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<v Speaker 1>Hello, Kats, kittens, and non binary folks, both with and

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<v Speaker 1>without your mittens. We are here on the Superhero Ethics

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<v Speaker 1>Podcast continue our conversation with mister Paul Hoppy about Batman

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<v Speaker 1>Cape Crusader.

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<v Speaker 2>Those who are.

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<v Speaker 1>Jumping in just with this episode, we already discussed a

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<v Speaker 1>lot of it in Part one, which would be either

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<v Speaker 1>the week before or two weeks before this episode. I

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<v Speaker 1>would definitely recommend checking that one out first, and we're

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<v Speaker 1>gonna kind of just pick it right back up. As

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<v Speaker 1>we said in that one, you don't have to watched

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<v Speaker 1>the show. We're going to try and explain a lot

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<v Speaker 1>of it as we go, though certainly I think you'll

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<v Speaker 1>I's nothing else. It's only a ten episode show. I

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<v Speaker 1>think it's really great to watch, and if you get

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<v Speaker 1>access to it either way, we hope you enjoy the conversation.

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<v Speaker 1>Of course, always send in your feedback. So Paul, let's

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<v Speaker 1>pick back up. We started to talk about the idea

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<v Speaker 1>of when Batman Cape Crusader is set and how this

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<v Speaker 1>feels like a little bit of a anachronistic setting in

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<v Speaker 1>that it is the esthetics and the technology seem very

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<v Speaker 1>much of the like detective noir stories you know, which

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<v Speaker 1>could be like twenties to forties or fifties, probably with

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<v Speaker 1>a tech being more on the twenties thirties forties side.

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<v Speaker 1>The cars are old fashioned, all the phones are rotary dial,

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<v Speaker 1>there's no cell phones, there's no beepers, there's no computers.

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<v Speaker 1>But you know, the social mores are much more of

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<v Speaker 1>like what we think of today.

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<v Speaker 3>And we talked about want we like that, And I

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<v Speaker 3>want to extend that conversation a little further to say,

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<v Speaker 3>for you, does it feel like Batman should be set

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<v Speaker 3>in a certain time period or does thatman work in

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<v Speaker 3>all times?

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<v Speaker 2>I wouldn't say should, but I do think Batman works

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<v Speaker 2>particularly well in a particular time period. Like I think

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<v Speaker 2>modern day Batman's fine. I think futuristic neo Gotham Batman

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<v Speaker 2>is awesome. I think Gotham by Gaslight is a great

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<v Speaker 2>kind of steampunk eighteen hundred's Batman. But I do think

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<v Speaker 2>that the film Noir Batman is, if not the best Batman.

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<v Speaker 2>You know, it's the classic Batman, and there's something that

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<v Speaker 2>works really well, partially because of just the look and feel,

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<v Speaker 2>but also in terms of technology. I think a lower

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<v Speaker 2>technology Batman allows like there's this idea of Batman being

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<v Speaker 2>a little more technologically advanced than the people around him, right,

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<v Speaker 2>and like the whole utility belt and you know where

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<v Speaker 2>it is, where is you get all these wonderful toys

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<v Speaker 2>kind of aspect, And I think the further technology advance

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<v Speaker 2>is kind of the harder it is to pull that off,

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<v Speaker 2>or kind of the further you have to go with it, right,

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<v Speaker 2>But also just I think I think it just looks cool.

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<v Speaker 2>You know, it's it's film noir, and we don't get

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<v Speaker 2>a ton of that anymore. That's kind of Batman's origin.

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<v Speaker 2>That's certainly the animated series look right. And as far

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<v Speaker 2>as this series goes, you know, they really wanted to

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<v Speaker 2>use some of those stories from the animated series without

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<v Speaker 2>it being a literal continuation. So I think it makes

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<v Speaker 2>sense that they said it in that same vague time

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<v Speaker 2>period that isn't a real place in our world.

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<v Speaker 1>I think you're really right about the technology because when

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<v Speaker 1>I was thinking more about this, one thing you and

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<v Speaker 1>I have said that we liked about both this show

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<v Speaker 1>and the Matt Reeves movie The Batman with Robert Pattinson,

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<v Speaker 1>as well as also the Batman and the animated series

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<v Speaker 1>is the idea of Batman is detective and.

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<v Speaker 4>A lot of it. Yeah, I think.

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<v Speaker 1>Both are sort of iconography of the detective is very

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<v Speaker 1>much the gum shoe nineteen forties kind of thing, which

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<v Speaker 1>you know, obviously he's not wearing a trench coat and

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<v Speaker 1>the like, but it's still a similar idea. Also as

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<v Speaker 1>it becomes more and more technologically focused, you know, like CSI,

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<v Speaker 1>Batman is not really what I want to watch. One

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<v Speaker 1>thing I think is really interesting about Batman is that

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<v Speaker 1>he does have good tech, and he is often able

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<v Speaker 1>to like, you know, lift a fingerprint that no one

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<v Speaker 1>else could get, or that kind of like technological stuff

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<v Speaker 1>where sometimes he's able to you know, quite literally build

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<v Speaker 1>technology to learn something about a bullet. I think that's

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<v Speaker 1>in the Batman movie that you know, other people can't

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<v Speaker 1>figure out. But I feel like what makes him such

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<v Speaker 1>a good detective is his ability to deduce things, to

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<v Speaker 1>look at fact A and look at fact B and

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<v Speaker 1>then read something in the newspaper and put it all

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<v Speaker 1>together to come up with a connection that no one.

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<v Speaker 4>Else would see.

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<v Speaker 1>And it's not harder to do that in the technological age. Well,

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<v Speaker 1>the say the again, and I think that it's harder

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<v Speaker 1>to do in the technological age, a because watching people

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<v Speaker 1>do the research on a computer just isn't always that interesting,

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<v Speaker 1>but also because I think this is kind of the

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<v Speaker 1>Zack Snyder direction. The more you make him high tech,

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<v Speaker 1>the more you get him into high tech fighting technology.

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<v Speaker 1>And I think there's just such a then that kind

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<v Speaker 1>of leads into the rock'am sock and robots idea of

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<v Speaker 1>big superhero shows where it's all about these incredible CGI

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<v Speaker 1>tech And I think that's a fun and I think

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<v Speaker 1>you can have some of that in the movies, but

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<v Speaker 1>I think when it's modern day, there's just so much

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<v Speaker 1>of that now that it's hard to make Batman stand out.

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<v Speaker 2>Yeah, And it's the sort of thing where I feel

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<v Speaker 2>it's not impossible, right, I mean, I think Matt Reeves

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<v Speaker 2>showed pretty clearly like you can still do it like that.

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<v Speaker 2>Gotham isn't some old age Gotham, right, I mean, Gotham

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<v Speaker 2>from The Batman is modern day. But there's this temptation

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<v Speaker 2>I think to like, the more access you have to

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<v Speaker 2>special effects, the harder it is to chew not to

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<v Speaker 2>use them, or to choose to go, you know, a

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<v Speaker 2>clever route, you know, it's to me, it's like the

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<v Speaker 2>difference between the Jason Bourne movies and the James Bond movies,

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<v Speaker 2>where Bond solves so many problems through technology that Q

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<v Speaker 2>gave him, right, He's got some device that will solve

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<v Speaker 2>the problem, whereas in the Boorn movies, Bourne has to

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<v Speaker 2>come up with some clever way of using like a

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<v Speaker 2>newspaper or like ripping a map off the wall to know,

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<v Speaker 2>you know where to go, and that's harder for the writer, right,

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<v Speaker 2>It's like easier to just say like, oh, yeah, the

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<v Speaker 2>protagonist has a thing that works and now they can

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<v Speaker 2>figure something out the same way it's like, you know,

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<v Speaker 2>oh they do some CSI thing, and of course there's

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<v Speaker 2>some amount of research that goes into it. I don't

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<v Speaker 2>want to denegrate the writing of you know, various various

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<v Speaker 2>series like like Bones or CSI or whatever. I think

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<v Speaker 2>you can still have great writing with that. I just

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<v Speaker 2>think there can be a temptation to just rely on

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<v Speaker 2>your tech, to rely on your special effects, the same

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<v Speaker 2>way you rarely get great fight choreography when you have

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<v Speaker 2>big effects movies, right, when you have a big effects budget.

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<v Speaker 2>Whereas you know with with action movies, especially made in

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<v Speaker 2>Hong Kong and Thailand and places where the effects budget

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<v Speaker 2>isn't so large, Like there's a level of creativity and

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<v Speaker 2>innovation required in order to do something cool, and of

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<v Speaker 2>course you can combine those things, right, I mean, I

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<v Speaker 2>think we saw in like Shuan Chi that you could

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<v Speaker 2>take a big Hollywood movie and still have great creative,

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<v Speaker 2>interesting action in a practical sense. But that it's you know,

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<v Speaker 2>it's hard not to then just be like, oh, we're

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<v Speaker 2>just going to rely on Batman's gadgets on you know,

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<v Speaker 2>some kind of he's just got something as utility belt

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<v Speaker 2>to bail him out, as opposed to like, no, let's

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<v Speaker 2>make him think of something, you know, really really clever,

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<v Speaker 2>like I think in Mad Love, which is a story

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<v Speaker 2>we referenced in the bonus content, just five dollars a

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<v Speaker 2>month to become a member and listen to all of that.

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<v Speaker 2>But you know, there's there's a thing where it's like,

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<v Speaker 2>you know, I if I recall Batman doesn't escape through

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<v Speaker 2>through some gadget, I think he escapes through some psychology

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<v Speaker 2>and and you know, the same goes in in one

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<v Speaker 2>of the episodes in in Justice League where he's dealing

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<v Speaker 2>with Joker and Harley Quinn and and so I I

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<v Speaker 2>appreciate when you know, the writers basically force themselves to

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<v Speaker 2>be a little more clever, force themselves to be a

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<v Speaker 2>little more creative instead of being able to kind of

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<v Speaker 2>rely on on, you know, spi fi type stuff basically,

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<v Speaker 2>like I.

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<v Speaker 1>Remember Robert Downey Junior once making a comment about how

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<v Speaker 1>he thought he had it best out of all the

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<v Speaker 1>X Men because, unlike most of the other actors, he

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<v Speaker 1>never had to do any kind of fight training or

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<v Speaker 1>choreography because it was always gonna be the cgi of

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<v Speaker 1>the suit. And don't get me wrong, I love the

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<v Speaker 1>Iron Man movies, but they're doing something very fundamentally different,

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<v Speaker 1>and yes, I think that that really works the technology here.

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<v Speaker 1>I think another thing, and you and I have talked

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<v Speaker 1>about this back and forth. I don't think we completely agree,

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<v Speaker 1>but have some similar not pret judged. Another thing I

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<v Speaker 1>think that's very dependent on the time it is set,

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<v Speaker 1>is that I think it goes for a lot of stories.

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<v Speaker 1>But Batman, especially Batman was created at a time when

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<v Speaker 1>there was there's always been some level of social awareness

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<v Speaker 1>that the rich are screwing the poor, and because of that,

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<v Speaker 1>some level of critique or you know, the rich guys

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<v Speaker 1>are all against us, But I think at that time

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<v Speaker 1>there was still the sense of like, well, but the

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<v Speaker 1>rich people give back, you know, they start the universities

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<v Speaker 1>and the live areas and the arts, and they donate

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<v Speaker 1>lots of things like that. And like you might also

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<v Speaker 1>say that on the flip side, that at this particular

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<v Speaker 1>moment in time, we have a very high level of

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<v Speaker 1>critique of billionaires and a very high level of eat

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<v Speaker 1>the rich kind of sentiments, and the idea of like, oh,

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<v Speaker 1>they're just doing that as the tax write off and

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<v Speaker 1>to cover up. And like, I've definitely heard it in

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<v Speaker 1>the discourse that when I was first reading about Batman,

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<v Speaker 1>the idea that a person who had all this money

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<v Speaker 1>would then decide to use his money to help other

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<v Speaker 1>people by becoming a crime fighter, I was like, Yeah,

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<v Speaker 1>that's fantastic. And then in more recent years people have

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<v Speaker 1>started bringing up, well, Okay, if he wants to fight crime,

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<v Speaker 1>why doesn't he fight the social Why doesn't he fund

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<v Speaker 1>the social programs instead that help to prevent crime instead

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<v Speaker 1>of beating up poor people? And like there's all of

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<v Speaker 1>this analysis of him through our current economic understanding, some

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<v Speaker 1>of which I think is warranted, some of which I

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<v Speaker 1>think is very overly simplistic. But like, for example, in

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<v Speaker 1>both the Christopher Nolan and the Matt Reeves movie, I

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<v Speaker 1>felt like they had to be a little bit more

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<v Speaker 1>aware of just because he's a bill like, we have

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<v Speaker 1>to go a little further than just saying he's a

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<v Speaker 1>billionaire who's using his money to fight crime, and that

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<v Speaker 1>even today, you know, like I know a lot of

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<v Speaker 1>people who just had no interest in the Batman movie

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<v Speaker 1>or the Batman character because in their perspective, it's like, oh,

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<v Speaker 1>I don't want to glorify a billionaire.

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<v Speaker 4>Billionaires are all terrible.

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<v Speaker 1>And again that there's a whole economics argument there that

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<v Speaker 1>I have a lot of sympathy for, but I think

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<v Speaker 1>can be oversimplified. But it feels to me like that

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<v Speaker 1>by putting it in a time period that's more like this,

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<v Speaker 1>you avoid a lot of that the kind of Batman.

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<v Speaker 4>Here's maybe the best way to say it, like TLDR.

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<v Speaker 1>But like you know, Batman was written at a time

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<v Speaker 1>when we have a very different understanding of the super

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<v Speaker 1>wealthy than we do today, and that if you're going

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<v Speaker 1>to take him out of those time periods, you have

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<v Speaker 1>to have some level of accounting for that or also

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<v Speaker 1>just doesn't work.

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<v Speaker 2>Yeah, I think so, I'm not convinced that that's as

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<v Speaker 2>true as you think it is in terms of what

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<v Speaker 2>the overall kind of public opinion was around when Batman

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<v Speaker 2>was created. I know, sometime in the decade or decades

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<v Speaker 2>before that, there was a heavy amount of resentment towards

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<v Speaker 2>you know, the wealthy, like especially you know, it's like

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<v Speaker 2>coming out of the depression and everything, right, and there's

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<v Speaker 2>you know, the term robber barons is not is not

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<v Speaker 2>a new term, right, But I can't speak to that

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<v Speaker 2>too much, And so I'm not I'm not saying you're wrong.

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<v Speaker 2>I'm saying that doesn't match quite my understanding of how

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<v Speaker 2>people were thinking at different points in time. But also

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<v Speaker 2>I wasn't there.

