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<v Speaker 1>Old venture, adventure, intrigue, mystery romance starring Humphrey ball Guard

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<v Speaker 1>and Lauren becall together in the folk resetting of Tropical

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<v Speaker 1>Havanna and the Mysterious Islands of the Caribbeans.

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<v Speaker 2>Venture once again, the magic names of Humphrey Bogart and Lauren.

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<v Speaker 1>Bacall bring you, oh venture and the tale.

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<v Speaker 3>Of Mystery and Intrigue. Oh Joy, Oh joy? Who I

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<v Speaker 3>thought they've been doing all afternoons? Selah cut it out? Well,

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<v Speaker 3>the stop sniffing?

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<v Speaker 4>What else is there to do on the Isle of

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<v Speaker 4>Pines with sniff like the camp of balls dear Aunt

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<v Speaker 4>Emma used to keep in her hope chests. Hey, you

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<v Speaker 4>know what happened once, White Emma.

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<v Speaker 5>She was putting in her rocking chair love seat with

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<v Speaker 5>her boyfriend and justph ah, like Sailor's sniff waiting gets you, huh,

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<v Speaker 5>wondering what Rhoder's doing now, still carrying a little torch

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<v Speaker 5>for the girl.

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<v Speaker 3>I stop eating your heart out, baby Rode as the

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<v Speaker 3>girl I once knew, wrote as the girl that was

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<v Speaker 3>once beautiful, and she's still beautiful? Do you think so? Huh?

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<v Speaker 4>Watching her on our boat this morning, I thought so?

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<v Speaker 4>In a pail sort of way.

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<v Speaker 3>She looks like she's where her eyes burned, the whiteness

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<v Speaker 3>of her skin, the slow way she moves, and another

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<v Speaker 3>thing you'll hurt to yourself when she hides the bow

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<v Speaker 3>venture to bring her hair to the guile of Pines.

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<v Speaker 3>She said it was her last plan. What did you mean?

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<v Speaker 4>I don't know, lady, she write about her?

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<v Speaker 3>Look at her, said, he rode her, and I knew

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<v Speaker 3>her she would dance up to meet you. She looks

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<v Speaker 3>like she hardly has the strength to walk.

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<v Speaker 5>I rode her.

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<v Speaker 4>Do you have a good day? Yes, yes, and all

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<v Speaker 4>of it. Suddenly I don't know.

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<v Speaker 6>I can hardly walk.

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<v Speaker 7>He said.

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<v Speaker 4>It helped me on to the boot lee.

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<v Speaker 3>Sure, I'll carry her. Ah, that does it? Go on? Ella,

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<v Speaker 3>Let's get back to a banner, I sir, rode her. Yes, yeah,

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<v Speaker 3>lie down here, you said her day on the Isle

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<v Speaker 3>of Pines. It was your last fling. What'd you mean?

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<v Speaker 4>M M, I'm going to dine sleep?

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<v Speaker 6>Didn't you know I'm going to die.

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<v Speaker 5>I'm going to die. I'm staying to die, doctor hesitation,

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<v Speaker 5>and you'll be up.

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<v Speaker 4>Why you're slate shaman with rud and with me, missus Gonzales,

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<v Speaker 4>So I hear happy greeting, my charming. It's been a

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<v Speaker 4>long time plate since you've come to Rhodes's mother to

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<v Speaker 4>ask permission to be with Rhoda. I've missed you.

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<v Speaker 3>The sickness is Gonzales real sick.

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<v Speaker 5>You better get to whole hospital, Missus Gonzales right away.

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<v Speaker 4>I'll take care of her.

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<v Speaker 3>Just leave her alone with me.

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<v Speaker 4>She's had these selves before. I know just what to do.

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<v Speaker 4>All Road in, my poor darling.

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<v Speaker 3>That's yeah. We'll come back to see how Road is

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<v Speaker 3>making out of it.

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<v Speaker 4>So you're always more than welcome place if you'll come.

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<v Speaker 8>Out of this.

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<v Speaker 4>I thank you for bringing my child down to me.

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<v Speaker 4>You tried to get away from me, and it didn't work.

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<v Speaker 4>Your your flame was so concerned for you, you brought

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<v Speaker 4>you right back to your dear mother.

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<v Speaker 6>I just want to lie down somewhere where I'll never

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<v Speaker 6>see your face, never hear your phone.

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<v Speaker 4>Yell, J dying daughter, mine dying? Yell? Does your father

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<v Speaker 4>died the same the racing way that sudden ugly tempted.

