno, He's the worst. The way he will have

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<v Speaker 1>opinions about late night television as if he knows anything

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<v Speaker 1>about it.

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<v Speaker 2>Did you see during the summer they asked him about

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<v Speaker 2>Colbert and he weighed in on it.

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<v Speaker 3>What a hirk? What does he know?

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<v Speaker 2>He's hosted what twenty two years of The Tonight Show,

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<v Speaker 2>more episodes than anybody, including Johnny Carson. As if jay

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<v Speaker 2>Leno has any expertise in Late Night The worst guy

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<v Speaker 2>plus the way you know his poor wife has dementia

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<v Speaker 2>and he takes care of her and cares in the bathroom.

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<v Speaker 2>This guy's the worst. I can understand why people can't

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<v Speaker 2>stand Jay Leno. He just seems like an awful guy,

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<v Speaker 2>doesn't he?

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<v Speaker 1>Oh, I was so hoping you would do that. Let's

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<v Speaker 1>I want to talk about that a little bit, because

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<v Speaker 1>this is this is the thing on your show whatever,

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<v Speaker 1>somebody whatever jay Leto seems to pipe up about something,

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<v Speaker 1>somebody seems to have a problem with it, and it

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<v Speaker 1>makes the news and and is it just?

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<v Speaker 3>Is it?

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<v Speaker 1>You know, a generation of people who were in their

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<v Speaker 1>formative years, they saw what happened during the Cone thing,

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<v Speaker 1>and they've now just labeled him. Is that what's going

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<v Speaker 1>wrong with Jay Leno?

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<v Speaker 2>Yeah, it's yes, it's we're backing Conan because it's the

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<v Speaker 2>same sensibility. Leno was the establishment candidate. Yep, and Conan

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<v Speaker 2>was the scrappy up and comer who's only been in

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<v Speaker 2>Late night for fourteen years himself. You know this poor

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<v Speaker 2>struggling artist. Did Conan get a short run to shows?

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<v Speaker 2>Need time to find her legs?

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<v Speaker 3>Of course?

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<v Speaker 2>And of course yep was when they pulled the chair

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<v Speaker 2>back out for Jay Leno and he says, no, I've

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<v Speaker 2>brought this up on your show before. What happens then?

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<v Speaker 2>Do they just keep Conan on ago w hoope this

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<v Speaker 2>works out? Or do they pull out the Jimmy Fallon

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<v Speaker 2>chair kind of quickly and now we all hate Jimmy

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<v Speaker 2>Fallon because he stole Conan's job. I I don't know,

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<v Speaker 2>putting aside that I might understand why you're on team

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<v Speaker 2>Conan and and are mad at j Us Letteran. People

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<v Speaker 2>got over it. I'm not mad at Jay. You know

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<v Speaker 2>back in the original Late Night Wars that I want

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<v Speaker 2>Dave to get the Tonight show. I did, absolutely, But

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<v Speaker 2>I don't go around kicking a box.

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<v Speaker 3>All day going. I can't believe Jay Leno got the

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<v Speaker 3>Tonight show. What does he know about late night comedy?

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<v Speaker 2>You know it, It's okay, It's okay, guys. But putting

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<v Speaker 2>aside the the horrible sin of taking the Tonight's Show back.

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<v Speaker 2>I just don't understand why people hate Jay Leno.

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<v Speaker 1>Yeah, me too. I I mean this is this is

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<v Speaker 1>one of the greatest joke writers in history. And I mean,

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<v Speaker 1>you know, you look at you look at the hosts

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<v Speaker 1>of the Tonight Show, how many of them were stand ups?

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<v Speaker 1>You know, really, at the end of the day, Jay

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<v Speaker 1>is really the only one like Fallon was as well.

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<v Speaker 1>Fallon definitely definitely was a stand up, but he was

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<v Speaker 1>more an actor and an impressionist and things like that.

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<v Speaker 1>He had a different he had a very different stand

418
00:19:42.519 --> 00:19:45.119
<v Speaker 1>up aact than than than Jay. That's for sure. Jay

419
00:19:45.359 --> 00:19:48.160
<v Speaker 1>is a pure joke writer. He is a pure stand up.

420
00:19:48.960 --> 00:19:51.680
<v Speaker 1>Not only when you talk about you know, he's an

421
00:19:51.720 --> 00:19:55.039
<v Speaker 1>influential one. You got guys like David Letterman himself, Jerry

422
00:19:55.039 --> 00:19:58.599
<v Speaker 1>Seinfeld who called Jay, you know, the greatest joke writer ever,

423
00:19:59.119 --> 00:20:01.000
<v Speaker 1>and and and when you look at what he wanted

424
00:20:01.000 --> 00:20:04.720
<v Speaker 1>to add to the Tonight Show, you know, he has

425
00:20:04.839 --> 00:20:10.720
<v Speaker 1>this huge, huge like the fact that somebody followed Johnny

426
00:20:10.799 --> 00:20:14.359
<v Speaker 1>and they stayed the job is nuts. And this goes

427
00:20:14.400 --> 00:20:17.000
<v Speaker 1>back to what you were saying about giving time for

428
00:20:17.039 --> 00:20:20.000
<v Speaker 1>shows to find their feet. You know, he for a

429
00:20:20.039 --> 00:20:23.279
<v Speaker 1>year and a half letterman handed him his lunch, and Leno,

430
00:20:23.839 --> 00:20:29.240
<v Speaker 1>to his credit, was a tactician and did everything he

431
00:20:29.480 --> 00:20:34.039
<v Speaker 1>possibly could to rough the edges off the Tonight Show.

