WEBVTT

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<v Speaker 1>Tired of the everyday grind, ever dream of a life

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<v Speaker 1>of romantic adventure, want to get away from it all.

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<v Speaker 2>We offer you.

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<v Speaker 3>Escape, Escape, designed to free you from the four walls

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<v Speaker 3>of today for a half hour of high adventure.

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<v Speaker 1>You are running over the far block cliffs of Dover.

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<v Speaker 1>By your side, a girl who believes you're a madman

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<v Speaker 1>and pursuing you, bent on destroying you. A man who's

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<v Speaker 1>terrible secrets you've stumbled upon, and from whom there is

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<v Speaker 1>no escape.

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<v Speaker 3>Listen now, as escape brings you. Walter Brown Newman story

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<v Speaker 3>two and two make four.

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<v Speaker 2>My head hurt. I sat up and opened my eyes.

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<v Speaker 4>Fog all around, thick and close, and still I could

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<v Speaker 4>see trees in a few yards of dirt road. My

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<v Speaker 4>watch was gone, and my wallet rolled, slugged and rolled

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<v Speaker 4>and dumped.

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<v Speaker 2>But where.

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<v Speaker 4>I scrambled to my feet, and I stood there in

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<v Speaker 4>the ditch, suddenly worried about the time. It would be

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<v Speaker 4>bad to be late going aboard, as for the ship

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<v Speaker 4>sailing without me. I stepped onto the road, which way

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<v Speaker 4>led back to Calais. Someone was coming, Hello, Aequilla, Why

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<v Speaker 4>don't you answer?

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<v Speaker 2>I can't see down the road.

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<v Speaker 4>Then across the field alongside a brook. I ran till

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<v Speaker 4>I thought my lungs would burst. I stopped to listen,

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<v Speaker 4>but the blood was pounding, so I couldn't be sure

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<v Speaker 4>I wasn't followed.

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<v Speaker 2>I ran some more. The brook went under a small

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<v Speaker 2>bridge on it, leaning against the stone wall.

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<v Speaker 4>Looking down at me was a girl with a knapsack

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<v Speaker 4>on her back.

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<v Speaker 2>I climbed up the bank. Mademoiselle, sivu, play mademoiselle.

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<v Speaker 5>I'm sorry, I don't speak French.

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<v Speaker 4>Did you hear those shots a few minutes ago right

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<v Speaker 4>past my or almost blew my head off?

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<v Speaker 5>Well you should tell the police or something. I have

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<v Speaker 5>to be going. I have a long way to go.

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<v Speaker 2>Wait wait, wait, sorry, I really no, no, no, no,

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<v Speaker 2>wait wait what time is it? Please?

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<v Speaker 5>Not quite quarter to seven? Wait it looks now we'll

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<v Speaker 5>have fog.

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<v Speaker 2>At least until noon noon. You mean it's a quarter

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<v Speaker 2>of seven in the morning.

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<v Speaker 5>Yes, of course, in the morning. Well, I've got.

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<v Speaker 2>Hold on, hold on which way is Calais Kelay?

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<v Speaker 5>Well that way about twenty miles.

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<v Speaker 4>Twenty I've got to make my shift. You mind if

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<v Speaker 4>I walk along with you? My name's David Parker.

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<v Speaker 5>Minds Hey, doc Emily haydock.

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<v Speaker 4>I'm in the Merchant Marine, second mate on a freighter.

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<v Speaker 4>You want a walking trip or something, that's right? I

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<v Speaker 4>figured the knapsack American. Yes, I thought you were French

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<v Speaker 4>at first.

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<v Speaker 5>Why was that?

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<v Speaker 2>Took it for granted? Most people in France are.

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<v Speaker 5>I don't understand. We're in England, not France. Why should

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<v Speaker 5>you think that you.

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<v Speaker 2>What do you mean England? Didn't you just tell me

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<v Speaker 2>we were twenty miles from.

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<v Speaker 5>Calais, Yes, but Calai is somewhere out there across the

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<v Speaker 5>English Channel in France.

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<v Speaker 2>Where do you say we are you and me now

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<v Speaker 2>in England?

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<v Speaker 5>Of course, about two miles from Dover. Look.

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<v Speaker 4>Look, look, look, look, I've been robbed and dumped out

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<v Speaker 4>here in the countryside and shot at so please don't

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<v Speaker 4>make sure I'm not what's today.

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<v Speaker 5>Quick, Thursday, tenth of July.

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<v Speaker 2>Why then, we're in France.

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<v Speaker 5>I tell you.

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<v Speaker 4>When I registered at the hotel in Calais last night,

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<v Speaker 4>I noticed the date.

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<v Speaker 2>It was the ninth of July.

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<v Speaker 5>Now, look, you asked me where we are and I

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<v Speaker 5>told you England. You're Dover.

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<v Speaker 4>I suppose I didn't see the sunrise in Calais just

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<v Speaker 4>an hour ago.

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<v Speaker 2>Sunrise, sunrise, sunrise.

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<v Speaker 5>I've been up since five. There's been no sun for

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<v Speaker 5>a week. It's one of the worst they've ever had.

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<v Speaker 2>I'll drop it, drop it. I tell you I saw it.

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<v Speaker 5>You're either joking a line.

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<v Speaker 4>Wait a minute, Wait a minute, wait a minute. No

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<v Speaker 4>more of that line that crazy?

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<v Speaker 2>Do you hear? No more of that crazy?