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<v Speaker 5>And I want I die you, won't you? Mother?

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<v Speaker 4>Now think about it? And Rooda Rhoder, you talked to

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<v Speaker 4>Slaton that girl? What did you talk about but why

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<v Speaker 4>but you your father, you shouldn't have roder you want

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<v Speaker 4>them to join your dying. I'll think about that too.

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<v Speaker 4>I'm so glad you too came back to wanting to

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<v Speaker 4>see Rhoda.

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<v Speaker 5>She's out here on the patio, Uh.

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<v Speaker 4>Rhoda, Rhoda, dear the slate and missus Isla here you're

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<v Speaker 4>looking well this morning.

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<v Speaker 3>All of the men say that she's asleep. That's what

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<v Speaker 3>looks like.

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<v Speaker 4>That, missus.

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<v Speaker 3>Father are they're gonna do a doctor?

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<v Speaker 8>She won't letther.

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<v Speaker 3>I know it's not a lot of my business. But

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<v Speaker 3>a long time ago, when your first husband was living,

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<v Speaker 3>wrote his father, doctor Burkey. Remember when doctor Burke looked

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<v Speaker 3>the same way when he died. You know what my

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<v Speaker 3>daughter says of me, don't you?

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<v Speaker 4>She says I killed her father.

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<v Speaker 5>She reviled me from marrying you again, exclaim her doctor.

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<v Speaker 4>He said, I'm a murderers you are, mother, Roda? Did

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<v Speaker 4>you think I was sleepy? I was my father's name.

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<v Speaker 4>Awaken me.

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<v Speaker 5>I was dread of him.

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<v Speaker 4>She did kill him late.

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<v Speaker 5>I could do my word the way she's killing me.

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<v Speaker 3>Why don't you too just leave? What do you mind

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<v Speaker 3>if I talk to your.

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<v Speaker 4>My new husband is he's a dentist too, you know

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<v Speaker 4>that's my first one.

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<v Speaker 3>That's just dandy for the Daniel profession. Oh, I want

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<v Speaker 3>to talk.

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<v Speaker 4>To him if it makes you happy.

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<v Speaker 3>And doctor Gonala, where's his office?

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<v Speaker 5>That room over there is Rhoda's bedroom, my father's bedroom.

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<v Speaker 4>Yes, doctor Burke's old bedroom. Rhoda took it when he died.

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<v Speaker 3>The office is right next to it, heyl. I keep

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<v Speaker 3>your eye on Rhoda. I'll see you later.

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<v Speaker 7>If I were not so disturbed, we probably the tragedy.

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<v Speaker 7>Signor Shannon, perhaps I could speak with you and paid

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<v Speaker 7>it proper attention. On the other hand, if you wish

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<v Speaker 7>to discuss you by custy.

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<v Speaker 3>Held my bicash was out of a doctor, hesaid, you

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<v Speaker 3>had your personal tragedy like what, for instance, uh the

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<v Speaker 3>death of the tooth gold from me two days ago.

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<v Speaker 7>Many carrots for a dentist.

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<v Speaker 3>Pieces tragedy and likes to make her cry too. But

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<v Speaker 3>about Rotter, even now there is insight him my office.

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<v Speaker 7>He detective, sticking his nose into my dreels, my instrument cabinet,

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<v Speaker 7>swiveling up and down in my beautiful chair in such

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<v Speaker 7>a way he must look for cruise, he says.

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<v Speaker 3>I think guy Paper will put my eye on him.

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<v Speaker 3>He might let the man have another swaddle. You're talking

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<v Speaker 3>to me about Rod the rudder. Uh see pop received

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<v Speaker 3>the poor one. She's dying. Why you watch a lovely girl,

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<v Speaker 3>the girl who is not of you her stepfather, but

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<v Speaker 3>of her mother and the first husband. You watch her

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<v Speaker 3>and you know she dies. Who can explain this? Why?

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<v Speaker 3>When I heard Rod her before, she was strolling off

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<v Speaker 3>over the life. It is hard for a man to

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<v Speaker 3>keep up you. So in your office, your doctor, I

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<v Speaker 3>give it back to you.

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<v Speaker 4>You'll find the sea.

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<v Speaker 3>You will be back to me, my gold.

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<v Speaker 1>My patients are walking with plastic.

