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<v Speaker 1>Is this one light in Bangkok? Yep.

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<v Speaker 2>It is Murray Head's birthday today, digging deep for the

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<v Speaker 2>rock birthdays. Here he seventy nine today.

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<v Speaker 3>I remember the queens we have will not amuse you.

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<v Speaker 3>Somebody says something like that.

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<v Speaker 1>Yeah, yeah, I.

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<v Speaker 3>Gotta say I like the song, such a great pop hit,

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<v Speaker 3>melody signature riffs. I wrote this, actually, remember you tell

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<v Speaker 3>me you wrote that.

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<v Speaker 1>Comedian Tom Maybe joins the show. That's Dave Jennings. I'm

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<v Speaker 1>Dwight Whitting and right next to my left here is

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<v Speaker 1>Tom Mabe said it earlier. Man, nobody, I swear to.

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<v Speaker 3>Do you use the word reinvent like I'm trying to

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<v Speaker 3>find myself?

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<v Speaker 1>No, no, no, nobody reinvents comedy like you and here

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<v Speaker 1>and here's what I mean. Everybody hates telemarketers, So tell

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<v Speaker 1>themarketers start calling the house. You say, you know what,

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<v Speaker 1>I'm a goof on them and record it. Nobody's you know,

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<v Speaker 1>nobody's done that. You did it, and man, it was

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<v Speaker 1>wildly successful.

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<v Speaker 3>Wild I remember being down on Barstown Road and going

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<v Speaker 3>to like I went to. I remember going to it

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<v Speaker 3>used to be a galleria where you're radio. Yeah, yeah,

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<v Speaker 3>I remember going to all these record stores your ecstasy

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<v Speaker 3>and you see you would see like you know, Garth

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<v Speaker 3>Brooks number three and the Strawberry one, number two, I

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<v Speaker 3>forget her name, and then number one was Tom Mabe

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<v Speaker 3>And I'm.

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<v Speaker 1>Like, how does that make you feel? Man? Because that's

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<v Speaker 1>back when they would scan cee these that I sound

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<v Speaker 1>and they would rank them where they were, and.

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<v Speaker 3>They go to sound scan and every Wednesday would be

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<v Speaker 3>get a sound scan and see what they were.

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<v Speaker 1>And somehow you become number one on the charts.

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<v Speaker 3>It was a fluke. It was such a fluke because

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<v Speaker 3>it was bittersweet because I always you know me, you know,

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<v Speaker 3>I singer songwriter or not saying about you know, a

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<v Speaker 3>jingle writer. We talked about Cunningham County. You know they're

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<v Speaker 3>playing the heck out of my uh call the Plumber's name.

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<v Speaker 3>So yeah, those are really old stuff. Yeah, but if

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<v Speaker 3>you turn to h as or just say, you'll hear

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<v Speaker 3>about twenty in my old gen. But my goal was

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<v Speaker 3>to be a singer songwriter. I finally get in my

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<v Speaker 3>little house off six Mile Lane back in the early nineties,

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<v Speaker 3>I had I had a recording stoo with a two

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<v Speaker 3>inch tape machine and I have pro tools before anyone

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<v Speaker 3>else had it, had all these all and I had

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<v Speaker 3>a little thirty seven dollar radio shot answer machine. And

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<v Speaker 3>I get a sixth record deal on Virgin Records. It's

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<v Speaker 3>crazy on a third on a recording I made and

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<v Speaker 3>Virgin Records. Virgin Records. Yeah, Sky Hendrix was a capital.

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<v Speaker 3>They said we're gonna do a Virgin Nashville. So I

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<v Speaker 3>was like one of the very first artist signed to

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<v Speaker 3>Virgin Nashville. And uh it was. It was bittersweet a guy.

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<v Speaker 3>I'm like, no, I'm a I'm a songwriter. But I

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<v Speaker 3>got as time went on, I got a TV show.

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<v Speaker 3>Then in the movie, I got to do the music

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<v Speaker 3>for the TV show and all that, so at least

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<v Speaker 3>I got to do my passion. What do I like

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<v Speaker 3>to do?

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<v Speaker 1>So you come out and you uh really no.

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<v Speaker 3>I came out? Was that Greg Hans Well, he said,

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<v Speaker 3>my cousins a gay midget. He just came out of cabinet.

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<v Speaker 1>What what What was the name of the album?

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<v Speaker 4>Tom made Revenge, Revenge on the telemark So you come

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<v Speaker 4>out with Revenge on the Telemarketers and they start charting

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<v Speaker 4>and you go in you know, the gallery, and you

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<v Speaker 4>see Tom made number one on.

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<v Speaker 1>All these back when sell CDs just just just crazy stuff.

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<v Speaker 1>So then you parlay that into stand up comedy, and

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<v Speaker 1>that's quite different because man, when you're hanging out there

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<v Speaker 1>by yourself on that stage, I got to tell you,

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<v Speaker 1>if you die, it only gets worse from there.

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<v Speaker 3>I remember so many times because you can't practice home,

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<v Speaker 3>you got to practice, and I remember people leaving them

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<v Speaker 3>at least the CDs are funny. Well no, but but

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<v Speaker 3>you have to do it. I should have done a

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<v Speaker 3>different name. But so Bo at the back, when Sobol

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<v Speaker 3>was booking me in he would he would put me

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<v Speaker 3>in a situation I had no business. I couldn't follow

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<v Speaker 3>Peter b giving away T shirts from dj X at

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<v Speaker 3>the time, and he's like, oh, you're headlining and you're

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<v Speaker 3>gonna follow on. You know you're following Jay Scott Home

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<v Speaker 3>was freaking amazing, and uh so I just started becoming

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<v Speaker 3>a comic and I spent Now I'm bulletproof, you could

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<v Speaker 3>parachuting in anywhere. I knew I wasn't going to be

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<v Speaker 3>Chris Rocker someone that uber famous song I'm squeaky clean.

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<v Speaker 3>On stage, I'm squeaky clean. So like, I just did

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<v Speaker 3>a show at the Paramount Theater with a guy named

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<v Speaker 3>Cleena's T Judd in Ashton, Kentucky. You know, and there

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<v Speaker 3>was like kids there, and there was people in our eighties.

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<v Speaker 3>So I do enjoy writing content that's clean and family friendly.

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<v Speaker 1>So talking with Tom Made, and I'm talking about the

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<v Speaker 1>evolution of Tom Made, because you keep reinventing comedy. So

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<v Speaker 1>you go from the telemarketers, now you're doing stand up

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<v Speaker 1>and then you say, you know what, why don't I

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<v Speaker 1>start pranking people.

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<v Speaker 3>I was out in LA and I was doing a

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<v Speaker 3>guy named Bill Hand. Okay, if I remember I came

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<v Speaker 3>out earlier. I came out of the cabinet Greg Hines,

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<v Speaker 3>and I was and I did Donnie and Marie and

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<v Speaker 3>you know you made, you know, you made.

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<v Speaker 1>What's look we had? We We had Donnie Osmond on

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<v Speaker 1>the show and you could not meet a more genuine

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<v Speaker 1>great dude.

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<v Speaker 3>Marie was a little stand office, so she was sweet.

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<v Speaker 3>She was just like they were. They brought me out

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<v Speaker 3>and and they played a clip. They never told anybody

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<v Speaker 3>what the CD was. I just thought, and there's something

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<v Speaker 3>dude having a conversation with somebody there and there's a producer.

