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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graat. In a moment, we're

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going to bring you this week's episode of Yours Truly

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Johnny Dollar.

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Speaker 2: But first I want to encourage you.

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Speaker 1: If you're enjoying the podcast, please follow us using your

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favorite podcast software, And remember, as you're making your travel plans,

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check Johnny Dollar air dot com first. Johnny Dollar air

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dot com is a cross Lawne affiliate link, so part

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of your purchase prize supports the great Detectives of Old

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Time Radio at no additional cost to you. So remember

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when making your travel plans, check Johny Dollar air dot

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com first. But now from January twenty fifth, nineteen fifty nine,

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here is the doting Dowager.

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Speaker 3: Matter from Hollywood. It's time now for.

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Speaker 4: Johnny Dollar. George Reed here, Oh hi George. How are

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things at Floyd's of England?

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Speaker 3: Very good? As a matter of fact, very good?

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Speaker 4: Well, now, it can't all be good. He wouldn't be calling.

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Speaker 5: Me well, to tell the truth, I do have a

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small problem.

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Speaker 6: Figures no figures the word singular a small figure statuett

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belonging to missus Dora Harkness.

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Speaker 3: Ballin down in New York.

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Speaker 6: Allen, Yeah, it's terribly wealthy, but a real ex centric.

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So what's happened a little statue I mentioned? It's gone disappeared?

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Speaker 4: Oh what's it worth?

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Speaker 5: Insured value is twenty six fifty twenty six dollars and

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fifty cents.

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Speaker 4: Huh, twenty six bucks and a half wouldn't even cover

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my expense account.

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Speaker 5: How it just happens that she carries hundreds of thousands

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of dollars worth of personal property insurance with us, but

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for some reason or other, she attaches particular value to

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this statuette.

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Speaker 4: Oh, I get it. You're afraid that if we don't

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go through the motions of trying to find that, she

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might take her insurance elsewhere precisely real important to you.

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Huh Very then I take it I won't have to

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be Chinsey with the old expense account. Well now, John, okay, George,

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I'll be in touch. Bob Bailey and the Intriguing Adventures

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of a Man with the Action Packed Expense Account America's

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fabulous freelance insurance investigator, of course, truly Johnny Dollar, now

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act one of yours, Truly, Johnny Dollar, expense account submitted

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by special Investigator Johnny Dollar to Floyd's of England, North

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American Office, Hartford, Connecticut. Following is an account of expenses

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incurred during my investigation of the Doting Dowager Matter expense

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account Adam one seven ninety taxi trained fair in inc

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in Ental's Hartford to New York item to a dollar

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even for a cab from Grand Central Station to the

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address of Missus Dora Harkness ballen Over on East seventy

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third Street. It turned out to be one of New

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York's famous old brownstone houses, well preserved and reeking of

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an era long gone by A uniform butler rushed me

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into a large, high ceiling drawing room, and I can

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highly believe my eyes ornate pre Victorian furnishings, heavy red

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velvet draperies, huge lamps and crystal chandeliers, oil paintings all

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over the place, and gilded mirrors. Pretty fabulous. If you

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will be kind enough to wait here, mister Dollar, ration

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will tell Missus Ballin that.

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Speaker 3: You have arrived.

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Speaker 4: Thank you. I know that you'll want to see you.

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Speaker 2: Oh excuse me, Master Harold, It's all right against me.

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Speaker 4: Has the male would you like me to check. Yes,

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good idea. You know how Dora likes to see at

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the minute it gets here. Yes, yes, the mail common

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every day. You're here to see missus Ballin. That's right.

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I'm Johnny Dollar. I'm Hali Winters, her nephew. Hi, say

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tell me something, Yes, about this little statue that's missing?

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You mean that little chunk of pot metal that's disappeared.

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Oh it is, Oh, yes, just a piece of junk.

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But a couple of months ago at Dora decided it

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looked like her grandfather when he was a general back

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in the Civil War. Oh why does she value it

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so highly? I expect the general was the only Ballon

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who had guts enough to do anything on his own.

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What do you mean, I mean, instead of just living

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off the family shipping fortune. So when she suddenly decided

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the statue looked like the general, Johnny Dollar, did you say?

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That's right? The insurance investigated. Yes. Well, Now why should

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she bother.

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Speaker 3: You with it?

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Speaker 4: I don't know, truly, mister Dollar. It's not worth it.

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If I were you, i'd forget it. And now, if

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you'll excuse me, i'd better see if the morning mail

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has arrived. Hell, just when did the statue disappear? And

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from where kinda discovered it missing? From the reception room

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yesterday morning? Now, if you'll pardon me, was the house

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broken into? Possibly, but there was no sign of it.

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How about guests, No, we haven't had guests for a

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week or more. How many servants are there, mister dollar?

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Perhaps there's something i'd better tell you about that statue.