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<v Speaker 1>So just to add a little context at from the little, yes,

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<v Speaker 1>sure study I've done of it, my understanding is like

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<v Speaker 1>among the working class, among the poor, that would often

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<v Speaker 1>be the thought, right, but there was such an effort

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<v Speaker 1>of oh, that's just communist thinking to write it all.

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<v Speaker 1>But certainly that by the fifties there's none of that,

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<v Speaker 1>you know, that's allowed.

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<v Speaker 2>Yeah, of course, Yeah, So I guess what I would say,

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<v Speaker 2>is I feel like from the fifties through especially like

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<v Speaker 2>the eighties, ye, which were like the height of the

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<v Speaker 2>greed is good idea, right, And then maybe with this

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<v Speaker 2>being a little less true in like the sixties, like

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<v Speaker 2>the late sixties, early seventies right where there was more,

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<v Speaker 2>you know, the stronger counterculture. I think you know that

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<v Speaker 2>that that was more true in that time rather than

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<v Speaker 2>like really early like nineteen thirty nine right or eight

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<v Speaker 2>right when Batman was created. But but I do think

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<v Speaker 2>like there is something about when you're telling a story

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<v Speaker 2>that takes place now. It's even if it's this Gotham

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<v Speaker 2>that doesn't exist in our world right where it's it's

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<v Speaker 2>a different timeline from the one we live in. It's

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<v Speaker 2>a fictional universe. Even if there is a New York

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<v Speaker 2>in Washington, d C. And these you know, places that

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<v Speaker 2>we have. I do think it makes it harder to

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<v Speaker 2>ignore what, you know, what you're talking about. Whereas here

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<v Speaker 2>when you do put something in a you know, in

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<v Speaker 2>sort of a film noir setting, I think it does

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<v Speaker 2>give you more leeway, especially when you kind of say, Okay,

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<v Speaker 2>this is a film noir setting, and we're going to

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<v Speaker 2>talk about things that we might want to talk about

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<v Speaker 2>now and that people may have been talking about then

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<v Speaker 2>as well. But also we're not going to act like

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<v Speaker 2>the social mores of the time were what they are

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<v Speaker 2>here in our world that that were in our fictional world, right,

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<v Speaker 2>Like like we discussed with you know, race and gender

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<v Speaker 2>and sexuality and and that you know, there's some there's

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<v Speaker 2>certainly some you know, patronizing misogyny, but like not not

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<v Speaker 2>it doesn't feel like the same kind that you'd expect

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<v Speaker 2>like in a in a show that was just like

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<v Speaker 2>straight up set in the forties, right or thirties or whatever.

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<v Speaker 2>So I think, you know, by doing that, by setting

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<v Speaker 2>that all up that way, they kind of gave themselves

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<v Speaker 2>like a you know, we can kind of just tell

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<v Speaker 2>the story we want to tell without necessarily having to

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<v Speaker 2>address this thing that is being addressed one way or

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<v Speaker 2>another in the live action films, and and you know,

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<v Speaker 2>just to address the overall argument. I do have a

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<v Speaker 2>lot of sympathy for it. I think it's super reductive.

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<v Speaker 2>And I also have issues with people critiquing movies that

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<v Speaker 2>they don't want to see, you know, like which you know,

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<v Speaker 2>there's movies that I don't want to see that I'm like,

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<v Speaker 2>I don't think I'm gonna like that. I feel like

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<v Speaker 2>I don't want to watch that. But also, you know,

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<v Speaker 2>and I mean this is of course you know. I

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<v Speaker 2>have literally gone on here even our last episode that

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<v Speaker 2>we recorded before Batman, and talked about a show that

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<v Speaker 2>I didn't see, but not in terms of oh, I

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<v Speaker 2>think that this show is bad because such a whatever.

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<v Speaker 2>It's just like, you know, I think when you don't

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<v Speaker 2>watch something, you have to understand that you haven't watched

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<v Speaker 2>it and you don't have the full story or earth.

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<v Speaker 1>And I think that was kind of like what we're

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<v Speaker 1>trying to do with a lot of these episodes, is

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<v Speaker 1>that was, Hey, this question, this show raises this question,

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<v Speaker 1>and I'm curious if I just summarize it for you

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<v Speaker 1>what you think of the question, right, because I do

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<v Speaker 1>think sometimes we sort of can get like, I like

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<v Speaker 1>those deeper questions and when people want to imput on

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<v Speaker 1>the exact details of the show in order to kind

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<v Speaker 1>of say, well, that answers the questions.

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<v Speaker 4>Like well, but it's asking us to ask this larger question.

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<v Speaker 4>That's what you're right, go But.

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<v Speaker 2>Yeah, which going back to the origins of this podcast,

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<v Speaker 2>like the idea of like, you know, Civil War avengers

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<v Speaker 2>not X men. By the way, there's just a look

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<v Speaker 2>when when you're talking about Tony.

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<v Speaker 1>But but I'm sure he does it's meant at some point,

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<v Speaker 1>but yes, Avengers.

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<v Speaker 2>Yes, sure, sure, probably, I mean, except it's not immune.

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<v Speaker 2>But the well maybe Robert Downey Junior is in some

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<v Speaker 2>some of these other roles, but the you know, the

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<v Speaker 2>basic question, like you really wanted to discuss the question

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<v Speaker 2>of like whether there should be this oversight, right, And

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<v Speaker 2>I was like, but in the exact story, you know,

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<v Speaker 2>it's like it doesn't actually make the same sense in

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<v Speaker 2>the story. So I do think a lot of times

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<v Speaker 2>it is like I believe in being concrete and being

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<v Speaker 2>like this is how this issue plays out in this

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<v Speaker 2>context and being very specific about that, because I don't

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<v Speaker 2>think that super broad guidelines or ideas are that useful.

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<v Speaker 2>I think they can be a useful starting place as

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<v Speaker 2>long as we maintain the flexibility to be like, oh wait,

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<v Speaker 2>that ghost just real. You know, Now let me adjust

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<v Speaker 2>my worldview and take this new information into account when

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<v Speaker 2>I'm making decisions.

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<v Speaker 1>Yeah, yeah, certainly in that case, like when I say

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<v Speaker 1>I'm pem Tony, I'm that the Captain America idea of

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<v Speaker 1>I know best and so only I should be able

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<v Speaker 1>to decide how I use my power to enforce my

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<v Speaker 1>idea of justice that terrifies me. And so when Tony

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<v Speaker 1>says we need some kind of oversight, I'm like, yes,

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<v Speaker 1>you're exactly right. When he then says that Ross has

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<v Speaker 1>come up with this perfect kind of oversight, I'm like, no, no,

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<v Speaker 1>that like.

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<v Speaker 2>Not that guy. That guy needs his own over sight.

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<v Speaker 4>And we're kind of a changement.

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<v Speaker 1>But this is actually I think, really this is kind

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<v Speaker 1>of like we're talking about how we talk about things

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<v Speaker 1>in a way that think is really relevant to stuff.

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<v Speaker 1>I think that there is, like I level the way

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<v Speaker 1>you talk about this, because I often think there'll be

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<v Speaker 1>kind of an intellectual dishonesty of someone proposes a general

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<v Speaker 1>idea and then someone points to one specific very bad

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<v Speaker 1>application of the idea and says, therefore the idea is bad, yeah,

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<v Speaker 1>you know, or the reverse and says, hey, look it

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<v Speaker 1>worked into one specific case, you know, And I think

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<v Speaker 1>that that's yeah, yeah, it's why I think I like

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<v Speaker 1>the fact that we talked to this last episode that

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<v Speaker 1>there are so many Batman's because the flip side is

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<v Speaker 1>we really only have one one, Luke Skywalker kind of

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<v Speaker 1>too if you take in the legends or the legends

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<v Speaker 1>might make it up to like four or five or six.

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<v Speaker 1>We have one on screen, right, Yeah, there's only one

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<v Speaker 1>kind of official, whereas like, yeah, there's no battle about

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<v Speaker 1>you know, Christopher Nolans is part of a canon, and

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<v Speaker 1>Matt Reeves is part of a canon, and Batflex by

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<v Speaker 1>Zack Snyder is just as much a part of a canon.

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<v Speaker 1>And that we get to kind of pick and choose,

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<v Speaker 1>as we said to'd be like, yeah, I don't I

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<v Speaker 1>don't think people are wrong or bad for liking Ben

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<v Speaker 1>Affleck's version. It does not speak to what I like

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<v Speaker 1>about the character of Batman.

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<v Speaker 2>Yeah, exactly. And so having that, you know, I think

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<v Speaker 2>there are Batman stories where you might like at it

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<v Speaker 2>and go like, oh, this seems like a very tar

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<v Speaker 2>Ba dollars, right, And then there's other ones we might

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<v Speaker 2>look at and be like, well, you know, he actually

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<v Speaker 2>is spending most of his money or trying to spend

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<v Speaker 2>a lot of his money on social programs, you know,

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<v Speaker 2>like that's that's not not a thing. And you can

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<v Speaker 2>say like, well, there shouldn't be any billionaires like every

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<v Speaker 2>billionaire's apologies failure are fine, but like he's not necessarily

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<v Speaker 2>going to single handedly change the tax go, like, do

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<v Speaker 2>you want Batman to be a politician? Like should Bruce

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<v Speaker 2>Wayne run for offs? Like maybe, like maybe he could

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<v Speaker 2>get elected and like then actually enacts sweeping social change,

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<v Speaker 2>although you might not like the sweeping social change that

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<v Speaker 2>specifically this one guy would want to do.

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<v Speaker 1>You know, I tend to think that billionaires running for

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<v Speaker 1>office has not been a very good thing in the

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<v Speaker 1>United States, right.

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<v Speaker 2>Exactly exactly, like i'd pick him over Lex Luthor. Yeah,

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<v Speaker 2>you know, but like that doesn't you know, even though

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<v Speaker 2>Bloomberg was not as bad as the other guy, Like

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<v Speaker 2>I was still like, how about not him? How about

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<v Speaker 2>not either of them?

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<v Speaker 4>You know? So no, I think it's very true. So

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<v Speaker 4>let's shift to.

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<v Speaker 1>Another thing, the Arthur Dent of it all, the Harvey Dent.

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<v Speaker 1>I keep saying, Arthur Dent, I'm very sorry, which you

389
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<v Speaker 1>phrased in our notes as the other side of the

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<v Speaker 1>Harvey Dent coin.

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<v Speaker 4>Because as we said, and.

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<v Speaker 1>This is a very different version of the Harvey Dent

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<v Speaker 1>story than we've often gotten and and in fairness, we

394
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<v Speaker 1>haven't gotten it that much. It just feels like that

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<v Speaker 1>to me, I think because it is probably the part

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<v Speaker 1>of the Dark Knight's story, the triangle between Dent and

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<v Speaker 1>Batman and Gordon, that I'm most fascinated by. But tell

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<v Speaker 1>us a bit about this version of Dent and how

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<v Speaker 1>it feels different to you than other versions we've gotten.

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00:21:44.359 --> 00:21:46.960
<v Speaker 2>Right, So, you know, speaking of running for office, we

401
00:21:47.039 --> 00:21:53.119
<v Speaker 2>meet this Dent in court as a district attorney trying

402
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<v Speaker 2>a case against Barbara Gordon's defendant. Right, she's representing a defendant.

403
00:21:58.319 --> 00:22:02.480
<v Speaker 2>She's a public defender, I believe, and he's running for mayor,

404
00:22:02.640 --> 00:22:05.920
<v Speaker 2>you know. After court is adjourned, he tries to give

405
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<v Speaker 2>her a campaign button. She's like, Oh, why don't you

406
00:22:08.200 --> 00:22:10.400
<v Speaker 2>save this for someone who might actually vote for you? Yeah,

407
00:22:10.440 --> 00:22:13.680
<v Speaker 2>you know, And so you know, he's this very kind

408
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<v Speaker 2>of smarmy maneuvering maybe wants to try and do some

409
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<v Speaker 2>like good with the law and doesn't want to be

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<v Speaker 2>corrupted by is it Thorn? Yeah, trying to remember, yeah, right,

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<v Speaker 2>and then ultimately does become corrupted by Thorn.

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<v Speaker 4>Did you get Thorn?

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<v Speaker 1>Is the the There's almost always a mob element right

414
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<v Speaker 1>in the story that has its hooks into the police

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00:22:45.119 --> 00:22:48.559
<v Speaker 1>and he is that's Thorn, and he what Thorn is

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<v Speaker 1>able to help Harvey Dent get elected if he will

417
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<v Speaker 1>be willing to look the other way. When some of

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00:22:55.559 --> 00:22:58.359
<v Speaker 1>Thorn's men's come up for possible prosecution.

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<v Speaker 2>Right, he basically stands in for because they're like, let's

420
00:23:01.119 --> 00:23:08.880
<v Speaker 2>not use Falcone every time. Right, So he basically agrees to,

421
00:23:09.279 --> 00:23:14.599
<v Speaker 2>you know, work with him and essentially sell a part

422
00:23:14.759 --> 00:23:18.279
<v Speaker 2>of his loyalty or whatever in order to get elected

423
00:23:18.359 --> 00:23:20.160
<v Speaker 2>or in order to have a better chance of getting

424
00:23:20.200 --> 00:23:24.039
<v Speaker 2>elected because he's losing in the polls. And right at

425
00:23:24.079 --> 00:23:25.680
<v Speaker 2>the end of it, when he has to do a

426
00:23:25.720 --> 00:23:29.599
<v Speaker 2>thing that he thinks is not a good thing, he decides,

427
00:23:30.119 --> 00:23:32.279
<v Speaker 2>you know what, I'm not going to do that. I'm

428
00:23:32.319 --> 00:23:36.039
<v Speaker 2>going to you know, betray the mobster who I made

429
00:23:36.039 --> 00:23:40.200
<v Speaker 2>a deal with and and try and do what I

430
00:23:40.240 --> 00:23:44.240
<v Speaker 2>think is justice. And then he ends up getting acid

431
00:23:44.279 --> 00:23:46.920
<v Speaker 2>thrown in his face in the bathroom, which, again, like

432
00:23:47.559 --> 00:23:50.240
<v Speaker 2>lack of technology allows this to be a plot line,

433
00:23:50.359 --> 00:23:52.799
<v Speaker 2>right like this, how is this going to happen in

434
00:23:53.079 --> 00:23:55.240
<v Speaker 2>a modern day courthouse with tons of cameras and metal

435
00:23:55.279 --> 00:23:57.599
<v Speaker 2>detectors and all these things. It's it's just not here,

436
00:23:57.680 --> 00:24:00.079
<v Speaker 2>but here it you know, it plays it's like, yeah, this,

437
00:24:00.079 --> 00:24:04.160
<v Speaker 2>this could happen. So this is how he sort of

438
00:24:04.200 --> 00:24:08.359
<v Speaker 2>becomes two face where, you know, in a literal sense, right,

439
00:24:08.440 --> 00:24:11.079
<v Speaker 2>because half of his faces is kind of burnt off

440
00:24:11.119 --> 00:24:16.519
<v Speaker 2>with acid, and he withdraws his campaign, although I feel

441
00:24:16.559 --> 00:24:18.519
<v Speaker 2>like he probably should have just kept running and maybe

442
00:24:18.559 --> 00:24:20.599
<v Speaker 2>he'd have a pretty good chance because he'd be like,

443
00:24:20.880 --> 00:24:24.839
<v Speaker 2>I've been literally attacked by the mob. I'm a hero

444
00:24:25.160 --> 00:24:26.319
<v Speaker 2>for standing up to them.

