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Speaker 1: My lovely people of Chicago. Our seniors need our help

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to get vaccinated against COVID nineteen. That's right, Let's do

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it for them and for ourselves. Please learn more at

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Chicago dot gov slash senior VAX. Let's help our communities

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by helping our seniors. Hey, Chicago, Let's help our beloved

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seniors get vaccinated against COVID nineteen to care for them

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and protect our community. They need us now more than ever.

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Please learn more at Chicago dot gov slash senior vas.

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Let's help our communities by helping our seniors.

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Speaker 2: Welcome back, everybody. There's a lot of music in this

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episode today. If you want to purchase some of the songs,

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you can always get them on Apple Music or Google Play.

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But for your convenience, we have placed links in our

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show notes to the vinyl albums if you're into that

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kind of thing, so please check those out.

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Speaker 3: All right, everyone, Welcome back. This is episode three of

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a three part Van Halen series that we're doing.

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Speaker 4: This one's called Van Hagar.

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Speaker 2: The first two episodes were The Birth of the vand

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and the Rise and Fall of David Lee Roth, and

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now we're concluding with part three, Van Hagar where we

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listen to the band with its Sammy Hagar lead, and

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then we do our final closing arguments.

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Speaker 4: Can't wait for that.

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Speaker 2: We want to say thank you again to all of you.

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Were overwhelmed by the response that we're getting. Had just

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amazed at your input.

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Speaker 3: One of the things we like to do on our

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show is give a shout out to our friends and

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other podcasts. There is a podcast out there called What's

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Your Spaghetti Policy and our good friends Alex and Jacob.

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Speaker 2: Yes, thank you Old Jae Brownie. Thank you guys very

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much for sharing us on Twitter. Sharon that you're listening

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to us. I hope you're enjoying these Van Haleen episodes.

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We still want to know the source of your name.

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But just for those folks who are listening out there,

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go check them out. They describe themselves as nonsense and

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free following podcast for your oral pleasure every Friday. You

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can check them out on Podbean, Ituned, Spotify, and if

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you want to go check out their merchandise. They do

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have a cool logo. Might be worth getting a T shirt.

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Thanks guys, really appreciate you. Thank you guys.

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Speaker 3: Okay, let's give a quick shout out to our new

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friend at spoon Lamp on Twitter.

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Speaker 2: At spoon Lamp is one of the guys who's listening

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to us across the pond over in the UK.

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Speaker 3: That's crazy.

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Speaker 2: It is crazy. It's awesome.

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Speaker 3: He shared our podcast with a butt of his name,

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doctor Mayhem.

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Speaker 2: Yes, and he commented on our post as well. He said,

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what a great trip down memory lane. Awesome podcast, guys,

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thumbs up both the first and second win is part

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three out it's out today, spoon Lamp, and you were

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a part of it.

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Speaker 3: That's awesome. I think he's a hagar guy.

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Speaker 2: Well that's okay, I still like it. Okay.

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Speaker 3: Let's give a quick shout out to our buddy Rich Tompkins,

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who actually reached out to us messages on Facebook.

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Speaker 2: Yeah, that's right. He sent us a message said, just

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found you guys on cast box. So far the Van

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Halen episodes are fantastic, loving it. I'm hooked. We said

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thank you so much for listening. Rich, so glad you

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liked him, and I said, how did you come across

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us on podcast? And he said an ex GI buddy

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in Dallas referred him. Thank you to your buddy as well.

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He said there's a load of bad Van Halen podcasts

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on cast box and a lot of rabid VH fans

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who are going to love our work. Well, I certainly hope.

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So that's all that we want. And he said he

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spread the word to four of his buddies. Thank you

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very much for that.

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Speaker 3: Thanks Rich, Thanks Rich and friends.

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Speaker 5: Hello everybody, and welcome to the Surely Can't Be Serious Podcast,

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discussing and debating the iconic and the forgotten of eighties

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and nineties pop culture with.

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Speaker 1: Your co hosts James D.

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Speaker 5: Graves and Jason Colban.

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Speaker 2: Welcome back for Part three of the sure That You

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Can't Be Serious Podcast.

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Speaker 3: Here's a quick recap of last week's episode.

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Speaker 2: They came back from the tour and they were exhausted.

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Eleven solid months on tour.

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Speaker 3: And eleven months killing it every night, hard work and

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get back. The manager of the record company says, great job.

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You guys did awesome. You host three million dollars in

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a new record. What sweezee, so.

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Speaker 2: Guinness book a world record.

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Speaker 3: They got one point five million dollars for a ninety

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minute set.

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Speaker 2: They make more money than anybody has for that, but

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tensions are still high.

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Speaker 3: The tensions are high. Even a million dollars an hour

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can't cure some of the tensions that are going on. No,

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So during nineteen eighty three, they begin working on a

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new album YEP, to come out at the very end

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of nineteen eighty three YEP, and that album is called

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nineteen eighty four.

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Speaker 4: This is a new van Halen.

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Speaker 2: The diehard Van Halen fans are getting mixed reviews. Some

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of them are sticking with them, some of them are like,

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I don't know what's going on with these guys. You

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get those guys who think they sold out, and so

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then all of a sudden, if it's popular, they're not

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interested anymore. Yeah, I don't care about you guys.

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Speaker 3: How teacher comes out with the young Van Halen boys

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running around the school terrorizing, right, you've got missped his

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head and misspelled and miss science or whatever, and those

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spelled teachers running around.

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Speaker 2: You've got his kind of awkwardly sighing mother. And then

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when Waldo speaks, he's got this unusually deep voice.

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Speaker 4: Oh mom, Yeah, no, are not like other guys.

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Speaker 1: I'm nervous than my socks are too.

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Speaker 3: You know who that voice is right now? That voice

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is Phil Hartman of saturn Aline.

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Speaker 2: Oh Phil Hartman, God rest his soul. Their success is

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beyond what has it has ever been in history. They

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are literally at the top of their game.

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Speaker 3: And this is where it falls apart. So eight o'clock

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in the morning, they're supposed to be there to write

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and play music. Dave would show about eleven, start a fight,

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and then leave.

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Speaker 2: He, unbeknownst to them, goes and finds another group of

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guys to play with, produces an album, a four song album,

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which he says, hey, you know, any album's only got

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four good songs on it. Anyway, I'm just cutting off

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the fat. As it turned out, there were only really

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two good songs on the album. This is the ego

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speaking right here. He does an interview with David Letterman

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in early eighty five talking about that album, and Dave

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is trying to find out what's going to happen with

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the rest of the band.

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Speaker 6: I think now's a good time on New Year's to

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decide whether you're going to be a hot dog or

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a little weenie.

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Speaker 1: When you're doing solo work.

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Speaker 2: Is the Does this mean that the band will soon

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be breaking up?

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Speaker 1: No, No, that happens.

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Speaker 6: You know, I still have very I still have very

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strong tribal instincts, and we'll be going into the studio

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like the middle of this month and start arguing again,

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and we'll come back out with an album sometime this year.

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Speaker 3: Hopefully.

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Speaker 2: He has this full expectation that the band's going to

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stay together. But you can't be the guy who goes

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and trashes the meetings, the guy who rates somebody for

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going and doing work with other people, and then pull

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off this stunt and expect to remain in the band.

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Speaker 6: Boom Budda, boom Badida, Boom Badida, boom Budy.

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Speaker 2: Dave is out.

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Speaker 3: Dave's out in nineteen eighty five, right at the pinnacle

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of their professional career.

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Speaker 4: Do van Hagar?

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Speaker 2: The first time I heard it was on the movie

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Joe Dirt.

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Speaker 6: No, sir man, I don't like that crap.

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Speaker 3: I'm a rocker dude through and through.

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Speaker 7: Here's my favorite bands, AC DC, Van Halen, not Van Hagar.

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Speaker 3: Sammy officially joins the band in nineteen eighty.

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Speaker 2: Five, and he's the perfect perfect guy to come on.

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Speaker 8: Toody and go.

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Speaker 1: To heaven, hang around to report again.

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Speaker 2: Yeah, so you've got a good hearted guy, successful in

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his field, better voice, great stage presidents. It seems like

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the perfect replacement for a day.

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Speaker 3: So they get together and because Sammy is a better musician,

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better writer, they start working and they come up with

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a song called why Can't This Be Love?

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Speaker 6: Time tell me.

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Speaker 8: I never have al it's got what it tastes.

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Speaker 2: And of course why can't This Be Love has a

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song lyric in it which has been made fun of

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a little bit, the Only Time will tell if we

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stand the test of time. In two thousand and eight,

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the Telegraph named this the eighth worst lyric of all time.

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Speaker 3: Only time will tell we stand the test of time. Yeah,

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that's simple wisdom right there.

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Speaker 2: Yes, why can't This Be Love? Is what Sammy Hagar is.

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And you look at how many times love shows up

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in the title of his songs, And where did love

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appear for David Lee Roth? And you talk about that

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tiger love.

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Speaker 1: Yeah, hey, nobody got time for.

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Speaker 2: It is the physical sexual prowess versus the meaningful beautiful.

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Speaker 4: That's appealing to me.

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Speaker 2: They're just two different bands.

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Speaker 4: They are too.

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Speaker 3: They're completely different bands, I mean totally different.

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Speaker 2: And I don't want the van Halen that plays love songs.

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Speaker 4: Okay, well that's fine.

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Speaker 3: But let's not pretend like there's no Sammy Hagar fans.

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This album went to number one, their first album to

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hit number one.

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Speaker 2: Right, so, what was the name of the first album

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that they released?

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Speaker 3: The first album they released is fifty one to fifty

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once again after the code name for the Criminally Insane

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album went platinum in one week. Wow, the fastest selling,

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million selling album.

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Speaker 4: Of all time for Warner Brothers.

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Speaker 3: Right, and you get songs like good Enough, which is

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a good song you may recognize from the movie Spaceballs.

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Speaker 2: I'll Have the Cleavage Special.

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Speaker 3: And as one music critics said about this album, Eddie

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can still split the atom with his acts.

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Speaker 4: I love that quote.

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Speaker 2: He doesn't quit playing the guitar.

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Speaker 3: Here's what I can't understand, even the hardest davidly Roth fan,

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I don't understand how you can listen to the song

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Dreams or Love Walks In or why can't this be

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love and say I love David.