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<v Speaker 3>After clap, everybody everybody clapp and like yeah, and I'm like,

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<v Speaker 3>no one at home is going to understand this. But

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<v Speaker 3>I ended up getting like a regular gig up in

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<v Speaker 3>New York with the on the headline news and you'll

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<v Speaker 3>see in and all that I was doing the uh

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<v Speaker 3>you know back what it was. It wasn't all politics.

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<v Speaker 3>I was like, they're a don't get mad, get made,

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<v Speaker 3>troubleshoot ten percent trouble maker. And and then I was

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<v Speaker 3>out in California, dude, Donna Marie something. Someone hurt me

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<v Speaker 3>on the camp. I say, hey, I know you're called

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<v Speaker 3>my manager, which is just another jingle writer lived in Nashville.

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<v Speaker 3>He said he cast sparky Chris Parker and said, hey,

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<v Speaker 3>uh we know maids in town. When you want to

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<v Speaker 3>come in and meet with us. And I didn't even

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<v Speaker 3>know what an agent was. I went and met and

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<v Speaker 3>they go to him. It's not a sign anything. We're

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<v Speaker 3>not signing him, Adam Sanders and lobby and I heard

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<v Speaker 3>someone say Dustin Hoffins on his way in. God, yeah,

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<v Speaker 3>it's a big endeavor agency called Endeavor and now it's

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<v Speaker 3>William Morris Endeavor and uh, I just told you have

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<v Speaker 3>any TV ideas? And I just told my and and

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<v Speaker 3>I left thinking I never heard from again. I think

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<v Speaker 3>I had a layover in and uh in like shoot

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<v Speaker 3>and wherever we were coming back with Dallas. We're coming

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<v Speaker 3>from LA to to layover one of the Texas and

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<v Speaker 3>Texas and I called Sparker, Hey, when anything to dude?

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<v Speaker 3>They want you to turn around to come back. And

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<v Speaker 3>we got a TV show FX signed as software bount

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<v Speaker 3>with all these people and uh maybe it's called Maybe

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<v Speaker 3>the USA. And we were out there shooting the show.

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<v Speaker 3>And guess what happened while we're out there? I get

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<v Speaker 3>up at that I cast Stiff Atkinson advertising.

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<v Speaker 1>Hey George, Joe, I called this.

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<v Speaker 3>Here's how I found out about what half. I said,

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<v Speaker 3>Hey Jeorge the Tom Tom or Yeah, I'm out in California.

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<v Speaker 1>Tom.

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<v Speaker 3>How long have you been away? I said just like

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<v Speaker 3>five minutes. Hey, did y'all get the dat I sent?

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<v Speaker 3>You have the Taffle motor? I did all the Taple

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<v Speaker 3>motor jingles. And she says, Tom, you had a TV

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<v Speaker 3>around you go. You has to turn the TV on.

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<v Speaker 3>And she said, my son was not plane. It was

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<v Speaker 3>nine to eleven, and then it turned out to be

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<v Speaker 3>her son missed the plane thing.

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<v Speaker 1>Oh my god.

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<v Speaker 3>And that was the craziest and we got stuck in

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<v Speaker 3>LA and it turned out to be we were doing

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<v Speaker 3>bits like a toxic I was doing the drunk piled

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<v Speaker 3>at the airport before the man showed by, right, all

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<v Speaker 3>these things that we did for and we get Our

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<v Speaker 3>show never made it to the air on FX.

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<v Speaker 1>But it eventually does as rebranded as Maybe America.

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<v Speaker 3>Yeah, change it up.

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<v Speaker 1>Wait if you get me. If you asked me, I

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<v Speaker 1>think it's a better fit.

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<v Speaker 3>Yeah, everyone says maybe in America anyway. So that was

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<v Speaker 3>on cmt uh. Then we went there with lions Gate

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<v Speaker 3>did a movie called Actual Born Prancer had all these

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<v Speaker 3>kids roaming at Wood and us rode e vitally, all

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<v Speaker 3>these up against influence will come to my house and

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<v Speaker 3>sleep on my basement and we would collab and they

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<v Speaker 3>would learn from the old guy me.

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<v Speaker 1>You know, is it weird seeing yourself on a movie

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<v Speaker 1>screen or did you go to the movie or did

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<v Speaker 1>you just say, hey, you know.

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<v Speaker 3>Our buddy Cato, what you met with? You hung out with.

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<v Speaker 2>So crazy?

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<v Speaker 3>Dwight and I had a we were a question for

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<v Speaker 3>like two weeks in a hotel in Burbanking and Cato

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<v Speaker 3>would bring us beer. Sneak as beer.

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<v Speaker 1>Here's what he's talking about.

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<v Speaker 2>Uh.

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<v Speaker 1>Tom picked me to be a Uh, don't bother the show.

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<v Speaker 1>Just answer your phone. Tom picks me. Tom picks me

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<v Speaker 1>to be his partner on the Amazing Race.

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<v Speaker 4>Uh.

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<v Speaker 1>Neither one of us, neither one of us want to

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<v Speaker 1>do it.

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<v Speaker 3>We tell them ten times we don't want to do so,

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<v Speaker 3>we don't want to do it. In New York, Kentucky, boys,

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<v Speaker 3>you're gonna be a hit.

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<v Speaker 1>And then at one point they say, hey, you know what,

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<v Speaker 1>you've missed this deadline. We say, okay, that's finally go no, no, no, no,

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<v Speaker 1>But we're gonna make an exception. They say, come out

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<v Speaker 1>to l A. Just have a you know, free couple

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<v Speaker 1>of weeks out here with us, free food.

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<v Speaker 3>LA.

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<v Speaker 1>Yeah, let's go. We'll do that. We get out there

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<v Speaker 1>and they say, hey, you're sequestered to your room. You

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<v Speaker 1>can't leave the room without a production assistant. Don't ever

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<v Speaker 1>leave or you're off the show.

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<v Speaker 3>And we snuck Kato.

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<v Speaker 1>Well that's the thing. Tom. Tom makes it like two

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<v Speaker 1>days he goes and by the way, they said no drinking.

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<v Speaker 1>He said, yeah, I got to really have a beer.

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<v Speaker 3>And I'm like I do when I'm a drink. Yeah,

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<v Speaker 3>I'm in a This is back right before the check

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<v Speaker 3>liver Lake came out.

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<v Speaker 1>So, uh, he makes a call here, a knock on

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<v Speaker 1>the door. I go over and open the door and

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<v Speaker 1>there's Kato Kaelin standing with two cases of beer. Yeah,

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<v Speaker 1>and then we make prank phone calls in our hold.

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<v Speaker 3>Do you guys just go ahead and say for you

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<v Speaker 3>guys to pack up and leave. They've decided not to

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<v Speaker 3>use you. I want to.

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<v Speaker 1>I want to talk about what you got going on now,

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<v Speaker 1>because there's a lot of times in between what we're

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<v Speaker 1>talking about now and you reinventing comedy and this is calm,

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<v Speaker 1>but it's also fascinating because they're real conversation. Here's what

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<v Speaker 1>I'm talking about. This is what comedian Tom Mabe's doing

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<v Speaker 1>right now. It's a series called Dead dead Men talking

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<v Speaker 1>digging up the Dirt.

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<v Speaker 3>Dead Men talking, digging up the dirt. That's right.

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<v Speaker 1>And you can see this if you go to Facebook

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<v Speaker 1>and you go to Tom Mabe Comedy. Some of these

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<v Speaker 1>are already up. But it's quite fascinating. I can't believe

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<v Speaker 1>that nobody has done this, and it's also terrifying. Yeah,

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<v Speaker 1>So you've had conversations. This is just a few Colonel Sanders, JFK, Lee,

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<v Speaker 1>Harvey Oswald, Hank Williams, Senior, Billy the Kid. It goes

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<v Speaker 1>on talk about this because I find it quite creepy.

