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Speaker 1: And right now we have who I Am and Thrax,

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who have both been on the show before multiple times actually,

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but in but in different, uh different configurations. This is

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the first time the two of you have been on

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together and you've got this new collaboration hot Wax, the

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brand new EP. Congratulations on that, thanks so much, absolutely

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absolutely what uh what brought this about? That the two

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of you working together? I saw you play live. I

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think it was at oh was that Jewel spelfy Fest

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spelfie Fest, and uh that was And that was the

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first time I knew that the two of you were

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working together when I when I saw you on stage

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together and what was that was at the beginning of

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this or they're working together.

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Speaker 2: Prior to that?

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Speaker 3: It was about our fifth I think that was our fifth.

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We're around there, I mean, at least from this side

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of the fence. That first of all, good morning.

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Speaker 4: You guys, Yes, you guys. Good morning j J.

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Speaker 3: Matt Well, thank you, good morning, good morning. I think

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this this was like a spur of the moment thing

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because I you can probably correct me if I'm wrong,

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but we were kind of like morphing the idea of

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like me filling in for a couple of like live shows, yeah,

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last year as let's see what would like what would happen? Yeah,

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and at least from your side of the fence. I

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think that's how it started. Where what was it? The

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first one at the Jungle, right.

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Speaker 4: Yeah, it was the Jungle. I mean I was, you know,

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I was playing solo shows.

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Speaker 3: And for a long time for yeah, I go, oh, yeah.

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Speaker 4: So he's twenty eighteen. It's twenty seventeen. I've been Yeah,

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you even came here and playing, Yeah, did your whole

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great time here to playing solo set? And of course

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I have keyboards, so I have, you know, instruments that

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I backtrack, and so I saw that tracks was available

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and as far as looking to do stuff, and I was,

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I'm looking to, you know, bolster up my sound live

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and make it, you know, make it come out pop more.

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And so I reached out to Thracks and staid, do

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you be interested in playing live with me? And yeah,

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It's like sure, why not? Yeah? And so I sent

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him some some tracks and stuff, demo stuff to go

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over and you know, I kind of already was in

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my groove and so you know, thankfully Thrax leaned into

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it and really really picked up the songs like incredibly fast. Yeah,

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and then we like I like to say, you know,

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we're really born live because that's the first thing we

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ever did was play live together before we even practice.

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Speaker 1: When you reached out to him, did you did were

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you confident that he was going to say yes? Or

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because obviously he's in Because I think there's that even

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a federal law now that every drummer has to be

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in like fifteen different bands at the same time.

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Speaker 4: Is yeah, there is currently. Yeah, it's hard to get

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around that. Yeah, I was. I knew, of course, I

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met tracks and been on bills with tracks and several

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different variations Cosmic Bank, d H and so you know,

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I knew tracks. But you know, it was just the

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time when he did. He didn't have five.

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Speaker 3: Yeah, I was in a wole period. I was only

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in like two projects.

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Speaker 4: Yeah, it was so, you know, I was saying, so like,

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I'm an opportunist, I'm a di y queen. So that's

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how I roll. And I'm always looking around and saying,

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you know, and I want to you know, I've tried

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to play with other artists and I've you know, I

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have played with other artists in different situations, and it

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really never has totally worked out. Yeah, and so I

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was hoping, you know, that it would with tracks because

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I know he's a great drummer and and so so

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we we gave it a go, which it's just like, yeah,

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give it a go, see what happens, you know, do some

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live stuff, have fun deal.

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Speaker 3: Yeah, And then that's where our coin our coin motto

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of uh, just like we rehearsed because we didn't really

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have time to get together the first time to rehearse

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anything really, so like I had to just listen to

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some of the songs that she had on for a list,

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and we we we met up at the well, we

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met up at the gig and then tried it out.

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Speaker 4: Okay, Yeah, Like the first musical thing we ever did

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was a live show at Jungle.

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Speaker 2: Oh wow, no kidding. Where where's that by the way?

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Speaker 4: Jungle Jungle that's the Summerville Summerville down in Boston music

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little music community stage. It's actually one of the one

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of the best under two hundred people places that you

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can actually you know, get a live stage, a real

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stage experience. Okay, that's my legit feeling about the job.

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They got a great sound in one of the best

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stages for under two hundred people.

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Speaker 2: No kidding, Okay, I didn't even know about it, but

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that that's good to know. Yeah.

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Speaker 4: Yeah, they're always you know, they're always putting people. I've

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I've played there several times. We played there about three twice.

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Speaker 3: I think the last time we played was with what

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trash Robot and what was the that that that older

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gentleman's band.

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Speaker 4: Shoot, I can't remember. It was uh oh the trees

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Fantastic Trees.

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Speaker 3: Fantastic trees so good.

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Speaker 5: Yeah.

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Speaker 3: So like it's definitely eclectic out there for for the

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what indie scene, indie rock scene.

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Speaker 4: Well yeah, and I feel like when we played, like

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after people would come up to us and like give

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us positive feedback. Yeah, you know, never got like just

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the courtesy feedback. It was always how long have you

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guys been playing together?

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Speaker 3: Yeah?

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Speaker 4: Cool?

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Speaker 3: Someone actually show and said that, like, like, how long

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have you guys been playing? It sounds like years.

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Speaker 2: Oh that's cool.

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Speaker 3: Yeah, we ran with it great. Yeah, and and and

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then I think like, what after our third third show,

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that's when we had our practice.

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Speaker 4: Yeah wow, right, and then we actually practice, We're like, yeah,

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we still doing good practice too.

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Speaker 2: Yeah, that's great.

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Speaker 3: Figure, that's great.

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Speaker 4: Yeah, yeah, I mean it takes you know, a lot

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of effort. I know on traxis part because you know,

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some of my songs have already kind of predetermined, you know,

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how it goes, and so you know, it takes a

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special kind of drummer that can do that and then

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add their own you know, power to it. Yeah, and

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that's I feel like that's what came across, has come

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across in our album Hot Wax. Is you know, the

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the solidity, the solidness of the drumming elevates the songs

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and the music and everything I do. And it's like

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it makes me thrilled. I've listened to these songs on

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Hot Wax a thousand times. Yeah, and I'm listening for

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to critique myself, and I'm just like enjoying it every time.