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Speaker 4: Those are great songs, and they are great songs.

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Speaker 2: Yeah, they are great songs. Love walks In reach number

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twenty two, Dreams reached number twenty two Best of both Worlds.

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Speaker 3: That's solid too, That's a great song.

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Speaker 2: It is a great great song. And then, as you said,

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why can't this be love? All of those songs are

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great songs that are just different.

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Speaker 3: They're different so at this time, and I'm the first

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to admit that I'm a very nostalgic person, and so

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nostalgia makes it difficult for me to discern whether it's

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really great or I'm just nostalgic about it. This song

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came out nineteen eighty six.

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Speaker 4: I'm thirteen years old.

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Speaker 3: That's when my musical tastes are forged, you know, And

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most people would agree with that, right, So love walks

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in when I hear that song. That song reminds me

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of the mysteries of the broad class. And who am

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I going to ask to the dance? And this girl

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does she like.

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Speaker 1: Me or not?

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Speaker 3: Sends us.

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Speaker 7: Feels a sames.

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Speaker 3: So it has deeper meaning than just cool keyboards, right.

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Speaker 2: Sure, I see how it's defining the stage you're in.

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Speaker 3: Actually, the part in the song that gives me the

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most is the guitar solo, and it actually like the

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guitar actually sings.

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Speaker 2: It blows me away.

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Speaker 3: Every time I listen to it. It's an awesome I

242
00:14:00,159 --> 00:14:01,000
love it. It's beautiful.

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Speaker 2: You can't I mean, say what you will about van

244
00:14:04,440 --> 00:14:07,559
Hagar versus van Halen, there's just no denying that anything

245
00:14:07,639 --> 00:14:12,120
that Eddie's doing is beautiful. Eighty six I was ten,

246
00:14:12,159 --> 00:14:16,240
turn eleven. I wasn't touching any bras, not.

247
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Speaker 5: Joey, Hey, how you doing it?

248
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Speaker 3: Do you know that the fifty one fifty has no

249
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music videos at all?

250
00:14:26,279 --> 00:14:26,799
Speaker 2: Wow?

251
00:14:26,919 --> 00:14:30,720
Speaker 3: Zero music videos. Now you can say, well, Dreams had one,

252
00:14:31,000 --> 00:14:33,399
but all it is is videos of the Blue Angels,

253
00:14:33,720 --> 00:14:36,240
which is cool, right, but there's none other the band

254
00:14:36,440 --> 00:14:39,480
right now. They did pluck a best of both worlds

255
00:14:39,519 --> 00:14:42,759
that got some rotations out of their live show, but

256
00:14:43,039 --> 00:14:46,120
there were no produced, no paid for, no music videos

257
00:14:46,120 --> 00:14:48,399
for MTV. Right, and for it to do that well

258
00:14:48,440 --> 00:14:51,799
without music video during this time, it's seems crazy. Fifty

259
00:14:51,840 --> 00:14:56,120
one to fifty is my personal favorite van Halen out right.

260
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Speaker 2: It is one of three great.

261
00:14:58,960 --> 00:15:00,879
Speaker 4: Ones, all right.

262
00:15:01,519 --> 00:15:03,480
Speaker 3: So that came out in eighty six, they tour in

263
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eighty seven, They go back to the studio in eighty

264
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eight and they come up with OU eight one two.

265
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Before it was named OU eight one two, the working

266
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title was called Bone. Not really sure why they did that,

267
00:15:24,639 --> 00:15:27,639
but Alex van Halen is one like no, that's that title.

268
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Speaker 4: Sucks rightly, and I agree with him.

269
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Speaker 3: So o ya one two. Sammy actually the one who

270
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came up with this album. Now, there's a lot of

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sort of urban legends about how they came up with

272
00:15:38,279 --> 00:15:41,519
this name. He says that he picked O eight one

273
00:15:41,559 --> 00:15:45,320
two after seeing it on a delivery truck, but rumors

274
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persist to this day that it is a direct reference

275
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to David Lee Roth's album.

276
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Speaker 2: Idiot Final Right. Dave has a rather famous interview where

277
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he's ranting against them and says that as the threat,

278
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I stay quiet.

279
00:16:00,120 --> 00:16:03,559
Speaker 9: For six months, seven months, and I'm just reading diatribe

280
00:16:03,559 --> 00:16:06,759
after Harang, after this, after that, you know again and

281
00:16:06,840 --> 00:16:09,720
again and again, and I still believe there's no one.

282
00:16:09,840 --> 00:16:12,399
It's not necessary to make a comparison. I don't think

283
00:16:12,440 --> 00:16:15,279
you have to make a choice. But being Henglin demands it.

284
00:16:15,480 --> 00:16:17,600
You have to either love us and hate him or

285
00:16:18,120 --> 00:16:19,000
vice versa.

286
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Speaker 8: They demand it.

287
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Speaker 9: They demanded, Well, I'll rise to the challenge. If we

288
00:16:24,120 --> 00:16:26,960
have to have a comparison, then fine. I eat you

289
00:16:27,039 --> 00:16:29,600
for breakfast, pal, I eat you and.

290
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Speaker 2: Smile, eat him and smile.

291
00:16:32,679 --> 00:16:34,639
Speaker 4: Had had Yankee Rose.

292
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Speaker 2: Yankee Rose, which is a great one.

293
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Speaker 4: And going crazy.

294
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Speaker 3: Yeah, Dave the Yankee Rose video. It cracks me up

295
00:16:42,759 --> 00:16:43,799
when he comes in and.

296
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Speaker 6: Give me a bottle of anything and a clays Donut.

297
00:16:52,240 --> 00:16:54,399
Speaker 3: So the singles that you have off E eight one two.

298
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The first one is Black and Blue?

299
00:17:26,680 --> 00:17:28,599
Speaker 2: Right, Which do you like that one a lot?

300
00:17:28,720 --> 00:17:33,880
Speaker 3: Right? This is my favorite Sammy song, favorite the way

301
00:17:33,920 --> 00:17:37,039
the guitars kind of slink in and it's got that.

302
00:17:38,079 --> 00:17:40,440
Speaker 2: Okay, So I'm gonna put you on the spot here

303
00:17:40,440 --> 00:17:42,039
and we can keep going on black and Blue. But

304
00:17:42,519 --> 00:17:47,480
you said my favorite Sammy song. So is your favorite

305
00:17:48,240 --> 00:17:51,599
van Halen song from the Wroth years and from the

306
00:17:51,640 --> 00:17:55,559
Hagar years? A Hagar song or a Roth song?

307
00:17:58,240 --> 00:18:00,119
Speaker 3: Why don't I'll tell you what at the end, I'll

308
00:18:00,160 --> 00:18:01,920
tell you. Okay, I'll give you a list of my

309
00:18:02,599 --> 00:18:04,799
top Dave songs and my top Sammy songs.

310
00:18:04,480 --> 00:18:07,599
Speaker 2: And wool and pick number one overall, number one overall. Okay,

311
00:18:07,759 --> 00:18:08,759
all right, all right.

312
00:18:08,680 --> 00:18:12,359
Speaker 3: Very good, okay, at the edge of my seat, now good,

313
00:18:12,400 --> 00:18:14,279
we'll stay tuned, all right.

314
00:18:14,319 --> 00:18:16,839
Speaker 2: So Black and Blue reached number thirty four on the

315
00:18:16,880 --> 00:18:19,039
Hot one hundred list. Yep, tell me what you love

316
00:18:19,079 --> 00:18:19,440
about it?

317
00:18:19,599 --> 00:18:22,640
Speaker 3: So, once again, like drop Dead Legs, Black and Blue

318
00:18:22,759 --> 00:18:23,720
is a stripper.

319
00:18:23,359 --> 00:18:25,359
Speaker 2: Song, what You Love About.

320
00:18:26,279 --> 00:18:29,000
Speaker 3: When I was fifteen, I thought this was the greatest

321
00:18:29,000 --> 00:18:31,559
thing ever. Just the way the guitar comes in, and

322
00:18:31,599 --> 00:18:34,759
it's clearly this song is about I know we're trying

323
00:18:34,759 --> 00:18:36,960
to keep this family friendly, but this song is about.

324
00:18:36,720 --> 00:18:39,960
Speaker 2: Sex absolutely so as many of their songs are.

325
00:18:40,119 --> 00:18:42,079
Speaker 3: I mean, it's very subtle when they say let's do

326
00:18:42,119 --> 00:18:46,960
it till we're black and Blue, right. This is a

327
00:18:47,319 --> 00:18:49,920
top down, turn it up, cruise in the streets type

328
00:18:49,920 --> 00:18:59,279
of song. But the song that comes out after Black

329
00:18:59,279 --> 00:19:01,480
and Blue, they haven't video with it, and it's called

330
00:19:01,720 --> 00:19:15,440
When It's Left. When It's Love is the first video

331
00:19:15,559 --> 00:19:18,599
that actually comes out where you see the SAMI version

332
00:19:18,599 --> 00:19:22,039
of the band together and in a produced video, and

333
00:19:22,119 --> 00:19:24,240
it blasted its way to the top of the charts.

334
00:19:24,240 --> 00:19:26,519
And this is one of those songs like Black and Blue,

335
00:19:26,759 --> 00:19:29,160
like Love Walks In, like Jump for that matter, I

336
00:19:29,160 --> 00:19:31,160
don't need to listen to the song the first three

337
00:19:31,240 --> 00:19:34,119
seconds that it plays, I know I like it already.

338
00:19:34,119 --> 00:19:36,559
I mean it just it's easy on the ears. It's

339
00:19:36,599 --> 00:19:39,759
a very very radio friendly song.

340
00:20:00,519 --> 00:20:05,160
Speaker 2: That song is obviously what we I mean, what we

341
00:20:05,200 --> 00:20:09,039
would call a power ballad. Yeah, in the vein of

342
00:20:10,400 --> 00:20:14,319
Free Bird by Leonard Skinnyard Steroid of Heaven, where you've

343
00:20:14,319 --> 00:20:17,759
got this, you know, we got rock. But it's that slow,

344
00:20:18,160 --> 00:20:21,079
smooth introduction and it picks up. They all pick up

345
00:20:21,240 --> 00:20:24,440
dream on, it picks up. I think for our age,

346
00:20:24,519 --> 00:20:28,200
probably the epitome of the rock ballad is when every

347
00:20:28,279 --> 00:20:29,200
Rose has its thorn.

