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<v Speaker 1>No kind of a welcome back to another episode of

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<v Speaker 1>Reconnected here tonight with mister John Daily. John is a

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<v Speaker 1>dear friend of mine and colleague who works together with

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<v Speaker 1>a lot of Terrovision stuff behind the scenes with me.

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<v Speaker 1>So we're gonna talking about a lot of that tonight.

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<v Speaker 1>But John, it's been a while, welcome back.

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<v Speaker 2>Thanks for having me back on. Ryan very much happy

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<v Speaker 2>with you.

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<v Speaker 1>You've been a little nervous, how come we wanted to

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<v Speaker 1>get you back.

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<v Speaker 2>Kind of scary going on live, but.

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<v Speaker 1>You know you've gotten over it, and I'm glad. We're

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<v Speaker 1>gonna talk about some of the things that you've been

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<v Speaker 1>doing behind the scenes to help you get over the

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<v Speaker 1>nerves there. So, uh, first off, what's been going on.

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<v Speaker 1>It's been like a year, and I mean you've grown

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<v Speaker 1>a lot in the last year since the last time

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<v Speaker 1>you were here.

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<v Speaker 2>First of all, well, thank you. Yeah, No, I feel

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<v Speaker 2>like that I was just getting fired up back then, ye.

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<v Speaker 2>And yeah, since then, I've done a ton of random

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<v Speaker 2>odds and ends for Terror Vision, including trailers and interviews

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<v Speaker 2>and all this stuff, and with them we kind of

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<v Speaker 2>just kind of just just started going steady for real, yeah,

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<v Speaker 2>which has been very cool and yeah, uh, I have.

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<v Speaker 2>What else have I done? I've met a lot of

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<v Speaker 2>really cool people over the last year. You loan me

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<v Speaker 2>your bestie who I found out lives like twenty minutes away,

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<v Speaker 2>doctor Royll, which is very cool and it's very cool too,

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<v Speaker 2>just you know, have a dude who you just don't

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<v Speaker 2>have to explain any of this stuff too. He's already there.

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<v Speaker 2>You can say this this thing and he's like yeah,

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<v Speaker 2>and You're like, I know, you know what I mean.

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<v Speaker 2>It's great.

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<v Speaker 1>This is uh, this is true. Will kind of knows

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<v Speaker 1>at least a little bit about everything, which is always nice.

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<v Speaker 2>He does, he does. Yeah, what else have I been

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<v Speaker 2>up to? I've also been doing a bunch of another

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<v Speaker 2>hookup from you actually, been doing a bunch of work

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<v Speaker 2>on social media and behind the scenes at Brother Belile.

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<v Speaker 1>Which shut out Brother Belile. Everybody go in Earmark that

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<v Speaker 1>to go after the show and pre order any titles

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<v Speaker 1>you get your eyes on.

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<v Speaker 2>He there's a ton of new pre orders up today

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<v Speaker 2>and I feel like because of my work with him,

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<v Speaker 2>with Dustin who owns Brother Belile, I feel like, without

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<v Speaker 2>looking maybe I know what's what's in store for us tonight.

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<v Speaker 1>I love that You've gotten multiple covids of the chat

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<v Speaker 1>about your background, and right before we went on, you

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<v Speaker 1>asked how it looked and I said, very Wes Anderson,

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<v Speaker 1>I love it.

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<v Speaker 2>Well, this is the room where I process all the sleeves,

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<v Speaker 2>so I think it's a good counterweight.

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<v Speaker 1>It's a nice bell do that.

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<v Speaker 2>Yeah. Sometimes when if like I hand something into at

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<v Speaker 2>least once I handed something into Brad at Terror Vision

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<v Speaker 2>and was like it was just it was way too

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<v Speaker 2>joyous and happy and he's like, this isn't like our

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<v Speaker 2>what are you doing? And I'm like, he's like, it's

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<v Speaker 2>because you're in that room, man.

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<v Speaker 1>Well, before we get into some of the usual stuff,

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<v Speaker 1>we've brought up a couple of titles and tear Vision

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<v Speaker 1>and one of the things that I have been I

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<v Speaker 1>don't know, proud is a weird word to say here,

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<v Speaker 1>but very excited and genuinely proud to see you grow

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<v Speaker 1>in some things. And you're you're like full on producing

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<v Speaker 1>releases now and a lot of people aren't going to

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<v Speaker 1>see that name associated with a lot of it. But

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<v Speaker 1>for example, the Shoe String Slasher's box Set, one of

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<v Speaker 1>the three titles which I know a lot of people

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<v Speaker 1>are excited about Basement Jack because that's getting a bit

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<v Speaker 1>of an upgrade. That's probably the most popular of the

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<v Speaker 1>three titles, but the one that has really been the

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<v Speaker 1>most under the radars Phantom Brother, and you have owned

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<v Speaker 1>that title. I mean you moderated commentaries, did interviews, did

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<v Speaker 1>a whole bunch of stuff to immerse yourself in the

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<v Speaker 1>casting crew, and you created a hell of a disc.

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<v Speaker 2>Well, thank you. I'm very extremely proud and grateful to

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<v Speaker 2>Brad for kind of tossing me that. I guess maybe

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<v Speaker 2>it was like tossing me a softball. Here you go,

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<v Speaker 2>see if you can and do this. But so it's

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<v Speaker 2>the first disc I've ever produced. Everything on yeah, and

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<v Speaker 2>edited and a lot of random stuff, And I really

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<v Speaker 2>couldn't have been luckier in terms of just like meeting

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<v Speaker 2>the nicest possible people, Like the guy John Gigante, who

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<v Speaker 2>is the star of Phantom Brother is like just when

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<v Speaker 2>I met him, he looked like he wanted to give

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<v Speaker 2>me a hug right then and there, and on the

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<v Speaker 2>way out he did, and he just like he just

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<v Speaker 2>like became a friend and like hours and he's just

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<v Speaker 2>he's awesome. I hope I get to hang with him

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<v Speaker 2>spend more time with him and talk to him very

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<v Speaker 2>interesting stuff, and he actually ended up helping me find

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<v Speaker 2>a couple other people, including his because he's friends. He

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<v Speaker 2>made friends on this set with this dude, Rob Kotch,

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<v Speaker 2>who is a guy I was looking for because his

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<v Speaker 2>you look him up on IMDb in his first movie's

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<v Speaker 2>Phantom Brother.

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<v Speaker 1>But like.

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<v Speaker 2>The whole like he's got this huge list and you're like, Okay,

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<v Speaker 2>you worked on sling Blade, Okay, he worked on Hackers,

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<v Speaker 2>and you also worked on Franken Hooker. And when I

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<v Speaker 2>interviewed him, I think he had just wrapped I think

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<v Speaker 2>Highest to Lowest by Spike Lee. I think that's what

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<v Speaker 2>the he said, it was something with Spike Lee, so

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<v Speaker 2>I'm assuming it's it's that. So, yeah, that was very cool.

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<v Speaker 2>Just met some really cool guys, and I think it's

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<v Speaker 2>cool that, you know, in a way, kind of got

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<v Speaker 2>to do They just trust terror Vision. Brad and Ryan

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<v Speaker 2>just trusted me to just kind of do whatever I want.

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<v Speaker 2>And I am really really proud of how the interviews

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<v Speaker 2>came out and just really excited to take an interest

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<v Speaker 2>in these dudes and their story, like about the movie itself,

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<v Speaker 2>but also like what came from it. Like these guys

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<v Speaker 2>have been best friends for like forty years because of it,

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<v Speaker 2>Like no matter what, like they think the movies, Like

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<v Speaker 2>everyone thinks the movie is kind of goofy because it's

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<v Speaker 2>just kind of a goofy movie.

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<v Speaker 1>But right, you realize everybody from the Terror Vision Discord

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<v Speaker 1>is going to go crazy because you just said the

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<v Speaker 1>words a goofy movie, right, Yeah, yes, during this show,

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<v Speaker 1>I have a feeling that that is going to pop up,

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<v Speaker 1>say kind of confirmed.

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<v Speaker 2>Anyways, I don't know, I don't know why I was

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<v Speaker 2>thinking of that movie.

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<v Speaker 1>Anyways, Phantom Brother isn't the only only thing in the

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<v Speaker 1>last year that you've worked on. You got to meet

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<v Speaker 1>the daughter Vincent Price.

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<v Speaker 2>That was very very cool. Victoria Price is very cool

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<v Speaker 2>and brought the doctor along with me for that trip. Unfortunately,

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<v Speaker 2>I gave him and his whole family COVID, which I

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<v Speaker 2>had never had, and it was like, we're like four

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<v Speaker 2>years in and I wasn't expecting to get COVID, but

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<v Speaker 2>I didn't.

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<v Speaker 1>Give it to her, thank goodness.

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<v Speaker 2>And that was that was really really cool. And yeah,

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<v Speaker 2>like the cool thing about that too was it was

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<v Speaker 2>four It was for two releases for BFI one was

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<v Speaker 2>The Oblong Box, which Will and I had watched the

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<v Speaker 2>night before and we were, I think the whole group

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<v Speaker 2>of three like, yeah, the Oblong Box. I mean it's

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<v Speaker 2>it's good, but it's like it's notable for things like

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<v Speaker 2>he's in it with Christopher Lee, right, and it's like,

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<v Speaker 2>you know, it's pretty good. But the showstopper is Cooking

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<v Speaker 2>price Wise, and she was very very excited to talk

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<v Speaker 2>about Vincent Price's cooking show, and I was just blown

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<v Speaker 2>away that. I was like, I'm like, how did I

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<v Speaker 2>How did I get here? How am I working on this?

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<v Speaker 2>And I would highly recommend that to everyone who's region

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<v Speaker 2>free because it's just a.

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<v Speaker 1>Like super super charming and it's super rare that we

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<v Speaker 1>would even get a release of something like that. So

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<v Speaker 1>it's definitely one of those that I pre ordered immediately

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<v Speaker 1>on Brother Belile because I was like, you know, I

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<v Speaker 1>think that I'm gonna have to get this one because

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<v Speaker 1>I want to be able to show that stuff like

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<v Speaker 1>this deserves to be support and I don't do that

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<v Speaker 1>for a lot of stuff, but that felt like one

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<v Speaker 1>of those things that needed it, So yeah, happy to

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<v Speaker 1>have that. Yeah. Other than that, I forgot to remind

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<v Speaker 1>you or ask if you wanted to do this, but

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<v Speaker 1>you got something else coming up with Doctor Will. You

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<v Speaker 1>want to promote that you guys are going to be

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<v Speaker 1>there at all?

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<v Speaker 2>Yeah, I would love to do that. So when is it?

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<v Speaker 2>It is in Raleigh, North Carolina on I think it's

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<v Speaker 2>May twenty I should know this. It's May twenty third

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<v Speaker 2>through twenty fifth. Will and I are going to be

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<v Speaker 2>doing a split label table for terror Vision and Severn

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<v Speaker 2>at Carolina Fearfest.

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<v Speaker 1>The twenty third through the twenty fifth.

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<v Speaker 2>Thank you. And yeah, I don't think either of us have.

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<v Speaker 2>I certainly have never done one of those before. I'm

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<v Speaker 2>not sure if Will has. I don't think he has.

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<v Speaker 1>I don't think he is. No, So yeah, we're just

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<v Speaker 1>gonna But I mean, this is super cool, Like people

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<v Speaker 1>can go buy Severn stuff by terror Vision, stuff from

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<v Speaker 1>Doctor Will and John Daly in person, take some photos

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<v Speaker 1>like I wish I was I wish I was closer. Man,

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<v Speaker 1>This sounds like so much fun.

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<v Speaker 2>Me too, that would be amazing. And yeah, there's gonna

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<v Speaker 2>be a couple I know that.

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<v Speaker 1>Well.

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<v Speaker 2>Really, Tiffany sheppis speaking of Basement Jack, She's gonna be

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<v Speaker 2>Thereracy Lord's Tracy Lord's is gonna be there, so we'll

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<v Speaker 2>definitely have copies of Skinner for sale.

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<v Speaker 1>From Bill Moseley is gonna be there. I think he is.

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<v Speaker 2>He actually, I just saw on Instagram today he posted

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<v Speaker 2>his genes that he had wore in Texas chains on

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<v Speaker 2>Massacre too. If you've never seen like hippie flower patches

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<v Speaker 2>on them.

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<v Speaker 1>Malcolm McDowell's going to be there. That's a huge name.

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<v Speaker 2>I would very much. Let Yeah, I don't know, I've

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<v Speaker 2>never like I've I've never met anybody in that kind

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<v Speaker 2>of a situation. Do you ever go to those?

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<v Speaker 1>I've gone to three or four. But the crazy thing,

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<v Speaker 1>all of them have been in like the last six years.

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<v Speaker 1>So I've done Texas Freight Mare, I've done the one

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<v Speaker 1>here in Kansas City called Crypticon. I did uh Monster

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<v Speaker 1>Palooza in Pasadena. I think I've done one more. But yeah,

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<v Speaker 1>they're they're they're a good time. They've gotten very packed.

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<v Speaker 1>It's it is a very like conventions used to be

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<v Speaker 1>the nichest of niche and the super nerds would go,

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<v Speaker 1>and now it is just the most mainstream crowd type

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<v Speaker 1>of thing and everybody goes and that's that's fine, nothing

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<v Speaker 1>wrong with that. It's just the prices of skyrocketed which

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<v Speaker 1>makes it a little rough, and it's it's kind of

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<v Speaker 1>a zoo getting around some of those places. Uh so yeah,

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<v Speaker 1>it'd be it'd be.

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<v Speaker 2>To do you get an autograph or you do you

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<v Speaker 2>have any that kind of stuff.

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<v Speaker 1>I've got a handful, but not really any from conventions.

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<v Speaker 1>I I don't really I'm not super into that. I

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<v Speaker 1>don't value that. I guess i'd more like I'm super

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<v Speaker 1>into pictures and just being able to say, like, man,

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<v Speaker 1>I actually spent a moment of this person's life with them,

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<v Speaker 1>and that's cool to me.

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<v Speaker 2>Actually, the other thing, because it's especially if we go

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<v Speaker 2>I don't know what time is. I don't know what

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<v Speaker 2>time this strain, I don't know what time this train

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<v Speaker 2>gets to the station. But uh, tomorrow is doctor Well's birthday.

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<v Speaker 1>It is we uh will not be singing, Well, I

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<v Speaker 1>won't be singing. You can sing if you want to.

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<v Speaker 2>I think we got everybody can sing sing from.

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<v Speaker 1>Home, but uh all in sync?

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<v Speaker 2>Yes, And actually we're going to because he's all I

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<v Speaker 2>want to talk about. Apparently, it's it's a it's a

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<v Speaker 2>special week and he's such a special guy. We're He

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<v Speaker 2>was like he had tickets to Gang of Four, their

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<v Speaker 2>last tour ever, playing the album Entertainment in full, which

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<v Speaker 2>is amazing. And it took me a minute to like

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<v Speaker 2>even like process. I was like, wait a minute, that

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<v Speaker 2>that's what's happening. Because he's like, oh, but Fabio Frizzy.

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<v Speaker 2>I don't know if I'm saying that or if it's

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<v Speaker 2>Freezy or something like that. It's like that, Yeah, who

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<v Speaker 2>does the score for Zombie and collaborated with Luccio Fulci

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<v Speaker 2>over like the course of twenty five years is playing

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<v Speaker 2>in town on the same night. Ooh. And Will's like

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<v Speaker 2>I think I have to go to that. I'm like okay,

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<v Speaker 2>And then I looked and I was like, dude, he's

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<v Speaker 2>playing in Charlotte the night before and he's playing in

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<v Speaker 2>Asheville the night before that. Like actually it's like Orbit

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<v Speaker 2>DVD X Fabio Fritzy.

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<v Speaker 1>Wow.

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<v Speaker 2>So I was like, do you want to just go

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<v Speaker 2>on Saturday?

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<v Speaker 1>Yeah?

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<v Speaker 2>And so we're gonna go on Saturday and then we're

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<v Speaker 2>gonna go to Ganga four and so that he can

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<v Speaker 2>go see Gang of and then I can then go

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<v Speaker 2>see a Gang of four two excellent, which is going

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<v Speaker 2>to be very very cool. But yeah, we're as he said,

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<v Speaker 2>we're either we're testing the bonds. We're either going to

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<v Speaker 2>be burnt to a crisp or inseparable. So yep, we'll

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<v Speaker 2>see big summer, Big summer.

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<v Speaker 1>AD big summer, big summer for lots of reasons. Lots

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<v Speaker 1>of good movies about to be dropping in the theaters,

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<v Speaker 1>lots of physical media about to release, and speaking of that,

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<v Speaker 1>probably time to get into some recent watches and pickups.

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<v Speaker 1>I know you've got a hell of a stack. You

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<v Speaker 1>want to talk about what you've been picking up?

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<v Speaker 2>Sure, I've been talking a lot. Do you want to

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<v Speaker 2>do yours first?

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<v Speaker 1>Or do you sure? I'll do mine. I really only

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<v Speaker 1>have three this week, but they are three that are

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<v Speaker 1>kind of huge for me. I'm really excited about all

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<v Speaker 1>three of these. So first, I know a lot of

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<v Speaker 1>people have seen this already, but the Beyond special edition

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<v Speaker 1>that just came out like this is by far the

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<v Speaker 1>nicest thing that Grindhouse Releasing has ever done. And I'm

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<v Speaker 1>sure that you've heard that many many times, but a

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<v Speaker 1>debossed cover on this little digipak that they did six

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<v Speaker 1>disc release is insanity and as somebody that loves you know, folgy,

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<v Speaker 1>like we were just talking about this is this is

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<v Speaker 1>how you treat the Maestro and I am I am

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<v Speaker 1>stoked to be able to have something like this. Oh

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<v Speaker 1>look who's here, Dustin's here, says I don't really go

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<v Speaker 1>to cons for signatures either, but one of my favorite

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<v Speaker 1>pieces is the zombie steel loook from Arro signed by

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<v Speaker 1>Ian McCulloch. He was stoked because he's featured in the artwork,

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<v Speaker 1>has never seen it. That's awesome. That would be a

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<v Speaker 1>rad piece to have this one. I actually kind of

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<v Speaker 1>these next too. I kind of felt the same way

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<v Speaker 1>that I did for the Cooking with Price release. You

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<v Speaker 1>don't really see a lot of these releases. So when

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<v Speaker 1>Arrow came out and announced a v Cinema box set,

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<v Speaker 1>you know, Brad on the last episode of the two

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<v Speaker 1>Avision podcast talked about if something doesn't do well the

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<v Speaker 1>first time for some companies, that's the only chance it's

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<v Speaker 1>going to get and I want to see more of

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<v Speaker 1>these types of films get released, and so because of that,

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<v Speaker 1>this is like one of the few big releases that

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<v Speaker 1>in these last like seven months, I went, you know,

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<v Speaker 1>I gotta get this box set because I want to

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<v Speaker 1>make sure that more stuff like this gets empowered to

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<v Speaker 1>come out from some of these labels. So the VS

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<v Speaker 1>In box set is incredible. And then I don't remember

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<v Speaker 1>what sale it was because it came like three weeks

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<v Speaker 1>after I bought it, but I saw that this had

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<v Speaker 1>come out recently and then went up for sale fairly quickly,

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<v Speaker 1>and I had to support this with my money because

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<v Speaker 1>this series is incredible documentary now is one of the

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<v Speaker 1>funny shows of all time, and I never expected it

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<v Speaker 1>to get a full series Blu ray set. I had

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<v Speaker 1>to be able to get it because TV on Blu

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00:18:57.720 --> 00:19:01.200
<v Speaker 1>rays get more and more rare, and I I have

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<v Speaker 1>never not loved an episode of that show. So I'm

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<v Speaker 1>glad to glad to be able to have it and

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<v Speaker 1>just willing, willing to share the word that everybody should

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<v Speaker 1>own that thing because it's amazing.

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<v Speaker 2>Very very cool. I see my palate Odie is here

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<v Speaker 2>in the chat. Hey, Odie. Odie helped me uh with

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<v Speaker 2>second cam on those Phantom brother nice interviews, so they

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<v Speaker 2>can vouch we met the two nicest dudes. Yeah, Well,

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<v Speaker 2>are you ready? I've got a lot of stuff.

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<v Speaker 1>I'll take a break.

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<v Speaker 2>What makes the What makes the beyond? Wait? Are you

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<v Speaker 2>do you have more stuff?

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<v Speaker 1>No? Go ahead, I was like, I'll just sit back

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<v Speaker 1>and watch you for the next fifture.

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<v Speaker 2>Okay, what makes the beyond? Six discs?

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<v Speaker 1>By the way, Well, they've got the original cut, they've

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<v Speaker 1>got that new Freeze cut with the the or the

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00:19:55.920 --> 00:19:57.839
<v Speaker 1>composer's cut is what they're calling it, because it's a

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<v Speaker 1>brand new score. They've got the original Aquarius DVD version,

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<v Speaker 1>They've got a Blu ray release of the brand new

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<v Speaker 1>cut of the original cut. And that's already what five discs,

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<v Speaker 1>and then I believe the soundtrack is the sixth one.

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<v Speaker 2>Nice. I do really enjoy getting a soundtrack, to be honest, Yeah,

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<v Speaker 2>me too. I'm glad Terror Vision has been doing that

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<v Speaker 2>more with like I'm Dancer Die Is I think going

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<v Speaker 2>to make If you're into the whole thing, you're gonna

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<v Speaker 2>be like this actually might be the best part is

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<v Speaker 2>that soundtrack.

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00:20:33.039 --> 00:20:35.640
<v Speaker 1>That movie required the soundtrack to come out with it.

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00:20:36.000 --> 00:20:42.480
<v Speaker 2>Yeah, it's like Sonic the Hedgehog two music. It's it's good.

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00:20:42.559 --> 00:20:47.000
<v Speaker 2>It's really good Vegas style. What do I have? I

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00:20:47.039 --> 00:20:52.759
<v Speaker 2>have so much stuff? Let's start. I did this last

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00:20:52.759 --> 00:20:55.720
<v Speaker 2>time too, let's start with the public library. I've got

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<v Speaker 2>a great public library.

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<v Speaker 1>Shout out libraries again.

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<v Speaker 2>My library has also just started doing a lot more

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<v Speaker 2>Blu rays. I haven't watched all these yet, but I did.

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<v Speaker 2>I'm excited to watch Memoir of a Snail on the

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<v Speaker 2>blue ray from the library. What else we got? Let's

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<v Speaker 2>go through this fast we got I haven't watched yet,

347
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<v Speaker 2>sing saying another Blu.

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<v Speaker 1>Ray, Still haven't seen it.

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<v Speaker 2>The library is the coolest, this is new, this is

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<v Speaker 2>hot off the press.

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<v Speaker 1>Good movie.

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<v Speaker 2>And then the one that we finally did watch, Robin

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<v Speaker 2>and I watch the other night, is Heretic.

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<v Speaker 1>What did you think of that one?

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<v Speaker 2>I thought it was great. Did you enjoy it?

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<v Speaker 1>I really really liked it until like that second act

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<v Speaker 1>where they go through the doors. Essentially everything up to

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<v Speaker 1>the doors I thought was incredible, and then everything after

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<v Speaker 1>that just sort of lost its power with me.

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<v Speaker 2>Yeah, I think it kept me going the whole time.

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<v Speaker 2>But I was like hypnotized by by Hugh Grant.

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<v Speaker 1>Absolutely, he made an incredible villain.

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<v Speaker 2>And he even does a jar Jar Binks impression that

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<v Speaker 2>was kind of unexpected.

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<v Speaker 1>As George r being suppression of the year by far.

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<v Speaker 2>Definitely but yeah, if he'd, like if he had won

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<v Speaker 2>an Oscar for that, I'd be like, yeah, that makes sense.

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<v Speaker 2>It was argued, let's see, all right, first we got

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<v Speaker 2>the the latest brother Belile Hall got these all from there. Obviously,

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<v Speaker 2>been really enjoying russ Meyer movies. I have not watched

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<v Speaker 2>Motorcycle yet, but I did watch Up the other night.

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<v Speaker 2>I don't know if you've ever seen have you ever

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<v Speaker 2>seen this?

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<v Speaker 1>I don't think I've seen Up yet.

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<v Speaker 2>No, I we'll talk. It's it's great, It's incredible. I

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<v Speaker 2>think russ Meyer just like does such an amazing job

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<v Speaker 2>of like figuring out, like what do you need for

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<v Speaker 2>a movie? Like how do we fill this movie with stuff?

379
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<v Speaker 2>Where like nothing has to like it does connect in

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<v Speaker 2>a weird way, but like he's just like has the

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<v Speaker 2>pace imagery thing down, and he's incredible. This I actually

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<v Speaker 2>watched last night for the first time.

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<v Speaker 1>Nice and I actually really enjoyed.

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<v Speaker 2>I heard that some people weren't that crazy about it.

385
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<v Speaker 1>I was middle of the road. I kind of want

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<v Speaker 1>to see it again.

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<v Speaker 2>Yeah, I thought it was a lot of fun. I mean,

388
00:23:35.559 --> 00:23:40.599
<v Speaker 2>obviously like Pearl to obviously, but Pearl to me is

389
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<v Speaker 2>the like, you know, the top of that series because.

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00:23:45.680 --> 00:23:46.480
<v Speaker 1>It's the high bar.

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<v Speaker 2>Yeah, I mean, just because she's just like a total

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<v Speaker 2>maniac in that.

393
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<v Speaker 1>I loved. Dyl Dl says, if we're talking rus Meyer,

394
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<v Speaker 1>I'm right on time.

395
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<v Speaker 2>Perfect This I haven't watched yet because I've been like,

396
00:24:02.079 --> 00:24:04.559
<v Speaker 2>I want to be fully awake and aware. I don't

397
00:24:04.599 --> 00:24:07.319
<v Speaker 2>kind of don't want to watch it at night. And

398
00:24:08.000 --> 00:24:10.359
<v Speaker 2>the trailer I love. I don't know who does the

399
00:24:10.359 --> 00:24:17.599
<v Speaker 2>trailers for Radiance, but they're fantastic and this was one

400
00:24:17.640 --> 00:24:20.279
<v Speaker 2>of their best trailers. And I haven't watched a lot

401
00:24:20.319 --> 00:24:26.519
<v Speaker 2>from this this director, but yeah, like crazy Lady Golf

402
00:24:26.640 --> 00:24:30.680
<v Speaker 2>movie where people are like bleeding down there, Putters is like,

403
00:24:33.240 --> 00:24:35.079
<v Speaker 2>don't take that out of context.

404
00:24:35.319 --> 00:24:38.039
<v Speaker 1>And also shout out Sam from last week. He did

405
00:24:38.039 --> 00:24:39.240
<v Speaker 1>the cover art on that release.

406
00:24:39.599 --> 00:24:42.079
<v Speaker 2>That's what I thought. That's really really cool. Yeah, it's

407
00:24:42.160 --> 00:24:46.480
<v Speaker 2>gorgeous art. And then last one I got from brother

408
00:24:46.519 --> 00:24:50.720
<v Speaker 2>Belia our old friend Godzilla, which I have not watched

409
00:24:50.759 --> 00:24:54.920
<v Speaker 2>this one yet, but I like, I like the sound

410
00:24:54.960 --> 00:25:01.400
<v Speaker 2>of biolante or biolante, Yeah, and I'm excited to hear

411
00:25:01.559 --> 00:25:03.519
<v Speaker 2>that was another thing that happened. I met Sam Degan,

412
00:25:04.720 --> 00:25:10.759
<v Speaker 2>which was very cool. Again through Will Dodson.

413
00:25:11.920 --> 00:25:13.680
<v Speaker 1>Had to get it yet another shout out.

414
00:25:14.160 --> 00:25:23.119
<v Speaker 2>Who through his teaching at unc G and a grant,

415
00:25:23.559 --> 00:25:25.799
<v Speaker 2>which I'm glad that grants are still a thing.

416
00:25:27.160 --> 00:25:29.599
<v Speaker 1>For now for now.

417
00:25:31.000 --> 00:25:33.359
<v Speaker 2>Yeah, it was really cool. And then he did a

418
00:25:33.400 --> 00:25:37.079
<v Speaker 2>screening too, so watched a deaf crocodile movie in the

419
00:25:37.079 --> 00:25:40.359
<v Speaker 2>theater on the big screen. We watched zero grad which

420
00:25:40.480 --> 00:25:45.720
<v Speaker 2>was a wild choice. And there were there was like

421
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<v Speaker 2>the usual heads that you'd expect to like those are

422
00:25:50.240 --> 00:25:53.200
<v Speaker 2>my my nerdy movie people, and then there was a

423
00:25:53.200 --> 00:25:56.160
<v Speaker 2>lot of just Russians there just speaking in Russian who

424
00:25:56.200 --> 00:26:01.519
<v Speaker 2>were laughing at things that I didn't I didn't get,

425
00:26:01.599 --> 00:26:04.559
<v Speaker 2>but it was really cool. It was very cool, very nice.

426
00:26:09.039 --> 00:26:11.039
<v Speaker 2>Other than that, I I don't even have to go

427
00:26:11.119 --> 00:26:14.400
<v Speaker 2>through rally's. But since you were talking about there's just

428
00:26:14.400 --> 00:26:17.200
<v Speaker 2>so many since you were talking about Grindhouse, and I

429
00:26:17.200 --> 00:26:21.240
<v Speaker 2>picked this up because also from brother Bolile. I picked

430
00:26:21.240 --> 00:26:24.640
<v Speaker 2>this up because of you know, when Sean you had

431
00:26:25.640 --> 00:26:30.000
<v Speaker 2>Sean Baker just Sean Baker, no big deal on your

432
00:26:30.240 --> 00:26:33.960
<v Speaker 2>on your show and he mentioned this. I was like,

433
00:26:34.440 --> 00:26:37.960
<v Speaker 2>this hadn't really registered to me necessarily what it was,

434
00:26:38.119 --> 00:26:41.559
<v Speaker 2>and this like I might talk about this in the

435
00:26:41.799 --> 00:26:45.079
<v Speaker 2>second half of the show. This movie blew me away,

436
00:26:45.319 --> 00:26:50.319
<v Speaker 2>and it comes with a soundtrack that is like so much,

437
00:26:50.960 --> 00:26:53.640
<v Speaker 2>so much of the movie being that good is this

438
00:26:53.759 --> 00:26:57.759
<v Speaker 2>incredible score. I keep forgetting who did it because it's oh,

439
00:26:57.799 --> 00:27:04.319
<v Speaker 2>Basil Polidorus, who He's on a ton of stuff.

440
00:27:04.319 --> 00:27:06.680
<v Speaker 1>But I feel like, if I remember right, I think

441
00:27:06.720 --> 00:27:09.279
<v Speaker 1>he's done like five or six really well known movies,

442
00:27:09.319 --> 00:27:11.000
<v Speaker 1>but I can't think of any offhand.

443
00:27:11.519 --> 00:27:13.880
<v Speaker 2>Yes, this is like, yeah, I think very very early

444
00:27:13.920 --> 00:27:18.640
<v Speaker 2>of his And the last thing we can quickly go through.

445
00:27:20.279 --> 00:27:26.920
<v Speaker 2>I got a keynot haul and I think actually I

446
00:27:27.000 --> 00:27:29.559
<v Speaker 2>might have shared with you via text the receipt because

447
00:27:29.559 --> 00:27:35.680
<v Speaker 2>it was so ridiculous. But uh, yeah no, when you

448
00:27:35.799 --> 00:27:45.480
<v Speaker 2>got yeah this one to rewatch bedtime for Bonzo, we did.

449
00:27:45.640 --> 00:27:49.599
<v Speaker 2>My wife, Robin really enjoys action movies, so I was like,

450
00:27:49.960 --> 00:27:52.160
<v Speaker 2>it's like, it's stupid. You're like I got through this one,

451
00:27:52.319 --> 00:27:55.319
<v Speaker 2>Like it's like, why do you get all these movies, dude?

452
00:27:55.359 --> 00:27:57.079
<v Speaker 2>And it's just like I got this one for you,

453
00:27:57.240 --> 00:28:03.000
<v Speaker 2>but you watch this. This is like have you seen

454
00:28:03.000 --> 00:28:04.200
<v Speaker 2>this in a long time or seen it?

455
00:28:04.240 --> 00:28:06.559
<v Speaker 1>I don't know that I've ever seen it. I've been

456
00:28:06.599 --> 00:28:08.799
<v Speaker 1>trying to reach back to my memories. I can't place

457
00:28:08.839 --> 00:28:09.200
<v Speaker 1>it at all.

458
00:28:09.640 --> 00:28:14.720
<v Speaker 2>This is a very, very silly Toimmily Jones performance. It's

459
00:28:14.759 --> 00:28:16.599
<v Speaker 2>like I think he must have played two face, Like

460
00:28:17.960 --> 00:28:20.400
<v Speaker 2>somebody saw this and we're like, you should be two

461
00:28:20.400 --> 00:28:21.359
<v Speaker 2>face also.

462
00:28:23.480 --> 00:28:25.160
<v Speaker 1>And pretty good.

463
00:28:25.160 --> 00:28:27.480
<v Speaker 2>I was excited because it's by the director of Predator two,

464
00:28:27.599 --> 00:28:31.720
<v Speaker 2>which is just like, I think that might be my

465
00:28:31.759 --> 00:28:35.920
<v Speaker 2>favorite Alien or Predator movie. I'll start the controversy now

466
00:28:36.000 --> 00:28:42.119
<v Speaker 2>Predator two is the one, But yeah, what else can

467
00:28:42.160 --> 00:28:46.119
<v Speaker 2>you say about this? It's good, it's not it holds

468
00:28:46.200 --> 00:28:48.200
<v Speaker 2>up all right. Speed came out the same year I

469
00:28:48.359 --> 00:28:50.079
<v Speaker 2>like Diehard with a Vengeance. It's kind of like right

470
00:28:50.079 --> 00:28:53.400
<v Speaker 2>in between those, so I can see it's like right

471
00:28:53.440 --> 00:28:54.079
<v Speaker 2>in that crack.

472
00:28:56.640 --> 00:28:59.599
<v Speaker 1>Yeah, Terry says, the whole tone of that movie is hysterical. Yeah,

473
00:28:59.720 --> 00:29:02.039
<v Speaker 1>I don't think I've seen it. I got to get there.

474
00:29:03.559 --> 00:29:05.160
<v Speaker 2>But the rest, what have we got? We'll just go

475
00:29:05.200 --> 00:29:07.599
<v Speaker 2>through real quick. Can't stop the music.

476
00:29:08.160 --> 00:29:11.119
<v Speaker 1>Nice Lee Gammon commentary on that one.

477
00:29:11.759 --> 00:29:16.319
<v Speaker 2>Yeah, it's like, yeah, I don't want to talk about

478
00:29:16.359 --> 00:29:19.039
<v Speaker 2>what the fate of these people, what's going It's all

479
00:29:19.079 --> 00:29:23.119
<v Speaker 2>happened to them staying alive, which I watched for the

480
00:29:23.160 --> 00:29:28.880
<v Speaker 2>first time, which kind of same story there but directed

481
00:29:28.880 --> 00:29:32.599
<v Speaker 2>by Stallone. I cannot imagine that people were ready for

482
00:29:33.400 --> 00:29:38.039
<v Speaker 2>this much Frank Stallone on the soundtrack in the movie.

