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Speaker 1: This is pet Life Radio. Let's talk pets.

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Speaker 2: Hello, cat levers, Welcome to Cat I Tude. I'm your

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show host, Michelle Bird. You know, we do so much

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for our fur babes, right for everything for cats we have,

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you know, what they could sit on and eat and

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treats and this and that. But we even go further.

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We you know, think about what they're watching, what they're

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listening to, especially what they're listening to, because let's face it,

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cats unmust they're watching birds or something. I don't know,

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at least mine are not that into TV, but they

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love to listen. And my guest today created something especially

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for cats for their enjoyment to listen. So stay tuned.

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We'll be right back.

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Speaker 3: Take a bite out of your competition, advertise your business

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with an ad. In Petlife Radio podcasts and radio shows.

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large and reaches more pet parents and pet lovers than

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Life Radio podcasts are available on all major podcasts platforms,

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visit petlifradio dot com. Slash advertised today.

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Speaker 4: Let's talk pets on petlifradio dot com.

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Speaker 2: Welcome back everyone. I'd like to welcome David Tye. He's

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a cellist with the National Symphony Orchestra and a pioneering

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research in species specific music. He's done work with the

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University of Wisconsin Madison and Louisiana State University and has

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produced the first peer reviewed studies demonstrating that music composed

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specifically for cats has a calming effect. David, Welcome to

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Caatitude Mischell.

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Speaker 5: Great to be here, Thanks for having me.

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Speaker 2: I'm excited to have you on. First, I want to

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say this, So you are a cellist. I mean I

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have no music talent at all, so I am always

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in awe of people that can, you know, create music.

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So you're a cellist. What made you decide to record

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something for cats?

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Speaker 5: Well, it started when I was researching how music effects humans,

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and it took me a few years. But I took

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a kind of a novel approach. I like kind of

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took music apart, found the separable elements such as pulse.

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Pulse is something that's found in the music of all cultures,

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and I tried to figure out, so where would that

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come from, why would we respond to that? And so

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it took a few years to go through and try

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to find plausible answers for each of them. But when

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I was done, they basically came up two categories. One

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based on vocalizations and for humans that's like the scream

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or like oh, or affectionate vocalizations, the emotional vocalizations, and

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then another category of sounds that we heard when we

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were in the womb, like the pulse, the respiration, your

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mother's voice. And so basically at that point I thought, okay,

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I've got a the Any good theory is testable. So

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I decided to write music for another animal. So basically,

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if I had figured out the recipe if you will

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for music, if I take the ingredients that are now

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of course all designed for humans and replace them with

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ingredients that were designed for another animal, I should be

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able to write music it's effective for that animal. So

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I first started with cotton top tamarin monkeys, and so

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I composed music for them. They sent it off to

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the University of Wisconsin, and they tested music compared with

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controls with their monkeys, and it was effective. It was

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the first music to be shown to be effective for

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any animal other than humans. And that's when though, I thought, well,

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not very many people have monkeys, So I tried cats.

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Speaker 2: Why cats besides instead of dogs?

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Speaker 5: Well, uh, dogs are very different breeds. You know, cats

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are basically pretty similar, the same size, the same you know,

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might say interests. Dogs have been bred to be very

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many different sizes and their attentions are very different, and

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so I just thought it would be be more likely

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to hit the target if I find one, excuse me,

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one species that is consistent. And cats are much more

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consistent across the breeds than.

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Speaker 2: Dogs, right, I wonder if it has something to do that.

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There's still some theories that say they're not quite domesticated.

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I mean, they are the ones that live in our house,

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but they're still not as domesticated as dogs have been

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over the.

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Speaker 5: I would totally agree with that. In fact, I look

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at it the way cats found us, right, and they

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come to us, But dogs, we went to them and

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bred them for service. Cats they just found it handy

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to be hanging around with humans.

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Speaker 2: I think okay, and so your album Music for Cats

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is the first album of its kind. Now, would you

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call yourself a zoo musicologist.

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Speaker 5: Well, I've seen that, but frankly, I don't like the

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I don't like the term very much.

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Speaker 2: Forget it then.

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Speaker 5: Yeah, I forget it. Yeah, I think of Actually, truthfully,

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the way I think of it is that music is

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just music, and by far the most music we've heard

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of is music designed by and for humans. But it's

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basically the same if you design it for another species.