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Speaker 2: The statue of the General, I tell you, mister Dolla.

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You are mister dollar, aren't you? Yes, ma'am, I tell

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you that if you don't find out who stole it

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and get it back, I'll cancel every bit of my insurance.

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Sit down, thank you, Harold my dear ring for Higgins,

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and have him see if the morning mail has come.

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Speaker 4: I was about to go out and look for it myself.

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Speaker 2: Tanah, let Higgins do it. It's quite all right, I

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don't mind, I said, Let Higgins do it?

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Speaker 4: Well, all right, But if you'll excuse me now, oh

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why why, I'd like to go up to my room

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for a moment to.

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Speaker 2: Call up that that girlfriend of yours again. Sit down, yes, Tana,

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you and that girl, that Nancy Gavin, she'd like to

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take you away from me.

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Speaker 4: Wouldn't she and Dora?

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Speaker 2: Where would you go? What would you live on? And

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what would I do?

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Speaker 4: Darling? I hardly think this is the much.

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Speaker 2: As I like Nancy Gavin, I see no reason why

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I should let her take you away from me.

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Speaker 4: Do you, Missus Ballin about the statue?

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Speaker 2: Yes, yes, of course, mister Dollar. You are to leave

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no stone unturned.

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Speaker 4: Well not tell me.

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Speaker 3: I beg your pardon.

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Speaker 2: Oh, Higgins, why do you sneak in on us this way? Well?

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What is this? Male? Just arrived and knowing you'd want

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to see it?

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Speaker 1: Harold?

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Speaker 4: Care of it?

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Speaker 3: Well?

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Speaker 2: What letter?

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Speaker 4: No postmark? And it's so badly scrawled and pencil? Well,

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don't bother at Dora with it now?

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Speaker 2: But personal, then let me have it. Yes, Tanta, you

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may go now, Higgins.

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Speaker 4: Here, Tara, I suppose you let me see what it's

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all about.

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Speaker 2: He quiet, Harold.

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Speaker 4: Now, mister Dollar, Well, uh, first of all, I'd like

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you to tell me what's the matter, Missus.

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Speaker 3: Ballin and Dora?

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Speaker 4: What is it this letter?

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Speaker 2: Yes, it's it's a ransom note, ransom for the return

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of the statuette the general. They want seventy five thousand dollars.

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Speaker 3: What Act two of yours truly, Johnny Dollar. In a moment.

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Speaker 4: This letter, mister Dollar, maybe you'd better let me see it,

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missus Ballin.

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Speaker 2: It's a ransom note demanding seventy five thousand dollars for

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the return of my statuette of the.

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Speaker 4: General seventy five thousand dollars. Yes, Oh, they can't be serious,

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that little piece of potmet must be out of their mind.

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Speaker 2: I sag your pardon. What that statue means everything to me.

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It happens to be a memento of my grandfather, the

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famous General Horace Harkness Ballon. At least it looks like him.

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Speaker 4: But good Heaven's aunt Dora seventy five thousand.

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Speaker 2: Oh do you object because it will mean that much

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less for you when I die?

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Speaker 1: Harold?

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Speaker 4: Of course not. I wasn't even thinking of such a thing.

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Speaker 2: Well don't, at your age, with your lack of experience

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and getting along on your own money like that would

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only do you.

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Speaker 4: Harm, would it.

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Speaker 2: Yes, you'd probably leave me strike out on your own,

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perhaps even marry, and heaven only knows what.

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Speaker 4: Would happen, Missus Ballin, are you really serious about paying

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this this ransom?

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Speaker 2: I have the money, I have it right here, in

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the safe and if it will bring back the General.

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Speaker 4: Look, why don't you let me see what I can

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do about it first and have it destroyed? Destroyed?

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Speaker 2: Well, here read the letter.

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Speaker 4: It was the usual sort of thing, poorly written on

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sheep paper and scribble and pencil, and it simply said

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that the money in unmarked bills was to be turned

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over to her nephew Harold, that instructions for its delivery

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would be given to him later. Secretly that if he

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then devosed the place and manner in which he was

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to make the payment, his life would be in danger.

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Speaker 2: Don't you see, mister Dolla. If we don't do as

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they say, they might kill him.

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Speaker 4: It further said that if the police were brought in,

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the statue would be destroyed.

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Speaker 2: I have no choice, mister Dolla. I'll pay the ransom.

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Speaker 4: Tanta Harold.

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Speaker 2: You will take it to them, whoever they are, when

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you receive their instructions.

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Speaker 4: They've threatened me.

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Speaker 2: Only if we don't obey instruction.

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Speaker 4: All right, now, look, missus ballin, yes, Tanah, listen to

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mister Dollar.

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Speaker 2: I have told you I must have the General back

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at any cost. Very well, no one is to leave

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this house except Harold, of course, when he is told

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to by the kidnapper.