483
00:29:39.119 --> 00:29:42.119
<v Speaker 2>But and it's kind of also like, you know how

484
00:29:43.200 --> 00:29:46.079
<v Speaker 2>in First Blood to First Blood Part two, how much

485
00:29:47.799 --> 00:29:52.599
<v Speaker 2>Stallone's body changes. That's how much Travolta's body changed between

486
00:29:52.960 --> 00:29:55.920
<v Speaker 2>between those two. What else? Haven't watched this?

487
00:29:56.119 --> 00:29:58.920
<v Speaker 1>To Live and Die in La It's a beautiful four K.

488
00:30:00.079 --> 00:30:03.480
<v Speaker 2>And Goodbye I have seen I just had to have

489
00:30:05.279 --> 00:30:08.759
<v Speaker 2>Gloria by John Cassavetti's and has anybody? Has anybody seen

490
00:30:08.799 --> 00:30:12.519
<v Speaker 2>My Gal by Douglas Sir? I feel pretty good that I,

491
00:30:12.559 --> 00:30:17.680
<v Speaker 2>like believe it or not knowing nothing about me. That's

492
00:30:17.680 --> 00:30:21.559
<v Speaker 2>like actually the least random stack of movies I've ever

493
00:30:21.599 --> 00:30:22.359
<v Speaker 2>bought from Keno.

494
00:30:22.240 --> 00:30:22.720
<v Speaker 1>Laura ber Like.

495
00:30:22.720 --> 00:30:27.400
<v Speaker 2>I feel like almost every other order has like one

496
00:30:27.599 --> 00:30:29.519
<v Speaker 2>at least one movie where like when you get it,

497
00:30:29.599 --> 00:30:36.599
<v Speaker 2>you're like, what is this? Does that happen to you?

498
00:30:36.880 --> 00:30:40.000
<v Speaker 1>Yes? I think I've slowed down on that front because

499
00:30:40.039 --> 00:30:42.640
<v Speaker 1>I realized that what is this doesn't get put into

500
00:30:42.640 --> 00:30:45.920
<v Speaker 1>the player as much. But the sad thing is, I

501
00:30:45.960 --> 00:30:49.039
<v Speaker 1>think when I'm done with those, I think those watches

502
00:30:49.079 --> 00:30:52.480
<v Speaker 1>are more gratifying almost because you're like, now I know

503
00:30:53.279 --> 00:30:56.200
<v Speaker 1>that that like itch in the back of your brain

504
00:30:56.599 --> 00:30:58.400
<v Speaker 1>is now scratched because you know what it's like to

505
00:30:58.440 --> 00:31:01.599
<v Speaker 1>watch I don't know, like a French remake of a

506
00:31:01.759 --> 00:31:05.079
<v Speaker 1>nineties comedy in the US or something like that, and

507
00:31:05.200 --> 00:31:08.079
<v Speaker 1>the French one is better or something. So, yeah, there's

508
00:31:08.119 --> 00:31:10.799
<v Speaker 1>a lot that can happen in the keynot catalog alone.

509
00:31:10.920 --> 00:31:13.480
<v Speaker 1>When they put out that many movies, there's a lot

510
00:31:13.519 --> 00:31:15.000
<v Speaker 1>of randomness.

511
00:31:16.400 --> 00:31:17.319
<v Speaker 2>There, absolutely is.

512
00:31:17.400 --> 00:31:24.559
<v Speaker 1>Yeah, uh, all right, any anything else you want to cover.

513
00:31:27.160 --> 00:31:31.759
<v Speaker 2>Well, one other thing that I might talk about there

514
00:31:31.799 --> 00:31:33.519
<v Speaker 2>too that I actually picked up I don't even own.

515
00:31:33.759 --> 00:31:36.480
<v Speaker 2>I don't even own a record player, but I did

516
00:31:36.480 --> 00:31:40.480
<v Speaker 2>buy a vinyl to be supportive of an artist, and

517
00:31:42.160 --> 00:31:47.319
<v Speaker 2>that is Daughter of Swords. This is their new album

518
00:31:47.359 --> 00:31:51.400
<v Speaker 2>Alex and I've been listening to this album in other

519
00:31:51.480 --> 00:31:53.359
<v Speaker 2>formats NonStop.

520
00:31:54.480 --> 00:31:59.680
<v Speaker 1>That looks huge. It doesn't even look like a regular vinyl.

521
00:32:00.680 --> 00:32:06.440
<v Speaker 1>It looks huge next to you. Okay, that's that's a

522
00:32:06.480 --> 00:32:12.240
<v Speaker 1>little more realistic. Okay, it was just where it was. Yeah, Okay.

523
00:32:17.559 --> 00:32:20.599
<v Speaker 1>Recent watches, Uh, we're gonna talk about one of my

524
00:32:20.960 --> 00:32:22.960
<v Speaker 1>two recent watches that I was able to put time

525
00:32:22.960 --> 00:32:25.640
<v Speaker 1>into this week that I can talk about after the

526
00:32:25.680 --> 00:32:27.720
<v Speaker 1>announcements tonight. So I wanted to lead in with that

527
00:32:27.880 --> 00:32:30.839
<v Speaker 1>and say, our discussion tonight, we're gonna be talking about

528
00:32:31.119 --> 00:32:35.880
<v Speaker 1>things that are creative influences on film and inspirations that

529
00:32:35.960 --> 00:32:38.640
<v Speaker 1>filmmakers get from some of those, with one title in

530
00:32:38.680 --> 00:32:41.319
<v Speaker 1>particular that we're gonna give like a real deep dive into,

531
00:32:41.680 --> 00:32:44.039
<v Speaker 1>and then probably gonna mention quite a few other things

532
00:32:44.079 --> 00:32:47.079
<v Speaker 1>associated with that, so be prepared for that. It is.

533
00:32:47.160 --> 00:32:49.400
<v Speaker 1>It's got a boutique physical release. We're gonna we're gonna

534
00:32:49.440 --> 00:32:51.599
<v Speaker 1>go in depth on all of that. But the other

535
00:32:51.680 --> 00:32:53.640
<v Speaker 1>thing I watched this week, just like many of you

536
00:32:53.720 --> 00:32:58.240
<v Speaker 1>I'm sure sinners, saw it in Imax last Friday, and uh,

537
00:32:58.720 --> 00:33:00.640
<v Speaker 1>this is one of the only movies where I was

538
00:33:00.920 --> 00:33:03.240
<v Speaker 1>very worried it was gonna be overhyped, and I walked

539
00:33:03.240 --> 00:33:05.720
<v Speaker 1>out feeling like it was still better than that hype

540
00:33:05.759 --> 00:33:08.599
<v Speaker 1>led me to believe it is by far, for me,

541
00:33:08.759 --> 00:33:11.559
<v Speaker 1>the best film I've seen this year, five out of five.

542
00:33:12.000 --> 00:33:15.160
<v Speaker 1>I think that one of the more important things that

543
00:33:15.279 --> 00:33:18.000
<v Speaker 1>hasn't gotten enough attention since this came out, which is

544
00:33:18.079 --> 00:33:21.039
<v Speaker 1>hilarious because it's essentially a musical in the way that

545
00:33:21.079 --> 00:33:23.599
<v Speaker 1>they treat a few of the songs. I think that

546
00:33:24.839 --> 00:33:27.920
<v Speaker 1>we have seen time and time again over the last

547
00:33:28.400 --> 00:33:30.839
<v Speaker 1>I don't know eight years at this point or nine

548
00:33:30.920 --> 00:33:33.920
<v Speaker 1>or whatever. He's done a handful of things, but the

549
00:33:35.039 --> 00:33:41.240
<v Speaker 1>absolute artistry and craft that is in this score is incredible,

550
00:33:41.599 --> 00:33:45.000
<v Speaker 1>and Gorenson is cementing himself as like one of the

551
00:33:45.119 --> 00:33:49.359
<v Speaker 1>best composers of modern cinema, and I well, shouting from

552
00:33:49.359 --> 00:33:54.039
<v Speaker 1>the rooftops. I think this movie is Ryan Coogler's most

553
00:33:54.160 --> 00:33:57.799
<v Speaker 1>realized project. I think it is easily his best. It's

554
00:33:57.839 --> 00:34:01.640
<v Speaker 1>Michael B. Jordan's best performance he's ever done. Loved the cast,

555
00:34:01.920 --> 00:34:04.559
<v Speaker 1>loved everything about it. I had very few things that

556
00:34:04.599 --> 00:34:05.359
<v Speaker 1>I would have changed.

557
00:34:08.599 --> 00:34:11.159
<v Speaker 2>I'm super excited to see it.

558
00:34:11.159 --> 00:34:13.000
<v Speaker 1>Craig says, my desire to see it went from ten

559
00:34:13.000 --> 00:34:15.320
<v Speaker 1>to six with it's a musical comment. It is, but

560
00:34:15.400 --> 00:34:17.480
<v Speaker 1>it isn't. I only say that because music is a

561
00:34:17.519 --> 00:34:20.000
<v Speaker 1>part of the story, because they're making a place to

562
00:34:20.159 --> 00:34:23.320
<v Speaker 1>create music and spend time together as a community. It's

563
00:34:23.320 --> 00:34:25.960
<v Speaker 1>not like a diegetic musical or anything like that. They're

564
00:34:25.960 --> 00:34:29.760
<v Speaker 1>not singing the plot lines. The music itself just plays

565
00:34:29.800 --> 00:34:32.760
<v Speaker 1>a huge portion of the film, so it's not a

566
00:34:32.840 --> 00:34:34.039
<v Speaker 1>musical in the classic sense.

567
00:34:35.480 --> 00:34:38.480
<v Speaker 2>You know what's crazy, I haven't seen I haven't seen

568
00:34:38.480 --> 00:34:41.840
<v Speaker 2>the movie yet, that's not crazy, but I haven't seen

569
00:34:43.320 --> 00:34:47.519
<v Speaker 2>any promotion for it. Like I actually haven't seen a

570
00:34:47.559 --> 00:34:49.880
<v Speaker 2>frame of the movie, which I'm really glad for because

571
00:34:49.880 --> 00:34:53.760
<v Speaker 2>I even as somebody who is like makes trailers all

572
00:34:53.800 --> 00:34:57.239
<v Speaker 2>the time, I'm like, I love going in cold.

573
00:34:57.400 --> 00:35:01.800
<v Speaker 1>Like that is genuinely impressed that you have not seen anything,

574
00:35:01.800 --> 00:35:03.840
<v Speaker 1>because I feel like the marketing has been everywhere.

575
00:35:04.760 --> 00:35:10.559
<v Speaker 2>I also haven't been to the theater yeah, in like

576
00:35:10.559 --> 00:35:12.880
<v Speaker 2>a month or two, though I did get and it's

577
00:35:12.880 --> 00:35:15.599
<v Speaker 2>stupid because I got an AMC A list thing. So

578
00:35:15.639 --> 00:35:18.280
<v Speaker 2>I'm basically just spending money to not go.

579
00:35:18.920 --> 00:35:19.159
<v Speaker 1>Yeah.

580
00:35:19.239 --> 00:35:23.519
<v Speaker 2>Now my palfodis like said that, like the new late

581
00:35:23.599 --> 00:35:28.400
<v Speaker 2>fees is just not using your subscriptions and just having them.

582
00:35:28.519 --> 00:35:30.719
<v Speaker 2>That's the new version of that. And so I'm basically

583
00:35:30.760 --> 00:35:34.280
<v Speaker 2>just paying late fees to AMC, which is fine because

584
00:35:34.800 --> 00:35:37.840
<v Speaker 2>I even though they're AMC like, I still like I

585
00:35:38.119 --> 00:35:40.320
<v Speaker 2>want them to be there. And one many of them

586
00:35:40.360 --> 00:35:44.360
<v Speaker 2>have closed, and one close to me that if it

587
00:35:44.400 --> 00:35:47.039
<v Speaker 2>was still open, I would have gone this month because

588
00:35:47.039 --> 00:35:48.239
<v Speaker 2>it's closer to the stuff I like.

589
00:35:48.559 --> 00:35:51.639
<v Speaker 1>But what One of the secret things you can do

590
00:35:51.719 --> 00:35:52.880
<v Speaker 1>is if you're not gonna be able to go this

591
00:35:52.960 --> 00:35:55.280
<v Speaker 1>week and you know that, just reserve tickets anyway to

592
00:35:55.320 --> 00:35:57.280
<v Speaker 1>make it look like one of your favorite filmmakers is

593
00:35:57.280 --> 00:35:58.239
<v Speaker 1>getting more tickets sold.

594
00:36:00.159 --> 00:36:03.960
<v Speaker 2>That's true, But I think if you don't, if they

595
00:36:03.960 --> 00:36:04.760
<v Speaker 2>don't scan.

596
00:36:04.599 --> 00:36:09.960
<v Speaker 1>It, they don't. Now there's nothing to prove it. I

597
00:36:10.000 --> 00:36:14.320
<v Speaker 1>don't know, I don't know. All right, what have you

598
00:36:14.320 --> 00:36:15.599
<v Speaker 1>been watching? Let's cover that.

599
00:36:17.360 --> 00:36:19.039
<v Speaker 2>What have I been watching? Well, I mean kind of

600
00:36:19.079 --> 00:36:26.119
<v Speaker 2>like this whole year, I have been trying to watch

601
00:36:26.119 --> 00:36:28.320
<v Speaker 2>as much physical media as possible. Like at the beginning

602
00:36:28.320 --> 00:36:29.400
<v Speaker 2>of the year, I was like, if I'm going to

603
00:36:29.480 --> 00:36:35.679
<v Speaker 2>get a subscription to Vinegar Syndrome again, And you know,

604
00:36:35.719 --> 00:36:39.800
<v Speaker 2>I'm sure you've covered all the time about how what

605
00:36:40.000 --> 00:36:44.800
<v Speaker 2>their sales have done to Basically it's like I didn't

606
00:36:44.800 --> 00:36:47.280
<v Speaker 2>want to buy anything for what could end up being

607
00:36:47.320 --> 00:36:51.280
<v Speaker 2>a little more actually upfront, if I wasn't going to

608
00:36:51.320 --> 00:36:54.199
<v Speaker 2>watch it like in a timely manner. Yeah, and I'm

609
00:36:54.199 --> 00:36:58.199
<v Speaker 2>already buried, of course by the Vinegar Syndrome pile even

610
00:36:58.239 --> 00:37:01.039
<v Speaker 2>without like this month, this month, I you know, I

611
00:37:01.079 --> 00:37:04.440
<v Speaker 2>picked up a few like you know, Last Tango and

612
00:37:04.639 --> 00:37:10.480
<v Speaker 2>drop Zone and that and that stuff. But like, yes,

613
00:37:10.559 --> 00:37:13.639
<v Speaker 2>I've just been trying to watch as much physical media

614
00:37:13.639 --> 00:37:17.960
<v Speaker 2>as possible. Like I said, Heretic and Maxine this week,

615
00:37:18.159 --> 00:37:21.159
<v Speaker 2>I wonder I've been also trying to keep better score

616
00:37:21.199 --> 00:37:22.239
<v Speaker 2>on Letterbox, but.

617
00:37:24.840 --> 00:37:25.239
<v Speaker 1>I don't know.

618
00:37:25.280 --> 00:37:29.400
<v Speaker 2>I'm gonna see Sinners soon. Let me let me look.

619
00:37:30.760 --> 00:37:33.199
<v Speaker 1>Enough for you. I do good.

620
00:37:33.840 --> 00:37:39.039
<v Speaker 2>It's always kind of like it's like being old, or

621
00:37:39.039 --> 00:37:42.679
<v Speaker 2>if it's just like audiences, like it's it's loud to

622
00:37:42.880 --> 00:37:44.960
<v Speaker 2>like I saw Oppenheimer and Imax and it was like

623
00:37:46.880 --> 00:37:49.000
<v Speaker 2>it was a little bit a little bit much.

624
00:37:49.360 --> 00:37:53.079
<v Speaker 1>I get that while you're looking, I guess I can share.

625
00:37:53.320 --> 00:37:57.239
<v Speaker 1>Uh I over On the Modo Macabre podcast episode that

626
00:37:57.400 --> 00:38:00.360
<v Speaker 1>just came out this week, we talked about these two films,

627
00:38:00.760 --> 00:38:04.760
<v Speaker 1>Cafe Flesh and Bohachi Bushido, and of the two, like

628
00:38:05.039 --> 00:38:09.880
<v Speaker 1>Cafe Flesh, I'm glad that I've seen it now. I

629
00:38:09.920 --> 00:38:13.840
<v Speaker 1>am not super into what he was doing on that film,

630
00:38:13.880 --> 00:38:18.000
<v Speaker 1>definitely more of a Doctor Caligari fan. But Hachi Bushido,

631
00:38:18.079 --> 00:38:19.840
<v Speaker 1>man is that was the first time I was able

632
00:38:19.880 --> 00:38:24.199
<v Speaker 1>to see it, and that movie is incredible. Like from

633
00:38:24.239 --> 00:38:26.400
<v Speaker 1>the opening shot of that movie, I knew that I

634
00:38:26.440 --> 00:38:28.280
<v Speaker 1>was going to be in for a visual feast, and

635
00:38:28.320 --> 00:38:31.800
<v Speaker 1>then the story itself is wild. I joked about this

636
00:38:31.840 --> 00:38:34.039
<v Speaker 1>on the podcast, but one of the things that amazed

637
00:38:34.079 --> 00:38:38.800
<v Speaker 1>me on that film is there is a like immeasurable

638
00:38:38.840 --> 00:38:42.960
<v Speaker 1>amount of nudity in Bohachi Bushido. There is so many nibbles,

639
00:38:43.639 --> 00:38:47.000
<v Speaker 1>lots and lots of bare asses, but they pull off

640
00:38:47.079 --> 00:38:51.199
<v Speaker 1>some of the best, like random maneuvers to hy genitals

641
00:38:51.360 --> 00:38:54.400
<v Speaker 1>to make it so you never see anything between somebody's legs.

642
00:38:54.840 --> 00:38:58.000
<v Speaker 1>And then in other scenes they're literally just like showing

643
00:38:58.039 --> 00:39:00.239
<v Speaker 1>somebody walking and covering it with their arms and the

644
00:39:00.239 --> 00:39:02.800
<v Speaker 1>most awkward of you would never walk like that in

645
00:39:02.840 --> 00:39:07.199
<v Speaker 1>your life. It's it is so so funny the way

646
00:39:07.239 --> 00:39:10.039
<v Speaker 1>they do that. But again like genuine talent on some

647
00:39:10.079 --> 00:39:12.480
<v Speaker 1>of the scenes where he's moved this way and put

648
00:39:12.480 --> 00:39:14.400
<v Speaker 1>your leg up like this and we'll never see anything.

649
00:39:14.400 --> 00:39:14.960
<v Speaker 1>It's amazing.

650
00:39:16.360 --> 00:39:17.440
<v Speaker 2>What's the name of that one?

651
00:39:17.840 --> 00:39:22.000
<v Speaker 1>That one is Bohachi Bushido Code of the Forgotten eight.

652
00:39:22.519 --> 00:39:24.960
<v Speaker 1>This is the recent four K and the back of

653
00:39:25.000 --> 00:39:28.719
<v Speaker 1>the slip cover is very true to this movie. There

654
00:39:28.800 --> 00:39:32.400
<v Speaker 1>is a lot of like cutting off limbs and great

655
00:39:32.559 --> 00:39:38.079
<v Speaker 1>great violence, very like over the top blood. It's it's

656
00:39:38.079 --> 00:39:44.880
<v Speaker 1>pretty great, well worth checking it out, all right, anything

657
00:39:44.880 --> 00:39:46.480
<v Speaker 1>else from Letterbox you want to shout out?

658
00:39:47.199 --> 00:39:49.280
<v Speaker 2>You know, I looked. I think I talked about a

659
00:39:49.280 --> 00:39:52.360
<v Speaker 2>lot of them because they're in this in the Stack.

660
00:39:52.519 --> 00:39:55.000
<v Speaker 2>Really enjoyed a Real Pain, which I got out of

661
00:39:55.000 --> 00:40:02.199
<v Speaker 2>the library. Good movie, and but I was enjoyed. It

662
00:40:02.239 --> 00:40:05.400
<v Speaker 2>was I mean, it was super messed up. I mean,

663
00:40:05.440 --> 00:40:08.800
<v Speaker 2>obviously its like vinegar syndrome, but like Brimstone in Treacle,

664
00:40:09.199 --> 00:40:13.800
<v Speaker 2>was very interesting. It was cool. Did you watch it?

665
00:40:13.880 --> 00:40:14.400
<v Speaker 2>Have you seen it?

666
00:40:14.480 --> 00:40:17.079
<v Speaker 1>Not yet? It is on my list for soon, especially

667
00:40:17.159 --> 00:40:19.199
<v Speaker 1>after last week talking with Sam and he did the

668
00:40:19.280 --> 00:40:21.079
<v Speaker 1>art for that one too, I'm like, yeah, this is

669
00:40:21.119 --> 00:40:22.800
<v Speaker 1>one that I've been I've been dying to see. It's

670
00:40:22.880 --> 00:40:24.320
<v Speaker 1>just so much work right now.

671
00:40:24.360 --> 00:40:30.519
<v Speaker 2>It's been crazy, understandable, understandable. Yeah, I just I got

672
00:40:30.519 --> 00:40:33.679
<v Speaker 2>a kick out of it. I thought that, you know,

673
00:40:33.840 --> 00:40:37.559
<v Speaker 2>it's it's basically it's like sting being kind of Malcolm

674
00:40:37.599 --> 00:40:43.000
<v Speaker 2>mcdowelly yea. And but also there's some like pretty cool

675
00:40:43.360 --> 00:40:46.639
<v Speaker 2>like original music in there by the Police, which is

676
00:40:46.760 --> 00:40:51.440
<v Speaker 2>just really cool. Yeah, but makes sense why it's like

677
00:40:52.159 --> 00:40:54.360
<v Speaker 2>totally makes sense why it's like buried and nobody's ever

678
00:40:54.400 --> 00:40:57.519
<v Speaker 2>heard of it. And maybe they should have just kept

679
00:40:57.559 --> 00:40:59.960
<v Speaker 2>it buried, but whatever, it was.

680
00:41:02.400 --> 00:41:06.960
<v Speaker 1>All right. If that is it again after the announcements,

681
00:41:07.000 --> 00:41:08.639
<v Speaker 1>make sure you have to stay hang out. We're gonna

682
00:41:08.639 --> 00:41:12.639
<v Speaker 1>be talking about like creative influences. It's gonna be a

683
00:41:12.639 --> 00:41:16.679
<v Speaker 1>really fun discussion this week. So yeah, let's get into it.

684
00:41:16.760 --> 00:41:21.880
<v Speaker 1>This week started off odd Keino. It is the first

685
00:41:21.920 --> 00:41:26.639
<v Speaker 1>announcement we got over on Saturday. We went nothing last Friday. Saturday,

686
00:41:26.639 --> 00:41:28.679
<v Speaker 1>they announced that we're getting a Blu ray soon of

687
00:41:28.800 --> 00:41:31.960
<v Speaker 1>May Race He's read from nineteen sixty three. This is

688
00:41:32.000 --> 00:41:34.599
<v Speaker 1>gonna be a Blu Ray release of a four K

689
00:41:34.719 --> 00:41:38.400
<v Speaker 1>restoration that was put out by Studio Canal. This is

690
00:41:38.760 --> 00:41:41.719
<v Speaker 1>continuing a long line of releases they've done of some

691
00:41:41.760 --> 00:41:44.079
<v Speaker 1>of the make Gray stuff, so nice to see them

692
00:41:44.119 --> 00:41:49.639
<v Speaker 1>continue on that front. Then the next day, I, for

693
00:41:49.719 --> 00:41:53.199
<v Speaker 1>some reason, I didn't even know this existed. There is

694
00:41:53.320 --> 00:41:56.840
<v Speaker 1>a TV movie from nineteen seventy seven that is another

695
00:41:56.920 --> 00:42:00.440
<v Speaker 1>anthology called Dead of Night. The one of the older

696
00:42:00.519 --> 00:42:04.800
<v Speaker 1>horror anthologies from forty one or something like that is

697
00:42:04.880 --> 00:42:07.360
<v Speaker 1>Dead of Night. And then this came out and it's

698
00:42:07.400 --> 00:42:10.639
<v Speaker 1>got some names in it like Ed Begley Junior. I

699
00:42:10.719 --> 00:42:12.800
<v Speaker 1>have never seen this one. But man, this will be

700
00:42:12.880 --> 00:42:14.920
<v Speaker 1>pretty damn cool to see. I love that they're still

701
00:42:14.920 --> 00:42:18.679
<v Speaker 1>putting money into TV movies on Blu Ray. Not a

702
00:42:18.719 --> 00:42:23.079
<v Speaker 1>lot of companies have been able to broach past that corridor,

703
00:42:23.119 --> 00:42:25.960
<v Speaker 1>so it's nice to see them trying still and directed

704
00:42:25.960 --> 00:42:27.599
<v Speaker 1>by Dan Curtis. That's a big deal for a lot

705
00:42:27.599 --> 00:42:33.679
<v Speaker 1>of people. But the first pretty major announcement for the

706
00:42:33.679 --> 00:42:37.480
<v Speaker 1>week we talked about new Wave video. This is a

707
00:42:37.679 --> 00:42:40.280
<v Speaker 1>new boutique label that is coming out of Australia, ran

708
00:42:40.320 --> 00:42:42.320
<v Speaker 1>by John Matthew's friend of the channel who's been on

709
00:42:42.360 --> 00:42:45.800
<v Speaker 1>here multiple times before. They announced that they're putting out

710
00:42:45.880 --> 00:42:48.760
<v Speaker 1>a Blu Ray of Strange Circus from two thousand and five.

711
00:42:49.360 --> 00:42:52.719
<v Speaker 1>And the big, the big association with this is this

712
00:42:52.840 --> 00:42:56.440
<v Speaker 1>is a she on Sono title, and Sono just a

713
00:42:56.480 --> 00:43:01.119
<v Speaker 1>couple of years ago, was Me Too Little Bit was

714
00:43:01.119 --> 00:43:03.079
<v Speaker 1>was kind of canceled in the mainstream by a lot

715
00:43:03.119 --> 00:43:05.599
<v Speaker 1>of people. In fact, Third Window had announced that they

716
00:43:05.599 --> 00:43:07.280
<v Speaker 1>were going to be working on some of his films

717
00:43:07.360 --> 00:43:09.639
<v Speaker 1>and then as soon as that happened, canceled all of

718
00:43:09.679 --> 00:43:11.920
<v Speaker 1>them and ate the costs. Uh. This is one of

719
00:43:11.960 --> 00:43:15.360
<v Speaker 1>those titles that a lot of people had wanted I

720
00:43:15.400 --> 00:43:17.320
<v Speaker 1>have never seen this one. In fact, I'm not even

721
00:43:17.320 --> 00:43:19.639
<v Speaker 1>sure if I've seen a Shue on Sono film at

722
00:43:19.679 --> 00:43:22.440
<v Speaker 1>all now that i'm thinking about it. But they did

723
00:43:22.480 --> 00:43:25.920
<v Speaker 1>announce that they do have new extras with Sono and

724
00:43:25.920 --> 00:43:28.800
<v Speaker 1>and posted some pictures of them with him in person

725
00:43:28.840 --> 00:43:31.199
<v Speaker 1>in Japan. So if you were into that, this is

726
00:43:31.199 --> 00:43:35.320
<v Speaker 1>gonna be pretty cool for you. Yeah, any any thoughts

727
00:43:35.320 --> 00:43:35.639
<v Speaker 1>on that?

728
00:43:37.360 --> 00:43:40.039
<v Speaker 2>Do I have any note? This train? This train's moving,

729
00:43:41.800 --> 00:43:44.559
<v Speaker 2>I know I will. I love the first time I

730
00:43:44.599 --> 00:43:46.760
<v Speaker 2>went on this and I didn't really know you. It's

731
00:43:46.840 --> 00:43:51.320
<v Speaker 2>like that we're in a different mode now. If you are,

732
00:43:51.480 --> 00:43:55.000
<v Speaker 2>you're gonna like your eyes are going to be different,

733
00:43:55.079 --> 00:43:56.840
<v Speaker 2>like when we were like okay, it's over and we're

734
00:43:56.840 --> 00:43:59.119
<v Speaker 2>gonna talk and you become a different person again. But

735
00:43:59.199 --> 00:44:01.440
<v Speaker 2>right now, it's let's go all right.

736
00:44:01.800 --> 00:44:03.719
<v Speaker 1>If we're coming up to a station, let me know

737
00:44:03.760 --> 00:44:07.840
<v Speaker 1>and I'll be glad to pump our racks. I am

738
00:44:08.159 --> 00:44:09.719
<v Speaker 1>so glad that I was able to post about this.

739
00:44:09.760 --> 00:44:11.760
<v Speaker 1>I know this helped a lot of people. But Hal

740
00:44:11.800 --> 00:44:14.400
<v Speaker 1>Hartley did another fifty percent off sale in all of

741
00:44:14.440 --> 00:44:17.559
<v Speaker 1>his box sets. The Long Island Trilogy on Blu Ray

742
00:44:17.639 --> 00:44:20.719
<v Speaker 1>is now officially sold out. The Henry Fool Trilogy is

743
00:44:20.719 --> 00:44:23.679
<v Speaker 1>officially sold out. Neither one of those are going to

744
00:44:23.719 --> 00:44:27.880
<v Speaker 1>be reissued on Blu Ray. This is the best time

745
00:44:27.920 --> 00:44:30.559
<v Speaker 1>to buy any of his films. However, the Henry Fool

746
00:44:30.639 --> 00:44:33.239
<v Speaker 1>Trilogy and the Long Island Trilogy, I think both of

747
00:44:33.280 --> 00:44:35.519
<v Speaker 1>them are still available on DVD, so if you want those,

748
00:44:36.079 --> 00:44:39.000
<v Speaker 1>you can still get them, just not in HD. Now

749
00:44:39.280 --> 00:44:41.840
<v Speaker 1>that's not saying that somebody else couldn't put these out eventually,

750
00:44:42.039 --> 00:44:44.800
<v Speaker 1>but at the moment, at least Hall has had the

751
00:44:44.880 --> 00:44:48.920
<v Speaker 1>rights to all of the films and there is no

752
00:44:49.039 --> 00:44:52.400
<v Speaker 1>plans to put those out again. So this sale is

753
00:44:52.440 --> 00:44:56.639
<v Speaker 1>going until April twenty fourth at midnight Eastern, which means

754
00:44:57.239 --> 00:44:59.360
<v Speaker 1>you've got like an hour and forty five minutes left

755
00:44:59.360 --> 00:45:00.920
<v Speaker 1>if you want to pick any of these up, So

756
00:45:01.679 --> 00:45:04.159
<v Speaker 1>go ahead and open another tab while you listen to this.

757
00:45:04.639 --> 00:45:06.960
<v Speaker 1>You can go check that out now. It is literally

758
00:45:07.000 --> 00:45:12.320
<v Speaker 1>hellhartley dot com, fairly cheap, good, good shipping. It's literally

759
00:45:12.360 --> 00:45:13.599
<v Speaker 1>the best place to get these films.

760
00:45:14.760 --> 00:45:16.719
<v Speaker 2>It'd be crazy if everybody left.

761
00:45:17.360 --> 00:45:21.360
<v Speaker 1>Yeah, literally zero viewers immediately and everything on his website

762
00:45:21.400 --> 00:45:28.239
<v Speaker 1>sold out. Next April twenty second, Breaking Glass Pictures, which

763
00:45:28.320 --> 00:45:32.559
<v Speaker 1>I believe is like just a really small distributor that's

764
00:45:33.039 --> 00:45:35.679
<v Speaker 1>popped up there, working directly with one of the studios.

765
00:45:36.880 --> 00:45:40.280
<v Speaker 1>Lost on a mountain in Maine from last year, getting

766
00:45:40.320 --> 00:45:43.559
<v Speaker 1>a blu ray literally two days ago. Now, this is

767
00:45:43.599 --> 00:45:46.559
<v Speaker 1>the inspiring true story of twelve year old Don Fendler,

768
00:45:46.599 --> 00:45:49.239
<v Speaker 1>who separated from his family by a fast moving storm,

769
00:45:49.599 --> 00:45:52.559
<v Speaker 1>must fight to stay alive while lost for nine days

770
00:45:53.000 --> 00:45:57.280
<v Speaker 1>in the remote wilderness of northern main Don's disappearance captures

771
00:45:57.360 --> 00:45:59.880
<v Speaker 1>national headlines and sparks a massive search effort, a track

772
00:46:00.239 --> 00:46:03.280
<v Speaker 1>hundreds of volunteers, including his own father who fears him

773
00:46:03.320 --> 00:46:07.280
<v Speaker 1>and never see his son again. This sounds like an interesting.

774
00:46:06.920 --> 00:46:11.639
<v Speaker 2>Watch at least thelone baby.

775
00:46:12.880 --> 00:46:19.159
<v Speaker 1>Just a producer Sinners already available to pick up in

776
00:46:19.199 --> 00:46:21.960
<v Speaker 1>a four K steal book. In the US, the cover

777
00:46:22.199 --> 00:46:25.880
<v Speaker 1>art seems to be not making people happy on this one.

778
00:46:26.639 --> 00:46:29.599
<v Speaker 1>I believe it's The UK release is definitely a more

779
00:46:29.719 --> 00:46:35.679
<v Speaker 1>like striking picture. I'm not sure what is going on.

780
00:46:35.760 --> 00:46:38.079
<v Speaker 1>I'm not against this. I don't think it's a terrible cover.

781
00:46:38.119 --> 00:46:40.639
<v Speaker 1>It's obviously depicting one of the most pivotal scenes of

782
00:46:40.679 --> 00:46:43.599
<v Speaker 1>the film, but this film is a lot more than

783
00:46:43.719 --> 00:46:45.960
<v Speaker 1>just somebody standing in front of a door, so I

784
00:46:46.519 --> 00:46:49.039
<v Speaker 1>certainly would have been happier with another cover. I don't

785
00:46:49.079 --> 00:46:55.719
<v Speaker 1>hate it though. Good movie. Blue Underground is having a

786
00:46:55.760 --> 00:46:59.599
<v Speaker 1>sale hosted on MVD site and oldies dot Com, one

787
00:46:59.599 --> 00:47:02.039
<v Speaker 1>of the same MVD and Oldies. It's ran by the

788
00:47:02.079 --> 00:47:04.800
<v Speaker 1>same people, so don't worry about that. Same prices and

789
00:47:04.880 --> 00:47:07.800
<v Speaker 1>same shipping and all that. You get up to seventy

790
00:47:07.800 --> 00:47:10.599
<v Speaker 1>five percent off list prices on almost everything that is

791
00:47:10.639 --> 00:47:13.079
<v Speaker 1>going on through April twenty seventh. Some of the titles

792
00:47:13.119 --> 00:47:15.199
<v Speaker 1>are limited, so make sure you go check that out

793
00:47:15.519 --> 00:47:20.400
<v Speaker 1>if you are into it quicker because it could absolutely

794
00:47:20.440 --> 00:47:23.800
<v Speaker 1>sell out Blue Underground.

