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Speaker 1: W m n H rip the novels.

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Speaker 2: You're listening to Matt Connorton Unleashed on w m.

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Speaker 3: N H ninety five point three and now the world

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radio premiere of the new single from Yon Man. He

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is covering the Stone Roses classic The Sun Still Shines.

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Speaker 4: She said, ewa.

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Speaker 5: From the Sun Stan Sun stand.

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Speaker 6: So shut behind the wall, you whom wall.

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Speaker 1: But now.

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Speaker 4: Since study flat.

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Speaker 1: Process this.

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Speaker 6: We sing.

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Speaker 4: From Stan.

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Speaker 1: Song stand so so so.

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Speaker 4: So so.

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Speaker 1: So stays.

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Speaker 5: Song ste song stand Star back.

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Speaker 1: Remember you want to say no, I want to listen

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side going sis.

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Speaker 7: Not sense.

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Speaker 1: We love l I canna tell your own back. But

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you got that time and knocking. That ain't a job.

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You're knocking. They're the baby mas kabouts. You're not a base.

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You're telling the family to touch shock. That's not it's

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a change. Change. You're about the bab You're good the

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bam oh. You may not have a base. Something chock.

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Speaker 8: Gotta show up a group that is in your walk.

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It's all pretty then sad you tea anyway ing those

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boots coming.

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Speaker 1: You your own names, y'all love blah blah blah to

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my names.

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Speaker 5: You're telling about the bag song as Brady as a

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can in a change. You don't love them the lady

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y'all't love.

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Speaker 1: The Brady full the song you move going uptown stage

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and your mom is so small that Sunday and see

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you hang it down the back.

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Speaker 5: You've got men all and like all tack. You're that

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you the bay ma up a boot to my fames.

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You tell me about you can t shine as red

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as a ta change. You're locking the baby umba boot

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to my maids. You're telling bad don't shine. That's red

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as a Tina change.

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Speaker 1: When you're baby. You'll love your baby. You'll love it.

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I love it.

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Speaker 7: That is Aorta baby. The band is Euphemia, and we've

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got a couple members of the band here with us

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live and studio. We're gonna be talking with them in

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just a moment. But I love that song. As I

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like to say, if that doesn't get you moving, check

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your pulse, you might be dead because that is really

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really catchy. I love that and looking forward to talking

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with them. And if you aren't listening live on Saturday.

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Today is October twenty five, twenty twenty five. This is

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Matt Connorton Unleashed, and we have entered our number three

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Numarrow trace of the live show live from the studios

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of wm NH ninety five point three FM and Glorious Manchester,

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New Hampshire, and of course you can stream the show

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from anywhere. Go to Matt connorton dot com slash live

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for all your live streaming options, social links, contact info,

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show archives, et cetera, et cetera. But right now we

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have Gina and Brian here from the band UPHEMEA. Welcome, Hello,

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wonderful to have you here. I've been looking forward to

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this because I really love sent me a bunch of

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songs and I love all of them. Thank you. Just

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catchy as hell, so so good. So what do you

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each do in the band? I mean, Gina, I assume

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that's you singing.

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Speaker 9: That's me singing, and I'm the songwriter as well. Okay,

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I didn't write that song. Oh that's the only song

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on the album I did not write. That was by

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my late great father Kiit Brown. Oh okay, musician as well.

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Speaker 7: Oh wow, okay, okay. And what do you do to

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in the band?

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Speaker 10: Brian? I play guitar and sing backup vocals.

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Speaker 7: Excellent, excellent. And who else is who's not with you? Today,

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I assume are you a four piece? You're a five piece? Okay?

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Speaker 9: Sometimes a six piece?

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Speaker 7: Oh wow.

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Speaker 9: So we have Josh Dover on drums, Brian who Let

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on guitar as well, and Ryan Monario.

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Speaker 7: On bass okay yep, and then who six person.

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Speaker 9: So sometimes we have my best friend Ellen who comes

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and sings background vocals with us to kind of fill

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it out a little bit.

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Speaker 7: Oh, very good, very good, and we should mention too.

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So you came to us through Vice's Inc. Yes, Jagger

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recommended you, and you know we love Vice's Inc. Absolutely,

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they're so sweet. Yeah. So you're from you're from Portland

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as well?

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Speaker 9: Portland?

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Speaker 7: Yeah, okay, okay, yeah, great scene there. There's always a

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lot going on there. It's been that way forever too.

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Speaker 1: Yeah.

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Speaker 9: Oh yeah, it's a great music scene and there's a

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lot of rock and roll and punk and just music

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people aren't really tapped into in other parts of me

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and that you wouldn't really know about unless you're in Portland,

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and it's really special.

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Speaker 7: That's true. Yeah, yeah, very true. So where's the name

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come from? Euphemia?

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Speaker 9: Euphemia is the name of my great grandmother. My dad's said, yeah, okay,

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I never met her, but I always thought it was

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such a cool name. And yeah, I know it's kind

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of like ambiguous and people are like, what does that mean?

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Speaker 11: Is it?

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Speaker 9: Is it like euphemia like feminism? And I'm like, no,

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it's just just a woman's name.

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Speaker 7: Yeah, and I was, and I wasn't sure. You know,

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we'll pull back the curtain to tell the listeners. I

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had to ask you before because I was sure, you know,

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because I've been talking about it, you know, leading up

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to today. But I wasn't sure if I was saying

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it right or yeah, and I was not saying it right.

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I assumed it was you, so I was saying it wrong.

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Speaker 11: Totally cool.

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Speaker 7: Does it ever get misspelled like on posters or anything

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like that?

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Speaker 9: For we usually have to make the posters.

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Speaker 7: Yeah, yeah, just as well. Right, Yeah, I can see.

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So how long has the band been around? Has a

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band been around a while, because you got a lot

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of music.

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Speaker 9: Yeah, I mean we've been a band since twenty thirteen.

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Oh okay, we just joined Instagram in twenty twenty four,

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so a lot of Oh okay, we've only been around

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for like a year. Oh but no, we've been around

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since twenty thirteen.

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Speaker 7: Okay, yeah, probably not the same lineup all the time.

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I wouldn't think.

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Speaker 9: Myself, Brian and my husband Josh, who's our drummer. We've

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all been in the band since twenty thirteen, but we've okay,

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a little bit of change up with our bass player

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and other guitar player.

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Speaker 7: Okay, okay, But so the three of you you have

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been the core, like the kind of the nucleus of it.

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Speaker 4: Yeah.

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Speaker 7: How do you describe your sound because you're not you know,

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it's not conventional. You know, it's not it's not metal,

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it's not punk, it's not I mean what I mean

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you describe us?

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Speaker 9: I think about the song and.

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Speaker 7: Everyone always say it's this question, but yeah, but yeah

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for someone who's never heard you.

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Speaker 9: For me, I just describe it as rock and roll.

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Speaker 7: Yeah.

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Speaker 9: Yeah, Like I'm a big fan of all different sorts

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of music, but for me, it just sounds like pure

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rock and roll, yeah, with the punk undertones to it.

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But yeah, for me, it's just rock and roll.

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Speaker 4: Yeah.

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Speaker 12: Yeah.

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Speaker 7: And the songs are the length of punk songs. Yeah,

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they are a lot of them. That's the longest one.

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So A Order Baby is three p fifty nine. But

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I think of everything you said, that's the uh?

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Speaker 11: Is that?

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Speaker 7: Is that a full album?

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Speaker 4: Is that?

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Speaker 7: Yep? These are all part of Okay.

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Speaker 9: That's the Yeah. We put our self titled album in

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April of twenty twenty four and ten songs on. It's

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twenty five minutes long. Yeah, yeah, all kill no filler.

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Speaker 7: Oh that's funny. Yeah, it's only twenty five minutes. But yeah,

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that makes sense giving the uh yeah yeah, now what

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so is that by design? I mean, do you just

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prefer short songs? Or there was somebody who was it.