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<v Speaker 5>What else am I to think when you say you

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<v Speaker 5>were shot at and you saw the sun sun today

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<v Speaker 5>and you insist your in France when you're in England?

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<v Speaker 2>All right, miss Haydock, turn around? Now? What do you

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<v Speaker 2>see alongside the road gate? Yeah? And in front of

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<v Speaker 2>the gate a mailbox?

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<v Speaker 5>Why?

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<v Speaker 2>And what does it say on the mailbox? Villa mond

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<v Speaker 2>bie you. I don't know what bijeu means, but it's

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<v Speaker 2>French French. What do you say?

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<v Speaker 5>Now we're in England.

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<v Speaker 2>You don't know where to stop?

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<v Speaker 5>Do you?

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<v Speaker 2>All right? All right?

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<v Speaker 4>I'm going into this villa whatever it is, and phone

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<v Speaker 4>for a taxi to take me to my ship. I

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<v Speaker 4>was going to offer you a lift, but now i'd

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<v Speaker 4>sooner cut my tongue out.

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<v Speaker 2>How do you like that?

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<v Speaker 6>Oh?

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<v Speaker 5>Go to the devil? Uh?

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<v Speaker 2>Sure?

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<v Speaker 4>Parley Anglais don Leys compre say, is there anyone here

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<v Speaker 4>who speaks English?

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<v Speaker 7>I speak English?

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<v Speaker 2>Oh good good? May I use your phone to call

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<v Speaker 2>a taxi?

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<v Speaker 7>Of course? Won't you come in?

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<v Speaker 2>Thanks?

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<v Speaker 4>I have no money on me, mister, doctor Putney. I

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<v Speaker 4>haven't a penny with me, doctor, but I'll be able

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<v Speaker 4>to get some from the clerk at the hotel, and

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<v Speaker 4>I'll send you whatever the call costs with a taxi driver.

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<v Speaker 7>Not at all, Not at all. There's the phone.

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<v Speaker 2>Thanks, Hello, hello, Oh, come on.

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<v Speaker 7>Service is always a bit slow at this.

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<v Speaker 2>I'm sorry.

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<v Speaker 4>The fact is I got angry with a silly girl

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<v Speaker 4>out on the road.

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<v Speaker 2>Did you you tried to kid me?

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<v Speaker 4>Well, joke will be on her when she's tragic along

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<v Speaker 4>the road and sees me riding in my ease to Calais.

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<v Speaker 7>I'll i'll come on writing to Kelly in a taxi.

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<v Speaker 2>I wouldn't have minded if she'd let the joke drop.

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<v Speaker 4>And no, she went on and on about this being

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<v Speaker 4>England and that I was crazy to think otherwise.

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<v Speaker 8>I'm afraid I don't understand the joke. I mean, this

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<v Speaker 8>is England. Look, I don't find it funny.

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<v Speaker 2>Doctor.

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<v Speaker 4>I thought I made that clear. The next one who

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<v Speaker 4>tells me I'm in England. When I know I'm in France.

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<v Speaker 4>I swear I'll take you.

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<v Speaker 7>Know you're in France. Yes, yes, Sit down, young man.

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<v Speaker 2>Isn't this France?

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<v Speaker 8>England near Dover? How can I show you here? Here's

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<v Speaker 8>a copy of the London Times yesterday.

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<v Speaker 4>Wednesday, July ninth. But the name on the mailbox fellow

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<v Speaker 4>wats is? That's French.

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<v Speaker 8>Most of the villas have names like that. Mon't bege sansoc.

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<v Speaker 8>Still it's England. Sit down. I'm a position.

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<v Speaker 7>I'd like to ask you.

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<v Speaker 4>No, No, two and two make four. I repeated it

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<v Speaker 4>like a charm, like they told me in the hospital.

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<v Speaker 4>When you feel unsure of yourself, remembered two and two

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<v Speaker 4>make four.

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<v Speaker 2>There's an explanation for everything.

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<v Speaker 4>Don't doubt yourself. After a while I stopped trembling. I

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<v Speaker 4>opened the gate and went out onto the road and

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<v Speaker 4>there was the girl.

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<v Speaker 5>Oh everything all right?

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<v Speaker 2>Did you come back to say? I told you so?

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<v Speaker 5>Why? I thought you might need help?

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<v Speaker 2>I thought that watch out, there's a truck coming.

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<v Speaker 5>There's a nim just around the curve.

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<v Speaker 2>Get down, Get down, he might shoot you again.

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<v Speaker 5>Get down, mister Parker. Please. That was a backfire, that's all.

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<v Speaker 5>It was.

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<v Speaker 2>Backfire.

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<v Speaker 5>Of course, what else could it be? There's any in

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<v Speaker 5>just around the curve, and I have money. Wouldn't you

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<v Speaker 5>like to have breakfast there and talk?

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<v Speaker 4>Oh I'm all confused.

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<v Speaker 5>Anyone would be after a blow on the head.

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<v Speaker 4>No, no, it's not just being slugged. I wish it

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<v Speaker 4>were only that. But with a case like me that

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<v Speaker 4>you're not a kid.

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<v Speaker 2>Oh, that's just it.

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<v Speaker 4>I am about six weeks ago unloading cargo. A crate

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<v Speaker 4>hit me on the head, scrambled my memory. They sent

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<v Speaker 4>me to the hospital and the ship sailed without me.