432
00:20:34.160 --> 00:20:38.319
<v Speaker 1>So it was a perfect, you know, gleaming shine that

433
00:20:38.559 --> 00:20:42.799
<v Speaker 1>you could see yourself in and every little detail counted

434
00:20:42.880 --> 00:20:46.000
<v Speaker 1>and became a tactician. Whereas again you look at Dave. Yes,

435
00:20:46.039 --> 00:20:48.240
<v Speaker 1>everybody was working their asses off, but they came across

436
00:20:48.240 --> 00:20:51.559
<v Speaker 1>as a product that you know, isn't like that. It's

437
00:20:51.559 --> 00:20:54.200
<v Speaker 1>not shiny, it is a little bit more clunky, and

438
00:20:54.440 --> 00:20:56.920
<v Speaker 1>that's kind of their identity. Leno went the exactly other way.

439
00:20:56.920 --> 00:20:58.799
<v Speaker 1>It said, no, no, no, no, we need a monologue where

440
00:20:58.839 --> 00:21:02.960
<v Speaker 1>I have to do credit to what is considered one

441
00:21:03.000 --> 00:21:07.559
<v Speaker 1>of the greatest pieces of television content of all time,

442
00:21:07.599 --> 00:21:10.279
<v Speaker 1>which is Johnny Carson's monologue, and I have to do

443
00:21:10.359 --> 00:21:13.319
<v Speaker 1>that justice. So I mean, of course it's gonna take

444
00:21:13.400 --> 00:21:18.039
<v Speaker 1>him time to adjust and to grow. That's where I

445
00:21:18.119 --> 00:21:20.480
<v Speaker 1>have the little problem with. You know, he talks about

446
00:21:20.559 --> 00:21:23.920
<v Speaker 1>Conan and Conan's numbers with the Tonight Show, and you know,

447
00:21:23.960 --> 00:21:25.880
<v Speaker 1>we're in a diminishing market and there's all these sorts

448
00:21:25.880 --> 00:21:27.559
<v Speaker 1>of things and he says, Oh, the numbers are the numbers,

449
00:21:27.599 --> 00:21:30.680
<v Speaker 1>you know, you know, that's what happens. Yeah, but you

450
00:21:30.759 --> 00:21:33.319
<v Speaker 1>were given that time. And to answer your question what

451
00:21:33.359 --> 00:21:35.839
<v Speaker 1>you said earlier. If Conan was given the time with

452
00:21:35.920 --> 00:21:40.200
<v Speaker 1>the Tonight Show, hindsight is twenty twenty, look at what

453
00:21:40.319 --> 00:21:43.880
<v Speaker 1>Conan has become since then. Now, he wouldn't have had

454
00:21:43.880 --> 00:21:48.039
<v Speaker 1>the bump of the of the of the robbery, you know,

455
00:21:48.079 --> 00:21:50.720
<v Speaker 1>and people getting you know, that culmination point of people

456
00:21:50.720 --> 00:21:53.440
<v Speaker 1>getting excited or whatever and all coming together and creating

457
00:21:53.480 --> 00:21:55.640
<v Speaker 1>Team Coco. That might not have happened if he was

458
00:21:55.640 --> 00:21:58.519
<v Speaker 1>given that eighteen months to run the Tonight Show and

459
00:21:58.839 --> 00:22:00.839
<v Speaker 1>do it the way he wanted to do it and

460
00:22:00.920 --> 00:22:03.559
<v Speaker 1>give time people, give people time to get used to it.

461
00:22:04.400 --> 00:22:07.079
<v Speaker 1>I I think Conan would have been just fine in

462
00:22:07.119 --> 00:22:09.400
<v Speaker 1>the Tonight Show chair. But NBC had a whole bunch

463
00:22:09.440 --> 00:22:12.039
<v Speaker 1>of things going on and Jay took the brunt of it.

464
00:22:12.079 --> 00:22:13.759
<v Speaker 1>The fact that Jay had this contract, this pay and

465
00:22:13.799 --> 00:22:18.799
<v Speaker 1>play contract. You know, why aren't people up in arms

466
00:22:18.799 --> 00:22:23.400
<v Speaker 1>about NBC creating this impossible scenario for you know, for

467
00:22:23.400 --> 00:22:27.079
<v Speaker 1>for themselves. So there's a lot more to it. But

468
00:22:27.200 --> 00:22:30.279
<v Speaker 1>the idea that Jay Leno isn't revered today. Even if

469
00:22:30.279 --> 00:22:32.400
<v Speaker 1>he's not your cup of tea, it is asinine to

470
00:22:32.480 --> 00:22:34.079
<v Speaker 1>me twenty two years on the Tonight Show, Are you

471
00:22:34.160 --> 00:22:38.079
<v Speaker 1>kidding Me? And and and yeah, so so Leno is

472
00:22:38.640 --> 00:22:41.119
<v Speaker 1>to me? Leno is formidable. You heard it here first

473
00:22:41.160 --> 00:22:43.160
<v Speaker 1>on the Letterman podcast. But he's formal at number seven

474
00:22:43.200 --> 00:22:44.359
<v Speaker 1>on the top ten list all time.