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<v Speaker 3>Well, you know, it was very interesting to hear. I

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<v Speaker 3>just wanted to see what you know, you can you

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<v Speaker 3>can ask you know, chat GPT or whatever and go,

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<v Speaker 3>uh in first person, I want to have a conversation

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<v Speaker 3>with JFK. And and I would go, you know, how

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<v Speaker 3>did you die? He said, I was murdered. I go,

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<v Speaker 3>did you think Lee? What did Lee Harvey Oswald murder?

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<v Speaker 3>He said he did not alone. And He's like they're

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<v Speaker 3>going out and grabbing all the all the information that's

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<v Speaker 3>online and they're making their own thing.

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<v Speaker 2>Uh.

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<v Speaker 3>And it's very controversial and it's real. It's really cool.

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<v Speaker 3>So I get this, I'm texting this, I'm doing this

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<v Speaker 3>on my iPhone. And then I then I go find

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<v Speaker 3>an interview with with JFK and I clone his voice.

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<v Speaker 2>Wow.

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<v Speaker 3>Then I go find a picture of that's public domain

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<v Speaker 3>or or buy the picture. Each of these things anytime

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<v Speaker 3>you make more if you if you put a comma,

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<v Speaker 3>I could not have done this thirty years ago, I

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<v Speaker 3>was broke, but now I maybe, like, you know, I'm

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<v Speaker 3>to the point where I can, I don't have to

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<v Speaker 3>work as much as I had to, so I can

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<v Speaker 3>like invest in it. So it's the most people are

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<v Speaker 3>freaking out, and it's like I'm having a real conversation

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<v Speaker 3>with Lee Harvey Oswald or Lee's like, I'm innocent, dude,

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<v Speaker 3>I was a pant patsy. You know, it's so amazing.

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<v Speaker 1>It's creepy if you watch too, because again it's called

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<v Speaker 1>dead men talking, digging up the dirt. It's creepy because

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<v Speaker 1>you do have a photo. You'll ask the question just

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<v Speaker 1>like any other interview.

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<v Speaker 3>The camera's on you, and while I'm talking, the photo

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<v Speaker 3>will look at me. Huh huh.

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<v Speaker 1>And that was even more creepy because we just watched

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<v Speaker 1>the Colonel Sanders one and it cuts away from you

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<v Speaker 1>while you're still talking. It gets on Colonel Sanders and

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<v Speaker 1>you could see that this thing is reacting how someone

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<v Speaker 1>being interviewed would react.

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<v Speaker 3>Billy the kid was I said, did you ever have

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<v Speaker 3>a real job? And might not get a real job?

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<v Speaker 3>And you start laughing. You know, I did have a job.

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<v Speaker 3>I worked in the kitchen at this chateau lawn and

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<v Speaker 3>in New Mexico at this hotel or whatever it was,

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<v Speaker 3>and he laughed, he's matching my energy.

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<v Speaker 1>Don't you find that creepy?

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<v Speaker 2>Yeah? I do. I do.

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<v Speaker 3>And the people told me, someone's dude, you look so lifelike.

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<v Speaker 3>No real, I'm real.

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<v Speaker 1>But look the interviewees, it's it's limitless. I mean you

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<v Speaker 1>could get Frank and Jesse James.

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<v Speaker 3>I mean, you gotta be careful how you do it.

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<v Speaker 3>But I would really be curious. You know, he's an ass,

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<v Speaker 3>but I really be curious about him, or has to

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<v Speaker 3>say that would be a creepy that'd be Or what's

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<v Speaker 3>the guy who owned the the Jeffrey Epstein. That would

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<v Speaker 3>be Elvis. You're doing one to day.

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<v Speaker 1>Let me ask you about Elvis. You do one of

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<v Speaker 1>these on Elvis Presley. One of the odds that the

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<v Speaker 1>state will sue you.

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<v Speaker 3>Well, there there's a there's laws in each state. Now.

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<v Speaker 3>Parody is amusing, infringement is confusing. So if I made

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<v Speaker 3>it like the Colonel Sanders that you just saw, I

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<v Speaker 3>made it Colonel Sanders. What do you think about them

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<v Speaker 3>moving the KFC headquarters from Louisville to Texas.

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<v Speaker 1>You can't. I can't surprise ending surprising.

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<v Speaker 3>But I went in and manipulated his answer, so there's parody.

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<v Speaker 3>So it's again. You know, you've got south Park. South

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<v Speaker 3>Park can do it. But if it's like Elvis or something,

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<v Speaker 3>you know, I started on Elvis. Now I he died,

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<v Speaker 3>he's the ice. My my girlfriend Ginger has spent night

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<v Speaker 3>and all this. That's it's amazing. All of these entertainers,

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00:14:04.919 --> 00:14:08.240
<v Speaker 3>like I did, Hank Williams, what would you do differently?

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<v Speaker 3>And it all comes back to addiction and eating and

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00:14:11.440 --> 00:14:14.120
<v Speaker 3>drinking and they wish they would have taken better care.

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<v Speaker 1>It could be quite interesting to ask Sinatra about the

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<v Speaker 1>mob years.

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<v Speaker 3>Wow, you know, yeah, we're doing Maryland, We're doing Yeah,

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<v Speaker 3>she's next. He's one of the next ones.

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<v Speaker 1>But you got to see these. It's indescribable. You got

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<v Speaker 1>to see it to believe the cause dead men, uh

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<v Speaker 1>talking digging up the dirt.

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<v Speaker 3>Find this on Facebook, Tom Made Comedy and we're starting

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<v Speaker 3>to blow them on YouTube. I think I had one

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<v Speaker 3>on my Made in America. You know, it's so funny

315
00:14:40.200 --> 00:14:42.279
<v Speaker 3>because a lot of times I keep the algorithm up.

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00:14:42.320 --> 00:14:44.480
<v Speaker 3>We got to post multiple times a day, so we'll

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00:14:44.480 --> 00:14:46.360
<v Speaker 3>do like these little silly games where we're throwing ping

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<v Speaker 3>pong balls and red solo cups. But now that I'm

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<v Speaker 3>back to this, I'm like, yeah, Daddy's home. I want

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<v Speaker 3>to be creative.

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<v Speaker 1>It's such a mind blowing concept. And once again you

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<v Speaker 1>did it, and I thought, man, I got it. Somebody

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<v Speaker 1>think about that, you know. But you know, and when

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<v Speaker 1>you get the idea and you say it would have

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<v Speaker 1>strikes you. How nervous are you that you're gonna get

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<v Speaker 1>on the internet and.

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<v Speaker 3>Someone else has done it? It's gonna well, you know,

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<v Speaker 3>you know, you know my history, how many how many

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<v Speaker 3>TV shows are in the air right now because it

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<v Speaker 3>was my idea? I know, yeah, the biggest remember the

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<v Speaker 3>biggest loser. Mine was the big fat loser. No, I know,

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<v Speaker 3>I met with that production company depends, So you can't,

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<v Speaker 3>you know, the first one of makes it, the TV wins.

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<v Speaker 3>You can't copyright an idea. You can copyright a melody

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00:15:32.360 --> 00:15:35.559
<v Speaker 3>or script, you know, So it's you know, it's flattering.

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<v Speaker 3>I used to lose sleep and I'll go, oh my gosh,

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00:15:38.159 --> 00:15:40.159
<v Speaker 3>you just stole all this money from me because I

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<v Speaker 3>could have made it. But I do a bubba focus group.