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Speaker 4: Missus Ballin, I won't let you do this. You, it's

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other nonsense for you to consider paying out that kind

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of money for a cheap little piece of junk that

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can't possibly be worth anything to whoever took it, except

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perhaps for its effect on you.

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Speaker 2: I told you, young man, it's the one priceless manento

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I have of the Great General Ballot.

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Speaker 4: Yeah, you told me very well.

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Speaker 2: You are here on my orders, are you not?

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Speaker 3: Well?

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Speaker 2: Yes, all right, then you will remain subject to my

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orders very well. Now, Hi, everybody, Nancy, what's everybody looking

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so blammables? Hi? Sweetie, Oh, Missus Bell, Missus Gavin, mister Dollar.

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This is Nancy Gavin, a friend of Harold Johnny Dalla.

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Speaker 4: Hi, Hey, I know about you, Nancy dear. You come

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to find that Watchmacard, Missus bellon law.

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Speaker 2: It was stolen, okay, stolen, and the the kidnappers are

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demanding seventy five thousand dollars ransom. That's easy, pay it.

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I sh well, and Nancy, you are to stay right

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here in this house until this whole thing is over

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with Auntie.

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Speaker 4: I don't mind that a bit do we have food winch? Seriously, Auntie,

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when are you going to let Hew marry me, get

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out on his own and leave me?

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Speaker 2: Do you think for one minute that my precious Harold

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would do that?

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Speaker 4: Why don't you answer that?

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Speaker 2: How, mister Dallar, This is none of your business. It

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has nothing whatsoever to do with the reason for your

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being here.

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Speaker 4: You know something, Missus Ballan, I'm beginning to think you're wrong.

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Speaker 2: You came here to find the statue that was stolen

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from me, that's right, and maybe I'm on the track

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of it now.

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Speaker 4: So how about it? How would you leave your aunt

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if you could? It was a wild guess, but the

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more I thought about it, the more I decided that

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Harold Winter's answer might solve this case for me. Yeah,

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and that Missus Balin would be pretty shocked when I

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put my anger on the thief, the writer of that

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ransom note. But you know something, I was dead wrong.

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Act three of yours, truly, Johnny Dollar. In a moment, No,

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Act three of yours, truly, Johnny Dollar, and the doting

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dollars your matters. This is none of your business.

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Speaker 2: It has nothing whatsoever to do with the reason for

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your being here.

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Speaker 4: You know something, missus Ballin, I'm beginning to think you're wrong.

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So answer the question, how would you leave your aunt

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if you could? Yes, yes I would.

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Speaker 2: What you bet he would?

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Speaker 6: Aunt Dora?

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Speaker 2: You know he would if you just break down, admit

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he's no longer a child to be tied to your

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apron string.

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Speaker 4: Give him a break and aneugh money to get by

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for a week or two, and he'll show you. Don't

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you want him tom on to anything? Of course I do. Well,

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he can't as long as you keep him tied up

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to you this way.

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Speaker 2: But he needs me, does he?

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Speaker 4: Maybe he needs somebody like me, somebody who.

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Speaker 5: Loves him and will help him get somewhere.

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Speaker 4: Help him to accomplish the things he can accomplish. You

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do love him, don't you?

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Speaker 2: You bet I do? But so do I, and he

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loves me.

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Speaker 4: He'd love you a lot more if he weren't so

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tied down to you.

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Speaker 2: Hall. It's true, Aunt Dora, I never knew you even

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thought about leaving me, about going out on your own,

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as you put it.

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Speaker 4: Because you never gave me a chance, because you never

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thought of anyone but yourself. I'm sorry, mister Dollar. What

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I mean that you've had to become involved in a

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family fight. Well I'm not because now I think I

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know where to look for that statuette. Oh well, I

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wish you luck come, Nancy. I want to talk to you.

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I want to talk to you.

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Speaker 2: Now.

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Speaker 4: Wait just a minute, No, mister.

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Speaker 2: Dollar, let them go, because I want to talk to you.

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Speaker 4: Now. Look, isn't it pretty obvious? I knew that something

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was wrong when I first got here. Hal hadn't known

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you were going to call me in, so that when

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he saw me here, you didn't know.

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Speaker 2: It was my kind, thoughtful Bata Higgins who called your

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insurance company, and he shouldn't have.

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Speaker 4: The fact remains that when Hal saw me here, he

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tried to stop that ransom note he'd planted in your mail. No, wait,

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00:15:40,480 --> 00:15:43,039
all about that ransom note. It was badly written, much

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too badly written by someone who was trying to hide

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his identity.

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Speaker 3: I'll wait you.

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Speaker 4: That paper was scribbled on, came from right here in

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this house. And I'll bet that if I accuse him

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of it, how will break down and admit.