348
00:20:29,359 --> 00:20:31,400
Speaker 3: We haught to argue this because I'd say Home, Sweet

349
00:20:31,440 --> 00:20:32,200
Home by Motley Crue.

350
00:20:32,200 --> 00:20:35,640
Speaker 2: But also is this Love by White Snake, which is

351
00:20:35,759 --> 00:20:37,960
every time I hear the title list, I'm like, oh, yeah,

352
00:20:38,279 --> 00:20:40,960
is this love Love? Wait a minute, which song is this?

353
00:20:41,200 --> 00:20:43,400
I can't remember what something this is? Okay, both came

354
00:20:43,440 --> 00:20:44,200
up at the same time.

355
00:20:44,279 --> 00:20:45,400
Speaker 4: Actually, yeah, what.

356
00:20:50,640 --> 00:20:54,400
Speaker 3: Then you end up with finished which you started, which

357
00:20:54,440 --> 00:20:57,960
is kind of a fun, little acoustic type of thing

358
00:20:58,000 --> 00:20:59,839
and just kind of twangy kind of.

359
00:21:19,799 --> 00:21:23,759
Speaker 2: And so the story on this one is that Eddie

360
00:21:23,920 --> 00:21:27,720
was up late, had this song that he was playing.

361
00:21:27,799 --> 00:21:31,680
Do you know this? Okay? And so he you know,

362
00:21:31,960 --> 00:21:34,119
he and Sammy your neighbors at this point, so he

363
00:21:34,200 --> 00:21:36,119
just goes and wakes him up, knocks on the door.

364
00:21:36,160 --> 00:21:37,279
Speaker 3: He goes, bangs on the door.

365
00:21:37,400 --> 00:21:40,720
Speaker 2: Yeah, He's like, okay, I got this and I just

366
00:21:40,759 --> 00:21:42,880
need you to help me, and they sit out on

367
00:21:42,920 --> 00:21:45,839
the porch. I just how awesome would that be for

368
00:21:45,920 --> 00:21:48,440
Eddie devant Halen to show up and knock on your

369
00:21:48,480 --> 00:21:50,839
door and you guys just go out and two o'clock

370
00:21:50,839 --> 00:21:53,519
in the morning and play until you figured this song out.

371
00:21:53,920 --> 00:21:54,799
Speaker 3: I think that's great.

372
00:21:54,839 --> 00:21:58,319
Speaker 2: And did you hear the yeah? So he leaves. Eddie leaves,

373
00:21:58,519 --> 00:22:00,240
and his version.

374
00:22:00,240 --> 00:22:03,160
Speaker 3: Of the story is he and his wife were in bed,

375
00:22:03,279 --> 00:22:04,519
it's late, He's.

376
00:22:04,400 --> 00:22:05,559
Speaker 2: Trying to put the moves on her.

377
00:22:05,759 --> 00:22:09,319
Speaker 3: They're getting busy and Eddie van Halen banging on his door.

378
00:22:10,279 --> 00:22:14,880
So so he's, you know, throw on a roadbro quick,

379
00:22:14,920 --> 00:22:18,440
and dude, what do you watch? I got an idea

380
00:22:18,480 --> 00:22:20,200
for a song. We got to finish it, you know,

381
00:22:20,319 --> 00:22:23,759
So come out here with me. So he reluctantly goes outside,

382
00:22:23,880 --> 00:22:27,720
but the song then becomes name Finish what you started?

383
00:22:28,119 --> 00:22:31,279
Speaker 2: Right's not.

384
00:22:34,039 --> 00:22:34,319
Speaker 5: Quick?

385
00:22:35,640 --> 00:22:39,039
Speaker 2: Okay? So O eight one two is a number one hit.

386
00:22:41,880 --> 00:22:45,680
Speaker 3: Hit number one, May twenty fourth, nineteen eighty eight. People

387
00:22:45,720 --> 00:22:48,960
don't know this, you know, Samy's kind of trashed and

388
00:22:49,319 --> 00:22:51,920
kind of the uncool option of van Halen or whatever.

389
00:22:51,960 --> 00:22:55,640
But fifty one fifty OU eight one two four on lawful,

390
00:22:55,640 --> 00:22:58,559
cardinal knowledge and balance all four Number one.

391
00:22:58,440 --> 00:23:02,319
Speaker 2: Palm absolutely can't argue against that.

392
00:23:02,440 --> 00:23:04,240
Speaker 3: I don't know what you're judging. That's a pretty good

393
00:23:04,279 --> 00:23:05,480
way of telling what's popular.

394
00:23:05,920 --> 00:23:09,319
Speaker 2: Well maybe, I mean no, yeah, you're right, it's it's

395
00:23:09,359 --> 00:23:11,680
a good way of telling what's popular. But what's popular

396
00:23:11,720 --> 00:23:13,279
doesn't necessarily mean what's better.

397
00:23:13,440 --> 00:23:15,720
Speaker 3: That's true because Bad is better than Thriller. We saw

398
00:23:15,720 --> 00:23:16,400
that last week.

399
00:23:18,319 --> 00:23:20,319
Speaker 2: Well, I mean that kind of goes against your argument

400
00:23:20,319 --> 00:23:24,039
because Bad had more number one hits, and I still think,

401
00:23:24,480 --> 00:23:27,279
I still think that Thriller is better. But the idea

402
00:23:27,359 --> 00:23:29,720
of bad and good is subjective.

403
00:23:30,000 --> 00:23:30,440
Speaker 5: It is.

404
00:23:34,319 --> 00:23:37,519
Speaker 3: So after finish what you started, you have Kabba Wabbo,

405
00:23:37,839 --> 00:23:41,720
which is a great song which pops up again later

406
00:23:41,759 --> 00:23:44,039
on when Sammy opens a club down in Cova Saint.

407
00:23:43,960 --> 00:23:47,039
Speaker 4: Lucas and he calls it Cabo Wobbo love. That song.

408
00:23:50,240 --> 00:23:51,119
Speaker 2: Becomes a tequila.

409
00:23:51,519 --> 00:23:52,480
Speaker 4: It does come to tequila.

410
00:23:52,599 --> 00:23:54,720
Speaker 2: Actually, when we did this, I looked at that tequila.

411
00:23:54,759 --> 00:23:59,640
It is a high priced tequila comparatively speaking. It's it's

412
00:23:59,680 --> 00:24:01,559
really so it must be pretty good. I don't know

413
00:24:01,559 --> 00:24:03,440
that I've ever had it. Okay, I know that you

414
00:24:03,519 --> 00:24:03,799
have it.

415
00:24:04,079 --> 00:24:12,920
Speaker 3: I Have Not, and then you have Feels So Good,

416
00:24:12,960 --> 00:24:16,440
which had a video with it. Really cool song again,

417
00:24:17,000 --> 00:24:19,960
it's the softer van Halen but still really good sure,

418
00:24:22,599 --> 00:24:24,480
and then they close out with Mine All Mine, kind

419
00:24:24,480 --> 00:24:28,440
of a throwaway track. But so that ends nineteen eighty eight,

420
00:24:30,599 --> 00:24:33,359
that stretches into nineteen eighty nine, and then in June

421
00:24:33,599 --> 00:24:37,160
of nineteen ninety one, they come out with the The

422
00:24:37,240 --> 00:24:38,240
F Word album.

423
00:24:38,440 --> 00:24:41,000
Speaker 2: Right, So that's what you know, That's what Sammy wanted

424
00:24:41,000 --> 00:24:43,319
to call the album was f right.

425
00:24:43,599 --> 00:24:46,680
Speaker 3: I mean the word, not the letter, that's right, the

426
00:24:46,759 --> 00:24:48,119
F dash dash dash.

427
00:24:47,920 --> 00:24:56,960
Speaker 2: Word, right. Only I didn't say fudge.

428
00:24:57,400 --> 00:25:00,000
Speaker 3: I said the word, the big.

429
00:24:59,799 --> 00:25:03,920
Speaker 2: One, the queen mother of dirty words, the F dash

430
00:25:04,079 --> 00:25:05,160
dash dash word.

431
00:25:07,920 --> 00:25:11,240
Speaker 8: Ah, that's what I.

432
00:25:11,240 --> 00:25:15,319
Speaker 2: Thought you, Yes, but I didn't say fudge, that's right.

433
00:25:16,640 --> 00:25:20,599
So he wanted to actually call the album the F Word.

434
00:25:20,759 --> 00:25:24,079
Speaker 3: So Sammy's working out with Ray Boomo Mancini. Sammy is

435
00:25:24,119 --> 00:25:25,960
a bit of a boxer. His dad was a actually

436
00:25:26,039 --> 00:25:30,240
well known professional boxer, Bobby Hagar. All right, yep, So

437
00:25:30,720 --> 00:25:34,200
Sammy's boxing with Ray Boomo Mancini, right, who you will remember,

438
00:25:34,759 --> 00:25:37,240
And Ray says, what are you working on me? So

439
00:25:37,319 --> 00:25:38,880
I got this new album, and he said, great, what

440
00:25:38,880 --> 00:25:40,200
are you going to call it? He said, well, I

441
00:25:40,240 --> 00:25:43,720
want I want to call it f right, but they're

442
00:25:43,759 --> 00:25:46,319
not going for that. But they won't let me because

443
00:25:46,400 --> 00:25:47,599
we can't sell that at Walmart.

444
00:25:47,799 --> 00:25:47,960
Speaker 9: Right.

445
00:25:48,160 --> 00:25:51,519
Speaker 2: They had proposed naming it that, but then like putting

446
00:25:51,519 --> 00:25:53,200
it in a round bat and that's right.

447
00:25:53,319 --> 00:25:58,079
Speaker 3: They talked about that, and so Ray says, oh, for

448
00:25:58,240 --> 00:26:01,839
unlawful carnal knowledge. And he says, what are you talking about?

449
00:26:01,880 --> 00:26:03,960
And he's like, well, that's what it. Back in the

450
00:26:04,000 --> 00:26:07,400
old days, if a guy was caught with your wife

451
00:26:07,920 --> 00:26:10,400
and they wanted to make an example of him, they'd

452
00:26:10,720 --> 00:26:12,480
put him out in the town square and they'd lock

453
00:26:12,559 --> 00:26:14,559
him up with his hands in his feet and his

454
00:26:14,640 --> 00:26:17,400
head sort of threw that wooden thing you've seen it.