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00:15:42.960 --> 00:15:45.080
<v Speaker 3>But I got like people like you and a few.

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<v Speaker 3>Other guy got ten fifteen people, and I knew, I

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<v Speaker 3>knew I had it. I knew this was gonna be

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<v Speaker 3>a good one. When two people lifelong Bubba focus group members,

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<v Speaker 3>they're ghost to me now, and one guy sent me

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<v Speaker 3>one that he did. Oh no, people don't care. It's like, oh,

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<v Speaker 3>I want to do my own. I love that idea.

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<v Speaker 3>I would have done when I was twelve, not when

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<v Speaker 3>I'm fifty.

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<v Speaker 1>Oh my gosh. Look you got to see these two.

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<v Speaker 1>Believe them. It's dead men talking. Digging up the dirt

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<v Speaker 1>with comedian Tom Mabe Colonel Sanders. He interviews jfk Lee,

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<v Speaker 1>Harvey Oswald.

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<v Speaker 3>And he is a drawing. It's interesting, he's a drawing.

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<v Speaker 3>But it looks really good.

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<v Speaker 1>Billy the kid.

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<v Speaker 3>That's gonna come out.

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<v Speaker 1>Augusta say, is well done.

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<v Speaker 3>Meets Man.

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<v Speaker 1>You never let us down. And I asked you you

359
00:16:32.440 --> 00:16:34.759
<v Speaker 1>come on talk about you, Jesus.

360
00:16:34.559 --> 00:16:35.360
<v Speaker 3>And Santa Claus.

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<v Speaker 1>That would be a really good one, it said, double interview.

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<v Speaker 1>Hey Dave, who do we have? Man? Bar knows Pizza brother,

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<v Speaker 1>Ah yeah, Baronos Pizzas Louisville Stop Pizza. The pizza that

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<v Speaker 1>constantly gets back to the city of Louisville, Southern Indiana

365
00:16:47.960 --> 00:16:51.480
<v Speaker 1>surrounding areas. When's the last time you've been to Baronos

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<v Speaker 1>Third and Market. It is absolutely gorgeous in the perfect place,

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00:16:56.039 --> 00:16:58.159
<v Speaker 1>the perfect place to go to before any U of

368
00:16:58.320 --> 00:17:01.320
<v Speaker 1>L game, any Young Center event. And he sent it

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00:17:01.360 --> 00:17:05.000
<v Speaker 1>for the art events, anything, downtown, bats, baseball, you name it.

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<v Speaker 1>It's the way to start it off. Baronos Pizza is

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<v Speaker 1>how we kick off every single weekend. Amama Baronos, A

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00:17:10.799 --> 00:17:14.599
<v Speaker 1>couple number one, tikilas and oh weekend, I'm kissing, you're

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00:17:14.640 --> 00:17:18.759
<v Speaker 1>on your mouth, Accept no substitute. Baronos Pizza Dining, carry

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<v Speaker 1>out a delivery.

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<v Speaker 3>Yeah, it's that good.

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<v Speaker 1>Stick around more on the Way, News Radio eight forty whas.

377
00:17:25.519 --> 00:17:28.200
<v Speaker 2>And if you come back out to your car after

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00:17:28.359 --> 00:17:31.240
<v Speaker 2>that game or the restaurant and somebody backed into you,

379
00:17:31.400 --> 00:17:34.000
<v Speaker 2>they're gone. They didn't leave a note. Now you got

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00:17:34.119 --> 00:17:36.240
<v Speaker 2>to deal with the body shop. That is not a

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00:17:36.319 --> 00:17:39.880
<v Speaker 2>problem anymore. Don't have to deal with the insurance company either.

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00:17:40.039 --> 00:17:45.240
<v Speaker 2>Thanks to the simplebodyshop dot com, simple, fast and affordable.

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00:17:45.319 --> 00:17:48.720
<v Speaker 2>Go to the website dsimplebodyshop dot com just click on

384
00:17:48.880 --> 00:17:51.839
<v Speaker 2>the services that they have. Choose a service and all

385
00:17:51.960 --> 00:17:55.119
<v Speaker 2>of the prices are there. No mystery, five days to fix.

386
00:17:55.240 --> 00:18:00.200
<v Speaker 2>The insurance company shares information with the body shop and

387
00:18:00.240 --> 00:18:02.759
<v Speaker 2>several thousand dollars or exchange. No, no, this is same

388
00:18:02.920 --> 00:18:05.680
<v Speaker 2>day stuff, same day service. You don't have to get

389
00:18:05.720 --> 00:18:09.240
<v Speaker 2>a rental car. If your hood's all dinged up and scratched,

390
00:18:09.720 --> 00:18:12.519
<v Speaker 2>they can completely fix it. Back to new for five

391
00:18:12.640 --> 00:18:16.400
<v Speaker 2>hundred dollars, not fifteen hundred, not twenty five hundred, five hundred.

392
00:18:16.720 --> 00:18:19.319
<v Speaker 2>If you backed into something or somebody hitching your tailgates

393
00:18:19.319 --> 00:18:23.000
<v Speaker 2>all messed up, back to new four hundred fifty dollars.

394
00:18:23.279 --> 00:18:27.000
<v Speaker 2>Door side swipe four hundred dollars. Again, no insurance company,

395
00:18:27.279 --> 00:18:33.640
<v Speaker 2>and this is same day service. Thesimplebodyshop dot com redefining

396
00:18:33.759 --> 00:18:36.319
<v Speaker 2>the neighborhood body shop. They're out in Jtown, just off

397
00:18:36.359 --> 00:18:40.440
<v Speaker 2>the Gene Snyder Freeway at Taylorsville Road. Back after this

398
00:18:40.559 --> 00:18:42.920
<v Speaker 2>news radio eight forty WHJS.

399
00:18:46.720 --> 00:18:49.799
<v Speaker 1>What a great record. Oh yeah, we listen to this

400
00:18:49.960 --> 00:18:52.559
<v Speaker 1>in the Southern covered hot tub a lot.

401
00:18:53.720 --> 00:18:57.119
<v Speaker 2>You probably watch the Pulse DVD right which has You'll

402
00:18:57.200 --> 00:18:57.759
<v Speaker 2>tell your album.

403
00:18:57.880 --> 00:19:02.440
<v Speaker 1>Yeah, I have that that that pulse Con is absolutely amazing.

404
00:19:05.319 --> 00:19:08.559
<v Speaker 1>That was the Division Bell tour. I believe. Anyway, the

405
00:19:08.599 --> 00:19:14.720
<v Speaker 1>reason we're hearing this is because this weekend, Yes, it's

406
00:19:14.799 --> 00:19:19.000
<v Speaker 1>time to screw with everybody's internal clock for no reason

407
00:19:19.119 --> 00:19:24.519
<v Speaker 1>whatsoever exists. Be stupid daylight savings time is this weekend.

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00:19:24.279 --> 00:19:26.240
<v Speaker 2>So we lose an hour of sleep.

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00:19:26.759 --> 00:19:29.799
<v Speaker 1>We lose an hour of sleep. And look, man, I

410
00:19:29.880 --> 00:19:34.079
<v Speaker 1>don't see fifty four percent this is from a Gallop poll.

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00:19:35.599 --> 00:19:38.880
<v Speaker 1>Four percent just want to ditch the practice all together,

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00:19:39.599 --> 00:19:42.279
<v Speaker 1>or or go forward.

