1 00:00:29,039 --> 00:00:35,439 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. 2 00:00:35,719 --> 00:00:39,079 This is your host, Adam Graham. In a moment, we're 3 00:00:39,159 --> 00:00:42,840 going to bring you this week's episode of Charlie Chan. 4 00:00:43,520 --> 00:00:46,320 But first I do want to encourage you to check 5 00:00:46,359 --> 00:00:49,759 out our other podcast, and I'm highlighting the old time 6 00:00:49,880 --> 00:00:54,960 Radio snack Wagon at snackwagon dot net, where every week 7 00:00:55,119 --> 00:00:58,200 we bring you a bite sized bit of old time 8 00:00:58,320 --> 00:01:02,880 radio goodness, a cross a wide variety of different genres. 9 00:01:03,200 --> 00:01:06,000 Might tune in one day and hear a sports story, 10 00:01:06,280 --> 00:01:08,920 and the next week it might be a comedy or 11 00:01:08,959 --> 00:01:13,480 a drama or a offbeat music program. You never know 12 00:01:13,799 --> 00:01:17,000 what will serve up, but it'll be good. Check it 13 00:01:17,040 --> 00:01:21,359 out snackwagon dot net. Now we return to an episode 14 00:01:21,400 --> 00:01:24,879 of Charlie Chan that aired during the nineteen fifty to 15 00:01:24,920 --> 00:01:30,799 fifty one radio series. The episode is entitled Escape Musician. 16 00:01:43,079 --> 00:01:45,519 Speaker 2: The Incomfortable Charlie Chen. 17 00:01:56,920 --> 00:01:59,719 Speaker 3: We probably present the Uncomfortable Charlie Chown and a new 18 00:01:59,719 --> 00:02:04,040 writing series. Join this famous affective as he combines the 19 00:02:04,079 --> 00:02:06,680 wisdom of the East and the science of the West. 20 00:02:07,079 --> 00:02:09,759 In the dramatic chapter from the Adventures. 21 00:02:09,199 --> 00:02:18,919 Speaker 4: Of Charlie Chang, Chari Chan honry the dual good evening 22 00:02:19,400 --> 00:02:26,719 and extends wrong welcome. Ancient father proclaims the states like 23 00:02:26,800 --> 00:02:32,039 weeds will grow in any styles. The Night Relief Mistakes 24 00:02:32,280 --> 00:02:37,520 that almost ended in murder written Please anser. 25 00:02:44,199 --> 00:03:07,599 Speaker 3: For Night's adventure The Escaped Musicians. It is midnight in 26 00:03:07,680 --> 00:03:10,680 a small white house in a quiet San Francisco neighborhood. 27 00:03:11,199 --> 00:03:15,319 Missus Bennie Post, slender and youthful despite her forty years, 28 00:03:15,599 --> 00:03:19,280 sits at the cottage piano and plays quietly while she 29 00:03:19,400 --> 00:03:21,680 watches the clock on the wall with anxious eyes. 30 00:03:33,800 --> 00:03:37,039 Speaker 5: That Ronnie, all right, feel I'm coming. You'll be in 31 00:03:37,080 --> 00:03:40,719 such a hurry, my goodness, I oh. 32 00:03:40,680 --> 00:03:44,080 Speaker 4: Missus Vinnie Post, yes, you will permit this prison to 33 00:03:44,120 --> 00:03:49,080 include Please, I'll take of Jerry Shanna police police outside 34 00:03:49,400 --> 00:03:53,360 number one. Son not I don't oh come in? Please 35 00:03:53,560 --> 00:03:58,680 many thanks, mister Ronnie Post, your son, missus. 36 00:03:58,360 --> 00:04:04,599 Speaker 5: Most yes, conall, why no? But I really don't understand, inspector, 37 00:04:05,159 --> 00:04:08,120 why this is it. We're a musical family. We don't 38 00:04:08,199 --> 00:04:09,439 usually have anything to do with the. 39 00:04:09,479 --> 00:04:12,639 Speaker 4: Pardon interruption, most urgent mission really. 40 00:04:12,879 --> 00:04:15,560 Speaker 5: Why he's at a school on the south side giving 41 00:04:15,560 --> 00:04:19,720 a recital. He's first violum with an amateur quartet. But 42 00:04:20,199 --> 00:04:23,079 I must insist on an explanation, inspector, and this most 43 00:04:23,160 --> 00:04:23,839 unfolked in that. 44 00:04:23,879 --> 00:04:27,720 Speaker 4: Situation, Missus, both your son's not but recital to night? 45 00:04:28,399 --> 00:04:31,480 Speaker 5: What but why? What happened to him? What? 46 00:04:31,879 --> 00:04:34,040 Speaker 4: Your son involved in serious crimes? 47 00:04:34,800 --> 00:04:34,839 Speaker 5: No? 48 00:04:35,399 --> 00:04:40,360 Speaker 4: Say oh, this is ridiculous, say clary which culminated in murder? 49 00:04:41,240 --> 00:04:44,439 You're joking, of course, so sorry. 50 00:04:44,759 --> 00:04:48,720 Speaker 5: The glooney is a musician, the prior linist. Why this 51 00:04:48,800 --> 00:04:49,399 is absurd? 52 00:04:50,000 --> 00:04:54,319 Speaker 4: Burglary murder was almost apprehended well shot by office watchman. 53 00:04:54,480 --> 00:04:57,240 Speaker 5: Shot you mean he was hurt? So sorry? 54 00:04:57,279 --> 00:05:00,759 Speaker 4: Yes, this enough brains sought. Your son might have returned 55 00:05:00,800 --> 00:05:01,800 home because of injury. 56 00:05:02,399 --> 00:05:08,639 Speaker 5: No, no, he's not home. He's Ronnie hurt. I all 57 00:05:08,720 --> 00:05:10,160 mixed up with gentleness. 