795
00:47:23.840 --> 00:47:27.800
<v Speaker 2>You got much from them, I don't think I do.

796
00:47:28.440 --> 00:47:34.519
<v Speaker 2>I'm like, what's there? What's there? Like I feel like

797
00:47:34.559 --> 00:47:37.039
<v Speaker 2>I see all the time. But I also like I

798
00:47:37.039 --> 00:47:39.079
<v Speaker 2>feel like I confuse it in my head with Synapse

799
00:47:40.039 --> 00:47:42.039
<v Speaker 2>for whatever reason. I don't know if it's the font

800
00:47:42.159 --> 00:47:46.320
<v Speaker 2>or a similar right kind of curation.

801
00:47:46.639 --> 00:47:50.719
<v Speaker 1>But they've they've got Zombie ful Chue Zombie. They've got

802
00:47:50.719 --> 00:47:56.480
<v Speaker 1>House by the Cemetery, They've got.

803
00:47:54.719 --> 00:47:57.920
<v Speaker 2>Your Okay, you know it's terrible. Is I have to

804
00:47:57.960 --> 00:48:01.639
<v Speaker 2>see I don't know if I've seen zombie And we're

805
00:48:01.679 --> 00:48:04.519
<v Speaker 2>gonna go to this thing. I know that the zombie.

806
00:48:04.519 --> 00:48:07.119
<v Speaker 2>I've seen the Zombie Fighter Shark because.

807
00:48:08.440 --> 00:48:10.639
<v Speaker 1>You know, big deal. Yeah it's a zombie fighting a shark.

808
00:48:10.800 --> 00:48:12.760
<v Speaker 2>Yeah. I like movies, so I need to know that.

809
00:48:12.880 --> 00:48:17.320
<v Speaker 2>But yeah, I haven't seen a ton of I haven't

810
00:48:17.320 --> 00:48:20.360
<v Speaker 2>seen a ton of Faulgy. So that's why I'm always saying,

811
00:48:20.400 --> 00:48:23.440
<v Speaker 2>like the every time Vinegar Syndrome puts up forgotten g Ali,

812
00:48:23.519 --> 00:48:26.960
<v Speaker 2>I'm like, oh, slow down, Like I don't I neither

813
00:48:27.000 --> 00:48:30.400
<v Speaker 2>remembered first.

814
00:48:31.000 --> 00:48:34.519
<v Speaker 1>Yeah, that's important. Zombie four k's is one of the

815
00:48:34.559 --> 00:48:36.559
<v Speaker 1>best four k's you can watch picture quality of standing,

816
00:48:36.559 --> 00:48:40.559
<v Speaker 1>says Kergan. Honestly, it's a really great four K. It

817
00:48:40.639 --> 00:48:44.880
<v Speaker 1>looks genuinely way better than I ever expected. I've seen

818
00:48:44.880 --> 00:48:47.440
<v Speaker 1>that movie so many times, but it still gets me.

819
00:48:47.480 --> 00:48:50.199
<v Speaker 1>There's a couple of scenes from that movie specifically, I've

820
00:48:50.199 --> 00:48:53.039
<v Speaker 1>talked about on here how I really hate I Trauma scenes,

821
00:48:53.119 --> 00:48:55.880
<v Speaker 1>and that movie is one of the best like tension

822
00:48:55.920 --> 00:48:59.880
<v Speaker 1>moments for I Trauma, And it's so good, so good.

823
00:49:01.119 --> 00:49:05.159
<v Speaker 1>All right. Next up, we have Dazzler Media over in

824
00:49:05.159 --> 00:49:08.119
<v Speaker 1>the UK on July fourteenth, putting out a four K

825
00:49:08.280 --> 00:49:12.119
<v Speaker 1>and blu ray of Mussolini, son of the Century from

826
00:49:12.199 --> 00:49:15.960
<v Speaker 1>last year. This is I believe a mini series that

827
00:49:16.039 --> 00:49:20.880
<v Speaker 1>aired on Sky. And I've heard that this is both

828
00:49:20.920 --> 00:49:26.920
<v Speaker 1>a masterpiece and boring beyond belief, So take that as

829
00:49:27.079 --> 00:49:27.559
<v Speaker 1>you will.

830
00:49:27.559 --> 00:49:31.360
<v Speaker 2>When I see the name Joe Wright, I'm like, I'm

831
00:49:31.360 --> 00:49:34.159
<v Speaker 2>gonna have to hear I'm gonna have to hear not boring.

832
00:49:35.719 --> 00:49:38.599
<v Speaker 2>I think boring. I'm sorry, but it's like, yeah.

833
00:49:38.440 --> 00:49:43.159
<v Speaker 1>I understand. July first, Mill Creek in the US putting

834
00:49:43.159 --> 00:49:46.679
<v Speaker 1>out a blu ray of Ultraman USA aka Ultraman. The

835
00:49:46.719 --> 00:49:50.320
<v Speaker 1>Adventure begins from all the way back in nineteen eighty seven.

836
00:49:51.039 --> 00:49:54.679
<v Speaker 1>Heard this is one of the better Ultraman's. Actually, they've

837
00:49:54.679 --> 00:49:57.280
<v Speaker 1>got high quality on most of their other Ultraman releases.

838
00:49:57.519 --> 00:50:02.880
<v Speaker 1>I'm sure this is going to look incredible, all right,

839
00:50:03.000 --> 00:50:06.920
<v Speaker 1>This one is rather interesting. May fourth, there is a

840
00:50:06.960 --> 00:50:09.559
<v Speaker 1>blu ray coming in the US here from new Bootique,

841
00:50:09.760 --> 00:50:14.440
<v Speaker 1>New boutique blu ray label named BT Releasing, which stands

842
00:50:14.480 --> 00:50:19.559
<v Speaker 1>for Bizarre Theater Releasing. And this is White Gardinia's John

843
00:50:19.679 --> 00:50:23.480
<v Speaker 1>Calvin from twenty twenty five. And essentially, this is an

844
00:50:23.519 --> 00:50:29.159
<v Speaker 1>anthology film with a shit ton of excerpts from just

845
00:50:29.400 --> 00:50:33.800
<v Speaker 1>random directors thrown together and one name alone. We'll tell

846
00:50:33.840 --> 00:50:36.800
<v Speaker 1>you what this is going to be, featuring works by

847
00:50:37.199 --> 00:50:40.840
<v Speaker 1>the first name Marian Dora. If you are somebody that

848
00:50:41.000 --> 00:50:45.679
<v Speaker 1>is into the heavy brutal like unearthed films, wouldn't even

849
00:50:45.719 --> 00:50:48.239
<v Speaker 1>touch some of this with a ten foot poll. This

850
00:50:48.519 --> 00:50:50.360
<v Speaker 1>is what that type of thing is going to be.

851
00:50:50.440 --> 00:50:53.960
<v Speaker 1>So this is the underground of underground and Mary and

852
00:50:54.000 --> 00:50:55.519
<v Speaker 1>Dora certainly has a reputation to.

853
00:50:55.599 --> 00:51:00.840
<v Speaker 2>Up pold Man. Have you guys, have you read Handheld

854
00:51:00.920 --> 00:51:02.599
<v Speaker 2>Hell by Justin Burning.

855
00:51:02.880 --> 00:51:04.639
<v Speaker 1>I've not finished it, but I've read some of it.

856
00:51:05.679 --> 00:51:07.960
<v Speaker 2>One thing that I really enjoy I enjoyed that book

857
00:51:08.159 --> 00:51:10.480
<v Speaker 2>very much. I think you can probably still get it

858
00:51:10.599 --> 00:51:16.559
<v Speaker 2>through Terror Vision. One thing I really appreciated about that

859
00:51:16.599 --> 00:51:20.159
<v Speaker 2>book is he watches a lot of movies that I

860
00:51:20.199 --> 00:51:24.719
<v Speaker 2>will never watch, like some unearthed stuff, because I'm just

861
00:51:24.760 --> 00:51:26.960
<v Speaker 2>it's just not like I just don't want to go there.

862
00:51:27.519 --> 00:51:30.599
<v Speaker 2>But he writes about it in a way like where

863
00:51:30.920 --> 00:51:33.880
<v Speaker 2>it's you can you can learn all you need to know.

864
00:51:34.039 --> 00:51:36.280
<v Speaker 2>I think you know all you need to know about

865
00:51:36.280 --> 00:51:40.119
<v Speaker 2>it and get the gist and know where it fits

866
00:51:40.119 --> 00:51:44.559
<v Speaker 2>into history of shot on video stuff. So if you

867
00:51:44.599 --> 00:51:48.599
<v Speaker 2>don't like watching those movies, but you're you want to

868
00:51:48.679 --> 00:51:51.119
<v Speaker 2>you know, still be able to understand it. Keep up

869
00:51:51.159 --> 00:51:55.880
<v Speaker 2>at the water cooler where people talk about on Earth films,

870
00:51:57.519 --> 00:51:59.039
<v Speaker 2>you should read hand held.

871
00:51:58.880 --> 00:52:01.440
<v Speaker 1>I want to I've got water cooler where they're talking

872
00:52:01.440 --> 00:52:09.440
<v Speaker 1>about sv movies. Right June ninth, the UK is getting

873
00:52:09.480 --> 00:52:11.840
<v Speaker 1>a Blu ray release of The League of Gentlemen, the

874
00:52:11.880 --> 00:52:16.280
<v Speaker 1>Complete Collection Complete in parentheses, released by the BBC. This

875
00:52:16.360 --> 00:52:18.840
<v Speaker 1>is missing some of their live stuff that they have

876
00:52:18.960 --> 00:52:22.039
<v Speaker 1>put out in the last couple of years. It's also

877
00:52:22.039 --> 00:52:24.920
<v Speaker 1>missing I believe a couple like one off specials that

878
00:52:24.960 --> 00:52:28.480
<v Speaker 1>they did. But this is a British classic. Many people

879
00:52:28.519 --> 00:52:31.800
<v Speaker 1>will cite this as their favorite British comedy series of

880
00:52:31.840 --> 00:52:35.159
<v Speaker 1>all time. Terry talks movies. Wants to know what time

881
00:52:35.239 --> 00:52:38.599
<v Speaker 1>is it here? It's lunchtime here in Melbourne. Definitely not lunchtime.

882
00:52:39.039 --> 00:52:41.519
<v Speaker 1>It is almost ten thirty PM where John is and

883
00:52:41.559 --> 00:52:46.760
<v Speaker 1>it's almost nine thirty here where I am crazy late night. Yes,

884
00:52:46.880 --> 00:52:51.239
<v Speaker 1>local Blu rays for local people, says Terry. That is

885
00:52:51.280 --> 00:52:54.559
<v Speaker 1>an in joke for everybody that has seen this show. Yeah,

886
00:52:53.840 --> 00:52:57.800
<v Speaker 1>can't wait to see possibly getting this looks like it's

887
00:52:58.000 --> 00:53:01.000
<v Speaker 1>pretty solid release. It's got the Christmas specials. Got to

888
00:53:01.079 --> 00:53:03.480
<v Speaker 1>check this out because it is rather funny from what

889
00:53:03.519 --> 00:53:08.400
<v Speaker 1>I've seen of it. Hell of a Summer is getting

890
00:53:08.400 --> 00:53:11.960
<v Speaker 1>a Blu ray release from DCAL on July eighth. This

891
00:53:12.119 --> 00:53:15.559
<v Speaker 1>is the movie that was done by Finn Wolfhart and

892
00:53:16.159 --> 00:53:19.119
<v Speaker 1>I think it's Billy Brick is his last name. This

893
00:53:19.239 --> 00:53:22.199
<v Speaker 1>just played here at Panicfest in Kansas City. I unfortunately

894
00:53:22.239 --> 00:53:24.960
<v Speaker 1>missed the premiere. I really wanted to see this. It's

895
00:53:24.960 --> 00:53:28.039
<v Speaker 1>gotten okay reviews. I think this one was held for

896
00:53:28.079 --> 00:53:29.840
<v Speaker 1>a couple of years. This was supposed to be about

897
00:53:30.039 --> 00:53:32.199
<v Speaker 1>literally like two years ago, and it's just now coming

898
00:53:32.199 --> 00:53:35.719
<v Speaker 1>out For some reason, something happened. But yeah, gonna be

899
00:53:35.719 --> 00:53:37.559
<v Speaker 1>lots of stuff on the disc. Looks like a pretty

900
00:53:37.679 --> 00:53:39.599
<v Speaker 1>good release, and I know a lot of people that

901
00:53:39.639 --> 00:53:45.000
<v Speaker 1>have really enjoyed this, so check it out if you want.

902
00:53:46.880 --> 00:53:49.880
<v Speaker 1>Next up, we're gonna talk about two of these releases,

903
00:53:50.480 --> 00:53:53.559
<v Speaker 1>and this first one I saw much earlier than I

904
00:53:53.679 --> 00:53:55.800
<v Speaker 1>found the second one, So we're gonna talk about one

905
00:53:55.840 --> 00:53:59.079
<v Speaker 1>and then something else. First June seventeenth, we are getting

906
00:53:59.159 --> 00:54:03.440
<v Speaker 1>two two steal books of Jurassic Park trilogies. This first

907
00:54:03.440 --> 00:54:07.239
<v Speaker 1>one here is the Jurassic World trilogy. This is the

908
00:54:07.280 --> 00:54:11.000
<v Speaker 1>second triplet of films that we got out of this.

909
00:54:11.079 --> 00:54:12.840
<v Speaker 1>These are all the ones from twenty fifteen to twenty

910
00:54:12.880 --> 00:54:15.679
<v Speaker 1>twenty two. I actually kind of dig the art on

911
00:54:15.719 --> 00:54:17.000
<v Speaker 1>the cover of this. I know a lot of people

912
00:54:17.039 --> 00:54:20.079
<v Speaker 1>aren't super happy, but it's nice of these coming out.

913
00:54:20.119 --> 00:54:22.480
<v Speaker 1>You got a four k all is stored in a

914
00:54:22.480 --> 00:54:26.480
<v Speaker 1>steel book. Everything on their own disc looks like a

915
00:54:26.599 --> 00:54:29.800
<v Speaker 1>solid release in my mind. Are you a Jurassic Park boy, Joan.

916
00:54:31.679 --> 00:54:38.400
<v Speaker 2>Boi, Yes, I mean the of course, I mean Jurassic Park. Yes,

917
00:54:38.559 --> 00:54:43.679
<v Speaker 2>they This whole new new one doesn't do too much

918
00:54:43.719 --> 00:54:49.280
<v Speaker 2>for me, even though I kind of try to if

919
00:54:49.320 --> 00:54:52.639
<v Speaker 2>I'm gonna watch certain movies, like pretend that it's like

920
00:54:53.039 --> 00:54:55.519
<v Speaker 2>it's twenty five years later already, and be like if

921
00:54:55.519 --> 00:54:57.159
<v Speaker 2>it was twenty five years from now and I was

922
00:54:57.199 --> 00:55:00.519
<v Speaker 2>feeling like, oh those are the good old days. Yeah,

923
00:55:00.960 --> 00:55:03.840
<v Speaker 2>you know, do a lip a future nostalgia. I try

924
00:55:03.880 --> 00:55:05.519
<v Speaker 2>to do that, but.

925
00:55:05.679 --> 00:55:09.400
<v Speaker 1>Uh, remembering peak Chris Pratt, Yeah, I.

926
00:55:09.400 --> 00:55:13.239
<v Speaker 2>Mean I kind of liked how absolutely stupid the third

927
00:55:13.280 --> 00:55:14.920
<v Speaker 2>one was with the locusts.

928
00:55:15.199 --> 00:55:17.440
<v Speaker 1>I love that you say that, as multiple people are

929
00:55:17.559 --> 00:55:25.000
<v Speaker 1>commenting it in the chata.

930
00:55:22.320 --> 00:55:29.000
<v Speaker 2>Well, I think they're saying, yeah, Jurassic Park three, Jurassic

931
00:55:29.000 --> 00:55:33.079
<v Speaker 2>World three, it's very it's so silly.

932
00:55:34.239 --> 00:55:38.239
<v Speaker 1>Anyways, Uh yeah, this is pretty cool. We'll talk about

933
00:55:38.320 --> 00:55:43.039
<v Speaker 1>Jurassic Park more in just a moment, though. So random.

934
00:55:43.519 --> 00:55:47.199
<v Speaker 1>Lions Gate releasing an Amazon exclusive four K Steele Book

935
00:55:47.400 --> 00:55:50.079
<v Speaker 1>of Air America. This is the Mel Gibson film from

936
00:55:50.119 --> 00:55:53.480
<v Speaker 1>nineteen ninety with Robert Downey Jr. This just recently, I

937
00:55:53.480 --> 00:55:56.480
<v Speaker 1>think it was last year, got a four K release

938
00:55:56.519 --> 00:55:59.400
<v Speaker 1>in the UK from Studio Canal. Lionsgate has the release

939
00:55:59.519 --> 00:56:03.039
<v Speaker 1>rights here, not a lions Gate limited release, but it

940
00:56:03.079 --> 00:56:06.159
<v Speaker 1>is an Amazon exclusive. That's really what I want to

941
00:56:06.199 --> 00:56:09.360
<v Speaker 1>know is what are they doing to choose what is

942
00:56:09.400 --> 00:56:12.119
<v Speaker 1>a lions Gate limited title and what is an Amazon

943
00:56:12.159 --> 00:56:14.920
<v Speaker 1>exclusive or not even an Amazon exclusive. We're just gonna

944
00:56:14.920 --> 00:56:19.079
<v Speaker 1>release it widely. So maybe because Mel Gibson's in this one.

945
00:56:19.280 --> 00:56:22.679
<v Speaker 1>I'm not sure. I've never seen this at all.

946
00:56:22.920 --> 00:56:23.760
<v Speaker 2>I've not seen it do that.

947
00:56:24.760 --> 00:56:30.199
<v Speaker 1>I'm not surprised. Jurassic Park though. This is the trilogy

948
00:56:30.199 --> 00:56:32.760
<v Speaker 1>steel book of the first three films, also coming out

949
00:56:32.760 --> 00:56:34.519
<v Speaker 1>the same day as that Steel Book that we were

950
00:56:34.559 --> 00:56:37.960
<v Speaker 1>just talking about. These are nineteen ninety three to two

951
00:56:37.960 --> 00:56:40.360
<v Speaker 1>thousand and one, of course, and the big thing here

952
00:56:41.360 --> 00:56:45.239
<v Speaker 1>we are getting new releases of these. So the first

953
00:56:45.239 --> 00:56:49.199
<v Speaker 1>one has added Dolby Vision now, and the rumor is

954
00:56:49.280 --> 00:56:52.000
<v Speaker 1>that it got a new scan because the first one

955
00:56:52.039 --> 00:56:55.199
<v Speaker 1>I believe, had like some pretty rough DNR applied to it,

956
00:56:55.239 --> 00:56:58.079
<v Speaker 1>and it looked extra smooth on the previous four K release,

957
00:56:58.519 --> 00:57:02.119
<v Speaker 1>So the suppose these are going to look quite a

958
00:57:02.199 --> 00:57:06.360
<v Speaker 1>bit better. I'm not sure offhand if Part two and

959
00:57:06.440 --> 00:57:09.000
<v Speaker 1>Part three had Dolby Vision before, but now they all will.

960
00:57:09.760 --> 00:57:11.639
<v Speaker 1>So I mean to me, like, if you don't have

961
00:57:11.679 --> 00:57:13.880
<v Speaker 1>the movies, this looks like the perfect time to get these.

962
00:57:15.760 --> 00:57:17.119
<v Speaker 1>And I love these movies.

963
00:57:18.760 --> 00:57:22.039
<v Speaker 2>Me too. I can't believe that they're like, I know,

964
00:57:22.400 --> 00:57:25.920
<v Speaker 2>again late late to the party. But like when movies

965
00:57:25.960 --> 00:57:30.079
<v Speaker 2>get smoothed out and look weird, why like why is

966
00:57:30.119 --> 00:57:32.599
<v Speaker 2>that even a thing, and why is it do people

967
00:57:32.639 --> 00:57:38.599
<v Speaker 2>do it with like like mega expensive classics. It's crazy.

968
00:57:38.880 --> 00:57:42.079
<v Speaker 1>That's a good question. But I sadly, I think the

969
00:57:42.199 --> 00:57:48.119
<v Speaker 1>reality is that stuff like overly processed YouTube shit has

970
00:57:48.199 --> 00:57:51.280
<v Speaker 1>kind of molded some minds to think that it's better

971
00:57:51.360 --> 00:57:52.239
<v Speaker 1>because it's smoother.

972
00:57:52.599 --> 00:57:55.119
<v Speaker 2>You know what it is too, it's TV TV presets

973
00:57:55.199 --> 00:58:00.360
<v Speaker 2>that no one people didn't have their relatives come over

974
00:58:00.400 --> 00:58:02.360
<v Speaker 2>and change for them and They're just like, that's what

975
00:58:02.400 --> 00:58:03.559
<v Speaker 2>it looks like. Maybe that's it.

976
00:58:04.360 --> 00:58:05.719
<v Speaker 1>There'll be in our thoughts on prayers.

977
00:58:06.239 --> 00:58:06.800
<v Speaker 2>Absolutely.

978
00:58:08.039 --> 00:58:11.880
<v Speaker 1>The Fallout Show is getting a physical release on July

979
00:58:12.000 --> 00:58:14.039
<v Speaker 1>eighth here in the US. It is going to get

980
00:58:14.079 --> 00:58:17.480
<v Speaker 1>a four K steel book, a standard Blu ray, and

981
00:58:17.559 --> 00:58:21.559
<v Speaker 1>a of course DVD release still in twenty twenty five.

982
00:58:22.280 --> 00:58:24.880
<v Speaker 1>Got a hell of a lot of special features on this,

983
00:58:24.960 --> 00:58:28.360
<v Speaker 1>so that's pretty nice, decent looking steel book. I've not

984
00:58:28.400 --> 00:58:31.280
<v Speaker 1>watched the show, but I've heard that people, even people

985
00:58:31.320 --> 00:58:33.760
<v Speaker 1>that played the game, seem to love this one. So

986
00:58:34.480 --> 00:58:36.960
<v Speaker 1>I'm glad this is getting released because it is Warner

987
00:58:36.960 --> 00:58:39.920
<v Speaker 1>Brothers and MGM working together on It was a co production,

988
00:58:40.119 --> 00:58:44.079
<v Speaker 1>so that to me is at least something to be

989
00:58:44.320 --> 00:58:47.280
<v Speaker 1>happy with that streaming stuff is getting releases.

990
00:58:49.320 --> 00:58:49.920
<v Speaker 2>I agree with that.

991
00:58:50.679 --> 00:58:54.079
<v Speaker 1>Keena Lober on June twenty fourth is putting out Rustler's

992
00:58:54.159 --> 00:58:59.119
<v Speaker 1>Rhapsody from nineteen eighty five. This is a comedy western

993
00:58:59.360 --> 00:59:01.960
<v Speaker 1>starring the one and only Tom Behringer. We got a

994
00:59:01.960 --> 00:59:04.639
<v Speaker 1>new audio commentary with the Heath Holland from over at

995
00:59:04.679 --> 00:59:07.119
<v Speaker 1>Cereal at Midnight and he is working on that one

996
00:59:07.119 --> 00:59:09.760
<v Speaker 1>with Max Allen Collins, the author of Road to Perdition,

997
00:59:10.320 --> 00:59:11.440
<v Speaker 1>but I've never seen this.

998
00:59:12.840 --> 00:59:16.280
<v Speaker 2>I got my pal Odie who was in the chat earlier.

999
00:59:16.280 --> 00:59:20.559
<v Speaker 2>I feel like if we were born whatever year, we

1000
00:59:20.599 --> 00:59:22.920
<v Speaker 2>would have to be to like exist when this is

1001
00:59:22.920 --> 00:59:26.119
<v Speaker 2>in theaters. It's the kind of shit if I was like, Hey,

1002
00:59:26.119 --> 00:59:28.199
<v Speaker 2>why do we see Rustler's Rhap City with me today?

1003
00:59:28.239 --> 00:59:33.000
<v Speaker 2>They'd be like, yeah, definitely, that seems like exactly the

1004
00:59:33.039 --> 00:59:33.960
<v Speaker 2>kind of show we would watch.

1005
00:59:34.239 --> 00:59:39.559
<v Speaker 1>In fact, makes sense. Going to our next one keto,

1006
00:59:40.199 --> 00:59:42.400
<v Speaker 1>we had talked about the Peacemaker when this got announced.

1007
00:59:42.599 --> 00:59:46.039
<v Speaker 1>This is getting its four K release on June twenty fourth,

1008
00:59:46.519 --> 00:59:49.159
<v Speaker 1>and this is gonna have a new audio commentary Steve

1009
00:59:49.239 --> 00:59:53.199
<v Speaker 1>Mitchell and Nathaniel Thompson. Also another new audio commentary with

1010
00:59:53.320 --> 00:59:57.639
<v Speaker 1>Lawrence Lherman. This is going to have a four K,

1011
00:59:57.800 --> 01:00:02.199
<v Speaker 1>brand new scan para. I did this, and I'm sure

1012
01:00:02.199 --> 01:00:04.119
<v Speaker 1>this is gonna look pretty good. It's got a bunch

1013
01:00:04.119 --> 01:00:06.920
<v Speaker 1>of the old features that were on the older releases.

1014
01:00:07.159 --> 01:00:10.559
<v Speaker 1>And I again I still don't remember if I've seen

1015
01:00:10.599 --> 01:00:13.400
<v Speaker 1>this one, but I need to see this one. Nicole

1016
01:00:13.480 --> 01:00:16.599
<v Speaker 1>Kidman George Clooney in nineteen ninety seven. That sounds like

1017
01:00:16.639 --> 01:00:17.280
<v Speaker 1>a fun watch.

1018
01:00:19.880 --> 01:00:24.920
<v Speaker 2>Seems like, you know, if your Dad walked by the

1019
01:00:24.920 --> 01:00:27.079
<v Speaker 2>TV and it was on. He'd sit down. Kind of

1020
01:00:27.079 --> 01:00:28.079
<v Speaker 2>a thing, kind of a movie.

1021
01:00:28.280 --> 01:00:33.719
<v Speaker 1>He's got to watch the rest now, all right? Next up?

1022
01:00:34.000 --> 01:00:39.639
<v Speaker 1>Oh gosh, So make Flicks taking advantage of the Wicked

1023
01:00:39.760 --> 01:00:43.159
<v Speaker 1>propaganda from the last year, they are putting out a

1024
01:00:43.199 --> 01:00:47.119
<v Speaker 1>Blu ray in the US here of Wicked Witches double feature.

1025
01:00:47.280 --> 01:00:51.360
<v Speaker 1>This will have sexual Witchcraft and Bewitched Housewives from twenty

1026
01:00:51.440 --> 01:00:56.199
<v Speaker 1>eleven in two thousand and seven, this ze Bab says,

1027
01:00:56.239 --> 01:00:59.920
<v Speaker 1>speaking of Dad's walking by here. Yeah, this is a

1028
01:01:00.280 --> 01:01:03.639
<v Speaker 1>pretty common softcore type thing for make Flix to be

1029
01:01:03.639 --> 01:01:07.360
<v Speaker 1>putting out. Yeah, it's just a movie with boobs.

1030
01:01:07.679 --> 01:01:11.599
<v Speaker 2>Reminds me of some of Jim Wayeorski's.

1031
01:01:11.519 --> 01:01:15.679
<v Speaker 1>The One and Only. Uh. This pissed off a lot

1032
01:01:15.679 --> 01:01:17.639
<v Speaker 1>of people this week when I posted this, and I

1033
01:01:17.719 --> 01:01:18.079
<v Speaker 1>love that.

1034
01:01:19.639 --> 01:01:21.440
<v Speaker 2>Why get upset by this?

1035
01:01:23.039 --> 01:01:27.800
<v Speaker 1>Curl curls, pearls are hard to clutch. Uh. If you

1036
01:01:27.920 --> 01:01:29.440
<v Speaker 1>still want to go over to make Flix and you're

1037
01:01:29.480 --> 01:01:35.239
<v Speaker 1>not into the breastploitation category, they're also putting out The

1038
01:01:35.280 --> 01:01:38.320
<v Speaker 1>Devil's Hacksaw. This is gonna come out as a mod

1039
01:01:38.360 --> 01:01:42.199
<v Speaker 1>Blu ray now available. This is a twenty twenty five film.

1040
01:01:42.239 --> 01:01:44.679
<v Speaker 1>It is a brutal tale of survival where no one

1041
01:01:44.760 --> 01:01:46.519
<v Speaker 1>is safe from the wrath of a mind driven to

1042
01:01:46.599 --> 01:01:49.960
<v Speaker 1>the brink, fully gutted with bonus features. What are they?

1043
01:01:50.400 --> 01:01:55.320
<v Speaker 1>Who knows because they didn't tell us? Doesn't this look

1044
01:01:55.360 --> 01:01:56.079
<v Speaker 1>like a masterpiece?

1045
01:01:59.360 --> 01:02:01.800
<v Speaker 2>I like I like it. I think he's cute.

1046
01:02:01.840 --> 01:02:07.559
<v Speaker 1>I'm not against it. I'd watch it maybe. Speaking a

1047
01:02:07.639 --> 01:02:09.880
<v Speaker 1>lions Gate Limited, I just mentioned those just a moment

1048
01:02:09.920 --> 01:02:13.320
<v Speaker 1>ago when we were talking about Old Milly Gibson. June third.

1049
01:02:13.679 --> 01:02:17.760
<v Speaker 1>They are releasing over only on the Lionsgate Limited site,

1050
01:02:17.800 --> 01:02:21.519
<v Speaker 1>a four K and Blu ray release of Freaky Tales.

1051
01:02:21.599 --> 01:02:24.679
<v Speaker 1>This one also just played at Panicfest and I also

1052
01:02:24.800 --> 01:02:26.760
<v Speaker 1>missed this one. I really wish I didn't because I

1053
01:02:26.800 --> 01:02:30.800
<v Speaker 1>wanted to see it. This is starring Pedro Pascal, Ben Mendelssohn,

1054
01:02:31.159 --> 01:02:34.320
<v Speaker 1>Jay Ellis, and Tom Hanks and some other names that

1055
01:02:34.320 --> 01:02:37.360
<v Speaker 1>you're gonna recognize. This is all coming in a retro

1056
01:02:37.719 --> 01:02:43.079
<v Speaker 1>nineteen eighties themed VHS package exclusive to the site. There

1057
01:02:43.239 --> 01:02:45.679
<v Speaker 1>is gonna be an audio commentary with the writers, directors,

1058
01:02:45.719 --> 01:02:49.280
<v Speaker 1>some actors. There's a handful of featurettes and a trailer.

1059
01:02:49.960 --> 01:02:52.199
<v Speaker 1>I like that they did a release like this for

1060
01:02:52.280 --> 01:02:56.039
<v Speaker 1>this film. I think This is pretty cool. There's people

1061
01:02:56.079 --> 01:02:59.400
<v Speaker 1>getting upset that liones Gate Limited isn't just Steel books now,

1062
01:02:59.519 --> 01:03:02.760
<v Speaker 1>which I don't understand. I gotta be honest. A studio

1063
01:03:03.360 --> 01:03:05.519
<v Speaker 1>was probably not seeing a lot of money coming in

1064
01:03:05.559 --> 01:03:08.440
<v Speaker 1>from other retailers, so they open their own store and

1065
01:03:08.480 --> 01:03:11.360
<v Speaker 1>they're experimenting with it. I think that's a pretty damn

1066
01:03:11.400 --> 01:03:14.400
<v Speaker 1>good thing. I hope they do well, and I hope

1067
01:03:14.400 --> 01:03:17.000
<v Speaker 1>they The biggest thing is I hope they release standards

1068
01:03:17.039 --> 01:03:19.400
<v Speaker 1>for all of these things that they're doing, because everybody

1069
01:03:19.400 --> 01:03:21.280
<v Speaker 1>deserves to be able to own these if they want

1070
01:03:21.280 --> 01:03:23.519
<v Speaker 1>without paying a whole bunch of money. This one, I

1071
01:03:23.559 --> 01:03:26.159
<v Speaker 1>think is pretty fairly priced for what they did. It's

1072
01:03:26.199 --> 01:03:30.280
<v Speaker 1>like thirty bucks. Yeah, it's it's a studio release and

1073
01:03:30.320 --> 01:03:32.639
<v Speaker 1>it's brand new, but it's it's a four K and

1074
01:03:32.679 --> 01:03:35.599
<v Speaker 1>a Blu ray and a sticker sheet in a fancy

1075
01:03:35.719 --> 01:03:36.559
<v Speaker 1>VHS case.

1076
01:03:36.800 --> 01:03:40.800
<v Speaker 2>So yeah, looks pretty cool. Looks like the media, man,

1077
01:03:40.880 --> 01:03:42.159
<v Speaker 2>I'm sure it's nothing like the media.

1078
01:03:42.239 --> 01:03:47.039
<v Speaker 1>Man, I hear this one is quite good.

1079
01:03:47.199 --> 01:03:50.920
<v Speaker 2>Actually, who is it? Is it the that's not the

1080
01:03:50.960 --> 01:03:53.880
<v Speaker 2>half Nelson people? Is it? Who made this movie?

1081
01:03:54.400 --> 01:03:56.400
<v Speaker 1>I don't think so this is.

1082
01:03:59.280 --> 01:03:59.679
<v Speaker 2>I don't know.

1083
01:04:00.639 --> 01:04:03.159
<v Speaker 1>I don't look. Celesta is even here saying this movie

1084
01:04:03.239 --> 01:04:08.920
<v Speaker 1>rules and this is fun. Nice shout out, Celest. Next

1085
01:04:09.280 --> 01:04:13.760
<v Speaker 1>June twenty fourth, Sony is releasing Saint Elmo's Fire on

1086
01:04:13.920 --> 01:04:18.199
<v Speaker 1>four k oh Ronnie says, yes, it was Anna Boden

1087
01:04:18.239 --> 01:04:25.079
<v Speaker 1>and Ryan Fleck, So there you go. Saint Elmo's Fire

1088
01:04:25.239 --> 01:04:28.760
<v Speaker 1>has one of the craziest casts of all time. Rob

1089
01:04:28.800 --> 01:04:31.760
<v Speaker 1>Low to me more Emilio Estevez, Ali Sheety, Judd Nelson,

1090
01:04:31.800 --> 01:04:35.360
<v Speaker 1>Mayor Winning m Andrew McCarthy and even more that couldn't

1091
01:04:35.400 --> 01:04:38.519
<v Speaker 1>fit their names on the front cover. And so many

1092
01:04:38.519 --> 01:04:44.199
<v Speaker 1>people hate this movie. Uh, A lot of the people

1093
01:04:44.199 --> 01:04:49.039
<v Speaker 1>in this are extremely unlikable, very yuppy type of movie.