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00:19:41.960 --> 00:19:43.960
<v Speaker 2>To half an hour this weekend and be done with it,

414
00:19:44.160 --> 00:19:44.839
<v Speaker 2>be done with it.

415
00:19:44.920 --> 00:19:49.000
<v Speaker 1>Forever and just say you know, that might present a

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00:19:49.039 --> 00:19:50.839
<v Speaker 1>problem because you're half an hour off, but you could

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00:19:50.880 --> 00:19:56.039
<v Speaker 1>just say okay, in Mexico it's minus three and a

418
00:19:56.079 --> 00:20:00.839
<v Speaker 1>half hours or minus two and a half hour, whichever

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00:20:00.960 --> 00:20:04.200
<v Speaker 1>way you go. But my point is nobody wants this thing.

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00:20:05.079 --> 00:20:09.279
<v Speaker 1>It's the property taxes of of clocks.

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00:20:11.240 --> 00:20:15.119
<v Speaker 2>That sounds like an album title, the property taxes of clocks,

422
00:20:15.519 --> 00:20:16.240
<v Speaker 2>like cold Play.

423
00:20:16.799 --> 00:20:22.359
<v Speaker 1>But anyway, this weekend is when you're supposed to spring forward,

424
00:20:22.480 --> 00:20:24.599
<v Speaker 1>ring forward, and fall back.

425
00:20:24.720 --> 00:20:27.039
<v Speaker 2>What that means, though, is the daytime is gonna get longer,

426
00:20:27.079 --> 00:20:29.200
<v Speaker 2>which is okay for me because we can. We like

427
00:20:29.279 --> 00:20:31.200
<v Speaker 2>to sit outside into the evening hours.

428
00:20:31.240 --> 00:20:33.599
<v Speaker 1>Okay, don't care. You want longer days, leave it there,

429
00:20:33.680 --> 00:20:36.160
<v Speaker 1>you want shorter days, leave it there. I'm fine anyway.

430
00:20:36.960 --> 00:20:39.720
<v Speaker 1>Whichever way, you all get together and you decide what

431
00:20:39.839 --> 00:20:43.039
<v Speaker 1>you want more of, and I promise you just as

432
00:20:43.039 --> 00:20:45.359
<v Speaker 1>long we no longer set the clocks. Here's the problem.

433
00:20:45.559 --> 00:20:48.200
<v Speaker 2>Did we ever get the actual explanation for daylight savings time?

434
00:20:48.200 --> 00:20:51.359
<v Speaker 2>I've heard fifty different things. No, the kid that's dark.

435
00:20:51.440 --> 00:20:52.119
<v Speaker 2>That's cool about that.

436
00:20:54.960 --> 00:20:57.440
<v Speaker 1>Okay, then do it whichever way doesn't affect that. But

437
00:20:57.880 --> 00:21:03.240
<v Speaker 1>here's the problem. If you have a dog, most dogs,

438
00:21:03.720 --> 00:21:10.359
<v Speaker 1>thank you, skittles, most dogs. Most don't have wristwatches. And

439
00:21:10.440 --> 00:21:13.519
<v Speaker 1>here's what I mean. They have little internal dog clock

440
00:21:13.640 --> 00:21:16.160
<v Speaker 1>they do. Now it's spring. Is not so bad because

441
00:21:16.160 --> 00:21:20.200
<v Speaker 1>we're springing forward in the fall. Let's say you go

442
00:21:20.279 --> 00:21:23.400
<v Speaker 1>to bed at ten o'clock at night, all right, and

443
00:21:23.559 --> 00:21:26.839
<v Speaker 1>now you sit your clock back and you get up

444
00:21:26.880 --> 00:21:31.039
<v Speaker 1>at six thirty in the morning. Now your dog's eternal

445
00:21:31.119 --> 00:21:34.559
<v Speaker 1>clock is set for five thirty in the morning, and

446
00:21:34.680 --> 00:21:36.400
<v Speaker 1>all they know is, hey, it's time to get up

447
00:21:36.440 --> 00:21:39.559
<v Speaker 1>and breakfast and go wee wee and do do it's

448
00:21:39.599 --> 00:21:40.920
<v Speaker 1>a pain in the ass that does.

449
00:21:41.640 --> 00:21:43.400
<v Speaker 2>There's a funny meme that went around where it's two

450
00:21:43.440 --> 00:21:45.599
<v Speaker 2>dogs looking up at their owner at daylight savings time.

451
00:21:45.599 --> 00:21:48.839
<v Speaker 2>They're like, I know it's I know it's time to eat,

452
00:21:49.359 --> 00:21:55.119
<v Speaker 2>and she's telling me it's an hour. This is bs man. Now.

453
00:21:55.200 --> 00:21:57.880
<v Speaker 2>My dog Charlie got the rest of soul yead about

454
00:21:57.920 --> 00:21:59.599
<v Speaker 2>twenty minutes before I went home. He'd hop up on

455
00:21:59.640 --> 00:22:02.079
<v Speaker 2>these little cubes we have by the window and wait,

456
00:22:02.319 --> 00:22:04.240
<v Speaker 2>they know. They knew when I was or he knew

457
00:22:04.240 --> 00:22:05.000
<v Speaker 2>when I was coming home.

458
00:22:05.200 --> 00:22:08.839
<v Speaker 1>It's crazy. The dogs know patterns, and they remember patterns,

459
00:22:09.160 --> 00:22:14.920
<v Speaker 1>and they live by internal patterns and anyway, so hopefully

460
00:22:15.000 --> 00:22:17.119
<v Speaker 1>one day we can abolish that. Here's a new term

461
00:22:17.200 --> 00:22:22.920
<v Speaker 1>that I am very familiar with. Yes, meeting hangovers. A

462
00:22:23.000 --> 00:22:26.880
<v Speaker 1>new survey finds that more than ninety percent of employees

463
00:22:26.960 --> 00:22:32.640
<v Speaker 1>experience meeting hangovers. The can derail productivity long after the

464
00:22:32.720 --> 00:22:35.680
<v Speaker 1>meeting's end. Talking about these meetings were you know, the meetings.

465
00:22:35.880 --> 00:22:39.599
<v Speaker 1>It could have been an email. And we go to

466
00:22:39.640 --> 00:22:43.079
<v Speaker 1>a lot of meetings, Dave, and sometimes we go to

467
00:22:43.160 --> 00:22:46.200
<v Speaker 1>meetings where it's the entire staff and if if if

468
00:22:46.240 --> 00:22:49.759
<v Speaker 1>it's radio DJs in there with you. Everybody feels like

469
00:22:49.839 --> 00:22:50.359
<v Speaker 1>they have to be.

470
00:22:50.400 --> 00:22:53.119
<v Speaker 2>Funny and or ask a question to show how brilliant

471
00:22:53.119 --> 00:22:53.359
<v Speaker 2>they are.

472
00:22:53.519 --> 00:22:58.319
<v Speaker 1>Right, and here's what I would like to do. Let's

473
00:22:58.359 --> 00:23:01.319
<v Speaker 1>have the meeting and everything needs to be said, and

474
00:23:01.400 --> 00:23:03.839
<v Speaker 1>then say this. Okay, Now, if you want a horse

475
00:23:03.880 --> 00:23:06.119
<v Speaker 1>ass around and joke around and their body, now's the

476
00:23:06.200 --> 00:23:09.000
<v Speaker 1>time to do so. Or if you have stupid questions,

477
00:23:09.039 --> 00:23:10.920
<v Speaker 1>now is the time. Anybody else can be dismissed.