58 00:05:10,160 --> 00:05:13,759 Speaker 4: Suppost gently, Please, that's matter where news would come as 59 00:05:13,800 --> 00:05:17,680 shock mustn't fit. You'll permit number one stand themselves wait 60 00:05:17,759 --> 00:05:19,399 home coming or stand in this hume. 61 00:05:19,560 --> 00:05:24,800 Speaker 5: Ronnie, no wonder he was late? I never knew. Can 62 00:05:24,800 --> 00:05:28,439 we wake home? Missus? Pot why my yes? 63 00:05:29,279 --> 00:05:33,560 Speaker 6: And yes coming to one in bedroom. 64 00:05:33,800 --> 00:05:35,839 Speaker 5: I don't want him to see you when he gets here. 65 00:05:36,240 --> 00:05:42,319 He he'm here, Inspector, I'll leave you in here. You 66 00:05:42,399 --> 00:05:45,120 just got to give me a moment alone. I've got 67 00:05:45,120 --> 00:05:51,000 to pull myself together. This that's a shock, I say, pop, Wait, 68 00:05:53,399 --> 00:05:57,000 why does sir it's locked? 69 00:05:57,399 --> 00:06:01,439 Speaker 4: She'd blocked us in very good excuse, I es, please listen, 70 00:06:02,720 --> 00:06:06,959 the front doors open, she goes out. Yes, brave woman 71 00:06:07,040 --> 00:06:10,000 has locked up police and rushed to aid avinger sons. 72 00:06:10,040 --> 00:06:12,040 Speaker 5: You expected this past, chairs for. 73 00:06:12,120 --> 00:06:16,120 Speaker 4: The reason for brutal disclosure of news. Urgent to locate 74 00:06:16,199 --> 00:06:19,720 with Dorani post at once. Mother knows where sun would 75 00:06:19,759 --> 00:06:23,319 hide in time of travel, would not tell us, but 76 00:06:23,319 --> 00:06:27,600 I will lead us to vicinity. Applies certainly enough right 77 00:06:28,240 --> 00:06:32,079 through me, it is written. Youngle's soldier does not fight 78 00:06:32,199 --> 00:06:34,079 so hard as weak as mother. 79 00:06:39,600 --> 00:06:42,959 Speaker 3: Many Post runs wildly down a foggy street, through her 80 00:06:43,040 --> 00:06:45,680 back alley, and then act a vacant lot so with 81 00:06:45,839 --> 00:06:50,240 rusting tins and garbage. She gathers her shawl closer around 82 00:06:50,279 --> 00:06:54,319 her shoulders, approaches a small shack hidden in a corner. 83 00:06:56,120 --> 00:07:06,639 Speaker 5: Money Money deares mother and his mother. Mommy, why you're 84 00:07:06,639 --> 00:07:08,279 always getting here to hide when you were a boy. 85 00:07:08,879 --> 00:07:18,439 Oh gee, mamma, easy, here my hand hand let me see. 86 00:07:18,800 --> 00:07:21,319 Speaker 7: Yes, I've got a hag. 87 00:07:21,160 --> 00:07:23,720 Speaker 5: At you forgot about my daughter, I use my slipper. 88 00:07:24,439 --> 00:07:27,600 You got to tell me what happened. What happened to me? 89 00:07:27,920 --> 00:07:28,480 What happened? 90 00:07:28,600 --> 00:07:35,000 Speaker 7: Name my my, I've been lying to you about playing 91 00:07:35,040 --> 00:07:38,600 with that courtead. I you remember the pig was fellow. 92 00:07:38,600 --> 00:07:41,839 I used to know, well what money I I brought 93 00:07:41,839 --> 00:07:42,120 it home. 94 00:07:42,279 --> 00:07:42,920 Speaker 5: He gave it to me. 95 00:07:43,560 --> 00:07:44,959 Speaker 8: He kicked me into a record money. 96 00:07:45,120 --> 00:07:45,439 Speaker 3: Honest. 97 00:07:46,319 --> 00:07:48,040 Speaker 4: Last year he said he give me thirty dollars to 98 00:07:48,079 --> 00:07:49,839 stand on the street car and play the violin at that. 99 00:07:51,360 --> 00:07:51,839 Speaker 5: I'm honest. 100 00:07:52,240 --> 00:07:54,480 Speaker 7: He said it was a joke, and then I found 101 00:07:54,519 --> 00:07:55,240 out he would he was. 102 00:07:55,319 --> 00:07:57,959 Speaker 3: He moved for a look at while he was rubbing. 103 00:07:57,680 --> 00:07:58,879 Speaker 5: And also fide the building. 104 00:07:59,079 --> 00:08:01,439 Speaker 3: Oh rody, I wasn't accomplished. 105 00:08:01,439 --> 00:08:02,319 Speaker 7: I couldn't get out of him. 106 00:08:02,759 --> 00:08:03,160 Speaker 5: It over me. 107 00:08:03,839 --> 00:08:05,759 Speaker 8: He made me work there seven times. 108 00:08:07,120 --> 00:08:07,399 Speaker 3: Happening. 109 00:08:07,600 --> 00:08:11,319 Speaker 7: Hester got caught a fright. I got mixed up in 110 00:08:11,360 --> 00:08:12,639 the night. 111 00:08:12,079 --> 00:08:14,079 Speaker 5: Oh what am I going to do it? 112 00:08:14,199 --> 00:08:18,600 Speaker 4: You will follow instructions of this person, mister post. This 113 00:08:18,759 --> 00:08:22,959 is Charlie China Police forgive trick missus burst excuse my 114 00:08:23,160 --> 00:08:27,759 urgent case, but missed the post attention this for this situation. 115 00:08:27,879 --> 00:08:31,000 The man's honest, Santas. You will look at what he 116 00:08:31,160 --> 00:08:35,679 will whilst blaring face of publishing up what by what? 117 00:08:35,879 --> 00:08:38,080 Then you insisted him invite? 