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<v Speaker 4>She's due back in Calais this afternoon. I was to

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<v Speaker 4>report aboard if the treatment proved successful. They told me

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<v Speaker 4>it was successful and discharged me yesterday here.

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<v Speaker 2>Maybe it wasn't yesterday and none of it happened, and

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<v Speaker 2>I'm imagining it all.

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<v Speaker 5>Try not to worry. It'll all come back to you.

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<v Speaker 4>But suppose what comes back never really happened. That's the point,

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<v Speaker 4>you see, that's the point. I remember a lot about yesterday.

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<v Speaker 4>But what if I only think I remember and it's all.

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<v Speaker 5>In my I relaxed. We'll have breakfast in here if

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<v Speaker 5>you remember you remember, yeah.

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<v Speaker 2>But do I?

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<v Speaker 4>I recall leaving the hospital and going to a hotel.

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<v Speaker 4>Then I went to an all night restaurant, and I

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<v Speaker 4>remember leaving a bar at daybreak.

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<v Speaker 2>Sit down, Miss Heydark Bleach. I remember all that clearly.

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<v Speaker 2>But an hour later, I'm in England and that's impossible.

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<v Speaker 5>You might have wanted aboard a Channel steamer.

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<v Speaker 2>I use your head. It's a two or three hour trip.

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<v Speaker 5>I both on an airplane.

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<v Speaker 6>Man, excuse me, you'd like your coffee now, I'll waiting

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<v Speaker 6>for breakfast.

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<v Speaker 2>Miss. Is there an airfield nearby?

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<v Speaker 5>Oh?

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<v Speaker 6>Yes, sir, but it's not an object of interest for

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<v Speaker 6>tourists today. Our churches is very nice though.

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<v Speaker 2>How far away is it the airfield?

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<v Speaker 6>You won't see? No planes coming and going, sir. The

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<v Speaker 6>BBC broadcast said no air traffic in and out of

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<v Speaker 6>Dover for the sixth straight day. Good morning, mister Smith

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<v Speaker 6>travers breakfast, yes, sir? Anything else for the present sir?

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<v Speaker 2>No?

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<v Speaker 9>No, No, no air traffic six days in a row.

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<v Speaker 9>You'd think that would teach them.

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<v Speaker 7>But will it?

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<v Speaker 2>I beg your pardon.

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<v Speaker 9>I leave it to you. Is there any reason for

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<v Speaker 9>maintaining this undependable method of transportation a method absolutely at

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<v Speaker 9>the mercy of the elements, when there's a cheaper, better,

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<v Speaker 9>less bothersome simpler and always certain way of crossing the Channel.

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<v Speaker 9>You mean the boat, No, no, of course, not the tunnel,

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<v Speaker 9>the Channel tunnel tunnel, Yes, of course, Rosie. I want

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<v Speaker 9>coffee now, right, mister Smith travers the Channel tunnel twenty

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<v Speaker 9>miles through solid impermeable chalk in the dover out at Calais,

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<v Speaker 9>less than an hour's drive.

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<v Speaker 4>No fuss, I never heard of it, is Is it

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<v Speaker 4>something recent recent?

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<v Speaker 9>Oh you're you're strange here, touristy.

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<v Speaker 2>Yeah, well you heard.

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<v Speaker 9>Of Napoleon Bonaparte. He had it done by the sixth

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<v Speaker 9>Corps of the Engineers of the Imperial Army. Took them

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<v Speaker 9>three years, all done in secret, of course, for a

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<v Speaker 9>surprise attack on England.

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<v Speaker 4>You mean to say there's actually a tunnel beneath the

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<v Speaker 4>English Channel in use.

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<v Speaker 9>Certainly it's in use. I've been through its scores of times. Business,

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<v Speaker 9>you know, Import Export just drove back from Kelly a

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<v Speaker 9>few hours ago, morning.

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<v Speaker 7>Doctor morning Smith travels.

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<v Speaker 9>Just advising them to go by way of the tunnel

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<v Speaker 9>if they want to get to Kelly.

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<v Speaker 7>Yes, of course, much the best way.

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<v Speaker 9>Did it in twenty three minutes this morning, and you

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<v Speaker 9>carve ready, you know, well, good morning you sir.

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<v Speaker 4>This I must have seen like a lunatic doctor, not

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<v Speaker 4>knowing I was in England. You see, I was in Calais,

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<v Speaker 4>and an hour later I was in England, and I

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<v Speaker 4>didn't understand how that was possible. I didn't know about

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<v Speaker 4>the tunnel beneath the channel.

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<v Speaker 8>Try not to excite yourself, my boy, Everything will soon

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<v Speaker 8>be right.

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<v Speaker 7>What I've brought someone with me, constable.

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<v Speaker 4>This poor fellow, poor fellow, you mean, oh you do think?

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<v Speaker 4>But I told you I didn't know about the tunnel.

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<v Speaker 4>I must have gone through the tunnel.

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<v Speaker 5>He didn't know until mister smith Travis told him.

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<v Speaker 7>Yes, I heard.

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<v Speaker 8>But mister smith Travis is also of the firm conviction

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<v Speaker 8>that we British are descended from the ten lost tribes

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<v Speaker 8>of Israel, that Shakespeare never existed, and that after a

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<v Speaker 8>bit more research, we'll be able to transmute base metals

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<v Speaker 8>into gold. We know him and like him, and humor

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<v Speaker 8>his eccentricities come along. Mister Parker, I think it in

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<v Speaker 8>the public interest that you will not be on the

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<v Speaker 8>public streets.