475
00:22:44.440 --> 00:22:47.720
<v Speaker 2>So two things about Jay, and I imagine your audience,

476
00:22:47.759 --> 00:22:50.160
<v Speaker 2>of course, is familiar with Jay's appearances on Late Night

477
00:22:50.200 --> 00:22:53.880
<v Speaker 2>with David Letterman. Yes, thank you for watching. Watch those

478
00:22:53.960 --> 00:22:57.759
<v Speaker 2>you'll see a different Edgier. You know, maybe he's not

479
00:22:58.039 --> 00:23:00.720
<v Speaker 2>a Dice Clay, but he's it's an edgier Jay Leno.

480
00:23:01.119 --> 00:23:04.480
<v Speaker 2>I'm also brilliantly parried parodied by Chris Elliott, who came

481
00:23:04.480 --> 00:23:07.079
<v Speaker 2>out just as Jay Leno. One Night had a classic schedule.

482
00:23:07.079 --> 00:23:09.880
<v Speaker 2>I'd probably watched once a week, and you know you

483
00:23:09.920 --> 00:23:12.920
<v Speaker 2>have that version of Jay Leno. I also think the

484
00:23:13.039 --> 00:23:16.480
<v Speaker 2>NBC ten pm idea was the right idea, maybe a

485
00:23:16.519 --> 00:23:21.400
<v Speaker 2>little too early. And as we've seen TV budgets evolve,

486
00:23:21.599 --> 00:23:25.079
<v Speaker 2>if you told me I could have Stephen Colbert at

487
00:23:25.160 --> 00:23:28.839
<v Speaker 2>ten pm, uh, you know, a paired down. Hey, we're

488
00:23:28.839 --> 00:23:31.599
<v Speaker 2>gonna put two chairs on a stage and I need

489
00:23:31.640 --> 00:23:34.079
<v Speaker 2>you to talk to somebody for an hour, four nights

490
00:23:34.119 --> 00:23:37.680
<v Speaker 2>a week. That's probably pretty budget friendly. And I would

491
00:23:37.680 --> 00:23:39.720
<v Speaker 2>welcome that on my network lineup if I could get it.

492
00:23:40.200 --> 00:23:43.720
<v Speaker 1>Absolutely absolutely. And if you look at guys like Charlie

493
00:23:43.799 --> 00:23:48.480
<v Speaker 1>Rose and and and Steve alor Tom Snyder. Uh, you

494
00:23:48.519 --> 00:23:50.680
<v Speaker 1>look at these long for there's always been a hunger

495
00:23:50.759 --> 00:23:54.359
<v Speaker 1>for for for for the long form and uh and

496
00:23:54.359 --> 00:23:57.240
<v Speaker 1>and this we're podcasting is right now you know the

497
00:23:57.480 --> 00:23:58.200
<v Speaker 1>reason why.

498
00:23:58.759 --> 00:24:00.440
<v Speaker 3>Sorry Snyder was upon podcast.

499
00:24:01.039 --> 00:24:03.359
<v Speaker 2>Yeah, and now we're putting podcasts on Netflix and every

500
00:24:03.519 --> 00:24:06.400
<v Speaker 2>everything's come all the way around again. You know, if

501
00:24:06.400 --> 00:24:09.160
<v Speaker 2>I could get you Tom Snyder in his prime and go, hey,

502
00:24:09.240 --> 00:24:11.039
<v Speaker 2>he's going to do it an hour and a half

503
00:24:11.119 --> 00:24:13.880
<v Speaker 2>once a week deep dive podcast and we'll shoot it

504
00:24:13.920 --> 00:24:14.759
<v Speaker 2>and throw it on Netflix.

505
00:24:14.839 --> 00:24:16.680
<v Speaker 3>Yeah, okay, great, sign them up. Yep.

506
00:24:16.920 --> 00:24:20.440
<v Speaker 1>Absolutely. By the way, Jay Leno also, I don't think

507
00:24:20.440 --> 00:24:23.200
<v Speaker 1>he did the way Dave did. Jay Leno did evolve

508
00:24:23.319 --> 00:24:25.640
<v Speaker 1>as a as a as a talk show host, you know,

509
00:24:25.880 --> 00:24:28.640
<v Speaker 1>the stand up comedian. I mean, yes, he was phenomenal.