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<v Speaker 3>You'll empty too gently till I find your Ah. Then

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<v Speaker 3>you're Shannon. Do we not know each other? Yeah? Yeah, Marchael.

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<v Speaker 3>Last time we met you were making chalk marks on

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<v Speaker 3>my tires. But nah, I'm a detective and I searched

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<v Speaker 3>for dentist goals. I come up any world that's free.

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<v Speaker 3>Please don't be me sing you spleepy, but my good

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<v Speaker 3>patience and your lack of patience, Uh, Senior Shannon, and

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<v Speaker 3>I whisper a word? Would you be sure I haven't

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<v Speaker 3>whispered that all day. I'll hear in the hallways in

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<v Speaker 3>your you want to task me for gold marker and

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<v Speaker 3>the conqueror singion, I give you gold. We've you're gonna

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<v Speaker 3>tell me to get out of here too on the

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<v Speaker 3>busn't then you're because you look like a picture of help.

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<v Speaker 3>Stay that way, especially keep away from mules it. You

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<v Speaker 3>know she's gonna ram exact well huh but me, he

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<v Speaker 3>is noted. I give you gorles I meet though you

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<v Speaker 3>did not help the moderate to it. He bes your life,

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<v Speaker 3>he dis your debt. I uh, oh, yeah, well it

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<v Speaker 3>is when I.

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<v Speaker 5>Walk on the beach at night, I don't like to

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<v Speaker 5>hurry say yeah what. That's because he used to know

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<v Speaker 5>road he let's be close.

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<v Speaker 3>Because every time I go to help her, I get

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<v Speaker 3>slapped in the mouth with the butt. Well you want

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<v Speaker 3>me to do? Pick my head and the sand, make

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<v Speaker 3>out like nothing's happening.

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<v Speaker 4>Just climb your seat and the sand. Stay that's right,

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<v Speaker 4>Stay there. I wanta talked to you about what about nothing?

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<v Speaker 4>You don't likes to talk about nothing. Sometimes she likes

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<v Speaker 4>to take advantage. She finds herself in a situation like this,

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<v Speaker 4>food and beech doom, the land she sort of like.

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<v Speaker 3>You wanna know something hidden? All right at the moment,

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<v Speaker 3>I can do without. Hey, way, hippopact. You are right.

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<v Speaker 4>You ain't stand us? All right, I'm alright.

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<v Speaker 3>I just say where you are, don't move. I just

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<v Speaker 3>lie there.

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<v Speaker 4>I say that. What are you going to do?

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<v Speaker 3>I'm gonna stand up. I wanna see if I'm as

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<v Speaker 3>attractive as I was the gun fire.

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<v Speaker 4>It's a lot attractive. Uh.

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<v Speaker 3>Well, A shot at us? Think she got us? He

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<v Speaker 3>give me a hand out, help you out?

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<v Speaker 5>Did you say it was in my mind?

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<v Speaker 3>In my mind, I got a pretty good look at him?

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<v Speaker 4>Makes you think it was mark us? Nice?

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<v Speaker 3>Heave me? Not of a wisdom one. So guy like

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<v Speaker 3>Marco has to prove his point. Come one, the guy

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<v Speaker 3>at the headquarters an apartment twelve. He said, this is

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<v Speaker 3>an apartment twelve. See here's one and two side by side.

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<v Speaker 4>That makes shut up, comedian.

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<v Speaker 3>Don't you hear that?

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<v Speaker 4>Come on?

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<v Speaker 2>I didn't I didn't do it.

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<v Speaker 4>I didn't do it.

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<v Speaker 6>I wasn't in the room.

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<v Speaker 1>I didn't kill him.

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<v Speaker 3>Mancrel Marco, what does it? He's dead? Bullet toys, throat open,

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<v Speaker 3>something in his hands, out a clump of gold well

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<v Speaker 3>that's a way to die, huh, sayla bullet near throat

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<v Speaker 3>full of gold.

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<v Speaker 2>Now back to bol venture, our stars Comprivlegard and Lauren McCall.

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<v Speaker 1>And the second act of our story.

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<v Speaker 3>Hey, you will.

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<v Speaker 8>Formit me this cool glass of mineral water. The hot

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<v Speaker 8>breath of both of you has been fanning my face

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<v Speaker 8>so long. That keep your ears open while you set out,

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<v Speaker 8>so we'll get through your brain that wrote I couldn't

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<v Speaker 8>have killed Marco? Why have I incarcerated her? Why have

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<v Speaker 8>I had her cost whom in prisoned?