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Speaker 3: That he wrote it?

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Speaker 2: Wait, mister dolla. Yeah, I devoted many years to the

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care and upbringing of my Neffy I realized that in

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the hope that he would someday go out on his

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own accomplish something himself. Well, now, listen, I know perhaps

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over the years I made him too dependently.

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Speaker 4: I'd say yes to that, but that's because.

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Speaker 2: I am as I am, and I can't change. But

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I kept hoping that he would change that somehow, sometime

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he would make just one desperate move to break away

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from me, but it would have to be of his

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own doing so. For years people have called me eccentric,

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and I've enjoyed the reputation. So I made a fuss

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over that cheap little statuette that I picked up in

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Coney Island one time as a child. Of course, that

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was the only sentimental value it had.

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Speaker 4: But according to Herod, now should.

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Speaker 2: I have picked one of the valuable artworks, paintings or

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sculptures that I really care about in my selfish way

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for this little experiment.

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Speaker 4: So you gave the worthless statuette the big build up.

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Speaker 2: Yeah, and he fell for it. He believed that if

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it were stolen, I'd give almost anything to get it back.

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And then finally he got up enough nerve to do

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something about it.

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Speaker 4: Not just a minute, just a minute. What you're telling

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me is that your tickled pink that you've made a

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thief on him.

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Speaker 2: I'm tickled pink that he's finally shown some guts and gumption.

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And you can't call him a thief over that piece

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of jump.

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Speaker 4: But it has a price of seventy five thousand on it.

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That's what he'll be stealing if you give him that

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money and let him walk out of here with it.

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Speaker 2: No, no, he won't.

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Speaker 4: What else can you call it? I like to be eccentric,

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remember missus fowl.

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Speaker 2: So the note island clothes with it, you know. When

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he tells me he's received instructions about where and how

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it's to be delivered. What no in it? I'll say,

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00:17:43,440 --> 00:17:46,559
dear Harold, the best of luck to you and Nancy.

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I hope you'll be tremendously happy. And I hope that

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now and then you'll drop in on your loving and

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00:17:52,559 --> 00:17:57,240
now someone loves some Aunt Dora. I see, and I

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think I'll en close a few extra thousand, just in

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case it's a kind of extra wedding.

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Speaker 4: Press, extra wedding press.

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Speaker 3: Of course, the.

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Speaker 2: Statuette certainly don't want them to bring that atrocity back here.

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Oh no, don't wait.

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Speaker 4: Yes, dear, I just wondered if mister Dollar has decided

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how he wants to proceed with his investigation.

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Speaker 2: Well, mister Dollar, how.

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Speaker 4: After getting what information I could from your aunt, what

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little information I could? Yes, well I've decided to give.

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Speaker 2: Up the case. Yes, Harold, you may as well show

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mister Dollar to the door.

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Speaker 4: Whatever you say, Tom, Yeah, goodbye, missus ballin. Oh and

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maybe you'd better phone the insurance company about the extra

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fee I'm to get on this case.

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Speaker 2: Oh I did right after Higgins told me he'd call them.

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Speaker 4: But if he's giving up the case, do you show

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00:18:58,839 --> 00:19:04,880
him to the door? Yes, this Wayams the Dollar. Yeah, thanks,

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00:19:09,519 --> 00:19:11,880
Now you listen. Now I can tell by your look

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that you've learned something, mister Dollar, I have, perhaps even

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more than I know.

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Speaker 3: So look here.

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Speaker 4: Do you think this will do for the sequel to

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00:19:20,960 --> 00:19:21,720
the ransom note?

355
00:19:22,240 --> 00:19:23,079
Speaker 2: What you know?

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Speaker 4: All the instructions about where I'm to take the money?

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Speaker 2: Oh?

358
00:19:27,079 --> 00:19:31,039
Speaker 4: Now, wait a minute, you mean to say you mean

359
00:19:31,160 --> 00:19:34,000
you knew? Are you kidding? That's why I try to

360
00:19:34,079 --> 00:19:38,400
discourage you in the beginning? But will somebody please tell

361
00:19:38,480 --> 00:19:43,119
me tell me why Tata just being herself? You don't

362
00:19:43,160 --> 00:19:45,160
think for a minute you'd have just handed me the money,

363
00:19:45,240 --> 00:19:47,599
would have admitted she wants Nancy and me to get hitched.

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Speaker 3: Don't you see?

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Speaker 4: That would spoil her reputation for being an eccentric. Oh

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and if you like, I'll send you the statuette when

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this is all over as a souvenir. Believe me, I've

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handled some pretty wanky cases over the years, but this was,

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00:20:07,200 --> 00:20:11,359
by long odds the wankiest. And yet why complain when

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it's a good living expense account total including all the

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incidentals I could think of, and fair back to Hartford?