455
00:26:17,440 --> 00:26:20,359
They'd write over the top, they'd write your charge, and

456
00:26:20,440 --> 00:26:22,960
instead of writing foreign lawful cardinal knowledge, they would just

457
00:26:23,000 --> 00:26:27,480
write F dot U dot C dot K, and that's

458
00:26:27,519 --> 00:26:30,759
what your charge was. And so Samy's like, man, that's great,

459
00:26:30,759 --> 00:26:32,119
that's great. And he took it back to the band

460
00:26:32,119 --> 00:26:34,079
and they loved it and didn't have to keep it

461
00:26:34,119 --> 00:26:37,359
from being sold in Walmart. So off that album you

462
00:26:37,400 --> 00:26:40,119
have could write out of the Gate you have pound Cake.

463
00:27:07,839 --> 00:27:10,920
Speaker 2: That one is like old school fan Halen. Pound Cake

464
00:27:11,039 --> 00:27:13,680
is the hard rock that that I wanted them to

465
00:27:13,759 --> 00:27:20,000
be all along. It is strong that first that Yeah,

466
00:27:20,039 --> 00:27:21,599
he's playing. He's playing the guitar with a.

467
00:27:21,640 --> 00:27:25,400
Speaker 3: Drill, with a power drill, and it's killer again Eddie

468
00:27:25,519 --> 00:27:31,319
making up sounds for us, uh and so yeah, yeah.

469
00:27:31,200 --> 00:27:31,519
Speaker 8: All right.

470
00:27:50,359 --> 00:27:53,279
Speaker 2: In that particular song, Sammy is really using his hard

471
00:27:53,319 --> 00:27:56,279
rock voice. He's not using his love song voice. He

472
00:27:56,400 --> 00:28:00,279
is using that wretchy, rocky gravelly.

473
00:28:00,160 --> 00:28:01,160
Speaker 4: No doubt love it.

474
00:28:01,440 --> 00:28:04,960
Speaker 3: When they recorded that song at the very end, he's

475
00:28:05,039 --> 00:28:15,920
really bringing it, he says. And he said the producer

476
00:28:15,960 --> 00:28:18,839
showed his arm and it had his the hair was

477
00:28:18,839 --> 00:28:19,759
standing up on his arm.

478
00:28:19,880 --> 00:28:22,720
Speaker 4: Oh nice, And they were like, that's it. That's our take. Yep,

479
00:28:22,799 --> 00:28:23,319
that's done.

480
00:28:23,440 --> 00:28:25,880
Speaker 2: And so what ultimately they did when they would perform

481
00:28:25,920 --> 00:28:29,440
it in concert, Eddie took a cordless drill and then

482
00:28:29,480 --> 00:28:32,559
painted it like the Frankenstrat guitar and had the red

483
00:28:32,680 --> 00:28:36,920
with the white and black stripes on it.

484
00:28:37,000 --> 00:28:39,359
Speaker 3: And then the next song comes out is Top of

485
00:28:39,359 --> 00:28:44,519
the World. Okay, Top of the World did very well,

486
00:28:45,079 --> 00:28:47,640
more definitely more pop. This is a tidbit on Top

487
00:28:47,680 --> 00:28:49,599
of the World that I thought was interesting. When they

488
00:28:49,640 --> 00:28:52,599
play their live shows, the beginning guitar of Top of

489
00:28:52,640 --> 00:28:57,000
the World is actually the outro of Jump, So when

490
00:28:57,000 --> 00:29:00,839
they play it live, they usually roll Jump right into Top.

491
00:29:00,640 --> 00:29:28,839
Speaker 8: Of the World.

492
00:29:28,480 --> 00:29:35,359
Speaker 3: And when they play it live on this tour, on

493
00:29:35,400 --> 00:29:38,599
this particular tour, they would play Jump and it would

494
00:29:38,680 --> 00:29:39,640
go right into.

495
00:29:39,440 --> 00:29:42,960
Speaker 2: Top of the World right well. That you know, so

496
00:29:43,079 --> 00:29:46,720
many of the songs throughout the time with both David

497
00:29:46,720 --> 00:29:50,440
and with Sammy would be songs that they had been

498
00:29:50,440 --> 00:29:53,119
working on for years and just hadn't found the right

499
00:29:53,319 --> 00:29:56,039
mix for. So I can totally see how there was

500
00:29:56,079 --> 00:29:59,160
an intention with a song that came out seven years

501
00:29:59,200 --> 00:30:03,920
earlier and probably was developed a decade before that. Finally

502
00:30:03,920 --> 00:30:06,599
they found the right spot, the right sound, the right music,

503
00:30:06,720 --> 00:30:14,759
which also is true for Right Now. The story is

504
00:30:14,799 --> 00:30:19,000
that Eddie had been playing it for a while and Sammy.

505
00:30:19,200 --> 00:30:20,920
I think they're not even in the same room, like

506
00:30:21,000 --> 00:30:25,119
there were different rooms, but Sammy's working on one song,

507
00:30:25,480 --> 00:30:28,640
working on the lyrics and working on the tune, and

508
00:30:28,880 --> 00:30:31,720
Eddie's playing in another room and he overhears Eddie and

509
00:30:31,759 --> 00:30:34,680
he comes in He's like, play that again. And he's like,

510
00:30:34,759 --> 00:30:36,839
I think we're working on the same song. Like the

511
00:30:36,920 --> 00:30:39,559
chord progression that he had done was so similar and

512
00:30:39,599 --> 00:30:41,839
the melody that he had come up with, and this

513
00:30:42,000 --> 00:30:45,400
is you know right now is one that Sammy holds

514
00:30:45,440 --> 00:30:47,920
in the highest regard as far as lyrics are concerned.

515
00:30:48,000 --> 00:30:51,599
He had been taking a break and was on the

516
00:30:51,640 --> 00:30:56,359
beach and was kind of obsessing about various things and

517
00:30:56,400 --> 00:30:58,480
then just kind of realized, hey, you know why I'm

518
00:30:58,480 --> 00:31:00,920
obsessing about all these things when here on the beach,

519
00:31:01,000 --> 00:31:03,720
I should be right here, right now. And that was

520
00:31:04,160 --> 00:31:06,759
his inspiration for all of the lyrics to the song.

521
00:31:26,960 --> 00:31:30,920
And so, you know, the video for this song was

522
00:31:31,640 --> 00:31:33,440
it may have been their biggest hit as far as

523
00:31:33,519 --> 00:31:37,160
video awards go. They won Video of the Year for it.

524
00:31:37,279 --> 00:31:40,039
And if you don't remember the video, it's one where

525
00:31:40,440 --> 00:31:43,880
the song is playing, but as you as a song playing,

526
00:31:43,920 --> 00:31:47,680
there's occasional images of the band intermixed with other kind

527
00:31:47,759 --> 00:31:53,720
of intense scenes and there's texts that appears and says,

528
00:31:53,799 --> 00:31:56,599
right now this is happening, or right now, this is happening.

529
00:31:57,119 --> 00:31:59,599
Right now, Eddie's hands are really busy, and you know,

530
00:32:00,920 --> 00:32:05,279
and Sammy was adamantly opposed to this idea. He was like, this,

531
00:32:05,599 --> 00:32:07,799
people are gonna be reading and this honestly, this occurred

532
00:32:07,799 --> 00:32:10,480
with me, like I was frustrated because I'm like, I'm

533
00:32:10,480 --> 00:32:12,240
trying to read the words and I'm alost trying to

534
00:32:12,279 --> 00:32:13,880
listen to the music, and I feel like I'm missing

535
00:32:13,880 --> 00:32:17,039
out on both things. But it was it was a

536
00:32:17,160 --> 00:32:22,480
huge success for them, and Sammy's adamantly opposed against, against, against,

537
00:32:22,599 --> 00:32:25,319
and they're basically forcing him into it. He goes and

538
00:32:25,359 --> 00:32:28,039
disappears for like a week, you know, just in frustration,

539
00:32:28,400 --> 00:32:30,680
a little bit of a tantrum there, and then comes back.

540
00:32:30,680 --> 00:32:33,319
And when he comes back they're shooting the video. He's

541
00:32:33,319 --> 00:32:36,160
actually sick. He's like running a fever and got pneumonia.

542
00:32:36,279 --> 00:32:39,440
Is still angry about it, and so there's a scene

543
00:32:39,440 --> 00:32:42,319
towards the end where like you see him stop singing,

544
00:32:42,720 --> 00:32:45,359
even though the you know, obviously the song continues, but

545
00:32:45,440 --> 00:32:48,200
he just like crosses his arms and quits. He said

546
00:32:48,400 --> 00:32:50,640
that was really like he was angry and just like,

547
00:32:50,720 --> 00:32:53,039
screw it, I'm not singing anymore. I don't like this

548
00:32:53,160 --> 00:32:55,000
the way that's going. I'm just gonna quit singing. And

549
00:32:55,039 --> 00:32:56,680
it ended up in the video and it's kind of

550
00:32:56,759 --> 00:32:57,519
actually cool.

551
00:32:57,680 --> 00:32:58,400
Speaker 4: I need a look at that.

552
00:32:58,480 --> 00:33:00,599
Speaker 3: I haven't seen it well, one of them that stands

553
00:33:00,599 --> 00:33:01,920
out of my I mean, this is one of my

554
00:33:01,920 --> 00:33:03,839
favorite videos too, but I think there's one line and

555
00:33:03,920 --> 00:33:07,160
it's like, right now your memory is getting longer while

556
00:33:07,200 --> 00:33:10,160
your life is getting shorter yiche and I remember.

557
00:33:10,000 --> 00:33:12,119
Speaker 4: Thinking that's pretty pointant, you know.

558
00:33:12,200 --> 00:33:21,400
Speaker 3: Yeah, all right, we're done talking about for an Elepha colon.

559
00:33:21,839 --> 00:33:22,480
Speaker 2: Yeah, I think so.

560
00:33:22,799 --> 00:33:25,599
Speaker 3: Not one of my favorite Sammy albums.

561
00:33:25,119 --> 00:33:28,599
Speaker 2: Right, two great songs, but not much else to speak of,

562
00:33:29,079 --> 00:33:30,559
right as far as I'm concerned.