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<v Speaker 3>Demons?

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<v Speaker 8>You say to me that Senorita Roda could not kill,

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<v Speaker 8>but you yourselves find her standing over my freshly murdered

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<v Speaker 8>detective with sut your bird in my hand. Why should

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<v Speaker 8>I go beating up bushes?

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<v Speaker 3>He whever you want to do? That a cell? The

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<v Speaker 3>way I hear it, your attacked Marco was quite a

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<v Speaker 3>boy for hiding behind hedges, behind sand dunes too. You

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<v Speaker 3>are saying that Marco was on savory. Marco was found

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<v Speaker 3>dead with his gun and his holster, wasn't he as

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<v Speaker 3>all good policemen should die with holsters on any pullet's

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<v Speaker 3>messing out of that gun. See as a matter of

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<v Speaker 3>fact see prey bullets meeting. However, that Marco was one

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<v Speaker 3>for target practice.

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<v Speaker 4>I'm glad he didn't practice more often.

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<v Speaker 3>He missed me as usual, Senor Snon, you will have

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<v Speaker 3>to translate for me. He means, the next time he

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<v Speaker 3>goes sand craving that point of air, he looked for

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<v Speaker 3>three empty shells. If a Marco's gun he shot at us,

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<v Speaker 3>I'll answer your question. Yeah, Marco was unsavory.

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<v Speaker 4>Not only that, he was distasteful when he was a

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<v Speaker 4>clap and classic to tell. Did you ever have a

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<v Speaker 4>mirrored you from the seat of a three wheeler?

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<v Speaker 3>Anyhow, you better get a skiller lassalle or your course

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00:14:07.399 --> 00:14:09.559
<v Speaker 3>might come down with an epidemic of that stuff. I

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<v Speaker 3>have his murderer, the girl Roda. She can give me

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<v Speaker 3>no reason for being with Mark. I'll find a reason.

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<v Speaker 3>I don't forget. Rhoda is dying, she's being killed. She

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<v Speaker 3>has wet my shoulder with tears of this story. Also,

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<v Speaker 3>Signor Channon, how her mother attempts to kill her. Our

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<v Speaker 3>mother killed her father, the dentist doctor Burke.

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<v Speaker 4>Oh, maybe her mother did. We've seen her talk to him.

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<v Speaker 8>And on this you base such violent accusation. You should

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<v Speaker 8>blush no, Senorita the vaal the painless. Then as doctor

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<v Speaker 8>Birth died of lupinia. A medical examiner established it too

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<v Speaker 8>because we also were curious of the manner of his death,

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<v Speaker 8>and that leaves Rhoda.

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<v Speaker 3>We have her future plan for her in my prison.

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<v Speaker 3>Why do you disturb ah, Senora Gonzales, please to come

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<v Speaker 3>in k you.

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<v Speaker 8>You know Channon and the Senorita go Wal. They wish

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<v Speaker 8>also to convince me that your brother did not kill

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<v Speaker 8>I know them.

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<v Speaker 4>And I'm grateful to them as single as all. My

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<v Speaker 4>lawyer got me a red ordering you to release Rhodens.

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<v Speaker 3>She should be at home for her meet me to

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<v Speaker 3>observe this threat.

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<v Speaker 4>Grass m hmm.

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<v Speaker 3>It is an order the girl released to you. But

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<v Speaker 3>I questioned, Senora, do not let us sleep from your

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<v Speaker 3>motherly fingers.

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<v Speaker 4>They wait on the isle of lime or girls so young?

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<v Speaker 4>Who you to the climb?

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<v Speaker 1>The girl who died for they last thing before death,

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<v Speaker 1>her long.

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<v Speaker 4>Do things and every bird this day she goes.

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<v Speaker 1>That's allow might be all on her fools, Oh father the.

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<v Speaker 4>First then detective mind up the shooting bullet drum dunes

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<v Speaker 4>of times you're poking.

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<v Speaker 3>My wish worked through and my wish is for you

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<v Speaker 3>to leave it alone.

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<v Speaker 4>Claire, big time operator. You got hold of a low

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<v Speaker 4>price grief and you can't let it go. Huh. You

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<v Speaker 4>have to stick around and be shot at one of

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<v Speaker 4>these days. You're not going to recover from her.

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<v Speaker 3>And there must be other places in the vanna you

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<v Speaker 3>could spoil so they don't. Why don't you go spoil one?