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There was somebody who said, uh, they just it's like

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that express. Well there's that expression, don't borius get to

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the chorus. But there's there was somebody else I can't

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remember who it was, what band, I'm drawing a blank

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now who said it's really important to you know, if

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you want to hook somebody into the song you've got,

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you've at least got to get to that first chorus

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fairly quickly. Yeah, and so that ends up making for

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a short song. But I mean, is that something you

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set out to do or does that just happen organically

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when you're writing these.

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Speaker 9: It kind of just happens organically. I'm just you know,

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usually alone in my room writing these, and I say

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what I need to say, Yeah, try to at least

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get through a couple verses and choruses and then a

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turnaround usually, but it's usually just like does it need

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it or not?

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Speaker 7: Yeah? Yeah.

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Speaker 9: If I've said what I needed to say and it's

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sounding good, I kind of just leave it there. Yeah,

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I'll take it to practice and show the guys, and

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they're really good at arranging them with me and kind

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of like editing with me, saying we need a little

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bit more or less or this part isn't working, so

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we kind of like all work it out together.

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Speaker 7: Yeah. Yeah, is a order?

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Speaker 1: Baby?

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Speaker 7: Is that the longest song you've ever recorded as a band?

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Speaker 9: I think so today?

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Speaker 11: Yeah?

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Speaker 9: Yeah, yeah, I think so.

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Speaker 7: Yeah.

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Speaker 4: Yeah.

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Speaker 7: Now, so this is so this is from a full

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length album? Do you have other like what else have

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you recorded? Because obviously you know you've been around for

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so I'm not going to math that's twelve years, right, yeah,

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twenty thirteen. Yeah, so I assume you've probably recorded quite

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a bit over the year as well.

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Speaker 9: We haven't. We recorded this album in twenty nineteen, yeah,

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and it took me almost five years to get it

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out because it was like a lot of things happened

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when we recorded it. I was pregnant with my daughter

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and I recorded it, and then COVID happened in twenty twenty,

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so we weren't able to go into the studio and

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mix it. And then my dad passed away in twenty

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twenty one, so it was like this series of circumstances

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where I couldn't think about touching it, you know what

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I mean. I like mixing it, and we weren't quite

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happy with the mix right away, so it was we

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just kind of put it on the backshelf for a while,

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and then we finally put it in Gears in October

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of twenty twenty three, got it out by April of

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twenty twenty four.

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Speaker 7: Yeah.

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Speaker 9: So yeah, that's really all we have recorded for a

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full length. And we have a single called Blah Blah

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Blah that we released in July of this year, which

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is only like a minute and a half.

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Speaker 7: Oh really yeah, yeah, yeah, So we have that full.

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Speaker 9: Length album in that single, and hopefully we'll be back

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in the studio this winter. Oh record our second album.

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Speaker 7: Oh excellent, excellent, Yeah, yeah, I was talking with in

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the first hour we had the band Rivia, who were

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in the UK. They joined us via WhatsApp and I

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was telling them about how in this where we are,

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at least in the Northeast here in the US, a

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lot of bands kind of take winter to record because yeah,

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that's the worst time to go out and play shows. Winter.

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Speaker 9: Yeah, yeah, nobody wants to come out. There's parking bands.

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Speaker 7: Yeah it's fun. Yeah yeah.

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Speaker 9: Yeah.

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Speaker 7: Did your father get to hear a orda Baby?

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Speaker 11: He did.

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Speaker 9: He actually played lead guitar on it, no kidding, him

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playing lead guitar and background vocals with me.

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Speaker 7: Oh that's so cool.

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Speaker 9: He came in the studio, he was well enough to

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do that. We really just wanted to do it as

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a tribute to him because he wasn't well at the time. Yeah,

248
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he laid down like the meanest guitar solo I think

249
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on that record. Yeah, no events to you, Brian, You're

250
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so amazing too. But oh my gosh, that every time

251
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I hear it, it just gives me chills take no kidding,

252
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really yeah, wow, so good. He was just the best,

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and and he got to hear it before he passed

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as a mix as well.

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Speaker 7: So oh that's great. Yeah, that's good.

256
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Speaker 4: Is that.

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Speaker 7: So obviously you know growing up with your dad who

258
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is a musician, Is that what why you became a musician?

259
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Speaker 1: Yeah?

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Speaker 9: I started out playing farfeza organ in his band that

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they were called the Pontiffs when I was fourteen years old,

262
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no kidding, Yeah, so I joined his band in nineteen

263
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ninety eight, and that was kind of like my introduction

264
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to the music wow Portland, outside of always hearing music

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in my house and yeah, growing up playing I played

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classical violin growing up. Okay, yeah, I've always like having

267
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a dad who is basically a encyclopedia of knowledge for

268
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music was really helpful to like introduce me to all

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different genres and writers and styles and no.

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Speaker 7: Doubt, Yeah, yeah that's cool. Yeah yeah. What about your Brian,

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did you grow up in a musical family or.

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Speaker 10: Kind of My mom kind of met my dad by

273
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playing guitar on an Air Force base. Oh no kidding, uh,

274
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and then I kind of got my musical talent from her,

275
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but she used to play guitar at home sometimes. Oh,

276
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but it wasn't until like high school that I started playing,

277
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like learning guitar and figuring out what I wanted to

278
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do with music and stuff.

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Speaker 7: Yeah, yeah, oh excellent. Did did you play in bands

280
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prior to Euphemia.

281
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Speaker 10: Or yeah, a few local bands in Portland. I've been

282
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playing wow since like two thousand and one. Okay, really

283
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here and there bands the fall kind of dissolved at

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this point.

285
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Speaker 7: Yeah, yeah, yeah, what's that? What's the scene like? And

286
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they're currently In terms of venues, are there a lot

287
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of places to play original music?

288
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Speaker 9: There are a few places to play.

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Speaker 7: Because I feel like just my impression is just from

290
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like talking to bands like Vices for example, that does not. Unfortunately,

291
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right now, there's not as many original places to play

292
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as there used to be everywhere.

293
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Speaker 9: But no, you're right, you're right there, there's a few.

294
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There's always a couple of staples that we play at

295
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that the owners are always great. We're so grateful they

296
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let us play there because it's very hard to to

297
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ask for gigs around Portland if you're not established. Yeah,

298
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but bands that are up and coming, how do you

299
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get established if no one will let.

300
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Speaker 7: You play, right exactly. Yeah, that's always the it's kind of.

301
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Speaker 9: A catch twenty two. So we're really grateful that we

302
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kind of have a little bit of notoriety now. So

303
00:19:19,519 --> 00:19:21,960
it's nice. Hard to get gigs and people are asking

304
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us to play, so it's that's good, that's really nice.

305
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Speaker 7: Yeahah yeah. I mean it's kind of like the way

306
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I've always thought of it is, you know, it's like

307
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just trying to get over that hump of when you

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get to the point where people are asking you to play,

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you know, and you still got to you still got

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to do the work of getting you know, in the

311
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new places and stuff. But but once you but once

312
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you get over that hump where you know, not not

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every show is one that you're begging for, but you're

314
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people are actually coming to you saying, hey, can you

315
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you know you want to play this? That's the sweet Yeah, yeah, exactly,

316
00:19:50,000 --> 00:19:53,279
yeah exactly. I think we should play another track from

317
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the album what uh what should we play next? Let's

318
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play Magic Magic? I like that one, like that when

319
00:20:00,440 --> 00:20:03,759
that one clocks in at a minute forty six great

320
00:20:03,839 --> 00:20:06,319
song though. I like all these I was listening to

321
00:20:06,359 --> 00:20:08,839
them yesterday and just just so all all so good.

322
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You absolutely if you're just joining us, we have a

323
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Gina and Brian from the band Euphemeia here with us

324
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in studio and let's check this out. This is called magic.

325
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Speaker 1: When you.

326
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Speaker 13: Inside it does not take up you take when I'm looking,

327
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so you won't know what staycause.

328
00:21:00,119 --> 00:21:09,359
Speaker 5: N Jack Gotpeal. It is my Jick got feel. It

329
00:21:09,720 --> 00:21:16,200
is my Jack Gotel. And it is my Jack dopeal.