118 00:08:39,840 --> 00:08:41,200 Speaker 5: Who said? What's on to death? 119 00:08:41,679 --> 00:08:44,360 Speaker 8: I don't know roney on which I did hits my work? 120 00:08:44,360 --> 00:08:44,879 That I don't know. 121 00:08:44,960 --> 00:08:48,159 Speaker 4: I was mixed up my clarents. What did Welsh want 122 00:08:48,200 --> 00:08:48,720 from face? 123 00:08:49,879 --> 00:08:53,480 Speaker 7: A list of what he should have a list of 124 00:08:54,159 --> 00:08:56,279 I thought he was lying attention. 125 00:08:57,600 --> 00:08:58,279 Speaker 5: With the post? 126 00:08:58,759 --> 00:09:02,600 Speaker 4: Who are involved in burglar and murders? Will be possible 127 00:09:02,639 --> 00:09:04,440 for this person to save you? 128 00:09:04,919 --> 00:09:07,919 Speaker 5: What do I have to do? Escape? You move from here? 129 00:09:07,960 --> 00:09:10,039 Speaker 4: You must believe San Francisco at once. 130 00:09:10,440 --> 00:09:13,240 Speaker 5: That's ridiculous. You can't do that. It is possible, But 131 00:09:13,399 --> 00:09:16,240 you don't understand my under by a minist. His hand 132 00:09:16,360 --> 00:09:16,679 is hurt. 133 00:09:17,120 --> 00:09:18,639 Speaker 4: Every mouth's injury to hand. 134 00:09:18,720 --> 00:09:21,120 Speaker 5: He's got to get to a doctor if anything could 135 00:09:21,120 --> 00:09:21,919 happen to his hand. 136 00:09:22,000 --> 00:09:25,360 Speaker 4: Don't sorry, missus purs Your son's life is more important 137 00:09:25,399 --> 00:09:25,960 than career. 138 00:09:26,919 --> 00:09:30,840 Speaker 5: Yes, yes, this person can save life. 139 00:09:31,440 --> 00:09:32,320 Speaker 4: Kindly make shuts. 140 00:09:32,360 --> 00:09:35,360 Speaker 8: Wait a minute, I don't know why? 141 00:09:35,440 --> 00:09:38,879 Speaker 4: Why will you not salute there with useless questions? Will 142 00:09:38,919 --> 00:09:44,200 you follow instructions, mister Post? Yes, set very good. You 143 00:09:44,320 --> 00:09:48,039 must escape mister Post. This person then sons will assist you. 144 00:09:48,759 --> 00:09:52,159 We will leave this crumbling above and proceed immediately your 145 00:09:52,240 --> 00:09:52,960 trolley life. 146 00:09:52,799 --> 00:09:53,519 Speaker 8: To put me ryl. 147 00:09:54,360 --> 00:09:57,960 Speaker 4: But why no Christians please? We will write to end 148 00:09:58,000 --> 00:10:02,039 of line and this mouth you will take plays there 149 00:10:02,039 --> 00:10:05,039 again across the allometer. Not that you will proceed on 150 00:10:05,080 --> 00:10:07,320 foot along alimeter highway Huie. 151 00:10:07,240 --> 00:10:10,000 Speaker 5: On foot, but the boy's you will. 152 00:10:09,720 --> 00:10:13,519 Speaker 4: Proceed on foot as I say, and now these to allimeter. 153 00:10:13,879 --> 00:10:16,440 This person will meet you and provide you with refuse 154 00:10:16,480 --> 00:10:18,919 from official please until life can be saved. 155 00:10:18,960 --> 00:10:21,840 Speaker 5: But why why are you doing that? I didn't think 156 00:10:21,840 --> 00:10:22,519 the police? 157 00:10:22,639 --> 00:10:24,440 Speaker 4: Have I not said no questions? 158 00:10:24,440 --> 00:10:28,559 Speaker 5: Please? This person has pressed and assisting. 159 00:10:28,240 --> 00:10:33,279 Speaker 4: Escape of mister Post. Same revealed it later dates one warning, 160 00:10:33,279 --> 00:10:38,039 mister Post, your life depends on precise accomplishment of instructions. 161 00:10:38,919 --> 00:10:42,240 If you depart that run inch from past, you are lost. 162 00:10:43,120 --> 00:10:57,159 Now go no hello, This inauspicious voice of inspectatory speaking 163 00:10:57,200 --> 00:11:01,559 from Petos, have instructions for you. Madam Prady must be followed. 164 00:11:01,559 --> 00:11:05,000 Admit tree, what are you gonna do? Pap silence Sagean 165 00:11:05,039 --> 00:11:09,840 Brady regarding reglery and murder. Now under investigation crime involving 166 00:11:09,879 --> 00:11:13,039 thefts of subscription mist of War Veterans Magazine pop. 167 00:11:13,279 --> 00:11:15,519 Speaker 8: You may you say they committed murder for list of names. 168 00:11:16,000 --> 00:11:20,159 Speaker 4: This person interrupted by miserable son Sergeant Brady, but continues 169 00:11:20,200 --> 00:11:24,720 with fortitude. Have discovered mister Ronney Post, probable killer of 170 00:11:24,759 --> 00:11:28,480 watchmen now trying to leave San Francisco HA. Have discovered 171 00:11:28,480 --> 00:11:32,000 the route taken trally to basse Erre, then to Alameda 172 00:11:32,360 --> 00:11:33,399 A long highways. 173 00:11:33,519 --> 00:11:34,919 Speaker 5: UIs Pop, are you crazy? 