478
00:23:10.960 --> 00:23:13.759
<v Speaker 2>Well, it messes with the natural rhythm of the day. Absolutely,

479
00:23:13.880 --> 00:23:15.839
<v Speaker 2>things you're supposed to be doing, you're going through them

480
00:23:15.880 --> 00:23:18.160
<v Speaker 2>in your head. And then when the meeting finally ends

481
00:23:18.200 --> 00:23:21.039
<v Speaker 2>after seven and eight questions to wrap it up, you

482
00:23:21.200 --> 00:23:22.960
<v Speaker 2>can't get back into your groove. No.

483
00:23:24.119 --> 00:23:27.240
<v Speaker 1>I remember we used to have meetings once a week

484
00:23:27.319 --> 00:23:28.799
<v Speaker 1>for no reason, and they would go on for like

485
00:23:28.880 --> 00:23:29.519
<v Speaker 1>two hours.

486
00:23:29.359 --> 00:23:31.519
<v Speaker 2>To justify the existence of those having the meeting.

487
00:23:31.640 --> 00:23:34.000
<v Speaker 1>That's exactly what it is, because it was two hours.

488
00:23:34.200 --> 00:23:36.920
<v Speaker 1>None of the information was real world that you could

489
00:23:37.039 --> 00:23:41.440
<v Speaker 1>It was never practical, It was never practical, and all

490
00:23:41.480 --> 00:23:44.839
<v Speaker 1>it did was it maybe want to just be done.

491
00:23:44.680 --> 00:23:45.119
<v Speaker 2>With the day.

492
00:23:45.599 --> 00:23:47.400
<v Speaker 1>And now here it is ten o'clock in the morning

493
00:23:47.440 --> 00:23:48.000
<v Speaker 1>and I'm done.

494
00:23:48.160 --> 00:23:49.720
<v Speaker 2>You know yep, time for cocktail.

495
00:23:50.079 --> 00:23:52.359
<v Speaker 1>It's almost spring break time. And I had no idea

496
00:23:52.480 --> 00:23:56.759
<v Speaker 1>how much the landscape of destinations for spring break has changed.

497
00:23:57.039 --> 00:23:59.079
<v Speaker 2>No, people are just going to regular cities now.

498
00:23:59.319 --> 00:23:59.920
<v Speaker 1>It's unbelo.

499
00:24:00.680 --> 00:24:01.559
<v Speaker 2>Let's go to Atlanta.

500
00:24:01.759 --> 00:24:03.960
<v Speaker 1>Why okay, well we're gonna get that.

501
00:24:04.160 --> 00:24:04.960
<v Speaker 2>You can drink here.

502
00:24:05.680 --> 00:24:10.480
<v Speaker 1>Triple A just revealed the top ten destinations for spring

503
00:24:10.559 --> 00:24:13.759
<v Speaker 1>break for twenty twenty five. When I was growing up,

504
00:24:14.599 --> 00:24:17.799
<v Speaker 1>we went to Daytona for high school spring break, and

505
00:24:17.880 --> 00:24:20.640
<v Speaker 1>then I didn't go to college, but I went ahead

506
00:24:20.640 --> 00:24:23.480
<v Speaker 1>and did seven tours of college spring break because it

507
00:24:23.599 --> 00:24:25.559
<v Speaker 1>was fun. It was always Daytona.

508
00:24:26.240 --> 00:24:28.240
<v Speaker 2>I used to go down and visit my grandparents on

509
00:24:28.319 --> 00:24:30.599
<v Speaker 2>spring break. I was in Tallahassee and they were down by.

510
00:24:30.559 --> 00:24:33.880
<v Speaker 1>Fort Myers Beach, So you were Florida though.

511
00:24:34.079 --> 00:24:36.079
<v Speaker 2>Yeah, I was in Florida, but I didn't do the wild,

512
00:24:36.200 --> 00:24:38.000
<v Speaker 2>crazy college spring break stuff.

513
00:24:38.200 --> 00:24:41.119
<v Speaker 1>And then people started going to South Padreau Island in

514
00:24:41.200 --> 00:24:45.119
<v Speaker 1>Texas for a period. Then it shifted back to Panama City.

515
00:24:45.200 --> 00:24:46.960
<v Speaker 1>And I think what they do is the just kick

516
00:24:47.039 --> 00:24:49.000
<v Speaker 1>these spring breakers out of a town. They'll go the one,

517
00:24:49.079 --> 00:24:50.720
<v Speaker 1>next one, and then they'll say, you know what we

518
00:24:50.799 --> 00:24:52.680
<v Speaker 1>shure to have missed that revenue, and.

519
00:24:52.680 --> 00:24:55.079
<v Speaker 2>Then they're welcome. I'm back. They'll trash the city again.

520
00:24:55.720 --> 00:24:58.400
<v Speaker 1>Let's do Top ten. This is by Triple A. A

521
00:24:58.599 --> 00:25:03.279
<v Speaker 1>released the Top ten Destined as for spring Breakers. Oh

522
00:25:04.240 --> 00:25:09.880
<v Speaker 1>Man Buffet, number ten, Charlotte, North Carolina. Why well, the

523
00:25:09.960 --> 00:25:14.519
<v Speaker 1>Billy Graham Museum. Oh okay, uh Andy Griffith. I'm trying

524
00:25:14.519 --> 00:25:20.519
<v Speaker 1>to think of reasons. Mountains, m no, I okay, Let's

525
00:25:20.559 --> 00:25:22.640
<v Speaker 1>move to the next one. Then ray for that's one.

526
00:25:22.759 --> 00:25:25.240
<v Speaker 1>Dave Chicago, Illinois.

527
00:25:25.640 --> 00:25:26.759
<v Speaker 2>Oh you want to you want to die?

528
00:25:27.079 --> 00:25:27.279
<v Speaker 3>I know.

529
00:25:30.960 --> 00:25:33.759
<v Speaker 2>Death wish seven? Numbering break Chicago?

530
00:25:35.480 --> 00:25:38.000
<v Speaker 1>Will you go to I don't know, different strokes for

531
00:25:38.119 --> 00:25:41.160
<v Speaker 1>different folks. I want to see a beach in boobs.

532
00:25:41.960 --> 00:25:44.880
<v Speaker 1>What are the chances in March you're gonna see boobs

533
00:25:44.920 --> 00:25:47.799
<v Speaker 1>in Chicago? Nobody's gonna be you know what I mean?

534
00:25:48.559 --> 00:25:50.480
<v Speaker 2>A juicy small A can find a couple for you.

535
00:25:52.799 --> 00:25:55.519
<v Speaker 1>Number eight. We finally get to Florida. Tampa, Florida.

536
00:25:56.039 --> 00:25:58.920
<v Speaker 2>Why Tampa. Well you go to Clearwater, which is just

537
00:25:58.920 --> 00:25:59.559
<v Speaker 2>a little south.

538
00:26:00.079 --> 00:26:03.319
<v Speaker 1>I guess you go Lightning games NHL.

539
00:26:03.119 --> 00:26:04.799
<v Speaker 2>Yeah, spring break hockey.

540
00:26:04.680 --> 00:26:10.920
<v Speaker 1>Yeah, yeah, all right, seven o'clock or seven o'clock. Number

541
00:26:10.960 --> 00:26:17.000
<v Speaker 1>seven stowing that spring break or the clock story. Uh

542
00:26:17.400 --> 00:26:20.519
<v Speaker 1>number seven Anaheim or Los Angeles, California?

543
00:26:20.720 --> 00:26:22.160
<v Speaker 2>No, thank you no.