330
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It is my Jack Cope. It is Majic got feel. Wow,

331
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it is Majieal.

332
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Speaker 1: And it's my jigot Bee.

333
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Speaker 7: That is a song is so short. I wasn't ready

334
00:22:06,000 --> 00:22:09,480
for atten no, but I was in a good way though.

335
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I mean I was getting lost in it. It's so good.

336
00:22:11,160 --> 00:22:14,079
It's so catchy. Absolutely, that is called Magic. And the

337
00:22:14,119 --> 00:22:17,000
band is Euphemia. And we have a Gina and Brian

338
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from the band Euphemia here with us in studio. And

339
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now where did you record these? You might have mentioned it.

340
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I can't remember it. There's so many great studios around.

341
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Where did you do the album?

342
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Speaker 9: We did it with a person named Scott Weber at

343
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Pigcat Studios, Okay, and it's over by the Riverside area

344
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of Portland, Okay.

345
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Speaker 11: Yeah.

346
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Speaker 7: And how did you come to work work with him?

347
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Because there's so many You know, what's funny is if

348
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you go back ten years or ever and twenty years

349
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a lot of people were predicting the end of the

350
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recording studio, you know what I mean, because you can

351
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record at home now and there's so many different ways

352
00:22:50,680 --> 00:22:54,079
to record and the technology. It's amazing what you can do,

353
00:22:54,440 --> 00:22:56,359
you know, on your own as far as recording now.

354
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But recording studios are still thriving, and there's there's a

355
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lot of them. I know in the Portland area there

356
00:23:02,799 --> 00:23:04,799
must be a ton. So how did you come to

357
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work with uh with?

358
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Speaker 9: What was his name again, Scott Weber?

359
00:23:07,480 --> 00:23:09,119
Speaker 7: Scott Weber? How did you come to work with him?

360
00:23:09,200 --> 00:23:11,200
Speaker 9: I let Brian take the leak because he's friends with him.

361
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Speaker 1: Oh.

362
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Speaker 4: Perfect.

363
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Speaker 10: We were in a band together called four Player co Op. Okay, Tim,

364
00:23:17,200 --> 00:23:19,359
his brother was in the band with us for a

365
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long time, and then eventually Scott joined and we used

366
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to rehearse in that studio that they recorded. So yeah,

367
00:23:27,519 --> 00:23:29,599
when we came time to record, I was like, hey,

368
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I know a guy so yeah, oh that's cool.

369
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Speaker 7: Yeah, because you know, I mean situations where it you know,

370
00:23:36,359 --> 00:23:37,880
it ends up, you know, I know a guy that

371
00:23:37,920 --> 00:23:42,119
doesn't always work out great, but in this case it

372
00:23:42,160 --> 00:23:44,960
certainly did because the album sounds fantastic. Yeah.

373
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Speaker 9: Yeah, he was great, and we recorded it in like

374
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two and a half days. It was like Friday through

375
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a Sunday.

376
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Speaker 7: Yeah, it's amazing.

377
00:23:51,519 --> 00:23:53,440
Speaker 9: Yeah, we went back in to do like I was

378
00:23:53,480 --> 00:23:55,759
sick at the time when we recorded, so yeah, I

379
00:23:55,920 --> 00:23:58,240
had to go back in and do vocals like at

380
00:23:58,279 --> 00:24:01,519
a different time for most of them. Yeah, Aora we

381
00:24:01,599 --> 00:24:03,400
did on the first day and we kept it one take.

382
00:24:03,440 --> 00:24:04,720
Speaker 7: Oh wow, that's awesome.

383
00:24:04,799 --> 00:24:08,960
Speaker 9: Yeah but yeah, no, it was like he's super efficient

384
00:24:09,200 --> 00:24:11,720
with everything. Yeah, and it just it took me a

385
00:24:11,799 --> 00:24:14,000
long time with the mixing because I'm just really picky,

386
00:24:14,119 --> 00:24:17,480
but really yeah. Yeah, but yeah, No, he was amazing

387
00:24:17,599 --> 00:24:19,480
and we can't wait to work with him again. He

388
00:24:19,559 --> 00:24:23,519
also plays drums for East End Redemption and records them

389
00:24:23,720 --> 00:24:25,440
at his studio too, and they're fantastic.

390
00:24:25,640 --> 00:24:28,440
Speaker 7: Oh okay, yeah, okay yeah yeah. And then what's the

391
00:24:28,799 --> 00:24:31,359
live situation? Like we talked about venues, but I mean,

392
00:24:31,440 --> 00:24:34,160
how like, are you playing out a lot in Portland?

393
00:24:34,240 --> 00:24:35,160
Do you get out of that area?

394
00:24:35,359 --> 00:24:37,599
Speaker 9: We have been, Yeah, we we've been getting out of

395
00:24:37,640 --> 00:24:40,359
Portland more this year, I would say good. We played

396
00:24:40,400 --> 00:24:45,480
in Dover for Vices Fest for Advices in't put on, Yeah,

397
00:24:45,720 --> 00:24:47,920
and we played or else do we played. We played

398
00:24:47,960 --> 00:24:51,359
in Lewiston at their Arts center that they have there.

399
00:24:51,480 --> 00:24:52,319
That was really cool.

400
00:24:52,599 --> 00:24:57,039
Speaker 7: Yeah. And Boston good good, yeah, yep, excellent.

401
00:24:57,640 --> 00:24:57,839
Speaker 4: Yeah.

402
00:24:58,079 --> 00:25:01,240
Speaker 7: I would think with your sound, I mean there's there's

403
00:25:01,279 --> 00:25:03,079
a lot of that would open up a lot of

404
00:25:03,160 --> 00:25:06,039
opportunities because it's very you know, it's accessible. You know

405
00:25:06,160 --> 00:25:10,119
it's Oh, Mike Hill from Charlie Hill is in the

406
00:25:10,160 --> 00:25:12,920
Chatterman says, we love original music on the Hill. Have

407
00:25:13,039 --> 00:25:14,000
you played Charlie Shill?

408
00:25:14,119 --> 00:25:14,519
Speaker 4: We have not.

409
00:25:14,920 --> 00:25:17,440
Speaker 7: Yeah, we Jenny and I have not been there, but

410
00:25:17,599 --> 00:25:20,440
we hear about it constantly. Apparently it's a pretty amazing venue.

411
00:25:20,559 --> 00:25:22,920
So and and I think I think we're gonna get

412
00:25:22,960 --> 00:25:26,359
Mike on the show soon too, because someone else was

413
00:25:26,359 --> 00:25:28,839
suggesting we get we get Mike on from Charlie's Hill.

414
00:25:28,960 --> 00:25:31,640
But are there are there other bands in the I mean,

415
00:25:31,680 --> 00:25:33,240
I don't know. Do you play with Vice's Inc. On

416
00:25:33,359 --> 00:25:35,400
a Sometimes bands kind of team up, you know, it

417
00:25:35,480 --> 00:25:38,039
happens organically. You just end up playing a lot of shows.

418
00:25:38,079 --> 00:25:39,480
Do you play a lot of shows with Devices Inc?

419
00:25:39,519 --> 00:25:40,160
Or a lot?

420
00:25:40,200 --> 00:25:44,599
Speaker 9: We've played a couple and yeah, we try. We used

421
00:25:44,599 --> 00:25:48,519
to play with kind of the same bands all the time.

422
00:25:48,720 --> 00:25:50,319
And now I kind of made it a rule like

423
00:25:50,400 --> 00:25:52,720
the past two years, like I wanted to just play

424
00:25:52,759 --> 00:25:55,200
with a different band on every bill, like different like

425
00:25:55,319 --> 00:25:57,920
different lineups just because you get to see a different show,

426
00:25:58,480 --> 00:26:01,240
make different connections, you know, just see what else is

427
00:26:01,279 --> 00:26:04,279
out there exactly, and you know, it's just it's fun

428
00:26:04,319 --> 00:26:08,440
for the audience to hear a different lineup too. We

429
00:26:08,519 --> 00:26:10,640
have our favorites for sure, but yeah.