445
00:24:27.000 --> 00:24:30.279
<v Speaker 4>Vote for me, although the Jedi have left me scarred.

446
00:24:30.759 --> 00:24:33.160
<v Speaker 4>I was. I mean, he's not that, but yeah, that's.

447
00:24:33.039 --> 00:24:38.000
<v Speaker 2>A meaning what I thought of it, you know, right, yeah, exactly.

448
00:24:38.240 --> 00:24:40.720
<v Speaker 2>So like I think he you know, he definitely had

449
00:24:40.720 --> 00:24:44.799
<v Speaker 2>a shot, but he clearly it. It hurt him right

450
00:24:44.880 --> 00:24:47.480
<v Speaker 2>like on on an emotional level, on a psychological level,

451
00:24:47.799 --> 00:24:50.440
<v Speaker 2>and he doesn't believe in himself the same way. He

452
00:24:50.480 --> 00:24:52.240
<v Speaker 2>doesn't love himself in the same way, Like he's a

453
00:24:52.359 --> 00:24:55.839
<v Speaker 2>very narcissistic, like good looking guy, and then he has

454
00:24:55.880 --> 00:24:58.200
<v Speaker 2>half his face burned off, and that I think challenges

455
00:24:58.279 --> 00:25:01.200
<v Speaker 2>his sense of identity and one of the.

456
00:25:01.160 --> 00:25:04.400
<v Speaker 1>Interests I would deeper on that, I think he and

457
00:25:04.440 --> 00:25:06.640
<v Speaker 1>I think another part of this is that like a

458
00:25:06.680 --> 00:25:09.039
<v Speaker 1>lot of folks who are you know, sort of very

459
00:25:09.039 --> 00:25:13.000
<v Speaker 1>focused on outside affirmation for others. Part of the idea

460
00:25:13.039 --> 00:25:15.599
<v Speaker 1>is that when this happens to him, in part maybe

461
00:25:15.599 --> 00:25:19.119
<v Speaker 1>because he's been physically scarred, in part because people are like, oh,

462
00:25:19.680 --> 00:25:21.759
<v Speaker 1>even if the mob can even get to him, like,

463
00:25:21.799 --> 00:25:23.599
<v Speaker 1>I don't want to be too close to him. Like

464
00:25:23.759 --> 00:25:25.839
<v Speaker 1>he's kind of abandoned by a lot of people. And

465
00:25:25.880 --> 00:25:28.119
<v Speaker 1>I think that's the other part is what feeds into

466
00:25:28.119 --> 00:25:30.440
<v Speaker 1>his sense of like, who am I if all these

467
00:25:30.480 --> 00:25:32.319
<v Speaker 1>people aren't like loving me and supporting me?

468
00:25:33.119 --> 00:25:37.960
<v Speaker 2>Yeah, exactly, So he's abandoned by most people, but he

469
00:25:38.039 --> 00:25:41.279
<v Speaker 2>also recedes from the world right like those things are

470
00:25:41.319 --> 00:25:44.720
<v Speaker 2>both true and and Bruce Wayne reaches out to him

471
00:25:45.119 --> 00:25:52.119
<v Speaker 2>in I think a well intentioned but poorly thought through fashion,

472
00:25:53.160 --> 00:25:54.440
<v Speaker 2>And this is one of the things I think is

473
00:25:54.480 --> 00:25:56.519
<v Speaker 2>more one of the more interesting parts of the story

474
00:25:56.720 --> 00:25:59.079
<v Speaker 2>is that Bruce is like, Oh, come on, Harvey, let's

475
00:25:59.160 --> 00:26:01.119
<v Speaker 2>just go out, you know, let's go out on the town.

476
00:26:01.200 --> 00:26:03.720
<v Speaker 2>This will make everything better, will act like nothing's wrong,

477
00:26:04.160 --> 00:26:06.880
<v Speaker 2>and you'll just be your old self kind of. And

478
00:26:07.319 --> 00:26:12.440
<v Speaker 2>I think Bruce doesn't really accept or understand what Harvey's

479
00:26:12.480 --> 00:26:16.839
<v Speaker 2>going through, and just like being there for him and

480
00:26:16.880 --> 00:26:18.559
<v Speaker 2>being like, hey, we could sit at home and watch

481
00:26:18.559 --> 00:26:21.599
<v Speaker 2>TV even though maybe it hasn't been invented yet, although

482
00:26:21.599 --> 00:26:24.000
<v Speaker 2>think it has is are there televisions? I'm trying to remember.

483
00:26:24.799 --> 00:26:26.599
<v Speaker 1>I mean to consider and listen to the radio whatever

484
00:26:26.599 --> 00:26:26.839
<v Speaker 1>it is.

485
00:26:27.039 --> 00:26:29.200
<v Speaker 2>Sure, Yeah, we considerund listen to the radio. We can

486
00:26:29.240 --> 00:26:32.640
<v Speaker 2>just talk and whatever, you know, play cards, you know,

487
00:26:33.680 --> 00:26:36.400
<v Speaker 2>which seems like that would probably be a better approach,

488
00:26:36.519 --> 00:26:39.480
<v Speaker 2>or be like, hey, I'm here for you. If you

489
00:26:39.559 --> 00:26:41.640
<v Speaker 2>want to hang out, cool, If you don't, I'll give

490
00:26:41.640 --> 00:26:44.039
<v Speaker 2>you some space, but I'll be here. You know, I'll

491
00:26:44.079 --> 00:26:44.480
<v Speaker 2>be around.

492
00:26:44.559 --> 00:26:47.079
<v Speaker 1>Yeah, Like everyone is probably either known or myke is

493
00:26:47.240 --> 00:26:49.720
<v Speaker 1>being I've been both. But like you know that friend

494
00:26:49.759 --> 00:26:53.359
<v Speaker 1>who sees that you're upset, they have their idea of

495
00:26:53.400 --> 00:26:56.079
<v Speaker 1>what they think you need and then becomes utterly unwilling

496
00:26:56.079 --> 00:26:58.319
<v Speaker 1>to listen to what you actually say you need, no

497
00:26:58.480 --> 00:27:00.559
<v Speaker 1>right exactly like yeah, you just need.

498
00:27:00.400 --> 00:27:03.880
<v Speaker 4>To go out, you need to go out and and good.

499
00:27:04.279 --> 00:27:06.480
<v Speaker 2>Oh. I do think it's very easy to be critical

500
00:27:06.480 --> 00:27:08.039
<v Speaker 2>of the person who thinks they know what you need,

501
00:27:08.079 --> 00:27:11.039
<v Speaker 2>and I think they're wrong in that regard. And I

502
00:27:11.079 --> 00:27:14.759
<v Speaker 2>think it is important to give space but also let

503
00:27:14.839 --> 00:27:18.680
<v Speaker 2>someone know you're there for them and make suggestions without

504
00:27:18.680 --> 00:27:21.680
<v Speaker 2>being overly pushy. But at the same time, I think

505
00:27:21.680 --> 00:27:24.119
<v Speaker 2>it's very hard. Yeah, And I think one of the

506
00:27:24.119 --> 00:27:28.000
<v Speaker 2>hardest things is to be trying to help someone or

507
00:27:28.039 --> 00:27:29.960
<v Speaker 2>wanting to help someone, whether you're trying or not, but

508
00:27:30.079 --> 00:27:32.839
<v Speaker 2>just being like, that's your desire is to help someone,

509
00:27:33.519 --> 00:27:36.599
<v Speaker 2>and just like having no idea what's actually gonna help,

510
00:27:37.119 --> 00:27:39.000
<v Speaker 2>or even having nothing that will help.

511
00:27:39.039 --> 00:27:40.480
<v Speaker 1>And I kind of like got I really have a

512
00:27:40.519 --> 00:27:42.400
<v Speaker 1>lot of sympathy for both the people in this situation.

513
00:27:43.440 --> 00:27:46.480
<v Speaker 1>And here's where also I think like impact not intentionally matters,

514
00:27:46.519 --> 00:27:50.680
<v Speaker 1>but like I think that you the idea of.

515
00:27:52.319 --> 00:27:53.119
<v Speaker 4>You always need.

516
00:27:53.039 --> 00:27:55.599
<v Speaker 1>To let a person tell you what they need is

517
00:27:55.759 --> 00:27:59.920
<v Speaker 1>very very valid. I also think that sometimes when people

518
00:28:00.039 --> 00:28:02.799
<v Speaker 1>are in a really bad place mentally or with other things,

519
00:28:03.680 --> 00:28:05.480
<v Speaker 1>they're not the best judge of what they may need,

520
00:28:05.640 --> 00:28:07.200
<v Speaker 1>or they're like they're you know, they're telling them, oh,

521
00:28:07.200 --> 00:28:08.440
<v Speaker 1>I don't want to be a bother to you or

522
00:28:08.480 --> 00:28:11.559
<v Speaker 1>stuff like that, you know, and to me, the reason

523
00:28:11.599 --> 00:28:13.400
<v Speaker 1>why all this matters, I think, And it's funny. I

524
00:28:13.599 --> 00:28:16.039
<v Speaker 1>hadn't thought about this until I rewatched the show again

525
00:28:16.279 --> 00:28:18.000
<v Speaker 1>over the weekend, and then also in talking with you,

526
00:28:18.160 --> 00:28:20.440
<v Speaker 1>just now, and I want to talk about what it

527
00:28:20.480 --> 00:28:22.640
<v Speaker 1>means for Harvey Dent, to be sure, But I also

528
00:28:22.680 --> 00:28:25.160
<v Speaker 1>think this is very illustrative of who Bruce Wayne is

529
00:28:25.720 --> 00:28:30.200
<v Speaker 1>and how much this is still a year one kind

530
00:28:30.240 --> 00:28:32.160
<v Speaker 1>of a story in terms of this is Batman still

531
00:28:32.160 --> 00:28:34.920
<v Speaker 1>figuring out who he's going to be, because I think

532
00:28:34.960 --> 00:28:37.799
<v Speaker 1>in a lot of portrayals, especially the Christopher Nolan and

533
00:28:37.880 --> 00:28:40.759
<v Speaker 1>even to some extent and also the Tim Burton and

534
00:28:40.799 --> 00:28:44.240
<v Speaker 1>a lot of the others, like that everything that Bruce

535
00:28:44.279 --> 00:28:48.359
<v Speaker 1>Wayne does, Bruce Wayne is a very well thought out,

536
00:28:49.079 --> 00:28:54.640
<v Speaker 1>meticulously planned character that Batman is playing. And then every

537
00:28:54.640 --> 00:28:58.240
<v Speaker 1>time he has a social faux pas, it's very strategic

538
00:28:58.359 --> 00:29:00.160
<v Speaker 1>as a way of sort of like this, this is

539
00:29:00.160 --> 00:29:02.039
<v Speaker 1>why people shouldn't be so interested in me, or this

540
00:29:02.079 --> 00:29:04.359
<v Speaker 1>is why people be alone, or this is why everyone

541
00:29:04.359 --> 00:29:06.240
<v Speaker 1>should leave my building so I can have a fight

542
00:29:06.279 --> 00:29:08.160
<v Speaker 1>with rosal Ghoul who might burn it down, you know

543
00:29:08.240 --> 00:29:08.799
<v Speaker 1>whatever it is.

544
00:29:09.640 --> 00:29:11.960
<v Speaker 4>Yeah, I get none of that from this Bruce Wayne.

545
00:29:12.039 --> 00:29:14.720
<v Speaker 1>I get that he's still trying to figure out I

546
00:29:14.759 --> 00:29:17.359
<v Speaker 1>can help people when I wear the mask, but also

547
00:29:17.400 --> 00:29:19.039
<v Speaker 1>can I just be a good friend and help people

548
00:29:19.119 --> 00:29:22.400
<v Speaker 1>as Bruce Wayne, and I could see him his sort

549
00:29:22.400 --> 00:29:26.319
<v Speaker 1>of confusion about why didn't this work, as well as

550
00:29:26.359 --> 00:29:29.079
<v Speaker 1>like a guy who was raised by his butler and

551
00:29:29.160 --> 00:29:33.079
<v Speaker 1>fairly isolated setting, I think a fairly bad idea of

552
00:29:33.119 --> 00:29:35.599
<v Speaker 1>how other people work and what's going to help them.

553
00:29:35.799 --> 00:29:37.799
<v Speaker 1>Like it all just speaks to me of like, yeah,

554
00:29:37.839 --> 00:29:40.880
<v Speaker 1>this is exactly what Bruce Wayne would do. And I

555
00:29:40.880 --> 00:29:43.799
<v Speaker 1>can imagine a Bruce Wayne thinking about this conversation going

556
00:29:44.200 --> 00:29:46.480
<v Speaker 1>to hell with it. I'm just gonna make Bruce Wayne

557
00:29:46.559 --> 00:29:50.839
<v Speaker 1>be a stoic, pulled back person, and I'll help people

558
00:29:50.880 --> 00:29:52.160
<v Speaker 1>by beating up to that guys.

559
00:29:52.920 --> 00:29:54.880
<v Speaker 2>Yeah, no, that's a really good point. I hadn't thought

560
00:29:54.880 --> 00:29:57.480
<v Speaker 2>of it in exactly that way, but you know, the

561
00:29:57.559 --> 00:30:00.519
<v Speaker 2>idea that like maybe Bruce Wayne can help and then

562
00:30:00.559 --> 00:30:02.480
<v Speaker 2>trying to do that and having it go so badly,

563
00:30:02.920 --> 00:30:06.680
<v Speaker 2>like just totally backfiring. I can certainly see being like,

564
00:30:07.000 --> 00:30:09.519
<v Speaker 2>all right, I'm just gonna be batman. You know, enough

565
00:30:09.559 --> 00:30:11.680
<v Speaker 2>of Bruce Wayne. I'll just put on the Bruce Wayne

566
00:30:11.680 --> 00:30:13.920
<v Speaker 2>mask and I have to go to a fundraiser and like,

567
00:30:14.400 --> 00:30:16.240
<v Speaker 2>you know, acted a way that like people don't want

568
00:30:16.240 --> 00:30:18.960
<v Speaker 2>to be around me that much, or they do, but

569
00:30:19.119 --> 00:30:22.359
<v Speaker 2>like kind of from a you know, a distance, right,

570
00:30:22.480 --> 00:30:25.519
<v Speaker 2>And yeah, I think that's a really good point. It

571
00:30:25.559 --> 00:30:26.119
<v Speaker 2>makes sense.