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<v Speaker 2>Yeah, no, no, no, no, no, listen, listen. I was in

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<v Speaker 2>Calais at sunrise. I can prove it. I just remembered

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<v Speaker 2>the name of the hotel, the Hotel de la Mar.

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<v Speaker 2>Phoned them and they'll tell you that that there's a

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<v Speaker 2>David Parker registered there. They have my first.

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<v Speaker 5>Part of the good I would go bully, I wasn't.

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<v Speaker 4>I was to make Tune to make four, Tune to

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<v Speaker 4>make four.

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<v Speaker 3>You are listening to two and two Make four, Tonight's

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<v Speaker 3>presentation of Escape. Keep listening for the climax and Tonight's

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<v Speaker 3>exciting story on Escape, and listen tomorrow for CBS Radio's

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<v Speaker 3>exciting World Music Festivals Concert three. Excerpts from Alban Berg's

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<v Speaker 3>tragic opera Watcheck will highlight the program that's tomorrow daytime

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<v Speaker 3>on most of these stations. And now back to Escape

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<v Speaker 3>and the second act of two and two Make four.

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<v Speaker 2>They took us to a room in the town hall.

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<v Speaker 4>Doctor Putney had turned out, was not only a physician,

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<v Speaker 4>he was the local magistrate as well. For more than

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<v Speaker 4>three hours, he questioned miss Haydock and me.

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<v Speaker 2>In turn, he made us repeat our stories endlessly.

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<v Speaker 4>Where she met me, how I behaved, what I said

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<v Speaker 4>what she said and all the.

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<v Speaker 2>Rest of it.

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<v Speaker 4>Was almost noon before he was finished, and watching the

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<v Speaker 4>clock on the wall, my ship coming nearer to Calais.

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<v Speaker 4>With every tick, I was almost beside myself with anxiety.

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<v Speaker 7>You need care, my boy, rest and help. Now.

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<v Speaker 8>We have a fine institution in Folkston near here which

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<v Speaker 8>can give you that care a few weeks, possibly days, institution.

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<v Speaker 2>Look, I I've got to get to.

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<v Speaker 8>Calais, Miss Haydock. Will you try to convince him its

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<v Speaker 8>for the best.

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<v Speaker 2>There's nothing wrong with me.

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<v Speaker 8>I'll try once more to show you reality. Mister Parker.

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<v Speaker 7>You say you were in France at.

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<v Speaker 8>Sunrise, I do I was, and you insist you were

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<v Speaker 8>in England an hour later.

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<v Speaker 4>Look, please please call the Hotel de la Maire and

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00:16:15.840 --> 00:16:18.120
<v Speaker 4>callay I checked in there. There's bound to be a

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00:16:18.159 --> 00:16:20.559
<v Speaker 4>record of it that will prove I'm telling the truth.

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00:16:20.879 --> 00:16:23.399
<v Speaker 8>And if the call is made and it doesn't prove

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00:16:23.480 --> 00:16:25.840
<v Speaker 8>you're telling the truth, will you take my advice about

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00:16:25.840 --> 00:16:29.279
<v Speaker 8>the institution. Yes, Constable put through a call to the

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00:16:29.279 --> 00:16:31.639
<v Speaker 8>Hotel de la Mayre in Kelly.

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00:16:32.440 --> 00:16:34.679
<v Speaker 5>If the hotel bears out mister Parker's story, you'll let

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00:16:34.759 --> 00:16:35.080
<v Speaker 5>him go.

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<v Speaker 7>Is he duck.

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<v Speaker 8>If it turns out that mister Parker is right, but

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00:16:41.679 --> 00:16:44.200
<v Speaker 8>how could he be to make four?

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00:16:44.360 --> 00:16:45.320
<v Speaker 2>Two and two?

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00:16:46.039 --> 00:16:46.200
<v Speaker 5>Make?

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00:16:46.320 --> 00:16:46.440
<v Speaker 10>Oh?

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00:16:46.559 --> 00:16:46.919
<v Speaker 7>What's that?

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00:16:47.440 --> 00:16:52.320
<v Speaker 8>I use the Constable's phone, mister Parker, I'll listen in

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00:16:52.360 --> 00:16:53.080
<v Speaker 8>on my extension.

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<v Speaker 4>Hello, desk clerk, Hello, Hello, Hello, is they're a mister

319
00:17:01.480 --> 00:17:04.920
<v Speaker 4>Parker registered there? David Parker Parker.

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00:17:05.279 --> 00:17:08.880
<v Speaker 11>David Parker. Oh wit, there was, but he has checked

321
00:17:08.880 --> 00:17:10.079
<v Speaker 11>out since two hours ago.

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00:17:10.240 --> 00:17:13.920
<v Speaker 2>But I mean he couldn't have. You're mistaken, No.

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00:17:13.799 --> 00:17:16.400
<v Speaker 11>Sir, I am not not if you mean the mister

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00:17:16.559 --> 00:17:19.880
<v Speaker 11>Parker is an americancy man. I returned his best part

325
00:17:19.960 --> 00:17:22.480
<v Speaker 11>personally when I paid his bill. I am the.

326
00:17:24.920 --> 00:17:29.920
<v Speaker 4>I'm not even who I thought I was. All right,

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<v Speaker 4>Doctor Putney, I'll go with no.