174 00:11:35,080 --> 00:11:40,240 Speaker 4: Close? Satan maus? Please Sad and Brady. This person desires 175 00:11:40,279 --> 00:11:43,960 police and radio warnings broadcast to all persons along that road. 176 00:11:44,840 --> 00:11:49,279 Kindly use description of mister Post already provided cat quote 177 00:11:49,320 --> 00:11:50,399 wounded out hander Sepper. 178 00:11:50,519 --> 00:11:51,639 Speaker 8: You can't do this, Pop. 179 00:11:51,480 --> 00:11:55,600 Speaker 9: Your him, Dan, Pop, you can't double cross Bonny Post 180 00:11:55,639 --> 00:11:55,799 like this. 181 00:11:55,960 --> 00:11:56,559 Speaker 5: You can't do it. 182 00:11:56,759 --> 00:12:00,399 Speaker 4: You're the most honest man, Apollot you silence. Father and 183 00:12:00,519 --> 00:12:03,799 son have urgent mission to perform. Let's drive at once 184 00:12:03,840 --> 00:12:05,639 to end up trolley line, to miss mister. 185 00:12:05,519 --> 00:12:08,279 Speaker 2: Ronny Post, to double crossed him and turn him in. 186 00:12:08,519 --> 00:12:11,440 Speaker 4: Now there was this an escape of young men, as 187 00:12:11,440 --> 00:12:26,399 Blendy say. 188 00:12:26,279 --> 00:12:37,080 Speaker 5: Running we can in the doorway, getting quick. The man 189 00:12:37,120 --> 00:12:40,159 I'm a Charlie, God looking at me, SUSPICI we go 190 00:12:40,240 --> 00:12:41,759 to the end of the my life. They started for me. 191 00:12:42,799 --> 00:12:43,960 I think I knew why I want. 192 00:12:44,320 --> 00:12:46,519 Speaker 8: I don't know what I start to run. 193 00:12:46,639 --> 00:12:49,360 Speaker 5: Do you think they're after you money? It's a good things. 194 00:12:49,360 --> 00:12:51,720 Proud of me here to watch out for you. Now listen, 195 00:12:52,240 --> 00:12:53,919 I've got to get you to the ferry. I think, 196 00:12:54,759 --> 00:12:56,720 wait a minus, you're right, have people running down this 197 00:12:56,840 --> 00:12:59,440 way back in the doorway. I'll have it for you. 198 00:12:59,679 --> 00:13:02,879 But with Yanni anyway, you see that, I certainly U 199 00:13:06,720 --> 00:13:08,360 didn't you see the Johnny's head? 200 00:13:08,559 --> 00:13:11,039 Speaker 8: He walks you way? You run off? 201 00:13:11,919 --> 00:13:16,039 Speaker 5: Hi? Hi? Son? Yeah? 202 00:13:16,240 --> 00:13:18,559 Speaker 8: You play a fellow rounds with the band's hands? 203 00:13:18,759 --> 00:13:19,799 Speaker 5: Are him? Yeah? 204 00:13:19,840 --> 00:13:20,840 Speaker 8: What was the matter with him? 205 00:13:20,960 --> 00:13:21,480 Speaker 5: Scared that? 206 00:13:21,679 --> 00:13:22,320 Speaker 6: I'll never mind that? 207 00:13:22,399 --> 00:13:24,679 Speaker 8: Which way to go? The lift down the street? 208 00:13:25,080 --> 00:13:26,120 Speaker 4: Boy is the left down the three? 209 00:13:26,159 --> 00:13:37,600 Speaker 10: Come on, let's go, Runny, come on, we're gonna like 210 00:13:37,600 --> 00:13:39,720 in the ferry. I'll get you out of the way 211 00:13:39,759 --> 00:13:40,279 pop brunch. 212 00:13:40,320 --> 00:13:43,759 Speaker 5: But I wish you why you're doing this for hardway. 213 00:13:51,759 --> 00:13:54,720 Speaker 3: In a few moments, Charlie Chan continues the case of 214 00:13:54,759 --> 00:14:02,200 the escape musician. But meanwhile, here is your announcer, And 215 00:14:02,320 --> 00:14:11,000 now back to the incomparable Charlie Cham run post a 216 00:14:11,039 --> 00:14:13,960 young man in bottle plane. It was for some reason 217 00:14:14,000 --> 00:14:18,240 being assisted in making his escape by Charlie cham Now 218 00:14:18,360 --> 00:14:20,840 aboard the Bay Ferry on Dante Cisco Harbor. 219 00:14:24,159 --> 00:14:29,879 Speaker 5: Running. What are you doing here? I had to come from. 220 00:14:30,399 --> 00:14:35,919 I couldn't let you go on the se as. You 221 00:14:35,919 --> 00:14:38,519 become the fairy. I waited the dock for you, and 222 00:14:38,519 --> 00:14:50,360 then I thought you stick ant people watching? Yeah, now 223 00:14:51,440 --> 00:14:54,720 that's better. No one can see us. Yes, listen, dear, 224 00:14:55,480 --> 00:15:01,279 I'm terrible trouble and I know tell him? How crime? 225 00:15:03,879 --> 00:15:04,720 How could who love them? 226 00:15:04,759 --> 00:15:04,919 Speaker 4: One? 227 00:15:05,759 --> 00:15:09,279 Speaker 5: He's got so honored, so sincere? What are you talking about? 228 00:15:09,919 --> 00:15:12,840 To share? He's let us down money? He was lying 229 00:15:12,840 --> 00:15:15,720 all the time. What does he do? He's needing you 230 00:15:15,799 --> 00:15:19,600 can escape? Good? He needs you run away. I don't 231 00:15:19,639 --> 00:15:23,159 believe that's true. Why why he wants to prove you? 232 00:15:23,159 --> 00:15:26,120 Will give you of that? You know that, I know 233 00:15:26,200 --> 00:15:29,799 you're enough. That man why he's got every radio station 234 00:15:29,919 --> 00:15:30,440 would comes. 