572
00:30:27.599 --> 00:30:29.160
<v Speaker 1>So let's now get back to the Harvey Dent of

573
00:30:29.200 --> 00:30:33.640
<v Speaker 1>it all. So we wind up with a Harvey Dent

574
00:30:33.720 --> 00:30:39.920
<v Speaker 1>who I think is like he is literally two faced

575
00:30:39.960 --> 00:30:41.720
<v Speaker 1>in terms of the two different sides of his face,

576
00:30:42.880 --> 00:30:45.279
<v Speaker 1>and he's now aware of what he perceives as the

577
00:30:45.359 --> 00:30:47.440
<v Speaker 1>hypocrisy of all the people around him.

578
00:30:47.920 --> 00:30:50.519
<v Speaker 4>Mhm, but a lot of the other.

579
00:30:50.640 --> 00:30:53.559
<v Speaker 1>Like I feel like if this is his creation, I

580
00:30:53.559 --> 00:30:56.400
<v Speaker 1>feel like at the end of the season, the creation

581
00:30:56.599 --> 00:31:01.599
<v Speaker 1>myth of two face is not finished, and he might

582
00:31:01.640 --> 00:31:03.680
<v Speaker 1>have died at the end comic book rules, we haven't

583
00:31:03.720 --> 00:31:05.200
<v Speaker 1>really seen a body, so who knows.

584
00:31:06.240 --> 00:31:10.440
<v Speaker 2>We have seen a ghost, so we know that death

585
00:31:10.480 --> 00:31:12.680
<v Speaker 2>isn't you know, death just to me.

586
00:31:12.720 --> 00:31:15.160
<v Speaker 1>He never becomes the like he never flips a coin.

587
00:31:15.640 --> 00:31:18.079
<v Speaker 1>We see him as he is, as just Hardy Dent

588
00:31:18.480 --> 00:31:21.240
<v Speaker 1>flipping the two sided coin that's heads on both sides,

589
00:31:21.640 --> 00:31:24.799
<v Speaker 1>but never the I'm going to decide who lives or dies,

590
00:31:24.880 --> 00:31:27.000
<v Speaker 1>or I'm going to leave everything according to chance, or

591
00:31:27.319 --> 00:31:30.400
<v Speaker 1>everything has to be like these two different He's not

592
00:31:30.440 --> 00:31:33.119
<v Speaker 1>as focused on dualities as the character often becomes.

593
00:31:34.000 --> 00:31:37.880
<v Speaker 2>Right, Yeah, he's not a He never becomes a fully

594
00:31:37.920 --> 00:31:43.400
<v Speaker 2>realized two face in this, and he does become homicidal, right,

595
00:31:44.519 --> 00:31:48.359
<v Speaker 2>he does decide he's just gonna you know, he's focused

596
00:31:48.400 --> 00:31:57.079
<v Speaker 2>on vengeance. And and it's interesting because like I feel

597
00:31:57.079 --> 00:32:01.000
<v Speaker 2>like this season really the main story. You know, you

598
00:32:01.000 --> 00:32:02.559
<v Speaker 2>can say it was Harvey Dent, but I think it

599
00:32:02.599 --> 00:32:06.720
<v Speaker 2>was Harvey Dent and Barbara Gordon, and I think the

600
00:32:06.839 --> 00:32:11.720
<v Speaker 2>two of them having this like very significant but non

601
00:32:11.799 --> 00:32:16.880
<v Speaker 2>romantic relationship. I think it's very interesting. I enjoyed it

602
00:32:16.920 --> 00:32:23.359
<v Speaker 2>throughout the season. And you know, he's basically this he's

603
00:32:23.440 --> 00:32:27.880
<v Speaker 2>her antagonist in the beginning, right, he's a public she's

604
00:32:27.880 --> 00:32:34.160
<v Speaker 2>a public defense exactly, and then she's and then he's

605
00:32:34.279 --> 00:32:36.319
<v Speaker 2>just like, oh, you know, I'm just doomed or whatever.

606
00:32:36.359 --> 00:32:39.240
<v Speaker 2>And then she's like trying to save him at the end, right,

607
00:32:40.720 --> 00:32:44.519
<v Speaker 2>But then as Flass is trying to shoot her, he

608
00:32:44.680 --> 00:32:48.079
<v Speaker 2>saves her and you know, like by getting in the

609
00:32:48.119 --> 00:32:50.880
<v Speaker 2>white of the bullet and getting all dead. But like

610
00:32:52.519 --> 00:32:55.519
<v Speaker 2>it just feels like an interesting kind of like turn

611
00:32:55.599 --> 00:33:00.000
<v Speaker 2>around from this, you know, compared to The Dark Knight.

612
00:33:00.000 --> 00:33:01.680
<v Speaker 2>And this is why I described as like the other

613
00:33:01.720 --> 00:33:06.039
<v Speaker 2>side of the coin of the Dark Night, where he

614
00:33:06.279 --> 00:33:14.240
<v Speaker 2>is a you know, where a woman is killed and

615
00:33:14.640 --> 00:33:17.960
<v Speaker 2>in a way deliberately to try to turn him, make

616
00:33:18.039 --> 00:33:21.000
<v Speaker 2>him lose it essentially right like as it.

617
00:33:20.920 --> 00:33:22.960
<v Speaker 1>It's done by Joker and very much the kind of

618
00:33:23.000 --> 00:33:25.079
<v Speaker 1>like everyone this is Harvey Dance one bad.

619
00:33:25.000 --> 00:33:29.200
<v Speaker 2>Day exactly exactly, and the Joker is trying to create

620
00:33:29.279 --> 00:33:33.240
<v Speaker 2>that and so having you know, so it's this that's

621
00:33:33.319 --> 00:33:37.440
<v Speaker 2>this like Joker kind of you know, and that's basically

622
00:33:37.480 --> 00:33:40.079
<v Speaker 2>what the he's doing the killing joke thing, right of

623
00:33:40.160 --> 00:33:41.720
<v Speaker 2>trying to be like, I'm going to give this person

624
00:33:41.759 --> 00:33:44.759
<v Speaker 2>this one bad day just to prove that anyone can

625
00:33:44.880 --> 00:33:48.640
<v Speaker 2>can snap like I did, essentially right, and in the

626
00:33:48.720 --> 00:33:54.319
<v Speaker 2>Killing Joke, famously, Joker shoots Barbara in order to try

627
00:33:54.319 --> 00:33:57.200
<v Speaker 2>to so like he basically tries to fridge Barbara in

628
00:33:57.279 --> 00:33:59.720
<v Speaker 2>order to have this effect on Gordon, on Jim Gordon,

629
00:34:01.119 --> 00:34:07.680
<v Speaker 2>and you know, in a much I think maligned decision

630
00:34:07.920 --> 00:34:11.199
<v Speaker 2>because then the actual quotes from the people involved are

631
00:34:11.719 --> 00:34:16.679
<v Speaker 2>are awful and you know from from like how that

632
00:34:16.800 --> 00:34:21.599
<v Speaker 2>came about, but so here having their two stories intertwined

633
00:34:22.280 --> 00:34:26.280
<v Speaker 2>in a way that's like this is his one bad day,

634
00:34:26.480 --> 00:34:29.920
<v Speaker 2>except it kind of really is his one good day,

635
00:34:30.000 --> 00:34:33.440
<v Speaker 2>where like he he made a decision to like do

636
00:34:33.519 --> 00:34:37.320
<v Speaker 2>the right thing, and then that backfired on him horribly,

637
00:34:38.519 --> 00:34:41.639
<v Speaker 2>and then again when it came down to it, he

638
00:34:41.800 --> 00:34:44.559
<v Speaker 2>decided he was going to do what he thought was

639
00:34:44.639 --> 00:34:47.960
<v Speaker 2>like the right thing in a way that was you know,

640
00:34:48.239 --> 00:34:53.440
<v Speaker 2>fatal for him. But it's and for a yeah, no, no,

641
00:34:53.480 --> 00:34:55.320
<v Speaker 2>but I mean at the very end, oh yeah, yeah,

642
00:34:55.599 --> 00:34:57.880
<v Speaker 2>but yes, before that, before that, the I don't think

643
00:34:57.920 --> 00:34:59.719
<v Speaker 2>his vengeance was trying to do the right thing.

644
00:34:59.760 --> 00:35:01.719
<v Speaker 4>That's Sarah, Okay, now I thought you're saying it was.

645
00:35:02.800 --> 00:35:04.719
<v Speaker 2>No, I'm talking about just jumping in the way of

646
00:35:05.079 --> 00:35:08.599
<v Speaker 2>the bullet, right. But so I feel like this is

647
00:35:08.639 --> 00:35:14.760
<v Speaker 2>a Harvey who basically had something bad happened to him

648
00:35:14.760 --> 00:35:18.559
<v Speaker 2>and then saw it vengeance, but then at the end

649
00:35:19.239 --> 00:35:22.000
<v Speaker 2>sacrificed himself in a way that I feels like the

650
00:35:22.039 --> 00:35:25.800
<v Speaker 2>opposite of the Dark Knight Harvey who dies a hero

651
00:35:26.239 --> 00:35:29.239
<v Speaker 2>despite having become a villain. Here he still kind of

652
00:35:29.280 --> 00:35:31.440
<v Speaker 2>dies a villain, right, Like, I don't know whether his

653
00:35:31.559 --> 00:35:35.320
<v Speaker 2>name gets cleared or anything of all this stuff while

654
00:35:35.440 --> 00:35:39.519
<v Speaker 2>dying a hero. So it's like it kind of it

655
00:35:39.599 --> 00:35:42.599
<v Speaker 2>like flips the story in a way that you know,

656
00:35:42.639 --> 00:35:45.280
<v Speaker 2>while watching it, I feel like I'm aware of that,

657
00:35:45.519 --> 00:35:48.079
<v Speaker 2>but it doesn't feel like they're like winking at you

658
00:35:48.119 --> 00:35:50.000
<v Speaker 2>and like trying to make that point really hard. I

659
00:35:50.079 --> 00:35:52.480
<v Speaker 2>just feel like it's kind of a nice story. That's

660
00:35:52.519 --> 00:35:57.280
<v Speaker 2>a compliment because like the idea of you know, two Face,

661
00:35:57.760 --> 00:36:00.679
<v Speaker 2>I think is and Harvey Dent and too is that

662
00:36:00.760 --> 00:36:08.360
<v Speaker 2>like he is. That's like, it's not necessarily just that.

663
00:36:08.440 --> 00:36:11.239
<v Speaker 2>I mean, sometimes it's one and sometimes it's the other.

664
00:36:11.320 --> 00:36:14.639
<v Speaker 2>But like this, definitely he doesn't become the kind of

665
00:36:14.679 --> 00:36:17.920
<v Speaker 2>like crime boss two face or whatever. And you know,

666
00:36:17.960 --> 00:36:19.880
<v Speaker 2>you could say that in the Dark Night he becomes

667
00:36:19.880 --> 00:36:22.360
<v Speaker 2>a version of two Face, but he's not fully a

668
00:36:22.400 --> 00:36:24.159
<v Speaker 2>fully realized two face. He doesn't really make it that

669
00:36:24.199 --> 00:36:24.599
<v Speaker 2>far right.

670
00:36:24.559 --> 00:36:27.599
<v Speaker 1>I mean, general Boyd the sort of comic book levels

671
00:36:27.639 --> 00:36:30.039
<v Speaker 1>of like, you know, he doesn't have like the two

672
00:36:30.079 --> 00:36:32.920
<v Speaker 1>Hench women dressed all in black and all in white and.

673
00:36:33.199 --> 00:36:36.079
<v Speaker 2>Right exactly exactly. You know.

674
00:36:36.199 --> 00:36:37.719
<v Speaker 1>I think those are all really good points, and I

675
00:36:37.760 --> 00:36:40.880
<v Speaker 1>think it's in one regardless, say, I think part of

676
00:36:40.880 --> 00:36:43.400
<v Speaker 1>it comes down to, again the time in which these

677
00:36:43.400 --> 00:36:46.840
<v Speaker 1>stories are set, because I think in the Christopher Nolan movies,

678
00:36:47.039 --> 00:36:49.760
<v Speaker 1>one of the things that all three of them and

679
00:36:49.800 --> 00:36:52.519
<v Speaker 1>then Batman and Gordon, once they realized DENTI is dead.

680
00:36:53.159 --> 00:36:55.519
<v Speaker 1>Are very concerned about is the public image of all

681
00:36:55.519 --> 00:36:58.239
<v Speaker 1>of this and how it's going to play. And I

682
00:36:58.239 --> 00:37:01.280
<v Speaker 1>think that, you know, obviously the press is still a

683
00:37:01.320 --> 00:37:03.880
<v Speaker 1>feature in like, you know, nineteen twenty isn't even you know, far.

684
00:37:04.239 --> 00:37:07.320
<v Speaker 4>Before that, but it is also it's much easier to cover.

685
00:37:07.119 --> 00:37:08.920
<v Speaker 1>Things up, you know, than it is by the time

686
00:37:08.960 --> 00:37:11.400
<v Speaker 1>of the Nolan movies, and so to some extent that's

687
00:37:11.400 --> 00:37:14.679
<v Speaker 1>taken off the plate. I also think it's an interest

688
00:37:14.800 --> 00:37:17.920
<v Speaker 1>like I feel Matt Reeves in general is one of

689
00:37:17.960 --> 00:37:22.360
<v Speaker 1>the most hopeful images of Batman, but this also feels

690
00:37:22.400 --> 00:37:25.039
<v Speaker 1>like one of the most hopeless and I think it's

691
00:37:25.039 --> 00:37:28.159
<v Speaker 1>a very interesting way to set up the coming seasons

692
00:37:28.159 --> 00:37:30.960
<v Speaker 1>that I hope we're gonna get because you know, and

693
00:37:31.000 --> 00:37:32.920
<v Speaker 1>this is especially in the Nolan movies, but also on

694
00:37:32.920 --> 00:37:34.800
<v Speaker 1>a lot of the comics and some of the other portrayals.