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<v Speaker 4>The road is dying. Let's conceive the point. And her

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<v Speaker 4>father's dead and Marco's dead. Let's bunch them all together

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<v Speaker 4>and make a bouquet out of them slates you wanna wake,

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00:16:38.120 --> 00:16:39.559
<v Speaker 4>Let's have a big one while we're at it.

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<v Speaker 3>I never busted you one before. Now seems a good

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<v Speaker 3>time do it.

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<v Speaker 4>Maybe it'll bring you to Maybe it'll make you remember

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<v Speaker 4>the kind of man you really are.

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00:16:48.279 --> 00:16:50.240
<v Speaker 3>I wouldn't know about that, you tell.

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<v Speaker 4>Me, kind of man who can take gold out of

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<v Speaker 4>a dead man's hand and not tell the police about it.

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<v Speaker 5>Kind of man who tears a girl apart.

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<v Speaker 4>Go on busting one slate? I deserve it.

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<v Speaker 3>Come here, osa.

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<v Speaker 5>You going to hit me?

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00:17:11.519 --> 00:17:13.200
<v Speaker 3>I want to whisper to you why I kept the

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00:17:13.319 --> 00:17:16.440
<v Speaker 3>gold so I can try it back to dentist Gonzales

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00:17:16.480 --> 00:17:26.279
<v Speaker 3>for a few answers. You want to come along, let

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00:17:26.440 --> 00:17:28.480
<v Speaker 3>me compliment you send your signority.

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00:17:28.759 --> 00:17:30.319
<v Speaker 1>Where did you find my goals?

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00:17:30.680 --> 00:17:33.359
<v Speaker 4>You're not trying to believe this semior dentist, but it

291
00:17:33.480 --> 00:17:35.640
<v Speaker 4>was wrapped inside a dead man's hands.

292
00:17:36.519 --> 00:17:37.359
<v Speaker 2>What do you see?

293
00:17:37.640 --> 00:17:40.200
<v Speaker 3>He attention when Sarah talks to him. A dead man

294
00:17:40.279 --> 00:17:43.160
<v Speaker 3>had it a man named Marco? What's happening around here

295
00:17:43.200 --> 00:17:45.200
<v Speaker 3>that a man named Marco takes a few shots at

296
00:17:45.240 --> 00:17:47.400
<v Speaker 3>me and diet for Oh, you are making of these

297
00:17:47.440 --> 00:17:50.519
<v Speaker 3>business a petty kit something that it is not? You

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00:17:50.680 --> 00:17:51.519
<v Speaker 3>are you play.

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00:17:51.359 --> 00:17:54.559
<v Speaker 4>Attention to slight too? He said, Marco? And you didn't

300
00:17:54.599 --> 00:17:54.799
<v Speaker 4>do a.

301
00:17:54.839 --> 00:17:55.880
<v Speaker 5>Thing I didn't see.

302
00:17:56.119 --> 00:17:59.920
<v Speaker 1>I raised an eyebrow, whether slightly I raised the signory.

303
00:18:00.119 --> 00:18:02.960
<v Speaker 3>Uh huh. And one more thing, my dad is friend

304
00:18:03.519 --> 00:18:04.799
<v Speaker 3>that middlevid were my wife?

305
00:18:04.880 --> 00:18:05.000
<v Speaker 4>Uh?

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00:18:05.160 --> 00:18:07.200
<v Speaker 1>You are confusing between the conversation.

307
00:18:07.559 --> 00:18:09.680
<v Speaker 4>What was my wife to do with it? Maybe you

308
00:18:09.720 --> 00:18:12.359
<v Speaker 4>ought to ask her. I take a little time off

309
00:18:12.440 --> 00:18:13.640
<v Speaker 4>some scrubbing benches and.

310
00:18:13.720 --> 00:18:16.839
<v Speaker 5>Ask her how well she knew Marco? Would you do that, slave?

311
00:18:17.160 --> 00:18:17.759
<v Speaker 4>Yeah? I would.

312
00:18:18.359 --> 00:18:20.640
<v Speaker 3>I crossed my arms over my chest and jet out

313
00:18:20.720 --> 00:18:24.200
<v Speaker 3>my jaw and say now that what's going on? What

314
00:18:24.400 --> 00:18:27.799
<v Speaker 3>is it? With you and Marco. You see he say, well, look,

315
00:18:28.440 --> 00:18:31.640
<v Speaker 3>man's eyebrows just did it again? Excuse me?