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So I have thought in the past that hopefully in

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a hundred years, I thought, well, people have to be

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taught that music was once only for humans. But I

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think that's probably, you know, a little optimistic, but I

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think I still think it'd be nice. I just think

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of it as music.

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Speaker 2: Okay, Now let me ask this. So I'm curious how

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you figured out what music would be best for cats.

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I know you went into some you know a little

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bit of that in your intro. But I play smooth

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jazz for my cats sometimes, and I've heard they liked

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that and they're like reggae, which is very different. So

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did you think about what is popular with cats, what

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you've heard about that's popular with cats. How did you

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decide this is the kind of music that should be

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in my music for Cats album, I went about it.

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Speaker 5: The same way as I did for the Monkeys. I

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basically started with their vocalizations, and one, of course, the

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perr is a go to vocalization because they, as we know,

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the per when they're content, but they also per when

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they're in pain, and they don't per when they're all

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by themselves, so it is a communication. So I think

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of it as something like the human moan that we

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moan in pleasure and in pain. It seems like it's

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an odd thing to have the same vocalization for such

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very different feelings, but they're both intended to elicit a

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kind of a sympathy from the listener. Is kind of

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a moan is like you feel me with something, And

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so the cat purr is roughly similar to our moon.

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So it's not hard to imagine music human music that

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has moan type of sounds in the music. And so

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I developed a bunch of different instruments that basically stylize

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the purr.

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Speaker 2: So you created instruments to make the sound that you.

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Speaker 5: Wanted right in any of my music. I don't actually

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use the sounds of the animals in the music, but

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just like human music, I've created instruments that create kind

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of stylized versions of it. The idea is that music

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is something that we don't have situate to it. In

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other words, it still gets to us. You know, I'm

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seventy now and I still enjoy a brom symphony as

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much as I did when I was young. And so

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the idea is that if you get used to something,

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it turns off the emotional response to it, Like if

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you buy a refrigerator and it clinks when it makes

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the ice. At first you'll notice it, but eventually that

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gets turned off because it's just you know, your brain says,

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don't worry, it's not a threat, so don't pay any

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attention to it. So we don't even hear it anymore

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after a while. But I have a feeling that if

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there was like a sound outside your window every night

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and you never knew what it was, you never identified it,

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I think you would always hear that sound. So that's

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the reason I create instruments that aren't exactly the same

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as the animal sound. It's not really a purr, but

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it's enough like a pur so that hopefully the cats

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would continue to respond to the communication of it, even

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though it hasn't identified that as yeah, that's you know,

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that's another cat or something.

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Speaker 2: Okay, so what you've said, I can infer that basically

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cats don't respond to music the same as humans, or do.

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Speaker 5: They They don't, that's correct. I think in fact, they

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will respond to music that's designed for them. For you know.

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The other example is pulse. We have pulse, but the

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cat that's because we listened to our mother's pulse for

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four months before we were worn, and the brain structure

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is responsible for our emotions are almost completely formed at

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birth for humans. But the cat brain is only like

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one eighth the size at birth of what it will

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be at ten weeks, so it mostly has brain development

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outside the wound. So the cat pulse won't matter. But

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I think that the sound of suckling is the sound

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that every cat will have heard. It's a reward related

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Every cat will have heard that as their brains were developing.

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So basically, so in the category over pulse for humans,

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now you've got swishing sound of suckling, four cats.

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Speaker 2: Okay, thank you. Is there a specific type of beat

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or melody that cats are attracted to, or is it

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just the combination of the sounds.

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Speaker 5: I try to go after the combination of the sounds,

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and otherwise I like to keep it like regular and

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pure because it's part of the theory that purity, like

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a pure sound is like. And then a harsh sound

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was a threat, which is so that's across many species,

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including birds and reptiles. That high pure tends to be affectionate.

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Low harsh is a threat. But it depends on you

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know your own species. Because what's high to us is

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low to a cotton top timer and monkey, and what's

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high to a cotton top temor and monkey is low

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to a bat. So you have to get it right

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in the vocal range. So there is something some music

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that I avoid in the low register of a cat's

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vocalizing because that's where a cat will tend to express

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irritation or a threat, So I do avoid that. Otherwise,

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I keep the music pure and include those elements that

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I've gotten from the cat's vocalizations and brain development.