510
00:24:28.680 --> 00:24:30.880
<v Speaker 1>That was his That was what brought him to the

511
00:24:30.960 --> 00:24:33.160
<v Speaker 1>dance as a stand up and as a joke machine

512
00:24:33.160 --> 00:24:35.680
<v Speaker 1>and whatnot. But he did get better at communicating with people,

513
00:24:35.799 --> 00:24:37.599
<v Speaker 1>not even close to where Dave is, of course, But

514
00:24:37.599 --> 00:24:41.839
<v Speaker 1>but but the thing that differentiates to me people ask

515
00:24:41.920 --> 00:24:45.160
<v Speaker 1>me that sometimes about their their their interview skills as

516
00:24:45.200 --> 00:24:49.119
<v Speaker 1>at their best. This is something Shecky told me from

517
00:24:49.160 --> 00:24:51.279
<v Speaker 1>the very beginning in fact CHECKI even said this to

518
00:24:51.319 --> 00:24:53.680
<v Speaker 1>me that the day that I got my picture, my

519
00:24:54.359 --> 00:24:56.039
<v Speaker 1>letter and picture signed and whatnot, there was a there

520
00:24:56.079 --> 00:24:58.000
<v Speaker 1>was a small window opportunity where I could have met him,

521
00:24:58.359 --> 00:25:00.720
<v Speaker 1>And Shecky said this to me. He goes, if Dave's

522
00:25:00.759 --> 00:25:04.680
<v Speaker 1>curious about you, it's gonna be great. And and Dave

523
00:25:05.000 --> 00:25:07.160
<v Speaker 1>had this way when he had people across from him

524
00:25:07.200 --> 00:25:10.279
<v Speaker 1>that he was having conversations with, a curiosity would come out.

525
00:25:10.480 --> 00:25:13.039
<v Speaker 1>And I think there was an everyman curiosity that came

526
00:25:13.079 --> 00:25:16.039
<v Speaker 1>out where when it was Jay, it felt manufactured. It

527
00:25:16.079 --> 00:25:17.880
<v Speaker 1>felt like he was asking questions off of a card

528
00:25:18.519 --> 00:25:22.000
<v Speaker 1>as opposed to a genuine curiosity connection that was created.

529
00:25:22.079 --> 00:25:24.200
<v Speaker 1>So that's in my mind, that's something I've wanted to

530
00:25:24.200 --> 00:25:25.480
<v Speaker 1>say on the show for a long time because people

531
00:25:25.519 --> 00:25:27.920
<v Speaker 1>ask me about that all the time. I think that's

532
00:25:27.920 --> 00:25:30.440
<v Speaker 1>a major major difference between the two. Did you ever

533
00:25:30.519 --> 00:25:31.960
<v Speaker 1>encounter j back in the day.

534
00:25:32.480 --> 00:25:36.519
<v Speaker 2>No, I've never met Jay. I would love to get

535
00:25:36.559 --> 00:25:39.880
<v Speaker 2>him on the podcast. It's funny if you asked me, like,

536
00:25:39.920 --> 00:25:42.039
<v Speaker 2>you know, who do like if Dave Chappelle were available,

537
00:25:42.039 --> 00:25:44.599
<v Speaker 2>of course I'm gonna say yes to Dave Chappelle, you know,

538
00:25:44.720 --> 00:25:44.960
<v Speaker 2>any of.

539
00:25:44.920 --> 00:25:45.680
<v Speaker 3>The big comedians.

540
00:25:45.720 --> 00:25:47.559
<v Speaker 2>But for the people who I really want to talk to,

541
00:25:47.839 --> 00:25:52.000
<v Speaker 2>I think right now I would love to talk to

542
00:25:52.079 --> 00:25:55.200
<v Speaker 2>Jay Leno and do a version of my bit and

543
00:25:55.240 --> 00:25:57.000
<v Speaker 2>just break that whole thing down with him.

544
00:25:57.559 --> 00:25:59.839
<v Speaker 1>Oh god, it would be so good. It would be

545
00:25:59.880 --> 00:26:04.799
<v Speaker 1>so good because the guy does deserve credit, like like like,

546
00:26:04.920 --> 00:26:09.599
<v Speaker 1>and it's it's his generosity as well. Is just it's crazy,

547
00:26:09.640 --> 00:26:14.079
<v Speaker 1>his generosity, you know, he's He's accused sometimes of being

548
00:26:14.079 --> 00:26:17.240
<v Speaker 1>self aggrandizing. I think sometimes when you do as many

549
00:26:17.279 --> 00:26:20.000
<v Speaker 1>good things as as as as you do, and if

550
00:26:20.039 --> 00:26:22.839
<v Speaker 1>you're not careful and not saying that there might not

551
00:26:22.920 --> 00:26:25.759
<v Speaker 1>be some you know, some marketing involved or whatever to

552
00:26:25.799 --> 00:26:28.799
<v Speaker 1>promote things that that could be there. But that being said,

553
00:26:28.920 --> 00:26:31.519
<v Speaker 1>when you do so many good things, many times you

554
00:26:31.599 --> 00:26:35.839
<v Speaker 1>might get tagged with that. But every single person that

555
00:26:35.880 --> 00:26:38.680
<v Speaker 1>I've ever talked to who have ever said something about

556
00:26:38.799 --> 00:26:41.680
<v Speaker 1>Jay Leno's generosity, and it's I don't know, more than

557
00:26:41.799 --> 00:26:46.160
<v Speaker 1>more than ten. They talk about him being this kind,

558
00:26:46.559 --> 00:26:50.359
<v Speaker 1>giving but very high level. You know, he plays at

559
00:26:50.359 --> 00:26:51.960
<v Speaker 1>a high level when it comes to writing jokes and

560
00:26:52.000 --> 00:26:55.680
<v Speaker 1>making jokes and things. But the man himself, you know,

561
00:26:56.279 --> 00:26:59.960
<v Speaker 1>very very he's he's he's an amazing American. And uh,

562
00:27:00.119 --> 00:27:03.039
<v Speaker 1>you know, I'm glad, I'm so, I'm glad you're poking

563
00:27:03.039 --> 00:27:05.400
<v Speaker 1>fun at this and bringing it to people's attention. But yeah,

564
00:27:05.440 --> 00:27:07.519
<v Speaker 1>people shitting on Jay Leno at this day and age,

565
00:27:08.920 --> 00:27:10.359
<v Speaker 1>I don't know if there's a huge need to it.

