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<v Speaker 1>Caloroga Shark Media.

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<v Speaker 2>Hey there, I'm Johnny Mackin Mike Chisholm, the host of

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<v Speaker 2>The Letterman podcast, and we are friendly and sometimes we

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<v Speaker 2>do crossover episodes. Mike and I recently did a session

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<v Speaker 2>where we talked about things for like two and a

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<v Speaker 2>half hours, and I chopped it up into pieces, and

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<v Speaker 2>here Mike and I were discussing the state of comedy

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<v Speaker 2>as twenty twenty five came to an end.

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<v Speaker 1>It's been an interesting year in all sorts of areas,

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<v Speaker 1>but in comedy, I don't know, man, I just feel

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<v Speaker 1>like the genre and the industry that is stand up

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<v Speaker 1>has never had a bigger, more successful year. But in

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<v Speaker 1>that it's also felt never's felt as divided as it's felt.

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<v Speaker 1>But you're the guru when it comes to this stuff.

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<v Speaker 1>What do you think about that assertation? Yeah, it's interesting.

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<v Speaker 1>I just saw a piece on Vulture suggesting that comedians

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<v Speaker 1>need to get more angsty and fight more and believing

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<v Speaker 1>as a pot cast host, I love when the comedians

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<v Speaker 1>are battling. You know, you and I should start award

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<v Speaker 1>just for the for the clicks. But let's do it.

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<v Speaker 2>You know. On the other hand, if you look at it,

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<v Speaker 2>what's really working is the Nate Berganzis of the world

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<v Speaker 2>doing the clean comedy, family stuff. You know, Sebastian manaskalgo

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<v Speaker 2>that style of comedy. But then at the other end

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<v Speaker 2>you've got the the canceled of Ricky Gervais and Shane

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<v Speaker 2>Gillis and Dave Chappelle. They're all canceled and they're never

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<v Speaker 2>going to be able to speak again. They're selling out Arenas. Ye,

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<v Speaker 2>you've got that other wing of austin Ish and the

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<v Speaker 2>Chraysiers and the Rogans and the Sigoras. You've got all

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<v Speaker 2>that going on, so it's sort of fractured. It's tremendously successful.

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<v Speaker 2>I'm all over the place. When they did the Top

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<v Speaker 2>Communities of the Century, Dane Cook wasn't mentioned. Has everyone

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<v Speaker 2>forgotten what a huge comic Dane was and Dane selling

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<v Speaker 2>out the Garden was a statement with three exclamation points.

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<v Speaker 2>But now you know, I love them, But we're all

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<v Speaker 2>sells out the Garden. Everybody sells out the Garden, so

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<v Speaker 2>you know something has changed there. The business is bigger

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<v Speaker 2>than ever. A lot of that is Netflix driven, for sure,

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<v Speaker 2>but yeah, it's just a weird time. But there's comedy

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<v Speaker 2>for everybody.

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<v Speaker 1>Right, Oh, definitely, Like, but thank you for mentioning Dane,

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<v Speaker 1>because I remember back in the day. It's interesting that

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<v Speaker 1>you talked about all the different facets of comedy, and

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<v Speaker 1>I remember how big of a deal it was when

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<v Speaker 1>dice Clay sold out Madison Square Garden, Like that was

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<v Speaker 1>a huge, huge, when when when dice Clay was, oh

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<v Speaker 1>my god, Andrew dice Clay is doing an arena, you know,

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<v Speaker 1>and then you know, you'd hear about it every once

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<v Speaker 1>in a while. But then you got Dane who comes

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<v Speaker 1>in in the early party and I okay, fine, the

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<v Speaker 1>Billboard list was of the twenty first century, the top

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<v Speaker 1>twenty five comics of the twenty first century. Well, I'm sorry,

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<v Speaker 1>but if there was a guy that brought in comedy

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<v Speaker 1>and elevated it at the beginning part of the century

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<v Speaker 1>in the early two thousand, it was Dane. It was

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<v Speaker 1>a big deal, the tour that he went on, that

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<v Speaker 1>run he went on, and I mean, you know, it's

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<v Speaker 1>different than Kennyson, but it's similar to Kinnyson in the

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<v Speaker 1>sense that there's this huge thing that happens and it

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<v Speaker 1>inspires all of these people, and then a couple of

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<v Speaker 1>years later, you know, the star fades and it goes

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<v Speaker 1>across and and and and and now we're here in

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<v Speaker 1>twenty twenty five and we're debating whether he should be

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<v Speaker 1>even be on the list. Well, to me, of course

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<v Speaker 1>he should be on the list, but some people have

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<v Speaker 1>short memories when it comes to this stuff.

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<v Speaker 2>I suppose I have a strong opinion on My theory

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<v Speaker 2>is that the stylized comedians and Dan Cook did have

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<v Speaker 2>a style to him, the physicality and the way he spoke,

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<v Speaker 2>you know, maybe not full on character like a dice,

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<v Speaker 2>but it's the brick wall comedians that tend to last.