1094
01:04:51.199 --> 01:04:53.760
<v Speaker 1>I mean, look, Simmonar even just said the most yuppie

1095
01:04:53.800 --> 01:04:57.840
<v Speaker 1>of yuppie movies. I have not seen this movie in

1096
01:04:57.880 --> 01:04:59.519
<v Speaker 1>a very long time. I think I watched this in

1097
01:04:59.599 --> 01:05:03.760
<v Speaker 1>like two, said four or five, and it was okay.

1098
01:05:04.000 --> 01:05:07.639
<v Speaker 1>I get the nostalgia for it, but uh, I also

1099
01:05:07.679 --> 01:05:10.039
<v Speaker 1>get the people that hate it, because I totally.

1100
01:05:09.840 --> 01:05:15.760
<v Speaker 2>Understand sometimes even when a movie, I mean I remember

1101
01:05:15.920 --> 01:05:20.119
<v Speaker 2>liking it fine. When Robin and I watch movies a

1102
01:05:20.199 --> 01:05:23.760
<v Speaker 2>lot of times, even if we're if we tune out

1103
01:05:23.920 --> 01:05:29.239
<v Speaker 2>of the story. We're like just kind of oggling. Everybody's

1104
01:05:29.320 --> 01:05:34.800
<v Speaker 2>like belongings and clothing and stuff. And I remember in

1105
01:05:34.840 --> 01:05:39.719
<v Speaker 2>this movie and Ali Sheety and Jed Nelson's apartment, like

1106
01:05:39.800 --> 01:05:43.639
<v Speaker 2>behind their couch is like this giant what do you

1107
01:05:43.679 --> 01:05:45.320
<v Speaker 2>call it when you have like your wall as a whole,

1108
01:05:45.960 --> 01:05:49.320
<v Speaker 2>like a picture, like like Scarface would have, or like

1109
01:05:49.320 --> 01:05:51.840
<v Speaker 2>it's like a real photograph, but it's like the whole wall.

1110
01:05:52.039 --> 01:05:53.119
<v Speaker 2>It's like a tennis.

1111
01:05:52.840 --> 01:05:54.800
<v Speaker 1>Player, like a tapestry or a mural.

1112
01:05:55.519 --> 01:05:57.599
<v Speaker 2>I guess it's like a mural, but it's like a

1113
01:05:57.719 --> 01:06:02.000
<v Speaker 2>giant photograph of a tennis player. It's really It's just

1114
01:06:02.039 --> 01:06:08.239
<v Speaker 2>one of those like I want this room.

1115
01:06:06.239 --> 01:06:09.079
<v Speaker 1>All right. So yeah, this has no new bonus features,

1116
01:06:09.119 --> 01:06:10.920
<v Speaker 1>but it carries over a bunch of the extras from

1117
01:06:10.920 --> 01:06:14.800
<v Speaker 1>previous releases. This is primarily for people that want to

1118
01:06:14.840 --> 01:06:17.639
<v Speaker 1>see this and want to see it in the highest quality.

1119
01:06:17.719 --> 01:06:22.800
<v Speaker 1>So there you go. June twenty fourth, four K. I'm

1120
01:06:22.840 --> 01:06:24.480
<v Speaker 1>not going to read through all of these, but we

1121
01:06:24.519 --> 01:06:28.119
<v Speaker 1>did get the details on Looney Tunes Collector's Vault Volume

1122
01:06:28.199 --> 01:06:30.920
<v Speaker 1>one this week. This is coming on June seventeenth from

1123
01:06:30.960 --> 01:06:35.199
<v Speaker 1>Warner Archive. It's gonna have twenty five of the shorts

1124
01:06:35.239 --> 01:06:39.280
<v Speaker 1>that have never been included remastered on any DVD or

1125
01:06:39.280 --> 01:06:42.320
<v Speaker 1>Blu Ray release, and then it will also have twenty

1126
01:06:42.320 --> 01:06:46.079
<v Speaker 1>five more that are never been on disc in HD.

1127
01:06:46.360 --> 01:06:50.199
<v Speaker 1>So these are fifty brand new to HD, but half

1128
01:06:50.199 --> 01:06:52.239
<v Speaker 1>of them have been on disc before. So this should

1129
01:06:52.280 --> 01:06:54.480
<v Speaker 1>make a lot of people very happy. And one more

1130
01:06:54.519 --> 01:06:57.559
<v Speaker 1>thing that we just learned today from the extras podcast,

1131
01:06:58.079 --> 01:07:01.599
<v Speaker 1>Looney Tunes Platinum Volume one, one, and two will also

1132
01:07:01.679 --> 01:07:05.239
<v Speaker 1>be back in print as of June. So if you

1133
01:07:05.360 --> 01:07:09.960
<v Speaker 1>are into classic animation, classic Looney Tunes, June is gonna

1134
01:07:10.000 --> 01:07:15.000
<v Speaker 1>be special. Are you an animation or Looney Tunes?

1135
01:07:15.079 --> 01:07:19.679
<v Speaker 2>Zude, total Looney Tunes fan kind of bummed at myself

1136
01:07:19.679 --> 01:07:23.360
<v Speaker 2>for missing, uh the last one in the theater, but

1137
01:07:24.679 --> 01:07:28.679
<v Speaker 2>I'm very very excited for these developments with with Ketchup.

1138
01:07:29.320 --> 01:07:33.880
<v Speaker 2>Ketchup Entertainment had that the best thing I saw was

1139
01:07:33.920 --> 01:07:36.559
<v Speaker 2>the day that that happened. A guy on Instagram was like,

1140
01:07:37.480 --> 01:07:41.119
<v Speaker 2>I can't believe my second favorite condiment save the Looney Tunes,

1141
01:07:41.800 --> 01:07:44.320
<v Speaker 2>and somebody was like, what's your first favorite, and like

1142
01:07:44.400 --> 01:07:50.920
<v Speaker 2>all caps, he was like, honey mustard. That felt appropriate

1143
01:07:51.000 --> 01:07:52.519
<v Speaker 2>to the appropriate tone.

1144
01:07:53.000 --> 01:07:56.079
<v Speaker 1>That's a that's a damn good setup. And yeah, silent

1145
01:07:56.079 --> 01:07:59.360
<v Speaker 1>manible so speeding is also Pippola pew and one discanceled. Yeah,

1146
01:07:59.400 --> 01:08:02.760
<v Speaker 1>we finally got speaking in Zales cartoons in HD, which

1147
01:08:02.840 --> 01:08:03.760
<v Speaker 1>is awesome.

1148
01:08:04.119 --> 01:08:05.960
<v Speaker 2>I guess I didn't think about that.

1149
01:08:07.639 --> 01:08:12.679
<v Speaker 1>All right. Going to our next one, and that is

1150
01:08:12.760 --> 01:08:16.960
<v Speaker 1>Keno releasing a wonderful movie road Trip from two thousand

1151
01:08:17.079 --> 01:08:19.520
<v Speaker 1>on four K. This is coming on June twenty fourth.

1152
01:08:19.560 --> 01:08:22.520
<v Speaker 1>We have a brand new audio commentary by Joe Ramoni

1153
01:08:22.520 --> 01:08:27.800
<v Speaker 1>from Hats Off Entertainment. The theatrical addition is the only

1154
01:08:27.840 --> 01:08:30.840
<v Speaker 1>one that got the four K upgrade, and the uncut

1155
01:08:31.399 --> 01:08:34.880
<v Speaker 1>or unrated cut is going to be on the Blu ray,

1156
01:08:35.119 --> 01:08:37.920
<v Speaker 1>so that'll be the same same master that they had

1157
01:08:37.960 --> 01:08:39.800
<v Speaker 1>on the Blu ray of the unrated cut from before.

1158
01:08:40.000 --> 01:08:42.000
<v Speaker 1>It's also got a bunch of the featurettes that they did.

1159
01:08:42.439 --> 01:08:45.000
<v Speaker 1>Now a quick reminder for a lot of people, because

1160
01:08:45.000 --> 01:08:46.720
<v Speaker 1>I know this pissed off a lot of people that

1161
01:08:46.760 --> 01:08:51.319
<v Speaker 1>the unrated cut was not on four K. This is

1162
01:08:51.560 --> 01:08:55.960
<v Speaker 1>likely not Qino's fault. Keino would have done the unrated

1163
01:08:56.000 --> 01:09:00.159
<v Speaker 1>cut on four K if they were able to. There's

1164
01:09:00.199 --> 01:09:03.079
<v Speaker 1>a few reasons that they probably couldn't. One it's quite

1165
01:09:03.119 --> 01:09:05.479
<v Speaker 1>possible that the negative for the parts that were cut

1166
01:09:05.479 --> 01:09:08.479
<v Speaker 1>out from the unrated cut just simply don't exist anymore.

1167
01:09:08.520 --> 01:09:11.039
<v Speaker 1>So they couldn't get a four K of those ones

1168
01:09:12.359 --> 01:09:15.399
<v Speaker 1>of those scenes that they cut. The other thing is

1169
01:09:15.760 --> 01:09:18.960
<v Speaker 1>there are licensing issues that come up on some of these.

1170
01:09:18.960 --> 01:09:24.399
<v Speaker 1>So if you are, you know, finding music in the

1171
01:09:25.399 --> 01:09:29.840
<v Speaker 1>film or a somebody's likeness that's in the cut scene

1172
01:09:29.840 --> 01:09:32.079
<v Speaker 1>but wasn't in the film, they still have to get

1173
01:09:32.079 --> 01:09:34.600
<v Speaker 1>the rights on that, and that can cost a studio

1174
01:09:34.680 --> 01:09:37.479
<v Speaker 1>a lot of money if they don't have it. And unfortunately,

1175
01:09:37.560 --> 01:09:40.840
<v Speaker 1>with it being a new format, this is something that

1176
01:09:41.279 --> 01:09:43.319
<v Speaker 1>absolutely could cause a lot of problems. A lot of

1177
01:09:43.319 --> 01:09:46.359
<v Speaker 1>people are pissed, and I don't think you should be,

1178
01:09:46.359 --> 01:09:49.439
<v Speaker 1>because again, Keino didn't look at it and go, you know,

1179
01:09:50.039 --> 01:09:51.800
<v Speaker 1>I see that we could do the unrated cut. We're

1180
01:09:51.840 --> 01:09:54.439
<v Speaker 1>just not going to though of course they would want

1181
01:09:54.479 --> 01:09:57.239
<v Speaker 1>to do it. There's all kinds of shit that can

1182
01:09:57.279 --> 01:10:02.560
<v Speaker 1>happen though, So just not saying all companies are benevolent

1183
01:10:02.800 --> 01:10:06.920
<v Speaker 1>or anything. Just realize Keno is not like pooh pooing

1184
01:10:06.960 --> 01:10:09.039
<v Speaker 1>at your money. They want you to buy this, and

1185
01:10:09.159 --> 01:10:11.680
<v Speaker 1>if they could have done the unrated cut, they would

1186
01:10:11.680 --> 01:10:16.960
<v Speaker 1>have have you seen road Trip, you.

1187
01:10:16.920 --> 01:10:20.520
<v Speaker 2>Know, I saw. I worked at Blockbuster around the time

1188
01:10:20.640 --> 01:10:25.960
<v Speaker 2>that that came out, so I have seen it. I'm

1189
01:10:26.000 --> 01:10:29.279
<v Speaker 2>torn between rewatching it between my love for Tom Green

1190
01:10:29.600 --> 01:10:32.920
<v Speaker 2>and I have a very very short list. I think

1191
01:10:33.000 --> 01:10:38.319
<v Speaker 2>of certain artists that I don't really just don't like,

1192
01:10:39.199 --> 01:10:42.319
<v Speaker 2>and Todd Phillips is one of them. I just I

1193
01:10:42.399 --> 01:10:46.039
<v Speaker 2>just think his movies are mean in a way that's

1194
01:10:46.079 --> 01:10:49.399
<v Speaker 2>not fun. And I don't know if he was there

1195
01:10:49.439 --> 01:10:52.600
<v Speaker 2>yet at road Trip. I think he's like all the

1196
01:10:52.600 --> 01:10:57.000
<v Speaker 2>way there by the hangover for me, and I don't

1197
01:10:57.199 --> 01:11:00.880
<v Speaker 2>just don't don't. I don't think he's very fine.

1198
01:11:01.840 --> 01:11:06.439
<v Speaker 1>I get it. This movie is fun. It is worth it.

1199
01:11:06.479 --> 01:11:09.039
<v Speaker 1>I love that DJ Qualls kind of kills in this movie.

1200
01:11:09.800 --> 01:11:11.800
<v Speaker 1>Good stuff. Check it out if you've never seen it.

1201
01:11:13.319 --> 01:11:19.199
<v Speaker 1>This is super random. I'm so stoked that I happened

1202
01:11:19.239 --> 01:11:22.560
<v Speaker 1>upon this. Two Player Productions is putting out a second

1203
01:11:22.600 --> 01:11:28.119
<v Speaker 1>pressing of Double Find Psychotyssey. This is a series that

1204
01:11:28.159 --> 01:11:31.319
<v Speaker 1>played from twenty twenty three to twenty twenty four. It

1205
01:11:31.439 --> 01:11:36.479
<v Speaker 1>is a whole bunch of episodes together about the video

1206
01:11:36.479 --> 01:11:40.600
<v Speaker 1>game Psychonauts and stuff like this is super rare to

1207
01:11:40.640 --> 01:11:42.720
<v Speaker 1>happen for them to be able to put out a

1208
01:11:42.920 --> 01:11:46.720
<v Speaker 1>second release of this is really damn cool. It is

1209
01:11:46.760 --> 01:11:50.239
<v Speaker 1>an eight blu ray region free set, is a full

1210
01:11:50.279 --> 01:11:53.319
<v Speaker 1>box set in a rigid, rigid pack. It also has

1211
01:11:53.359 --> 01:11:57.479
<v Speaker 1>an eighty page booklet with it. And that is I mean,

1212
01:11:57.520 --> 01:12:01.199
<v Speaker 1>first of all, super rare again that you could even

1213
01:12:01.279 --> 01:12:03.119
<v Speaker 1>get this, but to be able to do it, have

1214
01:12:03.199 --> 01:12:05.960
<v Speaker 1>it do well, and be able to print it again,

1215
01:12:06.560 --> 01:12:10.079
<v Speaker 1>hats off to them like that, that is an achievement, genuinely.

1216
01:12:13.840 --> 01:12:17.199
<v Speaker 1>But maybe the biggest news of the week we are

1217
01:12:17.279 --> 01:12:21.680
<v Speaker 1>seeing the the rising from the ashes of Mondo Vision.

1218
01:12:22.279 --> 01:12:26.279
<v Speaker 1>This is the company that infamously put out the release

1219
01:12:26.279 --> 01:12:30.479
<v Speaker 1>of Possession that came out Got a decade ago, now

1220
01:12:30.560 --> 01:12:34.119
<v Speaker 1>something like that, the the super velvet box set that

1221
01:12:34.199 --> 01:12:37.399
<v Speaker 1>everybody was after. And what's great is they said, this

1222
01:12:37.479 --> 01:12:40.920
<v Speaker 1>is a limited edition release. We're only doing two thousand

1223
01:12:41.000 --> 01:12:44.039
<v Speaker 1>of these, and then peculiarly you could pick it up

1224
01:12:44.079 --> 01:12:48.800
<v Speaker 1>for like the next five years two thousand probably not,

1225
01:12:49.119 --> 01:12:51.319
<v Speaker 1>it was probably a little bit more than that. But

1226
01:12:51.840 --> 01:12:55.039
<v Speaker 1>they just went silent and did nothing else for years

1227
01:12:55.039 --> 01:12:58.560
<v Speaker 1>following that because the director of Possession, of the director

1228
01:12:58.560 --> 01:13:00.880
<v Speaker 1>of what we're about to talk about here passed away

1229
01:13:00.880 --> 01:13:02.439
<v Speaker 1>and they were working with him on a bunch of

1230
01:13:02.439 --> 01:13:06.720
<v Speaker 1>his releases. Well, finally, out of nowhere, they have announced

1231
01:13:06.720 --> 01:13:08.800
<v Speaker 1>that they are putting out on the Silver Globe on

1232
01:13:09.000 --> 01:13:12.439
<v Speaker 1>four K here in the US. This is the first

1233
01:13:12.439 --> 01:13:14.640
<v Speaker 1>sign this has been released on four K. It was

1234
01:13:14.760 --> 01:13:17.479
<v Speaker 1>released on Blu Ray last year by Eureka. In fact,

1235
01:13:17.520 --> 01:13:20.920
<v Speaker 1>I think the standard edition of that disc just dropped,

1236
01:13:21.600 --> 01:13:23.840
<v Speaker 1>but this is a brand new four K scan. This

1237
01:13:23.920 --> 01:13:26.920
<v Speaker 1>is exclusive to their release. It is going to have

1238
01:13:26.960 --> 01:13:29.399
<v Speaker 1>Dolby Vision, which is really nice. It's also going to

1239
01:13:29.439 --> 01:13:32.680
<v Speaker 1>have some exclusive extras on us that are not on

1240
01:13:33.479 --> 01:13:36.119
<v Speaker 1>the Eureka release. So this has an exclusive commentary with

1241
01:13:36.159 --> 01:13:39.439
<v Speaker 1>the director that he recorded way back in twenty twelve.

1242
01:13:40.159 --> 01:13:43.439
<v Speaker 1>This has a documentary that is supposed to be really great.

1243
01:13:43.520 --> 01:13:45.600
<v Speaker 1>It is a forty six minute documentary. I've not been

1244
01:13:45.640 --> 01:13:48.279
<v Speaker 1>able to see it from twenty twelve. There's also a

1245
01:13:48.319 --> 01:13:51.720
<v Speaker 1>soundtrack CD included with it, and it is going to

1246
01:13:51.760 --> 01:13:58.880
<v Speaker 1>include an illustrated pamphlet, some lobby cards, poster reproductions, drawing postcard,

1247
01:13:58.960 --> 01:14:02.680
<v Speaker 1>a map. It is individually numbered with a certificate of

1248
01:14:02.720 --> 01:14:06.560
<v Speaker 1>authenticity with unique serial numbers, and they're saying there will

1249
01:14:06.560 --> 01:14:10.119
<v Speaker 1>only be four thousand of them, but that is the

1250
01:14:10.159 --> 01:14:13.560
<v Speaker 1>Limited Edition, and it will be in this super fancy

1251
01:14:13.600 --> 01:14:17.720
<v Speaker 1>matt laminated finish with spot gloss accent throughout, all packaged

1252
01:14:17.760 --> 01:14:20.680
<v Speaker 1>in a heavy duty hardcover box with the magnetic enclosure.

1253
01:14:21.000 --> 01:14:22.760
<v Speaker 1>And if you don't want to spring for the big one,

1254
01:14:23.119 --> 01:14:26.439
<v Speaker 1>they're also doing the Special Edition, which has just the

1255
01:14:26.479 --> 01:14:29.760
<v Speaker 1>film without the soundtrack and all the fanciness. You can

1256
01:14:29.800 --> 01:14:33.279
<v Speaker 1>still get this on four K. And when can you

1257
01:14:33.359 --> 01:14:35.560
<v Speaker 1>buy it? Not sure because it's not available for pre

1258
01:14:35.680 --> 01:14:37.479
<v Speaker 1>order yet. There's no release date. It just sort of

1259
01:14:37.479 --> 01:14:40.720
<v Speaker 1>says coming soon, but pay attention here and I will

1260
01:14:40.720 --> 01:14:43.680
<v Speaker 1>do my best to remind you when it is available.

1261
01:14:45.439 --> 01:14:49.800
<v Speaker 2>That's a pretty pretty cool art. I think it says

1262
01:14:49.800 --> 01:14:51.640
<v Speaker 2>the same director as Possession.

1263
01:14:51.880 --> 01:14:52.319
<v Speaker 1>Possession.

1264
01:14:52.399 --> 01:14:55.439
<v Speaker 2>Yeah, that's another one I have not seen but have

1265
01:14:55.600 --> 01:14:56.479
<v Speaker 2>because of the Internet.

1266
01:14:56.640 --> 01:15:01.079
<v Speaker 1>Basically, Wow, that's a big deal.

1267
01:15:02.560 --> 01:15:03.520
<v Speaker 2>Put it on the shortlist.

1268
01:15:04.039 --> 01:15:06.319
<v Speaker 1>I'm not going to gate keep, but John, I kind

1269
01:15:06.319 --> 01:15:07.640
<v Speaker 1>of want to hear in the next couple months what

1270
01:15:07.680 --> 01:15:08.479
<v Speaker 1>you thought of Possession.

1271
01:15:09.560 --> 01:15:12.199
<v Speaker 2>I'm ready. It looks like looks like my jam.

1272
01:15:12.840 --> 01:15:18.000
<v Speaker 1>I will warn there is a we'll say, an exponential

1273
01:15:19.560 --> 01:15:24.359
<v Speaker 1>fuck ton of screaming in that movie. It is so much,

1274
01:15:24.880 --> 01:15:26.800
<v Speaker 1>absolutely a lot of screaming.

1275
01:15:28.199 --> 01:15:30.239
<v Speaker 2>I think I'm used to it, honestly, but like watching

1276
01:15:30.279 --> 01:15:32.319
<v Speaker 2>a lot of vinegar syndrome stuff late at night too,

1277
01:15:32.359 --> 01:15:35.960
<v Speaker 2>Like I find that often if I do fall asleep,

1278
01:15:36.079 --> 01:15:40.039
<v Speaker 2>like and I'm wearing headphones, I'm woken by the incessant

1279
01:15:40.079 --> 01:15:43.479
<v Speaker 2>screaming of the third act, which seems to be most

1280
01:15:43.640 --> 01:15:44.840
<v Speaker 2>so I'm ready.

1281
01:15:46.199 --> 01:15:48.920
<v Speaker 1>Kurgan is asking how fast would that limited sellout? You think,

1282
01:15:49.000 --> 01:15:50.279
<v Speaker 1>I mean, I don't know. I think this is a

1283
01:15:50.359 --> 01:15:53.399
<v Speaker 1>highly coveted film. But also the fact that the box

1284
01:15:53.399 --> 01:15:56.239
<v Speaker 1>set of the three films from Eureka came out last year.

1285
01:15:56.279 --> 01:15:58.119
<v Speaker 1>I think that's going to limit the number of people

1286
01:15:58.119 --> 01:16:00.000
<v Speaker 1>that are going to upgrade to four K on this one,

1287
01:16:00.720 --> 01:16:02.920
<v Speaker 1>because a lot of people are blind buying this film

1288
01:16:02.960 --> 01:16:05.479
<v Speaker 1>because it was difficult to see for quite a long time.

1289
01:16:05.640 --> 01:16:09.720
<v Speaker 1>So will it sell out, Yeah, eventually someday. Is it

1290
01:16:09.760 --> 01:16:13.319
<v Speaker 1>going to sell out in the first couple months? Honestly,

1291
01:16:13.560 --> 01:16:15.640
<v Speaker 1>I don't really think so. I think it'll be around

1292
01:16:15.680 --> 01:16:17.920
<v Speaker 1>for at least a little bit. Four thousand copies is

1293
01:16:18.159 --> 01:16:22.159
<v Speaker 1>a lot nowadays, especially when this finally comes out. I

1294
01:16:22.199 --> 01:16:25.239
<v Speaker 1>wouldn't be surprised if that was not at least a

1295
01:16:25.319 --> 01:16:30.119
<v Speaker 1>ninety dollars release. The old release of Possession. Oh man,

1296
01:16:30.159 --> 01:16:34.079
<v Speaker 1>if somebody remembers on the chat, tell me, but I

1297
01:16:34.119 --> 01:16:37.520
<v Speaker 1>feel like that old that velvet box at least was

1298
01:16:37.560 --> 01:16:40.560
<v Speaker 1>like sixty five or eighty or something like that, so

1299
01:16:41.479 --> 01:16:43.640
<v Speaker 1>I wouldn't be surprised if the limited of this one

1300
01:16:43.760 --> 01:16:49.239
<v Speaker 1>was at least eighty two one hundred bucks. Is that

1301
01:16:49.279 --> 01:16:52.760
<v Speaker 1>Eureka set out of print? Way out of print? Silent Mannibal. Yes,

1302
01:16:53.159 --> 01:16:56.239
<v Speaker 1>the all three films that were in the box set

1303
01:16:56.279 --> 01:16:59.039
<v Speaker 1>are now gone. The box set has gone, however, all

1304
01:16:59.079 --> 01:17:02.680
<v Speaker 1>three have been released as standard single disc releases now.

1305
01:17:04.680 --> 01:17:07.600
<v Speaker 1>Terry saw Possession in the cinema this year blew everybody's mind.

1306
01:17:07.640 --> 01:17:15.279
<v Speaker 1>Hell yeah, hell yeah. Next up Imprint in Australia releasing

1307
01:17:15.399 --> 01:17:18.760
<v Speaker 1>their third TV Movie of the Week collection. This is

1308
01:17:18.800 --> 01:17:21.479
<v Speaker 1>limited to fifteen hundred copies and a hard box will

1309
01:17:21.680 --> 01:17:25.600
<v Speaker 1>have a case for every single film. We've got Fame

1310
01:17:25.800 --> 01:17:28.039
<v Speaker 1>is the name of the game from nineteen sixty six.

1311
01:17:28.119 --> 01:17:29.920
<v Speaker 1>This is the first time on Blu Ray anywhere in

1312
01:17:29.960 --> 01:17:33.000
<v Speaker 1>the world. Brian Song from nineteen seventy one, which has

1313
01:17:33.039 --> 01:17:35.359
<v Speaker 1>been out on Blu Ray before and doesn't have any

1314
01:17:35.359 --> 01:17:39.439
<v Speaker 1>new features unfortunately. And then A Matter of Wife and

1315
01:17:39.600 --> 01:17:42.680
<v Speaker 1>Death from nineteen seventy six, first time ever on Blu Ray.

1316
01:17:42.720 --> 01:17:45.079
<v Speaker 1>That one will not have any bonus features at all,

1317
01:17:45.800 --> 01:17:48.239
<v Speaker 1>but the first one famous The Name of the Game

1318
01:17:48.319 --> 01:17:50.600
<v Speaker 1>is gonna have a new audio commentary with Gary Garani.

1319
01:17:50.960 --> 01:17:53.840
<v Speaker 1>And I'm so glad that they are again continuing to

1320
01:17:53.960 --> 01:17:58.399
<v Speaker 1>release TV movies on Blu Ray. It's rare. I'm stoked

1321
01:17:58.399 --> 01:17:59.560
<v Speaker 1>that they're able to do it.

1322
01:18:01.000 --> 01:18:04.680
<v Speaker 2>All I can imagine is those three titles being Jeopardy

1323
01:18:04.720 --> 01:18:06.159
<v Speaker 2>categories next to each other.

1324
01:18:08.920 --> 01:18:16.680
<v Speaker 1>Yeah, absolutely, absolutely all right. Carrying right along June tenth,

1325
01:18:16.800 --> 01:18:19.479
<v Speaker 1>Decal and Bleeker Street putting out a Blu Ray release

1326
01:18:19.520 --> 01:18:22.600
<v Speaker 1>of The Friend from last year. This is a movie

1327
01:18:22.640 --> 01:18:25.680
<v Speaker 1>with Naomi Watts and Bill Murray who are falsely identified

1328
01:18:25.680 --> 01:18:27.720
<v Speaker 1>on the cover of this with a very blurry dog

1329
01:18:28.000 --> 01:18:31.560
<v Speaker 1>in the forecroft. I've heard this is good. I've heard

1330
01:18:31.600 --> 01:18:36.680
<v Speaker 1>this is actually a cute movie, but yeah, never seen it.

1331
01:18:36.920 --> 01:18:42.399
<v Speaker 2>Do you know that in some people's contracts, being pictured

1332
01:18:42.479 --> 01:18:48.199
<v Speaker 2>first and being named first are separate, and that's why

1333
01:18:48.199 --> 01:18:49.920
<v Speaker 2>that annoying thing happens. I didn't know that.

1334
01:18:50.439 --> 01:18:53.720
<v Speaker 1>Absolutely, and not only that. One thing that Sam shared

1335
01:18:53.800 --> 01:18:57.600
<v Speaker 1>last week is even the original contract carries over to

1336
01:18:57.840 --> 01:19:01.840
<v Speaker 1>physical media releases A generations down the line like he

1337
01:19:01.920 --> 01:19:08.439
<v Speaker 1>had to have names be certain percentage of other people's names, literally,

1338
01:19:08.800 --> 01:19:12.800
<v Speaker 1>like this can only be seventy five percent as big

1339
01:19:12.840 --> 01:19:13.640
<v Speaker 1>as this name.

1340
01:19:14.680 --> 01:19:19.079
<v Speaker 2>Kind of crazy, that's hop comment OCD kicking in.

1341
01:19:22.439 --> 01:19:24.720
<v Speaker 1>Connor says, speaking of TV movies, just saw Duel for

1342
01:19:24.760 --> 01:19:27.119
<v Speaker 1>the first time that Spielberg kids here is talented. I mean,

1343
01:19:27.159 --> 01:19:32.039
<v Speaker 1>he's probably going places. I'd say it'll be a billionaire someday.

1344
01:19:33.079 --> 01:19:36.119
<v Speaker 1>Sony Pictures themselves putting out a blu ray of Experiment

1345
01:19:36.319 --> 01:19:39.239
<v Speaker 1>in Terror from nineteen sixty two. This is coming on

1346
01:19:39.560 --> 01:19:45.319
<v Speaker 1>June twenty and fourth. This is a leeve remickfilm that

1347
01:19:45.880 --> 01:19:50.640
<v Speaker 1>is supposedly great. I believe Indicator released this in the

1348
01:19:50.760 --> 01:19:54.159
<v Speaker 1>UK if I remember right a long time ago. I

1349
01:19:54.239 --> 01:19:56.319
<v Speaker 1>don't have that release. So I'm glad Sony's doing this.

1350
01:19:56.520 --> 01:19:58.520
<v Speaker 1>Nice to see that they're finding some time for their

1351
01:19:58.560 --> 01:20:04.680
<v Speaker 1>old catalog time like this kind of surprising. Actually we

1352
01:20:04.720 --> 01:20:06.960
<v Speaker 1>talked about this one, I think last week or the

1353
01:20:07.000 --> 01:20:10.760
<v Speaker 1>week before. But now In the Lost Lands from twenty

1354
01:20:10.840 --> 01:20:14.479
<v Speaker 1>twenty five is getting a four K release over in

1355
01:20:14.560 --> 01:20:18.560
<v Speaker 1>the UK on June first from Studio Canal. This will

1356
01:20:18.600 --> 01:20:21.199
<v Speaker 1>have so many extras on it. All they did was

1357
01:20:21.479 --> 01:20:25.399
<v Speaker 1>build a trailer for it. I think that is the

1358
01:20:25.399 --> 01:20:27.079
<v Speaker 1>only extra. It's just a trailer.

1359
01:20:27.239 --> 01:20:29.960
<v Speaker 2>I regret not seeing that in the theater. So hard?

1360
01:20:30.760 --> 01:20:34.760
<v Speaker 1>Are you a Paul ws Anderson apologist?

1361
01:20:35.359 --> 01:20:39.279
<v Speaker 2>I just I got a pal who is really into

1362
01:20:39.319 --> 01:20:43.119
<v Speaker 2>his work, and I think it's It's again. It's one

1363
01:20:43.119 --> 01:20:48.239
<v Speaker 2>of those ones where I'm like imagining the future nostalgia.

1364
01:20:48.359 --> 01:20:51.520
<v Speaker 2>I'm like, Oh, who's not going to end twenty five years,

1365
01:20:51.560 --> 01:20:54.479
<v Speaker 2>be like this movie is sick. Everybody's gonna think this

1366
01:20:54.479 --> 01:20:57.479
<v Speaker 2>movie is sick in twenty five years. Just stop playing?

1367
01:20:57.840 --> 01:21:01.399
<v Speaker 2>Just why? Why spend time not liking it?

1368
01:21:02.319 --> 01:21:04.439
<v Speaker 1>I still can't believe that life has gotten so weird

1369
01:21:04.439 --> 01:21:06.439
<v Speaker 1>for me that I got a text from the premiere

1370
01:21:06.439 --> 01:21:08.640
<v Speaker 1>of this in New Mexico of somebody taking a picture

1371
01:21:08.640 --> 01:21:15.520
<v Speaker 1>with Mi Lajoviovic. Life is odd. Next up, Celast Daily

1372
01:21:15.600 --> 01:21:18.800
<v Speaker 1>Cobra actually posted a review of this today and seem

1373
01:21:18.880 --> 01:21:21.880
<v Speaker 1>to have loved it. So June tenth, Dcal and Bleaker

1374
01:21:21.880 --> 01:21:24.840
<v Speaker 1>Street again working together to put out the wedding banquet

1375
01:21:24.920 --> 01:21:28.039
<v Speaker 1>from this year. This is the boon Yang and Lily

1376
01:21:28.079 --> 01:21:32.960
<v Speaker 1>Gladstone ran a film that looks really good. Glad This

1377
01:21:33.039 --> 01:21:36.439
<v Speaker 1>is getting a physical release kind of surprised that it is.

1378
01:21:36.720 --> 01:21:40.119
<v Speaker 1>I gotta be honest. Yeah, glad it is coming out.

1379
01:21:40.399 --> 01:21:48.000
<v Speaker 1>Hopefully Decal doesn't ruin it. Speaking of ruining things, Oh man,

1380
01:21:49.920 --> 01:21:51.399
<v Speaker 1>you look disappointed as I said that.

1381
01:21:52.239 --> 01:21:53.079
<v Speaker 2>What do what they do?