316
00:18:34.200 --> 00:18:36.359
<v Speaker 4>I think you gave the man something to worry about.

317
00:18:36.440 --> 00:18:38.799
<v Speaker 3>Slave, I took a man's murder to convince you didn't it.

318
00:18:38.960 --> 00:18:40.960
<v Speaker 3>She convinced me to do what But I was right

319
00:18:41.039 --> 00:18:42.519
<v Speaker 3>all the time that I had a reason to be

320
00:18:42.599 --> 00:18:45.599
<v Speaker 3>bothered about Rhoda. But there's something wrong in this house,

321
00:18:45.680 --> 00:18:56.799
<v Speaker 3>something evil, something, Come on, say it? Yeah, yeah, he's dead,

322
00:18:56.880 --> 00:18:58.559
<v Speaker 3>all right? What happens to.

323
00:19:02.279 --> 00:19:05.960
<v Speaker 4>Lloa? And did everything dies that.

324
00:19:06.079 --> 00:19:20.599
<v Speaker 3>You cut it off? That's better? Now tell me what happened.

325
00:19:21.039 --> 00:19:23.079
<v Speaker 4>I was in my room. I heard the shutter.

326
00:19:23.359 --> 00:19:24.839
<v Speaker 5>I can't hear was a longer.

327
00:19:25.279 --> 00:19:26.119
<v Speaker 4>Daughter's mad?

328
00:19:26.920 --> 00:19:30.160
<v Speaker 3>And if she killed he didn't kill him? The powder burns,

329
00:19:30.200 --> 00:19:32.119
<v Speaker 3>the attitude of his body, the gun in his hands.

330
00:19:32.359 --> 00:19:35.920
<v Speaker 5>She kills me. You you you killed him?

331
00:19:36.000 --> 00:19:36.240
<v Speaker 3>Mother?

332
00:19:37.200 --> 00:19:38.960
<v Speaker 4>When am I going to die.

333
00:19:49.920 --> 00:19:50.599
<v Speaker 3>Your side?

334
00:19:51.319 --> 00:19:52.799
<v Speaker 4>Thanks all the town on this.

335
00:19:53.039 --> 00:19:56.519
<v Speaker 8>I would bet my bottom facil doctor Becausals killed himself

336
00:19:56.759 --> 00:19:58.960
<v Speaker 8>because they could not stand anything that you bothered him

337
00:19:59.000 --> 00:20:01.519
<v Speaker 8>with the thought of his wife and another man.

338
00:20:02.160 --> 00:20:04.640
<v Speaker 4>Like you said, Slave, just inklinged him.

339
00:20:04.720 --> 00:20:08.640
<v Speaker 5>The sow even suggested that murder Marker was seeing each other,

340
00:20:09.480 --> 00:20:11.039
<v Speaker 5>it's when does the man put a bullet in his

341
00:20:11.119 --> 00:20:12.799
<v Speaker 5>brain to something as flensy as that?

342
00:20:13.440 --> 00:20:14.440
<v Speaker 4>Since when you.

343
00:20:14.519 --> 00:20:18.119
<v Speaker 8>Do not understand Cuban gentleman Senorita. If someone told me

344
00:20:18.200 --> 00:20:20.079
<v Speaker 8>that night Senora was making flutters with a cover of

345
00:20:20.160 --> 00:20:22.200
<v Speaker 8>yellow the opposite six, I would.

346
00:20:22.319 --> 00:20:25.160
<v Speaker 3>I lazy personal life out of this. For soal you

347
00:20:25.279 --> 00:20:28.519
<v Speaker 3>still think doctor Gonzales was a sure sign hunter, or

348
00:20:28.599 --> 00:20:31.920
<v Speaker 3>especially so I have suspent it on the file. Get

349
00:20:31.960 --> 00:20:34.119
<v Speaker 3>out your race of a sow. Our file is going

350
00:20:34.160 --> 00:20:35.400
<v Speaker 3>to be changed to murder.

351
00:20:47.799 --> 00:20:50.119
<v Speaker 4>Two o'clock in the morning. Slate are we hanging a

352
00:20:50.200 --> 00:20:51.200
<v Speaker 4>on the Gonzales home?

353
00:20:51.559 --> 00:20:54.400
<v Speaker 3>It goes like this, go on to premise that melded

354
00:20:54.480 --> 00:20:56.640
<v Speaker 3>his first husband, doctor Burke was murdered.