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What seventeen dollars and eighty cents? Amy, yours truly, Johnny Dollar,

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our star will return in just a moment for star

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to tell you about next week's story. Next week, Well,

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if you've ever read the personal columns of your newspaper,

376
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you'll surely want to hear it. Join us, won't you?

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Yours truly, Johnny Dollar, Yours truly, Johnny Dollars, starring Bob Bailey,

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originates in Hollywood and has written, produced and directed by

379
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Jack Johnstone. Heard in our cast were Virginia Gregg Eleanor

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00:21:30,240 --> 00:21:35,160
Audley G. Stanley Jones, Eric Snowden and Sam Edwards be

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sure to join us next.

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Speaker 1: Week Welcome back. Worth noting that this episode, even though

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we played it right after last week's, there was another

384
00:21:52,359 --> 00:21:56,680
episode in between that is missing, and the episode after

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00:21:56,799 --> 00:21:57,559
this is missing.

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Speaker 3: Now.

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00:21:57,960 --> 00:22:02,119
Speaker 1: One thing I will confest is that when I heard

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00:22:02,640 --> 00:22:07,599
Johnny refer to this as his wildest case, my hackles

389
00:22:07,680 --> 00:22:11,759
went up, because, in my mind, the wildest case Johnny

390
00:22:11,839 --> 00:22:19,000
Dollar has ever done is the Glacier Ghost Matter newly recovered,

391
00:22:20,119 --> 00:22:25,640
in which in order to dislodge a body from an

392
00:22:25,799 --> 00:22:32,279
unreachable glacier, he threw dynamite onto the glacier from a

393
00:22:32,519 --> 00:22:37,160
small plane. But Johnny said something in this episode that

394
00:22:37,319 --> 00:22:41,480
gave me pause when he described it as his wackiest case,

395
00:22:41,599 --> 00:22:44,720
And I don't feel the Glacier Ghost Matter was a

396
00:22:44,920 --> 00:22:49,519
wacky story. So now I am distinguishing between the wacky

397
00:22:49,640 --> 00:22:53,960
Johnny Dollar stories where Johnny finds himself the straight man

398
00:22:54,279 --> 00:23:00,319
for eccentric people doing eccentric things like putting their money

399
00:23:00,519 --> 00:23:05,920
through the laundry or managing the singing career of a mouse,

400
00:23:06,720 --> 00:23:14,759
as opposed to wild cases where really strange, weird, implausible

401
00:23:14,880 --> 00:23:20,359
things happen in a sort of action adventure way. That said,

402
00:23:20,480 --> 00:23:24,200
I'm honestly not sure whether this actually does take the

403
00:23:24,359 --> 00:23:29,960
cake for wackiest case, because there are a number of contenders.

404
00:23:30,519 --> 00:23:35,359
I mean, we have heard Johnny deal with Alvin Cartwright

405
00:23:35,599 --> 00:23:43,480
and his unusual animals and Durango Laramie washing cash and

406
00:23:43,960 --> 00:23:48,519
selling people acres of his not oil land, so I

407
00:23:48,640 --> 00:23:51,000
think in that way, it's kind of middle of the

408
00:23:51,160 --> 00:23:56,240
road in terms of how ranks on the truly wacky meter.

409
00:23:56,759 --> 00:24:02,240
I feel like stating that a Lloyd's of England client

410
00:24:02,519 --> 00:24:07,400
is eccentric is one of those things that really just

411
00:24:07,559 --> 00:24:12,240
be considered as red. I mean, nearly every client they

412
00:24:12,440 --> 00:24:16,640
have is eccentric. Might have something to do with them

413
00:24:16,720 --> 00:24:21,440
taking ads out in Eccentric's Weekly, but this is the

414
00:24:21,559 --> 00:24:26,240
reason Johnny gets called in by them. I enjoyed eleanor Audleyan.

415
00:24:27,039 --> 00:24:30,640
She was given a lot of work that just came

416
00:24:30,839 --> 00:24:38,279
down to playing a snootie or snobbish, middle aged or

417
00:24:39,160 --> 00:24:43,400
elderly woman depending on the stage of her career. However,

418
00:24:44,599 --> 00:24:49,000
she could handle media roles. When this episode released, we

419
00:24:49,200 --> 00:24:53,119
were four days away from the release of Sleeping Beauty

420
00:24:53,400 --> 00:24:57,599
and audiences being introduced to Malufficent, and here she gets

421
00:24:57,680 --> 00:25:01,880
to add some color to the character. And while this

422
00:25:02,119 --> 00:25:06,880
is exaggerated, I think that there are many real life

423
00:25:07,359 --> 00:25:11,640
relationships that can have elements where they know that the

424
00:25:11,720 --> 00:25:16,039
way the relationship and here we could talk romantic or

425
00:25:16,880 --> 00:25:20,200
in this case familiar. We know the way that this

426
00:25:20,400 --> 00:25:23,839
is functioning is not good for one or both parties,

427
00:25:24,519 --> 00:25:29,319
but we don't know really how to make it work. Now.