563
00:33:30,359 --> 00:33:33,799
Speaker 3: Right, all right, So that was in ninety one. They

564
00:33:33,799 --> 00:33:37,680
tour in ninety two into ninety three, and then in

565
00:33:37,880 --> 00:33:41,519
January of ninety five, the album Balance comes out, right,

566
00:33:41,640 --> 00:33:44,160
it reaches number one. People are excited to have it,

567
00:33:44,279 --> 00:33:46,920
but this was released. I mean, they're starting to.

568
00:33:47,000 --> 00:33:49,200
Speaker 2: Fight well, and you know, it's kind of funny. I

569
00:33:49,240 --> 00:33:53,559
think in both scenarios, just before the end, Dave doesn't

570
00:33:53,599 --> 00:33:56,079
appreciate that the end is about to come, and Sammy

571
00:33:56,559 --> 00:33:59,240
had I think he was literally caught off guard. You

572
00:33:59,279 --> 00:34:01,480
can expect some troubles. It's sad to listen to some

573
00:34:01,519 --> 00:34:03,680
of the interviews. He goes where he's like, I mean,

574
00:34:03,720 --> 00:34:05,599
I don't foresee us ever breaking up. We just get

575
00:34:05,599 --> 00:34:07,960
along so well, it's just not even. And then you know,

576
00:34:08,000 --> 00:34:10,360
of course things fall apart. Everybody's going to pick sides

577
00:34:10,360 --> 00:34:12,480
on the steal. But I don't think there's any question

578
00:34:12,599 --> 00:34:16,159
that Eddie was going through some serious issues at this point,

579
00:34:16,360 --> 00:34:19,119
in and out of rehab, lost a ton of weight,

580
00:34:20,400 --> 00:34:21,920
you know, And what are you going to do if

581
00:34:21,960 --> 00:34:24,679
you're Alex. You can't do something. You can't abandon your brother.

582
00:34:24,800 --> 00:34:26,440
So he's going to stand by him at this point

583
00:34:26,800 --> 00:34:29,400
and back his play. But I think it was very

584
00:34:29,440 --> 00:34:32,400
obvious that it was not the same Eddie as when

585
00:34:32,440 --> 00:34:33,320
they had gotten together.

586
00:34:33,519 --> 00:34:37,000
Speaker 3: Eddie was newly subberb starting October second of ninety four.

587
00:34:37,119 --> 00:34:40,199
But still that's that's a fight, that's an everyday struggle.

588
00:34:40,440 --> 00:34:43,800
Speaker 2: So on balance, the only song worth mentioning to me

589
00:34:44,320 --> 00:35:00,000
is Can't Stop Loving Him?

590
00:35:01,440 --> 00:35:04,159
Speaker 3: Can't Stop Loving You? Really to Me is their only

591
00:35:04,320 --> 00:35:09,079
radio friendly hit. And then in nineteen ninety seven, they

592
00:35:09,079 --> 00:35:10,840
break up. It's done, It's over.

593
00:35:10,920 --> 00:35:15,119
Speaker 2: Yeah, Samy Eras Samiras finished, he is he and his

594
00:35:15,440 --> 00:35:19,280
wife are expecting a child. He's they've got a natural

595
00:35:19,320 --> 00:35:22,880
delivery set Eddie calls him and says, you need to

596
00:35:23,000 --> 00:35:25,159
come back here and do some recording. He's like, hey,

597
00:35:25,199 --> 00:35:26,960
we're you know, we're about to have a baby. Let

598
00:35:27,000 --> 00:35:28,639
me just take care of this and then I'll be back.

599
00:35:29,159 --> 00:35:31,400
And he's like, you know what, you started off as

600
00:35:31,400 --> 00:35:33,840
a solo artist. Maybe you should just be a solo artist.

601
00:35:34,079 --> 00:35:34,840
And that's the end.

602
00:35:34,920 --> 00:35:38,199
Speaker 3: They're working on the song called Humans being in the

603
00:35:38,239 --> 00:35:42,599
Twister soundron. Then they're secretly talking to Dave right about

604
00:35:42,599 --> 00:35:46,519
recording these new songs yep. And then when Sammy finds

605
00:35:46,519 --> 00:35:51,760
out about that, he's really miffed. And so then of

606
00:35:51,760 --> 00:35:54,119
course later on we see them at the Video Music

607
00:35:54,159 --> 00:35:55,119
Awards at MTV.

608
00:35:55,440 --> 00:35:57,639
Speaker 2: Oh my gosh. I can still remember seeing that and

609
00:35:57,760 --> 00:36:01,800
just being like, oh, what if it could happen. Oh,

610
00:36:01,880 --> 00:36:05,159
I'm so excited. It was exciting. And then I also thought, oh,

611
00:36:05,239 --> 00:36:07,719
they're all so high. They're so high.

612
00:36:07,800 --> 00:36:13,719
Speaker 7: Right now, I think we're here to present Best Neil

613
00:36:13,840 --> 00:36:14,400
Video of.

614
00:36:14,360 --> 00:36:17,519
Speaker 2: The Year award. Okay, right, Dave's word, Oh.

615
00:36:17,559 --> 00:36:22,719
Speaker 7: Dave, no, no, no you Instead of the best award thing,

616
00:36:22,719 --> 00:36:25,360
it's we have to make an announcement, just we have to.

617
00:36:25,320 --> 00:36:26,559
Speaker 4: Address this subject here.

618
00:36:26,880 --> 00:36:31,519
Speaker 7: This is the first time that we've actually stood on

619
00:36:31,639 --> 00:36:32,880
stage together.

620
00:36:32,559 --> 00:36:34,199
Speaker 1: And over a decade.

621
00:36:34,039 --> 00:36:39,000
Speaker 3: Into and that lasts about ten minutes before Eddie gets

622
00:36:39,199 --> 00:36:42,920
really really mad at him. That happened in ninety six,

623
00:36:43,480 --> 00:36:46,320
and then in March ninety eight we get.

624
00:36:46,239 --> 00:36:50,320
Speaker 2: Van Allen three yep, crickets.

625
00:36:51,960 --> 00:36:53,440
Speaker 3: That's all I have to say about that.

626
00:36:53,440 --> 00:36:56,599
Speaker 2: That's exactly what I was thinking. That's all I have

627
00:36:56,639 --> 00:37:05,760
to say about that. Right now, this is the moment

628
00:37:05,800 --> 00:37:06,480
I've been waiting for.

629
00:37:06,639 --> 00:37:07,639
Speaker 3: Let's talk about it.

630
00:37:07,599 --> 00:37:07,960
Speaker 1: All right.

631
00:37:08,480 --> 00:37:10,159
Speaker 3: So you're going to give me a list of your

632
00:37:10,239 --> 00:37:12,360
top Dave songs, and I'm going to give you a

633
00:37:12,400 --> 00:37:15,039
list of my top same sungs, and we'll see where

634
00:37:15,039 --> 00:37:15,400
we're at.

635
00:37:16,639 --> 00:37:21,199
Speaker 2: Can you do that? How long can my list be? Okay,

636
00:37:21,920 --> 00:37:25,199
it's it's really really hard. It's really hard.

637
00:37:28,719 --> 00:37:30,679
Speaker 3: I don't I really don't think it's that hard.

638
00:37:30,960 --> 00:37:37,400
Speaker 2: Well that's yeah, okay, goo good, Okay. So Panama Hot

639
00:37:37,440 --> 00:37:38,920
for Teacher? Is this an order?

640
00:37:39,760 --> 00:37:39,800
Speaker 3: No?

641
00:37:39,960 --> 00:37:42,239
Speaker 2: I can't do that. That's too hard, all right, Okay,

642
00:37:42,400 --> 00:37:45,679
So I'm just gonna go so Panama, which maybe I

643
00:37:45,960 --> 00:37:48,119
really do love Panama. Maybe that's my number one. I'm

644
00:37:48,119 --> 00:37:51,519
not sure. Panama Hot for Teacher, Running with the Devil,

645
00:37:51,840 --> 00:37:54,480
I feel like I should be able to combine eruption

646
00:37:54,679 --> 00:37:56,840
with you Really Got Me because they always come together.

647
00:37:56,920 --> 00:37:59,639
So I'm going to do that. So ain't talking about

648
00:37:59,719 --> 00:38:04,679
love of and then like an eight way tie between

649
00:38:06,199 --> 00:38:10,239
for other songs, I'll Wait is great, drop Dead Legs

650
00:38:10,320 --> 00:38:13,400
is great, and ice Cream Man is fun. I think

651
00:38:13,440 --> 00:38:16,239
that's probably right there at the at the ten mark.

652
00:38:16,280 --> 00:38:18,679
If it's not, I'll throw on beautiful girls and fill

653
00:38:18,679 --> 00:38:19,239
your left to night.

654
00:38:19,239 --> 00:38:25,199
Speaker 3: All right, don't that list sucks? Okay, here you give me,

655
00:38:25,199 --> 00:38:27,280
I'll give you my my ten days go right, And

656
00:38:27,679 --> 00:38:30,079
I'm a saving guy. But I'm a dave guy too,

657
00:38:30,079 --> 00:38:31,760
But here we go in order?

658
00:38:31,960 --> 00:38:32,199
Speaker 2: Yeah.

659
00:38:32,320 --> 00:38:36,599
Speaker 3: Number ten Pretty Woman, cool cover catchy shows up in

660
00:38:36,639 --> 00:38:40,920
the movie Weird Science, some versions, some versions, that's right.

661
00:38:41,480 --> 00:38:44,719
Number nine, their first single, you Really Got Me? Number eight,

662
00:38:45,519 --> 00:38:50,519
drop Dead Legs, great stripper song, Number seven, Dance the

663
00:38:50,599 --> 00:38:55,119
Night Away, cool, radio friendly, love It, Number six, Running

664
00:38:55,119 --> 00:38:56,440
with the Devil, Number five.

665
00:38:56,519 --> 00:38:58,079
Speaker 4: Hot for Teacher. Can't argue with that.

666
00:38:58,480 --> 00:38:58,800
Speaker 2: No.

667
00:38:58,920 --> 00:39:03,159
Speaker 3: Number four Panama Okay, two of nineteen eighty four, right

668
00:39:03,199 --> 00:39:06,840
there in a row. Number three, ain't talking about love?