430
00:26:10,759 --> 00:26:13,400
Speaker 7: Yeah, absolutely, well, let's all let's play another track. What

431
00:26:13,480 --> 00:26:17,160
should we play? I wanted to do oop.

432
00:26:17,279 --> 00:26:19,240
Speaker 9: Yeah, Bryan is a great solo in that.

433
00:26:19,440 --> 00:26:22,000
Speaker 7: All right, very good if you're just joining us. We

434
00:26:22,079 --> 00:26:25,000
have two members of Euphemia are here with us live

435
00:26:25,039 --> 00:26:27,079
in studio, and we're going to play another studio track.

436
00:26:27,160 --> 00:26:29,519
What's the album called again, it's self titled. Oh, it's

437
00:26:29,519 --> 00:26:32,200
self titled. That's right, yes, just Euphemia very good. And

438
00:26:32,319 --> 00:26:33,640
this is called do Wop song.

439
00:26:40,240 --> 00:27:11,920
Speaker 1: Wood a brother, lose myself and do too. She's something

440
00:27:12,119 --> 00:27:20,799
about full the sung been to worry about getting occur.

441
00:27:30,440 --> 00:27:31,960
Speaker 4: They bring it.

442
00:27:32,160 --> 00:27:43,200
Speaker 5: Down, no day, bring it down, no day, wiping it down, nodding.

443
00:27:41,720 --> 00:28:34,119
Speaker 14: Me rem just a bill the sum then too, we're

444
00:28:34,519 --> 00:28:35,480
boun get in.

445
00:28:48,079 --> 00:28:50,640
Speaker 7: That is called dou wop song. The band is Euphemia,

446
00:28:50,680 --> 00:28:53,160
and we've got two members of Euphemia here with us

447
00:28:53,519 --> 00:28:56,680
in studio. We have Gina and Brian is here and

448
00:28:56,880 --> 00:29:01,000
uh yeah, she was right. That is a great solo. Brian, Yeah,

449
00:29:01,039 --> 00:29:04,440
that is really good every time. Yeah, Yeah, it's you know,

450
00:29:04,599 --> 00:29:07,920
it's it's just very melodic, and it's you know, you're

451
00:29:07,960 --> 00:29:09,880
not like Shred or anything. You're just playing a really

452
00:29:09,920 --> 00:29:12,160
good it's just really Yeah, it's just beautiful.

453
00:29:12,759 --> 00:29:12,920
Speaker 11: Is that.

454
00:29:13,640 --> 00:29:16,480
Speaker 7: I'm curious about your influences as a guitar player.

455
00:29:16,920 --> 00:29:19,200
Speaker 10: Uh, I kind of grew up playing Green Day. I

456
00:29:19,319 --> 00:29:21,680
grew up in the nineties, so like, yeah, that was

457
00:29:22,480 --> 00:29:25,359
a big proponent for me. Yeah, saying like I want

458
00:29:25,400 --> 00:29:29,680
to do that. Yeah, but I also kind of used

459
00:29:29,720 --> 00:29:31,920
to jam on like Metallica songs and stuff like that

460
00:29:32,079 --> 00:29:32,759
when I was a kid.

461
00:29:33,039 --> 00:29:36,359
Speaker 7: Yeah, yeah, seemed probably shred if you want to write

462
00:29:36,759 --> 00:29:38,920
a little bit, but on a song like that, I mean,

463
00:29:38,960 --> 00:29:40,839
what you did is just so perfect, you know, because

464
00:29:40,839 --> 00:29:42,319
a lot of people, you know, guitar players, they like

465
00:29:42,400 --> 00:29:44,319
to show off, but you're just doing it. It's a

466
00:29:44,319 --> 00:29:47,200
pretty straightforward melody, but it's so it's just so perfect.

467
00:29:47,559 --> 00:29:49,720
Speaker 10: Well, thank you. Yeah, yeah, I try. I try and

468
00:29:49,799 --> 00:29:52,200
write for the song. Yeah, I try not to do

469
00:29:52,319 --> 00:29:55,440
too much, like I guess, like Ca noodling.

470
00:29:55,759 --> 00:29:59,279
Speaker 7: Yeah yeah, yeah, exactly exactly.

471
00:29:59,359 --> 00:30:01,039
Speaker 10: I don't I don't like to show off too much,

472
00:30:01,079 --> 00:30:01,359
I guess.

473
00:30:01,559 --> 00:30:04,440
Speaker 7: Yeah. Yeah, no, it works, It definitely works. I'm curious

474
00:30:04,440 --> 00:30:06,880
to Gena about you like your influences as a singer.

475
00:30:07,519 --> 00:30:09,480
Speaker 9: Oh my gosh, they're all over the place. When I

476
00:30:09,640 --> 00:30:11,599
was very little, I loved Mariah Carey.

477
00:30:11,839 --> 00:30:13,319
Speaker 7: Yeah, she's my girl.

478
00:30:13,400 --> 00:30:18,200
Speaker 9: That got me started. Oh yeah, and then Joan jet Ada,

479
00:30:18,319 --> 00:30:23,119
James John Lennon, my Little Ackerman from The Descendants, Paul Westerberg.

480
00:30:23,440 --> 00:30:24,960
I really love that rasp they have.

481
00:30:25,319 --> 00:30:27,319
Speaker 7: Yeah you know, yeah, so.

482
00:30:27,440 --> 00:30:30,200
Speaker 9: Yeah, I have like a very wide range of people

483
00:30:30,279 --> 00:30:31,119
I like, right.

484
00:30:31,440 --> 00:30:32,359
Speaker 7: Right, no doubt.

485
00:30:32,920 --> 00:30:33,559
Speaker 4: So what are they?

486
00:30:34,519 --> 00:30:36,440
Speaker 7: I mean, are you thinking about the are you thinking

487
00:30:36,440 --> 00:30:38,799
about the next album already or what's kind of the

488
00:30:38,880 --> 00:30:40,480
future plan? Yeah, we have.

489
00:30:40,839 --> 00:30:44,119
Speaker 9: I'm almost done writing the album. There's maybe like two

490
00:30:44,160 --> 00:30:46,160
more songs I need to write for it, but we've

491
00:30:46,200 --> 00:30:48,359
been in the process of working out the songs this

492
00:30:48,519 --> 00:30:50,920
past year. We play a few of them live, a

493
00:30:51,000 --> 00:30:52,000
few new songs live.

494
00:30:52,279 --> 00:30:52,480
Speaker 7: Yeah.

495
00:30:53,039 --> 00:30:55,400
Speaker 9: So yeah, we're hoping like midwinter to go in and

496
00:30:55,519 --> 00:30:57,400
record hopefully Okay, we'll.

497
00:30:57,279 --> 00:31:00,880
Speaker 7: Be done with it, and then similar similar vibe or

498
00:31:01,440 --> 00:31:02,319
similar vibe.

499
00:31:02,440 --> 00:31:04,400
Speaker 9: Yeah, I would say the songs are pretty much the

500
00:31:04,519 --> 00:31:08,039
same in terms of length, Yeah, subject matter. It's a

501
00:31:08,079 --> 00:31:11,880
little different because with the Euphemia songs, those were written

502
00:31:12,000 --> 00:31:14,559
over a period of my life, ranging from like twenty

503
00:31:14,640 --> 00:31:17,880
one to thirty four and now I'm forty one. So

504
00:31:18,079 --> 00:31:22,119
this next album is all from the past couple of years. Okay,

505
00:31:23,359 --> 00:31:25,480
you know, so it's it's a lot more.

506
00:31:25,640 --> 00:31:25,759
Speaker 1: Uh.

507
00:31:26,200 --> 00:31:28,119
Speaker 9: I don't want to say mature, because I'm not like

508
00:31:28,200 --> 00:31:32,519
a pretentious person. Sure, but you know, theme wise, there's

509
00:31:32,599 --> 00:31:35,599
been a lot more complexities of my life over the

510
00:31:35,680 --> 00:31:37,680
past few years. And there have previously.