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00:17:31.519 --> 00:17:35.000
<v Speaker 5>Wait before you do, let me speak to you in private,

329
00:17:35.240 --> 00:17:35.960
<v Speaker 5>please we.

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00:17:36.079 --> 00:17:37.319
<v Speaker 2>Doctor, Would it be all right?

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00:17:38.279 --> 00:17:41.319
<v Speaker 8>I'll give you two minutes, Constable, we can arrange for

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00:17:41.359 --> 00:17:42.519
<v Speaker 8>an ambulance to focus on them.

333
00:17:42.599 --> 00:17:48.839
<v Speaker 2>Yes, mister Parker, Oh no, that's not my name.

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00:17:49.039 --> 00:17:52.799
<v Speaker 5>Two and two make four, two and two make four.

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00:17:53.240 --> 00:17:56.200
<v Speaker 5>You must have faith in yourself. If you were convinced

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<v Speaker 5>you were in France one moment in in England an

337
00:17:58.119 --> 00:17:59.759
<v Speaker 5>hour later, then that's the way it was.

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00:18:00.000 --> 00:18:01.319
<v Speaker 2>It's a physical impossible.

339
00:18:01.480 --> 00:18:03.599
<v Speaker 5>It's not you could have come through the tunnel.

340
00:18:03.640 --> 00:18:04.640
<v Speaker 2>There is no tunnel.

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00:18:04.839 --> 00:18:07.319
<v Speaker 5>If a tunnel is the only explanation for what happened

342
00:18:07.359 --> 00:18:10.240
<v Speaker 5>to you, then there is a tunnel. Two and two

343
00:18:10.440 --> 00:18:11.079
<v Speaker 5>make four?

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00:18:12.480 --> 00:18:13.680
<v Speaker 2>Do you really believe my story?

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00:18:14.160 --> 00:18:15.559
<v Speaker 5>I believe you?

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00:18:16.680 --> 00:18:19.440
<v Speaker 2>All right? Then? All right? What do I do?

347
00:18:19.559 --> 00:18:22.559
<v Speaker 5>Now? You tell me? Come on, you know the answer.

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00:18:23.039 --> 00:18:25.920
<v Speaker 2>I find the man in the restaurant, the man who

349
00:18:25.920 --> 00:18:30.480
<v Speaker 2>said there was a tunnel. Smith Travel rushed open the window. Right,

350
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<v Speaker 2>I'll go first, and I'll help you down.

351
00:18:34.400 --> 00:18:36.400
<v Speaker 5>Come on, here's my knapsack.

352
00:18:36.440 --> 00:18:38.079
<v Speaker 2>I got it, got it, got it, got it? Now

353
00:18:38.119 --> 00:18:42.640
<v Speaker 2>you work.

354
00:18:42.079 --> 00:18:42.640
<v Speaker 7>Times up.

355
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<v Speaker 8>I'm afraid, Miss hay Doc, come back here, Miss hay Doc,

356
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<v Speaker 8>mister mister h whatever your name is, a constable, stop

357
00:18:50.559 --> 00:18:51.480
<v Speaker 8>them ves.

358
00:19:00.079 --> 00:19:02.359
<v Speaker 2>Fog hit us. Before we'd run twenty feet.

359
00:19:02.920 --> 00:19:06.200
<v Speaker 4>We dodged around corners, then stopped at a garage and

360
00:19:06.279 --> 00:19:08.440
<v Speaker 4>looked up mister Smith Traver's.

361
00:19:07.960 --> 00:19:09.119
<v Speaker 2>Address in a directory.

362
00:19:09.759 --> 00:19:11.559
<v Speaker 4>It proved to be a little villa, like a dozen

363
00:19:11.599 --> 00:19:14.960
<v Speaker 4>others I'd seen that day. There was no answer when

364
00:19:14.960 --> 00:19:17.839
<v Speaker 4>we knocked at the door, so we waited, and before

365
00:19:17.960 --> 00:19:21.000
<v Speaker 4>very long, mister Smith Travers drove up in a light truck.

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00:19:26.119 --> 00:19:28.640
<v Speaker 4>Look look, look, look at the volice I left at

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00:19:28.680 --> 00:19:30.000
<v Speaker 4>the hotel in Calais.

368
00:19:30.079 --> 00:19:40.519
<v Speaker 2>He's got it. Good afternoon, I'll take that. Oh oh yes, yes, yes,

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00:19:40.559 --> 00:19:45.599
<v Speaker 2>of course. Yeah my passport too, please, Yes, I.

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<v Speaker 9>See you concluded the tunnel doesn't exist. That's right, blast,

371
00:19:49.680 --> 00:19:51.720
<v Speaker 9>you're the first to ever have. It's a bit of

372
00:19:51.720 --> 00:19:54.039
<v Speaker 9>bad luck for me, that is, if I hadn't hit

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00:19:54.039 --> 00:19:56.599
<v Speaker 9>a flat tile halfway through the passport, and police would

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00:19:56.599 --> 00:20:00.599
<v Speaker 9>be in ashes by Now you u owned the hotel

375
00:20:00.640 --> 00:20:04.640
<v Speaker 9>in Calais. Yes, yes, yes, I thought you might. I

376
00:20:04.680 --> 00:20:06.640
<v Speaker 9>heard you shouting at the inn about the hotel, so

377
00:20:06.680 --> 00:20:10.519
<v Speaker 9>I drove over. And didn't it make you doubt your

378
00:20:10.599 --> 00:20:12.440
<v Speaker 9>senses when they told you checked out?