566
00:27:10.400 --> 00:27:13.039
<v Speaker 1>Making fun that's completely different making fun of him, But

567
00:27:13.079 --> 00:27:15.319
<v Speaker 1>people who come across with anger that's not cool.

568
00:27:15.400 --> 00:27:17.720
<v Speaker 2>Well sure, and as a comedian, he would appreciate you

569
00:27:17.839 --> 00:27:21.799
<v Speaker 2>making fun of him, you know. And again, you know,

570
00:27:22.279 --> 00:27:23.920
<v Speaker 2>for some reason I got on this raidar Hey, this

571
00:27:23.960 --> 00:27:25.880
<v Speaker 2>guy is making fun of you, saying you're the worst

572
00:27:25.880 --> 00:27:27.640
<v Speaker 2>person who ever lived, and then you actually listen to

573
00:27:27.640 --> 00:27:31.519
<v Speaker 2>the bit I'm doing. Yeah, you know, I'm clearly not

574
00:27:31.599 --> 00:27:34.799
<v Speaker 2>saying he's a horrible, horrible person. Now, the other white

575
00:27:34.839 --> 00:27:37.519
<v Speaker 2>whale guest I would like to get is Robert Smigel,

576
00:27:37.759 --> 00:27:42.200
<v Speaker 2>who I think it's quietly been the influence in comedy

577
00:27:42.200 --> 00:27:45.720
<v Speaker 2>in the last thirty years. He's not really in front

578
00:27:45.839 --> 00:27:48.640
<v Speaker 2>of the camera. But boy, you look at the stuff

579
00:27:48.640 --> 00:27:51.839
<v Speaker 2>that guy's attached to, and there's a Hall of Fame career.

580
00:27:52.319 --> 00:27:55.480
<v Speaker 1>Absolutely. Yeah, that guy might be you know, and it

581
00:27:55.559 --> 00:27:58.559
<v Speaker 1>might be by design. Maybe he does like flying under

582
00:27:58.559 --> 00:28:01.400
<v Speaker 1>the radar a little bit, you know, for being someone

583
00:28:01.400 --> 00:28:03.880
<v Speaker 1>as big as he is. You know, the guy's a legend.

584
00:28:04.039 --> 00:28:07.720
<v Speaker 1>The guy is an absolute you know. I was watching

585
00:28:07.759 --> 00:28:09.640
<v Speaker 1>The Downy Dock and I mean, you've got some of

586
00:28:09.640 --> 00:28:13.839
<v Speaker 1>these people who come along who are just they transcend,

587
00:28:14.160 --> 00:28:17.640
<v Speaker 1>you know. They the people who create new things and

588
00:28:17.640 --> 00:28:19.920
<v Speaker 1>the people who imitate those things that have just been

589
00:28:19.960 --> 00:28:22.160
<v Speaker 1>created that people love, but they just do a little

590
00:28:22.200 --> 00:28:25.480
<v Speaker 1>bit of a different thing, you know, to it. Smigle's

591
00:28:25.519 --> 00:28:28.079
<v Speaker 1>a guy that actually kicked the ball down the field.

592
00:28:29.279 --> 00:28:33.160
<v Speaker 1>I was watching Christmas Time for the Jews the Darlene

593
00:28:33.160 --> 00:28:37.640
<v Speaker 1>Love So and I said, no Christmas Special, and I

594
00:28:37.799 --> 00:28:41.160
<v Speaker 1>just like his cartoons, like like that is one of

595
00:28:41.200 --> 00:28:43.400
<v Speaker 1>the funniest things I've ever seen. And my wife walked

596
00:28:43.440 --> 00:28:45.640
<v Speaker 1>in the room while it was on, and she heard

597
00:28:45.680 --> 00:28:47.880
<v Speaker 1>the she heard the hook, and she heard Darlene say

598
00:28:47.920 --> 00:28:50.000
<v Speaker 1>Christmas Time for the Jews and she started. She just

599
00:28:50.039 --> 00:28:52.200
<v Speaker 1>sat there and she started looking at it. And I

600
00:28:52.240 --> 00:28:53.680
<v Speaker 1>don't know if Candy had seen it before or not,

601
00:28:53.759 --> 00:28:55.200
<v Speaker 1>but she doesn't love comedy the way that I do.