511
00:31:37,920 --> 00:31:40,519
Speaker 7: Yeah, no doubt. Yeah you probably started a family and

512
00:31:40,880 --> 00:31:43,240
yeah yeah, all that kind of thing. So yeah, now

513
00:31:43,359 --> 00:31:46,160
that makes sense. Yeah, you know, and it's important to evolve.

514
00:31:46,200 --> 00:31:47,880
I mean, if you don't, if you don't evolve, you

515
00:31:47,920 --> 00:31:49,880
get bored. Right, If you get bored, then you're not

516
00:31:50,519 --> 00:31:53,640
doing anything very much of value, if you're just you know,

517
00:31:53,759 --> 00:31:55,920
rehashing the same the same territory.

518
00:31:56,039 --> 00:31:58,960
Speaker 9: Yeah, right, And I think on this one we're going

519
00:31:59,039 --> 00:32:01,880
to do a little bit more instrumentation to Like, I've

520
00:32:01,920 --> 00:32:06,880
been talking with this incredibly talented woman who plays violin

521
00:32:07,200 --> 00:32:10,240
named Maybe. She's awesome, and she asked if we'd want

522
00:32:10,279 --> 00:32:12,720
to collaborate. Ever, so I've been kind of writing in

523
00:32:12,880 --> 00:32:15,880
terms of thinking about that and having her in the studio,

524
00:32:16,079 --> 00:32:18,480
and I kind of want to bring my far Visa

525
00:32:18,640 --> 00:32:21,599
organ back and play on that. Oh a couple of tracks.

526
00:32:21,680 --> 00:32:24,920
Speaker 7: So yeah, tell what kind of organ is it?

527
00:32:25,000 --> 00:32:26,440
Speaker 9: It's a far Fesa organ, so.

528
00:32:26,519 --> 00:32:28,240
Speaker 7: What I've heard the term, but I don't know, like

529
00:32:28,319 --> 00:32:30,559
what makes an organ a far Visa organ.

530
00:32:30,640 --> 00:32:34,960
Speaker 9: So it basically it's run by like a panel of flutes. Okay,

531
00:32:35,039 --> 00:32:37,480
a certain sound and the more flutes you put out

532
00:32:37,720 --> 00:32:39,759
is like a This kind of sounds like a swell.

533
00:32:40,079 --> 00:32:43,839
Think about those sixties garage organs, like in question Mark

534
00:32:43,880 --> 00:32:48,160
and the Mysterians or like, okay, a great band from Boston,

535
00:32:48,240 --> 00:32:51,119
the Liars, Like how they use that sound. It's like

536
00:32:51,160 --> 00:32:53,599
if it's from nineteen sixty nine. So it's like a

537
00:32:53,720 --> 00:32:55,079
very old school sounding.

538
00:32:55,319 --> 00:32:56,839
Speaker 7: Is it like the kind of using churches?

539
00:32:57,200 --> 00:32:59,680
Speaker 9: No, no, no, it's like a it's like a keyboard,

540
00:33:00,559 --> 00:33:02,759
but it has like legs that you put on and

541
00:33:02,880 --> 00:33:05,240
stand up. They're really heavy. They're like, okay, as much

542
00:33:05,240 --> 00:33:08,920
as I do. But yeah, and it's it just looks

543
00:33:09,000 --> 00:33:11,640
like a keyboard, but it's just like sounds like it

544
00:33:11,680 --> 00:33:13,720
has like a I don't know how to describe it,

545
00:33:14,839 --> 00:33:21,519
like a like a trill on it. Okay, like yeah, okay, yeah, okay,

546
00:33:21,559 --> 00:33:24,000
sixties garage down vibra interesting.

547
00:33:23,759 --> 00:33:27,559
Speaker 7: Okay, Okay, Yeah, I'm curious. I'd heard the term far visa. Yeah,

548
00:33:27,559 --> 00:33:29,119
I've heard that before, but I wasn't sure what that

549
00:33:29,240 --> 00:33:31,200
was exactly. Yeah, to play the organ a little bit

550
00:33:31,240 --> 00:33:33,000
when I was a kid too, so I was curious

551
00:33:33,000 --> 00:33:35,880
about that. I didn't keep up with that. But no,

552
00:33:36,079 --> 00:33:38,240
very good. So you're gonna kind of introduce that more

553
00:33:38,279 --> 00:33:39,400
into the Yeah.

554
00:33:39,200 --> 00:33:40,880
Speaker 9: It would be cool to put that on something or

555
00:33:40,960 --> 00:33:44,039
like some kind of rock and roll piano of some sort. Yeah, like, yeah,

556
00:33:44,119 --> 00:33:46,079
it's I can't sing and play at the same time.

557
00:33:46,160 --> 00:33:48,680
I'm not as coordinated as my band bad Well you.

558
00:33:48,720 --> 00:33:50,720
Speaker 7: Think you can, but you probably I'm sure you could learn.

559
00:33:50,799 --> 00:33:53,440
Speaker 9: Yeah, so I could easily do that in the studio,

560
00:33:53,480 --> 00:33:54,880
though I don't have to do that.

561
00:33:55,279 --> 00:33:57,559
Speaker 7: Yeah. Yeah, but if you but then if you do that,

562
00:33:57,680 --> 00:33:59,039
will it be important to you to be able to

563
00:33:59,119 --> 00:34:00,759
replicate that lie or or.

564
00:34:01,000 --> 00:34:03,680
Speaker 9: Not necessarily a different experience.

565
00:34:03,839 --> 00:34:06,440
Speaker 7: But yeah, yeah, which is cool, you know, because a

566
00:34:06,480 --> 00:34:08,199
lot of people they want to It's like, oh, anything

567
00:34:08,239 --> 00:34:09,480
we do in the studio, we have to be able

568
00:34:09,519 --> 00:34:12,119
to replicate it live exactly. And my attitude about that

569
00:34:12,199 --> 00:34:16,039
has always been, why if if you can't replicate it live,

570
00:34:16,920 --> 00:34:19,199
so then an element is missing, then live you just

571
00:34:19,280 --> 00:34:21,719
have a more kind of a raw, stripped down sound.

572
00:34:22,159 --> 00:34:25,079
What's wrong with that? Sometimes that's sometimes that's better, you

573
00:34:25,119 --> 00:34:27,679
know what I mean. That's how I've always felt about it.

574
00:34:27,760 --> 00:34:30,199
But but a lot of people are they're very particular

575
00:34:30,239 --> 00:34:32,000
about well, we have to be able to sound exactly

576
00:34:32,119 --> 00:34:33,000
like we did on the record.

577
00:34:33,079 --> 00:34:36,320
Speaker 9: It's like they're two different experiences in exactly.

578
00:34:36,480 --> 00:34:40,760
Speaker 7: Yeah, exactly. Well, let's let's play another Oh yeah, we

579
00:34:41,079 --> 00:34:43,079
have time, let's play another one. Of course we have time.

580
00:34:43,119 --> 00:34:46,480
They're so short, we'll probably have time to get a

581
00:34:46,480 --> 00:34:48,480
couple more. But I would like to play another track

582
00:34:48,519 --> 00:34:50,599
from the album. But yeah, I'll let you both pick

583
00:34:50,679 --> 00:34:55,199
what what should we go with next? How about love Love? Okay?

584
00:34:55,440 --> 00:34:55,639
Speaker 10: Yeah?

585
00:34:55,960 --> 00:34:57,719
Speaker 7: Anything we should know about this one before we play

586
00:34:57,760 --> 00:34:59,440
it or not?

587
00:35:00,039 --> 00:35:03,800
Speaker 9: Really, it's a I think it's like mutually our favorite song.

588
00:35:04,719 --> 00:35:07,519
Speaker 7: It's one of the most fun ones I think, so yeah, yeah,

589
00:35:08,079 --> 00:35:10,199
all right, cool, let's give this a spend if you're

590
00:35:10,199 --> 00:35:13,079
just joining us. We have two members of Euphemia here

591
00:35:13,119 --> 00:35:15,239
with us in studio and this is a track from

592
00:35:15,239 --> 00:35:18,639
their self titled album, and this is called love m.