379
00:20:12.640 --> 00:20:13.880
<v Speaker 2>Oh you have no idea?

380
00:20:14.000 --> 00:20:15.359
<v Speaker 9>Yes, I was counting on that.

381
00:20:15.599 --> 00:20:17.480
<v Speaker 2>Yeah, it rocked me, but only for a minute.

382
00:20:17.640 --> 00:20:19.680
<v Speaker 9>How the devil did you get in my machine in

383
00:20:19.720 --> 00:20:20.359
<v Speaker 9>the first place?

384
00:20:20.400 --> 00:20:21.960
<v Speaker 4>Well, the way I figure I was knocked on the

385
00:20:21.960 --> 00:20:24.559
<v Speaker 4>head by some thug and robbed this morning in Calais.

386
00:20:24.599 --> 00:20:26.559
<v Speaker 4>Whoever did it may have thrown me in your truck

387
00:20:26.599 --> 00:20:27.440
<v Speaker 4>to get me out of sight.

388
00:20:27.759 --> 00:20:30.759
<v Speaker 9>I was never so surprised in my life. I mean

389
00:20:30.799 --> 00:20:33.240
<v Speaker 9>to say, I skidded near Dover sideswiped a tree and

390
00:20:33.279 --> 00:20:35.680
<v Speaker 9>heard the back door bang open. When I stopped and

391
00:20:35.720 --> 00:20:37.680
<v Speaker 9>went back there you were lying with a bolt of

392
00:20:37.720 --> 00:20:40.839
<v Speaker 9>my silk in your arms. Took my breath away. When

393
00:20:40.880 --> 00:20:43.200
<v Speaker 9>you started to groan and sit up, I was beside myself.

394
00:20:43.240 --> 00:20:44.640
<v Speaker 5>I what's the matter.

395
00:20:46.559 --> 00:20:52.720
<v Speaker 9>It just occurred to me you're not English. Hmmm. Bad

396
00:20:52.759 --> 00:20:54.839
<v Speaker 9>thing to have someone not in the government and a

397
00:20:54.920 --> 00:20:57.680
<v Speaker 9>foreigner the boot to know about the tunnel in secure?

398
00:20:57.720 --> 00:20:58.079
<v Speaker 7>Do you know?

399
00:20:58.480 --> 00:21:00.519
<v Speaker 5>Do you mean the British government knows the tunnel?

400
00:21:00.599 --> 00:21:03.680
<v Speaker 9>No, it doesn't. Now I've sent letters to every Prime

401
00:21:03.720 --> 00:21:09.440
<v Speaker 9>minister since MacDonald telling them about it. Charts, diagram descriptions useless.

402
00:21:09.880 --> 00:21:13.519
<v Speaker 9>They think I'm a crank. I can't blame them. What

403
00:21:13.559 --> 00:21:15.839
<v Speaker 9>would mister Eisenhower say if you told him there's a

404
00:21:15.839 --> 00:21:19.680
<v Speaker 9>tunnel between London New York? See what I mean? You

405
00:21:19.799 --> 00:21:23.359
<v Speaker 9>got acknowledgment just once cid Man came around and blabbed

406
00:21:23.440 --> 00:21:26.119
<v Speaker 9>the whole story to everyone. Told him to keep an

407
00:21:26.119 --> 00:21:29.240
<v Speaker 9>eye on me as a dangerous lunatic. The only way

408
00:21:29.279 --> 00:21:31.440
<v Speaker 9>to protect the secret after that was to write it

409
00:21:31.519 --> 00:21:35.160
<v Speaker 9>like a mania. So I told everyone too. Best security

410
00:21:35.200 --> 00:21:39.359
<v Speaker 9>measure ever devised and now, however, there are three of

411
00:21:39.440 --> 00:21:43.440
<v Speaker 9>us who rarely know about the tunnel. It's awkward and

412
00:21:43.960 --> 00:21:44.599
<v Speaker 9>don't know what to do.

413
00:21:44.680 --> 00:21:47.240
<v Speaker 4>Oh, I can tell you exactly. You're going to take

414
00:21:47.279 --> 00:21:49.559
<v Speaker 4>me back to Calais and now, otherwise I'll beat you

415
00:21:49.599 --> 00:21:52.079
<v Speaker 4>to a pulp. I art to anyway making me doubt

416
00:21:52.079 --> 00:21:53.240
<v Speaker 4>myself as you did.

417
00:21:54.880 --> 00:21:58.440
<v Speaker 9>Taking you into the tunnel. That might be the best way.

418
00:21:58.519 --> 00:21:59.960
<v Speaker 5>We'd never tell anyone, I swear.

419
00:22:01.880 --> 00:22:04.160
<v Speaker 9>I don't want you to see the entrance and exit though,

420
00:22:04.200 --> 00:22:05.960
<v Speaker 9>where you will have to wear a blind pole.

421
00:22:06.079 --> 00:22:07.640
<v Speaker 2>Agreed, Now that's get going.

422
00:22:07.680 --> 00:22:11.160
<v Speaker 9>Then his taking you into the tunnel is the best way.

423
00:22:23.559 --> 00:22:25.640
<v Speaker 2>Say how much longer before we're in the tunnel?