695
00:37:35.719 --> 00:37:38.159
<v Speaker 1>Part of what Batman's goal is always is, you know,

696
00:37:38.480 --> 00:37:41.719
<v Speaker 1>not just to strike fear into the heart of the criminals,

697
00:37:42.519 --> 00:37:44.800
<v Speaker 1>but it's that like, you know, we shouldn't be afraid,

698
00:37:44.920 --> 00:37:47.599
<v Speaker 1>they should be afraid, and so every time, like you

699
00:37:47.639 --> 00:37:49.920
<v Speaker 1>want the criminal to be afraid, but you also want

700
00:37:49.960 --> 00:37:51.559
<v Speaker 1>the people to be able to like, no, I'm not

701
00:37:51.599 --> 00:37:54.400
<v Speaker 1>gonna let Falcone boss me around. I am going to

702
00:37:54.519 --> 00:37:57.559
<v Speaker 1>do the right thing as a judge or just a

703
00:37:57.559 --> 00:37:59.679
<v Speaker 1>clerk at the office, or a beat cop or a

704
00:38:00.039 --> 00:38:01.599
<v Speaker 1>public or a prosecuting attorney.

705
00:38:02.199 --> 00:38:07.760
<v Speaker 4>Yeah, and here it doesn't work. Harvey Dnch does that

706
00:38:07.880 --> 00:38:08.519
<v Speaker 4>exact thing.

707
00:38:08.599 --> 00:38:11.280
<v Speaker 1>He's like, no, I'm not gonna let myself be bossed around,

708
00:38:11.639 --> 00:38:14.000
<v Speaker 1>either out of fear or out of my own personal ambition.

709
00:38:14.079 --> 00:38:17.000
<v Speaker 1>I'm going to stand up, and then has the acid

710
00:38:17.039 --> 00:38:19.760
<v Speaker 1>thrown in his face. And you're right, he's not treated

711
00:38:19.800 --> 00:38:22.599
<v Speaker 1>like a hero. He's not like welcomed back, you know,

712
00:38:22.679 --> 00:38:26.400
<v Speaker 1>he's kind of put aside. And as a person with

713
00:38:26.440 --> 00:38:30.360
<v Speaker 1>a disability who remembers all the folks saying like it's

714
00:38:30.360 --> 00:38:33.159
<v Speaker 1>not gonna change anything and how you're perceived, I definitely

715
00:38:33.159 --> 00:38:37.320
<v Speaker 1>think that like my own understanding of how much of

716
00:38:37.320 --> 00:38:39.199
<v Speaker 1>a freak and a weirdo I would be seen as

717
00:38:39.280 --> 00:38:43.280
<v Speaker 1>because I was an amputee was way overblown. But also

718
00:38:43.360 --> 00:38:45.159
<v Speaker 1>all the people who blew sunshine up my ass telling

719
00:38:45.199 --> 00:38:47.320
<v Speaker 1>me that everything is just fine exactly it was was

720
00:38:47.320 --> 00:38:50.079
<v Speaker 1>also kind of overblown. And that's something that's shown where

721
00:38:50.480 --> 00:38:52.639
<v Speaker 1>part of Bruce Wayne is saying like, who's gonna stare

722
00:38:52.639 --> 00:38:55.159
<v Speaker 1>at you? Everyone loves you and they go to a restaurant,

723
00:38:55.199 --> 00:38:57.000
<v Speaker 1>it's pretty clear people are staring at him and are

724
00:38:57.079 --> 00:39:00.360
<v Speaker 1>uncomfortable around him. And also some of it it's a

725
00:39:00.360 --> 00:39:01.880
<v Speaker 1>lot in his head as well. I mean, it's it's

726
00:39:01.920 --> 00:39:03.639
<v Speaker 1>this complicated mix, but yeah.

727
00:39:03.519 --> 00:39:04.159
<v Speaker 2>It's to tell.

728
00:39:04.239 --> 00:39:05.760
<v Speaker 4>Yeah, the point of all.

729
00:39:05.679 --> 00:39:07.719
<v Speaker 1>Of this is it feels like it's a very interesting

730
00:39:07.840 --> 00:39:12.119
<v Speaker 1>version of that story of saying like, Harvey did try

731
00:39:12.159 --> 00:39:14.559
<v Speaker 1>to stand up but couldn't protect himself in a way

732
00:39:14.599 --> 00:39:18.119
<v Speaker 1>that Batman could, and it cost him everything, and his

733
00:39:18.239 --> 00:39:20.599
<v Speaker 1>mental reaction to it is part of what cost him everything.

734
00:39:20.639 --> 00:39:23.239
<v Speaker 1>But like it definitely, you know, the acid throwing in

735
00:39:23.280 --> 00:39:26.519
<v Speaker 1>his face, I think leads to a fairly direct path leads.

736
00:39:26.320 --> 00:39:29.400
<v Speaker 4>To his maybe death, maybe who knows.

737
00:39:29.679 --> 00:39:30.920
<v Speaker 1>So yeah, it was just one more way in which

738
00:39:30.960 --> 00:39:32.400
<v Speaker 1>I think at first I didn't like it, And at

739
00:39:32.400 --> 00:39:34.239
<v Speaker 1>first I was just like, I don't want in part

740
00:39:34.280 --> 00:39:38.840
<v Speaker 1>because I found like the Harlequin Quinzel Harley and Quinzel

741
00:39:38.920 --> 00:39:40.639
<v Speaker 1>story and some of the others so interesting. I just

742
00:39:40.639 --> 00:39:43.440
<v Speaker 1>didn't want three full episodes about about Dent.

743
00:39:44.960 --> 00:39:46.119
<v Speaker 4>But the more I think about.

744
00:39:45.880 --> 00:39:48.039
<v Speaker 1>It, the more I think, like, Okay, they were it

745
00:39:48.159 --> 00:39:52.239
<v Speaker 1>wasn't like I didn't have They were not my three

746
00:39:52.239 --> 00:39:54.960
<v Speaker 1>most enjoyable episodes of the show by any means, but

747
00:39:55.039 --> 00:39:56.840
<v Speaker 1>I do think that they made some interesting points that

748
00:39:56.880 --> 00:39:58.119
<v Speaker 1>I'm enjoying thinking about now.

749
00:39:58.800 --> 00:40:01.360
<v Speaker 2>Yeah, yeah, and I and I would say, I hear

750
00:40:01.400 --> 00:40:04.079
<v Speaker 2>you for sure. I also think there's been a little

751
00:40:04.079 --> 00:40:07.880
<v Speaker 2>more Dent than like, not in the live action so much.

752
00:40:08.639 --> 00:40:11.280
<v Speaker 2>I mean there was a little in like in the

753
00:40:11.320 --> 00:40:15.360
<v Speaker 2>original Batman, right, I mean, yeah.

754
00:40:15.239 --> 00:40:17.000
<v Speaker 1>But you're right, we get him becoming two Face a

755
00:40:17.039 --> 00:40:19.559
<v Speaker 1>lot in like some of the stories.

756
00:40:19.119 --> 00:40:22.559
<v Speaker 2>And right, but also yeah, I mean two Face as

757
00:40:22.599 --> 00:40:24.840
<v Speaker 2>you know, one of the main villains right in the

758
00:40:25.039 --> 00:40:28.679
<v Speaker 2>in the animated series, but also in the long Halloween. Yep,

759
00:40:28.800 --> 00:40:30.719
<v Speaker 2>I think there's we get we get him there, so

760
00:40:31.440 --> 00:40:33.519
<v Speaker 2>or whether it's two Face or not, we get we

761
00:40:33.599 --> 00:40:36.199
<v Speaker 2>get a fair amount of Harvey Dent. But yeah, here,

762
00:40:36.239 --> 00:40:38.480
<v Speaker 2>I'd say it wasn't so much that I was like,

763
00:40:38.519 --> 00:40:41.079
<v Speaker 2>oh good, another Harvey Dent story. It was more that

764
00:40:41.159 --> 00:40:45.079
<v Speaker 2>it was like, I enjoyed, you know, Barber's role in

765
00:40:45.079 --> 00:40:49.000
<v Speaker 2>this one. I enjoyed, how you know, seeing Bruce try

766
00:40:49.000 --> 00:40:51.840
<v Speaker 2>to handle it and then not doing well with that,

767
00:40:52.039 --> 00:40:54.400
<v Speaker 2>and you know, so I think a lot of other

768
00:40:54.480 --> 00:40:59.519
<v Speaker 2>characters also, and the way that they interacted with that

769
00:40:59.639 --> 00:41:02.440
<v Speaker 2>story I think made it made it more interesting than

770
00:41:02.480 --> 00:41:05.320
<v Speaker 2>if it was like just exactly the same story. You know,

771
00:41:05.360 --> 00:41:06.280
<v Speaker 2>I think it's very true.

772
00:41:06.880 --> 00:41:08.360
<v Speaker 1>I think you're very right about that, and it is

773
00:41:08.400 --> 00:41:13.199
<v Speaker 1>such a there's an extent to which they never actually

774
00:41:13.199 --> 00:41:15.280
<v Speaker 1>put this together before. But like I think you could

775
00:41:15.360 --> 00:41:18.599
<v Speaker 1>look at Bruce Wayne Batman as a two face character,

776
00:41:18.920 --> 00:41:20.199
<v Speaker 1>like I think a lot of others would see that

777
00:41:20.239 --> 00:41:24.719
<v Speaker 1>as very yeah, and I think that, like, yeah, it's

778
00:41:24.760 --> 00:41:27.000
<v Speaker 1>not that I think Harvey Dent is essential to like

779
00:41:27.039 --> 00:41:28.679
<v Speaker 1>the formation of Batman, but I think it's a very

780
00:41:28.679 --> 00:41:31.360
<v Speaker 1>good point, pivotal point. And as we've said four in

781
00:41:31.440 --> 00:41:35.880
<v Speaker 1>last episode, last last episode on this it meant that,

782
00:41:35.880 --> 00:41:38.360
<v Speaker 1>like we're able to keep Joker completely off stage for

783
00:41:38.400 --> 00:41:40.519
<v Speaker 1>the entire season, and I do really appreciate that. And

784
00:41:40.599 --> 00:41:41.480
<v Speaker 1>you'll see where to go.

785
00:41:42.400 --> 00:41:45.639
<v Speaker 2>Yeah, I mean Joker and Riddler and then Penguin was

786
00:41:45.679 --> 00:41:48.800
<v Speaker 2>really just episode one, you know, so a lot of

787
00:41:48.840 --> 00:41:51.159
<v Speaker 2>the villains that have gotten a lot of screen time

788
00:41:51.280 --> 00:41:54.880
<v Speaker 2>had a lot less screen time. Yeah, and you know,

789
00:41:54.880 --> 00:41:57.239
<v Speaker 2>I appreciate that, especially for like a first season.

790
00:41:57.000 --> 00:42:01.280
<v Speaker 1>And we do get you know, gentlemen, ghost and yeah,

791
00:42:01.320 --> 00:42:04.480
<v Speaker 1>Firebug and things like that, which there's a lot else

792
00:42:04.480 --> 00:42:06.199
<v Speaker 1>we want to cover, and we're already going pretty long,

793
00:42:06.280 --> 00:42:09.880
<v Speaker 1>but just five minutes maximum. What did you think of

794
00:42:10.280 --> 00:42:13.599
<v Speaker 1>what is normally Batman. I think it was one of

795
00:42:13.599 --> 00:42:17.400
<v Speaker 1>the most grounded characters. He's fighting other human beings who

796
00:42:17.480 --> 00:42:20.719
<v Speaker 1>have powers and abilities that would make sense in our

797
00:42:20.760 --> 00:42:25.559
<v Speaker 1>world with some exceptions, and even then they're scientifically explained.

798
00:42:26.400 --> 00:42:29.199
<v Speaker 1>Having just a straight up supernatural appear in the middle

799
00:42:29.199 --> 00:42:30.000
<v Speaker 1>of the season.

800
00:42:30.920 --> 00:42:34.840
<v Speaker 2>Yeah, I think it's really interesting because and I forget

801
00:42:34.840 --> 00:42:38.840
<v Speaker 2>the other characters name, but the like the little the

802
00:42:38.920 --> 00:42:44.639
<v Speaker 2>Vampire girl, which, by the way, Matt Reeves directed the

803
00:42:44.800 --> 00:42:47.159
<v Speaker 2>American version of Let the Right One In. I think

804
00:42:47.199 --> 00:42:50.199
<v Speaker 2>it's called let Me In, which is about a little

805
00:42:50.280 --> 00:42:54.320
<v Speaker 2>vampire girl. And then here, you know, he's one of

806
00:42:54.320 --> 00:42:58.880
<v Speaker 2>the executive producers and there's this girl who's a vampire.

807
00:42:59.159 --> 00:42:59.400
<v Speaker 2>You know.

808
00:43:00.440 --> 00:43:01.719
<v Speaker 1>That's what I thought of it as kind of a

809
00:43:01.800 --> 00:43:04.519
<v Speaker 1>reference to Ace from the Royal Flush Gang and Batman

810
00:43:04.519 --> 00:43:05.320
<v Speaker 1>the original series.

811
00:43:06.000 --> 00:43:09.400
<v Speaker 2>Yeah, both of those, Yeah, for sure, I thought that. Yeah,

812
00:43:09.480 --> 00:43:12.360
<v Speaker 2>especially I mean with Batman carrying her out, you know,

813
00:43:12.440 --> 00:43:14.719
<v Speaker 2>under his cape after when the sun comes up, right,

814
00:43:14.760 --> 00:43:18.000
<v Speaker 2>I mean, that was like almost like a direct parallel

815
00:43:18.000 --> 00:43:23.159
<v Speaker 2>to the end and the thing with eight And actually

816
00:43:23.239 --> 00:43:26.760
<v Speaker 2>I thought that that storyline was really beautiful part of it,

817
00:43:26.920 --> 00:43:30.519
<v Speaker 2>you know, and it had like a bunch of Robins

818
00:43:30.559 --> 00:43:33.320
<v Speaker 2>in it, you know, and and I just thought was

819
00:43:33.760 --> 00:43:38.480
<v Speaker 2>interesting and different, and even if it was like these

820
00:43:38.519 --> 00:43:42.760
<v Speaker 2>other things as well. But having I think it is

821
00:43:42.800 --> 00:43:46.920
<v Speaker 2>a kind of modern misconception that like Batman exists in

822
00:43:46.960 --> 00:43:50.639
<v Speaker 2>this world of just like normal people without superpowers, and

823
00:43:51.199 --> 00:43:53.119
<v Speaker 2>you know, they're all just punching each other and they

824
00:43:53.159 --> 00:43:56.280
<v Speaker 2>have some technology and that's about it, like from the

825
00:43:56.320 --> 00:43:58.519
<v Speaker 2>comics from I don't know how early on, but like

826
00:43:58.599 --> 00:44:01.480
<v Speaker 2>there have been supernatural elements for a long long time.