428
00:25:29,440 --> 00:25:33,200
While I suppose she could throw him out and do

429
00:25:33,359 --> 00:25:38,200
a sort of sink or swim buddy approach, her idea

430
00:25:38,759 --> 00:25:42,480
that in order for him to actually succeed in life

431
00:25:42,839 --> 00:25:46,480
away from her is that he is going to have

432
00:25:46,759 --> 00:25:50,759
to get some gumption and take some initiative. Now, is

433
00:25:51,039 --> 00:25:54,839
inducing him to commit a jule theft the best way

434
00:25:54,960 --> 00:25:58,759
to do this? Probably not, But this is the Floyd's

435
00:25:58,759 --> 00:26:04,359
of England client, So that's about what you'd expect. All right, Well,

436
00:26:04,920 --> 00:26:08,720
listener comments and feedback. Now we have some comments on

437
00:26:08,920 --> 00:26:13,920
Spotify regarding the Hollywood Mystery matter, and we start with

438
00:26:14,119 --> 00:26:18,359
Don who highlighted my comment this is a middle a

439
00:26:19,240 --> 00:26:23,759
bookkeeper and not the Riddler. Very good, Adam, and thanks

440
00:26:23,799 --> 00:26:27,160
for calling a guy in his sixties middle aged, Unlike

441
00:26:27,240 --> 00:26:30,640
some other programs where anything over forty is played as

442
00:26:30,799 --> 00:26:34,440
elderly looking at you dragging that well. I guess it's

443
00:26:34,519 --> 00:26:37,039
somewhat of the modern perspective.

444
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Speaker 2: You know.

445
00:26:37,640 --> 00:26:43,240
Speaker 1: They do say that sixty is the new forty. They

446
00:26:43,359 --> 00:26:46,720
also say that forty is the new thirties. But this

447
00:26:47,000 --> 00:26:50,480
does not feel like my thirties. But thanks so much.

448
00:26:50,599 --> 00:26:55,680
Appreciate the comment, don actor who done it rights normally,

449
00:26:57,200 --> 00:27:00,559
Johnny Dowler is a four course meal this and seemed

450
00:27:00,759 --> 00:27:05,039
all appetizer. They missed all the meat and potatoes. You know,

451
00:27:05,279 --> 00:27:10,680
I think that's actually a really fair comparison. And this

452
00:27:11,200 --> 00:27:15,839
tends to happen quite a bit because of the reduction

453
00:27:16,039 --> 00:27:21,279
in episode run time. There's not as much opportunity to

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00:27:21,839 --> 00:27:25,400
fill the story and to do everything that you might

455
00:27:25,559 --> 00:27:29,880
do if you had saken or twenty six minutes of

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00:27:30,119 --> 00:27:36,519
storytelling time, and so some stuff gets sacrificed in the process,

457
00:27:37,160 --> 00:27:41,359
and Johnstone seems to on occasion sacrifice the wrong thing.

458
00:27:42,079 --> 00:27:45,920
I mean, there are episodes which are twenty minutes and

459
00:27:46,039 --> 00:27:50,240
half of it is Johnny talking to the insurance agent.

460
00:27:50,759 --> 00:27:57,640
Harrison says, I was hoping for more Parly bear in

461
00:27:57,799 --> 00:28:02,759
an episode featuring a character named Parley. That's not even

462
00:28:02,880 --> 00:28:08,680
the most extreme underuse of Poorly Bear in one of

463
00:28:08,720 --> 00:28:12,599
these stories. I think the Parly Baron matter, one of

464
00:28:12,720 --> 00:28:17,119
the other episodes with a character named Parley, didn't even

465
00:28:17,200 --> 00:28:21,559
have Harley Barron in at all. It's an unusual choice.

466
00:28:22,880 --> 00:28:28,559
In most other episodes where Johnstone's naming a character after

467
00:28:28,799 --> 00:28:33,519
an actor, that actor actually appears, like Eric Snowden, but

468
00:28:33,880 --> 00:28:36,920
Parley Bear did not need to actually be in the

469
00:28:37,039 --> 00:28:43,079
episode for a character to be named after him. Vicky writes, interesting,

470
00:28:43,759 --> 00:28:47,799
and John says no expense account this time because he

471
00:28:47,880 --> 00:28:50,400
took the bride from the Pretty and East. I don't

472
00:28:50,440 --> 00:28:56,119
think that's in character at all. Also on the not

473
00:28:56,440 --> 00:29:00,359
taking an expense account, not sure why Johnny had the

474
00:29:00,440 --> 00:29:04,039
attitude he did when he was already told no prosecution