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<v Speaker 2>The Bill Burrs, the Dave Chappelle is just a guy

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<v Speaker 2>talking in front of a brick wall. We could put

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<v Speaker 2>an arena, we could do with theater in the round shore,

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<v Speaker 2>but it's the traditional George Carlin esque stand up of

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<v Speaker 2>I'm gonna stand here and just tell you what's on

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<v Speaker 2>my mind. Where some of that stylized stuff we've seen

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<v Speaker 2>shooting stars over the years and they come and go

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<v Speaker 2>and they're they're white hot, and they have that three

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<v Speaker 2>four years and then they kind of go away. I'm

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<v Speaker 2>not sure Dane is full on stylized comedian to use

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<v Speaker 2>the term. But you know, he was just a monster,

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<v Speaker 2>a quote unquote rock star there for a while, good

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<v Speaker 2>looking guy, really lighting up crowds, people quoting his material,

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<v Speaker 2>and you know, you go about twenty years later and

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<v Speaker 2>it's like he's forgotten somehow. It's weird.

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<v Speaker 1>Now, Yeah, it's crazy that he wasn't on that list,

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<v Speaker 1>like like, like, as far as I'm concerned, he ushered

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<v Speaker 1>comedy into the twenty first century by making it more,

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<v Speaker 1>you know, talking about the MySpace stuff and the way

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<v Speaker 1>that he would use the Internet, not just in his act.

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<v Speaker 1>I mean, of course his act was very very you know,

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<v Speaker 1>it talked a lot about the Internet and things like that,

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<v Speaker 1>but the way that he built his community was a

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<v Speaker 1>blueprint for what I imagine if podcasting existed back does now.

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<v Speaker 1>I mean, he would have been one of the first

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<v Speaker 1>people with a podcast. He really really saw where the

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<v Speaker 1>puck was going and led an entire genre in that direction.

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<v Speaker 1>I just so yeah. But that being said that, the

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<v Speaker 1>Billboard list was interesting. I really love I recommend everybody

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<v Speaker 1>to go back and listen to the Daily Comedy News

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<v Speaker 1>podcast episodes where where Johnny goes through the Top twenty

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<v Speaker 1>the Billboard Top twenty five Comedians of the Century. It's

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<v Speaker 1>it's it's very very good. You split up in two episodes. Again,

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<v Speaker 1>bite sized, really really simple, not like this behemoth of

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<v Speaker 1>a show where it's long form. I really really like

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<v Speaker 1>the bite size aspect of of what it is that

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<v Speaker 1>you're doing. And boy, you've got lots of stuff to

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<v Speaker 1>talk about, and we could do separate shows. And we

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<v Speaker 1>are going to do separate shows when it comes to this,

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<v Speaker 1>because there is so much to talk about. But the

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<v Speaker 1>guy who brought me into this podcasting game, David Letterman,

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<v Speaker 1>has put out in the last month a whole bunch

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<v Speaker 1>of new content. In fact, more content in the last

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<v Speaker 1>month than I think if you add up all the

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<v Speaker 1>rest of the months, I think you might be pretty close.

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<v Speaker 1>Have you watched any of the new My Next Guests yet?

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<v Speaker 2>I started to watch the Sandler episode, okay, and I

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<v Speaker 2>really struggle. So I'm stealing from Jimmy Buffett fans here.

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<v Speaker 2>There was a group of Jimmy Buffett fans who created

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<v Speaker 2>Church of Buffett Orthodox Yes, And what their premise was

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<v Speaker 2>was that at one point Jimmy Buffett was about, Hey,

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<v Speaker 2>let's hang out at the beach and have a good time,

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<v Speaker 2>and over the years, it became about product and knockoff

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<v Speaker 2>Corona beer and restaurants, and I kind of want to

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<v Speaker 2>form Church of Letterman Orthodox who believe in the I

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<v Speaker 2>got to have a self trouble here the Testament of

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<v Speaker 2>the twelve thirty. We might read the eleven thirty, and

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<v Speaker 2>then the later works of David Letterman just aren't our thing.

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<v Speaker 2>And boy, I just so just where my mind is.

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<v Speaker 2>I was on YouTube the other night and I almost

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<v Speaker 2>sent this to you, but then the clip went sideways.

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<v Speaker 2>But the first few minutes of the clip were guys

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<v Speaker 2>throwing stuff off a bridge onto a frozen lake, and

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<v Speaker 2>I was like, yeah, that, I want more of that.

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<v Speaker 2>Why isn't anyone doing that? Dave? Can you throw something

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<v Speaker 2>off a bridge on a frozen lake? I want to

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<v Speaker 2>watch that? And this Elder Statesman Letterman, I don't take

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<v Speaker 2>away anyone's enjoyment of it. I don't take away your

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<v Speaker 2>enjoyment of it. I'm glad Dave somehow has gone from

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<v Speaker 2>a guy in a bad mood that doesn't interview people

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<v Speaker 2>to the great interviewer. That's an interesting transformation. But those

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<v Speaker 2>of us in the Church of Letterman Orthodox, I just

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<v Speaker 2>want to throw stuff off a five story tower and

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<v Speaker 2>have Chris Elliott do something weird and make fun of

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<v Speaker 2>the whole thing not being that funny, making it funny.