593
00:35:22,679 --> 00:35:22,920
Speaker 4: Wow.

594
00:35:28,639 --> 00:35:43,000
Speaker 1: So clum to get you. I'm just with chef rap

595
00:35:43,079 --> 00:36:04,760
from this time old hand of my heart. I don't

596
00:36:04,880 --> 00:36:09,840
tell no Homy Joan dope and I'm alla.

597
00:36:10,280 --> 00:36:12,000
Speaker 6: The whole dad at my heart.

598
00:36:17,039 --> 00:36:26,320
Speaker 1: Wow, So wann to get you? Be there. I knew

599
00:36:26,360 --> 00:36:34,199
about that, I knew it good stuff. I won't try.

600
00:36:34,320 --> 00:36:37,800
I'm telling you you dull it and you so say

601
00:36:38,239 --> 00:36:50,719
I knew it good stuff. I don't try no Homy

602
00:36:50,840 --> 00:36:54,719
John Dope and I'm all less the whole tad in

603
00:36:54,840 --> 00:37:02,159
my heart. I don't want tell no honey going though,

604
00:37:02,840 --> 00:37:30,760
and I promise the hold dad of my heart. I

605
00:37:30,800 --> 00:37:35,400
don't want tell you no money doing though. Been a

606
00:37:35,559 --> 00:37:42,119
promise the whole dad at my heart. I don't tell

607
00:37:42,280 --> 00:37:46,719
no hone need done no, And I'm from.

608
00:37:46,599 --> 00:37:49,119
Speaker 6: Me the whole dad at my heart.

609
00:37:51,199 --> 00:37:54,519
Speaker 14: Will I promised the whole dad at my heart.

610
00:37:59,360 --> 00:37:59,599
Speaker 4: Wow.

611
00:38:02,239 --> 00:38:06,239
Speaker 7: That is fantastic. That it's called Love. The band is Euphemia.

612
00:38:06,719 --> 00:38:08,559
We have Gina and Brian from the band here with

613
00:38:08,679 --> 00:38:11,360
us in studio. And yeah, Gina, you were saying off

614
00:38:11,400 --> 00:38:12,840
air while that was playing, you kind of wanted it

615
00:38:12,920 --> 00:38:14,639
to have like you wanted the drums and the guitar

616
00:38:14,679 --> 00:38:16,159
to go together and go kind of give it a

617
00:38:16,199 --> 00:38:17,519
little bit of a Zeppelin vibe.

618
00:38:17,599 --> 00:38:19,079
Speaker 9: Yeah, like that stomp you feel.

619
00:38:19,199 --> 00:38:22,239
Speaker 7: Yeah, Yeah, I think that one's my favorite. Actually, that's

620
00:38:22,320 --> 00:38:26,079
that's that's really good. That's really good. Yeahem is here

621
00:38:26,119 --> 00:38:27,920
with us live. I learned how to say it and

622
00:38:27,920 --> 00:38:30,559
I'm stumbling on it. But they are here with us

623
00:38:30,599 --> 00:38:33,679
live in studio. And have you made any videos for

624
00:38:33,920 --> 00:38:34,639
for any of these.

625
00:38:34,519 --> 00:38:37,920
Speaker 9: Songs or we haven't purposely made any videos? We want to.

626
00:38:39,159 --> 00:38:43,679
One of our friends made a video of us from

627
00:38:43,800 --> 00:38:46,559
a show we did at a festival. Yeah, kind of

628
00:38:46,599 --> 00:38:50,039
put it together for us. He's like a professional videographer. Yeah,

629
00:38:50,159 --> 00:38:52,559
and kind of just surprised us with one. So there

630
00:38:52,679 --> 00:38:56,239
is one out there song rock show, Okay, but we

631
00:38:56,320 --> 00:38:58,159
haven't like intentionally made any yet.

632
00:38:58,360 --> 00:39:02,039
Speaker 7: We want to. Yeah, it will be working with him, Yeah, yeah, excellent.

633
00:39:02,079 --> 00:39:05,719
Actually have you have you done multiple festivals or what

634
00:39:05,920 --> 00:39:08,599
what's uh, we've done three? Now you've done three? Yeah,

635
00:39:09,039 --> 00:39:12,480
that's great. No, I say all the time. Festivals are

636
00:39:12,559 --> 00:39:15,840
the best opportunity because you not only does it get

637
00:39:15,840 --> 00:39:18,480
you in front of fans, potential new fans who might

638
00:39:18,559 --> 00:39:20,880
not be familiar with you, but the but also it

639
00:39:20,960 --> 00:39:22,800
gets you in front of industry people. You know, you

640
00:39:22,880 --> 00:39:27,519
meet people at the networking opportunities at a festival are unparalleled. Yeah, yeah,

641
00:39:27,599 --> 00:39:30,719
so yeah, that's great. Yeah, yeah, what what what festivals

642
00:39:30,760 --> 00:39:31,199
have you done?

643
00:39:32,039 --> 00:39:36,920
Speaker 9: We did Gold Rocks, which was a festival that USM

644
00:39:37,079 --> 00:39:40,920
and Maine put on summer end of the summer, and

645
00:39:41,039 --> 00:39:44,000
then we did Wild Pines Festival this year, and we

646
00:39:44,079 --> 00:39:45,280
did Vices in festival.

647
00:39:45,400 --> 00:39:50,679
Speaker 7: Oh vis Yeah, yeah, oh fantastic, Yeah good good. Did

648
00:39:50,719 --> 00:39:52,880
you meet like Vices Fest? Did you meet a lot

649
00:39:52,920 --> 00:39:56,199
of bands there who who you were not already familiar with?

650
00:39:56,480 --> 00:39:59,119
Speaker 9: Or yeah, I don't think we knew any of the bands, Okay,

651
00:39:59,320 --> 00:40:02,800
for maybe we need and we knew Vices, and we

652
00:40:02,840 --> 00:40:05,519
knew Plague Dad but and a couple of our other

653
00:40:05,559 --> 00:40:08,159
friends on other days that played there. But other than that,

654
00:40:08,320 --> 00:40:10,199
we didn't know any of the other bands.

655
00:40:10,239 --> 00:40:15,159
Speaker 7: So that must have been cool. Yeah, we had you know,

656
00:40:15,360 --> 00:40:17,239
vices Inc. Obviously they've been on a few times, but

657
00:40:17,360 --> 00:40:20,559
we had Jagger on. I did there's a separate podcast

658
00:40:20,760 --> 00:40:24,280
version of the show that we do sometimes if like

659
00:40:24,559 --> 00:40:26,079
I did one with Jagger where it was just he

660
00:40:26,159 --> 00:40:27,920
and I on the podcast version, because it was a

661
00:40:28,000 --> 00:40:32,159
situation where we didn't have any room to get him on.

662
00:40:32,599 --> 00:40:35,599
On this version. We were booked up, but it was

663
00:40:35,679 --> 00:40:38,119
right before vices Fest, so we did the podcast just

664
00:40:38,320 --> 00:40:41,199
like almost like an emergency podcast, like a last minute

665
00:40:41,199 --> 00:40:43,599
thing about vices Fest. And it was just all about

666
00:40:43,679 --> 00:40:46,280
vices Fest. And I told him, I said, it amazes me.

667
00:40:46,679 --> 00:40:48,119
I think I said this to him too the night

668
00:40:48,159 --> 00:40:50,280
Jenny and I saw them at Bad Burger recently a

669
00:40:50,320 --> 00:40:53,719
few weeks ago. It just to put on a festival

670
00:40:53,880 --> 00:40:57,400
like that, and to be able to do that without

671
00:40:57,440 --> 00:41:01,440
getting you know, just almost on the verge of a

672
00:41:01,480 --> 00:41:04,760
nervous breakdown, because that's a lot of you know, I

673
00:41:05,320 --> 00:41:07,440
don't really do it anymore. I used to promote live shows,

674
00:41:07,960 --> 00:41:10,000
you know, and even just doing a night somewhere with

675
00:41:10,199 --> 00:41:12,960
with you know, three or four bands can be challenging

676
00:41:13,039 --> 00:41:15,559
in some ways, you know, So to do vices Fest,

677
00:41:15,599 --> 00:41:17,679
I mean, that's a huge undertaking when you look at

678
00:41:17,719 --> 00:41:21,159
the lineup, Yeah, of bands on that over three days,

679
00:41:21,280 --> 00:41:24,679
and man, I mean he handles it well obviously, because

680
00:41:24,880 --> 00:41:26,639
you know, he told me, because I said to him,

681
00:41:26,639 --> 00:41:28,400
I said, how do you do that without losing your mind?