602
00:28:55.279 --> 00:28:57.519
<v Speaker 1>And she just looks at it and goes, what year

603
00:28:57.640 --> 00:29:01.480
<v Speaker 1>was this maid? And I told her, geez, like, how

604
00:29:01.480 --> 00:29:03.720
<v Speaker 1>do you come up with that? Like? How does Robert

605
00:29:03.680 --> 00:29:06.759
<v Speaker 1>Smiel come up with some of the crazy things and

606
00:29:06.799 --> 00:29:09.240
<v Speaker 1>the tonnage of it? Like there's just that's just the

607
00:29:09.240 --> 00:29:11.519
<v Speaker 1>way that he thinks and it. Yeah, that's a great

608
00:29:11.839 --> 00:29:13.519
<v Speaker 1>that's a great poll. I'm glad you brought that up.

609
00:29:15.279 --> 00:29:17.400
<v Speaker 1>You ready for Are you ready for? Number? Okay? So

610
00:29:17.559 --> 00:29:19.000
<v Speaker 1>are we done with? Oh? No? One of the thing

611
00:29:19.039 --> 00:29:22.279
<v Speaker 1>with Leno Adam Sandler. One of the things that Adam

612
00:29:22.319 --> 00:29:24.640
<v Speaker 1>Sandler did that I loved because it goes back to

613
00:29:24.680 --> 00:29:28.359
<v Speaker 1>Adam Sandler. I watched Adam Sandler's last special, his most

614
00:29:28.400 --> 00:29:33.000
<v Speaker 1>recent special. Okay now, in it, he does a song.

615
00:29:33.880 --> 00:29:35.359
<v Speaker 1>Can you believe that he does a song? He actually

616
00:29:35.359 --> 00:29:38.920
<v Speaker 1>does a song. Oh. The song is a tribute to

617
00:29:38.920 --> 00:29:42.640
<v Speaker 1>comedy and the things that influenced his life and his

618
00:29:43.400 --> 00:29:45.640
<v Speaker 1>you know, it's all it's all comedians and stuff. And

619
00:29:45.720 --> 00:29:47.559
<v Speaker 1>as I was watching and I'm like, Oh, I forget

620
00:29:47.559 --> 00:29:49.519
<v Speaker 1>where he talks about because I know Letterman's in there

621
00:29:49.559 --> 00:29:52.319
<v Speaker 1>for him, because Letterman's a huge influence, and he's going

622
00:29:52.319 --> 00:29:54.400
<v Speaker 1>through the song and he's going through these people, all

623
00:29:54.400 --> 00:29:56.240
<v Speaker 1>of these things, and it's so clever the way that

624
00:29:56.359 --> 00:30:01.200
<v Speaker 1>he puts those guys in it. He the line is

625
00:30:01.519 --> 00:30:04.160
<v Speaker 1>Leno on Letterman. And there's a picture that shows up

626
00:30:04.160 --> 00:30:07.000
<v Speaker 1>and it's exactly what you're referring to. It's Jay on

627
00:30:07.200 --> 00:30:10.359
<v Speaker 1>panel with Dave on Late Night. And that's the way

628
00:30:10.400 --> 00:30:14.559
<v Speaker 1>that Sandler tributes them that it's Leno on Letterman, and

629
00:30:14.640 --> 00:30:18.720
<v Speaker 1>that's the that's the thing. It's not the twenty two

630
00:30:18.839 --> 00:30:22.160
<v Speaker 1>years the guy who succeeded Johnny Carson, but he did that.

631
00:30:22.720 --> 00:30:25.799
<v Speaker 1>He did that. And for those who want to say

632
00:30:25.880 --> 00:30:27.960
<v Speaker 1>I like Dave over j that's fine, but don't take

633
00:30:27.960 --> 00:30:31.720
<v Speaker 1>the respect away. The guy followed Carson and did it

634
00:30:31.720 --> 00:30:33.519
<v Speaker 1>for decades, well done, Jay Leno.

635
00:30:33.720 --> 00:30:37.160
<v Speaker 2>But it also has a panel guest uh yep, talk

636
00:30:37.200 --> 00:30:41.880
<v Speaker 2>show hosts, radio hosts, Jerk's doing a podcast in their basement.

637
00:30:42.359 --> 00:30:44.519
<v Speaker 2>Hate when you ask a question and somebody goes into

638
00:30:44.599 --> 00:30:46.920
<v Speaker 2>their bit. Now, clearly you just teed me up to

639
00:30:46.920 --> 00:30:47.559
<v Speaker 2>do the Letterman bit.

640
00:30:47.599 --> 00:30:48.079
<v Speaker 3>So I'm guilty.

641
00:30:48.480 --> 00:30:52.319
<v Speaker 2>The leto get I'm guilty, but we're having a real

642
00:30:52.359 --> 00:30:55.960
<v Speaker 2>conversation here, right, I'm not just doing material. But Jay

643
00:30:56.359 --> 00:31:00.000
<v Speaker 2>on let did material. You know, it would be like, hey, Jay,

644
00:31:00.039 --> 00:31:01.720
<v Speaker 2>what's going on? Jave, let me tell you what's going on?

645
00:31:01.920 --> 00:31:06.920
<v Speaker 2>And then wouldn't just go into the act. But somehow

646
00:31:07.480 --> 00:31:10.240
<v Speaker 2>kept Letterman engaged. Dave didn't just check out and be like, Okay,

647
00:31:10.240 --> 00:31:13.400
<v Speaker 2>he's doing his four minutes, what's my beef? And uh

648
00:31:13.480 --> 00:31:15.799
<v Speaker 2>it was fantastic again to Chris Elliott version of it.