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<v Speaker 2>And as I've called it over the years, Establishment Letterman

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<v Speaker 2>just isn't my thing. I feel bad saying this out loud,

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<v Speaker 2>especially off this show that's you know, maybe some of

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<v Speaker 2>your fans will be like, yes, Church of Letterman Orthodox,

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<v Speaker 2>I want to sign.

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<v Speaker 1>Up, Oh gosh, yeah, And I mean there are you know,

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<v Speaker 1>I like the fact that our show is the size

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<v Speaker 1>that it is because I can kind of look into

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<v Speaker 1>the people who support the show, and you can see

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<v Speaker 1>the different I can still see everything. It's like it's

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<v Speaker 1>it's like when a musician is still playing in a

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<v Speaker 1>in a venue that's like maybe under seven hundred people,

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<v Speaker 1>they can kind of still kind of see everybody that's

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<v Speaker 1>in the audience as they're playing on it. And it

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<v Speaker 1>kind of feels that way. Certainly, there is a huge

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<v Speaker 1>contingent of people who tolerate this show because every once

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<v Speaker 1>in a while they get a beautiful itch scratch talking

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<v Speaker 1>about the late night show that they enjoy enjoyed so much.

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<v Speaker 1>The Church of Letterman or the Orthodox Letterman Church would Yes,

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<v Speaker 1>there certainly would be a lot of members. But that

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<v Speaker 1>being said, the he did transform, and I would I

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<v Speaker 1>would submit that the long form, you know, skills that

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<v Speaker 1>Dave has has is now showing us. Really at the

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<v Speaker 1>end of the day, I think it took a career

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<v Speaker 1>to build the skills that he has done. When it

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<v Speaker 1>has has gotten when it comes to this stuff, I

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<v Speaker 1>see him interviewing Sandler and it's it's an interesting thing.

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<v Speaker 1>We'll do an entire episode once. I want to wait

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<v Speaker 1>till you watch the entire episode if you can stomach it.

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<v Speaker 1>Because one of the things that you talk about is

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<v Speaker 1>the idea about how strong a dramatic actor Adam Sandler

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<v Speaker 1>actually is as opposed to being a comedian or being

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<v Speaker 1>a funny man. And and and I love the reoccurring

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<v Speaker 1>bit that that appears. Whether it's a bit or not,

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<v Speaker 1>I guess remains to be seen on your show where

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<v Speaker 1>you talk about that. They certainly talk about it in

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<v Speaker 1>the in in Dave's long form interview with them, But

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<v Speaker 1>more so I think back to the days you were

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<v Speaker 1>talking about, and I can remember Adam Sandler's first few

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<v Speaker 1>times on Late Night, and it's really cool to watch

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<v Speaker 1>Dave go back and talk to some of these people

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<v Speaker 1>that he has had a TV or a showbiz relationship

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<v Speaker 1>with for so long, and they can talk about some

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<v Speaker 1>of those early days and things like that and add

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<v Speaker 1>that as an element to the to the conversation. So

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<v Speaker 1>you and I can go really deep on the Adam

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<v Speaker 1>Sandler one and that'll be a lot of fun. But

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<v Speaker 1>they're all good. The Mister Beast episode is good, really

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<v Speaker 1>good in fact, especially for people who don't know who

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<v Speaker 1>Miss Beast is, you know, biggest broadcaster on the planet.

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<v Speaker 1>A lot of people still don't know who who he is.

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<v Speaker 1>I didn't know who Mister Beast was other than his name,

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<v Speaker 1>so it's interesting to hear Dave kind of come from

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<v Speaker 1>the curiosity standpoint with him. The Michael B. Jordan episode

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<v Speaker 1>very very good as well, very strong. I put that

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<v Speaker 1>up there with some of the other episodes of people

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<v Speaker 1>who I didn't know who they were, very very very

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<v Speaker 1>very well, like they weren't super familiar with me, and

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<v Speaker 1>and then you get a whole bunch of insights and

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<v Speaker 1>now you look at the body of work and some

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<v Speaker 1>of the things that this person has done, and it

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<v Speaker 1>adds dimensions to it. And Michael's did that with me.