669
00:39:07,039 --> 00:39:10,880
Number two unchained. Oh wow, it's an unbelievable song.

670
00:39:11,280 --> 00:39:14,119
Speaker 2: Wow. Yeah, I'm actually surprised that you put that that

671
00:39:14,199 --> 00:39:15,159
you put that at number two.

672
00:39:15,280 --> 00:39:17,599
Speaker 3: It's so good that guitar, Oh my gosh, it's so good.

673
00:39:18,000 --> 00:39:20,119
And then finally, there is no there is no other

674
00:39:20,199 --> 00:39:23,280
song that can be number one's Jump. Now it's absolutely jumped.

675
00:39:23,639 --> 00:39:26,760
Speaker 2: I love Jump when it came out, but it's no

676
00:39:26,840 --> 00:39:29,960
longer in my top ten anymore. I'm not going to

677
00:39:30,039 --> 00:39:32,400
turn it off if it comes on. I think it's

678
00:39:32,639 --> 00:39:34,920
worthy of the stuff that they did with it with

679
00:39:35,000 --> 00:39:37,840
Ready Player one, but it is just not my favorite.

680
00:39:38,960 --> 00:39:40,599
Speaker 4: All right, are you ready for my samue list?

681
00:39:40,679 --> 00:39:41,719
Speaker 8: Yep, all right, here we go.

682
00:39:41,840 --> 00:39:45,360
Speaker 3: Number ten, Best of Both Worlds? Number nine, Kaba Wabo,

683
00:39:45,639 --> 00:39:49,639
number eight, Can't Stop Loving You? Number seven, Why can't

684
00:39:49,639 --> 00:39:52,800
this be love? Only time will tell if we stand

685
00:39:52,840 --> 00:40:00,519
the test of time? Number six, The power Drill on Cake.

686
00:40:00,800 --> 00:40:04,719
Number five, Love Walks In Number four when it's love,

687
00:40:05,079 --> 00:40:11,239
number three right now, number two, Dreams, and number one

688
00:40:11,679 --> 00:40:12,519
it's black and blue.

689
00:40:12,840 --> 00:40:15,360
Speaker 2: Okay, this will be easier for me because I don't

690
00:40:15,400 --> 00:40:17,079
even have ten that I would put on a list

691
00:40:17,119 --> 00:40:19,159
for Van Hagar. All right, well, let's hear it, okay,

692
00:40:19,239 --> 00:40:22,559
So best of both worlds, in no particular order, best

693
00:40:22,599 --> 00:40:27,760
of both worlds pound cake, when it's love dreams, why

694
00:40:27,800 --> 00:40:30,360
can't this be love? And right now? And then I

695
00:40:30,360 --> 00:40:32,400
probably would throw and finish what you started. I like

696
00:40:32,480 --> 00:40:34,239
that one. I like finish what you started.

697
00:40:34,239 --> 00:40:36,599
Speaker 3: And if I had to break the tie between Sammy

698
00:40:36,639 --> 00:40:37,719
and Dave on the number.

699
00:40:37,519 --> 00:40:38,840
Speaker 8: One is Jump.

700
00:40:39,159 --> 00:40:40,000
Speaker 2: You're still picking jump.

701
00:40:40,079 --> 00:40:40,519
Speaker 8: It's jump.

702
00:40:47,039 --> 00:40:49,480
Speaker 3: It absolutely is Jump. I can listen to that song

703
00:40:49,800 --> 00:40:51,519
a million times and still love it.

704
00:40:54,400 --> 00:40:57,880
Speaker 2: Okay, guys, it's not time. It's time for final judgment.

705
00:40:57,960 --> 00:41:01,719
It's time for to take the gloves off and saying

706
00:41:02,000 --> 00:41:06,199
you know we're no more mister nice guy. Let's let's

707
00:41:06,239 --> 00:41:09,199
really start talking about this. You know, Jason, you've taken

708
00:41:09,199 --> 00:41:13,440
the position that van Hagar is better than van Halen. Now,

709
00:41:13,800 --> 00:41:16,440
there are obviously a lot of people who enjoyed Van

710
00:41:16,480 --> 00:41:19,559
Hagar because they had tons of success, they sold all

711
00:41:19,639 --> 00:41:23,719
kinds of albums. But I've never heard someone say better

712
00:41:23,800 --> 00:41:26,719
than van Halen. So tell me, you know, what's your

713
00:41:26,760 --> 00:41:27,320
what are your thoughts?

714
00:41:27,480 --> 00:41:31,039
Speaker 3: Okay, well, so here's my thing. All right, I like

715
00:41:32,000 --> 00:41:36,039
van Halen with Dave. Okay, I'm a fan, but once again,

716
00:41:36,079 --> 00:41:38,519
I jumped in nineteen eighty four, so I wasn't married

717
00:41:38,519 --> 00:41:41,840
to Dave, right, so I jumped in at the new

718
00:41:42,000 --> 00:41:46,159
sound of Van Halen. Okay, so I wasn't you know,

719
00:41:46,679 --> 00:41:49,679
I wasn't blown away by the guitars and stuff that

720
00:41:50,000 --> 00:41:53,519
people when they jumped in earlier were, And so it

721
00:41:53,599 --> 00:41:56,039
just has to do with my age. But nineteen eighty

722
00:41:56,079 --> 00:41:58,559
four was where I jumped in. I love the synthesizer,

723
00:41:58,599 --> 00:42:01,840
I love the guitar mix, the melody, and just those

724
00:42:02,199 --> 00:42:06,119
great great songs from my ten eighty four and so

725
00:42:06,199 --> 00:42:09,199
that transitioned me right into fifty one fifty, which is

726
00:42:09,239 --> 00:42:12,480
my favorite one of all time. But I think overall,

727
00:42:12,840 --> 00:42:16,159
I think there's a general sentiment out there that Sammy

728
00:42:16,199 --> 00:42:21,920
has a better voice, has more vocal range, has more

729
00:42:22,320 --> 00:42:27,159
musical ability. Right now, I'm willing to concede Dave is

730
00:42:27,239 --> 00:42:29,400
one of the top front men for any band of

731
00:42:29,440 --> 00:42:31,400
all time. I'm gonna talk out of both sides of

732
00:42:31,440 --> 00:42:34,159
my mouth here one sure. Yeah, so Dave maybe the

733
00:42:34,199 --> 00:42:35,400
best front man of all time.

734
00:42:35,519 --> 00:42:37,400
Speaker 2: I mean, we're in a situation again like we were

735
00:42:37,440 --> 00:42:41,079
with Bad versus Thriller, where you love Thriller, you just

736
00:42:41,199 --> 00:42:42,039
love Bad Mold.

737
00:42:42,079 --> 00:42:43,119
Speaker 4: That's right, that's right.

738
00:42:43,360 --> 00:42:49,159
Speaker 3: Right as far as stage personality, and we already talked

739
00:42:49,159 --> 00:42:50,960
about the splits and the kicks and the jumps in

740
00:42:51,000 --> 00:42:53,400
the backflips. Same he can't do any of that stuff right,

741
00:42:53,639 --> 00:42:57,079
but he adds an element of musicianship that I think

742
00:42:57,320 --> 00:42:59,119
improves their music overall.

743
00:42:59,440 --> 00:43:01,800
Speaker 2: So I did you know. I didn't write this down,

744
00:43:01,840 --> 00:43:03,719
but this is this is the thought that's occurring to

745
00:43:03,719 --> 00:43:06,760
me right now. Whenever Sammy Hagar came on the scene,

746
00:43:06,920 --> 00:43:09,360
I was like, yes, I even said it earlier in

747
00:43:09,400 --> 00:43:12,519
the episode. This is the perfect choice. He has guitar

748
00:43:12,559 --> 00:43:15,280
abilities that Dave didn't have. He's got a better singing voice.

749
00:43:15,400 --> 00:43:17,400
He's a hard rocker. I mean, you've got you know,

750
00:43:17,440 --> 00:43:20,239
I can't drive fifty five all of his songs with

751
00:43:20,320 --> 00:43:23,159
Montrose and his solo album, his solo career before that.

752
00:43:23,559 --> 00:43:25,920
And I'm super excited. But you know what else, I

753
00:43:25,960 --> 00:43:30,920
was really excited for the episode of Star Wars, the

754
00:43:31,000 --> 00:43:35,360
Rise of Skywalker. I was giddy, and I'm walking in

755
00:43:35,400 --> 00:43:38,320
and I got my Darth Vader shirt on, and I'm

756
00:43:38,400 --> 00:43:41,199
dressed in black, and I'm geeked out. And I sat

757
00:43:41,239 --> 00:43:44,280
there and I was just like, Okay, well this is

758
00:43:44,360 --> 00:43:46,360
not okay, this is what I thought it was gonna

759
00:43:46,360 --> 00:43:48,800
be but that's all right. I'm gonna give it full

760
00:43:48,840 --> 00:43:51,079
open mind. And I kept trying to love it, and

761
00:43:51,119 --> 00:43:53,679
I kept trying to love it, and where there was

762
00:43:53,719 --> 00:43:56,199
maybe a brief honeymoon period in the first five to

763
00:43:56,239 --> 00:43:58,519
ten minutes of the movie, after a while I was

764
00:43:58,639 --> 00:44:01,159
just going to I can't love this.

765
00:44:01,679 --> 00:44:04,840
Speaker 3: I think you're way off base again, way off base.

766
00:44:05,159 --> 00:44:08,519
Speaker 2: I had the honeymoon period with Van Hagar I did was.

767
00:44:08,920 --> 00:44:11,639
I liked their live album and they had in their

768
00:44:11,679 --> 00:44:15,800
transitional phase. They still sounded a lot like the original

769
00:44:15,880 --> 00:44:18,679
Van Halen. They still had all of those kicks going

770
00:44:19,519 --> 00:44:23,599
and Sammy was still rocking. But the honeymoon eventually wore

771
00:44:23,679 --> 00:44:27,159
off for me, and I just didn't feel like I

772
00:44:27,199 --> 00:44:29,880
felt like I had a bait and switch where it was,

773
00:44:30,280 --> 00:44:33,760
here's this awesome thing that you're getting, and now we're

774
00:44:33,760 --> 00:44:36,679
going to overproduce it, We're going to overdo it, and

775
00:44:36,880 --> 00:44:40,679
it's not the same anymore. It's no longer Van Halen.