424
00:22:25.680 --> 00:22:30.079
<v Speaker 9>You can take off the blind poles. Now we're in it, Oh,

425
00:22:30.200 --> 00:22:33.599
<v Speaker 9>wonder if the tunnel. Yes, they did a fine job

426
00:22:33.680 --> 00:22:36.799
<v Speaker 9>the sixth Corps god Lod they got for it. Bony

427
00:22:36.880 --> 00:22:38.839
<v Speaker 9>flung him in the Russian campaign. When they had finished

428
00:22:38.839 --> 00:22:41.559
<v Speaker 9>and sort of it, they all died. That's way of

429
00:22:41.599 --> 00:22:42.279
<v Speaker 9>keeping a secret.

430
00:22:42.319 --> 00:22:43.599
<v Speaker 2>Eh, how did you learn a bit?

431
00:22:43.680 --> 00:22:46.960
<v Speaker 9>Reading in the British Museum? I was broken, unemployed. I

432
00:22:47.000 --> 00:22:50.279
<v Speaker 9>found an old diary by one of the engineers, investigated

433
00:22:50.319 --> 00:22:52.759
<v Speaker 9>and found it was true. I wrote to the government

434
00:22:52.799 --> 00:22:56.000
<v Speaker 9>told him about that. Well, it was too good. Let

435
00:22:56.000 --> 00:22:59.880
<v Speaker 9>it waste. So I set up a small import export business.

436
00:23:00.559 --> 00:23:06.960
<v Speaker 9>Cheaper transportation gives me an edge on my competitors. Well, no,

437
00:23:07.119 --> 00:23:09.839
<v Speaker 9>but it's as far as you go.

438
00:23:09.920 --> 00:23:12.119
<v Speaker 7>I've got to kill you.

439
00:23:12.880 --> 00:23:15.400
<v Speaker 9>I can't let you live. It's too dangerous now that

440
00:23:15.480 --> 00:23:20.519
<v Speaker 9>you know the shotgun failed me twice to day. Perhaps

441
00:23:21.960 --> 00:23:25.920
<v Speaker 9>get out of the truck, please, unless you want your

442
00:23:25.960 --> 00:23:27.160
<v Speaker 9>blood all over the young lady.

443
00:23:27.160 --> 00:23:33.839
<v Speaker 2>Please all right now?

444
00:23:34.359 --> 00:23:38.400
<v Speaker 9>Perhaps, well, I won't think you cowardly if you turn

445
00:23:38.440 --> 00:23:41.680
<v Speaker 9>your back. Listen, Oh come now, no temporizing, just take it.

446
00:23:42.400 --> 00:23:55.359
<v Speaker 2>Ye oh, dash it all, Emily.

447
00:23:56.200 --> 00:23:59.799
<v Speaker 5>I think I'm going to faint.

448
00:24:00.599 --> 00:24:01.839
<v Speaker 2>Help me get him back into the truck.

449
00:24:01.920 --> 00:24:04.079
<v Speaker 5>Huh, Just let me sit here for a more.

450
00:24:04.240 --> 00:24:12.000
<v Speaker 10>Yeah, David, we'll tell the authorities the truth about the

451
00:24:12.039 --> 00:24:14.319
<v Speaker 10>tunnel and all everyone ought to know.

452
00:24:14.960 --> 00:24:16.880
<v Speaker 5>It's too good a thing and makes travel and trade

453
00:24:16.920 --> 00:24:19.680
<v Speaker 5>and communication so simple. We have no right to keep

454
00:24:19.720 --> 00:24:20.319
<v Speaker 5>it a secret.

455
00:24:20.480 --> 00:24:22.759
<v Speaker 2>Check We'll tell the authorities.

456
00:24:29.960 --> 00:24:32.279
<v Speaker 4>We came to the end of the tunnel at exactly

457
00:24:32.400 --> 00:24:36.200
<v Speaker 4>two o'clock by Miss Haydock's watch time, and to spare

458
00:24:36.319 --> 00:24:39.880
<v Speaker 4>in order to board my ship, we left mister Smith

459
00:24:39.920 --> 00:24:42.359
<v Speaker 4>travers in the truck and made our way into what

460
00:24:42.480 --> 00:24:46.759
<v Speaker 4>was apparently a small warehouse, and from there through a door,

461
00:24:48.000 --> 00:24:48.720
<v Speaker 4>we found.

462
00:24:48.440 --> 00:24:51.200
<v Speaker 2>Ourselves on the corner of a street much like any

463
00:24:51.240 --> 00:24:52.640
<v Speaker 2>other street in Calais.

464
00:24:53.960 --> 00:24:57.200
<v Speaker 4>A fog had rolled in since sunrise, as thick as

465
00:24:57.240 --> 00:25:04.720
<v Speaker 4>the one we'd left in England. One moment. I want

466
00:25:04.720 --> 00:25:06.960
<v Speaker 4>to make a note of the streeter. Will never find

467
00:25:06.960 --> 00:25:11.079
<v Speaker 4>the tunnel again. You got a pencil? Oh, never mind,

468
00:25:11.079 --> 00:25:11.599
<v Speaker 4>I have one.

469
00:25:12.039 --> 00:25:14.480
<v Speaker 5>There's no street sign up.

470
00:25:14.400 --> 00:25:17.599
<v Speaker 4>There on the side of the building. They don't put

471
00:25:17.599 --> 00:25:20.799
<v Speaker 4>them on lamp posts like we do in the States.

472
00:25:21.480 --> 00:25:27.319
<v Speaker 4>All right, I've got it. Say when do you get

473
00:25:27.319 --> 00:25:28.039
<v Speaker 4>back to the States?