544
00:26:23.119 --> 00:26:25.960
<v Speaker 1>And number six who in the world what college kid

545
00:26:26.039 --> 00:26:31.480
<v Speaker 1>could afford this? Honolulu, Hawaii? And by the way, I

546
00:26:31.599 --> 00:26:34.039
<v Speaker 1>have no desire to ever go to Hawaii. I don't either.

547
00:26:34.079 --> 00:26:34.680
<v Speaker 1>I'll tell you why.

548
00:26:34.799 --> 00:26:36.160
<v Speaker 2>The flight bingo.

549
00:26:37.359 --> 00:26:39.880
<v Speaker 1>And okay, So you're a college kid in your spring break,

550
00:26:39.960 --> 00:26:41.799
<v Speaker 1>you lose two days going there used to back. Will

551
00:26:41.839 --> 00:26:44.759
<v Speaker 1>you go drink on the beach and have TC's island

552
00:26:44.839 --> 00:26:46.720
<v Speaker 1>hoppers take you around for like a day.

553
00:26:46.880 --> 00:26:49.119
<v Speaker 2>I can go to Saint George Island and the Panhandle'll

554
00:26:49.160 --> 00:26:51.599
<v Speaker 2>be just as happy. Here's a beach. I didn't get

555
00:26:51.640 --> 00:26:52.119
<v Speaker 2>on a plane.

556
00:26:53.160 --> 00:26:55.000
<v Speaker 1>My wife and I we get to Mexico in five

557
00:26:55.119 --> 00:26:56.160
<v Speaker 1>six hours? Yep.

558
00:26:57.039 --> 00:26:59.799
<v Speaker 2>God, well I think it's five or six hours after LA.

559
00:27:00.039 --> 00:27:01.759
<v Speaker 2>Isn't it to get out to Hawaii?

560
00:27:02.319 --> 00:27:04.759
<v Speaker 1>Well, at least isn't it like a twenty four hour altogether?

561
00:27:05.000 --> 00:27:05.359
<v Speaker 2>Quite that?

562
00:27:05.519 --> 00:27:07.599
<v Speaker 1>But but I'm talking layovers and the whole bit. No,

563
00:27:07.720 --> 00:27:09.920
<v Speaker 1>that was Australia. I had a bite lived in Australia

564
00:27:10.720 --> 00:27:13.880
<v Speaker 1>and he tried to get me come out there down

565
00:27:13.920 --> 00:27:16.680
<v Speaker 1>there wherever, And I said, well, how long is the flight.

566
00:27:16.759 --> 00:27:18.960
<v Speaker 1>He said, well, all, I'll be around twenty four hours.

567
00:27:19.000 --> 00:27:22.039
<v Speaker 1>I said, man, that and that's before that's been one.

568
00:27:22.039 --> 00:27:24.440
<v Speaker 1>It was just regular airplane. Now they got like airplanes

569
00:27:24.480 --> 00:27:26.839
<v Speaker 1>that have like a cubicle in it. Have you seen this? Yes,

570
00:27:28.079 --> 00:27:29.400
<v Speaker 1>I could do that. I wish I could get a

571
00:27:29.440 --> 00:27:32.839
<v Speaker 1>cubicle just to go to Mexico. All right. Number five

572
00:27:33.000 --> 00:27:33.960
<v Speaker 1>is New York, New York.

573
00:27:34.160 --> 00:27:36.319
<v Speaker 2>Oh boy, let's do some shows.

574
00:27:39.319 --> 00:27:42.720
<v Speaker 1>Number five. Number four is Miami, Florida. Okay, I can

575
00:27:42.799 --> 00:27:47.319
<v Speaker 1>see that makes sense. You called number three and I

576
00:27:47.400 --> 00:27:50.359
<v Speaker 1>have no idea how you called this Atlanta Atlanta, Georgia.

577
00:27:50.400 --> 00:27:50.920
<v Speaker 2>I don't get it.

578
00:27:51.240 --> 00:27:53.039
<v Speaker 1>Is the third most popular spot.

579
00:27:53.160 --> 00:27:57.880
<v Speaker 2>It's just a big city for spring breakers. Number expensive bars.

580
00:27:58.079 --> 00:28:00.319
<v Speaker 1>Number two, it's back baby, but it's not numberumber one.

581
00:28:00.440 --> 00:28:02.039
<v Speaker 1>Fort Lauderdale, Florida. Yep.

582
00:28:02.160 --> 00:28:03.799
<v Speaker 2>They're the ones that kicked him out, brought him back,

583
00:28:03.880 --> 00:28:06.720
<v Speaker 2>kicked him out, brought him back. Panama said he did

584
00:28:06.759 --> 00:28:07.000
<v Speaker 2>that too.

585
00:28:07.440 --> 00:28:11.759
<v Speaker 1>Fort Lauderdale was they were popular before Daytona.

586
00:28:11.440 --> 00:28:17.880
<v Speaker 2>Though, right, yep, that was like the original hotspot. Wow, okay,

587
00:28:19.160 --> 00:28:21.200
<v Speaker 2>number one, but there's number two.

588
00:28:22.200 --> 00:28:28.799
<v Speaker 1>Number two was fort number one, or Lando, Florida. It's landlocked.

589
00:28:28.880 --> 00:28:31.519
<v Speaker 2>There's no beach there, No, there's not And who could

590
00:28:31.519 --> 00:28:34.839
<v Speaker 2>afford to go to Disney Nobody. I don't get the

591
00:28:34.880 --> 00:28:37.160
<v Speaker 2>adult Disney people. I don't need to go over and

592
00:28:37.240 --> 00:28:39.119
<v Speaker 2>over and over again. If that's your thing, that's fine.

593
00:28:40.359 --> 00:28:43.200
<v Speaker 2>I came across and we've all said this, we're all

594
00:28:43.240 --> 00:28:45.759
<v Speaker 2>happily married and happy that we don't have to do

595
00:28:46.000 --> 00:28:49.920
<v Speaker 2>a date in this environment. Well, there's a new dating term.

596
00:28:50.000 --> 00:28:53.200
<v Speaker 2>Have you heard of this. It's called flood lighting.

597
00:28:53.480 --> 00:28:55.559
<v Speaker 1>I have no idea if it has to do with

598
00:28:56.400 --> 00:29:02.119
<v Speaker 1>big ariolas. Maybe you know, Okay, well you missed one

599
00:29:02.200 --> 00:29:03.480
<v Speaker 1>hundred percent of the shots you don't take.

600
00:29:03.559 --> 00:29:06.640
<v Speaker 2>That is true. So if you've ever poured your heart

601
00:29:06.720 --> 00:29:08.920
<v Speaker 2>out to someone on the first date, or had it

602
00:29:09.000 --> 00:29:13.519
<v Speaker 2>happened to you, you may have experienced floodlighting. It's about

603
00:29:13.640 --> 00:29:18.480
<v Speaker 2>using vulnerability as a high intensity spotlight, says Jessica Alderson,

604
00:29:19.000 --> 00:29:21.400
<v Speaker 2>co founder of the dating apps so syncd quote. It

605
00:29:21.519 --> 00:29:25.039
<v Speaker 2>involves sharing a lot of personal details all at once

606
00:29:25.160 --> 00:29:27.880
<v Speaker 2>to test the waters, speed up intimacy, or see if

607
00:29:27.880 --> 00:29:31.319
<v Speaker 2>the other person can handle these parts of you. It

608
00:29:31.359 --> 00:29:33.119
<v Speaker 2>can include the person pouring their heart out in the

609
00:29:33.200 --> 00:29:36.519
<v Speaker 2>early days of dating about everything from their previous relationships

610
00:29:36.599 --> 00:29:39.559
<v Speaker 2>to childhood trauma, all in an effort to rush an

611
00:29:39.599 --> 00:29:44.279
<v Speaker 2>intense emotional connection. But unlike just being vulnerable, flood lighting

612
00:29:44.440 --> 00:29:48.000
<v Speaker 2>is a manipulative tactic used to force a bond. It's

613
00:29:48.119 --> 00:29:51.279
<v Speaker 2>like trauma dumping with the purpose, and she warns it

614
00:29:51.319 --> 00:29:55.480
<v Speaker 2>can be emotionally taxing to handle such intensity and feelings

615
00:29:55.519 --> 00:29:56.559
<v Speaker 2>and a short amount of sense.