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Speaker 1: Is it just easier too, from a from a technical

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standpoint when you're playing live?

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Speaker 2: Is just easier to have a live drummer?

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Speaker 5: Uh?

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Speaker 4: No, No, it would be really really no. It would

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be easier just to have my keyboards just follow into

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whatever the heck I want them to do. And that

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was easier, just like I could stop in the middle

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of my and as long as I held the right notes,

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the right chords, you know it would hold for me.

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I mean with humans. You know, you can't put humans

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in a holding pattern. You know, a song is a

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song and it moves along. It doesn't stop like because

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you know you feel like it to stop right unless

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you do. But otherwise, you know, you got to keep moving.

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And there's a there's a rhythm and a syncopation and

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a synergy that comes along with playing with a live

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person versus yeah, say my my drum track okay, yeah,

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okay yeah, And so it just takes it takes more

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effort to do that, to combine the two, but it's

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more rewarding two to have it, you know, come out

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or you know, people are like, oh my goodness, you

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guys come from right right.

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Speaker 2: It does.

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Speaker 3: It helps, no doubt.

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Speaker 4: You know, we can tell things that people can't tell.

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Speaker 1: Ye, now tracts for you? Is this the most unique

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thing you've done in terms of music? You've done a

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lot of different different projects, But I mean, is this

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because because who I am? I mean, this is you know,

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it's unique. I can't think of anybody who sounds quite

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like who I am?

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Speaker 3: Correct, And I think yes, because like I'm usually predominantly

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punk or rock metal something, so this is like a

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a first chance into like electro pop or something of

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dance music esque, like a discotheche type of genre. And

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like Lacy has a lot of different areas that it's

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not even just dance music. There's like messages and there's

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you know, uplifting stuff, and there's everything that you ever

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need or want out of like a dance song or

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a pop song. Like even even the song that reminds

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me of the Guerrillas. It's not on the on the EP,

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but like your other song, your regular song, than true,

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it reminds me of like something that the Gorillas would

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do back in the day, and like and that's like

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something that's not categorizable. That like the thing the uniqueness

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of at least coming out with something that's not traditional

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is kind of things that I gravitate towards no matter what,

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whether it be pop or rock or whatever. It is,

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Like I don't fall into traditional stuff, Like I like

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alternative stuff. I like anything that's a little bit risque

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or a little bit rough around the edge is case

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in points yes, but also case and point shout out.

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Speaker 4: Shout out to.

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Speaker 3: Frankie Frankie from the Melted Chapsticks, who we are performing

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with later at a Poty Saburn in Asna. But I

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like the way that he goes about music as well,

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that you know, he doesn't hold to a traditional standard

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of like I'm going to play punk music and this

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is what it is like it's its own feel, the

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own its own vibe. Yeah, the same thing, same thing

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for your for your music, La, seeing that, like you

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have a very confident, confident with what you're creating. And

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I and I I like a person that's willing to

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go outside of the box, willing to go outside of

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the the thinking pattern and like, oh what if I

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just do this? Or what would happen if I do this?

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So is it the most unique thing that I've done?

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More more than likely? Yes, as a as a broad statement,

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but I like this type of uniqueness that makes sense.

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Speaker 2: Oh it totally does. Yeah, absolutely well.

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Speaker 1: By the way, on Facebook, Andrea Dumont is in the

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Facebook LA chat and says good morning family. Good I

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love that Andre, of course, from Dad Harrison, whom you're

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in a band with. So why the name Thracks?

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Speaker 2: Why use a different name for this and where does

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the name tracks come from? I'm super curious about this.

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Speaker 3: Yeah, of course I know this is this is what

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happens when you have friends in the industry and they

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start asking you actual questions. Yeah, so my name is

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Axel obviously, Uh, everybody knows at least more more often

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than not, more people know me as Axel. Yeah, even

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before then if the real people know me as Smitty

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Smitty werbin Yiegerman Jensen.

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Speaker 2: That's a long name. Is that Swedish or what.

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Speaker 3: He was number one? Wow, it's a SpongeBob reference. Okay,

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but like only only only true o G. Manchester people

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would know that. But yeah, my name is Axel, and

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that's just how I was given that name. Yeah, but

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like I don't like it how it's associated with Rose

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every bleeping time.

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Speaker 2: Every time, and you don't even spell it the same way.

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Speaker 3: No, of course not. But I couldn't be associated with

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with actual Foley or anybody else. It has to be.

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But ever since I was a kid, ever since I

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was a kid, it's what's your last name? Rose? Like,

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I can't tell you how many times I've I've heard that,

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even to this day, even to this day, it's a thing.

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I'm kind of sick of it.

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Speaker 2: I don't blame you.

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Speaker 3: So that being said, like I've been trying to more

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or less come up with a different moniker to get

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away from that. But that wasn't cheesy something that like

238
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at least it was mine that I can like step

239
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away from from that. So I guess, like worldwide, I guess,

240
00:13:39,840 --> 00:13:45,200
uh premiering this that that's my middle name. Oh thras

241
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is my actual middle name, no kidding, So it was

242
00:13:49,519 --> 00:13:53,759
given that wowweet And I mean you can you can

243
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summarize your own opinions about it, but like it literally

244
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came came from the band Anthrax. Yeah, that was my

245
00:14:01,399 --> 00:14:04,480
my mom's favorite band, or no, that was my my

246
00:14:04,519 --> 00:14:09,200
biological father's favorite band. And Axel Rose because my mom

247
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loved guns and roses appetite for destruction. I swear to

248
00:14:13,600 --> 00:14:18,200
you that with with with those two, like I've been

249
00:14:18,279 --> 00:14:22,360
using axel for so long. Yeah, I'm like, Axel is

250
00:14:22,360 --> 00:14:24,840
a cool name. I guess, I guess.

251
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Speaker 2: And you don't spell it the same way as axel

252
00:14:27,080 --> 00:14:29,000
rose even right, it's a X I L E S.

253
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Speaker 3: Yeah, but either which way you say axel phonetically?