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Speaker 2: Okay, and what kind of sound would be a threat to.

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Speaker 5: A cat, Well, a harsh sound like a hiss wish

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you know they hiss but also a harsh sound in

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the basically lower treble cleft.

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Speaker 2: Okay, so for those that are like like music, but

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that's about it. What does that sound like?

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Speaker 5: Right? That would say sound like well, basically, I kind

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of a I can get the picture right. It's kind

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of a irritating sound. It's not pure, Yeah, it as

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harsh and in that basically roughly the register that I

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just sang in. Now Here's one thing is interesting is

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that the music that I created for the monkeys, I've

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created two kinds, one to get them riled up and

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one to get them calmed down. At least it was

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intended to do so. And the researchers found both types

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of music irritating. And so I thought, well, if I

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create music for cats that's irritating to their owners, they're

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just not going to turn it on. And so in

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the lower register, the cats can hear there, but they

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don't vocalize, so it doesn't kind of it's trafficnized to them.

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That's where I put music that I intend to appeal

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to the owners. So it's kind of like two levels

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the music. The lower music is designed to to the

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humans and the music and the upper register, the higher frequencies.

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That's all for the cats.

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Speaker 2: Keep the family happy. Okay. On that note, we're gonna

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take short break in and we'll be right back.

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Speaker 5: Molly.

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Speaker 2: Here's your dinner.

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Speaker 5: Seuce.

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Speaker 2: That's not your food.

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R E E d r A y dot com.

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Speaker 5: Let's talk past.

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Speaker 7: Let's life Radio Headline Radio, pet Live Radio dot com.

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Speaker 2: Welcome back everyone. We're talking to David Tye. Who is

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He's a music expert and he made created the first

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album for cats so it's called music for cats. So, David,

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when we played your music for our cats, what should

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we expect? Should they be chill? Will this changed neurotic

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cats to common cats, or just you know, entertains them.

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Speaker 5: If they respond at all, they'll tend to be calmed.

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But it doesn't work for all cats. In fact, the

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older cats don't tend to respond as much as the

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younger cats. I was interested to find from the researchers

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that said that those cats that are the most in

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need of comfort tend to be the most comforted by it,

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like the formally abused cats that have been adopted or

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formally feral cats. And so the cats that don't respond,

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I'm guessing that they tend to be pretty happy. And

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so it's but something like I don't know, seven out

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of ten cats do respond, and the yeah, they tend

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to come toward the speaker or the person who's playing it,

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or snuggle up against the speaker the music, and it's

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all designed to calm the cats. As you can imagine.

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The music that I designed for the monkeys to get

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them riled up is basically monkey heavy metal. You know,

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it would be possible to write that for cats, but

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I don't think anybody wants that in their house.

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Speaker 2: So only if it helps that fat ones get exercise.

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Speaker 5: Well we have, we have a couple of them, and

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so one of those specially, maybe that's a good idea.

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Maybe I should get them out there and yeah.

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Speaker 2: An exercise. I have two ideas and exercise, you know,

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home for cats why, I mean humans dance? Maybe cats

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have a frequency or picture because I don't know what

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I'm talking about when it comes to music stuffics that

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I like to hear. It gets them moving. And the

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other thing is you're talking about how it comes, you know,

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seven to ten cats. I thought there's so much crazy

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in the world these days there is not one for humans,

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or maybe there is that we could put on like loudspeakers,

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especially over areas where there's like traffic and gridlock, to

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just calm people.

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Speaker 5: That would be a good idea. Part of the problem

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with human music is that we've heard it forever, right

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all the time, and people people come up with their

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you know, the idea identify with something. In fact, I

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remember was an in law brother in law who I

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was playing some music and I love this music, and

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my mother in law loved it too. He hated it.

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He was just like, oh, turn it off, gross awful.

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And so people tend to have kind of preconceived notions

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of what they like and what they don't, whereas, at

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least with cats, you're starting from scratch. They don't care

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at all basically about human music, and so so it's

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you know, basically you're they're working with music that for

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them to hear something that is in their register that

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aligns with their vocalizations. It's a fairly new thing, and

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the communication that comes through is, you know, come something

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that's communal and designed to calm them, and so they

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tend to respond well to it.