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<v Speaker 1>But for me, the highlight of all of them was

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<v Speaker 1>the Jason Bateman episode. I mean that that episode to

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<v Speaker 1>me was absolutely perfect. By the way, it's not throwing

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<v Speaker 1>stuff off towers, but Dave is doing silly things a

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<v Speaker 1>little bit. In some of these episodes. He goes to

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<v Speaker 1>a hat shop in London. He smokes a cigar for

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<v Speaker 1>the first time ever. I smoked cigars because of David Letterman,

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<v Speaker 1>so I thought that was really really interesting. And then

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<v Speaker 1>of course at the end of the Bakman episode there's

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<v Speaker 1>an arrested development thing with Ron Howard in the whole

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<v Speaker 1>nine yards, and it seems fun big time is what

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<v Speaker 1>it felt like to me. So anyway, there's a sum

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<v Speaker 1>up of how I feel about that. We're gonna do

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<v Speaker 1>post mortems, Johnny and I will do a post mortem

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<v Speaker 1>on Adam Sandler. We're going to do post mortems on

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<v Speaker 1>the other three episodes with the appropriate guest as well.

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<v Speaker 1>Thank you for letting me monologue there for a second,

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<v Speaker 1>my friend. I appreciate It's been a while since I've

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<v Speaker 1>done one of these, so I needed to get that out.

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<v Speaker 1>Thank you.

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<v Speaker 2>Oh no, I feel bad. So I started to watch

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<v Speaker 2>the Sandler one, and you know, it's fine. It's just

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<v Speaker 2>that this is all about me and my sensibility. I

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<v Speaker 2>was recently thinking about. So I'm going to drop a

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<v Speaker 2>name that you know, unless you lived on the East

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<v Speaker 2>Coast at some point that I'm not aware of, you're

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<v Speaker 2>gonna have no idea what I'm talking about. But a

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<v Speaker 2>section of your viewership is going to know the name

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<v Speaker 2>Uncle Floyd. So Uncle Floyd had a uhchf show in

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<v Speaker 2>the eighties when you know, we didn't have cable and

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<v Speaker 2>Queen's so you played with the other knob and you

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<v Speaker 2>one night you come across this Uncle Floyd show an

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<v Speaker 2>editor at six o'clock and it's this dude from New

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<v Speaker 2>Jersey with a puppet with a lower budget than we're

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<v Speaker 2>using right now, Like at least you have a backdrop, right,

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<v Speaker 2>you know, maybe my setup with this stick on the window.

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<v Speaker 2>Maybe that was the budget of the Uncle Floyd show.

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<v Speaker 2>And he had a puppet and a couple other guys

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<v Speaker 2>from Jersey and they did pardon my French, half assed

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<v Speaker 2>sketches and a viewer mail type thing and it was

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<v Speaker 2>hilarious because it was just so anti and that's what

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<v Speaker 2>appeals to me. And if I go back to twelve thirty,

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<v Speaker 2>especially once God bless my godmother gave me, maybe for

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<v Speaker 2>my fifteenth or sixteenth birthday, a VCR, so I didn't

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<v Speaker 2>have to stay up till one o'clock every night. But

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<v Speaker 2>you know, you hand me an episode of Late Night

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<v Speaker 2>with David Letterman and you know from New York insert

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<v Speaker 2>joke here, it's Late Night with David Letterman, tonight's guest

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<v Speaker 2>Jason Bateman and you know, quirky guest on the back half.

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<v Speaker 2>I probably would have watched the opening, the Paul segment,

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<v Speaker 2>the desk piece, fast forwarded through the guests, and then

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<v Speaker 2>caught the middle weirdness when Chris Elliott came out and

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<v Speaker 2>did something and then bailed on the opp So that

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<v Speaker 2>was how I consumed the show. But that that's not

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<v Speaker 2>a ticket, Dave. That's just how I. That's where my

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<v Speaker 2>head is at, and that's one of the major influences

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<v Speaker 2>on how I approach everything creatively. Like that was formative

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<v Speaker 2>in my brain that things like Floyd on how you

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<v Speaker 2>do all this, like don't do don't try and do

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<v Speaker 2>Johnny's Tonight Show. Johnny did that already, Right, Let's deconstruct

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<v Speaker 2>this whole thing and do something crazy yep.

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<v Speaker 1>Yeah, and and and they they not only again we

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<v Speaker 1>talked about Dane at the beginning of this how he

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<v Speaker 1>kind of created a blueprint. Well that's what Dave did,

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<v Speaker 1>David company. They created a blueprint for you know, that

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<v Speaker 1>would influence all of entertainment and comedy and how we

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<v Speaker 1>view it and how we look at it. They added

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<v Speaker 1>that element of cynicism, which I just absolutely I'm an optimist.