254
00:14:34,200 --> 00:14:34,519
Speaker 2: Yeah?

255
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Speaker 4: Yeah. When I first I think the first time I

256
00:14:38,879 --> 00:14:45,320
met you, when I think you came on my show, yeah,

257
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and you said, you know, I was asking like, okay,

258
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who is everybody? And you said, I'm gonna go with

259
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You're like, okay, I'm gonna go because you know, not

260
00:14:59,759 --> 00:15:02,200
ever buddy is ready to be asked that question, like okay,

261
00:15:02,279 --> 00:15:05,840
who who's what's your name? Ask a creatile what the

262
00:15:05,960 --> 00:15:09,919
name is and they're like, hold on, let me think

263
00:15:09,919 --> 00:15:13,320
about this. And so you said I'm going with Tracks

264
00:15:13,960 --> 00:15:18,279
and I was like Tracks, Yeah, that is a great name.

265
00:15:18,519 --> 00:15:22,039
That's such a great name. And so it stuck with me,

266
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you know. I mean we didn't get together like a

267
00:15:25,320 --> 00:15:28,159
couple of years later, a few years later, but yeah,

268
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but always stuck with me. So I was like, when

269
00:15:31,879 --> 00:15:34,200
when we started playing, I was like, you know, people

270
00:15:34,240 --> 00:15:36,519
want to have us on a bill and stuff. I

271
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was like, okay, well, well what are we? What are we?

272
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You know who I am? But but I'm not just

273
00:15:42,159 --> 00:15:45,080
who I am. Now, there's that's that's not that's not

274
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really it's not just who I am. So that's why

275
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I was like, well who I am in Thracks? I

276
00:15:50,120 --> 00:15:52,480
mean it's got a nice bring to it.

277
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Speaker 2: Yeah, it does. It really doesn't.

278
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Speaker 3: And I like how you came up with the name

279
00:15:57,159 --> 00:16:02,320
for the album itself. Oh yeah, wax because of how

280
00:16:02,799 --> 00:16:05,279
who I am Thrax you put them together.

281
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Speaker 4: It's wax.

282
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Speaker 2: Yeah.

283
00:16:06,600 --> 00:16:09,480
Speaker 3: I was like, oh that is and it is perfect.

284
00:16:09,679 --> 00:16:11,720
Speaker 1: And it's hot with two t's and wax with two x's,

285
00:16:11,759 --> 00:16:14,440
right yeah hot wax Yeah yeah, yeah, no, I dig it.

286
00:16:14,639 --> 00:16:15,720
Speaker 2: Oh we should talk about too.

287
00:16:15,960 --> 00:16:17,200
Speaker 1: Just before we go to front, I'm gonna put the

288
00:16:17,200 --> 00:16:18,399
camera back on me for a minute so I can

289
00:16:18,440 --> 00:16:22,279
hold this up for people watching online. If you're watching

290
00:16:22,360 --> 00:16:25,360
on Facebook or YouTube or LinkedIn, believe it or.

291
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Speaker 2: Not, actually stream to LinkedIn you Oh no, pull this up,

292
00:16:30,720 --> 00:16:33,960
this whole package. So uh so this there's a I

293
00:16:34,039 --> 00:16:35,399
like the glasses.

294
00:16:35,159 --> 00:16:36,360
Speaker 4: Yes, glasses.

295
00:16:36,679 --> 00:16:40,440
Speaker 2: And this USB drive has the EP on it.

296
00:16:40,679 --> 00:16:43,919
Speaker 4: Yes it does, it does. We We have dropped our

297
00:16:43,960 --> 00:16:48,039
album unaccustomized USB world wide, worldwide.

298
00:16:48,159 --> 00:16:48,679
Speaker 2: Very cool.

299
00:16:48,840 --> 00:16:53,120
Speaker 4: And on the USB you can hear the complete album,

300
00:16:53,159 --> 00:16:56,360
all four songs YEP, and they if you put them

301
00:16:56,399 --> 00:17:02,240
in any USB place that plays music, your car, your computer,

302
00:17:03,399 --> 00:17:08,880
it'll automatically play the album from beginning to end. Very cool. Yeah,

303
00:17:08,880 --> 00:17:12,559
it's four songs EP and on there is a bunch

304
00:17:12,559 --> 00:17:18,880
of bonus materials what I'd like to call waxtros, and

305
00:17:19,200 --> 00:17:22,319
that's a five minute collage video of us playing Hot

306
00:17:22,319 --> 00:17:29,519
Wax songs live cool and the song information, bio information

307
00:17:29,680 --> 00:17:34,880
about who I am in Thrax. Also pictures and fun

308
00:17:34,960 --> 00:17:39,000
images that were created for song art, album art album

309
00:17:39,039 --> 00:17:39,759
liner notes.

310
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Speaker 2: Oh so there's a lot in there.

311
00:17:42,119 --> 00:17:44,359
Speaker 4: There's a whole bunch of that's really cool stuff in

312
00:17:44,400 --> 00:17:47,440
there that you can listen to and look at and

313
00:17:47,480 --> 00:17:48,000
have fun with.

314
00:17:48,279 --> 00:17:49,720
Speaker 2: Yeah, yeah, no, that's awesome.

315
00:17:50,039 --> 00:17:51,039
Speaker 4: We'll have them at the show.

316
00:17:51,319 --> 00:17:53,400
Speaker 1: And it sounds like it probably plays more places than

317
00:17:53,440 --> 00:17:56,960
the New Lord CD. Does y'all know about that? No,

318
00:17:57,039 --> 00:17:59,640
we talked about that last week with the New Lord CD.

319
00:17:59,720 --> 00:18:02,519
It's a clear it's a completely clear CD. It's completely transparent,

320
00:18:02,559 --> 00:18:04,240
you can look right through it. But it doesn't play

321
00:18:04,319 --> 00:18:05,240
on a lot of players.

322
00:18:06,519 --> 00:18:11,839
Speaker 3: Yeah, it's not even a CD. It's it's that plastic

323
00:18:12,599 --> 00:18:15,039
piece of CD that you get when you have blank

324
00:18:15,480 --> 00:18:18,759
you have the blank CD, the tower of blank CDs

325
00:18:18,799 --> 00:18:20,720
that that top that sits on there.