1382
01:21:53.840 --> 01:21:56.760
<v Speaker 1>Uh? Well, let's get into it. So June twenty third,

1383
01:21:56.840 --> 01:22:00.720
<v Speaker 1>over in the UK, Fabulous Films is releasing John Carpenter's

1384
01:22:01.439 --> 01:22:05.439
<v Speaker 1>student film Dark Star from nineteen seventy four in a

1385
01:22:05.479 --> 01:22:11.680
<v Speaker 1>deluxe four K release. Now, unfortunately, Fabulous Films is essentially

1386
01:22:12.560 --> 01:22:17.840
<v Speaker 1>the VCI of the UK. They are like, Hey, nobody

1387
01:22:17.880 --> 01:22:20.239
<v Speaker 1>else was gonna license this, so I'm gonna be able

1388
01:22:20.319 --> 01:22:22.399
<v Speaker 1>to do it, and not really be able to put

1389
01:22:22.479 --> 01:22:26.039
<v Speaker 1>a whole lot of work into it. Now they're clearly

1390
01:22:26.079 --> 01:22:28.000
<v Speaker 1>putting a lot into the packaging to try to entice

1391
01:22:28.000 --> 01:22:29.600
<v Speaker 1>people to buy this. And I'm not saying it's gonna

1392
01:22:29.600 --> 01:22:32.279
<v Speaker 1>look terrible because it could be great. But keep in

1393
01:22:32.319 --> 01:22:36.079
<v Speaker 1>mind when you buy this movie, if five of you

1394
01:22:36.159 --> 01:22:39.039
<v Speaker 1>in the chat by this release, all of you together

1395
01:22:39.159 --> 01:22:43.800
<v Speaker 1>could have funded the entire production of Dark Star when

1396
01:22:43.840 --> 01:22:49.319
<v Speaker 1>it comes out. Yeah, this is a decent movie. I

1397
01:22:49.359 --> 01:22:52.119
<v Speaker 1>won't say it's a masterpiece. It's probably my least favorite

1398
01:22:52.119 --> 01:22:57.000
<v Speaker 1>from Carpenter, but yeah, This is basically like VCI doing

1399
01:22:57.039 --> 01:22:59.479
<v Speaker 1>a four K, which they've done one and it turned

1400
01:22:59.520 --> 01:23:05.279
<v Speaker 1>out terribly. I'm I don't know, Like I'm also a

1401
01:23:05.319 --> 01:23:08.479
<v Speaker 1>carpenter super fan, so I would love to have this

1402
01:23:08.640 --> 01:23:13.119
<v Speaker 1>if it was happening the right way. But at the

1403
01:23:13.119 --> 01:23:15.800
<v Speaker 1>same time, it's it's his student film, and seeing this

1404
01:23:15.880 --> 01:23:21.039
<v Speaker 1>in four K, the coloring could look great, but I

1405
01:23:21.079 --> 01:23:24.319
<v Speaker 1>don't want to see like the cardboard boxes that lined

1406
01:23:24.439 --> 01:23:30.239
<v Speaker 1>the ship. Necessarily. Yeah, this was sixteen millimeter two, so

1407
01:23:30.279 --> 01:23:32.560
<v Speaker 1>it's not going to be the cleanest four K. It's

1408
01:23:32.800 --> 01:23:35.239
<v Speaker 1>it's not gonna be bad necessarily. There's even eight millimeter

1409
01:23:35.319 --> 01:23:37.720
<v Speaker 1>four ks that have looked incredible, so nothing to worry

1410
01:23:37.720 --> 01:23:40.520
<v Speaker 1>about on that front necessarily. But I don't know. I

1411
01:23:40.840 --> 01:23:44.159
<v Speaker 1>don't know that they went back to the I mean,

1412
01:23:44.199 --> 01:23:46.079
<v Speaker 1>clearly they're saying they didn't go back to the negative

1413
01:23:46.119 --> 01:23:48.640
<v Speaker 1>on this. But this is the kind of movie that

1414
01:23:49.119 --> 01:23:52.039
<v Speaker 1>probably you don't need to spend sixty dollars to get.

1415
01:23:52.960 --> 01:23:55.520
<v Speaker 2>Oh my, that is that they're charging.

1416
01:23:55.800 --> 01:23:59.399
<v Speaker 1>It's like forty six dollars British towns, so in fact

1417
01:23:59.399 --> 01:24:06.199
<v Speaker 1>it might even be more than sixty. Yeah, again, not

1418
01:24:06.199 --> 01:24:08.479
<v Speaker 1>trying to shoot on anybody that wants it. It's a

1419
01:24:08.520 --> 01:24:11.079
<v Speaker 1>fun movie. I think everybody should see it at least once,

1420
01:24:11.199 --> 01:24:13.560
<v Speaker 1>especially if you're like a Carpenter fan. It's kind of

1421
01:24:13.560 --> 01:24:17.000
<v Speaker 1>important to see where he came from. But I mean,

1422
01:24:17.119 --> 01:24:19.520
<v Speaker 1>oh yeah, and siminary brings up the tariffs. I mean

1423
01:24:19.600 --> 01:24:21.800
<v Speaker 1>it'll be at least ten percent added on for that.

1424
01:24:22.039 --> 01:24:28.720
<v Speaker 1>So yeah, just keep in mind the VCI, speaking of

1425
01:24:28.840 --> 01:24:31.399
<v Speaker 1>owns Dark Star in the US, You're not going to

1426
01:24:31.479 --> 01:24:35.680
<v Speaker 1>get this from Shout probably. I believe VCI owns the

1427
01:24:35.680 --> 01:24:41.439
<v Speaker 1>film outright because nobody else really wanted it. So this

1428
01:24:41.560 --> 01:24:43.960
<v Speaker 1>is probably either the best release this is ever going

1429
01:24:43.960 --> 01:24:47.479
<v Speaker 1>to get, or it'll be awful and stick with the

1430
01:24:47.560 --> 01:24:52.600
<v Speaker 1>VCI Blu Ray. I don't know, just my opinion either way.

1431
01:24:53.039 --> 01:24:55.479
<v Speaker 2>Maybe this entire release will be an Easter egg on

1432
01:24:55.520 --> 01:24:56.680
<v Speaker 2>the Starman Steel Book.

1433
01:24:57.239 --> 01:25:01.840
<v Speaker 1>Now that would be pretty incredible. God damn. Danny from

1434
01:25:01.840 --> 01:25:07.800
<v Speaker 1>Australia says it's nearly one hundred dollars Australian Jesus. Of

1435
01:25:07.880 --> 01:25:12.760
<v Speaker 1>course Dustin wants this, Dustin, are you gonna be carrying this?

1436
01:25:12.920 --> 01:25:14.600
<v Speaker 1>If everybody wants this, should they go to the brother

1437
01:25:14.600 --> 01:25:20.319
<v Speaker 1>Belyle let me know. Next up June twenty fourth, Universal

1438
01:25:20.359 --> 01:25:22.359
<v Speaker 1>putting out the four K steel Book of Meghan to

1439
01:25:22.560 --> 01:25:26.560
<v Speaker 1>take advantage of the sequel coming out. This was previously

1440
01:25:26.840 --> 01:25:30.319
<v Speaker 1>a best by exclusive. There's nothing different. It's literally the

1441
01:25:30.359 --> 01:25:34.079
<v Speaker 1>same upc. Everything else is identical. But this was getting

1442
01:25:34.520 --> 01:25:37.880
<v Speaker 1>scalped quite a bit secondhand. So I'm glad this is

1443
01:25:37.880 --> 01:25:39.880
<v Speaker 1>coming out. More people having a chance to have it.

1444
01:25:39.920 --> 01:25:43.479
<v Speaker 1>Is nice. It's actually a decent steal book. I think

1445
01:25:43.840 --> 01:25:49.840
<v Speaker 1>I have this, Yeah, I'm pretty sure I do. I

1446
01:25:50.079 --> 01:25:52.960
<v Speaker 1>love this movie. Did you see this one? I did?

1447
01:25:53.039 --> 01:25:57.920
<v Speaker 2>I mean I think I like the Titanium Dance. That's

1448
01:25:57.960 --> 01:25:58.439
<v Speaker 2>my favorite.

1449
01:25:58.560 --> 01:26:03.520
<v Speaker 1>Yeah, yeah, I liked the movie. I just for some reason,

1450
01:26:03.560 --> 01:26:06.439
<v Speaker 1>I wanted to be a little more brutal. The unrated cut,

1451
01:26:06.479 --> 01:26:09.960
<v Speaker 1>by the way, definitely the version to go to watch

1452
01:26:10.000 --> 01:26:13.520
<v Speaker 1>these was it even is a radar? There was an

1453
01:26:13.600 --> 01:26:15.920
<v Speaker 1>R rated cut and then there was an unrated cut.

1454
01:26:16.039 --> 01:26:21.159
<v Speaker 2>Yes, okay, yeah, it didn't feel I Don'm not even

1455
01:26:21.399 --> 01:26:23.399
<v Speaker 2>I'm remembering it as like PG thirteen in my head.

1456
01:26:23.439 --> 01:26:26.760
<v Speaker 2>So yeah, definitely didn't feel like a chucky.

1457
01:26:27.359 --> 01:26:30.319
<v Speaker 1>There was the one scene I remember, oh you know what,

1458
01:26:30.399 --> 01:26:33.520
<v Speaker 1>it might have been PG thirteen. That's what Steph, you know,

1459
01:26:33.560 --> 01:26:37.840
<v Speaker 1>was saying. There's a scene in the elevator where they

1460
01:26:38.239 --> 01:26:42.319
<v Speaker 1>make him kill somebody and it's quite gory, and that

1461
01:26:42.760 --> 01:26:45.520
<v Speaker 1>that was the big difference in the two cuts for sure.

1462
01:26:46.199 --> 01:26:48.279
<v Speaker 1>I think there was a couple other small Okay, everybody's

1463
01:26:48.279 --> 01:26:53.039
<v Speaker 1>saying it's PG thirteen, so good to know I was mistaken.

1464
01:26:53.039 --> 01:26:57.479
<v Speaker 1>Indicator had some announcements today. We got HMS Defiant also

1465
01:26:57.560 --> 01:27:00.760
<v Speaker 1>known as Damn the Defiant here in the US a release.

1466
01:27:00.840 --> 01:27:04.279
<v Speaker 1>This is a nineteen sixty two film. This is coming

1467
01:27:04.319 --> 01:27:06.800
<v Speaker 1>out on July twenty first only in the UK. These

1468
01:27:06.840 --> 01:27:08.680
<v Speaker 1>first four releases that we're going to talk about in

1469
01:27:08.720 --> 01:27:13.840
<v Speaker 1>one group are UK only releases. This is Alec Guinness

1470
01:27:13.840 --> 01:27:17.399
<v Speaker 1>and Dirk Bogard. This is an HD remaster. We've got

1471
01:27:17.399 --> 01:27:20.079
<v Speaker 1>two presentations of the film, just where they changed the titling,

1472
01:27:20.880 --> 01:27:23.079
<v Speaker 1>depending on which one you wanted to go with. They've

1473
01:27:23.079 --> 01:27:25.479
<v Speaker 1>got all kinds of archival extras on this, a couple

1474
01:27:25.720 --> 01:27:29.399
<v Speaker 1>brand new interviews from the last handful of years. Imprint

1475
01:27:29.399 --> 01:27:32.600
<v Speaker 1>also had put this out previously, and I believe they

1476
01:27:32.640 --> 01:27:34.840
<v Speaker 1>got the Imprint extras for this, but you're gonna have

1477
01:27:34.880 --> 01:27:39.520
<v Speaker 1>a booklet with it as usual with the limited release

1478
01:27:39.680 --> 01:27:42.960
<v Speaker 1>of this one. And then they're also doing the Taming

1479
01:27:42.960 --> 01:27:45.800
<v Speaker 1>of the Shrew from nineteen sixty seven, which I believe

1480
01:27:45.880 --> 01:27:49.840
<v Speaker 1>Imprint also did this one if I remember right. This

1481
01:27:50.159 --> 01:27:53.600
<v Speaker 1>is the one with Richard Burton and Elizabeth Taylor. And

1482
01:27:54.359 --> 01:27:56.960
<v Speaker 1>on this one they've got a brand new audio commentary

1483
01:27:56.960 --> 01:28:01.119
<v Speaker 1>with Alexander Helder Nicholas and Josh Nelson. There is a

1484
01:28:01.159 --> 01:28:03.479
<v Speaker 1>couple of brand new features and then a whole lot

1485
01:28:03.520 --> 01:28:07.239
<v Speaker 1>of archival extras as well, again with the booklet as

1486
01:28:07.319 --> 01:28:12.359
<v Speaker 1>usual in the limited edition and going to oh look, yeah,

1487
01:28:12.520 --> 01:28:18.319
<v Speaker 1>Terry just confirmed Imprint also did Taming of the Shrews.

1488
01:28:19.079 --> 01:28:23.880
<v Speaker 1>Then we've got the Hireling. This is with Robert Shaw

1489
01:28:24.000 --> 01:28:26.760
<v Speaker 1>and Sarah Miles from nineteen seventy three Blu Ray only

1490
01:28:27.760 --> 01:28:31.119
<v Speaker 1>UK only July twenty first. Like I said, and this

1491
01:28:31.159 --> 01:28:34.800
<v Speaker 1>one I've heard is quite good. The poster kind of

1492
01:28:34.840 --> 01:28:37.239
<v Speaker 1>leaving a lot to be desired here. It's sort of minimalist,

1493
01:28:37.319 --> 01:28:39.960
<v Speaker 1>but it's not bad necessarily. It's just not one that

1494
01:28:40.239 --> 01:28:42.640
<v Speaker 1>I see and go, damn, I gotta see that. But

1495
01:28:42.680 --> 01:28:46.239
<v Speaker 1>this is supposedly really great. We've got interviews that are

1496
01:28:47.039 --> 01:28:49.199
<v Speaker 1>brand new with a bunch of people associated with the film,

1497
01:28:49.239 --> 01:28:51.680
<v Speaker 1>and for a film that's fifty years old, that's pretty

1498
01:28:51.760 --> 01:28:53.720
<v Speaker 1>rad to be able to get those actually do.

1499
01:28:54.279 --> 01:28:56.720
<v Speaker 2>See that poster and say I want to see that.

1500
01:28:56.760 --> 01:29:00.159
<v Speaker 2>I don't know what the hell is that word. I've

1501
01:29:00.159 --> 01:29:01.159
<v Speaker 2>never seen that word before.

1502
01:29:01.600 --> 01:29:05.800
<v Speaker 1>Yeah, that got me a first two for sure. Yeah.

1503
01:29:05.800 --> 01:29:09.039
<v Speaker 1>We've got Larry Karazuski doing a trailer commentary from twenty

1504
01:29:09.079 --> 01:29:11.520
<v Speaker 1>twenty one on this a booklet with the limited release

1505
01:29:11.720 --> 01:29:15.560
<v Speaker 1>as usual. Yeah, I think I kind of want this one.

1506
01:29:15.640 --> 01:29:17.439
<v Speaker 2>You know what it was because I saw Robert Shaw

1507
01:29:17.640 --> 01:29:23.239
<v Speaker 2>in whichever James Bond film. He's like super young. It's

1508
01:29:23.319 --> 01:29:26.119
<v Speaker 2>like maybe it's like you only live twice, and I

1509
01:29:26.159 --> 01:29:28.239
<v Speaker 2>was like, damn, I need to see more Robert Shaw

1510
01:29:28.279 --> 01:29:33.600
<v Speaker 2>because he was not grizzled whatsoever. And I was like,

1511
01:29:34.159 --> 01:29:34.720
<v Speaker 2>I didn't know.

1512
01:29:35.720 --> 01:29:37.520
<v Speaker 1>I love moments like that where you see an actor

1513
01:29:37.520 --> 01:29:40.279
<v Speaker 1>that you've seen at least a handful of times that

1514
01:29:40.319 --> 01:29:42.800
<v Speaker 1>you're always just like, yeah, yeah, I recognize him, and

1515
01:29:42.840 --> 01:29:45.359
<v Speaker 1>then you see it again in something else and you're like, oh,

1516
01:29:45.560 --> 01:29:47.680
<v Speaker 1>like they can act. This is amazing.

1517
01:29:47.880 --> 01:29:49.039
<v Speaker 2>Yeah, he's pretty incredible.

1518
01:29:49.880 --> 01:29:52.119
<v Speaker 1>Uh. Kubric Lover says it's from Russia.

1519
01:29:51.800 --> 01:29:55.279
<v Speaker 2>With love, Thank you. It is from Russia with Love,

1520
01:29:55.359 --> 01:29:55.640
<v Speaker 2>Thank you.

1521
01:29:57.159 --> 01:30:00.359
<v Speaker 1>The Dresser is the next Indicator title. This is from

1522
01:30:00.600 --> 01:30:04.239
<v Speaker 1>nineteen eighty three, also a UK only title. Like I said,

1523
01:30:04.239 --> 01:30:07.680
<v Speaker 1>this is starring Peter Yates or sorry, this is starring

1524
01:30:09.359 --> 01:30:13.359
<v Speaker 1>Albert Finnie and it's directed by Peter Yates. This is

1525
01:30:13.560 --> 01:30:16.720
<v Speaker 1>a film set during the Second World War and this

1526
01:30:16.760 --> 01:30:19.560
<v Speaker 1>one again also supposed to be great. Looked up some

1527
01:30:19.600 --> 01:30:22.039
<v Speaker 1>reviews on this and it seems like a winner for sure.

1528
01:30:22.640 --> 01:30:25.520
<v Speaker 1>Lots of new interviews with people associated with this. Again,

1529
01:30:25.640 --> 01:30:28.840
<v Speaker 1>Indicators kind of been doing really great on extras as usual.

1530
01:30:29.520 --> 01:30:32.239
<v Speaker 1>I've said it before, I've said it many many times

1531
01:30:32.239 --> 01:30:34.880
<v Speaker 1>on here, but they are literally one of the most

1532
01:30:34.880 --> 01:30:40.239
<v Speaker 1>consistent boutiques out there, just a block of extras on

1533
01:30:40.279 --> 01:30:43.640
<v Speaker 1>the back of every single one of their releases. Did

1534
01:30:43.680 --> 01:30:47.359
<v Speaker 1>not realize that Paul's pointing out this was another imprint

1535
01:30:47.399 --> 01:30:50.960
<v Speaker 1>release previously, So we're seeing that pattern again of imprint

1536
01:30:51.000 --> 01:30:54.079
<v Speaker 1>releases coming out time and time again from other labels

1537
01:30:54.079 --> 01:30:59.520
<v Speaker 1>and other territories. Then Eureka got in on the game

1538
01:30:59.520 --> 01:31:02.199
<v Speaker 1>today of UK stuff, but we're going to talk about

1539
01:31:02.279 --> 01:31:04.279
<v Speaker 1>at least one that's going to be in North America

1540
01:31:04.319 --> 01:31:08.479
<v Speaker 1>as well. July twenty first UK only release from Masters

1541
01:31:08.520 --> 01:31:11.880
<v Speaker 1>of Cinema of the Sons of Great Bear from nineteen

1542
01:31:11.960 --> 01:31:16.439
<v Speaker 1>sixty six. This is a DIFA film, a defa German

1543
01:31:16.560 --> 01:31:21.000
<v Speaker 1>western that they worked on difas the cinema over there

1544
01:31:21.119 --> 01:31:25.319
<v Speaker 1>that def Crocodile and Eureka have recently been working with

1545
01:31:25.399 --> 01:31:28.079
<v Speaker 1>some of their animated titles on. This is going to

1546
01:31:28.159 --> 01:31:31.359
<v Speaker 1>have a limited edition collector's booklet with new writing by

1547
01:31:31.720 --> 01:31:35.520
<v Speaker 1>a handful of people. We've got a new commentary by

1548
01:31:35.560 --> 01:31:38.680
<v Speaker 1>Western scholar Cherry Barrett. There's a new discussion on the

1549
01:31:38.760 --> 01:31:42.960
<v Speaker 1>film in a Global context with Austin Fisher, new visual

1550
01:31:43.039 --> 01:31:45.000
<v Speaker 1>essay on the depiction of Native American life and the

1551
01:31:45.000 --> 01:31:49.359
<v Speaker 1>Sons of Great Bear by Lee Broughton. Some archival stuff

1552
01:31:49.439 --> 01:31:53.239
<v Speaker 1>either way, like this at least sounds very interesting. I

1553
01:31:55.399 --> 01:32:02.520
<v Speaker 1>love love Eureka's slate this month. This all sounds really great.

1554
01:32:03.159 --> 01:32:04.560
<v Speaker 1>No German westerns for.

1555
01:32:04.520 --> 01:32:07.920
<v Speaker 2>You, I know nothing. It looks cool. I keep thinking,

1556
01:32:07.960 --> 01:32:11.119
<v Speaker 2>that's like, looks like de Niro on the picture.

1557
01:32:13.920 --> 01:32:17.760
<v Speaker 1>Yeah, what year is that? From nineteen sixty six?

1558
01:32:19.159 --> 01:32:22.399
<v Speaker 2>That's probably his dad, That.

1559
01:32:22.439 --> 01:32:25.960
<v Speaker 1>Was old Bob de Niro. Yeah. July twenty eighth on

1560
01:32:26.039 --> 01:32:29.159
<v Speaker 1>four K in the UK. They are also doing the

1561
01:32:29.319 --> 01:32:33.720
<v Speaker 1>Old Dark House from nineteen thirty two. A four K

1562
01:32:33.800 --> 01:32:37.319
<v Speaker 1>of this movie first off, amazing, just a handful of

1563
01:32:37.359 --> 01:32:39.039
<v Speaker 1>years ago. This was thought to be a lost film,

1564
01:32:39.119 --> 01:32:42.600
<v Speaker 1>and now we're gonna have it on UHD. This is,

1565
01:32:42.720 --> 01:32:46.560
<v Speaker 1>of course directed by James Whale, starring Force Korla Karlov.

1566
01:32:48.000 --> 01:32:49.640
<v Speaker 1>This movie's amazing. Have you seen this one?

1567
01:32:49.760 --> 01:32:50.560
<v Speaker 2>I have not seen it.

1568
01:32:51.359 --> 01:32:54.119
<v Speaker 1>This is one that I think, knowing some of the

1569
01:32:54.119 --> 01:32:56.560
<v Speaker 1>stuff that you like, I think you'd really appreciate this one.

1570
01:32:57.800 --> 01:32:59.800
<v Speaker 1>This one has all of the extras that they did

1571
01:32:59.840 --> 01:33:01.840
<v Speaker 1>on their Blu Ray release of The Old Dark House.

1572
01:33:03.399 --> 01:33:07.279
<v Speaker 1>I'm glad that they're doing this again, but no new extras.

1573
01:33:07.720 --> 01:33:14.079
<v Speaker 1>Is again an overloaded release. Try not not to complain

1574
01:33:14.159 --> 01:33:16.079
<v Speaker 1>at all, but for the people that just got the

1575
01:33:16.079 --> 01:33:17.680
<v Speaker 1>Blu Ray in the last few years, it would have

1576
01:33:17.680 --> 01:33:20.039
<v Speaker 1>been nice to see at least one new thing thrown

1577
01:33:20.079 --> 01:33:22.760
<v Speaker 1>out here. But yeah, the fact that this will have

1578
01:33:23.079 --> 01:33:27.720
<v Speaker 1>like a Dolby Vision HDR grade on this is crazy.

1579
01:33:28.000 --> 01:33:31.720
<v Speaker 1>This was a lost film just very recently. I love that.

1580
01:33:32.600 --> 01:33:38.000
<v Speaker 1>Love that. Next up, another classic getting a four K release.

1581
01:33:38.439 --> 01:33:41.399
<v Speaker 1>High Noon from nineteen fifty two is getting a four

1582
01:33:41.479 --> 01:33:43.880
<v Speaker 1>K release in the UK from Eureka on July twenty eighth.

1583
01:33:44.039 --> 01:33:48.159
<v Speaker 1>This is Gary Cooper and Grace Kelly in this classic western.

1584
01:33:49.239 --> 01:33:52.479
<v Speaker 1>This one is another one that they had released previously

1585
01:33:52.520 --> 01:33:55.239
<v Speaker 1>on Blu Ray. This one does have some new extras

1586
01:33:55.239 --> 01:33:58.239
<v Speaker 1>on here though, We've got a new visual essay and

1587
01:33:58.600 --> 01:34:01.600
<v Speaker 1>a couple others. This one is gonna have a making

1588
01:34:01.640 --> 01:34:05.920
<v Speaker 1>of doc and again Dolby Vision HDR on high noon.

1589
01:34:06.199 --> 01:34:10.000
<v Speaker 1>I love that love that we're getting, you know, the

1590
01:34:10.600 --> 01:34:13.640
<v Speaker 1>just the best possible attention to these films. Kind of

1591
01:34:13.640 --> 01:34:17.239
<v Speaker 1>crazy that they're doing it. Also, as usual, in their

1592
01:34:17.239 --> 01:34:19.600
<v Speaker 1>limited edition, will have a booklet with the original short

1593
01:34:19.640 --> 01:34:22.720
<v Speaker 1>story The Ten Star. I'll have a nineteen seventy four

1594
01:34:22.840 --> 01:34:26.640
<v Speaker 1>essay by the screenwriter Carl Foreman and a retrospective review.

1595
01:34:28.079 --> 01:34:30.359
<v Speaker 2>Do you think they made him look a little Yule

1596
01:34:30.560 --> 01:34:33.600
<v Speaker 2>Brunnery to get those West World heads in on this one?

1597
01:34:34.239 --> 01:34:37.760
<v Speaker 1>One hundred percent. I thought that the moment I saw

1598
01:34:37.800 --> 01:34:38.239
<v Speaker 1>this art.

1599
01:34:38.279 --> 01:34:41.560
<v Speaker 2>Yes, Like, I don't know that I've seen Gary Cooper

1600
01:34:41.640 --> 01:34:43.239
<v Speaker 2>in color to be honest, but.

1601
01:34:46.279 --> 01:34:51.479
<v Speaker 1>Yeah, I can see it. Uh. Stephano says, Do I

1602
01:34:51.479 --> 01:34:53.039
<v Speaker 1>think there will be an upgrade from four K in

1603
01:34:53.079 --> 01:34:55.520
<v Speaker 1>the next ten years? I don't think there will be

1604
01:34:55.560 --> 01:35:00.840
<v Speaker 1>an upgrade physically from four K. Ever. Actually, I'm pretty

1605
01:35:01.800 --> 01:35:04.159
<v Speaker 1>pretty dead set on the fact that I don't think

1606
01:35:04.279 --> 01:35:10.159
<v Speaker 1>we have not only just the technology, but the consumers

1607
01:35:10.239 --> 01:35:12.680
<v Speaker 1>for it. We barely have the consumers for four K

1608
01:35:12.760 --> 01:35:16.720
<v Speaker 1>right now. If we were to disenfranchise these again and

1609
01:35:16.760 --> 01:35:21.880
<v Speaker 1>splinter out into eight K or even higher, No, I

1610
01:35:21.880 --> 01:35:23.359
<v Speaker 1>don't think you have the people that are going to

1611
01:35:23.439 --> 01:35:26.159
<v Speaker 1>shell out to buy these movies yet again. And I

1612
01:35:26.720 --> 01:35:29.479
<v Speaker 1>understand that, you know, people asked when these DVDs were

1613
01:35:29.479 --> 01:35:32.239
<v Speaker 1>out the same thing, and we've gone two formats past then.

1614
01:35:32.359 --> 01:35:36.560
<v Speaker 1>But we're literally maximizing already the amount of data that

1615
01:35:36.600 --> 01:35:39.720
<v Speaker 1>we can pull out of ocns. Sure, there's been a

1616
01:35:39.720 --> 01:35:41.840
<v Speaker 1>couple things that have been scanned in twelve K, but

1617
01:35:42.000 --> 01:35:44.960
<v Speaker 1>you and even a couple have even been higher than that.

1618
01:35:45.000 --> 01:35:46.800
<v Speaker 1>I think there's one that got a thirteen K scam

1619
01:35:46.880 --> 01:35:50.680
<v Speaker 1>last year. It's it's not just that, like we have

1620
01:35:51.520 --> 01:35:54.920
<v Speaker 1>everything pulling away from physical media and so the fact

1621
01:35:54.960 --> 01:36:00.079
<v Speaker 1>that the ecosystem is just not really there. I I

1622
01:36:00.079 --> 01:36:04.039
<v Speaker 1>don't know. I mean, even like the highest quality healthy

1623
01:36:04.119 --> 01:36:08.960
<v Speaker 1>eyes can't see much more than four K at home.

1624
01:36:09.079 --> 01:36:11.439
<v Speaker 1>You know, if something is playing on a giant screen

1625
01:36:11.560 --> 01:36:14.720
<v Speaker 1>like the Vegas Sphere or something, yeah, they can do

1626
01:36:14.760 --> 01:36:17.199
<v Speaker 1>one off something like that. But on the consumer grade,

1627
01:36:17.680 --> 01:36:19.479
<v Speaker 1>I don't think we're ever going to have anything over

1628
01:36:19.520 --> 01:36:26.319
<v Speaker 1>four K. Ever, do you have different thoughts on that, John.

1629
01:36:27.119 --> 01:36:29.680
<v Speaker 2>No, I would be I mean, it's rest in peace,

1630
01:36:29.760 --> 01:36:34.439
<v Speaker 2>my walle at times. Whatever. I would just I think

1631
01:36:34.520 --> 01:36:37.359
<v Speaker 2>you said it. You said it perfectly.

1632
01:36:37.880 --> 01:36:39.960
<v Speaker 1>And Craig in the chat is saying four K is

1633
01:36:39.960 --> 01:36:42.159
<v Speaker 1>the same resolution that you see films on the big

1634
01:36:42.199 --> 01:36:44.960
<v Speaker 1>theatrical screens. There's literally no point for higher resolution in

1635
01:36:45.000 --> 01:36:48.439
<v Speaker 1>your home, agreed. I mean again, some of these have

1636
01:36:48.520 --> 01:36:52.319
<v Speaker 1>been scanned in higher things, but that's literally, that's literally

1637
01:36:52.359 --> 01:36:57.239
<v Speaker 1>film preservation. That's not for consumption. You don't you don't

1638
01:36:57.239 --> 01:37:00.199
<v Speaker 1>need it. You're not getting more data visually out of it.

1639
01:37:00.199 --> 01:37:05.520
<v Speaker 1>It's to scan the the like authentic film itself to

1640
01:37:05.600 --> 01:37:10.439
<v Speaker 1>the best of our capabilities. And I mean, it's wild

1641
01:37:10.439 --> 01:37:12.840
<v Speaker 1>that we're getting some of these, like Vinegar Syndrome titles

1642
01:37:12.880 --> 01:37:16.279
<v Speaker 1>on four K or Terror Vision Tomorrow Morning is announcing

1643
01:37:16.319 --> 01:37:18.680
<v Speaker 1>a title on four K that, as far as we

1644
01:37:18.720 --> 01:37:22.039
<v Speaker 1>can tell, has never been on physical media ever, it's

1645
01:37:22.079 --> 01:37:27.439
<v Speaker 1>making its debut on four K. That's amazing. Would it

1646
01:37:27.520 --> 01:37:31.079
<v Speaker 1>have gone to eight K or twelve K or whatever? No?

1647
01:37:31.479 --> 01:37:36.800
<v Speaker 1>Like there love I love the reaction to that question

1648
01:37:36.960 --> 01:37:41.600
<v Speaker 1>for knowing what the film is. Yeah, it's just there's

1649
01:37:41.760 --> 01:37:48.680
<v Speaker 1>no there's literally no reason on the consumer level, all right,

1650
01:37:49.199 --> 01:37:53.760
<v Speaker 1>So that's high Noon. Eureka is also doing the Tattooed Dragon.

1651
01:37:54.039 --> 01:37:57.239
<v Speaker 1>This is from nineteen seventy three, and this is coming

1652
01:37:57.239 --> 01:37:59.479
<v Speaker 1>on July twenty first in the UK and July twenty

1653
01:37:59.600 --> 01:38:04.279
<v Speaker 1>second in North America. This is a big one because

1654
01:38:04.279 --> 01:38:06.199
<v Speaker 1>it's a Jimmy wang You film and a lot of

1655
01:38:06.199 --> 01:38:10.720
<v Speaker 1>people adore him. He's he's one of the greats. This one.

1656
01:38:10.760 --> 01:38:13.920
<v Speaker 1>Of course, we'll have a brand new collector's booklet with it.

1657
01:38:13.920 --> 01:38:17.119
<v Speaker 1>It's gonna have a brand new commentary with Frank jang It,

1658
01:38:17.119 --> 01:38:19.000
<v Speaker 1>I'll have a brand new commentary with Mike Leader and

1659
01:38:19.079 --> 01:38:21.920
<v Speaker 1>Arna Venoma. I'll have a new discussion on Tattoo Dragon

1660
01:38:22.039 --> 01:38:26.720
<v Speaker 1>with Wayne Wong. Looks like a damn fine release and

1661
01:38:26.960 --> 01:38:31.720
<v Speaker 1>I definitely need this one. Jimmy wing You is great,

1662
01:38:32.600 --> 01:38:34.960
<v Speaker 1>Craig says, Imax screens are four K unless you're putting

1663
01:38:34.960 --> 01:38:37.000
<v Speaker 1>in a fifteen to seventy film projector in your house,

1664
01:38:37.520 --> 01:38:41.800
<v Speaker 1>and nobody is except for maybe a couple of billionaires.

1665
01:38:43.840 --> 01:38:45.920
<v Speaker 1>Then we got some silloscope stuff that went up on

1666
01:38:45.960 --> 01:38:47.680
<v Speaker 1>their website that I wanted to make sure that people

1667
01:38:47.680 --> 01:38:51.119
<v Speaker 1>could see this summer, which I believe is happening the

1668
01:38:51.279 --> 01:38:54.960
<v Speaker 1>end of next month. Actually, they're releasing a double feature

1669
01:38:55.039 --> 01:38:57.840
<v Speaker 1>of Hamilton and Putty Hill from two thousand and six

1670
01:38:57.880 --> 01:39:02.079
<v Speaker 1>in twenty ten. This is a feature of Matt Porterfield Films.

1671
01:39:03.039 --> 01:39:06.479
<v Speaker 1>These are newly restored and it's Hamilton's about two summer

1672
01:39:06.560 --> 01:39:08.960
<v Speaker 1>days in the life of a young family Puddy Hill.