776
00:44:41,039 --> 00:44:44,639
With the movie, man, the production value was incredible. I

777
00:44:44,639 --> 00:44:46,760
can't imagine the mouth they spent on it. But it's

778
00:44:46,840 --> 00:44:50,039
not Star Wars. Star Wars is dirty, and Van Halen

779
00:44:50,079 --> 00:44:52,920
should be dirty too. I want the dirt and the grime.

780
00:44:53,320 --> 00:44:56,880
The van Halen of David Lee Roth Time was dirty

781
00:44:56,920 --> 00:45:01,840
and nasty and gritty and sex Yes.

782
00:45:01,719 --> 00:45:02,079
Speaker 8: It was.

783
00:45:02,360 --> 00:45:05,039
Speaker 2: It was what it was. And the van Halen of

784
00:45:06,239 --> 00:45:12,400
Sammy Hagar Time is gradually more touchy, more feely, more emotional,

785
00:45:12,480 --> 00:45:18,119
more lovey dovey, and I'm.

786
00:45:16,400 --> 00:45:17,000
Speaker 1: Not showing for it.

787
00:45:27,280 --> 00:45:30,280
Speaker 3: All right, all right, Well let's let's take a step back. Okay,

788
00:45:30,400 --> 00:45:34,760
because this podcast really is a debate about who's better

789
00:45:34,840 --> 00:45:35,880
Dave or Sammy.

790
00:45:36,280 --> 00:45:37,719
Speaker 4: But let me pose this question to you.

791
00:45:37,800 --> 00:45:42,360
Speaker 3: Yeah, okay, If I said, do you like the new

792
00:45:42,519 --> 00:45:45,920
version of van Halen, it's like the cutoff between diver

793
00:45:46,039 --> 00:45:50,239
down in nineteen eighty four. Yeah, up right, And I

794
00:45:50,280 --> 00:45:51,559
gave you you can choose one.

795
00:45:51,760 --> 00:45:52,519
Speaker 4: What do you choose?

796
00:45:53,360 --> 00:45:55,639
Speaker 2: You mean, do I do I take nineteen eighty four, take.

797
00:45:55,559 --> 00:45:59,199
Speaker 3: Nineteen eighty four and include that with the Sami era.

798
00:45:59,480 --> 00:46:01,519
Speaker 2: Right, We're going to that new van Halen, you know.

799
00:46:01,840 --> 00:46:03,880
And I understand your question, And I know that a

800
00:46:03,880 --> 00:46:06,840
lot of people draw this line that nineteen eighty four

801
00:46:07,000 --> 00:46:08,840
was a new sound. I think even the members of

802
00:46:08,840 --> 00:46:11,599
the band are saying that. But I just gotta I

803
00:46:11,639 --> 00:46:15,000
gotta say I disagree with that. Line distinction, and I

804
00:46:15,039 --> 00:46:18,360
took some time thinking about this. There's you know, everybody

805
00:46:18,360 --> 00:46:20,360
talks about the introduction to the keyboards, but I mean

806
00:46:20,440 --> 00:46:24,000
he was playing keyboards in Women and Children first. I mean,

807
00:46:24,239 --> 00:46:28,000
he was playing keyboards way back. That couldn't be the issue.

808
00:46:28,159 --> 00:46:30,719
They became more prevalent in nineteen eighty four, for sure,

809
00:46:30,800 --> 00:46:33,679
They shocked a lot of the hardcore listeners, for sure,

810
00:46:34,119 --> 00:46:37,760
But that you listen to the lead guitar sounds that

811
00:46:37,840 --> 00:46:40,199
are coming out in nineteen eighty four, and it's still

812
00:46:40,239 --> 00:46:43,719
the same sounds of previous Van Halen you got from

813
00:46:43,840 --> 00:46:46,880
van Halen one on up through nineteen eighty four, Eddie's

814
00:46:46,880 --> 00:46:51,920
still playing the Frankenstrat guitar, and then the Frankenstrat starts

815
00:46:52,000 --> 00:46:55,440
to go away. In fifty one fifty you get new

816
00:46:55,519 --> 00:46:59,039
guitars coming in, and then in U eight one two

817
00:46:59,800 --> 00:47:03,320
it even less. You get Eddie starts this deal with

818
00:47:03,400 --> 00:47:06,000
Ernie Ball on this new guitar, and it doesn't sound

819
00:47:06,000 --> 00:47:08,159
the same. I mean, just even if you even if

820
00:47:08,199 --> 00:47:10,760
you look at what happens right after, if you look

821
00:47:10,880 --> 00:47:14,679
at why can't this be love? The guitar doesn't sound

822
00:47:14,679 --> 00:47:17,519
the same anymore. It's closer. I mean it gets further

823
00:47:17,559 --> 00:47:20,000
and further away. But I mean, first big song off

824
00:47:20,000 --> 00:47:22,679
of fifty one to fifty and you've got a flanged

825
00:47:22,760 --> 00:47:26,039
guitar that you're like, Okay, Eddie's doing something different here,

826
00:47:26,400 --> 00:47:28,159
and it never goes back to what it was.

827
00:47:28,320 --> 00:47:30,360
Speaker 3: You tell me you don't like, why can't this be loved?

828
00:47:30,400 --> 00:47:33,480
Speaker 2: I'm just saying. I'm saying it's not dirty and nasty.

829
00:47:33,559 --> 00:47:37,320
It is. It's pretty, and it is that transition, honeymoon

830
00:47:37,320 --> 00:47:39,440
period so that I can say, yeah, this is still good,

831
00:47:40,480 --> 00:47:44,000
but it's different, and then the difference lingers and I

832
00:47:44,119 --> 00:47:46,079
lose the thing that I fell in love with it first.

833
00:47:46,239 --> 00:47:49,719
Speaker 3: I think we both agree that at that moment in time,

834
00:47:49,840 --> 00:47:54,519
Sammy was the best option. Oh right, And for me,

835
00:47:54,840 --> 00:47:58,000
I feel like he doesn't get enough credit for stepping

836
00:47:58,039 --> 00:48:00,760
in and he kind of takes the to a next

837
00:48:01,320 --> 00:48:04,360
level and they earn way more fans with that style

838
00:48:04,400 --> 00:48:04,800
of music.

839
00:48:05,000 --> 00:48:08,119
Speaker 2: Well, again, this comes back to that idea of popular

840
00:48:08,159 --> 00:48:12,599
and better. There's no question that they increase their popularity.

841
00:48:12,639 --> 00:48:16,920
They increase their album sales and four number one albums

842
00:48:17,000 --> 00:48:21,719
absolutely more popular. They are reaching a broader audience, But

843
00:48:22,559 --> 00:48:24,440
popular doesn't mean better.

844
00:48:24,199 --> 00:48:26,159
Speaker 3: I'm going to say something to blasphem us for a second.

845
00:48:26,239 --> 00:48:27,199
Speaker 4: Okay, you ready for this?

846
00:48:27,280 --> 00:48:27,639
Speaker 8: All right?

847
00:48:28,039 --> 00:48:31,039
Speaker 3: So bring it on, let's go here. It is all

848
00:48:31,079 --> 00:48:35,880
right from the Dave era. In my opinion, Van Haalen

849
00:48:35,920 --> 00:48:42,800
won Awesome, nineteen eighty four, Awesome. The other albums in between.

850
00:48:43,599 --> 00:48:46,599
There's some great songs, but there's a whole lot of filler.

851
00:48:48,199 --> 00:48:54,639
Speaker 2: Dare I say, crap, you are blaspheming right now, and

852
00:48:54,760 --> 00:48:57,280
I don't have anything to throw at you. But I

853
00:48:58,320 --> 00:49:01,320
don't can I can see what you're saying. I mean,

854
00:49:02,199 --> 00:49:04,519
if I'm gonna listen to the whole album. Yeah, Van

855
00:49:04,559 --> 00:49:08,159
Halen won first, nineteen eighty four, second, and then those

856
00:49:08,199 --> 00:49:11,360
other ones. They do have some songs that don't have

857
00:49:12,000 --> 00:49:17,079
what I want to hear as much, but again, it

858
00:49:17,679 --> 00:49:19,960
is what defines the band. It's what defines the band.

859
00:49:20,000 --> 00:49:22,119
Speaker 3: I understand, I mean, I understand what you're saying. But

860
00:49:22,760 --> 00:49:26,159
let me throw another thing at you. Yeah, I mean, okay,

861
00:49:26,199 --> 00:49:29,920
for me, I'm always gonna grab either fifty one, fifty

862
00:49:30,000 --> 00:49:33,079
or nineteen eighty four. Okay, that's where I But then

863
00:49:33,119 --> 00:49:34,880
after that it's always oh you a one to two.

864
00:49:36,000 --> 00:49:38,639
Speaker 4: Okay, let's talk a.

865
00:49:38,599 --> 00:49:43,960
Speaker 3: Little bit about the overall attitude and class of these

866
00:49:43,960 --> 00:49:44,519
two guys.

867
00:49:45,320 --> 00:49:49,519
Speaker 2: Oh well, I mean there's no question, Okay, there's no question.

868
00:49:50,199 --> 00:49:51,960
If I'm gonna if I'm gonna be riding in a

869
00:49:52,119 --> 00:49:54,519
tour bus with somebody, I want it to be Sammy.

870
00:49:54,639 --> 00:49:54,960
Speaker 4: Okay.

871
00:49:55,559 --> 00:49:58,679
Speaker 2: If I'm in Las Vegas and hanging out on the strip,

872
00:49:59,159 --> 00:50:01,440
I want it to be datd Okay, And I will

873
00:50:01,519 --> 00:50:04,239
I will resign myself to know that I'm just gonna

874
00:50:04,280 --> 00:50:07,400
follow along and watch what's happening, what is unfolding before me.

875
00:50:07,639 --> 00:50:09,159
Because with Sammy, I know I got a guy that

876
00:50:09,199 --> 00:50:10,960
can probably talk to you know, we're gonna talk, we're

877
00:50:11,000 --> 00:50:13,480
gonna be as about stuff, We're gonna shoot tequila, and

878
00:50:13,519 --> 00:50:17,039
it'll be great. But if David Lee Roth is with me,

879
00:50:17,159 --> 00:50:19,360
I'm just gonna I'm gonna step back and watch it

880
00:50:19,440 --> 00:50:23,679
like it's a car wreck. I'm with you.