827
00:44:01.519 --> 00:44:05.519
<v Speaker 2>You know, there's like Gotham overrun by zombies or vampires

828
00:44:05.679 --> 00:44:09.239
<v Speaker 2>or you know, there there are supernatural things going on

829
00:44:09.320 --> 00:44:12.719
<v Speaker 2>in Gotham all the time. Not in the more recent movies,

830
00:44:12.880 --> 00:44:18.320
<v Speaker 2>and I guess the the Tim Burton and then Joel

831
00:44:18.320 --> 00:44:21.920
<v Speaker 2>Schumacher movies don't have a lot of like really they

832
00:44:21.960 --> 00:44:25.920
<v Speaker 2>have like science fiction, right, like in the way that

833
00:44:26.000 --> 00:44:30.599
<v Speaker 2>like Spider Man has science fiction, where there's science is

834
00:44:30.639 --> 00:44:32.480
<v Speaker 2>doing stuff that science don't do.

835
00:44:32.719 --> 00:44:35.920
<v Speaker 1>Right, like you know, aliens, there's no other dimensions or

836
00:44:36.360 --> 00:44:39.280
<v Speaker 1>you know, supernatural or magic or things like that.

837
00:44:39.800 --> 00:44:43.480
<v Speaker 2>Right, but in you know, and then in the in

838
00:44:43.559 --> 00:44:46.360
<v Speaker 2>the Courstopher Nolan one is like super grounded, and then

839
00:44:46.360 --> 00:44:48.880
<v Speaker 2>the Matt Reeves is like, I'll show you branded, right,

840
00:44:49.599 --> 00:44:51.800
<v Speaker 2>like like they've just been like one up in each

841
00:44:51.800 --> 00:44:53.719
<v Speaker 2>other in that regard and being like this is just

842
00:44:53.800 --> 00:44:57.440
<v Speaker 2>a normal world Batman. But I mean, you know, the

843
00:44:57.800 --> 00:45:02.599
<v Speaker 2>the ben Affleck Batman, literally it's him versus an alien

844
00:45:03.159 --> 00:45:07.320
<v Speaker 2>in the versus first appearance, right, and in the first

845
00:45:07.519 --> 00:45:10.639
<v Speaker 2>Justice League animated series, I mean, obviously you know you've

846
00:45:10.679 --> 00:45:14.760
<v Speaker 2>got three aliens, I think on the crew, you know,

847
00:45:14.960 --> 00:45:18.840
<v Speaker 2>and like a goddess who is basically made out of clay,

848
00:45:18.920 --> 00:45:21.400
<v Speaker 2>and then like someone with superpowers and someone with a

849
00:45:21.400 --> 00:45:23.800
<v Speaker 2>magic item, right, and then he's like the normal dude.

850
00:45:23.800 --> 00:45:28.320
<v Speaker 2>But so I think Batman has had supernatural stuff that

851
00:45:28.360 --> 00:45:31.719
<v Speaker 2>he's interacted with for a long long time in the comics,

852
00:45:31.719 --> 00:45:36.039
<v Speaker 2>for a long time in animation, but very rarely on

853
00:45:36.159 --> 00:45:39.679
<v Speaker 2>screen and live action. And so I think that's where

854
00:45:40.719 --> 00:45:42.960
<v Speaker 2>you know, this conception of I think the idea of

855
00:45:43.079 --> 00:45:47.599
<v Speaker 2>like him not having superpowers but contending with those with

856
00:45:47.800 --> 00:45:52.559
<v Speaker 2>superpowers is actually it kind of ups the ante right

857
00:45:52.679 --> 00:45:54.360
<v Speaker 2>on the like, no, it's just going to be like

858
00:45:54.440 --> 00:45:57.400
<v Speaker 2>street level, like nobody has any powers, and it's like, well,

859
00:45:57.440 --> 00:46:00.760
<v Speaker 2>actually they have powers, but he doesn't. He's got money

860
00:46:00.800 --> 00:46:03.719
<v Speaker 2>and toys and stuff, but and sometimes symetric.

861
00:46:04.079 --> 00:46:05.480
<v Speaker 1>One of the few things that I think Zack Snyder

862
00:46:05.559 --> 00:46:08.920
<v Speaker 1>got exactly right about Batman is when he is in

863
00:46:08.960 --> 00:46:12.119
<v Speaker 1>a world with Superman and Psyclops and Wonder Woman and

864
00:46:12.159 --> 00:46:14.840
<v Speaker 1>all the rest, and someone asks what's your power and

865
00:46:14.880 --> 00:46:18.440
<v Speaker 1>he says, I'm rich because like, yeah, the money of

866
00:46:18.519 --> 00:46:22.639
<v Speaker 1>you there are things, but there are things that he

867
00:46:22.679 --> 00:46:24.519
<v Speaker 1>can do that no one of those other characters can do.

868
00:46:24.599 --> 00:46:27.679
<v Speaker 2>But yeah, yeah, so yeah, I mean I think you

869
00:46:27.760 --> 00:46:33.559
<v Speaker 2>know intelligence and you know determination and whatever, but but sure, yes,

870
00:46:33.679 --> 00:46:36.559
<v Speaker 2>I mean it is essentially in our world, you know,

871
00:46:36.639 --> 00:46:40.920
<v Speaker 2>one of the real superpowers, basically just being obscenely wealthy, right,

872
00:46:42.719 --> 00:46:43.159
<v Speaker 2>And yeah, I.

873
00:46:43.159 --> 00:46:44.159
<v Speaker 4>Think had a similar feeling.

874
00:46:44.159 --> 00:46:47.440
<v Speaker 1>I was really set up for it to be that

875
00:46:47.559 --> 00:46:50.760
<v Speaker 1>he's going to show that this doesn't actually exist. Right

876
00:46:50.800 --> 00:46:55.079
<v Speaker 1>At first, I was catching things and being like, come on, writers,

877
00:46:55.159 --> 00:46:57.119
<v Speaker 1>like if the whole point is that it isn't really

878
00:46:57.119 --> 00:46:59.599
<v Speaker 1>a ghost, like you're really pressing credulity here, And I

879
00:46:59.599 --> 00:47:02.280
<v Speaker 1>was like, oh no, you're actually doing that.

880
00:47:02.360 --> 00:47:04.599
<v Speaker 2>Okay, it is it is a ghost.

881
00:47:04.719 --> 00:47:08.039
<v Speaker 4>Yeah, didn't call that fair enough, And yeah, I liked it.

882
00:47:08.119 --> 00:47:10.039
<v Speaker 1>And there's a fun sort of story about, like, you know,

883
00:47:10.159 --> 00:47:14.199
<v Speaker 1>fighting old ideas of racism and all that kind of

884
00:47:14.239 --> 00:47:17.880
<v Speaker 1>stuff and classism, which I think is kind of one

885
00:47:17.880 --> 00:47:20.000
<v Speaker 1>thing that helped me is that I feel like like

886
00:47:20.119 --> 00:47:21.920
<v Speaker 1>one of the points of his wealth that you could

887
00:47:21.920 --> 00:47:25.639
<v Speaker 1>see very easily is the way that he calls Alfred Pennyworth,

888
00:47:26.320 --> 00:47:29.639
<v Speaker 1>because it really comes off as like you are my servants,

889
00:47:29.679 --> 00:47:32.159
<v Speaker 1>so I don't see you as fully human when it's

890
00:47:32.159 --> 00:47:34.679
<v Speaker 1>done with the rich and they're the people who work

891
00:47:34.719 --> 00:47:37.000
<v Speaker 1>for them. I think it's very clear in the story

892
00:47:37.000 --> 00:47:39.159
<v Speaker 1>that that's not why he does it. It's because of

893
00:47:39.199 --> 00:47:44.360
<v Speaker 1>the particular like Alfred is kind of becoming a second

894
00:47:44.440 --> 00:47:47.639
<v Speaker 1>another parental figure to him, and he just lost his

895
00:47:47.679 --> 00:47:50.760
<v Speaker 1>parental figures and it's no interest in like making himself

896
00:47:50.800 --> 00:47:52.760
<v Speaker 1>vulnerable to that kind of loss again, so he keeps

897
00:47:52.800 --> 00:47:54.360
<v Speaker 1>him at a distance of Pcolliam Pennyworth.

898
00:47:54.440 --> 00:47:58.519
<v Speaker 2>But yeah, yeah, but he but he also realizes over

899
00:47:58.639 --> 00:48:01.320
<v Speaker 2>time that it kind of looks like the other thing. Yeah,

900
00:48:01.360 --> 00:48:05.440
<v Speaker 2>and certainly feels like the other thing right to Alfred perhaps,

901
00:48:05.519 --> 00:48:09.199
<v Speaker 2>And so that that does actually seem like the largest

902
00:48:09.599 --> 00:48:13.679
<v Speaker 2>character growth for you know, for Batman and Bruce Wayne,

903
00:48:14.519 --> 00:48:14.880
<v Speaker 2>and just.

904
00:48:14.840 --> 00:48:16.599
<v Speaker 1>Kind of one part of that that connections The next

905
00:48:16.639 --> 00:48:19.119
<v Speaker 1>topic going to bring up is that I think part

906
00:48:19.159 --> 00:48:21.480
<v Speaker 1>of what through me is that, as you said, some

907
00:48:21.639 --> 00:48:26.440
<v Speaker 1>Batman's have a lot of supernatural, some don't. Batman in

908
00:48:26.519 --> 00:48:29.599
<v Speaker 1>the Justice League obviously has a ton of it, and

909
00:48:29.639 --> 00:48:32.800
<v Speaker 1>that Batman is an outgrowth of Batman the animated series.

910
00:48:33.000 --> 00:48:36.360
<v Speaker 1>It even has the same voice actor, Kevin Conroy. Batman

911
00:48:36.360 --> 00:48:38.960
<v Speaker 1>the animated series, though to me, felt much more grounded,

912
00:48:39.000 --> 00:48:41.000
<v Speaker 1>Like I think the supernatural does exist in a couple

913
00:48:41.000 --> 00:48:44.679
<v Speaker 1>of episodes, but not until later seasons for the most part,

914
00:48:44.719 --> 00:48:47.599
<v Speaker 1>and it's still very very rare. Yeah, you know every

915
00:48:47.599 --> 00:48:49.440
<v Speaker 1>now that Superman wants him to go off and fight

916
00:48:49.519 --> 00:48:50.840
<v Speaker 1>dark Side together, like that's.

917
00:48:51.039 --> 00:48:53.559
<v Speaker 2>Right, right, yeah, and there's the Lazarus Pit right.

918
00:48:53.480 --> 00:48:55.519
<v Speaker 4>Right exactly, and stuff like that.

919
00:48:58.000 --> 00:49:00.639
<v Speaker 1>But yeah, it's just I think because the anesthetic is

920
00:49:00.679 --> 00:49:03.119
<v Speaker 1>so much Batman the amand series, it threw me a lot.

921
00:49:03.599 --> 00:49:05.440
<v Speaker 1>But I think that's kind of the point. Is also

922
00:49:05.519 --> 00:49:09.440
<v Speaker 1>kind of like, no, this isn't We're obviously paying homage

923
00:49:09.480 --> 00:49:12.519
<v Speaker 1>to a number of different Batman's and we're paying homage

924
00:49:12.559 --> 00:49:14.920
<v Speaker 1>to the original animated show, and a lot of are aesthetic,

925
00:49:15.559 --> 00:49:16.880
<v Speaker 1>but that's not what the show is.

926
00:49:17.599 --> 00:49:21.440
<v Speaker 2>Right, Yeah. And I think the the idea of there

927
00:49:21.480 --> 00:49:25.760
<v Speaker 2>being something supernatural as a bit of a plot twist

928
00:49:26.039 --> 00:49:29.199
<v Speaker 2>only works if the audience doesn't know that that's the

929
00:49:29.239 --> 00:49:33.199
<v Speaker 2>plot twist, right, Like there are there are? You know,

930
00:49:33.320 --> 00:49:38.760
<v Speaker 2>if if you made a preview for Signs that showed

931
00:49:39.480 --> 00:49:42.559
<v Speaker 2>you know, the aliens, like you know, it would be like,

932
00:49:43.119 --> 00:49:45.760
<v Speaker 2>you know, it'd be like, oh that doesn't okay, I

933
00:49:45.760 --> 00:49:48.159
<v Speaker 2>guess that's there's no surprise there, right, or you know,

934
00:49:48.239 --> 00:49:51.920
<v Speaker 2>you explained the sixth sense or or various things, you know,

935
00:49:52.039 --> 00:49:56.920
<v Speaker 2>And and so I think, you know, Batman having supernatural

936
00:49:57.239 --> 00:50:02.920
<v Speaker 2>antagonists and and perhaps allies is not something that should

937
00:50:02.920 --> 00:50:08.039
<v Speaker 2>be completely surprising, but because there have been so many

938
00:50:08.079 --> 00:50:12.519
<v Speaker 2>stories told without that, it sets you up for that

939
00:50:12.639 --> 00:50:14.760
<v Speaker 2>actually being a surprise. And I as well, I mean,

940
00:50:14.800 --> 00:50:18.400
<v Speaker 2>I know the character, you know, I've seen gentlemen ghosts before,

941
00:50:19.639 --> 00:50:22.800
<v Speaker 2>but I kind of half expected, oh, well, they're not

942
00:50:22.920 --> 00:50:26.079
<v Speaker 2>actually going to do this as a supernatural thing, and

943
00:50:26.119 --> 00:50:28.760
<v Speaker 2>then it was like, oh they are, you know, Like

944
00:50:28.800 --> 00:50:32.280
<v Speaker 2>I wasn't sure until he came through and the thing

945
00:50:32.320 --> 00:50:35.440
<v Speaker 2>that it like, you know, it it was that they

946
00:50:35.440 --> 00:50:37.960
<v Speaker 2>were going that direction even knowing the character in the

947
00:50:37.960 --> 00:50:40.880
<v Speaker 2>first place, you know, because they could go another way

948
00:50:40.880 --> 00:50:42.440
<v Speaker 2>with it. They could have it be a hoax, right,

949
00:50:42.480 --> 00:50:45.199
<v Speaker 2>I mean, they changed a lot of characters, so there's

950
00:50:45.199 --> 00:50:47.440
<v Speaker 2>no reason they couldn't take a ghost and be like, yeah,

951
00:50:47.440 --> 00:50:49.960
<v Speaker 2>that's not actually a real ghost, that's a hoax, you know.

952
00:50:51.360 --> 00:50:53.760
<v Speaker 2>And the thing that I'm not sure whether we mentioned

953
00:50:53.760 --> 00:50:58.639
<v Speaker 2>it in the first episode or in the the bonus content,

954
00:50:58.719 --> 00:51:00.679
<v Speaker 2>but I do think I just want to double down

955
00:51:00.719 --> 00:51:03.960
<v Speaker 2>on the whole. Like, you know, I don't believe in

956
00:51:04.000 --> 00:51:08.880
<v Speaker 2>the supernatural, Like I think, once the supernatural is real, real,

957
00:51:08.960 --> 00:51:11.559
<v Speaker 2>it's not even supernatural, it's just natural.