1673
01:39:09.359 --> 01:39:11.800
<v Speaker 1>The character Corey dies of a heroin overdose in an

1674
01:39:11.800 --> 01:39:14.520
<v Speaker 1>abandoned house in Baltimore, and then on the eve of

1675
01:39:14.520 --> 01:39:17.359
<v Speaker 1>his funeral, family and friends gathered to commemorate his life

1676
01:39:17.439 --> 01:39:20.520
<v Speaker 1>and they share memories, and it's a pursuit of a

1677
01:39:20.560 --> 01:39:23.640
<v Speaker 1>new American dream type film. This is gonna have some

1678
01:39:23.720 --> 01:39:26.960
<v Speaker 1>bonus scenes from Hamilton and a trailer. You can pre

1679
01:39:27.079 --> 01:39:32.720
<v Speaker 1>order that now on the website or on Amazon. Then

1680
01:39:32.800 --> 01:39:34.880
<v Speaker 1>the second one. I saw a lot of people very

1681
01:39:34.880 --> 01:39:38.640
<v Speaker 1>excited about this. Today, in early fall of this year,

1682
01:39:38.720 --> 01:39:41.680
<v Speaker 1>we're getting a blu ray DVD from Oscilloscope of Dig

1683
01:39:42.119 --> 01:39:45.640
<v Speaker 1>and then a newer version called Dig x X. This

1684
01:39:45.680 --> 01:39:47.560
<v Speaker 1>is from two thousand and four, and then the upgrade

1685
01:39:47.640 --> 01:39:51.439
<v Speaker 1>was from twenty twenty four. The synopsis here. Twenty years ago,

1686
01:39:51.520 --> 01:39:55.560
<v Speaker 1>Sundance was rocked by Dig on d Timowner's genres hopping

1687
01:39:55.640 --> 01:39:58.319
<v Speaker 1>rockumentary about two Gen X bands and their journey to

1688
01:39:58.439 --> 01:40:02.159
<v Speaker 1>all rock glory. Shot over nearly a decade, dig explores

1689
01:40:02.199 --> 01:40:04.720
<v Speaker 1>the collision of art and commerce through the star crossed

1690
01:40:04.720 --> 01:40:08.119
<v Speaker 1>friendship and bitter rivalry of dueling nineties bands The Dandy

1691
01:40:08.159 --> 01:40:13.079
<v Speaker 1>Warhols and the Brian jonestownd Massacre, through their lives and obsessions, gigs,

1692
01:40:13.199 --> 01:40:16.800
<v Speaker 1>arrest and death threats, uppers and downers, and ultimately to

1693
01:40:16.920 --> 01:40:20.560
<v Speaker 1>their shot at mainstream success. They stage a self proclaimed

1694
01:40:20.640 --> 01:40:24.239
<v Speaker 1>revolution in the music industry and then Dig xx they

1695
01:40:24.239 --> 01:40:28.279
<v Speaker 1>have a bigger, better, crazier, expanded reimagining of the original

1696
01:40:28.319 --> 01:40:30.960
<v Speaker 1>cut and it reminds us why the original is canon

1697
01:40:30.960 --> 01:40:34.199
<v Speaker 1>and why sometimes more is better. You got deleted and

1698
01:40:34.279 --> 01:40:38.399
<v Speaker 1>extended scene, some interviews, and a trailer. I am really

1699
01:40:38.399 --> 01:40:42.640
<v Speaker 1>happy to be an Oscilloscope subscriber and beginning this one,

1700
01:40:42.840 --> 01:40:46.279
<v Speaker 1>I cannot wait. What do you get in an Oscilloscope

1701
01:40:46.600 --> 01:40:52.119
<v Speaker 1>sub The Oscilloscope Oscilloscope sub is their next ten titles

1702
01:40:52.159 --> 01:40:54.800
<v Speaker 1>on Blu ray or DVD. I think the DVD one

1703
01:40:54.840 --> 01:40:56.720
<v Speaker 1>is one hundred and twenty dollars, the Blu Ray one

1704
01:40:56.760 --> 01:40:59.800
<v Speaker 1>is one hundred and forty and the whole time. While

1705
01:40:59.800 --> 01:41:02.359
<v Speaker 1>you're subscriber. You get a fifty percent off discount on

1706
01:41:02.560 --> 01:41:06.439
<v Speaker 1>all of their back catalog too, and they similar to

1707
01:41:06.520 --> 01:41:08.600
<v Speaker 1>Terror Vision. They will tell you if there's a title

1708
01:41:08.640 --> 01:41:10.079
<v Speaker 1>you don't want, you just let them know and they'll

1709
01:41:10.079 --> 01:41:14.399
<v Speaker 1>skip it for you. They're very accommodating. They've essentially they've

1710
01:41:14.439 --> 01:41:17.520
<v Speaker 1>got like a concierge email where if you need something,

1711
01:41:17.560 --> 01:41:19.399
<v Speaker 1>you just reach out and you've got access to them

1712
01:41:19.439 --> 01:41:21.960
<v Speaker 1>and they'll they'll help you through their catalog, check out

1713
01:41:22.000 --> 01:41:24.960
<v Speaker 1>something for you, provide some info anything you need. They

1714
01:41:25.000 --> 01:41:30.520
<v Speaker 1>are incredible behind the scenes, very cool. And the last

1715
01:41:30.560 --> 01:41:34.199
<v Speaker 1>one from them is Universal Language. This is a newer

1716
01:41:34.199 --> 01:41:37.760
<v Speaker 1>film from last year, coming in early fall from Oscilloscope

1717
01:41:37.760 --> 01:41:41.279
<v Speaker 1>again Blu Ray DVD. This is a film that they've

1718
01:41:41.279 --> 01:41:45.000
<v Speaker 1>been putting out on theatrical runs over last year or

1719
01:41:45.039 --> 01:41:47.640
<v Speaker 1>so and promoting here and there, and I've heard nothing

1720
01:41:47.640 --> 01:41:50.439
<v Speaker 1>but great things about this movie. Very eager to see

1721
01:41:50.439 --> 01:41:51.840
<v Speaker 1>this one as well. This one will have a full

1722
01:41:51.840 --> 01:41:55.279
<v Speaker 1>audio commentary, deleted and extended scenes, a trailer and it

1723
01:41:55.319 --> 01:41:57.880
<v Speaker 1>says many more. Not sure what that will be, but

1724
01:41:58.199 --> 01:42:01.800
<v Speaker 1>they've really been leaning heavily on this this title. So

1725
01:42:02.239 --> 01:42:04.359
<v Speaker 1>glad to see this one finally coming out on Blue

1726
01:42:04.840 --> 01:42:07.359
<v Speaker 1>and A. Yeah, eager to see this.

1727
01:42:07.359 --> 01:42:13.600
<v Speaker 2>One, dignar. I know, yeah, it's coming soon also, but

1728
01:42:13.640 --> 01:42:15.039
<v Speaker 2>the one that's there is is cool.

1729
01:42:15.560 --> 01:42:17.640
<v Speaker 1>Yeah, this is one of their theatrical posters and I

1730
01:42:17.720 --> 01:42:22.720
<v Speaker 1>like it. It's a nice poster indicator back for one

1731
01:42:22.760 --> 01:42:25.760
<v Speaker 1>more that they quietly hit at the bottom of their email,

1732
01:42:25.840 --> 01:42:28.600
<v Speaker 1>so I missed it. In the US, they are actually

1733
01:42:28.600 --> 01:42:31.399
<v Speaker 1>putting out a single title in July as well, and

1734
01:42:31.640 --> 01:42:34.000
<v Speaker 1>July twenty second we are getting a four K and

1735
01:42:34.039 --> 01:42:37.079
<v Speaker 1>a Blu ray release of Sarah Band for Dead Lovers.

1736
01:42:37.439 --> 01:42:40.359
<v Speaker 1>This is from nineteen forty eight. There is a hard

1737
01:42:40.399 --> 01:42:43.479
<v Speaker 1>box release of this. This is the first color film

1738
01:42:43.520 --> 01:42:46.640
<v Speaker 1>from Ealing Studios, so it is one that is pretty

1739
01:42:46.640 --> 01:42:52.439
<v Speaker 1>important to British cinema. This one has a director and screenwriter.

1740
01:42:52.560 --> 01:42:55.640
<v Speaker 1>James Dearden introduces this because his father is the one

1741
01:42:55.640 --> 01:42:59.159
<v Speaker 1>that directed it. We've got some archival extras on this one,

1742
01:42:59.399 --> 01:43:02.800
<v Speaker 1>some twenty three extras poured it over from the British release,

1743
01:43:03.079 --> 01:43:06.079
<v Speaker 1>and of course a booklet with all kinds of writing

1744
01:43:06.119 --> 01:43:07.920
<v Speaker 1>on this one. It's an eighty page book since this

1745
01:43:08.039 --> 01:43:17.680
<v Speaker 1>is one of their hardcover releases. Yeah, looks like a lot.

1746
01:43:19.840 --> 01:43:23.760
<v Speaker 1>Speaking of the UK. Over there, I don't find out

1747
01:43:23.760 --> 01:43:27.880
<v Speaker 1>about this enough to be able to post. We are

1748
01:43:28.039 --> 01:43:31.520
<v Speaker 1>getting three Criterion titles over in the UK in July

1749
01:43:32.159 --> 01:43:34.560
<v Speaker 1>July seventh, they are getting a four K of The

1750
01:43:34.560 --> 01:43:38.119
<v Speaker 1>Beatles A Hard Day's Night. We are getting July seventeenth

1751
01:43:38.199 --> 01:43:40.920
<v Speaker 1>a Blu ray of Midnight from nineteen thirty nine, and

1752
01:43:40.960 --> 01:43:43.800
<v Speaker 1>then on July twenty eighth, a four K of Sorcerer

1753
01:43:44.079 --> 01:43:47.680
<v Speaker 1>from William Friedkin. This is great. I love that a

1754
01:43:47.680 --> 01:43:49.039
<v Speaker 1>lot of people in the UK are getting more and

1755
01:43:49.079 --> 01:43:52.479
<v Speaker 1>more access to Criterion titles, stuff that has never been

1756
01:43:52.520 --> 01:43:55.640
<v Speaker 1>released over in the UK, and now you've got easier

1757
01:43:55.680 --> 01:43:59.399
<v Speaker 1>access rather than importing from Amazon or something, so that

1758
01:43:59.680 --> 01:44:04.880
<v Speaker 1>is nice. And then the last thing. I kind of

1759
01:44:05.000 --> 01:44:06.600
<v Speaker 1>shared this at the end of the day today, but

1760
01:44:07.399 --> 01:44:09.239
<v Speaker 1>I'm I'm looking to do more guest spots. If you

1761
01:44:09.319 --> 01:44:12.159
<v Speaker 1>run a film or physical media, podcast or YouTube channel

1762
01:44:12.239 --> 01:44:14.960
<v Speaker 1>or anything, I'd love to hop on there. Hit me up,

1763
01:44:16.520 --> 01:44:20.399
<v Speaker 1>email DM anything. I would love to take part in.

1764
01:44:20.479 --> 01:44:23.039
<v Speaker 1>Whatever it is that you do. I'll happily put you

1765
01:44:23.079 --> 01:44:25.159
<v Speaker 1>on my stuff too. What are you laughing at, John?

1766
01:44:26.600 --> 01:44:26.960
<v Speaker 1>I just.

1767
01:44:28.479 --> 01:44:30.840
<v Speaker 2>I think it's funny. It made me think of you're

1768
01:44:30.880 --> 01:44:33.000
<v Speaker 2>not like this at all, but have ever seen the

1769
01:44:33.520 --> 01:44:36.119
<v Speaker 2>SNL sketch the Hurley Hey Boy when Adam Sandler's like,

1770
01:44:37.119 --> 01:44:38.439
<v Speaker 2>please let me sleep in your bed?

1771
01:44:38.760 --> 01:44:44.800
<v Speaker 1>Yeah, basically thanks, but it made me think.

1772
01:44:44.840 --> 01:44:46.399
<v Speaker 2>It made me think of the Hurly Hey Boy because

1773
01:44:46.399 --> 01:44:48.079
<v Speaker 2>I say that to people. I said, please let me.

1774
01:44:50.119 --> 01:44:51.680
<v Speaker 1>Let's talk about what's coming out next week. That's a

1775
01:44:51.720 --> 01:44:54.439
<v Speaker 1>little bit better than the Hurly Hey Boy. Honor four

1776
01:44:54.520 --> 01:44:58.119
<v Speaker 1>K from Criterion here in the US. Technically the Beyond

1777
01:44:58.159 --> 01:45:00.399
<v Speaker 1>four ks next week, but that's been shipping for two

1778
01:45:00.479 --> 01:45:03.239
<v Speaker 1>weeks now or whatever time. Cop four K has been

1779
01:45:03.239 --> 01:45:06.640
<v Speaker 1>shown up at people's houses. We've got those three Clint

1780
01:45:06.680 --> 01:45:09.319
<v Speaker 1>Eastwood four K titles. Next week, we got Dirty Harry,

1781
01:45:09.800 --> 01:45:13.640
<v Speaker 1>the Outlaw, Josie Whales, and Pale Rider. That really goofy

1782
01:45:13.680 --> 01:45:17.119
<v Speaker 1>looking lethal weapon. Four K Steel book also drops next week.

1783
01:45:20.840 --> 01:45:23.600
<v Speaker 2>I saw the one I thought was boring, and then

1784
01:45:23.600 --> 01:45:25.039
<v Speaker 2>I saw the smiley face.

1785
01:45:24.880 --> 01:45:29.239
<v Speaker 1>And I'm like, your face changed immediately. It was so

1786
01:45:29.359 --> 01:45:34.720
<v Speaker 1>good That Stripe's four K steel book comes out next week,

1787
01:45:34.760 --> 01:45:36.520
<v Speaker 1>so that's nice. People can get their hands on that

1788
01:45:36.640 --> 01:45:39.920
<v Speaker 1>Gandhi four K Steel book also next week. Lots of

1789
01:45:40.079 --> 01:45:42.840
<v Speaker 1>four K steel books. A lot of these studios leaning

1790
01:45:42.840 --> 01:45:45.359
<v Speaker 1>heavily on the Steel Book side. Things to Do in

1791
01:45:45.399 --> 01:45:47.520
<v Speaker 1>Denver While You're Dead four K from Keno. That's a

1792
01:45:47.600 --> 01:45:50.520
<v Speaker 1>that's a fun movie. I'd watch that one again. Wacky

1793
01:45:50.640 --> 01:45:55.000
<v Speaker 1>Races the complete series is coming from Warner Archive next week.

1794
01:45:56.199 --> 01:46:00.359
<v Speaker 1>Matt Fox's has been shipping from Cauldrons. That is nice.

1795
01:46:01.000 --> 01:46:03.560
<v Speaker 1>The v Cinema box set that happens to be in

1796
01:46:03.560 --> 01:46:05.560
<v Speaker 1>my hand right here. This is the one that I

1797
01:46:05.640 --> 01:46:08.840
<v Speaker 1>showed at the beginning that is dropping next week from Arrow.

1798
01:46:09.159 --> 01:46:12.960
<v Speaker 1>The Basketbat four K dropping next week. Birth and Rebirth

1799
01:46:13.039 --> 01:46:15.319
<v Speaker 1>is one of the Ocen titles in case you forgot

1800
01:46:15.560 --> 01:46:18.560
<v Speaker 1>Side Street from Warner Archive. Tale of Sorrow and Sadness

1801
01:46:18.600 --> 01:46:21.359
<v Speaker 1>like John held up, that's coming from Radiance next week.

1802
01:46:21.880 --> 01:46:26.239
<v Speaker 1>Cries and Shadows. The Cauldron release is shipping now. Like

1803
01:46:26.319 --> 01:46:29.520
<v Speaker 1>I said, so I need to get that one in oh.

1804
01:46:29.520 --> 01:46:32.079
<v Speaker 1>I pre ordered that with something else. I think. Prince

1805
01:46:32.119 --> 01:46:35.560
<v Speaker 1>of Broadway, another Sean Baker title from Criterion also coming out.

1806
01:46:35.880 --> 01:46:39.239
<v Speaker 1>Three The hard Way, Clean and Sober, and Springfield Rifle,

1807
01:46:39.359 --> 01:46:41.720
<v Speaker 1>all from Warner Archive coming out next week. Next week

1808
01:46:41.760 --> 01:46:47.880
<v Speaker 1>is a pretty big one unfortunately. Flamental Jacket four K

1809
01:46:47.960 --> 01:46:51.760
<v Speaker 1>getting in another Steel Book Girl with the Suitcase from

1810
01:46:51.800 --> 01:46:54.439
<v Speaker 1>Radiance coming out next week as well. Suddenly in the

1811
01:46:54.520 --> 01:46:57.600
<v Speaker 1>Dark four K from Terervision. Unfortunately, I don't think we'll

1812
01:46:57.640 --> 01:46:59.880
<v Speaker 1>be shipping next week. I believe that's the next batch

1813
01:47:00.079 --> 01:47:02.920
<v Speaker 1>after that. Should be soon, but definitely not next week.

1814
01:47:03.800 --> 01:47:07.840
<v Speaker 1>Star Trek Section thirty one four K dropping next week

1815
01:47:07.920 --> 01:47:12.680
<v Speaker 1>as well, Lily from Warner Archive and Posse from Keno,

1816
01:47:12.800 --> 01:47:16.279
<v Speaker 1>Lrber Paddington and Peru. The US release, which is a

1817
01:47:16.279 --> 01:47:19.239
<v Speaker 1>Blu Ray Don't forget that is a four K over

1818
01:47:19.279 --> 01:47:21.840
<v Speaker 1>in the UK if you want the better release there,

1819
01:47:22.359 --> 01:47:26.439
<v Speaker 1>The magnificent Chang Chay from Eureka getting its release next week,

1820
01:47:27.000 --> 01:47:32.119
<v Speaker 1>Swept Away four K from RaRo, and inflatable sex Doll

1821
01:47:32.279 --> 01:47:35.079
<v Speaker 1>of the Wastelands is coming from def Crocodile. This is

1822
01:47:35.119 --> 01:47:37.960
<v Speaker 1>one I've seen a couple subs asking if this had

1823
01:47:38.000 --> 01:47:41.840
<v Speaker 1>shipped yet, and as you'll find out, this was unfortunately

1824
01:47:41.840 --> 01:47:47.079
<v Speaker 1>slightly delayed. Mute Aliens as well. The manufacturer literally forgot

1825
01:47:47.079 --> 01:47:49.800
<v Speaker 1>to start manufacturing on time, so it should be shipping

1826
01:47:51.520 --> 01:47:53.840
<v Speaker 1>starting in the next few days, but it's not gonna

1827
01:47:53.840 --> 01:47:55.560
<v Speaker 1>be in people's hands early because that would have been

1828
01:47:55.640 --> 01:48:01.119
<v Speaker 1>last week. Unfortunately. Let's see what God, there's a lot

1829
01:48:01.159 --> 01:48:07.159
<v Speaker 1>of stuff. Next week Mayfair Witches season two with Alexandra

1830
01:48:07.239 --> 01:48:11.000
<v Speaker 1>de Dario from AMC. Next week the Bermuda Triangle from

1831
01:48:11.039 --> 01:48:15.119
<v Speaker 1>Keno lorber Rick and Morty the anime, another Pokemon Detective

1832
01:48:15.119 --> 01:48:20.199
<v Speaker 1>Pikachu four K Steel book, a place further than the universe.

1833
01:48:20.920 --> 01:48:26.319
<v Speaker 1>I think that's from Shout and then gosh uh, a

1834
01:48:26.439 --> 01:48:32.039
<v Speaker 1>lot of this Empire the Dark from VCI. What else?

1835
01:48:32.159 --> 01:48:35.399
<v Speaker 1>The pickup has already been shipping from Severn. There's a

1836
01:48:35.439 --> 01:48:37.760
<v Speaker 1>lot of stuff listing. Is this the last Tuesday of

1837
01:48:37.800 --> 01:48:39.159
<v Speaker 1>the month next to the week?

1838
01:48:39.279 --> 01:48:44.079
<v Speaker 2>Oh my god, Fatal Beauty. My boy Carl is a big,

1839
01:48:44.159 --> 01:48:47.600
<v Speaker 2>big whoopie fan, big supporter of Fatal Beauty.

1840
01:48:48.880 --> 01:48:51.000
<v Speaker 1>Any of these you don't have yet that you're after.

1841
01:48:53.399 --> 01:48:56.680
<v Speaker 2>That? I am after. I got Honora's in the mail,

1842
01:48:57.279 --> 01:48:59.399
<v Speaker 2>which I'm very very excited about.

1843
01:49:01.520 --> 01:49:05.800
<v Speaker 1>And you definitely definitely leave the Steel Book.

1844
01:49:06.239 --> 01:49:09.239
<v Speaker 2>Yeah, I'm gonna wait for I want a Lethal Weapon

1845
01:49:09.279 --> 01:49:11.640
<v Speaker 2>two Steel Book where the cover is just Danny Glover

1846
01:49:11.720 --> 01:49:16.600
<v Speaker 2>sitting on the toilet. All wait for that. That looks

1847
01:49:16.640 --> 01:49:19.520
<v Speaker 2>like that looks like National Lampoon's Loaded Weapon one, but

1848
01:49:19.600 --> 01:49:22.880
<v Speaker 2>not even as good. Yeah, how would they do that?

1849
01:49:23.720 --> 01:49:24.199
<v Speaker 1>Yeah?

1850
01:49:24.520 --> 01:49:26.399
<v Speaker 2>That makes me just want to watch that instead. That's

1851
01:49:26.439 --> 01:49:28.680
<v Speaker 2>what I'm gonna do. That's that's my protest vote. I'm

1852
01:49:28.680 --> 01:49:30.520
<v Speaker 2>gonna watch Loaded Weapon one.

1853
01:49:33.279 --> 01:49:35.640
<v Speaker 1>Yeah, it's it's a crazy week. It's also gonna be

1854
01:49:35.840 --> 01:49:40.279
<v Speaker 1>a crazy time coming up. I'm I'm excited to see

1855
01:49:40.279 --> 01:49:45.640
<v Speaker 1>everything that's coming out here soon. But now tonight, Uh,

1856
01:49:45.720 --> 01:49:48.880
<v Speaker 1>why why are we talking about creative influences and inspirations?

1857
01:49:48.960 --> 01:49:55.520
<v Speaker 2>John Well? I mean, I think like, for me, over

1858
01:49:55.560 --> 01:49:59.800
<v Speaker 2>the last year, I've just had like, I don't know,

1859
01:49:59.800 --> 01:50:03.760
<v Speaker 2>I've been feeling. I've been feeling it been getting excited

1860
01:50:03.800 --> 01:50:11.520
<v Speaker 2>about learning and moving forward and trying to be joyous

1861
01:50:11.800 --> 01:50:15.279
<v Speaker 2>in the face of a lot of garbage in the

1862
01:50:15.319 --> 01:50:20.680
<v Speaker 2>world that you know, we probably nobody wants to talk

1863
01:50:20.720 --> 01:50:22.439
<v Speaker 2>about and I don't really want to talk about but

1864
01:50:22.520 --> 01:50:28.239
<v Speaker 2>it's like just encroaching on us all and it's so

1865
01:50:28.600 --> 01:50:30.199
<v Speaker 2>stupid and it's for no reason.

1866
01:50:30.920 --> 01:50:31.399
<v Speaker 1>Yeah.

1867
01:50:33.039 --> 01:50:35.399
<v Speaker 2>So yeah, I mean, I think like, mostly I just

1868
01:50:35.439 --> 01:50:42.800
<v Speaker 2>want to talk about stuff that is joyous, a stuff

1869
01:50:42.920 --> 01:50:49.680
<v Speaker 2>to stuff to celebrate, and stuff that like feels The

1870
01:50:49.760 --> 01:50:53.880
<v Speaker 2>main movie that you know, we were going to talk about,

1871
01:50:54.239 --> 01:50:58.720
<v Speaker 2>I want to thank you one for watching it, not

1872
01:50:58.800 --> 01:51:00.479
<v Speaker 2>that you would have I know you would have eventually,

1873
01:51:00.560 --> 01:51:02.600
<v Speaker 2>But like I think that a lot of these like

1874
01:51:03.399 --> 01:51:07.159
<v Speaker 2>and with with I think a big reason to do

1875
01:51:07.239 --> 01:51:11.920
<v Speaker 2>it this way is because like a lot of times

1876
01:51:11.920 --> 01:51:13.399
<v Speaker 2>we would come at each other with a list and

1877
01:51:13.439 --> 01:51:16.079
<v Speaker 2>be like you'd be like that's cool. I have not

1878
01:51:16.159 --> 01:51:18.159
<v Speaker 2>seen those, And I would be like those are cool.

1879
01:51:18.319 --> 01:51:19.880
<v Speaker 2>You are cool, but I have not seen those either,

1880
01:51:20.279 --> 01:51:22.439
<v Speaker 2>and the like what are like what are we talking about?

1881
01:51:22.479 --> 01:51:25.079
<v Speaker 2>And I think that like I don't like, you know,

1882
01:51:25.119 --> 01:51:28.239
<v Speaker 2>I think at a certain point in the like both

1883
01:51:28.319 --> 01:51:32.479
<v Speaker 2>for nostalgia and for a lot of reasons, like people

1884
01:51:32.560 --> 01:51:35.760
<v Speaker 2>lament the death of mono culture, like we're not all

1885
01:51:35.800 --> 01:51:41.159
<v Speaker 2>watching this, Like you can't even talk to people. Nobody's

1886
01:51:41.159 --> 01:51:44.159
<v Speaker 2>watching the same stuff. So it's like that in itself

1887
01:51:44.279 --> 01:51:47.720
<v Speaker 2>is making it harder to relate. Another thing over the

1888
01:51:47.800 --> 01:51:53.800
<v Speaker 2>last year is like, you know, I think with everything

1889
01:51:53.800 --> 01:51:56.199
<v Speaker 2>that's going on in America, like I think, I don't know,

1890
01:51:56.279 --> 01:51:59.640
<v Speaker 2>I feel like I have slowed down and like taken

1891
01:51:59.680 --> 01:52:03.920
<v Speaker 2>stock of like what's good and just thinking about things

1892
01:52:04.000 --> 01:52:06.840
<v Speaker 2>like like a good way to use the internet is

1893
01:52:06.920 --> 01:52:12.439
<v Speaker 2>to like make a friend that you we would net

1894
01:52:12.479 --> 01:52:15.079
<v Speaker 2>without the internet, we would never have met. And isn't

1895
01:52:15.079 --> 01:52:19.000
<v Speaker 2>this nice? But and like try not to just like

1896
01:52:20.720 --> 01:52:25.800
<v Speaker 2>let an algorithm tell you anything. It's so boring, so

1897
01:52:26.079 --> 01:52:29.680
<v Speaker 2>freaking boring. So I'm just excited to even just It's

1898
01:52:29.720 --> 01:52:31.880
<v Speaker 2>like I said about Will earlier, like it's just nice

1899
01:52:31.880 --> 01:52:34.479
<v Speaker 2>to have somebody around who you're like, hey, you know

1900
01:52:34.560 --> 01:52:37.560
<v Speaker 2>this thing, Yeah, I know what that is, and like

1901
01:52:37.680 --> 01:52:41.960
<v Speaker 2>let's let's talk about it. So and the last thing

1902
01:52:42.000 --> 01:52:46.079
<v Speaker 2>I would say is that this this isn't exactly what

1903
01:52:46.079 --> 01:52:47.760
<v Speaker 2>but I was thinking, you know how, like everyone's like

1904
01:52:49.640 --> 01:52:51.560
<v Speaker 2>feels like they should have done I should have done

1905
01:52:51.600 --> 01:52:53.279
<v Speaker 2>more by this point in my life or whatever, and

1906
01:52:53.319 --> 01:52:55.119
<v Speaker 2>like I felt that for a really really long time

1907
01:52:55.159 --> 01:52:57.960
<v Speaker 2>and I'm like starting to like not feel that so

1908
01:52:58.079 --> 01:53:01.359
<v Speaker 2>much anymore and like not that kind of pressure. And

1909
01:53:01.399 --> 01:53:03.600
<v Speaker 2>it's like iways thinking, I was thinking the other day

1910
01:53:03.840 --> 01:53:07.399
<v Speaker 2>about like well Orson Wells made like that everybody's like

1911
01:53:07.439 --> 01:53:09.560
<v Speaker 2>you made Citizen kme when he was twenty five, and

1912
01:53:09.560 --> 01:53:14.079
<v Speaker 2>what have I done? Nothing? And it's like that I

1913
01:53:14.079 --> 01:53:18.680
<v Speaker 2>feel like that kind of narrative has been like has

1914
01:53:18.800 --> 01:53:24.079
<v Speaker 2>like blocked me from feeling from allowing myself to be creative.

1915
01:53:24.560 --> 01:53:26.000
<v Speaker 2>And what I like about the movie that we're going

1916
01:53:26.079 --> 01:53:31.840
<v Speaker 2>to discuss is that it's like it's kind of scrappy

1917
01:53:31.840 --> 01:53:35.359
<v Speaker 2>and a little bit like shitty looking, but it's like

1918
01:53:36.039 --> 01:53:39.960
<v Speaker 2>create in a way that's like glorious in a way

1919
01:53:39.960 --> 01:53:46.159
<v Speaker 2>that like some of my favorite movies are, and it

1920
01:53:46.199 --> 01:53:51.680
<v Speaker 2>feels it's like it's inspiring because it feels attainable, and

1921
01:53:51.720 --> 01:53:55.840
<v Speaker 2>that's actually something that like when you know, starting to

1922
01:53:55.960 --> 01:53:58.960
<v Speaker 2>watch like I remember like the first round of like

1923
01:53:59.039 --> 01:54:01.600
<v Speaker 2>Vinegar Syndrome or I keep mentioning a lot, but like

1924
01:54:01.960 --> 01:54:06.279
<v Speaker 2>any of these companies that are releasing these like under Underseen,

1925
01:54:06.399 --> 01:54:10.760
<v Speaker 2>like super low budget Z grade things, you're like, well,

1926
01:54:10.800 --> 01:54:13.920
<v Speaker 2>I'm watching this forty thirty forty years later, like I

1927
01:54:13.920 --> 01:54:16.119
<v Speaker 2>could do this, and who knows, who knows where it's

1928
01:54:16.119 --> 01:54:16.479
<v Speaker 2>gonna go.

1929
01:54:16.600 --> 01:54:18.239
<v Speaker 1>So yeah, I don't know.

1930
01:54:18.479 --> 01:54:20.760
<v Speaker 2>Thanks for letting me ramble on about that point.

1931
01:54:20.520 --> 01:54:24.119
<v Speaker 1>But no, I mean it's not rambling. It's it's an

1932
01:54:24.119 --> 01:54:27.880
<v Speaker 1>important lead in and funny enough, it's that in itself

1933
01:54:28.039 --> 01:54:32.279
<v Speaker 1>is a kind of really good way to introduce the

1934
01:54:32.279 --> 01:54:35.039
<v Speaker 1>movie because the movie has an important, sort of rambling

1935
01:54:35.119 --> 01:54:39.199
<v Speaker 1>lead in itself on screen to show you that this

1936
01:54:39.520 --> 01:54:48.039
<v Speaker 1>has creatively borrowed from a lot of ip yeah, without permission,

1937
01:54:48.359 --> 01:54:51.359
<v Speaker 1>and it's doing it in fair use, and so tonight

1938
01:54:52.680 --> 01:54:55.359
<v Speaker 1>if you have not gathered from that very big hint.

1939
01:54:55.880 --> 01:54:59.079
<v Speaker 1>We are covering a title released by Ultraed Innocence and

1940
01:54:59.239 --> 01:55:04.159
<v Speaker 1>promoted very The People's Joker. This is you got the slip,

1941
01:55:04.640 --> 01:55:11.720
<v Speaker 1>the beautiful slipcover on this please lovely lovely artwork throughout this.

1942
01:55:11.720 --> 01:55:13.760
<v Speaker 1>This is a film that you can still get right

1943
01:55:13.760 --> 01:55:16.840
<v Speaker 1>now in diabolic funny enough, I hid the link to

1944
01:55:16.880 --> 01:55:20.479
<v Speaker 1>purchase some of their stuff in the description below, so

1945
01:55:20.560 --> 01:55:22.199
<v Speaker 1>go check it out if you want, open it up

1946
01:55:22.199 --> 01:55:25.239
<v Speaker 1>in another tab. The Alternate Innocence website has links to

1947
01:55:25.359 --> 01:55:29.079
<v Speaker 1>I think they even have vhs still funny enough. Randomly,

1948
01:55:29.279 --> 01:55:32.439
<v Speaker 1>I had a call with Frank Jaffy, the owner of

1949
01:55:32.439 --> 01:55:35.479
<v Speaker 1>Alternate Innocence, today and he let me know that they're

1950
01:55:35.520 --> 01:55:40.119
<v Speaker 1>putting in a bunch of really like unique, very nice

1951
01:55:40.359 --> 01:55:44.000
<v Speaker 1>VHS releases of The People's Joker in Whammy in La.

1952
01:55:44.119 --> 01:55:46.119
<v Speaker 1>So if you're in the LA area, go check out Whammy.

1953
01:55:47.720 --> 01:55:50.279
<v Speaker 1>Lots of stuff that they've done for this film, lots

1954
01:55:50.359 --> 01:55:53.640
<v Speaker 1>promoting this made a lot of waves. Technically if you

1955
01:55:53.680 --> 01:55:56.239
<v Speaker 1>look this up on letterbox, I think it shows for

1956
01:55:56.279 --> 01:56:00.199
<v Speaker 1>a twenty twenty two film, and this has been making

1957
01:56:00.479 --> 01:56:05.399
<v Speaker 1>the rounds since then. This has played quite a few festivals.

1958
01:56:05.479 --> 01:56:08.119
<v Speaker 1>This has gotten in trouble at a couple of those

1959
01:56:08.159 --> 01:56:13.359
<v Speaker 1>festivals and pulled immediately. This has played in quite a

1960
01:56:13.399 --> 01:56:17.079
<v Speaker 1>few theater runs. This movie, though, why don't you tell

1961
01:56:17.159 --> 01:56:19.520
<v Speaker 1>us what this is about? John?

1962
01:56:20.880 --> 01:56:23.439
<v Speaker 2>I mean, what is it about? I don't mean the

1963
01:56:23.560 --> 01:56:30.520
<v Speaker 2>story like it's it's a pretty like there's nothing like

1964
01:56:30.680 --> 01:56:34.600
<v Speaker 2>too too crazy about the story. I mean it's like

1965
01:56:34.720 --> 01:56:39.199
<v Speaker 2>a you know, I guess is it a coming of

1966
01:56:39.279 --> 01:56:42.199
<v Speaker 2>age story? I mean, but like in it in a

1967
01:56:42.239 --> 01:56:49.359
<v Speaker 2>world where there's comedy is outlawed and how do you

1968
01:56:49.399 --> 01:56:52.600
<v Speaker 2>describe the plots of this? You're gonna do a better

1969
01:56:52.680 --> 01:56:53.239
<v Speaker 2>job than me.

1970
01:56:53.960 --> 01:56:56.279
<v Speaker 1>This is a coming of age story. But more importantly,

1971
01:56:56.359 --> 01:56:59.600
<v Speaker 1>this is a personal coming out story for the director

1972
01:56:59.840 --> 01:57:03.880
<v Speaker 1>v Drew, who plays the people's joker in this Vera.

1973
01:57:03.960 --> 01:57:10.560
<v Speaker 1>Drew is a I mean I'd hesitate to like give

1974
01:57:10.840 --> 01:57:13.960
<v Speaker 1>the whole bag before I say this, but like a

1975
01:57:14.000 --> 01:57:16.880
<v Speaker 1>creative genius in so many different ways in the way

1976
01:57:16.920 --> 01:57:19.520
<v Speaker 1>that this film is made. It is a mixed medium

1977
01:57:19.560 --> 01:57:23.520
<v Speaker 1>film of somebody leaving home in the Midwest, making their

1978
01:57:23.560 --> 01:57:27.479
<v Speaker 1>way to Gotham City and joining improv comedy and like

1979
01:57:27.560 --> 01:57:30.359
<v Speaker 1>opening up their own comedy place where comedy has not

1980
01:57:30.399 --> 01:57:33.880
<v Speaker 1>been allowed, so they're opening an anti comedy. Look anyways,

1981
01:57:34.079 --> 01:57:37.279
<v Speaker 1>that's not super important, but it's finding yourself in the

1982
01:57:37.279 --> 01:57:40.159
<v Speaker 1>big city by getting away from it in so so

1983
01:57:40.239 --> 01:57:43.199
<v Speaker 1>many different ways. I mean, there's even point in things

1984
01:57:43.279 --> 01:57:48.000
<v Speaker 1>in this movie about like being so broken and depressed

1985
01:57:48.039 --> 01:57:51.439
<v Speaker 1>that you call the suicide hotline and ask them what

1986
01:57:51.479 --> 01:57:54.760
<v Speaker 1>the weather's like in your hometown, just to feel like

1987
01:57:54.800 --> 01:57:57.560
<v Speaker 1>you're back there a little bit. What's funny though, is

1988
01:57:58.199 --> 01:58:01.840
<v Speaker 1>the character and the individual behind the story didn't really

1989
01:58:01.840 --> 01:58:04.680
<v Speaker 1>want to be home, but wanted to feel that sense

1990
01:58:04.840 --> 01:58:09.960
<v Speaker 1>of like innocence and familiarity in a place where they

1991
01:58:09.960 --> 01:58:14.680
<v Speaker 1>were lost. And this movie is crazy because I blew

1992
01:58:14.720 --> 01:58:17.920
<v Speaker 1>past the whole mixed medium thing. This movie. You go

1993
01:58:18.039 --> 01:58:22.600
<v Speaker 1>from full blown, like beautifully designed sets to animated sequences,

1994
01:58:22.680 --> 01:58:28.640
<v Speaker 1>to both intermingling on camera at once, to weird like

1995
01:58:29.359 --> 01:58:32.279
<v Speaker 1>day for night shots that are pulled off in some

1996
01:58:32.359 --> 01:58:35.319
<v Speaker 1>of the most odd ways to save money. And yes,

1997
01:58:35.399 --> 01:58:37.800
<v Speaker 1>John said earlier that it looked a little shitty, but

1998
01:58:38.079 --> 01:58:42.880
<v Speaker 1>I gotta be honest, it looks truly. And I when

1999
01:58:42.920 --> 01:58:45.239
<v Speaker 1>I had heard that this will put some people off

2000
01:58:45.239 --> 01:58:47.960
<v Speaker 1>because it looks so shitty, I expected so much worse.