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<v Speaker 1>I'm a natural optimist. I'm a positive guy. Uh but

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<v Speaker 1>I do have this cynicism streak in me and it

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<v Speaker 1>was given to me by David Letnerman, by by pro

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<v Speaker 1>wrestling as well. But but both of those things, I

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<v Speaker 1>thought that was a knee addition to that was something

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<v Speaker 1>that they brought to the table, that the idea of

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<v Speaker 1>of of kind of not trusting leadership a little bit

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<v Speaker 1>in a different way. Now, of course, it has ballooned

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<v Speaker 1>into you know, I think I think most people are

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<v Speaker 1>are are mostly cynical now or a lot of people

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<v Speaker 1>are mostly cynical now. But adding a little cynicism to

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<v Speaker 1>the to the comedy, I think was a phenomenal thing

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<v Speaker 1>to do. And then again, the celebration of failure. You know,

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<v Speaker 1>you talk about Floyd and and and what he did

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<v Speaker 1>well well, really, at the end of the day, the

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<v Speaker 1>idea of let's give a bunch of hooligans at television

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<v Speaker 1>studio and see what happens. You know, that's a that's

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<v Speaker 1>a that's a fun premise right there. Who knew that

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<v Speaker 1>that that that the guy who did it would probably

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<v Speaker 1>turn into or would turn into who is probably known

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<v Speaker 1>as the you know, the greatest broadcaster, uh, that we've

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<v Speaker 1>ever seen. That's how I see him anyway, you know,

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<v Speaker 1>I don't think anybody could have predicted that. But yeah,

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<v Speaker 1>it changed a culture. It really did. The kids in

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<v Speaker 1>college watching you know this show. Don Giller told me

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<v Speaker 1>a story and then and then a few of the writers,

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<v Speaker 1>uh you know, confirmed it the first time the show

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<v Speaker 1>went up to California. You know, when they when they

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<v Speaker 1>when they took it, they basically they were just kind

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<v Speaker 1>of doing the show. They had their heads down and

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<v Speaker 1>everybody was just trying to make stay on the air,

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<v Speaker 1>make the best show that they could make. And then

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<v Speaker 1>at some point they said, okay, let's take the show

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<v Speaker 1>to California. And when they took the show to California

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<v Speaker 1>and the crazed lineups for tickets for people to get

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<v Speaker 1>in the the the the insanity of what was going on,

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<v Speaker 1>lineups around the block and things like that, and the

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<v Speaker 1>staffers were just baffled by it. They had no idea

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<v Speaker 1>that they were taking an entire generation of of you know,

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<v Speaker 1>late baby boomers, early early gen xers and and kind

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<v Speaker 1>of steering what their comedic sensibility would be, you know,

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<v Speaker 1>for the next quarter century. It's it's remarkable what they did.

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<v Speaker 1>And uh, anyway, I'm just preaching to the choir when

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<v Speaker 1>it comes in.

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<v Speaker 2>Well, also, the box that Late Night was put in.

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<v Speaker 2>The things you can't do because Johnny does those you

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<v Speaker 2>can't use those, Yes, forced some creativity there. You can't

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<v Speaker 2>do a ten minute monolog all right, Well we got

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<v Speaker 2>to fill an hour. We got to come up with something,

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<v Speaker 2>and you know, all those little things just added up

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<v Speaker 2>to magic. Then when you get to eleven thirty in

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<v Speaker 2>the box, isn't there anymore? You can wear an o'mani

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<v Speaker 2>suit and wear shoes and look like a grown up,

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<v Speaker 2>you know, and we all age I guess, well, no,

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<v Speaker 2>I mean I'm wearing a hoodie. But you know, you know,

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<v Speaker 2>you start to take that step towards establishment. Letterman as

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<v Speaker 2>I call it. Now the Netflix show is Elder Statesman

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<v Speaker 2>Dave and again I just want to throw a watermelon

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<v Speaker 2>off a tower. More with Mike chishom in a second.

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<v Speaker 2>He hosts The Letterman Podcast, which you should check out.

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<v Speaker 2>Be right back, continuing my conversation with Mike Chisholm from

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<v Speaker 2>The Letterman Podcast. In this segment, we discussed some of

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<v Speaker 2>the factual inaccuracies in Dave Chappelle's recent special.

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<v Speaker 1>That's interesting how the people are calling him out for

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<v Speaker 1>some of the factual inaccuracies. Now, you don't hear that

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<v Speaker 1>happening to stand up very often.

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<v Speaker 2>Now. I guess the notable one was Hassan Minaj, And

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<v Speaker 2>you know that's a weird one. Here's a guy that

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<v Speaker 2>just seemed like the next daily show host, right. It

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<v Speaker 2>was just perfectly cast and probably would have done a

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<v Speaker 2>good job. And for some reason people took his stand

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<v Speaker 2>up special seriously and it went sideways, so that you know,

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<v Speaker 2>that whole thing was weird, you know, nitpicking Chappelle. Nitpicking

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<v Speaker 2>Chappelle about Representative McCain versus Senator McCain, I don't think

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<v Speaker 2>is a big deal. I do think Trump being the

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<v Speaker 2>one to pardon Jack Johnson is interesting and left out

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<v Speaker 2>of the story. But these were all just, you know,

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<v Speaker 2>choices we make. We edit on the fly doing the podcast.