235 00:15:30,360 --> 00:15:31,639 Speaker 8: Into sure about his money? 236 00:15:31,639 --> 00:15:34,120 Speaker 5: I should tell you everyone. 237 00:15:33,919 --> 00:15:37,720 Speaker 8: Expected when you're going, Oh, that's why I kill you. 238 00:15:38,440 --> 00:15:42,639 Speaker 5: He's just waiting to pumps on your own. How did 239 00:15:42,639 --> 00:15:46,480 I ever get mixed up in this house? I listen, 240 00:15:46,519 --> 00:15:48,759 then I gonna no, No, I'm looking. 241 00:15:49,519 --> 00:15:51,519 Speaker 8: I want to drag you up, go back. 242 00:15:51,639 --> 00:15:53,600 Speaker 4: We need here to fight this out along. I waing. 243 00:15:54,120 --> 00:15:56,720 Speaker 5: Am I going to fool that man? You'll get away 244 00:15:56,720 --> 00:15:58,320 on the rough? What do we need to do it? 245 00:15:59,399 --> 00:16:00,200 Speaker 3: You know what I'm come. 246 00:16:00,840 --> 00:16:04,080 Speaker 5: There isn't a chance for me. Yes, sir, you're going 247 00:16:04,120 --> 00:16:06,720 to give me or he can you come? Please? Don't 248 00:16:06,759 --> 00:16:09,039 do It's all right. I know what I'm doing. I 249 00:16:09,200 --> 00:16:12,840 do flex with I looking up like doing the doctor 250 00:16:15,360 --> 00:16:20,080 changing the mighty. You can make complete exactly while I 251 00:16:20,279 --> 00:16:23,200 walk into chands praps. You're going to turn around and 252 00:16:23,279 --> 00:16:26,080 go back. It's worth trying to get away for good, 253 00:16:26,200 --> 00:16:29,600 no good. I want you to, but she can't stop 254 00:16:29,639 --> 00:16:34,879 me doing. It's no pen What do you want, my hippothy, 255 00:16:38,720 --> 00:16:40,720 there's young to young man with a hurt hand. They're 256 00:16:40,720 --> 00:16:43,799 going to have one. It's the right hand of the daughter. 257 00:16:44,080 --> 00:16:44,600 Speaker 8: What are you doing? 258 00:16:44,679 --> 00:16:45,039 Speaker 5: Stop it. 259 00:16:47,519 --> 00:16:50,240 Speaker 8: Too late to sun now, for the love of. 260 00:16:51,799 --> 00:16:55,000 Speaker 5: A real U little food anybody, and I've got a 261 00:16:55,000 --> 00:16:55,639 handkerchief for it. 262 00:16:57,480 --> 00:16:57,840 Speaker 4: Look at me. 263 00:16:59,159 --> 00:17:15,079 Speaker 5: It doesn't He didn't hurt all all right? Pop mission completed. 264 00:17:15,200 --> 00:17:16,799 I put Runny on the fairy. Very good. 265 00:17:17,319 --> 00:17:20,079 Speaker 4: That's so I returned to doc from Alameda. We'll god 266 00:17:20,119 --> 00:17:21,799 sell him and follow young man top. 267 00:17:21,839 --> 00:17:23,319 Speaker 5: What are you up to? First? 268 00:17:23,359 --> 00:17:24,359 Speaker 8: He picked up on a murder. 269 00:17:24,519 --> 00:17:26,680 Speaker 9: Say you had a mistake even though he doesn't loves 270 00:17:26,680 --> 00:17:27,480 he's a killer. 271 00:17:27,519 --> 00:17:30,160 Speaker 5: From you double crossed him? Shn I help him from. 272 00:17:30,079 --> 00:17:34,200 Speaker 4: This some then we'll bring calm board explanations later. 273 00:17:34,440 --> 00:17:36,599 Speaker 5: Don't tell me what you're after. Lie. 274 00:17:36,839 --> 00:17:38,839 Speaker 4: Names stolen from face O. 275 00:17:39,000 --> 00:17:43,240 Speaker 5: To the love he pop loose that's where he posted 276 00:17:43,400 --> 00:17:48,400 up the fairy. He came back post Lucy pose the concern. 277 00:17:54,680 --> 00:17:56,839 Why didn't you fan from my bands factions? Please? You 278 00:17:56,960 --> 00:17:57,680 double cross me? 279 00:17:58,279 --> 00:17:59,240 Speaker 8: I heard the radio. 280 00:17:59,039 --> 00:18:01,440 Speaker 5: Boys who gave information. 281 00:18:01,559 --> 00:18:03,920 Speaker 8: Please do it the radio? 282 00:18:04,160 --> 00:18:04,640 Speaker 4: Where please? 283 00:18:05,480 --> 00:18:08,400 Speaker 5: You have never been near radio all night? Who told 284 00:18:08,440 --> 00:18:09,319 you of broadcast? 285 00:18:10,000 --> 00:18:10,359 Speaker 8: My mother? 286 00:18:11,160 --> 00:18:15,079 Speaker 4: Your lying were observed during entire flight by San himself. 287 00:18:15,400 --> 00:18:16,519 Did not speak to mother. 288 00:18:16,680 --> 00:18:18,039 Speaker 3: You don't look very waiting for me? 289 00:18:18,200 --> 00:18:20,400 Speaker 4: Where please? Where I happy? 290 00:18:20,480 --> 00:18:21,680 Speaker 5: Cat Ah? 291 00:18:22,359 --> 00:18:26,279 Speaker 4: So your mother took your place hair, That is why 292 00:18:26,359 --> 00:18:31,720 you returned. Your mother has substituted for you. This most 293 00:18:31,759 --> 00:18:32,319 alarming you. 294 00:18:32,480 --> 00:18:33,519 Speaker 5: What's the matter, Alphop? 