326
00:18:20,920 --> 00:18:21,759
Speaker 4: Yeah, that's what it is.

327
00:18:21,799 --> 00:18:24,599
Speaker 2: Yeah, exactly, exactly. No, but this is a cool concept

328
00:18:24,599 --> 00:18:25,240
with the USB.

329
00:18:25,680 --> 00:18:27,799
Speaker 4: I feel like this is the future. I give the

330
00:18:27,839 --> 00:18:32,039
credit to my wife Chan. Yeah, and but I'm always

331
00:18:32,119 --> 00:18:35,759
looking for futuristic things to do, something different, something new,

332
00:18:36,240 --> 00:18:39,039
something that hasn't been done, something that's not being done,

333
00:18:39,799 --> 00:18:45,200
and something that's like makes life easier. Like just put

334
00:18:45,200 --> 00:18:48,720
that in your USB in your car, Boom, you'll have

335
00:18:48,759 --> 00:18:50,880
four great songs from who I'm in tracks.

336
00:18:51,000 --> 00:18:53,599
Speaker 2: Yeah, yeah, no, I love it, popping out. I love it.

337
00:18:54,039 --> 00:18:55,640
Speaker 4: So it's very fun. You can wear it as the

338
00:18:55,640 --> 00:18:56,200
necklace too.

339
00:18:56,240 --> 00:19:00,680
Speaker 2: Oh yeah, yeah, that's cool. We should we should play

340
00:19:00,680 --> 00:19:01,160
another track.

341
00:19:01,160 --> 00:19:02,839
Speaker 1: And we were talking off air about this, so one

342
00:19:02,880 --> 00:19:05,839
of these, one of these tracks has has a guest

343
00:19:05,880 --> 00:19:06,559
startist on it.

344
00:19:06,720 --> 00:19:09,680
Speaker 4: Yes, open your eyes and.

345
00:19:09,480 --> 00:19:10,839
Speaker 2: We're going to play that in a moment. But tell

346
00:19:10,880 --> 00:19:13,079
us about this. So Brad to Palma is on this.

347
00:19:13,480 --> 00:19:17,240
Speaker 4: Yes, the great Brad to Palma is on this as

348
00:19:17,319 --> 00:19:20,000
a featured artist.

349
00:19:20,279 --> 00:19:20,759
Speaker 3: Homie.

350
00:19:21,279 --> 00:19:25,359
Speaker 4: Yeah, but we both played on many bills and he's

351
00:19:25,400 --> 00:19:28,599
playing bands with Brad, And of course I love Brad

352
00:19:28,680 --> 00:19:33,279
so much. Yeah, big fan. I feel like he's possibly

353
00:19:33,319 --> 00:19:34,759
the best guitarist in the region.

354
00:19:35,000 --> 00:19:35,279
Speaker 2: Kidding.

355
00:19:35,359 --> 00:19:38,200
Speaker 4: I would like to know who's better, because I've seen

356
00:19:39,119 --> 00:19:41,279
most of them, and I don't know who I haven't seen.

357
00:19:41,440 --> 00:19:42,599
Speaker 3: Okay, that's all order.

358
00:19:42,799 --> 00:19:45,119
Speaker 4: Yeah, I've heard, I've heard every you know, because I

359
00:19:45,119 --> 00:19:48,519
had my radio show. But I think Brad. To me,

360
00:19:48,640 --> 00:19:50,680
Brad is the best guitarist in the region, and so

361
00:19:50,759 --> 00:19:52,400
I reached out to him. I said, hey, would you

362
00:19:52,440 --> 00:19:55,640
be interested in dropping a lick for this song? It

363
00:19:55,680 --> 00:19:59,839
really needs, you know, something like what you got And.

364
00:19:59,799 --> 00:20:02,240
Speaker 2: We would know him from Dog Eate Dog.

365
00:20:04,519 --> 00:20:05,960
Speaker 3: Earth Mark earth Mark.

366
00:20:06,119 --> 00:20:10,680
Speaker 4: I first saw him in National back in the day

367
00:20:11,119 --> 00:20:14,160
and uh, yeah, I've been following him for a long

368
00:20:14,200 --> 00:20:20,400
time and legend he's you know, he's intertwined in the

369
00:20:20,400 --> 00:20:24,559
the southern New Hampshire Merrock Valley region as you know,

370
00:20:25,839 --> 00:20:29,319
the one to go to if you need guitar. And

371
00:20:29,440 --> 00:20:33,440
so yeah, so he did, he dropped that forth. You know,

372
00:20:33,599 --> 00:20:38,079
Thracks did the audio engineering for the the entire album. Okay,

373
00:20:38,200 --> 00:20:46,599
so you know he Brad dropped that track and and

374
00:20:47,240 --> 00:20:52,359
Thracks worked magic to get it from that Peace of

375
00:20:52,440 --> 00:20:56,200
Descent and then put it on the songs and it's

376
00:20:56,279 --> 00:21:02,160
just like it's it's perfect. It's basically I'm not ashamed

377
00:21:02,160 --> 00:21:03,799
to say it's the one take that he sent us

378
00:21:03,799 --> 00:21:04,279
in Boom.

379
00:21:04,680 --> 00:21:05,319
Speaker 3: It's perfect.

380
00:21:05,960 --> 00:21:08,519
Speaker 2: Why not awesome? All right? So yeah, we love it

381
00:21:08,559 --> 00:21:09,880
all right, let's give this a listen.

382
00:21:09,960 --> 00:21:12,720
Speaker 1: So this is who I Am and Tracks featuring Brad

383
00:21:12,720 --> 00:21:50,279
to Palma on guitar. And this is called open your Eyes.

384
00:21:33,440 --> 00:21:37,599
Speaker 6: In the time we as and mousters.

385
00:21:38,960 --> 00:21:56,680
Speaker 7: See shifting time, love to wee free.

386
00:22:00,720 --> 00:22:04,759
Speaker 8: Say going back to the.

387
00:22:04,920 --> 00:22:27,559
Speaker 5: See ye.

388
00:22:31,720 --> 00:22:40,680
Speaker 9: Say, say.