649
00:31:15.839 --> 00:31:17.200
<v Speaker 3>I just pick nails the.

650
00:31:17.319 --> 00:31:22.039
<v Speaker 1>Essence of it with Dave though it's the curveballs because yeah,

651
00:31:22.079 --> 00:31:25.519
<v Speaker 1>he was staying curious and staying because he might throw

652
00:31:25.519 --> 00:31:27.799
<v Speaker 1>a curveball at Git in the middle of it, and

653
00:31:27.799 --> 00:31:30.440
<v Speaker 1>you didn't know how much of it. Like that's the thing, oh,

654
00:31:30.519 --> 00:31:33.640
<v Speaker 1>I And the segment it's so crazy, John, like like

655
00:31:33.640 --> 00:31:36.839
<v Speaker 1>like the segment producers are the most secretive of all

656
00:31:36.839 --> 00:31:38.240
<v Speaker 1>the people I've talked to so far, Like some of

657
00:31:38.279 --> 00:31:39.799
<v Speaker 1>them I've talked to in the background but won't even

658
00:31:39.839 --> 00:31:43.200
<v Speaker 1>come on the show. And and but whatever I asked

659
00:31:43.200 --> 00:31:46.119
<v Speaker 1>the questions, Okay, so like what lines did you give

660
00:31:46.279 --> 00:31:49.319
<v Speaker 1>to you know this starlet who comes out and and

661
00:31:49.319 --> 00:31:51.680
<v Speaker 1>and and Dave tees up a perfect question and she

662
00:31:51.799 --> 00:31:54.039
<v Speaker 1>answers it and it gets a huge laugh. Well, guess

663
00:31:54.039 --> 00:31:56.440
<v Speaker 1>what many times that starlet did not come up with

664
00:31:56.480 --> 00:31:59.319
<v Speaker 1>that clever, clever line. It was a segment producer, you

665
00:31:59.359 --> 00:32:04.759
<v Speaker 1>know before who did it. And I love talking about

666
00:32:05.359 --> 00:32:07.240
<v Speaker 1>they don't. A lot of them are like magicians. They

667
00:32:07.240 --> 00:32:09.400
<v Speaker 1>do not want to reveal. They don't want to reveal

668
00:32:09.440 --> 00:32:11.480
<v Speaker 1>what lines they gave away or how they don't want

669
00:32:11.480 --> 00:32:13.759
<v Speaker 1>to break down the mechanics of how things work. The

670
00:32:13.839 --> 00:32:17.599
<v Speaker 1>Leno Letterman ones, to me, were astounding because you don't

671
00:32:17.640 --> 00:32:21.000
<v Speaker 1>know where the material ends. And the banter, the real

672
00:32:21.039 --> 00:32:24.400
<v Speaker 1>banter begins with those two. And there's only a few

673
00:32:24.480 --> 00:32:27.000
<v Speaker 1>guests where you can say that for and Jay is

674
00:32:27.000 --> 00:32:30.519
<v Speaker 1>probably the top of the heap. You know, you're reminded

675
00:32:30.559 --> 00:32:32.759
<v Speaker 1>this is a total tangent, but you just when you

676
00:32:32.799 --> 00:32:35.759
<v Speaker 1>talked about the magic behind a curtain. If you've ever

677
00:32:35.799 --> 00:32:39.279
<v Speaker 1>seen Jackie Gleason on sixty minutes, I think it's with

678
00:32:39.359 --> 00:32:42.599
<v Speaker 1>Morley Safer and he's talking about, oh you got to

679
00:32:42.640 --> 00:32:43.319
<v Speaker 1>watch this, dude.

680
00:32:43.680 --> 00:32:45.240
<v Speaker 3>Yeah, he starts talking about why.

681
00:32:45.160 --> 00:32:48.759
<v Speaker 2>The Honeymooners is revered and Jackie talks about the characters

682
00:32:48.799 --> 00:32:53.039
<v Speaker 2>and tells a story where they're in rehearsal and the

683
00:32:53.079 --> 00:32:57.720
<v Speaker 2>sketch that they're gonna do just isn't flying, and Carney says,

684
00:32:58.039 --> 00:33:00.240
<v Speaker 2>how about this, I'll walk in, I'll call you fat,

685
00:33:00.279 --> 00:33:02.440
<v Speaker 2>you throw me out of the apartment, and they were like,

686
00:33:02.519 --> 00:33:06.200
<v Speaker 2>let's just do that, and they sort of improved. Maybe

687
00:33:06.200 --> 00:33:08.160
<v Speaker 2>not a full honeymoon Er his episode from the classic

688
00:33:08.200 --> 00:33:11.039
<v Speaker 2>thirty nine, but one of the sketches and just like, okay,

689
00:33:11.079 --> 00:33:12.440
<v Speaker 2>we all know what to do here, we all know

690
00:33:12.440 --> 00:33:15.200
<v Speaker 2>who these characters are. Let's just do it. It's a wonderful

691
00:33:15.200 --> 00:33:17.000
<v Speaker 2>episode of sixty minutes you'll find online.