295 00:18:33,640 --> 00:18:36,359 Speaker 4: Why did you and mother sail in trust of Charlie 296 00:18:36,440 --> 00:18:41,000 chand mister poss I don't understand you are number one 297 00:18:41,160 --> 00:18:44,640 in the seal tam let's take ferry and follow mother 298 00:18:44,759 --> 00:18:48,279 at once. Promish one, you have permitted mother to walk 299 00:18:48,319 --> 00:18:49,480 into tract of death. 300 00:19:10,880 --> 00:19:17,799 Speaker 8: Hey, hey, Runny, this is me Si Wash. Come on 301 00:19:17,960 --> 00:19:22,720 with the cock here, come on the highway. Looking for you. 302 00:19:23,920 --> 00:19:26,880 Gotta pick you up. You're in a bad gameral. 303 00:19:27,559 --> 00:19:31,559 Speaker 6: Hey, that's right, Mister't run, don't. 304 00:19:31,400 --> 00:19:35,039 Speaker 8: Move, lady, you got to stay right here. I'm coming out. 305 00:19:38,480 --> 00:19:40,039 Speaker 5: Why are you Runny's mother? 306 00:19:41,000 --> 00:19:43,759 Speaker 8: He's a lady. Eh. What's the idea that can wait? 307 00:19:43,839 --> 00:19:47,319 Speaker 5: Mister Wash? So you're the little routing. Why who did 308 00:19:47,359 --> 00:19:49,519 this to my Runnie? You cheap fish? 309 00:19:50,640 --> 00:19:53,599 Speaker 6: Why you kicking my boy like that, tricking him into 310 00:19:53,680 --> 00:19:56,920 turning seats, using him like that wonderful musician with everything 311 00:19:56,960 --> 00:19:59,079 in life before him, turning him into a. 312 00:19:59,119 --> 00:20:01,440 Speaker 5: South and a killer. You rocking hot? 313 00:20:01,839 --> 00:20:04,759 Speaker 8: Mm mmm? How a kid talked about the job tonight? 314 00:20:04,839 --> 00:20:04,960 Speaker 5: Eh? 315 00:20:05,680 --> 00:20:08,319 Speaker 8: I sort he might. That's why I was looking for him. 316 00:20:09,039 --> 00:20:12,359 I guess I'll have to keep on looking, Oscar. I'd 317 00:20:12,400 --> 00:20:13,119 take care of you. 318 00:20:13,680 --> 00:20:14,240 Speaker 5: Let me goat. 319 00:20:14,440 --> 00:20:17,200 Speaker 8: Come on, lady, we're taking a little walk into the 320 00:20:17,319 --> 00:20:21,759 field and do a little business. Gold go oh you 321 00:20:21,920 --> 00:20:25,079 double for the kid, eh? Have him cod him? Even 322 00:20:25,119 --> 00:20:30,039 the bailey he knew I was oser man, You knew 323 00:20:30,039 --> 00:20:33,680 I'd have to keep him quiet? What so all those 324 00:20:33,720 --> 00:20:35,279 looks as if all have to shut you up? 325 00:20:35,359 --> 00:20:35,640 Speaker 5: First? 326 00:20:35,720 --> 00:20:39,559 Speaker 8: Eh, you know too much and you talk too much too. 327 00:20:40,559 --> 00:20:46,000 A kid gets it from you. There's fire enough? Turn around. 328 00:20:47,319 --> 00:20:48,079 Speaker 5: Looking to kill me? 329 00:20:48,839 --> 00:20:49,519 Speaker 4: What do you think? 330 00:20:50,359 --> 00:20:50,880 Speaker 8: Turn around? 331 00:20:52,559 --> 00:20:53,119 Speaker 5: You walking? 332 00:20:54,279 --> 00:20:56,240 Speaker 6: You're a kind of carter shoots in the back, aren't you. 333 00:20:56,759 --> 00:20:59,160 You can't say thyes, you have to hide while you murder? 334 00:20:59,720 --> 00:21:04,119 Speaker 8: You all right in the faith? Then Lane, just wait 335 00:21:04,200 --> 00:21:07,119 till the cargoes by. You have one minute? 336 00:21:11,359 --> 00:21:12,319 Speaker 5: What us? Hey? 337 00:21:12,359 --> 00:21:16,400 Speaker 8: They cutting my car? They cracked me up? Are you? 338 00:21:16,839 --> 00:21:17,759 Speaker 5: What's the the guy there? 339 00:21:18,079 --> 00:21:19,880 Speaker 8: Don't you know how to keep a calm a road. 340 00:21:20,119 --> 00:21:24,240 Speaker 4: I've got a good minder to do, mister, this has 341 00:21:24,359 --> 00:21:28,640 infected chari Cham Gently, mister Rolf will not attend to 342 00:21:28,759 --> 00:21:30,359 use gun number one. 343 00:21:30,480 --> 00:21:34,039 Speaker 5: Son stands on the other sides with lads automatic covering you. 344 00:21:34,200 --> 00:21:36,160 It's a forty five wash. They told me how to 345 00:21:36,279 --> 00:21:37,000 use one of the army. 346 00:21:37,799 --> 00:21:41,920 Speaker 4: Hastily arranged door. Tomobile accident gave Simon self opportunity to 347 00:21:42,119 --> 00:21:46,079 enter this row and meet you, mister Row, your former accomplice, 348 00:21:46,160 --> 00:21:51,759 mister post drove Carron. Yes, bravely risked life to protect 349 00:21:51,839 --> 00:21:57,680 life of matter those unfortunate. Mister Road, you are surrounded 350 00:21:57,799 --> 00:21:59,960 with witnesses who will convict. 351 00:21:59,640 --> 00:22:01,559 Speaker 5: You of very blurry and murder. 