389
00:22:44,319 --> 00:22:53,359
Speaker 10: You got and what did you say?

390
00:22:56,920 --> 00:23:11,200
Speaker 6: So it's around waste his time.

391
00:23:10,519 --> 00:23:10,880
Speaker 9: Living.

392
00:23:15,799 --> 00:23:17,640
Speaker 4: Let see what you can.

393
00:23:34,920 --> 00:23:37,400
Speaker 10: Shop.

394
00:23:57,160 --> 00:24:40,359
Speaker 8: No, that is open your Eyes.

395
00:24:41,400 --> 00:24:44,119
Speaker 1: That is who I am and tracks And yeah, that

396
00:24:44,200 --> 00:24:45,519
sounded great with brad to Palma.

397
00:24:45,599 --> 00:24:51,519
Speaker 2: I'm guitared, very very very right. So Max, you you

398
00:24:51,559 --> 00:24:52,839
engineered the the EP.

399
00:24:53,519 --> 00:24:57,839
Speaker 3: Yeah, uh, at least fifty percent of it, Okay, the

400
00:24:57,839 --> 00:25:03,519
other obviously the other fifty percent teams from you. Lacey y, Yes,

401
00:25:03,680 --> 00:25:09,559
I did. Uh did most of the puts together thingies

402
00:25:09,640 --> 00:25:11,680
and all those things.

403
00:25:12,240 --> 00:25:12,759
Speaker 2: Yeah I did.

404
00:25:12,880 --> 00:25:18,160
Speaker 3: I did everything myself. Drums was definitely obviously my my area.

405
00:25:18,200 --> 00:25:22,400
But I engineered that whole entire thing. Yeah, uh, mixed, mastered,

406
00:25:22,640 --> 00:25:27,720
and semi engineered. It took a while. This wasn't like

407
00:25:27,759 --> 00:25:30,519
a oh, let's just spur the moment do this like

408
00:25:30,559 --> 00:25:34,880
this was meticulous planning over weeks, over weeks, like every

409
00:25:34,960 --> 00:25:39,480
song had its own session for for things. So like

410
00:25:39,559 --> 00:25:46,720
we uh Lacey is very precise, very uh not even particular,

411
00:25:46,759 --> 00:25:50,799
because that's that's in my eyes, just putting down your music.

412
00:25:51,440 --> 00:25:55,920
You have a very uh knowledgeable thing of what you

413
00:25:56,000 --> 00:25:59,400
want to happen because obviously this is your music. So

414
00:25:59,839 --> 00:26:05,039
there was very here's this, here's this, let's go back

415
00:26:05,039 --> 00:26:06,880
to this, let's see if we can change this, And

416
00:26:06,920 --> 00:26:09,640
it's very you know, touch and go of what can

417
00:26:09,680 --> 00:26:14,200
we make better? Yeah? Yeah, so I had I had

418
00:26:14,200 --> 00:26:15,440
fun the whole entire time.

419
00:26:15,680 --> 00:26:16,079
Speaker 2: Yeah.

420
00:26:16,200 --> 00:26:21,799
Speaker 3: We we were both like ecstatically happy every time we're

421
00:26:21,880 --> 00:26:26,400
on the other end of the making of every single song. Yeah,

422
00:26:26,559 --> 00:26:28,880
because the process was just so fun.

423
00:26:29,079 --> 00:26:29,799
Speaker 2: Yeah, really was.

424
00:26:30,359 --> 00:26:32,079
Speaker 1: It's good that you enjoy that too, and you embrace

425
00:26:32,160 --> 00:26:35,119
that because some some musicians hate that part. Some musicians

426
00:26:35,160 --> 00:26:37,359
just want to play, you know, and they hate the

427
00:26:37,799 --> 00:26:39,200
everything that goes into recording.

428
00:26:39,559 --> 00:26:42,119
Speaker 4: Yeah, like building a song, yeah, you know, building a

429
00:26:42,640 --> 00:26:49,200
studio song. Oh yeah, you do kind of build it. Yeah,

430
00:26:46,640 --> 00:26:51,759
you know, you're not just playing it live to tape,

431
00:26:52,319 --> 00:26:54,680
which means you know, you just play everything all at

432
00:26:54,680 --> 00:26:57,599
once and then you know you just say, okay, that's

433
00:26:57,640 --> 00:27:02,000
the song. Yeah. We did one of the things that

434
00:27:02,160 --> 00:27:04,759
helped me a lot was you know, we we worked

435
00:27:04,799 --> 00:27:10,079
with stems as far as the individual tracks of the song,

436
00:27:11,960 --> 00:27:15,039
you know, so that kind of that upped my game

437
00:27:15,759 --> 00:27:19,759
a bit because I needed to like have those separate

438
00:27:19,960 --> 00:27:26,160
things for tracks to really make it, you know, sound right,

439
00:27:27,920 --> 00:27:31,759
and like that's something that it's nice to have, you know,

440
00:27:31,880 --> 00:27:35,720
to two ears and and and again tracks as it

441
00:27:35,759 --> 00:27:39,119
got a knowledgeable ear. So so it's like, I know,

442
00:27:39,240 --> 00:27:41,960
I can you know, get it kind of most to

443
00:27:42,079 --> 00:27:44,880
the top of the hill, and I'm like, here, can

444
00:27:44,920 --> 00:27:47,279
you take it to the top of the hill right?

445
00:27:47,880 --> 00:27:51,960
And and he was able to do that easily easily. Yeah, Yeah,

446
00:27:52,079 --> 00:27:54,160
it was. It was a great It was fun process.

447
00:27:54,240 --> 00:27:57,319
It wasn't easy, and we yeah, we really put some

448
00:27:58,240 --> 00:28:02,880
thought and time into you know, how the song should sound.

449
00:28:03,880 --> 00:28:04,720
Speaker 2: And why do an EP?

450
00:28:04,960 --> 00:28:05,160
Speaker 3: What?

451
00:28:05,160 --> 00:28:06,359
Speaker 2: What went into that decision?