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Speaker 2: I generally, like my has to have music when I

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work a lot remotely and I want them to be

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chill in the house. So sometimes they're already listening to something.

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So how would they take to listening to music for cats?

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And also do I need to introduce them to music

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for cats in a certain way.

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Speaker 5: I think they would do well with the music for cats.

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I think you don't really need to introduce them to it.

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I think the only problems would be if you have

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a great speaker system. If you're a real audio file

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and you have huge speakers, that could give you a

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great base response and turn it up loud. The music

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could sound like a giant cat or something. And so

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the per sounds are designed to be played through smaller speakers,

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you know, computers or what you might have in your kitchen.

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And so I do think that if you were to

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put it through so a big audiophile music system, it

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might be too much for the cat. But otherwise it

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should be something that you can just put on and

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leave on and they should enjoy it.

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Speaker 2: Should I expect to see my cats may be less

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stressed after listening to music for cats.

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Speaker 5: If your cats are stressed, I think you can expect

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to see them less stressed. I think that's you know,

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like I say, it's not going to work for every cat,

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but more likely you will see a difference. If your

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cats are already very chill and happy, you may not

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notice any difference at all. And so I remember the

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very first one of the first articles that came out

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that was in the New York Times, when I was

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talking to the journalist and she said she had a

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cat that was had been a feeral cat was bouncing

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off the walls, and she tried the music, and the

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cat just hurled around the speaker and just lay there

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with this music.

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Speaker 2: Wow.

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Speaker 5: And so I've had a number of people and sometimes, truthfully,

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I get tears in my eyes. So there was one

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who had adopted this cat that was always under the table,

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always gone, basically didn't see the cat at all. And

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she put the music on the computer, was on her lap,

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and the cat for the first time came up sat

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in her lap. And when she wrote to me about that,

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I just thought, Okay, now I can count my life

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at least to be you know, I have something something

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I've done that I feel is valuable.

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Speaker 2: I imagine you've done a lot of valuable things. That's amazing.

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I was just thinking shelters would probably benefit a lot,

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and rescues.

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Speaker 5: Yes, we made it a policy right from the start

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that we send the music for free to shelters and

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rescues and veterinarians that do not practice decline.

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Speaker 2: Thank you.

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Speaker 5: The second study of the cats was that was done

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Louisiana State University was clinical applications, and so they played

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this music before the evaluations of the cats, and they

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found that it had a calming effect. And I was

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happy to hear that too, because it can be difficult

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for a cat to be brought into an environment like

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a veterinarian's office, and so yeah, I think that's it

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can be valuable in that kind of situation as well,

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or as when they're transporting, if you're taking your cat

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from one place to another, which is for a territorial

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animal like a cat, can be a bit of a

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you know, stressful event. It's good to have this music

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on and kind of in the background, confirms that everything's fine,

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nothing to worry about.

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Speaker 2: Yeah, I have to tell you funny visual. As you

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were talking about traveling with your cat and the music,

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I got this visual of little tiny headphones. Don't ask

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me why, And I thought, I don't think you could

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do that to a cat, But you know, I think

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it's one could you.

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Speaker 5: I don't think so, because I've tried for for quite

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a while to make music for horses, and because we

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have three horses and looking at them right now, and

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one of the things I tried was to put kind

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of the music into earplugs and it did not work

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at all.

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Speaker 2: And so yeah, I could see that. I think maybe

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headphones maybe, but they don't like keeping anything on. And

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I'm not sorry, guys, I'm not a fan of clothes

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for you know, your pets, unless you live in a

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frigid place.

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Speaker 5: Yeah. Yeah, I think I won't be making any headphones.

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Speaker 2: So what do you think the future holds? Is there

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going to be a music for cats too? You could

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make a dance album for cats.

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Speaker 5: You know that it's interesting that you bring that up.

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I don't mind saying that. I have haven't heard that

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idea before, and I like the idea. However, as soon

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as I thinking about it, you know, I think dance

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is the original art form for human beings, and I

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think a good part of music and dance it's just

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an ancient combination. But I think that for a cat

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that puts his pause down so quietly, I don't think

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that sound ever reached the cat's ears really, you know,

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they're stealthy and so yeah, I think it'd be a

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tough go to try to make dance music for cats.