616
00:29:56.640 --> 00:29:58.759
<v Speaker 1>So you're trying to get the other person to partner

617
00:29:58.839 --> 00:29:59.759
<v Speaker 1>to feel sorry for you.

618
00:30:00.279 --> 00:30:03.480
<v Speaker 2>I guess is that it talking about your axes, that

619
00:30:03.599 --> 00:30:06.519
<v Speaker 2>you're beaten as a child and lost five jobs and

620
00:30:06.559 --> 00:30:09.160
<v Speaker 2>all these different things like well, whoa, whoa, how.

621
00:30:09.039 --> 00:30:11.279
<v Speaker 1>Don't they talk about your axes? Is gonna help you

622
00:30:11.359 --> 00:30:12.160
<v Speaker 1>gain any ground?

623
00:30:12.279 --> 00:30:12.319
<v Speaker 2>No?

624
00:30:12.640 --> 00:30:15.720
<v Speaker 1>Now talking about so a trauma or something that might

625
00:30:15.759 --> 00:30:18.200
<v Speaker 1>be Oh my gosh, I'm so sorry. Maybe we should

626
00:30:18.200 --> 00:30:19.839
<v Speaker 1>go home and sleep together and make you feel yourself

627
00:30:19.880 --> 00:30:20.559
<v Speaker 1>feel better.

628
00:30:22.119 --> 00:30:25.839
<v Speaker 2>Floodlighting. Flood light another thing we don't have to worry about. Nothing.

629
00:30:25.880 --> 00:30:26.599
<v Speaker 2>You would ever do that?

630
00:30:26.880 --> 00:30:30.920
<v Speaker 1>No, I would never who would want to go? I'm

631
00:30:30.920 --> 00:30:32.680
<v Speaker 1>still trying to figure out what's wrong with my wife?

632
00:30:32.720 --> 00:30:35.000
<v Speaker 1>Why how I wound up with her? It was a

633
00:30:35.079 --> 00:30:39.279
<v Speaker 1>bat It was probably the cooking I did with all

634
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<v Speaker 1>of the stuff I got lots of pasta baby what.

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<v Speaker 2>Dot com. You should see the craft beer selection when

636
00:30:46.200 --> 00:30:47.759
<v Speaker 2>you walk in there, some on the shelf or something

637
00:30:47.759 --> 00:30:49.880
<v Speaker 2>to the right on the counter in the back by

638
00:30:49.920 --> 00:30:51.960
<v Speaker 2>the coffee. Before you go into the coffee shop, there's

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00:30:52.079 --> 00:30:54.640
<v Speaker 2>cold You can have a cold beer at Lots of Pasta.

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00:30:54.720 --> 00:30:58.759
<v Speaker 2>An amazing collection of craft beer. Quinton, good job, my man,

641
00:30:59.279 --> 00:31:01.119
<v Speaker 2>And the best dell in the city happens to be

642
00:31:01.200 --> 00:31:03.799
<v Speaker 2>there too. I love the chicken salad so unique. It

643
00:31:03.920 --> 00:31:06.519
<v Speaker 2>has curry in a little slivers of almonds. Not a

644
00:31:06.599 --> 00:31:08.680
<v Speaker 2>big nut guy, but I like them when they're just

645
00:31:08.880 --> 00:31:10.559
<v Speaker 2>little and just that's a little bit of crunch, and

646
00:31:10.559 --> 00:31:12.880
<v Speaker 2>they got clery and a little bit of pineapple. Tuna

647
00:31:13.000 --> 00:31:16.680
<v Speaker 2>salad is right there, straightforward, all natural ingredients. Get a

648
00:31:16.759 --> 00:31:20.039
<v Speaker 2>hot panini and for this weekend or tonight, even if

649
00:31:20.079 --> 00:31:21.839
<v Speaker 2>you don't want to do any cook in the games.

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00:31:21.839 --> 00:31:24.279
<v Speaker 2>At nine o'clock, throw a lots of pasta baked zd

651
00:31:24.799 --> 00:31:26.480
<v Speaker 2>in the oven. A couple hours they had have a

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00:31:26.599 --> 00:31:29.440
<v Speaker 2>late dinner. Order some chips and dips. My wife loves

653
00:31:29.519 --> 00:31:32.279
<v Speaker 2>the hummus. The best hummus she's had is right there,

654
00:31:32.759 --> 00:31:36.480
<v Speaker 2>made homemade at Lots of pasta and all week long,

655
00:31:36.599 --> 00:31:38.880
<v Speaker 2>often on probably two three times a week, we make

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00:31:38.920 --> 00:31:41.799
<v Speaker 2>our own pizzas with the dough, with the crust, with

657
00:31:42.039 --> 00:31:45.960
<v Speaker 2>the cheese, the all important shredded mozzarella, fresh mozzarella cheese

658
00:31:45.960 --> 00:31:48.079
<v Speaker 2>from lots of pasta. And I love the pepperoni that

659
00:31:48.160 --> 00:31:50.319
<v Speaker 2>you get. You get a whole and you can slice

660
00:31:50.359 --> 00:31:52.359
<v Speaker 2>it thicker. You can get fat ones or you can

661
00:31:52.359 --> 00:31:55.000
<v Speaker 2>get thin ones, and they're not as greasy as that

662
00:31:55.160 --> 00:31:59.759
<v Speaker 2>grocery store Hormel stuff. Lots of pasta Louisville dot com.

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<v Speaker 1>You would have perked up those eggs. A rattlesnake cheese, baby,

664
00:32:05.039 --> 00:32:08.359
<v Speaker 1>it's a Wisconsin cheddar that's infused with hob and arrow

665
00:32:08.440 --> 00:32:12.440
<v Speaker 1>and tequila. Makes you actually look forward to your breakfast.

666
00:32:12.480 --> 00:32:13.599
<v Speaker 1>All right, stick around the way.

667
00:32:13.680 --> 00:32:18.240
<v Speaker 2>Compare the rattlesnake cheese to the Carolina Reaper cheddar.

668
00:32:18.359 --> 00:32:20.920
<v Speaker 1>That Carolina repertcheder ain't no joke, man. I loved it.

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<v Speaker 1>I loved it.

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00:32:23.400 --> 00:32:25.359
<v Speaker 2>And you can get small sample sizes. Yes, so you'd

671
00:32:25.359 --> 00:32:26.400
<v Speaker 2>have to commit to a wedge.

672
00:32:26.519 --> 00:32:29.799
<v Speaker 1>That's right. That's right. Lots of pasta, baby, all right,

673
00:32:30.000 --> 00:32:32.240
<v Speaker 1>back to wrap it up. In just a few minutes,

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00:32:32.640 --> 00:32:34.400
<v Speaker 1>there was ready to wait forty w h A s