452
00:28:06,400 --> 00:28:08,000
Speaker 1: This is something I'm always curious about because a lot

453
00:28:08,000 --> 00:28:10,680
of artists now they just singles or yeah, or they

454
00:28:10,680 --> 00:28:12,759
insist on doing an album or why do an EP?

455
00:28:13,839 --> 00:28:20,119
Speaker 4: Well, I think in my mind, I was I think

456
00:28:20,599 --> 00:28:25,240
what we have and had going prior to the EP

457
00:28:25,680 --> 00:28:30,680
was was really good and fun, and I think I

458
00:28:30,680 --> 00:28:34,440
felt like we could progress to the next step of

459
00:28:34,559 --> 00:28:39,960
like giving these songs that we were doing live two people. Yeah,

460
00:28:40,279 --> 00:28:44,480
like in a form you know, and so that just

461
00:28:44,759 --> 00:28:49,839
seemed like the natural progression. At that point, I was like, shoot,

462
00:28:49,839 --> 00:28:56,240
you want to do darn, I says, you know, why

463
00:28:56,279 --> 00:29:00,440
don't we do some songs together. You know, there's studio,

464
00:29:00,599 --> 00:29:03,480
you know, the studios thing, and then the EP. I

465
00:29:03,519 --> 00:29:07,279
think it's it's nice just to have a quick shot.

466
00:29:08,519 --> 00:29:12,200
And I think in my mind EP was it's quicker

467
00:29:12,240 --> 00:29:15,279
to do an EP than a full album. And the

468
00:29:15,400 --> 00:29:21,400
single thing is fine, but I'm I'm assuming nobody's just

469
00:29:21,640 --> 00:29:24,160
doing just a single. They do five songs and they

470
00:29:24,200 --> 00:29:27,680
released the one song at a time, which is fine, yeah,

471
00:29:27,759 --> 00:29:29,759
and I have no problem with that. But I just

472
00:29:29,759 --> 00:29:31,920
felt like, you want to get a full shot of

473
00:29:31,920 --> 00:29:34,119
who I am in tracks like you want it. You

474
00:29:34,160 --> 00:29:38,480
wanted to hit you full force, a nice sample of everything.

475
00:29:38,519 --> 00:29:41,440
Because we got other songs that we played live. We

476
00:29:41,480 --> 00:29:44,079
can play you know, up to an hour live, no problem,

477
00:29:44,680 --> 00:29:47,039
just roll right through it. And that's with no covers.

478
00:29:47,039 --> 00:29:49,559
It's just you know, but we do do a covert

479
00:29:49,559 --> 00:29:56,799
we do we do Born this way? Did we do it?

480
00:29:56,799 --> 00:29:57,640
A chick pea ride?

481
00:29:58,200 --> 00:29:59,359
Speaker 3: That's where we we tried.

482
00:29:59,480 --> 00:30:00,960
Speaker 4: That's where it that's where it happened first.

483
00:30:01,000 --> 00:30:03,839
Speaker 3: Yeah, okay, great responds and that that was that was

484
00:30:03,839 --> 00:30:08,599
a great show. That was very welcoming experience.

485
00:30:08,759 --> 00:30:12,119
Speaker 4: That was it was really nice. But yeah, that's our yeah,

486
00:30:12,160 --> 00:30:16,839
born this way, it's our cover and it's so it's

487
00:30:16,880 --> 00:30:19,400
super fun to do. I roll out the auto tune

488
00:30:19,440 --> 00:30:23,359
on my my vocal effects. Yeah yeah, yeah, so it's fun.

489
00:30:23,400 --> 00:30:27,839
I'd like to play with those. Yeah, but it's you know,

490
00:30:28,319 --> 00:30:32,680
it's it's good what we do. Love the live experience.

491
00:30:32,720 --> 00:30:35,920
So I think that's what really drove Hot Wax is

492
00:30:35,960 --> 00:30:39,119
like we want to put these songs, you know, in

493
00:30:39,319 --> 00:30:42,000
somebody's car listening to it driving down the road.

494
00:30:42,200 --> 00:30:46,319
Speaker 2: Yeah, yeah, no, that makes sense. Let's play another one.

495
00:30:46,440 --> 00:30:51,000
Speaker 1: Let's see, so we've got what we have left between

496
00:30:51,039 --> 00:30:52,839
the between the other two, I'll let you pick.

497
00:30:54,960 --> 00:30:57,240
Speaker 4: Well, let's do Moon Run. It feels like a good

498
00:30:57,519 --> 00:30:59,640
time to talk about Moon Red. Yeah.

499
00:31:00,039 --> 00:31:00,880
Speaker 2: What should we know about this?

500
00:31:02,000 --> 00:31:04,680
Speaker 4: It's an instrumental Okay, it's.

501
00:31:04,519 --> 00:31:09,599
Speaker 3: A it's a live jam that we quantified to uh

502
00:31:10,039 --> 00:31:16,680
to studio and uh it's it's a it's a jam

503
00:31:16,720 --> 00:31:19,480
that we we kind of like morph every single time

504
00:31:19,480 --> 00:31:22,480
that we do. So like live is completely different than

505
00:31:22,759 --> 00:31:25,200
than what's on the the album. But what's on the

506
00:31:25,240 --> 00:31:28,400
album is a is a perfect like uh I guess

507
00:31:28,640 --> 00:31:32,440
demo of what you usually get from Moon Run.

508
00:31:32,559 --> 00:31:38,359
Speaker 4: So okay, right live live. This is the famous foot

509
00:31:38,440 --> 00:31:43,359
on the keyboards move, which you you know can see

510
00:31:43,359 --> 00:31:44,519
on our album cover.

511
00:31:46,160 --> 00:31:49,079
Speaker 3: Painting painted by Crafty k.

512
00:31:49,279 --> 00:31:53,680
Speaker 4: Our album cover was inspired by paintings she did and uh,

513
00:31:54,359 --> 00:31:58,559
you know that's that's one of the signature signature moves.

514
00:31:59,000 --> 00:32:03,039
Who I am is played keyboards with my foot, okay,

515
00:32:03,839 --> 00:32:06,839
and that happens in this song, and so it happens

516
00:32:06,880 --> 00:32:08,000
at the beginning of the song.

517
00:32:08,119 --> 00:32:08,599
Speaker 2: Oh okay.