958
00:51:11.639 --> 00:51:11.800
<v Speaker 4>Then.

959
00:51:12.039 --> 00:51:14.239
<v Speaker 2>But like, but like there's a lot of things that

960
00:51:14.320 --> 00:51:16.239
<v Speaker 2>a lot of people believe in that I don't believe

961
00:51:16.239 --> 00:51:19.079
<v Speaker 2>in because of a lack of evidence. But like I

962
00:51:19.119 --> 00:51:23.920
<v Speaker 2>do think it's very important to acknowledge, like once there's evidence,

963
00:51:23.960 --> 00:51:28.360
<v Speaker 2>once there's compelling evidence, then whatever your beliefs are, you

964
00:51:28.400 --> 00:51:31.559
<v Speaker 2>should change them. Yeah, you know, Like that's the thing.

965
00:51:31.599 --> 00:51:34.280
<v Speaker 2>It's like, what evidence is there? Okay, I don't find

966
00:51:34.280 --> 00:51:37.039
<v Speaker 2>that convincing. Fine, but then at a certain point it's

967
00:51:37.079 --> 00:51:40.159
<v Speaker 2>like oh no, that yeah, that's that ghost is real.

968
00:51:40.400 --> 00:51:43.079
<v Speaker 2>You know, like especially in that world where there's like

969
00:51:43.119 --> 00:51:46.199
<v Speaker 2>no technology that's going to be able to like you know,

970
00:51:47.159 --> 00:51:49.880
<v Speaker 2>create a hologram the way maybe you could now you know.

971
00:51:49.960 --> 00:51:53.280
<v Speaker 1>Yeah probably, but yeah, No, I think it's very true.

972
00:51:53.280 --> 00:51:54.800
<v Speaker 1>And I think we talked about this a bit last episode,

973
00:51:54.840 --> 00:51:56.599
<v Speaker 1>but it's worth kind of underlining, Like, to me, that

974
00:51:56.719 --> 00:51:59.360
<v Speaker 1>is the greatest sign of Batman's intelligence because I think

975
00:52:00.239 --> 00:52:01.840
<v Speaker 1>and we see this in the world all around us,

976
00:52:01.840 --> 00:52:05.079
<v Speaker 1>and this is on everything from like refusing to believe

977
00:52:05.159 --> 00:52:07.440
<v Speaker 1>that like one strategy to play a video game might

978
00:52:07.480 --> 00:52:09.679
<v Speaker 1>actually be better, or you know, refusing to believe that

979
00:52:09.760 --> 00:52:13.239
<v Speaker 1>like something that changes your political beliefs in a fundamental way,

980
00:52:13.280 --> 00:52:14.840
<v Speaker 1>or that you know, you think that these kind of

981
00:52:14.840 --> 00:52:17.639
<v Speaker 1>people are bad or evil and you see direct evidence

982
00:52:17.639 --> 00:52:21.840
<v Speaker 1>of it. It's very easy for us to build a

983
00:52:21.920 --> 00:52:25.800
<v Speaker 1>worldview so rigid that when new evidence comes up to us,

984
00:52:25.800 --> 00:52:27.719
<v Speaker 1>we just find ways to explain it away or to

985
00:52:28.360 --> 00:52:29.840
<v Speaker 1>We talked about this in the Planet of the Apes

986
00:52:29.880 --> 00:52:32.719
<v Speaker 1>movie episode I just did with Rieky that that's a

987
00:52:32.719 --> 00:52:35.599
<v Speaker 1>lot about how on both sides, humans and apes will

988
00:52:35.599 --> 00:52:39.039
<v Speaker 1>both be like no, no, no, that evidence doesn't fit my worldview,

989
00:52:39.079 --> 00:52:42.239
<v Speaker 1>so the evidence must be destroyed. That means willing to

990
00:52:42.280 --> 00:52:44.880
<v Speaker 1>be like, no, okay, this is new information. I can

991
00:52:44.920 --> 00:52:50.639
<v Speaker 1>objectively say no matter what, because I I don't know

992
00:52:50.679 --> 00:52:52.480
<v Speaker 1>if this is a comic someone told me about or

993
00:52:52.519 --> 00:52:56.039
<v Speaker 1>an episode I saw, but I remember there being one

994
00:52:57.119 --> 00:52:59.800
<v Speaker 1>episode where a fairly young Bruce Wayne. Maybe it came

995
00:52:59.880 --> 00:53:03.079
<v Speaker 1>up Gotham. I'm not sure, but like someone is trying

996
00:53:03.079 --> 00:53:05.400
<v Speaker 1>to tell him that ghosts surreal, and part of why

997
00:53:05.440 --> 00:53:07.920
<v Speaker 1>he is like no, I don't believe that is because

998
00:53:08.360 --> 00:53:09.800
<v Speaker 1>then he might want to like find the ghost of

999
00:53:09.800 --> 00:53:12.599
<v Speaker 1>his parents or something like that. Part of his sort

1000
00:53:12.599 --> 00:53:14.559
<v Speaker 1>of healing is like they are dead, they are gone.

1001
00:53:14.599 --> 00:53:19.079
<v Speaker 1>I can remember them, but you know so right? Anyway, Listeners,

1002
00:53:19.119 --> 00:53:21.119
<v Speaker 1>do you remember where I got that from? Please write

1003
00:53:21.119 --> 00:53:22.719
<v Speaker 1>in and let me know so I can not feel

1004
00:53:23.079 --> 00:53:26.519
<v Speaker 1>like I'm losing my mind over this. Let's talk about

1005
00:53:26.519 --> 00:53:28.000
<v Speaker 1>the last kind of thing we wanted to touch on.

1006
00:53:28.480 --> 00:53:32.360
<v Speaker 1>The voice actors. Yes, because I think they're really high quality.

1007
00:53:33.079 --> 00:53:38.760
<v Speaker 2>I agree. The Batman is played by Hamish link latter

1008
00:53:39.960 --> 00:53:45.280
<v Speaker 2>not certain pronunciation. I believe it's of Scottish origin, but

1009
00:53:45.480 --> 00:53:49.400
<v Speaker 2>who does I think a fantastic Kevin Conroy without sounding

1010
00:53:49.440 --> 00:53:52.599
<v Speaker 2>like he's trying to do an impersonation. Like I really

1011
00:53:52.639 --> 00:53:56.559
<v Speaker 2>felt like this is my Batman, you know, like this

1012
00:53:56.679 --> 00:54:01.519
<v Speaker 2>is the Bruce Wayne sounded like Bruce Wayne. Batman sounded

1013
00:54:02.079 --> 00:54:06.719
<v Speaker 2>like someone different but the same, you know, and and

1014
00:54:06.880 --> 00:54:10.840
<v Speaker 2>had that not overdone gravelly, but you know, kind of

1015
00:54:10.880 --> 00:54:16.639
<v Speaker 2>deep and commanding and confident, and and I just I

1016
00:54:16.679 --> 00:54:19.400
<v Speaker 2>just think he did a great job, you know, I

1017
00:54:19.760 --> 00:54:22.960
<v Speaker 2>think really across the board, I really really enjoyed the

1018
00:54:23.360 --> 00:54:28.800
<v Speaker 2>voice acting. You were talking about Harlene Quinzel, who's played

1019
00:54:28.800 --> 00:54:32.039
<v Speaker 2>by Jamie Chung, who's been in a number of She's

1020
00:54:32.039 --> 00:54:34.920
<v Speaker 2>in like Batman's Soul of the Dragon and a number

1021
00:54:34.920 --> 00:54:40.159
<v Speaker 2>of other animated things. And it's funny because like I

1022
00:54:40.920 --> 00:54:46.599
<v Speaker 2>didn't even like really notice that, like Harlene Quinzel was

1023
00:54:46.599 --> 00:54:50.159
<v Speaker 2>was Asian. But like I think some of that's a

1024
00:54:50.239 --> 00:54:54.239
<v Speaker 2>some of that's animation right where I mean we've talked

1025
00:54:54.239 --> 00:54:57.679
<v Speaker 2>about this with with Batman beyond where it's like Terry

1026
00:54:57.760 --> 00:55:00.559
<v Speaker 2>McGinnis looks Asian. He looks like half Asian least right,

1027
00:55:00.679 --> 00:55:05.920
<v Speaker 2>and and there is a certain you know, race in

1028
00:55:05.920 --> 00:55:12.039
<v Speaker 2>in animation can be more ambiguous than it is in

1029
00:55:12.039 --> 00:55:16.360
<v Speaker 2>in live action or in person or whatever. Even though

1030
00:55:16.400 --> 00:55:18.039
<v Speaker 2>the whole thing is there. There is a level of

1031
00:55:18.079 --> 00:55:22.719
<v Speaker 2>ambiguity and in some cases when you know the whole

1032
00:55:22.719 --> 00:55:23.320
<v Speaker 2>long thing there.

1033
00:55:23.360 --> 00:55:24.800
<v Speaker 4>But I think, I said in the last episode, like

1034
00:55:24.840 --> 00:55:25.400
<v Speaker 4>she looked.

1035
00:55:25.760 --> 00:55:27.800
<v Speaker 1>My first thought was that she was Asian, But then

1036
00:55:28.760 --> 00:55:30.599
<v Speaker 1>overall what I thought was, like, she is a person

1037
00:55:30.639 --> 00:55:31.079
<v Speaker 1>of color.

1038
00:55:31.239 --> 00:55:32.280
<v Speaker 4>I think she's Asian.

1039
00:55:32.840 --> 00:55:34.719
<v Speaker 1>But if you told me she's Puerto Rican or like

1040
00:55:34.840 --> 00:55:37.280
<v Speaker 1>Latina in some way, I would not be sure, you know.

1041
00:55:37.760 --> 00:55:41.559
<v Speaker 2>Right, yeah, which generally then Ilanda like Filipina, you know.

1042
00:55:41.920 --> 00:55:47.239
<v Speaker 2>But but yeah, I I appreciate that in terms of,

1043
00:55:47.320 --> 00:55:49.199
<v Speaker 2>you know, in terms of the animation. But I also

1044
00:55:49.280 --> 00:55:54.039
<v Speaker 2>I loved her Harlene and Harley, you know, I think

1045
00:55:54.119 --> 00:55:56.679
<v Speaker 2>I think it's a great character, and it was, and

1046
00:55:56.679 --> 00:56:00.920
<v Speaker 2>she was really well voiced and really just across the board.

1047
00:56:01.039 --> 00:56:04.360
<v Speaker 2>You know that Christina ricci as as Catwoman. I'm trying

1048
00:56:04.360 --> 00:56:07.079
<v Speaker 2>to remember who I thought she was. I heard Catwoman

1049
00:56:07.119 --> 00:56:09.880
<v Speaker 2>and I was like, oh, who is this and I

1050
00:56:09.920 --> 00:56:12.239
<v Speaker 2>thought it was someone specific. Oh, I thought it was

1051
00:56:12.280 --> 00:56:17.440
<v Speaker 2>the voice actress for Azula at first. Interesting because this Catwoman,

1052
00:56:17.519 --> 00:56:21.519
<v Speaker 2>Selena Kyle, really channels her like inner Azula. I feel

1053
00:56:21.519 --> 00:56:25.480
<v Speaker 2>like she's got a very similar vibe, which was which

1054
00:56:25.599 --> 00:56:28.920
<v Speaker 2>just really worked for me. Yeah, but it wasn't it was.

1055
00:56:28.960 --> 00:56:33.320
<v Speaker 2>It was Christina Ricci and and we mentioned before Minnie

1056
00:56:33.360 --> 00:56:38.239
<v Speaker 2>Driver as as Oswalda Cabbo pot and yeah, and just

1057
00:56:39.199 --> 00:56:39.480
<v Speaker 2>you know.

1058
00:56:40.400 --> 00:56:42.760
<v Speaker 1>Could go on, but like, yeah, I'm not true. I

1059
00:56:43.280 --> 00:56:47.000
<v Speaker 1>didn't love the Harvey Dents like episodes, but I thought

1060
00:56:47.000 --> 00:56:48.880
<v Speaker 1>the actor playing him was fantastic. And I never had

1061
00:56:48.880 --> 00:56:50.880
<v Speaker 1>a moment where I thought like this doesn't feel real,

1062
00:56:51.039 --> 00:56:51.320
<v Speaker 1>you know.

1063
00:56:52.119 --> 00:56:58.400
<v Speaker 2>Right, yeah, exactly. So yeah, I just I feel like

1064
00:56:59.199 --> 00:57:02.920
<v Speaker 2>d C hends to really get voice acting. I didn't

1065
00:57:02.960 --> 00:57:09.360
<v Speaker 2>see who the directors or or the voice casting was.

1066
00:57:11.400 --> 00:57:16.320
<v Speaker 2>Andrea Romano did so many of those ones before, but

1067
00:57:16.400 --> 00:57:18.719
<v Speaker 2>I don't I didn't. I don't remember seeing her name,

1068
00:57:18.800 --> 00:57:22.480
<v Speaker 2>but but yeah, anyway, it's just I feel like, oh

1069
00:57:22.480 --> 00:57:27.679
<v Speaker 2>it's Agnes Kim and Sarah Noonan did the casting. So

1070
00:57:28.760 --> 00:57:33.400
<v Speaker 2>but yeah, I just think, you know, they really got

1071
00:57:33.440 --> 00:57:40.159
<v Speaker 2>excellent voice acting. I saw I think it was Bruce

1072
00:57:40.199 --> 00:57:44.480
<v Speaker 2>tim talking about how Warner Brothers approached him to like

1073
00:57:44.639 --> 00:57:47.639
<v Speaker 2>do a continuation of Batman, the animated series, and he

1074
00:57:47.719 --> 00:57:49.559
<v Speaker 2>was like, yeah, I don't want to do that, Like

1075
00:57:49.960 --> 00:57:52.280
<v Speaker 2>maybe some of it's because Kevin Conroy died, and it

1076
00:57:52.480 --> 00:57:55.119
<v Speaker 2>just I don't think it would feel right, you know,

1077
00:57:55.280 --> 00:57:58.840
<v Speaker 2>to be like let's get someone to literally impersonate Kevin Conroy,

1078
00:57:58.880 --> 00:58:02.039
<v Speaker 2>which you know has been done of course in various series,

1079
00:58:02.119 --> 00:58:05.159
<v Speaker 2>but not not Kevin Conroy but other their voice actors,

1080
00:58:06.159 --> 00:58:08.159
<v Speaker 2>but also just it's like sometimes I think it's like,

1081
00:58:08.199 --> 00:58:11.039
<v Speaker 2>you know what, like how many episodes did they do?