475
00:29:04,359 --> 00:29:08,000
was the desire. This is from Mechanics sixty six. And

476
00:29:08,119 --> 00:29:12,279
then why put the bill himself for a miser annually

477
00:29:12,440 --> 00:29:17,160
around bad Boss? So I guess a couple of different

478
00:29:17,200 --> 00:29:19,920
issues than those two comments. First of all, I think

479
00:29:20,119 --> 00:29:27,599
that John misunderstood the end. Johnny did not take a bribe. Essentially,

480
00:29:27,720 --> 00:29:30,759
what the niece offered to do was the money that

481
00:29:30,960 --> 00:29:33,680
her uncle had already spent. She offered to make it

482
00:29:33,839 --> 00:29:40,039
good and This pretty much resolved the issue in terms

483
00:29:40,119 --> 00:29:44,079
of the client and in terms of the insurance company.

484
00:29:44,599 --> 00:29:49,440
The boss would be repaid the full amount, the insurance

485
00:29:49,519 --> 00:29:54,240
company would not have to provide anything, and while as

486
00:29:54,319 --> 00:29:59,039
Mechanics sixty six pointed out, the owner did not want

487
00:29:59,119 --> 00:30:03,559
to prosecute, but the thing is that really wasn't the

488
00:30:03,839 --> 00:30:06,480
end of the matter. If they were only able to

489
00:30:06,559 --> 00:30:11,119
make a partial recovery, the insurance company wasn't just going

490
00:30:11,240 --> 00:30:16,920
to pay off, smile and walk away. Generally, insurance contracts

491
00:30:17,039 --> 00:30:24,039
require if you're insured, you cooperate with the efforts of recovery,

492
00:30:24,440 --> 00:30:28,079
and the insurance company had a number of tools available.

493
00:30:28,279 --> 00:30:31,960
They could press for prosecution. They could also bring a

494
00:30:32,039 --> 00:30:38,720
civil case, or they could some binding restitution arrangement. Regardless,

495
00:30:39,039 --> 00:30:43,119
Parley wasn't just going to get off the hook scott free.

496
00:30:43,480 --> 00:30:47,599
By her going ahead and being willing to pay the difference,

497
00:30:47,960 --> 00:30:51,759
it could close the matter without the insurance company making

498
00:30:51,920 --> 00:30:55,400
any recovery at all. Though the talk about being a

499
00:30:55,480 --> 00:30:58,920
necessory after the fact was just a bit of nonsense.

500
00:30:59,319 --> 00:31:04,240
As to Johnny refusing the expense account, that tends to

501
00:31:04,359 --> 00:31:09,920
be one of his more eccentric little quirks and it's

502
00:31:10,039 --> 00:31:14,039
usually born out of an emotional reaction, either joy or

503
00:31:14,200 --> 00:31:19,119
disgust or sadness. Here, I think it's an expression of

504
00:31:19,359 --> 00:31:24,079
gratitude for the new year. It's an expression that he's

505
00:31:24,200 --> 00:31:29,720
happy for Parley Baron because of the false diagnosis and

506
00:31:30,000 --> 00:31:34,759
his niece's kindness, he actually gets a chance to start

507
00:31:34,839 --> 00:31:40,279
his life over again and have some enjoyment rather than

508
00:31:41,480 --> 00:31:47,119
working his life away at a job that doesn't care

509
00:31:47,359 --> 00:31:50,759
for him or about him, and therefore have a much

510
00:31:50,920 --> 00:31:55,079
better outlook on life. Now, I'll admit I don't totally

511
00:31:55,440 --> 00:32:00,759
understand this instinct. I have had times to mean happy, grateful.

512
00:32:01,480 --> 00:32:04,799
I have never felt so happy that I think I'm

513
00:32:04,880 --> 00:32:09,039
gonna go ahead and not charge a large corporation money

514
00:32:09,079 --> 00:32:11,960
they owe me. That is just not a level of

515
00:32:12,039 --> 00:32:18,759
happiness I've achieved. But just as with our eccentric millionaires,

516
00:32:19,240 --> 00:32:22,240
if that's how Johnny wants to spend his money, that's

517
00:32:22,400 --> 00:32:24,160
his business, all right.

518
00:32:25,400 --> 00:32:25,519
Speaker 3: Then.