518
00:32:08,640 --> 00:32:11,799
Speaker 4: So the song is like a you know, in my

519
00:32:11,960 --> 00:32:16,440
head when I kind of came up with it, it's like,

520
00:32:16,839 --> 00:32:19,599
you know, you're on a rocket ship. You're flying to

521
00:32:19,680 --> 00:32:24,160
the moon and you get there and you're circling around

522
00:32:24,160 --> 00:32:27,319
the moon in this rocket ship and then something starts

523
00:32:27,359 --> 00:32:31,759
to go wrong and then everything just goes crazy and

524
00:32:32,039 --> 00:32:37,200
you're like trying to put your brain into gear and

525
00:32:37,240 --> 00:32:40,519
figure out what's happening. And by the time you figure

526
00:32:40,519 --> 00:32:43,480
it out, this song is over all. Right.

527
00:32:43,920 --> 00:32:46,039
Speaker 1: Well, let's give the suspense. So This is Moon Round.

528
00:32:46,039 --> 00:32:48,400
This is of course Who I Am and tracks from

529
00:32:48,400 --> 00:32:50,079
their new EP, hot Wax.

530
00:32:50,160 --> 00:33:32,960
Speaker 11: Check this out was to.

531
00:33:39,440 --> 00:34:07,119
Speaker 10: Terrors, rose More Sorter, Corser Stores, Towards to Wars Joy war.

532
00:34:17,880 --> 00:34:58,599
Speaker 9: Wise War.

533
00:35:53,239 --> 00:35:54,079
Speaker 2: That is Moon Run.

534
00:35:54,400 --> 00:35:56,639
Speaker 1: That is Who I Am and Thrax and the new

535
00:35:56,719 --> 00:35:59,719
EP hot Wax and uh, we've got Who I Am

536
00:35:59,840 --> 00:36:03,119
and tracks are both here in studio with us live

537
00:36:03,400 --> 00:36:05,280
on this uh Saturday.

538
00:36:05,079 --> 00:36:07,320
Speaker 3: In real life, in real life.

539
00:36:07,400 --> 00:36:11,599
Speaker 2: Yes, I r l is yea, these kids.

540
00:36:14,119 --> 00:36:16,360
Speaker 1: So we are gonna play. Uh, We're gonna play one

541
00:36:16,400 --> 00:36:17,920
more in just a moment to finish out the segment.

542
00:36:18,000 --> 00:36:19,400
But before we get there, I want to make sure

543
00:36:19,480 --> 00:36:22,119
so for people listening live on Saturday, you've got a

544
00:36:22,159 --> 00:36:23,480
show tonight, correct.

545
00:36:23,360 --> 00:36:28,159
Speaker 4: Yes, yes, yes, we have a show tonight at Photiestes,

546
00:36:29,800 --> 00:36:32,840
Nashua Bodies Tavern National with.

547
00:36:33,440 --> 00:36:36,880
Speaker 3: The fine Bergs and Melted Chapsticks.

548
00:36:37,079 --> 00:36:41,159
Speaker 4: Yes, Okay, two of our favorite music friends who we've

549
00:36:41,199 --> 00:36:45,960
been on bills with before, and so we're gonna play. Uh,

550
00:36:46,519 --> 00:36:50,639
they're gonna open fine Bergs drum and piano, jump jive

551
00:36:50,679 --> 00:36:54,159
boogie kind of music. Okay, So they're gonna get things started,

552
00:36:54,280 --> 00:36:57,119
open it up. Who I'm In Tracks will roll in

553
00:36:57,719 --> 00:37:01,360
ten forty five eleven forty five, and we will drop

554
00:37:01,440 --> 00:37:07,159
an hour of uh songs and our Hot Wax album

555
00:37:07,320 --> 00:37:11,119
in its entirety. We will play very cool with special

556
00:37:11,199 --> 00:37:13,519
Gusto since it's the release.

557
00:37:13,760 --> 00:37:15,599
Speaker 3: So if you like, if you like all this music,

558
00:37:15,719 --> 00:37:18,800
now come see come see it live tonight.

559
00:37:19,119 --> 00:37:23,320
Speaker 4: It's a it's an energy that you know you hope

560
00:37:23,360 --> 00:37:26,519
to capture when you do a thing like this where

561
00:37:26,519 --> 00:37:32,119
it's kind of studio quote unquote studio songs, yea. But

562
00:37:32,360 --> 00:37:34,960
the energy we're trying to capture is the live show.

563
00:37:35,159 --> 00:37:38,480
So come to the live show because that's where you're

564
00:37:38,519 --> 00:37:43,440
gonna understand what the music is, how it feels when

565
00:37:43,440 --> 00:37:48,320
it's all over your body, just in your ears. So yes,

566
00:37:48,480 --> 00:37:51,519
come to the live show and uh then we're gonna close.

567
00:37:52,119 --> 00:37:56,239
We'll close. Have the Melted Chapsticks to do that, and

568
00:37:56,559 --> 00:38:07,079
they're awesome. They're awesome like lamb punk and and other stuff.

569
00:38:07,280 --> 00:38:13,119
Frankie Frankie Milton Chapstick's Hollywood is a wild character and

570
00:38:13,239 --> 00:38:16,559
so it's a wild show. Twelve to one, Like be

571
00:38:16,760 --> 00:38:18,880
there because you know you're just gonna want to be

572
00:38:19,039 --> 00:38:23,239
like checking your brain after it's done, like what did

573
00:38:23,320 --> 00:38:24,320
I just experience.

574
00:38:24,400 --> 00:38:28,119
Speaker 3: I mean also also, if you want to hext your

575
00:38:28,199 --> 00:38:33,480
ex tools for the British, yep, just talk to him.

576
00:38:33,559 --> 00:38:36,960
He has the tools for you to have that done.

577
00:38:37,000 --> 00:38:38,079
Because that's also.

578
00:38:38,239 --> 00:38:41,639
Speaker 4: Yes, he dabbles in the art, the in the arts

579
00:38:41,920 --> 00:38:44,480
and the mystiques and the mystiques in the arts. I

580
00:38:44,519 --> 00:38:45,800
don't want to say it wrong, but.