692
00:33:17.400 --> 00:33:21.359
<v Speaker 1>Yeah, well that's okay. And that's Dave in his testament

693
00:33:21.400 --> 00:33:24.319
<v Speaker 1>to his longevity, because you know, after he stopped doing rehearsals,

694
00:33:24.359 --> 00:33:26.680
<v Speaker 1>after he stopped, you know, you know, he starts slowing

695
00:33:26.720 --> 00:33:29.200
<v Speaker 1>down a little bit, but the show must go on.

696
00:33:29.640 --> 00:33:34.519
<v Speaker 1>His last years of Late Show, they were relying on

697
00:33:34.920 --> 00:33:37.480
<v Speaker 1>the whimsy of what happens in the moment. They were

698
00:33:37.519 --> 00:33:41.200
<v Speaker 1>relying on the on the inspiration. Now again, you know,

699
00:33:41.240 --> 00:33:43.279
<v Speaker 1>we were talking about, you know, a guy with one

700
00:33:43.319 --> 00:33:45.160
<v Speaker 1>of the greatest wits of all time. But it's like, no,

701
00:33:45.240 --> 00:33:48.640
<v Speaker 1>let's rely on it as opposed to overproducing things, right,

702
00:33:48.720 --> 00:33:50.519
<v Speaker 1>And they did. They let things get looser.

703
00:33:51.000 --> 00:33:53.200
<v Speaker 2>Well, before you hit record, you started to tell me

704
00:33:53.240 --> 00:33:54.920
<v Speaker 2>something and I said save it for the air. And

705
00:33:54.960 --> 00:33:56.920
<v Speaker 2>that comes out of my radio training. Especially if you

706
00:33:56.960 --> 00:33:59.279
<v Speaker 2>do a morning show. You don't want to do the

707
00:33:59.319 --> 00:34:01.720
<v Speaker 2>show in the hall at four forty five am. So

708
00:34:02.079 --> 00:34:03.119
<v Speaker 2>did you see the super Bowl?

709
00:34:03.200 --> 00:34:03.319
<v Speaker 1>Up?

710
00:34:03.359 --> 00:34:05.200
<v Speaker 2>We'll talk about it on the air like you You

711
00:34:05.680 --> 00:34:07.839
<v Speaker 2>can't because the second time you do it is never

712
00:34:08.000 --> 00:34:11.639
<v Speaker 2>as natural. I openly talk about on my podcast anytime

713
00:34:11.679 --> 00:34:14.320
<v Speaker 2>there's a you know, top ten late night hosts.

714
00:34:14.639 --> 00:34:16.079
<v Speaker 3>You didn't send me the list. I don't want to

715
00:34:16.119 --> 00:34:16.639
<v Speaker 3>see the list.

716
00:34:16.679 --> 00:34:18.519
<v Speaker 2>I want to react to it as we go along

717
00:34:18.639 --> 00:34:21.440
<v Speaker 2>because I don't you know, I have a guess who

718
00:34:21.480 --> 00:34:23.880
<v Speaker 2>you think number one is, but maybe you don't. And

719
00:34:24.239 --> 00:34:27.320
<v Speaker 2>when you're like number four, David Letterman, I want to go, whoa, you.

720
00:34:27.199 --> 00:34:29.639
<v Speaker 4>Haven't number four? Oh my god? All right, who's left

721
00:34:29.679 --> 00:34:31.639
<v Speaker 4>on the list? Or right, it's gonna be Johnny and wow,

722
00:34:31.719 --> 00:34:34.079
<v Speaker 4>you don't have quote part number two? Like I want

723
00:34:34.079 --> 00:34:35.599
<v Speaker 4>to be able to do that. Where so if you

724
00:34:35.599 --> 00:34:37.159
<v Speaker 4>send me the list, I look at it and go okay.

725
00:34:37.159 --> 00:34:39.079
<v Speaker 4>When he talks about going in I'll say this.

726
00:34:39.639 --> 00:34:41.920
<v Speaker 1>Yep, there you go, and and and that's the best.

727
00:34:42.159 --> 00:34:44.920
<v Speaker 1>Like I I say that about with pre interviews, you know,

728
00:34:45.599 --> 00:34:47.840
<v Speaker 1>with many the many of the guests who come on,

729
00:34:47.880 --> 00:34:49.559
<v Speaker 1>I can just say, Okay, is there anything you want

730
00:34:49.559 --> 00:34:51.199
<v Speaker 1>me to avoid? Is there anything you want me to

731
00:34:51.239 --> 00:34:53.239
<v Speaker 1>make sure I hit? All right, let's go and uh.

732
00:34:53.360 --> 00:34:54.679
<v Speaker 1>And it's a lot of fun doing that.

733
00:34:54.880 --> 00:34:58.280
<v Speaker 3>Boy, we're just flying through this list. Huh.

734
00:34:58.440 --> 00:35:00.599
<v Speaker 2>We got so chatty. I gotta cut this in two,

735
00:35:00.719 --> 00:35:02.880
<v Speaker 2>so we'll come back tomorrow with the rest of the list.

736
00:35:02.960 --> 00:35:03.599
<v Speaker 2>I'll see you then.