1082
00:58:11.199 --> 00:58:13.000
<v Speaker 2>Like do you really want to pick up where you

1083
00:58:13.079 --> 00:58:16.360
<v Speaker 2>left off and like add to that exact story or

1084
00:58:16.440 --> 00:58:18.039
<v Speaker 2>do you want to do something fresh? You know?

1085
00:58:18.599 --> 00:58:23.119
<v Speaker 1>And so series like in some ways, you could call

1086
00:58:23.159 --> 00:58:26.000
<v Speaker 1>this a prequel, and then you've all the prequel problems

1087
00:58:26.000 --> 00:58:28.360
<v Speaker 1>that you get into, right, or you have a continuation

1088
00:58:28.599 --> 00:58:32.000
<v Speaker 1>then like how many stories are off the board because

1089
00:58:32.000 --> 00:58:33.360
<v Speaker 1>you've already you know.

1090
00:58:33.320 --> 00:58:35.639
<v Speaker 2>You can't what you did with do what you did

1091
00:58:35.679 --> 00:58:38.039
<v Speaker 2>with with Harley, right, you can't do what you did

1092
00:58:38.079 --> 00:58:41.280
<v Speaker 2>with with Penguin, Like you can't do what you did

1093
00:58:41.280 --> 00:58:44.400
<v Speaker 2>with with Harvey, you know, you like you're you really

1094
00:58:44.679 --> 00:58:47.000
<v Speaker 2>they went through a lot of characters, and they told

1095
00:58:47.000 --> 00:58:50.280
<v Speaker 2>a lot of stories, and apparently there were a bunch

1096
00:58:50.280 --> 00:58:52.840
<v Speaker 2>of ideas that they wanted to do, but we're like,

1097
00:58:52.880 --> 00:58:55.760
<v Speaker 2>well that doesn't really fit this audience, right, because I

1098
00:58:55.840 --> 00:58:58.000
<v Speaker 2>don't know if it was like Saturday Afternoon cartoon or

1099
00:58:58.039 --> 00:58:59.840
<v Speaker 2>morning or whatever. But it's like, you know, it's for

1100
00:59:00.039 --> 00:59:02.519
<v Speaker 2>a particular demographic is aimed at, and I think this

1101
00:59:02.599 --> 00:59:09.000
<v Speaker 2>one is aimed at you know, older and or wider demographic. Yeah,

1102
00:59:09.920 --> 00:59:13.639
<v Speaker 2>and you know some of the things are like, you know, oh, well,

1103
00:59:13.760 --> 00:59:16.360
<v Speaker 2>characters are clearly dying and this is like more mature

1104
00:59:16.480 --> 00:59:19.320
<v Speaker 2>or whatever, which I generally think is like a load.

1105
00:59:19.199 --> 00:59:21.920
<v Speaker 4>Media very mature, and a lot of people died.

1106
00:59:22.519 --> 00:59:25.639
<v Speaker 2>Right, Okay, Yeah, So I mean there's an extent to which,

1107
00:59:25.679 --> 00:59:29.519
<v Speaker 2>like the Batman story is about death, right, that's like

1108
00:59:29.840 --> 00:59:33.880
<v Speaker 2>his primary motivation, the trauma of two people dying right

1109
00:59:33.880 --> 00:59:36.639
<v Speaker 2>in front of his eyes. Like, and I think a

1110
00:59:36.639 --> 00:59:37.960
<v Speaker 2>lot of the stories that are like we're going to

1111
00:59:38.079 --> 00:59:39.960
<v Speaker 2>kill a bunch of characters and that's going to be mature.

1112
00:59:40.000 --> 00:59:42.679
<v Speaker 2>And I'm like, yeah, are you actually like really dealing

1113
00:59:42.800 --> 00:59:44.480
<v Speaker 2>with death in a mature way? Are you just kind

1114
00:59:44.480 --> 00:59:47.599
<v Speaker 2>of like, look, we killed some people because they're so edgy,

1115
00:59:48.440 --> 00:59:51.719
<v Speaker 2>right exactly, But like here I do feel like, you know,

1116
00:59:51.800 --> 00:59:53.960
<v Speaker 2>they they did not like we're going to try and

1117
00:59:54.000 --> 00:59:56.039
<v Speaker 2>tell an adult story, but just like, hey, these are

1118
00:59:56.119 --> 00:59:58.119
<v Speaker 2>some ideas for stories we had. We're going to tell

1119
00:59:58.159 --> 01:00:00.599
<v Speaker 2>them the way we want because we now have license to.

1120
01:00:01.039 --> 01:00:03.360
<v Speaker 2>You know, it's on a streaming platform. You know, we

1121
01:00:03.440 --> 01:00:06.239
<v Speaker 2>don't have to. We're not we're not rained in quite

1122
01:00:06.239 --> 01:00:07.400
<v Speaker 2>the same way we were before.

1123
01:00:08.280 --> 01:00:11.000
<v Speaker 1>I mean, the budget of an animated show is so

1124
01:00:11.159 --> 01:00:15.440
<v Speaker 1>much smaller than the budget of a live action movie,

1125
01:00:15.440 --> 01:00:18.119
<v Speaker 1>if nothing else, because you know, think about the actors

1126
01:00:18.119 --> 01:00:19.760
<v Speaker 1>we just talked about, none of whom are like huge

1127
01:00:19.800 --> 01:00:22.719
<v Speaker 1>Hollywood A listers, but are still you know, well known

1128
01:00:22.760 --> 01:00:25.480
<v Speaker 1>people in Hollywood who I'm sure get paid.

1129
01:00:25.519 --> 01:00:25.800
<v Speaker 4>Well.

1130
01:00:26.599 --> 01:00:29.199
<v Speaker 1>Yeah, you can ask them to commit themselves to six

1131
01:00:29.239 --> 01:00:32.639
<v Speaker 1>months of a movie shoot or maybe a total of

1132
01:00:32.719 --> 01:00:36.840
<v Speaker 1>like five two hour recording sessions, you know, over a

1133
01:00:36.840 --> 01:00:39.039
<v Speaker 1>few months. Like it's just a very different level of

1134
01:00:39.039 --> 01:00:39.559
<v Speaker 1>what you can do.

1135
01:00:41.039 --> 01:00:43.400
<v Speaker 2>Yeah. And I mean sometimes even somebody can just record

1136
01:00:43.440 --> 01:00:45.719
<v Speaker 2>the audio in their home, right. I mean, I don't

1137
01:00:45.719 --> 01:00:47.280
<v Speaker 2>know how they did this series, but that's like a

1138
01:00:47.320 --> 01:00:48.320
<v Speaker 2>thing now, Yeah.

1139
01:00:48.320 --> 01:00:53.039
<v Speaker 4>Something like what the hell is that movie? Is? Kaya

1140
01:00:53.159 --> 01:00:54.239
<v Speaker 4>and the Dragon.

1141
01:00:54.440 --> 01:00:56.039
<v Speaker 2>RYA The Last Last Dragon?

1142
01:00:56.119 --> 01:00:58.320
<v Speaker 1>Yeah, I mean that most of the was not exactly

1143
01:00:58.400 --> 01:01:00.480
<v Speaker 1>that way it's done during pandemics.

1144
01:01:00.840 --> 01:01:02.639
<v Speaker 4>Yeah, Yeah, I think I agree with all that.

1145
01:01:02.719 --> 01:01:04.840
<v Speaker 1>I think like at first, I felt to me like

1146
01:01:04.880 --> 01:01:06.760
<v Speaker 1>it was going to be a continuation of b TAS

1147
01:01:06.840 --> 01:01:09.800
<v Speaker 1>and I'm glad it wasn't that, but it it felt

1148
01:01:09.840 --> 01:01:11.719
<v Speaker 1>like it was saying, yes, there are all of these

1149
01:01:11.719 --> 01:01:15.039
<v Speaker 1>different Batman's out there, we're going to have a new

1150
01:01:15.119 --> 01:01:19.280
<v Speaker 1>take on Batman, but we're starting from BTAS and the

1151
01:01:19.280 --> 01:01:23.280
<v Speaker 1>comics that that comes from. Like yeah, we're not like yeah,

1152
01:01:23.320 --> 01:01:26.320
<v Speaker 1>and that there's like it's not like an FU to

1153
01:01:26.400 --> 01:01:29.519
<v Speaker 1>people who like Schumacher, who like Bafleck, but it's also

1154
01:01:29.639 --> 01:01:31.440
<v Speaker 1>like if you didn't love those, don't worry.

1155
01:01:31.480 --> 01:01:32.199
<v Speaker 4>We got you.

1156
01:01:32.559 --> 01:01:35.000
<v Speaker 2>We got you. Yeah, exactly exactly.

1157
01:01:35.079 --> 01:01:36.920
<v Speaker 1>And unrelated in this, but I want you want to

1158
01:01:36.920 --> 01:01:38.880
<v Speaker 1>add like one cool thing. Uh And this was some

1159
01:01:38.920 --> 01:01:42.480
<v Speaker 1>feedback we actually got personal that's not for their name

1160
01:01:42.519 --> 01:01:46.320
<v Speaker 1>to be mentioned, but just uh we chatted online of it,

1161
01:01:46.400 --> 01:01:52.159
<v Speaker 1>and he said that for him, growing up, uh, he

1162
01:01:52.199 --> 01:01:55.199
<v Speaker 1>grew up with Batman sixty six, the Rockham Sochem you know,

1163
01:01:55.400 --> 01:01:58.920
<v Speaker 1>pow All bright colors kind of thing, and that's his Batman.

1164
01:01:59.159 --> 01:02:02.239
<v Speaker 1>And then he totally understands that. But that's why for him,

1165
01:02:02.320 --> 01:02:05.480
<v Speaker 1>the Schumacher movies are the closest thing that he has

1166
01:02:05.480 --> 01:02:08.679
<v Speaker 1>seen to that because there can't be very much in

1167
01:02:08.679 --> 01:02:11.000
<v Speaker 1>the lay of the show was and that for him, sure, yeah,

1168
01:02:11.039 --> 01:02:12.599
<v Speaker 1>you know, as a young person growing up, that's what

1169
01:02:12.639 --> 01:02:14.880
<v Speaker 1>he loved. And so, you know, just another reminder that

1170
01:02:14.960 --> 01:02:18.400
<v Speaker 1>like something can be totally not my Batman, but it's

1171
01:02:18.400 --> 01:02:21.280
<v Speaker 1>someone else's. Because like we talk about how dark and

1172
01:02:21.320 --> 01:02:25.119
<v Speaker 1>gritty Batman is, Batman sixty six was most people's only

1173
01:02:25.159 --> 01:02:27.920
<v Speaker 1>live action Batman for a long time, and it is

1174
01:02:28.000 --> 01:02:28.679
<v Speaker 1>not gritty.

1175
01:02:28.960 --> 01:02:29.480
<v Speaker 4>It is not.

1176
01:02:29.840 --> 01:02:32.159
<v Speaker 2>No, it's not. That was the first one I saw too.

1177
01:02:32.159 --> 01:02:33.679
<v Speaker 2>I mean I watched that as a kid. I enjoyed

1178
01:02:33.679 --> 01:02:35.719
<v Speaker 2>it as a kid. I loved it as a kid.

1179
01:02:36.400 --> 01:02:38.679
<v Speaker 2>And actually, I feel like in this series, you get

1180
01:02:38.679 --> 01:02:42.840
<v Speaker 2>on a monopoia. Yeah, who's the leader of the assassins, right,

1181
01:02:42.920 --> 01:02:46.719
<v Speaker 2>and I feel like kind of ticks that box in

1182
01:02:46.760 --> 01:02:48.000
<v Speaker 2>a in a kind of gentle way.

1183
01:02:48.079 --> 01:02:48.840
<v Speaker 4>Yeah, you know exactly.

1184
01:02:48.920 --> 01:02:51.000
<v Speaker 1>And like I still think earth a kid maybe the

1185
01:02:51.000 --> 01:02:52.239
<v Speaker 1>best catwoman I've ever seen.

1186
01:02:52.360 --> 01:02:54.679
<v Speaker 2>Oh yes, well she's the only one that ever met

1187
01:02:54.719 --> 01:02:55.159
<v Speaker 2>out at me.

1188
01:02:56.679 --> 01:02:58.159
<v Speaker 4>Yes, very true, very true.

1189
01:02:58.559 --> 01:03:00.559
<v Speaker 1>All right, well, thank you also much, thank you. We're

1190
01:03:00.559 --> 01:03:02.480
<v Speaker 1>gonna have some bonus content just talking a bit more

1191
01:03:02.519 --> 01:03:07.239
<v Speaker 1>about like how we kind of see other superheroes compared

1192
01:03:07.280 --> 01:03:10.440
<v Speaker 1>to Batman in these different settings that we're talking about.

1193
01:03:11.559 --> 01:03:13.320
<v Speaker 1>But for everyone who's not a member yet, please think

1194
01:03:13.320 --> 01:03:15.519
<v Speaker 1>about becoming one. Five dollars a month, fifty five dollars

1195
01:03:15.559 --> 01:03:17.159
<v Speaker 1>a year. You get bonus content at the end of

1196
01:03:17.159 --> 01:03:20.440
<v Speaker 1>every episode, you get full bonus episodes, and of course

1197
01:03:20.480 --> 01:03:22.119
<v Speaker 1>you get to help support what we're doing here. It's

1198
01:03:22.159 --> 01:03:24.440
<v Speaker 1>really great help us keep the lights on. As I mentioned,

1199
01:03:24.440 --> 01:03:26.280
<v Speaker 1>this is probably gonna be the last episode that goes

1200
01:03:26.320 --> 01:03:28.559
<v Speaker 1>live before we go on hiatus for a couple of weeks.

1201
01:03:28.920 --> 01:03:30.880
<v Speaker 1>Just gives us a time to kind of like stop

1202
01:03:30.960 --> 01:03:33.480
<v Speaker 1>readjust get.

1203
01:03:34.599 --> 01:03:36.599
<v Speaker 4>Back on top of our schedule as also think about

1204
01:03:36.599 --> 01:03:37.079
<v Speaker 4>how can we.

1205
01:03:37.039 --> 01:03:39.599
<v Speaker 1>Make even better content for you all. So especially if

1206
01:03:39.599 --> 01:03:41.360
<v Speaker 1>you have thoughts about what you would like to see

1207
01:03:41.400 --> 01:03:44.440
<v Speaker 1>more from these episodes, please let us know. Thank you

1208
01:03:44.480 --> 01:03:46.679
<v Speaker 1>so much for Paul Rieky will be back soon.

1209
01:03:47.719 --> 01:03:47.920
<v Speaker 2>We have