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<v Speaker 2>Every day, I edit on the fly and just I

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<v Speaker 2>don't talk about things that just don't interest me, or I

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<v Speaker 2>don't want to go there. Just top of mine. As

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<v Speaker 2>we're recording this, there's a Russell Brand story in the news,

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<v Speaker 2>and I just don't want to go there. I try

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<v Speaker 2>and stylize my show as something fun to listen to,

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<v Speaker 2>especially in the morning, and some of the Russell Brand stuff,

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<v Speaker 2>I just I just don't want to go there. It's

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<v Speaker 2>not censorship, it's just choosing differently.

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<v Speaker 1>Yeah, oh yeah, which is, by the way, what freedom

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<v Speaker 1>speech is all about. Be able to just make a

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<v Speaker 1>choice and say no, I'm going to leave that and

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<v Speaker 1>everything's going to be fine. They can have that. I

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<v Speaker 1>can have this right and yeah, that's well.

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<v Speaker 2>Even like about the name of my show, Daily Comedy News, Yes,

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<v Speaker 2>you know, it's not The New York Times. Jason'sinnimon has

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<v Speaker 2>accused me of being a journalist, which I reject. Jason

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<v Speaker 2>to him, I'm not a journalist. I'm a dude in

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<v Speaker 2>a podcast, just talking to a microphone, and he goes, now,

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<v Speaker 2>I'm a journalist and I'm and is no like am

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<v Speaker 2>I talking about things in the news. Yes, but like

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<v Speaker 2>I don't consider myself any sort of you know, not

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<v Speaker 2>the Dan rather of comedy. It's just I don't know.

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<v Speaker 2>Here's some stuff. I go, well, and I'm going to

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<v Speaker 2>riff about it and kill twelve to twenty minutes and

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<v Speaker 2>go home and hope you had a good time. And

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<v Speaker 2>you know, some of it has said lighthearted and you know,

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<v Speaker 2>like we've talked about it, it's all real. I don't

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<v Speaker 2>actually I don't enjoy Adam Sandler comedies. As I've explained

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<v Speaker 2>to my audience repeatedly, I don't walk around all day

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<v Speaker 2>going I can't believe you made her get more to them.

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<v Speaker 2>So I met like, I just don't care. I'm not

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<v Speaker 2>going to watch it. The story where I forbade my

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<v Speaker 2>children from renting Jack and Jill and said that I

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<v Speaker 2>would rather light the five dollars on fire is a

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<v Speaker 2>true story. That's not even having to for effect. I

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<v Speaker 2>could none of I could turn home right now. I

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<v Speaker 2>could bring them in here and they'll tell you that

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<v Speaker 2>that's a thing that happened. So that is how I

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<v Speaker 2>feel about Sandler comedies. But do I play it up?

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<v Speaker 2>Of course, I play it up, just like the Joe

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<v Speaker 2>Coy bit or the Jay Leno bit or anything else.

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<v Speaker 2>These are just recurring Touchsdownes back to that lettermanesque sense

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<v Speaker 2>of humor of We're all in this together, and if

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<v Speaker 2>I'm doing the show right and I'm building a community,

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<v Speaker 2>you know where I'm going to go before I go there,

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<v Speaker 2>and that's part of the fun.

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<v Speaker 1>Yep, where did Chappelle end up on your list for

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<v Speaker 1>the year?

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<v Speaker 2>I have it like maybe like five. So my takeaway

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<v Speaker 2>on the Chappelle special was I compared it to you

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<v Speaker 2>sit down and watch a baseball game and your starting

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<v Speaker 2>pitchers just got it today, and you're like, oh, my goodness,

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<v Speaker 2>he's just untouchable today. And we're four innings in and

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<v Speaker 2>it's a no hitter, and he struck out nine guys

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<v Speaker 2>in the first four innings, and wow, this is just

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<v Speaker 2>gonna be unstoppable. And then you know it, hit happens

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<v Speaker 2>and then the starting pitcher leaves and gives up two

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<v Speaker 2>runs and seven innings with twelve strikeouts, which is a

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<v Speaker 2>great performance, but not the one you had in your

415
00:20:39.559 --> 00:20:43.079
<v Speaker 2>head an hour ago. And that's how I felt about Chappelle, Like, right,

416
00:20:43.119 --> 00:20:46.519
<v Speaker 2>a hit play. It looks great, it looks like a

417
00:20:46.599 --> 00:20:49.559
<v Speaker 2>major special. And Dave comes out and he commands the

418
00:20:49.599 --> 00:20:52.240
<v Speaker 2>stage and he's got something to say, which is very

419
00:20:52.240 --> 00:20:54.519
<v Speaker 2>important to me as a comedy snob. I want you

420
00:20:54.559 --> 00:20:57.160
<v Speaker 2>to have something to say, and he's got something to say,

421
00:20:57.519 --> 00:21:00.759
<v Speaker 2>and he's saying it. He's presenting it at as very

422
00:21:00.799 --> 00:21:03.920
<v Speaker 2>thoughtful and I'm hanging on every word and for the

423
00:21:03.960 --> 00:21:09.559
<v Speaker 2>first warnings, Holy cal this is the special. And by

424
00:21:09.599 --> 00:21:11.319
<v Speaker 2>the time I got to the end of it, it

425
00:21:11.480 --> 00:21:15.599
<v Speaker 2>was really good, but just didn't sustain the same way.