355
00:20:56.799 --> 00:20:58.480
<v Speaker 4>Going any promise you want me to slate?

356
00:20:58.960 --> 00:21:02.160
<v Speaker 3>Okay? Doctor Burke mented because Mildred wanted him out of

357
00:21:02.200 --> 00:21:03.680
<v Speaker 3>the way so she could marry Againstzalees.

358
00:21:03.880 --> 00:21:04.759
<v Speaker 4>So she married him.

359
00:21:04.880 --> 00:21:07.119
<v Speaker 3>So and then as Marco also.

360
00:21:06.960 --> 00:21:10.279
<v Speaker 4>Made also mighty do you know why black man huh?

361
00:21:10.799 --> 00:21:14.160
<v Speaker 3>Marco was collecting these as Marco was bleating NodD because

362
00:21:14.160 --> 00:21:17.119
<v Speaker 3>he knew she killed Rhoder's father. Oh and look I

363
00:21:17.240 --> 00:21:18.440
<v Speaker 3>saw we were getting too close.

364
00:21:18.480 --> 00:21:19.200
<v Speaker 4>He shot at us.

365
00:21:19.279 --> 00:21:22.279
<v Speaker 3>Yeah, and I'll tell her some more. I figure after

366
00:21:22.319 --> 00:21:24.960
<v Speaker 3>a while murdered, ran out of money. M that's at well,

367
00:21:25.079 --> 00:21:27.160
<v Speaker 3>so what's happened to us? She tried to find Marco

368
00:21:27.160 --> 00:21:29.200
<v Speaker 3>would gold a couple of hundred bucks worth. She looked

369
00:21:29.240 --> 00:21:32.680
<v Speaker 3>at Ventis Gonzales. Marco smeared at it. Meldred killed him.

370
00:21:33.160 --> 00:21:36.680
<v Speaker 3>Gonzalez suspected she killed him too a promise.

371
00:21:36.799 --> 00:21:36.960
<v Speaker 7>Huh.

372
00:21:37.400 --> 00:21:40.079
<v Speaker 3>So what was Walder doing with Marco? Marko was seeing

373
00:21:40.119 --> 00:21:43.200
<v Speaker 3>her mother Rod wanted to find out why she found

374
00:21:43.279 --> 00:21:45.440
<v Speaker 3>him dead m and got blamed for the murder.

375
00:21:45.839 --> 00:21:47.240
<v Speaker 5>Why doesn't Rder let her go at that?

376
00:21:47.759 --> 00:21:50.880
<v Speaker 3>Because maybe one 'em by somebody would believe brought her.

377
00:21:51.519 --> 00:21:54.119
<v Speaker 3>But Meldred killed doctor Burke I had.

378
00:21:54.039 --> 00:21:55.680
<v Speaker 5>To break the news to his slave. But it's a

379
00:21:55.759 --> 00:21:59.200
<v Speaker 5>lousy theory. Not the brick bride of LEUKEYA the South

380
00:21:59.319 --> 00:22:00.799
<v Speaker 5>told us what's out sea?

381
00:22:01.720 --> 00:22:03.640
<v Speaker 3>Sat a look the light that went on and Gonzale's

382
00:22:03.640 --> 00:22:09.319
<v Speaker 3>office come on, Yeah, here's this French window and you

383
00:22:09.359 --> 00:22:14.799
<v Speaker 3>see through the kittens? Do I get in there? Yeah? Yeah,

384
00:22:14.839 --> 00:22:15.640
<v Speaker 3>of course she's doing.

385
00:22:16.400 --> 00:22:17.920
<v Speaker 4>She must go off her workers night.

386
00:22:18.480 --> 00:22:20.519
<v Speaker 3>What did she do on that X ray machine? X?

387
00:22:20.599 --> 00:22:22.480
<v Speaker 4>Well? All the rose Let's.

388
00:22:22.319 --> 00:22:24.400
<v Speaker 3>Say there was the least man. How to poison somebody

389
00:22:24.480 --> 00:22:27.359
<v Speaker 3>without leaving a trace. If I was done contender, this

390
00:22:27.519 --> 00:22:31.599
<v Speaker 3>X ranging will cause lookemia. What Yeah, you're watching them out,

391
00:22:31.599 --> 00:22:34.039
<v Speaker 3>they're being committed. I still don't get him X rays,

392
00:22:34.079 --> 00:22:36.799
<v Speaker 3>So go through eight feet of concrete road. Is sleeping

393
00:22:36.839 --> 00:22:38.440
<v Speaker 3>on the other side of that wall in the same

394
00:22:38.559 --> 00:22:41.920
<v Speaker 3>room or father slept? Watch off with the flying glass ellery.