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I can say I've already put out a second album,

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so there are two music for cats albums out there.

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Speaker 2: Okay, And I know cats don't necessarily dance, but is

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there music that possibly could get them moving more?

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Speaker 5: Yeah, I think there might be. I put in I

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made one song that's available as a single. It's called

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Spooks Diddy, and it was designed to get cats more excited.

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And I think if you put little mouse vocalizations, they'd

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certainly be interested in that. It's one of the reasons

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they can hear so high is to track mice. But again,

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I'll just have to admit that I have a feeling

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that trying to create music that will get cats excited

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is it's something that I think for most people, it's

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going to be something that's you know, they wouldn't.

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Speaker 2: Use very often negative exciting versus exciting.

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Speaker 5: Yeah, I have a feeling that if I put out

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music that's calming, and if it's calming, good, and if

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it's not calming, it's probably just nothing. You know, fine,

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everybody could be fairly happy with that. But if you

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put out music that's designed to get them excited, I

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have a feeling that there are a number of people

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that are say, wow, what's what have we done? Yeah, it's like, ah,

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so I'll have to think about that. I'll have to think.

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Speaker 2: About it at Lose the Inner Craziest super Zooms. So, David,

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thank you so much for coming on Catitude. Where can

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people find out more about you, and where can they

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find music for cats?

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Speaker 5: Well, music for cats. There's a website Music for Cats, Spotify,

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Apple Music, Amazon Music. It's on the streaming platforms. Most people,

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I think, find that the easiest, and for people who

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still have CD players, we send out CDs from the website.

427
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But more about me, somebody put up a Wikipedia page

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and so I guess that that's a place to go.

429
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But I don't think I'm as interesting as the cat

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music is. I you're too humble, see well, thank you.

431
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I think it feels good to be if you asked

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about what's next. Basically, what's next for me just to

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create music for more animals. I've been struggling with dogs

434
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and they're very challenging. I think it will be possible.

435
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But in general, I think that for the species that

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are out there that are becoming viable only in captivity

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because we're taking over the planet, I think the least

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we can do is to get them in an environment

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where we have something of comfort that's designed for them.

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And so that's what I'm going after, is to try

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to create music for captive species. And because we tend

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to throw them into it, you know, like basically at

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jail and put in an old tire and call it enrichment.

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And you know, I think we deserve more than that.

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Speaker 2: I want to thank you so much for coming on

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Ctitude and thank you for doing what you do. Because

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creating calming and wonderful music for our furbades to chill.

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I think it's just all positive. Think of it long term.

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If your cats are calmer, you know, more will get adopted.

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Let's uganize, and you know for other species there was

451
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just very different benefits possibly, but so many benefits. I mean,

452
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who doesn't want their for a kid to be calmed

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and feel good?

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Speaker 5: Right? I agree? I agree. I'm hoping that there will

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be more and more music out there for people and

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for the other animals. So thanks very much for having

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me on.

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Speaker 2: Thanks for coming on Catitude. I hope you all enjoyed

459
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this show. Thanks to David Tie, who created the world's

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first album for cats called Music for Cats. Thank you

461
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so much David for coming on Catitude. I want to

462
00:28:42,359 --> 00:28:46,960
thank my listening audience for listening to Catitude for all

463
00:28:47,000 --> 00:28:50,480
these years. Thank you share it. There's been a lot

464
00:28:50,519 --> 00:28:53,519
of knowledge and interesting things on this show over the

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00:28:53,599 --> 00:28:58,960
last let's say, because nine years, so please share the

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00:28:59,039 --> 00:29:03,839
information with your friends. For Catitude, Michelle Fern and I

467
00:29:03,880 --> 00:29:07,240
want to give it. Thank you to my listening audience Mollie,

468
00:29:07,559 --> 00:29:13,240
Charlotte and Dennis who were listeners of Music for Cats

469
00:29:13,279 --> 00:29:17,240
and my most neuroticat is Charlotte and she was definitely

470
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definitely seem calmer. I was a little bit shocked by it,

471
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and be sure to check out the album again Music

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for Cats by David Tye. And of course the show

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would not be the same without my producer Mark Winter

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working his magic. Thank you Mark, and hey, remember lose

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the attitude, have the catitude.

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Speaker 4: Let's Talk pets every week on demand only on petlifradio

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dot com.