682
00:41:28,519 --> 00:41:28,639
Speaker 2: You know?

683
00:41:28,840 --> 00:41:31,599
Speaker 7: And yeah, you know. But apparently he's very organized and

684
00:41:31,679 --> 00:41:33,960
he knows what he's doing, so I commend him. But

685
00:41:34,039 --> 00:41:36,519
that's more than I would want to take on an undertaking.

686
00:41:36,519 --> 00:41:39,000
Speaker 9: I wouldn't want to do it either. I'm usually in

687
00:41:39,119 --> 00:41:41,840
charge of booking our shows yep, or being a part

688
00:41:41,880 --> 00:41:44,800
of it in some way, and that's always. Yeah, for

689
00:41:44,920 --> 00:41:47,280
the most part, it's okay, but it can be a headache.

690
00:41:47,360 --> 00:41:50,159
So I can't imagine dealing with like thirty bands, oh

691
00:41:50,280 --> 00:41:52,880
yeah for three days. And you know, but they ran

692
00:41:52,960 --> 00:41:55,599
a very tight ship yeah while we were there, and

693
00:41:55,760 --> 00:41:59,480
everything was organized and shared equipment, so that made it easier.

694
00:41:59,599 --> 00:42:02,920
Speaker 7: So everything I've heard has been overwhelmingly positive. It sounds

695
00:42:03,000 --> 00:42:05,480
like like nothing nothing major went wrong, you know, and

696
00:42:06,079 --> 00:42:08,840
just everything went pretty smooth from from what I hear

697
00:42:08,960 --> 00:42:10,920
and from what he's told me. And that's so that's great.

698
00:42:10,960 --> 00:42:12,440
I'm just kind of in awe of that. And I

699
00:42:13,079 --> 00:42:15,960
know he's doing another one next year, so it just

700
00:42:16,079 --> 00:42:21,280
keeps going to him. Yeah, yeah, yeah, absolutely, absolutely, Yeah,

701
00:42:21,320 --> 00:42:24,639
And we love vices inc. You kind of you remind

702
00:42:24,679 --> 00:42:26,519
me your vocals. You remind me a little bit of Eleanor.

703
00:42:26,719 --> 00:42:29,119
Oh really I think so. Yeah. I mean, you know,

704
00:42:29,880 --> 00:42:34,480
like you're distinguishable, but but kind of, I don't know,

705
00:42:34,559 --> 00:42:36,079
kind of the vibe on some of these songs, the

706
00:42:36,119 --> 00:42:37,400
way you sing it kind of reminds me of her

707
00:42:37,440 --> 00:42:37,840
a little bit.

708
00:42:37,840 --> 00:42:39,960
Speaker 9: O wow, thank you. I mean she's got a great voice,

709
00:42:39,960 --> 00:42:40,400
so I'll take that.

710
00:42:40,800 --> 00:42:44,800
Speaker 7: Oh yeah, oh yeah, no, you both do. Absolutely. What

711
00:42:44,920 --> 00:42:47,599
should people know? We have time, we'll sneak in one

712
00:42:47,639 --> 00:42:49,880
more track at the end. But what should people know

713
00:42:49,920 --> 00:42:51,639
about where to find you online? Like, where's the best

714
00:42:51,639 --> 00:42:53,559
place to go to keep up with everything that Euphemia

715
00:42:53,719 --> 00:42:54,039
is doing.

716
00:42:54,280 --> 00:42:58,679
Speaker 9: We have an Instagram okay at Euphemia Underscore band okay,

717
00:42:59,559 --> 00:43:01,599
and then other than that, we're on all the streaming

718
00:43:01,800 --> 00:43:06,199
services audibly except for our one video yeah yeah on YouTube.

719
00:43:07,440 --> 00:43:10,880
But yeah, we're on all the streaming services Apple, Spotify.

720
00:43:11,800 --> 00:43:16,639
Speaker 7: Yeah, excellent, excellent. Well we're going to uh in a moment,

721
00:43:17,239 --> 00:43:20,079
we're going to play one more track. I'll give you

722
00:43:20,079 --> 00:43:22,440
a moment though, to think about, think about what you

723
00:43:22,519 --> 00:43:24,400
want to play to end the show, because we got

724
00:43:24,480 --> 00:43:26,320
to talk about just quickly too, Jenny, did you want

725
00:43:26,360 --> 00:43:29,199
to mention before we run out of time? John Oliver?

726
00:43:29,880 --> 00:43:32,719
Speaker 12: Oh yeah, check out John Oliver this weekend. You might

727
00:43:32,840 --> 00:43:36,199
see somebody you know that's right on Sunday night. It

728
00:43:36,239 --> 00:43:39,159
will be on their main channel, but it will be

729
00:43:39,239 --> 00:43:41,800
loaded up onto YouTube on Monday.

730
00:43:42,199 --> 00:43:44,639
Speaker 7: Okay, yeah, they put it on YouTube the next day. Yeah,

731
00:43:44,639 --> 00:43:46,599
so keep it out for that and you want to

732
00:43:46,639 --> 00:43:48,920
plug your website maybe I.

733
00:43:48,960 --> 00:43:51,920
Speaker 12: Guess so only kidding, No, I hope you guys do

734
00:43:52,079 --> 00:43:53,559
check out John Oliver. It's going to be fun to

735
00:43:53,599 --> 00:43:55,679
be on the show, and then you can check me

736
00:43:55,800 --> 00:43:57,719
out and all the good trouble I get up to

737
00:43:57,920 --> 00:44:00,320
at Jencoffee dot com j E N N C.

738
00:44:00,440 --> 00:44:03,400
Speaker 7: O F f U I dot com. Yes, yes, And

739
00:44:03,599 --> 00:44:05,039
of course if you want to know more about me

740
00:44:05,320 --> 00:44:06,800
and everything I'm up to, you can go to my

741
00:44:06,880 --> 00:44:09,760
website Matt Connorton dot com. And if you missed any

742
00:44:09,800 --> 00:44:11,239
part of today's show, it'll be up in just a

743
00:44:11,280 --> 00:44:13,360
little bit at Matt Connorton dot com. And of course

744
00:44:13,719 --> 00:44:18,599
w Mnhradio dot org. And uh what would uh oh,

745
00:44:18,719 --> 00:44:20,400
and I do want to thank everybody who joined us too.

746
00:44:20,400 --> 00:44:22,679
Of course Rivia in the first hour, and in the

747
00:44:22,719 --> 00:44:25,239
second hour we had Kevin Kirstaid also known as k

748
00:44:25,400 --> 00:44:28,519
t K so and wonderful to finish out the show

749
00:44:28,559 --> 00:44:30,880
with the both of you, uh, Gina and Brian from

750
00:44:30,920 --> 00:44:33,480
EUPHEMA so grateful that you were able to and it's it.

751
00:44:33,559 --> 00:44:34,519
It was a little bit of a hall. So I

752
00:44:34,559 --> 00:44:35,679
appreciate you making the drive.

753
00:44:35,760 --> 00:44:36,039
Speaker 4: Thank you.

754
00:44:36,719 --> 00:44:37,440
Speaker 9: It's our pleasure.

755
00:44:38,039 --> 00:44:40,400
Speaker 7: Absolutely, no, it's wonderful to have you here. And uh,

756
00:44:40,599 --> 00:44:42,800
what should we uh what should we play to close out?