352 00:22:02,759 --> 00:22:07,160 Speaker 4: It is well written. Sho run many racists but. 353 00:22:07,240 --> 00:22:23,640 Speaker 5: Has never yet lost first prize. He's cheer in heart, 354 00:22:23,759 --> 00:22:29,920 Missus Bolt, this large person makes more plums. See, your 355 00:22:30,039 --> 00:22:34,200 son will not pay too greatly for I'm fortunate cooperation 356 00:22:34,319 --> 00:22:36,359 with mister Pigwells. Thank you. 357 00:22:37,240 --> 00:22:39,519 Speaker 8: I should have tried with you. I'm sorry I. 358 00:22:39,519 --> 00:22:45,799 Speaker 4: Didn't yes his entire escape plan to bring mister Rolsk 359 00:22:45,920 --> 00:22:49,480 into grass you. He would attempt your death to silen 360 00:22:49,640 --> 00:22:50,839 only witness to murder. 361 00:22:51,039 --> 00:22:53,319 Speaker 9: So that's why you had a whole escape for broadcast. 362 00:22:53,680 --> 00:22:56,759 Speaker 5: This haslift What made you so sure? I didn't make 363 00:22:56,799 --> 00:22:59,799 the murdering sick? I wasn't sure. 364 00:22:59,680 --> 00:23:03,839 Speaker 4: Myself by whom in the right hand was shot by watchmen. 365 00:23:04,319 --> 00:23:08,359 Obviously he was alive at that moment. Then after shot 366 00:23:08,680 --> 00:23:09,559 was stabbed to death. 367 00:23:10,279 --> 00:23:14,279 Speaker 5: How could you chap him with injured hands? Holy well, 368 00:23:14,440 --> 00:23:17,079 that's why. But the one thing I don't understand and 369 00:23:17,160 --> 00:23:20,640 take the chance, good dreadful further, we are murdered just 370 00:23:20,720 --> 00:23:20,960 for her. 371 00:23:21,039 --> 00:23:25,279 Speaker 4: Listen me mister pigwash stone names of ten thousand war 372 00:23:25,359 --> 00:23:29,839 veterans with addresses of dames. Men about to receive large 373 00:23:29,839 --> 00:23:30,960 amounts of manner. 374 00:23:30,960 --> 00:23:35,440 Speaker 5: As war done he's and confident men anxious to buy 375 00:23:35,519 --> 00:23:39,839 such names for future victims would pay Selah her name 376 00:23:40,240 --> 00:23:43,279 and hire us for this are kidding into the gems 377 00:23:44,039 --> 00:23:45,960 ten thousand dollars in fact. 378 00:23:46,359 --> 00:23:48,359 Speaker 9: So that's why you worked so hard in Pop to 379 00:23:48,440 --> 00:23:50,759 locate pigwas who left Solunis before he had a chance 380 00:23:50,799 --> 00:23:51,160 to sell it. 381 00:23:51,559 --> 00:23:55,039 Speaker 4: Yes, this person's anxious to protect. 382 00:23:54,680 --> 00:23:58,319 Speaker 9: Thy Well maybe you did protect them Pop, but I 383 00:23:58,440 --> 00:24:01,279 want that when you didn't help. Yeah, that sacrifice my car? 384 00:24:01,440 --> 00:24:01,920 Speaker 8: That correct? 385 00:24:02,160 --> 00:24:03,279 Speaker 4: It will be six for a month. 386 00:24:03,799 --> 00:24:09,079 Speaker 5: Ah. So this person's demolition of sense. 387 00:24:08,839 --> 00:24:13,079 Speaker 4: Car does not sacrifice, but benefit, and it is truly 388 00:24:13,160 --> 00:24:15,079 written benefits. 389 00:24:14,839 --> 00:24:18,160 Speaker 5: Like flowers leave not when they are fast. 390 00:24:30,839 --> 00:24:33,880 Speaker 4: Before this person has further words with him, here is 391 00:24:33,960 --> 00:24:58,960 an answer with words of wisdom. Before saying good night, Shally, 392 00:24:59,079 --> 00:25:03,799 Sense like to bring to your attention ancient words of wisdom. 393 00:25:05,640 --> 00:25:11,440 It is cleverest Singian world to be nearly happy. I'm 394 00:25:11,519 --> 00:25:14,519 happier to be nearly clever. 395 00:25:15,680 --> 00:25:17,599 Speaker 5: Goodness. Thank you. 396 00:25:29,640 --> 00:25:31,799 Speaker 3: Be sure to join us next week at the same 397 00:25:31,880 --> 00:25:35,039 time for the Adventures of Charlie Chan, based on the 398 00:25:35,079 --> 00:25:38,599 famous character created by older Figgures. 399 00:25:52,880 --> 00:25:53,759 Speaker 1: Welcome Back. 400 00:25:54,359 --> 00:25:59,039 Speaker 11: Charlie Chan was absolutely brutal to Lee i ka Number 401 00:25:59,119 --> 00:26:03,160 one son in this episode his car meant about the 402 00:26:03,319 --> 00:26:08,680 car being wrecked being a blessing was hilarious. I thought 403 00:26:08,759 --> 00:26:11,839 this was overall an interesting episode, and it's kind of 404 00:26:11,920 --> 00:26:14,960 in the same vein as the first episode of this 405 00:26:15,079 --> 00:26:18,519 we played the telltale of Hands and that it's a 406 00:26:18,640 --> 00:26:23,720 story where the detective behaves out of character or is 407 00:26:23,839 --> 00:26:27,920 in some way unpredictable, and because he is not our 408 00:26:28,319 --> 00:26:31,599 viewpoint character, we don't quite know what's going on, which 409 00:26:31,720 --> 00:26:36,559 gives it a different sort of mystery feel. Now, this 410 00:26:36,759 --> 00:26:41,759 is an episode that was obviously aired in the States 411 00:26:42,480 --> 00:26:46,599 in the aftermath of World War Two, probably nineteen forty five, 412 00:26:46,880 --> 00:26:51,079 maybe early nineteen