426
00:21:15.720 --> 00:21:17.799
<v Speaker 2>So I still have Mark Maron as the top special

427
00:21:17.839 --> 00:21:20.359
<v Speaker 2>of the year. Yeah, I think Maren that. I think

428
00:21:20.400 --> 00:21:23.240
<v Speaker 2>that's peek Maren, and Maren had something to say and

429
00:21:23.279 --> 00:21:26.319
<v Speaker 2>said it very well. I have Kevin hard at number two,

430
00:21:26.480 --> 00:21:31.039
<v Speaker 2>which is just silly fun, just joke jokes. Robbie Hoffman

431
00:21:31.119 --> 00:21:32.400
<v Speaker 2>special is very good.

432
00:21:32.640 --> 00:21:35.319
<v Speaker 1>It's very good. I watched it. I watched it as

433
00:21:35.359 --> 00:21:37.599
<v Speaker 1>a I hadn't it had n't my radar at all,

434
00:21:37.880 --> 00:21:39.519
<v Speaker 1>and listening to you talk about it, I watched it

435
00:21:39.559 --> 00:21:40.960
<v Speaker 1>and I was like, oh my god, Yeah, it was

436
00:21:41.119 --> 00:21:41.720
<v Speaker 1>very very good.

437
00:21:42.240 --> 00:21:45.440
<v Speaker 2>You know, So those are. There's plenty of fine specials.

438
00:21:45.440 --> 00:21:48.200
<v Speaker 2>And again, I am a comedy snob because of what

439
00:21:48.240 --> 00:21:52.799
<v Speaker 2>I did for ten years just listening to Everybody's a material,

440
00:21:52.839 --> 00:21:55.720
<v Speaker 2>the versions that they chose to release, listening to that

441
00:21:55.920 --> 00:21:58.119
<v Speaker 2>all day, every day, I can see the matrix. I

442
00:21:58.119 --> 00:22:00.880
<v Speaker 2>can see what you're doing. I understand why doing. I

443
00:22:00.960 --> 00:22:03.480
<v Speaker 2>get why people think it's funny. But like if you,

444
00:22:03.519 --> 00:22:07.079
<v Speaker 2>if you make me watch Sebastian Maniscalco's new special, I

445
00:22:07.319 --> 00:22:11.079
<v Speaker 2>totally understand why a random couple from suburban Philadelphia is

446
00:22:11.119 --> 00:22:12.880
<v Speaker 2>going out and having a good time at that show.

447
00:22:12.960 --> 00:22:15.799
<v Speaker 2>I get it, But I just I'm watching it. I'm like,

448
00:22:15.880 --> 00:22:18.880
<v Speaker 2>oh stop, I mean, just can you not make the

449
00:22:18.960 --> 00:22:21.799
<v Speaker 2>ridiculous faces? Can you tell a real story here somewhere?

450
00:22:23.440 --> 00:22:26.200
<v Speaker 2>But you know, Chappelle again and keeps saying the phrase

451
00:22:26.240 --> 00:22:28.960
<v Speaker 2>he's got something to say and that's why he's at

452
00:22:28.960 --> 00:22:29.640
<v Speaker 2>the top of the game.

453
00:22:30.240 --> 00:22:32.720
<v Speaker 1>Sebastian to me, and I love him, love him. But

454
00:22:32.799 --> 00:22:37.720
<v Speaker 1>to me, you go back to whichever special it was.

455
00:22:37.759 --> 00:22:41.119
<v Speaker 1>I want to say, it's like twenty fifteen, maybe is

456
00:22:41.480 --> 00:22:44.279
<v Speaker 1>the one where you talked about company the company did?

457
00:22:44.319 --> 00:22:45.000
<v Speaker 1>Do you remember that?

458
00:22:46.079 --> 00:22:46.359
<v Speaker 2>To me?

459
00:22:46.839 --> 00:22:49.160
<v Speaker 1>He looked at himself back then and decided to turn

460
00:22:49.160 --> 00:22:52.799
<v Speaker 1>the volume up to eleven on the character of yes, yes,

461
00:22:52.920 --> 00:22:55.920
<v Speaker 1>that Since then, it was nice when he had like

462
00:22:56.000 --> 00:22:59.920
<v Speaker 1>a little bit of the you know that that act,

463
00:23:00.279 --> 00:23:01.920
<v Speaker 1>that mob, the affict whatever you want to call it,

464
00:23:02.079 --> 00:23:05.519
<v Speaker 1>the affectation, thank you, that's perfect. Now it's just like

465
00:23:05.640 --> 00:23:09.200
<v Speaker 1>he's just he lives in it, and it's it's it's

466
00:23:09.240 --> 00:23:12.240
<v Speaker 1>it's lit up to ten. It should be back at four.