2001
01:58:48.199 --> 01:58:50.800
<v Speaker 1>When this played, I was like, WHOA, Like this is

2002
01:58:50.840 --> 01:58:54.319
<v Speaker 1>actually really good and really well made in a way

2003
01:58:54.359 --> 01:58:57.119
<v Speaker 1>that you you sort of just get lost in the

2004
01:58:57.159 --> 01:58:59.680
<v Speaker 1>mixed medium aspect of it and don't really focus on

2005
01:59:00.920 --> 01:59:02.760
<v Speaker 1>this is just like a couple of people standing in

2006
01:59:02.800 --> 01:59:06.359
<v Speaker 1>a room around like some makeshift pillars in a couple scenes.

2007
01:59:07.680 --> 01:59:10.960
<v Speaker 2>Thank you, thank you for being able to describe the plot.

2008
01:59:11.000 --> 01:59:14.439
<v Speaker 2>I'm like, obviously, as just witnessed, not not good at

2009
01:59:14.880 --> 01:59:16.880
<v Speaker 2>at that because I'm kind of like when I even

2010
01:59:16.920 --> 01:59:22.159
<v Speaker 2>when I watch a movie, I'm like just thinking the

2011
01:59:22.199 --> 01:59:30.479
<v Speaker 2>whole time about right, like just being blown away as

2012
01:59:30.680 --> 01:59:34.720
<v Speaker 2>as an editor, like thinking, wow, people are gonna like

2013
01:59:36.159 --> 01:59:39.760
<v Speaker 2>or you know, God forbid, somebody comes in expecting a

2014
01:59:39.800 --> 01:59:43.760
<v Speaker 2>superhero movie. They're gonna be like, and I think that

2015
01:59:43.880 --> 01:59:47.279
<v Speaker 2>this movie, which was not intended for I mean, it's

2016
01:59:47.279 --> 01:59:50.640
<v Speaker 2>intended for everybody, but like didn't think this movie, doesn't

2017
01:59:50.640 --> 01:59:52.760
<v Speaker 2>think it's going to become as big as it ends

2018
01:59:52.840 --> 01:59:55.880
<v Speaker 2>up right becoming. And that's the thing, Like it's it's

2019
01:59:55.920 --> 01:59:59.520
<v Speaker 2>big enough to have many many haters just because they

2020
01:59:59.520 --> 02:00:07.439
<v Speaker 2>were expecting a superhero movie. And yep, yeah, I just

2021
02:00:07.760 --> 02:00:10.760
<v Speaker 2>was blown away as an editor, being like, yeah, some

2022
02:00:10.840 --> 02:00:13.720
<v Speaker 2>of this looks like like this scene was made with dolls,

2023
02:00:13.760 --> 02:00:20.039
<v Speaker 2>and the scene is you know, it's a bunch of

2024
02:00:20.039 --> 02:00:23.560
<v Speaker 2>different things, but I was like, this looks so challenging

2025
02:00:23.600 --> 02:00:26.199
<v Speaker 2>to put together is basically what I'm getting to. It's like,

2026
02:00:26.239 --> 02:00:29.800
<v Speaker 2>it doesn't like if you watch this and don't see

2027
02:00:29.800 --> 02:00:32.680
<v Speaker 2>the part that's like, wow, this actually looks you can

2028
02:00:32.720 --> 02:00:37.279
<v Speaker 2>tell like this is like so many hours trying to

2029
02:00:37.319 --> 02:00:39.880
<v Speaker 2>figure this stuff out, even if you're good at it.

2030
02:00:41.560 --> 02:00:44.960
<v Speaker 1>Just thinking how you want this to look alone in

2031
02:00:45.000 --> 02:00:49.960
<v Speaker 1>itself is such a creative vision. But then being able

2032
02:00:50.039 --> 02:00:52.800
<v Speaker 1>to pull this off in the way that ends up

2033
02:00:52.800 --> 02:00:58.600
<v Speaker 1>on screen is another gift entirely, and Vera Drew's voice

2034
02:00:58.760 --> 02:01:01.920
<v Speaker 1>is all over this and again because it is literally

2035
02:01:01.960 --> 02:01:06.640
<v Speaker 1>a coming out story for the director, it is just

2036
02:01:07.000 --> 02:01:10.840
<v Speaker 1>the most personal aspect that you could expect from somebody.

2037
02:01:10.880 --> 02:01:15.800
<v Speaker 1>This is like ninety seven percent of this film is

2038
02:01:15.840 --> 02:01:20.239
<v Speaker 1>just vulnerability on screen, you know, things of somebody admitting

2039
02:01:20.439 --> 02:01:24.920
<v Speaker 1>that they are like never okay, essentially that they are

2040
02:01:24.960 --> 02:01:28.880
<v Speaker 1>always just dealing with something terrible inside of them. And

2041
02:01:29.800 --> 02:01:32.880
<v Speaker 1>when you can feel like that and yet envision this

2042
02:01:34.520 --> 02:01:41.880
<v Speaker 1>neon centric film and this like morbid curiosity of how

2043
02:01:41.920 --> 02:01:45.920
<v Speaker 1>do I, how do I pull this off? With essentially

2044
02:01:46.000 --> 02:01:49.720
<v Speaker 1>like negative twenty dollars to make this way in a

2045
02:01:49.760 --> 02:01:53.800
<v Speaker 1>way that isn't so off putting that people stop along

2046
02:01:53.840 --> 02:01:56.880
<v Speaker 1>the way. And not only not only does Vera Drew

2047
02:01:56.960 --> 02:02:01.239
<v Speaker 1>pull that off, but then pulls and collaborators that elevate

2048
02:02:01.279 --> 02:02:04.000
<v Speaker 1>this to something special. I mean, didn't even say like

2049
02:02:04.159 --> 02:02:06.720
<v Speaker 1>some of these people that do voices and other stuff

2050
02:02:06.760 --> 02:02:11.479
<v Speaker 1>behind the scenes for this, Scott Ackerman, Bob Odenkirk, Maria

2051
02:02:11.560 --> 02:02:17.439
<v Speaker 1>Bamford is hilarious in this, Robert wool There's there's some

2052
02:02:17.520 --> 02:02:20.840
<v Speaker 1>random voices that you hear in this and you're like, Jesus,

2053
02:02:21.159 --> 02:02:24.560
<v Speaker 1>how in the world did they get this voice for

2054
02:02:24.640 --> 02:02:25.039
<v Speaker 1>this film?

2055
02:02:25.159 --> 02:02:28.720
<v Speaker 2>So the best, the best shitty part is probably Maria

2056
02:02:28.760 --> 02:02:33.199
<v Speaker 2>Bamford playing CGI Lauren Michaels. It just looks like so

2057
02:02:33.560 --> 02:02:35.600
<v Speaker 2>purposely terrible.

2058
02:02:37.279 --> 02:02:41.199
<v Speaker 1>Yeah, that honestly. One of the funniest parts to me

2059
02:02:41.399 --> 02:02:43.640
<v Speaker 1>is the disclaimer at the very beginning that I alluded

2060
02:02:43.640 --> 02:02:48.279
<v Speaker 1>to a moment ago. They literally say, you know, there's

2061
02:02:48.439 --> 02:02:51.000
<v Speaker 1>a lot of IP in this movie that we simply

2062
02:02:51.079 --> 02:02:57.039
<v Speaker 1>don't have like permission to display. However, because this is

2063
02:02:57.119 --> 02:03:00.800
<v Speaker 1>a personal story and educational in nature, I do believe

2064
02:03:00.800 --> 02:03:03.000
<v Speaker 1>this is in fair use due to this, and the

2065
02:03:03.079 --> 02:03:05.119
<v Speaker 1>lawyers have looked at it and all this other stuff,

2066
02:03:05.600 --> 02:03:08.600
<v Speaker 1>and then they straight call out Lord Michael's by name

2067
02:03:08.720 --> 02:03:12.720
<v Speaker 1>that I mean they're using. They're using like no name

2068
02:03:12.760 --> 02:03:15.600
<v Speaker 1>batman villains to tell this story in a way that

2069
02:03:15.680 --> 02:03:20.640
<v Speaker 1>somehow works, and it it is a just one of

2070
02:03:20.680 --> 02:03:23.439
<v Speaker 1>the most unique things I've ever seen.

2071
02:03:24.359 --> 02:03:26.800
<v Speaker 2>I'm glad I had no idea what you were gonna think,

2072
02:03:26.800 --> 02:03:28.239
<v Speaker 2>because it was funny. We talked about this and you

2073
02:03:28.239 --> 02:03:29.560
<v Speaker 2>were just like, yep, I saw it, and I was like,

2074
02:03:29.600 --> 02:03:31.039
<v Speaker 2>I'm not even gonna ask. I don't want to know,

2075
02:03:31.079 --> 02:03:32.920
<v Speaker 2>because I think it would be interesting either way if.

2076
02:03:32.800 --> 02:03:36.119
<v Speaker 1>You were like, yeah, well, and that's the thing. I

2077
02:03:36.199 --> 02:03:38.479
<v Speaker 1>didn't see it as a masterpiece or come away like

2078
02:03:38.600 --> 02:03:43.680
<v Speaker 1>personally changed, like classic letterbox type score. This is probably

2079
02:03:43.680 --> 02:03:45.600
<v Speaker 1>like a three and a half for me, But as

2080
02:03:45.640 --> 02:03:52.319
<v Speaker 1>somebody that appreciates films and knows that just getting something

2081
02:03:52.359 --> 02:03:57.039
<v Speaker 1>off the ground is so difficult for a trans filmmaker

2082
02:03:57.199 --> 02:04:02.680
<v Speaker 1>to tell this story with these visuals, with these names

2083
02:04:02.960 --> 02:04:06.520
<v Speaker 1>in such a way that you're actually played in festivals

2084
02:04:06.560 --> 02:04:10.760
<v Speaker 1>and people care and Altered Innocent sells God knows how many,

2085
02:04:10.920 --> 02:04:13.000
<v Speaker 1>at least a couple thousand copies of this. I'm sure

2086
02:04:14.239 --> 02:04:16.079
<v Speaker 1>your story now in the hands of a lot of

2087
02:04:16.079 --> 02:04:19.880
<v Speaker 1>people that genuinely care about this sort of thing. I

2088
02:04:19.920 --> 02:04:22.680
<v Speaker 1>mean that in itself is inspiring, and you know, to

2089
02:04:22.760 --> 02:04:27.479
<v Speaker 1>talk about tradive influences and inspirations. Imagine what Vera Drew

2090
02:04:27.520 --> 02:04:30.880
<v Speaker 1>has done for the next generation of young filmmakers or

2091
02:04:30.920 --> 02:04:35.399
<v Speaker 1>the next generation of young trans individuals. Considering that is

2092
02:04:35.439 --> 02:04:39.279
<v Speaker 1>such a tiny, tiny minority of individuals in this country,

2093
02:04:39.920 --> 02:04:44.119
<v Speaker 1>the representation alone of such a story. Yes, for the

2094
02:04:44.840 --> 02:04:48.600
<v Speaker 1>less than two of every hundred people in the country

2095
02:04:48.920 --> 02:04:50.960
<v Speaker 1>that are trands that can see this and be changed

2096
02:04:50.960 --> 02:04:53.800
<v Speaker 1>as an individual and say, fuck, I don't have to

2097
02:04:53.840 --> 02:04:56.760
<v Speaker 1>stay in Kansas. I can go be completely normal with

2098
02:04:56.800 --> 02:04:59.880
<v Speaker 1>people that don't look at me and dead name me.

2099
02:05:00.479 --> 02:05:04.640
<v Speaker 1>And that's you know, the way that this vulnerably approaches

2100
02:05:04.680 --> 02:05:07.760
<v Speaker 1>all that in a respectful way to the LGBTQ community

2101
02:05:07.800 --> 02:05:10.319
<v Speaker 1>is so great. Through most of the movie, they bleep

2102
02:05:10.520 --> 02:05:11.079
<v Speaker 1>the main.

2103
02:05:11.039 --> 02:05:15.920
<v Speaker 2>Characters bleeping the dead name, and then when they don't, it's.

2104
02:05:16.079 --> 02:05:21.239
<v Speaker 1>Hilarious and it's impactful and done for a very specific reason. Yeah,

2105
02:05:21.279 --> 02:05:26.279
<v Speaker 1>and it's done. I mean, like anybody with even I

2106
02:05:26.319 --> 02:05:27.880
<v Speaker 1>know that this is a lot to ask in twenty

2107
02:05:27.920 --> 02:05:30.039
<v Speaker 1>twenty five. But anybody with at least half a brain

2108
02:05:30.600 --> 02:05:34.159
<v Speaker 1>watches this movie and it immediately goes, oh, like shit,

2109
02:05:34.279 --> 02:05:37.279
<v Speaker 1>that that meant something there that is so much more

2110
02:05:37.319 --> 02:05:40.119
<v Speaker 1>impactful than the first thirty eight times I got bleeped.

2111
02:05:40.199 --> 02:05:44.359
<v Speaker 1>So yeah, this this is in my opinion, not like

2112
02:05:44.359 --> 02:05:46.760
<v Speaker 1>a masterpiece or anything. Right, this is one of the

2113
02:05:46.800 --> 02:05:49.640
<v Speaker 1>most important things I've seen in the last couple of years,

2114
02:05:49.640 --> 02:05:50.960
<v Speaker 1>And I could never deny that.

2115
02:05:52.199 --> 02:05:55.800
<v Speaker 2>I think I couldn't find this. I've tried to actually

2116
02:05:55.800 --> 02:05:58.560
<v Speaker 2>find this conversation, so I think it exists and hopefully

2117
02:05:58.680 --> 02:06:01.960
<v Speaker 2>isn't like you know when they have like quote Abraham

2118
02:06:02.000 --> 02:06:05.479
<v Speaker 2>Lincoln is saying your mom or Mark Twain is saying,

2119
02:06:05.560 --> 02:06:08.079
<v Speaker 2>like you can't believe everything you read on the internet.

2120
02:06:08.199 --> 02:06:15.199
<v Speaker 2>But I think it was a mel Brooks conversation where

2121
02:06:16.520 --> 02:06:21.039
<v Speaker 2>he's like, is is your like talking about budgets and

2122
02:06:21.079 --> 02:06:24.199
<v Speaker 2>being like is your movie better than a hospital? Like

2123
02:06:24.239 --> 02:06:27.560
<v Speaker 2>assuming that you could have made a movie or built

2124
02:06:27.560 --> 02:06:31.239
<v Speaker 2>a hospital, and like that's like part of the that's

2125
02:06:31.279 --> 02:06:34.880
<v Speaker 2>like part of my turn away from like I don't

2126
02:06:35.119 --> 02:06:39.000
<v Speaker 2>watch as much big budget stuff anymore, Like I used

2127
02:06:39.000 --> 02:06:41.159
<v Speaker 2>to see the whole Marque no matter what, and just

2128
02:06:41.199 --> 02:06:43.439
<v Speaker 2>be like and now I've really you know, I think

2129
02:06:43.479 --> 02:06:46.119
<v Speaker 2>you hit a certain age and you're like I'm gonna

2130
02:06:46.159 --> 02:06:49.159
<v Speaker 2>I'm gonna die sometimes, so like I really would actually

2131
02:06:49.159 --> 02:06:51.279
<v Speaker 2>would just like to focus on stuff that's like actually

2132
02:06:51.279 --> 02:06:54.479
<v Speaker 2>cool to me. Yeah, But so I always think of

2133
02:06:54.520 --> 02:06:59.479
<v Speaker 2>that question, like and I often after like a great comedy,

2134
02:06:59.640 --> 02:07:01.520
<v Speaker 2>I'll be like, like, well that there was that was

2135
02:07:01.520 --> 02:07:03.960
<v Speaker 2>better than a hospital, And I think that like this

2136
02:07:04.079 --> 02:07:08.079
<v Speaker 2>does feel like it has that like you know that

2137
02:07:08.840 --> 02:07:12.880
<v Speaker 2>how much representation matters, and that like this isn't gonnect

2138
02:07:13.000 --> 02:07:18.239
<v Speaker 2>you know, connect with Like I said, there's a lot

2139
02:07:18.279 --> 02:07:20.159
<v Speaker 2>of people that it's it's not going to connect with

2140
02:07:20.239 --> 02:07:25.960
<v Speaker 2>because it's like, you know, it's like a theater kid

2141
02:07:26.239 --> 02:07:28.600
<v Speaker 2>tone that's like not exactly what how I mean it,

2142
02:07:28.600 --> 02:07:35.600
<v Speaker 2>but like you know what I mean. It's like, but yeah,

2143
02:07:35.640 --> 02:07:40.199
<v Speaker 2>I think that Like for I think it's money, money

2144
02:07:40.199 --> 02:07:46.199
<v Speaker 2>well spent, and uh it's you know, she's working through

2145
02:07:46.560 --> 02:07:52.640
<v Speaker 2>this whole process in a way that isn't is about

2146
02:07:53.079 --> 02:07:55.199
<v Speaker 2>just is about more than her. It's very you know,

2147
02:07:55.800 --> 02:08:00.279
<v Speaker 2>she goes deep into it on behalf of every ready.

2148
02:08:00.399 --> 02:08:05.239
<v Speaker 2>I think. But another thing too, about you saying you know,

2149
02:08:05.359 --> 02:08:08.239
<v Speaker 2>like it's not a you know it's maybe it's three,

2150
02:08:08.319 --> 02:08:10.760
<v Speaker 2>three and a half star two. Like when the way

2151
02:08:10.920 --> 02:08:18.359
<v Speaker 2>I see the handling like this, like this very small

2152
02:08:18.359 --> 02:08:21.079
<v Speaker 2>stuff but like looked at like it's like like it

2153
02:08:21.199 --> 02:08:24.960
<v Speaker 2>is done on a grand scale. Yeah, Like I'm not

2154
02:08:25.079 --> 02:08:27.560
<v Speaker 2>saying I still feel like what I said a second ago,

2155
02:08:27.720 --> 02:08:30.880
<v Speaker 2>like just just build a hospital. But like I'm like, oh, man,

2156
02:08:30.920 --> 02:08:33.840
<v Speaker 2>if you threw some money at Vera Drew, like she's

2157
02:08:33.880 --> 02:08:37.920
<v Speaker 2>gonna like her next She's gonna make something that costs

2158
02:08:38.880 --> 02:08:40.800
<v Speaker 2>money at some point and it's gonna be really cool

2159
02:08:40.960 --> 02:08:45.159
<v Speaker 2>and at the same time, like I think that, you know,

2160
02:08:45.319 --> 02:08:52.319
<v Speaker 2>especially queer stories, uh specifically, are often better when they're

2161
02:08:52.399 --> 02:08:58.920
<v Speaker 2>at there like punky anarchy scrappy level, like early John

2162
02:08:58.960 --> 02:09:02.600
<v Speaker 2>Waters versus late John Waters. Like I love it all,

2163
02:09:02.720 --> 02:09:08.359
<v Speaker 2>but like you know, pink Flamingo, there's there's the like

2164
02:09:08.520 --> 02:09:16.199
<v Speaker 2>pink flamingos and hairsprays and like I'm sure she'll get there,

2165
02:09:16.279 --> 02:09:18.239
<v Speaker 2>but I hope not too soon. I guess.

2166
02:09:18.279 --> 02:09:23.640
<v Speaker 1>Yeah, yeah, I mean the reality is supposedly I believe

2167
02:09:23.640 --> 02:09:25.560
<v Speaker 1>when she set out to make this she literally had

2168
02:09:25.600 --> 02:09:28.640
<v Speaker 1>like no budget, which is crazy to hear, but it

2169
02:09:28.720 --> 02:09:31.560
<v Speaker 1>was literally like what can I do to earn enough

2170
02:09:31.560 --> 02:09:36.840
<v Speaker 1>to film next Friday, basically and making this movie and

2171
02:09:36.880 --> 02:09:39.479
<v Speaker 1>having it be pulled off the way that you did.

2172
02:09:40.239 --> 02:09:43.399
<v Speaker 1>I completely agree with you. If if she stumbles upon

2173
02:09:44.159 --> 02:09:48.640
<v Speaker 1>like a ten million dollar budget for something, I don't

2174
02:09:48.640 --> 02:09:52.520
<v Speaker 1>know that anything could stop her, like with actual backing

2175
02:09:53.159 --> 02:09:58.760
<v Speaker 1>for a creative project that could have you know, this

2176
02:09:58.920 --> 02:10:03.880
<v Speaker 1>sort of bread of thought, with a creative team around her,

2177
02:10:03.920 --> 02:10:06.079
<v Speaker 1>where she could go this is what I want to see.

2178
02:10:06.199 --> 02:10:08.079
<v Speaker 1>Can you do that? And they go yeah, I mean yeah,

2179
02:10:08.199 --> 02:10:10.279
<v Speaker 1>we have ten million dollar budget, Yeah, we can do that,

2180
02:10:10.640 --> 02:10:14.159
<v Speaker 1>and they actually pull that off. Magic will be on

2181
02:10:14.199 --> 02:10:18.239
<v Speaker 1>that screen because this is borderline there in many of

2182
02:10:18.279 --> 02:10:21.520
<v Speaker 1>the scenes with no money and if you're able to

2183
02:10:22.479 --> 02:10:24.600
<v Speaker 1>make up those other scenes that do in a way

2184
02:10:24.760 --> 02:10:27.920
<v Speaker 1>look kind of shitty like you said, but like again,

2185
02:10:28.000 --> 02:10:31.319
<v Speaker 1>the looking shitty is is endearing in a way for

2186
02:10:31.359 --> 02:10:34.880
<v Speaker 1>this movie. It's not a bad things. It's a story

2187
02:10:34.920 --> 02:10:39.079
<v Speaker 1>that's being told as a narrative primarily through like inner

2188
02:10:39.119 --> 02:10:41.880
<v Speaker 1>monologue through some of it, and based on that it

2189
02:10:42.159 --> 02:10:44.720
<v Speaker 1>works for the way that she is telling the story,

2190
02:10:44.880 --> 02:10:48.520
<v Speaker 1>and to pull off something else like I don't know,

2191
02:10:48.760 --> 02:10:51.520
<v Speaker 1>like I don't know if ver Drew has five scripts

2192
02:10:51.560 --> 02:10:54.720
<v Speaker 1>that she's written and is ready to go. It would

2193
02:10:54.720 --> 02:10:57.960
<v Speaker 1>be cool to hear about. But if she is, if

2194
02:10:58.000 --> 02:11:01.079
<v Speaker 1>somebody's got some money, she literally could be doing some

2195
02:11:01.199 --> 02:11:02.479
<v Speaker 1>crazy stuff in the future.

2196
02:11:03.479 --> 02:11:07.000
<v Speaker 2>I'll say importantly too. There you know, there's a few

2197
02:11:07.039 --> 02:11:11.640
<v Speaker 2>movies that stick out where you're like, oh, sound design.

2198
02:11:12.039 --> 02:11:15.239
<v Speaker 2>This is why sound design is so completely important, where

2199
02:11:15.319 --> 02:11:18.560
<v Speaker 2>like if you watch can you match? Like if if

2200
02:11:18.600 --> 02:11:20.920
<v Speaker 2>a I always thinking like if a racer head didn't

2201
02:11:20.920 --> 02:11:23.720
<v Speaker 2>have the sound that I had, that would be it.

2202
02:11:23.840 --> 02:11:27.039
<v Speaker 2>You would be like, yeah, that this is just some weird,

2203
02:11:27.239 --> 02:11:30.119
<v Speaker 2>some weird shit. But like I'm thinking of specifically of

2204
02:11:30.159 --> 02:11:33.600
<v Speaker 2>like the like scene when they're they're just barbies for

2205
02:11:33.600 --> 02:11:37.000
<v Speaker 2>a second, and then like Batman comes in animated with

2206
02:11:37.000 --> 02:11:43.119
<v Speaker 2>this mustache and like it just sounds like it sounds

2207
02:11:43.119 --> 02:11:47.079
<v Speaker 2>like a big budget movie and that's you know what

2208
02:11:48.159 --> 02:11:51.960
<v Speaker 2>helps you believe in all that. And it's like again

2209
02:11:52.000 --> 02:11:55.840
<v Speaker 2>that attainable kind of thing where you're like, I think

2210
02:11:55.840 --> 02:11:59.319
<v Speaker 2>it's really exciting to see ideas, like people being like, oh,

2211
02:11:59.319 --> 02:12:04.600
<v Speaker 2>I can convey the idea for like no money whatsoever. Yeah,

2212
02:12:04.760 --> 02:12:08.960
<v Speaker 2>right here, right now, Like I understand the angles, I

2213
02:12:09.000 --> 02:12:11.319
<v Speaker 2>understand what it has to sound like, and like, yeah,

2214
02:12:11.319 --> 02:12:12.720
<v Speaker 2>we can make an act like it makes you feel

2215
02:12:12.720 --> 02:12:15.359
<v Speaker 2>like you could just like in the next ten minutes,

2216
02:12:15.399 --> 02:12:19.039
<v Speaker 2>set up an action sequence, get some stock sounds. I

2217
02:12:19.039 --> 02:12:19.319
<v Speaker 2>don't know.

2218
02:12:19.359 --> 02:12:22.600
<v Speaker 1>It's very it's very inspiring, and honestly, that's that's kind

2219
02:12:22.600 --> 02:12:24.479
<v Speaker 1>of the sign of a great director when you know

2220
02:12:25.079 --> 02:12:28.319
<v Speaker 1>when you know what your limitations are and where you

2221
02:12:28.399 --> 02:12:31.560
<v Speaker 1>max out the quality of things and know where to

2222
02:12:31.640 --> 02:12:33.239
<v Speaker 1>pull it back on some other things to save some

2223
02:12:33.279 --> 02:12:36.319
<v Speaker 1>of the money. And this like the choices for that

2224
02:12:36.439 --> 02:12:39.880
<v Speaker 1>are visible in most of those shots, whether it's something

2225
02:12:39.920 --> 02:12:45.199
<v Speaker 1>with great audio and sort of shitty background visually, or

2226
02:12:45.399 --> 02:12:47.960
<v Speaker 1>some of those things where she's like, there's no way

2227
02:12:48.000 --> 02:12:50.600
<v Speaker 1>we can get a car doing a J turn on

2228
02:12:50.640 --> 02:12:52.880
<v Speaker 1>a dirt road to look right in this style, so

2229
02:12:53.000 --> 02:12:55.920
<v Speaker 1>let's animate it. And it looks pretty damn good. It

2230
02:12:55.960 --> 02:12:59.279
<v Speaker 1>looks like it fits in the film. And yeah, animating

2231
02:12:59.319 --> 02:13:01.560
<v Speaker 1>it costs a little bit of money, I'm sure, but

2232
02:13:01.720 --> 02:13:04.159
<v Speaker 1>it's nowhere near what it would have cost doing it

2233
02:13:04.199 --> 02:13:06.760
<v Speaker 1>in like an actual car obviously. Yeah.

2234
02:13:06.880 --> 02:13:09.079
<v Speaker 2>Well, what's beautiful too, is that for like the fact

2235
02:13:09.119 --> 02:13:11.279
<v Speaker 2>that it's a movie about you know, a lot of

2236
02:13:11.319 --> 02:13:16.079
<v Speaker 2>like soul searching and self doubt, like it is because

2237
02:13:16.800 --> 02:13:22.960
<v Speaker 2>she believes in her incredible charisma as a lead performer

2238
02:13:23.039 --> 02:13:28.279
<v Speaker 2>and like really gives a performance that like I would

2239
02:13:28.399 --> 02:13:33.159
<v Speaker 2>compare to like John Cameron Mitchell and Hedwig. I think

2240
02:13:33.199 --> 02:13:41.520
<v Speaker 2>it's it's that charismatic with a much different just feels like,

2241
02:13:41.680 --> 02:13:45.760
<v Speaker 2>you know, a generation away. Yeah, in whichever.

2242
02:13:48.279 --> 02:13:51.319
<v Speaker 1>Yeah, it's very self deprecating in lots of the scenes.

2243
02:13:51.600 --> 02:13:56.359
<v Speaker 1>It's somebody that you know is super honest about even

2244
02:13:56.600 --> 02:14:02.920
<v Speaker 1>like remaining in abusive relationships. There's so much that certain

2245
02:14:02.960 --> 02:14:06.479
<v Speaker 1>decisions are going to be frustrating because they're human decisions,

2246
02:14:06.479 --> 02:14:10.439
<v Speaker 1>like actual things that somebody has made in that situation,

2247
02:14:10.920 --> 02:14:12.880
<v Speaker 1>not something that was made just for a film or

2248
02:14:12.880 --> 02:14:15.960
<v Speaker 1>something like that. This is somebody that is literally putting

2249
02:14:16.399 --> 02:14:22.239
<v Speaker 1>essentially their life story with a weird frame on screen

2250
02:14:22.319 --> 02:14:26.319
<v Speaker 1>for you in a way that is immense in so

2251
02:14:26.399 --> 02:14:30.680
<v Speaker 1>many ways. The big thing, you know, we're talking about

2252
02:14:30.680 --> 02:14:34.520
<v Speaker 1>creative influences and inspirations. This is pulling from so many

2253
02:14:34.600 --> 02:14:41.880
<v Speaker 1>different things. I mean, the environment of improv alone is

2254
02:14:42.479 --> 02:14:46.760
<v Speaker 1>a it's like the skeleton of this film essentially the

2255
02:14:47.159 --> 02:14:50.720
<v Speaker 1>idea of like desiring to be in UCB and then

2256
02:14:50.760 --> 02:14:54.720
<v Speaker 1>follow that up with SNL and do things that all

2257
02:14:54.760 --> 02:14:56.119
<v Speaker 1>of the greats had to do. It, so if I

2258
02:14:56.119 --> 02:14:58.359
<v Speaker 1>don't do it, I'm not great. And when it doesn't

2259
02:14:58.439 --> 02:15:03.520
<v Speaker 1>work for you, feeling that oh I'm worthless type of

2260
02:15:03.520 --> 02:15:06.279
<v Speaker 1>feeling and letting that just sit with you for months

2261
02:15:06.279 --> 02:15:10.640
<v Speaker 1>on end. It's such a true depiction of I mean,

2262
02:15:10.680 --> 02:15:14.720
<v Speaker 1>you can still do incredible things after that happened. Yeah,

2263
02:15:15.319 --> 02:15:18.479
<v Speaker 1>I love those scenes. It's just so real about that stuff.

2264
02:15:20.600 --> 02:15:22.560
<v Speaker 2>This is this is random thinking who's the guy who

2265
02:15:22.560 --> 02:15:27.000
<v Speaker 2>plays Who's like I've seen him, but.

2266
02:15:27.119 --> 02:15:30.880
<v Speaker 1>Let me see Oh man, Yeah he was. He was

2267
02:15:30.920 --> 02:15:31.840
<v Speaker 1>pretty damn funny.

2268
02:15:35.319 --> 02:15:38.640
<v Speaker 2>But I mean another thing too, like in terms of like,

2269
02:15:39.239 --> 02:15:42.159
<v Speaker 2>you know, direct action from the film. I am pretty

2270
02:15:42.199 --> 02:15:45.880
<v Speaker 2>immediately between this and actually that record, I held up

2271
02:15:45.960 --> 02:15:49.479
<v Speaker 2>Daughter of Swords. They did a music video that was

2272
02:15:49.600 --> 02:15:54.520
<v Speaker 2>green screen, and at like I was like I don't

2273
02:15:54.560 --> 02:15:56.439
<v Speaker 2>have a green screen. But I was like, wait a minute,

2274
02:15:57.279 --> 02:16:01.119
<v Speaker 2>my office is electric blue and that it used to

2275
02:16:01.159 --> 02:16:04.920
<v Speaker 2>be blue screens. So like I immediately it was like, yeah,

2276
02:16:05.239 --> 02:16:09.840
<v Speaker 2>I've it works, you got what you need. It does work.

2277
02:16:09.880 --> 02:16:13.000
<v Speaker 2>So it's fun to like be able to start getting

2278
02:16:13.039 --> 02:16:14.119
<v Speaker 2>start getting weird.

2279
02:16:14.560 --> 02:16:18.119
<v Speaker 1>Razahul was David leeb Heart. He did some of the

2280
02:16:18.159 --> 02:16:20.159
<v Speaker 1>Tim and Eric stuff, so like he was in the

2281
02:16:20.199 --> 02:16:23.600
<v Speaker 1>Tim and Eric's billion dollar movie. Gotcha.

2282
02:16:23.680 --> 02:16:24.960
<v Speaker 2>I haven't seen a lot of Tim and Eric, and

2283
02:16:25.000 --> 02:16:30.359
<v Speaker 2>I know that I fear Drew heavily was an editor

2284
02:16:30.439 --> 02:16:30.840
<v Speaker 2>for them.

2285
02:16:30.920 --> 02:16:34.840
<v Speaker 1>Yeah, a lot of that same feeling definitely went into

2286
02:16:34.840 --> 02:16:41.000
<v Speaker 1>this for sure. Any other influences or inspirations you want

2287
02:16:41.040 --> 02:16:43.479
<v Speaker 1>to bring up, because Hedwick is obviously a big one.