forty six, but they went ahead and 413 00:26:52,200 --> 00:26:56,319 took the motive and imported it into this episode that 414 00:26:56,599 --> 00:27:01,720 aired in nineteen fifty or fifty one. It does seem 415 00:27:01,839 --> 00:27:05,359 like you could have changed the details to something else, 416 00:27:06,039 --> 00:27:09,720 because they certainly weren't handing out World War two war 417 00:27:09,880 --> 00:27:13,640 bonuses in nineteen fifty. I would also know that we 418 00:27:13,920 --> 00:27:17,240 only have three more episodes of the series remaining, and 419 00:27:17,400 --> 00:27:20,200 then we will be getting into the big story coming 420 00:27:20,319 --> 00:27:23,559 up in four weeks. Well, now we turn to listener 421 00:27:23,680 --> 00:27:27,359 comments and feedback, and we start out on YouTube where 422 00:27:27,440 --> 00:27:32,279 we have a couple comments regarding the Telltale Hands. Eric writes, 423 00:27:32,400 --> 00:27:35,799 my biggest issue with these Charlie Chen series is that 424 00:27:35,960 --> 00:27:38,440 it's strange to me to hear a number one son 425 00:27:38,559 --> 00:27:43,079 who is not Kay Luke, especially when their American accent 426 00:27:43,240 --> 00:27:47,039 drops a little and they sound Australian. I can definitely 427 00:27:47,160 --> 00:27:50,319 appreciate where you're coming from, because it can be a 428 00:27:50,519 --> 00:27:55,519 little bit disconcerting when you've got a character who you 429 00:27:55,759 --> 00:27:59,799 are used to one actor as the voice of that 430 00:28:00,200 --> 00:28:04,279 character and then you have an unknown Australian actor in 431 00:28:04,440 --> 00:28:08,200 that role. Some series it doesn't matter that much, but 432 00:28:08,440 --> 00:28:11,359 depending on the role definitely can be an issue, you know, 433 00:28:11,519 --> 00:28:15,839 particularly probably one of the ones that throws me is 434 00:28:16,680 --> 00:28:20,319 Joe Friday not played by Jack Webb. And then a 435 00:28:20,480 --> 00:28:24,319 comment from Alan Love Charlie Chan well, thanks so much. Well, 436 00:28:24,440 --> 00:28:27,519 now it is time to thank our Patreon supporter of 437 00:28:27,559 --> 00:28:29,839 the day, and I want to thank Philip, Patreon supporter 438 00:28:30,000 --> 00:28:34,039 since December twenty nineteen, currently supporting the podcast at the 439 00:28:34,079 --> 00:28:38,400 detective sergeant level of seven dollars and fourteen cents per month. 440 00:28:38,920 --> 00:28:41,079 Thanks so much for your support, Philip, and that will 441 00:28:41,119 --> 00:28:44,039 do it for today. If you're enjoying the podcast, please 442 00:28:44,119 --> 00:28:48,200 follow us using your favorite podcast software and be sure 443 00:28:48,240 --> 00:28:51,000 to rate and review the podcast wherever you download it from. 444 00:28:51,640 --> 00:28:54,839 We'll be back next Tuesday with another episode of Charlie 445 00:28:54,960 --> 00:28:58,279 Chan But join us back here tomorrow for Broadways My 446 00:28:58,400 --> 00:28:59,240 beat where. 447 00:28:59,640 --> 00:29:02,480 Speaker 12: It Danny I was showing the way who is he? 448 00:29:02,559 --> 00:29:05,880 Muggelvin as Well, It says he's Thomas Hyde, Social Security 449 00:29:05,960 --> 00:29:08,680 card YMCA membership, It all says he was Thomas Hyde. 450 00:29:09,279 --> 00:29:12,480 These people know him. Me calling him by name, you 451 00:29:12,559 --> 00:29:14,920 don't answer for twenty minutes now, I'd say, any of 452 00:29:15,000 --> 00:29:16,000 them see it happened? 453 00:29:16,160 --> 00:29:16,200 Speaker 10: No? 454 00:29:16,359 --> 00:29:18,799 Speaker 12: I asked around. They were all busy with shop talk 455 00:29:18,920 --> 00:29:21,839 with wife and kid talk with union talk. First thing 456 00:29:21,880 --> 00:29:24,759 they noticed was Sinclass Dimocrat's new sample spring line was 457 00:29:24,799 --> 00:29:25,440 building the gutter. 458 00:29:26,000 --> 00:29:26,960 Speaker 4: They kept the cabs and. 459 00:29:26,960 --> 00:29:30,920 Speaker 12: Trucks running over the dressers. Sinclair what sink glass diacraft 460 00:29:31,640 --> 00:29:35,480 see on address label? Huh a dress manufacturing place up 461 00:29:35,519 --> 00:29:37,519 the street. He worked there. They all told me that 462 00:29:37,759 --> 00:29:38,680 and I didn't even ask. 463 00:29:39,000 --> 00:29:41,680 Speaker 1: Hope you'll be with us then. In the meantime, send 464 00:29:41,720 --> 00:29:45,640 your comments to Box thirteen at Great Detectives dot net, 465 00:29:46,319 --> 00:29:49,160 follow us on Twitter or Radio Detectives, and check us 466 00:29:49,200 --> 00:29:55,279 out on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho. 467 00:29:55,640 --> 00:29:58,480 This is your host, Adam Graham, signing off.