519
00:32:25,599 --> 00:32:28,880
Speaker 1: We have a comment on YouTube, this one from Mildred

520
00:32:29,039 --> 00:32:35,160
regarding the recent function upgrades there. The hot button is

521
00:32:35,319 --> 00:32:38,160
only available for the first six or seven days after

522
00:32:38,359 --> 00:32:41,839
video has been uploaded, and you only get three hops

523
00:32:41,880 --> 00:32:46,039
per week. Monday is the start of a new hop week. Well,

524
00:32:46,119 --> 00:32:48,880
thanks so much, Mildred. That is not a feature I

525
00:32:48,960 --> 00:32:53,240
have understood, so I appreciate the feedback. Now it is

526
00:32:53,440 --> 00:32:57,240
time to think our Patreon supporters of the day, and

527
00:32:57,400 --> 00:33:00,720
as this is the first Friday in februaryor we want

528
00:33:01,319 --> 00:33:04,359
to thank those who've been supporting the podcast for five

529
00:33:04,519 --> 00:33:09,440
years this month and I want to thank David supporting

530
00:33:09,599 --> 00:33:13,599
the podcast at the Chief of Detective's level of thirty

531
00:33:13,680 --> 00:33:18,759
dollars or more per month, MCF supporting us at the

532
00:33:19,119 --> 00:33:22,480
Master Detective level of fifteen dollars or more per month,

533
00:33:23,359 --> 00:33:27,079
Paul Laine supporting the podcast at the Detective Sergeant level

534
00:33:27,160 --> 00:33:29,799
of seven dollars and fourteen cents or more per month.

535
00:33:29,960 --> 00:33:32,839
Thanks so much for your support and that will do

536
00:33:32,960 --> 00:33:36,559
it for today. If you're enjoying the podcast, please follow

537
00:33:36,680 --> 00:33:42,160
us using your favorite podcast software and be sure to

538
00:33:42,400 --> 00:33:45,559
rate and review the podcast wherever you download it from.

539
00:33:46,400 --> 00:33:50,640
We will be back next Friday with another episode of

540
00:33:50,799 --> 00:33:54,960
Yours Truly Johnny Dollar. Join us next Monday as we

541
00:33:55,200 --> 00:33:59,359
begin our second trip through the Saint but join us

542
00:33:59,400 --> 00:34:01,880
back here tomorrow as we give way to the great

543
00:34:01,920 --> 00:34:04,519
adventurers of old time radio.

544
00:34:05,039 --> 00:34:05,599
Speaker 3: Where.

545
00:34:07,039 --> 00:34:11,800
Speaker 7: Kenny see a mile. Sure, we're about four thousand feet up.

546
00:34:12,599 --> 00:34:12,840
Speaker 3: Look.

547
00:34:13,440 --> 00:34:15,840
Speaker 7: Look out, those clips drop right down from the side

548
00:34:15,840 --> 00:34:20,599
of the road. Oh, I thought I'd turn and drive

549
00:34:20,679 --> 00:34:22,039
right up to the edge. We can sit for a

550
00:34:22,079 --> 00:34:23,440
few minutes and look out at the view.

551
00:34:25,719 --> 00:34:28,480
Speaker 4: Henry the first.

552
00:34:29,760 --> 00:34:32,920
Speaker 8: Head on here book of course, See how I can

553
00:34:32,960 --> 00:34:38,840
handle a car. I didn't have a drink like you did. Exciting,

554
00:34:39,599 --> 00:34:40,280
have another.

555
00:34:40,079 --> 00:34:44,199
Speaker 7: Drink, all right for I'm busy now.

556
00:34:46,599 --> 00:34:52,800
Speaker 4: Yeah, lean on my shoulders, Kenny, I'm sorry.

557
00:34:52,920 --> 00:34:59,000
Speaker 3: Oh, oh, it's all right now.

558
00:34:59,119 --> 00:35:04,519
Speaker 9: But doesn't Perhaps there was a pin or something in

559
00:35:04,559 --> 00:35:15,599
the cushion. Hey what what how should I know?

560
00:35:16,159 --> 00:35:19,920
Speaker 2: You do know? It was you? You've done it. There

561
00:35:20,000 --> 00:35:21,639
was a hypodemic needing new pidon you.

562
00:35:21,840 --> 00:35:24,000
Speaker 4: You gotting too dangerous to have around you, and you're jealous.

563
00:35:24,000 --> 00:35:26,599
Speaker 1: Street your head off.

564
00:35:26,679 --> 00:35:27,719
Speaker 3: Nobody ever hear you up here.

565
00:35:28,440 --> 00:35:35,960
Speaker 4: You're going over the cliffs just when they find your

566
00:35:36,039 --> 00:35:39,840
body of the blood naturally and your stomach full of blicker.

567
00:35:40,599 --> 00:35:43,920
Speaker 1: In the meantime, send your comments to Box thirteen at

568
00:35:44,000 --> 00:35:47,559
Great Detectives dot net, follow us on Twitter, Radio Detectives,

569
00:35:47,840 --> 00:35:51,519
and check us out on Instagram, Instagram, dot com slash

570
00:35:51,599 --> 00:35:56,039
Great Detectives from Boise, Idaho. This is your host, Adam

571
00:35:56,159 --> 00:35:57,320
Graham signing off.