2288
02:16:45.639 --> 02:16:49.360
<v Speaker 2>Yeah, I mean the other movie that reminded me of

2289
02:16:49.680 --> 02:16:55.239
<v Speaker 2>is Edwoods Glenn or Glenda just in terms of like

2290
02:16:56.319 --> 02:17:01.239
<v Speaker 2>essay style format, and I tend to like movies like that,

2291
02:17:01.360 --> 02:17:05.040
<v Speaker 2>Like I think the other big movie that's like that

2292
02:17:05.079 --> 02:17:07.680
<v Speaker 2>to me, it's like Orson Wells f for fake. Yeah,

2293
02:17:07.719 --> 02:17:10.319
<v Speaker 2>I'm sure Edwood would love to be compared to Orson Wells,

2294
02:17:10.360 --> 02:17:16.040
<v Speaker 2>like just like in the movie. But uh yeah, because

2295
02:17:16.079 --> 02:17:18.280
<v Speaker 2>it's sort of like I don't know, just the way

2296
02:17:18.319 --> 02:17:23.399
<v Speaker 2>it's narrated and kind of broken down. So yeah, I

2297
02:17:23.440 --> 02:17:27.040
<v Speaker 2>saw its like glennar and Glenda plus plus Hedwig.

2298
02:17:27.559 --> 02:17:32.120
<v Speaker 1>Yeah, I could see that for sure. Again, Like the

2299
02:17:32.159 --> 02:17:37.200
<v Speaker 1>ip in this is hilarious. It is such a I

2300
02:17:37.239 --> 02:17:40.600
<v Speaker 1>don't know that in itself is such a middle finger

2301
02:17:40.639 --> 02:17:43.879
<v Speaker 1>to like modern filmmaking that I was on board from

2302
02:17:43.879 --> 02:17:45.879
<v Speaker 1>that first flash on the screen.

2303
02:17:47.000 --> 02:17:50.639
<v Speaker 2>Yeah, and literally and the one after it for Mom Angel.

2304
02:17:50.719 --> 02:17:55.360
<v Speaker 1>Yeah, when they're leaning into it with artwork like this,

2305
02:17:55.680 --> 02:17:59.239
<v Speaker 1>and you know the it's literally Harley Quinn and the

2306
02:17:59.360 --> 02:18:03.559
<v Speaker 1>Joker and all this stuff very purple and green. Well.

2307
02:18:03.559 --> 02:18:06.680
<v Speaker 2>The other thing too that it does, Like the thing

2308
02:18:06.680 --> 02:18:11.600
<v Speaker 2>that's cool about the movie is that, like, for as

2309
02:18:11.639 --> 02:18:14.639
<v Speaker 2>off the Wall as it is, it nails. I felt

2310
02:18:14.639 --> 02:18:17.319
<v Speaker 2>like everything that it has to nail, it nails. And

2311
02:18:18.079 --> 02:18:25.239
<v Speaker 2>like having all these like an insane amount of Batman references,

2312
02:18:25.280 --> 02:18:29.079
<v Speaker 2>but also like referencing, you know, from saying for Mom

2313
02:18:29.120 --> 02:18:33.040
<v Speaker 2>and Joel Schumacher, like referencing all the stuff about Batman

2314
02:18:33.200 --> 02:18:38.399
<v Speaker 2>that would appeal more to queer people, like bat nipples.

2315
02:18:40.159 --> 02:18:42.879
<v Speaker 2>And but when they're like, I forget the Mom says

2316
02:18:42.920 --> 02:18:46.799
<v Speaker 2>it's like, you know about going to the city and

2317
02:18:46.879 --> 02:18:49.920
<v Speaker 2>it's going to be on neon and leather and whatever,

2318
02:18:50.399 --> 02:18:56.879
<v Speaker 2>they're like, Okay, great, that sounds great. But I mean, yeah,

2319
02:18:56.879 --> 02:18:59.239
<v Speaker 2>there was just it kept like it kept catching me

2320
02:18:59.319 --> 02:19:02.319
<v Speaker 2>off guard. That's that's that's the best some of the

2321
02:19:02.319 --> 02:19:03.760
<v Speaker 2>best comedy in it, because it would just catch you

2322
02:19:03.799 --> 02:19:07.879
<v Speaker 2>off guard, like suddenly, like Robert Wall who is in

2323
02:19:07.920 --> 02:19:11.159
<v Speaker 2>the first Batman, appears as himself and like she just

2324
02:19:11.239 --> 02:19:14.079
<v Speaker 2>called him on cameo and tried to get him in

2325
02:19:14.120 --> 02:19:20.239
<v Speaker 2>the movie Amazing, which, like I wonder, Yeah, it's just

2326
02:19:20.239 --> 02:19:25.079
<v Speaker 2>such a like, I don't know, druggy scrappy way to

2327
02:19:25.280 --> 02:19:28.639
<v Speaker 2>like who's on, Like we need stars in this thing.

2328
02:19:29.280 --> 02:19:30.280
<v Speaker 2>Who's on Cameo?

2329
02:19:32.559 --> 02:19:35.760
<v Speaker 1>They include the cameo video with the cameo logo and everything.

2330
02:19:35.799 --> 02:19:41.239
<v Speaker 1>It's so funny. It's so funny, you know, off just

2331
02:19:41.319 --> 02:19:45.280
<v Speaker 1>off the cuff. What what's like a recent movie or

2332
02:19:45.479 --> 02:19:48.760
<v Speaker 1>or just a favorite movie that you think Vera Drew

2333
02:19:48.799 --> 02:19:50.520
<v Speaker 1>could have done a killer version of.

2334
02:19:51.360 --> 02:19:57.159
<v Speaker 2>Hmm, that's an interesting question. Hmm.

2335
02:20:02.000 --> 02:20:02.280
<v Speaker 1>I don't know.

2336
02:20:02.280 --> 02:20:04.520
<v Speaker 2>Well, I almost think like the other movie that it

2337
02:20:04.600 --> 02:20:08.920
<v Speaker 2>kind of reminds me of is so I guess this answer.

2338
02:20:08.920 --> 02:20:13.360
<v Speaker 2>There's nothing wrong with Barbie. Barbie's great, Greta Gerwig's Barbie,

2339
02:20:13.360 --> 02:20:15.360
<v Speaker 2>I mean, is great, but it's it's kind of similar

2340
02:20:15.360 --> 02:20:19.120
<v Speaker 2>in that it's like play like it's just one hundred

2341
02:20:19.120 --> 02:20:22.280
<v Speaker 2>percent license and costs a ship ton more. But even

2342
02:20:22.319 --> 02:20:25.440
<v Speaker 2>the end of Sorry for people who haven't seen it,

2343
02:20:25.440 --> 02:20:28.479
<v Speaker 2>but like the end of People's Choker is a very

2344
02:20:28.520 --> 02:20:32.760
<v Speaker 2>similar It wraps up in a very similar way to Barbie,

2345
02:20:33.399 --> 02:20:39.399
<v Speaker 2>where it's like kind of a little DISX machina, Yeah,

2346
02:20:40.200 --> 02:20:47.799
<v Speaker 2>missus whatever her name is. But I think like something like, yeah,

2347
02:20:47.799 --> 02:20:50.719
<v Speaker 2>I don't know if Lena Dunham was gonna make Polly Pocket.

2348
02:20:50.760 --> 02:20:52.399
<v Speaker 2>I mean I don't want ver Drew to make this,

2349
02:20:53.760 --> 02:20:55.639
<v Speaker 2>like I said, Like I just I don't like I

2350
02:20:55.719 --> 02:20:59.120
<v Speaker 2>love that. Like you know when when Sean Baker won

2351
02:20:59.200 --> 02:21:03.920
<v Speaker 2>for Anura, he's like confirming, He's like, I'm not gonna

2352
02:21:03.959 --> 02:21:07.840
<v Speaker 2>make a big budget, right garbage movie for a studio.

2353
02:21:07.840 --> 02:21:10.799
<v Speaker 2>I'm indie for a life. And that's why, Like he

2354
02:21:10.879 --> 02:21:13.719
<v Speaker 2>is the coolest and that was the coolest thing, you know,

2355
02:21:13.840 --> 02:21:16.520
<v Speaker 2>So I don't know what about you, because like again,

2356
02:21:16.559 --> 02:21:21.760
<v Speaker 2>like I think like the scope could increase, like right now,

2357
02:21:22.000 --> 02:21:23.440
<v Speaker 2>just throw her some money right now.

2358
02:21:23.600 --> 02:21:28.479
<v Speaker 1>And the first thing I thought, and this is this

2359
02:21:28.559 --> 02:21:31.200
<v Speaker 1>is funny because it is like a complete one eighty

2360
02:21:31.239 --> 02:21:33.120
<v Speaker 1>from this film. And I don't even know for sure

2361
02:21:33.120 --> 02:21:36.319
<v Speaker 1>if you've seen this movie for sorry, so sorry if

2362
02:21:36.520 --> 02:21:39.479
<v Speaker 1>I spoil any of this here for you. I thought

2363
02:21:39.479 --> 02:21:42.399
<v Speaker 1>of this, and when you know, she's she's nailing the

2364
02:21:42.479 --> 02:21:45.360
<v Speaker 1>comedic tone of something that is really difficult for a

2365
02:21:45.360 --> 02:21:48.559
<v Speaker 1>lot of people. I would love to see a take

2366
02:21:48.760 --> 02:21:51.239
<v Speaker 1>like this because it's so personal and done in a

2367
02:21:51.319 --> 02:21:55.559
<v Speaker 1>narrative fashion of Charlotte Wells's Aftersun, which is a favorite

2368
02:21:55.600 --> 02:21:58.319
<v Speaker 1>of mine from the last couple of years, and to

2369
02:21:58.440 --> 02:22:02.799
<v Speaker 1>tell a story that you see our main character as

2370
02:22:02.840 --> 02:22:07.159
<v Speaker 1>a grown female sitting essentially on her couch reminiscing about

2371
02:22:07.200 --> 02:22:09.760
<v Speaker 1>her dad at the start of this film, and then

2372
02:22:09.799 --> 02:22:13.959
<v Speaker 1>to go through this tragic backstory of the like essentially

2373
02:22:14.000 --> 02:22:19.000
<v Speaker 1>this last trip that they had together, something that personal

2374
02:22:19.079 --> 02:22:23.719
<v Speaker 1>for Vera Drew, I feel like could be just very

2375
02:22:23.760 --> 02:22:26.559
<v Speaker 1>in line with this story, but the opposite end of

2376
02:22:26.559 --> 02:22:29.719
<v Speaker 1>the emotional spectrum, done in a way that means so

2377
02:22:29.799 --> 02:22:33.159
<v Speaker 1>much to somebody and yet hurts rather than makes you

2378
02:22:33.440 --> 02:22:34.120
<v Speaker 1>crack a joke.

2379
02:22:34.399 --> 02:22:36.319
<v Speaker 2>Yeah, Well, did you ever see a Rabbit Hole by

2380
02:22:37.159 --> 02:22:38.159
<v Speaker 2>John Cameron Mitchell?

2381
02:22:38.719 --> 02:22:39.520
<v Speaker 1>No, I'm not yet.

2382
02:22:40.600 --> 02:22:46.760
<v Speaker 2>But that's like a really dark, dark drama that's like

2383
02:22:47.559 --> 02:22:51.239
<v Speaker 2>two movies after Hadwig nice and I mean it's it

2384
02:22:51.280 --> 02:22:54.120
<v Speaker 2>was good. It's like I don't want to go there.

2385
02:22:55.559 --> 02:22:57.360
<v Speaker 2>I don't want to go there again, so one one

2386
02:22:57.399 --> 02:23:00.000
<v Speaker 2>time watch. But that kind of yeah feels.

2387
02:23:02.440 --> 02:23:04.639
<v Speaker 1>I get it. Yeah, there's a lot of those movies

2388
02:23:04.719 --> 02:23:07.879
<v Speaker 1>that are great and I'm okay, I've never seen them again,

2389
02:23:11.000 --> 02:23:16.159
<v Speaker 1>totally fine. Yeah, People's Joker. Though highly recommended, I don't

2390
02:23:16.200 --> 02:23:19.479
<v Speaker 1>think it's like again, not like a masterpiece of cinema,

2391
02:23:19.600 --> 02:23:24.680
<v Speaker 1>but a unique and important entry into the twenty twenties.

2392
02:23:24.959 --> 02:23:27.719
<v Speaker 1>I think it's a movie that is going to stand

2393
02:23:27.719 --> 02:23:31.719
<v Speaker 1>the test of time in a really different way than

2394
02:23:32.040 --> 02:23:36.479
<v Speaker 1>we're used to seeing movies be essentially timeless. This is

2395
02:23:36.639 --> 02:23:42.479
<v Speaker 1>one that is so personal that it's there in perpetuity. Basically.

2396
02:23:44.040 --> 02:23:48.879
<v Speaker 2>I think that, Like, I saw a couple of knuckleheads.

2397
02:23:48.920 --> 02:23:50.360
<v Speaker 2>I can't remember their name, but I saw a lot

2398
02:23:50.399 --> 02:23:52.399
<v Speaker 2>of I was like, when I was looking up reviews

2399
02:23:52.399 --> 02:23:56.000
<v Speaker 2>of this, I saw some you know, I'm like, did

2400
02:23:56.000 --> 02:23:58.159
<v Speaker 2>the bad Thing where you're like her, what the haters say?

2401
02:23:58.559 --> 02:24:00.959
<v Speaker 2>And because because you just want to be like that's

2402
02:24:00.959 --> 02:24:05.799
<v Speaker 2>stupid and these I saw like one thing where people

2403
02:24:05.799 --> 02:24:10.040
<v Speaker 2>were talking about like, you know, they hated it. They

2404
02:24:10.040 --> 02:24:11.920
<v Speaker 2>were shitting on the shitting on the type of comedy.

2405
02:24:12.239 --> 02:24:16.520
<v Speaker 2>But then they were also like saying that, like, you know,

2406
02:24:16.600 --> 02:24:17.760
<v Speaker 2>if you want to do this kind of movie, why

2407
02:24:17.760 --> 02:24:20.280
<v Speaker 2>can't even be more like John Waters? Like John Waters

2408
02:24:20.360 --> 02:24:24.840
<v Speaker 2>made movie, makes movies for everybody, And I'm like, you

2409
02:24:24.879 --> 02:24:27.479
<v Speaker 2>are not remember, like you are misremembered. I was like,

2410
02:24:27.479 --> 02:24:31.079
<v Speaker 2>which which when are you talking about multiple maniacs ping flamingos, Like,

2411
02:24:32.000 --> 02:24:37.600
<v Speaker 2>I don't know, I think like people miss misremember that stuff,

2412
02:24:37.680 --> 02:24:41.040
<v Speaker 2>you know, especially after Like I'm sure, like that's all

2413
02:24:41.079 --> 02:24:43.600
<v Speaker 2>I want too is like for you know, Vera Drew

2414
02:24:43.680 --> 02:24:46.840
<v Speaker 2>later to have her hair spray and then eventually be

2415
02:24:46.879 --> 02:24:49.399
<v Speaker 2>an old woman on the cover of Good Housekeeping, just

2416
02:24:49.440 --> 02:24:50.920
<v Speaker 2>like John Waters.

2417
02:24:51.319 --> 02:24:54.600
<v Speaker 1>But yeah, that'd be great.

2418
02:24:54.840 --> 02:25:03.440
<v Speaker 2>I don't know, forget about forget about the haters, but.

2419
02:25:00.159 --> 02:25:02.479
<v Speaker 1>This was fun. This is something, you know, this is

2420
02:25:02.479 --> 02:25:04.120
<v Speaker 1>what I've wanted to watch ever since I got the

2421
02:25:04.120 --> 02:25:08.000
<v Speaker 1>Blue End from Diabolic when it went up from Altered Innocence.

2422
02:25:08.040 --> 02:25:12.159
<v Speaker 1>But again, shout out Frank Jaffey at Altered Innocence, who

2423
02:25:12.200 --> 02:25:18.159
<v Speaker 1>is choosing films that many many of these other distributors

2424
02:25:18.520 --> 02:25:23.559
<v Speaker 1>would never even take a chance on, and giving a

2425
02:25:23.559 --> 02:25:27.159
<v Speaker 1>shout out to films that are you know a lot

2426
02:25:27.159 --> 02:25:31.360
<v Speaker 1>of times like European and would play maybe one or

2427
02:25:31.360 --> 02:25:34.079
<v Speaker 1>two festivals here and never get a distributor and then

2428
02:25:34.120 --> 02:25:36.440
<v Speaker 1>never play again in the US ever and just die.

2429
02:25:37.079 --> 02:25:40.399
<v Speaker 1>And thanks to Frank, many of these are getting you know,

2430
02:25:40.440 --> 02:25:43.879
<v Speaker 1>released on to B they're getting physical releases, they're getting extras.

2431
02:25:44.840 --> 02:25:48.319
<v Speaker 1>Stuff that is important to archive. I mean a lot

2432
02:25:48.319 --> 02:25:51.280
<v Speaker 1>of these are just like the People's Joker, They are

2433
02:25:51.360 --> 02:25:54.520
<v Speaker 1>a personal to the director's story. This is the first

2434
02:25:54.799 --> 02:25:57.840
<v Speaker 1>story they've ever been able to make, and based on that,

2435
02:25:57.959 --> 02:26:00.239
<v Speaker 1>they're hoping to reach as many people as possible. And

2436
02:26:00.239 --> 02:26:03.159
<v Speaker 1>without Frank and working his ass off on these, who

2437
02:26:03.280 --> 02:26:07.360
<v Speaker 1>is essentially a one man show at Altered Innocence, He's

2438
02:26:07.719 --> 02:26:09.920
<v Speaker 1>killing it over there, absolutely killing it.

2439
02:26:10.680 --> 02:26:13.920
<v Speaker 2>Agreed. Oh, very very glad to get this release. It's

2440
02:26:13.920 --> 02:26:14.799
<v Speaker 2>an excellent release.

2441
02:26:17.239 --> 02:26:19.040
<v Speaker 1>I think that's it for the People's Joke or anything else.

2442
02:26:19.079 --> 02:26:19.559
<v Speaker 1>You want to share.

2443
02:26:20.760 --> 02:26:22.280
<v Speaker 2>One thing that was off topic that I was going

2444
02:26:22.360 --> 02:26:24.319
<v Speaker 2>to try to bring up sometime. Do you know about

2445
02:26:24.440 --> 02:26:25.360
<v Speaker 2>visions video?

2446
02:26:28.079 --> 02:26:30.399
<v Speaker 1>That sounds familiar? I can't plaice it though.

2447
02:26:30.559 --> 02:26:33.520
<v Speaker 2>So in this is one thing I wanted to let

2448
02:26:33.559 --> 02:26:37.040
<v Speaker 2>the people know about that, and just in general to

2449
02:26:37.120 --> 02:26:44.280
<v Speaker 2>be just like uplifting the good, interesting, cool shit. In Northampton, Massachusetts,

2450
02:26:45.920 --> 02:26:49.520
<v Speaker 2>we're from western mass We moved down to North Carolina

2451
02:26:49.520 --> 02:26:57.120
<v Speaker 2>while ago. In Northampton, mass there is a local art

2452
02:26:57.239 --> 02:26:59.600
<v Speaker 2>I think the dude who owns a local arcade is

2453
02:27:00.120 --> 02:27:02.959
<v Speaker 2>opening a video store. That took a lot to say.

2454
02:27:03.680 --> 02:27:07.520
<v Speaker 2>They're opening an actual video store and they have an

2455
02:27:07.520 --> 02:27:11.399
<v Speaker 2>account on Instagram. It seemed like perfect for to tell

2456
02:27:11.399 --> 02:27:13.559
<v Speaker 2>you about. I don't know why I'm I waited till

2457
02:27:13.600 --> 02:27:18.120
<v Speaker 2>this moment now because they seem like somebody you should

2458
02:27:18.120 --> 02:27:20.159
<v Speaker 2>probably have on your show. I don't know what their

2459
02:27:20.159 --> 02:27:24.239
<v Speaker 2>whole their whole board is like, but they're taking donations.

2460
02:27:24.600 --> 02:27:29.239
<v Speaker 2>They have a massed an incredible collection. If you look

2461
02:27:29.280 --> 02:27:34.639
<v Speaker 2>at it, there's they have vhs to like I think

2462
02:27:34.680 --> 02:27:38.040
<v Speaker 2>they had like some cinematograph releases. You know, they have

2463
02:27:38.200 --> 02:27:43.280
<v Speaker 2>like from vhs to four K and they're curating it

2464
02:27:43.360 --> 02:27:47.079
<v Speaker 2>and just people are that's again got to bring up

2465
02:27:47.079 --> 02:27:49.440
<v Speaker 2>will again. I'm like, God, will you have like ten

2466
02:27:49.520 --> 02:27:52.440
<v Speaker 2>thousand movies? Like, yeah, do you want to donate something

2467
02:27:52.440 --> 02:27:58.120
<v Speaker 2>to this place? I don't think, but like it's gonna

2468
02:27:58.120 --> 02:28:00.879
<v Speaker 2>be really cool, and I think again, it's just it's

2469
02:28:00.959 --> 02:28:05.040
<v Speaker 2>it's awesome to see a video store coming back. I

2470
02:28:05.040 --> 02:28:07.719
<v Speaker 2>know one of my friends, my friend Odie, who was

2471
02:28:08.000 --> 02:28:11.360
<v Speaker 2>here before, was like told me about this guy's idea

2472
02:28:11.360 --> 02:28:13.360
<v Speaker 2>a few years ago and I was like, that sounds

2473
02:28:13.959 --> 02:28:19.680
<v Speaker 2>too crazy, but it's happening, and it seems like the

2474
02:28:21.040 --> 02:28:24.000
<v Speaker 2>again like this and like this community, there's a lot

2475
02:28:24.040 --> 02:28:28.639
<v Speaker 2>of you know, everybody's like super into it and like

2476
02:28:29.680 --> 02:28:34.239
<v Speaker 2>helping out and it's gonna be amazing. I can't wait.

2477
02:28:34.280 --> 02:28:35.200
<v Speaker 2>I can't wait to visit it.

2478
02:28:35.280 --> 02:28:38.920
<v Speaker 1>So it is crazy right now that I think I'm

2479
02:28:38.959 --> 02:28:43.200
<v Speaker 1>aware of. I want to say, like three people in

2480
02:28:43.239 --> 02:28:47.360
<v Speaker 1>the process of opening up like boutique retailers or video

2481
02:28:47.399 --> 02:28:51.719
<v Speaker 1>stores or both or something. Night Al Video just opened

2482
02:28:51.760 --> 02:28:55.719
<v Speaker 1>up in New York City. Seems to be doing extremely well,

2483
02:28:55.799 --> 02:28:59.319
<v Speaker 1>like way better than they expected. Like they got a

2484
02:28:59.319 --> 02:29:02.879
<v Speaker 1>stack of via chess or VCRs the other day and

2485
02:29:03.280 --> 02:29:06.200
<v Speaker 1>sold out like within a couple hours of like six

2486
02:29:06.280 --> 02:29:08.479
<v Speaker 1>brand new or not brand new, but brand new to

2487
02:29:08.520 --> 02:29:09.200
<v Speaker 1>the store of things.

2488
02:29:09.760 --> 02:29:12.120
<v Speaker 2>Nice, ad you still here? Are you really? Are you

2489
02:29:12.159 --> 02:29:15.040
<v Speaker 2>really doing that? Are you really?

2490
02:29:16.559 --> 02:29:19.920
<v Speaker 1>They're part They're a part of it. Oh nice, so sweet,

2491
02:29:20.520 --> 02:29:24.239
<v Speaker 1>very nice. Yeah, So that's that's really cool. And speaking of,

2492
02:29:24.399 --> 02:29:25.879
<v Speaker 1>you know, trying to get them on my channel, one

2493
02:29:25.920 --> 02:29:29.840
<v Speaker 1>of these new boutique retailers is launching next month, so

2494
02:29:30.159 --> 02:29:34.040
<v Speaker 1>make sure you wait for We'll say Mother's Day, will

2495
02:29:34.079 --> 02:29:37.719
<v Speaker 1>be bringing you a present on this channel. I'll start

2496
02:29:37.760 --> 02:29:42.120
<v Speaker 1>teasing that. Now. There's there's so many cool things happening

2497
02:29:42.200 --> 02:29:46.600
<v Speaker 1>in this community and surrounding film and physical media. Still

2498
02:29:46.840 --> 02:29:50.079
<v Speaker 1>day to day in twenty twenty five. It's it's incredible,

2499
02:29:50.200 --> 02:29:52.440
<v Speaker 1>and one of those people adding to it is you.

2500
02:29:52.719 --> 02:29:53.399
<v Speaker 1>So thank you.

2501
02:29:54.239 --> 02:29:59.159
<v Speaker 2>Well, dude, you're the champ because honestly you were another

2502
02:29:59.200 --> 02:30:01.399
<v Speaker 2>one of those people. Man, I probably said to see

2503
02:30:01.399 --> 02:30:05.280
<v Speaker 2>you last time too, But like it's I've realized over

2504
02:30:05.280 --> 02:30:10.399
<v Speaker 2>the last year how much stuff is like actually attainable

2505
02:30:10.520 --> 02:30:13.040
<v Speaker 2>and doable. Like you're crazy, Like I said, you're crazy.

2506
02:30:13.120 --> 02:30:15.120
<v Speaker 2>I could never do this week after week after week

2507
02:30:15.159 --> 02:30:20.000
<v Speaker 2>after week. Like people need to like seriously commend you

2508
02:30:20.040 --> 02:30:24.639
<v Speaker 2>on how much hard work you do. But like I

2509
02:30:24.680 --> 02:30:26.399
<v Speaker 2>you know, when I saw you doing this, I was

2510
02:30:26.440 --> 02:30:29.959
<v Speaker 2>like I could get involved in this, and like I

2511
02:30:30.000 --> 02:30:32.440
<v Speaker 2>think that if there's like anybody, if there's anybody out

2512
02:30:32.440 --> 02:30:36.639
<v Speaker 2>there watching, you know, that's that's like part of what

2513
02:30:36.680 --> 02:30:39.520
<v Speaker 2>I did to go back to like Phantom Brother and

2514
02:30:39.719 --> 02:30:43.760
<v Speaker 2>extras and why I think that, Like I'm very happy

2515
02:30:43.760 --> 02:30:46.879
<v Speaker 2>with the extras on there is because like if they

2516
02:30:46.920 --> 02:30:49.680
<v Speaker 2>connect with one person, like the best extras I see

2517
02:30:49.680 --> 02:30:53.000
<v Speaker 2>are things that make me go, I'm getting like you

2518
02:30:53.000 --> 02:30:58.040
<v Speaker 2>know what, I'm getting involved, like and I'm hoping that

2519
02:30:58.479 --> 02:31:00.799
<v Speaker 2>the like small slice of people who buy shoe string

2520
02:31:00.840 --> 02:31:04.239
<v Speaker 2>slashers and then watch Phantom brother, and then want to

2521
02:31:04.280 --> 02:31:06.840
<v Speaker 2>know more about fandom brother, like I think, I think

2522
02:31:06.840 --> 02:31:09.760
<v Speaker 2>there's some inspiring stuff on there, but there's inspiring stuff everywhere.

2523
02:31:09.799 --> 02:31:13.879
<v Speaker 2>So yeah, as long as if people are open to

2524
02:31:13.920 --> 02:31:14.360
<v Speaker 2>it so.

2525
02:31:16.079 --> 02:31:19.399
<v Speaker 1>Well, I mean, as usual, just like I did for John,

2526
02:31:19.399 --> 02:31:24.120
<v Speaker 1>if anybody has any questions or wants help with what

2527
02:31:24.200 --> 02:31:27.600
<v Speaker 1>to do, you know, next steps or some ideas, or

2528
02:31:28.040 --> 02:31:30.319
<v Speaker 1>pitch an idea and get some feedback on it. I

2529
02:31:31.239 --> 02:31:33.559
<v Speaker 1>pride myself and being super approachable, so if I can

2530
02:31:33.600 --> 02:31:35.920
<v Speaker 1>help you with anything, I will do my best too.

2531
02:31:37.319 --> 02:31:40.280
<v Speaker 1>John has been the same way for me. I can't

2532
02:31:40.280 --> 02:31:43.040
<v Speaker 1>say anything else about it, but here I don't know

2533
02:31:43.079 --> 02:31:45.159
<v Speaker 1>what it was. Two and a half weeks ago, I

2534
02:31:45.200 --> 02:31:48.079
<v Speaker 1>sprung something on John and Will at the same time

2535
02:31:48.200 --> 02:31:50.799
<v Speaker 1>that anybody else would have been like, huh, we can't

2536
02:31:50.840 --> 02:31:53.840
<v Speaker 1>do that. And we pulled something pretty incredible off in

2537
02:31:53.879 --> 02:31:56.399
<v Speaker 1>just a couple of days. And if it doesn't happen,

2538
02:31:57.200 --> 02:32:01.200
<v Speaker 1>I'm assuming that we'll be sharing it everywhere. But it

2539
02:32:01.319 --> 02:32:04.159
<v Speaker 1>was so cool to be able to just have fun

2540
02:32:04.280 --> 02:32:05.639
<v Speaker 1>and create something with you and Will.

2541
02:32:06.440 --> 02:32:08.760
<v Speaker 2>Well. I enjoyed it very much, and I'm definitely like,

2542
02:32:08.760 --> 02:32:11.680
<v Speaker 2>if I'm supposed to be doing something and somebody's like,

2543
02:32:11.719 --> 02:32:14.879
<v Speaker 2>can you do this like more fun creative thing for

2544
02:32:15.040 --> 02:32:18.040
<v Speaker 2>two days straight, I'm usually gonna say yes. That's part

2545
02:32:18.040 --> 02:32:20.639
<v Speaker 2>of the thing I've been saying yes. I've just been

2546
02:32:20.719 --> 02:32:23.479
<v Speaker 2>like in a the good kind, the good kind of

2547
02:32:23.520 --> 02:32:28.040
<v Speaker 2>yes man, Yeah, sure, yeah, I'll do it, and hopefully

2548
02:32:28.079 --> 02:32:33.639
<v Speaker 2>I actually can, but yeah, it's very fun.

2549
02:32:34.479 --> 02:32:37.799
<v Speaker 1>On that note, a in a sheer vulnerable moment, like

2550
02:32:37.959 --> 02:32:41.719
<v Speaker 1>the People's joker, for myself, I will shout out that

2551
02:32:42.159 --> 02:32:44.040
<v Speaker 1>one of the things that I was super worried about

2552
02:32:44.040 --> 02:32:47.280
<v Speaker 1>happening with my job happened this week, and I'm kind

2553
02:32:47.319 --> 02:32:50.559
<v Speaker 1>of worried about the immediate future for myself. So if

2554
02:32:50.600 --> 02:32:53.520
<v Speaker 1>you wanted to help support the channel, not trying to

2555
02:32:53.559 --> 02:32:55.040
<v Speaker 1>guilt trip anybody, but no, that would be a great

2556
02:32:55.040 --> 02:32:58.159
<v Speaker 1>time to join the Patreon jumping the discord. The link

2557
02:32:58.239 --> 02:33:00.399
<v Speaker 1>is the description below. It's a it's going to be

2558
02:33:00.440 --> 02:33:04.760
<v Speaker 1>an interesting time of flux or transition in multiple ways

2559
02:33:04.840 --> 02:33:07.639
<v Speaker 1>and in my life, and we'd love to having the

2560
02:33:07.639 --> 02:33:11.600
<v Speaker 1>discord to have conversations like this. I mean literally, while

2561
02:33:11.639 --> 02:33:14.040
<v Speaker 1>we were talking about some of this, I was discussing

2562
02:33:14.079 --> 02:33:16.680
<v Speaker 1>with somebody in the discord about something else, helping them

2563
02:33:16.680 --> 02:33:19.639
<v Speaker 1>with something else. So all of these conversations happen all

2564
02:33:19.680 --> 02:33:22.079
<v Speaker 1>day long, all night. I wake up quite often to

2565
02:33:22.760 --> 02:33:25.639
<v Speaker 1>literally like forty brand new messages from people just being

2566
02:33:25.680 --> 02:33:28.239
<v Speaker 1>cool with each other all night in the discord. It's

2567
02:33:28.280 --> 02:33:31.520
<v Speaker 1>like one of my literally my favorite community out there online.

2568
02:33:31.680 --> 02:33:34.799
<v Speaker 1>So check it out. We'd love to have you other

2569
02:33:34.799 --> 02:33:36.719
<v Speaker 1>stuff that you can get on the Patreon. I hope

2570
02:33:36.840 --> 02:33:39.000
<v Speaker 1>is worth it for a lot of people. I'm sending

2571
02:33:39.000 --> 02:33:42.040
<v Speaker 1>some stuff out this week to others and just doing

2572
02:33:42.079 --> 02:33:44.559
<v Speaker 1>my best to try to bring everybody together. That's the

2573
02:33:44.879 --> 02:33:48.879
<v Speaker 1>least I can do. So thank you, John, Thank you.

2574
02:33:49.639 --> 02:33:52.479
<v Speaker 1>This has been an incredible week, a conversation that I

2575
02:33:52.760 --> 02:33:54.959
<v Speaker 1>don't think I could have had with somebody else. I

2576
02:33:55.000 --> 02:33:58.440
<v Speaker 1>think that this was important, and I'm glad that it's

2577
02:33:58.440 --> 02:34:01.000
<v Speaker 1>on my channel and not somebody else's because I could

2578
02:34:01.000 --> 02:34:01.600
<v Speaker 1>be proud of that.

2579
02:34:02.760 --> 02:34:07.239
<v Speaker 2>Well cool again, like it is just good to watch

2580
02:34:07.280 --> 02:34:10.840
<v Speaker 2>the same movie as your friends. So thank you very

2581
02:34:10.879 --> 02:34:13.120
<v Speaker 2>much for checking that out. And I hope it's not

2582
02:34:13.200 --> 02:34:15.680
<v Speaker 2>a talked I don't think it's a talk to death movie,

2583
02:34:15.680 --> 02:34:18.360
<v Speaker 2>but then again, it's oh who knows.

2584
02:34:18.719 --> 02:34:20.639
<v Speaker 1>Yeah, I think this one is going to go under

2585
02:34:20.680 --> 02:34:23.239
<v Speaker 1>a lot of radars for some years and then probably

2586
02:34:23.239 --> 02:34:27.440
<v Speaker 1>have a pretty massive cult following. I would agree.

2587
02:34:27.479 --> 02:34:28.079
<v Speaker 2>I would agree.

2588
02:34:28.120 --> 02:34:31.239
<v Speaker 1>So on that note, get the People's Joker, have a

2589
02:34:31.280 --> 02:34:34.280
<v Speaker 1>good night, be safe, and we'll see you next Thursday

2590
02:34:34.319 --> 02:34:37.719
<v Speaker 1>with the Doctor himself and everybody. Remember next week till

2591
02:34:37.760 --> 02:34:42.000
<v Speaker 1>will happy late birthday, have a good weekend. We'll see

2592
02:34:42.040 --> 02:34:46.719
<v Speaker 1>you then. Thank you for watching The Disconnected. On the

2593
02:34:46.719 --> 02:34:49.079
<v Speaker 1>way out, make sure that you are subscribed to the channel,

2594
02:34:49.280 --> 02:34:51.440
<v Speaker 1>that you've liked the video, and that you've copied the

2595
02:34:51.440 --> 02:34:53.040
<v Speaker 1>link to be able to share with someone else that

2596
02:34:53.079 --> 02:34:53.879
<v Speaker 1>may appreciate this.

2597
02:34:57.600 --> 02:35:21.120
<v Speaker 2>Me unknown