881
00:50:23,800 --> 00:50:27,760
Speaker 3: I totally I'm with you. They serve two purposes. Right

882
00:50:28,639 --> 00:50:30,440
at the end of a weekend with Dave, you wake

883
00:50:30,519 --> 00:50:32,159
up on the floor and wonder what happened?

884
00:50:32,280 --> 00:50:33,559
Speaker 2: Right, Yeah, the.

885
00:50:33,480 --> 00:50:35,440
Speaker 3: Weekend with Sammy, you're like sitting on the beach.

886
00:50:35,440 --> 00:50:37,000
Speaker 4: Hey man, We're still having a great time.

887
00:50:37,039 --> 00:50:39,719
Speaker 2: You know, absolutely but I mean again, I think this

888
00:50:39,760 --> 00:50:43,199
goes to the definition of the band. Van Halen is

889
00:50:43,960 --> 00:50:47,719
David Lee Roth party, and it's when the party becomes

890
00:50:47,840 --> 00:50:50,000
a nice get together that you lose me.

891
00:50:50,440 --> 00:50:53,400
Speaker 3: Okay, well that's fair. I mean we you know this

892
00:50:53,440 --> 00:50:56,320
is all personal opinion, But I don't know. I just

893
00:50:56,559 --> 00:51:00,679
I enjoy the music more from Sammy. It's more, Yeah,

894
00:51:00,679 --> 00:51:03,719
it is more love songy, but there's a whole lot

895
00:51:03,800 --> 00:51:04,400
less junk.

896
00:51:05,159 --> 00:51:08,679
Speaker 2: It's yeah. I mean, it is a matter of what

897
00:51:08,719 --> 00:51:14,840
you enjoy. But again, I want dirty. If I'm going

898
00:51:14,920 --> 00:51:17,920
out for a hamburger, I want a smash burger. I

899
00:51:17,960 --> 00:51:20,920
want a cheap white bread bun. Don't give me some

900
00:51:21,159 --> 00:51:25,159
chabbata nonsense. Don't give me a pre formed patty. Give

901
00:51:25,239 --> 00:51:28,760
me something raw and messy. That's what I want my

902
00:51:28,920 --> 00:51:32,679
hard rock heavy metal to be. I don't want it

903
00:51:32,719 --> 00:51:37,920
to be a gourmet burger with with Sammy. I mean,

904
00:51:37,920 --> 00:51:43,000
there are multiple changes that happen. You You lose Ted Templeman, right,

905
00:51:43,519 --> 00:51:50,920
you lose the Frankenstrat guitar, you get the keyboards coming in.

906
00:51:51,639 --> 00:51:54,480
It's it's a different sound. And I mean just to

907
00:51:54,639 --> 00:51:57,679
and I'm gonna try to try to put words onto

908
00:51:57,760 --> 00:52:00,960
sound as best I can. But you've got sharp and

909
00:52:01,239 --> 00:52:05,280
edgy and rip your guts out kind of sound coming

910
00:52:05,320 --> 00:52:08,559
from the franken strat on the Van Halen days. And Eddie,

911
00:52:08,559 --> 00:52:12,199
who's constantly in search for that perfect tone, starts to

912
00:52:12,280 --> 00:52:16,199
lean towards this warm and round tone that you get

913
00:52:16,320 --> 00:52:18,920
on those on those albums With Sammy.

914
00:52:18,679 --> 00:52:21,159
Speaker 3: I mean, I see what you're saying, and we've already agreed.

915
00:52:21,280 --> 00:52:23,320
Speaker 4: I'm more of a radio friendly guy, right.

916
00:52:23,239 --> 00:52:27,239
Speaker 3: Right, Ye's it's a personal preference thing. Imagine we'll get

917
00:52:27,280 --> 00:52:29,719
into it a little bit more when if we break down.

918
00:52:29,639 --> 00:52:31,960
Speaker 2: It's just that your personal preference is wrong. That's all,

919
00:52:32,239 --> 00:52:34,679
which as long as we can both agree that your

920
00:52:34,679 --> 00:52:35,679
personal preference is wrong.

921
00:52:35,719 --> 00:52:40,000
Speaker 3: I know, man, I just for me, the Sammy Hagar

922
00:52:40,119 --> 00:52:44,239
era is roll down the windows, drive around, crank it up,

923
00:52:44,280 --> 00:52:46,599
having a great time in the summer night. Dave is

924
00:52:48,000 --> 00:52:51,239
I mean Dave listen. I love Dave Era van Halen.

925
00:52:52,360 --> 00:52:54,360
Speaker 4: But it's just different. They're just two different bands.

926
00:52:54,519 --> 00:52:57,639
Speaker 2: So anyway that part we can agree on. They're definitely

927
00:52:57,760 --> 00:52:58,320
different bands.

928
00:52:58,320 --> 00:53:01,440
Speaker 3: They are different bands. But let me just throw a

929
00:53:01,519 --> 00:53:06,840
quick shout out, Sammy, if you're listening, contact us through

930
00:53:06,880 --> 00:53:09,719
the podcast. I promise we'll find a spot to get

931
00:53:09,719 --> 00:53:13,079
you on here wants you to be involved with a show.

932
00:53:14,360 --> 00:53:18,639
Speaker 2: Five star review Sammy, Okay, this defines our difference because

933
00:53:19,000 --> 00:53:21,719
I know there's no way in heck that David Lee

934
00:53:22,159 --> 00:53:22,480
is going.

935
00:53:22,400 --> 00:53:28,000
Speaker 3: To be exactly past exactly Dave is too busy talking.

936
00:53:29,159 --> 00:53:31,360
I don't know the interaction with the fans. I think

937
00:53:31,480 --> 00:53:35,159
Sammy is stronger there too. He just seems he's just

938
00:53:35,199 --> 00:53:38,559
such a likable guy. When Van Halen was introducted into

939
00:53:38,599 --> 00:53:42,239
Hall of Fame, you know who showed up, Sammy and

940
00:53:42,280 --> 00:53:46,400
Michael Anthony, two guys who are banned from existence now.

941
00:53:48,039 --> 00:53:52,519
Speaker 2: Yeah, So, guys, thank you for listening to us for

942
00:53:52,559 --> 00:53:55,840
this entire diatribe that we've gone through. We hope that

943
00:53:55,880 --> 00:53:57,559
you enjoyed it. We hope you had a little fun

944
00:53:57,599 --> 00:54:03,960
with us. Oh my gosh, we have to talk about

945
00:54:03,960 --> 00:54:05,039
what's going to happen next week.

946
00:54:05,400 --> 00:54:06,239
Speaker 3: I'm so excited.

947
00:54:06,360 --> 00:54:09,440
Speaker 2: Yes it is. It's been coming and coming, and it's

948
00:54:09,480 --> 00:54:12,199
finally going to be here. It is The Raiders of

949
00:54:12,239 --> 00:54:16,119
the Lost Arc versus The Back to the Future podcast.

950
00:54:15,719 --> 00:54:18,400
Speaker 3: Two of our all time favorite movies.

951
00:54:18,119 --> 00:54:22,159
Speaker 2: From the eighties. Yes, they are amazing movies. Get ready

952
00:54:22,239 --> 00:54:24,440
for a lot of geeking out, because that is what's

953
00:54:24,440 --> 00:54:26,400
going to happen. There's lots of geeking out to come.

954
00:54:26,480 --> 00:54:28,119
So if you want to come geek out with us,

955
00:54:28,400 --> 00:54:29,440
please come and listen in.

956
00:54:29,599 --> 00:54:31,719
Speaker 3: That's right, turn on your flicks, capacitors, get out your

957
00:54:31,719 --> 00:54:32,920
bull whip, and we will see.

958
00:54:32,719 --> 00:54:33,599
Speaker 4: You next week.

959
00:54:35,320 --> 00:54:39,480
Speaker 2: Again. Tweet us at Shirley Podcast on Twitter, send us

960
00:54:39,519 --> 00:54:43,239
a comment or a message on Facebook at Shirley Podcast.

961
00:54:43,360 --> 00:54:46,800
If you want to email us, email us at Shirleypodcast

962
00:54:47,079 --> 00:54:49,840
at gmail dot com. And also don't forget to check

963
00:54:49,880 --> 00:54:52,719
out our YouTube channel, the Surely You Can't Be Serious

964
00:54:52,760 --> 00:54:58,159
podcast channel. Love you guys again. Overwhelmed by the positive

965
00:54:58,159 --> 00:55:00,119
support that we're getting, We're going to keep cranking. Can

966
00:55:00,159 --> 00:55:02,079
a matter as long as you guys keep listening.

967
00:55:09,119 --> 00:55:18,800
Speaker 3: In time, okay, d as we do. Okay, let's start.

968
00:55:18,599 --> 00:55:20,519
Speaker 2: Over, keep doing.

969
00:55:23,480 --> 00:55:23,800
Speaker 6: All right?

970
00:55:23,840 --> 00:55:31,920
Speaker 2: We want okay, go ahead, okay this time?

971
00:55:32,000 --> 00:55:34,079
Speaker 3: Okay, all right, d.

972
00:55:34,679 --> 00:55:36,840
Speaker 2: All music images and movie clips are used for the

973
00:55:36,840 --> 00:55:40,159
purposes of commentary and education in conjunction with the fair

974
00:55:40,239 --> 00:55:42,119
Use Agreement under the US copyright law.

975
00:55:43,000 --> 00:55:46,119
Speaker 1: My lovely people of Chicago, our seniors need our help

976
00:55:46,159 --> 00:55:49,320
to get vaccinated against COVID nineteen. That's right. Let's do

977
00:55:49,360 --> 00:55:52,719
it for them and for ourselves. Please learn more at

978
00:55:52,800 --> 00:55:56,840
Chicago dot gov slash senior vas. Let's help our communities

979
00:55:56,840 --> 00:56:00,000
by helping our seniors. Hey, Chicago, Let's help our blood

980
00:56:00,559 --> 00:56:03,320
get vaccinated against COVID nineteen to care for them and

981
00:56:03,519 --> 00:56:06,199
protect our community. They need us now more than ever.

982
00:56:06,440 --> 00:56:10,639
Please learn more at Chicago dot gov slash senior VAX.

983
00:56:11,000 --> 00:56:13,239
Let's help our communities by helping our seniors.