467
00:23:12.319 --> 00:23:13.799
<v Speaker 1>It should be a little more subdued. I think, I

468
00:23:13.799 --> 00:23:16.359
<v Speaker 1>don't know, that's just that's just my It's just more

469
00:23:16.359 --> 00:23:19.000
<v Speaker 1>of the same, right, And I don't know why I

470
00:23:19.640 --> 00:23:21.480
<v Speaker 1>have a problem with Sebastian doing it.

471
00:23:21.519 --> 00:23:26.680
<v Speaker 2>Whereas my friend Larry the Cable Guy Dan Whitney. You know,

472
00:23:26.759 --> 00:23:28.119
<v Speaker 2>here's a guy that if I called him right now,

473
00:23:28.119 --> 00:23:30.160
<v Speaker 2>who do my podcast like, you know, yep? Do we

474
00:23:30.200 --> 00:23:32.079
<v Speaker 2>hang out every day? No, But he's a friend. He's

475
00:23:32.079 --> 00:23:34.599
<v Speaker 2>not somebody I know. He's a friend. And I've been

476
00:23:34.640 --> 00:23:38.960
<v Speaker 2>backstage talking to Dan Whitney. And then he slips into

477
00:23:39.000 --> 00:23:41.680
<v Speaker 2>the Larry character, who speaks a little differently and as

478
00:23:41.720 --> 00:23:46.359
<v Speaker 2>a hot more of an accent. And I think we

479
00:23:46.400 --> 00:23:49.279
<v Speaker 2>all understand the Larry the Cable Guy character. First of all,

480
00:23:49.319 --> 00:23:52.440
<v Speaker 2>it's called Larry the Cable Guy. It's not ladies and

481
00:23:52.440 --> 00:23:54.559
<v Speaker 2>gentlemen Dan Whitney going up and doing that material. It's

482
00:23:54.640 --> 00:23:57.759
<v Speaker 2>it's something called Larry the Cable Guy that doesn't wear sleeves.

483
00:24:00.160 --> 00:24:02.680
<v Speaker 2>And I don't know if it's because Sebastian Meniscalco has

484
00:24:02.720 --> 00:24:07.440
<v Speaker 2>evolved from being Sebastian Maniscalco Italian American comic to Sebastian

485
00:24:07.519 --> 00:24:11.839
<v Speaker 2>the Italian Guy. Maybe it's that right, Maybe it's that

486
00:24:12.400 --> 00:24:12.720
<v Speaker 2>mm hm.

487
00:24:14.759 --> 00:24:17.079
<v Speaker 1>It's gonna be interesting to see what Gervas's special does

488
00:24:17.119 --> 00:24:17.640
<v Speaker 1>to the list.

489
00:24:18.319 --> 00:24:21.519
<v Speaker 2>Ricky knows what he's doing. He's trying to trigger people.

490
00:24:21.559 --> 00:24:25.000
<v Speaker 2>He successfully triggers people that he doubles down that he

491
00:24:25.039 --> 00:24:27.720
<v Speaker 2>triggered you, and it's your fault that you're triggered. He

492
00:24:27.799 --> 00:24:30.559
<v Speaker 2>understands what he's doing. But he's really good at I mean,

493
00:24:30.680 --> 00:24:34.720
<v Speaker 2>Chappelle's doing the same thing, and people just get really

494
00:24:34.799 --> 00:24:39.000
<v Speaker 2>irate at Ricky Gervas's specials. But they're pretty funny and

495
00:24:39.519 --> 00:24:41.920
<v Speaker 2>I can sit on the couch and understand what I'm watching,

496
00:24:42.000 --> 00:24:45.440
<v Speaker 2>right Like, I get what he's doing there. He's gonna

497
00:24:45.440 --> 00:24:47.279
<v Speaker 2>make some points and he's gonna push some buttons along

498
00:24:47.279 --> 00:24:48.880
<v Speaker 2>the way and hopefully we have a laugh, and we

499
00:24:48.920 --> 00:24:51.400
<v Speaker 2>go home, and then he goes and donates two million

500
00:24:51.440 --> 00:24:54.359
<v Speaker 2>dollars to the animal charity. So, you know, much like

501
00:24:54.440 --> 00:24:56.200
<v Speaker 2>Jay Leno. I'm not sure Ricky Gervas is the worst

502
00:24:56.240 --> 00:24:57.079
<v Speaker 2>person who ever lived.

503
00:24:57.400 --> 00:24:58.200
<v Speaker 1>Yeah, exactly.

504
00:24:58.519 --> 00:25:01.279
<v Speaker 2>Yeah, and that's your daily coming for today again, check

505
00:25:01.279 --> 00:25:04.000
<v Speaker 2>out the Letterman podcast. Mike is the host, a really

506
00:25:04.000 --> 00:25:06.119
<v Speaker 2>good guy. I always enjoyed chatting with him. And I'll

507
00:25:06.119 --> 00:25:08.400
<v Speaker 2>see you tomorrow.