581
00:38:47,519 --> 00:38:52,840
Speaker 12: They have an album called Yeah and the Satanic his

582
00:38:53,039 --> 00:38:55,239
album Yeah, he's also that song, and then he's got

583
00:38:55,280 --> 00:38:58,639
album Satanic six Pack, that's what it's called.

584
00:38:59,079 --> 00:39:02,559
Speaker 4: And they're such great songs. My favorite song is say

585
00:39:02,599 --> 00:39:05,599
Hi to stay on there. It's so good. I just

586
00:39:06,000 --> 00:39:07,760
dance all over when you start singing that song.

587
00:39:07,920 --> 00:39:08,159
Speaker 2: Yeah.

588
00:39:08,679 --> 00:39:13,400
Speaker 4: But yeah, so you know it's all gonna be aesthetically

589
00:39:15,440 --> 00:39:19,360
amazing and the music is going to match the aesthetic, okay,

590
00:39:20,440 --> 00:39:24,639
because we've all played together on the bill, so we're

591
00:39:24,719 --> 00:39:27,079
just gonna have a nice energy and then I'm bringing

592
00:39:27,119 --> 00:39:29,760
in a little some lights and things to make it,

593
00:39:29,960 --> 00:39:33,800
you know, nice and glowy for us. And of course,

594
00:39:34,079 --> 00:39:38,880
so that's photis July twelfth, all right, Yes.

595
00:39:39,239 --> 00:39:41,360
Speaker 1: Very good, very good? And where should people go? Where's

596
00:39:41,360 --> 00:39:42,840
the best place for people to go online to keep

597
00:39:42,920 --> 00:39:44,599
up with everything that you're doing all the show.

598
00:39:44,960 --> 00:39:48,119
Speaker 4: There's a website, right, there is a website, but I

599
00:39:48,199 --> 00:39:57,440
would say go to our Facebook page, Instagram page tracks drums,

600
00:39:57,960 --> 00:40:01,840
or who I Am Live or who I Am in tracks. Really,

601
00:40:01,840 --> 00:40:04,239
if you just type in who I'm in tracks like

602
00:40:04,960 --> 00:40:09,119
you know, anywhere, you'll see us pop up, very googleable,

603
00:40:09,639 --> 00:40:14,519
very googleable, like any you know, YouTube, band camp if

604
00:40:14,559 --> 00:40:16,800
you want to go check out the songs, download and

605
00:40:16,880 --> 00:40:18,320
resource us, we would love it.

606
00:40:18,400 --> 00:40:19,519
Speaker 3: We have a very good se o.

607
00:40:19,920 --> 00:40:24,280
Speaker 4: Yeah right right, yeah, band camp. Go to band camp,

608
00:40:24,440 --> 00:40:26,280
I got you know, the songs are all up there.

609
00:40:26,440 --> 00:40:28,320
Speaker 2: So you're saying there there aren't. You're not going to

610
00:40:28,360 --> 00:40:30,480
accidentally find a different who I Am in thrax is

611
00:40:30,480 --> 00:40:31,400
what you're saying, right.

612
00:40:31,400 --> 00:40:34,800
Speaker 4: Will not? You will not if you do tell us, yes, yes,

613
00:40:35,519 --> 00:40:38,480
I'd be curious. Yeah, no you won't.

614
00:40:39,480 --> 00:40:39,639
Speaker 3: Yeah.

615
00:40:39,639 --> 00:40:42,360
Speaker 4: It's the best place to find us online like that. Yeah, yeah,

616
00:40:42,760 --> 00:40:45,920
check us out. And we we're always posting stuff. And

617
00:40:47,159 --> 00:40:49,440
again you know, we have our album for sale five

618
00:40:49,480 --> 00:40:56,079
bucks at the show and so you know, the while

619
00:40:56,159 --> 00:40:59,079
supplies last, you'll get a free heart glasses with the album.

620
00:40:59,239 --> 00:41:02,119
Yea and all. So we have a pop up store

621
00:41:03,239 --> 00:41:08,039
Hot Wax pop up store with merch okay, and so

622
00:41:08,840 --> 00:41:14,599
if you go to one of our socials, it's all

623
00:41:14,639 --> 00:41:16,320
over the place. I got it posted. You can go

624
00:41:16,440 --> 00:41:18,519
there and if you buy something from our pop up store,

625
00:41:19,400 --> 00:41:21,000
we'll give you the album for free.

626
00:41:21,199 --> 00:41:22,599
Speaker 2: Oh very cool, very cool.

627
00:41:23,079 --> 00:41:24,440
Speaker 1: Well we're going to close out in a moment with

628
00:41:24,719 --> 00:41:27,000
this track, New Love. But thank you both for coming today.

629
00:41:27,039 --> 00:41:30,159
This has been wonderful. Congratulations on the EP and everything

630
00:41:30,199 --> 00:41:30,920
that you're doing.

631
00:41:30,800 --> 00:41:32,920
Speaker 2: And thanks so much absolutely for having.

632
00:41:32,920 --> 00:41:35,079
Speaker 1: Absolutely we will do it again in the future. And

633
00:41:35,960 --> 00:41:38,760
if you are listening live on Saturday, make sure you

634
00:41:38,800 --> 00:41:41,079
stick around. Coming up an hour three. Are they in

635
00:41:41,119 --> 00:41:45,360
the building? Jenny Grin, Caleb and Darling Hill from the

636
00:41:45,440 --> 00:41:47,719
listening room at Prayers of Nature, So looking forward to that.

637
00:41:48,199 --> 00:41:50,800
But we will close out this segment with this is

638
00:41:50,960 --> 00:41:54,239
New Love. This is from the EP is called Hot Tracks.

639
00:41:54,360 --> 00:41:56,440
I'm sorry hot Wax rather hot Wax.

640
00:41:56,239 --> 00:41:57,760
Speaker 3: Right, I mean they are hot tracks.

641
00:41:57,760 --> 00:41:59,800
Speaker 8: They are hot tracks, Hot tracks from Hot Wax.

642
00:42:00,840 --> 00:42:02,880
Speaker 4: There works who I am in thracts