474
00:25:28.079 --> 00:25:31.680
<v Speaker 5>September one? School term starts on the tenth. I teach

475
00:25:31.759 --> 00:25:32.880
<v Speaker 5>kindergarten in Baltimore.

476
00:25:33.079 --> 00:25:35.440
<v Speaker 2>We're supposed to put in it Baltimore Christmas Week.

477
00:25:35.599 --> 00:25:38.440
<v Speaker 5>Well, that's marvelous. We could have Christmas Eve together.

478
00:25:38.519 --> 00:25:41.359
<v Speaker 2>Yeah, in New Year's too. Maybe I'll look forward to that.

479
00:25:41.839 --> 00:25:43.599
<v Speaker 5>You're right, meanwhile, won't you?

480
00:25:43.839 --> 00:25:44.359
<v Speaker 2>Of course?

481
00:25:45.240 --> 00:25:48.000
<v Speaker 4>You know I'll never be able to thank you enough

482
00:25:48.039 --> 00:25:51.519
<v Speaker 4>for what you did, what made you believe in me

483
00:25:51.599 --> 00:25:52.240
<v Speaker 4>so strongly?

484
00:25:52.759 --> 00:25:58.279
<v Speaker 5>Oh, I don't know, you see it? What's the matter I'm.

485
00:25:58.079 --> 00:26:01.880
<v Speaker 4>Not sure we're walking toward the harbor. That's the trouble

486
00:26:01.880 --> 00:26:03.920
<v Speaker 4>with the farm city. You turn a corner and you're lost.

487
00:26:04.920 --> 00:26:12.720
<v Speaker 4>This dirty fog is so well, let's try this way.

488
00:26:13.880 --> 00:26:15.559
<v Speaker 5>Would that be a policeman in the doorway?

489
00:26:16.920 --> 00:26:22.920
<v Speaker 2>Oh, yes, yes it is, uh parle anglais a little

490
00:26:23.319 --> 00:26:26.039
<v Speaker 2>Which way is the harbor? Turn at the next corner

491
00:26:26.279 --> 00:26:28.680
<v Speaker 2>to the left and walk for street. Oh, thank you,

492
00:26:28.759 --> 00:26:29.079
<v Speaker 2>thank you.

493
00:26:29.720 --> 00:26:32.920
<v Speaker 4>Oh how do you pronounce the name of the street?

494
00:26:32.960 --> 00:26:38.000
<v Speaker 2>I've written here street? Yeah, Disney Street Street. Well, what

495
00:26:38.079 --> 00:26:41.960
<v Speaker 2>does it say in English? This way to the aeride shelter?

496
00:26:42.640 --> 00:26:45.119
<v Speaker 7>We have put them on almost every building in Kelly.

497
00:26:45.480 --> 00:26:46.400
<v Speaker 2>Pair Raid shelter.

498
00:26:47.359 --> 00:26:49.319
<v Speaker 4>Then we'll never be able to find our way back

499
00:26:49.359 --> 00:26:51.400
<v Speaker 4>to the tunnel shun down?

500
00:26:52.119 --> 00:26:53.359
<v Speaker 5>Are you sure? Of course?

501
00:26:54.079 --> 00:26:55.039
<v Speaker 9>As sure as I am?

502
00:26:55.519 --> 00:26:57.880
<v Speaker 7>That Two and two Make Food.

503
00:27:11.079 --> 00:27:14.279
<v Speaker 3>Escape, produced and directed by David Friedkin and Morton Fine

504
00:27:14.319 --> 00:27:16.720
<v Speaker 3>has brought you two and two Make Four, A story

505
00:27:16.720 --> 00:27:19.680
<v Speaker 3>by Walter Newman, featured in the cast where Chef Makin,

506
00:27:19.839 --> 00:27:24.319
<v Speaker 3>Joyce McCluskey, Tutorowan, and Richard Peel. Also heard were Betty Harford, Dick,

507
00:27:24.400 --> 00:27:28.079
<v Speaker 3>Ryan Malite, Somilo and James Barrett. You're announcer Bill Anders.

508
00:27:28.440 --> 00:27:31.160
<v Speaker 3>A special music for Escape is composed and conducted by

509
00:27:31.279 --> 00:27:32.079
<v Speaker 3>Leith Stevens.

510
00:27:33.279 --> 00:27:41.279
<v Speaker 1>Next week, you're on a cat sailing the Coral seas,

511
00:27:42.079 --> 00:27:45.200
<v Speaker 1>snaking your way through the tricky channel Todron Island of

512
00:27:45.720 --> 00:27:50.119
<v Speaker 1>black pearls. While on the shore, waiting for you to

513
00:27:50.240 --> 00:27:54.519
<v Speaker 1>land is the man who has sworn your death and

514
00:27:54.720 --> 00:28:00.160
<v Speaker 1>from whom there is no escape.

515
00:28:00.960 --> 00:28:03.960
<v Speaker 3>So listen next week when Escape brings you Robert Tollman

516
00:28:04.119 --> 00:28:19.480
<v Speaker 3>story The King of Honor two. Stay tuned now for

517
00:28:19.720 --> 00:28:22.960
<v Speaker 3>night Watch, which follows immediately Over most of these stations,

518
00:28:30.519 --> 00:28:33.599
<v Speaker 3>America listens most to the CBS Radio Network.

519
00:29:01.880 --> 00:29:19.720
<v Speaker 5>A living