757
00:44:46,440 --> 00:44:48,079
Speaker 9: Let's play where My rock and Roll?

758
00:44:48,760 --> 00:44:49,679
Speaker 7: Oh, that's a good one.

759
00:44:49,840 --> 00:44:52,400
Speaker 9: Yeah, that's a good all encompassing about kind of what

760
00:44:52,440 --> 00:44:52,920
we're about.

761
00:44:53,039 --> 00:44:55,960
Speaker 7: So okay, all right, very good. So we will close

762
00:44:56,039 --> 00:44:58,079
out with this. This is called where My rock and

763
00:44:58,199 --> 00:45:01,400
Roll and the band is Euphemia.

764
00:45:09,440 --> 00:45:51,519
Speaker 1: Are Rocky role to playing around around ms soul any world,

765
00:45:51,840 --> 00:46:18,280
baggages up the miss trappings on the rist everything and everywhere.

766
00:46:20,800 --> 00:46:22,400
Little got cat.

767
00:46:26,920 --> 00:46:33,119
Speaker 8: I'll just wanna how inside my rackets up on my shil.

768
00:46:34,880 --> 00:46:40,000
Speaker 1: That is where right bounds hitting it gets with through

769
00:46:40,119 --> 00:46:48,039
my sat Oh, I'm just trying side b rap going

770
00:46:48,159 --> 00:46:55,320
my silt that is where bound no city that with

771
00:46:55,760 --> 00:47:30,599
a my siltro Caro the way ron every day, every wish.

772
00:47:32,639 --> 00:47:40,920
Speaker 5: Every day and every way, every day, every way, every

773
00:47:41,039 --> 00:47:42,199
day you live away.

774
00:47:55,400 --> 00:48:00,480
Speaker 2: You're listening to Matt connorton Unleash w an a Nuty

775
00:48:00,559 --> 00:48:01,760
five point three.

776
00:48:02,280 --> 00:48:04,679
Speaker 3: And now the world radio premiere of the new single

777
00:48:04,760 --> 00:48:08,239
from Yon Man. He is covering the Stone Roses classic

778
00:48:08,719 --> 00:48:10,119
The Sun Still Shines.

779
00:48:24,360 --> 00:48:45,159
Speaker 4: She said that everywhere its.

780
00:48:54,599 --> 00:49:02,760
Speaker 1: Sunstan asome so.

781
00:49:04,719 --> 00:49:10,079
Speaker 6: Shot behind.

782
00:49:18,639 --> 00:49:24,159
Speaker 1: Time you woll walk w no one.

783
00:49:28,719 --> 00:49:31,400
Speaker 4: Since study from.

784
00:49:32,880 --> 00:49:40,840
Speaker 1: Process this we s.

785
00:49:44,880 --> 00:49:54,440
Speaker 5: F Sunstan sun status so.

786
00:49:56,400 --> 00:50:01,599
Speaker 4: St he had to.

787
00:50:08,000 --> 00:51:51,480
Speaker 1: Save the stays, stay us some stance and as night

788
00:51:53,079 --> 00:52:02,519
light let I don't want to be like you.

789
00:52:03,760 --> 00:52:09,760
Speaker 15: I recognize above become the person I want. She should

790
00:52:09,800 --> 00:52:15,440
have known better, she founded for a while. Now probably

791
00:52:15,880 --> 00:52:16,280
try to.

792
00:52:17,840 --> 00:52:21,119
Speaker 1: I SA don't want to map you sound your way,

793
00:52:21,599 --> 00:52:33,119
hill your way chilly Now at long guy and he

794
00:52:33,400 --> 00:52:42,639
long guy, your body, I can that ain't long guy,

795
00:52:44,159 --> 00:52:50,360
how he loved can say to hit. The re said,

796
00:52:51,679 --> 00:52:55,760
but I don't want to start a Chad said, ain't don't.

797
00:52:55,559 --> 00:53:00,280
Speaker 15: Please like child, please start like you st say who

798
00:53:00,440 --> 00:53:01,320
wasn't what you want?

799
00:53:02,760 --> 00:53:04,760
Speaker 7: It said Dot John in seven.

800
00:53:05,599 --> 00:53:08,440
Speaker 1: We yn't waste a minute. We want to waste some minutes,

801
00:53:08,679 --> 00:53:16,480
y'all waste some mine. Don't wait chilly, That ain't long, guy,

802
00:53:18,000 --> 00:53:29,480
I didn't log my backyard. That ain't long, guy. How

803
00:53:29,559 --> 00:54:05,519
ain't stuck in a rut? Seem o routines?

804
00:54:05,639 --> 00:54:06,639
Speaker 14: Every day.

805
00:54:09,920 --> 00:54:11,679
Speaker 1: You're sick and tired of going to work.

806
00:54:12,079 --> 00:54:13,480
Speaker 2: But that's the frist we've.

807
00:54:13,280 --> 00:54:21,519
Speaker 1: All got today. Whatever open to this challenge of dreams.

808
00:54:21,639 --> 00:54:27,360
Speaker 5: All the rings wee go on, the joys a game

809
00:54:27,840 --> 00:54:29,000
suspine up.

810
00:54:29,679 --> 00:54:31,480
Speaker 4: And baby us feel.

811
00:54:33,599 --> 00:54:37,719
Speaker 11: You've got to follow your dreams to the sky to

812
00:54:37,880 --> 00:54:43,519
buy the bowers deep down it tire. Follow your dreams,

813
00:54:43,679 --> 00:54:46,800
see a time and the true.

814
00:54:48,039 --> 00:54:49,840
Speaker 1: You've got believe in.

815
00:54:50,199 --> 00:55:11,039
Speaker 4: You every dream.

816
00:55:11,159 --> 00:55:14,079
Speaker 7: If you look in the mirror, are you proud of

817
00:55:14,159 --> 00:55:14,960
what you see?

818
00:55:18,599 --> 00:55:18,719
Speaker 1: Now?

819
00:55:18,840 --> 00:55:21,599
Speaker 4: Tell me the truth? Is this the way you.

820
00:55:21,760 --> 00:55:27,840
Speaker 1: Want your like to be? So you need a new

821
00:55:28,239 --> 00:55:31,920
direction saying anything you had to.

822
00:55:34,800 --> 00:55:40,079
Speaker 11: You see bring in your soul as bad those dreams

823
00:55:40,239 --> 00:55:44,559
come up true. You've gotta follow your dreams through the

824
00:55:44,679 --> 00:55:46,960
sky to find.

825
00:55:46,800 --> 00:55:53,800
Speaker 1: The followers downside. Follow your dreams seeing a true and

826
00:55:54,039 --> 00:56:35,760
don't go true. You've got leave. You've got to follow

827
00:56:35,920 --> 00:56:36,679
your dream.

828
00:56:36,639 --> 00:56:42,519
Speaker 11: Ser star to buy the Powers to Downside.

829
00:56:43,239 --> 00:56:50,880
Speaker 1: To follow your tream save and don't go to you

830
00:56:51,079 --> 00:56:56,239
Got followed your dream ser Stars to find the Powers

831
00:56:56,360 --> 00:57:43,320
g Downside See this fall.

832
00:57:43,840 --> 00:57:47,159
Speaker 16: The ballpark isn't closing for the season. It's waking up.

833
00:57:48,039 --> 00:57:51,199
Step beyond the gates and into fright Nights at the Field,

834
00:57:51,760 --> 00:57:54,760
an immersive, haunted experience where the roar of the crowd

835
00:57:54,800 --> 00:57:59,239
has been replaced by whispers in the dark. Wander through

836
00:57:59,280 --> 00:58:03,400
twisted tunnels, ghostolid corridors, and the stadium itself, now home

837
00:58:03,480 --> 00:58:06,920
to the things that never left live scare actors, movie

838
00:58:07,000 --> 00:58:11,199
quality sets, part racing encounters around every corner. The game

839
00:58:11,320 --> 00:58:14,599
is over, but the nightmare has just begun. Fright Nights

840
00:58:14,639 --> 00:58:16,679
in the Field tear to play after Dark