395
00:22:47.240 --> 00:22:49.640
<v Speaker 3>Oh what's the means to get making it one side?

396
00:22:49.720 --> 00:22:50.000
<v Speaker 4>Honey?

397
00:22:50.359 --> 00:22:52.759
<v Speaker 1>I get away from my machine and cream here.

398
00:22:55.480 --> 00:22:57.920
<v Speaker 3>Ah, it looks better lying on the floor like that.

399
00:22:58.240 --> 00:22:59.519
<v Speaker 4>What that machine caught side?

400
00:22:59.599 --> 00:23:00.480
<v Speaker 3>Machine was killing?

401
00:23:01.000 --> 00:23:03.160
<v Speaker 4>Oh you're both crazy. Kill him?

402
00:23:03.160 --> 00:23:06.720
<v Speaker 3>What you say some pimise, I said, I doctor Burke

403
00:23:06.799 --> 00:23:08.599
<v Speaker 3>died of looking all right? And this is what did

404
00:23:08.640 --> 00:23:10.720
<v Speaker 3>he do him? And this is what's doing at the roder?

405
00:23:10.960 --> 00:23:11.720
<v Speaker 5>What color you killed?

406
00:23:11.759 --> 00:23:13.680
<v Speaker 4>Gunjallas with a gun? There whel a.

407
00:23:13.680 --> 00:23:14.319
<v Speaker 5>Wrap of mood.

408
00:23:14.599 --> 00:23:16.400
<v Speaker 4>I'll kill you, I'll kill you.

409
00:23:16.880 --> 00:23:20.319
<v Speaker 5>I will get you right that you can da luda

410
00:23:20.440 --> 00:23:20.839
<v Speaker 5>kills him?

411
00:23:21.160 --> 00:23:21.599
<v Speaker 4>Kill him?

412
00:23:21.720 --> 00:23:25.640
<v Speaker 6>Tell them what what they already know that you murdered

413
00:23:25.720 --> 00:23:27.039
<v Speaker 6>my father and my stepfather.

414
00:23:27.240 --> 00:23:27.759
<v Speaker 4>Mock on me.

415
00:23:28.880 --> 00:23:33.200
<v Speaker 3>Tell them that the order sailor call a child and

416
00:23:33.359 --> 00:24:03.839
<v Speaker 3>go home. I'll meet you there. Oh joy, Joy, Joy,

417
00:24:05.519 --> 00:24:07.440
<v Speaker 3>you're doing it again, Saylor, What.

418
00:24:07.519 --> 00:24:09.200
<v Speaker 4>Can bring me back to the Isle of Pines for?

419
00:24:09.880 --> 00:24:11.920
<v Speaker 4>You know, there's nothing else to do here but sniff.

420
00:24:12.279 --> 00:24:14.599
<v Speaker 5>I'm not sniffing, And then you're not having any fun.

421
00:24:14.839 --> 00:24:16.799
<v Speaker 3>We come to one of the most beautiful islands in

422
00:24:16.839 --> 00:24:21.359
<v Speaker 3>the Caribbean and you stay fun is sniffing pine needles? Oh, sailor,

423
00:24:21.480 --> 00:24:25.240
<v Speaker 3>you need therapy. You need to bring some Yeah, come here.

424
00:24:26.880 --> 00:24:28.720
<v Speaker 4>Like that lost therpy.

425
00:24:28.880 --> 00:24:34.920
<v Speaker 5>Please all right, more sarapy doctor. I'll be a raising

426
00:24:35.000 --> 00:24:36.519
<v Speaker 5>idiot in no time at all.

427
00:24:42.599 --> 00:24:46.519
<v Speaker 2>And so our two stars, Humpayball Guard and Lauren Bacall

428
00:24:46.799 --> 00:24:50.119
<v Speaker 2>have brought to a close our latest old venture story.

429
00:24:50.799 --> 00:24:54.519
<v Speaker 1>Special music was composed and conducted by David Rose. May

430
00:24:54.599 --> 00:24:56.720
<v Speaker 1>we invite you to listen again next week at this

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<v Speaker 1>time or another exciting adventure. Sorry, I'm stable. Guards and

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<v Speaker 1>Lauren the Call together in O Venture
